July 7, 2025 • 56 mins
This week, Chris and Karen talk about patriotic eggs, adolescent judgment and more!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Are you leaving? I you wanna way back home? Either way,
we want to be there. Doesn't matter how much baggage
you claim and give us time and a termino and gage.
Speaker 2 (00:19):
We want to send you off in style.
Speaker 1 (00:23):
We wanna welcome you back home. Tell us all about it.
We scared her? Was it fine? Mal porn? Do you
(00:49):
need to ride? Do you need to ride? Do you
need to ride? Do you need to ride? Do you
need to ride? Do your need to ride?
Speaker 3 (01:01):
To ride with Karen and Chris? Welcome to Do you
need to ride? This is Chris Fairbanks.
Speaker 4 (01:17):
And this is Karen Kilgariff. Hello, my friend, Hello Chris.
We are in holl Hollywood, near the Army Surplus store.
That is where you can just openly and I recommend
this to everyone.
Speaker 3 (01:31):
By pepper spray. Yeah, not enough people have pepper spray.
It's a great insurance in your.
Speaker 1 (01:39):
Safety, especially if you like to hike in the deep forest. Yes, sorry,
I'm thinking of bear spray right.
Speaker 3 (01:48):
I'm talking about the ability to spray other human like
men in the eyes.
Speaker 1 (01:54):
But just use bear spray.
Speaker 3 (01:57):
But a lot of if you spray a human with
air spray, sometimes they have a little identity crisis and
that really throws them off. They just start like Yogi
b Yeah, they stop trying to attack you, and they
go face first into a honey tree.
Speaker 1 (02:13):
A honey tree, A honey tree. Sure, you're thinking of
a tree that's got a beehive in it where there's
honey inside the beehive. Right, am I right?
Speaker 3 (02:21):
Yes?
Speaker 1 (02:22):
Do I understand?
Speaker 3 (02:23):
Yes, a hollowed out tree where bees are like, let
me confusingly hide my hide in this tree hole?
Speaker 1 (02:30):
Yes, so that nobody comes in with their long bear
paws and claws open our hard work and eats it
for themselves and gets stuck in the hole. That's a
Winnie the poodo.
Speaker 3 (02:41):
Yes, and take it from me, a Christopher. I know
Winnie the.
Speaker 1 (02:48):
Pooh as a kid, as a Christopher.
Speaker 3 (02:52):
Yeah, everyone called me Christopher Robin. I'd say, stop it. Well,
I know it's too late, but I consider it a compliment.
You fourth graders trying to get a rise out of me.
Speaker 1 (03:03):
Yeah, they really. That was like being called Karen the
Red Baron, and I was like, you are not touching
me in any way, shape or form. You cannot like sorry,
my parents gave me the perfect name. Ye can't, I
can't you can't. It doesn't hurt for you to call
me a red baron right. No one even knows what
that is. It's like a Snoopy reference.
Speaker 3 (03:23):
But I'm glad it's dying. It's being misused. It's the
name Karen got co opted, yes, and then it got confused.
Now it's being used by all right people to describe
someone that's bothering a Trump rally or what Karen used
to be just a specific person saying pulling over and
(03:47):
saying do you live in this neighborhood? Right, and that
it was a random name. I hope you never took
it personally. No, but it was probably annoying, not at all.
I don't.
Speaker 1 (03:58):
I feel like it is great. I really like the
spirit with which it started, which is these fucking white
women who go around bossing the world around, and we've
all suffered under that energy of like, oh, that's the
lady that drives carpool. But she's also an insane asshole, right,
So people listen to her and she somehow can snap
(04:19):
her fingers and people do stuff and she can't use
her power correctly.
Speaker 3 (04:23):
Yeah, and she has the haircut of the mom from
that so and so and so and so have eight kids.
Speaker 1 (04:31):
What was that, oh, John and Kate Plessing.
Speaker 3 (04:33):
Yes, that asymmetrical sharp angled, But now it just means
any woman speaking up for herself or defending someone. It's
really been destroyed. It's very confused.
Speaker 1 (04:49):
It's how the kind of trends in the media go,
where it starts accurate, then it gets overused, then it
just gets misused. Yes, then it's pointless.
Speaker 3 (05:00):
We have to remember the original Karen, and and remember
that it's not the original Karen who I'm sitting next to.
They're unrelated.
Speaker 1 (05:11):
Although I do have some tendencies that are very Karen, like.
Speaker 3 (05:15):
The good one, the original kind. Right, you're power to
the people, do my best. You're she always she drives
with a raised fist.
Speaker 1 (05:24):
I like the idea of if you I want to
be one of those Karens that if I'm in CVS
and there's a weird old white maga lady screaming at
people that she thinks shouldn't be speaking a different language
in front of Oh my God, that's where I shine.
That's where I really will come into play.
Speaker 3 (05:42):
Please Karen, bring back the original you.
Speaker 1 (05:47):
It didn't really bother me ever until people are like,
I'm really sorry, this is happening, and it's like that
means you think of me when you hear this right now,
it's like, I just don't relate, but should I.
Speaker 3 (05:58):
Only in the way that it ca we wear all
great friends. And then people started using that and I'm like, hey,
that's not fair.
Speaker 1 (06:06):
It's fine. It's like, finally, let it be the people's fault.
Who's it's actually their fault. I like that part of it,
so it's worth it to me. Where it's like name
and shame the people who are actually abusive and destructive
and weird, but they do it with a weird smile
on their face so they never get in trouble. I hae, right, right,
Hate those tricksters. Hate those people who are like, they're
(06:28):
super nice in general, but actually they're wildly racist and
jump on the chance to like demean a black person
or a person of color, just like all those people.
Speaker 3 (06:38):
Yeah, it's it's I thought it was something that was
just happening in the past or in towns that I
don't visit, But turns out it's a very confusing time.
Speaker 1 (06:49):
Well, there's just no shortage of stupid people, and when
stupid people feel very empowered, like that their anger and
their hatred is a quality that's good about them. Then
they don't get into any kind of changing lesson learning position.
They just get kind of like fake applauded for being
the worst version of themselves.
Speaker 3 (07:10):
Right, But it seems like just a handful of years
ago they were staying indoors in the darkness.
Speaker 1 (07:17):
It just we didn't have to see them that much.
Now we're all seeing them the same Nazis.
Speaker 3 (07:21):
Damn phones, isn't it Nazis? Well, where are you running
away to? For all you're going on a vacation.
Speaker 1 (07:28):
I am just up north?
Speaker 3 (07:29):
Can you tell me? Where are you? Oh? To the
your al stopping ground. That's not the Great North Canada.
Speaker 1 (07:36):
I can't go there anymore with the oly arrests.
Speaker 3 (07:39):
Yes, yes, oh yes that's true.
Speaker 1 (07:42):
It's my record. My rap sheet is so long, sorry Canada.
Speaker 3 (07:48):
Yeah you aw those corporate crimes.
Speaker 1 (07:52):
Yes, I love a white collar crime.
Speaker 3 (07:54):
Yeah, you did them so secretly? To where right now
is the first time hearing of it? And I brought
it up right But then you said I did do that.
Speaker 1 (08:02):
That's how I get you. That's like she's so trustworthy,
she told me she's doing it.
Speaker 3 (08:06):
But that's also an example of my gotcha journalism.
Speaker 1 (08:10):
Oh shit, you're recording this whole conversation.
Speaker 3 (08:13):
It's being dictated with AI.
Speaker 1 (08:15):
That's going to have my love on.
Speaker 3 (08:20):
You've never been podcasting the last thirteen years. Thirteen fourteen,
I mean more.
Speaker 1 (08:26):
Than ten, certainly more than ten.
Speaker 3 (08:29):
If you're listening right now and you want to tell me,
please don't, it's.
Speaker 1 (08:34):
Got to be fourteen.
Speaker 3 (08:35):
Mm hmm.
Speaker 1 (08:38):
Twenty eleven. We started that sounds right, sounds kind of right,
twenty eleven, twenty twelve, because I was in you're right,
New York and then Chicago. So after that, when I
got back from then, it was like twenty twelve and.
Speaker 3 (08:54):
I was producing my last handful of Fuel TV segments
and that ended eleven. Okay, wow, it's been nice knowing you.
Speaker 1 (09:05):
Goodbye and get out here.
Speaker 3 (09:06):
No hello, let's continue.
Speaker 1 (09:08):
Oh okay, yeah, yeah, thank you for journing that around.
Speaker 3 (09:12):
Yeah, let's consider that the start of a new season.
Our first season was seven years then. We yeah, we're
just doing it. I think this time it should be
a leap year. I still don't know what a leap
year is.
Speaker 1 (09:29):
That's the one where it's every four years instead of
every year. At the end of February.
Speaker 3 (09:33):
Okay, we're going to start in a new season at
the start of this fiscal year and sail at a
mattress store.
Speaker 1 (09:39):
Should we restart every season quarterly in the fiscal quarter?
Speaker 3 (09:43):
Should we restart this episode? No? That was me? What's
me roasting myself? Not you?
Speaker 1 (09:51):
Incredible? No, you can't roast yourself without roasting.
Speaker 3 (09:54):
Keep rolling. Let's get some room.
Speaker 1 (09:56):
Tone, do not cut. Okay until I say cut.
Speaker 3 (10:03):
I think this has been a good episode, so funny.
Speaker 1 (10:05):
I too. We're in it. This is the kind of like, look,
you love comedy, obviously you're a listener of this podcast
for fourteen years. Yes, thank you for your dedication.
Speaker 3 (10:15):
First of all, Yes, thank you.
Speaker 1 (10:17):
Secondly, thank you for supporting our comedic endeavors, because this
really is what it's like to hang out with comics.
Speaker 3 (10:23):
Yeah, and with today's order, you'll not only get the
tote bag, you will get years of programming, like a
DVD of all of our I get it wrong. That's
why I don't do improv. I know, budded myself.
Speaker 1 (10:41):
You know. Here's the thing, though, that was the kind
of comedy where people who can like spot memorize bullshit
this guy.
Speaker 4 (10:47):
Oh my god, she's gotta be fucking cod so bizarre,
Jesus fucking happening.
Speaker 3 (10:56):
Why was all that happening?
Speaker 1 (10:58):
That person was in my thought, but then the.
Speaker 3 (11:01):
Truck behind them decided to take her side.
Speaker 1 (11:04):
No, I think it was just getting away from her.
I swerved into his lane.
Speaker 3 (11:08):
Oh wow, let's just abandon this road all together.
Speaker 1 (11:12):
He says. I'm so sorry you guys.
Speaker 3 (11:13):
It's okay. We're on a terfect route to go to
where we wanted to go, but we had to get
out of there.
Speaker 1 (11:17):
We had to get out of there, and now we have.
Speaker 3 (11:20):
To go to the Hollywood Bowl for whatever daytime concerts playing.
Speaker 1 (11:24):
I ate it's forced concerts.
Speaker 3 (11:27):
It's so weird. It's always within because this is where
I had my traumatic rear ending in a vehicle, not
what you thought I meant. And yesterday, a time that
I parked my car ironically went into audition for a
car insurance commercial, came out and someone had sideswiped my car.
(11:50):
I yesterday went I parked in that same spot because
I got lost trying to find a home depot, and
I saw wyatt happened. Originally it was like that San
Fernando near the Golden Brewing Place wherever it's like a
wide turn. Someone almost hit my car again, and it
(12:12):
was the same situations situation, and they would have hit
the same dnse. It could have been the same person.
I'm just saying some of these corners are cursed. They are,
and you shouldn't take it personally because it's a traffic
ghost and it's been there for years.
Speaker 1 (12:31):
Also, I think that situation where someone's coming into my lane.
So then once that ends, I'm like, fucking asshole, and
then I go to get over, Like the guy behind
me saw that happening and sped up, so I couldn't
get away from that car, like because once the car passed,
I was like, yeah, I'm trying to get over, and
then like that car was like I'm here, and.
Speaker 3 (12:52):
It's like so they were killing Also, yes, like if.
Speaker 1 (12:57):
You're watching the car in front of you almost crashed
into the car to the right of you, give it
some room what like whatever. I mean, fifty percent my fault.
But maybe they were a duo.
Speaker 3 (13:10):
They were car pulling, caravanning.
Speaker 1 (13:12):
Or they do that thing where they try to get
you into a car accident.
Speaker 3 (13:15):
Oh I only see it on Uh you know videos
of people on motorcycles. They're in cahoots. You pull up,
I pull up. We'd rob them with a cleaver. Uh yeah,
that was actually really scary. And this is a new
pretty car. It would have been dented. You would have
talked to the.
Speaker 1 (13:34):
Oh sorry people, Sorry scary.
Speaker 3 (13:37):
And I was about to go into something about PBS.
I've probably said before.
Speaker 1 (13:42):
Oh the speech, you didn't know. No.
Speaker 3 (13:46):
What I was going to bring up is one of
the times they were doing a pledge drive. If it's
called that on BBS. It is one of the things
they were selling so randomly. Was a live concert that
had some of the Rolling Stones and some of the Beatles,
and it was after the Beatles did their the drug
(14:06):
Sabbatical somewhere. It was like clearly a room full of
people with garden gnome hats, orange hats. Everyone was wearing
orange like it looked like a cult situation and the
music was good, but everyone it's a PBS thing and
they're showing footage from it. Everyone is so clearly on
acid and other insane like they're smiling and looking and
(14:31):
petting each other. They were all tripping. And it's a
DVD that you're supposed to get for the music, but
you're just watching. There was heavy petting going on.
Speaker 1 (14:42):
What yes, and this was distributed by PBS.
Speaker 3 (14:45):
Yes, it was a thing that you would order if
you pledge. Now you get the tote bag and this orgy.
Speaker 1 (14:51):
No, was it like an episode of Nova of like
this is acid on the same brain And they edited.
