The Bad Guys Club • Ep. 907

Sophia, Joy and Rob are full of questions this week as they unpack Nathan’s kidnapping storyline like, “why Tree Hill, why Dimitri, and how exactly does Dan Scott know obscure Eastern European gang symbols?!” The gang also gets a big surprise when Lucas makes his return to Tree Hill!  

Plus, they dish on an unlikely relationship that’s quickly becoming a favorite and the performance Joy swears might be the best she’s ever seen.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
First of all, you don't know me.

Speaker 2 (00:02):
Were all about that high school drama Girl Drama Girl,
all about them high school queens Forever.

Speaker 3 (00:08):
We'll take you for a ride.

Speaker 2 (00:09):
And our comic girl shared for the right teams Drama Queens,
Jaylee's my girl of girl Fashion, but your tough girl,
you could sit with us.

Speaker 1 (00:17):
Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drahma Queens
Drama Queens.

Speaker 4 (00:24):
Sophia, Joy and Rob with an all new episode of
Drama Queens.

Speaker 5 (00:29):
Where, Oh here Here, Welcome in everybody Today We've got
Season nine, Episode seven, Last known Surroundings.

Speaker 4 (00:41):
Air date February twenty second, twenty twelve. Synopsis reads Hayley
seeks help from Lucas as Nathan makes an escape attempt.
Broke comes face to face with Xavier Julian uncovers evidence
that assists Dan in his search for Nathan, and Clay
makes a connection with another patient. This is not our

(01:02):
best synopsis, as Clay did not make a connection with
another patient in this episode.

Speaker 6 (01:08):
That was like that was a previous.

Speaker 4 (01:10):
Episode yet with logan. Nonetheless, let's not bury the lead.
It was directed by the sex Pylon himself, Austin Nicholas.

Speaker 3 (01:21):
Hey, o oh wow, what a ride this episode was.
We went fully into the deep. There was just there
was no relief. It was fully like, let's just dive
into the darkness of all of it. Yeah, I mean,
all these storylines are needing to be resolved, so okay,
but it did feel a lot like all of these

(01:43):
storylines are been needing to be resolved and so we're
just gonna shove everything in there at once.

Speaker 4 (01:49):
I know there was forty four minutes of content, but
I really like a lot didn't actually happen that part. Yeah,
and I'm not saying it's a bad episode, but as
I kind of reviewed my notes when even when I
woke up this smher, I was trying to just think
about the episode, It's like they're really it felt like
it could have been twenty two minutes of content, like

(02:12):
wall to wall, and they just sort of like stretched
it out.

Speaker 3 (02:15):
Oh, so I just thought it was I kept pausing
it when I was watching it. I had to keep
pausing it for all different interruptions. So the episode felt
packed to me. I think because it was so long
and drawn out that I was like, man, there's just
so much going on up. But maybe all back to back.
It didn't feel that way. Yeah, I don't know.

Speaker 7 (02:35):
I guess because so much of it was static and
so many things have been moving around, right, But we
spent so much time in the warehouse with Nathan and
the kidnappers. We spent so much time with Haley and
Lucas at the airport, which, by the way, like what
an iconic moment, right Lucas Scott walking through the doors.
You're like, oh my god, He's finally back. And then

(02:57):
they just I literally at one point, where are they
going to keep them in the airport for the whole episode?

Speaker 1 (03:03):
Same?

Speaker 7 (03:03):
Yeah, because I didn't remember that by the end, you
would figure out that he was going to take the
kids back, you know, to be with a night, And
I literally was like, why are we wasting Haley and
Lucas in the freakin' airport, Like you're going to go
to the food court. What's happening?

Speaker 3 (03:20):
It felt like Chad flew into town and was like,
I'm going to land, have your cameras rolling. Yes, I'm
gonna shoot my scenes and my flight leaves four hours later.

Speaker 4 (03:30):
Yeah, because I'm with you. So if I had notes
from like are we are? We really not going to
leave the airport, and especially what makes it extra awkward
is you guys are having such a sensitive, private discussion
and you're choosing to do it in the middle of
a sea of people. Yes, which just feels so counterintuitive.

Speaker 7 (03:52):
Not to say the grossest thing in the world, but
like Haley, James Scott and Nathan Scott are both famous,
and guess what you don't do if you're in a
personal crisis and you're a public figure is talk about
it out loud and cry in public where people can
like easdrop and call like a tablet. It's it felt

(04:17):
so weird to me. And even the fact that you
guys wouldn't pick him up and like go for a
drive and go get lunch and then drive back to
the airport, yes, like to waste Lucas's return and not
go over the bridge like what are we doing.

Speaker 3 (04:32):
And wondering it the whole time instead of just knowing
that he's there to pick up the kids like that
that would have solved the mystery right away, and then
I guess we would have understood. But to be yeah,
I also felt really dissatisfied with my performance in this
because I felt like it was so grossly underplayed. I
was just like, I mean, there's so many opportunities to

(04:53):
really get vulnerable and break down, and like, actually, she's
in the arms of her best friends, so she can
finally freak out. But now that you're saying that, I'm like,
actually that maybe that's why I didn't because we were
in a public place and I didn't want to freak
out my kids. But like, it just felt like I'm
listening to the dialogue and the stakes are so high,

(05:13):
and I was kind of barely It seemed like I
was barely upset. It seemed like I was upset in
a way that's like I'm worried that somebody I love
is going to die before I get there, Like somebody's
in a bed in a hospital somewhere dying, and I
feel sad and I'm a little anxious about getting there
on time, not like, oh my god, my husband is
missing and probably dead.

Speaker 7 (05:34):
I hear you on that, But I think that's one
of those things where as an actor you wonder if
you should have done more, but as if you were
if you had fully again as a as a famous
rock star, if you had fully lost your shit in
the airport with four hundred people looking at you. I
would have been like, girl, you are famous, rein it in,
you know.

Speaker 4 (05:53):
And your child is there watching and your baby's there. Yeah,
I'm with so fun this one. I completely get it.

Speaker 6 (05:59):
But as a viewer I bought it because.

Speaker 4 (06:02):
Also I don't even think Haley is all there right now.
One of my first notes was, just like the incredibly
difficult position Haley is in because she's never fully allowed
to just be with the Nathan situation, because she's she's
solo parenting and having to not break down in front

(06:23):
of these kids. So she is putting on this and
like this long form acting for her children's sake while
going through this. So I thought everything you played totally
made sense and was extra appropriate given that you never
left the middle of an airport.

