Episode 364 w/ Lost Boyz

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
He is drink chests, motherfucking podcast makes He's a legendary
queens rapper.

Speaker 2 (00:17):
He's agreed, that's your boy in O R E.

Speaker 3 (00:18):
He's a Miami hip hop pioneer. What ups d J
E f N?

Speaker 2 (00:22):
Together they drink it up with some.

Speaker 3 (00:24):
Of the biggest players, you know what I mean?

Speaker 1 (00:26):
And the most professional, unprofessional podcast and your number one
source for drunk.

Speaker 4 (00:31):
Drink cho every day is New Year's e.

Speaker 2 (00:34):
That's it's time for drink champs.

Speaker 3 (00:37):
Drink up, motherfuck mother? Would it goold? Be over? This?
What it should be?

Speaker 2 (00:46):
This your boy in O R E?

Speaker 3 (00:47):
What up is d J E f N?

Speaker 5 (00:49):
This is military crazy for all.

Speaker 3 (00:51):
Drink ye makes up?

Speaker 4 (00:58):
And right now when you're talking about anthems, you talk
about timeless music, you know, going through their catalog, you
know what I mean. I'm just like, damn, these records
could work right now, you know what I mean.

Speaker 5 (01:11):
Put it on for.

Speaker 4 (01:12):
Representing and always put queens on the map, put queens first,
and was making global music. These guys stood the test
of time and I just can't wait to see what's
moch more to come. In case you don't know who
the fun we talking about. We talked about the Moet point.

Speaker 3 (01:32):
Off top.

Speaker 4 (01:33):
Our was about giving flowers that we're gonna give flowers
off top.

Speaker 5 (01:36):
Where's where's the flowers at?

Speaker 3 (01:38):
Paul?

Speaker 5 (01:38):
You don't get the flowers off top, off.

Speaker 2 (01:43):
Top and obviously in memory of your father.

Speaker 3 (01:50):
Definitely, and you got pretty loose flowers.

Speaker 5 (02:00):
Yeah, so off top, off top, I gotta act.

Speaker 3 (02:02):
That's hard.

Speaker 4 (02:05):
Would y'all do a versus? And who would y'all want
to do a versus against?

Speaker 5 (02:09):
I already got my.

Speaker 3 (02:10):
Pick because I'll say my ass man, I wanted to.
I say, we would be a great challenge basically a
good show for like Gloryboy Nature, you went over my head.
You went over my head with that one. That's what
you did. Great show.

Speaker 1 (02:27):
I ain't gonna I think that'll be a great show.
So but honestly, when when you think of the Lost Boys,
like you said, you gotta go anthroms, so I think
I second on somety by Nature because they definitely came
with them anthems. And you know when the Lost Boys
stepped on the scene, they came through crushing beams and
the Bens music, take me hot, you feel me, lights,

(02:48):
camera acts and it is still crushing in the spot today.

Speaker 3 (02:51):
You feel what you say, I'll go with anybody, let's
get it.

Speaker 4 (02:56):
You know what I thought of? Or did someone else
say this? Thinking maybe Diego might have said this? The
beat nuts?

Speaker 6 (03:04):
Yeah, queens, I allowed to have some fun.

Speaker 3 (03:08):
I just whatever, let's good. You know what I mean?

Speaker 5 (03:10):
Did you ever speak to Swiss about this?

Speaker 3 (03:12):
No?

Speaker 4 (03:13):
No, no, no, but you are you? Are you interested
in doing that though?

Speaker 6 (03:16):
I mean, if the town calls for we definitely down
with whatever. Gold found that point we were in the playball,
no question.

Speaker 5 (03:25):
Nah, man, I was.

Speaker 4 (03:26):
I kept listening to the music. I'm like, damn, this
is timeless music. Do you know you was making timeless music?
And and the stories that y'all was telling, like how
did how did? How did you come up with that?

Speaker 3 (03:37):
Yo?

Speaker 6 (03:38):
Basically man like you know, me rating my music. And
while we was coming up with my man speak nice
and pretty low and all of that, we used Mama
and black wall, basement smoking. We didn't get our forties
on and just living and living our life and music
just what we was made of.

Speaker 3 (03:54):
You know what I'm saying.

Speaker 6 (03:54):
I met speaking from summer school coming through with the Trooper.

Speaker 2 (03:58):
Jeep freaking tar.

Speaker 3 (03:59):
You met fixed and refrigerator, Grandmar's crib. The minimum sells
a Champ was.

Speaker 2 (04:06):
My grandpa.

Speaker 6 (04:10):
Just try in the building, no question. So that's what
we all just came together like that and writing music
was just just came from the hard.

Speaker 4 (04:17):
I need to know that story true. You met Freaky
Tar from fixing the frigerator, his.

Speaker 6 (04:21):
Box, Champs, no doubt, from fixing Grammars.

Speaker 3 (04:24):
He's new and the new in the kitchen. That's crazy.

Speaker 7 (04:28):
You know.

Speaker 3 (04:28):
Were connected from there, you know what I mean?

Speaker 6 (04:30):
And from there we just saw that brotherhood right there, Mom,
Raymond Rodgers, miss Cheeks, freaky car, frea guitar, you know
what I'm saying.

Speaker 3 (04:38):
We just ran with that, you know what I'm saying.

Speaker 6 (04:39):
Then we bumped. No boys speaking nice. We got pretty
little already.

Speaker 3 (04:42):
Eric went to school together, right, Okay, Adams, John, how
about how about the name though?

Speaker 2 (04:54):
How did you come up with the name of the
Lost Boys?

Speaker 3 (04:59):
Basically there was a group crew around because the Lost
Boys born King and and uh born King is the
head of the Elves.

Speaker 4 (05:07):
Yeah, so that that was a crew street Street. So
what made y'all trip pick that for a rapp man?

Speaker 3 (05:15):
I mean, one day I was He's he's in and out,
you know what I'm saying, in our society sometimes. So
one time he came back and he would be seeing
me and him seen each other on the thank you
very much. Uh, we've seen each other on the block.
And he was like, yo, man, every time I come back,
guys doing your handshaking, doing all this, and y'all meet

(05:36):
in front of the coliseum and Bob he was like,
Yo man, y'all acting like lost boys. Y'all got people
like lost boys. And that was like, I was like,
that was like one of my favorite movies. You know,
the movie didn't come out too long ago.

Speaker 5 (05:49):
So now who was dollar Bill?

Speaker 3 (05:52):
Right? Dollar Bill? Yeah? Who was Dollar Bill?

Speaker 6 (05:55):
One of the old g's, you know, one of that
taught us to show us the ropes, how of you know,
get down on the block and all of that. So
he's always a powerful, powerful person in our life.

Speaker 3 (06:06):
But that was a part of the beginning of the
LB's as.

Speaker 6 (06:08):
Well, all of them ourself Dialu r I p Dalu Maleague.
You know what I'm saying, Milk Kwan and all them boys,
you know what I mean. There was the cat that
told us, you know, we could do better. The MOVI
was doing out on the streets and ship like that,
you know what I mean, go to school and all that.

Speaker 3 (06:25):
We went to school and play ball, you know, the
situation and all that.

Speaker 6 (06:29):
But there was a OG's looking out for us. Instead
of you know what I'm saying, following they pushtups. We
followed them in the beginning, you know what I mean,
learning how to Dud was doing.

Speaker 3 (06:37):
At the time.

Speaker 6 (06:38):
So uh yeah, they played. They played a big part
of my life and his life and the hood.

Speaker 4 (06:44):
Basically, that not one thing to me coming from Queens.
And I thought that was a South Jamaica thing, like
the way I was giving vibes and like you know
what I mean, because I didn't see that before, Like
that wasn't like a gang thing, or wasn't a gang thing.

Speaker 3 (07:00):
No, no, it's just a salute to.

Speaker 2 (07:04):
See y'all still doing it.

Speaker 3 (07:04):
I was like, she still got it.

Speaker 8 (07:10):
I was looking like, oh God said, they still got
looking because I never could do.

Speaker 4 (07:14):
The handstake, you know what I mean, I have a handstake.
So one night, so yeah, yeah, so so let's let's
let's get to the let's get to the music.

Speaker 3 (07:22):
Right.

Speaker 4 (07:23):
I got so much notes, man, I was I'm so
proud of doing this interview right now. I'm a Queens brother,
you know what I'm saying, and I want I wanted
to get time really just like damn listening to music.
It really brought me back. It really bought brought me
back to to to to Queens.

Speaker 3 (07:43):
Right.

Speaker 5 (07:44):
But here's the crazy ship.

Speaker 4 (07:45):
I traveled the world and so I got different feelings
of your music. It's not just me identified and Justine Queens.
I want to around the world to herd y'all y'all music.
So like, like, how how does that feel to make
global music?

Speaker 3 (07:58):
That it is crazy?

Speaker 5 (08:00):
Like every barbecue your.

Speaker 4 (08:01):
Yo want one of y'all, one of the five of
yall joints.

Speaker 3 (08:04):
Is coming on.

Speaker 6 (08:07):
That It is an honority making music that's still timeless,
you know what I mean, Like you can go through
the spot and be just chilling and your joint coming bananas,
you know what I mean, bring up with your shorty.

Speaker 3 (08:17):
You go to the clubs, they playing your jo.

Speaker 1 (08:21):
It's crazy though, that you said that, because I got,
you know, the privilege of going toll which sees we
had went to Germany. You feel me when I tell
you they was going so crazy. He was on tos
KRS one. It was loads of underground Smith and Wesson,
Bob Deep you feel me, so they gonna create. But

(08:42):
the lowest boy music resonated so crazy in Germany. My
pops got to cut one two, three thousand problems on
the legal drug money. The DJ spun that they were
singing it in Germany, freaking top you know, they singing it.
We ain't even got we got the mic to the
crowd and they spending cuts. So I'm Likeyo, this music
resonated around the world. You got fans in Africa, Hey

(09:03):
me up, reaching out like y'all I love you know
the legacy that you got going like it's golden.

Speaker 4 (09:08):
Do y'all think that the love of hip hop lives
more in Europe than it does in America right now?

Speaker 2 (09:15):
I do even beyond Europe Latin America.

Speaker 4 (09:18):
Going after Seas is just so yeah, it's like they
let you more, like it's like.

Speaker 2 (09:23):
They appreciate it.

Speaker 3 (09:24):
Don't see you every day, yea every day thing Amemerica.

Speaker 6 (09:28):
See I said that, it just like ship go over there.
It's like, yo, royalty crazy, you know what I mean?
But nah, man, going course Seas just so kind of
it's stope man, stope. The crowd is crazy, y'all. Just
seen you've seen the show that his had over.

Speaker 2 (09:41):
There in Latin America. He was doing Colombia, I think Argentina,
so dance popping elements and everything.

Speaker 3 (09:49):
Yeah, London, what's my man Mike over there in London?

Speaker 6 (09:52):
You got the the little hip hop chip shop out
there in London.

Speaker 3 (09:55):
You ever been there? Ain't that one? You ain't been there? Yo?
It's crazy over there, the chip shop out in London.

Speaker 6 (10:02):
It's like just hip hop all day, niggas, d J
and while you're eating your food, little cut It's crazy stuff.

Speaker 5 (10:08):
What what what's the what's the wildest place you?

Speaker 6 (10:10):
You?

Speaker 3 (10:10):
You went to? How to book the show? Act Africa? Africa? Wow?

Speaker 6 (10:16):
Lord Africa, Cape Town Moving.

Speaker 3 (10:21):
Just came back from Johannesburg. That's crazy. Wasn't that like
the first rap room to perform all that isn't it?
The first that.

Speaker 4 (10:30):
First rap artists to performing on Africa and the whole Africa, whole.

Speaker 3 (10:35):
Apple time, the first the person before they were just
saying Coolio was.

Speaker 4 (10:40):
That was before people people people, So first rap group
definitely coolier Wow, yeah, definitely are p Coolio. But I
want to make some noise for being the first, Like, yeah,
the first rap.

Speaker 6 (10:57):
Got more cheeps over there, you know, running around the
Lost Boy trucks.

Speaker 3 (11:00):
You know what I mean.

Speaker 6 (11:01):
It's crazy out there sucking out Africa.

Speaker 3 (11:04):
No question.

Speaker 4 (11:05):
So let let's go to the lifestyles that are rich
and the shameless.

Speaker 5 (11:09):
How did y'all come up?

Speaker 3 (11:10):
What was what was that? What was what was you
living like in that moment?

Speaker 4 (11:14):
M hm.

Speaker 6 (11:15):
You know, Lifestyles origin Shameless is about, you know, story
the drug dealers in our neighborhood. You know, we lost
a lot of good dudes that was you know, hustling
but giving back to the other not even just just
you know, it was shout out to uh cooler b
you know what I'm saying to for DP, you know
what I mean, one of the original dudes that ever
got us hip to grand as the victim Blend the

(11:38):
tapes and all of that. So I mean, like lifestyles
of Shameless, just like some diuy with some dynamics. We
won't hear about certain cats that died that was hustling
in the hood and got killed, but you know you
hear about like esketball and all of them.

Speaker 3 (11:56):
Things like that kill me. So it's just it was
just that kind of thought, like you.

Speaker 6 (12:00):
Know what I mean, Like you don't really hear about
Paris that got killed down Quinn and all of that,
you know what I mean, some male dudes that was
that that that we looked up to and the hood.

Speaker 3 (12:10):
So it was just that was what was really about.
How you talking about that? I feel the same. That's
what's said it down just you know, just feeling like that.
Lifestyles of the Vision, every day street and who produced
that record? Motherfucking easy moment. Yeah, mob shout out to

(12:30):
the Guardian body.

Speaker 6 (12:32):
Now, oh yeah, he's one of the dopest dudes that
we ever connected with.

Speaker 3 (12:36):
Man fast cool, last nigga. You you have connected with
Tupac Tupac. Yeah, the story about were connected Tupa. That
was back in like the a days. You know what
I'm saying, we need we need that right quick. So
now one night mom made you think of that, right,

(12:56):
Who's on v A.

Speaker 6 (12:57):
One night and at the at the what the bridge
or something like that, and they booked the book Tupac
to come out, come out to perform. He was a
wild cowboy at that time. You know what I mean,
talk man shouldn't dude crazy ship. But yeah, that's the
only time we met.

Speaker 5 (13:10):
Him, and what version of that almost when he was
still doing juice.

Speaker 3 (13:15):
That was when he first they called the crew R
I P.

Speaker 6 (13:21):
Under Girl, and he was already he was he was
getting into that. He was way before that, you know
what I'm saying. So wow, yea early day he was
a wild cowboy then.

Speaker 4 (13:32):
So how about Big Big brother family, No question, we
met that guard early.

Speaker 6 (13:42):
I mean like when I met him from back in
the days, when did he first got to deal with
Arista and all of that fly ship?

Speaker 3 (13:49):
You know, that's about transition.

Speaker 6 (13:51):
That's how we was to hanging around there. I didn't
even know who was doing street team and ship, but
who was you.

Speaker 3 (13:57):
Know what I mean? And my man to come out
kill him. I remember we had some good memories. And
but Big he's a hard body, that my man. I
remember when he was the last last time I seen him,
he was in the wheelchair talking about did to me
last night? I see you give me that blood last time?

Speaker 6 (14:24):
Good people's man, No question, we was mad at on
the popping that time.

Speaker 3 (14:29):
He was doing that music and all of that ship.
He was to let him up. Who's kind of wrapped up.
Was they used to be mad because, like, you know,
we was the party dudes back in the time. And
he was like, yo, man, why y'all ain't never in
my video. You see what videos where everybody was in
the video and just saying that to all the big

(14:49):
okay okay was like, yo man, we did this, and
so I was like, yo man, we be working. You know.
He was like the hardest working rap group at the time.
You know what it was?

Speaker 6 (15:03):
Yeah, yeah, who's outside with you already?

Speaker 3 (15:10):
Know you who your day?

Speaker 2 (15:15):
Your brother?

Speaker 3 (15:17):
We are we are, we are, we are.

Speaker 4 (15:19):
This is lost Boys day, like Queen's Day, the Queens
Day boys. This is your time for your flowers. You
have to deserve it. This is real ship. So we
wanted to get into everything. That's why we want to ask.
We want to ask everything. You got quick time of
sliding ready yet?

Speaker 3 (15:37):
All right?

Speaker 2 (15:37):
Cool? Cool?

Speaker 3 (15:38):
Cool cool cool.

Speaker 2 (15:39):
But you say you're doing street Team Street Team for
yourselves and for somebody else, y'all was doing it for
the same.

Speaker 3 (15:45):
Street team, waiting for the like Profly had his guys.
He came from where we was at. He came from uptown,
so his he knew all the street team. He didn't
have no street team or aristas, so now he using
both of them. He's our street team both things, so
you it might be lost boys on this side didn't

(16:05):
be Big Mac on the other side.

Speaker 2 (16:08):
Yeah, big Big Mac.

Speaker 3 (16:09):
I remember that. Yeah, yeah, yeah, the pic that's when
the street teams the street. So we was like he
had both teams.

Speaker 6 (16:19):
I really I was really giving out this niggas flies.

Speaker 4 (16:21):
Though earlier you said Queen I was assuming you met
Queen pin Josephine, Oh, Queen Bee. Okay, all right, cool, cool,

(16:43):
because I always wanted to ask the party ain't a
party remix. It doesn't credit no one on the remix.
Do you notice that?

Speaker 2 (16:51):
No? Okay, I give my check. Yeah that's funny.

Speaker 6 (17:04):
Hell I don't be checking but not but hello with
days a month is it? Let's get it? But now
everything good man. I love making music and popping off. Man,
this ship is just what we came a long way
to doing this ship, you know what I mean? So
that being on Drink Champs and all that flash.

Speaker 4 (17:23):
Like actually, because y'all came out like the right time, right,
it felt like it felt like naves had dropped.

Speaker 3 (17:31):
It was a special time, right.

Speaker 4 (17:32):
It was like for me, That's how I remember it
because like I'm like Queens, So it's like Naves dropped
right then, I think Mob dropped, and then y'all dropped
like right after, and I remember I remember it being
I correct.

Speaker 3 (17:50):
I don't know, I just.

Speaker 2 (17:54):
Okay, yeah, yeah, I thought.

Speaker 4 (17:59):
Honest came before Molly, remember Mom, they came out mad
early before.

Speaker 3 (18:06):
Yeah.

Speaker 4 (18:07):
Yeah, but that juvenile hell and all that encount so count.
I mean, like come on, man, like the real album
started from there. Man, I bet you they say they
don't that didn't count. But but what I'm saying, what
was that pressure? You know, not only to make it
out the hood, but coming from Queens because these were
the legendary groups that came right before y'all. You know

(18:28):
what I'm saying, Like you said, Mom, d and Nah's
like holy ship, that's something there? Was it pressure or
was it like let's go?

Speaker 3 (18:38):
That was that was more of a damp a push.

Speaker 6 (18:41):
Queen is getting the money like ten.

Speaker 3 (18:45):
Years to get that farus doing it, you know what
I mean.

Speaker 6 (18:50):
Brand that's the big dollar rock Spaine G and all
them boys out there, Big j T and the Wick.

Speaker 4 (18:58):
Young boys't know what he's talking about.

Speaker 3 (19:05):
Street legend like shirt King shirts On.

Speaker 1 (19:09):
Experienced that now show respect to all the legends.

Speaker 3 (19:14):
Man, the old gez, the good man that was, that was,
that was Dave was the influence. You know what I mean,
Let's go well, yeah, we yeah, we just had to
make sure we sat down.

Speaker 6 (19:24):
We had our own you know, our own lane and ship.
So we wasn't even looking at it like like we
was were just coming out with our ship that it
took so long to come out with you know.

Speaker 3 (19:35):
What I mean, Let's go bang out.

Speaker 6 (19:36):
So once we got a chance to make some music, man,
we wasn't thinking about none of that. We was just
rocking and roll and it was be honest to get
on the stage of dudes like rocking with Nordy by
Nation all that on. You know what I'm saying. First
came in the game. What's that high ninety seven?

Speaker 3 (19:55):
Like that is dope.

Speaker 4 (19:56):
You know what was different for me to witness y'all,
Like I said, like the the mob Mob you know
it was making very very very serious music. Uh nahs,
making very serious music. You guys were making very serious music,
but it seemed like to me, you guys having fun,
like you know what I'm saying like I always used
to be like, like, y'all want me dancing and like,
and I'm like, well, you know what I mean, Like

(20:18):
I feel like y'all was the first street music that
was fun? Is that accurate by nature to like because y'all.

Speaker 3 (20:25):
Just a quote from Freaky Child Rest in Peace, He's like,
we put the soul back into music in the hip
hop because it was going one way and it was
like getting gangst and all that stuff. So now everybody's
staying in the walls the part. And then we got
that that groove to make you like, let's let's just
free yourself, you know, smoking weed and drinking and making music.

(20:50):
That's that's the way.

Speaker 4 (20:53):
You taking watch.

Speaker 3 (20:55):
I'm watching you man. I loosen at the time.

Speaker 4 (21:02):
Yeah, we're about to play the game quick time.

Speaker 2 (21:03):
It's live.

Speaker 4 (21:04):
This is this is our game, and play with everybody.
We will give you multiple choice. If you be politically correct,
you got to take a shot, pick both, take a
shot if you If not, you know, we're drinking.

Speaker 2 (21:16):
Were drinking with you though.

Speaker 3 (21:17):
We ain't leave me.

Speaker 5 (21:17):
Y'all out there watched okay, so everybody ready, I'm.

Speaker 3 (21:23):
As well pour up now.

Speaker 5 (21:25):
Yeah, I'm gonna do. I'm gonna do the drink champ class.

Speaker 2 (21:28):
Poor short, I'm gonna do a long game man, get right.

Speaker 4 (21:32):
Yeah, yes, we're doing a little. They ain't gotta be
You don't got to. You gotta go crazy.

Speaker 1 (21:36):
We ain't got none to prove, same thing, yeah, thinking, well, okay, okay, waters,
all right, you got the person?

Speaker 4 (21:46):
Yeah, alright, Tupac or d m X d m X
all day.

Speaker 3 (21:57):
That's fa okay.

Speaker 5 (22:02):
With him, you're sticking with d M.

Speaker 3 (22:03):
Okay, okay, m hm. I ain't gonna be based. You
do the next one.