Speaker 3 (14:58):
Around the nip slips and that's the fluid trans transfers.
So you just watched it so clearly was like stuff
was about to go down and then they said cut
and rolled the credits.
Speaker 1 (15:13):
What is that?
Speaker 3 (15:14):
That's when the tarps came out, the Beatles and the
Rolling Stones. It was like Mick Jagger with uh. I
want to say John Lennon, but I also want to
say one of the other three guys ring not Ringo,
the drummer that actually did the drumming. Yeah, are you
(15:38):
still doing your Ringo star drumming? Fully work by the
Michael Winslow of Ladies, that's you and I feel Yeah,
(15:59):
I like when it sounds like a tisk, a teenager's dismissal.
Speaker 1 (16:05):
Yeah, judgment, a harsh adolescent judgment coming towards you. I
used to laugh like that, and a couple guys in
my class. They were twins, Adam and Aaron, and Adam
would go I would be like, and I didn't realize
I was doing it. It was just like somebody would say
something sarcastic in class, right. But he would ask questions
and he would kind of do this like he would
(16:26):
over dramatically ask the question. So he's like, yes, uh
could I and so like after thirty seconds, I would
always go like that. He would get so mad or
I'm just like, just ask the fucking question. What are
you doing? Oh?
Speaker 3 (16:40):
Yeah?
Speaker 1 (16:40):
But he did a big long preamble where it was like,
are you trying to pull a prank right now? Are
you actually asking a sincere question?
Speaker 3 (16:48):
Yeah, there's a for a while, and I think I
got it. When I was hanging out with Henry Phillips
a lot, we would like lap it wasn't I wasn't
not being genuine when I would laugh this way, but
I I would respond to things with like I it
was just an easier way to show I thought that
(17:10):
was funny. But it does a lot of people took
it as like I'm being sarcastic, So I had to
curb it. I had to get rid of it.
Speaker 1 (17:17):
Yeah, me too.
Speaker 3 (17:18):
It was a very specific there is good. There's a
handful of friends. And if you're listening, they remember that
handful of years where I was as tisk laugher.
Speaker 1 (17:28):
Those were called my high school years tist laughing. Also,
all those weird little habits that you have, Like I
remember I would, oh, in my twenties, I would always say, like, God,
I'm only joking, and it's just like, well, you're not
joking good enough that people are getting it right, So like,
don't just say whatever the fuck comes into your head,
you know what I mean? That kind of like, well, God,
(17:49):
I'm just gonna say stuff, and it's like, well, people
won't like it if you do that.
Speaker 3 (17:53):
Yeah, I just just hurting your feelings out a discomfort
that I have in my own body.
Speaker 1 (18:00):
Can't I have a coping mechanism at you that sacrifices you.
Speaker 3 (18:06):
So unfair just making light of things at your expense,
got it? Yeah, Bullying, We've all done it, We've all
been victim to it. And then the response later on
you do it yourself.
Speaker 1 (18:19):
But now it went out of fashion.
Speaker 3 (18:22):
Yep, it's not cool anymore.
Speaker 1 (18:24):
It's not Look speaking of the karate kid, Oh, we
didn't this episode.
Speaker 3 (18:31):
We spoke of it last time. I spoke of it last,
and so we speak of it again.
Speaker 1 (18:35):
And I shall call its name back down. I don't know.
It was a little Michael Collins.
Speaker 3 (18:42):
Yes, he sticks with you, demons.
Speaker 1 (18:45):
It's he didn't say demons until three quarters the way.
Speaker 3 (18:48):
Through that shadow of mons. Yes, I had to try
and bring it out of him.
Speaker 1 (18:55):
I didn't steer clear of the fire station spot.
Speaker 3 (18:58):
What Karen was going to say is fourteen years ago.
Our early episodes had a lot of bullying. I think
that's what you were going towards.
Speaker 1 (19:05):
That's I just want to apologize to all of the
kids I bullied through this podcast, a lot of third graders.
I went young with my bullying. It's because I find
it's easier to faster kind of one and done.
Speaker 3 (19:17):
Yeah, you're early bullying was say it was as an adult,
but it was.
Speaker 1 (19:20):
I was an adults.
Speaker 3 (19:21):
It was early for them driving by schools, yelling really
mean things.
Speaker 1 (19:29):
Look at that I like that graffiti.
Speaker 3 (19:31):
Oh yeah, kind of an a gesture stick person, but
not a stick person. Better than that better.
Speaker 1 (19:39):
Also, look at the look at the heart with arms
and legs and a knife.
Speaker 3 (19:43):
Yeah, oh yeah, that is pretty good.
Speaker 1 (19:46):
That's pretty great.
Speaker 3 (19:46):
That explains a lot of love lost. Oh and look
at the after photo before and after. Yeah, that one's
just bleeding.
Speaker 1 (19:54):
Oh shit, Woody Woody is the graffiti artist on the
one O one North. That that's all rage right now.
Speaker 3 (20:00):
I yeah, I didn't know what to do after Cheers
got canceled. I love when there's a graffiti like that
that is a you know, it's like a flip book
and you it just looks like a series of stick men,
but then as you're driving it's people running.
Speaker 1 (20:19):
Yep, that's cool.
Speaker 3 (20:20):
I like that.
Speaker 1 (20:21):
I like that too, that any kind of thing like that.
There used to be an artist in the nineties that
would put up these really great what's that called when
you roll it up onto like an electrical box or whatever, Yes,
like secretly like kind of.
Speaker 3 (20:38):
Paper Yeah, I want to say paper mache, but it's
it's like a it's a poster style, yes, and it's
very well known and we should both be yelling at Unison,
but everyone knows what we're doing.
Speaker 1 (20:49):
But everyone knows what But anyway, there was a girl
and so her signature was Becca lowercase, and she would
do these awesome kind of painting things of and they
always look like girls that were like eleven years old,
but they would have like a gun or have a
really good cowboy outfit on or whatever, and they would
just pop up all over luciless, and it was so
(21:11):
exciting because pre internet obviously.
Speaker 3 (21:13):
And pre Banksy and pre Banksy, and it was.
Speaker 1 (21:16):
Just this kind of like, look there's a black guy just.
Speaker 3 (21:18):
Saw a new ball. Oh wow, yeah pasted. Yeah, it's
like kind of pasting. Yeah, it's what they do.
Speaker 1 (21:25):
Now.
Speaker 3 (21:25):
I always wonder how it's legal. You'll see like full
on like here these movies The Boys, season whatever of
the Boy, they're just gluing it to a empty building. Yeah,
like you know, they're the illegal advertising that they're just
doing because it's never on like a legit business where
it's maybe that's a bad example. No it's closed. That's
(21:48):
a closed building.
Speaker 1 (21:49):
Oh yeah, so they're just postering.
Speaker 3 (21:51):
Yeah, but it's a movie studio with a budget just
getting free advertising.
Speaker 1 (21:59):
That's not right, No, that's crazy. Yeah, they have the money.
Speaker 3 (22:04):
You have the streaming revenue.
Speaker 1 (22:05):
Boys, pay up boys.
Speaker 3 (22:07):
You heard us, the boys, These fucking boys got it
turned real. I got so scared just now.
Speaker 1 (22:16):
Oh except we.
Speaker 3 (22:17):
Were Yeah, well, you went to a new you're an actor.
Speaker 1 (22:20):
Yeah, I'm trying to take it to new levels on
this podcast in case for next pilot season.
Speaker 3 (22:26):
Oh yeah, you know what I mean. Yeah, Oh that's
so funny. I never don't. I don't believe I ever
experienced a pilot season.
Speaker 1 (22:35):
Really.
Speaker 3 (22:35):
Yeah. I mean i've I've done some stuff, but I
don't know when. Was it February?
Speaker 1 (22:41):
It's like February to May or not February. Well, yeah,
it's like three months, like development season supposed to be
in full. Then of course everyone goes on vacation for
two months and then the things get picked up and
then they start casting.
Speaker 3 (22:57):
Did you ever hear the Harris Whittles joke what's the
show spec everyone's been writing for? I always thought that
was a good one, like a spec script.
Speaker 1 (23:06):
No, I understood the joke. I just don't think it's
that good either.
Speaker 3 (23:09):
I did too. I bet I told it wrong.
Speaker 1 (23:13):
Oh yeah, well, I'm just saying punt. There was a
real resurgence of puns with the bj novakr O correct
in the whenever That was twenty mid twenty, and I
was like, sorry, I was raised to not respect this
type of joke. Writingess is for my uncle at a funeral.
Speaker 3 (23:34):
Right right, Yeah, it's it's uh but if you do
it real sarcastic.
Speaker 1 (23:38):
Yeah that they loved that back then.
Speaker 3 (23:40):
Yeah, it was it. I noticed that when I moved here.
That was right when I moved here, and I'm like, wow,
time time time for some wordplay.
Speaker 1 (23:49):
I guess what does anybody should we go to in
and out? I'm anyone hungry, You're not hungry.
Speaker 3 (23:56):
I'm gonna just say and make I went grocery shopping.
I think I'm just gonna eat at home like a weirdo.
Speaker 1 (24:03):
I guess I did just eat two candy bars, so
I'm not exactly hungry.
Speaker 3 (24:06):
No, but I know why.
Speaker 1 (24:09):
We did Satisfaction from the fucking sandwich shop.
Speaker 3 (24:12):
Well, it's backwards dessert. You usually close a meal out
with dessert, and if you start with dessert, you then
want the meal. Yeah, it's just how we've been trained.
Speaker 1 (24:23):
It's how Sizzler trained us.
Speaker 3 (24:25):
Yes, I start with the pudding and then I have
the rest of the stuff from the salad bar.
Speaker 1 (24:31):
Live it up. You wan't to explain to everybody about
what happened to the sandwich shop. Oh that's right. The
listeners aren't with us. Yes, thank you, dear gentle reader listener.
We were near a neighborhood that I am never near, Larchmont.
It's lovely if you come to Los Angeles, a great
little shopping street, a lot of rich people. So it's
a lot of good stores. And there's a deli there
(24:54):
called the Larchmont Winey Cheese and they.
Speaker 3 (24:58):
Made cheeses, big wheels of wheels.
Speaker 1 (25:00):
Of cheese, foreign stuff. Uh. And we went there to
get sandwiches in between podcast recordings and they ran out
of bread.
Speaker 3 (25:09):
Yeah, that's that's how fancy they are.
Speaker 1 (25:12):
Yeah, they were like sandwiches.
Speaker 3 (25:14):
Sorry, the bread that we have baked by a classic
bread cobbler. We've run out, we've run out so by
and yeah. And it's the kind of place where they said,
they tell you they ran out of bread, and we
both said, oh, so sorry.
Speaker 1 (25:29):
Yeah. We kind of backed away, bending at the waist.
Speaker 3 (25:32):
Yeah.
Speaker 1 (25:33):
Some foreign candy bars.
Speaker 3 (25:34):
Thank you. I threw down rose petals for some reason.
Speaker 1 (25:37):
It was weird.
Speaker 3 (25:38):
They did have pretty rostas there, but they also had
European chocolates, the kind of chocolate that we often talk about,
the not waxy, preservative riddled American chocolate. We're talking. There
was Greek writing on my Yeah, nestleye Lion.
Speaker 1 (25:56):
That's a good candy bar, nestleie Lion.
Speaker 3 (25:59):
It was really delicious, but you know, now we want dinner,
that's all.
Speaker 1 (26:04):
Yeah, it just it wasn't the right choice for me,
that's for sure.
Speaker 3 (26:08):
I don't know. It gave us a little pep in
our step.
Speaker 1 (26:11):
Well, I mean it definitely made this podcast hilarious.
Speaker 3 (26:13):
You know how I am. If I don't have a snack,
I turn into an angry Uretha Franklin like in that
commercial Aretha, did I say Urethra a little bit?
Speaker 1 (26:25):
Yeah?
Speaker 3 (26:26):
I love word play jokes.
Speaker 4 (26:28):
Yeah, I know, I know it's okay, only when I
do it accidentally, and the jokes on me that's my favorite.
Speaker 1 (26:37):
That's the best one.
Speaker 3 (26:38):
I'm just, of course talking about it. One of those
candy bar commercials where.
Speaker 1 (26:43):
Yeah, people are angry, they're angry and they need a Snickers.
Speaker 3 (26:47):
Yes, I do get that way, And it did satisfy,
but it's very it's got a short shelf life.
Speaker 1 (26:53):
Yeah that's right, because you you're satisfied for twenty minutes,
then you're angrier, right, and maybe there's a some light crying.
Speaker 3 (27:01):
Yep, I've tickled my sweet tooth and now I want
to fill my salt tummy. I really want to wheel
a cheese.
Speaker 1 (27:10):
My salt tummy.
Speaker 3 (27:11):
I'm so glad I'm not younger than I am. And
I don't know about the cheese Cowboy. They play it
on Saturday mornings.
Speaker 1 (27:23):
Oh yeah, you don't know about him.
Speaker 3 (27:25):
No, I would hate to live in a world where
I didn't grow up with the Dairy Council sponsored Okay
hanker for a hunk of cheese. Yeah?
Speaker 1 (27:34):
Who. I was so confused because I was like, you're
saying you're grateful that you don't know what a thing
is that you're saying what it is?
Speaker 3 (27:40):
Right?
Speaker 1 (27:41):
That was my confusion. Yes, and you weren't doing that, No,
the opposite.
Speaker 3 (27:46):
Yes, I'm thankful that I'm not at an age where
I confusingly describe things.
Speaker 1 (27:52):
It's so great that you're not. You never do that.
Speaker 3 (27:55):
It's something about that era. It was such a success,
successfully bizarre successful advertising for just an industry. Yes, the
cattle industry. The reason there's gianozone holes, it's from cow farts,
not our cars.
