Cue The Tears • EP 716

Rob and Joy talk about a specific actress that blew them away this episode, why Alexander's role is so confusing, the redemption story they love the most and which character is giving off Dan Scott vibes. 

Plus, Rob tells a hilarious story of how he tried to bring himself to tears during an audition. 

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
First of all, you don't know me.

Speaker 2 (00:02):
We all about that high school drama Girl Drama Girl,
all about them.

Speaker 3 (00:06):
High school queens.

Speaker 1 (00:08):
We'll take you for a ride. And our comic girl
sharing for the right teams. Drama Queens, Jaylie's Girl Fashion,
which your tough girl? You could sit with us?

Speaker 2 (00:17):
Girl Drama Queens, Drama Queens Drama Queens Drama Drama, Queens
Drama Queens.

Speaker 1 (00:24):
Hey Everybody, Episode seven sixteen. Welcome back to Drama Queens.
You've got me and Rob today. This one is My
attendance is bad, but my intentions are good. Air date
February eighth, twenty ten. Hey you doing, Rob?

Speaker 4 (00:36):
Hey Joy? How are you?

Speaker 1 (00:39):
I'm pretty good. I'm pretty good. I'm in good spirits.
How are you?

Speaker 4 (00:43):
I'm well? Although I feel like we should open the
episode with a public service announcement to our listeners. Yes,
I heard your cries in the comment sections of every
single social media post, friends, and I apologize on behalf
of all three of us. Julian's mom is not deceased?
Are dad? We forgot in the moment, we got caught up,

(01:05):
and shame on us. We own it. We apologize. Thank
you for correcting us. Multiple multiple times.

Speaker 1 (01:12):
Oh my gosh, wait, I didn't know this happened. I
missed this episode. Y'all forgot Sharon Lawrence came.

Speaker 4 (01:18):
I think we did it twice. Man, I'm pretty sure
two separate episodes, at least one, because like the comment
section was just a flood of like, she's alive and.

Speaker 1 (01:30):
Listen in your defense, there was a lot of confusion
about parents alive, dad, who came in, who was talked about,
who actually showed up. I was even confused about Bess
Armstrong in this episode talking about Haley's dad who had
passed away, and I was like, when did Hailey's dad die?
I totally forgot that Huey Lewis had done. I mean, well,

(01:52):
you know who played Haley's dad had passed away?

Speaker 3 (01:54):
Wait?

Speaker 4 (01:55):
What Huey Lewis played your dad?

Speaker 1 (01:59):
Yes?

Speaker 4 (02:02):
Wait, you didn't know this? No, are you kidding me?

Speaker 3 (02:07):
No?

Speaker 1 (02:08):
Oh, Rob, I know. I wish you'd been a part
of the show. And he came to the show. It
was really fun. We were all a little starstruck.

Speaker 4 (02:16):
That's incredible. Oh my gosh, mister Huey Lewis and the
news himself, that's so cool. I wanted to ask you
because obviously this was my first time and I remember
meeting her and Bess was so lovely, the actress who
plays Lydia. But was she prominent in seasons one through six?

Speaker 1 (02:33):
No, she had come back. I think she had appeared
two or three times. There was meeting Haley's family, Nathan
met Haley's family, and then there was the wedding, one
of the weddings, which might have been the same episode,
but I feel like it wasn't. And then I feel
like maybe there was a thanksgiving that Huey Lewis wasn't
there for by.

Speaker 4 (02:54):
The way, I love that it's always Huey Lewis. It's
never Hugh, you know.

Speaker 1 (03:00):
Yeah, But then I guess I don't know if he
wasn't available or if they just didn't want to pay
anybody else because for whatever reason, but he didn't come
back for this one, and I was so confused that
they just said, yeah, he passed away. I'm like, we
missed an entire storyline of Haley and Quinn losing their dad.

(03:20):
Did am I wrong? Like chi him in our producers.
Hannah is on the call now. Of course, so Hannah,
if I'm missing it, to let us know. But no,
she says, I don't think they said it on the show, right,
so we just bypassed it.

Speaker 4 (03:35):
Yeah, I can guarantee you that Quinn never more in
her dad's passing, because Quinn showed up when Clay showed up,
and that never happened.

Speaker 1 (03:42):
Yeah, that's right.

Speaker 4 (03:43):
Unless you did it on your own.

Speaker 1 (03:44):
Yeah, that's right. No, we just pretend skated right by that. Nevertheless, Okay,
Brooke and Julian try and find a balance between their
personal lives and work. As the movie shoot begins. Nathan
and Haley receive a surprise visit Bess Armstrong playing Lydia,
and Clay supports Quinn as she faces some unexpected news.

(04:07):
Alex sets her sights on Alexander, and Millicent finds herself
struggling with temptation.

Speaker 4 (04:12):
This was directed by Jessica Landlaw and written by Nicki Scheffelwan.
I thought the episode opened so much fun. That kitchen
scene that starts off with Taylor and Quinn and yeah,
you come into it, and then Jamie and Nathan. It's

(04:33):
the sibling just rivalry and the bickering. It's pretty all
time when the three of you are in the same room.

Speaker 1 (04:40):
That was really fun. It was a dynamic that I
didn't know I needed until I saw it, and that
combined with the soundtrack whoever that must have been a
Lindsay Wolfington pick. I don't know what that song was,
but it was really fun. There was a lot of
energy at the beginning. I always wanted that in my
house growing up. I never got it, all of that,
like sibling energy.

Speaker 4 (04:59):
Now me know of Taylor what I've seen of late,
like this season, which don't get me wrong, has been horrendous.
But has she always been this bad? I'm asking this
to this end. You all rag on her mercilessly?

Speaker 1 (05:15):
Yeah?

Speaker 4 (05:16):
Is it deserved? Like? Have we shown she's just straight
offul all the time?

Speaker 1 (05:20):
There has not been. I don't think there's been an
episode with Taylor where she hasn't been causing trouble. I mean,
she blew into town explaining that she took Nathan's virginity, right,
I think she took his virginity and then right. I
don't know if there was another time or if she
I feel like there was since she came in. You're

(05:40):
talking to somebody who's I've got the best short term memory,
and my long term memory is I have a challenge
with that, especially with this show. Yeah, I don't know.
I feel like she just came in that one time.
But yeah, this is very bad behavior. But I love

(06:00):
Lindsay McKeon. She is a firecracker, Like she really is
a firework coming into every scene that she's in, and
especially in this episode. I'm trying to find the note
that I wrote about that in this episode when you
everyone else is being so contained, everybody's hiding something under
the surface, and she is just everything is outside of

(06:22):
her body. She's exploding off the screen. I just always
want the camera to stay on her longer, even though
she's causing trouble. I love watching her.

Speaker 4 (06:31):
She kind of has a bit of a Dan Scott
vibe and Matt when she comes on the screen, I
kind of lean in, Yeah, what are you about to
get into? Yeah, because she is she's kind of a
wild card, you know, you never know, and she plays
it so well that character could have been far less
interesting in the hands of a lesser actor.

Speaker 1 (06:53):
Yep, I totally agree, you.

Speaker 4 (06:55):
Know, but she's she's fun, man, and because she just
like y'all are vinegar and she's baking soda. She's just
there to make things explode. She can't help her.