Speaker 2 (22:10):
Naughty by nature of Lords of the Underground.

Speaker 5 (22:13):
Taking a shot, Take a shot. A shot that means
you go take a shot.

Speaker 3 (22:20):
Either you're saying, I'm saying I can't go.

Speaker 4 (22:23):
I love them, all right, cool man, hold on un okay,
all right, cool, thank you shot.

Speaker 3 (22:32):
Yeah, I'm gonna save that. I'm gonna save both man.

Speaker 5 (22:35):
Yeah both okay, cool, take a shot.

Speaker 4 (22:38):
We can't afford for different Yeah, yeah, slo to long
boys though we have Bob deep or m O p mmm.

Speaker 2 (22:57):
That's a good one.

Speaker 3 (22:58):
Damn it, man, damn I'm not to take this shot.

Speaker 4 (23:01):
I'm gonna take the shot I want to take the
shot to.

Speaker 3 (23:04):
The shot where you go with why would you do that?
Would you you.

Speaker 2 (23:07):
Giving out the easy questions, I'll give them the legendary question. Listen.

Speaker 5 (23:15):
That's the producers right back there.

Speaker 4 (23:17):
So they look at you and then they make these
questions up as you go.

Speaker 2 (23:20):
You know, they made up on the spot.

Speaker 4 (23:22):
It's never like they analyze you as soon as you
walk in.

Speaker 2 (23:28):
Shot.

Speaker 4 (23:29):
Yeah, I think it's.

Speaker 3 (23:30):
Ready for the next one. Mind ready the next one? Cheating?

Speaker 4 (23:34):
Yeah, I'm ready for the next one. Oh yeah, you're drinking.
I'm using the same cup. That's the reason why. Yeah?

Speaker 5 (23:39):
That which one.

Speaker 3 (23:40):
About boy wow? Got boy dirty glad? Oh yeah, yeah, don't.

Speaker 4 (23:43):
I don't want no, keep me on whiskey. Let me
smell that. I can probably tell. Okay, that is the
killer that is be Let me get that.

Speaker 3 (23:59):
That's a beat? Did you really come out here just
to smell it? Leag you know what, I.

Speaker 5 (24:07):
Hate to kill us, So I'm gonna smell that.

Speaker 3 (24:09):
You might as well bring to at the time, just.

Speaker 2 (24:12):
So so we're drinking that right, Yeah, we're drinking to
that one.

Speaker 5 (24:15):
Used the same cup?

Speaker 3 (24:17):
Okay? Uh? Rap city or video music box man, Video
music box.

Speaker 1 (24:24):
Dad, I'm a rap city nigga.

Speaker 2 (24:27):
Yeah, you gotta go.

Speaker 4 (24:28):
You gotta go actially, I gotta go a good one,
Biggie or big al.

Speaker 3 (24:40):
Give me take the shot. I don't even want to
talk and rest some piece of book. Yeah, big, you
gotta take the big shots.

Speaker 5 (24:52):
You can keep us small.

Speaker 2 (24:52):
Yeah, keep it small.

Speaker 3 (24:54):
It's nice and neat. Yeah, yeah, you gotta huntre more.
Thank you.

Speaker 2 (25:02):
The next one a n w A Public Enemy n
w A.

Speaker 5 (25:08):
I always like the n W against Tank.

Speaker 3 (25:10):
N w A two. They had a couple of good
joints that I love.

Speaker 4 (25:20):
Yeah, okay, okay, okay.

Speaker 5 (25:24):
When we end up being publicandemy.

Speaker 4 (25:26):
No nobody cool cool, I mean shot on that one,
but saying that this is the shot for the next one, Yeah.

Speaker 3 (25:34):
That's the shot for the next positive mother the mounds
of running theiga.

Speaker 2 (25:39):
Let's go, thank you, you got it?

Speaker 3 (25:43):
Uh one of these we skipping?

Speaker 9 (25:47):
Oh yeah, rap g raps or o d cou gi rap?

Speaker 3 (25:57):
What do you mean going ractor? I'm going with you
because that's my man.

Speaker 2 (26:07):
But D was like taking that from.

Speaker 3 (26:14):
My first my first my first first, first second record
that I brought was Treacher's three. This is like and
this is like eight like my own little bit of
money that I was like this, go to the record
store by myself.

Speaker 2 (26:31):
Heartbeat Pioneer originator that I was.

Speaker 4 (26:34):
Like, ol cool j big daddy King, I'm gotta take
a damn shot. I got ready, I got already already ship.

Speaker 3 (26:53):
That next one. When is this game by the start
problem making?

Speaker 2 (27:01):
Okay, I like the decisions, y'all.

Speaker 3 (27:05):
You're doing it to yourself, big pun of cannabis. I'm
going with a big pun. That's my man. That's I mean,
y'all kind of we're tight with cannabis. Yeah, yeah, we
brought him in the game kicking. I'm want my man cannabis.

Speaker 6 (27:24):
Okay, facts all right, because you know that's my answer.

Speaker 3 (27:30):
Okay, shout out to the big pun, my Doggie, no doubt, Pie.

Speaker 5 (27:35):
Rock Shante or Money Love.

Speaker 3 (27:38):
Roxanne Old Day.

Speaker 10 (27:39):
I mean, I ain't mean to say it like that,
but you know, queens.

Speaker 4 (27:45):
Your queen's bias like me, Yeah, what's heavy queens? Yeah?

Speaker 3 (27:56):
I like that. I like that. That's a right, mother,
that's that right? Like this?

Speaker 4 (28:01):
Uh, Fab or Jada kiss? Okay, let's take Jada.

Speaker 3 (28:09):
I'm going with Jada.

Speaker 2 (28:10):
You're going with Jada? Okay. I love Fab.

Speaker 3 (28:12):
I love that. I love both the niggas got some
ship crazy fab.

Speaker 2 (28:17):
I ain't gonna both my brother. That's what my brother got.
Just want to drink to.

Speaker 4 (28:23):
Okay, I like this one that's a New Jack City
or King of New York mm hmm.

Speaker 3 (28:29):
Damn Queen's death. I'm going with queens. With queens that
I'm gonna have.

Speaker 6 (28:39):
To go the New Jack City, I mean King of
New York really, Christal Walking, let's get it.

Speaker 3 (28:44):
No question about New York City?

Speaker 4 (28:51):
Yeah, okay, jay z or nas nas all day, let's
go all right, cool?

Speaker 3 (29:03):
I got the next one, easy mobile, Pete Rock, easy
Mob or.

Speaker 4 (29:11):
All the game sucks me up to by the way,
not just yeah, fellow, that's crazy.

Speaker 3 (29:23):
I got the d D. Come on, she's fast, she's
a ninja. Trying question or brand Nubian? What trying question?

Speaker 2 (29:37):
Brand new?

Speaker 3 (29:41):
I'm going brand newbi.

Speaker 4 (29:43):
It's the first time against queens, the first pick. I'm
gonna take a shot for you for me being wrong.

Speaker 3 (29:50):
Not gonna say King of New York too. So you
did go yeah, yeah, yeah, okay, yeah, you got the
next one that's in peace.

Speaker 2 (29:58):
Don't facts?

Speaker 3 (29:58):
Yeah, rest in peace? FI, no question, just down to Linden.
I got I got the next one?

Speaker 4 (30:04):
Yeah, fat Joe or Rick Ross.

Speaker 3 (30:09):
Joe Joey do your whole on now. I ain't gonna
say that. You gotta flow. Ye, that's all good Jesus
so that.

Speaker 2 (30:20):
Or bad boy? Definitely bad boy.

Speaker 3 (30:26):
I have to fall into the category of a bad boy.
It's bad. But you thought about it for a second.
You thought about it.

Speaker 6 (30:33):
No, No, I'm just feel respected. My man's in them
over there.

Speaker 3 (30:39):
Okay, she's depthing on him. Boys, you gott I gotta take.

Speaker 2 (30:43):
Carros want to rock him? Come on, we gotta take it.

Speaker 3 (30:51):
Give me nothing the automatic? Sure did you have? I
ain't got no take that.

Speaker 4 (31:00):
I like this one.

Speaker 5 (31:01):
Boys in the hood or minister Society?

Speaker 2 (31:04):
Mm hmm.

Speaker 3 (31:06):
Boys and baby about it? Yes, shout out to the
que No question. Analog or digital?

Speaker 2 (31:19):
Hm?

Speaker 6 (31:19):
What that guy sounds christ?

Speaker 4 (31:28):
Analog is like the two inch rails.

Speaker 3 (31:32):
Pro to Yeah, my bad.

Speaker 2 (31:37):
I guess it would. I guess would be.

Speaker 3 (31:42):
Like, be honest.

Speaker 5 (31:44):
I'm gonna be honest.

Speaker 3 (31:45):
Analog sound better, is more convenient. I'm gonna be honest.
You remember back then when we were making music.

Speaker 4 (31:51):
I'm sorry it sounds like the old guys we are.
We couldn't we all had to make music together. When
you had a feature that you couldn't have to send
him a goddamn the Whales was like this big there
was like little dogs.

Speaker 6 (32:08):
You know what I'm saying.

Speaker 4 (32:10):
Yeah, it had a good like too good times. First off,
First off, I'm gonna be honest. I'm sorry, Yo, I
never used to punch in because when I started making music,
I had to.

Speaker 2 (32:21):
Go all the way through.

Speaker 4 (32:23):
And if I had to punch in, you have to
take the ship go rewind.

Speaker 5 (32:27):
So I like the.

Speaker 4 (32:29):
Tragedy wrung me to this game and we used to
save money. We was like, yo, you ain't so if
rhyme say't wroke, I wouldn't even go to the studio.
I would never go to the studio without making three
to five records because I couldn't afford race the fucking
studio times, you know what I'm saying. Like and I did,
It's like super dug, what that's recorded? One take?

Speaker 5 (32:48):
That's one take?

Speaker 3 (32:49):
And what what was you counting the bars?

Speaker 5 (32:53):
So I'm just being honest.

Speaker 4 (32:55):
So like when we asked that question, I got, you know,
I got because analog sounds better because I love how
all the features sound back in the days, like y'all
was in the same room.

Speaker 3 (33:04):
Y'all have to smoke each other's weed.

Speaker 4 (33:06):
You had to smell each other's cologne, you know what
I'm saying, Like you have to sit around and vibe out,
and you know what I mean, Like if you ain't
like somebody on the record, you can tell, you know
what I mean. You can tell because y'all was in
the same room.

Speaker 3 (33:19):
Story here, remember that when he talked, I know what
you're talking about.

Speaker 6 (33:23):
It it's like, damn you're talking about like when we
were in the studio was lovesky.

Speaker 3 (33:26):
I'll be right, you know what I mean?

Speaker 6 (33:29):
A story joint man games, you will play. It's crazy,
So I know, I mean, being in the studio is
dope like.

Speaker 3 (33:38):
This exactly, exactly, exactly like this. Everybody's chilling making them
heads and.

Speaker 4 (33:47):
Queen Latifa or empty light, oh ship clean God damn.

Speaker 5 (33:57):
We need them both on the show.

Speaker 4 (33:58):
But I'm taking a shot for both because we needed
both on the show.

Speaker 2 (34:06):
So Queen, yeah, I gotta take it.

Speaker 3 (34:12):
Mention that let's go now we like I like this
one too.

Speaker 2 (34:18):
It's stacking up?

Speaker 3 (34:19):
Is we in Germany? Right?

Speaker 5 (34:24):
Black black a black boom.

Speaker 3 (34:30):
I'm going with I'm going with brother.

Speaker 5 (34:36):
So if you don't take this shot, we don't just
taking a shot.

Speaker 3 (34:42):
I'm like, what are you doing? Now?

Speaker 5 (34:44):
This is deep?

Speaker 3 (34:46):
I want.

Speaker 5 (34:48):
It's the last one, right, last one.

Speaker 3 (34:50):
We've been hard. Uh she changed the game. This man
niggas got a flight to catch.

Speaker 4 (34:57):
At the plane that it is called catch a flight right,
that's right there, buddy, And.

Speaker 3 (35:04):
I want each y'all to answer this loyalty or respect.
I'm loyalty. I'm a lord. You're like a motherfucker lost boys.
Love and loyalty. You already know.

Speaker 1 (35:17):
The hell Definitely you got loyalty. It comes with the results.

Speaker 3 (35:23):
Yes, you know what I mean.

Speaker 5 (35:27):
We always say this is the only trick question in
this whole ship.

Speaker 4 (35:30):
To us, it's like both, but you can't have one
without the other, you see, like loving marriage, like you
have one without.

Speaker 7 (35:50):
You without shout our Bundy baby.

Speaker 3 (36:03):
Yeah now I'm hot as hell al Bundy all day.

Speaker 2 (36:09):
Yo.

Speaker 4 (36:10):
So Lloyd Banks had a record Lex Kuchbamer is in
the ben, Billy, do you think that he was paying
homage to Lex?

Speaker 11 (36:23):
Uh?

Speaker 3 (36:24):
Lex Jeeps being coach beaming in the ben. Of course,
you know, I don't know. You know that's dope. Yeah,
him say something like that, shouting Lloyd Banks. You know
what I mean, like South Building all day. No, of
course listen, no, shout out to that record. You know

(36:44):
what I mean. You already know like that it's us.

Speaker 4 (36:50):
But yeah, but describe at the time when you dropped
your record.

Speaker 3 (36:55):
In the bens. You've seen you've seen the video.

Speaker 5 (36:57):
Of course, wanted to be That's one of the videos.
I was like, I want to be.

Speaker 3 (37:06):
Cars.

Speaker 6 (37:06):
Okay, we had some fun doing that. Man brought the
ald out. Shout all of them that said, we wasn't
gonna do it.

Speaker 3 (37:12):
When we're sitting on the bench, what that question. Shout
out to the linking part. Oh my O G s A
J across the street. You already know. I gotta shout
you out.

Speaker 6 (37:24):
The whole neighborhood, old neighborhood came out. Man, We're the
first nigga. Then New York with the mother.

Speaker 3 (37:30):
Some cars, the hydraulic cars, motorcycles and all that. Well,
we bought arranged that, deep arranged that.

Speaker 2 (37:41):
But let's let's go back a little bit from from
when y'all me start making music. What what's happening? How
does how do y'all get to that record deal. What's
that process? Chaw suit?

Speaker 6 (37:53):
Oh, no question, but that came before you know who
was going hard before we met, y'all.

Speaker 3 (37:58):
Suit Teddy Rowley got some to do with this ball.
Them got a part in this game.

Speaker 2 (38:02):
But even before that, like, how do you even get
to that?

Speaker 3 (38:05):
Well, we was just doing. Yeah, we got looking up,
even going back and forth through up and down down
if I'm going to Virginia, stuff like that. And then
basically she's playing the seed down there in Virginia, in Virginia, Norfolk.

(38:29):
So you know, we're cool. You it's good. It's good.
We started going down there and then you know, migrating
back and forth and stuff like that.

Speaker 6 (38:38):
I'm talking about. We got down there the first Okay,
the shaker, right.

Speaker 5 (38:42):
All you want to do is.

Speaker 3 (38:46):
It's that Teddy Roy cousin was my cousin. Just saw
hard body put us all onto the game.

Speaker 6 (38:55):
Just sircas just alloting night cashum and all that.

Speaker 3 (38:59):
You already know you and everybody but lost. That's what
I'm just. I'm just cutting real quick, get them, because you.

Speaker 6 (39:05):
Know I went down right, I was out there riding
around my main rollerd he's doing you remember capital cuts.
If y'all know Norfolk State and all of that. Hell,
now you know, Queen Joseph, you know what I mean.
You know we was outside man heavy in the early
ninety ninety one, you.

Speaker 3 (39:21):
Know what I mean, like doing our damn.

Speaker 6 (39:22):
Thing, shouts to God, damn Jesse Wes Holly.

Speaker 3 (39:29):
Yes, I gotta get Jessee West rocking on your radio, Die.

Speaker 6 (39:35):
Talking about going to the Bronx and big being the
big bing and we ended up in Virginia.

Speaker 4 (39:38):
Yeah, so y'all went to Virginia because you was trying
to be in the video.

Speaker 6 (39:43):
No, I went to Virginia because I've seen my cousin
was making the damning Eddy Row and the niggas Shake
your Run video.

Speaker 3 (39:52):
CUsing down there doing the damn thing I'm talking about.
You remember them nice biggas close the shades, man on
the floor, space game time. Baby, Come on this. I
don't want to go to fall, but I'm just saying,
like it's going down early. You know what I'm saying,
Damn pretty say roll baby, the churches, I.

Speaker 6 (40:08):
Said, broadways bro always and bobbing all them, boy, So
you be with it.

Speaker 3 (40:13):
And I thing I'm just saying, he was there.

Speaker 4 (40:16):
So what happens. Do you actually link? But tell me
why did you get with him?

Speaker 3 (40:19):
Yeah? We leave in what's doing? So we wave with
the nigga come through it.

Speaker 4 (40:25):
I don't even wait what We've seen a lot of games,
crazy clar love a lot of people. We just like
cousins doing his thing. You go out there to see
your cousin.

Speaker 3 (40:41):
You already had music, though you have a demo or something.

Speaker 6 (40:44):
More rapping over just niggas tracks like we was the
niggas from Basically, I'm telling you was the niggas from
Basic Park Boom boom wrapping over tracks. Grand guy said,
DJ and know but.

Speaker 3 (40:56):
Not recording it? No? I mean, are we recorded in
my in my basement recording stuff something?

Speaker 5 (41:04):
In case you have something like so you had a
a demo, was that.

Speaker 3 (41:10):
It wasn't going for the.

Speaker 11 (41:11):
Recording Teddy Studios is that nigga and we just posted
up outside smoke weed and ship like that.

Speaker 3 (41:23):
You got.

Speaker 6 (41:25):
In the world, Man, don't even connect to get the
damn reckon with queening like that? Like you know what
I mean, because we was just one of the That's
what Teddy Roley Studio at Nigga.

Speaker 3 (41:36):
We could go up there and just park up and
smoke weed and ship shouts.

Speaker 6 (41:39):
The roller door on anybody, you know what I mean. Yeah,
And you said Biggie used to come down there. Do
them shows that that man man the dress. But we was.

Speaker 3 (41:55):
But we was through all those little errors that Virginia
was pen. I would say it like this. We got
big brothers that was making Virginia park. Oh yeah, you
know what I'm saying, right them people, right, big meaches
and yeah, it was our big brothers and shouts of

(42:16):
j mos, Yeah, shouts j B boy, b MP mob.
You know what I mean.

Speaker 2 (42:24):
But how does it all translate out into getting eventually
a deal? Like through this Virginia connect.

Speaker 3 (42:30):
Fast forward, then you're going to really cheeks was about
to battle somebody down there, hit Man one thing let
to another. Tim Patterson, Tim.

Speaker 4 (42:41):
Doggim dog right naked, But.

Speaker 3 (42:46):
That's naked, he said, instead of them battling each other,
because him and hit Man a battle on the side,
they went, they were going outside.

Speaker 6 (42:55):
He was a boss against queens. He was all out
there getting money, throwing the motherfucker and bus trips and
all of that boxing and all that.

Speaker 3 (43:03):
Come on, tell them. So that's how we Tim, Tim,
you know he's working up there, Arison, but we don't
know that. But he was all right. He was Andre
and everybody and and all that stuff. I think he's
if he did a nigga that gave us talking about

(43:24):
Tim Dog. Tim Tim basically got got us the deal
because he was already working up there. So he heard
him rapping and this and that and their so he
was like, all right, I'm put a demo was out
of them. And that's what he came to be. Money
in the Murder Twister cap and all that ship. That's
when they do that. We went to New York. He

(43:50):
introduced us and he was like, yo, Monday, Me and
him went to the Ruckets game. That's when the new
Ultimates came out. This is Ultimate first came out.

Speaker 5 (44:00):
He saw Ultimore, ye, so he.

Speaker 3 (44:02):
Was like yo. And him went up there and he
was like, Yo, I fuck with y'all. I want to
put y'all really on. I'm gonna try to introduce y'all
into Andre and this is uptown and that's me and
him having this conversation. I was like, all right, whatever
because he was like, Yo, Spig, I'm telling you I
could do something. I was like, all right, this is
dog telling dog. So this is at a record game,

(44:26):
you know what I'm saying. So boom, one thing led
to another. He did what he said he was gonna do.
He introduced this Andre and told him what it was.
That's how we got introduced to Uptown Records. But Andre
Andre rest in peace when we when we signed with him,
he didn't know. He didn't understand us. My next question

(44:48):
because he had mostly R and b Art and stuff
like the only follow him set. You know what I'm saying.
They was labeling heavy D is like R and B
on that on that on that label. So we was
like really the first rap hoop or something like you

(45:10):
know what I'm saying that Joe did that? Maybe all
that you know what I'm saying, Christoph Williams that I'm up, Dad,
We was old. So when we was when we were
actually yeah, all that Anthony Hamilton, all that y'all don't
even know. We got stories like we go back, you
know what I'm saying, When before you heard Anthony Hamilton

(45:32):
right now? Oh there was another Anthony Hamilton. Yeah, we
need to hear on this other hand then, I mean
he gets no, I'm just saying he gets it. And
he could sing and stuff like that, but he had
different His vibe was different. It wasn't no slow down version,
you know what I'm saying, like the ballance and stuff
like that. N that was that was my man. Man

(45:54):
could go in. He could go in. But he's nice
like that. But we was with everybody that was up shining.

Speaker 6 (46:04):
Yeah, everybody that was shine.

Speaker 3 (46:07):
That is one that we was dudes. We ever. He's
really like the nigga that really you know what I'm saying.

Speaker 12 (46:13):
He was.

Speaker 6 (46:14):
He's just like who everybody, He's one of them niggas.
Like was my vision. Everything helped me really go. I
was before before like he was over there and the
Queen's doing what he was doing.

Speaker 3 (46:27):
I had to go out to b A.

Speaker 6 (46:28):
You know what I'm saying. Take care some things I'm
just talking about. As far as like while we was out.

Speaker 3 (46:33):
There n b A. Yeah, we was going all that.
Who was the v A nigga rapping? You know what
i mean, like like at L and all that.

Speaker 6 (46:40):
We was out there before we even you know, made
music like like Nigga were the black flags first, you
know what?

