May 5, 2025 • 55 mins
This week, Chris and Karen talk about mutual lumberjacking, tossed cobbs and more!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Are you leaving?
Speaker 2 (00:03):
I you wanna way back home? Either way, we want
to be there.
Speaker 1 (00:10):
Doesn't matter how much baggage you claim and give us
time and a termino and gage aid.
Speaker 2 (00:19):
We want to send you off in style.
Speaker 1 (00:23):
We wanna welcome you back home. Tell us all about it.
We scared her? Was it fine? Mal porn? Do you
(00:49):
need to ride? Do you need to ride? Do you
need to ride? Do you need to ride? Do you
need to ride? Do your need do you ride?
Speaker 2 (01:01):
Ride? Do with Karen and Chris? Welcome to Do you
need to ride? This is Chris Fairbanks.
Speaker 1 (01:17):
And this is Karen get I uh had a.
Speaker 2 (01:21):
Build up on my tongue and I had to deal
with it.
Speaker 1 (01:25):
I build up a plaque of part time sauce.
Speaker 2 (01:29):
I'm eating fish and chips again. Stop No, people have
been riding in. They're like more smacking, more swallowing, more.
Speaker 1 (01:38):
Eating international dinners on the show.
Speaker 2 (01:41):
Please you want me to read an entire house of pancakes?
How I'm great? I feel good. I'm woke up feeling good.
Speaker 1 (01:54):
Good.
Speaker 2 (01:55):
Sometimes you wake up but not feeling great. True, And
there are times in my life I think I mentioned
the like two weeks at the end of college which
that probably felt good that I graduated college. But for
on some chemical level, my brain was riddled with alcohol. No, no,
(02:20):
it was that was the thing. I didn't want to
mess it up, so I didn't have any forties with
my friend and friends in a basement. I was like
had endorphins or some serotonin or something that was leaking
out of my brain in a yeah, in a way
that I was like getting I was better. I wrote
(02:44):
a paper and it was a great paper. I was
skateboarding better. All my interactions, people are like, man, you
seem like you're doing great. I just was like, you know,
winning is Charlie Sheen. I'm sorry, let's go back.
Speaker 1 (02:58):
You were hitting on all eight cylinders.
Speaker 2 (03:00):
That's what it is. Yeah, okay, it's better to do
a Jesse James quote. Right the motorcycle guy.
Speaker 1 (03:07):
Now, do you think this man has taken his spiders
outside so they can just be outside for the day.
Speaker 2 (03:11):
I think he's say that the same. It's humpty dumpty.
He had spiders.
Speaker 1 (03:15):
Well, there was an aquarium filled with spider webs.
Speaker 2 (03:18):
Are you leaves?
Speaker 1 (03:20):
Should we go round?
Speaker 2 (03:21):
I have to know why he has the true man.
I'm gonna take the spiders out for a sin.
Speaker 1 (03:27):
That's what I'm saying is like, what was what was that?
What if he was freeing his son spiders?
Speaker 2 (03:33):
Yeah, I had this captivity will go on no longer, son.
Speaker 1 (03:39):
I can't watch these animals in pain. I had a
spider that was in my sink that was very large
and very upsetting looking like it had like articulated feet
type of spider where you're like, oh, no, you gotta go.
And I rinsed it down the drain and then just
left the water on for a while because it was
such an upsetting looking spider.
Speaker 2 (03:59):
Yep.
Speaker 1 (04:00):
The next morning, that fucking spider was back up exactly
where it was the next time, and I tried to
rinse it down again, and then I watched it fight
the water and come back up and I was like,
you know what, you win because it wasn't doing well,
but it was still like coming up out of the
water and like it's little wet legs. And I was like, okay, yeah,
I'll take you outside.
Speaker 2 (04:19):
Once you see a spider do that a couple times,
you're like, maybe it's better that it doesn't go down
the drain and morph into a large sewer monster.
Speaker 1 (04:31):
Yeah, it needs to stay up here and feed a
bird real quick.
Speaker 2 (04:34):
Yeah, or or follow figure out why a person followed
a fly. It goes fly, spider bird. Do you know
what I'm talking about?
Speaker 1 (04:47):
Yeah, yep, Cat after bird, dog after cat.
Speaker 2 (04:50):
Thank you, you're welcome. And then the whole purpose of
the song is I don't know why. I guess she'll die.
Speaker 1 (04:58):
Yeah.
Speaker 2 (04:59):
That talk about bailing, I.
Speaker 1 (05:01):
Mean just pessimism right down to the bone.
Speaker 2 (05:05):
You had a pretty good you had our touchwork.
Speaker 1 (05:07):
You're making a list of things we like to list
off with you.
Speaker 2 (05:10):
And then you just give up. I don't know why
I wrote all this stuff like we're all going to
die fight Come on, please, I know it's hard to
come up with a punchline, but it's.
Speaker 1 (05:23):
Just a song for a child. They don't expect much.
You literally could. You could say some weird phrase like
fart butt and they would love it exactly.
Speaker 2 (05:32):
I don't Yeah, we were all singing that at a
time where we didn't even know we were going to die.
Speaker 1 (05:39):
Lazy lazy, And meanwhile that spider just won't stop fighting
to get out of that sink.
Speaker 2 (05:46):
Come on, do you think the spider is still in
your house? No?
Speaker 1 (05:51):
I took it all the way outside on a piece
of tissue paper. Oh okay, and said, you win, spider,
you win.
Speaker 2 (05:58):
I mean that's a dangerous. Uh. I've done it a
couple times where you slide it. It's it's scary to
slide a piece of paper and try and keep it
secure to the rim of a glass. Yep, because I've
done that with some spiders, and it's like, if this
thing does get out, my hand is the first thing
it's gonna meet.
Speaker 1 (06:18):
And it's pissed.
Speaker 2 (06:20):
Yeah. Yeah.
Speaker 1 (06:21):
This spider in my situation was so damp that it
literally couldn't do shit. And I was like, great, I'm
going to take advantage of this moment. Put you in
the bushes. And then it's you fought you fought you
one for your life, God bless Make it worth, make
it worth something.
Speaker 2 (06:38):
Help people. When I was painting my mom's house, talking
to a spider, right, make it work. Not listening. Help,
it's not leastening.
Speaker 1 (06:51):
It's like doing Charlotte's Web, Like, hey, everybody, keep it up.
Speaker 2 (06:57):
It takes three weeks to get an answer from this spider.
You can do it.
Speaker 1 (07:01):
I've heard that already.
Speaker 2 (07:03):
Yeah, why just motivational? I did. That's from a bumper sticker.
You took all week to write that with your ass.
Speaker 1 (07:09):
You can't do it.
Speaker 2 (07:10):
That's why they call it spiders. Ass riders. My mom
made me. As I painted the eaves. There were so
many big budded Harry, I don't know what kind of
spiders they are. They look they're the same colorway as
a tarantula.
Speaker 1 (07:29):
Red blue, white.
Speaker 2 (07:30):
Yes, yeah, in in ingradients, just beautiful colorway. But they
are tiny but furry some of them. Yeah, and they
hang out under eaves and I think I painted over
one out of fear, and my mom was furious and said,
from now on, you have to relocate them. So I
was like, going through this hole, get a stick, get
(07:53):
a jar, get it to drop in there, cover it up.
And then I created like a little spider city in
the backyard because there were so many, Yeah, and they
were so calm and not they were like I know
what's happening, and they'd crawl out gently and I'm like, okay,
wait a minute, maybe I like these specific spiders.
Speaker 1 (08:11):
And you were the one that was changed at the
end of the day, the spiders, but you I think
he's painting something.
Speaker 2 (08:17):
Oh yeah, for spiders surfaces too late.
Speaker 1 (08:20):
Oh he's painted over like twenty five spiders. His mom
is so mad.
Speaker 2 (08:25):
And so it's nearby neighbor that looked just like him,
the man on the wall I must remind you of.
Speaker 1 (08:31):
He lives next door to Spider Man.
Speaker 2 (08:33):
They looked like the same person. Oh yeah, maybe they're
in cahoots. He calls his brother, I'm painting a house.
I got thirty seven spiders. You can give him to
your kid in the aquarium.
Speaker 1 (08:45):
Yeah, oh yeah the other guy, Yeah yeah, I thought
you meant directly next door.
Speaker 2 (08:49):
No, yeah, we have driven about three miles. Even the
listener knows that. So the fact I call him a
next door neighbor, I mean, judging by the hum of
the car, they're going about thirty eight. What the hell
is Chris talking about? Does he mean the guy across town?
Speaker 1 (09:07):
Does he mean? Is this like a wonderful song? And
we're at the chorus again with the guy sitting on
a wall, and then we give up those people in
those bubbles.
Speaker 2 (09:20):
Well, let's see, we have Luis cy K for some reason, okay,
right next to Alexander Hamilton, the president. What there's no
connection with these people in these bubbles Bacon mural. Well,
it does look like Kevin Bacon. There's current Kevin Bacon.
Speaker 1 (09:41):
That was quite a mural.
Speaker 2 (09:42):
Yeah, Shakespeare was in there too.
Speaker 1 (09:45):
I noticed that the last second always got to include
that guy.
Speaker 2 (09:49):
I mean you got to ask an artist questions before
they start with a mural. Yeah, otherwise Lucy k will
be on it.
Speaker 1 (09:57):
Are you going to take your junior year portraits some
paint them up there or we or do we have
to actually have a theme figured out?
Speaker 2 (10:04):
Right?
Speaker 1 (10:04):
That's the question I would ask.
Speaker 2 (10:06):
And maybe that was painted before the controversy, not before
the actions, but before the public had knowledge.
Speaker 1 (10:16):
Of the actions, right, So think about it.
Speaker 2 (10:21):
Yeah, think about that. Chew on that for a second.
Art lovers.
Speaker 1 (10:24):
Chew on that from our kids show.
Speaker 2 (10:27):
See you next time on Kids Beat.
Speaker 1 (10:30):
Chew on that. Do you remember that you No, I'm
too old.
Speaker 2 (10:34):
Yeah, I mean barely. You were already it is, you
were already driving.
Speaker 1 (10:38):
And I think that kids I babysat may have watched that,
and so I would be like my brain would be.
Speaker 2 (10:44):
Like, no, I remember her name. Her name was audre Lee.
I'm owdre Lee. Soe you next time on Kids Beat,
Kids be We just drove by Circus Liquor. Yeah, giant
Neon famous sign. Yes, what movie?
Speaker 1 (11:06):
Oh well, it's been in a lot. But was it Magnolia?
Speaker 2 (11:09):
Oh maybe?
Speaker 1 (11:11):
I mean I think it's been in a ton right, Yeah,
Uh Cowboy the drugstore?
Speaker 2 (11:17):
Cowboy h falling down?
Speaker 1 (11:21):
Is it falling down?
Speaker 2 (11:22):
I think it's been in all those.
Speaker 1 (11:24):
I bet it has been.
Speaker 2 (11:25):
I want to go in there. I hope the employees
are dressed like clowns.
Speaker 1 (11:28):
I think you should bring it up on your phone, okay,
because I think you're right. Also, Patton Oswalt's brother, Matt Oswalt,
has a book of photography and that is one of
the main pictures and that he took of it one
night and it's so it's a gorgeous picture of that
lit up sign with like blue behind it. The sky
was all blue.
Speaker 2 (11:49):
I've been meaning to go to UH to go to
the uh Neon Museum that's in Glendale. There's so many
signs that are iconic that are in there restored.
Speaker 1 (12:01):
Yes, and I've heard that it's way better than you
would expect a Neon sign museum to be right.
Speaker 2 (12:07):
Yeah, I do want to go revisit the one that
was at the liquor store. They're all liquor store signs,
but there was an animated one with like a train
and the plumes of smoke or animated coming out. And
it was a liquor store in Echo Park and they
were taking it down and I actually asked, are you
(12:28):
putting that in the Neon Museum? And they thought that
I was a crystal Ball owner because they indeed were
going there.
Speaker 1 (12:36):
Did they freak out?
Speaker 2 (12:38):
They freaked out? How did you know that? Man?
Speaker 1 (12:42):
What if they turned on just threw it in a dumpster?
They're just like, well, no more of this sign. Yeah,
because also, why would you get rid of a sign
like that that's like such a touch point and a
kind of like famous for the neighborhood. I'm sure. So
is it? Are they more expensive than just regular light
up signs or something.
Speaker 2 (12:59):
Yeah. It was left up there for a while and
it wasn't until someone stole part of it that they
were like, oh, people want this. It should probably be
in that knee On museum. And then they took it down.
Speaker 1 (13:12):
That sign belongs in a museum.
Speaker 2 (13:14):
And I hate snaps that sign should be in a museum. True. Oh,
I was doing Nicholas Cage I it's a national treasure.
Who's that?
Speaker 1 (13:28):
That's a third guy?
Speaker 2 (13:29):
I'm yeah, yeah, just an announcer of some kind. I
realized right at the beginning that I don't know what
Nick Cage sounds like.
Speaker 1 (13:38):
It was, well, he I think you got in there
at the end and kind of made it, made it believable.
Did you so?
Speaker 2 (13:44):
Wait?