Speaker 7 (06:40):
Totally.

Speaker 3 (06:40):
They really boxed Austin in, didn't they?

Speaker 5 (06:43):
Like?

Speaker 3 (06:43):
What what else was he supposed to do with that?

Speaker 4 (06:46):
This whole episode, though, was odd in the sense that
everyone stayed in their spot, with the exception of Brook,
Like Brooke and Julian they got to be at their
house and they got to be at the jail, and
then you got to be at Karen's. But like we
had what four or five scenes with Clay, and respectfully like, yeah,
we don't really learn much new information at all, and we.

Speaker 6 (07:07):
Don't get to see any big progress being made. I
feel like the Clay's stuff.

Speaker 4 (07:10):
That's part of the reason why I'm like, wow, this
is like it got stretched a bit, is that the
four scenes of Clays felt like it could have been
one long one or two short ones and we would
have gotten exactly the same payoff.

Speaker 7 (07:22):
It's interesting you say that, though as a watching it,
I really enjoyed watching you do the slow chip away
with the doctor. I thought the payoff of realizing that
he thinks about a family with Quinn was so lovely
because it was really tender and it was really sensitive.

(07:44):
But I get what you're saying, where if there'd been
one more pass on the script, we probably could have
had one less scene at the airport, one less scene
in therapy, Like it felt like they were drawing it
out to get to nine o eight instead of giving
nine oh seven a little more juice.

Speaker 4 (08:05):
Yes, And that being said, though I'm with you, I
love I enjoy those scenes. I really I think David
Narnia is great in the role of the therapist. And
here's a fun one for me. I didn't remember the
whole Clay was going to drive until he couldn't drive
anymore and then take his own life.

Speaker 6 (08:23):
That was news to me. Yeah he's me too.

Speaker 7 (08:26):
I didn't remember that at all, which feels crazy.

Speaker 4 (08:29):
So yeah, there there was just a lot of people
all of the kidnapping stuff, which guys, let's we'll get
to that.

Speaker 6 (08:38):
But oh boy.

Speaker 3 (08:40):
Yeah, you know what, I.

Speaker 7 (08:41):
Will say, I really appreciated because I felt like certain
things were a little overwritten, like your stuff, Rob, I
thought was really beautiful. That big revelation for Clay, which
is so heavy, And again I thought I thought all
your stuff worked because it was this quiet time between

(09:03):
two men talking, and it's a different way to have
these big emotional reveals in a show like ours, And
I was refreshed by that, and I thought that was
so well done. I thought like, and this is no
knock obviously on James. He played it great, but I
was like, it's such a weird thing to have a
guy be told he's going to be killed and then

(09:26):
to say like, I'm not going to give you my fear.
I'm like, it felt a little overdone, like the kidnapper
quoting Shakespeare feels overdone to me.

Speaker 3 (09:35):
This character choice for the re from the writers, like
this has almost ruined Shakespeare for me almost. I just
I don't I fully agree.

Speaker 7 (09:45):
And so it was so weird, Like some of it
I thought was so almost poetic, and then some of
it felt so forced. And the one thing that I
was like, ooh, I really appreciated the officer Stevens's character
coming to check on you, because I wrote, wait, what
don't I remember? Is he a good guy or a
bad guy? I thought his choices were so great. I

(10:07):
thought the way Austin directed the two of you was
so great because I I was like, oh, thank god,
somebody cares because the cops aren't doing their job. And
then I was like, wait a minute, wait a minute,
is this like a double agent? So some of it
worked so well, and then some of it was just
like so heavy handed, and I.

Speaker 3 (10:26):
Don't get it. When he switched the guns and took
the knife, I was like, oh no, no, that was good. Hmm,
it was fun I don't know about good, but it
was funny.

Speaker 4 (10:39):
Well, it's just it's funny because the guy who you
just don't want to escape, why would you even put it.
Why wouldn't you just put the gun on him and
be like back in the.

Speaker 6 (10:46):
Chair, right'.

Speaker 4 (10:48):
It's it's it's just were well, why does he go
through the show of being like, Hey, I'm a good guy.

Speaker 7 (10:53):
Come here, here's.

Speaker 4 (10:55):
My gun that I've emptied without. You know, why wouldn't
he just be like, hey, pal back in the chain
and put the gun in James st Yeah.

Speaker 3 (11:04):
He just wants to have fun. Do I have to
do everything myself?

Speaker 6 (11:07):
Yeah?

Speaker 4 (11:08):
What I don't get is why does every bad guy
want to punch Nathan. It's like every bad guy who
goes in there has to do it.

Speaker 7 (11:19):
Oh wait, isn't it sort of like the comment section
of the internet, Like Nathan Scott is an NBA star,
So everyone's like, let me take this guy down a
notch and it's like no, literally, everyone who sees him
just hits him. And isn't that kind of like yeah.

Speaker 3 (11:38):
He's like it's like he's the ultimate hero, and so
everybody gets a shot.

Speaker 7 (11:43):
Everyone's like, oh, you think you're out, I'm gonna take
you down a peg. And it's like that's a fun
interaction to have with every human I run into in
a day.

Speaker 3 (11:51):
By the way, James takes a punch so well, Like,
I just love the expression on his face. He looks
so genuinely like like emotionally hurt.

Speaker 6 (12:02):
He's more disappointed than mad.

Speaker 8 (12:05):
Yeah.

Speaker 3 (12:05):
Yeah, yeah, it's like, oh, come on, guys, why don't
you do that to me?

Speaker 7 (12:10):
Nathan Scott is so emotionally evolved, you know, he has
a nine year hero's journey on our show.

Speaker 3 (12:18):
Yeah, and it is.

Speaker 7 (12:19):
I wonder if part of what we see is that
he's like people still behave like this? Is that that
look on his fame with you?

Speaker 3 (12:27):
Yeah?

Speaker 4 (12:29):
You know what I did not have on my episode
nine oh seven Bingo card was the Russian kidnapper quoting
gossip Girl.

Speaker 3 (12:41):
Oh my gosh. Yes, he's like, what are you.

Speaker 4 (12:43):
Chuck referencing, yeah, referencing Gossip Girl.

Speaker 3 (12:47):
And he says, it is what are you chuck? Is
this gossip Girl?

Speaker 8 (12:50):
Yeah?