Speaker 3 (46:46):
Everywhere you know what i mean, before it got popular,
got the black flags you know what I'm saying.

Speaker 4 (46:51):
When New York came down there, we was down j
V was down there as well at one point.

Speaker 3 (46:58):
In the nineties. Yeah, like like ninety ninety one night. Yes,
I guess. I guess earlier.

Speaker 4 (47:07):
I want to talk to because earlier we spoke about
cannabis and you said you was one of the first
people to put cannabis on I wanted can you elaborate
on that story a little bit? You guys, Yeah, I mean, damn,
that was what nigga was. He's a cannabis.

Speaker 6 (47:20):
He's the only nigga with a license in Atlanta. Now
he wasn't listen, man, We was out in Atlanta trying
to make a record and get a record deal.

Speaker 3 (47:30):
You know it was do you know what I'm saying.
We went to Atlanta because we got the steaks over there.

Speaker 6 (47:35):
It's crazy, right, the truckle, the stakes come out there
about let's go bout you anyway, talked about that, mattresses.

Speaker 3 (47:45):
And niggas life. But now I'm just saying, man, so
there's so much ship that we went through to get
what we had to be talking on.

Speaker 5 (47:53):
So cannabis was the driver, now he was.

Speaker 3 (47:56):
He was cannabis. Cannabis was basically running down. Cannabis was
our Wait, Cannabis was our like our manager's secretary.

Speaker 6 (48:10):
Are you saying he wasn't man secretary?

Speaker 2 (48:15):
I wasn't ready.

Speaker 3 (48:18):
I'm ready that Nigga was the man that Nigga the
secretary share.

Speaker 6 (48:24):
Okay, biggas, that was for real.

Speaker 3 (48:30):
He was secretary of defense.

Speaker 4 (48:37):
Oh I did not know I was going there.

Speaker 3 (48:40):
Okay, No, no, no, he worked with our manager and
this and that and third. So I remember I heard
him talk about he was a manager and co managing Nigga.
That's just another thing. I heard it. I've seen it.
So I'm shutting shutting the ship down because that is

(49:02):
not true.

Speaker 4 (49:03):
So you've seen cannabis online saying that he co managed
the loss for.

Speaker 3 (49:08):
Nig Nigga, Nigga see more TV.

Speaker 4 (49:13):
Hold on, Oh my god, I wasn't I too.

Speaker 3 (49:19):
I'll be chilling. I'm just gonna tell you like this,
some niggas, that's my I already told the niggas from moms.

Speaker 6 (49:31):
I'm telling you youryway run it down.

Speaker 3 (49:35):
It's all good. Cannab is a dope, dude. You know
what I'm saying is this he used to take us.

Speaker 5 (49:41):
I'm gonna take a shot anyway, just a shot, believe, yeah, just.

Speaker 10 (49:55):
Turn like it was like, I'm gonna keep it all
the way. Don't drink, don't smoke, you know what I mean?
He got no license we drinking smoke.

Speaker 3 (50:08):
No, Lie, he's older now, we're all older than that.

Speaker 1 (50:11):
Right.

Speaker 3 (50:14):
What I'm saying is, yeah, we used to smoke his
mom's car route. He's just taking a studio.

Speaker 2 (50:18):
That's it.

Speaker 3 (50:19):
That shout some success R I P. And that's what
it was, you know what I mean. The shot then
he got it together and the string champs.

Speaker 2 (50:30):
We watch it.

Speaker 3 (50:32):
They don't watch it. Lights right now. But he don't
he a dope all this, you know what I mean?
You know good, he's good and you really having a
guess okay, be good. No, I just didn't like that
part that that bothered you that you heard that. No,
dad right there, But what that was then? Now, I

(50:56):
had some deep bass before that, all types of ship
and ship like that.

Speaker 5 (51:01):
He is what he is, he is, So we're gonna
move on.

Speaker 3 (51:03):
He's he's.

Speaker 4 (51:06):
Something that I always want to come on out of something.
I always wanted to ask you a music make me high? Right,
you said my boys, Charles Sue get high. Was Charles
get happy out here flipping poles and packing.

Speaker 13 (51:28):
The bell and then let's let's about there. Well, he
getting high back and he was getting the music. Okay,
we was getting high.

Speaker 6 (51:42):
I mean.

Speaker 3 (51:51):
Big ready to talk. Like I've been saying what I said,
Spa take the stage. I mean a lot of ship
that we went through. It is because a lot of
these motherfuckers that didn't know ship. Like Charles Suit he

(52:13):
admitted when we put him in the game, he ain't
know nothing, that's right, but he learned some stuff from
Puff and stuff like that. Like I can tell you
a lot of ship like Puff is like our brother
because his big brother is our big brother, our big brothers,
that's his big brother. So a lot of ship that

(52:34):
you know, Suit grew up to know. He got it
from Puff, but Tim got it. It's a circle we all.
I mean when I say we we got a big family.
You know what I'm saying. Uh, A lot of ship
that I've been hearing throughout my incarceration and ship like
that and researching and stuff like that. I heard a

(52:57):
lot of bullshit and I was like, you know, I'm
a I'm a I'm somebody in jail, you know what
I'm saying. So when niggas tell me this, this, that,
and the third shit, Now I got extra people saying, yo,
this that, this happened, that happened. What's up with your
all this shit? So now I gotta be like, damn,

(53:18):
how you clean that shit up? Right? So basically when
you get a opportunity trying to clean some of that
shit up right, because there was a lot of bullshit
rumors and bullshit this and that. You know how Now
now the the internet shit like that. So I watched it.
Remember I was telephones, was in the room like that.
You know what I'm saying, right, So now all this

(53:40):
shit coming into play, and you got other people talking
and internets and stuff like that coming in. So now
a lot of shit is like blown out of proportion.

Speaker 2 (53:51):
Now you get to speak the truth like narrative, you
be like.

Speaker 3 (53:55):
On your platform. That's right, Yeah, appreciated.

Speaker 4 (54:02):
Boris I need another blunt immediately, boris the bunt immediately,
my nigga, I got listen, I'm not gonna I got
another shot here. I'm taking another job. I gonna take no, no, no,
I said, for no reason. It's a big reason. It's
going to celebrate mother lost boys.

Speaker 2 (54:17):
What's so that's the Mama Wana joined you.

Speaker 3 (54:22):
Let me see you know, telling you they make that chick.

Speaker 2 (54:31):
We're going ahead. You know I'm gonna take this.

Speaker 3 (54:35):
This is what.

Speaker 2 (54:38):
I appreciated. Appreciate.

Speaker 4 (54:40):
What'n't you living out here in Miami? Sometimes you guys
are both Kendle residents.

Speaker 3 (54:49):
Saying no, no, no, nigga. I've been hire for a minute,
but I'm I'm I'm global. Try to right, yeah, bunk
bang bing bing. But now I'll be over there and
Queen are you Queen Queen jose.

Speaker 6 (55:06):
To be in his head that was here, the princess
of the elbe Ban cousin princess over there in the cut.

Speaker 3 (55:11):
You already know the failing Dingo was here, My main
man that bought me there. Here is the black Cuban
over there. Shout so DJ forty seven now lived kicking ass.
Will shout to my cousin Willy lived right there as
in the wrestling world.

Speaker 2 (55:35):
Shot the building in the party.

Speaker 3 (55:39):
Stop. But I've been out here for a minute, man,
you know what I'm saying. I've been down here since.
Uh you know what I'm saying Uh, I long you
been down here?

Speaker 2 (55:49):
Like, oh yeah, he was coming by the world and
we were doing Mili Crazy radio.

Speaker 3 (55:54):
He was he lives over there. I've been down here
like since what's my man? What's that?

Speaker 6 (56:00):
What's that studio right there on the corner on Collins
Man Dang you know you know?

Speaker 3 (56:04):
Yeah, the Marlin the Month part? Yeah, I made what
did I making?

Speaker 4 (56:11):
Them? All with?

Speaker 3 (56:13):
All in there?

Speaker 4 (56:14):
Yeah, I made.

Speaker 5 (56:15):
I made a record with and then.

Speaker 2 (56:18):
Yeah, well that's why long we've been here. That's fun's downadays.

Speaker 3 (56:26):
We've been coming down here and living. We've been living
here for ten years. We got in two thousand and one,
you know what I mean.

Speaker 6 (56:34):
So we first moved here past all pat and we've
been came down in chill.

Speaker 3 (56:39):
You know what I'm saying. Before that, we spend like
I said, we have big brothers. We got big brothers
outside the big Hold. How long did you do? How
much me? I did? Nineteen and a half nineteen Look
at that nigga nineteen and a half shot out, still

(57:03):
got home. He still didn't. I got Cody's still locked up.
One came home freame just came home like the other day.

Speaker 5 (57:10):
And if you don't mind you. You want to say
what your charges was or.

Speaker 3 (57:14):
Mine was a bank robbery. I took the bank robberty abandoned.

Speaker 2 (57:20):
So we don't want to I mean, but you but
you act like.

Speaker 3 (57:28):
It happens. It didn't happen. A lot of y'all gotta
understand the government. They're vicious. You know. If they just
like I believe you, I believe you did something, they're
gonna stick it to you. You know that. And if
you fight him, they're gonna say, here's the next little
throw that on top of you just because you're being small, just.

Speaker 5 (57:50):
Because federal bank robbery was bad.

Speaker 3 (57:55):
So a lot, you know, I learned a lie. I mean,
it's experience. You see me through my chase. You know
what I'm saying. It's an experience. You know that you
don't really want to be. You know what I'm saying.
You're gonna write a book? Yeah, I got a book.
I got a book. I got a lot of ship
going on, you know what I'm saying. And and and

(58:15):
also like like he said, like I got the tour,
like on my grand tongue, it's artists, different independent artists.
I'm just I'm hoping that the homies come home and
certain you know what I'm saying, to give because there's
you know, there's a lot of talent in jail, you
know what I'm saying, rappers and stuff like that. I
already speak to some of them on a kind of

(58:38):
week the week basis and stuff like that when they
get home, trying to get them on some shots some
stun you know what I'm saying, shots, some shots shot.
But I'm trying to, you know, trying to give everybody
opportunity to get they could be there.

Speaker 4 (58:57):
You know, your story is so ill like what I'm saying,
like like like it's it's so many people you know
that that make it to rap right, and then they
think that rap is the end of all, be all,
And then for like you to have a story like
that where you know you you you know whatever, you know,
it wasn't.

Speaker 3 (59:18):
Going right, It wasn't was that was that the story
ship up and down? You know what I'm saying. Sometimes
you got your high, sometimes you got your loves, you
know what I'm saying. Sometimes a lot of things happen,
you know what I'm saying. But one thing for ensure
that you know, God had me, I'm here, you know

(59:39):
that's the whole differed. Like I made it back.

Speaker 6 (59:48):
I bought to stay nice at home and like, you
know what I'm saying, we want James champions Ship.

Speaker 3 (59:53):
Motherfucker be cheering on mother.

Speaker 6 (59:55):
That ain't doing one damn thing my man did in
the industry. Shitt these niggas on that be coming on
and be like what the fuck my man is home.
Niggas don't hear that, and they don't see that. But
we're still getting that, motherbucker.

Speaker 3 (01:00:08):
You know what I mean? That flame burning. So yeah,
I'm glad we don't drink champs to let them know
my boys back. Yeah.

Speaker 4 (01:00:15):
Is this the first interview I did as lost boys
so far? Because right now, yeah, we're taking that.

Speaker 5 (01:00:27):
We're taking that.

Speaker 3 (01:00:33):
The first little yeah, yeah, all right.

Speaker 4 (01:00:43):
We got to get to one of the biggest records
of all times. I don't want to say one of
your biggest records of all time, because it is one
of the biggest record all time, even though it's your record,
but it belonged to the world, onto the world.

Speaker 3 (01:00:59):
This renee give it up. But when you listen, like.

Speaker 2 (01:01:10):
Shot someone take it.

Speaker 3 (01:01:11):
I got another.

Speaker 5 (01:01:15):
Extra more shots? Yeah, have another drink?

Speaker 3 (01:01:21):
You AKA precious ebony faith, so we I mean Williams.

Speaker 4 (01:01:34):
I kept listening to this record, right, and I'm sitting
back right when I listened to Renee on one part,
it makes you happy because it's a record that I
grew up with.

Speaker 3 (01:01:45):
It's nostalgic for you and that stuff, and it's.

Speaker 4 (01:01:47):
Like, all right, cool and you're dancing. But this, when
you listen to the story is crazy. Story is story,
but you still connect people to it was still a
club record, like I have never actually seen that.

Speaker 7 (01:02:06):
And.

Speaker 2 (01:02:08):
That's crazy.

Speaker 4 (01:02:14):
Look like you to tell one of the saddest stories.
Everyone identify with this story. Everyone dance and be a
little sad to say, human, that is a great answer
because that is how to tap into every human like that.

(01:02:36):
That is not a black record, it's a it's a
global Anybody.

Speaker 5 (01:02:41):
Could listen to Renee and relate to that, like what
what the what kind of weed was that.

Speaker 3 (01:02:49):
Smoking?

Speaker 4 (01:02:50):
Just a real story because I never I never ever,
I don't know that I want to give that's right, Yeah,
I mean it's a it's really okay. She's doing to
me too, y'all. I'm gonna say, looked like a nice

(01:03:12):
the way right at the freeze.

Speaker 3 (01:03:16):
Believe it.

Speaker 5 (01:03:17):
Okay, go ahead, so go ahead.

Speaker 3 (01:03:18):
Let's I mean, Renee is story about it, Shorty? That's right.
You know what I'm saying. We all got shorties in
our town, all across in America. Anybody, shorty, you know
what I'm saying. And there's always you know, the hood chicks.

Speaker 4 (01:03:33):
Okay, man, when you finished, anybody, I don't goanna cut
you off. I gotta get to this before you finished.
But who made up shorty?

Speaker 3 (01:03:38):
First? Was it south Side?

Speaker 2 (01:03:40):
The bridge?

Speaker 4 (01:03:42):
Damn you don't know, y'all don't know. Queen, Yeah you know, Okay,
I know it's a queen. Yeah, okay, okay ahead, let's
get give because the people don't kill me, I'll cut.

Speaker 2 (01:03:55):
You off this part.

Speaker 3 (01:03:57):
So so, like I said, anybody got nig green niggas
more Q Club? Hey should they? I think we made it.
I think we made it.

Speaker 2 (01:04:20):
I'll take a shot to that.

Speaker 4 (01:04:21):
I'll take a drunk history.

Speaker 3 (01:04:24):
Renee is like I mean, Ebony was Ebie Williams. She
got hit?

Speaker 2 (01:04:31):
Oh wow, No side south Side?

Speaker 3 (01:04:34):
I beat forty projects and niggas over there on on
Jutu side scene. They came over bunk bun bung, shout up,
basic party. The Park.

Speaker 2 (01:04:46):
So this is a real story.

Speaker 3 (01:04:49):
I mean, he would he getting story about it, but
I don't want to throw a name out so hard.
But I just wanted them to know. That's why that
was the inspiration. Yeah, it came from you know what
I'm saying. Okay and basic you know everybody out party
and park yet you know if y'all want to park
Jet Park after dark and.

Speaker 2 (01:05:08):
She ain't happened, but rest in peace.

Speaker 3 (01:05:10):
But she took one. You know what I'm saying. She's
the one.

Speaker 6 (01:05:16):
The lady that got shot with the baby, remember got married.
People got got married in front of the building that
got shot.

Speaker 3 (01:05:25):
Happen you know, I mean that same day, the whole
the old.

Speaker 6 (01:05:28):
Shot, the whole shootout was fo the nigga shot up
while she was there on the phone booth at the
phone and they were shooting up the niggas in the
building right there standing in front, and accidentally shot the
lady and.

Speaker 3 (01:05:41):
Her husband getting married. It's a whole deep dump dump
But basically you take one story that take no, you
take one story out of that and and basically explained
you know what I'm saying. Things happen like that. You

(01:06:01):
don't never hear about a female game kill shot or whatever.
This get the third now you day nowadays, you know,
but back then that was like kind of rare and
nobody and then then if it happened, nobody really talked
about it. So basically using that just giving another story
of our lifestyle. I mean, what we go through and
as youth back then. You know what I'm saying.

Speaker 4 (01:06:23):
But what I'm saying is the energy is so vulnerable
because it's like it taps into everyone, right, Like what
you're saying is like it's supposed to.

Speaker 3 (01:06:32):
It's supposed to you know what you write it for everybody, right, No,
I'll know what I'm saying. But you're talking about you
don't do the same thing your nigga go through. You
talk about like.

Speaker 4 (01:06:53):
The way you break down, the way it's broke down. Right,
It's like this is a real love story.

Speaker 3 (01:06:58):
Like you know what I mean.

Speaker 5 (01:06:59):
It's like it felt it felt.

Speaker 4 (01:07:03):
So when you said I always thought it was like
if it was true, because sometimes you know it is.

Speaker 3 (01:07:11):
It is like it's like what you said.

Speaker 1 (01:07:15):
Holding it down the video when you listen to it,
You ever listened to it in your car by yourself?

Speaker 3 (01:07:20):
Yes, you like you can see you can see it going. Yeah, like.

Speaker 1 (01:07:27):
That lose somebody, you feel like, damn, I just love somebody.

Speaker 4 (01:07:30):
And I also realized I also realized I was like,
damn she was. She was the first nigga talking about Glizzies.

Speaker 3 (01:07:36):
And he said kind of like, yeah, that's she's got

(01:08:07):
a lot of lingo that like that. You can say that.

Speaker 1 (01:08:09):
He's steaming like yeah, like know he's he was wondering tripping, right,
what we're you say? The first rapper to her say trap?
I heard say track, Wow, you feel me? We're making
out of state traps?

Speaker 2 (01:08:23):
You feel me?

Speaker 3 (01:08:25):
Hey man, we is ahead of our time.

Speaker 4 (01:08:27):
Guess y'all was smoking trees. Listen, I got another shot here.
I'm taking another shot across the sipping Henderson, the barrel, trees, backstays,
of course, the bar West Coast and world.

Speaker 3 (01:08:44):
Why not wrong with.

Speaker 4 (01:08:48):
You?

Speaker 3 (01:08:49):
You're saying it's you're taking?

Speaker 2 (01:09:02):
Was that way?

Speaker 3 (01:09:02):
Hold on? Hold up?

Speaker 2 (01:09:03):
Was that track meant specifically for the soundtrack for Don't
Be a Menace?

Speaker 3 (01:09:08):
That's not what's it on.

Speaker 1 (01:09:11):
Let's remixes on Don't Be a Minute. It's just you
know we're talking about remixing. Is the can't be wasting
My time Joint and don't be a minace in South
Central Lisa Mona Lisa, in fact, Lisah.

Speaker 3 (01:09:30):
Yeah is still in the house, shout some Mona Lisa
and the person was married and.

Speaker 6 (01:09:36):
Mary j Mona Lisa, the lock all our family, crazy crazy.

Speaker 3 (01:09:44):
Box video and a Nigga plan coming. I want to
make that the bill I'm building. I want to start that.
Hell yeah, dope, dope day. I got you know what
I mean.

Speaker 4 (01:10:01):
I see some of the people around like they have
no idea because you know, New York big, but and
we understand.

Speaker 3 (01:10:10):
A lot of people. I'm looking at like people looking
at it. What is.

Speaker 1 (01:10:16):
Just to figure back what you were saying with the
Rene situation, would you put that in hip Hop's top storytelling?

Speaker 2 (01:10:23):
Yeah?

Speaker 1 (01:10:24):
Yeah, because you know, like when this is one thing
for me being like you feel me, I'm the next generation.

Speaker 2 (01:10:29):
You feel me So I grew up.

Speaker 1 (01:10:31):
I was raised in the nineties when I was born
in the nineties, so I grew up in the nineties.

Speaker 3 (01:10:35):
You feel me so.

Speaker 1 (01:10:37):
But as we get as I'm you know, my present days,
it's like there's a lot of lost boys ship that
don't be talked about and hip hop you feel me
so this is honor. Like like I said, we all
appreciate it. A lot of ship that don't get talked
about and hip hop will get the same. You feel
me praise that they give other ship hip.

Speaker 4 (01:10:57):
Hop to send me your question. But I think you're
trying to say, is does what they not get?

Speaker 3 (01:11:03):
It's just due. I believe it. No no, no, no
no no no no no no no no no no
no no. I'm not saying I'm signing up.

Speaker 2 (01:11:09):
You know, you know, you know what we'd be like.
You know, that's all I'm saying. That's what you know,
not you know how they.

Speaker 1 (01:11:15):
Tried the storytellers and hip hop, oh yes, don't be
mentioned in those conversations as far as but like you said,
that's one of the most that's not in the hip
hop culture. That's a timeless record is let me just
let me just say.

Speaker 3 (01:11:37):
What's doing with that motherfucking taal ship with that? I
gotta talk to him. I heard him. He pulled up.
I'm like, what did you just say?

Speaker 14 (01:11:49):
Sir?

Speaker 3 (01:11:50):
All right? So if you want to tell a story,
you hear the story. The world knows the story. Told
me what what you're doing with the camera? What the
should do? You're struck out on that one. People start
watching the show because of that ship. And that's what

(01:12:13):
I heard. That's what people are telling me. I ain't
watching that ship. They ain't do your story nothing, no justice.

Speaker 5 (01:12:19):
Okay, because I didn't see this, I don't know.

Speaker 3 (01:12:22):
Can you tell me?

Speaker 4 (01:12:23):
Can you describe to me what story on the story
they didn't? I'm here, I'm here for this ship. You
watched dream Chimps, yes, or you watch tell Tales. I
watched tales too.

Speaker 3 (01:12:41):
No, no, what you watch the most? Okay, watch drink
you get one to that buddy. A lot of ship.
I say, the stories on the stories on told right.

(01:13:04):
Niggas gotta tell the story right, so tell us, so
tell us.

Speaker 4 (01:13:09):
So you're saying that, thank god, So you're telling me
that cheating.

Speaker 2 (01:13:13):
No, that was quia.

Speaker 5 (01:13:14):
I don't killer whiskey to walk down. I mean Japanese de.

Speaker 3 (01:13:22):
I mean, I gotta.

Speaker 4 (01:13:25):
Thank you. So you're telling me that, IRV Because for
people that you know, tells is a is a story
that they're telling and then they make.

