January 13, 2025 • 49 mins
This week we have a SPECIAL episode as Mandii & Weezy interview Keke Palmer & director Lawerence Lamont at the screen of their new film: “One Of Them Days”. Keke gets into working with such a star-studded case that features not only her co-star SZA, but Katt Williams, Janelle, James, and more! Lawrence gave Weezy & Mandii the breakdown of their favorite moments on set, and how they filmed in only THREE weeks. Lastly, we get into the soundtrack of the movie and casting the “eye-candy” of the film. After the interview, Weezy & Mandii get into manifesting new ventures, the chemistry between two “Type-A” personalities, an app where people are PURCHASING dates, and much more!
Catch “One Of Them Days” In Theaters Now!
https://oneofthemdays.movie/
Follow the hosts on social media Weezy @Weezywtf & Mandii B @Fullcourtpumps and follow the Decisions Decisions pages
Instagram @_decisionsdecisions
Don't forget to tag #decisionsdecisions or @ us to let us know what you think of this week's episode!
Want more? Bonus episodes, merch and more Whoreible Decisions!! Become a Patron at Patreon.com/whoreibledecisions
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Welcome to Decisions Decisions. I don't think you should say
decision Decisions. It sounded like you was talking to Kirsty.
Speaker 2 (00:06):
You definitely say to welcome, Welcome to the new podcast.
Speaker 1 (00:10):
You want to say together, Decisions Decisions.
Speaker 3 (00:13):
You're joining us for a live taping of the Decisions
Decisions podcast, and we are really excited to talk about
not only the film, but be joined by Keiky keep
a job, Palmer, Hey, you what to beg a dumb sheep?
Speaker 4 (00:34):
And the director Lawrence Lamont. We're we're really excited. We
had can I also just say, this is our.
Speaker 2 (00:40):
Second time watching this film, and it was even funny
the second time.
Speaker 1 (00:44):
So fetching all the things. Let me tell you, y'all,
since I saw this movie once, I hope you know
a part I would looking at the second time on
this big screen.
Speaker 3 (00:51):
Worse than this.
Speaker 2 (00:52):
Oh like it won't be that big. The boxers and
the princes and with the part and if we're going
to talk about anything here in the winter men, stay
away from them, Grace wetpants. That is the first trap
for the Winso, okay, body in this theater do have
something like that?
Speaker 1 (01:08):
You have a home in my house?
Speaker 4 (01:13):
Uh, don't do that. Don't do that. But we are
really excited.
Speaker 1 (01:16):
We're gonna talk a little bit, a little bit about.
Speaker 4 (01:18):
One of them days again with Kiki and Lawrence. And
first we're gonna go ahead and get Kiki out of here. Right,
let's do y'all want to.
Speaker 2 (01:25):
Give it up for Kiki Boma, y'all, she was a
part of our childhood, you know, for miss Kiky Palmer.
Do you dad.
Speaker 4 (01:45):
Are do you what?
Speaker 3 (01:49):
Hey?
Speaker 5 (01:51):
Not?
Speaker 1 (01:52):
Just the actor in this movie? Producer to you did that?
Speaker 4 (01:56):
She said, I got all the jobs.
Speaker 2 (01:57):
She she wrote it, she did castle, she picked everything
out here you y'all, you know, really excited to talk
to you about this film and everything about it.
Speaker 1 (02:08):
But also I'm really glad too to be joined by
the director. That's right, without hearing a dude, we got
to bring him.
Speaker 4 (02:13):
Out representing the d y'all. We got bo.
Speaker 2 (02:23):
And I'm gonna put y'all on to him if y'all
don't know, because y'all know him. Y'all just don't know
y'all know him, Okay.
Speaker 6 (02:29):
All right, So we gotta start with this press tour
because first when I saw the trailer, I was like, oh, shake.
Speaker 1 (02:35):
You know, like that sister too.
Speaker 2 (02:37):
It was just more and more Cat Williams, Lorell like Dominique,
Janelle for real Janelle, having all these people. How's press
been for y'all? Like, who have you been on tour with?
Speaker 1 (02:48):
So far?
Speaker 5 (02:49):
I feel like it's just really getting started. It's been
mostly me Issa Sizza. That's been the main thing. But
I'm really ready to see Kat out there too.
Speaker 7 (02:56):
He gotta show this weekend.
Speaker 2 (02:57):
First off, it is the first week of twenty f
twenty five.
Speaker 4 (03:01):
Kat Williams. Were he a year ago?
Speaker 1 (03:03):
Because We're gonna be in here all.
Speaker 5 (03:04):
Night and I'm gonna listen in the true Virgo fashion,
he gonna tell you what's going on.
Speaker 7 (03:07):
Ye how was it?
Speaker 4 (03:08):
I wasn't working with him?
Speaker 2 (03:10):
Was there any Was there anyone that you guys were
actually excited to work with in this film?
Speaker 7 (03:14):
Yeah? I mean everybody.
Speaker 8 (03:15):
I mean, working working with Kat was awesome though, you know,
I mean he's he was Kat Williams. One time he
came to my trailer his first day, like hello, mister director,
Cat Williams reporting for duty, and then he was in
character the whole time.
Speaker 7 (03:28):
For sure. It just a pro, you know, and really
brought it. For sure.
Speaker 1 (03:32):
This is your first feature?
Speaker 2 (03:33):
Right?
Speaker 7 (03:34):
It is? Yep? What was it like?
Speaker 2 (03:36):
I don't even know if com up?
Speaker 4 (03:38):
Give it up.
Speaker 6 (03:40):
I've been wanting to ask you this question respectfully because Keiki,
we've seen her for so many years directing Susan next
to Keiki, were their moments in her first feature and
with yours where you were like, oh, Kibuta, be like,
oh that's wrong.
Speaker 8 (03:53):
No, actually no, because you know, having somebody like Kecky
Palmer who can elevate scenes no matter first time actor,
twenty times actor that gave me so much confidence, and
knowing that Scissa can really bring it, and also Scissor
to me is Alyssa in real life, so we kind
of leaned into a lot of her personal attributes which
made her performance so wrong.
Speaker 4 (04:13):
So y'all may not know.
Speaker 2 (04:15):
Lawrence also directed Rap Shit with Isa, and so give
it up for rap Shit? So did that help prepare
you to deal with two leading ladies as the stars?
Speaker 7 (04:27):
Yeah?
Speaker 8 (04:27):
And I was raised by women too, so I was
already Yeah, it definitely helped me.
Speaker 7 (04:33):
It's rap shit, was you know? I missed that show?
It was.
Speaker 8 (04:37):
It was a fun time, but it definitely prepared me to,
you know, really get it going.
Speaker 7 (04:43):
But they're pros. I mean, it made it really easy
for me.
Speaker 1 (04:45):
Sissa was so impressed as to me, were y'all not wild?
Speaker 2 (04:48):
Yes? Seriously she was, even though to me she was
the villain. But what Alyssa, Kiki? I got a question
for you real quick. You read the script right, so
mind you. We also just talked about you've been a
spelling beach champ. You've been in a sci fi film.
I've been pimping these girls out. I can't keep up.
Speaker 4 (05:12):
That's a d cut, you know what I mean. No,
that's the one.
Speaker 2 (05:15):
So when you saw this script, I do want to
know if you lean towards like, were you able to
kind of lean towards the character you wanted? Did you
go with Drew first, did you go with Alyssa? Did
you view Alyssa as the billing like this could never be?
Speaker 5 (05:27):
You know? In my mind, it's like I love both
of those characters, So I mean, there is a universe
where I will why I could be Alyssa, you know
what I mean?
Speaker 4 (05:34):
Like, I love that character.
Speaker 5 (05:35):
There's so much nuance to it because really she's just
they both are the same person, but they're dealing with
it differently. They've been a hard situation trying to figure
out how to make it out. My character, Drew is
very type A. Alyssa's like I gotta go with the flocalus.
This shit crazy and I need to say it too,
you know.
Speaker 4 (05:49):
So it's like.
Speaker 5 (05:50):
They deal with their trans tribulations different ways, but that's
why of their best friends.
Speaker 4 (05:53):
And so I love both of the characters.
Speaker 5 (05:55):
But I ended up being like, okay, Drew, especially because
when we've seen my chemistry with Sissy, just like, okay, yeah,
she's Alyssa for y'all friends.
Speaker 1 (06:02):
Before it felt very like y'all were working together for years.
Speaker 4 (06:06):
I don't know why we had that chemistry like that.
Speaker 5 (06:08):
It was just from the jump, Like when I met
her on S and L it was very quick because
we both She was preparing for performing, I was preparing
for the sketches and stuff. But then when we did
the first chemistry read I mean, Lawrence, you know, it
was like did y'all know for ten years? Like did
y'all rehearse before y'all got into this first chemistry?
Speaker 7 (06:27):
No, it really was.
Speaker 8 (06:27):
And even when the cameras cut, it was like, man,
we should still be rolling because they did the best friend.
Speaker 7 (06:32):
Energy just carried over.
Speaker 4 (06:33):
So yeah, I think we really just like each other,
you know what I'm saying.
Speaker 5 (06:35):
I remember when we did the I went and hung
out with her before we did the big chemistry test
for the for the you know studio and everything.
Speaker 4 (06:43):
Y'all got drunk and we wasn't her well, she did
get me high, and I was like.
Speaker 5 (06:46):
Oh, it is just a strong So we we was
in her trailer while she was getting ready to perform
for the Grammys, and I was just like, we can
do this movie together because we was in there talk
first of all tiger lore, okay, we was always getting
into some tea, oh not the gospel, just living and
I was like, okay, you know what, we can do
this movie in twenty days if it's me and her.
Speaker 4 (07:06):
So wait, that is the truth. That's the two. Y'all
filmed this movie in.
Speaker 8 (07:10):
Three weeks, really really twenty two and a half days.
Speaker 2 (07:14):
Now, what is the average time in y'all's experienced, like
thirty five forty days?
Speaker 7 (07:19):
I fifty sixty.
Speaker 5 (07:20):
Yeah, But I say it depends on the budget, depends
on what's happening. I mean, I just I did a
movie before it was four months and we at all
this time. Sometimes they don't get you a lot of time.
It's just like the nature of the business. So this
one they said twenty two days, and we all loved it.
Yeah he strapped on still we do.
Speaker 8 (07:34):
At first it was twenty days, and then some circumstances happened.
We end up losing a day because we were shooting
the Jungles and they.
Speaker 5 (07:41):
Told us to get up out o no, no, no, no,
no build on that.
Speaker 4 (07:45):
Did they really?
Speaker 8 (07:46):
I mean it was that they was like, yoall, I
mean we were good, right, we had well, well, did.
Speaker 2 (07:51):
Y'all see whatever about it?
Speaker 8 (07:54):
It was two instances actually, So one instance we were
shooting on on Crenshaw.
Speaker 7 (07:59):
And don't get me wrong, I've shot.
Speaker 8 (08:01):
A lot of stuff in LA and the hoods andels
in the hoods about this country. And I know we
gotta pay the ambassadors.
Speaker 7 (08:06):
That's important.
Speaker 8 (08:07):
And we did pay some people, but they didn't know
that we paid them until the next day.
Speaker 4 (08:12):
Check a clear sim little gulls came out. They're like,
you need to get a pot.
Speaker 8 (08:16):
Yeah he's thirteen, but he's yeah, yeah, yeah.
Speaker 2 (08:22):
Not. The Waller boys was checking and they gotta like
check in when you come to me.
Speaker 7 (08:25):
Yeah, they banged on us.
Speaker 2 (08:27):
Yeah, okay, Well we like to do like hypotheticals, right,
And since we're talking about money, I would like to
know if y'all had more of a budget, more time,
is there a scene that you envisioned that you would
have liked to like put into that or maybe another
factor to come in.
Speaker 8 (08:42):
And like, you know, you know what, I really feel
like we capture lightning in a bottle.
Speaker 7 (08:47):
You know.
Speaker 8 (08:47):
I think our circumstances is why the film has become
what it it is. Sure, if we have more time,
I would have loved to get more coverage and do
more stuff and get more takes and scenes. But I
think it was something about the pressure of twenty twenty
one days with them racing the clock to make Rent
that kind of intertwined and made made it.
Speaker 4 (09:05):
It was Lawrence, you two media trained for me.
Speaker 2 (09:06):
So now, because men can make money quicker than women,
I feel like I want to throw it out there,
if you had fifteen hundred dollars to make in one day,
what you would do as a man, I would like
to know.
Speaker 1 (09:18):
You don't know.
Speaker 7 (09:22):
I don't even know. I'm probably gonna ask family for friends.
Y'all heard the wrong thing.
Speaker 6 (09:28):
I like, Lawrence, can I tell you what our podcast
used to be going. It used to be called horrible Decisions.
Speaker 7 (09:36):
Okay, so give.
Speaker 4 (09:37):
Us your horrible decision.
Speaker 8 (09:38):
No, I'm not doing no horrible decisions.
Speaker 4 (09:42):
Oh yeah, God, honestly, I'm gonna let y'all know right now.
I told you once. I'm gonna tell you again. It's
these feats. They're going up online. The feet. I'm going
up online.
Speaker 5 (09:49):
They're gonna be mashing potatoes, mashing hot dogs, whatever needs
to be done.
Speaker 6 (09:58):
But you know what's crazy, Actually was getting ready for that.
I'm like to when you put on that ring, I say,
the feet coming out. I'm so Actually it was earlier.
Speaker 8 (10:08):
It was an earlier draft where it was where they
they met the old hooker, old hooker and she, uh.
Speaker 7 (10:17):
She tried to help them make the money, but they
still didn't work.
Speaker 2 (10:19):
But you know what, I'm so mad that we need
the y'all shot. Did y'all shoot that at all?
Speaker 4 (10:25):
It was one of the scripts.
Speaker 2 (10:27):
Oh yeah, my mind went straight to amateur night, asking
someone you get on the phone.
Speaker 8 (10:32):
But by six o'clock, though, you know, you know what
I'm saying about six right to the club. They didn't
know the day before. Yeah, and then strip clubs. Drew
was sleepy the whole time, you know.
Speaker 6 (10:45):
Okay, Now, speaking of strip club I always was saying
that would be my alternative job, Like I'm gonna be
a bad stripper, but I'm fun, you know, like when
you have a bad waitress that you're like, but she's sweet.
Speaker 4 (10:57):
It's the talkers.
Speaker 6 (10:58):
So if you had an alternate job, because you've been
an actress for so long, what would you be good at?
Speaker 4 (11:04):
I mean, I definitely think I would be I mean
I'm good at doing hair.
Speaker 5 (11:07):
I would really lay your hair out, bust down, period,
Like I would give you a good ass, but I
could give you some braids.