Speaker 1 (28:14):
Get children to eat cheese, no matter what it does.
Speaker 3 (28:18):
To milan it eggs, eat eggs for the country, please God,
And you watch it as a kid, and I'm like,
you know what I kind of do want to make
a wheel of cheese.
Speaker 1 (28:30):
Yes with a toothpick and make a toothplake and a
grape yeah whatever it was wheel.
Speaker 3 (28:36):
Yeah, they were like snack ideas, but coming from an unhinged,
cheese bodied cowboy.
Speaker 1 (28:43):
Who had a very weird He had a kind of
a yellow submarine cartoon vibe, like the yellow the whatever
minis green meanies yellow, very.
Speaker 3 (28:55):
H and R puff and stuff like everyone who drew
on this cara. This advertising campaign was on many drugs. Yeah,
they were at that Beetles concert with a heavy petting.
Speaker 1 (29:08):
They petted and then they were like, I have a
new idea. It's for cheese.
Speaker 3 (29:13):
Get ready, the walls are melting. Also, I wrote to
some lyrics a hank of for a honk.
Speaker 4 (29:19):
Of cheese, yes, fliver slicer chunka snaga is winter and
it won't.
Speaker 1 (29:24):
Spoil your dinner.
Speaker 3 (29:26):
That's what I meant to say.
Speaker 1 (29:27):
Also there was He also taught us how to make
orange juice popsicles by putting orange juice in an ice tray,
putting cellophane over the top and putting toothpicks into the cellophane,
put it in the freezer, and then four hours later
you've got little orange juice.
Speaker 3 (29:43):
Pops But they aren't they're just icicles, yes, of ice
cubes of aren't you lick it? I guess, But it's
not gonna It's not a popsicle.
Speaker 1 (29:53):
It doesn't taste good.
Speaker 3 (29:54):
It's not porous enough.
Speaker 1 (29:56):
Much can we have I don't know. We do have?
We need about twenty more mins. Oh shit, Oh lord.
Speaker 3 (30:02):
Well now we know what your place is. Still sometimes
it's good to just do a drive by check by
check up.
Speaker 1 (30:08):
Did I have a package on the yeah?
Speaker 3 (30:10):
Make sure everything is secure.
Speaker 1 (30:13):
Kind of alert the dogs. They get upset we leave again.
Speaker 3 (30:17):
Oh, they for sure heard your car and got all excited.
Speaker 1 (30:20):
Those dogs know when everyone's coming. It's really crazy, you know,
when people are wandering out in the street, they know
it all.
Speaker 3 (30:29):
I keep getting it. I didn't. There are texts that
come in that are like they're getting very creative with
the hey we trick do scamming.
Speaker 1 (30:42):
Oh I've gotten like three of those today.
Speaker 3 (30:45):
I'm getting toll road ones and it's very believable that
I maybe yeah, didn't realize I was driving through a
toll road and I just got one that said the DMV.
Speaker 1 (30:55):
Yes, yeah, I got that one today too.
Speaker 3 (30:56):
Oh you did. Okay, that makes me feel good.
Speaker 1 (30:59):
Yeah, because and then I got a third one that
was like from a specific person acting as if they
now need to talk to me about it, like as
if they were personally from the DMV, where it was
just like, right, this email is not official, right, what
are you doing?
Speaker 3 (31:15):
But I did, and I consider myself like, you know,
I was warning my dad not to fall for these pranks.
A lot of people, my nephew got tricked one years
ago when they first were starting to happen. I feel
like I can smell them a mile away. But last year,
the up we tried to deliver a package put in
(31:37):
your info, and I felt for it. It was linked
to a site that looked exactly like the United States
Postal Service, but my bank was like nope, you know,
and they didn't go through.
Speaker 1 (31:53):
Thank god.
Speaker 3 (31:54):
Yeah, yeah, so thank you well Fargo.
Speaker 1 (31:57):
Good jobbles.
Speaker 3 (31:59):
You bring my money from town to town via wagon,
and you won't let a robber steal my bullion.
Speaker 1 (32:08):
You didn't do it In eighteen seventy five and you're
not doing it now.
Speaker 3 (32:13):
Thanks Wells, Thanks Wells. That was a a bank. I
did not choose it, chose you. Yes, when they bought
my old bank.
Speaker 1 (32:22):
Uhhah, yeah, well it was your old bank.
Speaker 3 (32:25):
I was a proud I did all my banking at Northwest.
Speaker 1 (32:29):
What the fuck, Chris?
Speaker 3 (32:30):
Yeah, no, A lot of people haven't heard it. They
scooped up regional branches of Northwest.
Speaker 1 (32:35):
Yeah, that makes sense.
Speaker 3 (32:37):
I went to Austin. I opened my very first adult
checking account.
Speaker 1 (32:41):
To the one with boobs.
Speaker 3 (32:46):
I opened a fully nude checking.
Speaker 1 (32:48):
Account who the frontals knew to beach jank.
Speaker 3 (32:54):
Well, my other checking account served food, so they had
to wear a top.
Speaker 1 (33:00):
Ah.
Speaker 3 (33:01):
But yeah, it just one day. It was like, hey,
you're with Wells Fargo and you have nothing to say
about it.
Speaker 1 (33:07):
Yeah, that happens, zip it And you said I will
talk about it. That's what you sound.
Speaker 3 (33:13):
Like I do. Yeah, I just thought I was speaking.
That's why I didn't question it.
Speaker 1 (33:19):
Yeah, you were like, there's a slight delay. I can
hear myself.
Speaker 3 (33:24):
Yeah, oh, that just must be one of my thoughts. Again,
it's weird that I can hear it.
Speaker 1 (33:30):
Weird.
Speaker 3 (33:31):
Well, I have to tell you. I have to say
because we talked about last episode, but that's okay, Okay,
you have to watch this, Peerman. Okay, it's so good.
Speaker 1 (33:41):
I'm afraid i'm gonna get upset though.
Speaker 3 (33:43):
It's you know, it's good to have emotions. It's good
to watch a sad thing and feel sad about it
because it's also a nostalgic it's not a looming global
problem kind of sadness that we're always being bombarded with
and we're pretending isn't bothering us every day. Hmm. This
is a Oh it makes you love the person that Paul.
Speaker 1 (34:06):
Rubins was, but I already do.
Speaker 3 (34:08):
But there's a lot you don't know, like how he
kind of knew exactly what he wanted and he was
kind of a cutthroat badass.
Speaker 1 (34:15):
Yeah.
Speaker 3 (34:16):
And it talks about real life like relationship stuff and
the phil Harmon thing that Tim Burton, like he basically
started Tim Burton's career all that stuff. It's really pretty great, Okay,
and he's just very funny. I was laughing so hard.
Speaker 1 (34:33):
Yeah, I've seen clips on TikTok, of course, but I
think it's the thing of the thing between him and
the director and he's fighting with the director, Like I
don't want to watch people be mean to the director,
or like I don't want to watch him. I know
he's being funny while he was doing.
Speaker 3 (34:48):
Yeah, I got the feeling maybe you read something different
that they were peals or something that they were friends.
What I did notice, and I've heard before because I
can't remember who it was, they were a person that
often got birthday texts from Paul Rubins. Oh, I was like,
he's very text me every year. I don't it's I
(35:09):
worked with him once. Maybe it was Paul Greenberg. It
was someone and during the interview, he was like, oh,
I have to text thirteen people to day. I text
people on their birthdays. And it came back to me
rushing back. What I know of him is that he
would text people on their birthdays, and it was proved.
(35:29):
It was just a side note, and during an interview,
I'm like, he did do that. I know that's real
and that's a sweet person.
Speaker 1 (35:37):
Yes, it is for sure.
Speaker 3 (35:38):
As someone that never remembers a single birthday and I
try to be a good person, I know that that's
not easy.
Speaker 1 (35:47):
I'm very detached from the birthday. The birthday requirement that
I fucking hate. I think other people hate it too,
where I'm just like, don't seriously, don't worry about it,
and then I don't have to worry about it with you,
but I will don't always feel.
Speaker 3 (35:59):
That I was raised to hate a ding and I
was never I never had a No one ever jumped
out from behind a couch and said surprise. So I
have an angsty hatred of birthday.
Speaker 1 (36:12):
I have an angsty feeling about the Paul Rubins documentary
because when I was like eleven, my aunt Kathleen taped
the pe Wee Herman Special off of HBO for us,
and she would do that all the time for us,
So we watched like Bill Cosby himself when it came
out when I was ten, and she would she would
like record these really good comedy specials for us. So
(36:35):
we knew about pee Wee Herman real early, like before
the TV show because my aunt got this. And then
there was the Paragon of Comedy, which was John Paragon,
which was Paul Rubin's kind of partner at the Groundlings.
Speaker 3 (36:47):
Yeah, he also.
Speaker 1 (36:48):
He was John By and he also got he also
got an HBO special and pee Wee Herman was on
it with him right as well. He's probably in that.
Speaker 3 (36:57):
Yes he is, And I how do I know that person?
Speaker 1 (37:00):
Oh, you've seen him on He's this amazing character actor.
He's been on a million things, but he is the
head in the box. He's the right genie. Yeah yeah,
and then he's just been in a ton of stuff.
But John Peregone's Comedy Special, and I think it's a
tiny bit dated just because there's like there's some stuff
in it that of course is like cancelable for today,
(37:21):
like if there's kind of a fat joke, yeah, but
tons of hilarious. There was like a whole The Valley
Girl Report where they're like Matt dlln May Jarka, it's
just girl. It's like men dressing up as girls, acting
like girls. Like it's just funny. And so there's I
always have that kind of like pee wee herm And
I liked him first because my aunt did that and
(37:42):
like we truly were obsessed with those guys early, right, okay,
and then the stage show she recorded the stage show,
the one.
Speaker 3 (37:51):
Oh wow, right okay, yeah, that see, maybe that's why
I appreciate it. I appreciated that so much because I
didn't know it was a full started at the ground
things became a regular live show at the Troubadoor and
for adults, and it was weird. He was still doing
what he does on that kid's show, and even when
(38:13):
they pitched it, Hey, we think this should be a
kid's show, he was apprehensive. Yeah, and it took some like, oh,
I guess I do want to do it for kids.
That blew my mind because I grew up thinking, oh,
this is for one hundred percent for kids, right, And
it didn't talk down to kids. It was like it just.
Speaker 1 (38:32):
Didn't start that way, and they used to have really
funny like I think he was probably afraid because he
played off of other people, like he played off of
dirty jokes like he was a little kid and thought
everything was disgusting. Yeah, which was very funny. So I
was like, oh, yeah, that makes sense that he doesn't
want to get kind of bogged down by having to
(38:52):
worry about who's hearing this joke, because he does make
kind of jokes that are tasteless. But then it's like,
but you don't actually you don't need to. Yeah, if
you have Phil Hartman and Asa Petha Murkison and who
was it was it Who's the Cowboy?
Speaker 3 (39:09):
Oh, Laurence Fishburne, Yeah, yeah, it was, And yeah, it's
it's so great to see who was involved with that.
It's just it was just a piece of my childhood explained. Yeah,
in a way that I don't know. I thought about
it. It stuck with me. But yeah, I won't bump you out.
It'll be like no, okay, no, okay. It makes you
(39:32):
just love him and appreciate ways the world that's changed.
Speaker 1 (39:38):
Yeah. Well, also that character, what he was doing was
so specific, Like did they show the clips of him
on Letterman, like guesting on Letterman and just destroying where
he would pull out his little toys Nick explain his
toys and just kind of like it, Yeah, that's the
thing I like. And it's like super weird and nobody
kind of knew what was going on. And David Letterman
loved it so much, just like a grown man acting
(40:01):
like he's eight years old and talking about stuff that's
hilarious but you don't know why.
Speaker 3 (40:07):
I mean, yeah, and they showed the early ground leg shows.
He was just like it was a show and tell
of things and he was so invested. He was such
a he was so being that character that no one
doubted him for a second. No, So even though there
weren't like jokes, it was just like I am showcasing
(40:28):
a world where I am this person, and then it
took off to where he's like, I can't even have
my private life. I have to hide it. I'm just
because I don't think anyone knew what Pee Wee looked
like as a person till that mugshot, and it like
was devastated, but again not a bummer of an It's
(40:51):
important watch Okay, okay, well the first okay, thank you finally.
Speaker 1 (40:55):
Kind of like, did you ever watch the Mister Rogers documentary?
Speaker 3 (40:58):
Oh yeah, of course. Yeah. It's it's sweet because that
like the same kind of tears.
Speaker 1 (41:05):
So but I've told you the story where I started
watching that documentary on a plane and was crying so
hard within five minutes I had to turn it off
because I was scaring the businessman sitting there right right.
Speaker 3 (41:16):
You. This will also, but it's not like, oh this
is tragic, it's like the same tears. It made you
feel good about humanity and this person being part of
that movement.
Speaker 1 (41:31):
I don't want to feel that.
Speaker 3 (41:32):
You don't want to feel it. No, well, might I
suggest The Accountant Part two and a Flag and John
Barrenthall it's so good. Yeah, I might see it again.
Speaker 1 (41:46):
Yeah, it's great, amazing pivot. First of all, thank you
so much for really taking in my point and backing
it up with at least some entertainment.
Speaker 3 (41:57):
Yeah, it's great. I love the gun, it's a good
the Sarquette, the buddy comedy aspect. I may see it again.
Speaker 1 (42:05):
Amazing.
Speaker 3 (42:06):
I've never seen beneflect so good. In the first one,
he's like was a mathematician, this accountant that could you know,
numbers were floating around in his head, much like the
movie he wrote with his friend. Anyway it is. I
liked it. It was betterigg the story of the Jello Corporation,
(42:31):
Goodwill hunting that. Yeah he was. He was like a
accountant and then you find out he's a tough guy.
