October 13, 2025 • 50 mins
This week, Chris and Karen welcome comedian Brent Weinbach to talk about Smooth Jazz Daves, chicken stances and more!
https://www.instagram.com/dynarpodcast/
https://twitter.com/DynarPodcast
https://www.facebook.com/dynarpodcast/
Buy Merch! https://www.exactlyrightmedia.com/merch
Follow Brent Weinbach –
WATCH POPULAR CULTURE HERE - https://www.youtube.com/watch?v=9pms_xTDtVc
Twitter - https://twitter.com/BrentWeinbach
Facebook - https://www.facebook.com/BrentWeinbachComedy/
Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3UMGNo5
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Are you leaving?
Speaker 2 (00:03):
I you wanna way back home?
Speaker 1 (00:06):
Either way, we want to be there. Doesn't matter how
much baggage you claim and give us time and the
terminol and gay.
Speaker 2 (00:19):
We want to send you off in style.
Speaker 1 (00:23):
We wanna welcome you back home.
Speaker 3 (00:27):
Tell us all about it.
Speaker 1 (00:28):
We scared her? Was it fine?
Speaker 4 (00:32):
Mal porn?
Speaker 1 (00:49):
Do you need to ride?
Speaker 4 (00:51):
Do you need to ride?
Speaker 3 (00:53):
Do you need to ride?
Speaker 4 (00:55):
Do your need to ride? Do you need to ride?
Speaker 1 (00:58):
Do you need to ride.
Speaker 2 (01:10):
With Karen and Chris?
Speaker 5 (01:14):
Welcome, welcome, welcome to Do you need a ride? This
is Chris Fairbanks and this is Karen G.
Speaker 3 (01:19):
Garrett.
Speaker 5 (01:19):
You're driving around and you know him from clubs and college.
I send cruise ships across the country.
Speaker 2 (01:25):
Put your ears together for Brett. Weinbas we're looking for Pete.
Speaker 3 (01:32):
Where was this p okay? When I there was I
saw a bottle of an open bottle water, bottle of pe.
It appeared to be p It was definitely, I mean,
it looked like there was probably a lot of billy
ruben in it. What is billy rub I don't know.
I think it's stuff that maybe makes your pee really yellow,
or it makes it yellow. I think I don't know.
Speaker 1 (01:52):
I don't know what I think, named after a man
named Billy Ruby.
Speaker 3 (01:58):
There's two guys, Billy and Ruby. They like they didn't
know who to name the substance after, so they said,
let's just share it.
Speaker 4 (02:05):
Share the accomplishment of making p yellow.
Speaker 3 (02:09):
Yeah. They were actually both scared cowards and they that's
what someone else named it after, these two cowards named
Billy and Ruben, and they said they were yellow and
they just they were yellow and they I don't know,
they something like that. Well, some kind of thing there.
Speaker 1 (02:26):
There was a there was a in a town I
think it was like Conquered or somewhere. There was this
thing that became a drama, which was that somebody kept
putting like gatorade bottles of pee on top of these
electrical boxes.
Speaker 3 (02:39):
Yeah. Wait, hold on, I saw something about that.
Speaker 4 (02:42):
Did we have we spoken about it?
Speaker 3 (02:43):
Well no not, I don't you not us, But I
mean I saw something about this. Somebody had a documentary
about it.
Speaker 1 (02:50):
Yes, a guy started filming it because he was like,
this is the weirdest thing of all time. And they
basically it was like someone who was putting their hand
over the wall, yeah, and putting the bottle on top
of an electrical box and the city would go and
clean it out because it's like a biohazard essentially, and
then it would just keep happening, and they were like,
where are these coming from?
Speaker 4 (03:09):
Did they solve it? I can't remember.
Speaker 3 (03:11):
I can't remember, but I do remember seeing I saw this, Yes,
I saw it somewhere live too.
Speaker 4 (03:17):
It was like someone, oh.
Speaker 3 (03:19):
It was part of some sort of little festival or something.
Speaker 4 (03:22):
Yeah, I saw it on TikTok uh huh. But then
you saw it con?
Speaker 1 (03:26):
I saw I saw it where at the con film Festival.
Speaker 3 (03:30):
I can't Yeah, yeah, yeah, con. Yeah. I thought when
you said con at first, I just I thought con
at first and instead of C A N And yes,
I said con. I think you should have said I
think you should have said it more like this, like
at the film festival.
Speaker 5 (03:53):
You guys as farriers father son actors. Are you fans
of James con Scott?
Speaker 3 (04:01):
I didn't know James had a son son.
Speaker 2 (04:04):
He was And I put this together recently, part of
the rap duo with the Alchemist. Yes, there was a
I grew up. They had a video and someone said
that was Scott Kahn.
Speaker 5 (04:22):
As a kid, he was in a hip hop group
around the time of like Criss Cross.
Speaker 4 (04:26):
Was the Alchemist the word them up?
Speaker 2 (04:33):
Still love it like that?
Speaker 3 (04:34):
Okay, now we're getting Wait, isn't that into Deep or
who is that Shakers?
Speaker 1 (04:42):
Oh?
Speaker 2 (04:42):
Yeah, I think that was a one kid Who's the Alchemist?
A current hip hop guy?
Speaker 4 (04:49):
And Scott con was just in the video with.
Speaker 2 (04:51):
Him, Yes he was. I'm the Hooligans. I had a
Hooligans like EP.
Speaker 3 (05:00):
Oh, well, were you a rap person?
Speaker 2 (05:02):
I enjoyed hip hop in the early nineties like a
lot of us.
Speaker 3 (05:06):
Well, okay, sure it was inescapable, yes, but I also
just would have thought maybe you would have somehow escaped it.
I mean not that it was something to be escaped,
you know that you needed to escape it, But I thought, no.
Speaker 5 (05:20):
You're right, and you know me well enough to Yes,
all of my friends, I was like, they didn't like
rock music or screeching guitars. They called every time I
played my music, They're like, great, screeching guitar. I'm like,
you guys just listened to the same five rap albums.
But eventually we all melded together.
Speaker 1 (05:40):
When Aerosmith and Run kicked in the door.
Speaker 3 (05:44):
Right or Motley Crue and Onyx yeah, I don't remember that.
Speaker 5 (05:47):
It wasn't until the Judgment Nights soundtrack that we all
held hands. No, it was things like The Fireside and
those early nineties groups that I really got into.
Speaker 3 (05:59):
Yeah, you know when I was around in that time,
I was just really into smooth jazz. Oh really Yeah,
that was kind of my rebellious way, you know.
Speaker 2 (06:10):
Yeah, that'll get back at your parents.
Speaker 1 (06:11):
Yeah, you'll go and pay like a thirty dollars cover
at a jazz club.
Speaker 3 (06:15):
I was more rebelling against just other kids.
Speaker 2 (06:17):
You know, yeah, with their hard jazz.
Speaker 3 (06:21):
Yeah, with hard stuff. Yeah, I was trying to just
show them the powers of smooth.
Speaker 1 (06:25):
Yeah, guys, listen to Dave Cause.
Speaker 3 (06:28):
Cause, Dave Gruson. All the Daves is Dave Gruson, Dave
Cause and Dave Sanborn. There's so many Daves and smooth jazz.
It's wrong, you know, why Why is dave' such a
common nas and? Yeah?
Speaker 2 (06:42):
Did Dave Sandborne correct me if I'm wrong?
Speaker 5 (06:44):
Had an album cover where he's resting his leg on
a fish net or resting his head against a fish net,
stalking leg.
Speaker 3 (06:52):
Oh, it's quite possible.
Speaker 5 (06:54):
Yeah, yeah, like with the horn in his mouth and
it was like a leg from the Christmas Story Lamps
leaning his head against him.
Speaker 3 (07:01):
Yeah, I mean very well him Gruson, I think probably
had the cowboy look and one of his albums, you.
Speaker 2 (07:09):
Know, which Dave Crosby sued him for.
Speaker 3 (07:12):
It's like, I like, I'm the Dave with the cowboys,
you know.
Speaker 2 (07:16):
Read the Mustache.
Speaker 3 (07:17):
Did you ever see the episode of Beverly Hills nine
o two and oh when they went to i think
the Hollywood Bowl for Jenny Garth's birthday and Dave Cause
was the performer.
Speaker 2 (07:31):
All that's funny.
Speaker 3 (07:32):
And it was all these I think at the time
they were supposed to be in college and they were
all just really into Dave Cause. I just wondering how
that you know, which writer was Dave Cause friends with?
How did you know? How did they decide, Hey, let's
have these college kids go, you know, for Jenny Garth's
birthday where they're going to see their favorite band.
Speaker 5 (07:54):
Because at that time, even for a TV show that
was supposed to to young people, it was a room.
Speaker 2 (08:02):
Full of forty five year olds.
Speaker 5 (08:03):
Yes, like, yeah, there's certain jokes on like Saved by
the Bell, which I'd never watched.
Speaker 2 (08:09):
But April Richardson had that podcast.
Speaker 5 (08:12):
Where you had to watch it Saved by the Bell
episode and only jokes.
Speaker 2 (08:16):
I'm like, wait, someone's dad wrote this. There's no way.
Speaker 1 (08:20):
Also, I bet you it's like if if Beverly Hills
and I know two and oh was like Fox, then
it was like who owns Fox? Whoever? And then that
whoever owns Dave Causes Record label. It's all that kind
of shit. The early integrations.
Speaker 3 (08:34):
Of like, yeah, it's just a what a funny match
though crazy, and you know, it's just funny to see
Brian Austin Green looking very hip hopped out, yeah, kind
of grew, you know, bobbing his head, grooving the smooth
you know, to the smooth sounds of Dave Cause and
Dave Cause he's got some moves too. Oh yeah, yeah.
(08:55):
I mean you could probably just see the clip somewhere,
but I don't know. He's wearing these pretty puffy pants
and slacks, you know, these kind of I call them
air slacks, you know, because they're just kind of very airy,
and he's kind of you know, he's very enthusiastically blowing,
you know, m hmm. Less. I don't know his work, well,
(09:17):
I mean, look you know, you know Dave Sanborn, so
you pretty much know. Yeah, well, you know what the
Daves do one day, you know, in the worldless smooth ed.
Speaker 1 (09:28):
I wonder if they picked Dave cause because there's no
lyrics in his songs, so it's like one steps easier
for Clarence.
Speaker 3 (09:35):
I actually I found that, well, at least, okay, I
found that at least with Kenny G's music, which didn't
have any lyrics, that in my experience, has been more
difficult with clearance kind of stuff.
Speaker 1 (09:50):
Really, yeah, okay, so I.
Speaker 3 (09:54):
Kind of don't you know, I don't know if lyrics
plays into it or not, but oh maybe let's you know,
maybe it doesn't, but yeah.
Speaker 4 (10:01):
Let's not shut it down right away.
Speaker 3 (10:03):
One time, the way that he moves, Dave, cause it
reminds me of this other time. I went to a
jazz club. I used to work at a jazz club.
I used to play piano during the happy hour.
Speaker 2 (10:15):
Yeah, I forgot that, you're what jazz clubs.
Speaker 3 (10:18):
It was called mister ease. That's not E a s E.
Speaker 2 (10:24):
Of course I knew it was e Z.
Speaker 3 (10:27):
It's just right. It's it was E, just the letter E.
It's short for escaveto Ptescavedo owned the Placedo's daughter is
Sheila E. By the way.
Speaker 2 (10:39):
That's right.
Speaker 4 (10:39):
Oh, so it was the one that was down on
was it Beverly.
Speaker 3 (10:42):
Or it was in Berkeley, California? Yeah, and it was
on Shaddock and it's not there anymore. But yeah, so
that it was in the nineties. And I played piano
during the during the happy hour and anyway, I could
go to the club whenever. But you were a kid,
(11:02):
I was young, you know. Yea, yeah, I mean I was.
I was younger. I was you know, college, you know.
But anyway, they let you.
Speaker 1 (11:12):
Play the piano during halfy hour, you must have been really.
Speaker 3 (11:15):
Good, because yes, well I was all right. I knew
some tricks. I still know some tricks. I know tricks
to make it sound like I'm good.
Speaker 2 (11:23):
Like where you start playing with your elbows.
Speaker 1 (11:25):
Yeah, you really getting it out here like it was
like kind of a chicken.
Speaker 3 (11:32):
I kind of try to. I use the chicken stance
for my playing, you know, I do chicken approach, you know,
I kind of do the.
Speaker 2 (11:40):
Like the guy that married his cousin.
Speaker 3 (11:42):
They called me chicken fingers because I would do I
would actually play with my elbows. You know, they call
that chicken fingers, you know, and uh work, you know,
I get it. I'd get a discount at every uh
I don't know, raising canes.
Speaker 1 (12:02):
Chicken fingers came in today and ate them.
Speaker 3 (12:06):
Yeah, it was a big publicity campaign, you know, chicken
fingers eats chicken fingers.
Speaker 2 (12:13):
Two people making money at at the same time. That's great.