Speaker 4 (11:13):
And I'm gonna talk with you because I love to
get into the teat So what did Tan, Dude? What
happened with Tyson? You go with Blass?
Speaker 5 (11:22):
I'm here for that because hairstylists are therapists but also creatives,
and I feel like, you.
Speaker 2 (11:28):
Know that's what actress are. You know, you suck people
into conversation. I was every time oh no, all of
y'all say something, My mind is going somewhere else.
Speaker 6 (11:36):
I was on a vacation with Kiki in Mexico. I
don't know if you remember this. Of course, this girl
started talking to you about a problem she had.
Speaker 1 (11:43):
We all outside, like, what's Kiki doing?
Speaker 7 (11:45):
She was like that.
Speaker 4 (11:48):
Go here right now? Like that you really jump into therapy?
Speaker 5 (11:52):
Mo?
Speaker 4 (11:52):
I do?
Speaker 5 (11:52):
Because just like in the thing, I'm a ride or die. Okay,
if you going through a trouble, let's get into it.
Do we need to pull up on them?
Speaker 4 (11:59):
What I'm gonna play? I'm not wrong?
Speaker 2 (12:00):
What would be the thing about Drew that most relates
to you as a person?
Speaker 5 (12:05):
Oh my gosh, that scene with Drew in there talking
to you know, doing her interview. That makes me think
about me in the industry all day long. I'm a host,
I'm an actress, I'm a singer, I'm a dance So
what you.
Speaker 4 (12:15):
Need, what you got? What I can own a company,
Give me a chance. Just give me a chance just
for the community.
Speaker 5 (12:21):
That's me to a tea like just trying to make
any corporate America. You know what I'm saying, Like whatever
your skill set is for me was entertainment and you
know obviously that has its own bubble, but really it's
an industry. So all my life I've a required so many
different skills to maintain and be able to figure out
how to make my life, my family life is better.
So for me that scene what drew up in there
being like I can do all the things, just give
(12:43):
me a chance.
Speaker 2 (12:46):
Well, we like to react, and we do want to
react to the themes in this movie because a lot
of y'all was laughing, a lot of y'all was like
who when the guy came out the room, y'all was
like man. When sisl lost money'all was like man. The
emotions I felt dearing this entire room watching the movie
was vast. So I do want to know what boundaries
(13:07):
that both of you have made with friendships, because I
don't think Drew had any with Alissa, honestly, because when we.
Speaker 6 (13:13):
Got to see in the first ten minutes Amanda moved
in your house, it really made us sit there and say,
what do you say?
Speaker 5 (13:19):
No, I mean, if we're talking about living with people,
go your man is living here, because if that's the
point that you should go live with him period. So
we're not doing all that, but you could need a home.
Speaker 6 (13:29):
When you got a homeless though, tell me have you
had any situations with friends that kind of reminded you
like a listen, like a little bit delusional or using
delusion crystals.
Speaker 5 (13:41):
Either of you, I mean all of the buff Yeah,
and I've been the person too, Like you know what
I mean. I feel like I've gotten into crazy situations,
and I feel like that's the funny thing, right, Like,
depending on which combination of bestie you're with at the time,
you could be Drew or Lissla. Like I've been Drew before,
but then I've also been a listen to it. I'm like, sorry, boo,
you know like them both. What about you, Lawrence? Yeah,
(14:03):
I think you said.
Speaker 4 (14:07):
Your type A. You're not doing the crystals the manifestation,
but you do that.
Speaker 8 (14:11):
But I do journal with a plan. I got a
plan from the glasses. Yeah, I really do. I really do,
you know. But I definitely feel like I'm more Drew.
But I grew up around at all. You know, my
mom was Drew and Alyssa a little more a listener.
So that's one of the ways I found my way
into this movie. But I'm definitely Drew. I'm not about
to be given.
Speaker 6 (14:37):
Y'all are both type A. Susan kind of gives a
listen in real life? Tell us about a time on
set something we didn't see that was just super memorable.
All of you together and even characters we haven't.
Speaker 7 (14:47):
Seen got a moment.
Speaker 8 (14:49):
I mean, we were shooting the pay day scene, which
was one of the most fun scenes. Is fun on
the screen, but I just remember how funny it was.
It was a scene where the script we didn't know
how if it will play because they sitting down.
Speaker 7 (15:02):
It's not that with physical comedy. They just back and forth.
Speaker 8 (15:05):
The first couple of takes, though, I remember saying, cut,
I'm going in and give some those directions and stuff
her and Sissa on the ground, laughing like it's we
got tears in our eyes, they kicking their feet of laughing.
So it was a lot of little moments like that.
But that's something I definitely remember. I think it translates
on screen.
Speaker 1 (15:20):
You know the woman, can I get her name? Curb
your enthusiasm?
Speaker 7 (15:24):
Yes, she's a curse.
Speaker 2 (15:27):
So good that Can I ask you if any of
that coming from from Curb was any of that improvised?
A lot of it, A lot of that, Yeah, for sure,
she killed that. Now I do want y'all to know
because this is the decisions decisions for eight years, I
have let everyone know that I do not like blood.
Speaker 4 (15:45):
Oh we loved you know, James hate.
Speaker 2 (15:48):
Blood, right, and so if you're watching a comedy, you
don't think you're gonna go like this, y'all.
Speaker 4 (15:54):
I covered my eyes for I was like, I was like, now.
Speaker 1 (15:59):
What is this?
Speaker 4 (16:00):
That was a choice?
Speaker 2 (16:01):
It was was that scene always written out like I
have a few questions for that scene was ridiculous.
Speaker 5 (16:07):
It was when I tell you that we were shooting
that because it was so much that you have to
do it with the special effects and getting the shot
and getting the set up and everybody gotta get that
close up.
Speaker 4 (16:16):
It was just so much.
Speaker 5 (16:17):
But I remember when they got to finally doing the blood,
we just started dumping blood.
Speaker 4 (16:22):
It was correct that one dude was like.
Speaker 7 (16:27):
That white and we only had one take to do.
Speaker 4 (16:30):
How many takes did y'all do with that? Like how
many times did you clean the rooms?
Speaker 7 (16:33):
We would have time.
Speaker 8 (16:36):
Over, So we just rehearsed it like crazy and just
hyper planning to have three cameras roll over.
Speaker 5 (16:42):
Somehow sisters still looks sexy that she was like like.
Speaker 4 (16:49):
We still get the money that electrocution.
Speaker 6 (16:52):
I was like, yeah, to here, now tell me this
for people that have never seen a movie being made
or really don't understand. Even you said twenty days, I'm like,
that sounds too fast, But then you say forty for
a scene like that being at a special fast how
many hours are you doing that?
Speaker 7 (17:08):
I mean that was the whole day.
Speaker 4 (17:09):
That was so we had to do it quick. But
I think a lot of KI said, I know the time,
A lot of first a lot of movies would do
with that scene, that one scene for two or three days.
Speaker 5 (17:18):
Yes, so that's like to be like, okay, we really
getting all our time that a scene like that could
take two or three days. We did it in like yeah,
it was like twenty four hours. It was like the
whole day. Why the whole day twenty four hours? Well, honestly,
that same was because we shot that whole sequence that
that was a lot that bad.
Speaker 7 (17:35):
So we did that scene probably with in like four hours.
Speaker 6 (17:39):
So in twenty days, you had to have your hair
out like that, and the whole time you had your
hair no.
Speaker 4 (17:43):
So that was a wig, thank god, dang right, that
was a good wig.
Speaker 2 (17:48):
Another films filmed in twenty days without them wigs. Girl,
that wave was cute.
Speaker 6 (17:55):
I got another question. So I saw maud alpat right,
and we know her mom and what I mean like
her family.
Speaker 2 (18:02):
Man, seeing so many big celebrities like that is that favorite.
Speaker 1 (18:07):
Y'all got to call in, how is this? How does
this work?
Speaker 2 (18:10):
Let's start son, We got Keith, we got sizzor whin.
Speaker 7 (18:13):
That's all they said.
Speaker 4 (18:14):
They said, Kiki in.
Speaker 7 (18:14):
And everybody came honestly.
Speaker 8 (18:16):
Honestly though, I mean, you know, was Key and I
kind of got attached around the same time. And I
think that was you know what the strikes happening in
Hollywood being so slow, the paid the script felt so
good for people that people wanted to join it.
Speaker 7 (18:30):
You know.
Speaker 8 (18:31):
I think having Keiky's scissor and EASA's attachment up top
really helped us get everybody else and once they wade
the script, and you know, I feel like we Taylor
made these characters for who blazed them. They just they
locked in and and and fit into our world, and.
Speaker 5 (18:45):
That people want to do it for the family, for
the community, like let's talk together and make something that
we can enjoys.
Speaker 1 (18:51):
Life is crazy crazy.
Speaker 4 (18:54):
You know, let's try to joy. Yeah, let's try to
find some laughs down. I'm we were dying.
Speaker 6 (19:00):
I actually wanted to ask you, since there were so
many laughs, did you have any fears about a scene
that wouldn't play like since you've been watching it in
theaters and getting to see it with people, what scene
when you hear people dying laughing surprises you?
Speaker 8 (19:13):
To be honest, I know I mentioned to Payday scene,
but I'm gonna say the pay Day scene because on
the page on the script it was funny, but it
wasn't like that much action going on.
Speaker 1 (19:22):
That was my favorite. That was my favorite scene. My
friends were laughing the hardest just now to that scene.
Speaker 7 (19:26):
Yeah.
Speaker 8 (19:26):
So it was like it was kind of like, are
we are people going to read this they sitting down?
Speaker 7 (19:30):
It's not so much. Are we slowing the film down
with just so many questions?
Speaker 1 (19:33):
Yeah?
Speaker 7 (19:34):
But I think that's that's probably mine for sure.
Speaker 4 (19:36):
Every time this scene gets to laugh.
Speaker 5 (19:38):
First of all, I think it's really sweet how people
laugh with her Maniac Yeah, romance. But I think the
one that it makes me laugh that people laugh at it.
Speaker 7 (19:47):
Is Grand Rising.
Speaker 3 (19:48):
Yeah.
Speaker 2 (19:48):
Grand Rising, I saw you laughing.
Speaker 4 (19:53):
Oh my gosh. Yes.
Speaker 5 (19:54):
First of all, let me just tell you the world
is so small. So the guy that plays maniac. His
name is Patrick. His father come from a small town.
When I tell you a small time, it's called Robins
is outside of the city. It's in a little Illinois,
really really poor child. Make a long story short. Patrick's
daddy and my mama went to high school together. What's
so crazy?
Speaker 4 (20:13):
How that happened? And we love interested in this movie? Like,
I just think that's so crazy. How could that be?
Speaker 1 (20:18):
You gonna end up here?
Speaker 7 (20:19):
Wait?
Speaker 4 (20:19):
Wait, wait, I do want to know that since he.
Speaker 8 (20:22):
Was fed with he didn't know that he was gonna
say that when she's when she jumps.
Speaker 4 (20:25):
Yes, that was the real thing.
Speaker 5 (20:28):
So at the end he told they had when he
says to me, like it's crazy and I'm like, what.
Speaker 8 (20:35):
Go ahead, I brought you. I just you dragged you
out this burning building. And he still he didn't know.
So her reaction is real that you were.
Speaker 2 (20:43):
Just blushing in real life? Yes, you know, I like
a short king. See wait was he short with Kiki?
Did you have any did you have any say in
the casting of the Eye Candy for this film?
Speaker 5 (20:57):
Yes, but I mean we it was really I would
say you guys did a great job casting they you know,
putting everybody together. So, I mean it was kind of
like I'm a part of the process, but I trusted
him as a director to did everyone line up in
gray boys shorts? Or like, Oh my gosh, that is
too much. I mean, I guess we can't ask about
it like was all we wanted? Wasn't it like an
(21:19):
extension that was not that d percent shut? Now that's
not necessariously straight up, that's one hundred percent rail.
Speaker 4 (21:29):
I swear everything, y'all. I'm not lying. That's one hundred
percent what you saw My grandfollowers about to show up.
They said, I got a.
Speaker 1 (21:38):
Home for you.
Speaker 2 (21:44):
I do want to make sure we get to talking
about the music as well, because anytime watching any production
with Lisa, she has the soundtracks, and I think we've
missed out on the era of soundtracks with this and
this provided a good one.
Speaker 6 (22:00):
Yeah, we were dancing a little too much in this audience.
I feel like, oh, everybody was turned out. You was bad,
bitch fucking.
Speaker 4 (22:08):
You had everybody.
Speaker 2 (22:11):
So what was that like? Like after the scenes were shot,
you picked the.
Speaker 4 (22:15):
To fit it.
Speaker 8 (22:16):
I mean in a way, I mean when I first
pitched on this project almost four years ago, that was
part of my presentation of how the music I wanted
the musical beat. Some of my favorite films touched all genres.
You got sold, you got funked, you got R and B,
you got raped. I think that adds an extra layer
to our film. So at the start of the film,
we had a very small music budget, so a lot
(22:37):
of the stuff was indie and then I remember doing
like early previews and the president of the tri Star
was just like, what's some big songs in there?
Speaker 7 (22:44):
And we try to figure it out.
Speaker 8 (22:46):
So I'm like, all right, you know, so we ended
up getting more money and we just try stuff out.
It's just it's really about just placing it, listening to
it over and over again. I had made a playlist
that was I got about three hundred songs on there.
Speaker 4 (23:00):
Wow.
Speaker 7 (23:01):
We work with the music subervision team that licens saying hard.
It's hard.
Speaker 4 (23:05):
But although hopefully since.
Speaker 2 (23:06):
It gave you all the TV discount because don't nobody
want to get a discounts.
Speaker 8 (23:11):
But but we you know, we got Dochi and we
got Ravaughn here too, so we did.
Speaker 7 (23:15):
Honestly, they did show us some love for that is amazing.
Speaker 6 (23:18):
Can we get a little inspo? You said four years
ago shopping it. Have there ever been a point where
you were like, I'm giving up on this?
Speaker 7 (23:24):
No? Really, yeah, I mean because it's time.
Speaker 8 (23:27):
I mean, Holly, you gotta have persistence, you know, you
gotta have perseverance, I should say. You know, if you
give up on it, you've given up, you know what
I mean. It's some filmmakers. I look at Mars Scorsese
for example, Color's of the Flower Moon. He was trying
to make that movie in the seventies and he just
made it and he did turned eighty years old, you
know what I mean.
Speaker 2 (23:43):
So, and we know Kiki with ky TV, she she
making a script every week.