Speaker 4 (13:03):
Let's rewind a bit when Dan goes up to the
drug dealer in the park earlier. Remember at the top
of it, he was finishing a call with a man
named Dimitri Dmitri who in this episode we see this
same Clays dealer going to this guy Dmitri for drugs.
So we realized it's the same guy, which means Dmitri

(13:24):
is a local criminal, which then just confuses me as
to how he became. Like, tree Hill is a small place,
and I'm always amazed that just some of the niche
people we have so like this.

Speaker 6 (13:39):
He's he's like.

Speaker 4 (13:40):
A homegrown criminal. He is a local guy, but he
has tied it Eastern Europe.

Speaker 7 (13:45):
Yeah, it's like, so the so the Eastern Europeans sent
a syndicate block to tree Hill, North Carolina, of all places.

Speaker 3 (13:55):
It seems like they've got an inn with the Tree
Hill cop. Somehow they knew how to find the bad
cop in tree Hill, and the bad cop knew how
to find the drug dealers that could help him out.

Speaker 7 (14:07):
And by the way, the villain story for the bad
cop is that he's actually such a good cop and
no one will give him a shot, so he decides
to be a bad guy.

Speaker 6 (14:16):
One guy.

Speaker 3 (14:18):
That was fantastic. Oh my gosh.

Speaker 4 (14:23):
I could also tell this was pre COVID in a
different time because in that opening scene, Nathan's like, I'm thirsty,
and the guy gives him a bottle of water and
like jams it into his mouth and James and Nathan
drinks it, and then the Dimitri walks away and then
he takes a big slug out of it with his
mouth on it, and I was like, eh, I remember,
oh yeah, back then that wouldn't have been cooties weren't

(14:45):
such a big deal.

Speaker 3 (14:46):
It Also, that moment confused me just in terms of
a choice or if that was written on the page,
I'm not sure, but like what it felt like it
was supposed to be a threatening moment, and I didn't
understand what about him drinking water was supposed to feel
threatening to Nathan. We just like lingered on that, like
I'm gonna drink this water now.

Speaker 7 (15:08):
I'm going to take your water for myself.

Speaker 4 (15:11):
I think you both are underestimating how menacing hydration is.
We should take this one to the internets and ask
you guys.

Speaker 7 (15:19):
Parts of this episode honestly made me feel driven to
drink like it just I don't know, man. And again
it's like it's a weird thing. I don't know if
you guys are having this experience, it's weird to me.
Knowing that nine thirteen is going to be our final episode.
Oh that we came into season nine absolutely certain everyone

(15:45):
was on the same page. We're going to do thirteen
final episodes. It's basically a mini series season.

Speaker 3 (15:51):
Locked in, contracts done, there was no way they could renew,
there was no way they could and there was no
extraordinary circumstances that were going to happen. This was it.

Speaker 7 (15:59):
And then some of these not well fought through things
are the plot points, and it's like, how was this not?
How was every scene in season nine not one of
the best scenes we ever they were ever written on
our show? You know what I mean?

Speaker 3 (16:16):
Do you know when Game of Thrones ended and everybody
was like freaking out because it felt like it was
kind of a throwaway. I mean, I've gone back to
watch since and I actually think it was great and
all the signs were there from the beginning. But that's
beside my point right now, which is that the writers
had been hired, I believe, to go do the new
Star Wars series, and since they were a lot of

(16:37):
people felt like, oh, maybe they're phoning it in because
it's the end of Game of Thrones. It's all over,
and they've got other jobs. And I'm wondering watching this,
just to hit your point, Sophia, that I'm wondering if
it was like everybody was looking for another job, and
they were just like, how do we just get this
over with?

Speaker 7 (16:56):
But it wasn't pilot season. That's the whole reason we
did thirteen episodes, oh, Like, the whole point was that
we were going to be wrapped by November, so everybody
would be able to take November and December and like
see their families for the first time in a decade,
and then get into pilot season in January February, so

(17:16):
nobody was staffed on other shows. There were no other
writers rooms hiring because everyone was on there. So it's
just so weird to me. And maybe maybe it's almost
that thing of when the pressure feels so high, you
almost I don't want to say sabotage yourself. I don't
want to like suggest that I think that's what was
happening here. But you know, I'm the first person who

(17:37):
if I'm like, I'm going to really be good to myself.
I'm not going to eat things that trigger my asthma,
and then like literally for the next three weeks all
I can do is eat fred Chicken. Like I don't
know if it's the kind of thing where you put
so much pressure on yourself that you kind of come
up short, or you panic or you you know, your
mind goes back or whatever.

Speaker 3 (17:57):
Yeah, that happens to me.

Speaker 7 (17:58):
But I mean even what you're saying job like the
ding ding for me seeing the park drug dealer punching Nathan,
I wrote like, there's the overlap with Dan. If Dan
threatened the guy and then the guy was like, you
don't know who you're threatening, and I could like ruin
your family's life. Who is Dan's family? Nathan? Like it

(18:19):
could be a thing where you go is it Dan?
Is Dan in on it? And it's just a throwaway moment.
There's no suspense, there's no moment for the guy to
say something in Nathan about like, yeah, last time I
saw your father. There's nothing that would be so good
to like say is he or isn't he for the audience?
And I'm like sad about it a little bit.

Speaker 3 (18:40):
Well let's talk about that that you the whole Dan
of it, all of the like, is he is he
in on it? Is he not? Ye to be or
not to be? That is the question if Dan is
to be involved or not. I don't think now that
he is, now that I'm seeing him like behind computer screen,
staring and running his finger along clues on walls unless Rob,

(19:04):
do you still think it's all a show? Not as
much Rob's rolling his eyes.

Speaker 4 (19:09):
Because you know, I want it's it's so fun to
run with a with a theory, you know. But as
I was watching, I mean, listen, I did. I laughed
to myself when Dan apparently knows an obscure Eastern European
gang sign from the graffiti. I just that that made
me laugh because why why wouldn't he? You know, of course,

(19:31):
But no, I feel as the like I said, I
don't quite understand the like the world of like if
if that drug dealer lives in tree Hill, how does
he mean does he have a relationship with the guy
who pays athletes out of a briefcase handcuffed to his
arm like that part. I'm still kind of confused as

(19:51):
to how they all like like know each other. But nah,
I'm starting to think Dan's Dan didn't do it maybe,
but look, let me tell you what though. In resting
that Dan had an interaction with the fella who's involved
with these people, I haven't given up on it, but
I've the temperature has definitely dropped in and the theory could.