Speaker 1 (07:06):
So that's it. That's it, she and she really that's
I agree with you that in the hands of a
lesser actor it could have been very sort of I
don't know, mechanical is the right word, but very one dimensional,
just like show up, make the poudy face and do
the troublemaking thing. But she has this deep layer of need,

(07:33):
like the need for attention, need for love for whatever happened,
and that all of the bitterness and like jealousy of
her sisters and all she's like carrying all of it.
It's so interesting to watch.

Speaker 4 (07:45):
Yeah, this character could have been like every bolly in
a nineteen eighties movie totally yeah, where you're like, oh yeah,
you have one speed, it's mean and there is nothing
else going on. Yeah, Like that could have been her,
like I'm hot and I do what I want. Be like, eh, okay,
after two scenes, he'd be like, we've seen it all.

Speaker 1 (08:03):
We're good, right right next please? Yeah, the look on
her face, I mean, I don't know how much we
want to jump around. But when Lydia shares the news
that she's sick with the girls, the look on Lindsay's face,
the way she did that was it broke my heart
out of everything. Like me and Quinn were kind of
just shocked, and she was immediately so angry and hurt.

Speaker 4 (08:29):
Yeah, And what I liked about that was that all
three of your actions, all of those different reactions to
that news and that grief. I feel like anyone who's
gone through grief has been all three of those. Yeah,
Like all of it was relatable, even though the even
though the initial reaction was so extreme, especially in the

(08:51):
case of Taylor. You know, I feel like everyone can
kind of react to the way all three of you
responded to that, Yeah, whereas I feel like you and
or excuse me, Haley and Quinn responded.

Speaker 1 (09:01):
Taylor reacted, yes, as Taylor always does. It was very
true to her.

Speaker 4 (09:07):
But going back to that opening scene, I love how
Nathan and Jamie they just know what's about to happen
and they just quietly dip out and they go to
Clay's because they know Clay has all the good cereals,
which made me laugh because I always had the best
snack collection in my apartment in Wilmington, Like that was

(09:28):
my thing. I had a giant candy bowl. I found
out what everyone's favorite candies were I had it stocked.
So I wondered because by this point we're sixteen episodes in,
a lot of people have visited Wilmington. I'm like, oh,
I wonder if by this point they're starting to write
in little parts of Clay that are just rob Oh.

Speaker 1 (09:43):
Yeah, that makes sense. I love that. I did really
enjoy that because I don't think that's ever happened. For first,
I was like, I didn't know you guys lived. I
don't know Clay lived that close to Nathan and Haley
that they were just like, just get in the car,
we'll go to Clay's. But yeah, everybody piling into just
eat cereal at Clay's house, like leaving an entire house
just to avoid one person. Everyone leaves.

Speaker 4 (10:07):
And the fact that she catches you guys, that she
shows up too.

Speaker 1 (10:10):
How does she even know where Clay lives? Has she
been there yet?

Speaker 4 (10:13):
No? Of course not. And I started to be like,
how would she know? And I'm like, just enjoy this.
She's a funny, dynamic, cool out. But I love that
Clay has all the good cereals because to me, it
says two things. Clay has been a bachelor for a
very long time. Yep, and Clay is still a child
at heart.

Speaker 1 (10:32):
Yes.

Speaker 4 (10:34):
I just picture Clay on his like his day off
is just like doing that thing where you pour like
a little bit of every cereal into a giant bowl
and just sits down in front of the TV. You know,
it feels very clay that.

Speaker 1 (10:45):
That's a great point. I think that's one of the
reasons why Clay and Quinn really connect, right because she's
so she's she's the oldest, She's had to take care
of so many things, she's had to be responsible. She
probably got married young too and has been just being
the responsible one. And to connect with a guy who
is he's been through enough to experience to have real

(11:08):
depth and real maturity. But there is a playfulness and
a youthfulness at heart that gives her a permission to
play and let that part of her personality out. I
really like that about you, guys. Dynamic.

Speaker 4 (11:18):
Wait, Quinn is the Quinn eldest. Yeah, that's so interesting
because I wasn't quite certain, and then watching this episode,
I just assumed you were the eldest by the way
that Lydia kind of calls upon you to be the lynchpin,
to be the strong one.

Speaker 1 (11:37):
Yeah, I don't know why Haley was sort of I
think in her family she might have been the middle.
I think was Taylor younger than Hayley.

Speaker 4 (11:47):
I'm just saying that she thinks Taylor's the eldest.

Speaker 1 (11:50):
Oh. Interesting, I know Quinn is older than Hailey. For sure.
I could absolutely be wrong about Taylor being the oldest
one in the whole fit. Yeah, fans, you guys, have
you guys know this stuff? You got to you gotta
tell us because this one slipped through the cracks for me.

Speaker 4 (12:04):
Politely inform us in the comments. Second, I don't think
it anymore. We're owning. Okay, it's Taylor's the eldest, then Quinn,
then Haley. Okay, Taylor then.

Speaker 1 (12:13):
Quin then Haley. Okay, Okay.

Speaker 4 (12:14):
Lots it down.

Speaker 1 (12:15):
So weird though, because what how does that work? Usually
the oldest one is the one who is so responsible complain,
And it's interesting that Taylor is just so angsty.

Speaker 4 (12:28):
I think there's also something to be said for, Like
I know, in my family the dynamic was I want
my brother was sort of the wild child, and I
watched him always getting grounded and busted, and I and
I just sort of went I'm going to do the
opposite of that, and so I just became the kid
who worked hard in school. I followed the rules. I
kept my head down. So if Taylor was the train wreck,

(12:51):
it kind of tracks that, yes, that the next two
would be like, let's not let's not do that.

Speaker 1 (12:57):
Yeah, yeah, I think that that does make sense.

Speaker 4 (13:00):
But it is funny that the baby is like literally
the only one who has you know, her ducks in
a row.

Speaker 1 (13:06):
Yeah, that's funny. You think the Quinn would have been
the one that went the complete opposite direction. Maybe she
did in her own way.

Speaker 4 (13:13):
To be fair, she was on that trajectory. Yeah, she
was happily married. They were probably thinking they were going
that direction, and then he wanted that stupid entertainment room
and ruined everything, ruined everything. You blew it, David.

Speaker 1 (13:28):
I think Hailey's got a good mix of both of
them in there, because I don't see a lot of
angst in Quinn. I see a lot of like eagerness
and wanting just wanting things to be okay and make
everything right. And I think Hailey's got a good mix
of just responsibility and also I feel like she's constantly
bursting with frustration like everything's fine, Everything's fine, and it's like, oh,

(13:49):
I won't everybody just be cool?

Speaker 4 (13:52):
Yeah, it kind of tracks because it does feel like
Hailey's got flashes of both Quinn and Taylor to her. Yeah,
she has a hot streak she can access. We've seen
you slap the pretty off of multiple people. But you're
also you know, level headed in earnest and a thinker.