Speaker 3 (12:16):
It was a beautiful collaboration. No, I know, tricks to
sound like I'm good, but I'm not really that great,
you know. I mean I at one point, I was
at one point I had some probably you know, I
was probably better, but I don't know. Again, if you
know jazz voicings, you can sound like you're to the
(12:39):
common man. You can sound, you know, like you know
what you're doing. But were you singing to not really?
I mean occasionally I would sing. I would sing the
girlfriend impanema. Yeah, yeah, I would sing that, and I
did that in some hotels, but nobody was really listening.
So that's the only reason I would do that. I
might have sung on one another song, but there was
(13:01):
no microphone. I was just singing along and if somebody
was near the piano, they could hear me, right right.
You know, they'd hear me singing my sort of kurm
with the frog style cry because.
Speaker 6 (13:17):
We were more like Coca Casa Comino Tomorrow.
Speaker 2 (13:28):
I heard that who's on that Stan Gatz album?
Speaker 3 (13:33):
Gets Roberto album?
Speaker 2 (13:36):
Wasn't it a last minute? Like, well she can sing okay.
Speaker 3 (13:40):
Why don't it's Trew Gilberto?
Speaker 2 (13:42):
Yeah, Like it wasn't planned out.
Speaker 3 (13:46):
Such a yeah voice, the voice. I don't know how
you could be last minute about such a thing. Yeah,
but yeah, I know, I know, i'd I think, oh,
we got to set this up. Yeah, yeah, months of
preparation for this.
Speaker 1 (13:59):
But maybe she was the kind of like she was
a really good singer, but she hadn't That's how she
got discovered.
Speaker 2 (14:04):
Right right. Her husband was like, well, my wife's really good.
Speaker 5 (14:08):
She's in the car constantly waiting there.
Speaker 2 (14:13):
Hey, that's how you get ahead.
Speaker 3 (14:15):
You know. I didn't know the car. I didn't know
that that was if that is true, I didn't know that, Yeah,
that she was a last minute thing.
Speaker 5 (14:23):
There's a story that I'm destroying that my dad used
to tell me about. How about that last Yeah about
that interaction and that's.
Speaker 3 (14:31):
The talk you would have with you, Yeah, kind of
instead of the birds and the bees would be the
gets in the Jober.
Speaker 5 (14:36):
I never knew what to do. But this thing and
my pants, it's still up in the air.
Speaker 1 (14:41):
Put it in the car and only bring it out
when you need a vocalist.
Speaker 5 (14:46):
Yeah, son, I noticed you're going to prom this weekend.
What do you know about get skiperto?
Speaker 2 (14:53):
That's all you need to know.
Speaker 1 (14:55):
It is the best, Like that album is the best
to put on at the beginning of a party. That's
my thing of Like when people first start coming in,
you're like, this is a party.
Speaker 4 (15:04):
Yes, this party music. Everythingody's fine starter music, definitely.
Speaker 3 (15:08):
Yeah, it's a good way to ease people in.
Speaker 2 (15:10):
Yeah, you know it's ending with Slayer every time. Every time.
Speaker 3 (15:16):
You know it's ending with the Alchemists.
Speaker 2 (15:17):
Yeah yeah, yeah, yeah, but I do believe the other
guy goes by the Alchemist. I could be wrong.
Speaker 3 (15:29):
I guess that's a new thought I just had. Is
Kermit the Frog as Portuguese or doing Portuguese or sounding
like Brazilian? You know, a Brazilian Kermit the Frog. That
could be a new character.
Speaker 1 (15:43):
I think, like that's he's actually from the rainforest bet
South America.
Speaker 3 (15:48):
Yeah, he's an Amazonian frog.
Speaker 1 (15:51):
That's it's actually very poisonous.
Speaker 3 (15:54):
Yeah, kermit the poisonous frog.
Speaker 5 (15:56):
You know that if we went on YouTube and found,
you know, the map show in Portuguese or something, he's
out there already.
Speaker 2 (16:04):
We got it. You gotta hone this.
Speaker 5 (16:07):
You gotta because you do in your act you've been
doing spur the moment impression mashups.
Speaker 3 (16:15):
Yeah. I don't claim to do good impressions, but I
do claim the ability to fuse impressions together, even if
they aren't very good.
Speaker 2 (16:24):
Right, So, and the process is the best because you
literally grab it from one corner of the room and
test it over here, and then test this one and
slowly pull them together fusion.
Speaker 4 (16:37):
Can I just get an example, Brent, or this might sound.
Speaker 3 (16:40):
Like, well, name name to two voices, to name two.
Speaker 4 (16:43):
Figures, Oh wow, two figures in American.
Speaker 3 (16:45):
History, in any history okay, no, two figures from the
movie American History.
Speaker 1 (16:49):
Okay, that one's super racist. And then the guy who
gets his teeth curbed.
Speaker 3 (16:56):
So it's a way to sort of bring peace by
bringing them together as one. You need to become one.
Speaker 4 (17:01):
They were so far apart in that movie.
Speaker 1 (17:06):
That's literally part of that movie I've seen it was
the worst part of that.
Speaker 5 (17:10):
Movie Abraham Lincoln and RoboCop.
Speaker 3 (17:15):
I mean, okay, yeah, I mean we'll just have to
go on. Yeah, no, let's let's try it.
Speaker 4 (17:20):
I mean, Martha Stewart and Snoop dogg.
Speaker 3 (17:24):
Well, okay, Snoop doggy Dog, Well okay, so I'll try
what if I did all four? I can't do impressions.
I can't do good impressions. I just want to put
that out there. And this is what this is my best,
my best attempt Snoop Doggy Dog would sound a little
bit something like Snoop neo double, you know, Snoop neo
(17:46):
double jisel something like that. Right, yeah, it's very Snoop
Snoop neo double, Snoop dog in the house, you know,
or something like that, right, like that? And then how
does Martha Stewart sound to you?
Speaker 1 (17:58):
Kind of bossy and like, excuse me.
Speaker 3 (18:01):
I don't know, I don't really know, doesn't over enunciate,
kind of over enunciates. I'm Martha Stewart, and she has.
Speaker 4 (18:10):
A much deeper voice than most women.
Speaker 2 (18:12):
I'm Martha Stewart.
Speaker 3 (18:13):
There we are therapy. I'm Martha Storart, and this is
my kitchen. Okay, so if you fuse those two together, Okay,
Snoop hold on thinking snoop snoop dogg in the hell?
You know?
Speaker 2 (18:26):
So?
Speaker 3 (18:26):
Okay, Unmoor Stewart hold on.
Speaker 7 (18:31):
K wrong something like that, snoop wrong?
Speaker 3 (18:45):
And Abraham Lincoln sounds like this for score and seven D.
I don't know. I mean, I'm just imagining he sounds
something like this, Well, I'm Abraham Lincoln. I'm Abraham Lincoln.
And what's the other person? He said, Abraham Lincoln? And
who I think?
Speaker 2 (19:05):
Are you trying to put RoboCop?
Speaker 3 (19:08):
Yeah? Freeze? I mean what is he be goes? What
does he say? He goes, you are under arrest? You
are I am RoboCop? You are under arrest? What is
he saying? He has a catchphrase, I think, to serve
and to protect. I don't know. I am robo cop.
(19:29):
Hear me roar? Is that what he says?
Speaker 6 (19:32):
That?
Speaker 3 (19:32):
Isn't that his catchphrase?
Speaker 4 (19:33):
It's a little bit feminist in that.
Speaker 3 (19:37):
Yeah, I am RoboCop. Okay, h four score? I am RoboCop.
It sounds a little bit like Jimmy Store. I'm Jimmy Store.
Hear me roar? Wow, okay, and then you put that
(20:00):
is that with what happened for before? Oh? I think
if you put it all together, it sounds like this.
It's something like that.
Speaker 2 (20:21):
There's any kind of we've learned, yeah from morphing two
beings or multiple you've got it ends up turning into
the monster at the end of the thing. That's who
you just voice.
Speaker 3 (20:35):
Yeah, okay, the thing, it becomes the thing. Yeah, and
that's the thing it's got.
Speaker 2 (20:39):
Yeah. One shoulder is Martha Stewart's voice.
Speaker 3 (20:42):
There's a vultron. It's a vultron of voices.
Speaker 5 (20:46):
Of all the voice all the best foot that was
that when I when I feel something fresh like that
that never has been done before, and then you got
put on the spot like that, I just my back
started sweat.
Speaker 3 (21:00):
Well can I I mean sorry? Is it okay? If
I kind of promote something, of course, please do if
you bring this these fusions up and I do them
in this in this new special of mine that came
out a few months ago. So if you want to
see more than and actually coincidentally, and I don't know,
maybe you said this because maybe you saw a clip
and yep, but do soop doggy dog isn't the special.
Speaker 2 (21:23):
Oh you're kidding. But see I knew that Kermit maybe was.
Speaker 3 (21:27):
It's Kermit and Snoop dogg Dog.
Speaker 1 (21:29):
Can we hear it?
Speaker 3 (21:30):
Can we just check out the special?
Speaker 2 (21:32):
Yeah?
Speaker 3 (21:33):
Yeah, okay, it came out a few months ago, and
so you know.
Speaker 2 (21:38):
I'm I knew that's what I was driving toward.
Speaker 5 (21:41):
I just wanted you to brag about what a professional
host I am.
Speaker 3 (21:45):
Oh yeah I was. But it's you know, it's called
Popular Culture and it's on YouTube.
Speaker 2 (21:51):
I'm excited. I'm going to watch. I mean, I love watching.
Speaker 3 (21:55):
If everybody just watched it, just maybe watch the first
five minute. Well I don't know how it works, but
if everybody just open it up, you don't even have
to watch it, maybe it will get YouTube thinking, oh yeah,
people want to see this.
Speaker 1 (22:07):
Yeah. I think if you hit play, just hit play
and let it, let it keep on playing.
Speaker 3 (22:12):
Let it play out. You know what? This is what
you do. You're going out for the night, all right,
just before you leave the house, just go on YouTube.
Type in Brent Weinbach, popular Culture, hit play, let it run,
and by the time you come back home, you've helped
make it. Make YouTube think that this is something we
should push. Yeah, and you don't even have to do it.
You didn't have to go through the trouble of watching it.
Speaker 2 (22:34):
You know what else, you.
Speaker 4 (22:34):
Don't have to witness any part.
Speaker 5 (22:36):
I'm pretty sure there's a loop setting when you play
a YouTube video.
Speaker 3 (22:39):
There used to be, I think.
Speaker 2 (22:40):
And you can just let it.
Speaker 3 (22:41):
Maybe there's still no, maybe there's still is.
Speaker 2 (22:43):
Actually people are cranking up their viewership.
Speaker 3 (22:46):
Put it on loop. Guys, every single one of you.
You can benefit the special. And you didn't have to
do any of the work of laughing and enjoying yourself. No,
you don't have to do any of that dirty work
of laughing.
Speaker 4 (22:57):
No, just get let the room ring empty.
Speaker 3 (23:00):
Go out, go live your life.
Speaker 1 (23:02):
Go to the club, go to a different comedy club
and watch another comedian.
Speaker 3 (23:07):
Yeah, watch another comedian.
Speaker 2 (23:08):
You know what.
Speaker 3 (23:08):
Support local comedy and also support non local comedy.
Speaker 2 (23:14):
But when you're out watching many great live performing comedians
at home, please loop fronts special Popular Culture Popular culture.
Speaker 5 (23:27):
I was getting there. It's you know, in a pregnant
pause for effect. Now I had forgotten.
Speaker 3 (23:32):
Well, look it's popular culture because you know, there's lots
of pop culture figures such as Kermit, the frog and
spongy dog that make appearances. I mean, you know through
in obscure, I mean in kind of distorted ways.
Speaker 5 (23:43):
Well, you've always been a bit of a TMZ like
gossip hound.
Speaker 3 (23:47):
Right, yeah, Well that's what it is. This is sort
of the entry point into my.
Speaker 2 (23:54):
World.
Speaker 5 (23:54):
If in all seriousness, everyone should Brent wine Box should
be a household name.
Speaker 1 (24:02):
Brent Winbuck is the kind of person that when you're
on a comedy show and the comedy show is whatever
it might.
Speaker 2 (24:09):
Be, comics usually talking in the back, and you.
Speaker 1 (24:12):
Know, oftentimes comics are bored at comedy shows or whatever.
Speaker 2 (24:17):
Yeah, hiding in the green room until.
Speaker 1 (24:19):
Until Brent Weinbach gets on stage, and then everyone shuts
the fuck up yep and goes, uh, oh, what's about
to happen.
Speaker 5 (24:25):
When I first moved from Austin to Los Angeles, I'm like,
I'm going to be the quirkiest, most alternative string. I'm
turning this art form up on its head. And then
I watched Brent perform, and I'm like, I'm a cruise
ship hack. Well, you know, those words didn't hit me,
(24:47):
but I did realize you had one of the most
and still the one of the most original voices, especially
as we see so much stand up people adhering to
the formula that works, and I still can't put my
finger on it.
Speaker 2 (25:03):
Be it crowd work, be it let's be relatable.
Speaker 5 (25:07):
Oh you to have to tell personal stories of like, oh,
tell fewer short jokes.
Speaker 2 (25:13):
I have to do longer form.