Speaker 3 (20:11):
Be a fault in some way. Maybe yeah, he's not involved.

Speaker 7 (20:14):
Yeah, maybe he's so obsessed with fixing it because he
wonders if the guy from the park had something to
do with it. I will say the device of watching him,
like as an audience member, watching him work alone, so
you know, feverishly, certainly makes it feel like we can

(20:35):
trust him more. I also really do like the device
that Jamie doesn't want to leave without the video. At
first I didn't get it. I was like, bro you're
gonna go home after lunch, like what, you'll get your video?
And then it's like, oh, of course he wants it
because he's getting on the plane with his uncle. But
I like the device of, oh, Brooke and Julian have

(20:56):
a key to our house. He can go email it
to me Julian realizing this could be a clue for Dan. Yeah,
there's it's just a cool That was a good a
good piece of writing. I thought that would have a
nice little device there.

Speaker 4 (21:12):
Yeah, and also there's a lot of good in this episode.
I realized we've sort of jumped into like the nitpicking
and things.

Speaker 6 (21:17):
But I thought all of the.

Speaker 4 (21:21):
Austin excuse me, the Julian and Brookes. Stuff was great here,
but I do have to say this, I have questions.
For example, I've never met Lucas before, So did Lucas
and Haley ever have a thing or were you we
all just like besties?

Speaker 3 (21:37):
Oh, it's just best friends, like brother and sister.

Speaker 6 (21:40):
Okay.

Speaker 3 (21:40):
We had a night. There was like a Dare night
when we kissed in a car out off of a
Dare and we both were like, you know, and the.

Speaker 4 (21:50):
Last time that we saw Lucas did he have this look?

Speaker 6 (21:53):
Was his hair long?

Speaker 3 (21:54):
No? No? Short?

Speaker 6 (21:56):
Okay? Fans probably gasped.

Speaker 3 (21:58):
Yeah, everybody gas. Everybody gas for sure, I gasped. I
didn't even know he was showing up in the airport.
I was like, who are they looking for?

Speaker 8 (22:06):
That?

Speaker 3 (22:06):
I was there. I didn't even remember filming it.

Speaker 7 (22:09):
Do you want to know what's so crazy? The reason
I knew is like one of the one of the
photos I see a lot just you know, and things
were tagged in online. There's this really great set photography
photo that day of you and Chad and Chantelle and
she has that turquoise necklace on and I was like, wait,

(22:29):
I know that, oh bit, And then I was like wait,
I know that outfit from pictures of the three of you,
and I was like, Oh, he's coming.

Speaker 3 (22:36):
That's right. Also, I thought it was really funny when
they did the shot of Chantella and I standing next
to each other and she's like an amazon. I mean,
she's legitimately like a two feet taller than me. It
looks like she must have been wearing heels. That was
pretty great.

Speaker 7 (22:53):
Yeah, she has heels on under those flares. And I
was very glassed. Its like, it's hilarious actually, very like
Nathan and Haley coated, which I wondered. I was like, oh,
is there is there some sort of like subliminal message
you're funny.

Speaker 3 (23:10):
I don't think anybody was thinking that hard.

Speaker 4 (23:11):
I'm sure that the fans absolutely loved seeing Chad back,
but I got to say that I, as a viewer,
it felt like a really cruel tease because I was
because again, I've never met this guy. I just know
he's beloved, and you know, he's such a big part
of the story that I see him and I'm like, oh, great,

(23:32):
let's do it. Yeah, and then it's just like these
a couple short scenes and he's gone, yeah, and it
was like, oh, No, It's like I've had a taste
and now I've tasted the forbidden fruit and now.

Speaker 6 (23:44):
I want me some Lucas, And just like that, he's.

Speaker 3 (23:47):
Gone, and just like, yeah, I know that. Yeah, sad.

Speaker 7 (23:51):
It feels like a tease. And I think I think
part of what adds to the bummer of it is just,
you know, especially in the last couple of years, what
we've all been able to unpack knowing that we were
being told on set that both Chad and Hillary had
been invited back, and then learning from Hillary that she

(24:15):
was actually never invited back, that that's just what our
boss was telling us. It feels even meaner because it
was such a letdown for so many fans. And it's
also like, wouldn't it have been so frickin' cool for
Peyton and Lucas to come home during this yeah, to
come stay, to be part of the finale of the
show that they also built, Like, it just doesn't feel right.

Speaker 3 (24:39):
How does Nathan go missing? Yes, they don't come back
to exactly find him on what planet?

Speaker 7 (24:46):
How does Brook Davis get married without Haley Ann Peyton?

Speaker 6 (24:50):
You know what I mean?

Speaker 3 (24:51):
Yes, it's ridiculous the fact that.

Speaker 7 (24:53):
A fifty year old man was being like a baby
and was like, I have grudges against girls that didn't
you know, like me, Like what bro like it. It's
really a bummer, and I am glad at least that,
you know, Chad got to come back. But it's like

(25:13):
even the fact that he's like as soon as Nathan's back, like,
I'll bring the kids back, And then why didn't him
and Peyton come back with the kids? You know, it
just sucks for it sucks for us, It sucks for
the legacy of the show. It's a bummer.

Speaker 3 (25:27):
It is. It actually felt really maybe that's part of
what hit me about that scene in the airport where
I was like upset with myself for not acting better,
and I thought, but now, like maybe that's part of it,
that the fact that Lucas is back in town, and
it felt so removed. He felt so disconnected, like as

(25:47):
though he and Nathan had not become real brothers, really close,
as though everything that had happened in the first four
seasons was just were they six or four? How long
were they there? Six seasons? Six seasons? And then suddenly
Lucas is just like, wow, I'm so sorry that my
brother is missing. Yeah, like that just sucks. What can

(26:09):
I do to help you? I'll take the kids, sure,
like you're on your own, but like, good luck and
I'll take the kids.

Speaker 7 (26:15):
I mean even the weird scripted dig from Haley saying
you don't call, you don't write, Yeah, like that's a
choice for the actor playing with beloved character, Like, I
don't know it.

Speaker 3 (26:27):
Just what is Lucas doing He's writing take a break, bro,
Like come help find your brother.

Speaker 7 (26:32):
I just don't get Yeah, hits save on your novel.

Speaker 3 (26:36):
Yeah and come home.

Speaker 4 (26:38):
Oh you're your own boss, but you can't get the
time off? Got it?

Speaker 3 (26:41):
Cool? Yeah? I mean honestly, that's what it feels like.