Speaker 1 (14:11):
Yeah. But I like this dynamic between Clay and Quinn.
I think it's a really good match. It's fun to
watch you, guys, and it was really fun to watch
you with Bess Armstrong in this episode. Who guys, we
got so lucky with Bess Armstrong. Yes, the mos I
mean we were so excited when we first heard that
she was cast as Hailey's mom, because she's she's Claire

(14:33):
Danes's mom from My so called Life, and she's had
this incredibly illustrious, long career in Hollywood and the fact
that she would come on our show and play with
us and just interact with us and show up not
just on set, but she actually really invested and stayed
in touch and went out and had coffees with us
and cared. She was really like a mom to us

(14:57):
in many ways, as much as you can be with
all the moving around in this industry, but she consistently
has showed up and stayed in touch, and it's amazing.
We got really lucky with her.

Speaker 4 (15:10):
I remember the first word I think it went, and
I thought, oh, yeah, I remember this, and I vaguely,
very vaguely recalled us shooting that scene on the on
the stairs. But the first word is warm. She was
very warm, like very There was like no ego, she
was very accessible, like you said, she was interested in

(15:32):
other people. She was terrific. And then she just does
such a good job with the storyline. But yeah, I
loved that scene with Clay and Lydia on the stairs
talking about grief.

Speaker 1 (15:44):
Yeah, it felt really meaningful to bring those two together
in a way that I just wasn't. I wasn't expecting
that scene. I forgot that that scene existed. The fact
that she comes into town. You know, obviously she's got
this news that she's dying and she comes in and
what really struck me about the conversation with Clay is

(16:05):
that here's someone she doesn't know. I mean, she's obviously
he's her daughter's love, and this is someone that she
wants to invest in before she passes. But there's usually
a dance of niceties. There's you know, it takes time
to get to know someone and drop into these really
deep places. And I imagine when you know your time

(16:26):
on this earth is limited, so much of those things
just you just push to the side all of the
formalities and you just dive right in. And I thought
it was so interesting that she was willing to just
come in and start saying all the uncomfortable things and
making grand gestures like buying the the uh sorry, renting

(16:47):
the space for Quinn, and it just don't It made
me think about that in life, like how often we
how much time we spend doing all the nice formality,
and how interesting it would be to just drop in.

Speaker 4 (17:04):
It reminded me of how you know, when you become
a parent and all of a sudden, ninety five percent
of your free time is gone, and it kind of
forces you to look at all of the relationships in
your life and just sort of go, I have time
to nurture three of these, like what are the most
important three? Yeah, you know, and not even that you

(17:25):
have to like weed out people, but you just sort
of look at the ones that are just kind of
taking up space first. The ones that are actually meaningful
kind of helps you become more efficient with your time
because you're like, this small group is actually these are
the plants I'm going to water. Yeah, other stuff doesn't matter.
I wonder if it's the same in that situation where
it's like I'm running out of time. So it's very

(17:45):
clear what I want to do with it. I want
to be with my girls.

Speaker 1 (17:48):
Yeah, be really beautiful.

Speaker 4 (17:50):
A clarity that comes with it. But before we get
to Lydia's arrival, let's jump to Brooke and Julian's movie. Well,
excuse Meulian's movie, but that Brook is working on.

Speaker 3 (18:02):
Yeah.

Speaker 4 (18:02):
Yeah, because there was a lot of fun stuff with
an this episode. I liked how it kind of opened
with them using the movie as kind of a metaphor
for their relationship.

Speaker 1 (18:13):
Okay, oh yeah in his office.

Speaker 4 (18:15):
Yeah it was. Yeah, it was cute to see them
sort of talking to each other and about their situation
through the movie.

Speaker 1 (18:23):
Yeah, I was sweet.

Speaker 4 (18:25):
And then there was some great stuff. First of all,
Julian is the kind of director I'd love to have
on all my projects.

Speaker 1 (18:32):
Yeah, so invested, so present, so sensitive, could.

Speaker 4 (18:37):
You imagine getting sixteen takes without the director getting sassy
with you Nope, and then coming up and reading with
you off camera like that, I just come on so good.

Speaker 1 (18:49):
He is so good. And the patients because when Alexander
walked in and he's like, nice shot, Hitchcock, what is that?
That's a not psycho vertigo? Right? Like, can you imagine
a costume designer, like, and he's not even a code
design Brook is a designer. He's working for Brooke walking

(19:11):
on set and commenting on the direction that the director
is giving the cameraman out loud in front of everyone.
He would never walk on that set again.

Speaker 4 (19:22):
Oh he wired tossed a grenade into the mix and
then walked off like that was emotional terrorism. Could you
imagine your first day of shoot or like, I don't
know where they are in their schedule, but he's time directory. Yeah,
and the guy who's already a threat to your love
life comes in and just hits you below the belt
like that terrible.

Speaker 3 (19:43):
Uh.

Speaker 4 (19:44):
But I also loved that Nathan shows up to set
and he he makes a Shrek too, He quotes Shrek
and I love but I love the reversal of where
they were at the camping trip versus this, because it
was the roles were flipped where Nathan was trying to
do the bit and Julian just goes Shrek really and

(20:05):
walks away. I was like, good for you, Julian, give
him some guffs. He deserves it.

Speaker 1 (20:11):
Yeah, that's right, although I don't know why he gives
it to Nathan and not to Alexander. Con My jaw
was on the floor.

Speaker 4 (20:18):
It was misguided.

Speaker 1 (20:20):
I did like that.

Speaker 4 (20:22):
Yeah, they did be more choice words.

Speaker 1 (20:24):
I thought this. First of all, Jana Kramer is such
a wonderful actress. It really is so nice to watch
her on camera. She's another one like Lindsay McKeon, where
there was there's just always so much more going on
underneath the surface, And while all the rest of our
characters were reacting or holding something in, these two were

(20:48):
really propelling things forward just in there in two different ways.
I mean, Lindsay was just exploding, and I felt like
Janna's character alex like we've seen her be soft in
a manipulative way, but this felt like it was an
authentic personal journey for her that I was leaning into.
I was doing the same thing that you were saying before.

(21:08):
I was like, it brought me in to her in
her turmoal because she was just wearing everything on her sleeve.

Speaker 4 (21:15):
Yeah, and this is the storyline I wanted to see
for Jana. Yeah, not for Alex, because I know Jana's
is good and she's very talented that I wanted to
see her go to this level. I mean that scene
where Julian talks her through and she just pulls it out.
What's so funny is like, that's not easy to do, right,

(21:38):
And what's so funny is it's so meta, right because
they're shooting a fake movie, but she's actually acting and
had to do the same thing for our show. Yeah. So,
and it's like people don't get It's like oftentimes people
have to step away, listen to music, whatever your process is.
So I'm always impressed when someone can just on action boom,

(22:00):
drop it and go. And she killed it.

Speaker 1 (22:04):
She really did. What is your process when you have
to do that stuff? Rob? I know you talked about
before where you used to have to stay in character
all day and it was really brutal for you. Do

(22:27):
you still feel like you have to do that or
have you found a different method?

Speaker 4 (22:31):
No, I don't do that anymore.

Speaker 1 (22:32):
That was no emotional acting. You don't do that anymore.

Speaker 4 (22:35):
Yeah, exactly. It's either eyebrows or laughter. Those are the
two things I do. It's two speeds. Yep, that's exactly right.
I'm like the bully from the eighties movie with one
extra speed, bad attitude, and eyebrows. Now it's just like
I said, I used to have. It wasn't even like
staying in character as much as it was like just
staying in sadness. So it's like whatever kept me in

(22:58):
that place where I was just wavering on losing it?
Now now I try to keep it more honest and
just think about like the reality of what it is,
you know, and and just sort of go with that.