Speaker 1 (13:44):
Did you or did you not see? I asked, as
if we've been fighting about this, the Nicholas Cage movie,
The Unbearable Weight of.
Speaker 2 (13:52):
I've seen it three times.
Speaker 1 (13:54):
Me too in it so many times.
Speaker 2 (13:58):
It's uh, no one was talking about it.
Speaker 1 (14:02):
I know I was. I told everybody to watch it.
Speaker 2 (14:05):
Yeah. It's weird how certain things fall under the radar
and then the next day everyone's like, oh my god,
have you seen the substance?
Speaker 1 (14:13):
I know, and you're just like, guys, can we just
refocus on the what is it called the Unbearable Weight of?
Speaker 2 (14:19):
The Unbearable Weight of massive talent? Massive talent? Is that it? Yeah?
I think so. But it's yeah, very good if you
haven't seen that movie. Oddly, very on a whim, last
night I went to see You're gonna Everyone's gonna laugh
at me? Okay, The Accountant Part two. Hell, yes, I
(14:44):
saw the first one recently, and I was very surprised
at how much I liked it and how good I
thought he was at being a expectrum. Yeah that was
an accountant, yes, but also raised to be a killer,
a hitman type. But the new one is who's the
guy Barenthal, the guy that plays his brother.
Speaker 1 (15:03):
That's a touch John john Burnhal.
Speaker 2 (15:05):
Hed the two of them together. It becomes like a
buddy comedy almost, and they're getting to know each other
and some really sweet things happen. And I loved it
so much. It reminded me of rain Man. It reminded
me of Goodwill Hunting. It reminded me of because he
(15:28):
was in that too, so that's the reason for that. Yeah, yeah, yeah,
it was ay. It was like a tough guy you
thought was going to be a shoot him up, guns
and hitman type movie, but it was feelings. It was
feelings and they were finding sex traffickers and all this
(15:49):
terrible stuff. But they didn't focus on that. They didn't
show scary men being mean to women. It was just inferred,
and you didn't you were still these guys were still scary,
and they didn't exploit the crimes. Like they didn't even
show a lot of the violence. They're just like and
you can guess what happens next, Like they got in
(16:11):
a big barfight and it just showed all everything leading
up to it, and then one guy flew out a
window and then they're driving off. It's like, oh, they aren't. Actually,
I came to a movie to see gratuitous violence. That
a movie that I would go watch with my dad,
and it didn't give that.
Speaker 1 (16:28):
That's interesting.
Speaker 2 (16:29):
Yeah, it was really a good movie.
Speaker 1 (16:31):
That's cool.
Speaker 2 (16:32):
I was and I went almost as a as a joke.
Speaker 1 (16:36):
But that John Barenthal, I'm a real believer. That guy
is like and he is like an LA actor actor.
You if he's in something, you believe him, right, And
he has that thing of like you know, if you
saw him at the gas station, he'd be cool.
Speaker 2 (16:53):
Yeah, he'd be shown cool.
Speaker 1 (16:55):
Yeah, you know, and I think.
Speaker 2 (16:57):
Be handy to be on your team in a fight. Yes,
in real life.
Speaker 1 (17:04):
I think he's ripped to shreds.
Speaker 2 (17:06):
He's ripped to shreds. And he didn't do it as
the gymnasium.
Speaker 1 (17:10):
He did it working on the railroad all the live
long day, Right, I mean, that's how you really get it.
Speaker 2 (17:17):
Yeah, you can't just do it every other live.
Speaker 1 (17:20):
Long day, No, all day, every live long day.
Speaker 2 (17:23):
You gotta show up every day. Please when it comes
to railroads, I been going to the gym. I don't
know if I should eat. I do want to tell
this went I am, And it's going to be a
bit of a struggle, but I think it'll be worth it.
Speaker 1 (17:41):
And if it's totally out of whack, we can just
join up the part that we were hanging on from before, right,
get it all together where it all comes back together.
Speaker 2 (17:51):
I went, I don't I usually go in the morning
or in the afternoon. I went later at night, and
there's a kind of nice bathroom there that has sprays
and Q tips.
Speaker 1 (18:02):
Sorry, what are you talking about the gym that I
go to? Oh so sorry?
Speaker 2 (18:05):
Yeah, yeah, no, it was the new gym I go to.
Everyone's very nice, A lot of guys in there with
their shirts all the way off. Yeah, but it's a
higher premium, so you know, only twenty nine people at
a time you have to sign up, and so it's like, hey,
it's almost like a private gym. Let's take our shirts off.
(18:27):
I don't i'd wear an extra shirt actually, because I
don't want anyone to know I'm less muscular than all.
I went into the bathroom and these two guys were
facing each other, left hand on the other shoulder, and
much like a lumberjacks who sawing a piece of wood
(18:47):
with one big saw, they were handshake style masturbating each
other in a well. They looked at each other in
the face, and I swear there I thought they were
arguing because they were saying like mean things. But then
I looks and they were handshake mutually symmetrically. I caught
(19:13):
just a little bit, of course, because I was like sorry,
and then they're like, no, we're sorry. So decent of
all of you, And it wasn't just peripheral. I maybe
was looked long enough that it was you.
Speaker 1 (19:30):
Actually made some money off of this?
Speaker 2 (19:32):
Yes, oh there's so much. No, I just it was brief, quick,
and there is a shower in there, so what they're
doing made more sense than me just standing there.
Speaker 1 (19:43):
Like, hi, guys, yeah, what were you doing?
Speaker 2 (19:46):
I was washing my hands.
Speaker 1 (19:49):
Where to god, I did not think this was how
that story was.
Speaker 2 (19:53):
I know, and you know, it was hard for me
to tell my back start to sweat.
Speaker 1 (19:58):
But it's but also that actually happened, which is really hilarious.
Speaker 2 (20:03):
Yeah, well, I've never seen that formation.
Speaker 1 (20:06):
Maybe they were selling one was selling the other a car,
and you just mishook.
Speaker 2 (20:10):
I know, here's the title, say every business interaction, I
like to put my hand on your shirtless shoulder.
Speaker 1 (20:21):
I'm sorry that detail is a little it pushes it.
Speaker 2 (20:24):
Past they Yeah, the fact that they it was there.
They each had their left hand on the other one
shoulder and their right hand the dominant for this action
was on. But the back back and forth was I
don't know. I didn't watch long enough to see that
they were in sync, but it did remind me of
(20:48):
two guys teaming up to cut a log, you know. Sure, yeah,
it was really what else pistons on an old four
cylinder engine.
Speaker 1 (21:00):
How old would you say? These men were?
Speaker 2 (21:03):
Thirty five?
Speaker 1 (21:04):
Oh?
Speaker 2 (21:04):
Okay, yeah, great, yeah, a little too old to be
doing that risk gay borderline public.
Speaker 1 (21:11):
The thing that I always think about with people that
do that. Uh oh, I've tricked myself in getting on
the freeway. No, no, no, thank you.
Speaker 2 (21:20):
It would have ended up in Pomona. Is that.
Speaker 1 (21:25):
The risk there is that, like you get caught you
get it, like whatever, arrested for indecent exposure, Like it's
such a like our laws are so puritanical when it
comes to things like that, that you really are at
a serious risk, which I'm sure kind of makes it
more exciting. But I always think about that where it's like,
is this really really worth getting your face on some
(21:47):
sort of a you know, rublic list or something.
Speaker 2 (21:50):
It is a gen I think it's mostly gay men
that work out. I think it's like a safer place
than if it was at like a twenty four hour fit.
Oh I see, yeah, So yeah, I did walk away
from it thinking, well, I'm the weirdo.
Speaker 1 (22:05):
It is they belong to like just a certain tier
of membership that you don't belong to, right.
Speaker 2 (22:09):
Right, Oh, that exactly I get. I can go to
open gym whenever I want, and I can take classes,
but I can't use the messeuse that's there. I found
that out.
Speaker 1 (22:19):
And they call it no log cutting.
Speaker 2 (22:21):
Right, And yeah, I didn't know what that meant until now.
No no mutual lumberjack. And I'm like, what is all water?
You want?
Speaker 1 (22:31):
So don't worry about that part?
Speaker 2 (22:33):
Yeah there is, Yeah, it's it. I love the gym.
I do.
Speaker 1 (22:39):
I do it.
Speaker 2 (22:39):
They're nice to me. It's been great for gim reasons.
I'm not like a weird I'm not you know, I'm
not a bathroom stall foot tapper.
Speaker 1 (22:49):
I don't know that. I don't know you.
Speaker 2 (22:52):
You don't know me. You know me. You know I'm
not going it. Who was it? There's a I think
his name was.
Speaker 1 (23:01):
It was a while ago. He had like a I
remember that when that was like a big scandal, the
guy that put his foot under the stall. Right comics
did jokes about it for literally ten years.
Speaker 2 (23:13):
Yeah, yeah, I can't remember his name, but it sounded
it's like because also who cares, right, Yeah, I don't
care at all. I thought that maybe it was a
news item because like, yeah.
Speaker 1 (23:25):
Really it was like the action itself. Now I remembered.
Speaker 2 (23:30):
No, I think it's contrasting it with whatever policy he
pretends to believe in, right, exactly. No, it's going to
be another situation like that.
Speaker 1 (23:38):
Yeah, that's right. He was a full crazed hypocrite.
Speaker 2 (23:42):
Yep. Well well yeah, well you gotta make sure that
there's a stall wall.
Speaker 1 (23:50):
Chop stop ooh, there's a do you see that? And
it's like a it looks like a you know, no,
a salad bar place. Oh okay, so they don't really
have anymore.
Speaker 2 (24:06):
Oh like they do chopped salads like a tossed cob.
They get, you know, they you get the grid like chopper,
And no matter what you put under a chop, chop chop,
you get yourself a tost cob.
Speaker 1 (24:23):
Don't you don't you think it's more like a salad
bar place.
Speaker 2 (24:27):
Yeah? I guess so. But what was the name of
it again, chop stop? Yeah, it's because of their signature chopper.
Speaker 1 (24:36):
Chris, you've never been in there?
Speaker 2 (24:38):
Well what do you Why do you think it's called
chop stop.
Speaker 1 (24:41):
I'm just saying what I want it to be, because
if it's only a cob salad shop, I'll.
Speaker 2 (24:45):
Be well, do you want it to be called toss shop?
It's called chop shop for a reason. It's because of
their signature grid chopper.
Speaker 1 (24:57):
We went in only today, cob only once.
Speaker 2 (25:00):
Again, sorry, cob only.
Speaker 1 (25:04):
Do you fight chicken, cob only and chop You have
to look up on your phone. Wait a second, look
up on your phone what the menu is? Please? Would you?
But then also, uhh, I had a second one that
I asked you to.
Speaker 2 (25:20):
Do before liquor. Yes, menu, chop chop stop, chop stop?
Why are you were asking me to stop? I'm looking
it up me and my huson.
Speaker 1 (25:33):
First classic comedy.
Speaker 2 (25:35):
Okay, let's let's get serious. Okay, Okay, they are Okay,
I'm going to because they are, of course salads. They
don't look toss so oddly. They look like every salad
is partitioned into You are in charge of your own
mixing and saucing. So the sauce is in the middle
(25:59):
like a salsa sombrero. Oh and so.
Speaker 1 (26:04):
So you go down the thing and fill that up
yourself or does somebody? Is that like subway sandwich On
the other side, someone.
Speaker 2 (26:10):
Else is in control? Oh right, yeah, behind a sneeze guard.
Speaker 1 (26:14):
Is it going to tell you how it actually works?
Speaker 2 (26:16):
I want to hear about, yes, about.
Speaker 1 (26:19):
I'd love the history of chop Stop. In twenty twenty three,
we had a dream.
Speaker 2 (26:25):
Yeah, they aren't given. I love a good restaurant backstory.
Speaker 1 (26:29):
We survived COVID quarantine and we decided, you know what
we should do open a new restaurant. Here we are at.
Speaker 2 (26:37):
Chop Stop, a salad in every bite. Well, that's a
terrible slogan. I can't. That's with chop stop, chop slop,
chop slop.
Speaker 1 (26:48):
That's it's not that. No, No, a salad and every
bite is like, what other options would there be?
Speaker 2 (26:57):
Their other options is a chopp burrito. That's a warm
bowl wrapped in what in a tortillia?
Speaker 1 (27:06):
Wait a second, you have to read this menu.
Speaker 2 (27:08):
Okay, here it comes warm bowls with a base of cilantra, lime,
rice and seasoned. Oh, it's a trapurto. But it's not.
It's just a salad. Oh with burrito burrito type characteristics, characteristics.
Speaker 1 (27:27):
Not the same, not a salad, and everybody right.
Speaker 2 (27:31):
Right, it's a burrito in every bite?
Speaker 1 (27:33):
Do you put lettuce on your burrito? Personally?
Speaker 2 (27:35):
I do?
Speaker 1 (27:35):
Oh yeah, I do it.
Speaker 2 (27:37):
And when I get a bowl instead of a burrito,
at top it with lettuce. Okay, just a few leaves
of lettuce, the kind that is just barely not water,
because I think that makes my burrito healthy. But I also, yeah,
you might as well eat watermelon also just water. It's
(28:00):
really I mean, there's no reason for a steep watermelon
or iceberg lattice.