But in this, I don't know, there's just more backstory
and it's it's great. And you already liked that. John burnhal, guy,
I do. And they are great together.
Speaker 1 (42:49):
They're a great team.
Speaker 3 (42:50):
Yeah, just causually improvising brothers hanging out. They were good.
Speaker 1 (42:56):
Every word of that was written.
Speaker 3 (42:58):
You're probably right no, a lot. You could tell some
of it wasn't though. They just were so casual. It
was good.
Speaker 1 (43:07):
John Barenthal was in the first one, right, yes, yeah, yeah, okay.
Speaker 3 (43:11):
But it was like he was the enemy low my
long host brother. He's an assassin or something. Now they're like,
it's more about like, why didn't you ever call me?
It was a very well done family travel movie. They
go on a road trip. There's like a dance scene
where they even though he's uncomfortable around people, he does
(43:33):
like a line dancing thing and I loved it. Okay,
and on paper it sounds like the cheesiest thing.
Speaker 1 (43:38):
Well, it also on paper sounds like rain Man.
Speaker 3 (43:41):
It very much is rain Man, like it's rain Man
with guns. And in order to tell you on this,
I'm going to raise my volume Rainman Part two Guns.
Speaker 1 (43:55):
Rainman with Guns is a great idea.
Speaker 3 (43:58):
It is rain Man. You haven't even seen it, I know,
And you're right.
Speaker 1 (44:03):
It's pattern recognition issue. It's a coping mechanism from my childhood.
Speaker 3 (44:09):
That's so funny that I didn't even realize.
Speaker 1 (44:12):
I'm so sad we couldn't have those sandwiches.
Speaker 3 (44:15):
Yeah, I know.
Speaker 1 (44:17):
I don't usually get into that mode of like so
much funk or just I have to have this one thing. Yeah,
because I'm always like if I'm hungry, it's whatever, whatever,
Y goat. But I was really like, oh, I never
go there. It's such a rarity.
Speaker 3 (44:35):
Yeah, it's hard to argue with we are out of
bread though. Yeah, it kind of is a perfect way
to just end a conversation.
Speaker 1 (44:45):
Also, it's like we were shamed by that, like we
were the pigs that ate all the bread. For some reason,
the people in line were like, oh, okay, bye, like
like we should have never wanted sandwiches in the first place.
Speaker 3 (44:56):
Yeah, bread is gone because you illegally parked because you.
Speaker 1 (45:01):
Are not loading anything in that loading zone.
Speaker 3 (45:04):
Well, we wanted to load some bread into our fucking
mouth zone.
Speaker 1 (45:08):
These pieces of shit. Yeah, that's inappropriate.
Speaker 3 (45:12):
It's okay, it's okay. There was a last time, this
time fourteen years ago. In the recap of the episode,
you promised not to swear as much.
Speaker 1 (45:26):
Really so upset. I'm sorry tisk tests tisk and tisk
to you.
Speaker 3 (45:36):
I still don't know what tisk is.
Speaker 1 (45:38):
Is it is it that sounds Some people literally say
the word tisk tisk.
Speaker 3 (45:44):
Oh God, I mean, we're give meing Kathy the cartoon.
I really don't know what a tisk is.
Speaker 1 (45:50):
A tisk sounds like you're calling a cat, though. My
favorite bumper sticker of tell your cat, I said, tisk tisk, right,
isn't that the one tell your dog? I said, Hi,
tell your cat? I said, cat noise?
Speaker 3 (46:01):
Really? I, oh, you know, I kind of. I don't
take in cat based bumper stickers like.
Speaker 1 (46:10):
I used to stop projecting them.
Speaker 3 (46:12):
I am no buddying you and all cats. Oh if
only we could be as good at improv as Beniflec
and John Barenthal. I'll say his name differ however I want.
Speaker 1 (46:27):
I told her that I went to the not the
Aero Theater, but the one that's over by the four
h five.
Speaker 3 (46:36):
Oh New Art.
Speaker 1 (46:38):
I went to the New Art because the new Lena
Dunna movie had come out. I can't remember how many
years ago this was, and John Barenthal was like starring
in it with her, with Lena Dunham and they were
like and special guest John Barrenthal after you know, Q
and A.
Speaker 3 (46:53):
Oh he was there, uh huh.
Speaker 1 (46:54):
So I went. I made my friend go with me.
I can't remember who, and I was like, what am
I doing? I don't give this much of a shit
about I'm not like that kind of a fan of his,
but I was like, but I kind of just want
to look at him in real life. Yeah, and he
was super like Swave. He's everything you want him to be.
He's very smart, he can speak about acting really well
(47:17):
without sounding like trite or what like. He was very sincere.
He was just wonderful. And You're like, this guy should
be a gigantic fucking.
Speaker 3 (47:27):
Star, right, and I think he is now.
Speaker 1 (47:30):
I guess he is, But I mean he should be
more than the character actor or the brother.
Speaker 2 (47:34):
He can be.
Speaker 3 (47:36):
It's no one wants to be so famous that they
can't go places.
Speaker 1 (47:42):
John Barenthal wants that. He told us at the movie
theater that night. He said, if you leave here with
one goal, let it be that I have to stay
in my house for the rest of my life.
Speaker 3 (47:54):
It's really uh huh.
Speaker 1 (47:55):
It's weird because we were like, John, how do we
and he was like, stop asking you questions the Q
and azo, Yeah it was wild.
Speaker 3 (48:02):
Wow, that really took a turn.
Speaker 1 (48:04):
I know, but you say you like the guy I
like fighting, Oh right, I think it's funny.
Speaker 3 (48:11):
Well there was any Apparently in college he just accidentally
went to some acting class to fulfill a requirement.
Speaker 1 (48:21):
Mm hmmm. He was supposed to be a baseball player, right,
I saw that TikTok to him.
Speaker 3 (48:25):
Yeah, and then and then he I forget the details
after that, but he's like it very accidentally became an actress.
Speaker 1 (48:34):
But I also think it's like, you're not that good
look in don't know that you could be an actor
in my opinion, right, because he just has a classic,
like it's very Silvester Stallone style where it's like you're
like a hot, muscly, kind of broken nosed Italian man.
You've you've never not succeeded in this country. Oh.
Speaker 3 (48:53):
I thought he was an ex MMA fighter because the
first thing I saw him in was that that fighting warrior.
I don't know what it was, I can't, it doesn't matter,
but he was so good in it. I'm like, God,
this guy's good for a fighter because he learned how.
He's like obviously does the martial arts that are mixed.
(49:14):
He different mixed arts.
Speaker 1 (49:17):
It's a kind of a bridge mix ye martial arts. Yes,
he also was in I think it was Band of
Brothers or one of those movies where they had to
go and like work out as soldiers for six weeks. Right,
I think it was right.
Speaker 3 (49:33):
Yeah, Yeah, I think you're right.
Speaker 1 (49:34):
And I think he I would totally believe he would
love though. He would be like, please sign me up.
I absolutely can't wait to do the Navy Seal training
six week training.
Speaker 3 (49:46):
Yes, exactly. Yeah, I've already been practicing for my whole life,
when I go late at night and swam in the
ocean for no reason with the black grease pencil under
my eyes like a baseball.
Speaker 1 (50:01):
Player and a knife in my teeth.
Speaker 3 (50:03):
Yes, if you have to happen, he got to.
Speaker 1 (50:05):
Yeah, our family friend when I was like in college,
a girl we went high school with got married to
a guy we went to high school with, and he
had went to college and then become a Navy seal,
and my dad was obsessed with the fact that he
was a Navy seal. And then it was a Navy
seal's wedding, and so we're sitting in the church forew
was like waiting for it to start. My Dad's like,
(50:27):
guess he's swimming up the Petaluma River right now with
a knife.
Speaker 3 (50:30):
In his seat's so fun.
Speaker 1 (50:32):
That's the way he's getting to his own wedding. He's
got a navy seal his way to his wedding.
Speaker 3 (50:37):
Jam, good one, Jim.
Speaker 1 (50:39):
Pretty funny. My dad's great. If you're waiting in a hospital,
emergency room, in a church for a funeral or a wedding.
Speaker 3 (50:49):
Give you just buy a happenstance. Sit next to him. Yeah,
he'll turn and give you a real jam.
Speaker 1 (50:54):
He will absolutely make you, try to make you laugh
at the most inappropriate time. It's his favorite thing to do.
Speaker 3 (51:00):
That's great, that's great, my dad would like that.
Speaker 1 (51:05):
And then he tells you to be quiet. He tries
to get you to laugh, and then you start laughing
at it.
Speaker 3 (51:08):
He pretend it's too late in life for our gyms
to not become lifelong friends. I know we need. The
technology doesn't exist yet.
Speaker 1 (51:18):
The amount of acorn stairlifts we would need to make
that happen, you can't even picture it.
Speaker 3 (51:24):
I can't A brand of a chair that fixes to
a handrail up a spiral scare exactly right.
Speaker 1 (51:30):
Remember in Gremlins, the Grandma's on the chair and then
it oh goes crazy.
Speaker 3 (51:36):
I got my Rascal scooter.
Speaker 1 (51:39):
And I'm on top of the world Grand Canyon.
Speaker 3 (51:42):
Right in the commercials, she falls into the Grand falls in.
Speaker 1 (51:48):
Her head is crushed and sales went through the roof,
and they're like, I want a piece of that adventure.
Someone said it was I had an interview today and
somebody said, oh, yeah, they told you're going on vacation,
and they were like, and the guy goes, is it
more of like relaxation or adventure? It's just like I
was like, it's never adventure. I don't know what you.
Speaker 3 (52:13):
Could have said, Uh, adventure is my relaxation. And then
put a knife in your mouth.
Speaker 1 (52:19):
And then just dip down the blow motion.
Speaker 3 (52:23):
I'll do the sound effects.
Speaker 1 (52:25):
And then I would say to I'm going underwater a
little bit and then just crawl out. Stop the interview.
Speaker 3 (52:32):
Now I'm making bacon. Sorry when that sounded more like
a surgery. Yeah, I'm not good at it. I just
want to do it. Oh okay, I want to be
a fully hard do it. Then ah okay, but drop
me off.
Speaker 1 (52:53):
Oh go start your actual career.
Speaker 3 (52:55):
Yeah at the radio show where they require that profession,
which is gone.
Speaker 1 (53:00):
Now you have a goddamn radio show. It's called do
you Need to ride.
Speaker 3 (53:04):
Well, it's a perfect place. Give me a thing happening.
I'll do the.
Speaker 1 (53:08):
Sound helicopter tour that then crashes into the side of
a mountain up on.
Speaker 3 (53:14):
The right strong of burning. My skin is relted the end.
Speaker 1 (53:20):
Incredible, Thank you. I was there? Was that Hawaii?
Speaker 3 (53:24):
Well it was the helicopter. It was Hawaii, and then
yeah I got it focused on the voice and I
forgot about the location for a minute.
Speaker 1 (53:33):
Well it came through in the performance.
Speaker 3 (53:36):
Yeah, thank you. It's not my first time during a
helicopter on this podcast. I appreciate you throwing a little
of what I know.
Speaker 1 (53:43):
Yeah, I think that was important to let you really
shine so people get invested in the radio show that
we're trying to make this podcast. Okay, next, what is
it you're driving a cyber truck and you're being harassed
by pedestrians?
Speaker 3 (54:02):
Yeah, right back at you, buddy. It's paid for.
Speaker 1 (54:06):
And in between you were blowing on a comb with
a piece of paper over it.
Speaker 3 (54:10):
Yeah. Yeah, Well I didn't get to the part where
I put shoes on my hands and walk through gravel.
Speaker 1 (54:15):
You're doing fully in the cyber truck. You can't do that.
Speaker 3 (54:19):
No, that the back of the truck was filled already.
I had to put the gravel under my feet.
Speaker 1 (54:25):
You have a fully studio recording studio in that cyber truck.
Speaker 3 (54:29):
No, I have gravel formats.
Speaker 1 (54:31):
Oh and scene.
Speaker 3 (54:33):
Thank you.
Speaker 1 (54:34):
Woo uh, well, we've done it again.
Speaker 3 (54:42):
We have done it again. This was like an old
school episode, unhinged, nonsensical, totally based.
Speaker 1 (54:51):
In trust, conversational sort of I mean here and there,
kind of riffy.
Speaker 3 (54:58):
Solid jokes and some weird bits.
Speaker 1 (55:02):
And old stories you've heard before always are guaranteed to you.
Speaker 3 (55:06):
Yeah, and some commercial jingles we sang many times in
the past taught us there is now an American car
that does exactly what you've been looking for. We can't
sing it anymore. We've got a strongly worded letter.
Speaker 1 (55:21):
We've already paid the price for.
Speaker 3 (55:24):
Oh god, I'm I took a bath on that.
Speaker 1 (55:27):
Yeah, you really paid fifty thousand dollars. Write out your.
Speaker 3 (55:30):
Ass for so much money. Okay, that's it. I'm gonna
get out of the car.
Speaker 1 (55:35):
Well wrap it up first, please, Yeah, I will you.
Speaker 3 (55:38):
Okay, I just was announcing that I'm gonna wrap it up,
and here we are. You've been listening to do you
need a ride, then I'm going to open the door
d y n Ar.
Speaker 2 (55:56):
This has been an exactly right production.
Speaker 1 (56:00):
Senior producer is Annalise Nelson.
Speaker 2 (56:02):
Mixed by Edson Choy.
Speaker 1 (56:04):
Our talent booker is Patrick Kotner.
Speaker 2 (56:06):
Themed song by Karen Kilgareff.
Speaker 1 (56:08):
Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,
and Facebook at dinar podcast That's d y nar Podcast.
Speaker 3 (56:17):
For more information, go to exactly rightmedia dot com.
Speaker 1 (56:20):
Thank you, Oh, You're welcome.