Speaker 1 (23:12):
So you you feel more connected to your characters now
in that way, like you can just be who they
are in the moment.

Speaker 4 (23:18):
Yeah, And so much of what I do is just
going how do I think I would react if I
was in this situation? Yeah, you know, that's a lot
of what at least it is for me, you know,
is just trying to find the truth of how would
this feel, you know, And so to that end, it's
kind of it. But I don't like having to do crying,
And whenever I read a script, especially they're like a

(23:38):
tear rolls down his cheek. I'm like, ugh, don't forecast
the tear, especially when it's not earned. Like I just
did something where there was like a beat of joking
and then there's one line and then I'm supposed to
be welling up. And I went to the direct ground
was like, hey, guy, this is a manic turn. What
do you say? We don't do that? And he was like,

(23:59):
great idea. That was crazy. You know.

Speaker 1 (24:02):
I wish they would somebody would do an actor's pass
on scripts, because scripts have to get turned into studios,
and it's a bunch of executives who are not creative
and they're not actors, and they have to They need
the tear rolling down the face in the script so
that they can sort of watch the movie in their
mind and understand, like the emotional arc almost has to
be spelled out for a lot of people who don't

(24:24):
do what we do and who are up in the
higher ups in their suits and seats making decisions. But
wouldn't it be nice if there was somebody who just
took all of the stage direction out and turned in
a script too that was basically just dialogue and like
a couple of basic stage directions.

Speaker 4 (24:40):
That would be incredible. You know, what I would say
my trick is now is that I let myself off
the hook.

Speaker 1 (24:45):
Yeah, so it's there, but you ignore it exactly right.

Speaker 4 (24:47):
I don't feel because that was the problem before, was
I have to start crying at this point. As soon
as there's that pressure, I like rarely, if ever met it. Yeah,
so now it's sort of going, I'm just going to
be as sincere and honest as I can. And if
that's where it gets, it's earned and it's real and
it's great. And if not, that's okay.

Speaker 1 (25:06):
Did someone teach you that? Was there a moment when
someone taught you that? And like the idea of not
having to stay in sadness but having to but being
able to just drop into the moment with your character.
Because it's interesting to start a career with these particular
habits and then at some point switch over and do
it differently.

Speaker 4 (25:24):
No, because I didn't train. You know, I sort of
took one acting class in college and loved it and
that was enough to get the bug. And then you know,
I took a couple acting classes when I first got here,
but I didn't have proper training, which is why like
I come to one tree not it's the first time
doing proper sadness and grief I didn't know, which is
why I was like being wildly inefficient with just how

(25:47):
hard I was making it on myself.

Speaker 1 (25:48):
Did it just occur to you, like I just want
to do things differently? Did you hear people talking about
different ways that they did it, Because that's a that's
a hard transition, I think when you're so used to
doing something a certain way and it's your whole job
to start being like I'm going to try it and
do it this way instead. Like how long did that
transition take?

Speaker 4 (26:05):
I see, I don't know.

Speaker 1 (26:06):
I know.

Speaker 4 (26:06):
On my very first TV show, we had this director,
David Hogan, and he said to us something effective like
just make just make sure it's honest. And for some
reason that's stuck with me and that always was my
north star. But as soon as I started working like
bigger stuff, I thought, it needs it needs to be
a certain way. And I think it was just with

(26:27):
enough experiencing enough experience, and then just also like listening
to people I respected, watching people I respected, and going
it doesn't have to be that way, Like, how about truly?
So much of it has been getting out of my
own way and just letting myself off the hook, you know,
I love it, and not deciding ahead of time what
it asked to look like and just being like, let's
just play and see what the moment brings. Yeah, what's

(26:49):
your process? Because you kill it with that stuff, at
least on the outside looking in. That's how it appears
to me.

Speaker 1 (26:55):
Thanks. That took me a while too. I started out
with a very like I. I would try everything. I
would try putting myself through physical pain to make myself cry,
like like poking myself with a pin in my pocket.
There's a lot of peace, or like trying to you know,
I've heard of actors it would like pull hair out

(27:15):
with tweezers, like hairs on their leg out with tweezers
while they're doing a crying scene. I tried doing the
same thing you're talking about, like just getting myself into
a place of deep sadness. I would watch movies like
I've probably watched the end of Brave Heart like seventeen
times until it didn't make me cry anymore. I just
would try all these different things. I think once I

(27:37):
got comfortable in my real life, it's funny what you
said about being what you're acting coach once said about
being honest or was it a director maybe director? Yeah, yeah,
that word is. It's not funny how somebody can just
say one random thing that's They're just a sentence and
they're vernacular, and they're moving on with their day and

(27:58):
they just changed your whole life.

Speaker 4 (28:00):
Yeah.

Speaker 1 (28:02):
Yeah, I think I in my real life, as I
started to get more and more comfortable with emotion, which
is something I wasn't really comfortable with as a child
at all, I had a breakthrough in my personal life
of being willing to cry in front of people, and
suddenly I was like, oh, I guess it's not the
end of the world. And then I was able to

(28:22):
use it in my work, which was really really helpful.
But I also found, you know what, another thing was
I really started to rely on the other actors and
the scenes with me for emotion because I don't want
to just sit be alone, like creating a whole world
inside my brain. I had this great I've talked about
this early on in the podcast, but you weren't here,

(28:45):
so I'm going to tell you because it was so helpful.
I was doing a scene with Tammy Blanchard on Guiding Light.
We were on together a long time before she blew
up and started doing all these amazing movies, and she
she was backstage with me. I had to do a
scene where I was like weeping and I couldn't figure
it out, and we were about to roll and I
just on. She and I had gotten really close and

(29:06):
I really trusted her, and I just grabbed her hands
and we were standing off to the side on the
stage in the dark, and I just said, will you
just look at me for a second, And she just
stood there and showed up for me, and we both
just stared into each other's eyes and allowed all of
the shields that we put up emotionally to fall away.

(29:29):
And I saw her and she saw me, and I
saw her pain, and she saw my pain and love
and all the things. It was like a direct channel
into her heart and into my heart, and we both
just started bawling. Wow. And that moment. From that moment on,
I need the other actor in the scene to show

(29:50):
up for me. And I'm in auditions. If it's a
casting assistant who doesn't care.

Speaker 4 (29:55):
Oh my god, can I share with you a very
embarrassing audition story please, So again, early, very early in
my career, and this is a time when it's like
sadness equals tears. If I'm not crying, I'm not sad,
you know it makes any sense. Obviously a very little
life experience. So this audition called for those like two
or three pages of stuff, and then I'm supposed to

(30:16):
walk out of the room and walk back in a
visibly emotionally distraught. So I thought I got a trick.
I chopped up onions, put them into a tiny sandwich bag,
went into the audition, did my three pages. Rather than
like pretending to leave, I actually stepped out of the

(30:38):
audition room, dug into my pocket, wiped my fingers on
the chopped onions, and wiped my eyes, and went back
in and jokes on me. I still didn't cry. I
just smelled like onions. Didn't get the job. Sure you're
all shocked to learn, but like that was That's what
I'm saying. Like when I had no training, I was
just like, no one taught me. So I was like,

(30:58):
I don't know, maybe this is what people do.