Speaker 3 (01:13:39):
A whole movie BSEd on that.

Speaker 4 (01:13:41):
So you're saying that, huh yeah, based off a hip
hop records. You're saying that he did.

Speaker 3 (01:13:46):
He did, Renee. Yeah, I don't know where he got
that storyline from, right you you listen to the story
on the record, on the radio on wherever, whatever? What
do he do? He said something else, some other story
and that was like the story.

Speaker 2 (01:14:10):
I get what he's saying.

Speaker 4 (01:14:13):
That reached out to you.

Speaker 3 (01:14:18):
I don't know who he reached out to if he
did it, if he heard the story, he would have
known better than to put that. I don't know what
the hell he was thinking even allowing that. Who allowed that?
That was nothing like what the story said? You trying
to mess up our storyline? D That's how I took
it Like that ain't how the story goes. And if

(01:14:39):
you listen to the story on the record, you know
that two don't correlate. What did a story do? I
don't know what, but it was just what it was.
And it's like, yeah, dog, that was that shouldn't even
been allowed to be on TV because everybody in the YO,

(01:15:00):
my phone don't even ring like that. I G. Everything
was going crazy, like yo, what they was doing? What
they was?

Speaker 5 (01:15:09):
Theerve you said, going crazy because people.

Speaker 3 (01:15:13):
Like and it was like, Yo, what's the fun going on?
That ain't the story. That's crazy straight like that.

Speaker 4 (01:15:22):
But is that something because you know, just just asking,
is that something that he had to get permission from
y'all or he went through the record labels.

Speaker 3 (01:15:32):
I don't know that being called me. We don't know
nothing about that called me. I need somebody at the
record label, like listen, man, we passed that day anyway,
So don't know what I'm talking about. All I'm saying is,
don't sunk up our don't woke up our story. You

(01:15:55):
know what I'm saying. Just the world. I don't even
know this was going down.

Speaker 2 (01:15:58):
That's crazy.

Speaker 3 (01:15:59):
Gotta be an house.

Speaker 4 (01:16:01):
Yeah, but it's like just being Devil's advocate. If he
would have called you guys and said, yo, yo, look guys,
I'm doing Renee, would you guys would have wanted input?

Speaker 3 (01:16:13):
Of course it was that's not it. No, I mean
I haven't even seen them.

Speaker 4 (01:16:19):
I respect that.

Speaker 3 (01:16:20):
That's to me. You can't put out. You can't put
that out.

Speaker 4 (01:16:24):
Because of the few episodes I believe I saw up tails,
it was the rappers that wasn't around.

Speaker 3 (01:16:33):
You understand.

Speaker 4 (01:16:33):
I said that your handshake I liked, like for the
episodes that I did see tales, I think I seen
the bigger episode of Tell You for these other episodes
that rappers wasn't around, you said this, This problem would
have never happened had they just been with one phone
caller to either of.

Speaker 3 (01:16:51):
Y'all exactly, okay, And I don't know. I mean, I've
seen some of the s and they are all right.

Speaker 1 (01:16:57):
They they kind of correlated with the music. For me,
you say the correlation because I didn't see this one.

Speaker 3 (01:17:03):
But this has nothing question. Do you remember the story, Renee?
You heard anybody in the barber shop? He said? Yo,
Niggas say, yo, you understory? Rene? Where was anybody in
the barber shop? Where did this take place in the
barber shop? All right? Then take me take this get

(01:17:34):
shipped together. Nigga, say, yo, John's my brother. John's my man.
But he could have even told this nigga, you for
Queen's nigga. Queens man, that's how you take that wrong.
I don't never, man, I don't know where it took place.
It had to take place like down south there was

(01:17:57):
no city, nothing stays and queens he brought that joint to.
Yeah where the popping?

Speaker 14 (01:18:06):
Yeah, yeah, that's cleary.

Speaker 3 (01:18:16):
But I respect what he do though, I respect her
what he do. You know what I'm saying, But he
just dropped the ball on that one. You know what
I'm saying, Man, Yeah, because we're gonna put our movie
on now.

Speaker 6 (01:18:27):
Niggas forgot because we left the industry a long time ago.

Speaker 3 (01:18:30):
Get the producers. Yea, your niggas know what they gotta
ru change story. We got this series with all that
story we got.

Speaker 5 (01:18:39):
We got the Lost Boys series coming to Hulu.

Speaker 3 (01:18:43):
Gotta get to put Dan. Get everybody together. I mean,
whoever come holler at us now day to day. We
working on that thing right now. You know what I mean.
The Lost Boys, the man send the fellow that.

Speaker 4 (01:18:56):
Makes up I'm just saying, I'm telling them the story
say Lost Boys, the man from Lost.

Speaker 3 (01:19:01):
Boys, the Men, the new TV show. We working on
rating it in there now. Now his son is I can't.
My son is a rat dude, right you see. So
you got the whole team, most Boys, the Men. You
know what I mean.

Speaker 2 (01:19:18):
You're trying to get that ship giving out these shotsouts.

Speaker 6 (01:19:20):
My man, day.

Speaker 3 (01:19:24):
Is that all we have to do?

Speaker 4 (01:19:27):
Confuse, youre sponsored by these cups, yes, sponsor by shouting
earlier whiskey taste. This getting energy drinks afterwards. Yeah, I'm

(01:19:48):
gonna get serious for for just one second.

Speaker 3 (01:19:51):
Wow, I'm gonna just ask this question we had.

Speaker 4 (01:19:57):
Yeah, because I believe I've seen it's on Black TV.
But they say that Freaky Todd actually died in the hands.

Speaker 3 (01:20:05):
Of O d B.

Speaker 2 (01:20:06):
That's false. That's false.

Speaker 3 (01:20:12):
No niggas just be b B B be blabbing.

Speaker 2 (01:20:16):
It was said it on blab Yeah.

Speaker 6 (01:20:22):
Wait wait wait wait wait wait wait wait wait would
you say was what on black?

Speaker 3 (01:20:28):
He said, Hold on, nigga, I don't know, he's no more.
I just want to know what you're talking about.

Speaker 1 (01:20:32):
Now that there was an interview, you're talking to what
you're talking about, right, Yeah, he said.

Speaker 3 (01:20:36):
That my pops died at O dB arms.

Speaker 1 (01:20:38):
I'm glad you brought that up because I wanted to
be the first one to clear that up. That is
absolutely false to the fans, because there's a lot of
people that take these interviews until you feel me, like
like earlier than until we get to that rate and
start talking about the facts, and you start speaking on
the facts because nobody know, everybody's been going doing whatever
they going through in life.

Speaker 3 (01:20:58):
You feel me and okay, but when you start putting.

Speaker 1 (01:21:01):
Out that that's people take it from them, they think
these platforms is fully one hundred percent credible because it's
coming out from a person that's from a popular from
a popular standpoint.

Speaker 3 (01:21:12):
You feel me, but that's the homie.

Speaker 2 (01:21:15):
You feel me.

Speaker 1 (01:21:16):
I'm not shotting what he said down before because I
loved I love Tony. You feel me that he's from
one three four one three.

Speaker 3 (01:21:25):
I don't know what the mother talk about.

Speaker 1 (01:21:27):
You know what does that's that that statement is totally
false and it's all I'm saying. I'm stamping it all
out of love, you feel me, because I don't want
people to take that and run with that. You feel
me that you can't run with that. You feel me
that that is not true because you got that's two
different parties number one and then now, not only are
you saying that about our story, you feel me, you're

(01:21:48):
putting the Wu Tang story and crossing it and it's
not true facts. You feel me, it's not true facts.
It's not no no hate, no, it's not it's all
out of love and it's just a lot of speaking
facts on the likeacy. You feel me because we have
a strong legacy that's embedded than this hip hop ship
and it's havy.

Speaker 3 (01:22:06):
Like I said, has it been highlighted?

Speaker 2 (01:22:08):
How it's supposed to? You feel me?

Speaker 1 (01:22:09):
And this is our time to put it out there
to the world, like these are the facts, this is
what's going on, and this is what's about to happen.
You feel met shout out d J F M E
F N for the you know do it and we're doing.

Speaker 3 (01:22:22):
What we're doing. Talk at the young Yo, I don't
even know what the fuck is going on, Like, Yo,
what the fuck? It's all love. It's just clear.

Speaker 1 (01:22:42):
Like I said, shish you feel me? South Side we
are farll rock were in the building. He's stacked one dues.

Speaker 2 (01:22:51):
You feel me.

Speaker 3 (01:22:51):
I'm a full rock nigga. You feel love?

Speaker 4 (01:22:56):
So how was it being in the can all that
long and watching the rap game change?

Speaker 3 (01:23:02):
How did you feel? Oh man? Basically it was I
seen the times her when I was I say about three,
i'mnna just say, Nelly, it's hot in here, it's hot
in here. Soul Train Train wasn't even playing it. It's

(01:23:25):
crazy Jersey. But he had a run and I was
in in that part of the being in jail and
that long, that nigga was still going on. I was like,
what the fun going on? Where to New York at
right now?

Speaker 5 (01:23:40):
But I feel like it was say Nelly was still
on your ship a little bit.

Speaker 4 (01:23:44):
I don't know.

Speaker 3 (01:23:47):
I got him, I got stories. Can I tell him something?
Talk to them people, I'm gonna tell him something. You
know what I'm going to Nobody knows about LB fan man.
We them niggas out in Saint Louis side I'm talking about.
I'm not throwing you in the in the mix. I'm
just saying, who's all making megas? Okay? You know we

(01:24:11):
seen Nelly as what fifteen sixteen year old? I remember
I'm talking about, Yeah, nigga.

Speaker 6 (01:24:20):
We are the niggas that includes that nigga to get going, going, going,
going going.

Speaker 3 (01:24:25):
Okay, and then what the Saint Luna six? First, let
me run finished, don't talk to them niggas. I finish off.

Speaker 1 (01:24:35):
Now.

Speaker 6 (01:24:36):
So now nah enough for real, I'm the first nigga
that weren't to mother. We don lost for his nigga,
you know, because popping we was going hard. Hard niggas.
The niggas in Saint Louis get big long nigga charge
and make a long story, Sure, cousin, were the niggas
that snuck Nelly and is cool in the club with us.

Speaker 3 (01:24:58):
That night because them niggas outside lost whether I love ya?
Bang fast forward, right fast forward?

Speaker 2 (01:25:07):
You heard us, he said, we snucked Nelly and.

Speaker 3 (01:25:11):
Who's lost your father? Lets go whatever. We just got
them in the club.

Speaker 6 (01:25:21):
So what I'm saying is after that, all of that,
they became you know what I mean, you see what
they are, and you know the funny story is, uh,
we signed them the Universal Hello Being and who's a
nigga doing the commercial for the Nelly and the Boys
and the same Lunatics and all that.

Speaker 3 (01:25:37):
It was me fifty commercials for the Guard you know
on this way, bro, I'm talking about back in the
days we had to do he was doing radio own
yeah yeah, ship like that.

Speaker 6 (01:25:51):
So I'm saying, man, I've been around the world and.

Speaker 3 (01:25:56):
Now yeah yeah yeah. And top it off, from what
he said then, it was like Nelly and them, like
we were saying, the Lunatics before, they wanted the Lost
Boys like this universe who wanted a southern were the

(01:26:25):
Northern They wanted a Southern group like us like the
Lost Boys. If you really could tell we had it all.
We had the group, the DJ, the dancer and all that.
We had the combination of it. We grew up in
the Remember was the sat Lunatics. First they didn't like

(01:26:52):
that Nelly broke off basically not broke off, but he
became that solo artist. They still had the group. Then
they had their dancer with the basket, you know, like that,
I would be be wild. That was our dancer before
you see all that ship exactly. But listen, we had that,

(01:27:19):
that whole combination, that whole style. They just wanted a
Southern version. Okay, they got that.

Speaker 6 (01:27:26):
That was.

Speaker 3 (01:27:29):
The next one was were the Lost Boys? What's the
next group? After the Lost Boys? Hot Boys? Hot Boys cast?
Remember that, see I could take it back, you know,
memory of what they wanted everything the Lost Boys on

(01:27:49):
they that's why they all universal universal. I watched, I
watched what was going on after. They still wanted a
better Southern group than the same Lunatics. So basically, how

(01:28:09):
many people in the in the in the in the
Hot Boys about four of them. How many in the
Lost Boys four of them? They wanted a Southern Lost
Boy group, Southern like we the Northern, the Southern you
ain't got nothing better than us. Listen, I'm gonna tell
you when you talk about history and ship like that,

(01:28:31):
at that time, out of one album, we got seven,
seven songs and videos when you only could get two
at that time.

Speaker 2 (01:28:44):
If he was lucky, he was lucky.

Speaker 3 (01:28:46):
If you got lucky, and we got seven out of
one album, who could fuck with niggas like that? I
mean we we did, I think, but you the top
us you have to look for, and those were individuals,

(01:29:06):
those were in a group. Those are the individuals now
that they had to put together for basically two rappers,
the rapper and hype man and the DJ. And you
know what I'm saying, that common man, you know what
I'm saying, you had to put a whole four man
crew together to fuck with that. But and give them

(01:29:27):
a bunch of money. When we started out, we didn't
have no money. You know how that three of us
are three hundred me own body, you know what I'm saying,
three hundred thousand dollars budget. Like I said, hundred didn't
know exactly what to do with us three hundred thousand dollars.
We had gold and our first was that the pre

(01:29:48):
tour whatever that shit is you know what I'm saying,
with a loser our regular tour, remember that cousin. Yeah,
we was. We had gold, that's it. But there was
another one in New Orleans, Gavin.

Speaker 2 (01:30:13):
Like that.

Speaker 3 (01:30:13):
Man, It's all around them. Man, Listen, we was already
gold before we even came down. So we was like
you know what I'm saying. We was there. That's what
I said. I travel We traveled like a motherfucker. Like
I said. The airplane was our our taxi cat, you
know what I'm saying. But we was out there like forever.

(01:30:38):
When we come to the airport, they got two cars
ready for us. Where y'all going? Which way y'all going?
That's how bad we was working, you know what I'm saying.
That's what I said when Biggie used to say, y'all
never had my shoulders ship. We was working for since
we started. The times we got in that game. That's
one thing about us and what we was doing with

(01:30:59):
Super Mario. We nin' super Mario. Deepigg was a nigga
that we did so much in a matter of time.
You know what I'm saying That it was like mind
blowing to them. They didn't know, like I said, we
already came with We were a certain find of clothes
and this and that, you know what I'm saying. Hats
were going to cigars, blunts and all that stuff. We

(01:31:21):
came in with a game plan and it was mean
something that motherfuckers ain't no. But they couldn't fathom what
the hell when we lose money or this, that and
the third. And we had this, like I said, like
when we say a thousand of a thousand, getto deep.
When I say Americas, we traveled America, every state, fifty

(01:31:47):
two whatever were there, you know what I'm saying. And
then if we wasn't there, they came to see us.
Then when we go across the pond, Japan and Australia
and all that stuff we seen just grow up, you
know what I'm saying. That we've seen it. So it
was like what we know and what we did and

(01:32:08):
what they don't know. You know what I'm saying. The
universal uptown is at both of them. Basically when we
came up, they don't even understand what the fuck we
was doing because they it was too big for them.
So our status, I'll say right now that affected us.
Now It's like when I listened to Like when I

(01:32:29):
was locked up, I was listening to music, and I
was like, Yo, they be putting into old school stuff.
They be doing this saying why the hell we ain't
getting it? We might get it for certain DJs that
might live DJs or something like that, but on the radio,
why the fuck we ain't getting if we was the
biggest thing in rap. But people don't really notice that.
Some people, as the old school niggas, they notice that
they hear it, they recognize they were really Yo, I

(01:32:51):
got a you got me out of jam but jail
and this, that and the third. But now I don't
hear our music on the radio like you would hear
Biggie or anybody else. Nah, it's just I don't hear it.
I don't hear it on the radio like it's a
legendary thing. You know what I'm saying. We missed what

(01:33:14):
that ship was rock Bells, No no for that Andree
Martinez back in the days, we only missed that beat
Battle of the Beasts. We only missed that by one day,
just because the homies Marion Meth came in on our
last day and beat us. That was like I love
Mary and Mary Meth, which record All I Need, but

(01:33:36):
came in and not us offt the place. They said
still I was, I was either a lex Or or Jeeps,
one of the two. I think it was lex our
first song. But it got so much accolades, you know
what I'm saying. It was a legendary records, Like we
had accolades that what New York's New York City was

(01:33:59):
that ship No No No, the TV show under Cover
that was the first episode. Yeah, it was like one
of those episodes and shit like that. My brother rest
in peace, Big mic He passed away at that same time.
So the things that we did, like putting things into place,
putting rocket and high skyrocket and certain plateaus and stuff

(01:34:24):
like that, we ain't getting recognition for none of that,
you know what I'm saying. A lot of shit that
we did. We helped a lot of states. When I
was in jail, I was telling them, niggas know me
through their parents, their grandparents, and that shows that we
was around for a long time, you know what I'm saying.
We was around for a long time, and niggas just

(01:34:46):
don't give it the respect, like you don't hear our
music like you would hear it like not saying in rotation,
but in rotation, you know what I'm saying, And it
takes like a real DJ that be like given honest
that I'll play your shit. I'll be hearing DJ scratch
and stuff. I'll be hearing different DJs, but it doesn't

(01:35:07):
resonate like it's here, it's here, it's here. But niggas
when you hear it, they be like, yeah, them niggas
is legendary. Play our ship. Let us be heard like
everybody else will be heard. Oh yeah, you know what
I'm saying. That's the real shit. That's just just how

(01:35:30):
I feel. You know what I'm saying. Because I've been
sitting back, like I said, nineteen years, I've seen a
lot of shit, right, the music change, the world changed
because I came out. Now I'm looking at the ship
like these niggas, what the fuck they're doing? And to
our music. I heard you say a few things with
a couple of people, like how our music has changed

(01:35:51):
and how niggas is doing it Right now, I'm listening
to niggas like like I go on my little tours
and see I'm hearing shit and I go to different
places people ain't putting in the work. These young cats.
No disrespect to any of them, but they're not putting
into work like that. So I hear them. Like you said,
we we we do our music and if we're doing something,

(01:36:14):
we get a TV track and all this sudden ship.
So what are you talking about? These artists that go
out there and rhyme over there? Nigga, I've been my
first tour. I'm like, yo, y'all can't. I don't like
that ship. We grew up hard. You gotta be able

(01:36:34):
to remember you wrote these ships, say them ships?

Speaker 2 (01:36:39):
Can I pay you back off that? Though?

Speaker 1 (01:36:40):
Because I'm I'm an artist and you know, I work
with other artists.

Speaker 2 (01:36:44):
I got a younger artists that I work in. Don't
don't defendsh.

Speaker 3 (01:36:50):
We gotta hear. We got to hear.

Speaker 1 (01:36:54):
Because, like I said, I go on the roll of
you know, the expectations for me is a little bit different.
I'll perform with live bands before, with DJs I never
met before. I feel me, so we rock out, you
feel me? Like I said, I got to perform with
Karo rest.

Speaker 3 (01:37:09):
One and literally I wanted to.

Speaker 1 (01:37:12):
I literally watched him perform two songs that everybody knew
and freestyle the whole show and let me freestyle with.

Speaker 2 (01:37:19):
Him on the show.

Speaker 1 (01:37:19):
You feel nobody in my generation can say they did that.

Speaker 2 (01:37:22):
That's what MC.

Speaker 1 (01:37:28):
You's hard to be on that's hard to be on stage,
to be able to to hold yourself down.

Speaker 3 (01:37:33):
You feel me.

Speaker 1 (01:37:34):
It's not too many young you feel me because they
don't understand what hip hop really is. You feel me
hip hop right now. Like you said, y'all went from
going from real to rip to us being able to
go and pro tools and just yo, you spit this ball.
You can spit sixteen balls individually and they'll mix it
up and make it sound like you just split it
on one track.

Speaker 3 (01:37:53):
You feel me, So you do eight ball.

Speaker 1 (01:37:54):
You can do whatever whatever you want to do. Like
you said, it doesn't take the niggas don't take the
time to pray this day rhyms, no more niggas, don't.
Niggas don't go to their mens and be like yo,
I just wrote this.

Speaker 3 (01:38:04):
You feel me how this sounds?

Speaker 2 (01:38:05):
You feel me?

Speaker 1 (01:38:06):
So it's a different thing. But when it comes to
performing over the tracks, you know, like now in this generation,
since it's so accessible, everybody want to chase the bag
the expectations for performances, especially for up and coming artists
is no real uh like it's no real like limitating, no, no,

(01:38:26):
not no real expectations.

Speaker 3 (01:38:28):
So all the promoters like, oh, I.

Speaker 1 (01:38:30):
Bet I got to show today if you can pay,
but if you could pay for the slot, no no, no,
hey me out thought.

Speaker 2 (01:38:37):
If you can pay for the slide, you get there.

Speaker 1 (01:38:39):
And then on the other hand, it's nobody on these
artists teams. That's like, yo, bro, you need to be
practicing to perform professionally, not perform as up and because
a lot of these artists are getting hot on TikTok
and getting hot on you feel me on on these
digital so they're not it's not even say that they're
not real artists. They're not professional performers. They're not professional

(01:39:03):
artist made but listen often oftimes there's a there's another
defense for the people who perform with backtracks, especially new artists.

Speaker 2 (01:39:11):
They'll they'll do all these showcases with ship sound systems
and that's that's that's that's the mics and the and the.

Speaker 3 (01:39:17):
And the music don't match up at all.

Speaker 1 (01:39:19):
Back So what I'm saying, though, it's nobody in the
team like yo, get up and go to sound checks
so that we could go figure out the game plan
before we get there. You feel me like me and
my young boys, and we go.

Speaker 3 (01:39:30):
We got our whole mics sometimes sometimes we have our
whole mic.

Speaker 1 (01:39:33):
So the system is, you feel me, it's compatible for
our ship. You know, we'll bring our own ship. We
got our men's that funk with the sound that makes
it sound how.

Speaker 3 (01:39:41):
We needed to sound so that we could do what
we gotta do.

Speaker 2 (01:39:44):
You feel me.

Speaker 1 (01:39:45):
So in the defense of what's going on, it's not
no real it's not no real standards, you feel me.
There's no standards for these new artists. You got new
artists popping up tomorrow and yo yo, And that's what
I'm trying to see the same ship on.