Speaker 7 (26:44):
Yeah, it's really cool to hear your perspective, Rob, because
I think sometimes we forget, like what it feels like
to someone who didn't get to interact with those characters.
And even for you to be like, wait, this is
anti climactic for me having heard about this person for
so long. It's yeah, it helps me know that it

(27:06):
isn't just our kind of behind the scenes stuff that
can be a bummer that makes me feel that way.
I'm like, no, it really is like an actual just
on screen bummer.

Speaker 4 (27:14):
It was a missed opportunity for sure, and I think
this last season took some or missed some opportunities to
really soar because of our boss' issues. Because you're absolutely right.
I mean, it makes all the sense in the world
for those two to come back during this crisis. Yeah,
and to be there just at the end.

Speaker 6 (27:37):
Yeah.

Speaker 3 (27:37):
Man, so weird. But we did get to watch Dan
barbecue on a sound stage, which was fun.

Speaker 7 (27:45):
I also love Dan weirdly hitting on Julian in that scene,
being like they're gonna love you in prison. I'm like,
what's going on here?

Speaker 3 (27:51):
What do we do?

Speaker 7 (27:53):
Why is Dan Scott hitting on my husband?

Speaker 5 (27:55):
Like?

Speaker 7 (27:55):
It's funny? They have a funny dynamic toge, I.

Speaker 3 (27:58):
Do really like it. I do like it too. Austin's like,
I hate you but all right.

Speaker 6 (28:04):
Yeah.

Speaker 7 (28:04):
Also, I feel like he kind of was like, you're
so annoying, but my butt does look good in these pants.

Speaker 5 (28:09):
You know.

Speaker 4 (28:11):
And to be fair, Julian's probably also lonely as hell
at his job. We've already seen him recreating the Goonies
by himself throwing a tenas ball against the wall, So
I'm sure even you know, think of Dan Scott what
you will that he's just like sweets, there's an adult
with a pulse.

Speaker 6 (28:26):
Let's go check.

Speaker 3 (28:27):
Yeah, and somebody who's not making fun of me. Because
all the other men on the show have been written
to make fun of Julian all the time, it feels
like Dan actually respects him in some way, you know.
I mean, they have an interesting they have a funny banter,
but it feels more like like a sibling friendly banter
rather than people actually just putting down Julian all the time.

Speaker 4 (28:48):
But Dan choosing to go out buy a barbecue by braquettes,
buy raw meat, and then proceed to barbecue at indoors,
this feels like a lot of extra work when he
could have just got a couple of burgers.

Speaker 3 (29:06):
Yeah, that is actually really funny. The backstory of that
that he's like that he's sitting in this trailer, he's
trying to solve the mystery of where his son has
disappeared to and he's like, you know what, I'm hungry.
You know what, I'm going to go to home depot
pick up a barbecue. I'm coming back, uh charcoal lighter. Yeah,
I'm grilling. The grilling is going to help me maybe

(29:27):
that's that might bee, that's the backstory that he's like,
the grilling is going to help me get my mental
juices flowing, So that's his meditation. We were talking about
him going to home deepot is that.

Speaker 4 (29:37):
I'm just saying that, like the idea that he's feverishly
working to find his son, and he's like, I could
be back with a burger in twelve minutes, or or
I could find a way to turn this into a
five hour or deal. You know.

Speaker 6 (29:53):
Yeah, I just thought that was odd.

Speaker 4 (29:54):
No, the scene that I was going to talk about
was Chris.

Speaker 6 (29:57):
Keller in Shape.

Speaker 8 (30:00):
It's so good.

Speaker 3 (30:01):
The Tyler wins for the best on camera wake up
I've ever seen in my life.

Speaker 7 (30:07):
It was great.

Speaker 6 (30:08):
He can do it all.

Speaker 4 (30:09):
So here's the behind the scenes that our viewers probably
don't know. Is so the the gal who is who
it comes out of the bathroom or comes out of
the bed. Her name is Jess and she's a friend
of the show. And then the other girl who appears
at the end when you realize it's a four way
is actually her real life sister, Alexis, who was in

(30:31):
charge of extras casting.

Speaker 3 (30:33):
What, yeah, what I did not know this yeah, friend,
and they were like, yeah, totally.

Speaker 7 (30:42):
Yeah, yeah, it tracks, it tracks. Thank god. It was
Stephen and Tyler, who are the sweetest boys in the world.
The dialogue in that whole scene was so painful for me.
One more pony ride. You can't afford it, and you
weren't that good at it anywhere. I was like, this
is so rank. And then the immediate switch flip of

(31:08):
Chris Keller when he hears Chase is deploying, going you
got drafted? Can they do that?

Speaker 3 (31:13):
Oh? It's so good.

Speaker 7 (31:15):
Having no clue he's enlisted. No, like, it's just so.
They are so funny together.

Speaker 3 (31:21):
It's brilliant. Honestly, friends, if you have not watched this
episode in a while, just even for the sake of
fast forwarding to the scene where Tyler wakes up, or

(31:43):
going to where Chase wakes up, and then you'll find
Chris Keller. It's the best wake. He's so believable, he's
so self deprecating, he's so unaware of himself on camera.
It's so realistic and hilarious. I could not stop laughing.
And you will too, Go enjoy it.

Speaker 7 (31:58):
It's perfect.

Speaker 4 (32:00):
Glad that they made a moment out of the fact
that she, Jessica the first girl, chose to not put
her clothes back on but just exit in a sexy
bron underwear, which I don't understand. I think it was
just so they could have the line of Chase going
did she just leave in her underwear?

Speaker 6 (32:19):
And uh, then.

Speaker 4 (32:20):
Chris goes, she's a stripper, I think, or vice versa.
Chris goes did she just leave in her underwear? And
Chase goes, she's a stripper. I think they do that
so it's a mildly funny line, but it's like, I
don't think anyone does that.

Speaker 6 (32:35):
It was it was odd.

Speaker 4 (32:36):
Also, here's my question. Have we ever actually seen Chase
getting into the Air Force? I know there's been talk
of this, but I didn't.

Speaker 3 (32:45):
Yeah, this card scenes where he was on well with
Chasin X, Chase and Alex. Yeah, that's right. I was
gonna say campla June, but that's Marin's. I don't know
where we saw him, but there was something at a base.