Speaker 1 (31:03):
And that is why you're an actor because you think
outside the box. You're willing to do crazy things that
everybody else is like too scared to do. That's just it,
that's we're just a different breed rob.

Speaker 4 (31:14):
Yeah. So I see the needle in your pocket and
I raise you a bag of chop gun hands.

Speaker 1 (31:20):
You win, You absolutely win. That is so excellent.

Speaker 4 (31:26):
All this to say, well done, Jana Kramer. She's been
so great. You know, we work together obviously, But like
I said, I never revisited this show, and I'm glad
I did because it has given me an entirely new
found appreciation of how good she is. Yeah, and this
in this role, she just crushes it. I'd have no
idea where her character goes. I don't know how it ends,

(31:47):
but I'm very interested, especially now that we're seeing this
new side of her, Yeah, where she's being like she's
turning over a new leaf, not entirely new. I love
the way she threw herself at Alexander Cone was Yeah,
that was her. But I'm enjoying seeing a more grounded,
accessible version.

Speaker 1 (32:07):
Of alex me too. There's no other character on this show. Actually,
there's only one other character on this show where the
demand on them is to what's a good analogy the
emotional requirement of bouncing not just back and forth, but
like kind of all over the scale. Like it's just
like a little emotional Richter scale, and you never know

(32:29):
where she's going to go. Is Dan Scott is the
only other character on the show where there's a demand
as an actor to be able to flip it into
something else in a moment, in an instant. And it's
for him it's because he's so manipulative, and for Alex
it's because she probably has been so manipulative in her life.
But she's on this really genuine journey to try and

(32:51):
outgrow these old patterns, but she does. There is such
a requirement on Janna as an actress to be able
to go cry, laugh, be sincere, be really hard, be sexy,
be funny, like all of the things within one scene.
Even it's a lot, It.

Speaker 4 (33:09):
Is a lot, you know, and usually you get a
character and you kind of know, all right, this is
more or less my lane, this is sort of these
are the colors we'll be painting with. Yes, like you said,
with with Alex Man, it's just it's all over the place.
And again, another character who could have been wildly uninteresting
in the hands of a different actor. Yes, you know,
it only works because she sells the manic high and

(33:32):
the manic low, and then it's just very fun in between.

Speaker 1 (33:36):
Yep, I love it. I love it.

Speaker 4 (33:38):
Otherwise you'd buy out. Speaking of growth, I loved to
see Millie being Milly again.

Speaker 1 (33:42):
M hmm.

Speaker 4 (33:43):
I love Victoria as the mentor. Yeah, it is the
relationship I didn't know I needed.

Speaker 1 (33:49):
I know, so unexpected.

Speaker 4 (33:51):
She's just so good.

Speaker 1 (33:53):
Yeah, I know she, both of them are. I love
seeing Daphney play this new verse of Victoria too. It's like,
it's one thing our show is really good at, is
the redemption of characters, like constantly being able to see
somebody eagerly trying to grow into a better version of themselves. Yes,
it's really cool and surprising the audience. You know, you
hate somebody and then eventually you're like, yeah, but they're

(34:16):
trying so hard.

Speaker 4 (34:18):
Yes, And it's so fun because she you know how
capable she is of just absolutely tearing someone to shred,
e viscerating, and that it is always right there unerath
the surface if need be, and so it's so fun
though to see her leaning into this kind of tenderness
and this compassion I know, and she's doing it with

(34:39):
the character that I want to see redeemed. Yees, So
I just I find myself thoroughly rooting for them, which
is why when we saw Millie showing up to a
meeting and just getting her court card signed and bouncing
out like, oh no.

Speaker 1 (34:52):
I know, I felt that too.

Speaker 4 (34:55):
Come on, you bozo, don't blow this, I know.

Speaker 1 (35:00):
So it was good to see Milly being Milly. She was,
she was, she was trying, but then she she has
to reckon with herself.

Speaker 4 (35:08):
And then at the end she she hits a meeting
and she shares and she gets honest. So it's yeah,
you know, that's that's that's when the magic happens. So
I love to see all of that that. There was
one scene in that, or one moment in that close
over Bros sequence that I found just absolutely laughable. Milly.
It's after Victoria has left, they've had their bit, and

(35:29):
Millie's putting away some clothes, and of course there's Milly
the model on the screen who looks exactly the same
as the Millie standing next to it, folding close and
these two just random shoppers go Oh my gosh, that's her.
Are you the model? And she goes, yeah, she goes,
she looks so plain. First of all, she doesn't. She

(35:49):
looks stunning. Also, she looks literally identical to what she is. Yeah,
that screen in the app.

Speaker 1 (35:57):
Yeah, when that one bothered It bothered me just as
a person, as a friend.

Speaker 4 (36:03):
I don't know.

Speaker 1 (36:03):
I like I I didn't like when the show did
stuff like that. I get it, like this is part
of the storyline, but I don't know. Could they have
had her coming into work just a little tired or
you know, working on her recovery, and maybe taken all
her makeup off and made her look a little like
darken up under her eyes, so she looked a little

(36:24):
sad and whatever. But for the sake of Lisa, and
I never asked Lisa how she felt about this, so
I'm not trying to speak on her behalf. But I
didn't like it. It made me feel I wouldn't have
felt good if I had showed up to work and
looked exactly the same as I did every day and
like pretty with all my makeup and my hair done,
and then got called plane in the script and had

(36:46):
to you know what I mean?

Speaker 4 (36:48):
Yeah, because it's also the world's easiest problem to fix. Yeah,
she comes in and she's already spilled coffee on her outfit,
and so she has to put on a T shirt
totally like it's as simple as that and all of that,
except all that can happen off camera, you know, And
so yeah it was. And also because I'm with you,
when the girl goes, she's so plain, I understand Milly's

(37:09):
at a vulnerable place. So they played to that, and
that's how they did that. But what I would have
loved is for her to be self aware enough and
and her power enough to be like, bitch, please, yeah,
looks awesome, you know what I mean?

Speaker 1 (37:23):
Are you blind exactly the same?

Speaker 4 (37:27):
Have some strength, you know, like and your so fond
because it was such a ridiculous but again, I know
what they're going for. She's sort of teetering, okay, yeah,
but I did either was a part of me that
wanted the other version where she's like, okay, yeah.

Speaker 1 (37:43):
Yeah, it's a little too caricaturey. The other line that
she had to say, just before we move on from
Milly drug doer, Millie, do you remember this line Victoria.

Speaker 4 (37:54):
Walks in Wow, how did I miss this?

Speaker 2 (37:55):
Well?

Speaker 1 (37:56):
It was amazing. Victoria walks in and asks her. She say,
you look tired. I can't remember what she said, but
she says something to her, and Lisa says, this isn't
drug do or Millie, I'm just working hard.

Speaker 4 (38:11):
Or whatever, which, by the way, it couldn't sound more
like someone who's never done drugs. That is what an
undercover cop trying to entrap someone says. You know, hey,
it's just me pot door, Rick, Can I buy some?