Speaker 1 (28:04):
Yeah.
Speaker 2 (28:05):
I really want to know about their salads.
Speaker 1 (28:10):
Yeah, in everybody.
Speaker 2 (28:13):
They have a private policy. I don't care about that.
Make things more public.
Speaker 1 (28:17):
Actually, yeah, how about some transparency? Chop stop?
Speaker 2 (28:20):
Yeah, well, I guess you gotta go to find out
how they chop it. But I feel like it is chopped.
It'd better be yeah and oh oh wow, at least
it right away, thank you. Oh. Several films and TV
shows have used Circus Slicker in North Hollywood as a
(28:43):
filming location.
Speaker 1 (28:44):
Great.
Speaker 2 (28:45):
Some notable examples include Chop Chop, the movie Now Clueless.
It was in Alpha Dog, Hell yeah, it was in Spun.
It was in Blue Thunder yeap from nineteen eighty three.
Now you know with Blue Thunder is starting.
Speaker 1 (29:01):
Jamie Lee Curtis. Really, I guess.
Speaker 2 (29:04):
Deadfall, American Satan, The Living End. So far, no movies.
We were talking about Love and Lies, Death Valley, Californication, Yes,
Ray Donovan, Grace and Frankie Grace and Frankie Lolli, Tomlin
and Shane Fonda.
Speaker 1 (29:26):
Grace and Frankie Press two. It sounded like you were
doing that.
Speaker 2 (29:30):
Oh yeah, movie phone, Yeah, movie phone, Oh wow, yeah,
it's it's I don't know which of those. Oddly, I
haven't seen a lot of those movies. I've seen Alpha Dog,
that's for sure.
Speaker 1 (29:42):
Yeah, that's a good lisk. It feels like most of
the time the circus liquor clown liquor sign is used
in films when tension is needed or gritty background.
Speaker 2 (29:54):
Right, And I don't think that Randy Newman's I Love
La music video was on there, but I'm almost certain. Yeah,
you know man, you know man, I just like making
friends with bumblebees. He does a lot of Pixar songs.
Have you ever seen Will Sasso as Randy Newman? No
(30:19):
doing it. We'll watch it after this, but if you're
listening now, google this up Will Sasso Randy Newman because
he's like, I don't need it.
Speaker 1 (30:30):
He was like talking like hes in the song. I
haven't even seen the movie.
Speaker 2 (30:37):
But I like making friends friends. They're the best thing
to happen, You'll like. I don't know, I can't do
the impression, but you get the idea. Star Wars star
Wolves were the great face and space to have a
war like he was doing all these.
Speaker 1 (30:59):
I laughed so hard.
Speaker 2 (31:01):
I think it went under the radar, and like a
lot of things are just resurfacing. Yeah clip, Yeah, that's
that's crossed everything I've done in my career. If someone
just puts it on the right Instagram account, you'll get there. Yeah,
I'm gonna skyrocket up to the moon.
Speaker 1 (31:22):
But what if a clip of you doing an impression
of Will Sasso doing an impression of Brandy Newman is
the thing that puts you over the top.
Speaker 2 (31:29):
Oh, I think I'd be disappointed.
Speaker 1 (31:31):
Sorry, Yeah, You've done better stuff than that.
Speaker 2 (31:33):
Yeah, but that was good. I'm just saying, yeah, it's
it's not as good as my signature Nick Cage.
Speaker 1 (31:42):
The Nick Cage Harrison Ford combo man. Yeah, third choice.
No one understands or knows. I like that guy.
Speaker 2 (31:50):
Oh, let's not carry Those people looked like the actual
silhouettes on the people crossing.
Speaker 1 (31:57):
Signe running across the street. Oh, but I bet they
were at Tansy, which is this cool store. We're in
this part of our bank that I love on Magnolia.
Speaker 2 (32:06):
It's like a hip strip here.
Speaker 1 (32:08):
It's hip and Tansy is the store locally owned, I believe.
And they just have a ton of plants and like
teach you how to take care of a plant at
your house. It's like God bless.
Speaker 2 (32:19):
And they don't have any spray or machine tanning. Why
is it called Tansy?
Speaker 1 (32:26):
It's it's her mother's maiden name. How would I how
would I fucking know?
Speaker 2 (32:31):
Right, Judith Tansy. I forgot about her.
Speaker 1 (32:34):
Judith Tansy Morrison.
Speaker 2 (32:38):
We didn't even know what the fuck to do? Was
soiled before Judith Morris and the best ree potter in
all Garzalias, every every plant she knew exactly what they needed.
Speaker 1 (32:53):
Jeff Garzelius, Jeff Kart my favorite improviser. Jeff Garzalias is there?
Speaker 2 (32:59):
Yoh man?
Speaker 1 (33:02):
Is this month? Don't?
Speaker 2 (33:06):
I can't remember? Garz Alias is my made up plant.
Speaker 1 (33:10):
It's pretty great.
Speaker 2 (33:11):
Thanks it Usually it never gets laughs. It's just've been
in there for language color.
Speaker 1 (33:19):
I did my laugh, which is my podcast laugh. But
then you know you said something funny when an Lisa's
doing a quiet laugh. Yeah, that's when you know we're
hitting on what.
Speaker 2 (33:30):
It's all four cylinder?
Speaker 1 (33:32):
Eight, goddamn it.
Speaker 2 (33:33):
Eight. I don't think they make eight cylinder cars. In fact,
even hot rods now are just four cylinders.
Speaker 1 (33:39):
Is that true?
Speaker 2 (33:40):
The world is changing?
Speaker 1 (33:41):
The world is a vamp.
Speaker 2 (33:42):
You don't need a V eight, you don't need a
V six. You just need a vampire and a four
cylinder car that runs.
Speaker 1 (33:49):
On blood entransil. Mama, Ye, did I ever show you
the picture of my niece Nora when she was like
seven years old and she was Dracula for Halloween and
she just was wearing a cape and the teeth, but
real serious about it. It's one of my favorite pictures
of all time.
Speaker 2 (34:07):
I have to see it. Yeah, I love a kid
in a costume with a dead fade, like a super
straight face.
Speaker 1 (34:14):
She's trying to be scary as Dracula, but she just
had her little little girl kind of bob yeah cut,
and she was wearing her Saint Fance's uniform but a cape.
Speaker 2 (34:24):
One day our podcast will have visual aids. It fully
reminds me of my favorite photo of my sister and
I when I was like two or three and she
was six years older than that. That was seven or nine, Okay, anyway,
(34:45):
we were full clown makeup, not well done but with
noses and clown white on the face and some lines
under the eyes, and we're just both looking in the camera,
dead faced, almost grumpily, like two people dressed like clowns
(35:06):
that look like they're pissed off and their kids that's
if you're looking for good photo ideas for a calendar,
that's a winner.
Speaker 1 (35:15):
That's a good one. Yeah, there's I have a family
and picture of me and my sister and it's her
and I wearing our parents' masks that they wore that Halloween.
So my sister's wearing an alien mask and I'm wearing
a clown mask. But I'm like four and so that
means she's six, So we're really little and the masks
are really big on us. And I had my friend
(35:38):
painted because it was this perfect little polaroid that I had,
but I was like, oh, it's stuck to the frame,
blah blah blah, and have my friend painted. And my
friend chose these colors that are like not the seventies pleasing,
soft faded out colors, but they were like, actually probably
what the colors really look like in real time. And
when I got the painting back, it was like almost
(35:58):
disturbing because I'm wearing like it's like a clown mask,
but it looks like it's almost melting because my little
head underneath it is not holding the whole mask up.
And it's just really funny and.
Speaker 2 (36:09):
It's it's crazy what you can do with the fact
that the Michael is just a William Shotton Shatner mask
painted white, and that someone thought of that so smart,
and they just made the eyes bigger and it's the
most horrifying.
Speaker 1 (36:26):
Dunn Dun Dun Dun Dun Dun dun dun dun dun
dun dun dun dun dun dun dun.
Speaker 2 (36:30):
Dun by John Carpenter.
Speaker 1 (36:31):
That's all you know, Ship, Jim is going to absolutely
lose his mind on this episode.
Speaker 2 (36:39):
No I gave credit.
Speaker 1 (36:41):
I don't know if that's it doesn't let us.
Speaker 2 (36:44):
If you two, I love him, John Carpenter, I now
he ain't gonna be mad. No, that old fucking you
can still here. Oh wait, oh, I thought we stopped
recording the mask that I remember. There's a photo of
my grandparents both wearing and they wear just those plastic,
(37:04):
cheap masks but they're transparent. Oh yeah, and they have
eyebrows and like a mustache. But it is another face
that you're putting over your face so you can still
see the person's face underneath. Hazily, they are so scary.
I had forgotten about them. And then when I was
doing World's dumbest. They just had one of those masks
(37:26):
back there, and I put it on and everyone's screamed,
and I'm like, yeah, you're right to do that.
Speaker 1 (37:33):
It was before current times. It was always incredibly scary.
Just all of life and the kind of axe murderer
vibe that all of life had was pretty wild, especially
the mid to late seventies. Having that be my first
experience in the world, I just want to say, looking back,
(37:54):
really gritty, very dangerous vibe was off for sure. It
had a kind of brown, acid things are not okay
feel to it. And then the eighties hit Boom, here
we go, Duran, Duran, They're gonna get us on a
pirate ship out of here. Yeah.
Speaker 2 (38:10):
Yeah, and they did. And then we dip down again
during the poison and Warrant years. Right then we were
back with Nirvana.
Speaker 1 (38:20):
Don't do it, don't do it.
Speaker 2 (38:24):
Where we are I mean, the world is arguably scarier now,
but back then we were just off on bikes all day,
just riding bikes.
Speaker 1 (38:34):
Yep.
Speaker 2 (38:35):
I didn't come home until I heard my dad whistle
for miles away, and then I'd finally go home and
my mom was like, oh, thank god, you didn't get
grabbed by any one of the many kidnappers that are
in the news currently. Like, I can't believe. We were
just no phones, no no parents at so many houses.
Speaker 1 (38:57):
No, just a lot of bike riding, a lot of
things that would start normally, but then by the time
they ended and you were in trouble, you couldn't explain
the series of events that got you like in a
pit full of mud, right but laughing. Yeah, but it
started out where just everybody was just trying to play
hide and seek or some think there was always that
(39:17):
that would always happen to us because we were hanging
out with kids that were too old like and so
just be like you would end up in a thing
where my mother'd be like, what the hell are you doing?
And it's like, I, mam, I cannot explain this at all. Yeah,
it made perfect sense when we were making these decisions.
Speaker 2 (39:32):
Yeah, we were covered with mud, and I figured what
better place to wash it off than this moving freight
train does And.
Speaker 1 (39:40):
This hobo asked me if I would like to go
with him, and I said I would love an.
Speaker 2 (39:44):
Adventure, because who doesn't love free sardines.
Speaker 1 (39:47):
Now, I do have to say that the word hobo
is not problematic.
Speaker 2 (39:52):
This is archival stories. This is we use old vocab
yes to bring you back to a simpler time.
Speaker 1 (40:00):
Looked through it. It's what hobos at the time called
themselves on each other.
Speaker 2 (40:04):
If you're offended by that word, think of the brown
house spider. Hobo spider is they didn't change that name,
did it? Did they? Did it? They hobo spider. It's
it's very h o b o.
Speaker 1 (40:25):
I hear the word, but I've never heard of a
hobo spider.
Speaker 2 (40:28):
Well, they're much like a brown recluse. You're making less venomous. No, no, yeah,
I'll show you a hobo spider. You'll see. Here we go,
and you're going to be like, is that a brown recluse?
I only know these because my basement was riddled with
all of them.
Speaker 1 (40:48):
Oh no, and uh is it does a hobo spider?
Look at this guy throws frisbees up.
Speaker 2 (40:53):
Yeah, that's a classic basement. What if I made your
drive off the road with that scary spider.
Speaker 1 (41:00):
That's the guy that was in my stink.
Speaker 2 (41:02):
Yeah, so there there's Yeah, that was probably a hobo spider. Okay,
and these are small, don't get scared. That's not even actual.
Speaker 1 (41:10):
Size, I think, and it's in a phone, so I
won't be and.
Speaker 2 (41:13):
Then look what comes up Brown Recluse. Okay, there's so
many times I'm talking out of my ass and my
ass called correct. Ah. Yeah, they're very related, but Brown Recluse,
you're in big trouble if you get bit.
Speaker 1 (41:36):
Oh. I feel like this is simultaneously the funniest and
most boring episode.
Speaker 2 (41:41):
Yeah, it's weird when you get this. We're being so specifically.
So many people would jump on board, but it's the
exact same number of people. They're leaping off board.
Speaker 1 (41:55):
They're just jumping through that freight train. Yeah, going in
one and out the other. Yeah.
Speaker 2 (42:01):
Our podcast is like a subway toll. Yeah.
Speaker 1 (42:06):
Yeah, either get stuck inside.