Speaker 5 (23:47):
Oh my gosh. But it does take a long time,
you know, it really really doesn't. That's a big part
of Key TV. It's like, how can we create an
inky baby system that helps usher these projects quicker into
the hands of you know, people like Sony or people
that going to give the money and be able to
do them at the scale you want to.
Speaker 4 (24:01):
But it's it's not easy. I love talking about that
when we talk about this.
Speaker 5 (24:05):
Movie, because I want people to understand that that's the reality.
If it doesn't happen immediately, don't take that as a
sign that it's never going to happen. It took a
keyling to be in the shoot twenty about twenty years
to get mad exactly.
Speaker 4 (24:19):
So it's like it was like, man, they had to
wait for me to be born for to get made.
Speaker 2 (24:23):
That was what its ony years.
Speaker 6 (24:27):
So it's really gonna be amying to be and they say, oh,
look at.
Speaker 4 (24:29):
That Little Black Girls. We gotta do it like it's
almost making good. It's all funny.
Speaker 7 (24:36):
But Kethy and I, we just believed in the story. Y'ough.
Speaker 8 (24:38):
Literally we just were like, because we gotta tell it,
it's original. We haven't seen this before. We don't do
whatever it takes. We're gonna audition out every many people
were gonna keep fighting.
Speaker 6 (24:48):
And for all the movies that you've done, what about
this film for you made it feel different? You have
very serious and then nope, we're like, we got to
see what was it about this that made you? You're
just like, damn, I did something different?
Speaker 4 (25:02):
Well you know what I mean.
Speaker 5 (25:02):
I feel like this is first of all, I will
say again, sissm me and Sissa. Anytime that you're working
and you're collaborating on a project, the chemistry with you
and the people that you're working with are always going
to make the difference. And I feel like there's something
that's very magical about her, and I think there was
something very magical about us working together in this time space,
in this moment in time that I think we captured
(25:23):
that I feel is it makes it unique. But then
also I would say, like I'm proud of every movie
that I've done.
Speaker 4 (25:30):
Obviously that's why I did it.
Speaker 5 (25:31):
I liked it on the page, and I liked it
when it's finished, but it's not always the movie that
I'm going to watch every day or watch before I
go to bed.
Speaker 4 (25:38):
Like when I look at this, it made me think
about like Brown Sugar.
Speaker 5 (25:40):
It make me think about like all those movies from
the early two thousands, late nineties black movies that I'm like, yeah,
put that on because it makes me feel good.
Speaker 4 (25:48):
And so I think that's also the difference.
Speaker 5 (25:50):
Another movie I did that made me feel like that
in a different way. It's more of a dramas this
movie I did called Brotherly Love, where it's like it's
a movie that I would just sit and watch, you know.
That's how I feel about this, But in a comedy sense.
Speaker 6 (26:02):
I love that when you. When I get my hair done,
I actually put on comfort movies. You know what I mean, Sorry, Tony.
When I was looking at the screener, I was like, oh,
do I do it with my brainer because she don't
love it? And honestly, it's so funny because when we
spoke about it later, I said, oh my god, girl,
I just got to watch the most amazing thing. And
when I get my hair done next, I can't wait
(26:23):
for you to watch it too.
Speaker 4 (26:26):
That's what it was for.
Speaker 1 (26:28):
Serious, because you know what we want to cut on.
Speaker 2 (26:31):
Yeah. No, But I also said, I also said watching
it a second time made it to where you feel like,
oh no, this is about to be a classic. Because
I could watch it again and it got better. I
missed some things. I missed something then watching it again
and I was like, oh dangn that was funny. The
tumble Weed, Oh my god.
Speaker 4 (26:51):
Come on tumble weed.
Speaker 6 (26:52):
Is there any little piece before we leave our audience
tonight of something you want to share about this film
that they could take home with, or just a piece
of this movie that or just even talking to each
other about what this meant?
Speaker 7 (27:05):
Oh?
Speaker 8 (27:05):
Man, I mean, I hope people leave this movie and
have hope at the front of their mind.
Speaker 7 (27:10):
You know, we see our world is so crazy.
Speaker 8 (27:12):
Right now, economies all over the place, and we see
these characters whose backs are against the wall. It looks
like it's over with, but it's not real, you know.
And I think that's like an you know, analogy for life.
Speaker 7 (27:24):
You know. You just we talk about how long is
it this movie? We have to perseverance.
Speaker 8 (27:27):
So it's as long as you're hopeful and you believe
in your heart that you know what you want can happen.
Speaker 7 (27:32):
It can happen for you.
Speaker 5 (27:33):
Yeah, I mean I piggyback off of that and just
and just to have joy. I think it's so important
for us to find joy. It is like life can
really be crazy, it can be a lot. And I
think the big thing is community. So whether it's the
community of seeing Drew and Lissa come together with theirs
on screen, or the community of all of y'all gathering
here to watch it. If we could bring each other
together to laugh and enjoy, to me that I've done
(27:56):
my job. That's what I like to do as an artist.
It's to bring people together for something good, for something hopeful,
for something positive.
Speaker 4 (28:03):
And so that makes me happy looking at all.
Speaker 7 (28:04):
Y'all.
Speaker 5 (28:05):
We was laughing up in here together. You know that's
that's fun to me. You can watch this and know
you will make your rent.
Speaker 4 (28:11):
You will make it. I know you need to make it.
You will be a high.
Speaker 2 (28:16):
You might need to show them toes, but you might
need to show them Joe, Kiki Lawrence, thank you so
much for y'all bring us here.
Speaker 4 (28:25):
Y'all, y'all. And Laurence, hey, you guys.
Speaker 5 (28:30):
Make sure you were seventeen seventeen, yeah, septeenth, y'all.
Speaker 1 (28:41):
All right, we're out of the theater, y'all.
Speaker 6 (28:42):
We just left Kiki, yes, miss big Boss Palmer, we
just left Laurence Lawant.
Speaker 1 (28:47):
That shit was fun as hell. It was so much fun.
Speaker 2 (28:49):
It's so crazy because I mean, I know, you guys
have never really heard us do an episode like that.
I don't think we ever have done an episode like that.
Speaker 8 (28:56):
Not me.
Speaker 1 (28:57):
No, it was a good time.
Speaker 2 (29:00):
Now. It's crazy because horrible decisions was in my mind.
I was up there, so I was like, oh, caught
that caught that.
Speaker 1 (29:07):
Y'all want a little background team.
Speaker 6 (29:09):
So this part of the episode is just Mandy and I,
you know, reflecting on a movie. Reflecting on our experience
with this for our listeners, first thoughts I had that
I thought were funny. Out of the red carpets we've
done together, I have felt so fucking rushed out And
it was so beautiful to be in Atlanta where everybody
knows us.
Speaker 2 (29:25):
Yes, because I actually got everybody. So I do want
to shout out excell Nicole, Radio One, Revolt, dish Nation
rolling out. Uh did you say that bossip?
Speaker 4 (29:39):
Yeah?
Speaker 2 (29:39):
Like it was dope. Like we immediately went to the
red carpet and it was like we here with decisions, decisions,
formally horrible decision To be fair.
Speaker 6 (29:47):
Can I just say I'm not saying no one didn't
know us, but that is how they're supposed to be prepared.
When you're red carpet, you're even if you don't know someone,
You're holding a piece of paper.
Speaker 1 (29:56):
You're scene is coming out. But also we was the house.
That's true Bett what to me?
Speaker 5 (30:02):
You know what?
Speaker 6 (30:02):
I was literally thinking to myself when we were leaving,
can he look bomb?
Speaker 7 (30:08):
Yeah?
Speaker 6 (30:08):
But I was like, damn bro like flying from New
York last night, like she does so much that it
really made me think to myself, do I do enough.
Speaker 2 (30:17):
Oh, I think that every time I speak to Angela
Yee or even Charlemagne and I'm like, oh, if we
got the same twenty four hours, maybe I'm not doing
enough because they juggle a lot of things, which is why.
Speaker 4 (30:32):
Like I know, like when I told y'all.
Speaker 2 (30:34):
Was doing radio down here, you was like, well, we
have a tour, are you gonna have enough time?
Speaker 1 (30:38):
I say, bitch, I want to make it happen. I
see Angela, make it happen.
Speaker 7 (30:40):
I see Charla.
Speaker 4 (30:42):
I don't know.
Speaker 2 (30:43):
I don't know none of that yet. Air check is
being sent out. I'm talking to a lot of people,
and not that I'm using like a manifest word here,
but I'm literally just saying it because it's gonna happen.
That's it. It's not like locked in officially. But when
I make the announcements to y'll, y'all could come right
back to this time stamp and see what a manifestation
(31:04):
looks like.
Speaker 1 (31:04):
Let me let me, let me do for radio.
Speaker 4 (31:06):
So there you go. In another I like that.
Speaker 6 (31:09):
I like when people say, you know, I moved to
a city for love and then they get married. I
moved to a city for job and have it I
think it's beautiful. You know, someone told me on Horrible
Decisions that I said I wanted to do trap pilates
last year.
Speaker 1 (31:23):
Oh, I don't remember that. That's crazy. I don't know
if I guess I talked about plates and to do.
Speaker 2 (31:27):
You have been working I mean talking about just working
out period since we started the pod. I think before
we started the pod, you had me going to spin
classes with your ass.
Speaker 6 (31:36):
Going to Switch Playground where my fitness dress. No, no,
you don't, Rember, we went together.
Speaker 2 (31:41):
That was one time, just to film behind. I never
wanted to do Switch Playground. That was not my type
A crazy word ground. I like bar pilates, a yoga,
hot yoga specifically.
Speaker 6 (31:53):
I've actually been thinking about adding a bar for trap
bar classes. But okay, back into it, so manifesting. Okay,
see that was being Scissor right now.
Speaker 4 (32:02):
No, no, no, I'm not gonna lie. Y'all heard me
say it.
Speaker 2 (32:06):
Scissor's character, Alyssa is a fucking terrorist like I watched
it and every scene with her made me more and
more mad. I said I could never have a friend.
It was not only the delulu of it. Yes, moving
in the broke nigga with the big dick. Okay, sure,
but it was just like even I think when when
(32:28):
Kiki couldn't believe she posted I don't want to give
the movie but and I'm not gonna give the movie,
but there were moments in there where Alisa just did
things where it's just like, oh, bit, you just dumb,
you just dumb.
Speaker 4 (32:42):
You don't care.
Speaker 2 (32:42):
About she just second and then and then's me when
a friend try to tell you, like, bitch, you stay
fucking up for her in that moment to be like.
Speaker 4 (32:51):
Well, bitch, you ain't shit either.
Speaker 2 (32:53):
And I was just like me and my friends never
have these exchanges, and I was just like, this be
what friendships look.
Speaker 1 (33:01):
I actually got a little.
Speaker 6 (33:02):
Anxiety and their argument in the movie because I haven't
had a like scream out match with a fan in
a long time now.
Speaker 1 (33:08):
Actually I don't know the last time that happened.
Speaker 6 (33:10):
But it made me think to myself, a lot of
my friends are opposite as me. I have some type
A and me and I have someone listen in me.
That's why why I'm able to do what I do
or you know, even be an entrepreneur. I think you
got to have a little type A. Yeah, now, you
have to have. I think more Type A than Alissa. Yeah,
I mean no, I am yeah, but it made me
think to myself, is there a balance in friendships where
(33:32):
two Type a's can two Kiki aka Drew in the movies?
Speaker 1 (33:36):
Can two kikiS get on? Well?
Speaker 6 (33:38):
Is it nice to have that oppositeness? Much like in dating,
it's really nice to date someone with the opposite personality
A bit.
Speaker 2 (33:46):
I have a lot of Type A friends, but I
don't think I would move into doing business with any
of my friends at this point, just because I value
my friendships too much. But I like I like Type
A people. I like people that are like organized and
not so aloof. I do have some aloof ass friends,
though I do have some delusional ass friends, and I
(34:08):
do have not call him out girl, and I do
have friends that create their own realities.
Speaker 4 (34:12):
Like they'll be telling me about something and I'm like.
Speaker 1 (34:15):
Hold on, is it cause of Dick?
Speaker 2 (34:16):
Though, oh, it's about Dickolae. I ain't even gonna hold you.
My one friend and she don't listen to the Bob,
So I'm about to talk about her because I called
her out in person. So we talking and she's telling
me about this twenty four year old, but she's speaking
about him like he's new. So all these things are new.
And I said, bitch, the car dealership nigga, oh my god,
(34:38):
two years ago, Oh you do.
Speaker 4 (34:41):
Know about it? Yeah, you fucked his coworker. So I'm like,
the way she bitch get on the bod, it was
a lot.
Speaker 2 (34:47):
So I'm like, well, she's like, well he doesn't work
there anymore. And I was like, bitch, you still fucking
this merry coworker. It was tea So I was like, bro,
you're really sitting here trying to talk about this nigga
like he had new nigga. I was so confused. I
do want to do like I.
Speaker 6 (35:00):
Feel like I've done that on Horrible Actually there's been
maybe in the last I don't know how many years,
but there's been a nigga I've had sex with that.
I was just no, I don't act like he's a
new nigga. I just don't intro who he is. How
I said, I'll just talk about the dick and I'll
be like, I don't even feel like like I think
there's a time I fucked Lambau And I was like,
I just can't believe I fucked this nigga again, Like.
Speaker 1 (35:22):
Let me just that's crazy, but it's to me.
Speaker 6 (35:25):
Sometimes you want to share your excitement for the dick
you just had, but the way that a friend will
hold you accountable is like, I don't want.
Speaker 1 (35:33):
To hear that I needed to get fucked. Okay, let's
just say you fuck twenty four to seven again. Let's
just say it happened. Although we can kind of be
looking at him sometimes because we didn't have been in
the same but just seeing him in that one nigga together.
Speaker 4 (35:48):
And I said, we're not gonna do that.
Speaker 2 (35:50):
I said, oh my god, he be outside with all
the niggas ah. But I would never give him plasy again,
even though he find I think. I know the last
argument was but the last argument was bad. But also
I've been told of too many other bitches he pucks,
and it's just like ew, like, you just give that
good dick to everybody.
Speaker 1 (36:10):
What is your problem?
Speaker 2 (36:11):
Oh?
Speaker 1 (36:11):
I could show you a bit She pucked so ugly,
and I was just like.
Speaker 2 (36:14):
Oh, I like, what's good dick to be elusive?
Speaker 1 (36:19):
I'll show you her. She's awful? What is it about?
Speaker 2 (36:22):
So she probably like she's trash what's wrong with her
besides the face and the body body face trash.
Speaker 1 (36:31):
Maybe she's funny. No, I've been around her. She's not
that funny. Well, and her lips are like maybe she
a freak. Let me see.