Speaker 3 (38:27):
You know what?

Speaker 4 (38:31):
Yeah, dude, that's so ridiculous. I love it. But I'm
glad that it seems that we are finally leaving that
storyline in the past, because I'm glad to give me
all of Lisa doing anything else but that.

Speaker 3 (38:46):
Yeah.

Speaker 1 (39:00):
Liked seeing Milly back at close over bros. You know,
Brook's allowing Victoria to take her under her wing, and
because I really wasn't sure how that was going to
go so and Brooke Brook holds a grudge, I think,
So it's nice to see her that like historically, It's
nice to see her like giving Milly the space to

(39:24):
still show up while Brooke is racing around this movie set.
I was so confused by this storyline for Brook though,
and I don't know if you feel this way, but like,
I'm so used to Brooke not giving anyone the satisfaction
of seeing her upset, Like only her really close friends
and especially someone who's hurt her. She tends to always

(39:50):
she's just bristly like like it's fine, everything's fine, I'm good,
like I'm gonna rise above this and I'm not going
to let you see that you've hurt me. So it's
interesting to see her in this environment on set with
Julian and behaving very much with her heart on her sleeve,
and I kind of wanted to see a little bit
more of her pretending like everything's fine and confusing Julian

(40:14):
rather than just having to They wrote her just existing
in so much suffering and sadness and just constantly looking
longingly at I don't know, I was confused by it.

Speaker 4 (40:25):
To give the writing the benefit of the doubt. Could
it be that she's behaving differently this time because this
relationship is different for the first time.

Speaker 1 (40:35):
Yeah, yeah, I mean, just matter more and she cares
and wants to do things differently than she has before.

Speaker 4 (40:41):
Because I hear what you're saying. If you were working
with your kind of X. It feels like you would
show up very much with your armor on and your
guard up.

Speaker 1 (40:49):
Yeah, because it's not just my kind of X, it's
also my kind of ex and the woman we broke
up over. Plus my assistant is also now hitting you know,
like hitting on our I mean.

Speaker 4 (41:01):
Look, okay, let's just jump right to that. What happened? Okay,
that he's been towing for me a very awkward line
of being supportive friend and dude who's low key hitting
on her regularly. So and I haven't been able to
put my finger on it. And in this episode he

(41:23):
just randomly kisses her on the cheek and she doesn't
even raise her eyebrows.

Speaker 1 (41:28):
Wait, Alexander kisses her on the cheek.

Speaker 4 (41:30):
One hundred percent he kisses her on the cheek.

Speaker 1 (41:33):
Wait what where? What part of the episode is this in?
I missed it? Okay, I was watching this on the
plane I did, which, by the way, as an actor
in Montree Hill, watching myself on a screen on an
airplane is extremely uncomfortable.

Speaker 4 (41:46):
If yes, for our last two episodes, I was going
to and from that convention in Paris, watching the show
with myself going to a convention about the show. It
was about as self involved as it probably could have
a Ya, hey, guys, do you want to watch me
watch myself? I'm totally normal. It was yeah, so I

(42:07):
feel you. It's you got to like tilt that screen
into the you know.

Speaker 1 (42:11):
Yeah window seat please. Anyway, when did this happen.

Speaker 4 (42:14):
It was when he brings the suit to Brook on set. Oh,
they have like a little and it's not even an
emotionally charged thing. Maybe it's you know, him doing his
slightly flirty, cheer you up thing. But then he just
kisses her on the cheek. Because what happens is he
kisses on the cheek and he exits, and I'm fairly
certain they rack to the background where Julian sees it.

Speaker 1 (42:37):
Okay, I must have been ordering my my orange juice
or something, you know, and little Snack missed because I
missed it.

Speaker 4 (42:43):
By the way, for someone who lacked boundaries, I criticized
the heck out of Nathan, like, hey, Brook, yeah, really
in front of your potential still boyfriend, ish, I don't
you know, Alexander's the water is so muddy with him,
you know, uh, and on the cheek and she's not
even like huh. She's just like, Okay, Yeah.

Speaker 1 (43:05):
His presence confuses me a lot. I don't understand what
point he's supposed to serve in the story, because he's not.
I feel like he can lift right out at this point.
It's it's like this rand. It's just it feels very
random and confusing. But maybe it's going somewhere.

Speaker 4 (43:23):
It feels especially because I don't know, I don't know
where it goes, but it feels to me like it
was a character they inserted without fully knowing where it
was gonna go. Yeah, so they sort of did a
whole one foot out, one foot out there, or Susie
one foot in, one foot out where it was like
he's having me flirty, but he's also just supportive.

Speaker 1 (43:43):
It's like what you said on another of previous podcast
were you said it's like when he first showed up
that and this is actually this is totally in tandem
with with his first introduction. So his introduction is just
kept going where they just thought he's so handsome, he
can just stand there and we don't actually need to
write anything interesting for him. The audience will just love it.

(44:06):
And I'm sorry that's not working for me. I need
some substance here.

Speaker 4 (44:10):
That works for him and Alex. That works with a
character who is not emotionally involved with someone else, a
single gal. Sure, I'll buy that. That that cat that's
enough to catch the eye and peak the interest. Yeah,
like it does with Alex. But if that's what I'm saying,
is like, I don't I don't know what his role

(44:31):
was supposed to be. Was he supposed to threaten the relationship?
Was he supposed to just be a kind of distraction
that fosters a little jealousy.

Speaker 1 (44:40):
They didn't give him a personality he's he doesn't you
know what's like, what are you? You can't just be handsome?

Speaker 4 (44:46):
Are you?

Speaker 1 (44:47):
Are you funny? Are you super intellectual? Or like what's
give me something? Give me some kind of personality trait
that is, Oh, I get this banter. I get how
why they're connecting. I get where the threat is. But
there doesn't s to be a threat. He's just there
acting like a threat, even though it's I'm not worried.

Speaker 4 (45:08):
You know. It's almost like they they realized they weren't
gonna have Milly around close over bros for Brooke to
vent to, so they're like, oh, why don't we just
bring in like a handsome dude, because if you think
about it, the reason why I don't think he is
long for the show is we haven't learned a single
thing about him.

Speaker 1 (45:24):
Yeah, that's it.

Speaker 4 (45:25):
Brooke hasn't asked and they haven't told us. He's just
been there to ask questions so that we can hear
more about Brooke and then occasionally throw a come hither stare.
But it's like, if it's if it was supposed to
be a threat to Brook and Julian, it needed to
come in with a lot more depth.

Speaker 1 (45:45):
Yeah, I totally agree.

Speaker 4 (45:47):
Otherwise it's a massive disservice to Brooke. If like when
she has the love of her life and she's like,
but this guy has an accent and a jaw line,
I don't know, you know, that's basically all I did.
They're like, listen, you're handsome, you look like a superhero.
Just stand there, buddy, it'll be good.

Speaker 1 (46:06):
It's fine. Such a shame, such a shame. And then
just you know, make rude comments to the director, but
he'll let it go because you're so handsome. It's fine.

Speaker 4 (46:16):
Just and again, it's almost like he's so inconsequential that
they didn't even spend time with Julian responding.

Speaker 1 (46:24):
Oh, he didn't even look at him. I think he
just kind of looked at him and then kept going
so strange.