Are you leaving? I you wanna way back home? Either way,
we want to be there. Doesn't matter how much baggage
you claim and give us time and a termino and gage.
Speaker 2 (00:19):
We want to send you off in style.
Speaker 1 (00:23):
We wanna welcome you back home. Tell us all about it.
We scared her? Was it fine? Mal porn? Do you
(00:49):
need to ride? Do you need to ride? Do you
need to ride? Do you need to ride? Do you
need to ride? Do your need to ride?
Speaker 3 (01:01):
To ride with Karen and Chris? Welcome to Do you
need to ride? This is Chris Fairbanks.
Speaker 4 (01:17):
And this is Karen Kilgariff. Hello, my friend, Hello Chris.
We are in holl Hollywood, near the Army Surplus store.
That is where you can just openly and I recommend
this to everyone.
Speaker 3 (01:31):
By pepper spray. Yeah, not enough people have pepper spray.
It's a great insurance in your.
Speaker 1 (01:39):
Safety, especially if you like to hike in the deep forest. Yes, sorry,
I'm thinking of bear spray right.
Speaker 3 (01:48):
I'm talking about the ability to spray other human like
men in the eyes.
Speaker 1 (01:54):
But just use bear spray.
Speaker 3 (01:57):
But a lot of if you spray a human with
air spray, sometimes they have a little identity crisis and
that really throws them off. They just start like Yogi
b Yeah, they stop trying to attack you, and they
go face first into a honey tree.
Speaker 1 (02:13):
A honey tree, A honey tree. Sure, you're thinking of
a tree that's got a beehive in it where there's
honey inside the beehive. Right, am I right?
Speaker 3 (02:21):
Yes?
Speaker 1 (02:22):
Do I understand?
Speaker 3 (02:23):
Yes, a hollowed out tree where bees are like, let
me confusingly hide my hide in this tree hole?
Speaker 1 (02:30):
Yes, so that nobody comes in with their long bear
paws and claws open our hard work and eats it
for themselves and gets stuck in the hole. That's a
Winnie the poodo.
Speaker 3 (02:41):
Yes, and take it from me, a Christopher. I know
Winnie the.
Speaker 1 (02:48):
Pooh as a kid, as a Christopher.
Speaker 3 (02:52):
Yeah, everyone called me Christopher Robin. I'd say, stop it. Well,
I know it's too late, but I consider it a compliment.
You fourth graders trying to get a rise out of me.
Speaker 1 (03:03):
Yeah, they really. That was like being called Karen the
Red Baron, and I was like, you are not touching
me in any way, shape or form. You cannot like sorry,
my parents gave me the perfect name. Ye can't, I
can't you can't. It doesn't hurt for you to call
me a red baron right. No one even knows what
that is. It's like a Snoopy reference.
Speaker 3 (03:23):
But I'm glad it's dying. It's being misused. It's the
name Karen got co opted, yes, and then it got confused.
Now it's being used by all right people to describe
someone that's bothering a Trump rally or what Karen used
to be just a specific person saying pulling over and
(03:47):
saying do you live in this neighborhood? Right, and that
it was a random name. I hope you never took
it personally. No, but it was probably annoying, not at all.
I don't.
Speaker 1 (03:58):
I feel like it is great. I really like the
spirit with which it started, which is these fucking white
women who go around bossing the world around, and we've
all suffered under that energy of like, oh, that's the
lady that drives carpool. But she's also an insane asshole, right,
So people listen to her and she somehow can snap
(04:19):
her fingers and people do stuff and she can't use
her power correctly.
Speaker 3 (04:23):
Yeah, and she has the haircut of the mom from
that so and so and so and so have eight kids.
Speaker 1 (04:31):
What was that, oh, John and Kate Plessing.
Speaker 3 (04:33):
Yes, that asymmetrical sharp angled, But now it just means
any woman speaking up for herself or defending someone. It's
really been destroyed. It's very confused.
Speaker 1 (04:49):
It's how the kind of trends in the media go,
where it starts accurate, then it gets overused, then it
just gets misused. Yes, then it's pointless.
Speaker 3 (05:00):
We have to remember the original Karen, and and remember
that it's not the original Karen who I'm sitting next to.
They're unrelated.
Speaker 1 (05:11):
Although I do have some tendencies that are very Karen, like.
Speaker 3 (05:15):
The good one, the original kind. Right, you're power to
the people, do my best. You're she always she drives
with a raised fist.
Speaker 1 (05:24):
I like the idea of if you I want to
be one of those Karens that if I'm in CVS
and there's a weird old white maga lady screaming at
people that she thinks shouldn't be speaking a different language
in front of Oh my God, that's where I shine.
That's where I really will come into play.
Speaker 3 (05:42):
Please Karen, bring back the original you.
Speaker 1 (05:47):
It didn't really bother me ever until people are like,
I'm really sorry, this is happening, and it's like that
means you think of me when you hear this right now,
it's like, I just don't relate, but should I.
Speaker 3 (05:58):
Only in the way that it ca we wear all
great friends. And then people started using that and I'm like, hey,
that's not fair.
Speaker 1 (06:06):
It's fine. It's like, finally, let it be the people's fault.
Who's it's actually their fault. I like that part of it,
so it's worth it to me. Where it's like name
and shame the people who are actually abusive and destructive
and weird, but they do it with a weird smile
on their face so they never get in trouble. I hae, right, right,
Hate those tricksters. Hate those people who are like, they're
(06:28):
super nice in general, but actually they're wildly racist and
jump on the chance to like demean a black person
or a person of color, just like all those people.
Speaker 3 (06:38):
Yeah, it's it's I thought it was something that was
just happening in the past or in towns that I
don't visit, But turns out it's a very confusing time.
Speaker 1 (06:49):
Well, there's just no shortage of stupid people, and when
stupid people feel very empowered, like that their anger and
their hatred is a quality that's good about them. Then
they don't get into any kind of changing lesson learning position.
They just get kind of like fake applauded for being
the worst version of themselves.
Speaker 3 (07:10):
Right, But it seems like just a handful of years
ago they were staying indoors in the darkness.
Speaker 1 (07:17):
It just we didn't have to see them that much.
Now we're all seeing them the same Nazis.
Speaker 3 (07:21):
Damn phones, isn't it Nazis? Well, where are you running
away to? For all you're going on a vacation.
Speaker 1 (07:28):
I am just up north?
Speaker 3 (07:29):
Can you tell me? Where are you? Oh? To the
your al stopping ground. That's not the Great North Canada.
Speaker 1 (07:36):
I can't go there anymore with the oly arrests.
Speaker 3 (07:39):
Yes, yes, oh yes that's true.
Speaker 1 (07:42):
It's my record. My rap sheet is so long, sorry Canada.
Speaker 3 (07:48):
Yeah you aw those corporate crimes.
Speaker 1 (07:52):
Yes, I love a white collar crime.
Speaker 3 (07:54):
Yeah, you did them so secretly? To where right now
is the first time hearing of it? And I brought
it up right But then you said I did do that.
Speaker 1 (08:02):
That's how I get you. That's like she's so trustworthy,
she told me she's doing it.
Speaker 3 (08:06):
But that's also an example of my gotcha journalism.
Speaker 1 (08:10):
Oh shit, you're recording this whole conversation.
Speaker 3 (08:13):
It's being dictated with AI.
Speaker 1 (08:15):
That's going to have my love on.
Speaker 3 (08:20):
You've never been podcasting the last thirteen years. Thirteen fourteen,
I mean more.
Speaker 1 (08:26):
Than ten, certainly more than ten.
Speaker 3 (08:29):
If you're listening right now and you want to tell me,
please don't, it's.
Speaker 1 (08:34):
Got to be fourteen.
Speaker 3 (08:35):
Mm hmm.
Speaker 1 (08:38):
Twenty eleven. We started that sounds right, sounds kind of right,
twenty eleven, twenty twelve, because I was in you're right,
New York and then Chicago. So after that, when I
got back from then, it was like twenty twelve and.
Speaker 3 (08:54):
I was producing my last handful of Fuel TV segments
and that ended eleven. Okay, wow, it's been nice knowing you.
Speaker 1 (09:05):
Goodbye and get out here.
Speaker 3 (09:06):
No hello, let's continue.
Speaker 1 (09:08):
Oh okay, yeah, yeah, thank you for journing that around.
Speaker 3 (09:12):
Yeah, let's consider that the start of a new season.
Our first season was seven years then. We yeah, we're
just doing it. I think this time it should be
a leap year. I still don't know what a leap
year is.
Speaker 1 (09:29):
That's the one where it's every four years instead of
every year. At the end of February.
Speaker 3 (09:33):
Okay, we're going to start in a new season at
the start of this fiscal year and sail at a
mattress store.
Speaker 1 (09:39):
Should we restart every season quarterly in the fiscal quarter?
Speaker 3 (09:43):
Should we restart this episode? No? That was me? What's
me roasting myself? Not you?
Speaker 1 (09:51):
Incredible? No, you can't roast yourself without roasting.
Speaker 3 (09:54):
Keep rolling. Let's get some room.
Speaker 1 (09:56):
Tone, do not cut. Okay until I say cut.
Speaker 3 (10:03):
I think this has been a good episode, so funny.
Speaker 1 (10:05):
I too. We're in it. This is the kind of like, look,
you love comedy, obviously you're a listener of this podcast
for fourteen years. Yes, thank you for your dedication.
Speaker 3 (10:15):
First of all, Yes, thank you.
Speaker 1 (10:17):
Secondly, thank you for supporting our comedic endeavors, because this
really is what it's like to hang out with comics.
Speaker 3 (10:23):
Yeah, and with today's order, you'll not only get the
tote bag, you will get years of programming, like a
DVD of all of our I get it wrong. That's
why I don't do improv. I know, budded myself.
Speaker 1 (10:41):
You know. Here's the thing, though, that was the kind
of comedy where people who can like spot memorize bullshit
this guy.
Speaker 4 (10:47):
Oh my god, she's gotta be fucking cod so bizarre,
Jesus fucking happening.
Speaker 3 (10:56):
Why was all that happening?
Speaker 1 (10:58):
That person was in my thought, but then the.
Speaker 3 (11:01):
Truck behind them decided to take her side.
Speaker 1 (11:04):
No, I think it was just getting away from her.
I swerved into his lane.
Speaker 3 (11:08):
Oh wow, let's just abandon this road all together.
Speaker 1 (11:12):
He says. I'm so sorry you guys.
Speaker 3 (11:13):
It's okay. We're on a terfect route to go to
where we wanted to go, but we had to get
out of there.
Speaker 1 (11:17):
We had to get out of there, and now we have.
Speaker 3 (11:20):
To go to the Hollywood Bowl for whatever daytime concerts playing.
Speaker 1 (11:24):
I ate it's forced concerts.
Speaker 3 (11:27):
It's so weird. It's always within because this is where
I had my traumatic rear ending in a vehicle, not
what you thought I meant. And yesterday, a time that
I parked my car ironically went into audition for a
car insurance commercial, came out and someone had sideswiped my car.
(11:50):
I yesterday went I parked in that same spot because
I got lost trying to find a home depot, and
I saw wyatt happened. Originally it was like that San
Fernando near the Golden Brewing Place wherever it's like a
wide turn. Someone almost hit my car again, and it
(12:12):
was the same situations situation, and they would have hit
the same dnse. It could have been the same person.
I'm just saying some of these corners are cursed. They are,
and you shouldn't take it personally because it's a traffic
ghost and it's been there for years.
Speaker 1 (12:31):
Also, I think that situation where someone's coming into my lane.
So then once that ends, I'm like, fucking asshole, and
then I go to get over, Like the guy behind
me saw that happening and sped up, so I couldn't
get away from that car, like because once the car passed,
I was like, yeah, I'm trying to get over, and
then like that car was like I'm here, and.
Speaker 3 (12:52):
It's like so they were killing Also, yes, like if.
Speaker 1 (12:57):
You're watching the car in front of you almost crashed
into the car to the right of you, give it
some room what like whatever. I mean, fifty percent my fault.
But maybe they were a duo.
Speaker 3 (13:10):
They were car pulling, caravanning.
Speaker 1 (13:12):
Or they do that thing where they try to get
you into a car accident.
Speaker 3 (13:15):
Oh I only see it on Uh you know videos
of people on motorcycles. They're in cahoots. You pull up,
I pull up. We'd rob them with a cleaver. Uh yeah,
that was actually really scary. And this is a new
pretty car. It would have been dented. You would have
talked to the.
Speaker 1 (13:34):
Oh sorry people, Sorry scary.
Speaker 3 (13:37):
And I was about to go into something about PBS.
I've probably said before.
Speaker 1 (13:42):
Oh the speech, you didn't know. No.
Speaker 3 (13:46):
What I was going to bring up is one of
the times they were doing a pledge drive. If it's
called that on BBS. It is one of the things
they were selling so randomly. Was a live concert that
had some of the Rolling Stones and some of the Beatles,
and it was after the Beatles did their the drug
(14:06):
Sabbatical somewhere. It was like clearly a room full of
people with garden gnome hats, orange hats. Everyone was wearing
orange like it looked like a cult situation and the
music was good, but everyone it's a PBS thing and
they're showing footage from it. Everyone is so clearly on
acid and other insane like they're smiling and looking and
(14:31):
petting each other. They were all tripping. And it's a
DVD that you're supposed to get for the music, but
you're just watching. There was heavy petting going on.
Speaker 1 (14:42):
What yes, and this was distributed by PBS.
Speaker 3 (14:45):
Yes, it was a thing that you would order if
you pledge. Now you get the tote bag and this orgy.
Speaker 1 (14:51):
No, was it like an episode of Nova of like
this is acid on the same brain And they edited.
Speaker 3 (14:58):
Around the nip slips and that's the fluid trans transfers.