Speaker 2 (42:07):
It or die. Tryumph. I did the dumbest thing in
New York where I paid the toll and I had
a roller bag with me, and I put the roller
bag first, which then counted as my human body, and
then I jumped over it because I figured, oh, they'll understand.
(42:31):
But I almost got arrested, and I tried to explain.
You see, I did pay, but my bag replaced me
because it was in front of me. I didn't realize
it counted just the width of one body. They did
let me go, but I had to start talking like this,
so they thought I was local A. I'm walking through
(42:56):
the thing over heat already?
Speaker 1 (43:00):
What are you talking about?
Speaker 2 (43:01):
I date over there talking about I'm walking through over here.
Speaker 1 (43:05):
I like one of those neighborhood Italian guys that other
people do impressions of and I've never seen in real life.
But I love when they almost sound like they're gonna
start crying, like what are you talking about? Like they're
not afraid to get emotional, those Italian street people in movies. Yeah,
I find the street arguers. I should say, yes.
Speaker 2 (43:23):
Yeah, specific I've been the street arguer number three in
so many films.
Speaker 1 (43:29):
Look on, I'MDB, what's your line in that? If there's
an Italian guy going, what are you talking about? What's
your line?
Speaker 2 (43:37):
Believe it? They the half of it, That's what I said.
What and who can forget my memorable line from the
film Blue Thunder in nineteen eighty three, I'm saying what
I'm saying, Oh oh yeah, so many streetwalker rolls. But
(43:59):
then I got type cast. Yeah, I have no.
Speaker 1 (44:02):
Uh, They're like Chris can only play Italians. Yeah, yeah,
you're you're like going back and saying, listen, I don't
even think I am Italian.
Speaker 2 (44:10):
Yeah, it's actually offensive what I'm doing.
Speaker 1 (44:13):
You should be offunded. I should stop doing it.
Speaker 2 (44:15):
No, everyone loves it.
Speaker 1 (44:17):
Hey, what you don't get a bow? We gotta do it.
Speaker 2 (44:21):
They're calling you the blue eyes in the Italian community.
Speaker 1 (44:27):
Italians. Please write in if you don't like this, right right,
it's a work in progress.
Speaker 2 (44:32):
Italians.
Speaker 1 (44:32):
We're gonna really hate Italians. We're going to tighten this
ship up for you. Yeah, don't worry.
Speaker 2 (44:37):
You may not like it now.
Speaker 1 (44:39):
We don't either.
Speaker 2 (44:40):
Yeah, but one day, but one day we won't either.
Speaker 1 (44:46):
We're never going to. Will you write in and let
us know?
Speaker 2 (44:51):
I yeah, I can't remember what I wanted to go
back to Italian no locations wise for Yuie, Oh no, no, yeah,
I can't remember.
Speaker 1 (45:04):
You want to go back by the Circus liquor sign, No,
something like that.
Speaker 2 (45:08):
I want to go in there and uh, do you
did you work here when any of these movies were filmed?
And then recite the list.
Speaker 1 (45:18):
And they're like never heard of it? What are you
talking about? Or you could go in and say are
you an acrobat. It could be fun because it's the circus.
Speaker 2 (45:28):
It's not all I got you? What are you talking about?
I got you?
Speaker 1 (45:33):
There's plenty of things that the circus you can do.
I love Sorry, I kind of love that voice.
Speaker 2 (45:38):
Now yeah, me too, me too. And it's not Italian,
it's just by I don't know my bloodline, but I
like it's my city voice.
Speaker 1 (45:53):
It's palms out and down, thumbs out and then ask
any question will come out more dramatic than it's sneedy.
Speaker 2 (46:03):
Except when you go there, you expect to see that
the body being hey, i'm walking here, But it's just
people that are very nice and they're like, hey, tell
me about your life.
Speaker 1 (46:13):
Do you need directions anyway?
Speaker 2 (46:15):
It's your story.
Speaker 1 (46:16):
I'm very well spoken. I went to college and graduate school.
Speaker 2 (46:19):
That's that's what happens. No one is talking about their
own ship. Yeah, they're they're curious in your But me
and Chris.
Speaker 1 (46:25):
Are like, how do you get to the fucking Brooklyn Bridge?
Speaker 2 (46:28):
Already? Everything we know about the city's from movies thirty
years old. The more it's pretty fun. Sorry, all you
have offended people with Grandma's from Sicily, Yeah with you
(46:49):
you sounded like Mercedes Rule, Thank you.
Speaker 1 (46:52):
I have my friend Pat Pat Buckles who is from
Queens and she used to manage the Manhattan Improv. I
think it was the improv. She's fucking hilarious and she
had the greatest accent. So anytime I'm doing that, I'm
just doing impression.
Speaker 2 (47:08):
I've had Peple's work at Comedy Central. Yes, back when
I did Premium blood yep, when I believe when I
had to go back and reshoot my coming out to
the mic and grabbing it because Dale Hughley said, Chris Fairchild,
someone had just gotten on stage clawing to try and
(47:28):
kiss him, and he said Chris Fairchild and I'm like
good enough for me, and I've run out there and
they're like no, no. So the next day I had
to go back and just shoot coming out to the mic,
and they sat a few people up front to be
in the shot, yeah, like crew types, And I was like,
wait a minute, can I sit there? Can you get
(47:49):
a shot at me sitting there too? That was the
first time I wanted to be in the audience laughing
at myself. And Pat was like, no, we're not going
to hold a mirror up to the editing of the
show we wanted. It seemed like it's actually happening. I'm like,
funny it, it'd be funny. But she did think it
would be funny, but it did not happen.
Speaker 1 (48:09):
She's like, it's funny. Okay, it's funny.
Speaker 2 (48:13):
Do you just want me to say it's funny because
it's not gonna happen.
Speaker 1 (48:16):
Okay, Chris, it's.
Speaker 2 (48:17):
Funny that that's that. Definitely, it's got to be the
same Pat Buckle.
Speaker 1 (48:22):
It is the same Pet Buckles. I'm telling you directly
to your face.
Speaker 2 (48:25):
Well, I love her name.
Speaker 1 (48:28):
She is the best. She used to also call me
and go Karen, I'm gonna pull your pigtails, Karen. She'd
be like, gotta call me back, Karen.
Speaker 2 (48:37):
Really, yes, Like she was a bully from the fifties.
Speaker 1 (48:40):
She was always doing the voice from Goodfellows, like nobody's
going to jail, Karen, call me back. But that's actually
also it was exaggerated, but it was her accent and.
Speaker 2 (48:50):
I'm going to pull your pigtails. Just that's the kind
of thing my dad describes hearing about his dad someone
dipping a girl's pigtails and ink.
Speaker 1 (49:00):
That was the old flirting. Yeah, it was that and
physical abuse, right remember, yeah, hey, hey, at least it
likes you.
Speaker 2 (49:12):
At least you got.
Speaker 1 (49:13):
Somebody, at least you got a braid. You gom to
stop doing this.
Speaker 2 (49:21):
It's just one braid on one side though, because the
other one got caught off by an even worse guy.
Ye Oh, what a terrible time.
Speaker 1 (49:29):
To be, excuesus Christ. And then you're like, I hope
one of these guys marries me. What a nightmare?
Speaker 2 (49:34):
Yeah, let's hop people got married back then, just a
guy wouldn't stop bothering you and you said okay, fine, literally,
and then it lasts eighty five years.
Speaker 1 (49:44):
And then you have to talk to him every time
he's in the living room.
Speaker 2 (49:47):
Nowadays, people want to marry people that they actually like,
and it takes forever. It doesn't happen.
Speaker 1 (49:53):
I know. It's people really have standards these days, and
it is tough.
Speaker 2 (49:59):
Yeah yeah, but it's probably for the best, I think, so. Yeah.
Speaker 1 (50:04):
Well, or there's maybe an element to relationships that needs
to be a tiny bit like a nothing's ideal, you
know what I mean. I think a lot of people
are holding out for like a crazy ideals where it's
just like it isn't ever though, because it's always going
to be another human being that you're.
Speaker 2 (50:23):
Involved, right right. I think the days of like, oh,
you just get used to a workplace environment. Most of
it sucks, but that's what everyone does. But nowadays even
young people are like, no, I'm going to do only
what I want. Yeah, and that's how I'm going to
make my whole life.
Speaker 1 (50:42):
And AI is going to help me.
Speaker 2 (50:44):
Yeah.
Speaker 1 (50:45):
It's all changing for us, all around us at all times.
Speaker 2 (50:48):
Yeah, it is. And I'm just I'm not even notice
and I'm usually having a nap Ooh nice cyber trucks.
Speaker 1 (50:54):
A cyber truck with an American flag on the on
the front coast. What is this called the front?
Speaker 2 (51:00):
They all dash the dashboard, but the Yeah. I think
if I had one, it would only be from a
contest or something. But I would definitely put I won this.
It was free, some huge helvetica. You would drive it, though,
I mean I would see what it could do up
(51:21):
in the mountains.
Speaker 1 (51:22):
Oh, can't do anything. Haven't you seen the videos? Yeah,
I know it starts raining and the whole thing, so
it's dissolving.
Speaker 2 (51:28):
I kind of want one to see if I could
break it.
Speaker 1 (51:31):
I think you can't.
Speaker 2 (51:33):
I think you can it be an expensive experiment. No,
it's funny though. When they first came out, I was like, wow,
it looks like a I think I just like the
stainless steel look of a car. I want them to
make other cars that are stainless steel. Sure, and they
don't have to actually be steel. I know that's very heavy.
Speaker 1 (51:55):
Do you think that they should have any sort of
shape to them besides a kind of a trap as
oidal kid in algebra class, it's just doodling.
Speaker 2 (52:03):
Yeah, yeah, since someone, Yeah, that carbon is designed by
a kid playing with a pro tractor.
Speaker 1 (52:10):
Yeah, that thing screams detention if I've ever seen here's
another one? What? Oh? Yeah, look at how shitty that is.
Speaker 2 (52:19):
I know it looks like a stainless steel kitchen countertop,
but you can fry an egg on it.
Speaker 1 (52:26):
But I do think that if you won one, and
I think it's good to prepare for things.
Speaker 2 (52:30):
Like that, keep entering the contact.
Speaker 1 (52:31):
Yeah, just get just fill out that ticket because if
you win it, you sell it for it's their eighty
grand they're so excited, really, or over one hundred grands.
Speaker 2 (52:40):
Oh my, I didn't know that.
Speaker 1 (52:41):
It's one of the two. Look at it.
Speaker 2 (52:43):
Oh, that's now I'm really am see even that. Oh wow,
really price it. I bet there's a lot of them
on sale.
Speaker 1 (52:50):
I bet there is.
Speaker 2 (52:55):
Let's look for sale. Okay, the first one I see,
I'm blowing my wad on it. Easy easy, my money,
my money. That the original meaning of that.
Speaker 1 (53:12):
Yeap.
Speaker 2 (53:12):
Oh, that's so funny. There's probably a lot of them.
People are Oh my god, didn't you say they're like
eighty thousand dollars? Yea, because they are?
Speaker 1 (53:22):
Is that? Did I get it right?
Speaker 2 (53:23):
Yeah? Seventy six, seventy five?
Speaker 1 (53:25):
Hell yeah, wow? Oh and those are used. I think
the people that bought them first off the lot right,
paid closer to one hundred thousand for them.
Speaker 2 (53:34):
Oh, I didn't realize that. And you could get the
coolest car effort for that a.
Speaker 1 (53:39):
Couple Yeah, it seems wow.
Speaker 2 (53:44):
And now I just realized owning one of those there's
a mistake.
Speaker 1 (53:48):
Yeah, I.
Speaker 2 (53:50):
Hey, wait, I know where we are. I used to
eat there a lot.
Speaker 1 (53:54):
Yeah, Henry's occos it's not the historic one. Oh, but
it's very similar. Yeah, they have. It's like old fashioned
tacob talk. I kind of want to go there, you
want to?
Speaker 2 (54:05):
Hi Will? After the episode, We've gone enough. This been
a long one. We've gone enough on Thisally just hap me.
Oh wow, yes, I have a mental clock, but.
Speaker 1 (54:17):
I don't think that place is open. Doesn't look closed.
Speaker 2 (54:20):
No, the windows are open and they're just bored.
Speaker 1 (54:24):
Oh the window was open. We're fucking fully going.
Speaker 2 (54:26):
Okay, everyone, we have to wrap it up because we're
gonna go get cactus tacos with the gave strips on them.
Taco It's gonna be delicious. Thinks this has been one
of the best episodes. Do you need to ride d
y n Oh, we're in an alley now. This has
(54:52):
been an exactly right production.
Speaker 1 (54:54):
Our senior producer is Annalise Nelson.
Speaker 2 (54:57):
Mixed by Edson Choy.
Speaker 1 (54:59):
Our talent booker is Patrick Cootner.
Speaker 2 (55:01):
Theme song by Karen Kilgareff.
Speaker 1 (55:03):
Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,
and Facebook at dinar podcast That's d y Nar Podcast.
Speaker 2 (55:12):
For more information, go to exactly Rightmedia dot com.
Speaker 1 (55:15):
Thank you, Oh You're welcome.