Speaker 4 (46:31):
He's like, we're going to find out the end of this.
He was just a ghost. He was just a figment
of Brooks imagination. The entire time, she's been just making
suits by herself. That's why no one has ever spoken
a word to Alexander Coyn. That is it.

Speaker 1 (46:44):
Nobody talks to him except her. Yeah, I'm into it.
I love that.

Speaker 4 (46:48):
I did love how when alex was at the bar
with taking shots. I started to write, like, what are
we doing? Is she on the wagon? Is she off
the wagon? Have we abandoned this storyline? What are we doing?
Because again, she's been so like sincere up until this point,
and then of course we found out their water, so
I had to write never mind. But I loved the

(47:10):
line where she maybe he says like are you not
supposed to drink or something? Which why would he know?
That doesn't matter? And she goes, it's not it's not
it's water. I've replaced booze with boys. I was like, Okay,
this is fun.

Speaker 1 (47:26):
You know, Yeah, I liked it.

Speaker 4 (47:28):
He seems to be on board. I was like, great, Oh,
except hold on, is this the episode or was it
last episode? Oh? No, it was last episode. I think
it was just sof and I it killed me. They
do all this cool stuff of Alex being a total
wingman to Julian, right like the movie, and then go like, no,
you're gonna go to the eighties dance and yeah, at

(47:50):
the end of the dance, how funny. There was a
moment with Alexander and Alex outside and Alex says to him,
you know, it's never gonna work with you and Brooke,
and I think he says, like why and she goes
cause she's in love with him? And he goes, oh,

(48:10):
and she says, do you know why I know that?
Or how I know that? And he goes now and
she goes because I'm in love with him too.

Speaker 1 (48:17):
I'm like, what are we doing, manufactured?

Speaker 4 (48:22):
Why are we keeping up this whole? Like is she
a threat still?

Speaker 2 (48:25):
You know?

Speaker 1 (48:25):
Like, yeah, there was a lot of moments in this episode,
and I'm sure in the last couple too. I mean,
we had it was like there were storylines that were
really important for the for the writer's room to focus on,
and then there were kind of peripheral storylines that it
was like, we just have to explain everything, And I
wish that they would have taken a little more time

(48:46):
to create something that was more subtle and just trusting
the audience to pay attention and understand what was going
on without having everything just verbally explained. It was a
lot of time wasting dialogue in this episode and maybe
the last one too. I didn't I haven't watched that one,
but yes, it.

Speaker 4 (49:03):
Just would have been so much more interesting if at
the end, instead of her reconfessing her love of Julian
to a stranger, if she had just been like, what's up,
what's up? Jaw line? You want to get out of here?
Like just replace this and just have it start, you know,
half an episode sooner.

Speaker 1 (49:21):
Yeah, what's the problem? Like, well, we know what's going on. Yeah, yeah,
exactly explain it. I get it.

Speaker 4 (49:28):
I did love on that movie. Brooke was a total
team player. You know, there's a scene where they're wardrobe
adjustments on Alex and she goes like, oh, if we
rolled the sleeves up and she sees the scars and
Julie I think starts to say I like that, and
but Brooke sees the scars and she's like, ah, no,
I got it. I got something even better. Yeah, a
real quiet act of kindness. And then it's end of

(49:50):
the day when I think Brook sees that Alex is
really doubting herself. She comes up and she says, like,
you're doing good. Yeah. Man, that's such a high road
move it is.

Speaker 1 (50:00):
That's some high frequency stuff right there.

Speaker 4 (50:02):
Because she's saying that to the woman who completely undermined
a relationship. And I don't even know that she's doing
it for Alex's sake. I don't even know that she's
that compassionate as much as she's doing it for Julian's sake.

Speaker 1 (50:14):
Yeah, I don't know. It struck me as something that
she was just doing for herself. Like, you know, I
don't want to be a vindictive person. I just I
don't want to have This is a lot, there's a
lot of energy to carry around. I just I just
want to be compassionate. It's this is someone harming themselves
is such an intense thing to carry around. I think

(50:39):
so many of us would have done the exact same thing, Like,
no matter what the stakes, are emotionally with romantic issues
and you see another person in front of you who
has harmed themselves in that way, wouldn't you just like,
you know what, none of this other stuff matters, Like,
let's just be kind to each other and you know,

(50:59):
at the end of the day day, that's what matters.

Speaker 4 (51:01):
Yes, that's very brooke. Yeah, it is. It is the
very it's the evolved response where it's yes, rather than
getting caught up in the nitty gritty ego cat fighting
stuff happening, I'm gonna zoom out and realize you're a
hurting person. Yeah, and I'm just gonna be kind.

Speaker 1 (51:17):
Yeah. I'm not gonna extrapolate on that. Let's just be kind.
We have a question, But I do want to say
Michael Grubbs is so good, dude.

Speaker 4 (51:29):
I wasn't gonna let us get out without talking about
Miranda and Grubs.

Speaker 1 (51:33):
It's so good. First of all, also that he is
he's kind of like the other parallel of Lydia in
this episode, where he's the one person who's willing to
dive in and ask uncomfortable questions and he's always been
that way since he showed up on the scene. He
really like it seems like he lives life to the
fullest in that way where he's not gonna dance around things.

(51:55):
He just dives right in, like let's not waste time.
Life is short, Like what's really going on with you? Yeah,
he's so good at it.

Speaker 4 (52:03):
He's great. And then they're they're just their chemistry is fun.
It's so cute. I think you have a line where
you come in into the into red bedroom and she's
there with her flower and she's like kind of complaining
about it, and then she's like and he called me
her his girlfriend, and you're like, sounds like, are you

(52:23):
totally have a boyfriend? Go get him Tiger. Yeah, so good.
It's great. So yeah, their stuff is wonderful, and Lydia's
stuff was just, uh was just great. Best killed it.
You all showed up for it. It was great.

Speaker 1 (52:40):
Yeah.

Speaker 4 (52:41):
Yeah, it was strong. It was strong work.

Speaker 1 (52:43):
Thanks. Yeah. And they did such a great job too.
It was it was a tough storyline to begin entering into,
and I really it's a it was. It was really
well done that they wrote so much fun, playful energy
at the top of the episode and we really got
to soak in the Scott family to the James Scott

(53:07):
family dynamic, feeling that it almost felt like that the
household that it will it did it must have felt
like the household that the sisters grew up in. So
we all got to really feel that for the first
half of the episode. And then Lydia dropped this bomb
about having cancer and having not much time left, and

(53:28):
it was a really smart way of truncating years of
experience that we haven't had as an audience because we've
been living in tree Hill with all these other characters,
to truncating all of that into a short amount of
time so that we still really felt it hit home
when she best made the Lydia makes this announcement, like

(53:50):
the sorrow really really connected. I was crying on this
flight watching this, watching these scenes with some really wonderful actresses.
They were great.

Speaker 4 (54:02):
Yeah. I think part of also why it was so
effective was credit to the writing. It felt. It all
felt believable, and it all felt honest. I thought, the
way Lydia handles it, I see totally, that's believable. You know,
she's she's had this information for a while. That's what
allows her to be in this space now, you know.