So you just watched it so clearly was like stuff
was about to go down and then they said cut
and rolled the credits.
Speaker 1 (15:13):
What is that?
Speaker 3 (15:14):
That's when the tarps came out, the Beatles and the
Rolling Stones. It was like Mick Jagger with uh. I
want to say John Lennon, but I also want to
say one of the other three guys ring not Ringo,
the drummer that actually did the drumming. Yeah, are you
(15:38):
still doing your Ringo star drumming? Fully work by the
Michael Winslow of Ladies, that's you and I feel Yeah,
(15:59):
I like when it sounds like a tisk, a teenager's dismissal.
Speaker 1 (16:05):
Yeah, judgment, a harsh adolescent judgment coming towards you. I
used to laugh like that, and a couple guys in
my class. They were twins, Adam and Aaron, and Adam
would go I would be like, and I didn't realize
I was doing it. It was just like somebody would say
something sarcastic in class, right. But he would ask questions
and he would kind of do this like he would
(16:26):
over dramatically ask the question. So he's like, yes, uh
could I and so like after thirty seconds, I would
always go like that. He would get so mad or
I'm just like, just ask the fucking question. What are
you doing? Oh?
Speaker 3 (16:40):
Yeah?
Speaker 1 (16:40):
But he did a big long preamble where it was like,
are you trying to pull a prank right now? Are
you actually asking a sincere question?
Speaker 3 (16:48):
Yeah, there's a for a while, and I think I
got it. When I was hanging out with Henry Phillips
a lot, we would like lap it wasn't I wasn't
not being genuine when I would laugh this way, but
I I would respond to things with like I it
was just an easier way to show I thought that
(17:10):
was funny. But it does a lot of people took
it as like I'm being sarcastic, So I had to
curb it. I had to get rid of it.
Speaker 1 (17:17):
Yeah, me too.
Speaker 3 (17:18):
It was a very specific there is good. There's a
handful of friends. And if you're listening, they remember that
handful of years where I was as tisk laugher.
Speaker 1 (17:28):
Those were called my high school years tist laughing. Also,
all those weird little habits that you have, Like I
remember I would, oh, in my twenties, I would always say, like, God,
I'm only joking, and it's just like, well, you're not
joking good enough that people are getting it right, So like,
don't just say whatever the fuck comes into your head,
you know what I mean? That kind of like, well, God,
(17:49):
I'm just gonna say stuff, and it's like, well, people
won't like it if you do that.
Speaker 3 (17:53):
Yeah, I just just hurting your feelings out a discomfort
that I have in my own body.
Speaker 1 (18:00):
Can't I have a coping mechanism at you that sacrifices you.
Speaker 3 (18:06):
So unfair just making light of things at your expense,
got it? Yeah, Bullying, We've all done it, We've all
been victim to it. And then the response later on
you do it yourself.
Speaker 1 (18:19):
But now it went out of fashion.
Speaker 3 (18:22):
Yep, it's not cool anymore.
Speaker 1 (18:24):
It's not Look speaking of the karate kid, Oh, we
didn't this episode.
Speaker 3 (18:31):
We spoke of it last time. I spoke of it last,
and so we speak of it again.
Speaker 1 (18:35):
And I shall call its name back down. I don't know.
It was a little Michael Collins.
Speaker 3 (18:42):
Yes, he sticks with you, demons.
Speaker 1 (18:45):
It's he didn't say demons until three quarters the way.
Speaker 3 (18:48):
Through that shadow of mons. Yes, I had to try
and bring it out of him.
Speaker 1 (18:55):
I didn't steer clear of the fire station spot.
Speaker 3 (18:58):
What Karen was going to say is fourteen years ago.
Our early episodes had a lot of bullying. I think
that's what you were going towards.
Speaker 1 (19:05):
That's I just want to apologize to all of the
kids I bullied through this podcast, a lot of third graders.
I went young with my bullying. It's because I find
it's easier to faster kind of one and done.
Speaker 3 (19:17):
Yeah, you're early bullying was say it was as an adult,
but it was.
Speaker 1 (19:20):
I was an adults.
Speaker 3 (19:21):
It was early for them driving by schools, yelling really
mean things.
Speaker 1 (19:29):
Look at that I like that graffiti.
Speaker 3 (19:31):
Oh yeah, kind of an a gesture stick person, but
not a stick person. Better than that better.
Speaker 1 (19:39):
Also, look at the look at the heart with arms
and legs and a knife.
Speaker 3 (19:43):
Yeah, oh yeah, that is pretty good.
Speaker 1 (19:46):
That's pretty great.
Speaker 3 (19:46):
That explains a lot of love lost. Oh and look
at the after photo before and after. Yeah, that one's
just bleeding.
Speaker 1 (19:54):
Oh shit, Woody Woody is the graffiti artist on the
one O one North. That that's all rage right now.
Speaker 3 (20:00):
I yeah, I didn't know what to do after Cheers
got canceled. I love when there's a graffiti like that
that is a you know, it's like a flip book
and you it just looks like a series of stick men,
but then as you're driving it's people running.
Speaker 1 (20:19):
Yep, that's cool.
Speaker 3 (20:20):
I like that.
Speaker 1 (20:21):
I like that too, that any kind of thing like that.
There used to be an artist in the nineties that
would put up these really great what's that called when
you roll it up onto like an electrical box or whatever, Yes,
like secretly like kind of.
Speaker 3 (20:38):
Paper Yeah, I want to say paper mache, but it's
it's like a it's a poster style, yes, and it's
very well known and we should both be yelling at Unison,
but everyone knows what we're doing.
Speaker 1 (20:49):
But everyone knows what But anyway, there was a girl
and so her signature was Becca lowercase, and she would
do these awesome kind of painting things of and they
always look like girls that were like eleven years old,
but they would have like a gun or have a
really good cowboy outfit on or whatever, and they would
just pop up all over luciless, and it was so
(21:11):
exciting because pre internet obviously.
Speaker 3 (21:13):
And pre Banksy and pre Banksy, and it was.
Speaker 1 (21:16):
Just this kind of like, look there's a black guy just.
Speaker 3 (21:18):
Saw a new ball. Oh wow, yeah pasted. Yeah, it's
like kind of pasting. Yeah, it's what they do.
Speaker 1 (21:25):
Now.
Speaker 3 (21:25):
I always wonder how it's legal. You'll see like full
on like here these movies The Boys, season whatever of
the Boy, they're just gluing it to a empty building. Yeah,
like you know, they're the illegal advertising that they're just
doing because it's never on like a legit business where
it's maybe that's a bad example. No it's closed. That's
(21:48):
a closed building.
Speaker 1 (21:49):
Oh yeah, so they're just postering.
Speaker 3 (21:51):
Yeah, but it's a movie studio with a budget just
getting free advertising.
Speaker 1 (21:59):
That's not right, No, that's crazy. Yeah, they have the money.
Speaker 3 (22:04):
You have the streaming revenue.
Speaker 1 (22:05):
Boys, pay up boys.
Speaker 3 (22:07):
You heard us, the boys, These fucking boys got it
turned real. I got so scared just now.
Speaker 1 (22:16):
Oh except we.
Speaker 3 (22:17):
Were Yeah, well, you went to a new you're an actor.
Speaker 1 (22:20):
Yeah, I'm trying to take it to new levels on
this podcast in case for next pilot season.
Speaker 3 (22:26):
Oh yeah, you know what I mean. Yeah, Oh that's
so funny. I never don't. I don't believe I ever
experienced a pilot season.
Speaker 1 (22:35):
Really.
Speaker 3 (22:35):
Yeah. I mean i've I've done some stuff, but I
don't know when. Was it February?
Speaker 1 (22:41):
It's like February to May or not February. Well, yeah,
it's like three months, like development season supposed to be
in full. Then of course everyone goes on vacation for
two months and then the things get picked up and
then they start casting.
Speaker 3 (22:57):
Did you ever hear the Harris Whittles joke what's the
show spec everyone's been writing for? I always thought that
was a good one, like a spec script.
Speaker 1 (23:06):
No, I understood the joke. I just don't think it's
that good either.
Speaker 3 (23:09):
I did too. I bet I told it wrong.
Speaker 1 (23:13):
Oh yeah, well, I'm just saying punt. There was a
real resurgence of puns with the bj novakr O correct
in the whenever That was twenty mid twenty, and I
was like, sorry, I was raised to not respect this
type of joke. Writingess is for my uncle at a funeral.
Speaker 3 (23:34):
Right right, Yeah, it's it's uh but if you do
it real sarcastic.
Speaker 1 (23:38):
Yeah that they loved that back then.
Speaker 3 (23:40):
Yeah, it was it. I noticed that when I moved here.
That was right when I moved here, and I'm like, wow,
time time time for some wordplay.
Speaker 1 (23:49):
I guess what does anybody should we go to in
and out? I'm anyone hungry, You're not hungry.
Speaker 3 (23:56):
I'm gonna just say and make I went grocery shopping.
I think I'm just gonna eat at home like a weirdo.
Speaker 1 (24:03):
I guess I did just eat two candy bars, so
I'm not exactly hungry.
Speaker 3 (24:06):
No, but I know why.
Speaker 1 (24:09):
We did Satisfaction from the fucking sandwich shop.
Speaker 3 (24:12):
Well, it's backwards dessert. You usually close a meal out
with dessert, and if you start with dessert, you then
want the meal. Yeah, it's just how we've been trained.
Speaker 1 (24:23):
It's how Sizzler trained us.
Speaker 3 (24:25):
Yes, I start with the pudding and then I have
the rest of the stuff from the salad bar.
Speaker 1 (24:31):
Live it up. You wan't to explain to everybody about
what happened to the sandwich shop. Oh that's right. The
listeners aren't with us. Yes, thank you, dear gentle reader listener.
We were near a neighborhood that I am never near, Larchmont.
It's lovely if you come to Los Angeles, a great
little shopping street, a lot of rich people. So it's
a lot of good stores. And there's a deli there
(24:54):
called the Larchmont Winey Cheese and they.
Speaker 3 (24:58):
Made cheeses, big wheels of wheels.
Speaker 1 (25:00):
Of cheese, foreign stuff. Uh. And we went there to
get sandwiches in between podcast recordings and they ran out
of bread.
Speaker 3 (25:09):
Yeah, that's that's how fancy they are.
Speaker 1 (25:12):
Yeah, they were like sandwiches.
Speaker 3 (25:14):
Sorry, the bread that we have baked by a classic
bread cobbler. We've run out, we've run out so by
and yeah. And it's the kind of place where they said,
they tell you they ran out of bread, and we
both said, oh, so sorry.
Speaker 1 (25:29):
Yeah. We kind of backed away, bending at the waist.
Speaker 3 (25:32):
Yeah.
Speaker 1 (25:33):
Some foreign candy bars.
Speaker 3 (25:34):
Thank you. I threw down rose petals for some reason.
Speaker 1 (25:37):
It was weird.
Speaker 3 (25:38):
They did have pretty rostas there, but they also had
European chocolates, the kind of chocolate that we often talk about,
the not waxy, preservative riddled American chocolate. We're talking. There
was Greek writing on my Yeah, nestleye Lion.
Speaker 1 (25:56):
That's a good candy bar, nestleie Lion.
Speaker 3 (25:59):
It was really delicious, but you know, now we want dinner,
that's all.
Speaker 1 (26:04):
Yeah, it just it wasn't the right choice for me,
that's for sure.
Speaker 3 (26:08):
I don't know. It gave us a little pep in
our step.
Speaker 1 (26:11):
Well, I mean it definitely made this podcast hilarious.
Speaker 3 (26:13):
You know how I am. If I don't have a snack,
I turn into an angry Uretha Franklin like in that
commercial Aretha, did I say Urethra a little bit?
Speaker 1 (26:25):
Yeah?
Speaker 3 (26:26):
I love word play jokes.
Speaker 4 (26:28):
Yeah, I know, I know it's okay, only when I
do it accidentally, and the jokes on me that's my favorite.
Speaker 1 (26:37):
That's the best one.
Speaker 3 (26:38):
I'm just, of course talking about it. One of those
candy bar commercials where.
Speaker 1 (26:43):
Yeah, people are angry, they're angry and they need a Snickers.
Speaker 3 (26:47):
Yes, I do get that way, And it did satisfy,
but it's very it's got a short shelf life.
Speaker 1 (26:53):
Yeah that's right, because you you're satisfied for twenty minutes,
then you're angrier, right, and maybe there's a some light crying.
Speaker 3 (27:01):
Yep, I've tickled my sweet tooth and now I want
to fill my salt tummy. I really want to wheel
a cheese.
Speaker 1 (27:10):
My salt tummy.
Speaker 3 (27:11):
I'm so glad I'm not younger than I am. And
I don't know about the cheese Cowboy. They play it
on Saturday mornings.
Speaker 1 (27:23):
Oh yeah, you don't know about him.
Speaker 3 (27:25):
No, I would hate to live in a world where
I didn't grow up with the Dairy Council sponsored Okay
hanker for a hunk of cheese. Yeah?
Speaker 1 (27:34):
Who. I was so confused because I was like, you're
saying you're grateful that you don't know what a thing
is that you're saying what it is?
Speaker 3 (27:40):
Right?
Speaker 1 (27:41):
That was my confusion. Yes, and you weren't doing that, No,
the opposite.
Speaker 3 (27:46):
Yes, I'm thankful that I'm not at an age where
I confusingly describe things.
Speaker 1 (27:52):
It's so great that you're not. You never do that.
Speaker 3 (27:55):
It's something about that era. It was such a success,
successfully bizarre successful advertising for just an industry. Yes, the
cattle industry. The reason there's gianozone holes, it's from cow farts,
not our cars.
Speaker 1 (28:14):
Get children to eat cheese, no matter what it does.