Are you leaving?
Speaker 2 (00:03):
I you wanna way back home? Either way, we want
to be there.
Speaker 1 (00:10):
Doesn't matter how much baggage you claim and give us
time and a termino and gage aid.
Speaker 2 (00:19):
We want to send you off in style.
Speaker 1 (00:23):
We wanna welcome you back home. Tell us all about it.
We scared her? Was it fine? Mal porn? Do you
(00:49):
need to ride? Do you need to ride? Do you
need to ride? Do you need to ride? Do you
need to ride? Do your need do you ride?
Speaker 2 (01:01):
Ride? Do with Karen and Chris? Welcome to Do you
need to ride? This is Chris Fairbanks.
Speaker 1 (01:17):
And this is Karen get I uh had a.
Speaker 2 (01:21):
Build up on my tongue and I had to deal
with it.
Speaker 1 (01:25):
I build up a plaque of part time sauce.
Speaker 2 (01:29):
I'm eating fish and chips again. Stop No, people have
been riding in. They're like more smacking, more swallowing, more.
Speaker 1 (01:38):
Eating international dinners on the show.
Speaker 2 (01:41):
Please you want me to read an entire house of pancakes?
How I'm great? I feel good. I'm woke up feeling good.
Speaker 1 (01:54):
Good.
Speaker 2 (01:55):
Sometimes you wake up but not feeling great. True, And
there are times in my life I think I mentioned
the like two weeks at the end of college which
that probably felt good that I graduated college. But for
on some chemical level, my brain was riddled with alcohol. No, no,
(02:20):
it was that was the thing. I didn't want to
mess it up, so I didn't have any forties with
my friend and friends in a basement. I was like
had endorphins or some serotonin or something that was leaking
out of my brain in a yeah, in a way
that I was like getting I was better. I wrote
(02:44):
a paper and it was a great paper. I was
skateboarding better. All my interactions, people are like, man, you
seem like you're doing great. I just was like, you know,
winning is Charlie Sheen. I'm sorry, let's go back.
Speaker 1 (02:58):
You were hitting on all eight cylinders.
Speaker 2 (03:00):
That's what it is. Yeah, okay, it's better to do
a Jesse James quote. Right the motorcycle guy.
Speaker 1 (03:07):
Now, do you think this man has taken his spiders
outside so they can just be outside for the day.
Speaker 2 (03:11):
I think he's say that the same. It's humpty dumpty.
He had spiders.
Speaker 1 (03:15):
Well, there was an aquarium filled with spider webs.
Speaker 2 (03:18):
Are you leaves?
Speaker 1 (03:20):
Should we go round?
Speaker 2 (03:21):
I have to know why he has the true man.
I'm gonna take the spiders out for a sin.
Speaker 1 (03:27):
That's what I'm saying is like, what was what was that?
What if he was freeing his son spiders?
Speaker 2 (03:33):
Yeah, I had this captivity will go on no longer, son.
Speaker 1 (03:39):
I can't watch these animals in pain. I had a
spider that was in my sink that was very large
and very upsetting looking like it had like articulated feet
type of spider where you're like, oh, no, you gotta go.
And I rinsed it down the drain and then just
left the water on for a while because it was
such an upsetting looking spider.
Speaker 2 (03:59):
Yep.
Speaker 1 (04:00):
The next morning, that fucking spider was back up exactly
where it was the next time, and I tried to
rinse it down again, and then I watched it fight
the water and come back up and I was like,
you know what, you win because it wasn't doing well,
but it was still like coming up out of the
water and like it's little wet legs. And I was like, okay, yeah,
I'll take you outside.
Speaker 2 (04:19):
Once you see a spider do that a couple times,
you're like, maybe it's better that it doesn't go down
the drain and morph into a large sewer monster.
Speaker 1 (04:31):
Yeah, it needs to stay up here and feed a
bird real quick.
Speaker 2 (04:34):
Yeah, or or follow figure out why a person followed
a fly. It goes fly, spider bird. Do you know
what I'm talking about?
Speaker 1 (04:47):
Yeah, yep, Cat after bird, dog after cat.
Speaker 2 (04:50):
Thank you, you're welcome. And then the whole purpose of
the song is I don't know why. I guess she'll die.
Speaker 1 (04:58):
Yeah.
Speaker 2 (04:59):
That talk about bailing, I.
Speaker 1 (05:01):
Mean just pessimism right down to the bone.
Speaker 2 (05:05):
You had a pretty good you had our touchwork.
Speaker 1 (05:07):
You're making a list of things we like to list
off with you.
Speaker 2 (05:10):
And then you just give up. I don't know why
I wrote all this stuff like we're all going to
die fight Come on, please, I know it's hard to
come up with a punchline, but it's.
Speaker 1 (05:23):
Just a song for a child. They don't expect much.
You literally could. You could say some weird phrase like
fart butt and they would love it exactly.
Speaker 2 (05:32):
I don't Yeah, we were all singing that at a
time where we didn't even know we were going to die.
Speaker 1 (05:39):
Lazy lazy, And meanwhile that spider just won't stop fighting
to get out of that sink.
Speaker 2 (05:46):
Come on, do you think the spider is still in
your house? No?
Speaker 1 (05:51):
I took it all the way outside on a piece
of tissue paper. Oh okay, and said, you win, spider,
you win.
Speaker 2 (05:58):
I mean that's a dangerous. Uh. I've done it a
couple times where you slide it. It's it's scary to
slide a piece of paper and try and keep it
secure to the rim of a glass. Yep, because I've
done that with some spiders, and it's like, if this
thing does get out, my hand is the first thing
it's gonna meet.
Speaker 1 (06:18):
And it's pissed.
Speaker 2 (06:20):
Yeah. Yeah.
Speaker 1 (06:21):
This spider in my situation was so damp that it
literally couldn't do shit. And I was like, great, I'm
going to take advantage of this moment. Put you in
the bushes. And then it's you fought you fought you
one for your life, God bless Make it worth, make
it worth something.
Speaker 2 (06:38):
Help people. When I was painting my mom's house, talking
to a spider, right, make it work. Not listening. Help,
it's not leastening.
Speaker 1 (06:51):
It's like doing Charlotte's Web, Like, hey, everybody, keep it up.
Speaker 2 (06:57):
It takes three weeks to get an answer from this spider.
You can do it.
Speaker 1 (07:01):
I've heard that already.
Speaker 2 (07:03):
Yeah, why just motivational? I did. That's from a bumper sticker.
You took all week to write that with your ass.
Speaker 1 (07:09):
You can't do it.
Speaker 2 (07:10):
That's why they call it spiders. Ass riders. My mom
made me. As I painted the eaves. There were so
many big budded Harry, I don't know what kind of
spiders they are. They look they're the same colorway as
a tarantula.
Speaker 1 (07:29):
Red blue, white.
Speaker 2 (07:30):
Yes, yeah, in in ingradients, just beautiful colorway. But they
are tiny but furry some of them. Yeah, and they
hang out under eaves and I think I painted over
one out of fear, and my mom was furious and said,
from now on, you have to relocate them. So I
was like, going through this hole, get a stick, get
(07:53):
a jar, get it to drop in there, cover it up.
And then I created like a little spider city in
the backyard because there were so many, Yeah, and they
were so calm and not they were like I know
what's happening, and they'd crawl out gently and I'm like, okay,
wait a minute, maybe I like these specific spiders.
Speaker 1 (08:11):
And you were the one that was changed at the
end of the day, the spiders, but you I think
he's painting something.
Speaker 2 (08:17):
Oh yeah, for spiders surfaces too late.
Speaker 1 (08:20):
Oh he's painted over like twenty five spiders. His mom
is so mad.
Speaker 2 (08:25):
And so it's nearby neighbor that looked just like him,
the man on the wall I must remind you of.
Speaker 1 (08:31):
He lives next door to Spider Man.
Speaker 2 (08:33):
They looked like the same person. Oh yeah, maybe they're
in cahoots. He calls his brother, I'm painting a house.
I got thirty seven spiders. You can give him to
your kid in the aquarium.
Speaker 1 (08:45):
Yeah, oh yeah the other guy, Yeah yeah, I thought
you meant directly next door.
Speaker 2 (08:49):
No, yeah, we have driven about three miles. Even the
listener knows that. So the fact I call him a
next door neighbor, I mean, judging by the hum of
the car, they're going about thirty eight. What the hell
is Chris talking about? Does he mean the guy across town?
Speaker 1 (09:07):
Does he mean? Is this like a wonderful song? And
we're at the chorus again with the guy sitting on
a wall, and then we give up those people in
those bubbles.
Speaker 2 (09:20):
Well, let's see, we have Luis cy K for some reason, okay,
right next to Alexander Hamilton, the president. What there's no
connection with these people in these bubbles Bacon mural. Well,
it does look like Kevin Bacon. There's current Kevin Bacon.
Speaker 1 (09:41):
That was quite a mural.
Speaker 2 (09:42):
Yeah, Shakespeare was in there too.
Speaker 1 (09:45):
I noticed that the last second always got to include
that guy.
Speaker 2 (09:49):
I mean you got to ask an artist questions before
they start with a mural. Yeah, otherwise Lucy k will
be on it.
Speaker 1 (09:57):
Are you going to take your junior year portraits some
paint them up there or we or do we have
to actually have a theme figured out?
Speaker 2 (10:04):
Right?
Speaker 1 (10:04):
That's the question I would ask.
Speaker 2 (10:06):
And maybe that was painted before the controversy, not before
the actions, but before the public had knowledge.
Speaker 1 (10:16):
Of the actions, right, So think about it.
Speaker 2 (10:21):
Yeah, think about that. Chew on that for a second.
Art lovers.
Speaker 1 (10:24):
Chew on that from our kids show.
Speaker 2 (10:27):
See you next time on Kids Beat.
Speaker 1 (10:30):
Chew on that. Do you remember that you No, I'm
too old.
Speaker 2 (10:34):
Yeah, I mean barely. You were already it is, you
were already driving.
Speaker 1 (10:38):
And I think that kids I babysat may have watched that,
and so I would be like my brain would be.
Speaker 2 (10:44):
Like, no, I remember her name. Her name was audre Lee.
I'm owdre Lee. Soe you next time on Kids Beat,
Kids be We just drove by Circus Liquor. Yeah, giant
Neon famous sign. Yes, what movie?
Speaker 1 (11:06):
Oh well, it's been in a lot. But was it Magnolia?
Speaker 2 (11:09):
Oh maybe?
Speaker 1 (11:11):
I mean I think it's been in a ton right, Yeah,
Uh Cowboy the drugstore?
Speaker 2 (11:17):
Cowboy h falling down?
Speaker 1 (11:21):
Is it falling down?
Speaker 2 (11:22):
I think it's been in all those.
Speaker 1 (11:24):
I bet it has been.
Speaker 2 (11:25):
I want to go in there. I hope the employees
are dressed like clowns.
Speaker 1 (11:28):
I think you should bring it up on your phone, okay,
because I think you're right. Also, Patton Oswalt's brother, Matt Oswalt,
has a book of photography and that is one of
the main pictures and that he took of it one
night and it's so it's a gorgeous picture of that
lit up sign with like blue behind it. The sky
was all blue.
Speaker 2 (11:49):
I've been meaning to go to UH to go to
the uh Neon Museum that's in Glendale. There's so many
signs that are iconic that are in there restored.
Speaker 1 (12:01):
Yes, and I've heard that it's way better than you
would expect a Neon sign museum to be right.
Speaker 2 (12:07):
Yeah, I do want to go revisit the one that
was at the liquor store. They're all liquor store signs,
but there was an animated one with like a train
and the plumes of smoke or animated coming out. And
it was a liquor store in Echo Park and they
were taking it down and I actually asked, are you
(12:28):
putting that in the Neon Museum? And they thought that
I was a crystal Ball owner because they indeed were
going there.
Speaker 1 (12:36):
Did they freak out?
Speaker 2 (12:38):
They freaked out? How did you know that? Man?
Speaker 1 (12:42):
What if they turned on just threw it in a dumpster?
They're just like, well, no more of this sign. Yeah,
because also, why would you get rid of a sign
like that that's like such a touch point and a
kind of like famous for the neighborhood. I'm sure. So
is it? Are they more expensive than just regular light
up signs or something.
Speaker 2 (12:59):
Yeah. It was left up there for a while and
it wasn't until someone stole part of it that they
were like, oh, people want this. It should probably be
in that knee On museum. And then they took it down.
Speaker 1 (13:12):
That sign belongs in a museum.
Speaker 2 (13:14):
And I hate snaps that sign should be in a museum. True. Oh,
I was doing Nicholas Cage I it's a national treasure.
Who's that?
Speaker 1 (13:28):
That's a third guy?
Speaker 2 (13:29):
I'm yeah, yeah, just an announcer of some kind. I
realized right at the beginning that I don't know what
Nick Cage sounds like.
Speaker 1 (13:38):
It was, well, he I think you got in there
at the end and kind of made it, made it believable.
Did you so?
Speaker 2 (13:44):
Wait?