Speaker 2 (36:39):
No, you ain't given too much details on me on
the podcast. I do want to talk about one of
them days, just just to wrap this episode up, though
only because I'm I will say hearing them say that
we were this close, and when I say this close,
it's really small to getting a sex worker scene. I
(37:01):
really wish we did the I really wish they did
the footshit. Oh my god, I really wish they did,
you know what them.
Speaker 6 (37:07):
I'm kind of glad they didn't because I wonder if
somebody would have just found a way to pick it apart.
Speaker 1 (37:14):
Like a lot of the girls would be like, oh
do you got to say?
Speaker 7 (37:17):
I don't know.
Speaker 6 (37:17):
It was very fun, It was very silly, and I
wonder if it was a choice to take it out.
Speaker 1 (37:21):
You got to think everything is a choice, right.
Speaker 6 (37:24):
A lot of the sex workers shit people act funny about.
Speaker 4 (37:27):
Bro feet though like that I don't.
Speaker 1 (37:29):
Think is a big deal the thing.
Speaker 4 (37:31):
So it's crazy.
Speaker 2 (37:32):
So watching this movie and it was a question I
wanted the audience to sit with fifteen hundred dollars in
a day. It's so crazy because, uh, I know, we
got asked that question on the red carpet, and immediately
I said, I would hit up all my niggas.
Speaker 1 (37:48):
I would have sex.
Speaker 2 (37:49):
I'm not gonna lie. I have so many niggas even
from the past, and friends that are millionaires, and I
could just ask for money. But then I also thought, bitch,
the first thing I did when we started really making money,
I think maybe our first like live show, I bought
this watch, and it's only because everyone told me, bitch,
a Rolex doesn't really lose value.
Speaker 7 (38:09):
Da da da.
Speaker 2 (38:09):
I could go turn this sitting and get eight grand tomorrow,
get eight grand today if I went and wanted to
turn it back in.
Speaker 4 (38:15):
So I was like, oh, I'll get my watch up.
Speaker 1 (38:16):
And that's what else I thought.
Speaker 2 (38:17):
I said, Damn, they didn't even have a scene like
with a pawn shop. I'm thinking of realistically, like growing up,
the cash advance, that's what my mom used to do,
That's what I used to do. It was actually my
first thing, cash advance. Then a pawn shop actually would
have been my second thought in which jewelry gold, gold
keeps value, which is why when I was just in
sane CROI, I was like, bitch, we got to get
(38:39):
the gold because gold is more affordable there.
Speaker 1 (38:41):
It's like thirty percent off. So I'm gonna be real.
Speaker 4 (38:43):
You always take a pawn shop.
Speaker 1 (38:44):
Here's why.
Speaker 6 (38:47):
The most valuable, like, the most valuable thing is my
Rolex two. However, I've seen rolexes on the real real
for twenty one hundred and I really believe, but you.
Speaker 4 (38:56):
Only need fifteen.
Speaker 2 (38:57):
I'm talking about if you need the fifteen, just get
the give kid the goddamn watch up to me.
Speaker 6 (39:03):
That don't hold no value should be going down, bitch.
The pawn shops can look you in the I and
see desperation, bitch.
Speaker 2 (39:09):
And then they gonna be like, you know, well I
could take this to Boucher turnover, bitch, like can we
tell where I got it from? Andandy trying to speak
French and she knows that's my town. That is not friends.
Well now, yeah, I was thinking.
Speaker 6 (39:20):
I was thinking, Now, if someone doesn't have something that
is of that much value, where do you do? What
are you selling your home? The other things that you
own are laptop yes, car, you can do your car. Okay,
that's that's extreme.
Speaker 7 (39:33):
Bro.
Speaker 2 (39:33):
What and you can't really turn in a car. A
lot of people are on a car with the least
That's why you got to turn over that pussy. That's
what I would have done. You know what's crazy? That's
that was my overall take from this movie. And no, no, no, no,
is that they have poor pussy management. How the fuck
can you not call any nigga you ever fucked and
asked for some break.
Speaker 1 (39:53):
Because they was living in the jungles man?
Speaker 7 (39:55):
What the fuck?
Speaker 2 (39:57):
Regardless poor pussy management, there's bitches that live in the
project that can still call.
Speaker 7 (40:00):
Well.
Speaker 6 (40:00):
See as much Mindulessa got on your nerves. Who if
you didn't watch a movie yet a sizzle? She damn
sure hopped on Tinder and was looking for riche nigose
som wrong app.
Speaker 4 (40:08):
Which we gave you all the apps to go on
seeking arrangement.
Speaker 6 (40:12):
What's your Price? There's so many other books. Yeah, for
anyone that has never listened to horrible decisions? What's your Price?
Dot com is a website where you can literally sell
a date.
Speaker 2 (40:21):
I'm actually going to go on there and just let's
just take a little read of what their site is
looking at right now.
Speaker 1 (40:26):
What they call it.
Speaker 4 (40:27):
I want it.
Speaker 1 (40:27):
I'm writing a script right now, and I want that website.
Speaker 6 (40:31):
Okay, or dating done differently online dating starting with an offer.
Welcome to What's Your Price? Where the dating gets real.
Forget it and the scrolling and dead end conversations. It's
real dates with people who want to meet you. It's
a fast lane for dating. Ditch endless messaging and go
for the quick stuff. The average offer is about one
hundred and twenty dollars YEP, six point six million members.
Speaker 1 (40:53):
Thirty percent of all offers are accepted.
Speaker 2 (40:56):
And the other thing that is really great about this
is that the users have viewed more than sixty two
million date offers, So it's not like this is a
dead site where it's not really going anywhere.
Speaker 3 (41:08):
No.
Speaker 2 (41:08):
So basically, you go on there, you create a profile,
and men will offer you money to take you out,
and when they take you out, it's their responsibility to
also cover the meal, so.
Speaker 4 (41:18):
You can get paid to eat.
Speaker 7 (41:20):
What a motherfucker?
Speaker 2 (41:21):
Yeah crazy, That's what I'm talking about. So that's on
that one day I would have went on a coffee date.
I would have went on a lunch date and a
dinner date. They're going my rent.
Speaker 6 (41:29):
So this one I thought it was amazing in twenty sixteen.
It's a while ago. But a single mother and this
is from the Dailymail dot com charges men one hundreds
of dollars to go on dates from What's Your Price
dot com she scored a two million dollar paycheck from
one of them to fund her new company. On her
first date from What's Your Price, she told him about
a business plan and he gave her two million dollars
(41:50):
to invest.
Speaker 1 (41:50):
Now, Ida, I actually need to start going back on
that website.
Speaker 2 (41:53):
Because I don't mind. I don't mind like having somebody
paying me.
Speaker 7 (41:56):
To go eat.
Speaker 6 (41:57):
Let me tell you a homegirl say the other day
she had a fucking your idea. Okay, So one of
my homegirls was like, I'm looking for the rich niggas, right.
So my friend was like, go to a coffee shop
in Beverly Hills, get on your laptop, and then just
they're just gonna talk to you because you hot, and
just start telling them about your business plan. You can
do that, just continue to do it, and then if
that's how these men meet you, they're gonna be like, oh,
(42:18):
we should have a meeting. But really, you about a trick.
Speaker 1 (42:21):
Yeah, I'm not mad with that.
Speaker 2 (42:23):
Yeah, I'm not gonna lie. I know what Atlanta coffee
shop could they go to? Butch, I ain't gonna hold
you pistachios back. And this is not an ad, but
that Starbucks bitch is Starbucks bitch for people to listen
to decisions. This girl love pumpkin and pistachio. And I
would like to ask you white.
Speaker 4 (42:41):
Women because I want racial here we go.
Speaker 1 (42:44):
I am a seasonal slore.
Speaker 2 (42:46):
I love seasonal flavors like this True Food kitchen here
in Atlanta. And I like, oh my goodness, bitch, their
little winter menu with a squash. Right now, give me
something with squash and ricotta.
Speaker 1 (43:00):
Okay.
Speaker 6 (43:00):
And so January seventeenth, it's this Friday, This Friday, This Friday,
y'all can check out one of them days. And like
we said, it made us feel at home. It felt
like on Friday, it was so much fun. Definitely, go
with your girls.
Speaker 4 (43:14):
Go with your girl.
Speaker 1 (43:16):
I got a little cocktail, bitch, that's what I said.
I like last night. He said that's doing too much.
Speaker 6 (43:20):
Oh no, I like a ratchet movie theater. But I'm
just saying for the girl dates. Oh yeah, no, for
the girl dates. I actually just did that with my
best friend. We went and saw.
Speaker 2 (43:29):
A Wicked and then I took my mom and my
sister to go see Moufassa. But we went to one
of those movies where we was eating fucking We had
a Charcucci board, we had an espresso martini. So if
you guys have an ipic theater anywhere, I really love
going to watch movies like that because it's like a
dinner in a movie.
Speaker 1 (43:47):
Are you knocking out two and one? Bitch them tickets?
Speaker 2 (43:49):
We thirty, all, No, they're only twenty here, But then
you're ordering food and drinks, so it does get a
little expensive.
Speaker 1 (43:55):
You know, go on with your price. And did tell
them you want to go see.
Speaker 2 (43:59):
One of them bads, and then well they be wanting
to talk on them days. It's okay, that's the perfect day.
Speaker 4 (44:04):
I'm not gonna lie.
Speaker 2 (44:05):
It's definitely a girl's out movie. I do think it's
a really cute date night t I and Tiny actually
came and watched at the screening. I saw quite a
few couples actually in there, unless they were just there
with it, But I saw a lot of guys and
girls at the screening.
Speaker 6 (44:20):
Sizza was something to see Kiki little body in that
little Neon list. It was really really fun to see
them on the screen. And I got to see Sizzle
on tour last year for so os so much.
Speaker 1 (44:33):
I loved her.
Speaker 2 (44:33):
She she is kind of really an artist because like
to see her act in this like she was a
great actor. Actually to see her maybe she was also
just acting like herself, which is the type of role
I think I would deal with.
Speaker 1 (44:46):
That's what they say that non actors should do. But
after this movie, y'all.
Speaker 6 (44:50):
And I'm not just saying it because Sony brought us out,
but I swear to you at the end of the movie,
you know, high expectations always for Kiki.
Speaker 1 (44:58):
Yeah, I was like, damn, Siss really good.
Speaker 4 (45:00):
So that did that? Actually, I think.
Speaker 6 (45:02):
Alex was texting me in the movie and like, this
is kind of surprising me. Yeah, And I think you know,
when you see an actor for the first time or
someone you know that becomes an actor. That's how we
know Sissa right from her music. You're kind of like, oh, okay,
well maybe she'll be Navid.
Speaker 1 (45:16):
She killed that.
Speaker 2 (45:17):
Yeah, no, she killed it and then also it was
just amazing to see Janelle James in the film.
Speaker 4 (45:23):
Kat Williams.
Speaker 2 (45:27):
The Woman from Curb, which was my favorite scene of
the movie, which is crazy, the conversation we had with
the director, the scene where we said they said they
didn't know if it would get that many last the
cash Advanced Place was my favorite scene.
Speaker 1 (45:38):
Oh do you want to give any little tea from
last night?
Speaker 6 (45:40):
Like bts that because I thought the coolest thing was
watching Kiki and Lawrence just react to stuff. I kind
of almost watched the movie and stared at them.
Speaker 1 (45:51):
Oh you know, KICKI was sitting Kicky and her mama
was sitting right in front of I love watching people
watch them.
Speaker 2 (45:57):
So I love that she was watching her own film back.
And I think that that lets you know how much
they really both take it serious. The and the director
like enjoy the film.
Speaker 6 (46:05):
And I also want to let y'all know, you know,
just being Bicoastal, I've been going to a lot of
screenings and the actors come in for the panel and
this movie and Bad Boys, Bad Boys because.
Speaker 1 (46:17):
Well, Marvin and Anna wanted it.
Speaker 6 (46:19):
And that was a very small theater of like maybe
less than one hundred and seventy five, a big theater,
and so just to see the actor be engulfed in
their own work and paying attention to their craft, Like
that's when you get the people that are this big.
But I've definitely been some screenings where they just pop
right in and by the way, yeah, I'm amazing. I
might need a hologram because I kind of want to
sit in a Horrible Decisions live show.
Speaker 2 (46:38):
Like I know we're going on tour again, but I
kind of like want to be able to see what
it looks like.
Speaker 6 (46:43):
Well, if you could see Mandy and I backstage whenever
there's like a video of us playing or something, We're
always looking like how are people reacting.
Speaker 1 (46:50):
We'd be trying to sneak it, be like are they laughing?
Did they laugh every time Vinnie goes back? Are they laughing?
Speaker 4 (46:55):
What type of crowd is it? Like, I know, we
really want to know because we like to be engulfed
with the crowd.
Speaker 6 (47:00):
So when we you know, when we're traveling and we
have to book like an opener that we don't know
manning down here alive, we'd be.
Speaker 2 (47:06):
Like, like, you need to know. I think we did
really good with our last tour with our performers, openers
or Kinksters.
Speaker 1 (47:15):
It was a really good tour.
Speaker 2 (47:16):
But yeah, one of them days, y'all don't check it out.
Make sure y'all go check that out. January seventeenth, and
I did do a little blog. I don't know when
it's gonna be up. I'm working on editing it now.
Maybe I'm trying to do all the little things. I
had my friend with my little Ozmo and she was like, bitch,
I don't know how to work this. Where's the manual?
But she don't know how to do shit. Shout out
(47:38):
to my best friend though. And again January seventeenth, one
of them days in theater.
Speaker 1 (47:42):
Make sure y'all check it out.
Speaker 2 (47:43):
And we also want to give a really really, really
really huge thank you to our patriots.
Speaker 1 (47:49):
Oh, I was gonna say Sony things, Sony too.
Speaker 2 (47:52):
I'm gonna thank you start Sony, but I want to
let you guys know in twenty twenty five, all the
things we're given to our Patreon community, we were allotted,
thanks to Sony, twenty seats to invite our patrons.
Speaker 1 (48:05):
So the inviting patrons was something we wanted to do.
We wanted to do, and then I love the Tony
a lot of that.
Speaker 6 (48:10):
You guys invest in us and we're investing back, whether
you spend five dollars a month or twenty five.
Speaker 2 (48:15):
No, Sony went to give us seats and we were like,
we would like to invite our community.
Speaker 7 (48:19):
Can we do that?
Speaker 1 (48:19):
Can we get more seats?
Speaker 2 (48:21):
And one of our patroents drove from fucking Kentucky to
come and watch this se Where is that, hey, Siri,
it's like Kentucky from Atlanta.