Speaker 7 (33:01):
Yeah, there was something, but I remember more specifically just
because it was such a sweet scene between the two
of them, with Chase and Alex talking and he was
going to leave and she said in a year, I'll
meet you here right at.

Speaker 4 (33:16):
The airfield where it was the very awkward meetup where
it's like is he is he about to dateline her?

Speaker 3 (33:20):
Yeah? Yeah, it's like a fair to remember, like I'll
meet you here in a year for still you know limit.

Speaker 6 (33:27):
Yeah, Okay.

Speaker 4 (33:29):
I just wasn't sure if I had missed that or
if it just fast forwarded in the background.

Speaker 3 (33:33):
It was just really funny in the context of all
the other things happening in this episode. It was so random,
but I was glad to see. I was glad to
see Tyler do that. I was glad to see Stephen
and Chuck this storyline that continues to just tug at
my heart strings. I really love that they've continued this
on and kids aren't often given real storylines on TV shows.

(33:59):
They're just now as accessories. And the fact that they
really trusted Michael May with this material and it is
wonderful and it's an interaction that I didn't know I needed,
Like I wanted to see how I love seeing how
this young, hot single man running around in circles in

(34:23):
his life in many ways is centered by an unlikely
friendship with this sweet young boy who also is really
struggling in his own life, needing a father figure, needing
somebody who just is consistent. I really it's like the
spinoff that I need, do you know what I mean?
I love this show that I'm watching, of the two

(34:44):
of them.

Speaker 7 (34:45):
Totally, and there's something really refreshing again because so many
characters in the show have such exceptional lives. The fact
that a boy whose home life is very unstable gets
to be supported by one of our characters also allows
one of our characters to go into an arena that's

(35:07):
really important to talk about that isn't all about excellence.
It's not a record label or a rock star or
the NBA or fashion or an agency. It's like, this
is a kid in the neighborhood that he mentors, and
he is a really volatile home life, and those are
often the things that don't get the spotlight. And I

(35:28):
think there's something that I just I so love about
the storyline to your point, And I was so touched
by Steven's performance in this episode. I thought the way
he played it was beautiful because he wasn't trying to
be macho, he wasn't trying to have all the answers.
He was figuring it out in real time and a

(35:52):
little panicked and wanting it to not be true, and
also wanting to not leave this kid alone. And and
it was so human and it was really special to
watch them play off of each other like this.

Speaker 3 (36:06):
You know, it's something we don't see a lot on
our show, maybe well on our show with men, it
usually is like a woman who's providing this nurturing role.
But I'm realizing, I was realizing as you were talking,
he's stepping into the uncle Keith role that we haven't
seen in so long. Just so yeah, stepping up and

(36:31):
showing him what a good man looks like, even though
he's got his own flaws and he's got us trying
to figure out his own in his life, Like he
can still show up for this young for this boy.
It's just a man.

Speaker 4 (36:44):
It's just something.

Speaker 3 (36:44):
About it that's like balm on my heart. Every time
the two of them are together on camera. This makes
me happy and hopeful.

Speaker 7 (36:52):
Yeah, and it's really also very cool to his credit
for Michael May. You know, it's not easy to be
a young kid and have a really heavy storyline, And
the way he delivered that line at the end of
that you know scene about the bike when he finally
reveals the bruise and he Chase asks him if his

(37:13):
mom knows that he got hurt, and he says, no,
you can't tell her. She'll take my bike away, and
the cover up. It was so heartbreaking to me, and
I was like, man, you know, not only are these
two actors crushing this, but like our sweet friend Michael,
this literal little boy is able to put so much

(37:35):
subtext in a scene like this, And I don't know,
I think they did a beautiful job. And I'm really
happy for them that they had Austin directing them in this. Yeah, yeah,
to have it in the family.

Speaker 3 (37:48):
The kids are learning. He's really you could tell because
when he started the show, it was just it was
that sort of element of like, oh, you're a kid,
You're an accessory to the storyline, like this is just cuteness.
And then he actually started really learning how to act,
and they gave him an opportunity to. I mean, that's beautiful.
I was really cool about that.

Speaker 6 (38:08):
So Exavier, ye bad guy, Yeah, so I do.

Speaker 4 (38:14):
I haven't seen it, but I do remember I think
maybe a flashback. So he is the one who breaks
into close over Bros And assaults Brook and he also
is the same guy who shoots q. There's a shortage
remember those we said there's a shortage of bartenders in
tree Hill because we always see Chase doing it. Is
there a shortage of criminals as well?

Speaker 3 (38:33):
I guess so.

Speaker 6 (38:34):
Well, I don't know.

Speaker 7 (38:35):
With the whole organized crime syndicate and a murderer.

Speaker 3 (38:42):
How was there no conviction for him over Quentin's murder.
I didn't realize that. I think I didn't either, assumed
that that was all wrapped up. But you're telling me
a gas station didn't have camc TV. A liquor store
slash gap, it was not a gastic convenience storks. A
convenience store that sells liquor doesn't have a camera.

Speaker 7 (39:05):
Well, also, Quintin was shot. Ballistics for bullets they match
a gun. I don't know what we missed in terms
of not getting a conviction on that crime.

Speaker 3 (39:19):
But it also was useful for this storyline.

Speaker 7 (39:23):
Though, yeah, useful for the storyline. It made me wonder.
I mean, listen, this is the story, right, Like she's
got to go to the parole hearings, so this is
the story. But I'm thinking about it and thinking if
someone were in jail and I knew they'd murdered a
person I knew and not been convicted of it, that

(39:45):
wouldn't make me more likely to go see them, you
know what I mean, like if they weren't going to
be held up against the full weight of the law.
I don't know.

Speaker 3 (39:56):
How did you feel about this storyline when it came in.
I mean, this is kind of out of the Oh.
I think it.

Speaker 7 (40:01):
Feels really out of the blue. I think what's really
surreal is in more recent years, I've been through something
like this with a friend of mine. Oh, and so
it's really surreal to watch it. You know. At the time,
you read articles, you study up on what you can
to try to understand systems, you know, and now having

(40:23):
sat with someone who's gone through this, I'm just like, man,
that is it is so heavy, and yeah, the victim,
either testimony or letter at a parole hearing is so important.
I think what I appreciated about it, even though, like
I was saying earlier about some of the stuff, I

(40:43):
think some of that writing in the episode is so great,
and I love the shift from being on the other
side of the glass and telling him the story of
the kids to it seamlessly going into the parole hearing testimony. Like,
that's a ten out of ten for me.