Speaker 1 (13:44):
Did you or did you not see? I asked, as
if we've been fighting about this, the Nicholas Cage movie,
The Unbearable Weight of.
Speaker 2 (13:52):
I've seen it three times.
Speaker 1 (13:54):
Me too in it so many times.
Speaker 2 (13:58):
It's uh, no one was talking about it.
Speaker 1 (14:02):
I know I was. I told everybody to watch it.
Speaker 2 (14:05):
Yeah. It's weird how certain things fall under the radar
and then the next day everyone's like, oh my god,
have you seen the substance?
Speaker 1 (14:13):
I know, and you're just like, guys, can we just
refocus on the what is it called the Unbearable Weight of?
Speaker 2 (14:19):
The Unbearable Weight of massive talent? Massive talent? Is that it? Yeah?
I think so. But it's yeah, very good if you
haven't seen that movie. Oddly, very on a whim, last
night I went to see You're gonna Everyone's gonna laugh
at me? Okay, The Accountant Part two. Hell, yes, I
(14:44):
saw the first one recently, and I was very surprised
at how much I liked it and how good I
thought he was at being a expectrum. Yeah that was
an accountant, yes, but also raised to be a killer,
a hitman type. But the new one is who's the
guy Barenthal, the guy that plays his brother.
Speaker 1 (15:03):
That's a touch John john Burnhal.
Speaker 2 (15:05):
Hed the two of them together. It becomes like a
buddy comedy almost, and they're getting to know each other
and some really sweet things happen. And I loved it
so much. It reminded me of rain Man. It reminded
me of Goodwill Hunting. It reminded me of because he
(15:28):
was in that too, so that's the reason for that. Yeah, yeah, yeah,
it was ay. It was like a tough guy you
thought was going to be a shoot him up, guns
and hitman type movie, but it was feelings. It was
feelings and they were finding sex traffickers and all this
(15:49):
terrible stuff. But they didn't focus on that. They didn't
show scary men being mean to women. It was just inferred,
and you didn't you were still these guys were still scary,
and they didn't exploit the crimes. Like they didn't even
show a lot of the violence. They're just like and
you can guess what happens next, Like they got in
(16:11):
a big barfight and it just showed all everything leading
up to it, and then one guy flew out a
window and then they're driving off. It's like, oh, they aren't. Actually,
I came to a movie to see gratuitous violence. That
a movie that I would go watch with my dad,
and it didn't give that.
Speaker 1 (16:28):
That's interesting.
Speaker 2 (16:29):
Yeah, it was really a good movie.
Speaker 1 (16:31):
That's cool.
Speaker 2 (16:32):
I was and I went almost as a as a joke.
Speaker 1 (16:36):
But that John Barenthal, I'm a real believer. That guy
is like and he is like an LA actor actor.
You if he's in something, you believe him, right, And
he has that thing of like you know, if you
saw him at the gas station, he'd be cool.
Speaker 2 (16:53):
Yeah, he'd be shown cool.
Speaker 1 (16:55):
Yeah, you know, and I think.
Speaker 2 (16:57):
Be handy to be on your team in a fight. Yes,
in real life.
Speaker 1 (17:04):
I think he's ripped to shreds.
Speaker 2 (17:06):
He's ripped to shreds. And he didn't do it as
the gymnasium.
Speaker 1 (17:10):
He did it working on the railroad all the live
long day, Right, I mean, that's how you really get it.
Speaker 2 (17:17):
Yeah, you can't just do it every other live.
Speaker 1 (17:20):
Long day, No, all day, every live long day.
Speaker 2 (17:23):
You gotta show up every day. Please when it comes
to railroads, I been going to the gym. I don't
know if I should eat. I do want to tell
this went I am, And it's going to be a
bit of a struggle, but I think it'll be worth it.
Speaker 1 (17:41):
And if it's totally out of whack, we can just
join up the part that we were hanging on from before, right,
get it all together where it all comes back together.
Speaker 2 (17:51):
I went, I don't I usually go in the morning
or in the afternoon. I went later at night, and
there's a kind of nice bathroom there that has sprays
and Q tips.
Speaker 1 (18:02):
Sorry, what are you talking about the gym that I
go to? Oh so sorry?
Speaker 2 (18:05):
Yeah, yeah, no, it was the new gym I go to.
Everyone's very nice, A lot of guys in there with
their shirts all the way off. Yeah, but it's a
higher premium, so you know, only twenty nine people at
a time you have to sign up, and so it's like, hey,
it's almost like a private gym. Let's take our shirts off.
(18:27):
I don't i'd wear an extra shirt actually, because I
don't want anyone to know I'm less muscular than all.
I went into the bathroom and these two guys were
facing each other, left hand on the other shoulder, and
much like a lumberjacks who sawing a piece of wood
(18:47):
with one big saw, they were handshake style masturbating each
other in a well. They looked at each other in
the face, and I swear there I thought they were
arguing because they were saying like mean things. But then
I looks and they were handshake mutually symmetrically. I caught
(19:13):
just a little bit, of course, because I was like sorry,
and then they're like, no, we're sorry. So decent of
all of you, And it wasn't just peripheral. I maybe
was looked long enough that it was you.
Speaker 1 (19:30):
Actually made some money off of this?
Speaker 2 (19:32):
Yes, oh there's so much. No, I just it was brief, quick,
and there is a shower in there, so what they're
doing made more sense than me just standing there.
Speaker 1 (19:43):
Like, hi, guys, yeah, what were you doing?
Speaker 2 (19:46):
I was washing my hands.
Speaker 1 (19:49):
Where to god, I did not think this was how
that story was.
Speaker 2 (19:53):
I know, and you know, it was hard for me
to tell my back start to sweat.
Speaker 1 (19:58):
But it's but also that actually happened, which is really hilarious.
Speaker 2 (20:03):
Yeah, well, I've never seen that formation.
Speaker 1 (20:06):
Maybe they were selling one was selling the other a car,
and you just mishook.
Speaker 2 (20:10):
I know, here's the title, say every business interaction, I
like to put my hand on your shirtless shoulder.
Speaker 1 (20:21):
I'm sorry that detail is a little it pushes it.
Speaker 2 (20:24):
Past they Yeah, the fact that they it was there.
They each had their left hand on the other one
shoulder and their right hand the dominant for this action
was on. But the back back and forth was I
don't know. I didn't watch long enough to see that
they were in sync, but it did remind me of
(20:48):
two guys teaming up to cut a log, you know. Sure, yeah,
it was really what else pistons on an old four
cylinder engine.
Speaker 1 (21:00):
How old would you say? These men were?
Speaker 2 (21:03):
Thirty five?
Speaker 1 (21:04):
Oh?
Speaker 2 (21:04):
Okay, yeah, great, yeah, a little too old to be
doing that risk gay borderline public.
Speaker 1 (21:11):
The thing that I always think about with people that
do that. Uh oh, I've tricked myself in getting on
the freeway. No, no, no, thank you.
Speaker 2 (21:20):
It would have ended up in Pomona. Is that.
Speaker 1 (21:25):
The risk there is that, like you get caught you
get it, like whatever, arrested for indecent exposure, Like it's
such a like our laws are so puritanical when it
comes to things like that, that you really are at
a serious risk, which I'm sure kind of makes it
more exciting. But I always think about that where it's like,
is this really really worth getting your face on some
(21:47):
sort of a you know, rublic list or something.
Speaker 2 (21:50):
It is a gen I think it's mostly gay men
that work out. I think it's like a safer place
than if it was at like a twenty four hour fit.
Oh I see, yeah, So yeah, I did walk away
from it thinking, well, I'm the weirdo.
Speaker 1 (22:05):
It is they belong to like just a certain tier
of membership that you don't belong to, right.
Speaker 2 (22:09):
Right, Oh, that exactly I get. I can go to
open gym whenever I want, and I can take classes,
but I can't use the messeuse that's there. I found
that out.
Speaker 1 (22:19):
And they call it no log cutting.
Speaker 2 (22:21):
Right, And yeah, I didn't know what that meant until now.
No no mutual lumberjack. And I'm like, what is all water?
You want?
Speaker 1 (22:31):
So don't worry about that part?
Speaker 2 (22:33):
Yeah there is, Yeah, it's it. I love the gym.
I do.
Speaker 1 (22:39):
I do it.
Speaker 2 (22:39):
They're nice to me. It's been great for gim reasons.
I'm not like a weird I'm not you know, I'm
not a bathroom stall foot tapper.
Speaker 1 (22:49):
I don't know that. I don't know you.
Speaker 2 (22:52):
You don't know me. You know me. You know I'm
not going it. Who was it? There's a I think
his name was.
Speaker 1 (23:01):
It was a while ago. He had like a I
remember that when that was like a big scandal, the
guy that put his foot under the stall. Right comics
did jokes about it for literally ten years.
Speaker 2 (23:13):
Yeah, yeah, I can't remember his name, but it sounded
it's like because also who cares, right, Yeah, I don't
care at all. I thought that maybe it was a
news item because like, yeah.
Speaker 1 (23:25):
Really it was like the action itself. Now I remembered.
Speaker 2 (23:30):
No, I think it's contrasting it with whatever policy he
pretends to believe in, right, exactly. No, it's going to
be another situation like that.
Speaker 1 (23:38):
Yeah, that's right. He was a full crazed hypocrite.
Speaker 2 (23:42):
Yep. Well well yeah, well you gotta make sure that
there's a stall wall.
Speaker 1 (23:50):
Chop stop ooh, there's a do you see that? And
it's like a it looks like a you know, no,
a salad bar place. Oh okay, so they don't really
have anymore.
Speaker 2 (24:06):
Oh like they do chopped salads like a tossed cob.
They get, you know, they you get the grid like chopper,
And no matter what you put under a chop, chop chop,
you get yourself a tost cob.
Speaker 1 (24:23):
Don't you don't you think it's more like a salad
bar place.
Speaker 2 (24:27):
Yeah? I guess so. But what was the name of
it again, chop stop? Yeah, it's because of their signature chopper.
Speaker 1 (24:36):
Chris, you've never been in there?
Speaker 2 (24:38):
Well what do you Why do you think it's called
chop stop.
Speaker 1 (24:41):
I'm just saying what I want it to be, because
if it's only a cob salad shop, I'll.
Speaker 2 (24:45):
Be well, do you want it to be called toss shop?
It's called chop shop for a reason. It's because of
their signature grid chopper.
Speaker 1 (24:57):
We went in only today, cob only once.
Speaker 2 (25:00):
Again, sorry, cob only.
Speaker 1 (25:04):
Do you fight chicken, cob only and chop You have
to look up on your phone. Wait a second, look
up on your phone what the menu is? Please? Would you?
But then also, uhh, I had a second one that
I asked you to.
Speaker 2 (25:20):
Do before liquor. Yes, menu, chop chop stop, chop stop?
Why are you were asking me to stop? I'm looking
it up me and my huson.
Speaker 1 (25:33):
First classic comedy.
Speaker 2 (25:35):
Okay, let's let's get serious. Okay, Okay, they are Okay,
I'm going to because they are, of course salads. They
don't look toss so oddly. They look like every salad
is partitioned into You are in charge of your own
mixing and saucing. So the sauce is in the middle
(25:59):
like a salsa sombrero. Oh and so.
Speaker 1 (26:04):
So you go down the thing and fill that up
yourself or does somebody? Is that like subway sandwich On
the other side, someone.
Speaker 2 (26:10):
Else is in control? Oh right, yeah, behind a sneeze guard.
Speaker 1 (26:14):
Is it going to tell you how it actually works?
Speaker 2 (26:16):
I want to hear about, yes, about.
Speaker 1 (26:19):
I'd love the history of chop Stop. In twenty twenty three,
we had a dream.
Speaker 2 (26:25):
Yeah, they aren't given. I love a good restaurant backstory.
Speaker 1 (26:29):
We survived COVID quarantine and we decided, you know what
we should do open a new restaurant. Here we are at.
Speaker 2 (26:37):
Chop Stop, a salad in every bite. Well, that's a
terrible slogan. I can't. That's with chop stop, chop slop,
chop slop.
Speaker 1 (26:48):
That's it's not that. No, No, a salad and every
bite is like, what other options would there be?
Speaker 2 (26:57):
Their other options is a chopp burrito. That's a warm
bowl wrapped in what in a tortillia?
Speaker 1 (27:06):
Wait a second, you have to read this menu.
Speaker 2 (27:08):
Okay, here it comes warm bowls with a base of cilantra, lime,
rice and seasoned. Oh, it's a trapurto. But it's not.
It's just a salad. Oh with burrito burrito type characteristics, characteristics.
Speaker 1 (27:27):
Not the same, not a salad, and everybody right.
Speaker 2 (27:31):
Right, it's a burrito in every bite?
Speaker 1 (27:33):
Do you put lettuce on your burrito? Personally?
Speaker 2 (27:35):
I do?
Speaker 1 (27:35):
Oh yeah, I do it.
Speaker 2 (27:37):
And when I get a bowl instead of a burrito,
at top it with lettuce. Okay, just a few leaves
of lettuce, the kind that is just barely not water,
because I think that makes my burrito healthy. But I also, yeah,
you might as well eat watermelon also just water. It's
(28:00):
really I mean, there's no reason for a steep watermelon
or iceberg lattice.