Speaker 4 (25:14):
You just make things up. But I think when Brent
Kit's on.
Speaker 1 (25:17):
Stage, he's got that jazz bass, so no matter what,
he's just going to do some jazz improvising, right, He's
going to cause it up mm hm. He's gonna whatever
the other guys's names were, it up, m h. And
that's how he approaches comedy.
Speaker 3 (25:32):
I mean, thank you. I'm pretty calculated to be honest,
but I mean that entire compliment. Well, no, I mean,
I know, I think when it comes to doing audience
suggestion stuff, yeah, I mean that that is kind of spontaneous, definitely, yes,
But no, I try to be prepared. I try to
go you know the opposite of a strue, like a
(25:54):
Strew Gilberto is we've been planning this. You know, she's
she's waiting. She's not waiting in the car, right right,
She's out there. You know she's been there, but well,
you know, I try to make the best of something
if I have to work with a suggestion, but no,
I like to be planned out.
Speaker 5 (26:13):
The very first time I saw you, you, I think
I've told you this before.
Speaker 2 (26:18):
You had made a bunch.
Speaker 5 (26:20):
Of masks of your own face, and you had a
T shirt of your own face, and these masks were
floating around the audience. And I just came in while
you were on stage and saw this thing happening, and
I was like, okay, so.
Speaker 2 (26:33):
There's like there's like a genius guy.
Speaker 3 (26:36):
Well, I just thought i'd make some masks.
Speaker 5 (26:39):
Hey, I know, but I it was great, and I
don't remember what the bit was.
Speaker 3 (26:45):
You probably this is what it is. I do remember.
I think I was wearing a mask of my own face,
and it was because it was Halloween. I think that's
probably where I met.
Speaker 2 (26:53):
Oh that's when I wear are yeah, the tree costume.
Speaker 3 (26:57):
And I sold these shirts with my face on them.
Speaker 2 (27:00):
Oh okay, that's but.
Speaker 3 (27:03):
Some years later I did do a show where I
did make a bunch of masks and hand them out
for everybody to wear, and I have the whole audience
wear masks.
Speaker 2 (27:12):
You're right, I guess I've just been in your life
a while.
Speaker 3 (27:15):
Yeah, I think you just it's kind of you're doing
the fusion of your own in a way.
Speaker 5 (27:18):
Yeah, I've used my entire life around you into one
singular experience a moment.
Speaker 2 (27:23):
Yeah, ending in this podcast.
Speaker 4 (27:25):
Oh is it ending?
Speaker 3 (27:26):
No, it's not ending. It's part of it. It's part
of the ever.
Speaker 2 (27:29):
Yeah, I'm never going I'm wrapping up through my second
interaction with him, which will.
Speaker 5 (27:35):
Be also twenty years long, edited down to one evening.
And then you start playing piano in the middle of
the set. You we are suddenly at uh Natasha Laziro's
living room.
Speaker 2 (27:50):
I don't know where that was. That's where I learned
that you were playing piano though.
Speaker 3 (27:54):
Uh huh you were there? You okay?
Speaker 2 (27:55):
Yeah, yeah, he just started playing on the piano very well,
and I'm like.
Speaker 1 (27:59):
The best, what the hell says?
Speaker 4 (28:01):
Would you, Brent?
Speaker 1 (28:02):
Would you? Are you the kind of person that would
sit down at one of those pianos they put it.
Speaker 3 (28:06):
Airports and just start doing it?
Speaker 2 (28:09):
Yeah, hotel lobby.
Speaker 3 (28:10):
Nah, I might have done that in the past. I
think I maybe did that a couple of times, but no,
I don't want to. I don't want to make, you know,
make a scene right, and you know they might they
might have somebody to plan and I don't want to
upstage him and stuff and make him, you know, feel
inadequate about his tricks that he might have. Yeah, he
might have not as good as tricks as me.
Speaker 4 (28:31):
Yeah, he can't do any elbows.
Speaker 3 (28:33):
He does rooster toes, Yeah, he does. He does.
Speaker 2 (28:36):
He's about to start his three hour gig.
Speaker 3 (28:39):
He does the ostriche peck. They call him ostrich neck.
Speaker 4 (28:45):
Very painful for his face.
Speaker 3 (28:47):
Well, he's developed some couches on his nose and face.
Yes not he can. It was painful, but he's gotten
used to it.
Speaker 1 (28:56):
At this point, you had to commit.
Speaker 2 (28:58):
You know, Jerry used to slam his face into the keys.
Speaker 3 (29:02):
Did he do that?
Speaker 2 (29:03):
Yeah? I think he played the keys with his teeth
and he used to black out every other tooth so
his his smile looked like a piano. It was very,
very mad.
Speaker 3 (29:15):
That's very cool.
Speaker 4 (29:16):
Actually, yeah, it's a good idea.
Speaker 3 (29:18):
It's cool.
Speaker 2 (29:18):
It's so funny that I grew up.
Speaker 5 (29:23):
In a basement with a piano just outside my bedroom,
perfectly tuned.
Speaker 2 (29:30):
I never touched it.
Speaker 5 (29:31):
Oh, it's one of the biggest regrets. My mom was
always like, you could start playing that piano. I'm like, nah,
I'm good.
Speaker 1 (29:40):
I'm not interested.
Speaker 2 (29:40):
I'm good.
Speaker 3 (29:42):
Yeah, you know I didn't. I did not really take
to the piano until I was a teenager.
Speaker 1 (29:48):
But you have to play it when you were akad.
Speaker 3 (29:50):
Well, I there was a piano in the house and
my mom played classical piano. But I, you know, I
just never really I didn't really to it really. And
then just getting into music, you know, like the Daves
of smooth jazz, I started to really what it was.
It really was Antonio Carlos Joe Beam music that got
(30:12):
me into music.
Speaker 2 (30:14):
What did you say that.
Speaker 3 (30:15):
Antonio Carlos Joe Beam. Oh, you know the writer of
the Girl from Epanema and that album, the composer of
all the songs that are on that gets Gilberto right right, Okay,
His music got me into it and I started learning
his music on sheet music.
Speaker 2 (30:30):
What's he married to.
Speaker 3 (30:34):
A strue? No jow? Gilberto was married to a strewe
Giberto and then and then I think the story goes
that she ended up running off with stan Getz.
Speaker 2 (30:44):
Oh s gets with wants.
Speaker 3 (30:49):
That's good, that's funny.
Speaker 2 (30:55):
Once in a while. Well that's you.
Speaker 3 (30:59):
That's good. Talk about jazz and probabations, right.
Speaker 4 (31:04):
And jazz gossip.
Speaker 2 (31:08):
You have two brothers and a sister. Yeah, your sister
and you do a podcast that I enjoy the clips
I see.
Speaker 3 (31:17):
She's really funny you she makes.
Speaker 2 (31:19):
You laugh so much. It's great. It's really fun to.
Speaker 3 (31:23):
Wow, she's the funniest person I know.
Speaker 2 (31:25):
She's very fun.
Speaker 3 (31:26):
And yeah, that's called the Chicken Coop. Oh, yeah, that's
you know, because you know, as a tribute to my
playing style, to my it is a lifestyle. Really yeah, no,
it's a whole life. It's not just a playing style.
It is a full lifestyle. And I the Chicken Coop is, Yeah,
it's a live stream chat show I do with my sister.
Speaker 4 (31:47):
What does your sister do for a living?
Speaker 3 (31:48):
She's a musician.
Speaker 2 (31:50):
I knew that. That's what you all play music?
Speaker 3 (31:53):
Right, Yeah? We all okay, okay. Your brothers yeah, yeah, yeah,
they're they do music and comedy at yeah.
Speaker 2 (32:01):
Oh I've become It's funny because just.
Speaker 3 (32:04):
A musical comedic family.
Speaker 1 (32:07):
I guess Thetridge family.
Speaker 2 (32:09):
Yeah, your brother's together.
Speaker 5 (32:10):
It's it's it's hard not to think of you because
they speak, They have the similar cadence and everything, but
they are of course their own people. Yes, yes, of course,
but when you first hear their voice.
Speaker 3 (32:25):
They're their own people, meaning they are each other right.
Speaker 2 (32:28):
Right, But your sister.
Speaker 5 (32:30):
I watched a few clips and I didn't realize it
was your sister. I just thought you had a hilarious
best friend that knew year everybody.
Speaker 3 (32:38):
You don't think she looked like me?
Speaker 2 (32:39):
Not at first?
Speaker 5 (32:40):
No, and then once I once it was announced, you
both stopped and announced it. I remember, by the way,
we're brother and sister and stared in the camera.
Speaker 3 (32:49):
Sometimes people don't know they say are we Are they
husband and wife or the sister, And then I start
thinking answered it by saying we are husband and sister.
Speaker 2 (33:03):
I'm sorry I almost stepped on that.
Speaker 3 (33:09):
But we have some funny phone conversations. I thought we
got to just maybe try to do a podcast or
something like that.
Speaker 2 (33:15):
Oh did she not?
Speaker 3 (33:17):
No, No, she wasn't resistant to it. We just I laughed.
We would laugh so hard and have these really funny,
just ridiculous riffs that would just be so absurd and
just I mean, they'd start from this joke and then
just evolve into something just totally not. I mean, it
would sound nonsensical if you jumped in at the end,
(33:38):
but it just you can if you can follow it.
It's just it's they're just really funny and yeah. Anyway,
so yeah, we just we just watched kind of old
commercials and we comment on them and those kind of
usually inspired jokes that we riffed on.
Speaker 2 (33:51):
That's great. That's what Karen and I were talking about
before you got in the car. It's old commercials les.
Speaker 4 (33:57):
That old Hoover jingle that's so dramatic.
Speaker 3 (34:00):
Commercial jingles used to be so good. Yeah, I mean
there's some really great pieces of music in older commercials, right,
and older TV shows too.
Speaker 2 (34:11):
Yeah.
Speaker 5 (34:12):
Sometimes yeah, and sometimes it's like it goes way harder
than the show ever did. Like you'll hear this song
and there's so much emotion in it, and then it's
just some slapstick comedy that really didn't like the.
Speaker 4 (34:27):
Theme song to Taxi that was that me as a child.
Speaker 3 (34:30):
That's one of my favorite pieces of music so all time,
and it's what I used to do radio, and that
was the themes I used that as the theme music
for my show. Really, I that music I just really
identify with it, you know, and the colors of it,
and it really makes me think of fall. That piece
of music. It's called Angelo. It's by Bob James, who's
(34:53):
another smooth jazz guy actually and coincidentally, and I love
the taxi theme song so good.
Speaker 1 (35:01):
Also, just like it was like late seventies, early eighties,
so it had that is It's almost like that's what
the sound of it was. It was this kind of
like because it starts as haunting flute and then it
goes into like a breakdown.
Speaker 3 (35:14):
Well, I feel like the flute part to me is
that's kind of afternoon, it's fall, and then when it
breaks down, it's okay, we're in the night now, and
you know we kind of go into night. Flute is
taking us tonight, and then we're in night and we're
hearing that kind of roads or that you know, kind
of electric piano sound, and you know it feels like
(35:36):
you're I don't know, yeah, exploring the night.
Speaker 1 (35:41):
And then here comes Tony Danza to ruin.
Speaker 2 (35:43):
Everything and the can't stands.
Speaker 1 (35:47):
Yeah.
Speaker 2 (35:48):
The uh it reminds I always like the Hill Street Blues.
Speaker 4 (35:52):
Yeah, yeah, another classic.
Speaker 5 (35:55):
I like the night Court song, and I if I
really want to think about ending at all.
Speaker 2 (36:01):
The Mash theme song.
Speaker 3 (36:03):
Well, yeah, Mash, I mean, you know, I think Robert
Altman's son wrote that song or wrote the lyrics to
that song at the age of fifteen or something like that. Oh,
it's called Suicide is Painless the song, and it's I
mean it's kind of a you know, heavy song in
a way. The lyrics at least, you know.
Speaker 5 (36:24):
But yeah, they never reached the lyrics on maybe in
the Mash movie.
Speaker 2 (36:28):
I don't know, I never.
Speaker 3 (36:29):
Yeah, I think it's in the movie, the Mash movie.
But yeah, no, the lyrics are not in the TV show.
But yeah, for.
Speaker 5 (36:35):
The best yeah, yeah, and it's really great. It's like
all my friends have lost their heads. Yeah, brains are
on my boots.
Speaker 2 (36:43):
They are dead. Did you I met?
Speaker 5 (36:46):
By the way, there was a guy at Lasen's, the
grocery store by my house, and he had a T
shirt on with like some eight bit images on it
and a Japanese name, and I guessed that it was
a composer and he had seemingly as much knowledge as
you about because I started playing the game I Do
(37:09):
with You, where I just was listening listening old Nintendo games.
The only games, I know, but I was like Caennsylvania
life Force, and he was he knew, well that's a
combination and these two people he knew.
Speaker 2 (37:23):
I wanted you to meet him. I really was.
Speaker 5 (37:27):
I left thinking he also has a booming voice. I
feel like he should be a voiceover artist. And he's like, yes,
I've heard that all my life. I've been working on
a home studio.