Speaker 3 (01:40:00):
Niggas ain't really promoting but nothing but girl music.

Speaker 6 (01:40:06):
I'm talking about from our era music to this era
now niggas is want the bag. You know what I mean,
murdering everybody got the wrong ops and all that.

Speaker 3 (01:40:17):
You already know the game. I'm just saying you got
like you said, you got mad quickly easy. That's what
my ratto was about, Like giving them cats something that
you can perform your ship instead of being on the
YouTube war Listen, the funniest ship is that I've seen
some motherfucker you lip sinking? How you out of breath sinking?

(01:40:50):
This is the wildss ship. This is why I was like, Yo,
I couldn't believe this ship. Like, no, man, aren't even
putting in the work. That's the thing that people is
going so fast, that people want it so fast that
they're not even putting in the work to get it.
And that goes into them people like regular licens situations

(01:41:14):
and down to this music. You ain't putting in the work.
How you How you out of breath? You ain't smoking,
drinking or nothing. You're barely moving, but you out of
breath a lot of ship, you know what I'm saying.
So I'm like, the way of the world is totally

(01:41:35):
fucked up, you know what I'm saying. And that's just
how I feel. That's just how I feel, man, the
world is fucked up because if everybody want something so
fast so fast. Don want the bag? I want the bag.
You're not even willing to willing to work for the bag.
You just want it. And it's just like I'm entitled

(01:41:59):
because what I got a couple of views.

Speaker 2 (01:42:02):
And that's it. It's a quick bag.

Speaker 3 (01:42:03):
I got a couple of bagging attention and hoping to
get attention.

Speaker 1 (01:42:07):
And then it's so it's crazy because it's like you
get a bunch of people that jump behind it because
they see how easy it is. Like these artists don't
know how to before these artists get lit, they don't
know the opportunities that's out there for them. It's nobody
that's like literally in the so it's somebody praying on them,
that's like, oh, this person just went viral. All right,
I'm gonna jump on this artist and go to work

(01:42:29):
and show them the bag. So if I could go
and get fifteen racks a show for this viral.

Speaker 3 (01:42:35):
Artist and give them whatever they think, whatever they think
they were.

Speaker 1 (01:42:38):
I'm gonna go and I could eat and I could
keep doing this.

Speaker 3 (01:42:41):
They gonna keep doing that.

Speaker 1 (01:42:42):
It's like a predators like this Internet made it more
predatorial for people to you know, voture on shit. Look
how many Look how many artists that you like? For
me opinionated, you'd be like, yo, this artist is doodo
or this artist like who's.

Speaker 2 (01:42:55):
Even entertaining this shit?

Speaker 1 (01:42:57):
But they're so there's such a sensation in this and
it's so much worth for them, and you're like, what
the fuck? But it's like it's it's people praying on
how to make a bag off of them and once
they see it bad. You come from nothing and you
see a little bit of change, your lifestyle start changing
a little bit.

Speaker 3 (01:43:13):
You're gonna go with that, right, You're gonna go for
the bad.

Speaker 6 (01:43:16):
Feel me.

Speaker 3 (01:43:17):
Let me we won for one minute.

Speaker 4 (01:43:20):
I know we spoke about it a little bit earlier
and you corrected that rumor. But I remember at one
point making it. I remember one point us being a
rapper like kind of excluded us from like police, like
you know, police would be kind of like leave us alone.

Speaker 5 (01:43:40):
You know, the drug dealers will protect us.

Speaker 4 (01:43:46):
And then at some point it changed and it changed
to like the rappers the enemy now, like and we
don't know who are who are ops is?

Speaker 3 (01:43:54):
You don't know whoever?

Speaker 4 (01:43:56):
And I remember, like, you know, you know, damn Master
Jay freaky ta, you know what I mean, the murders
of them changing this trajectory because now it's like, damn,
we thought we if we make it as a rapper,
we're helping so many people.

Speaker 5 (01:44:13):
We're safe.

Speaker 4 (01:44:14):
But then at some point for that it changed, like
you know what I'm saying, what though I remember those
two deaths like for me for being from Queens, it
was the Freaky Tar death and uh the death of
jam Master J where we had to be like wait
a minute, like even us as the people who helped
make because one rapper helps sixteen different families, right, and

(01:44:38):
even us whereas now like like like what what was
it like for all three of y'all?

Speaker 3 (01:44:47):
Because yeah, man, you already know man, thank you. Damn,
I ain't talking about that ship, you know what I mean? Man,
that sh it was like God blessed we was out.
That was it was like a three night situation. Right
my brother got married.

Speaker 6 (01:45:07):
Mm hmmm, oh well we'll got married.

Speaker 3 (01:45:11):
You know what I'm saying. It was my birthday, you
know what I'm saying.

Speaker 6 (01:45:15):
And it was your birth it was my brother got
killed freaky that's the ill ship, right. Niggas don't even understand,
like the nigga got killed on my birthday like months
like what the fuck?

Speaker 3 (01:45:26):
We always go through this every year. I don't even
celebrate my birthday. Like, niggas don't even get that ship.
It's crazy.

Speaker 2 (01:45:33):
May fourteenth, that's birthday. May fourteenth is his birthday, Marshalls.

Speaker 3 (01:45:38):
On May fourteenth, that's we do free today on me. Yeah,
we just do free tired day May fourteenth. We all
go out there do what we do.

Speaker 6 (01:45:46):
But now he got killed on my birthday, so that
always hurt, you know what I mean, Like, damn man,
I mean, yo, that's crazy, right, I mean you already
know what I.

Speaker 3 (01:45:55):
Feel about that ship. I don't even like talking about
it too much. I was just so crazy with it.

Speaker 5 (01:45:59):
So it was like, oh, no, man, I think you know,
Drake Chance taking noise for everything.

Speaker 3 (01:46:11):
That's that's that's good. I think right now we need
to have a moment of silence.

Speaker 15 (01:46:16):
Was a freaking times, okay, and have more baby no
you kid? Facts mm hmm, rest in peace freaking time.

Speaker 3 (01:46:32):
I get it that. Yeah, I'm okay, man, everybody some
serious ship. One of the dopest voices in the game.

Speaker 5 (01:46:42):
Fact now was he considered a hype man.

Speaker 3 (01:46:46):
It was just I don't know how they didn't count, man,
he was just what what what they say? Your hype man?
But rap to rap? I don't understand right for me
seeing Tale since we was in high school, Talik used
to remember your mama jokes going at each other. Talk

(01:47:11):
could get at you and get at him, to get
at both of y'all, and in a pattern. You know
what I'm saying. That's how he developed his skills. He
had heat all day and he had jokes, so he
would get at both of y'all in a pattern that
was like oh, ship having stopped, and then after that

(01:47:33):
he'll stop, pull out a market and write a stick
man on your legs on Jean, this is this is
at lunchtime. And we skipped from lunchtime, our first period,
lunchtime till the end of the day, un period, three period,
Cat's going cheeks me over there, wrapping time, be over there,

(01:47:54):
Louis playing cards. The situation was crazy, saying and I
just like saying. For I came from I was in Queens,
I went to South Carolina, I came back to South Carolina,
and FING came to John Adams. And that's how we
all got together, meeting each other individuals, you know what
I'm saying, knowing that everybody and green Eyes maybe mad.

(01:48:18):
There was a couple of us, but basically Talik were
just getting that rhythm and fuck your heads up. Eventually
we started forming our group. Like Sheeks, Me and Cheeks
was always in the basement. Me and Cheeks started going
to the basement doing it. I'm telling Cheek, I'm telling Tali,
come on, let's go come to my crib. Just practice practice.

(01:48:42):
And basically one thing that started practicing practicing it was
says on ghetto boys, mind playing tricks on me, mind
playing tricks. Me and talegu did a joint called twenty
four hour, twenty four hour, you know, twenty four twenty
four carroc Gold. Remember that twenty four Me and him

(01:49:06):
practiced that practice that me and Cheeks was doing. Other
ship black Man, black Man. Cheeks was the black man
at that time, and that black fish back in Guyons
and all that ship. He's doing all that at that time.
Then he became and when I say this, nigga, I
ain't go front. People loved him because he could rhyme

(01:49:29):
without cursing. They ain't cursed nothing. That nigga rhyme without.
And then y'all y'all like Renee. But before Renee, there's
another chick. You know, we got chicks and ship damn bad.

(01:49:50):
There was Donna. We had joints. Yeah, we had a
lot of colds music, you know what I'm saying, good
songs that we practicing, and he goes to the parking
practicing stuff like that. We tape him in the basement
and shit like that. I practiced with Tye twenty four Cargo.

(01:50:10):
The only thing with ty was he couldn't remember his rhymes.
So basically I gave him a mini tape recorder and
made him listen to what you said. Because Tyler could
freestyle like you never you thought he wrote some shit
and he a freestyle from Gear on the Block. He'll

(01:50:32):
run for hours and then be on that title. You
know what I'm saying. He might just start rhyming, then
start flowing on niggas, you know what I'm saying, start
getting heated just around the circle and shit or in
the pre shit just to this lady. He goes into
that shit. So I'm just like, YO, record that ship
when you go to the studio, when you go around

(01:50:54):
the way in the set of third record that shit.
He used to be on the boulevard on on god
Brew Worthie four niggas is out there and I could
hear him. He let me hear the tapes and ship.
He might be talking and stuff like that, and then
held just start rhyming on niggas, wrapping and breaking on niggas,
heating on niggas, and ship like that. Everybody was out there.

(01:51:15):
He got what you call booble. Fifty fifty was one
three fourth God. Literally, listen, you don't even understand that
the history got fifty a boxer. You know what I'm saying.
It was, he's a boxer. He's been doing them. That
was our basket to right, that's our basketball. We was

(01:51:37):
trying to form a team. Y'all don't understand that the
division that we had coming up, all we needed was
a football player and a baseball player. We had we had.
We had a football player, Jeff kim Brooke. I forgot.
I forgot about him. I forgot it first. And we
did have the homie Montel got a team in the

(01:51:59):
league Attle.

Speaker 16 (01:52:04):
He was.

Speaker 3 (01:52:04):
He was a heavy. So we had a lot of ship.
You know what I'm saying. You understand our thoughts is different.
We had players that was going to associate with lost boys.
We try to get our clothing line. So all this
ship was before it was bigger than music. For it

(01:52:25):
was before what's going on in the last fifteen years
with Jay with the sports team and all that stuff. Yeah,
were already thinking, like we already was thinking this is
not you know what I'm saying. We had a lot
of ship going on with the clothes and like football

(01:52:45):
and stuff like that. That ship, so he had those thoughts,
y'all even came out, do you remember on So it's
a lot of ships walkome walk up with. That's that's
how we've been around since the beginning of people's ideas.
Struck connection with the Mally's, the Mally Marley's not the Mallies.

Speaker 17 (01:53:12):
Everyone else heard the Mallbery's brother Tella introducer going is
just us dance shout out and who go on out?

Speaker 3 (01:53:24):
The Baker he got the port Uh he introduced us
tomorrow like we're doing like the little show like not
just little was on the B stage. Yeah, the B stage,
you know the ma Snooth Dog and was over there.
We do our show.

Speaker 6 (01:53:42):
They come to us, the Marllys will come check our
show out because every we're fucking fans of the final
Damien Mally whatever, right, Yeah, I mean used to go
so we met on the they say you come to
the bus and bloody about anything that.

Speaker 3 (01:53:58):
We can't imagine that. Imagine that. Imagine that bus. You
got the Martis, you got Snoop, and you got the
Lost Boys on the one bus. I was, damn man,
the second. I ain't gonna say I was the first,
but I was like the second to go off that

(01:54:19):
bus like this. Yes, yeah, I don't even remember.

Speaker 6 (01:54:27):
Everybody even made the first record we ever made with them.
It's called guiltiness. Guiltiness.

Speaker 3 (01:54:32):
Oh yeah, shut damn Babylon album. They was going to
bust somebody else. Yeah, is that why you were down
south my way? Because a lot of the Marty's that way.
Well yeah, yeah, listen, listen, those our brothers. Those are
brothers that we we We got on that bus and

(01:54:55):
connected made that bond, just like Snoops. Those are our brothers,
like we can. They used to call big. What you're doing.
That's when I was living uptown. It's big what you're doing?
Me and Fu Kwan with his roommates. What you're doing? Nah,
we're just chilling. Hey, there's a ticket at the little
Guardia airport. Get there. We get down there and they

(01:55:18):
got pick us up and this, that and the third
take us to this little secluded area. So we chilling
there like we're smoking blunt. They getting soccer ship made
up in the because they're getting the soccer poles and
going exclusion and it's like, man, it's nice and good.

(01:55:38):
They gave us a half weed. That's you know. All
these people start coming. Carls Scott, Lauryn Hill then came
with a bunch of a stroller joints on it. It's
like damn doing that.

Speaker 1 (01:55:56):
It was it was.

Speaker 3 (01:55:56):
It was going down and they started playing and kicking
and everything else. The Marlly is man, that's like family.
They're calling niggas like, yo, come on down, what's up?
You know what I'm saying. Steve and Damien, Me and
Damien did a beat together at the crib. Mama, Mally
we were family. When I say were family. We come
to Florida that Joe Mercer like that I beat Joe.

(01:56:20):
It was our family. That's stuff like that. All of
us used to do it.

Speaker 5 (01:56:25):
So we don't gonna take a shot.

Speaker 2 (01:56:26):
This is a drink.

Speaker 5 (01:56:27):
This is is a drink.

Speaker 3 (01:56:29):
Shot.

Speaker 5 (01:56:29):
You just take a sip of your own drink.

Speaker 3 (01:56:37):
L was in the building.

Speaker 5 (01:56:38):
Now what do y'all like more? Because you know they're
going through your music questions you as.

Speaker 3 (01:56:49):
What then music is like?

Speaker 5 (01:56:53):
I could see.

Speaker 4 (01:56:56):
Y'all make music thinking about the performance as well. We're performance,
so so what do y'all like more making the music
or performing the music?

Speaker 3 (01:57:08):
Let's go. That's one thing about me. Like when I
go do these tours on my grime, tours on my
grime next week.

Speaker 1 (01:57:20):
Six shut it out, want grind, man, this is the
tour that I'm there to.

Speaker 3 (01:57:27):
You already know man, it's all us. You know what
I'm saying. Everybody's invited. But even when I was in jail,
just saying another people like, Yo, how you like that ship?
You like that video? Like the video is cool? Videos
is cool. I want to see like the BT world.
I want to see these niggas performance ship. See we

(01:57:47):
was the type that was performing. We'll get the back.
We'll get up there go when we get that. Decide
everybody we stage niggas. Some of these cats ain't stage niggas.
The niggas is just stay in the middle like this
and it's not a third. You know what I'm saying,
no disrespect. I'm not gonna be real, really real, be real.

(01:58:09):
The homie, the big homieyall, Big Homie when jay Z
came out. Jay Z used to have a billetproof vest
and stay in the middle of the stage and rat
real fast fast. Nobody really like got that, you know
what I'm saying when he first came out. Yeah, there
was a couple of times. There was one time that

(01:58:29):
I definitely remember in the Bronx and I and I
told people. I used to tell niggas yea the story.
There was a Vibe magazine which Shine on the cover
Remy Martin's Remy. She said her first show that she's seen,
she's seen jay Z performing. People booed him and said,

(01:58:51):
put the Lost Boys on. It's just the show. That's
the fact. A lot of people do shows throughout throughout
my time. I've seen a couple of guys that got busy.
I even see a couple of dudes imitate our dads. MM.

(01:59:13):
But I seen this. I can't just say I heard this.
I've seen this on live TV shows and ship like that.
It influenced a lot of culture, a lot of people.
I'm talking about down here in Atlanta, well, be in Florida.
I'm talking about in Atlanta, because Atlanta became the biggest

(01:59:34):
population you know where it's popping. You know what I'm saying.
That happened since like I said that Nellie Joint, our
cast was coming in, making sure ship was coming in.
A lot of ship was going down. But anyway, rim Shop,
the rim Shop, Detroit Hold. We seen that Atlanta culture anyway.

(01:59:56):
But for real, for real, I seen I've seen these
cats grow up. I was showcase made other dudes if
they was really paying attention. This is how we make
these people come to us, you know what I'm saying.
Involved in the show and ship like that, because that's
what we was doing. But it wasn't lip syncing or

(02:00:19):
nothing like that. The record scratch, the record scratch, and
we were still getting it in.

Speaker 5 (02:00:24):
That's or real DJA.

Speaker 3 (02:00:27):
Records scratch. Yeah, you know, if it was sucked up,
it fucked up. We start over and we do it again. Nowadays,
you don't got that, yep. Nowadays, you don't got real
performances on stage. You're staying around just you and your
guys sitting here. You might be here and be over here,
but they ain't. They still together like they scared ship

(02:00:51):
like that. We them dudes that go, we'll get in
the crowd, we'll go up the steps or whatever this
that and the third you don't that told you you
barely got niggas. Just like I said, moving around, you
got to entertain these people. These people came to see you.
People came to pay this money to see you. These
hundred dollars tickets and ship like that. They came to

(02:01:14):
see you, just like they're paying for Beyonce. You know
what I'm saying. They're paying for Beyonce. Makes giving it problem.

Speaker 5 (02:01:29):
It's something that's been floating around.

Speaker 3 (02:01:32):
For a minute. Yeah, this is dope m O our
cool J he low cool J. Yeah, no diego or
seeing that?

Speaker 6 (02:01:48):
What what is that?

Speaker 3 (02:01:53):
You don't know he's going going with? He's saying something
he's saying.

Speaker 4 (02:01:59):
That sounds boreal Nelly, What I see that at the
News Arena because the Queen toll?

Speaker 3 (02:02:11):
Yeah, queens see that?

Speaker 4 (02:02:13):
That would be with Queen's Day in Flushing Metal listen.
Can we make a Queen's Day tour all of us?

Speaker 3 (02:02:21):
You know we can't get the queens get the money toll?

Speaker 4 (02:02:25):
I mean that's what this is.

Speaker 12 (02:02:26):
Basically, say queens get the money cool quest most I
said no if I did, I had I had.

Speaker 3 (02:02:47):
A dream I used to lay on that bunk other books.
I'm a little bottom book. I'm looking up and I
had these dreams.

Speaker 4 (02:02:56):
Caught megan large professional and I had these dreams, like yo,
Queen exotic.

Speaker 3 (02:03:03):
Everybody can make it, but at least a couple of
hundred thousand. Yeah, hey man, just sign me up. A
couple of hundred thousands. Already had all that ship playing
out Queen sign rest of the city.

Speaker 2 (02:03:19):
No, no, at the what's that ship?

Speaker 3 (02:03:21):
The the US the new arena?

Speaker 2 (02:03:23):
They rock the bells?

Speaker 1 (02:03:25):
No, doctor bell ship was at the tennis at the
tennis ship summer dread Summer Jim, is that what's the
name of that ship? The new ship with the hockey
team about to be at the US.

Speaker 3 (02:03:35):
Hockey team about to come to the Queen queensus queensy,
you know what's that? What's the location? Jersey? That that
was Queen if anything, nobody know the US.

Speaker 1 (02:03:59):
Be a rental. That's what summer Jim at this ship
and then usually the rock the bells. We got too
big ass queens.

Speaker 3 (02:04:06):
Queens don't got And every Birthday in Atlanta.

Speaker 4 (02:04:11):
Big up to everybody that goes to the Queen Day
in Atlanta. I happened to be there the day before it,
and every yea barrel, every fucking let me say barrel.
We're not a barrow, but every town like yeah, yeah,
like we left the day the day before, the day after.
I forget and I see, I see South Jamaica, Holland,

(02:04:33):
I see, I see everybody, everybody, everybody, and.

Speaker 5 (02:04:37):
They all gave money in Atlanta.

Speaker 4 (02:04:39):
So just make Queen things.

Speaker 2 (02:04:44):
Big that up.

Speaker 16 (02:04:46):
Up.

Speaker 3 (02:04:46):
We've seen a lot, man, yes, man, yes, the Olympics.
That's when Queen's lot basically came down when the Olympics came.

Speaker 4 (02:04:56):
Let me ask you something. If you could change any
thing in your life, who would you change?

Speaker 3 (02:05:06):
The only thing I would have changed, And you know
people are always talking about I wouldn't change that because
it me and me who are a Certain things make
people who they are, but sometimes situations happen. I wouldn't.
I would have changed that jail sentence. But do you
say what I would have changed that jail. I would
not have been in jail, even though I say that,

(02:05:31):
because the things that I learned in jail, I learned
something in jail. When you go there, you're not not
going to learn something. You're gonna learn how to do.
I knew young cats that didn't know how to clean ass,
regardless the toilet, bowler, the floor, or whatever the case
may be. Niggas learn in jail. If you never did

(02:05:52):
that ship before, you're going to learn how to cook.
You're going to learn how to do this. Do that
ship you ain't did at home when you were young.
Your mother and your parents is doing it for you.
You're gonna learn how to do shit because you got
old heads like me and older heads they're gonna show
you shit I learned in jail. But the fact is
you're gonna learn. You're gonna be able to learn and

(02:06:15):
show and tell. You know what I'm saying, You're when
you get kids or whatever, you're gonna show them how
to do this, do that. I wouldn't have got that
jail centers, but if I didn't, I wouldn't have learned
the ship that I know how to do now that. Yeah,
nineteenth strict, I learned a lot because not just saying

(02:06:35):
the pressure. That's why I'm gonna have this podcast. Visiting
ours was big. This is big nice. You know what
I'm saying. Go ahead, boy, Niggas that have been in
jail can teach people out here. We see a different
world than y'all see. Y'all, y'all been out here, we
see a whole lot of shit that niggas be like, Ah,
this shit is hard, shit is troubled. That's just a

(02:06:58):
bunch of lazy shit, you know what I'm saying. Shit,
because we seeing things that we could do to manipulate
that system that y'all seeing and we already building. You
know what I'm saying. Okay, when I got out there,
I could do this. I could do that, I could
do that. If they doing it that way, we can
do it this way. But while y'all out here, y'all

(02:07:19):
in the struggle, because I lived both sides, so I
see the struggle and stuff like that. But sometimes just
a little extra money or something like that, you get
me what I want to do over here. While y'all
over here, I see I got homies, you know what
I'm saying. While y'all doing this over here, these niggas
seen this, brought it over here and elevate it. It's

(02:07:42):
just sometimes people's lazy, I say. Sometimes they say the
Corona got niggas lazy and shit like that because now
they ain't gotta work so hard for money. Then I
ain't gonna work loans them since just outside. So niggas
like yo outside two days, I work for two, three
weeks a month or something like that. Fall back and

(02:08:03):
get a check and ship like that. Lot of ship
got Trump, Donald Trump, a lot of ship got lady.
Donald Trump was.