Speaker 1 (28:04):
Yeah.
Speaker 2 (28:05):
I really want to know about their salads.
Speaker 1 (28:10):
Yeah, in everybody.
Speaker 2 (28:13):
They have a private policy. I don't care about that.
Make things more public.
Speaker 1 (28:17):
Actually, yeah, how about some transparency? Chop stop?
Speaker 2 (28:20):
Yeah, well, I guess you gotta go to find out
how they chop it. But I feel like it is chopped.
It'd better be yeah and oh oh wow, at least
it right away, thank you. Oh. Several films and TV
shows have used Circus Slicker in North Hollywood as a
(28:43):
filming location.
Speaker 1 (28:44):
Great.
Speaker 2 (28:45):
Some notable examples include Chop Chop, the movie Now Clueless.
It was in Alpha Dog, Hell yeah, it was in Spun.
It was in Blue Thunder yeap from nineteen eighty three.
Now you know with Blue Thunder is starting.
Speaker 1 (29:01):
Jamie Lee Curtis. Really, I guess.
Speaker 2 (29:04):
Deadfall, American Satan, The Living End. So far, no movies.
We were talking about Love and Lies, Death Valley, Californication, Yes,
Ray Donovan, Grace and Frankie Grace and Frankie Lolli, Tomlin
and Shane Fonda.
Speaker 1 (29:26):
Grace and Frankie Press two. It sounded like you were
doing that.
Speaker 2 (29:30):
Oh yeah, movie phone, Yeah, movie phone, Oh wow, yeah,
it's it's I don't know which of those. Oddly, I
haven't seen a lot of those movies. I've seen Alpha Dog,
that's for sure.
Speaker 1 (29:42):
Yeah, that's a good lisk. It feels like most of
the time the circus liquor clown liquor sign is used
in films when tension is needed or gritty background.
Speaker 2 (29:54):
Right, And I don't think that Randy Newman's I Love
La music video was on there, but I'm almost certain. Yeah,
you know man, you know man, I just like making
friends with bumblebees. He does a lot of Pixar songs.
Have you ever seen Will Sasso as Randy Newman? No
(30:19):
doing it. We'll watch it after this, but if you're
listening now, google this up Will Sasso Randy Newman because
he's like, I don't need it.
Speaker 1 (30:30):
He was like talking like hes in the song. I
haven't even seen the movie.
Speaker 2 (30:37):
But I like making friends friends. They're the best thing
to happen, You'll like. I don't know, I can't do
the impression, but you get the idea. Star Wars star
Wolves were the great face and space to have a
war like he was doing all these.
Speaker 1 (30:59):
I laughed so hard.
Speaker 2 (31:01):
I think it went under the radar, and like a
lot of things are just resurfacing. Yeah clip, Yeah, that's
that's crossed everything I've done in my career. If someone
just puts it on the right Instagram account, you'll get there. Yeah,
I'm gonna skyrocket up to the moon.
Speaker 1 (31:22):
But what if a clip of you doing an impression
of Will Sasso doing an impression of Brandy Newman is
the thing that puts you over the top.
Speaker 2 (31:29):
Oh, I think I'd be disappointed.
Speaker 1 (31:31):
Sorry, Yeah, You've done better stuff than that.
Speaker 2 (31:33):
Yeah, but that was good. I'm just saying, yeah, it's
it's not as good as my signature Nick Cage.
Speaker 1 (31:42):
The Nick Cage Harrison Ford combo man. Yeah, third choice.
No one understands or knows. I like that guy.
Speaker 2 (31:50):
Oh, let's not carry Those people looked like the actual
silhouettes on the people crossing.
Speaker 1 (31:57):
Signe running across the street. Oh, but I bet they
were at Tansy, which is this cool store. We're in
this part of our bank that I love on Magnolia.
Speaker 2 (32:06):
It's like a hip strip here.
Speaker 1 (32:08):
It's hip and Tansy is the store locally owned, I believe.
And they just have a ton of plants and like
teach you how to take care of a plant at
your house. It's like God bless.
Speaker 2 (32:19):
And they don't have any spray or machine tanning. Why
is it called Tansy?
Speaker 1 (32:26):
It's it's her mother's maiden name. How would I how
would I fucking know?
Speaker 2 (32:31):
Right, Judith Tansy. I forgot about her.
Speaker 1 (32:34):
Judith Tansy Morrison.
Speaker 2 (32:38):
We didn't even know what the fuck to do? Was
soiled before Judith Morris and the best ree potter in
all Garzalias, every every plant she knew exactly what they needed.
Speaker 1 (32:53):
Jeff Garzelius, Jeff Kart my favorite improviser. Jeff Garzalias is there?
Speaker 2 (32:59):
Yoh man?
Speaker 1 (33:02):
Is this month? Don't?
Speaker 2 (33:06):
I can't remember? Garz Alias is my made up plant.
Speaker 1 (33:10):
It's pretty great.
Speaker 2 (33:11):
Thanks it Usually it never gets laughs. It's just've been
in there for language color.
Speaker 1 (33:19):
I did my laugh, which is my podcast laugh. But
then you know you said something funny when an Lisa's
doing a quiet laugh. Yeah, that's when you know we're
hitting on what.
Speaker 2 (33:30):
It's all four cylinder?
Speaker 1 (33:32):
Eight, goddamn it.
Speaker 2 (33:33):
Eight. I don't think they make eight cylinder cars. In fact,
even hot rods now are just four cylinders.
Speaker 1 (33:39):
Is that true?
Speaker 2 (33:40):
The world is changing?
Speaker 1 (33:41):
The world is a vamp.
Speaker 2 (33:42):
You don't need a V eight, you don't need a
V six. You just need a vampire and a four
cylinder car that runs.
Speaker 1 (33:49):
On blood entransil. Mama, Ye, did I ever show you
the picture of my niece Nora when she was like
seven years old and she was Dracula for Halloween and
she just was wearing a cape and the teeth, but
real serious about it. It's one of my favorite pictures
of all time.
Speaker 2 (34:07):
I have to see it. Yeah, I love a kid
in a costume with a dead fade, like a super
straight face.
Speaker 1 (34:14):
She's trying to be scary as Dracula, but she just
had her little little girl kind of bob yeah cut,
and she was wearing her Saint Fance's uniform but a cape.
Speaker 2 (34:24):
One day our podcast will have visual aids. It fully
reminds me of my favorite photo of my sister and
I when I was like two or three and she
was six years older than that. That was seven or nine, Okay, anyway,
(34:45):
we were full clown makeup, not well done but with
noses and clown white on the face and some lines
under the eyes, and we're just both looking in the camera,
dead faced, almost grumpily, like two people dressed like clowns
(35:06):
that look like they're pissed off and their kids that's
if you're looking for good photo ideas for a calendar,
that's a winner.
Speaker 1 (35:15):
That's a good one. Yeah, there's I have a family
and picture of me and my sister and it's her
and I wearing our parents' masks that they wore that Halloween.
So my sister's wearing an alien mask and I'm wearing
a clown mask. But I'm like four and so that
means she's six, So we're really little and the masks
are really big on us. And I had my friend
(35:38):
painted because it was this perfect little polaroid that I had,
but I was like, oh, it's stuck to the frame,
blah blah blah, and have my friend painted. And my
friend chose these colors that are like not the seventies pleasing,
soft faded out colors, but they were like, actually probably
what the colors really look like in real time. And
when I got the painting back, it was like almost
(35:58):
disturbing because I'm wearing like it's like a clown mask,
but it looks like it's almost melting because my little
head underneath it is not holding the whole mask up.
And it's just really funny and.
Speaker 2 (36:09):
It's it's crazy what you can do with the fact
that the Michael is just a William Shotton Shatner mask
painted white, and that someone thought of that so smart,
and they just made the eyes bigger and it's the
most horrifying.
Speaker 1 (36:26):
Dunn Dun Dun Dun Dun Dun dun dun dun dun
dun dun dun dun dun dun dun.
Speaker 2 (36:30):
Dun by John Carpenter.
Speaker 1 (36:31):
That's all you know, Ship, Jim is going to absolutely
lose his mind on this episode.
Speaker 2 (36:39):
No I gave credit.
Speaker 1 (36:41):
I don't know if that's it doesn't let us.
Speaker 2 (36:44):
If you two, I love him, John Carpenter, I now
he ain't gonna be mad. No, that old fucking you
can still here. Oh wait, oh, I thought we stopped
recording the mask that I remember. There's a photo of
my grandparents both wearing and they wear just those plastic,
(37:04):
cheap masks but they're transparent. Oh yeah, and they have
eyebrows and like a mustache. But it is another face
that you're putting over your face so you can still
see the person's face underneath. Hazily, they are so scary.
I had forgotten about them. And then when I was
doing World's dumbest. They just had one of those masks
(37:26):
back there, and I put it on and everyone's screamed,
and I'm like, yeah, you're right to do that.
Speaker 1 (37:33):
It was before current times. It was always incredibly scary.
Just all of life and the kind of axe murderer
vibe that all of life had was pretty wild, especially
the mid to late seventies. Having that be my first
experience in the world, I just want to say, looking back,
(37:54):
really gritty, very dangerous vibe was off for sure. It
had a kind of brown, acid things are not okay
feel to it. And then the eighties hit Boom, here
we go, Duran, Duran, They're gonna get us on a
pirate ship out of here. Yeah.
Speaker 2 (38:10):
Yeah, and they did. And then we dip down again
during the poison and Warrant years. Right then we were
back with Nirvana.
Speaker 1 (38:20):
Don't do it, don't do it.
Speaker 2 (38:24):
Where we are I mean, the world is arguably scarier now,
but back then we were just off on bikes all day,
just riding bikes.
Speaker 1 (38:34):
Yep.
Speaker 2 (38:35):
I didn't come home until I heard my dad whistle
for miles away, and then I'd finally go home and
my mom was like, oh, thank god, you didn't get
grabbed by any one of the many kidnappers that are
in the news currently. Like, I can't believe. We were
just no phones, no no parents at so many houses.
Speaker 1 (38:57):
No, just a lot of bike riding, a lot of
things that would start normally, but then by the time
they ended and you were in trouble, you couldn't explain
the series of events that got you like in a
pit full of mud, right but laughing. Yeah, but it
started out where just everybody was just trying to play
hide and seek or some think there was always that
(39:17):
that would always happen to us because we were hanging
out with kids that were too old like and so
just be like you would end up in a thing
where my mother'd be like, what the hell are you doing?
And it's like, I, mam, I cannot explain this at all. Yeah,
it made perfect sense when we were making these decisions.
Speaker 2 (39:32):
Yeah, we were covered with mud, and I figured what
better place to wash it off than this moving freight
train does And.
Speaker 1 (39:40):
This hobo asked me if I would like to go
with him, and I said I would love an.
Speaker 2 (39:44):
Adventure, because who doesn't love free sardines.
Speaker 1 (39:47):
Now, I do have to say that the word hobo
is not problematic.
Speaker 2 (39:52):
This is archival stories. This is we use old vocab
yes to bring you back to a simpler time.
Speaker 1 (40:00):
Looked through it. It's what hobos at the time called
themselves on each other.
Speaker 2 (40:04):
If you're offended by that word, think of the brown
house spider. Hobo spider is they didn't change that name,
did it? Did they? Did it? They hobo spider. It's
it's very h o b o.
Speaker 1 (40:25):
I hear the word, but I've never heard of a
hobo spider.
Speaker 2 (40:28):
Well, they're much like a brown recluse. You're making less venomous. No, no, yeah,
I'll show you a hobo spider. You'll see. Here we go,
and you're going to be like, is that a brown recluse?
I only know these because my basement was riddled with
all of them.
Speaker 1 (40:48):
Oh no, and uh is it does a hobo spider?
Look at this guy throws frisbees up.
Speaker 2 (40:53):
Yeah, that's a classic basement. What if I made your
drive off the road with that scary spider.
Speaker 1 (41:00):
That's the guy that was in my stink.
Speaker 2 (41:02):
Yeah, so there there's Yeah, that was probably a hobo spider. Okay,
and these are small, don't get scared. That's not even actual.
Speaker 1 (41:10):
Size, I think, and it's in a phone, so I
won't be and.
Speaker 2 (41:13):
Then look what comes up Brown Recluse. Okay, there's so
many times I'm talking out of my ass and my
ass called correct. Ah. Yeah, they're very related, but Brown Recluse,
you're in big trouble if you get bit.
Speaker 1 (41:36):
Oh. I feel like this is simultaneously the funniest and
most boring episode.
Speaker 2 (41:41):
Yeah, it's weird when you get this. We're being so specifically.
So many people would jump on board, but it's the
exact same number of people. They're leaping off board.
Speaker 1 (41:55):
They're just jumping through that freight train. Yeah, going in
one and out the other. Yeah.
Speaker 2 (42:01):
Our podcast is like a subway toll. Yeah.
Speaker 1 (42:06):
Yeah, either get stuck inside.