Speaker 2 (37:39):
And he looks a little like James Earl Jones with
a with a big, big hair.
Speaker 5 (37:45):
He was He's a really interesting dude. But I've been
trying to think of a way to get you two together.
And I do have access to him.
Speaker 3 (37:54):
I mean, he's I wonder if you could beat me.
Speaker 2 (37:56):
I don't know. I was trying to.
Speaker 3 (37:59):
Because I I mean, you know, I wonder.
Speaker 5 (38:02):
That's the difference. He might because he would never say that.
He thinks he knows the most. And I'm like, actually,
my friend.
Speaker 3 (38:10):
Because does he know this about did you mention Castlevania
to him? Right? I did?
Speaker 1 (38:16):
I'm just gonna think about stuff I have to get
at the story.
Speaker 3 (38:20):
Does he know that it was two composers who did that,
and one one of them I interviewed.
Speaker 2 (38:25):
Actually, I think I just said that because you told
me that.
Speaker 5 (38:28):
Okay, I didn't glean anything from him, but that we broke.
Speaker 3 (38:33):
I broke the news that it was two composers because
of interviewing that woman.
Speaker 5 (38:37):
Okay, so that what I just said was something I
learned from you. But he did know a lot of
the composers.
Speaker 3 (38:46):
Well, I got it.
Speaker 5 (38:47):
He was listening and I don't know what in what
setting if he could be an audience plant or something
who challenges you.
Speaker 2 (38:56):
I know you used to do that on stage.
Speaker 3 (38:58):
Oh, I was trying to get people to Yeah. I
mean and see if you know, just play a track
and I can identify it and I can tell you
who composed it.
Speaker 4 (39:06):
I mean, is it video games only?
Speaker 3 (39:08):
Are everything video games? Old video games, not new ones?
Just once from the eighties and early nineties, which.
Speaker 5 (39:13):
I never the whole time I was playing games, I
never thought, oh, someone composed this and would use computers
to the orchestra.
Speaker 3 (39:21):
But what did you think?
Speaker 2 (39:22):
I think.
Speaker 5 (39:23):
I just thought, oh, they recorded a song and then
someone had a computer turned it into digital music. I
didn't realize from scratch, much like the visuals of a game,
someone was building this.
Speaker 2 (39:38):
Music on the computer, which is really pretty cool.
Speaker 3 (39:41):
It was interesting. A lot of women too, in their
early to mid twenties composing. Yeah, for those video games,
you know, like all the Capcom games in the eighties,
there was all the whole sound team was women, and
it was interesting that these young women would have such
an impact on all these boys all over the Yeah, yeah,
(40:01):
the world.
Speaker 4 (40:02):
Who would go on to hate them deeply?
Speaker 2 (40:04):
Yeah, I mean yes, I mean really, I.
Speaker 1 (40:08):
Mean yeah, I'm sorry to bring up gamer Gate, but Brent,
explain why that happened.
Speaker 3 (40:14):
I don't even know what that is. Actually, what is it?
Speaker 1 (40:17):
Gamer Gate's that thing where there was a female journalist
who wrote about a video game and then the video
game audience was primarily male, went insane.
Speaker 4 (40:28):
Dosed her, said they were going to kill her.
Speaker 2 (40:31):
Whoa.
Speaker 1 (40:31):
It was this whole fucking crazy thing. And I would
guess I don't know. At least you remember it's like
two thousand and early two thousands or like around.
Speaker 3 (40:39):
Oh, that's when this happened. Yeah, that's the.
Speaker 2 (40:43):
I bet I know what it was. It did? She say?
Speaker 5 (40:45):
It's problematic that at the beginning of Bad Dudes, two
bullies come out in the street and hunch a lady
right in the stomach and then carry her off.
Speaker 3 (40:53):
That's a double dragon.
Speaker 2 (40:54):
That's double dragon.
Speaker 3 (40:55):
It's double dragon. But that's you know, it's close. It was.
Speaker 2 (40:59):
All around.
Speaker 5 (40:59):
I'm like, why did they punch that lady in the stomach?
She's cool and punk rock and then they carry her off?
Speaker 2 (41:05):
It was that was bizarre.
Speaker 1 (41:07):
I had a party at my host one time and
we left my ex left what do you call it?
Grand Theft Auto on, just so people could walk in
the room and play it if they felt like it.
All right right, One of my friends, who was a
very effeminate gay man, walked in started playing it and
instead of like doing anything in the game, he just
walked up to the first person on the street and
started beating this shit out of it.
Speaker 4 (41:29):
And I was like, what's going on? Are you okay?
He's like, this is cool? Is this the game or.
Speaker 2 (41:34):
Just like so funny?
Speaker 4 (41:35):
I guess.
Speaker 2 (41:35):
So that's all I know about it is that you
can wander off and.
Speaker 5 (41:40):
Like Sims, you can just go loiter a park bench
or just punch a pedestrian. Yeah, and you don't actually
have to be in a.
Speaker 4 (41:50):
Car drive down to a harbor and sit there. No,
just listen to the music.
Speaker 3 (41:55):
Yeah, that's cool. That's kind of that's cool. That was
on for the party. You say, yeah, so it was
kind of like the gets Roberto of the new generation.
You put that on, you get the party started.
Speaker 1 (42:09):
Or it was almost like for a daytime party because
it was like barbecue vibes. Then you have that going on,
then switch to night time, first theme song to Taxi
and then straight into Gilberto.
Speaker 5 (42:22):
Yeah, I'm having memories from did he have a video
arcade machine that he had finished and put?
Speaker 1 (42:31):
Okay, he built that pac Man machine himself.
Speaker 2 (42:33):
Okay, I did the same thing, except my TV was
in it and BCR and everything, and it was just
the joystick could turn on my TV. Oh and we
talked about that that. Yeah, that's so long.
Speaker 3 (42:44):
Wait did what did you do?
Speaker 1 (42:45):
Oh?
Speaker 5 (42:45):
I found a gutted kangaroo arcade game in an alley
and put it in my friend's truck. I brought it
all the way to Austin and and I moved there
and put my TV and all my stereo equipment in
the coin return, like just cut holes and so it
(43:07):
looked like an arcade game, but you'd pull it since
the screen it's tilted back. I put my TV in
there and then you could pull it forward and then
it was like an entertainment center.
Speaker 2 (43:18):
Basically, but it looked like a video game. But it
took the time to have the on off switch be
the joystick pulling it, which later was a fire hazard.
It caught on fire. Really yeah, yeah, I'm not an electrician.
I don't think I taped all the exposed wires.
Speaker 4 (43:39):
It was a fire hazard, isn't that it caught on fire?
Speaker 2 (43:42):
Yeah, I believe it was. I mean a hazard for
the house to catch on fire.
Speaker 5 (43:48):
It's certainly caught on fire, which a fire thing on
fire in your house is just a hazard until.
Speaker 2 (43:56):
It reaches the wall. It really is, right, And I.
Speaker 5 (44:00):
Moved that thing all the way to Los Angeles too. Really, Oh,
it's so ridiculous.
Speaker 3 (44:05):
You starting fires in Los Angeles.
Speaker 2 (44:06):
No, no, no, I didn't start the fires here.
Speaker 3 (44:11):
Always burning, it was always burning.
Speaker 2 (44:13):
Yeah yeah, yeah.
Speaker 5 (44:15):
But I am just gonna mentor mention Marilyn Monroe for
no reason.
Speaker 1 (44:23):
Brent, do you have any so obviously popular Culture is
your new special, and.
Speaker 3 (44:28):
Please just put it on loop when you go out,
you know, yeah that it's on YouTube, And.
Speaker 4 (44:34):
And what's the name of your podcast that.
Speaker 3 (44:35):
You have with your sister the Chicken Coop and that's
on that's on my YouTube channel. It's just YouTube dot
com slash Brent Winbock, which is also where the special is.
And I don't know, have this other podcast. It used
to be called the Poundcast, but now it's just called
the Brent Winebock Podcast.
Speaker 2 (44:51):
And oh that's a weird way to find out you're
in a fight with dog. It's weird. I thought you
guys were tight. Well, we don't need to talk about.
Speaker 3 (45:00):
Now we're we're loose now yeah, yeah, real, they're real loose. Then.
I don't know. This is a little while is off,
But if you're in the Pittsburgh area, Pittsburgh, Pennsylvania, that
is sure because there is a Pittsburgh, California.
Speaker 1 (45:13):
There, sure is.
Speaker 3 (45:15):
I'm doing a show on December twelfth at a place
called Bottle Rocket.
Speaker 2 (45:21):
Oh that sounds cool.
Speaker 3 (45:22):
Check that out if you want to.
Speaker 5 (45:24):
Oh that was it, yeah, fast, and I highly recommend
just as a closing statement of genuine watched Brent wine
Box comedy.
Speaker 2 (45:34):
Yes, uh, new and old.
Speaker 3 (45:37):
Thank you. Oh there's the bottle you see it right there?
Oh you know, right there, you see it on the ground.
Speaker 2 (45:43):
I think all the bottles.
Speaker 1 (45:45):
Yeah, oh oh, so somebody ran over it, but there's
p inside, there's.
Speaker 3 (45:49):
Pete, well it appears to be p and but the
cap is off the bottle. And I just thought it
just seemed kind of interesting because somebody peed in the
bottle and yet need it so that it could easily
just be spilled out onto the ground, so we're not
just pee on the ground. Yeah.
Speaker 2 (46:06):
I think people like the idea of setting booby traps.
Speaker 3 (46:10):
It is kind of a booby trap. If someone runs
over that, there'll be a big yellow splash on something.
Speaker 5 (46:17):
Yeah, but they're not going to be around for it,
so you just, you know, you light the fuse and
leave and then don't worry about the aftermath.
Speaker 2 (46:25):
Yeah. I think a lot of us have that darkness.
Speaker 1 (46:28):
We got to look up that short film about the
pea bottles, because this is clearly something that's just happening
in our culture now.
Speaker 3 (46:35):
Yeah.
Speaker 5 (46:35):
Well it's people that drive around men that. I mean,
I'm guilty of it myself.
Speaker 2 (46:41):
You can't pull over in a city sometimes, where are
you gonna There's not just public use restrooms.
Speaker 5 (46:47):
So you pee in a bottle, you get to your
assastination and you just leave it there because you want
it out of the car. There's nothing more conspiracy about
this situation.
Speaker 2 (46:57):
It's just I'm a later bug.
Speaker 5 (46:59):
I'm disgusted, and then I drive off and I continue
with my life. Yeah all right, that's what that documentary.
I hate to ruin the ending, but it's about gross
dudes with Yeah, it all like a birdmine.
Speaker 3 (47:19):
Well, well thanks for having me, guys, thank you. You
know this is you know, probably one of the best
podcasts there is because I don't know it's in the
car and that's just you know, I said, we said,
I talked about this last nime, but it's just this
is a good environment to just talk.
Speaker 4 (47:35):
Thanks, Buddy's nice.
Speaker 2 (47:37):
I agree, Yes, I do.
Speaker 5 (47:39):
I Over the last few years we've realized it.
Speaker 2 (47:43):
Really we get a good version of a person.
Speaker 3 (47:46):
Cars are just I guess that's why there's that show
Comedians and Cars, Yes, getting coffee, because it's just cars
are just a good place to hang out.
Speaker 2 (47:56):
Yeah.
Speaker 1 (47:57):
What if this person suggested Jerry Seinfeld, this person suggested Kramer,
how would that impression Cramer sound?
Speaker 3 (48:07):
Oh yeah, Jerry, okay, how does he sound? That was it?
Speaker 1 (48:11):
Oh?
Speaker 3 (48:12):
He's like, oh what can you do it?
Speaker 1 (48:17):
I can't do that, Jerry. I was kind of like that,
I can't do that.
Speaker 3 (48:20):
Oh yeah, I don't know how Okay, So he's like that, well.
Speaker 2 (48:25):
What do you do?
Speaker 3 (48:26):
What do you Jerry's like it's like something like Scooby doo.
I tell you that's what I can.
Speaker 1 (48:38):
Fine.
Speaker 3 (48:38):
You combine the two, you combine Kramer Jerry Seinfeld, and
you get Scooby dooe standing up.
Speaker 2 (49:00):
I'm just seeing the line.
Speaker 5 (49:01):
It's the monster at the end of the thing again,
they all become.
Speaker 4 (49:05):
Scooby doo at Elaine.
Speaker 7 (49:11):
Hey, why gold Jerry.
Speaker 1 (49:15):
That's that's shaggy.
Speaker 3 (49:17):
All right, Well, thank you guys.
Speaker 4 (49:18):
Saying you want to wrap it up.
Speaker 5 (49:19):
Yeah, we've been listening to Do You Need a Ride?
D y n aar a are.
Speaker 8 (49:37):
This has been an exactly right production.
Speaker 1 (49:40):
Our senior producer is Annalise Nelson.
Speaker 8 (49:42):
Mixed by Edson Troy.
Speaker 1 (49:44):
Our talent booker is Patrick Cotner.
Speaker 8 (49:46):
Theme song by Karen Kilgarret.
Speaker 4 (49:49):
Artwork by Chris Fairbanks.