(54:25):
And then the way each of you reacts to me.
I'm like, yeah, I could see me reacting any of
those three ways.

Speaker 1 (54:32):
Yeah.

Speaker 4 (54:32):
And there's that great moment with the two of you
where you're really struggling and she says, we're going to
have to be strong for everybody else who can't be.
I'm like, listen, there's one is at least one of
those in every family. There's a lot of viewers who
have had to be that person, you know, Like it's
just so relatable and so honest. But yeah, that was

(54:54):
top to bottom well executed.

Speaker 1 (54:57):
Yeah, next one's going to be tough.

Speaker 4 (54:59):
My honorable men goes to the final shot of Bess
and you three on the couch cuddled, and then it
cuts back to an old photo of them or of
you all young, and it is that that tugged at
my heart strings.

Speaker 1 (55:14):
Man, that really got me too, really did so sentimental man.
Honorable mention, I'm going to give mine to India de Beaufort,
who is really surprising me. You know, she showed up
and it was very tough and not her the character,

(55:35):
this character that she's playing was just so tough and
unrelenting and unforgiving and cold and hard and watching her subtly,
like watching her trust the audience that she's she is
subtle in her performance, and it's it's really pleasant to

(55:56):
see that you have to watch and pay attention in
order to see the that's bubbling up in her beneath
the surface, and it's there, and I really it's fun.
It's a little Easter egg hunt when I watch her
on screen, and I love fantastic.

Speaker 5 (56:11):
Yeah, listener, question yet, what does it say?

Speaker 4 (56:27):
Abigail writes. In season one, Haley says she comes from
a big family, and Nathan looks at a bolton board
and asks, are those all your brothers and sisters? By
season seven, Haley has only two siblings, Taylor and Quinn.
If Haley were to have a brother, what would his
personality be? And if Brooke and Clay were to have

(56:47):
siblings they were raised with what kind of personalities do
we think they would have? And what kind of siblings
would those characters be? Whoa essay question?

Speaker 1 (57:00):
Thank you, Abigail, thank you, Yes it's true, it's your first.
By the end of the season, Taylor and Quinn are
Haley's only siblings. By the end of this series, yes
it is. This is like what soap operas used to
do when a character would an actor would leave the
show and a new actor would show up in the
exact same role, and this announcer voice would come over

(57:22):
and say, the role of Rebecca will now be played
by Yeah. So I feel like that's what happened here.
They just you know, it's been long enough. There wasn't this.
The show was on syndication, but it wasn't streamable and
binging like we were today, where now, if you watch
seven seasons over the course of two months every day,

(57:46):
you're recognizing all of these differences. But back then TV
was a little different, So I think they just assumed
the audience forgot, which is kind of funny. I don't
know if Haley had a brother, well she did, right
at some point she had brothers that.

Speaker 4 (58:01):
Were actually on the show or just referenced.

Speaker 1 (58:03):
No, they were just referenced. However, I think it would
probably be like my mom. Actually, in real life, my
mom's and my mom and her sister were about fifteen
years younger than their oldest brother, and they had two
older brothers. So I'm assuming that's probably what happened with

(58:28):
Hayley and Taylor and Quinny. Maybe they just had much
older brothers who were off living their lives. I don't
know what their personalities would have been like. I mean,
I could have gone in any different direction. They probably
was one who was wild like Taylor, and another one
who was you know, responsible and working a really great

(58:49):
job and just keeping his life together and all that.

Speaker 4 (58:52):
I think if Clay had a sibling, I could see
him having a brother like Nathan, because Nathan becomes Clay's
best friend.

Speaker 1 (59:03):
Yeah.

Speaker 4 (59:03):
I think a lot of times, you know, your your
brother kind of is your best friend, and so I
just I think it kind of makes sense that if
he had a brother, I could see it being like
Nathan because Nathan kind of becomes his brother.

Speaker 1 (59:14):
Yeah, yeah, I could see that.

Speaker 4 (59:16):
Thanks for the question, Abigail.

Speaker 1 (59:18):
Yeah. Thanks well.

Speaker 4 (59:21):
Joy, Well, unless you want to share some recipes, let's
spin that wheel. I'm most likely to become a Broadway star.

Speaker 1 (59:41):
Broadway star?

Speaker 4 (59:43):
Sure and Lawrence?

Speaker 1 (59:44):
Yeah there done that? Oh my god, she's have you
seen her on stage?

Speaker 2 (59:54):
No?

Speaker 1 (59:55):
Oh, she's so good.

Speaker 4 (59:57):
But I am a family. All things shared.

Speaker 1 (59:59):
I find video she and I did it did a
benefit for dang it. It's a French I can't remember.
I can't remember I have to go find it. But
she and I did a performance as nuns who turned
out to be like cabaret performers by the end of
the song, and uh, she's so brilliant. Like we had

(01:00:22):
a good four or five days of it was a
four days of rehearsal. We just like really worked on
this routine together. And she's such a pro and her
voice is so good. If you just go on a
deep dive of Sharon Lawrence musical theater friends, you're going
to be delightfully surprised.

Speaker 4 (01:00:43):
I've heard her sing, and I've seen her dance. I've
just never seen any of her actually on Broadway stuff.

Speaker 1 (01:00:49):
Yeah, off to dive. There's got to be there's got
to be stuff out there. What about characters on the show?

Speaker 4 (01:00:57):
Millie, that's mine, it's the first name. I thought. Oh,
she's very interested in ballerinas. I'm assuming she's probably taking
some dance classes. You're never gonna let that go. No. Also,
because that's another thing the fans were like, hey, dumb, dumb.
She actually said earlier in the show that she likes
ballerinas in ballet, and her mouth I was like, well listen, gang, oh,

(01:01:17):
I get it. Sorry, I haven't seen those episodes I missed,
so now I know that she genuinely likes ballet. She
also just looks She looks like someone who could have
just stepped off of a Broadway stage.

Speaker 1 (01:01:30):
She'd for sure does. Yes, I also could see mouth.
He seems to be someone that just really interesting opportunities
come his way all the time that are just out
of left fields. This feels like something that he would
do completely.

Speaker 4 (01:01:45):
Also, Millie is she has a lot of the reluctant
star energy going on. Oh yes, we've already seen it.
With clothes overbros. You could see her getting thrust into
a starring role all of a sudden, and she kills
it and she's like, what's going on?

Speaker 1 (01:01:58):
Yeah, yeah, it's so good. Thanks everybody for joining us.
Next episode, Season seven, episode seventeen. Oh I think I
directed this one at the bottom of everything Cool. We'll
see you next week, guys. Bye, Hey, thanks for listening.
Don't forget to leave us a review. You can also

(01:02:18):
follow us on Instagram at drama queens oth or email
us at drama Queens at iHeartRadio dot com.

Speaker 4 (01:02:26):
See you next time. We all about that high.

Speaker 3 (01:02:30):
School drama girl.

Speaker 1 (01:02:31):
Drama Girl all about them high school queens.

Speaker 2 (01:02:35):
We'll take you for a ride at our comic girl
Cheering for the right teams, Drama queens, Lease my girl,
up girl fashion, what your tough girl? You could sit
with us Girl Drama Queens, Drama, Queense Drama Queens, Drama,
Drama Queens, Drama Queens