Speaker 2 (42:07):
It or die. Tryumph. I did the dumbest thing in
New York where I paid the toll and I had
a roller bag with me, and I put the roller
bag first, which then counted as my human body, and
then I jumped over it because I figured, oh, they'll understand.
(42:31):
But I almost got arrested, and I tried to explain.
You see, I did pay, but my bag replaced me
because it was in front of me. I didn't realize
it counted just the width of one body. They did
let me go, but I had to start talking like this,
so they thought I was local A. I'm walking through
(42:56):
the thing over heat already?
Speaker 1 (43:00):
What are you talking about?
Speaker 2 (43:01):
I date over there talking about I'm walking through over here.
Speaker 1 (43:05):
I like one of those neighborhood Italian guys that other
people do impressions of and I've never seen in real life.
But I love when they almost sound like they're gonna
start crying, like what are you talking about? Like they're
not afraid to get emotional, those Italian street people in movies. Yeah,
I find the street arguers. I should say, yes.
Speaker 2 (43:23):
Yeah, specific I've been the street arguer number three in
so many films.
Speaker 1 (43:29):
Look on, I'MDB, what's your line in that? If there's
an Italian guy going, what are you talking about? What's
your line?
Speaker 2 (43:37):
Believe it? They the half of it, That's what I said.
What and who can forget my memorable line from the
film Blue Thunder in nineteen eighty three, I'm saying what
I'm saying, Oh oh yeah, so many streetwalker rolls. But
(43:59):
then I got type cast. Yeah, I have no.
Speaker 1 (44:02):
Uh, They're like Chris can only play Italians. Yeah, yeah,
you're you're like going back and saying, listen, I don't
even think I am Italian.
Speaker 2 (44:10):
Yeah, it's actually offensive what I'm doing.
Speaker 1 (44:13):
You should be offunded. I should stop doing it.
Speaker 2 (44:15):
No, everyone loves it.
Speaker 1 (44:17):
Hey, what you don't get a bow? We gotta do it.
Speaker 2 (44:21):
They're calling you the blue eyes in the Italian community.
Speaker 1 (44:27):
Italians. Please write in if you don't like this, right right,
it's a work in progress.
Speaker 2 (44:32):
Italians.
Speaker 1 (44:32):
We're gonna really hate Italians. We're going to tighten this
ship up for you. Yeah, don't worry.
Speaker 2 (44:37):
You may not like it now.
Speaker 1 (44:39):
We don't either.
Speaker 2 (44:40):
Yeah, but one day, but one day we won't either.
Speaker 1 (44:46):
We're never going to. Will you write in and let
us know?
Speaker 2 (44:51):
I yeah, I can't remember what I wanted to go
back to Italian no locations wise for Yuie, Oh no, no, yeah,
I can't remember.
Speaker 1 (45:04):
You want to go back by the Circus liquor sign, No,
something like that.
Speaker 2 (45:08):
I want to go in there and uh, do you
did you work here when any of these movies were filmed?
And then recite the list.
Speaker 1 (45:18):
And they're like never heard of it? What are you
talking about? Or you could go in and say are
you an acrobat. It could be fun because it's the circus.
Speaker 2 (45:28):
It's not all I got you? What are you talking about?
I got you?
Speaker 1 (45:33):
There's plenty of things that the circus you can do.
I love Sorry, I kind of love that voice.
Speaker 2 (45:38):
Now yeah, me too, me too. And it's not Italian,
it's just by I don't know my bloodline, but I
like it's my city voice.
Speaker 1 (45:53):
It's palms out and down, thumbs out and then ask
any question will come out more dramatic than it's sneedy.
Speaker 2 (46:03):
Except when you go there, you expect to see that
the body being hey, i'm walking here, But it's just
people that are very nice and they're like, hey, tell
me about your life.
Speaker 1 (46:13):
Do you need directions anyway?
Speaker 2 (46:15):
It's your story.
Speaker 1 (46:16):
I'm very well spoken. I went to college and graduate school.
Speaker 2 (46:19):
That's that's what happens. No one is talking about their
own ship. Yeah, they're they're curious in your But me
and Chris.
Speaker 1 (46:25):
Are like, how do you get to the fucking Brooklyn Bridge?
Speaker 2 (46:28):
Already? Everything we know about the city's from movies thirty
years old. The more it's pretty fun. Sorry, all you
have offended people with Grandma's from Sicily, Yeah with you
(46:49):
you sounded like Mercedes Rule, Thank you.
Speaker 1 (46:52):
I have my friend Pat Pat Buckles who is from
Queens and she used to manage the Manhattan Improv. I
think it was the improv. She's fucking hilarious and she
had the greatest accent. So anytime I'm doing that, I'm
just doing impression.
Speaker 2 (47:08):
I've had Peple's work at Comedy Central. Yes, back when
I did Premium blood yep, when I believe when I
had to go back and reshoot my coming out to
the mic and grabbing it because Dale Hughley said, Chris Fairchild,
someone had just gotten on stage clawing to try and
(47:28):
kiss him, and he said Chris Fairchild and I'm like
good enough for me, and I've run out there and
they're like no, no. So the next day I had
to go back and just shoot coming out to the mic,
and they sat a few people up front to be
in the shot, yeah, like crew types, And I was like,
wait a minute, can I sit there? Can you get
(47:49):
a shot at me sitting there too? That was the
first time I wanted to be in the audience laughing
at myself. And Pat was like, no, we're not going
to hold a mirror up to the editing of the
show we wanted. It seemed like it's actually happening. I'm like,
funny it, it'd be funny. But she did think it
would be funny, but it did not happen.
Speaker 1 (48:09):
She's like, it's funny. Okay, it's funny.
Speaker 2 (48:13):
Do you just want me to say it's funny because
it's not gonna happen.
Speaker 1 (48:16):
Okay, Chris, it's.
Speaker 2 (48:17):
Funny that that's that. Definitely, it's got to be the
same Pat Buckle.
Speaker 1 (48:22):
It is the same Pet Buckles. I'm telling you directly
to your face.
Speaker 2 (48:25):
Well, I love her name.
Speaker 1 (48:28):
She is the best. She used to also call me
and go Karen, I'm gonna pull your pigtails, Karen. She'd
be like, gotta call me back, Karen.
Speaker 2 (48:37):
Really, yes, Like she was a bully from the fifties.
Speaker 1 (48:40):
She was always doing the voice from Goodfellows, like nobody's
going to jail, Karen, call me back. But that's actually
also it was exaggerated, but it was her accent and.
Speaker 2 (48:50):
I'm going to pull your pigtails. Just that's the kind
of thing my dad describes hearing about his dad someone
dipping a girl's pigtails and ink.
Speaker 1 (49:00):
That was the old flirting. Yeah, it was that and
physical abuse, right remember, yeah, hey, hey, at least it
likes you.
Speaker 2 (49:12):
At least you got.
Speaker 1 (49:13):
Somebody, at least you got a braid. You gom to
stop doing this.
Speaker 2 (49:21):
It's just one braid on one side though, because the
other one got caught off by an even worse guy.
Ye Oh, what a terrible time.
Speaker 1 (49:29):
To be, excuesus Christ. And then you're like, I hope
one of these guys marries me. What a nightmare?
Speaker 2 (49:34):
Yeah, let's hop people got married back then, just a
guy wouldn't stop bothering you and you said okay, fine, literally,
and then it lasts eighty five years.
Speaker 1 (49:44):
And then you have to talk to him every time
he's in the living room.
Speaker 2 (49:47):
Nowadays, people want to marry people that they actually like,
and it takes forever. It doesn't happen.
Speaker 1 (49:53):
I know. It's people really have standards these days, and
it is tough.
Speaker 2 (49:59):
Yeah yeah, but it's probably for the best, I think, so. Yeah.
Speaker 1 (50:04):
Well, or there's maybe an element to relationships that needs
to be a tiny bit like a nothing's ideal, you
know what I mean. I think a lot of people
are holding out for like a crazy ideals where it's
just like it isn't ever though, because it's always going
to be another human being that you're.
Speaker 2 (50:23):
Involved, right right. I think the days of like, oh,
you just get used to a workplace environment. Most of
it sucks, but that's what everyone does. But nowadays even
young people are like, no, I'm going to do only
what I want. Yeah, and that's how I'm going to
make my whole life.
Speaker 1 (50:42):
And AI is going to help me.
Speaker 2 (50:44):
Yeah.
Speaker 1 (50:45):
It's all changing for us, all around us at all times.
Speaker 2 (50:48):
Yeah, it is. And I'm just I'm not even notice
and I'm usually having a nap Ooh nice cyber trucks.
Speaker 1 (50:54):
A cyber truck with an American flag on the on
the front coast. What is this called the front?
Speaker 2 (51:00):
They all dash the dashboard, but the Yeah. I think
if I had one, it would only be from a
contest or something. But I would definitely put I won this.
It was free, some huge helvetica. You would drive it, though,
I mean I would see what it could do up
(51:21):
in the mountains.
Speaker 1 (51:22):
Oh, can't do anything. Haven't you seen the videos? Yeah,
I know it starts raining and the whole thing, so
it's dissolving.
Speaker 2 (51:28):
I kind of want one to see if I could
break it.
Speaker 1 (51:31):
I think you can't.
Speaker 2 (51:33):
I think you can it be an expensive experiment. No,
it's funny though. When they first came out, I was like, wow,
it looks like a I think I just like the
stainless steel look of a car. I want them to
make other cars that are stainless steel. Sure, and they
don't have to actually be steel. I know that's very heavy.
Speaker 1 (51:55):
Do you think that they should have any sort of
shape to them besides a kind of a trap as
oidal kid in algebra class, it's just doodling.
Speaker 2 (52:03):
Yeah, yeah, since someone, Yeah, that carbon is designed by
a kid playing with a pro tractor.
Speaker 1 (52:10):
Yeah, that thing screams detention if I've ever seen here's
another one? What? Oh? Yeah, look at how shitty that is.
Speaker 2 (52:19):
I know it looks like a stainless steel kitchen countertop,
but you can fry an egg on it.
Speaker 1 (52:26):
But I do think that if you won one, and
I think it's good to prepare for things.
Speaker 2 (52:30):
Like that, keep entering the contact.
Speaker 1 (52:31):
Yeah, just get just fill out that ticket because if
you win it, you sell it for it's their eighty
grand they're so excited, really, or over one hundred grands.
Speaker 2 (52:40):
Oh my, I didn't know that.
Speaker 1 (52:41):
It's one of the two. Look at it.
Speaker 2 (52:43):
Oh, that's now I'm really am see even that. Oh wow,
really price it. I bet there's a lot of them
on sale.
Speaker 1 (52:50):
I bet there is.
Speaker 2 (52:55):
Let's look for sale. Okay, the first one I see,
I'm blowing my wad on it. Easy easy, my money,
my money. That the original meaning of that.
Speaker 1 (53:12):
Yeap.
Speaker 2 (53:12):
Oh, that's so funny. There's probably a lot of them.
People are Oh my god, didn't you say they're like
eighty thousand dollars? Yea, because they are?
Speaker 1 (53:22):
Is that? Did I get it right?
Speaker 2 (53:23):
Yeah? Seventy six, seventy five?
Speaker 1 (53:25):
Hell yeah, wow? Oh and those are used. I think
the people that bought them first off the lot right,
paid closer to one hundred thousand for them.
Speaker 2 (53:34):
Oh, I didn't realize that. And you could get the
coolest car effort for that a.
Speaker 1 (53:39):
Couple Yeah, it seems wow.
Speaker 2 (53:44):
And now I just realized owning one of those there's
a mistake.
Speaker 1 (53:48):
Yeah, I.
Speaker 2 (53:50):
Hey, wait, I know where we are. I used to
eat there a lot.
Speaker 1 (53:54):
Yeah, Henry's occos it's not the historic one. Oh, but
it's very similar. Yeah, they have. It's like old fashioned
tacob talk. I kind of want to go there, you
want to?
Speaker 2 (54:05):
Hi Will? After the episode, We've gone enough. This been
a long one. We've gone enough on Thisally just hap me.
Oh wow, yes, I have a mental clock, but.
Speaker 1 (54:17):
I don't think that place is open. Doesn't look closed.
Speaker 2 (54:20):
No, the windows are open and they're just bored.
Speaker 1 (54:24):
Oh the window was open. We're fucking fully going.
Speaker 2 (54:26):
Okay, everyone, we have to wrap it up because we're
gonna go get cactus tacos with the gave strips on them.
Taco It's gonna be delicious. Thinks this has been one
of the best episodes. Do you need to ride d
y n Oh, we're in an alley now. This has
(54:52):
been an exactly right production.
Speaker 1 (54:54):
Our senior producer is Annalise Nelson.
Speaker 2 (54:57):
Mixed by Edson Choy.
Speaker 1 (54:59):
Our talent booker is Patrick Cootner.
Speaker 2 (55:01):
Theme song by Karen Kilgareff.
Speaker 1 (55:03):
Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,
and Facebook at dinar podcast That's d y Nar Podcast.
Speaker 2 (55:12):
For more information, go to exactly Rightmedia dot com.
Speaker 1 (55:15):
Thank you, Oh You're welcome.
Hosts And Creators
Karen Kilgariff
Chris Fairbanks
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