Speaker 1 (49:51):
Follow the show on Instagram, Twitter, and Facebook at dinar
podcast That's d y n ar Podcast.
Speaker 5 (49:57):
For more information, go to exactly right idiot dot com.
Speaker 8 (50:01):
Thank you, Oh you're welcome.
Are you leaving?
Speaker 2 (00:03):
I you wanna way back home?
Speaker 1 (00:06):
Either way, we want to be there. Doesn't matter how
much baggage you claim and give us time and the
terminol and gay.
Speaker 2 (00:19):
We want to send you off in style.
Speaker 1 (00:23):
We wanna welcome you back home.
Speaker 3 (00:27):
Tell us all about it.
Speaker 1 (00:28):
We scared her? Was it fine?
Speaker 4 (00:32):
Mal porn?
Speaker 1 (00:49):
Do you need to ride?
Speaker 4 (00:51):
Do you need to ride?
Speaker 3 (00:53):
Do you need to ride?
Speaker 4 (00:55):
Do your need to ride? Do you need to ride?
Speaker 1 (00:58):
Do you need to ride.
Speaker 2 (01:10):
With Karen and Chris?
Speaker 5 (01:14):
Welcome, welcome, welcome to Do you need a ride? This
is Chris Fairbanks and this is Karen G.
Speaker 3 (01:19):
Garrett.
Speaker 5 (01:19):
You're driving around and you know him from clubs and college.
I send cruise ships across the country.
Speaker 2 (01:25):
Put your ears together for Brett. Weinbas we're looking for Pete.
Speaker 3 (01:32):
Where was this p okay? When I there was I
saw a bottle of an open bottle water, bottle of pe.
It appeared to be p It was definitely, I mean,
it looked like there was probably a lot of billy
ruben in it. What is billy rub I don't know.
I think it's stuff that maybe makes your pee really yellow,
or it makes it yellow. I think I don't know.
Speaker 1 (01:52):
I don't know what I think, named after a man
named Billy Ruby.
Speaker 3 (01:58):
There's two guys, Billy and Ruby. They like they didn't
know who to name the substance after, so they said,
let's just share it.
Speaker 4 (02:05):
Share the accomplishment of making p yellow.
Speaker 3 (02:09):
Yeah. They were actually both scared cowards and they that's
what someone else named it after, these two cowards named
Billy and Ruben, and they said they were yellow and
they just they were yellow and they I don't know,
they something like that. Well, some kind of thing there.
Speaker 1 (02:26):
There was a there was a in a town I
think it was like Conquered or somewhere. There was this
thing that became a drama, which was that somebody kept
putting like gatorade bottles of pee on top of these
electrical boxes.
Speaker 3 (02:39):
Yeah. Wait, hold on, I saw something about that.
Speaker 4 (02:42):
Did we have we spoken about it?
Speaker 3 (02:43):
Well no not, I don't you not us, But I
mean I saw something about this. Somebody had a documentary
about it.
Speaker 1 (02:50):
Yes, a guy started filming it because he was like,
this is the weirdest thing of all time. And they
basically it was like someone who was putting their hand
over the wall, yeah, and putting the bottle on top
of an electrical box and the city would go and
clean it out because it's like a biohazard essentially, and
then it would just keep happening, and they were like,
where are these coming from?
Speaker 4 (03:09):
Did they solve it? I can't remember.
Speaker 3 (03:11):
I can't remember, but I do remember seeing I saw this, Yes,
I saw it somewhere live too.
Speaker 4 (03:17):
It was like someone, oh.
Speaker 3 (03:19):
It was part of some sort of little festival or something.
Speaker 4 (03:22):
Yeah, I saw it on TikTok uh huh. But then
you saw it con?
Speaker 1 (03:26):
I saw I saw it where at the con film Festival.
Speaker 3 (03:30):
I can't Yeah, yeah, yeah, con. Yeah. I thought when
you said con at first, I just I thought con
at first and instead of C A N And yes,
I said con. I think you should have said I
think you should have said it more like this, like
at the film festival.
Speaker 5 (03:53):
You guys as farriers father son actors. Are you fans
of James con Scott?
Speaker 3 (04:01):
I didn't know James had a son son.
Speaker 2 (04:04):
He was And I put this together recently, part of
the rap duo with the Alchemist. Yes, there was a
I grew up. They had a video and someone said
that was Scott Kahn.
Speaker 5 (04:22):
As a kid, he was in a hip hop group
around the time of like Criss Cross.
Speaker 4 (04:26):
Was the Alchemist the word them up?
Speaker 2 (04:33):
Still love it like that?
Speaker 3 (04:34):
Okay, now we're getting Wait, isn't that into Deep or
who is that Shakers?
Speaker 1 (04:42):
Oh?
Speaker 2 (04:42):
Yeah, I think that was a one kid Who's the Alchemist?
A current hip hop guy?
Speaker 4 (04:49):
And Scott con was just in the video with.
Speaker 2 (04:51):
Him, Yes he was. I'm the Hooligans. I had a
Hooligans like EP.
Speaker 3 (05:00):
Oh, well, were you a rap person?
Speaker 2 (05:02):
I enjoyed hip hop in the early nineties like a
lot of us.
Speaker 3 (05:06):
Well, okay, sure it was inescapable, yes, but I also
just would have thought maybe you would have somehow escaped it.
I mean not that it was something to be escaped,
you know that you needed to escape it, But I thought, no.
Speaker 5 (05:20):
You're right, and you know me well enough to Yes,
all of my friends, I was like, they didn't like
rock music or screeching guitars. They called every time I
played my music, They're like, great, screeching guitar. I'm like,
you guys just listened to the same five rap albums.
But eventually we all melded together.
Speaker 1 (05:40):
When Aerosmith and Run kicked in the door.
Speaker 3 (05:44):
Right or Motley Crue and Onyx yeah, I don't remember that.
Speaker 5 (05:47):
It wasn't until the Judgment Nights soundtrack that we all
held hands. No, it was things like The Fireside and
those early nineties groups that I really got into.
Speaker 3 (05:59):
Yeah, you know when I was around in that time,
I was just really into smooth jazz. Oh really Yeah,
that was kind of my rebellious way, you know.
Speaker 2 (06:10):
Yeah, that'll get back at your parents.
Speaker 1 (06:11):
Yeah, you'll go and pay like a thirty dollars cover
at a jazz club.
Speaker 3 (06:15):
I was more rebelling against just other kids.
Speaker 2 (06:17):
You know, yeah, with their hard jazz.
Speaker 3 (06:21):
Yeah, with hard stuff. Yeah, I was trying to just
show them the powers of smooth.
Speaker 1 (06:25):
Yeah, guys, listen to Dave Cause.
Speaker 3 (06:28):
Cause, Dave Gruson. All the Daves is Dave Gruson, Dave
Cause and Dave Sanborn. There's so many Daves and smooth jazz.
It's wrong, you know, why Why is dave' such a
common nas and? Yeah?
Speaker 2 (06:42):
Did Dave Sandborne correct me if I'm wrong?
Speaker 5 (06:44):
Had an album cover where he's resting his leg on
a fish net or resting his head against a fish net,
stalking leg.
Speaker 3 (06:52):
Oh, it's quite possible.
Speaker 5 (06:54):
Yeah, yeah, like with the horn in his mouth and
it was like a leg from the Christmas Story Lamps
leaning his head against him.
Speaker 3 (07:01):
Yeah, I mean very well him Gruson, I think probably
had the cowboy look and one of his albums, you.
Speaker 2 (07:09):
Know, which Dave Crosby sued him for.
Speaker 3 (07:12):
It's like, I like, I'm the Dave with the cowboys,
you know.
Speaker 2 (07:16):
Read the Mustache.
Speaker 3 (07:17):
Did you ever see the episode of Beverly Hills nine
o two and oh when they went to i think
the Hollywood Bowl for Jenny Garth's birthday and Dave Cause
was the performer.
Speaker 2 (07:31):
All that's funny.
Speaker 3 (07:32):
And it was all these I think at the time
they were supposed to be in college and they were
all just really into Dave Cause. I just wondering how
that you know, which writer was Dave Cause friends with?
How did you know? How did they decide, Hey, let's
have these college kids go, you know, for Jenny Garth's
birthday where they're going to see their favorite band.
Speaker 5 (07:54):
Because at that time, even for a TV show that
was supposed to to young people, it was a room.
Speaker 2 (08:02):
Full of forty five year olds.
Speaker 5 (08:03):
Yes, like, yeah, there's certain jokes on like Saved by
the Bell, which I'd never watched.
Speaker 2 (08:09):
But April Richardson had that podcast.
Speaker 5 (08:12):
Where you had to watch it Saved by the Bell
episode and only jokes.
Speaker 2 (08:16):
I'm like, wait, someone's dad wrote this. There's no way.
Speaker 1 (08:20):
Also, I bet you it's like if if Beverly Hills
and I know two and oh was like Fox, then
it was like who owns Fox? Whoever? And then that
whoever owns Dave Causes Record label. It's all that kind
of shit. The early integrations.
Speaker 3 (08:34):
Of like, yeah, it's just a what a funny match
though crazy, and you know, it's just funny to see
Brian Austin Green looking very hip hopped out, yeah, kind
of grew, you know, bobbing his head, grooving the smooth
you know, to the smooth sounds of Dave Cause and
Dave Cause he's got some moves too. Oh yeah, yeah.
(08:55):
I mean you could probably just see the clip somewhere,
but I don't know. He's wearing these pretty puffy pants
and slacks, you know, these kind of I call them
air slacks, you know, because they're just kind of very airy,
and he's kind of you know, he's very enthusiastically blowing,
you know, m hmm. Less. I don't know his work, well,
(09:17):
I mean, look you know, you know Dave Sanborn, so
you pretty much know. Yeah, well, you know what the
Daves do one day, you know, in the worldless smooth ed.
Speaker 1 (09:28):
I wonder if they picked Dave cause because there's no
lyrics in his songs, so it's like one steps easier
for Clarence.
Speaker 3 (09:35):
I actually I found that, well, at least, okay, I
found that at least with Kenny G's music, which didn't
have any lyrics, that in my experience, has been more
difficult with clearance kind of stuff.
Speaker 1 (09:50):
Really, yeah, okay, so I.
Speaker 3 (09:54):
Kind of don't you know, I don't know if lyrics
plays into it or not, but oh maybe let's you know,
maybe it doesn't, but yeah.
Speaker 4 (10:01):
Let's not shut it down right away.
Speaker 3 (10:03):
One time, the way that he moves, Dave, cause it
reminds me of this other time. I went to a
jazz club. I used to work at a jazz club.
I used to play piano during the happy hour.
Speaker 2 (10:15):
Yeah, I forgot that, you're what jazz clubs.
Speaker 3 (10:18):
It was called mister ease. That's not E a s E.
Speaker 2 (10:24):
Of course I knew it was e Z.
Speaker 3 (10:27):
It's just right. It's it was E, just the letter E.
It's short for escaveto Ptescavedo owned the Placedo's daughter is
Sheila E. By the way.
Speaker 2 (10:39):
That's right.
Speaker 4 (10:39):
Oh, so it was the one that was down on
was it Beverly.
Speaker 3 (10:42):
Or it was in Berkeley, California? Yeah, and it was
on Shaddock and it's not there anymore. But yeah, so
that it was in the nineties. And I played piano
during the during the happy hour and anyway, I could
go to the club whenever. But you were a kid,
(11:02):
I was young, you know. Yea, yeah, I mean I was.
I was younger. I was you know, college, you know.
But anyway, they let you.
Speaker 1 (11:12):
Play the piano during halfy hour, you must have been really.
Speaker 3 (11:15):
Good, because yes, well I was all right. I knew
some tricks. I still know some tricks. I know tricks
to make it sound like I'm good.
Speaker 2 (11:23):
Like where you start playing with your elbows.
Speaker 1 (11:25):
Yeah, you really getting it out here like it was
like kind of a chicken.
Speaker 3 (11:32):
I kind of try to. I use the chicken stance
for my playing, you know, I do chicken approach, you know,
I kind of do the.
Speaker 2 (11:40):
Like the guy that married his cousin.
Speaker 3 (11:42):
They called me chicken fingers because I would do I
would actually play with my elbows. You know, they call
that chicken fingers, you know, and uh work, you know,
I get it. I'd get a discount at every uh
I don't know, raising canes.
Speaker 1 (12:02):
Chicken fingers came in today and ate them.
Speaker 3 (12:06):
Yeah, it was a big publicity campaign, you know, chicken
fingers eats chicken fingers.
Speaker 2 (12:13):
Two people making money at at the same time. That's great.
Speaker 3 (12:16):
It was a beautiful collaboration. No, I know, tricks to
sound like I'm good, but I'm not really that great,
you know. I mean I at one point, I was
at one point I had some probably you know, I
was probably better, but I don't know. Again, if you
know jazz voicings, you can sound like you're to the
(12:39):
common man. You can sound, you know, like you know
what you're doing. But were you singing to not really?
I mean occasionally I would sing. I would sing the
girlfriend impanema. Yeah, yeah, I would sing that, and I
did that in some hotels, but nobody was really listening.