Speaker 2 (02:08:10):
Kind of a real nigga.

Speaker 3 (02:08:11):
I'm being honest. I ain't gonna say Donald Trump got
me out of jail. Y'all stand Donald Trump got me
out of jail. You got jail. Donald Trump got this
out of jail, the black man. But Obama still the
same things that list. Obama had, the same things that
Trump had. Obama didn't do it. Trump said I'm gonna

(02:08:34):
do what you ain't do because a lot of ship
that he didn't do that, a lot of a lot
of ship that he had said I'm gonna do it.
Just a Trump. He did that. No, he did that.
He he did that. Trump. He boy couldn't do it.

(02:08:56):
He just did something that you're talking about. He did
boys a real conversation. But no, no, no, he did
shipped that what the white boy can do, can't do,
he's dealing with a white man can do. And that's
what he did. I thank him for you coming on. No,
I'm just saying, I say, a piece of ships.

Speaker 1 (02:09:14):
But I think we used to come in these boxes
to what some golden some golden flowers with the golden
You don't want to be drunk traffickers cheeks.

Speaker 2 (02:09:26):
Flowers.

Speaker 3 (02:09:28):
We don't.

Speaker 6 (02:09:31):
On.

Speaker 4 (02:09:31):
This just makes a noise for your mom. I'm not
gonna overlook the fact that he at least you in
Kodak Black. That's two yearal niggas to meet two real
niggas and little Wayne. And no, I ain't gonna say
that's real niggas to me. I'm sorry what he did, mean,

(02:09:53):
what he did was.

Speaker 2 (02:09:56):
What you do.

Speaker 3 (02:09:59):
I'm like what listen was just trying to do something
better because exactly like you know what I'm saying, even
though we know everybody knows his white right all right, Obama, Obama.

Speaker 4 (02:10:10):
Tried to that, but Joe Biden didn't even know what's
up with him?

Speaker 2 (02:10:15):
We get into the wrong right rights.

Speaker 1 (02:10:19):
What else hell we punish right now?

Speaker 3 (02:10:26):
Right now?

Speaker 2 (02:10:28):
God President, Sorry, I bet you better like him, because
right now World War three is right up. This he
better not handled.

Speaker 5 (02:10:36):
I don't want him to be involved.

Speaker 3 (02:10:38):
You see, you see they stopped sucking with our dollar bill.

Speaker 7 (02:10:41):
Now.

Speaker 4 (02:10:42):
Yeah, they're just trying to sidle us down.

Speaker 3 (02:10:44):
I think back in the day your grandma.

Speaker 2 (02:10:46):
They trying to do.

Speaker 3 (02:10:50):
But they are acting stupid.

Speaker 5 (02:10:52):
Yeah, but that dollar that they bill is going to
suck us up for a long time.

Speaker 2 (02:10:56):
Listen, they're trying to get away from the dollar.

Speaker 3 (02:10:58):
I remember bill was a lot of money.

Speaker 2 (02:11:01):
I remember one time.

Speaker 3 (02:11:02):
I remember, I.

Speaker 5 (02:11:04):
Remember once I went to London. They simmoned me down.

Speaker 2 (02:11:08):
I gave them.

Speaker 4 (02:11:09):
It's just like because there's like you can't spend American
money in London. So I gave the guy that's cashing
in like a thousand or like twelve hundred dollars and
they gave me like four fifty nine.

Speaker 3 (02:11:19):
I was like, wait a minute.

Speaker 5 (02:11:21):
I said, I know I failed math.

Speaker 3 (02:11:23):
Class, but this ain't right.

Speaker 2 (02:11:25):
That house money, Yeah, I owe me.

Speaker 5 (02:11:27):
And they said the American dollar ship out here.

Speaker 3 (02:11:30):
Yeah it was that.

Speaker 2 (02:11:31):
I don't remember. The Euro at one point was more
money than yeah kicking off, but it wasn't bad for
us at that time.

Speaker 3 (02:11:40):
You good though. But that's how I say with this
money right now, to say it off, the money that
they're making right now, if there was an hour to
an hour eraror say we was making like the most
she was making twenty thirty thousand, that was a ley.
That was big money now because if it I got

(02:12:02):
to keep it right now nowadays, twenty thirty years later, now,
twenty thirty thousand ain't the same. It ain't the way
to be a millionaire now isn't the same as it
was back. And it's always in a certain time of
ever and ship like that. You know what I'm saying.
I can't say it, but in that era, you know
what I'm saying. Because a dollar of a dollar chips

(02:12:23):
will buy you four things. You get a bag of chips,
you get a more fucking juice, water, your quarter water,
what say, little debies, and something else for a dollar,
get you get you get you a meal? Yeah, now

(02:12:43):
that was really.

Speaker 2 (02:12:46):
Yeah, I remember I like I'm sounding there in the
juice for a dollar.

Speaker 3 (02:12:51):
Yeah, you had less than a dollar. Slice slices.

Speaker 2 (02:12:56):
At one point.

Speaker 5 (02:12:57):
For your health, bro, what slics is not bad for
your health?

Speaker 3 (02:13:02):
There? Like, tell me what the healthy slights? You shout out?
Allen Street, Allen Street, buddy, Chinese bus.

Speaker 2 (02:13:13):
Want to go from New York to Boston, New York
across the globe.

Speaker 3 (02:13:20):
Shout out to about it. I just want to say,
I just want to give him a shoutow. And I
told him to, said give me a shoutow that anyway.
And I heard that would cheap rock up and down
ninety five all over now.

Speaker 2 (02:13:38):
And you get sucked.

Speaker 3 (02:13:40):
I heard about it was. It was the Southwest of buses.
My god, going donars to ride the bus from New
York to fucking Ward. You know so Eddie joined ed Yes,
queens queens, queens queens, he showed up. Men off.

Speaker 6 (02:14:03):
If you don't know another Queens legend, you don't know
how to get down here from.

Speaker 3 (02:14:08):
Down over there. I heard that ship was like crazy,
but I don't say nothing. I don't know that was.
That was that Japanese bus. The Japanese so crazy.

Speaker 6 (02:14:21):
Now that should be real, little gay, your should to
all them people that shouts to this cigarette smileless.

Speaker 5 (02:14:27):
Cheeks by the gave the most shout outs.

Speaker 3 (02:14:31):
Given. That's like you, like you really.

Speaker 2 (02:14:41):
You know that's a person right there shout coming.

Speaker 3 (02:14:46):
Shut up. Let me, oh, I'm stay in mind in
early you.

Speaker 5 (02:15:00):
Let me ask you.

Speaker 4 (02:15:02):
And I know this is kind of like a cliche
type of question, but did you ever think that hip
hop would make it this far.

Speaker 3 (02:15:08):
God damn did I think it? I guess so because
I wanted to be in it since I've been first
heard of it, since I first since like seventy nine. Yo,
how the fun older you? You know what I'm saying.

(02:15:29):
This is before you heard it on the radio. I
was going to part I actually, no disrespect, I was
going to to the Bronx. My cousins lived in the Bronx,
and I went to a basement party and I heard
let's dance to the drummers beat must be oh listen,

(02:15:51):
and I'm like, imagine, I'm like the record and I'm
here and this and he was dancing. There's some bullshit
as record player, not a stereo or a record player,
and the guy was trying to and it was fucking
his song. But when he put it back on, everybody dance.

(02:16:14):
It's started to groove back on, you know what I'm saying.
And that song became under the songs of somebody rhyming
over it. Even though I heard Curtis blow with basketball rap,
that was like the first song that was on the radio.

Speaker 12 (02:16:29):
Not to me.

Speaker 3 (02:16:32):
I don't remember sugar Hill Gang being the first joint.
I heard curse and then that basketball forgive me, But
I think little Mama what Little Mama's mother sung on
that song? People playing bass?

Speaker 2 (02:16:54):
Little Mama's song was like a first R and B pist.
Little Mama's mom.

Speaker 3 (02:17:00):
Her mother was like the first R and B person,
the first first R and B artist.

Speaker 5 (02:17:05):
Little Mama that crashed the stake.

Speaker 4 (02:17:07):
That's what we're talking about, that first losses popping her mom.

Speaker 2 (02:17:12):
People, I love you want to know, you know, you want.

Speaker 3 (02:17:15):
To know what her mom pomped me up? Your cousin?
Sure that boy? Oh that Buffy? That's Buffy. I just
say buffalo mom. Mom blow over there like yeah. But

(02:17:35):
her mother was the first R and B artist on
death jam that's you know.

Speaker 4 (02:17:42):
They're playing, that's that's little Mama's crazy.

Speaker 3 (02:17:47):
If I'm not mistaken, that's her. But I'm more than
ninety percent if you said that's her mother, I'm wages.
If y'all google it, you I didn't put it like word.

(02:18:21):
I didn't listen. I didn't put it together. Listen. I
didn't put it together to she said from one of
those Galaxy show she was in her mother. Yeah, her
mother was like the first R and b artist on
Death Jam. Who was the first artist like beginning of
Death Jam, Curtis Blow.

Speaker 2 (02:18:42):
This was like seventy was he officially Death Jam was
just managed by Rush Management because that might be the
difference in that in that state wasn't.

Speaker 3 (02:18:49):
For Death Jam? Then you might know so, but I'm not.
I'm not mistaken. I should go together, right pret God,
what the deal? I heard that on the radio. First
he talked about beast streets.

Speaker 4 (02:19:07):
We had crazy legs. Yeah, but he said he shot
a drug commercial with Curtis Blow.

Speaker 3 (02:19:12):
They did blow right after them. They didn't blow. It
was a crazy shot drugs commercial.

Speaker 2 (02:19:20):
Drugs Spike commercial was just duke, wasn't crazy, Like.

Speaker 3 (02:19:25):
I don't know what's crazy? Accident spipe commercial with us?

Speaker 7 (02:19:28):
Hell?

Speaker 3 (02:19:28):
Yeah crazy.

Speaker 5 (02:19:30):
Let's talk about the Spike conversion.

Speaker 16 (02:19:32):
We had.

Speaker 2 (02:19:34):
To talk about it.

Speaker 1 (02:19:35):
You saw you remember we was talking about you being
categorized as the white man.

Speaker 3 (02:19:40):
Not for nothing.

Speaker 5 (02:19:42):
We did want conversation.

Speaker 3 (02:19:42):
Hold on, hold on, you know the name skills.

Speaker 1 (02:19:49):
That so excuse us, So look not even to talk
about it, just like you know what, but they said
like you was talking like the category category as freak guitar,
my pops as height man one is honest because they
categorize him as.

Speaker 3 (02:20:10):
You're Gonna take That You Feel Me documentary that was.

Speaker 2 (02:20:26):
As we speak on that You Feel Me.

Speaker 1 (02:20:28):
We're talking in early days of rappers getting real endorsements commercials.
That's being broadcast on real national I'm a young kid,
I'm probably six seven years old seeing my uncles and
my pops on commercials for Sprite You Feel Me. Now
we're talking about which I did the Grand Master Flash Joint. Now,

(02:20:50):
let's pay attention to the commercial chiefs. Come on, we
are the fantastic. We got this Sprite now with who
comes on? Breaking the pills down? My pops came on
and still my pops speed first and pig Latin and
bought it back into some niggas with.

Speaker 3 (02:21:11):
Crazy legs in the middle of the glass.

Speaker 5 (02:21:13):
So I probably ain't catch that.

Speaker 4 (02:21:18):
Feel mad right now.

Speaker 3 (02:21:19):
That nigga time was doing some ship niggas is doing
like like don't even know what he was look I
would be for life album.

Speaker 1 (02:21:29):
The last track on the joint is the Freaky tie
outro produced by all p Gutter Butter You Feel Me.
That's one of our house producers.

Speaker 3 (02:21:36):
That's my mentor.

Speaker 1 (02:21:37):
I feel when I started doing like he took me
in at like like like I was a son of
his and he was a producer for the family.

Speaker 2 (02:21:44):
You feel me.

Speaker 1 (02:21:45):
Fast forward like put it back into the perspective of
the freaky tie outro okay me freaky time when a
month to may bet to show these yet no doubt
comes to weed back to the house.

Speaker 3 (02:21:54):
Told my niggas to get the hell out, about to
get busy, get no doubt.

Speaker 1 (02:21:57):
When it after he thought the get real freaky for
my getting mout talking.

Speaker 2 (02:22:00):
About talking about that's the.

Speaker 3 (02:22:03):
Right now. Listen to the beat. It's one of those
drill type beats. That's back then. You feel me.

Speaker 1 (02:22:12):
So when I was like I was talking to one
of your means before we got on, I'm like, yo,
the the energy and the ship. Like even though the
new generation may not like understand lost boy history, you
feel me, it's always going to be embedded in history.

Speaker 3 (02:22:28):
Look at the DJ Catlet, DJ Calid.

Speaker 2 (02:22:31):
And Lotto Record.

Speaker 1 (02:22:32):
They did the Lights camera Action joint over for Lotto
New Record. That's the single that they pushed. That's the Lights,
that's Light's kim Action. Shout out big though, that's Big
Time Records. You got Floyd Mayweather running doing now to
lost boys lifestyles are the Richard Seamans this you feel
me in this early even mean his igs. I pay attention,

(02:22:53):
so it's always embedded in the coach.

Speaker 2 (02:22:55):
Look at the Migos, Look at the Migos.

Speaker 1 (02:23:00):
They just started telling about how the Migos is the
biggest rap.

Speaker 3 (02:23:03):
Group of ours and my generation I did generation.

Speaker 1 (02:23:07):
Now look at we just sat here spoken about a
couple hours of the lineage of what the lowest boys
brought to the table, Africa, Europe, Asia taking over ship.

Speaker 3 (02:23:16):
The difference is they didn't have the same.

Speaker 1 (02:23:19):
Digital They didn't they planted the seed for this new
era of shit.

Speaker 3 (02:23:24):
Simon Tainey, like you feel me.

Speaker 1 (02:23:26):
It's like an unconscious, unconsciously inner ship.

Speaker 3 (02:23:28):
So when Big One, when.

Speaker 1 (02:23:29):
Lotto and DJ Kalet dropped that record and Lotto go
back to her moms, her mom's just like yo, I
used to be in Miami like this, I used to
be like this, Like what you know about that?

Speaker 3 (02:23:41):
Even you feel me?

Speaker 1 (02:23:43):
So when these records is re resurfacing and coming into
the into the new era, even with look at all,
Look how all the new the new artists is just doing.
Even your record, Your record came back bigger than ever.

Speaker 2 (02:23:55):
Oh yeah, was creative.

Speaker 3 (02:24:00):
Get that young.

Speaker 1 (02:24:10):
You feel that as a younger, as a student of
the hip hop culture. You feel me as a as
a legacy of the hip hop culture.

Speaker 2 (02:24:15):
I'm paying attention. I look at things a little bit different.

Speaker 1 (02:24:18):
You feel me so when I see it come back,
like like I said, even down to my mental like
I said, the last the last record of the outro,
he I'm like, yo, you don't even know what the
hell you're doing, because like that's around it. When I
started like paying getting into music, that's when like lex
Luga and was making be so the bat Cadences started
speeding up and getting the Chief Keith and the drill started.

Speaker 3 (02:24:40):
Coming in film me. It's starting you feel me so.

Speaker 2 (02:24:43):
It's not influence, you feel me so.

Speaker 1 (02:24:47):
But I'm listening, like, but as they speeding it up,
they're going and you got the the European influence, and
all these people are freaking looking because all these people
I got some fun to though, these some good joints
Joe for my man's But like I was saying, though
long story shows like the influence that hip hop have,

(02:25:07):
even like I said, even down to the drill music.
When you go to Europe, they appreciate our music so
much more that they that they they take the time
to create to try to recreate our culture over there,
you feel me. So when we do go over there
and we hear something in this and it's fresh to us,
it's like, yo, it's fresh to y'all. But we're doing
this for y'all. We're doing this because of y'all.

Speaker 2 (02:25:29):
You feel me.

Speaker 3 (02:25:30):
We're making this new ship because of y'all.

Speaker 2 (02:25:32):
Look at r I P. Pops move.

Speaker 3 (02:25:34):
Yes, you feel me.

Speaker 1 (02:25:36):
He went to Europe and got that drill sound, you
feel me.

Speaker 3 (02:25:40):
He got he got it. He got a German engineer
like his sound.

Speaker 1 (02:25:43):
That those those drill beats that you're hearing, that that
you was hearing him on, and that you hear these
New York drill rappers on. They was coming from across
seas that they was finding on YouTube, you feel me.

Speaker 3 (02:25:55):
They finding these YouTube producers.

Speaker 1 (02:25:56):
And ship like that and bring and they getting lit
these songs. Is generating the sound, you feel me. That's
why New York drill and Chicago drill do not sound
the same, you feel me.

Speaker 2 (02:26:07):
But that's neither hell.

Speaker 3 (02:26:07):
All day, you feel me to bring it back here.

Speaker 1 (02:26:09):
I say it's oh, it comes from a seed that
was playing from a culture that not only us as
the Lost Boy.

Speaker 3 (02:26:17):
Family that y'all.

Speaker 2 (02:26:18):
You feel me.

Speaker 1 (02:26:19):
Let me give y'all, y'all flowers from you know, I
always do it, but this.

Speaker 3 (02:26:23):
Is you feel me.

Speaker 1 (02:26:24):
But even you know, like nigga, like niggas like us,
y'all plant a certain energy and hip hop that can
never go away. Because even the sound of music that
y'all was making, y'all was taking the old samples from
what y'all was listening to, y'all mama's living room. You
feel me what they was playing on Sunday morning they
was cleaning up to in the crib they was.

Speaker 2 (02:26:40):
Driving to the car.

Speaker 3 (02:26:41):
I was taking those signs.

Speaker 2 (02:26:43):
So what you think what you think we was out?

Speaker 3 (02:26:46):
Yeah, we're doing.

Speaker 2 (02:26:49):
I do the purple.

Speaker 16 (02:26:53):
Enjoy.

Speaker 3 (02:26:57):
Let me.

Speaker 5 (02:26:59):
Let me say, let me want to say.

Speaker 3 (02:27:01):
I want to say.

Speaker 4 (02:27:02):
I want you to tell me the first thing that
comes to your mind, legal drug money, pretty low, pretty loot.

Speaker 3 (02:27:10):
I'm going to say that.

Speaker 2 (02:27:15):
Pretty low.

Speaker 5 (02:27:17):
Why both of that?

Speaker 3 (02:27:19):
Tell me? Why pretty low is the mind behind that?

Speaker 2 (02:27:23):
Yeah?

Speaker 3 (02:27:24):
Pretty little? Y'all see pretty low on stage or something
like that. If y'all seen him stage, he don't be
doing much. He might get a mic and you sit
on their speaker. Pretty was like the smartest of us. Yeah,
this is the break. He is the smartest of.

Speaker 16 (02:27:41):
All that.

Speaker 3 (02:27:41):
He got a shoulder night. But listen, pretty Low comes
up with the mindset of albums and ship like that.
He might hear all the stuff and we don't know
what the hell like, we don't know what the hell
we're taking the album, Nigga said.

Speaker 6 (02:27:57):
We're sitting around Bailey Pond tell him smoking weed and
ship talking about like yo yo, I want to be
a drug dealer, but I don't really want to sell
a little drugs.

Speaker 3 (02:28:07):
I want to call and all that ship.

Speaker 6 (02:28:09):
We gotta do it the way we do it right.
Let's make some legal drug money. Music is drugs, you
know what I mean. You can make some money from
that ship and then you know what I mean, That's
what it was. So that's how Little came came through
with that worried my mother. We was over there smoking
weed on that you know what.

Speaker 3 (02:28:27):
I'm saying, come through.

Speaker 6 (02:28:32):
In the studio, big yeah, but came over with that name, Druy.

Speaker 3 (02:28:39):
That name came from him, and it was just fruition
because this is what he's seen as we seen. This
is our life, this is what we're seeing. We're giving
y'all a picture of what we said. We giveing y'all
al movie. You know what, money making some music and ship.

(02:29:00):
Sick of doing what was doing. Yeah, we to get
out of that, get it out of that lifestyle, the hood,
even though we still hoard niggas. We get out of
the hood. But we're showing y'all the hood. So the
people that don't know about the hood. You know how
you do it?

Speaker 6 (02:29:13):
Show people that queens ain't the only place you could
get money at. You go out of town to get money.

Speaker 3 (02:29:19):
You can go.

Speaker 2 (02:29:21):
As a group though, going into the system, getting a
late you know, deal, record deal. How did you guys
divide everything because that's what usually breaks up groups.

Speaker 6 (02:29:32):
Yeah, well divide them was well I could I could
say what it was right our label.

Speaker 3 (02:29:38):
We signed the contract. It was just me and Freaky
try to sign the contract. You know what I'm saying,
Because that's what they wanted. They didn't even want the
whole group, you know what I'm saying him and only.

Speaker 6 (02:29:51):
No, they ain't really want they listen the nineties, and
they was like, Nigga, what is these niggas doing that?

Speaker 3 (02:29:58):
Y'all? Like Nigga's you see the vision. Yeah, so that's
how they they they put I mean, we were young, so.

Speaker 2 (02:30:08):
That was officially on contract, y'all.

Speaker 3 (02:30:11):
Cheeks and me and Lou didn't get decided. They're just
the niggas didn't know the d J is a part
of this whole, right, you know what I'm saying, because
they already I ain't. No, they didn't. They didn't get it.

Speaker 2 (02:30:26):
Man, Like he said, are trying to divide and conquer anyway.