Speaker 3 (28:18):
To milan it eggs, eat eggs for the country, please God,
And you watch it as a kid, and I'm like,
you know what I kind of do want to make
a wheel of cheese.
Speaker 1 (28:30):
Yes with a toothpick and make a toothplake and a
grape yeah whatever it was wheel.
Speaker 3 (28:36):
Yeah, they were like snack ideas, but coming from an unhinged,
cheese bodied cowboy.
Speaker 1 (28:43):
Who had a very weird He had a kind of
a yellow submarine cartoon vibe, like the yellow the whatever
minis green meanies yellow, very.
Speaker 3 (28:55):
H and R puff and stuff like everyone who drew
on this cara. This advertising campaign was on many drugs. Yeah,
they were at that Beetles concert with a heavy petting.
Speaker 1 (29:08):
They petted and then they were like, I have a
new idea. It's for cheese.
Speaker 3 (29:13):
Get ready, the walls are melting. Also, I wrote to
some lyrics a hank of for a honk.
Speaker 4 (29:19):
Of cheese, yes, fliver slicer chunka snaga is winter and
it won't.
Speaker 1 (29:24):
Spoil your dinner.
Speaker 3 (29:26):
That's what I meant to say.
Speaker 1 (29:27):
Also there was He also taught us how to make
orange juice popsicles by putting orange juice in an ice tray,
putting cellophane over the top and putting toothpicks into the cellophane,
put it in the freezer, and then four hours later
you've got little orange juice.
Speaker 3 (29:43):
Pops But they aren't they're just icicles, yes, of ice
cubes of aren't you lick it? I guess, But it's
not gonna It's not a popsicle.
Speaker 1 (29:53):
It doesn't taste good.
Speaker 3 (29:54):
It's not porous enough.
Speaker 1 (29:56):
Much can we have I don't know. We do have?
We need about twenty more mins. Oh shit, Oh lord.
Speaker 3 (30:02):
Well now we know what your place is. Still sometimes
it's good to just do a drive by check by
check up.
Speaker 1 (30:08):
Did I have a package on the yeah?
Speaker 3 (30:10):
Make sure everything is secure.
Speaker 1 (30:13):
Kind of alert the dogs. They get upset we leave again.
Speaker 3 (30:17):
Oh, they for sure heard your car and got all excited.
Speaker 1 (30:20):
Those dogs know when everyone's coming. It's really crazy, you know,
when people are wandering out in the street, they know
it all.
Speaker 3 (30:29):
I keep getting it. I didn't. There are texts that
come in that are like they're getting very creative with
the hey we trick do scamming.
Speaker 1 (30:42):
Oh I've gotten like three of those today.
Speaker 3 (30:45):
I'm getting toll road ones and it's very believable that
I maybe yeah, didn't realize I was driving through a
toll road and I just got one that said the DMV.
Speaker 1 (30:55):
Yes, yeah, I got that one today too.
Speaker 3 (30:56):
Oh you did. Okay, that makes me feel good.
Speaker 1 (30:59):
Yeah, because and then I got a third one that
was like from a specific person acting as if they
now need to talk to me about it, like as
if they were personally from the DMV, where it was
just like, right, this email is not official, right, what
are you doing?
Speaker 3 (31:15):
But I did, and I consider myself like, you know,
I was warning my dad not to fall for these pranks.
A lot of people, my nephew got tricked one years
ago when they first were starting to happen. I feel
like I can smell them a mile away. But last year,
the up we tried to deliver a package put in
(31:37):
your info, and I felt for it. It was linked
to a site that looked exactly like the United States
Postal Service, but my bank was like nope, you know,
and they didn't go through.
Speaker 1 (31:53):
Thank god.
Speaker 3 (31:54):
Yeah, yeah, so thank you well Fargo.
Speaker 1 (31:57):
Good jobbles.
Speaker 3 (31:59):
You bring my money from town to town via wagon,
and you won't let a robber steal my bullion.
Speaker 1 (32:08):
You didn't do it In eighteen seventy five and you're
not doing it now.
Speaker 3 (32:13):
Thanks Wells, Thanks Wells. That was a a bank. I
did not choose it, chose you. Yes, when they bought
my old bank.
Speaker 1 (32:22):
Uhhah, yeah, well it was your old bank.
Speaker 3 (32:25):
I was a proud I did all my banking at Northwest.
Speaker 1 (32:29):
What the fuck, Chris?
Speaker 3 (32:30):
Yeah, no, A lot of people haven't heard it. They
scooped up regional branches of Northwest.
Speaker 1 (32:35):
Yeah, that makes sense.
Speaker 3 (32:37):
I went to Austin. I opened my very first adult
checking account.
Speaker 1 (32:41):
To the one with boobs.
Speaker 3 (32:46):
I opened a fully nude checking.
Speaker 1 (32:48):
Account who the frontals knew to beach jank.
Speaker 3 (32:54):
Well, my other checking account served food, so they had
to wear a top.
Speaker 1 (33:00):
Ah.
Speaker 3 (33:01):
But yeah, it just one day. It was like, hey,
you're with Wells Fargo and you have nothing to say
about it.
Speaker 1 (33:07):
Yeah, that happens, zip it And you said I will
talk about it. That's what you sound.
Speaker 3 (33:13):
Like I do. Yeah, I just thought I was speaking.
That's why I didn't question it.
Speaker 1 (33:19):
Yeah, you were like, there's a slight delay. I can
hear myself.
Speaker 3 (33:24):
Yeah, oh, that just must be one of my thoughts. Again,
it's weird that I can hear it.
Speaker 1 (33:30):
Weird.
Speaker 3 (33:31):
Well, I have to tell you. I have to say
because we talked about last episode, but that's okay, Okay,
you have to watch this, Peerman. Okay, it's so good.
Speaker 1 (33:41):
I'm afraid i'm gonna get upset though.
Speaker 3 (33:43):
It's you know, it's good to have emotions. It's good
to watch a sad thing and feel sad about it
because it's also a nostalgic it's not a looming global
problem kind of sadness that we're always being bombarded with
and we're pretending isn't bothering us every day. Hmm. This
is a Oh it makes you love the person that Paul.
Speaker 1 (34:06):
Rubins was, but I already do.
Speaker 3 (34:08):
But there's a lot you don't know, like how he
kind of knew exactly what he wanted and he was
kind of a cutthroat badass.
Speaker 1 (34:15):
Yeah.
Speaker 3 (34:16):
And it talks about real life like relationship stuff and
the phil Harmon thing that Tim Burton, like he basically
started Tim Burton's career all that stuff. It's really pretty great, Okay,
and he's just very funny. I was laughing so hard.
Speaker 1 (34:33):
Yeah, I've seen clips on TikTok, of course, but I
think it's the thing of the thing between him and
the director and he's fighting with the director, Like I
don't want to watch people be mean to the director,
or like I don't want to watch him. I know
he's being funny while he was doing.
Speaker 3 (34:48):
Yeah, I got the feeling maybe you read something different
that they were peals or something that they were friends.
What I did notice, and I've heard before because I
can't remember who it was, they were a person that
often got birthday texts from Paul Rubins. Oh, I was like,
he's very text me every year. I don't it's I
(35:09):
worked with him once. Maybe it was Paul Greenberg. It
was someone and during the interview, he was like, oh,
I have to text thirteen people to day. I text
people on their birthdays. And it came back to me
rushing back. What I know of him is that he
would text people on their birthdays, and it was proved.
(35:29):
It was just a side note, and during an interview,
I'm like, he did do that. I know that's real
and that's a sweet person.
Speaker 1 (35:37):
Yes, it is for sure.
Speaker 3 (35:38):
As someone that never remembers a single birthday and I
try to be a good person, I know that that's
not easy.
Speaker 1 (35:47):
I'm very detached from the birthday. The birthday requirement that
I fucking hate. I think other people hate it too,
where I'm just like, don't seriously, don't worry about it,
and then I don't have to worry about it with you,
but I will don't always feel.
Speaker 3 (35:59):
That I was raised to hate a ding and I
was never I never had a No one ever jumped
out from behind a couch and said surprise. So I
have an angsty hatred of birthday.
Speaker 1 (36:12):
I have an angsty feeling about the Paul Rubins documentary
because when I was like eleven, my aunt Kathleen taped
the pe Wee Herman Special off of HBO for us,
and she would do that all the time for us,
So we watched like Bill Cosby himself when it came
out when I was ten, and she would she would
like record these really good comedy specials for us. So
(36:35):
we knew about pee Wee Herman real early, like before
the TV show because my aunt got this. And then
there was the Paragon of Comedy, which was John Paragon,
which was Paul Rubin's kind of partner at the Groundlings.
Speaker 3 (36:47):
Yeah, he also.
Speaker 1 (36:48):
He was John By and he also got he also
got an HBO special and pee Wee Herman was on
it with him right as well. He's probably in that.
Speaker 3 (36:57):
Yes he is, And I how do I know that person?
Speaker 1 (37:00):
Oh, you've seen him on He's this amazing character actor.
He's been on a million things, but he is the
head in the box. He's the right genie. Yeah yeah,
and then he's just been in a ton of stuff.
But John Peregone's Comedy Special, and I think it's a
tiny bit dated just because there's like there's some stuff
in it that of course is like cancelable for today,
(37:21):
like if there's kind of a fat joke, yeah, but
tons of hilarious. There was like a whole The Valley
Girl Report where they're like Matt dlln May Jarka, it's
just girl. It's like men dressing up as girls, acting
like girls. Like it's just funny. And so there's I
always have that kind of like pee wee herm And
I liked him first because my aunt did that and
(37:42):
like we truly were obsessed with those guys early, right, okay,
and then the stage show she recorded the stage show,
the one.
Speaker 3 (37:51):
Oh wow, right okay, yeah, that see, maybe that's why
I appreciate it. I appreciated that so much because I
didn't know it was a full started at the ground
things became a regular live show at the Troubadoor and
for adults, and it was weird. He was still doing
what he does on that kid's show, and even when
(38:13):
they pitched it, Hey, we think this should be a
kid's show, he was apprehensive. Yeah, and it took some like, oh,
I guess I do want to do it for kids.
That blew my mind because I grew up thinking, oh,
this is for one hundred percent for kids, right, And
it didn't talk down to kids. It was like it just.
Speaker 1 (38:32):
Didn't start that way, and they used to have really
funny like I think he was probably afraid because he
played off of other people, like he played off of
dirty jokes like he was a little kid and thought
everything was disgusting. Yeah, which was very funny. So I
was like, oh, yeah, that makes sense that he doesn't
want to get kind of bogged down by having to
(38:52):
worry about who's hearing this joke, because he does make
kind of jokes that are tasteless. But then it's like,
but you don't actually you don't need to. Yeah, if
you have Phil Hartman and Asa Petha Murkison and who
was it was it Who's the Cowboy?
Speaker 3 (39:09):
Oh, Laurence Fishburne, Yeah, yeah, it was, And yeah, it's
it's so great to see who was involved with that.
It's just it was just a piece of my childhood explained. Yeah,
in a way that I don't know. I thought about
it. It stuck with me. But yeah, I won't bump you out.
It'll be like no, okay, no, okay. It makes you
(39:32):
just love him and appreciate ways the world that's changed.
Speaker 1 (39:38):
Yeah. Well, also that character, what he was doing was
so specific, Like did they show the clips of him
on Letterman, like guesting on Letterman and just destroying where
he would pull out his little toys Nick explain his
toys and just kind of like it, Yeah, that's the
thing I like. And it's like super weird and nobody
kind of knew what was going on. And David Letterman
loved it so much, just like a grown man acting
(40:01):
like he's eight years old and talking about stuff that's
hilarious but you don't know why.
Speaker 3 (40:07):
I mean, yeah, and they showed the early ground leg shows.
He was just like it was a show and tell
of things and he was so invested. He was such
a he was so being that character that no one
doubted him for a second. No, So even though there
weren't like jokes, it was just like I am showcasing
(40:28):
a world where I am this person, and then it
took off to where he's like, I can't even have
my private life. I have to hide it. I'm just
because I don't think anyone knew what Pee Wee looked
like as a person till that mugshot, and it like
was devastated, but again not a bummer of an It's
(40:51):
important watch Okay, okay, well the first okay, thank you finally.
Speaker 1 (40:55):
Kind of like, did you ever watch the Mister Rogers documentary?
Speaker 3 (40:58):
Oh yeah, of course. Yeah. It's it's sweet because that
like the same kind of tears.
Speaker 1 (41:05):
So but I've told you the story where I started
watching that documentary on a plane and was crying so
hard within five minutes I had to turn it off
because I was scaring the businessman sitting there right right.
Speaker 3 (41:16):
You. This will also, but it's not like, oh this
is tragic, it's like the same tears. It made you
feel good about humanity and this person being part of
that movement.
Speaker 1 (41:31):
I don't want to feel that.
Speaker 3 (41:32):
You don't want to feel it. No, well, might I
suggest The Accountant Part two and a Flag and John
Barrenthall it's so good. Yeah, I might see it again.
Speaker 1 (41:46):
Yeah, it's great, amazing pivot. First of all, thank you
so much for really taking in my point and backing
it up with at least some entertainment.
Speaker 3 (41:57):
Yeah, it's great. I love the gun, it's a good
the Sarquette, the buddy comedy aspect. I may see it again.
Speaker 1 (42:05):
Amazing.
Speaker 3 (42:06):
I've never seen beneflect so good. In the first one,
he's like was a mathematician, this accountant that could you know,
numbers were floating around in his head, much like the
movie he wrote with his friend. Anyway it is. I
liked it. It was betterigg the story of the Jello Corporation,
(42:31):
Goodwill hunting that. Yeah he was. He was like a
accountant and then you find out he's a tough guy.
But in this, I don't know, there's just more backstory
and it's it's great. And you already liked that. John burnhal, guy,
I do. And they are great together.