So that's the only reason I would do that. I
might have sung on one another song, but there was
(13:01):
no microphone. I was just singing along and if somebody
was near the piano, they could hear me, right right.
You know, they'd hear me singing my sort of kurm
with the frog style cry because.
Speaker 6 (13:17):
We were more like Coca Casa Comino Tomorrow.
Speaker 2 (13:28):
I heard that who's on that Stan Gatz album?
Speaker 3 (13:33):
Gets Roberto album?
Speaker 2 (13:36):
Wasn't it a last minute? Like, well she can sing okay.
Speaker 3 (13:40):
Why don't it's Trew Gilberto?
Speaker 2 (13:42):
Yeah, Like it wasn't planned out.
Speaker 3 (13:46):
Such a yeah voice, the voice. I don't know how
you could be last minute about such a thing. Yeah,
but yeah, I know, I know, i'd I think, oh,
we got to set this up. Yeah, yeah, months of
preparation for this.
Speaker 1 (13:59):
But maybe she was the kind of like she was
a really good singer, but she hadn't That's how she
got discovered.
Speaker 2 (14:04):
Right right. Her husband was like, well, my wife's really good.
Speaker 5 (14:08):
She's in the car constantly waiting there.
Speaker 2 (14:13):
Hey, that's how you get ahead.
Speaker 3 (14:15):
You know. I didn't know the car. I didn't know
that that was if that is true, I didn't know that, Yeah,
that she was a last minute thing.
Speaker 5 (14:23):
There's a story that I'm destroying that my dad used
to tell me about. How about that last Yeah about
that interaction and that's.
Speaker 3 (14:31):
The talk you would have with you, Yeah, kind of
instead of the birds and the bees would be the
gets in the Jober.
Speaker 5 (14:36):
I never knew what to do. But this thing and
my pants, it's still up in the air.
Speaker 1 (14:41):
Put it in the car and only bring it out
when you need a vocalist.
Speaker 5 (14:46):
Yeah, son, I noticed you're going to prom this weekend.
What do you know about get skiperto?
Speaker 2 (14:53):
That's all you need to know.
Speaker 1 (14:55):
It is the best, Like that album is the best
to put on at the beginning of a party. That's
my thing of Like when people first start coming in,
you're like, this is a party.
Speaker 4 (15:04):
Yes, this party music. Everythingody's fine starter music, definitely.
Speaker 3 (15:08):
Yeah, it's a good way to ease people in.
Speaker 2 (15:10):
Yeah, you know it's ending with Slayer every time. Every time.
Speaker 3 (15:16):
You know it's ending with the Alchemists.
Speaker 2 (15:17):
Yeah yeah, yeah, yeah, but I do believe the other
guy goes by the Alchemist. I could be wrong.
Speaker 3 (15:29):
I guess that's a new thought I just had. Is
Kermit the Frog as Portuguese or doing Portuguese or sounding
like Brazilian? You know, a Brazilian Kermit the Frog. That
could be a new character.
Speaker 1 (15:43):
I think, like that's he's actually from the rainforest bet
South America.
Speaker 3 (15:48):
Yeah, he's an Amazonian frog.
Speaker 1 (15:51):
That's it's actually very poisonous.
Speaker 3 (15:54):
Yeah, kermit the poisonous frog.
Speaker 5 (15:56):
You know that if we went on YouTube and found,
you know, the map show in Portuguese or something, he's
out there already.
Speaker 2 (16:04):
We got it. You gotta hone this.
Speaker 5 (16:07):
You gotta because you do in your act you've been
doing spur the moment impression mashups.
Speaker 3 (16:15):
Yeah. I don't claim to do good impressions, but I
do claim the ability to fuse impressions together, even if
they aren't very good.
Speaker 2 (16:24):
Right, So, and the process is the best because you
literally grab it from one corner of the room and
test it over here, and then test this one and
slowly pull them together fusion.
Speaker 4 (16:37):
Can I just get an example, Brent, or this might sound.
Speaker 3 (16:40):
Like, well, name name to two voices, to name two.
Speaker 4 (16:43):
Figures, Oh wow, two figures in American.
Speaker 3 (16:45):
History, in any history okay, no, two figures from the
movie American History.
Speaker 1 (16:49):
Okay, that one's super racist. And then the guy who
gets his teeth curbed.
Speaker 3 (16:56):
So it's a way to sort of bring peace by
bringing them together as one. You need to become one.
Speaker 4 (17:01):
They were so far apart in that movie.
Speaker 1 (17:06):
That's literally part of that movie I've seen it was
the worst part of that.
Speaker 5 (17:10):
Movie Abraham Lincoln and RoboCop.
Speaker 3 (17:15):
I mean, okay, yeah, I mean we'll just have to
go on. Yeah, no, let's let's try it.
Speaker 4 (17:20):
I mean, Martha Stewart and Snoop dogg.
Speaker 3 (17:24):
Well, okay, Snoop doggy Dog, Well okay, so I'll try
what if I did all four? I can't do impressions.
I can't do good impressions. I just want to put
that out there. And this is what this is my best,
my best attempt Snoop Doggy Dog would sound a little
bit something like Snoop neo double, you know, Snoop neo
(17:46):
double jisel something like that. Right, yeah, it's very Snoop
Snoop neo double, Snoop dog in the house, you know,
or something like that, right, like that? And then how
does Martha Stewart sound to you?
Speaker 1 (17:58):
Kind of bossy and like, excuse me.
Speaker 3 (18:01):
I don't know, I don't really know, doesn't over enunciate,
kind of over enunciates. I'm Martha Stewart, and she has.
Speaker 4 (18:10):
A much deeper voice than most women.
Speaker 2 (18:12):
I'm Martha Stewart.
Speaker 3 (18:13):
There we are therapy. I'm Martha Storart, and this is
my kitchen. Okay, so if you fuse those two together, Okay,
Snoop hold on thinking snoop snoop dogg in the hell?
You know?
Speaker 2 (18:26):
So?
Speaker 3 (18:26):
Okay, Unmoor Stewart hold on.
Speaker 7 (18:31):
K wrong something like that, snoop wrong?
Speaker 3 (18:45):
And Abraham Lincoln sounds like this for score and seven D.
I don't know. I mean, I'm just imagining he sounds
something like this, Well, I'm Abraham Lincoln. I'm Abraham Lincoln.
And what's the other person? He said, Abraham Lincoln? And
who I think?
Speaker 2 (19:05):
Are you trying to put RoboCop?
Speaker 3 (19:08):
Yeah? Freeze? I mean what is he be goes? What
does he say? He goes, you are under arrest? You
are I am RoboCop? You are under arrest? What is
he saying? He has a catchphrase, I think, to serve
and to protect. I don't know. I am robo cop.
(19:29):
Hear me roar? Is that what he says?
Speaker 6 (19:32):
That?
Speaker 3 (19:32):
Isn't that his catchphrase?
Speaker 4 (19:33):
It's a little bit feminist in that.
Speaker 3 (19:37):
Yeah, I am RoboCop. Okay, h four score? I am RoboCop.
It sounds a little bit like Jimmy Store. I'm Jimmy Store.
Hear me roar? Wow, okay, and then you put that
(20:00):
is that with what happened for before? Oh? I think
if you put it all together, it sounds like this.
It's something like that.
Speaker 2 (20:21):
There's any kind of we've learned, yeah from morphing two
beings or multiple you've got it ends up turning into
the monster at the end of the thing. That's who
you just voice.
Speaker 3 (20:35):
Yeah, okay, the thing, it becomes the thing. Yeah, and
that's the thing it's got.
Speaker 2 (20:39):
Yeah. One shoulder is Martha Stewart's voice.
Speaker 3 (20:42):
There's a vultron. It's a vultron of voices.
Speaker 5 (20:46):
Of all the voice all the best foot that was
that when I when I feel something fresh like that
that never has been done before, and then you got
put on the spot like that, I just my back
started sweat.
Speaker 3 (21:00):
Well can I I mean sorry? Is it okay? If
I kind of promote something, of course, please do if
you bring this these fusions up and I do them
in this in this new special of mine that came
out a few months ago. So if you want to
see more than and actually coincidentally, and I don't know,
maybe you said this because maybe you saw a clip
and yep, but do soop doggy dog isn't the special.
Speaker 2 (21:23):
Oh you're kidding. But see I knew that Kermit maybe was.
Speaker 3 (21:27):
It's Kermit and Snoop dogg Dog.
Speaker 1 (21:29):
Can we hear it?
Speaker 3 (21:30):
Can we just check out the special?
Speaker 2 (21:32):
Yeah?
Speaker 3 (21:33):
Yeah, okay, it came out a few months ago, and
so you know.
Speaker 2 (21:38):
I'm I knew that's what I was driving toward.
Speaker 5 (21:41):
I just wanted you to brag about what a professional
host I am.
Speaker 3 (21:45):
Oh yeah I was. But it's you know, it's called
Popular Culture and it's on YouTube.
Speaker 2 (21:51):
I'm excited. I'm going to watch. I mean, I love watching.
Speaker 3 (21:55):
If everybody just watched it, just maybe watch the first
five minute. Well I don't know how it works, but
if everybody just open it up, you don't even have
to watch it, maybe it will get YouTube thinking, oh yeah,
people want to see this.
Speaker 1 (22:07):
Yeah. I think if you hit play, just hit play
and let it, let it keep on playing.
Speaker 3 (22:12):
Let it play out. You know what? This is what
you do. You're going out for the night, all right,
just before you leave the house, just go on YouTube.
Type in Brent Weinbach, popular Culture, hit play, let it run,
and by the time you come back home, you've helped
make it. Make YouTube think that this is something we
should push. Yeah, and you don't even have to do it.
You didn't have to go through the trouble of watching it.
Speaker 2 (22:34):
You know what else, you.
Speaker 4 (22:34):
Don't have to witness any part.
Speaker 5 (22:36):
I'm pretty sure there's a loop setting when you play
a YouTube video.
Speaker 3 (22:39):
There used to be, I think.
Speaker 2 (22:40):
And you can just let it.
Speaker 3 (22:41):
Maybe there's still no, maybe there's still is.
Speaker 2 (22:43):
Actually people are cranking up their viewership.
Speaker 3 (22:46):
Put it on loop. Guys, every single one of you.
You can benefit the special. And you didn't have to
do any of the work of laughing and enjoying yourself. No,
you don't have to do any of that dirty work
of laughing.
Speaker 4 (22:57):
No, just get let the room ring empty.
Speaker 3 (23:00):
Go out, go live your life.
Speaker 1 (23:02):
Go to the club, go to a different comedy club
and watch another comedian.
Speaker 3 (23:07):
Yeah, watch another comedian.
Speaker 2 (23:08):
You know what.
Speaker 3 (23:08):
Support local comedy and also support non local comedy.
Speaker 2 (23:14):
But when you're out watching many great live performing comedians
at home, please loop fronts special Popular Culture Popular culture.
Speaker 5 (23:27):
I was getting there. It's you know, in a pregnant
pause for effect. Now I had forgotten.
Speaker 3 (23:32):
Well, look it's popular culture because you know, there's lots
of pop culture figures such as Kermit, the frog and
spongy dog that make appearances. I mean, you know through
in obscure, I mean in kind of distorted ways.
Speaker 5 (23:43):
Well, you've always been a bit of a TMZ like
gossip hound.
Speaker 3 (23:47):
Right, yeah, Well that's what it is. This is sort
of the entry point into my.
Speaker 2 (23:54):
World.
Speaker 5 (23:54):
If in all seriousness, everyone should Brent wine Box should
be a household name.
Speaker 1 (24:02):
Brent Winbuck is the kind of person that when you're
on a comedy show and the comedy show is whatever
it might.
Speaker 2 (24:09):
Be, comics usually talking in the back, and you.
Speaker 1 (24:12):
Know, oftentimes comics are bored at comedy shows or whatever.
Speaker 2 (24:17):
Yeah, hiding in the green room until.
Speaker 1 (24:19):
Until Brent Weinbach gets on stage, and then everyone shuts
the fuck up yep and goes, uh, oh, what's about
to happen.
Speaker 5 (24:25):
When I first moved from Austin to Los Angeles, I'm like,
I'm going to be the quirkiest, most alternative string. I'm
turning this art form up on its head. And then
I watched Brent perform, and I'm like, I'm a cruise
ship hack. Well, you know, those words didn't hit me,
(24:47):
but I did realize you had one of the most
and still the one of the most original voices, especially
as we see so much stand up people adhering to
the formula that works, and I still can't put my
finger on it.
Speaker 2 (25:03):
Be it crowd work, be it let's be relatable.
Speaker 5 (25:07):
Oh you to have to tell personal stories of like, oh,
tell fewer short jokes.
Speaker 2 (25:13):
I have to do longer form.
Speaker 4 (25:14):
You just make things up. But I think when Brent
Kit's on.
Speaker 1 (25:17):
Stage, he's got that jazz bass, so no matter what,
he's just going to do some jazz improvising, right, He's
going to cause it up mm hm. He's gonna whatever
the other guys's names were, it up, m h. And
that's how he approaches comedy.