Speaker 3 (02:30:30):
That's what they've been doing. Like I said, you know man, right,
it was we came from uptown. They did they then
because from from uptown, whole bunch of wow. No, but bang,
they wasn't like your kid. The way the game was

(02:30:53):
was like, right, it's like your kid. You want to
be mister Cheeks. We want to be the little boys
and ship like that. That's how they approached me with
came here. I was au out there running around doing
all that. And this is before this was before uptown,

(02:31:14):
way before the town. This is like this is I
don't even understand. This is Yeah, We was here a
real long time. Like I said, it took ten years
for the song to come on that we were here.
It took four, four or five extra years, and we
actually came out with the ship bad Boy. Yeah, we

(02:31:38):
would have been the first artist a bad Boy. I'm
in the living room, were in the living room like
this Jersey Galaxy town. We got the I mean George
shot George front door Galaxy, Jersey. I've seen George era.

Speaker 5 (02:32:09):
The building going to the Germans. See the movie there
as sooner.

Speaker 3 (02:32:18):
Your you're wilding out. That's what George was with me.
George was with me, George with George with me, even
though that was a lawyer in doctors building. George was
with me and remembered us being Galaxy. Like I said,

(02:32:40):
bad Boy would have started basically in the Galaxy Tower. Wow,
Cheeks had her motherfucking Jooryte. They wanted Cheeks to be
mister Cheeks. They wanted Cheeks to be the Lost Boys
by itself, not but it would have been. It would
have been me and Cheese without the cheeks. Said no,

(02:33:00):
it would have been mister Cheeks. They had shirts and
everything got about. The Lost Boys got a book of rhymes.
That tickets and the buck. We've been going through so
much all our lives.

Speaker 6 (02:33:11):
We've been going through the ship or what we all
nigga don't gonna be missus and the lost Nigga l
O S c B.

Speaker 3 (02:33:20):
He refused that, yeah, all been that situation roughly one person.
He couldn't do a group. But it turned out she said, nah,
I got a crew. That's a fact.

Speaker 5 (02:33:42):
So you're saying that.

Speaker 4 (02:33:44):
Because before when this is when bad Boys started, he
was saying there was a possibility that Cheeks could have
been the.

Speaker 5 (02:33:51):
First, not Craig mac not.

Speaker 2 (02:33:53):
Yeah, it would have been. It might have been boy
he would have been was the first bad boys.

Speaker 3 (02:34:00):
Me and Cheks would have been bad boys without lowing tie,
no disrespect. But Cheeks was like, nah, I got a crew.
I remember the conversations vividly. I remember a bunch of
conversations vividly. That's why I say we were here for
a while. It was just that he said, nah, and

(02:34:22):
I just to clear up some of the stuff that
he said before when it was with Russell and them,
Depth Jam Depth Jam had a roster, Foxy d m X,
all these other cats. My man, we ready, we got
we ready to go. We ain't no waight nikold be
the hottest singing queens regardless of record deal.

Speaker 1 (02:34:49):
Just one second ahead before they got signed, they mixtaped
the Red Tables.

Speaker 3 (02:34:55):
I'm a lost boy.

Speaker 1 (02:34:56):
His story in Now I Got Straight Fast story, that's
a seed you feel Me long story showed they had
the red tape, the red tape.

Speaker 3 (02:35:07):
I want to say, correct me if I'm wrong.

Speaker 1 (02:35:09):
About eighty eighty five percent of the red tape was
legal drug money. And the other cuts that didn't make
the legal drug money, they either showed up on TV shows,
different movies, or other ship. Correct me if I'm if
I'm if I'm wrong, You're on the right path.

Speaker 9 (02:35:28):
Yard.

Speaker 3 (02:35:28):
That's so.

Speaker 1 (02:35:28):
That's all I wanted to say. You can get back
to this story. But it was the mixtape, the red
tape full with legal drug money, like like the B
side cuts like keep it Real. It's like Renee, the
the original Renee, like all that ship was on the
red tape party party Joint and you feel you see
the party in bullsh I could see the correlation the

(02:35:49):
party joint the party in bullshit like they that was
the era of the anthems.

Speaker 2 (02:35:53):
You feel Me.

Speaker 3 (02:35:54):
So I was so I'm injection we always had when
we were your going to Sunrise, y'all don't understand what
y'all understand. When we started off going from the block parties,
from the from the basement parties, the block parties and

(02:36:15):
all that moving up here, when we started going to
different backyard parties, when people thought, oh, lost boys here,
is it gonna be a fight and we don't have
a good time. When the young guns came, oh it's
going to be a shootout, it's gonna be something. It's
gonna be a fight, it's gonna be somebody ain't going

(02:36:35):
home type ship. We bring the parties and make the
motherfuckers go. Yeah, wherever they go, we're going. I don't
give it's the movie theaters, did ja make aba? Whatever?
The more we brought, the more happiness we brought the people.
Even though, yeah, beat the dirt. We're young. We did dirt.

(02:36:56):
But when we came to a party, when we had
the battle motherfuckers, we true elements of the hip hop.
Are you talking about dancing? We get on the mic
rock the party we had Onyx, we had fred Ro
Fred was that's our little brother was in the place
you had Kwame Fammi and Kwame had a dancing crew.

(02:37:19):
He had always go to the studio fifty four to
go to the Studio fifty four dance and the whole
ship come back to the hood party rock the mic
dance battle Niggas Karami had. Like I said, Kwame had

(02:37:40):
a ship. He had a gay dude. Nigga was like that,
and we had the battle girls and a guy and
everybody doing the ship. We getting our little dances from
the Puerto Ricans were getting out with ship, getting together,
and we started doing our own. When the bus stop

(02:38:01):
started coming out, we started doing our own little bus stop.
We had clubs doing the lost boy bust stop, Wendy
Williams the Lost But when he brought her to her
his wedding, the bus stop in the fucking world. Hamilton
sung at my wedding. That was crazy. When we came

(02:38:25):
with him, came the movement came with it when we came,
and it came with us. Any aspects, I don't care.
Like I said, we went to Japan, it was love.

(02:38:46):
It was a million monthfucking lost boys. Any state, any
country we went to, it was a million lost boys.
That's what confuses me. Like I said, I don't want
to go back.

Speaker 16 (02:38:58):
But.

Speaker 3 (02:39:01):
Soul trained what's his name, Donne don soul trained Chinese
dude to the black du on God. He wrote that
that that that bullet to the motherfucking soul train joint.
He got a soul trained radio station. Niggas was getting

(02:39:23):
it in. They was getting it in. Man. I'm telling
you when I say Green came and the motherfuckers was following.
Niggas was everywhere we went. We wouldn't believe that we
had that many followers was followers, but we had that
many lbs around the guy. I still got the LB.

Speaker 4 (02:39:43):
So I'm gonna ask on another because that was one question.
Last question was legal drug money, So that my next
question is love, peace and nappiness.

Speaker 2 (02:39:53):
That's my favorite video.

Speaker 3 (02:39:56):
Great record appreciated CLASSI, dope record, dope record. Damn what
is that? Just growing out hands? I remember when you
were talking about Yo, man, I like that slick Rick joint.
Fact he was in the studio.

Speaker 6 (02:40:11):
Hell yeah, I was trying to tell one of the
greatest storiesteller slick together.

Speaker 3 (02:40:19):
I was trying to tell my cousin rest in peace.
Whatever one three one production, Let's do this. This just
joy shout out because Cheeks like that song that because
he heard it sex Rest peace, miss Sex jumping on
it before I got a chance to. And we did

(02:40:40):
the video in Altra Rios, and I'm talking about when
when I got off the plane, these niggas left me.
They went to the bus and ship.

Speaker 2 (02:40:49):
That's my favorite.

Speaker 1 (02:40:51):
Yeah, but the video he was having the time of
his life making joints was on him like hell.

Speaker 3 (02:40:56):
Yah, he mean listen, jellow like we were roommates. So
what he singing, We was like this, Cheeks and Lewis together,
me and Towers together. That's like we bonded more. They
bonded more, you know what I'm saying. That's our my roommate.
Queen's niggas is in the Man the beautiful.

Speaker 6 (02:41:20):
You look at the look already anyway you live out here,
but you can look through the water nigga and look
at fish nigga floating.

Speaker 3 (02:41:30):
What the fuck? Queens? Then what looks crazy? You know
what I mean? They got on the plane and went
to the bush. I'm flagging. I'm trying to see what's
going on. Almost got getting off the motherfucker bus. Dude

(02:41:55):
came to me and said, you want about this lone.
I'm like, he talking shame where you're looking right now.
I was looking at him like like, what the fuck
is what the what the fuck you want about this long?
I'm like, I don't know what the fuck he talking about?
Talking about this slung so he said, you smoke weed?

(02:42:17):
I said yeah. He said, you want to bud this long?
I said, oh Ship, weird hearing him and boys in
the vands, like the Jamaicans have that little small minivand
the door slide open and ship like that. His guys

(02:42:38):
is like this. I said, oh Ship, yeah, one of
the schoo do bands.

Speaker 2 (02:42:43):
So I was like, oh Ship.

Speaker 3 (02:42:45):
I said how much? He said twenty dollars. I said,
hold on, get it to these niggas. Yoe, this nigga's
talking about a but a but song. He was like,
what the fuck are talking about it? I said, making dude,
just not ask me. Niggas like, man, we got weed.

(02:43:07):
They got a box Dutch.

Speaker 5 (02:43:10):
Master you know, tell me it's from Princess Black.

Speaker 3 (02:43:12):
I don't know. We could have been remember you don't turn.
I went. Niggas had a Dutch Master box. They said
we got enough. We to get us and this and
that and third man. I went back to the dude said, nah,

(02:43:35):
they don't want I should have got it.

Speaker 5 (02:43:37):
I don't know what the fuck of blood for twenty dollars, we.

Speaker 3 (02:43:49):
Was getting you hot. So I was like, no, they
want to do it, man, I should have just got it.
Got it halfway through the trip and smoked about half
the you know the blunts come in the box. Were
just smoked half the blunts. It was like, damn, we
need some more. We were done there, just.

Speaker 5 (02:44:08):
Okay okay, asked she was crazy.

Speaker 4 (02:44:11):
Now that I'm saying, listen, man, the question was love
piece and happiness. You have the flag on that I
can't write. But the Snoop made the album like that
years later? Are you saying that he's madlying?

Speaker 3 (02:44:27):
Man? No, that man Snoop?

Speaker 1 (02:44:31):
Like, are y'all saying that did we say anything? We
ain't say nothing. That's the first time I heard you talk.

Speaker 3 (02:44:40):
We didn't say hell you say, y'all say, I didn't say,
y'all say. He's saying.

Speaker 4 (02:44:51):
We broke What y'all saying it is like, did y'all
make that whole album? Because my question was love piece
and happiness, happy Lappiness?

Speaker 3 (02:44:59):
You not your head? Are you saying made that whole
album in Jamaica.

Speaker 5 (02:45:05):
You made a couple of.

Speaker 3 (02:45:07):
To do that song? Like that song? He like that?
That that that music. I like the track. Hey young.

Speaker 2 (02:45:17):
Who suggested that you go to Jamaica? And I got
that in my notes?

Speaker 3 (02:45:21):
Hold on this year queens hold real drinkers quick right,
hold on, hold on.

Speaker 4 (02:45:38):
I got this in my notes in a minute battle
of plastic bad symbol, Hey young.

Speaker 3 (02:45:44):
World, Yes, diego, diego reculars it is. That's hey, young World,
I mean, what working is it?

Speaker 4 (02:45:58):
Your world?

Speaker 3 (02:45:58):
The slicker that's that's that's love.

Speaker 2 (02:46:01):
That's that's the title.

Speaker 3 (02:46:02):
That's love pieces.

Speaker 4 (02:46:03):
That's the IM sitting there asking you about a question
that I already asked.

Speaker 3 (02:46:08):
Yeah, we did that, and we did that, the falls
and all that stuff. We learned how to smoke weed
through an apple, fucking carrot carrot. Dann Flossy rest in
Peace said that right. Yeah, it was our homeboy. It

(02:46:29):
was homie not.

Speaker 18 (02:46:33):
You went to bar Yeah, yeah, because they got the mall.
There's the losties to.

Speaker 3 (02:46:47):
A went too.

Speaker 6 (02:46:48):
Barre, were living, I don't Avenue and one thirteenth Street.
You go there, ordered that ship, Celastia, open the door,
give you a week you've never been in dark and the.

Speaker 3 (02:47:00):
Doll in the clavering called themself times get out that
by yes, last, I worried, let's be clear last. Yeah, No,
one can't funk with mister jeekes sound effects.

Speaker 19 (02:47:32):
You know, lord, do you understand anything I said? Thought?
Left right there and go over there to.

Speaker 3 (02:47:44):
The yeah clastie. I worried, that's our brother. Yes, sure,
and Mojo and Mojo Ojo locked up with me. Oh yo,
you know what? Locked up with this nigga? Everybody, what's
his name? Jason or you saying rule John? That's my man.
John came to the town. To the town. John came

(02:48:11):
to the joint, you know for Queens.

Speaker 4 (02:48:14):
We know, see the thing about the joint because he
made that's.

Speaker 3 (02:48:20):
All federal gut. We like two hours away from Canada.
But John came through. He came from the state. He
came up there. I hit him with the kitty. You
know what I'm saying. No bag, that's like you get
some food, beakers, sweats and stuff like that to face,

(02:48:41):
you know, your daily things and bag of wet. Understand,
it's like a bag you give me exactly exactly right.
So I hit him with the joint because you know,
I was like, you know, I'm me on joint. I

(02:49:01):
ain't gonna front. I was a plumber. I get around
that job right there. Got me around around. That's it.
Got me everything now. But yeah, John came through hit
him with the kiddy ship like that, walked track a
couple of times. You know picture. We did a lot
of ship. You know what I'm saying. We did a

(02:49:23):
couple of things about it. Due to the time that
he was there, you know what I'm saying. You know,
Niggas was bout that's my man. But Niggas about to
get him because he was actually staying at He was
supposed to have been next to us, like we're mohawks. A,
he's mohawk b. But they had him in the wardens off.
They had him in the camp and they was at uh.

(02:49:46):
He was working for the warden watering flowers and ship
like that. I was telling him, I said this, you said,
I got you. But he was there. He did his
little one too. The ship even though the homies Upstate
and s Rochester and ship got Niggas is funny, man.
I don't know so much man, but the man they

(02:50:09):
had them on some funny ass missions, and I ain't
like that ship. I had to. I pulled them up
and ship one time I caught his asked like, yo,
you can't have tomatoes and the next question. You know
what I'm saying. I feel like it's a thing in
jail that you can get locked up. Even though you

(02:50:30):
locked up, you can get locked up, saying to show
and ship like that. Don't have a nigga and the
dummy miss.

Speaker 2 (02:50:37):
Some what y'alla spaghetti?

Speaker 3 (02:50:40):
The fuck y'all doing? You can't have the homie, my homie,
y'all can't have me bringing a legal ship across the compound.
Come one, locked up, Let's go to the next question. Kid.
But that's why I was. I be telling I love
niggas a real ship, you know, for real what I live.

(02:51:16):
He will talk you under the table, but he was not.
I didn't. I mean, I'm gonna tell you, you know
what I'm saying. I'm gonna tell you the real ship
that niggas that being locked up going through And I'm

(02:51:37):
me I was never geographical, meaning I wasn't saying I'm
just strictly New York. I traveled the world, so I've
been in Boston, I've been in North Carolina, North Carolina,
down South, Midwest, such and such.

Speaker 4 (02:51:54):
Good.

Speaker 3 (02:51:54):
So cats couldn't put me in a particular bowl. You
know what I'm saying, because I ain't gonna say a
cup or something smaller. Because the federal system is huge.
You're talking about the world. You're talking about not the world,
but you're talking about Ukraine, right, Yeah, And we actually

(02:52:16):
get along with any and everybody. I became the last
part of my bed in ray Brook the number one
guy due to the fact that I was a plumber.
I can move around, I can talk to people. When
rest in peace team passing he left to jail. I

(02:52:36):
became the number one guy, and not just the number
one guy for New York the Pound. Now you trying
to control thirteen fourteen hundred people. You got the responsibility
the Mexicans and the Blacks is fighting and stuff like that.
Different people DC, Philly, you got different states and like

(02:53:02):
that that don't get along and when they fight, locks
down the whole compound. Now niggas is misery for extra
thirteen fourteen, fifteen, sixty two weeks or whatever such and such. Wow,
Now you gotta be the man that controls all that.
Some people that ain't out in encircle in that cipher.

(02:53:24):
Don't know that well. So when dudes bring problems to you,
you gotta go fix him. That's the number one. In fact,
I became the number one after my man came not
just because he left New York open, it wasn't open.
I was next in charge because I was there for

(02:53:44):
eleven years. In ray book, at that time, I was
a person that deal with the Mexicans because my tattooist
was a Mexican. He was leaving to yes, most of
my shits he was. He was a let ahead Mexican,
and he was telling the next Mexican that came in charge,

(02:54:07):
what you're gonna uh uh, this is who it is.
He's introducing me. So now it's like you're telling him
that that he's asking me who you who you representing
New York or New York, I mean New York or
or the Blacks. I had to had the choice. I
was like, Philly be wilder. They be chilling by be

(02:54:31):
telling if everybody knew Philadelphia is Telladelpha. But I got
homeies ship all over the place, and everybody ain't ain't
that type of time. Everybody ain't telling in Philly and
it's that the third. But then the d C d
C be you got funny ways and stuff like that.
But I got homies in DC's I got good Moores.

(02:54:52):
That's in DC's good homies, youngins. So when it comes
down to that, you gotta make the decision. I just said, man,
I'm New York. Yeah, fucked that. But it came down
to the fact that now I'm a plumber, the head plumber.
I'm the commission of the football, the baseball. I had, uh,

(02:55:12):
the grand cheek of the moors. I had a bunch
of hats. So now due to the fact that my
awareness of who I am and how I want to
perceive life changes, the fact of what I was when
I came in. Yeah, I was in the streets. I
did this, that, and the third Boom, I'm here. So

(02:55:36):
now I changed up all my ways. Now when there's
facts and all this shit comes to me, Now I
gotta do that for New York. Now I got New York,
not not New York, but just black folks different states clashing.
I gotta break these things up. Not just these guys.

(02:55:58):
Is telling me, I got CEOs. Tell me yo, something
going on in Niagara b something going on in genesee A.
You better go see what's up. I got designated to
be the dude that's in charge of the Blacks. Then
it came to a charge of the Mexicans saying, Yo,
the Blacks stole my my fiend book theme books is

(02:56:22):
porn books and ship like that. Oh shit important and
life threatening. They caught me one time at the show.
They caught me the black heap Hu you have not
sh I got locked up for the ship, even though
it was a war going on without me. I said
I could have give you enoughing motherfuckers and books and
s all the books and that it was you make money,

(02:56:45):
I could rent them. So basically one thing led to another,
not just the Blacks. I became the head of the pound.
Now if the CEO's had beef or they had some ship,
now they came to me. It was just given to me,

(02:57:05):
not that I asked for the ship like that. It
was like, you know, you've been here so long. You
know the youngins, you know the oldest, you know the
white dudes, the head of those the Ariyans. You knew
the nigga got mafia brothers. I knew, I knew I knew.
I knew arians heads even though they couldn't get along.

(02:57:27):
But you have to. Ray Brook is a high security
joint maximum. That's like number one of in high security.
So I'm not just saying from the little man to
the big man. They come to me because I'm a
problem solver. And Niggas was like, Yo, do this? Can

(02:57:49):
you can you? Can you do this? Can you talk
to them? Can you talk to them? I squashed so
many situations that when Niggas used to come out with
knives and ship like that to the past. I'm talking
about knives from the kitchen. Yeah, two cats could come
outside and you have a party at this table, that

(02:58:10):
that table with that table that now everybody could come
outside without no problems. You know what I'm saying. From
a wild situation too. Man were chilling, were chilling. The
CEOs didn't really like that, I know them. Head CEO
was like, I see what you're doing. I was like,
I don't know what you're talking about. I don't know

(02:58:31):
what you do. They called my name, they used to
call me mister Blackwell. I know that now they listen.
When the staff, the head staff left, they was calling
me speak nice over the loud speaker to come to
the booth. Then when they come to the booth or
something like that, they tell me, Yo, such and such

(02:58:52):
as having a problem over here and there, Joe, such
and such as this that, or homie, a little homie
comes with her he got in there. I don't know
how to get rid of it. Niggas be scared. How
to I get rid of this this and that? And third,
I take it and give it away by you know
what I'm saying, Not give it away, but disposed of
the ship because you don't want you the lesser nois

(02:59:13):
the less vialance. Not all the time, but a lot
of times. So I diffuse a lot of situations and
stuff like that until I got my ankle broken. The
motherfucker said, we don't need you no more and kick
me off the compound because you got your broken. The administration,

(02:59:34):
I've slipped on some slipped on some black ices and
the more the world to kd But things happen, no doubt,
and they didn't want You can see the system launts.
Yeah they weren't that ship.

Speaker 1 (02:59:50):
But that's the same thing with the with like the
music industry now, like she said earlier, like it's so
much ill ship and so much dope talent that's around us.
You feel me, but we get it gets overshadowed by
the negative ship. Who got ops? Who got beef? Who
getting killed?

Speaker 2 (03:00:08):
And you feel me?

Speaker 1 (03:00:08):
That's all we see when we when we turn on
to you feel me. Our media systems, you feel me,
whether it's social media news, it's so.

Speaker 2 (03:00:15):
Much negative ship.

Speaker 12 (03:00:16):
You feel me.

Speaker 1 (03:00:17):
And the ship about the lost boys like and and
in South Jamaica queens, they so embedded, like they so
embedded because of the way we operate as a as
a as a family, as a unit.

Speaker 3 (03:00:32):
You feel me.

Speaker 1 (03:00:33):
So for him to go through what he going what
he went through, you feel me, and the overcoming and
be able to control situations and be able to mentally
be through that ship. You feel me not only as
a blessing. You feel me as a testimony that if
we organize, you feel me, and that's the lost that's
one ship that lost boys like you feel me?

Speaker 3 (03:00:50):
That was that was our word.

Speaker 1 (03:00:52):
Florize that not doing what you're doing and find the
nearest lost boy and Tally, I feel me.

Speaker 3 (03:01:00):
So what's your teaching that he knew?

Speaker 1 (03:01:02):
But like I said, I'm a historian. Bro, this ship
is not it is not all mean.

Speaker 3 (03:01:06):
That was our war and everything that was our war call,
and that was our motherfucking chill a funk out since
the eighties. You feel me.