Speaker 3 (40:57):
Yeah.

Speaker 7 (40:58):
I thought the writing in the earlier scene with Julian
felt a little heavy handed, like I want to believe
in my heart I have the capacity for forgiveness or
you know, whatever it is.

Speaker 6 (41:10):
But I like that.

Speaker 7 (41:11):
I like I like when a character gets to say
I want to believe I could be this good, but
I'm also human. And I liked watching this married couple
have that conversation, you know, yeah, talk about what our
highest ideals are versus when we're really in a rock

(41:33):
and a hard place. How do they get applied? Can
they be applied?

Speaker 3 (41:37):
Do they even matter if they're not applied in the
rock and the hard place spot?

Speaker 7 (41:41):
Yes, exactly. And I like that they kind of went
around in circles. I liked that it wasn't so squeaky
clean and everyone just knew to do the right thing
right away or whatever. It felt really human to me
the whole their whole journey. But I don't know, man,
it's like a repeat offender like that. It's scary. And

(42:08):
he's such a good actor. He's so good at being.

Speaker 3 (42:11):
Scary, so subtle. He was so he knew the camera.
That's one thing I love when an actor understands where
the camera is. Yea, Ki Kowalski, our DP was always
so great at telling us. He'd be like, we're in
a cowboy shop, which is like at your hips, or
we're like right up close on your face, so that
you knew how much to react based on where the
camera was. And he was one of those actors that
really understood like where the camera is and how much

(42:33):
or how little to give. And I was so I
really was impressed by that. But I loved what we
got from him when you asked him, what about Yesson?

Speaker 8 (42:45):
Oh so good?

Speaker 3 (42:47):
Uh huh that flash of rage yes, and then but
also like the genuine like I'm supposed to say, I'm sorry.
It was almost like this, like it was almost like
a bewilderment even that flashed through his eyes, Like but
I wasn't convicted of that. Why would I have to

(43:09):
apologize for? You know, like a real true psychopath, they
can't comprehend the idea that that yeah, well, but that
that's not that's not on my list of things I
need to perform in order to get what I want.

Speaker 7 (43:23):
Yeah, h so unhungry.

Speaker 4 (43:27):
Going back to the scene with Julian and Brooke at
their house, my favorite part of it was the very
very end when Brooke just says to him, you and me, Yeah,
that's just it's so true and it's so sweet that
it's like, no matter what's going on, it's like we're
the team. We're not we're not each other's enemy. I
just I loved I love to see that kind of

(43:49):
teamwork and partnership.

Speaker 5 (43:51):
Oh.

Speaker 3 (43:51):
We needed that after everything with him in the last
few episodes. We needed that and.

Speaker 7 (43:57):
Letting him show up for her in that and also
mirror who she is back to her. Because when you're
questioning yourself your capabilities for either forgiveness or bravery or
any of the things required for this scenario, for him
to say you're capable of anything. I love you because
of how strong you are. I love you because of

(44:18):
how brave you are. I'm proud of you, Like I'm
right there with you even when you're scared.

Speaker 3 (44:24):
It was great.

Speaker 7 (44:26):
It was just great partnership stuff for them, and I
really I really enjoyed it and I liked that the
the device despite for some characters it feeling like a
little bit of a letdown.

Speaker 4 (44:40):
I e.

Speaker 7 (44:40):
You guys at the airport. I actually liked that this
quiet time at home or quiet time in the car.
It was nice just to see the two of them
talking through things together felt really grounded and true.

Speaker 3 (44:54):
Yeah, I'm glad you brought that up, Rob, that's a
great point. I've kind of I kind of sidestepped it.
I didn't. I didn't really like notice it because I
think because it's the place that I feel most comfortable
with Brooke and Julian, that they're just that's where they belong.
So I just settled into it. I'm glad you noticed that.

Speaker 4 (45:12):
And now that we're discussing it, I also wonder though,
because we're saying how another way of saying sort of
the opening thing about how I was saying that it
feels drawn out. I mean, another way you could look
at that is it's just we are allowed to sit
with things. And maybe that's just maybe that was an
actual choice, because we do have episodes that are just.

Speaker 6 (45:31):
Wall to wall whiplash.

Speaker 4 (45:33):
This happens, this happens mouth almost it's a pizza, you know,
And maybe maybe it was intentional. Maybe they did know
what was coming down the coming down the pike, and
they and they wanted to just give us sort of
a slower one to kind of as the change up pitch.
But here's the real burning question I have. Do you
think when you become a member of the Bad Guys Club,

(45:58):
you take an oath that you will only ever eat
an apple with a sharp knife? Why is that a trope?
I have never seen a bad guy just take a
bite like a human. They always have to do it
with a knife in a real menacing way.

Speaker 7 (46:16):
Yeah, but there's something about it. And why is it
always an apple? Is that a reference to snow white
or something.

Speaker 4 (46:20):
It's like, we just saw you shoot your coworker an
episode ago. I don't need you to eat an apple
like an irresponsible bad boy to be intimidating.

Speaker 3 (46:29):
Yeah, it could be a peach.

Speaker 6 (46:31):
Yeah, what It's just odd.

Speaker 4 (46:34):
Every time I see it, I'm like, oh my god,
it's such a hat on a hat like he just
shot a guy.

Speaker 7 (46:38):
Also, if you want him to have a knife, why
not have him like cutting into a steak? C Yeah,
it's like why why is it a piece of fruit?

Speaker 4 (46:49):
Yeah, it's weird that his two flexes were hydration and
cutting an apple before eating it.

Speaker 6 (46:57):
Amen teach their own so good.

Speaker 7 (47:00):
Hey, maybe you know what, maybe when he's not bad guying,
he's a great pta dad.

Speaker 4 (47:04):
What do we know?

Speaker 3 (47:05):
Yeah, he's got to be. That apple came from his
preschool classrooms, kids, preschool classroom. He just took it with him.
I missed Mouth and Millie in this episode.

Speaker 7 (47:14):
Yeah, it's weird when when your people are you feel
the absence.

Speaker 3 (47:21):
Yeah, but the next episode, I know what's coming. I'm
actually excited for what's next. Wa you do?

Speaker 6 (47:26):
I don't don't.

Speaker 8 (47:26):
I don't know anything.

Speaker 6 (47:28):
You know.

Speaker 4 (47:28):
Here's here's my secret. My secret wish is that they
purposely didn't put them in this episode. So that next episode,
Mouth shows up in none of the prosthetics and then
just offhanded. That was some hike, wasn't it. He's like
it did the trick and then we never talk about
it again.