Speaker 1 (48:34):
Four hours, five hours and sixty drove and she drove.
Shout out to you, act like that was fro me
and not Kiki.
Speaker 2 (48:40):
Oh my, well yeah, thank you to our patrons, and
again thank you to Sony for having us host our
first screening and one of them days. Y'all check it
out and again it's even better when you see it
the second time around, So make sure you see it
in theaters and whenever it hits streaming.
Speaker 1 (48:57):
And we want to thank you guys for
Speaker 2 (48:59):
Tuning in to Decisions Decisions Babies, a special edition by
BLA
Welcome to Decisions Decisions. I don't think you should say
decision Decisions. It sounded like you was talking to Kirsty.
Speaker 2 (00:06):
You definitely say to welcome, Welcome to the new podcast.
Speaker 1 (00:10):
You want to say together, Decisions Decisions.
Speaker 3 (00:13):
You're joining us for a live taping of the Decisions
Decisions podcast, and we are really excited to talk about
not only the film, but be joined by Keiky keep
a job, Palmer, Hey, you what to beg a dumb sheep?
Speaker 4 (00:34):
And the director Lawrence Lamont. We're we're really excited. We
had can I also just say, this is our.
Speaker 2 (00:40):
Second time watching this film, and it was even funny
the second time.
Speaker 1 (00:44):
So fetching all the things. Let me tell you, y'all,
since I saw this movie once, I hope you know
a part I would looking at the second time on
this big screen.
Speaker 3 (00:51):
Worse than this.
Speaker 2 (00:52):
Oh like it won't be that big. The boxers and
the princes and with the part and if we're going
to talk about anything here in the winter men, stay
away from them, Grace wetpants. That is the first trap
for the Winso, okay, body in this theater do have
something like that?
Speaker 1 (01:08):
You have a home in my house?
Speaker 4 (01:13):
Uh, don't do that. Don't do that. But we are
really excited.
Speaker 1 (01:16):
We're gonna talk a little bit, a little bit about.
Speaker 4 (01:18):
One of them days again with Kiki and Lawrence. And
first we're gonna go ahead and get Kiki out of here. Right,
let's do y'all want to.
Speaker 2 (01:25):
Give it up for Kiki Boma, y'all, she was a
part of our childhood, you know, for miss Kiky Palmer.
Do you dad.
Speaker 4 (01:45):
Are do you what?
Speaker 3 (01:49):
Hey?
Speaker 5 (01:51):
Not?
Speaker 1 (01:52):
Just the actor in this movie? Producer to you did that?
Speaker 4 (01:56):
She said, I got all the jobs.
Speaker 2 (01:57):
She she wrote it, she did castle, she picked everything
out here you y'all, you know, really excited to talk
to you about this film and everything about it.
Speaker 1 (02:08):
But also I'm really glad too to be joined by
the director. That's right, without hearing a dude, we got
to bring him.
Speaker 4 (02:13):
Out representing the d y'all. We got bo.
Speaker 2 (02:23):
And I'm gonna put y'all on to him if y'all
don't know, because y'all know him. Y'all just don't know
y'all know him, Okay.
Speaker 6 (02:29):
All right, So we gotta start with this press tour
because first when I saw the trailer, I was like, oh, shake.
Speaker 1 (02:35):
You know, like that sister too.
Speaker 2 (02:37):
It was just more and more Cat Williams, Lorell like Dominique,
Janelle for real Janelle, having all these people. How's press
been for y'all? Like, who have you been on tour with?
Speaker 1 (02:48):
So far?
Speaker 5 (02:49):
I feel like it's just really getting started. It's been
mostly me Issa Sizza. That's been the main thing. But
I'm really ready to see Kat out there too.
Speaker 7 (02:56):
He gotta show this weekend.
Speaker 2 (02:57):
First off, it is the first week of twenty f
twenty five.
Speaker 4 (03:01):
Kat Williams. Were he a year ago?
Speaker 1 (03:03):
Because We're gonna be in here all.
Speaker 5 (03:04):
Night and I'm gonna listen in the true Virgo fashion,
he gonna tell you what's going on.
Speaker 7 (03:07):
Ye how was it?
Speaker 4 (03:08):
I wasn't working with him?
Speaker 2 (03:10):
Was there any Was there anyone that you guys were
actually excited to work with in this film?
Speaker 7 (03:14):
Yeah? I mean everybody.
Speaker 8 (03:15):
I mean, working working with Kat was awesome though, you know,
I mean he's he was Kat Williams. One time he
came to my trailer his first day, like hello, mister director,
Cat Williams reporting for duty, and then he was in
character the whole time.
Speaker 7 (03:28):
For sure. It just a pro, you know, and really
brought it. For sure.
Speaker 1 (03:32):
This is your first feature?
Speaker 2 (03:33):
Right?
Speaker 7 (03:34):
It is? Yep? What was it like?
Speaker 2 (03:36):
I don't even know if com up?
Speaker 4 (03:38):
Give it up.
Speaker 6 (03:40):
I've been wanting to ask you this question respectfully because Keiki,
we've seen her for so many years directing Susan next
to Keiki, were their moments in her first feature and
with yours where you were like, oh, Kibuta, be like,
oh that's wrong.
Speaker 8 (03:53):
No, actually no, because you know, having somebody like Kecky
Palmer who can elevate scenes no matter first time actor,
twenty times actor that gave me so much confidence, and
knowing that Scissa can really bring it, and also Scissor
to me is Alyssa in real life, so we kind
of leaned into a lot of her personal attributes which
made her performance so wrong.
Speaker 4 (04:13):
So y'all may not know.
Speaker 2 (04:15):
Lawrence also directed Rap Shit with Isa, and so give
it up for rap Shit? So did that help prepare
you to deal with two leading ladies as the stars?
Speaker 7 (04:27):
Yeah?
Speaker 8 (04:27):
And I was raised by women too, so I was
already Yeah, it definitely helped me.
Speaker 7 (04:33):
It's rap shit, was you know? I missed that show?
It was.
Speaker 8 (04:37):
It was a fun time, but it definitely prepared me to,
you know, really get it going.
Speaker 7 (04:43):
But they're pros. I mean, it made it really easy
for me.
Speaker 1 (04:45):
Sissa was so impressed as to me, were y'all not wild?
Speaker 2 (04:48):
Yes? Seriously she was, even though to me she was
the villain. But what Alyssa, Kiki? I got a question
for you real quick. You read the script right, so
mind you. We also just talked about you've been a
spelling beach champ. You've been in a sci fi film.
I've been pimping these girls out. I can't keep up.
Speaker 4 (05:12):
That's a d cut, you know what I mean. No,
that's the one.
Speaker 2 (05:15):
So when you saw this script, I do want to
know if you lean towards like, were you able to
kind of lean towards the character you wanted? Did you
go with Drew first, did you go with Alyssa? Did
you view Alyssa as the billing like this could never be?
Speaker 5 (05:27):
You know? In my mind, it's like I love both
of those characters, So I mean, there is a universe
where I will why I could be Alyssa, you know
what I mean?
Speaker 4 (05:34):
Like, I love that character.
Speaker 5 (05:35):
There's so much nuance to it because really she's just
they both are the same person, but they're dealing with
it differently. They've been a hard situation trying to figure
out how to make it out. My character, Drew is
very type A. Alyssa's like I gotta go with the flocalus.
This shit crazy and I need to say it too,
you know.
Speaker 4 (05:49):
So it's like.
Speaker 5 (05:50):
They deal with their trans tribulations different ways, but that's
why of their best friends.
Speaker 4 (05:53):
And so I love both of the characters.
Speaker 5 (05:55):
But I ended up being like, okay, Drew, especially because
when we've seen my chemistry with Sissy, just like, okay, yeah,
she's Alyssa for y'all friends.
Speaker 1 (06:02):
Before it felt very like y'all were working together for years.
Speaker 4 (06:06):
I don't know why we had that chemistry like that.
Speaker 5 (06:08):
It was just from the jump, Like when I met
her on S and L it was very quick because
we both She was preparing for performing, I was preparing
for the sketches and stuff. But then when we did
the first chemistry read I mean, Lawrence, you know, it
was like did y'all know for ten years? Like did
y'all rehearse before y'all got into this first chemistry?
Speaker 7 (06:27):
No, it really was.
Speaker 8 (06:27):
And even when the cameras cut, it was like, man,
we should still be rolling because they did the best friend.
Speaker 7 (06:32):
Energy just carried over.
Speaker 4 (06:33):
So yeah, I think we really just like each other,
you know what I'm saying.
Speaker 5 (06:35):
I remember when we did the I went and hung
out with her before we did the big chemistry test
for the for the you know studio and everything.
Speaker 4 (06:43):
Y'all got drunk and we wasn't her well, she did
get me high, and I was like.
Speaker 5 (06:46):
Oh, it is just a strong So we we was
in her trailer while she was getting ready to perform
for the Grammys, and I was just like, we can
do this movie together because we was in there talk
first of all tiger lore, okay, we was always getting
into some tea, oh not the gospel, just living and
I was like, okay, you know what, we can do
this movie in twenty days if it's me and her.
Speaker 4 (07:06):
So wait, that is the truth. That's the two. Y'all
filmed this movie in.
Speaker 8 (07:10):
Three weeks, really really twenty two and a half days.
Speaker 2 (07:14):
Now, what is the average time in y'all's experienced, like
thirty five forty days?
Speaker 7 (07:19):
I fifty sixty.
Speaker 5 (07:20):
Yeah, But I say it depends on the budget, depends
on what's happening. I mean, I just I did a
movie before it was four months and we at all
this time. Sometimes they don't get you a lot of time.
It's just like the nature of the business. So this
one they said twenty two days, and we all loved it.
Yeah he strapped on still we do.
Speaker 8 (07:34):
At first it was twenty days, and then some circumstances happened.
We end up losing a day because we were shooting
the Jungles and they.
Speaker 5 (07:41):
Told us to get up out o no, no, no, no,
no build on that.
Speaker 4 (07:45):
Did they really?
Speaker 8 (07:46):
I mean it was that they was like, yoall, I
mean we were good, right, we had well, well, did.
Speaker 2 (07:51):
Y'all see whatever about it?
Speaker 8 (07:54):
It was two instances actually, So one instance we were
shooting on on Crenshaw.
Speaker 7 (07:59):
And don't get me wrong, I've shot.
Speaker 8 (08:01):
A lot of stuff in LA and the hoods andels
in the hoods about this country. And I know we
gotta pay the ambassadors.
Speaker 7 (08:06):
That's important.
Speaker 8 (08:07):
And we did pay some people, but they didn't know
that we paid them until the next day.
Speaker 4 (08:12):
Check a clear sim little gulls came out. They're like,
you need to get a pot.
Speaker 8 (08:16):
Yeah he's thirteen, but he's yeah, yeah, yeah.
Speaker 2 (08:22):
Not. The Waller boys was checking and they gotta like
check in when you come to me.
Speaker 7 (08:25):
Yeah, they banged on us.
Speaker 2 (08:27):
Yeah, okay, Well we like to do like hypotheticals, right,
And since we're talking about money, I would like to
know if y'all had more of a budget, more time,
is there a scene that you envisioned that you would
have liked to like put into that or maybe another
factor to come in.
Speaker 8 (08:42):
And like, you know, you know what, I really feel
like we capture lightning in a bottle.
Speaker 7 (08:47):
You know.
Speaker 8 (08:47):
I think our circumstances is why the film has become
what it it is. Sure, if we have more time,
I would have loved to get more coverage and do
more stuff and get more takes and scenes. But I
think it was something about the pressure of twenty twenty
one days with them racing the clock to make Rent
that kind of intertwined and made made it.
Speaker 4 (09:05):
It was Lawrence, you two media trained for me.
Speaker 2 (09:06):
So now, because men can make money quicker than women,
I feel like I want to throw it out there,
if you had fifteen hundred dollars to make in one day,
what you would do as a man, I would like
to know.
Speaker 1 (09:18):
You don't know.
Speaker 7 (09:22):
I don't even know. I'm probably gonna ask family for friends.
Y'all heard the wrong thing.
Speaker 6 (09:28):
I like, Lawrence, can I tell you what our podcast
used to be going. It used to be called horrible Decisions.
Speaker 7 (09:36):
Okay, so give.
Speaker 4 (09:37):
Us your horrible decision.
Speaker 8 (09:38):
No, I'm not doing no horrible decisions.
Speaker 4 (09:42):
Oh yeah, God, honestly, I'm gonna let y'all know right now.
I told you once. I'm gonna tell you again. It's
these feats. They're going up online. The feet. I'm going
up online.
Speaker 5 (09:49):
They're gonna be mashing potatoes, mashing hot dogs, whatever needs
to be done.
Speaker 6 (09:58):
But you know what's crazy, Actually was getting ready for that.
I'm like to when you put on that ring, I say,
the feet coming out. I'm so Actually it was earlier.
Speaker 8 (10:08):
It was an earlier draft where it was where they
they met the old hooker, old hooker and she, uh.
Speaker 7 (10:17):
She tried to help them make the money, but they
still didn't work.
Speaker 2 (10:19):
But you know what, I'm so mad that we need
the y'all shot. Did y'all shoot that at all?
Speaker 4 (10:25):
It was one of the scripts.
Speaker 2 (10:27):
Oh yeah, my mind went straight to amateur night, asking
someone you get on the phone.
Speaker 8 (10:32):
But by six o'clock, though, you know, you know what
I'm saying about six right to the club. They didn't
know the day before. Yeah, and then strip clubs. Drew
was sleepy the whole time, you know.
Speaker 6 (10:45):
Okay, Now, speaking of strip club I always was saying
that would be my alternative job, Like I'm gonna be
a bad stripper, but I'm fun, you know, like when
you have a bad waitress that you're like, but she's sweet.
Speaker 4 (10:57):
It's the talkers.
Speaker 6 (10:58):
So if you had an alternate job, because you've been
an actress for so long, what would you be good at?
Speaker 4 (11:04):
I mean, I definitely think I would be I mean
I'm good at doing hair.
Speaker 5 (11:07):
I would really lay your hair out, bust down, period,
Like I would give you a good ass, but I
could give you some braids.
Speaker 4 (11:13):
And I'm gonna talk with you because I love to
get into the teat So what did Tan, Dude? What
happened with Tyson? You go with Blass?
Speaker 5 (11:22):
I'm here for that because hairstylists are therapists but also creatives,
and I feel like, you.
Speaker 2 (11:28):
Know that's what actress are. You know, you suck people
into conversation. I was every time oh no, all of
y'all say something, My mind is going somewhere else.
Speaker 6 (11:36):
I was on a vacation with Kiki in Mexico. I
don't know if you remember this. Of course, this girl
started talking to you about a problem she had.