Speaker 3 (25:32):
I mean, thank you. I'm pretty calculated to be honest,
but I mean that entire compliment. Well, no, I mean,
I know, I think when it comes to doing audience
suggestion stuff, yeah, I mean that that is kind of spontaneous, definitely, yes,
But no, I try to be prepared. I try to
go you know the opposite of a strue, like a
(25:54):
Strew Gilberto is we've been planning this. You know, she's
she's waiting. She's not waiting in the car, right right,
She's out there. You know she's been there, but well,
you know, I try to make the best of something
if I have to work with a suggestion, but no,
I like to be planned out.
Speaker 5 (26:13):
The very first time I saw you, you, I think
I've told you this before.
Speaker 2 (26:18):
You had made a bunch.
Speaker 5 (26:20):
Of masks of your own face, and you had a
T shirt of your own face, and these masks were
floating around the audience. And I just came in while
you were on stage and saw this thing happening, and
I was like, okay, so.
Speaker 2 (26:33):
There's like there's like a genius guy.
Speaker 3 (26:36):
Well, I just thought i'd make some masks.
Speaker 5 (26:39):
Hey, I know, but I it was great, and I
don't remember what the bit was.
Speaker 3 (26:45):
You probably this is what it is. I do remember.
I think I was wearing a mask of my own face,
and it was because it was Halloween. I think that's
probably where I met.
Speaker 2 (26:53):
Oh that's when I wear are yeah, the tree costume.
Speaker 3 (26:57):
And I sold these shirts with my face on them.
Speaker 2 (27:00):
Oh okay, that's but.
Speaker 3 (27:03):
Some years later I did do a show where I
did make a bunch of masks and hand them out
for everybody to wear, and I have the whole audience
wear masks.
Speaker 2 (27:12):
You're right, I guess I've just been in your life
a while.
Speaker 3 (27:15):
Yeah, I think you just it's kind of you're doing
the fusion of your own in a way.
Speaker 5 (27:18):
Yeah, I've used my entire life around you into one
singular experience a moment.
Speaker 2 (27:23):
Yeah, ending in this podcast.
Speaker 4 (27:25):
Oh is it ending?
Speaker 3 (27:26):
No, it's not ending. It's part of it. It's part
of the ever.
Speaker 2 (27:29):
Yeah, I'm never going I'm wrapping up through my second
interaction with him, which will.
Speaker 5 (27:35):
Be also twenty years long, edited down to one evening.
And then you start playing piano in the middle of
the set. You we are suddenly at uh Natasha Laziro's
living room.
Speaker 2 (27:50):
I don't know where that was. That's where I learned
that you were playing piano though.
Speaker 3 (27:54):
Uh huh you were there? You okay?
Speaker 2 (27:55):
Yeah, yeah, he just started playing on the piano very well,
and I'm like.
Speaker 1 (27:59):
The best, what the hell says?
Speaker 4 (28:01):
Would you, Brent?
Speaker 1 (28:02):
Would you? Are you the kind of person that would
sit down at one of those pianos they put it.
Speaker 3 (28:06):
Airports and just start doing it?
Speaker 2 (28:09):
Yeah, hotel lobby.
Speaker 3 (28:10):
Nah, I might have done that in the past. I
think I maybe did that a couple of times, but no,
I don't want to. I don't want to make, you know,
make a scene right, and you know they might they
might have somebody to plan and I don't want to
upstage him and stuff and make him, you know, feel
inadequate about his tricks that he might have. Yeah, he
might have not as good as tricks as me.
Speaker 4 (28:31):
Yeah, he can't do any elbows.
Speaker 3 (28:33):
He does rooster toes, Yeah, he does. He does.
Speaker 2 (28:36):
He's about to start his three hour gig.
Speaker 3 (28:39):
He does the ostriche peck. They call him ostrich neck.
Speaker 4 (28:45):
Very painful for his face.
Speaker 3 (28:47):
Well, he's developed some couches on his nose and face.
Yes not he can. It was painful, but he's gotten
used to it.
Speaker 1 (28:56):
At this point, you had to commit.
Speaker 2 (28:58):
You know, Jerry used to slam his face into the keys.
Speaker 3 (29:02):
Did he do that?
Speaker 2 (29:03):
Yeah? I think he played the keys with his teeth
and he used to black out every other tooth so
his his smile looked like a piano. It was very,
very mad.
Speaker 3 (29:15):
That's very cool.
Speaker 4 (29:16):
Actually, yeah, it's a good idea.
Speaker 3 (29:18):
It's cool.
Speaker 2 (29:18):
It's so funny that I grew up.
Speaker 5 (29:23):
In a basement with a piano just outside my bedroom,
perfectly tuned.
Speaker 2 (29:30):
I never touched it.
Speaker 5 (29:31):
Oh, it's one of the biggest regrets. My mom was
always like, you could start playing that piano. I'm like, nah,
I'm good.
Speaker 1 (29:40):
I'm not interested.
Speaker 2 (29:40):
I'm good.
Speaker 3 (29:42):
Yeah, you know I didn't. I did not really take
to the piano until I was a teenager.
Speaker 1 (29:48):
But you have to play it when you were akad.
Speaker 3 (29:50):
Well, I there was a piano in the house and
my mom played classical piano. But I, you know, I
just never really I didn't really to it really. And
then just getting into music, you know, like the Daves
of smooth jazz, I started to really what it was.
It really was Antonio Carlos Joe Beam music that got
(30:12):
me into music.
Speaker 2 (30:14):
What did you say that.
Speaker 3 (30:15):
Antonio Carlos Joe Beam. Oh, you know the writer of
the Girl from Epanema and that album, the composer of
all the songs that are on that gets Gilberto right right, Okay,
His music got me into it and I started learning
his music on sheet music.
Speaker 2 (30:30):
What's he married to.
Speaker 3 (30:34):
A strue? No jow? Gilberto was married to a strewe
Giberto and then and then I think the story goes
that she ended up running off with stan Getz.
Speaker 2 (30:44):
Oh s gets with wants.
Speaker 3 (30:49):
That's good, that's funny.
Speaker 2 (30:55):
Once in a while. Well that's you.
Speaker 3 (30:59):
That's good. Talk about jazz and probabations, right.
Speaker 4 (31:04):
And jazz gossip.
Speaker 2 (31:08):
You have two brothers and a sister. Yeah, your sister
and you do a podcast that I enjoy the clips
I see.
Speaker 3 (31:17):
She's really funny you she makes.
Speaker 2 (31:19):
You laugh so much. It's great. It's really fun to.
Speaker 3 (31:23):
Wow, she's the funniest person I know.
Speaker 2 (31:25):
She's very fun.
Speaker 3 (31:26):
And yeah, that's called the Chicken Coop. Oh, yeah, that's
you know, because you know, as a tribute to my
playing style, to my it is a lifestyle. Really yeah, no,
it's a whole life. It's not just a playing style.
It is a full lifestyle. And I the Chicken Coop is, Yeah,
it's a live stream chat show I do with my sister.
Speaker 4 (31:47):
What does your sister do for a living?
Speaker 3 (31:48):
She's a musician.
Speaker 2 (31:50):
I knew that. That's what you all play music?
Speaker 3 (31:53):
Right, Yeah? We all okay, okay. Your brothers yeah, yeah, yeah,
they're they do music and comedy at yeah.
Speaker 2 (32:01):
Oh I've become It's funny because just.
Speaker 3 (32:04):
A musical comedic family.
Speaker 1 (32:07):
I guess Thetridge family.
Speaker 2 (32:09):
Yeah, your brother's together.
Speaker 5 (32:10):
It's it's it's hard not to think of you because
they speak, They have the similar cadence and everything, but
they are of course their own people. Yes, yes, of course,
but when you first hear their voice.
Speaker 3 (32:25):
They're their own people, meaning they are each other right.
Speaker 2 (32:28):
Right, But your sister.
Speaker 5 (32:30):
I watched a few clips and I didn't realize it
was your sister. I just thought you had a hilarious
best friend that knew year everybody.
Speaker 3 (32:38):
You don't think she looked like me?
Speaker 2 (32:39):
Not at first?
Speaker 5 (32:40):
No, and then once I once it was announced, you
both stopped and announced it. I remember, by the way,
we're brother and sister and stared in the camera.
Speaker 3 (32:49):
Sometimes people don't know they say are we Are they
husband and wife or the sister, And then I start
thinking answered it by saying we are husband and sister.
Speaker 2 (33:03):
I'm sorry I almost stepped on that.
Speaker 3 (33:09):
But we have some funny phone conversations. I thought we
got to just maybe try to do a podcast or
something like that.
Speaker 2 (33:15):
Oh did she not?
Speaker 3 (33:17):
No, No, she wasn't resistant to it. We just I laughed.
We would laugh so hard and have these really funny,
just ridiculous riffs that would just be so absurd and
just I mean, they'd start from this joke and then
just evolve into something just totally not. I mean, it
would sound nonsensical if you jumped in at the end,
(33:38):
but it just you can if you can follow it.
It's just it's they're just really funny and yeah. Anyway,
so yeah, we just we just watched kind of old
commercials and we comment on them and those kind of
usually inspired jokes that we riffed on.
Speaker 2 (33:51):
That's great. That's what Karen and I were talking about
before you got in the car. It's old commercials les.
Speaker 4 (33:57):
That old Hoover jingle that's so dramatic.
Speaker 3 (34:00):
Commercial jingles used to be so good. Yeah, I mean
there's some really great pieces of music in older commercials, right,
and older TV shows too.
Speaker 2 (34:11):
Yeah.
Speaker 5 (34:12):
Sometimes yeah, and sometimes it's like it goes way harder
than the show ever did. Like you'll hear this song
and there's so much emotion in it, and then it's
just some slapstick comedy that really didn't like the.
Speaker 4 (34:27):
Theme song to Taxi that was that me as a child.
Speaker 3 (34:30):
That's one of my favorite pieces of music so all time,
and it's what I used to do radio, and that
was the themes I used that as the theme music
for my show. Really, I that music I just really
identify with it, you know, and the colors of it,
and it really makes me think of fall. That piece
of music. It's called Angelo. It's by Bob James, who's
(34:53):
another smooth jazz guy actually and coincidentally, and I love
the taxi theme song so good.
Speaker 1 (35:01):
Also, just like it was like late seventies, early eighties,
so it had that is It's almost like that's what
the sound of it was. It was this kind of
like because it starts as haunting flute and then it
goes into like a breakdown.
Speaker 3 (35:14):
Well, I feel like the flute part to me is
that's kind of afternoon, it's fall, and then when it
breaks down, it's okay, we're in the night now, and
you know we kind of go into night. Flute is
taking us tonight, and then we're in night and we're
hearing that kind of roads or that you know, kind
of electric piano sound, and you know it feels like
(35:36):
you're I don't know, yeah, exploring the night.
Speaker 1 (35:41):
And then here comes Tony Danza to ruin.
Speaker 2 (35:43):
Everything and the can't stands.
Speaker 1 (35:47):
Yeah.
Speaker 2 (35:48):
The uh it reminds I always like the Hill Street Blues.
Speaker 4 (35:52):
Yeah, yeah, another classic.
Speaker 5 (35:55):
I like the night Court song, and I if I
really want to think about ending at all.
Speaker 2 (36:01):
The Mash theme song.
Speaker 3 (36:03):
Well, yeah, Mash, I mean, you know, I think Robert
Altman's son wrote that song or wrote the lyrics to
that song at the age of fifteen or something like that. Oh,
it's called Suicide is Painless the song, and it's I
mean it's kind of a you know, heavy song in
a way. The lyrics at least, you know.
Speaker 5 (36:24):
But yeah, they never reached the lyrics on maybe in
the Mash movie.
Speaker 2 (36:28):
I don't know, I never.
Speaker 3 (36:29):
Yeah, I think it's in the movie, the Mash movie.
But yeah, no, the lyrics are not in the TV show.
But yeah, for.
Speaker 5 (36:35):
The best yeah, yeah, and it's really great. It's like
all my friends have lost their heads. Yeah, brains are
on my boots.
Speaker 2 (36:43):
They are dead. Did you I met?
Speaker 5 (36:46):
By the way, there was a guy at Lasen's, the
grocery store by my house, and he had a T
shirt on with like some eight bit images on it
and a Japanese name, and I guessed that it was
a composer and he had seemingly as much knowledge as
you about because I started playing the game I Do
(37:09):
with You, where I just was listening listening old Nintendo games.
The only games, I know, but I was like Caennsylvania
life Force, and he was he knew, well that's a
combination and these two people he knew.
Speaker 2 (37:23):
I wanted you to meet him. I really was.
Speaker 5 (37:27):
I left thinking he also has a booming voice. I
feel like he should be a voiceover artist. And he's like, yes,
I've heard that all my life. I've been working on
a home studio.
Speaker 2 (37:39):
And he looks a little like James Earl Jones with
a with a big, big hair.
Speaker 5 (37:45):
He was He's a really interesting dude. But I've been
trying to think of a way to get you two together.
And I do have access to him.
Speaker 3 (37:54):
I mean, he's I wonder if you could beat me.
Speaker 2 (37:56):
I don't know. I was trying to.
Speaker 3 (37:59):
Because I I mean, you know, I wonder.