Speaker 1 (42:49):
They're a great team.
Speaker 3 (42:50):
Yeah, just causually improvising brothers hanging out. They were good.
Speaker 1 (42:56):
Every word of that was written.
Speaker 3 (42:58):
You're probably right no, a lot. You could tell some
of it wasn't though. They just were so casual. It
was good.
Speaker 1 (43:07):
John Barenthal was in the first one, right, yes, yeah, yeah, okay.
Speaker 3 (43:11):
But it was like he was the enemy low my
long host brother. He's an assassin or something. Now they're like,
it's more about like, why didn't you ever call me?
It was a very well done family travel movie. They
go on a road trip. There's like a dance scene
where they even though he's uncomfortable around people, he does
(43:33):
like a line dancing thing and I loved it. Okay,
and on paper it sounds like the cheesiest thing.
Speaker 1 (43:38):
Well, it also on paper sounds like rain Man.
Speaker 3 (43:41):
It very much is rain Man, like it's rain Man
with guns. And in order to tell you on this,
I'm going to raise my volume Rainman Part two Guns.
Speaker 1 (43:55):
Rainman with Guns is a great idea.
Speaker 3 (43:58):
It is rain Man. You haven't even seen it, I know,
And you're right.
Speaker 1 (44:03):
It's pattern recognition issue. It's a coping mechanism from my childhood.
Speaker 3 (44:09):
That's so funny that I didn't even realize.
Speaker 1 (44:12):
I'm so sad we couldn't have those sandwiches.
Speaker 3 (44:15):
Yeah, I know.
Speaker 1 (44:17):
I don't usually get into that mode of like so
much funk or just I have to have this one thing. Yeah,
because I'm always like if I'm hungry, it's whatever, whatever,
Y goat. But I was really like, oh, I never
go there. It's such a rarity.
Speaker 3 (44:35):
Yeah, it's hard to argue with we are out of
bread though. Yeah, it kind of is a perfect way
to just end a conversation.
Speaker 1 (44:45):
Also, it's like we were shamed by that, like we
were the pigs that ate all the bread. For some reason,
the people in line were like, oh, okay, bye, like
like we should have never wanted sandwiches in the first place.
Speaker 3 (44:56):
Yeah, bread is gone because you illegally parked because you.
Speaker 1 (45:01):
Are not loading anything in that loading zone.
Speaker 3 (45:04):
Well, we wanted to load some bread into our fucking
mouth zone.
Speaker 1 (45:08):
These pieces of shit. Yeah, that's inappropriate.
Speaker 3 (45:12):
It's okay, it's okay. There was a last time, this
time fourteen years ago. In the recap of the episode,
you promised not to swear as much.
Speaker 1 (45:26):
Really so upset. I'm sorry tisk tests tisk and tisk
to you.
Speaker 3 (45:36):
I still don't know what tisk is.
Speaker 1 (45:38):
Is it is it that sounds Some people literally say
the word tisk tisk.
Speaker 3 (45:44):
Oh God, I mean, we're give meing Kathy the cartoon.
I really don't know what a tisk is.
Speaker 1 (45:50):
A tisk sounds like you're calling a cat, though. My
favorite bumper sticker of tell your cat, I said, tisk tisk, right,
isn't that the one tell your dog? I said, Hi,
tell your cat? I said, cat noise?
Speaker 3 (46:01):
Really? I, oh, you know, I kind of. I don't
take in cat based bumper stickers like.
Speaker 1 (46:10):
I used to stop projecting them.
Speaker 3 (46:12):
I am no buddying you and all cats. Oh if
only we could be as good at improv as Beniflec
and John Barenthal. I'll say his name differ however I want.
Speaker 1 (46:27):
I told her that I went to the not the
Aero Theater, but the one that's over by the four
h five.
Speaker 3 (46:36):
Oh New Art.
Speaker 1 (46:38):
I went to the New Art because the new Lena
Dunna movie had come out. I can't remember how many
years ago this was, and John Barenthal was like starring
in it with her, with Lena Dunham and they were
like and special guest John Barrenthal after you know, Q
and A.
Speaker 3 (46:53):
Oh he was there, uh huh.
Speaker 1 (46:54):
So I went. I made my friend go with me.
I can't remember who, and I was like, what am
I doing? I don't give this much of a shit
about I'm not like that kind of a fan of his,
but I was like, but I kind of just want
to look at him in real life. Yeah, and he
was super like Swave. He's everything you want him to be.
He's very smart, he can speak about acting really well
(47:17):
without sounding like trite or what like. He was very sincere.
He was just wonderful. And You're like, this guy should
be a gigantic fucking.
Speaker 3 (47:27):
Star, right, and I think he is now.
Speaker 1 (47:30):
I guess he is, But I mean he should be
more than the character actor or the brother.
Speaker 2 (47:34):
He can be.
Speaker 3 (47:36):
It's no one wants to be so famous that they
can't go places.
Speaker 1 (47:42):
John Barenthal wants that. He told us at the movie
theater that night. He said, if you leave here with
one goal, let it be that I have to stay
in my house for the rest of my life.
Speaker 3 (47:54):
It's really uh huh.
Speaker 1 (47:55):
It's weird because we were like, John, how do we
and he was like, stop asking you questions the Q
and azo, Yeah it was wild.
Speaker 3 (48:02):
Wow, that really took a turn.
Speaker 1 (48:04):
I know, but you say you like the guy I
like fighting, Oh right, I think it's funny.
Speaker 3 (48:11):
Well there was any Apparently in college he just accidentally
went to some acting class to fulfill a requirement.
Speaker 1 (48:21):
Mm hmmm. He was supposed to be a baseball player, right,
I saw that TikTok to him.
Speaker 3 (48:25):
Yeah, and then and then he I forget the details
after that, but he's like it very accidentally became an actress.
Speaker 1 (48:34):
But I also think it's like, you're not that good
look in don't know that you could be an actor
in my opinion, right, because he just has a classic,
like it's very Silvester Stallone style where it's like you're
like a hot, muscly, kind of broken nosed Italian man.
You've you've never not succeeded in this country. Oh.
Speaker 3 (48:53):
I thought he was an ex MMA fighter because the
first thing I saw him in was that that fighting warrior.
I don't know what it was, I can't, it doesn't matter,
but he was so good in it. I'm like, God,
this guy's good for a fighter because he learned how.
He's like obviously does the martial arts that are mixed.
(49:14):
He different mixed arts.
Speaker 1 (49:17):
It's a kind of a bridge mix ye martial arts. Yes,
he also was in I think it was Band of
Brothers or one of those movies where they had to
go and like work out as soldiers for six weeks. Right,
I think it was right.
Speaker 3 (49:33):
Yeah, Yeah, I think you're right.
Speaker 1 (49:34):
And I think he I would totally believe he would
love though. He would be like, please sign me up.
I absolutely can't wait to do the Navy Seal training
six week training.
Speaker 3 (49:46):
Yes, exactly. Yeah, I've already been practicing for my whole life,
when I go late at night and swam in the
ocean for no reason with the black grease pencil under
my eyes like a baseball.
Speaker 1 (50:01):
Player and a knife in my teeth.
Speaker 3 (50:03):
Yes, if you have to happen, he got to.
Speaker 1 (50:05):
Yeah, our family friend when I was like in college,
a girl we went high school with got married to
a guy we went to high school with, and he
had went to college and then become a Navy seal,
and my dad was obsessed with the fact that he
was a Navy seal. And then it was a Navy
seal's wedding, and so we're sitting in the church forew
was like waiting for it to start. My Dad's like,
(50:27):
guess he's swimming up the Petaluma River right now with
a knife.
Speaker 3 (50:30):
In his seat's so fun.
Speaker 1 (50:32):
That's the way he's getting to his own wedding. He's
got a navy seal his way to his wedding.
Speaker 3 (50:37):
Jam, good one, Jim.
Speaker 1 (50:39):
Pretty funny. My dad's great. If you're waiting in a hospital,
emergency room, in a church for a funeral or a wedding.
Speaker 3 (50:49):
Give you just buy a happenstance. Sit next to him. Yeah,
he'll turn and give you a real jam.
Speaker 1 (50:54):
He will absolutely make you, try to make you laugh
at the most inappropriate time. It's his favorite thing to do.
Speaker 3 (51:00):
That's great, that's great, my dad would like that.
Speaker 1 (51:05):
And then he tells you to be quiet. He tries
to get you to laugh, and then you start laughing
at it.
Speaker 3 (51:08):
He pretend it's too late in life for our gyms
to not become lifelong friends. I know we need. The
technology doesn't exist yet.
Speaker 1 (51:18):
The amount of acorn stairlifts we would need to make
that happen, you can't even picture it.
Speaker 3 (51:24):
I can't A brand of a chair that fixes to
a handrail up a spiral scare exactly right.
Speaker 1 (51:30):
Remember in Gremlins, the Grandma's on the chair and then
it oh goes crazy.
Speaker 3 (51:36):
I got my Rascal scooter.
Speaker 1 (51:39):
And I'm on top of the world Grand Canyon.
Speaker 3 (51:42):
Right in the commercials, she falls into the Grand falls in.
Speaker 1 (51:48):
Her head is crushed and sales went through the roof,
and they're like, I want a piece of that adventure.
Someone said it was I had an interview today and
somebody said, oh, yeah, they told you're going on vacation,
and they were like, and the guy goes, is it
more of like relaxation or adventure? It's just like I
was like, it's never adventure. I don't know what you.
Speaker 3 (52:13):
Could have said, Uh, adventure is my relaxation. And then
put a knife in your mouth.
Speaker 1 (52:19):
And then just dip down the blow motion.
Speaker 3 (52:23):
I'll do the sound effects.
Speaker 1 (52:25):
And then I would say to I'm going underwater a
little bit and then just crawl out. Stop the interview.
Speaker 3 (52:32):
Now I'm making bacon. Sorry when that sounded more like
a surgery. Yeah, I'm not good at it. I just
want to do it. Oh okay, I want to be
a fully hard do it. Then ah okay, but drop
me off.
Speaker 1 (52:53):
Oh go start your actual career.
Speaker 3 (52:55):
Yeah at the radio show where they require that profession,
which is gone.
Speaker 1 (53:00):
Now you have a goddamn radio show. It's called do
you Need to ride.
Speaker 3 (53:04):
Well, it's a perfect place. Give me a thing happening.
I'll do the.
Speaker 1 (53:08):
Sound helicopter tour that then crashes into the side of
a mountain up on.
Speaker 3 (53:14):
The right strong of burning. My skin is relted the end.
Speaker 1 (53:20):
Incredible, Thank you. I was there? Was that Hawaii?
Speaker 3 (53:24):
Well it was the helicopter. It was Hawaii, and then
yeah I got it focused on the voice and I
forgot about the location for a minute.
Speaker 1 (53:33):
Well it came through in the performance.
Speaker 3 (53:36):
Yeah, thank you. It's not my first time during a
helicopter on this podcast. I appreciate you throwing a little
of what I know.
Speaker 1 (53:43):
Yeah, I think that was important to let you really
shine so people get invested in the radio show that
we're trying to make this podcast. Okay, next, what is
it you're driving a cyber truck and you're being harassed
by pedestrians?
Speaker 3 (54:02):
Yeah, right back at you, buddy. It's paid for.
Speaker 1 (54:06):
And in between you were blowing on a comb with
a piece of paper over it.
Speaker 3 (54:10):
Yeah. Yeah, Well I didn't get to the part where
I put shoes on my hands and walk through gravel.
Speaker 1 (54:15):
You're doing fully in the cyber truck. You can't do that.
Speaker 3 (54:19):
No, that the back of the truck was filled already.
I had to put the gravel under my feet.
Speaker 1 (54:25):
You have a fully studio recording studio in that cyber truck.
Speaker 3 (54:29):
No, I have gravel formats.
Speaker 1 (54:31):
Oh and scene.
Speaker 3 (54:33):
Thank you.
Speaker 1 (54:34):
Woo uh, well, we've done it again.
Speaker 3 (54:42):
We have done it again. This was like an old
school episode, unhinged, nonsensical, totally based.
Speaker 1 (54:51):
In trust, conversational sort of I mean here and there,
kind of riffy.
Speaker 3 (54:58):
Solid jokes and some weird bits.
Speaker 1 (55:02):
And old stories you've heard before always are guaranteed to you.
Speaker 3 (55:06):
Yeah, and some commercial jingles we sang many times in
the past taught us there is now an American car
that does exactly what you've been looking for. We can't
sing it anymore. We've got a strongly worded letter.
Speaker 1 (55:21):
We've already paid the price for.
Speaker 3 (55:24):
Oh god, I'm I took a bath on that.
Speaker 1 (55:27):
Yeah, you really paid fifty thousand dollars. Write out your.
Speaker 3 (55:30):
Ass for so much money. Okay, that's it. I'm gonna
get out of the car.
Speaker 1 (55:35):
Well wrap it up first, please, Yeah, I will you.
Speaker 3 (55:38):
Okay, I just was announcing that I'm gonna wrap it up,
and here we are. You've been listening to do you
need a ride, then I'm going to open the door
d y n Ar.
Speaker 2 (55:56):
This has been an exactly right production.
Speaker 1 (56:00):
Senior producer is Annalise Nelson.
Speaker 2 (56:02):
Mixed by Edson Choy.
Speaker 1 (56:04):
Our talent booker is Patrick Kotner.
Speaker 2 (56:06):
Themed song by Karen Kilgareff.
Speaker 1 (56:08):
Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,
and Facebook at dinar podcast That's d y nar Podcast.
Speaker 3 (56:17):
For more information, go to exactly rightmedia dot com.
Speaker 1 (56:20):
Thank you, Oh, You're welcome.
Hosts And Creators
Karen Kilgariff
Chris Fairbanks
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