Speaker 1 (11:43):
We all outside, like, what's Kiki doing?
Speaker 7 (11:45):
She was like that.
Speaker 4 (11:48):
Go here right now? Like that you really jump into therapy?
Speaker 5 (11:52):
Mo?
Speaker 4 (11:52):
I do?
Speaker 5 (11:52):
Because just like in the thing, I'm a ride or die. Okay,
if you going through a trouble, let's get into it.
Do we need to pull up on them?
Speaker 4 (11:59):
What I'm gonna play? I'm not wrong?
Speaker 2 (12:00):
What would be the thing about Drew that most relates
to you as a person?
Speaker 5 (12:05):
Oh my gosh, that scene with Drew in there talking
to you know, doing her interview. That makes me think
about me in the industry all day long. I'm a host,
I'm an actress, I'm a singer, I'm a dance So
what you.
Speaker 4 (12:15):
Need, what you got? What I can own a company,
Give me a chance. Just give me a chance just
for the community.
Speaker 5 (12:21):
That's me to a tea like just trying to make
any corporate America. You know what I'm saying, Like whatever
your skill set is for me was entertainment and you
know obviously that has its own bubble, but really it's
an industry. So all my life I've a required so many
different skills to maintain and be able to figure out
how to make my life, my family life is better.
So for me that scene what drew up in there
being like I can do all the things, just give
(12:43):
me a chance.
Speaker 2 (12:46):
Well, we like to react, and we do want to
react to the themes in this movie because a lot
of y'all was laughing, a lot of y'all was like
who when the guy came out the room, y'all was
like man. When sisl lost money'all was like man. The
emotions I felt dearing this entire room watching the movie
was vast. So I do want to know what boundaries
(13:07):
that both of you have made with friendships, because I
don't think Drew had any with Alissa, honestly, because when we.
Speaker 6 (13:13):
Got to see in the first ten minutes Amanda moved
in your house, it really made us sit there and say,
what do you say?
Speaker 5 (13:19):
No, I mean, if we're talking about living with people,
go your man is living here, because if that's the
point that you should go live with him period. So
we're not doing all that, but you could need a home.
Speaker 6 (13:29):
When you got a homeless though, tell me have you
had any situations with friends that kind of reminded you
like a listen, like a little bit delusional or using
delusion crystals.
Speaker 5 (13:41):
Either of you, I mean all of the buff Yeah,
and I've been the person too, Like you know what
I mean. I feel like I've gotten into crazy situations,
and I feel like that's the funny thing, right, Like,
depending on which combination of bestie you're with at the time,
you could be Drew or Lissla. Like I've been Drew before,
but then I've also been a listen to it. I'm like, sorry, boo,
you know like them both. What about you, Lawrence? Yeah,
(14:03):
I think you said.
Speaker 4 (14:07):
Your type A. You're not doing the crystals the manifestation,
but you do that.
Speaker 8 (14:11):
But I do journal with a plan. I got a
plan from the glasses. Yeah, I really do. I really do,
you know. But I definitely feel like I'm more Drew.
But I grew up around at all. You know, my
mom was Drew and Alyssa a little more a listener.
So that's one of the ways I found my way
into this movie. But I'm definitely Drew. I'm not about
to be given.
Speaker 6 (14:37):
Y'all are both type A. Susan kind of gives a
listen in real life? Tell us about a time on
set something we didn't see that was just super memorable.
All of you together and even characters we haven't.
Speaker 7 (14:47):
Seen got a moment.
Speaker 8 (14:49):
I mean, we were shooting the pay day scene, which
was one of the most fun scenes. Is fun on
the screen, but I just remember how funny it was.
It was a scene where the script we didn't know
how if it will play because they sitting down.
Speaker 7 (15:02):
It's not that with physical comedy. They just back and forth.
Speaker 8 (15:05):
The first couple of takes, though, I remember saying, cut,
I'm going in and give some those directions and stuff
her and Sissa on the ground, laughing like it's we
got tears in our eyes, they kicking their feet of laughing.
So it was a lot of little moments like that.
But that's something I definitely remember. I think it translates
on screen.
Speaker 1 (15:20):
You know the woman, can I get her name? Curb
your enthusiasm?
Speaker 7 (15:24):
Yes, she's a curse.
Speaker 2 (15:27):
So good that Can I ask you if any of
that coming from from Curb was any of that improvised?
A lot of it, A lot of that, Yeah, for sure,
she killed that. Now I do want y'all to know
because this is the decisions decisions for eight years, I
have let everyone know that I do not like blood.
Speaker 4 (15:45):
Oh we loved you know, James hate.
Speaker 2 (15:48):
Blood, right, and so if you're watching a comedy, you
don't think you're gonna go like this, y'all.
Speaker 4 (15:54):
I covered my eyes for I was like, I was like, now.
Speaker 1 (15:59):
What is this?
Speaker 4 (16:00):
That was a choice?
Speaker 2 (16:01):
It was was that scene always written out like I
have a few questions for that scene was ridiculous.
Speaker 5 (16:07):
It was when I tell you that we were shooting
that because it was so much that you have to
do it with the special effects and getting the shot
and getting the set up and everybody gotta get that
close up.
Speaker 4 (16:16):
It was just so much.
Speaker 5 (16:17):
But I remember when they got to finally doing the blood,
we just started dumping blood.
Speaker 4 (16:22):
It was correct that one dude was like.
Speaker 7 (16:27):
That white and we only had one take to do.
Speaker 4 (16:30):
How many takes did y'all do with that? Like how
many times did you clean the rooms?
Speaker 7 (16:33):
We would have time.
Speaker 8 (16:36):
Over, So we just rehearsed it like crazy and just
hyper planning to have three cameras roll over.
Speaker 5 (16:42):
Somehow sisters still looks sexy that she was like like.
Speaker 4 (16:49):
We still get the money that electrocution.
Speaker 6 (16:52):
I was like, yeah, to here, now tell me this
for people that have never seen a movie being made
or really don't understand. Even you said twenty days, I'm like,
that sounds too fast, But then you say forty for
a scene like that being at a special fast how
many hours are you doing that?
Speaker 7 (17:08):
I mean that was the whole day.
Speaker 4 (17:09):
That was so we had to do it quick. But
I think a lot of KI said, I know the time,
A lot of first a lot of movies would do
with that scene, that one scene for two or three days.
Speaker 5 (17:18):
Yes, so that's like to be like, okay, we really
getting all our time that a scene like that could
take two or three days. We did it in like yeah,
it was like twenty four hours. It was like the
whole day. Why the whole day twenty four hours? Well, honestly,
that same was because we shot that whole sequence that
that was a lot that bad.
Speaker 7 (17:35):
So we did that scene probably with in like four hours.
Speaker 6 (17:39):
So in twenty days, you had to have your hair
out like that, and the whole time you had your
hair no.
Speaker 4 (17:43):
So that was a wig, thank god, dang right, that
was a good wig.
Speaker 2 (17:48):
Another films filmed in twenty days without them wigs. Girl,
that wave was cute.
Speaker 6 (17:55):
I got another question. So I saw maud alpat right,
and we know her mom and what I mean like
her family.
Speaker 2 (18:02):
Man, seeing so many big celebrities like that is that favorite.
Speaker 1 (18:07):
Y'all got to call in, how is this? How does
this work?
Speaker 2 (18:10):
Let's start son, We got Keith, we got sizzor whin.
Speaker 7 (18:13):
That's all they said.
Speaker 4 (18:14):
They said, Kiki in.
Speaker 7 (18:14):
And everybody came honestly.
Speaker 8 (18:16):
Honestly though, I mean, you know, was Key and I
kind of got attached around the same time. And I
think that was you know what the strikes happening in
Hollywood being so slow, the paid the script felt so
good for people that people wanted to join it.
Speaker 7 (18:30):
You know.
Speaker 8 (18:31):
I think having Keiky's scissor and EASA's attachment up top
really helped us get everybody else and once they wade
the script, and you know, I feel like we Taylor
made these characters for who blazed them. They just they
locked in and and and fit into our world, and.
Speaker 5 (18:45):
That people want to do it for the family, for
the community, like let's talk together and make something that
we can enjoys.
Speaker 1 (18:51):
Life is crazy crazy.
Speaker 4 (18:54):
You know, let's try to joy. Yeah, let's try to
find some laughs down. I'm we were dying.
Speaker 6 (19:00):
I actually wanted to ask you, since there were so
many laughs, did you have any fears about a scene
that wouldn't play like since you've been watching it in
theaters and getting to see it with people, what scene
when you hear people dying laughing surprises you?
Speaker 8 (19:13):
To be honest, I know I mentioned to Payday scene,
but I'm gonna say the pay Day scene because on
the page on the script it was funny, but it
wasn't like that much action going on.
Speaker 1 (19:22):
That was my favorite. That was my favorite scene. My
friends were laughing the hardest just now to that scene.
Speaker 7 (19:26):
Yeah.
Speaker 8 (19:26):
So it was like it was kind of like, are
we are people going to read this they sitting down?
Speaker 7 (19:30):
It's not so much. Are we slowing the film down
with just so many questions?
Speaker 1 (19:33):
Yeah?
Speaker 7 (19:34):
But I think that's that's probably mine for sure.
Speaker 4 (19:36):
Every time this scene gets to laugh.
Speaker 5 (19:38):
First of all, I think it's really sweet how people
laugh with her Maniac Yeah, romance. But I think the
one that it makes me laugh that people laugh at it.
Speaker 7 (19:47):
Is Grand Rising.
Speaker 3 (19:48):
Yeah.
Speaker 2 (19:48):
Grand Rising, I saw you laughing.
Speaker 4 (19:53):
Oh my gosh. Yes.
Speaker 5 (19:54):
First of all, let me just tell you the world
is so small. So the guy that plays maniac. His
name is Patrick. His father come from a small town.
When I tell you a small time, it's called Robins
is outside of the city. It's in a little Illinois,
really really poor child. Make a long story short. Patrick's
daddy and my mama went to high school together. What's
so crazy?
Speaker 4 (20:13):
How that happened? And we love interested in this movie? Like,
I just think that's so crazy. How could that be?
Speaker 1 (20:18):
You gonna end up here?
Speaker 7 (20:19):
Wait?
Speaker 4 (20:19):
Wait, wait, I do want to know that since he.
Speaker 8 (20:22):
Was fed with he didn't know that he was gonna
say that when she's when she jumps.
Speaker 4 (20:25):
Yes, that was the real thing.
Speaker 5 (20:28):
So at the end he told they had when he
says to me, like it's crazy and I'm like, what.
Speaker 8 (20:35):
Go ahead, I brought you. I just you dragged you
out this burning building. And he still he didn't know.
So her reaction is real that you were.
Speaker 2 (20:43):
Just blushing in real life? Yes, you know, I like
a short king. See wait was he short with Kiki?
Did you have any did you have any say in
the casting of the Eye Candy for this film?
Speaker 5 (20:57):
Yes, but I mean we it was really I would
say you guys did a great job casting they you know,
putting everybody together. So, I mean it was kind of
like I'm a part of the process, but I trusted
him as a director to did everyone line up in
gray boys shorts? Or like, Oh my gosh, that is
too much. I mean, I guess we can't ask about
it like was all we wanted? Wasn't it like an
(21:19):
extension that was not that d percent shut? Now that's
not necessariously straight up, that's one hundred percent rail.
Speaker 4 (21:29):
I swear everything, y'all. I'm not lying. That's one hundred
percent what you saw My grandfollowers about to show up.
They said, I got a.
Speaker 1 (21:38):
Home for you.
Speaker 2 (21:44):
I do want to make sure we get to talking
about the music as well, because anytime watching any production
with Lisa, she has the soundtracks, and I think we've
missed out on the era of soundtracks with this and
this provided a good one.
Speaker 6 (22:00):
Yeah, we were dancing a little too much in this audience.
I feel like, oh, everybody was turned out. You was bad,
bitch fucking.
Speaker 4 (22:08):
You had everybody.
Speaker 2 (22:11):
So what was that like? Like after the scenes were shot,
you picked the.
Speaker 4 (22:15):
To fit it.
Speaker 8 (22:16):
I mean in a way, I mean when I first
pitched on this project almost four years ago, that was
part of my presentation of how the music I wanted
the musical beat. Some of my favorite films touched all genres.
You got sold, you got funked, you got R and B,
you got raped. I think that adds an extra layer
to our film. So at the start of the film,
we had a very small music budget, so a lot
(22:37):
of the stuff was indie and then I remember doing
like early previews and the president of the tri Star
was just like, what's some big songs in there?
Speaker 7 (22:44):
And we try to figure it out.
Speaker 8 (22:46):
So I'm like, all right, you know, so we ended
up getting more money and we just try stuff out.
It's just it's really about just placing it, listening to
it over and over again. I had made a playlist
that was I got about three hundred songs on there.
Speaker 4 (23:00):
Wow.
Speaker 7 (23:01):
We work with the music subervision team that licens saying hard.
It's hard.
Speaker 4 (23:05):
But although hopefully since.
Speaker 2 (23:06):
It gave you all the TV discount because don't nobody
want to get a discounts.
Speaker 8 (23:11):
But but we you know, we got Dochi and we
got Ravaughn here too, so we did.
Speaker 7 (23:15):
Honestly, they did show us some love for that is amazing.
Speaker 6 (23:18):
Can we get a little inspo? You said four years
ago shopping it. Have there ever been a point where
you were like, I'm giving up on this?
Speaker 7 (23:24):
No? Really, yeah, I mean because it's time.
Speaker 8 (23:27):
I mean, Holly, you gotta have persistence, you know, you
gotta have perseverance, I should say. You know, if you
give up on it, you've given up, you know what
I mean. It's some filmmakers. I look at Mars Scorsese
for example, Color's of the Flower Moon. He was trying
to make that movie in the seventies and he just
made it and he did turned eighty years old, you
know what I mean.
Speaker 2 (23:43):
So, and we know Kiki with ky TV, she she
making a script every week.
Speaker 5 (23:47):
Oh my gosh. But it does take a long time,
you know, it really really doesn't. That's a big part
of Key TV. It's like, how can we create an
inky baby system that helps usher these projects quicker into
the hands of you know, people like Sony or people
that going to give the money and be able to
do them at the scale you want to.
Speaker 4 (24:01):
But it's it's not easy. I love talking about that
when we talk about this.
Speaker 5 (24:05):
Movie, because I want people to understand that that's the reality.
If it doesn't happen immediately, don't take that as a
sign that it's never going to happen. It took a
keyling to be in the shoot twenty about twenty years
to get mad exactly.