Speaker 5 (38:02):
That's the difference. He might because he would never say that.
He thinks he knows the most. And I'm like, actually,
my friend.
Speaker 3 (38:10):
Because does he know this about did you mention Castlevania
to him? Right? I did?
Speaker 1 (38:16):
I'm just gonna think about stuff I have to get
at the story.
Speaker 3 (38:20):
Does he know that it was two composers who did that,
and one one of them I interviewed.
Speaker 2 (38:25):
Actually, I think I just said that because you told
me that.
Speaker 5 (38:28):
Okay, I didn't glean anything from him, but that we broke.
Speaker 3 (38:33):
I broke the news that it was two composers because
of interviewing that woman.
Speaker 5 (38:37):
Okay, so that what I just said was something I
learned from you. But he did know a lot of
the composers.
Speaker 3 (38:46):
Well, I got it.
Speaker 5 (38:47):
He was listening and I don't know what in what
setting if he could be an audience plant or something
who challenges you.
Speaker 2 (38:56):
I know you used to do that on stage.
Speaker 3 (38:58):
Oh, I was trying to get people to Yeah. I
mean and see if you know, just play a track
and I can identify it and I can tell you
who composed it.
Speaker 4 (39:06):
I mean, is it video games only?
Speaker 3 (39:08):
Are everything video games? Old video games, not new ones?
Just once from the eighties and early nineties, which.
Speaker 5 (39:13):
I never the whole time I was playing games, I
never thought, oh, someone composed this and would use computers
to the orchestra.
Speaker 3 (39:21):
But what did you think?
Speaker 2 (39:22):
I think.
Speaker 5 (39:23):
I just thought, oh, they recorded a song and then
someone had a computer turned it into digital music. I
didn't realize from scratch, much like the visuals of a game,
someone was building this.
Speaker 2 (39:38):
Music on the computer, which is really pretty cool.
Speaker 3 (39:41):
It was interesting. A lot of women too, in their
early to mid twenties composing. Yeah, for those video games,
you know, like all the Capcom games in the eighties,
there was all the whole sound team was women, and
it was interesting that these young women would have such
an impact on all these boys all over the Yeah, yeah,
(40:01):
the world.
Speaker 4 (40:02):
Who would go on to hate them deeply?
Speaker 2 (40:04):
Yeah, I mean yes, I mean really, I.
Speaker 1 (40:08):
Mean yeah, I'm sorry to bring up gamer Gate, but Brent,
explain why that happened.
Speaker 3 (40:14):
I don't even know what that is. Actually, what is it?
Speaker 1 (40:17):
Gamer Gate's that thing where there was a female journalist
who wrote about a video game and then the video
game audience was primarily male, went insane.
Speaker 4 (40:28):
Dosed her, said they were going to kill her.
Speaker 2 (40:31):
Whoa.
Speaker 1 (40:31):
It was this whole fucking crazy thing. And I would
guess I don't know. At least you remember it's like
two thousand and early two thousands or like around.
Speaker 3 (40:39):
Oh, that's when this happened. Yeah, that's the.
Speaker 2 (40:43):
I bet I know what it was. It did? She say?
Speaker 5 (40:45):
It's problematic that at the beginning of Bad Dudes, two
bullies come out in the street and hunch a lady
right in the stomach and then carry her off.
Speaker 3 (40:53):
That's a double dragon.
Speaker 2 (40:54):
That's double dragon.
Speaker 3 (40:55):
It's double dragon. But that's you know, it's close. It was.
Speaker 2 (40:59):
All around.
Speaker 5 (40:59):
I'm like, why did they punch that lady in the stomach?
She's cool and punk rock and then they carry her off?
Speaker 2 (41:05):
It was that was bizarre.
Speaker 1 (41:07):
I had a party at my host one time and
we left my ex left what do you call it?
Grand Theft Auto on, just so people could walk in
the room and play it if they felt like it.
All right right, One of my friends, who was a
very effeminate gay man, walked in started playing it and
instead of like doing anything in the game, he just
walked up to the first person on the street and
started beating this shit out of it.
Speaker 4 (41:29):
And I was like, what's going on? Are you okay?
He's like, this is cool? Is this the game or.
Speaker 2 (41:34):
Just like so funny?
Speaker 4 (41:35):
I guess.
Speaker 2 (41:35):
So that's all I know about it is that you
can wander off and.
Speaker 5 (41:40):
Like Sims, you can just go loiter a park bench
or just punch a pedestrian. Yeah, and you don't actually
have to be in a.
Speaker 4 (41:50):
Car drive down to a harbor and sit there. No,
just listen to the music.
Speaker 3 (41:55):
Yeah, that's cool. That's kind of that's cool. That was
on for the party. You say, yeah, so it was
kind of like the gets Roberto of the new generation.
You put that on, you get the party started.
Speaker 1 (42:09):
Or it was almost like for a daytime party because
it was like barbecue vibes. Then you have that going on,
then switch to night time, first theme song to Taxi
and then straight into Gilberto.
Speaker 5 (42:22):
Yeah, I'm having memories from did he have a video
arcade machine that he had finished and put?
Speaker 1 (42:31):
Okay, he built that pac Man machine himself.
Speaker 2 (42:33):
Okay, I did the same thing, except my TV was
in it and BCR and everything, and it was just
the joystick could turn on my TV. Oh and we
talked about that that. Yeah, that's so long.
Speaker 3 (42:44):
Wait did what did you do?
Speaker 1 (42:45):
Oh?
Speaker 5 (42:45):
I found a gutted kangaroo arcade game in an alley
and put it in my friend's truck. I brought it
all the way to Austin and and I moved there
and put my TV and all my stereo equipment in
the coin return, like just cut holes and so it
(43:07):
looked like an arcade game, but you'd pull it since
the screen it's tilted back. I put my TV in
there and then you could pull it forward and then
it was like an entertainment center.
Speaker 2 (43:18):
Basically, but it looked like a video game. But it
took the time to have the on off switch be
the joystick pulling it, which later was a fire hazard.
It caught on fire. Really yeah, yeah, I'm not an electrician.
I don't think I taped all the exposed wires.
Speaker 4 (43:39):
It was a fire hazard, isn't that it caught on fire?
Speaker 2 (43:42):
Yeah, I believe it was. I mean a hazard for
the house to catch on fire.
Speaker 5 (43:48):
It's certainly caught on fire, which a fire thing on
fire in your house is just a hazard until.
Speaker 2 (43:56):
It reaches the wall. It really is, right, And I.
Speaker 5 (44:00):
Moved that thing all the way to Los Angeles too. Really, Oh,
it's so ridiculous.
Speaker 3 (44:05):
You starting fires in Los Angeles.
Speaker 2 (44:06):
No, no, no, I didn't start the fires here.
Speaker 3 (44:11):
Always burning, it was always burning.
Speaker 2 (44:13):
Yeah yeah, yeah.
Speaker 5 (44:15):
But I am just gonna mentor mention Marilyn Monroe for
no reason.
Speaker 1 (44:23):
Brent, do you have any so obviously popular Culture is
your new special, and.
Speaker 3 (44:28):
Please just put it on loop when you go out,
you know, yeah that it's on YouTube, And.
Speaker 4 (44:34):
And what's the name of your podcast that.
Speaker 3 (44:35):
You have with your sister the Chicken Coop and that's
on that's on my YouTube channel. It's just YouTube dot
com slash Brent Winbock, which is also where the special is.
And I don't know, have this other podcast. It used
to be called the Poundcast, but now it's just called
the Brent Winebock Podcast.
Speaker 2 (44:51):
And oh that's a weird way to find out you're
in a fight with dog. It's weird. I thought you
guys were tight. Well, we don't need to talk about.
Speaker 3 (45:00):
Now we're we're loose now yeah, yeah, real, they're real loose. Then.
I don't know. This is a little while is off,
But if you're in the Pittsburgh area, Pittsburgh, Pennsylvania, that
is sure because there is a Pittsburgh, California.
Speaker 1 (45:13):
There, sure is.
Speaker 3 (45:15):
I'm doing a show on December twelfth at a place
called Bottle Rocket.
Speaker 2 (45:21):
Oh that sounds cool.
Speaker 3 (45:22):
Check that out if you want to.
Speaker 5 (45:24):
Oh that was it, yeah, fast, and I highly recommend
just as a closing statement of genuine watched Brent wine
Box comedy.
Speaker 2 (45:34):
Yes, uh, new and old.
Speaker 3 (45:37):
Thank you. Oh there's the bottle you see it right there?
Oh you know, right there, you see it on the ground.
Speaker 2 (45:43):
I think all the bottles.
Speaker 1 (45:45):
Yeah, oh oh, so somebody ran over it, but there's
p inside, there's.
Speaker 3 (45:49):
Pete, well it appears to be p and but the
cap is off the bottle. And I just thought it
just seemed kind of interesting because somebody peed in the
bottle and yet need it so that it could easily
just be spilled out onto the ground, so we're not
just pee on the ground. Yeah.
Speaker 2 (46:06):
I think people like the idea of setting booby traps.
Speaker 3 (46:10):
It is kind of a booby trap. If someone runs
over that, there'll be a big yellow splash on something.
Speaker 5 (46:17):
Yeah, but they're not going to be around for it,
so you just, you know, you light the fuse and
leave and then don't worry about the aftermath.
Speaker 2 (46:25):
Yeah. I think a lot of us have that darkness.
Speaker 1 (46:28):
We got to look up that short film about the
pea bottles, because this is clearly something that's just happening
in our culture now.
Speaker 3 (46:35):
Yeah.
Speaker 5 (46:35):
Well it's people that drive around men that. I mean,
I'm guilty of it myself.
Speaker 2 (46:41):
You can't pull over in a city sometimes, where are
you gonna There's not just public use restrooms.
Speaker 5 (46:47):
So you pee in a bottle, you get to your
assastination and you just leave it there because you want
it out of the car. There's nothing more conspiracy about
this situation.
Speaker 2 (46:57):
It's just I'm a later bug.
Speaker 5 (46:59):
I'm disgusted, and then I drive off and I continue
with my life. Yeah all right, that's what that documentary.
I hate to ruin the ending, but it's about gross
dudes with Yeah, it all like a birdmine.
Speaker 3 (47:19):
Well, well thanks for having me, guys, thank you. You
know this is you know, probably one of the best
podcasts there is because I don't know it's in the
car and that's just you know, I said, we said,
I talked about this last nime, but it's just this
is a good environment to just talk.
Speaker 4 (47:35):
Thanks, Buddy's nice.
Speaker 2 (47:37):
I agree, Yes, I do.
Speaker 5 (47:39):
I Over the last few years we've realized it.
Speaker 2 (47:43):
Really we get a good version of a person.
Speaker 3 (47:46):
Cars are just I guess that's why there's that show
Comedians and Cars, Yes, getting coffee, because it's just cars
are just a good place to hang out.
Speaker 2 (47:56):
Yeah.
Speaker 1 (47:57):
What if this person suggested Jerry Seinfeld, this person suggested Kramer,
how would that impression Cramer sound?
Speaker 3 (48:07):
Oh yeah, Jerry, okay, how does he sound? That was it?
Speaker 1 (48:11):
Oh?
Speaker 3 (48:12):
He's like, oh what can you do it?
Speaker 1 (48:17):
I can't do that, Jerry. I was kind of like that,
I can't do that.
Speaker 3 (48:20):
Oh yeah, I don't know how Okay, So he's like that, well.
Speaker 2 (48:25):
What do you do?
Speaker 3 (48:26):
What do you Jerry's like it's like something like Scooby doo.
I tell you that's what I can.
Speaker 1 (48:38):
Fine.
Speaker 3 (48:38):
You combine the two, you combine Kramer Jerry Seinfeld, and
you get Scooby dooe standing up.
Speaker 2 (49:00):
I'm just seeing the line.
Speaker 5 (49:01):
It's the monster at the end of the thing again,
they all become.
Speaker 4 (49:05):
Scooby doo at Elaine.
Speaker 7 (49:11):
Hey, why gold Jerry.
Speaker 1 (49:15):
That's that's shaggy.
Speaker 3 (49:17):
All right, Well, thank you guys.
Speaker 4 (49:18):
Saying you want to wrap it up.
Speaker 5 (49:19):
Yeah, we've been listening to Do You Need a Ride?
D y n aar a are.
Speaker 8 (49:37):
This has been an exactly right production.
Speaker 1 (49:40):
Our senior producer is Annalise Nelson.
Speaker 8 (49:42):
Mixed by Edson Troy.
Speaker 1 (49:44):
Our talent booker is Patrick Cotner.
Speaker 8 (49:46):
Theme song by Karen Kilgarret.
Speaker 4 (49:49):
Artwork by Chris Fairbanks.
Speaker 1 (49:51):
Follow the show on Instagram, Twitter, and Facebook at dinar
podcast That's d y n ar Podcast.
Speaker 5 (49:57):
For more information, go to exactly right idiot dot com.
Speaker 8 (50:01):
Thank you, Oh you're welcome.
Hosts And Creators
Karen Kilgariff
Chris Fairbanks
Popular Podcasts
CrimeLess: Hillbilly Heist
It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.