Speaker 3 (47:45):
Lord hear our prayer. Please.

Speaker 7 (48:00):
All right, We've got a listener question. Goofball wants to
know what's the last thing you've read or watched that
made you laugh?

Speaker 6 (48:09):
Last thing?

Speaker 4 (48:09):
I laughed like belly laughed out loud. I was watching
an episode of RuPaul's Drag Race.

Speaker 3 (48:16):
What happened.

Speaker 4 (48:18):
It was just the like, these guys are so funny,
and they are. It's also a culture I'm pretty unfamiliar with,
so I'm constantly hearing new words and you like turns
of phrase, and sometimes it just hits my funny bone
in the perfect way and kills me.

Speaker 7 (48:34):
I love that.

Speaker 3 (48:35):
It's great.

Speaker 8 (48:36):
I love that.

Speaker 6 (48:37):
What about you too.

Speaker 7 (48:39):
I was just watching an episode of The Giggly Squad,
Hannah Burner's podcast, and I don't even remember what they
were talking about now that I want to tell you.
My mind is drawing a blank. But I was cackling,
like they really really got me just the other day.
I'll have to go back and see if I can

(49:00):
find you a clip mine.

Speaker 3 (49:01):
I think mine's kind of lame. I watch a lot
of Fraser right now because I'm doing a lot of
writing and I kind of work all day long. I've
got so I don't watch shows for new things. I
just want comfort. So I've just been in a Fraser zone.
So that's the last thing that made me laugh. There
was an episode where Niles is really upset about something

(49:23):
I can't remember, think his marriage is over, and he
goes into the bathroom and Meanwhile, Martin, his older his
dad's been like trying to revive this this QVC purchase
that he had, which is called the Hot and Foamy,
and it's like a it makes your shaving cream hot.
So Niles goes into the bathroom where the Hot and
Foamy is and he slams the door and he's like

(49:43):
super distraught, and all of a sudden, you hear this
bang and everyone's like, oh my god, Niles, are you Niles? Niles.
Then he walks out and he's completely covered in shaving cream,
and I just laughed harder than I laughed so long.
It's like pure three Stooges comedy. But I don't know.
It got me out.

Speaker 4 (50:00):
It's a podcast, but it's just joy retelling episodes of Fraser. Yeah,
oh my god, let's spin a wheel and why that
wheel spins? I will say you answering Fraser is perfect
because before we started recording and you stepped into your
zoom square, I was like, you, look, you're addressed like

(50:20):
a hipster who should be lawn bowling in Brooklyn. And
then the fact that you're like, go to comedy was
Fraser chess kiss most likely to steal a friend's baby name.

Speaker 3 (50:34):
Oh horrendous. I mean Rachel.

Speaker 8 (50:37):
Yeah, mm hmmm.

Speaker 3 (50:39):
I don't think anyone in real life would do that.
Who would do that in real life? That's terrible?

Speaker 7 (50:43):
No, No, no, I would hope not.

Speaker 4 (50:47):
That's dark and we certainly wouldn't be outing them in
this fashion. No, and their Instagram handle is no, it's
I would say, Yeah, my first thought was Dan, just
because he has a propensity to be a dick. But yeah,
I'd say Rachel makes more sense.

Speaker 3 (51:02):
Yeah, I can't think of anyone else. Who else? Nanny
Carey's psychotic. I guess she would do it.

Speaker 7 (51:08):
I mean she she tried to literally steal your baby,
so yes, she'd probably try to steal a baby name.

Speaker 4 (51:13):
Yeah, and Katie by the lady, Oh my god. If
Clay and Quinn as soon as they as soon as
she gets worried about Logan, she is one hundred percent
procuring a child and changing his or her name to Logan.

Speaker 7 (51:25):
Oof.

Speaker 8 (51:26):
God, that's so crazy.

Speaker 3 (51:27):
Wait is she still alive? I thought she died.

Speaker 4 (51:30):
No, she wheeled out very much alive, remember, and then
Quinn whispered in her ear She's like, I'm the store,
your store.

Speaker 8 (51:37):
Yeah?

Speaker 3 (51:38):
Yeah, But then we never we just never hear from
her again.

Speaker 7 (51:41):
Nah, I mean, I think the idea is that she's
in jail forever. But also like if Xavier got out
after committing a literal murder, what what is reality?

Speaker 3 (51:51):
Yes, that was crazy too. At Karen's cafe that Xavier
was out, wouldn't even talk about that? All right, Well,
here we go. The next episode is season nine, episode eight,
A Bush of Blood to the Head, and I think
it's going to be This one's going to be quite
a ride.

Speaker 7 (52:05):
We're going back to whiplash, I think.

Speaker 4 (52:07):
So.

Speaker 3 (52:07):
I don't know if it's going to be whiplash, but
we'll be on a roller coaster six episodes laft.

Speaker 6 (52:12):
Of I don't like it.

Speaker 7 (52:19):
I'm getting the impending feeling, like from the actual end
of season nine, where it's like, Oh, we're all gonna
how cool, We're going to wrap this thing and then
I'm just gonna sob for weeks.

Speaker 6 (52:29):
We just get on zooms to cry.

Speaker 3 (52:31):
Yeah, friends, don't forget though. If you want to see
us live, there is a way to do that, because
we're doing our finale episode live from the convention in
Wilmington at Trick. You've got to be a part of it.
If you're not going to be there in person, please
please go get your tickets at veeps dot com, v
E E p s dot com and join us for

(52:55):
the final episode for.

Speaker 7 (52:56):
The laughs and the tears.

Speaker 6 (52:58):
See you next weekend, All right, y'all, See you later.

Speaker 3 (53:02):
Hey, thanks for listening.

Speaker 7 (53:03):
Don't forget to leave us a review. You can also
follow us on Instagram at Drama Queens O t H.

Speaker 3 (53:09):
Or email us at Drama Queens at iHeartRadio dot com.
See you next time. We all about that high school drama.

Speaker 7 (53:18):
Girl Drama Girl, all about them.

Speaker 2 (53:20):
High school queens. We'll take you for a ride at
our comic Girl Cheering for the right teams. Drama Queens,
My girl up girl fashion, but your tough girl.

Speaker 1 (53:30):
You could sit with us Girl Drama Queens, Drama Queens,
Drama Queens, Drama Drama Queens, Drama Queens