Speaker 4 (24:19):
So it's like it was like, man, they had to
wait for me to be born for to get made.
Speaker 2 (24:23):
That was what its ony years.
Speaker 6 (24:27):
So it's really gonna be amying to be and they say, oh,
look at.
Speaker 4 (24:29):
That Little Black Girls. We gotta do it like it's
almost making good. It's all funny.
Speaker 7 (24:36):
But Kethy and I, we just believed in the story. Y'ough.
Speaker 8 (24:38):
Literally we just were like, because we gotta tell it,
it's original. We haven't seen this before. We don't do
whatever it takes. We're gonna audition out every many people
were gonna keep fighting.
Speaker 6 (24:48):
And for all the movies that you've done, what about
this film for you made it feel different? You have
very serious and then nope, we're like, we got to
see what was it about this that made you? You're
just like, damn, I did something different?
Speaker 4 (25:02):
Well you know what I mean.
Speaker 5 (25:02):
I feel like this is first of all, I will
say again, sissm me and Sissa. Anytime that you're working
and you're collaborating on a project, the chemistry with you
and the people that you're working with are always going
to make the difference. And I feel like there's something
that's very magical about her, and I think there was
something very magical about us working together in this time space,
in this moment in time that I think we captured
(25:23):
that I feel is it makes it unique. But then
also I would say, like I'm proud of every movie
that I've done.
Speaker 4 (25:30):
Obviously that's why I did it.
Speaker 5 (25:31):
I liked it on the page, and I liked it
when it's finished, but it's not always the movie that
I'm going to watch every day or watch before I
go to bed.
Speaker 4 (25:38):
Like when I look at this, it made me think
about like Brown Sugar.
Speaker 5 (25:40):
It make me think about like all those movies from
the early two thousands, late nineties black movies that I'm like, yeah,
put that on because it makes me feel good.
Speaker 4 (25:48):
And so I think that's also the difference.
Speaker 5 (25:50):
Another movie I did that made me feel like that
in a different way. It's more of a dramas this
movie I did called Brotherly Love, where it's like it's
a movie that I would just sit and watch, you know.
That's how I feel about this, But in a comedy sense.
Speaker 6 (26:02):
I love that when you. When I get my hair done,
I actually put on comfort movies. You know what I mean, Sorry, Tony.
When I was looking at the screener, I was like, oh,
do I do it with my brainer because she don't
love it? And honestly, it's so funny because when we
spoke about it later, I said, oh my god, girl,
I just got to watch the most amazing thing. And
when I get my hair done next, I can't wait
(26:23):
for you to watch it too.
Speaker 4 (26:26):
That's what it was for.
Speaker 1 (26:28):
Serious, because you know what we want to cut on.
Speaker 2 (26:31):
Yeah. No, But I also said, I also said watching
it a second time made it to where you feel like,
oh no, this is about to be a classic. Because
I could watch it again and it got better. I
missed some things. I missed something then watching it again
and I was like, oh dangn that was funny. The
tumble Weed, Oh my god.
Speaker 4 (26:51):
Come on tumble weed.
Speaker 6 (26:52):
Is there any little piece before we leave our audience
tonight of something you want to share about this film
that they could take home with, or just a piece
of this movie that or just even talking to each
other about what this meant?
Speaker 7 (27:05):
Oh?
Speaker 8 (27:05):
Man, I mean, I hope people leave this movie and
have hope at the front of their mind.
Speaker 7 (27:10):
You know, we see our world is so crazy.
Speaker 8 (27:12):
Right now, economies all over the place, and we see
these characters whose backs are against the wall. It looks
like it's over with, but it's not real, you know.
And I think that's like an you know, analogy for life.
Speaker 7 (27:24):
You know. You just we talk about how long is
it this movie? We have to perseverance.
Speaker 8 (27:27):
So it's as long as you're hopeful and you believe
in your heart that you know what you want can happen.
Speaker 7 (27:32):
It can happen for you.
Speaker 5 (27:33):
Yeah, I mean I piggyback off of that and just
and just to have joy. I think it's so important
for us to find joy. It is like life can
really be crazy, it can be a lot. And I
think the big thing is community. So whether it's the
community of seeing Drew and Lissa come together with theirs
on screen, or the community of all of y'all gathering
here to watch it. If we could bring each other
together to laugh and enjoy, to me that I've done
(27:56):
my job. That's what I like to do as an artist.
It's to bring people together for something good, for something hopeful,
for something positive.
Speaker 4 (28:03):
And so that makes me happy looking at all.
Speaker 7 (28:04):
Y'all.
Speaker 5 (28:05):
We was laughing up in here together. You know that's
that's fun to me. You can watch this and know
you will make your rent.
Speaker 4 (28:11):
You will make it. I know you need to make it.
You will be a high.
Speaker 2 (28:16):
You might need to show them toes, but you might
need to show them Joe, Kiki Lawrence, thank you so
much for y'all bring us here.
Speaker 4 (28:25):
Y'all, y'all. And Laurence, hey, you guys.
Speaker 5 (28:30):
Make sure you were seventeen seventeen, yeah, septeenth, y'all.
Speaker 1 (28:41):
All right, we're out of the theater, y'all.
Speaker 6 (28:42):
We just left Kiki, yes, miss big Boss Palmer, we
just left Laurence Lawant.
Speaker 1 (28:47):
That shit was fun as hell. It was so much fun.
Speaker 2 (28:49):
It's so crazy because I mean, I know, you guys
have never really heard us do an episode like that.
I don't think we ever have done an episode like that.
Speaker 8 (28:56):
Not me.
Speaker 1 (28:57):
No, it was a good time.
Speaker 2 (29:00):
Now. It's crazy because horrible decisions was in my mind.
I was up there, so I was like, oh, caught
that caught that.
Speaker 1 (29:07):
Y'all want a little background team.
Speaker 6 (29:09):
So this part of the episode is just Mandy and I,
you know, reflecting on a movie. Reflecting on our experience
with this for our listeners, first thoughts I had that
I thought were funny. Out of the red carpets we've
done together, I have felt so fucking rushed out And
it was so beautiful to be in Atlanta where everybody
knows us.
Speaker 2 (29:25):
Yes, because I actually got everybody. So I do want
to shout out excell Nicole, Radio One, Revolt, dish Nation
rolling out. Uh did you say that bossip?
Speaker 4 (29:39):
Yeah?
Speaker 2 (29:39):
Like it was dope. Like we immediately went to the
red carpet and it was like we here with decisions, decisions,
formally horrible decision To be fair.
Speaker 6 (29:47):
Can I just say I'm not saying no one didn't
know us, but that is how they're supposed to be prepared.
When you're red carpet, you're even if you don't know someone,
You're holding a piece of paper.
Speaker 1 (29:56):
You're scene is coming out. But also we was the house.
That's true Bett what to me?
Speaker 5 (30:02):
You know what?
Speaker 6 (30:02):
I was literally thinking to myself when we were leaving,
can he look bomb?
Speaker 7 (30:08):
Yeah?
Speaker 6 (30:08):
But I was like, damn bro like flying from New
York last night, like she does so much that it
really made me think to myself, do I do enough.
Speaker 2 (30:17):
Oh, I think that every time I speak to Angela
Yee or even Charlemagne and I'm like, oh, if we
got the same twenty four hours, maybe I'm not doing
enough because they juggle a lot of things, which is why.
Speaker 4 (30:32):
Like I know, like when I told y'all.
Speaker 2 (30:34):
Was doing radio down here, you was like, well, we
have a tour, are you gonna have enough time?
Speaker 1 (30:38):
I say, bitch, I want to make it happen. I
see Angela, make it happen.
Speaker 7 (30:40):
I see Charla.
Speaker 4 (30:42):
I don't know.
Speaker 2 (30:43):
I don't know none of that yet. Air check is
being sent out. I'm talking to a lot of people,
and not that I'm using like a manifest word here,
but I'm literally just saying it because it's gonna happen.
That's it. It's not like locked in officially. But when
I make the announcements to y'll, y'all could come right
back to this time stamp and see what a manifestation
(31:04):
looks like.
Speaker 1 (31:04):
Let me let me, let me do for radio.
Speaker 4 (31:06):
So there you go. In another I like that.
Speaker 6 (31:09):
I like when people say, you know, I moved to
a city for love and then they get married. I
moved to a city for job and have it I
think it's beautiful. You know, someone told me on Horrible
Decisions that I said I wanted to do trap pilates
last year.
Speaker 1 (31:23):
Oh, I don't remember that. That's crazy. I don't know
if I guess I talked about plates and to do.
Speaker 2 (31:27):
You have been working I mean talking about just working
out period since we started the pod. I think before
we started the pod, you had me going to spin
classes with your ass.
Speaker 6 (31:36):
Going to Switch Playground where my fitness dress. No, no,
you don't, Rember, we went together.
Speaker 2 (31:41):
That was one time, just to film behind. I never
wanted to do Switch Playground. That was not my type
A crazy word ground. I like bar pilates, a yoga,
hot yoga specifically.
Speaker 6 (31:53):
I've actually been thinking about adding a bar for trap
bar classes. But okay, back into it, so manifesting. Okay,
see that was being Scissor right now.
Speaker 4 (32:02):
No, no, no, I'm not gonna lie. Y'all heard me
say it.
Speaker 2 (32:06):
Scissor's character, Alyssa is a fucking terrorist like I watched
it and every scene with her made me more and
more mad. I said I could never have a friend.
It was not only the delulu of it. Yes, moving
in the broke nigga with the big dick. Okay, sure,
but it was just like even I think when when
(32:28):
Kiki couldn't believe she posted I don't want to give
the movie but and I'm not gonna give the movie,
but there were moments in there where Alisa just did
things where it's just like, oh, bit, you just dumb,
you just dumb.
Speaker 4 (32:42):
You don't care.
Speaker 2 (32:42):
About she just second and then and then's me when
a friend try to tell you, like, bitch, you stay
fucking up for her in that moment to be like.
Speaker 4 (32:51):
Well, bitch, you ain't shit either.
Speaker 2 (32:53):
And I was just like me and my friends never
have these exchanges, and I was just like, this be
what friendships look.
Speaker 1 (33:01):
I actually got a little.
Speaker 6 (33:02):
Anxiety and their argument in the movie because I haven't
had a like scream out match with a fan in
a long time now.
Speaker 1 (33:08):
Actually I don't know the last time that happened.
Speaker 6 (33:10):
But it made me think to myself, a lot of
my friends are opposite as me. I have some type
A and me and I have someone listen in me.
That's why why I'm able to do what I do
or you know, even be an entrepreneur. I think you
got to have a little type A. Yeah, now, you
have to have. I think more Type A than Alissa. Yeah,
I mean no, I am yeah, but it made me
think to myself, is there a balance in friendships where
(33:32):
two Type a's can two Kiki aka Drew in the movies?
Speaker 1 (33:36):
Can two kikiS get on? Well?
Speaker 6 (33:38):
Is it nice to have that oppositeness? Much like in dating,
it's really nice to date someone with the opposite personality
A bit.
Speaker 2 (33:46):
I have a lot of Type A friends, but I
don't think I would move into doing business with any
of my friends at this point, just because I value
my friendships too much. But I like I like Type
A people. I like people that are like organized and
not so aloof. I do have some aloof ass friends,
though I do have some delusional ass friends, and I
(34:08):
do have not call him out girl, and I do
have friends that create their own realities.
Speaker 4 (34:12):
Like they'll be telling me about something and I'm like.
Speaker 1 (34:15):
Hold on, is it cause of Dick?
Speaker 2 (34:16):
Though, oh, it's about Dickolae. I ain't even gonna hold you.
My one friend and she don't listen to the Bob,
So I'm about to talk about her because I called
her out in person. So we talking and she's telling
me about this twenty four year old, but she's speaking
about him like he's new. So all these things are new.
And I said, bitch, the car dealership nigga, oh my god,
(34:38):
two years ago, Oh you do.
Speaker 4 (34:41):
Know about it? Yeah, you fucked his coworker. So I'm like,
the way she bitch get on the bod, it was
a lot.
Speaker 2 (34:47):
So I'm like, well, she's like, well he doesn't work
there anymore. And I was like, bitch, you still fucking
this merry coworker. It was tea So I was like, bro,
you're really sitting here trying to talk about this nigga
like he had new nigga. I was so confused. I
do want to do like I.
Speaker 6 (35:00):
Feel like I've done that on Horrible Actually there's been
maybe in the last I don't know how many years,
but there's been a nigga I've had sex with that.
I was just no, I don't act like he's a
new nigga. I just don't intro who he is. How
I said, I'll just talk about the dick and I'll
be like, I don't even feel like like I think
there's a time I fucked Lambau And I was like,
I just can't believe I fucked this nigga again, Like.
Speaker 1 (35:22):
Let me just that's crazy, but it's to me.
Speaker 6 (35:25):
Sometimes you want to share your excitement for the dick
you just had, but the way that a friend will
hold you accountable is like, I don't want.
Speaker 1 (35:33):
To hear that I needed to get fucked. Okay, let's
just say you fuck twenty four to seven again. Let's
just say it happened. Although we can kind of be
looking at him sometimes because we didn't have been in
the same but just seeing him in that one nigga together.
Speaker 4 (35:48):
And I said, we're not gonna do that.
Speaker 2 (35:50):
I said, oh my god, he be outside with all
the niggas ah. But I would never give him plasy again,
even though he find I think. I know the last
argument was but the last argument was bad. But also
I've been told of too many other bitches he pucks,
and it's just like ew, like, you just give that
good dick to everybody.
Speaker 1 (36:10):
What is your problem?
Speaker 2 (36:11):
Oh?
Speaker 1 (36:11):
I could show you a bit She pucked so ugly,
and I was just like.
Speaker 2 (36:14):
Oh, I like, what's good dick to be elusive?
Speaker 1 (36:19):
I'll show you her. She's awful? What is it about?
Speaker 2 (36:22):
So she probably like she's trash what's wrong with her
besides the face and the body body face trash.
Speaker 1 (36:31):
Maybe she's funny. No, I've been around her. She's not
that funny. Well, and her lips are like maybe she
a freak. Let me see.
Speaker 2 (36:39):
No, you ain't given too much details on me on
the podcast. I do want to talk about one of
them days, just just to wrap this episode up, though
only because I'm I will say hearing them say that
we were this close, and when I say this close,
it's really small to getting a sex worker scene. I
(37:01):
really wish we did the I really wish they did
the footshit. Oh my god, I really wish they did,
you know what them.
Speaker 6 (37:07):
I'm kind of glad they didn't because I wonder if
somebody would have just found a way to pick it apart.
Speaker 1 (37:14):
Like a lot of the girls would be like, oh
do you got to say?
Speaker 7 (37:17):
I don't know.
Speaker 6 (37:17):
It was very fun, It was very silly, and I
wonder if it was a choice to take it out.
Speaker 1 (37:21):
You got to think everything is a choice, right.
Speaker 6 (37:24):
A lot of the sex workers shit people act funny about.
Speaker 4 (37:27):
Bro feet though like that I don't.
Speaker 1 (37:29):
Think is a big deal the thing.
Speaker 4 (37:31):
So it's crazy.
Speaker 2 (37:32):
So watching this movie and it was a question I
wanted the audience to sit with fifteen hundred dollars in
a day. It's so crazy because, uh, I know, we
got asked that question on the red carpet, and immediately
I said, I would hit up all my niggas.
Speaker 1 (37:48):
I would have sex.
Speaker 2 (37:49):
I'm not gonna lie. I have so many niggas even
from the past, and friends that are millionaires, and I
could just ask for money. But then I also thought, bitch,
the first thing I did when we started really making money,
I think maybe our first like live show, I bought
this watch, and it's only because everyone told me, bitch,
a Rolex doesn't really lose value.
Speaker 7 (38:09):
Da da da.
Speaker 2 (38:09):
I could go turn this sitting and get eight grand tomorrow,
get eight grand today if I went and wanted to
turn it back in.
Speaker 4 (38:15):
So I was like, oh, I'll get my watch up.
Speaker 1 (38:16):
And that's what else I thought.
Speaker 2 (38:17):
I said, Damn, they didn't even have a scene like
with a pawn shop. I'm thinking of realistically, like growing up,
the cash advance, that's what my mom used to do,
That's what I used to do. It was actually my
first thing, cash advance. Then a pawn shop actually would
have been my second thought in which jewelry gold, gold
keeps value, which is why when I was just in
sane CROI, I was like, bitch, we got to get
(38:39):
the gold because gold is more affordable there.
Speaker 1 (38:41):
It's like thirty percent off. So I'm gonna be real.
Speaker 4 (38:43):
You always take a pawn shop.
Speaker 1 (38:44):
Here's why.
Speaker 6 (38:47):
The most valuable, like, the most valuable thing is my
Rolex two. However, I've seen rolexes on the real real
for twenty one hundred and I really believe, but you.
Speaker 4 (38:56):
Only need fifteen.
Speaker 2 (38:57):
I'm talking about if you need the fifteen, just get
the give kid the goddamn watch up to me.
Speaker 6 (39:03):
That don't hold no value should be going down, bitch.
The pawn shops can look you in the I and
see desperation, bitch.
Speaker 2 (39:09):
And then they gonna be like, you know, well I
could take this to Boucher turnover, bitch, like can we
tell where I got it from? Andandy trying to speak
French and she knows that's my town. That is not friends.
Well now, yeah, I was thinking.
Speaker 6 (39:20):
I was thinking, Now, if someone doesn't have something that
is of that much value, where do you do? What
are you selling your home? The other things that you
own are laptop yes, car, you can do your car. Okay,
that's that's extreme.
Speaker 7 (39:33):
Bro.
Speaker 2 (39:33):
What and you can't really turn in a car. A
lot of people are on a car with the least
That's why you got to turn over that pussy. That's
what I would have done. You know what's crazy? That's
that was my overall take from this movie. And no, no, no, no,
is that they have poor pussy management. How the fuck
can you not call any nigga you ever fucked and
asked for some break.
Speaker 1 (39:53):
Because they was living in the jungles man?
Speaker 7 (39:55):
What the fuck?
Speaker 2 (39:57):
Regardless poor pussy management, there's bitches that live in the
project that can still call.
Speaker 7 (40:00):
Well.
Speaker 6 (40:00):
See as much Mindulessa got on your nerves. Who if
you didn't watch a movie yet a sizzle? She damn
sure hopped on Tinder and was looking for riche nigose
som wrong app.
Speaker 4 (40:08):
Which we gave you all the apps to go on
seeking arrangement.
Speaker 6 (40:12):
What's your Price? There's so many other books. Yeah, for
anyone that has never listened to horrible decisions? What's your Price?
Dot com is a website where you can literally sell
a date.
Speaker 2 (40:21):
I'm actually going to go on there and just let's
just take a little read of what their site is
looking at right now.
Speaker 1 (40:26):
What they call it.
Speaker 4 (40:27):
I want it.
Speaker 1 (40:27):
I'm writing a script right now, and I want that website.
Speaker 6 (40:31):
Okay, or dating done differently online dating starting with an offer.
Welcome to What's Your Price? Where the dating gets real.
Forget it and the scrolling and dead end conversations. It's
real dates with people who want to meet you. It's
a fast lane for dating. Ditch endless messaging and go
for the quick stuff. The average offer is about one
hundred and twenty dollars YEP, six point six million members.
Speaker 1 (40:53):
Thirty percent of all offers are accepted.
Speaker 2 (40:56):
And the other thing that is really great about this
is that the users have viewed more than sixty two
million date offers, So it's not like this is a
dead site where it's not really going anywhere.
Speaker 3 (41:08):
No.
Speaker 2 (41:08):
So basically, you go on there, you create a profile,
and men will offer you money to take you out,
and when they take you out, it's their responsibility to
also cover the meal, so.
Speaker 4 (41:18):
You can get paid to eat.
Speaker 7 (41:20):
What a motherfucker?
Speaker 2 (41:21):
Yeah crazy, That's what I'm talking about. So that's on
that one day I would have went on a coffee date.
I would have went on a lunch date and a
dinner date. They're going my rent.
Speaker 6 (41:29):
So this one I thought it was amazing in twenty sixteen.
It's a while ago. But a single mother and this
is from the Dailymail dot com charges men one hundreds
of dollars to go on dates from What's Your Price
dot com she scored a two million dollar paycheck from
one of them to fund her new company. On her
first date from What's Your Price, she told him about
a business plan and he gave her two million dollars
(41:50):
to invest.
Speaker 1 (41:50):
Now, Ida, I actually need to start going back on
that website.
Speaker 2 (41:53):
Because I don't mind. I don't mind like having somebody
paying me.
Speaker 7 (41:56):
To go eat.
Speaker 6 (41:57):
Let me tell you a homegirl say the other day
she had a fucking your idea. Okay, So one of
my homegirls was like, I'm looking for the rich niggas, right.
So my friend was like, go to a coffee shop
in Beverly Hills, get on your laptop, and then just
they're just gonna talk to you because you hot, and
just start telling them about your business plan. You can
do that, just continue to do it, and then if
that's how these men meet you, they're gonna be like, oh,
(42:18):
we should have a meeting. But really, you about a trick.
Speaker 1 (42:21):
Yeah, I'm not mad with that.
Speaker 2 (42:23):
Yeah, I'm not gonna lie. I know what Atlanta coffee
shop could they go to? Butch, I ain't gonna hold
you pistachios back. And this is not an ad, but
that Starbucks bitch is Starbucks bitch for people to listen
to decisions. This girl love pumpkin and pistachio. And I
would like to ask you white.
Speaker 4 (42:41):
Women because I want racial here we go.
Speaker 1 (42:44):
I am a seasonal slore.
Speaker 2 (42:46):
I love seasonal flavors like this True Food kitchen here
in Atlanta. And I like, oh my goodness, bitch, their
little winter menu with a squash. Right now, give me
something with squash and ricotta.
Speaker 1 (43:00):
Okay.
Speaker 6 (43:00):
And so January seventeenth, it's this Friday, This Friday, This Friday,
y'all can check out one of them days. And like
we said, it made us feel at home. It felt
like on Friday, it was so much fun. Definitely, go
with your girls.
Speaker 4 (43:14):
Go with your girl.
Speaker 1 (43:16):
I got a little cocktail, bitch, that's what I said.
I like last night. He said that's doing too much.
Speaker 6 (43:20):
Oh no, I like a ratchet movie theater. But I'm
just saying for the girl dates. Oh yeah, no, for
the girl dates. I actually just did that with my
best friend. We went and saw.
Speaker 2 (43:29):
A Wicked and then I took my mom and my
sister to go see Moufassa. But we went to one
of those movies where we was eating fucking We had
a Charcucci board, we had an espresso martini. So if
you guys have an ipic theater anywhere, I really love
going to watch movies like that because it's like a
dinner in a movie.
Speaker 1 (43:47):
Are you knocking out two and one? Bitch them tickets?
Speaker 2 (43:49):
We thirty, all, No, they're only twenty here, But then
you're ordering food and drinks, so it does get a
little expensive.
Speaker 1 (43:55):
You know, go on with your price. And did tell
them you want to go see.
Speaker 2 (43:59):
One of them bads, and then well they be wanting
to talk on them days. It's okay, that's the perfect day.
Speaker 4 (44:04):
I'm not gonna lie.
Speaker 2 (44:05):
It's definitely a girl's out movie. I do think it's
a really cute date night t I and Tiny actually
came and watched at the screening. I saw quite a
few couples actually in there, unless they were just there
with it, But I saw a lot of guys and
girls at the screening.
Speaker 6 (44:20):
Sizza was something to see Kiki little body in that
little Neon list. It was really really fun to see
them on the screen. And I got to see Sizzle
on tour last year for so os so much.
Speaker 1 (44:33):
I loved her.
Speaker 2 (44:33):
She she is kind of really an artist because like
to see her act in this like she was a
great actor. Actually to see her maybe she was also
just acting like herself, which is the type of role
I think I would deal with.
Speaker 1 (44:46):
That's what they say that non actors should do. But
after this movie, y'all.
Speaker 6 (44:50):
And I'm not just saying it because Sony brought us out,
but I swear to you at the end of the movie,
you know, high expectations always for Kiki.
Speaker 1 (44:58):
Yeah, I was like, damn, Siss really good.
Speaker 4 (45:00):
So that did that? Actually, I think.
Speaker 6 (45:02):
Alex was texting me in the movie and like, this
is kind of surprising me. Yeah, And I think you know,
when you see an actor for the first time or
someone you know that becomes an actor. That's how we
know Sissa right from her music. You're kind of like, oh, okay,
well maybe she'll be Navid.
Speaker 1 (45:16):
She killed that.
Speaker 2 (45:17):
Yeah, no, she killed it and then also it was
just amazing to see Janelle James in the film.
Speaker 4 (45:23):
Kat Williams.
Speaker 2 (45:27):
The Woman from Curb, which was my favorite scene of
the movie, which is crazy, the conversation we had with
the director, the scene where we said they said they
didn't know if it would get that many last the
cash Advanced Place was my favorite scene.
Speaker 1 (45:38):
Oh do you want to give any little tea from
last night?
Speaker 6 (45:40):
Like bts that because I thought the coolest thing was
watching Kiki and Lawrence just react to stuff. I kind
of almost watched the movie and stared at them.
Speaker 1 (45:51):
Oh you know, KICKI was sitting Kicky and her mama
was sitting right in front of I love watching people
watch them.
Speaker 2 (45:57):
So I love that she was watching her own film back.
And I think that that lets you know how much
they really both take it serious. The and the director
like enjoy the film.
Speaker 6 (46:05):
And I also want to let y'all know, you know,
just being Bicoastal, I've been going to a lot of
screenings and the actors come in for the panel and
this movie and Bad Boys, Bad Boys because.
Speaker 1 (46:17):
Well, Marvin and Anna wanted it.
Speaker 6 (46:19):
And that was a very small theater of like maybe
less than one hundred and seventy five, a big theater,
and so just to see the actor be engulfed in
their own work and paying attention to their craft, Like
that's when you get the people that are this big.
But I've definitely been some screenings where they just pop
right in and by the way, yeah, I'm amazing. I
might need a hologram because I kind of want to
sit in a Horrible Decisions live show.
Speaker 2 (46:38):
Like I know we're going on tour again, but I
kind of like want to be able to see what
it looks like.
Speaker 6 (46:43):
Well, if you could see Mandy and I backstage whenever
there's like a video of us playing or something, We're
always looking like how are people reacting.
Speaker 1 (46:50):
We'd be trying to sneak it, be like are they laughing?
Did they laugh every time Vinnie goes back? Are they laughing?
Speaker 4 (46:55):
What type of crowd is it? Like, I know, we
really want to know because we like to be engulfed
with the crowd.
Speaker 6 (47:00):
So when we you know, when we're traveling and we
have to book like an opener that we don't know
manning down here alive, we'd be.
Speaker 2 (47:06):
Like, like, you need to know. I think we did
really good with our last tour with our performers, openers
or Kinksters.
Speaker 1 (47:15):
It was a really good tour.
Speaker 2 (47:16):
But yeah, one of them days, y'all don't check it out.
Make sure y'all go check that out. January seventeenth, and
I did do a little blog. I don't know when
it's gonna be up. I'm working on editing it now.
Maybe I'm trying to do all the little things. I
had my friend with my little Ozmo and she was like, bitch,
I don't know how to work this. Where's the manual?
But she don't know how to do shit. Shout out
(47:38):
to my best friend though. And again January seventeenth, one
of them days in theater.
Speaker 1 (47:42):
Make sure y'all check it out.
Speaker 2 (47:43):
And we also want to give a really really, really
really huge thank you to our patriots.
Speaker 1 (47:49):
Oh, I was gonna say Sony things, Sony too.
Speaker 2 (47:52):
I'm gonna thank you start Sony, but I want to
let you guys know in twenty twenty five, all the
things we're given to our Patreon community, we were allotted,
thanks to Sony, twenty seats to invite our patrons.
Speaker 1 (48:05):
So the inviting patrons was something we wanted to do.
We wanted to do, and then I love the Tony
a lot of that.
Speaker 6 (48:10):
You guys invest in us and we're investing back, whether
you spend five dollars a month or twenty five.
Speaker 2 (48:15):
No, Sony went to give us seats and we were like,
we would like to invite our community.
Speaker 7 (48:19):
Can we do that?
Speaker 1 (48:19):
Can we get more seats?
Speaker 2 (48:21):
And one of our patroents drove from fucking Kentucky to
come and watch this se Where is that, hey, Siri,
it's like Kentucky from Atlanta.
Speaker 1 (48:34):
Four hours, five hours and sixty drove and she drove.
Shout out to you, act like that was fro me
and not Kiki.
Speaker 2 (48:40):
Oh my, well yeah, thank you to our patrons, and
again thank you to Sony for having us host our
first screening and one of them days. Y'all check it
out and again it's even better when you see it
the second time around, So make sure you see it
in theaters and whenever it hits streaming.
Speaker 1 (48:57):
And we want to thank you guys for
Speaker 2 (48:59):
Tuning in to Decisions Decisions Babies, a special edition by
BLA
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