Speaker 1 (03:01:14):
So when you when you waszed, especially us as blacks,
as us as Latinos, when we organized and we come
together and we build structure amongst us was going to
the world already built against us.

Speaker 2 (03:01:26):
You feel me.

Speaker 3 (03:01:27):
The odds is already called though.

Speaker 2 (03:01:29):
You feel me.

Speaker 1 (03:01:30):
So when we organized and we come together, we can
build structure and they feel like they got to come
to us because they already know the power that we
got when we all when we organized, when and if
we organized.

Speaker 3 (03:01:42):
And anything about that. The funny thing that not to
cut you, but to add on to what you're saying.
When we was doing what we was doing and organized
came to a factless and I had a wow, Apple
computer like in my mom's and them not me, but

(03:02:04):
mom my parents had an Apple computer. Remember that. When
we had that chat. If you ain't a lost boy,
you better go home. We had that ship and this
is like when Apple really first came out. The ship
was that shit took my like four or five hours
for that banner for a banner. If you ain't a

(03:02:28):
lost boy, you gotta go home to cross Bowl, Cross
Cross Cup whatever that ship skulls and ship like that.
We've been saying ship to organize people. You know what
I'm saying, because like we was doing it, when we
was doing it, when me and Cheeks was doing with

(03:02:49):
the Black Man. If you heard them songs, man, you'd
be like, yo, then niggas got something. This is since
the eighties, I mean John Adams taught us a life
of really sticking together. We went through Howard Beach, beefs
and all that ship. I don't know if the world

(03:03:10):
knew about that, shif you check on the instant Howard Beach.
We was in the mix of that because that was
our school that these people came from. And we was
always on some putting people together, even though it was
a black and a black or a black thing and
a white thing, and our school was in the middle
of the black and the white section. John Adams is

(03:03:32):
a historical school basically, but everything that came out of
here was rapper. You got horse, a horse horse. While
when he started working with Heather b and ship like that,
showing all that ship listen, Onyx, listen. I remember Dyes,

(03:04:01):
I remember dsk to this to the boulevard and came
up with Onyx. They we were calling niggas the country boys.
They don't understand who they were before. If they be
ballhead there them niggas had carpet in the hair. Those

(03:04:23):
our brothers, brothers. When I say my basement was someplace
that everybody knew where it was, you started in my basement,
we practicing dancing as I'm playing music, We practicing dance
moves so we could go to the studios fifty four,
or go to the motherfucking the next club by ways,

(03:04:44):
or or what's the ship on across the library, mister
Rees and all that ship, niggas garage, all that ship.
When we was doing our dances, practicing, Onyx was over
here in the next corner. Over here. My basement was
kind of big, you know, but they was over here.
We was over here practicing this and that a third

(03:05:06):
but we all know we had to go against the
other crews and this, that and the third. But what
the time, like I said, qualms ship I wanted to
mess with for the Karme girls. Lake, the tall hick
from Hillcrest whole bro I made that wife. But basically,

(03:05:38):
but like I'm saying, we went through a lot. We
did a lot, We've seen a lot, and we made
a lot happen. After the fact that we watched everybody
doing what they was doing. We made it extra. It's
crazy we brought that into us, but we made that extra.
So motherfuckers is like I feel everything. Motherfuckers is saying.

(03:06:02):
You couldn't deny what we're doing. Everything you did, even
if you dance the New Dance Steps, when the volgul
and Order, the Jamaican Dances. We was in every fucking
thing big nice. We had clubs and everything anything that
could be done. We've done it since we were teenagers.
Dan since the eighties, we've done everything in rap since

(03:06:23):
it was since since Hawaiian suits. That's for reading Jones Beach. Jones.
You already know about Jones Beach because I was tagging
on the train. So it was like one aspects, one
aspect of hip hop that we didn't conquer, you know.

Speaker 1 (03:06:44):
What I'm saying, And that's why on some real like
and to pay you back off what we're saying, like
every element of even.

Speaker 2 (03:06:52):
Like the Lost Boys story, it's a reflection of.

Speaker 1 (03:06:58):
The good, the bad, and the ugly of what hip
hop everything. You feel me think about it, like even
like you got artists, like he said, it was tens
of grind before y'all even got introduced to the lost
boys that y'all fell in love with, You feel me.

(03:07:18):
So to know them is to know that there's some
real street dudes. They just as hood as anybody that
you know. They get in loved from the gangster's r P.
Black just you feel me, We got real, real, real
rights is really acknowledging them from the street aspect of
what hip hop is and what it takes to get

(03:07:39):
into the game.

Speaker 2 (03:07:40):
You feel me.

Speaker 3 (03:07:41):
They get into the game.

Speaker 1 (03:07:43):
The first album, they got about four or five singles
that slap like you said, we got videos for and
when it was a two, when it was a two
video game, you feel me. We going to the tragedy
story like even down the freak Guitar all Pops, You
feel me. This is a story for y'all era Like
you said, you felt that when Freaky Time my Pops

(03:08:04):
passed away.

Speaker 3 (03:08:05):
You feel me.

Speaker 1 (03:08:06):
Now we fast forward into we got the Nipseyes, we
got the Tagos.

Speaker 3 (03:08:10):
You feel me.

Speaker 1 (03:08:11):
So, but in y'all era, it wasn't broadcast y'all going
back to y'all like they broadcast when you go back
to your hood and something bad happened to you, feel me,
they're not broadcasting when you go back to your hood.
Is a little shorty that you that you're inspiring to
be better, that you endorsing to be better. The basketball,
the basketball nigga that you're telling, YO, go to school,

(03:08:31):
stay out the street. The next rapper that you're saying, yo,
go in the studio. Yo, here go a couple of
dollars to go get in the booth. My pops, My
pops and one three in South Jamaica queens from fall Rock.

Speaker 3 (03:08:43):
I was born in fall Rockaway. You feel me. My
mom's just from far Rock.

Speaker 1 (03:08:47):
My pops is a south side nigga.

Speaker 3 (03:08:51):
One through for God.

Speaker 1 (03:08:53):
They effect from in South Jamaica, Queens. It wasn't just yo,
they stars. The people was able to touch. You know
how many people? You know, I can't get my bills
paid today, and it's like, fuck.

Speaker 3 (03:09:03):
It, your bills is.

Speaker 1 (03:09:06):
It's five hundred dollars. You need five hundred dollars to
get this taken care of? All right, take that and
I'm gonna go do what the fuck I'm doing. Show
showt you need some school, you need some ship, some
supplies for school. You show they need some your racing.
They had the vision for the for the Lost Boy Attired.
The brand was already there.

Speaker 3 (03:09:22):
You feel me.

Speaker 1 (03:09:24):
But when the tragedy strike, you affect more than just.

Speaker 2 (03:09:28):
The person that you took away. You feel me.

Speaker 1 (03:09:30):
You take away from their family, you take away from
their kids, You take away from the.

Speaker 2 (03:09:33):
Impact that they really have in the environment.

Speaker 1 (03:09:36):
Shout out to the inspiration because a lot of the
like cats from my era, the seeds that came up
from under.

Speaker 3 (03:09:44):
Them three four year olds, you feel.

Speaker 1 (03:09:47):
Me, the one three fours, the Rockaway and fucking Linden,
the the Van Wick, you feel me, the the Fall Rocks,
the Jamaica ass the kids that came up in that era,
the holliest, the queens, and even across the world. You
feel me because queens took it across the world. But
those those seeds that they planted, remember, didn't put queens

(03:10:07):
on the mad.

Speaker 3 (03:10:08):
You feel me.

Speaker 1 (03:10:09):
But I just want to say this though, say this,
though those seeds, the next generation that they put back in,
they put in they put in, they actually put in
you feel me. A lot of niggas get lit and
don't put in you feel me. They put in before
they got lit. And that's what the lost boy, that's

(03:10:30):
why it's lb finn. If you fail just once you
once you see us do this, once you see us
do this, and you locked in, you finl.

Speaker 3 (03:10:38):
I could go here, I could go there.

Speaker 1 (03:10:39):
I got somebody that's gonna be like, I need to
I need a flight from there.

Speaker 2 (03:10:44):
I'm at the airport.

Speaker 1 (03:10:45):
I'm at the airport over here in Texas. Somebody coming
to pick me up. They're gonna take me to get
some food. We're gonna check me in the right. So
once it's l But they planted that seed.

Speaker 5 (03:10:54):
They got one of the flyers handshakes.

Speaker 3 (03:10:56):
I mean, I see it. I see I see it around.
I see it around the world. I see it.

Speaker 2 (03:11:04):
That's the game now, I see it.

Speaker 3 (03:11:06):
Let me those games, I see it everywhere.

Speaker 2 (03:11:08):
Let me get to my.

Speaker 1 (03:11:10):
My major point is because Yo, when now you got
I got I got through that.

Speaker 3 (03:11:20):
That's just that's it lost life. That is when when
Nipsey died. You feel me?

Speaker 2 (03:11:32):
When when we lost Nipsey, Like I literally like that
shit hurt me. You feel me.

Speaker 1 (03:11:38):
Because those type of situations always bring me back to
this situation. You feel me because my pops was a
nigga that was endorsed niggas. You go to school right,
Oh yeah, you're a young hust y'all. Niggas is from
an era where niggas was outside at ten eleven years
old with packs and they.

Speaker 3 (03:11:54):
Probably you feel me when I.

Speaker 1 (03:11:56):
Was outside, when niggas was outside twelve thirteen years old
with the ham on them. You feel me right now.
These niggas was catching niggas. My pops will go. My
pops live on one three four on god Bro. That's
why he big it up roll three form. God Bro
is a is a fucking elementary school and is a
fucking middle school. He catching all the niggas going to school.

(03:12:20):
Oh world, little nigga, you bout you selling drugs? Come here,
give me your package, now go to school. Now, I'm
gonna fuck with you, but I fuck with you yo.
He he go twenty forty thirty dollars. Go to school,
my nigga, because whoever gave you this ship ain't really.

Speaker 2 (03:12:33):
Looking out for you.

Speaker 3 (03:12:34):
You feel me.

Speaker 1 (03:12:35):
But if you really want a nigga to look out
for you when I see you, nigga, If this is
what you want, my nigga, he go Friday when you
come through, go nigga, you got a hundred on your test.

Speaker 3 (03:12:41):
We're gonna go to the ass.

Speaker 1 (03:12:43):
You go get you in your mans, We're gonna go
to We're gonna get whatever y'all want. Sniggas, y'all want
car hogs, y'all want to do what we're doing.

Speaker 3 (03:12:49):
Real niggas. Shot in the dollar. The dollar.

Speaker 5 (03:12:56):
To get my grandmother house to better.

Speaker 3 (03:13:00):
Hey, his all black, all white.

Speaker 2 (03:13:06):
To get into something.

Speaker 1 (03:13:08):
Basically, consciously, we always we was always up of us,
of us, my nigga.

Speaker 3 (03:13:18):
Consciously, we always uplifted us. You know what I'm saying.
But that's why is underniable.

Speaker 1 (03:13:24):
So when the music, Dude, when when the DJ played
the Ship today, it's like, Yo, the ship is refreshing
because you can connect. We ain't gotta be on that
and everybody going jack to it.

Speaker 2 (03:13:35):
You feel me. Everybody gonna gravitate to.

Speaker 1 (03:13:37):
Everybody gonna get up if they see and everybody going dance.
Your mom's gonna dance, You're gonna dance, Grandma, Grandma gonna dance.
We're gonna have a good time, you feel me. So
if you're not listening, because I don't know about you,
you're not listening to it. I know your niggas not
listening to all the lyrics that's coming out today.

Speaker 3 (03:13:52):
You're talking about the young niggas.

Speaker 2 (03:13:54):
Yeah, you feel the new music. You're probably like the beat.

Speaker 1 (03:13:57):
It's probably whatever whatever catches your attention to you feel
me talk that in the same token. Whatever it is
that that gravitates you to that, that's that. But when
it comes to our music, that error that y'all fucking
That's why I.

Speaker 3 (03:14:10):
Put it in my music. I'm not I come from
the same ship you me.

Speaker 1 (03:14:15):
You know, the same ship my video that probably a
little now go ahead on you're talking to my video?

Speaker 3 (03:14:20):
Did me and my that's that little nigga dance. In fact,
that's right there in the middle of the dancing of
us around the bottle. That's not a sample neither, right, No,
that's bing doll and that's crazy. That just to say
everyone not not saying it, but our era of growing seeds,

(03:14:41):
all our seeds is right. You don't see you might
see them here and there, you grow to see them
here and there, and this and that. But they don't
be if they get into this world, this realm, they
don't be promoting that bullshit that just going on nowadays,
because we could get into that when they're older. You're
talking about thirt yold compared to twenty years.

Speaker 2 (03:15:01):
Right.

Speaker 3 (03:15:02):
Our seeds is go to motherfucking produce better seeds. Whoever
produced them seeds is going on now? They ain't producing
no good seeds. One of those I ain't gonna be hold.

Speaker 1 (03:15:21):
Is its defference, you feel me. You gotta respect those
come before you.

Speaker 2 (03:15:24):
You feel me.

Speaker 1 (03:15:25):
If my old g's could pay homage to catch that
came before them and called little big bros. And why
can I sit back and be humble enough to take
in with the old g You feel me? Because people
get it confused with the generational guys like Yo, the
old g's got it one way, the young niggas got
it one way. But Yo, it's a respecting you feel me,

(03:15:46):
because I could learn something.

Speaker 3 (03:15:48):
He could learn some.

Speaker 2 (03:15:48):
Ship from me.

Speaker 3 (03:15:49):
He learned it from me every day, he told me.

Speaker 1 (03:15:51):
The other day I pulled up on him like, yokayo,
you know you you load y'all inspire me y'all keep
me on my toes, me and low every day like man,
like yo, I'm doing this, I'm doing that.

Speaker 2 (03:16:03):
Oh yo, how are we gonna plug in and get?

Speaker 3 (03:16:05):
You feel me?

Speaker 1 (03:16:07):
So it's like you gotta, like you said, go back
to the What do you respect it loyalty or is
it respect? I'm loyal to this man because not only
they pay the they paid the way for me.

Speaker 2 (03:16:20):
You feel me.

Speaker 1 (03:16:21):
They paid a way for me so I could get
into anything.

Speaker 3 (03:16:24):
I don't even have to rap. I could go into
A and R and I could be a manager, I
could be a producer, I could be whatever.

Speaker 1 (03:16:29):
I could do whatever I want just off the strength
of them opening up doors. You feel me, seed, But
in order for me to make shit happen, I gotta
be humble and I gotta be respectful to the fact
that they are allowing me to.

Speaker 3 (03:16:42):
Do this ship you feel me.

Speaker 1 (03:16:44):
And niggas get it confused and niggas thinking he doing it.

Speaker 3 (03:16:47):
Niggas thinks the money doing. Niggas think it's the money.
Niggas thinks.

Speaker 1 (03:16:52):
That because because look at it now, it's young boys
that's disrespecting the old heads and and THEA is being
treated like us because they looking at how the young
niggas is getting it.

Speaker 2 (03:17:03):
You feel me? Why can I learn from me?

Speaker 3 (03:17:05):
Why can I humble myself now?

Speaker 1 (03:17:07):
Because your niggas been through a lot more ship.

Speaker 2 (03:17:09):
Already, feel me.

Speaker 1 (03:17:10):
So whatever a nigga may step into, your niggas got
some ship that let me.

Speaker 2 (03:17:14):
Let me just say one thing I think is important
about you guys being here and and showcasing something that
isn't showcased enough, is this is real legacy. That's a
fact having him here and what you everything you're saying,
but who you represent him and and and not just
representing your father but being yourself at the same time. Yeah,

(03:17:34):
Lou got cash cash he doing like this is this
is real legacy. But this is something to be proud of,
regardless of if people hear about it, or if it's
played or it's not like, this is something to be
real proud of. This is real legacy. This is something
that hopefully Drink Champs could help shine more light on it.
But you don't need us because y'all should be proud

(03:17:56):
of it regardless.

Speaker 3 (03:18:04):
Appreciate that they appreciate you. You know what I'm saying
because when we did not know, because we as young,
but as we get older, we know better. And that's
what this world is kind of lacking. Some of these
young cats, they know what to do, but they like, nah,
I ain't doing it. Some cats know what to do

(03:18:26):
and they doing it. But everybody's an individual. The times
has changed, the people's changed, you know what I'm saying.
Mindset has changed. So it's like trying to get yousually
convert to this. Sometimes it takes a while, you know
what I'm saying. Not it doesn't, it doesn't take a while,

(03:18:47):
but constantly building with cats and stuffing when you get
the chance to see them and build and hug them.
Love is love. That's why we always should have loved
Love's glove. Get been home about Good year and almost
two years. Yeah, nigga building me out of jail. Yeah,

(03:19:16):
that's just funny. Ship. I don't feel him about in jail.

Speaker 2 (03:19:19):
That's crazy.

Speaker 3 (03:19:20):
I came home and down him about his jail, thought,
bull ship. He came home from nineteen bailed you out
of jail. My man.

Speaker 6 (03:19:29):
My man came home and I said, let's go my show.
I got his shouldernay, he.

Speaker 3 (03:19:34):
Following me, I'm following him. He getting pulled first I
got pulled over. He get pulled first. Then they just
followed me or just old gp bom. What you doing?
God found how they find a warrant? Nigga from two
thousand and one, like.

Speaker 2 (03:19:49):
Looking at this when he first came to my heavy,
What the.

Speaker 3 (03:19:53):
Is going on here? S jazz Joe. Oh my man,
you know already. You know. I was like, you can't go,
get me get let them go. They I mean, my
man just came home getting this. I just came home
and I'm cleaning. You be clean. You gotta clear it up. Though,
no streak nice.

Speaker 6 (03:20:12):
They say seventy that nigga think it says ninety. He's
talking about Oh they we just said that.

Speaker 3 (03:20:21):
I'm doing ninety nine. I was doing that. I want
ain't a hundred. Oh man, this thing is but nah
the best, and we we had to we wouldn't. We're
still doing We're still doing our hood ship. I ain't
gonna say in a negative way. We're still doing our
hood ship. You know what I'm saying. Shout out to
my po shot shout out. I ain't doing nothing wrong,

(03:20:47):
but I'm I'm making moves. He gives me the room
to make moves, and he understands. It's just crazy that
you can do such such amount of time, such and
such amount of time and the government still give me probation.
They got this, did this smotherfucking dead? Okay? I didn't, Okay,
but I didn't. You still want to give a nigga
three years, five years? Ye, get the fuck out of

(03:21:10):
a second. What I do to you ten years? Because
that's when it was back then.

Speaker 5 (03:21:15):
Because right now I feel.

Speaker 3 (03:21:16):
Like, see the thing is, I got sentenced to thirty
seven years, thirty seven years at home? See how they
was I had thirty seven They told me, they told
me that, man if I don't cooperate, I'm gonna do forty.
I don't cooperate, and you're pushing me. But what the

(03:21:39):
fuck is that you're pushing me to do? To cooperate?
That's the thing is crazy right now that's going on,
and ship you already know what's going on. But if
you ain't got strong will and you ain't got the heart,
you're gonna fold. I'm like, hold on, how you figuring
me to talk bad about the people that I grew

(03:22:03):
up with to you? Motherfucker? I don't even know you, motherfucker.
I supposed to lie for lying on them. For you,
I don't know your niggas, and they had a nigga
in that situation, and I was like, well, I guess
you know what to do. Get to twelve, get to

(03:22:23):
get to people and then and then let's get the
box going. I was raised like that, but due to
the fact that I was a rapper, they did my
history and everything else and they was like, listen, you're
going to give all this up, your rap career and
this sna It was a deep, deep prosecutor that was
like hip to shit, you're gonna give all this up

(03:22:46):
to go to jail to do forty years. I was like, listen,
I ain't do nothing. I don't know what you're talking about.
Y'all can't do nothing to me. Showed me to do friends.
Still lock my ass up. You're gonna get Since the
thirty they knew I didn't have ship do with shit,

(03:23:07):
but due to the fact that I wouldn't cooperate, they're
gonna drop. They're gonna drop a ham on you. And
then you went to trial with the boys. Oh you
get an extra piece for that, and they pressure cats
on doing that ship. So the ship that's going on
right now. It's not because I ain't gonna say. I'm
not gonna say niggas are soft niggas. They ain't got
the heart, but they put the pressure on you to

(03:23:29):
be on some If you don't do this, if you
don't cooperate with us, guess what stacks we stacked up.
They got enough money to fight whoever. You got to
fight double amount the government were talking about the United
States government. If you don't motherfucker cooperate with us, we're

(03:23:50):
coming down on you. There ain't nothing you can do.
The judge said, this is a movie. She told us
this in court. This is a movie to you, to me,
Me and my co defenders, me star Born and pri
y'all don't know Backstreet. But guess what thirty seven years?

(03:24:13):
She said, you're gonna do forty years? She tried to
give me thirty seven. I got the lowest. Thirty seven,
was the lowest, forty seven, forty nine and a half
fifty one. And it's crazy, nigga. The gun laws was like,
they ain't doing nothing with the gun laws. I've been

(03:24:35):
doing the Lord Library all the time. We've been fighting
a gun law for twenty years. These are the niggas
that I met, white boys and everybody. We've been fighting
a gun law for twenty years. They ain't passing no
gun laws. You can forget about it. Those are the motherfuckers.
It's like, we done gave up. We're gonna do this
bit right now. I can send in the person.

Speaker 4 (03:24:56):
Anybody who's here, born in Florida the Walmart by a gun,
said again, said anybody here, it's born in Florida to
Walmart and.

Speaker 3 (03:25:07):
By a gun, by a gun. But that's how it
was before. That was how it was before they got
I understand what you're saying. Yes, and they've been doing that.
You go, n all right, they letting. Motherfucker they fighting.
I wish Biden would say, we can't do this. They
laughing at him. We make more money than you. So

(03:25:30):
that gun lost ship is like really crazy. But do
to no disrespect, like I said, Trump Trump Obama and said,
fuck that, whatever, no disrespect, whatever the nigga ain't doing,
I'm gonna do it. I'm a trumpet him. He let
motherfuckers go. He met more motherfuckers gold than Trump, I

(03:25:52):
mean than Obama. He let a lot of ship go.
And it's a cycle. It's just like Yo, we got this,
we're gonna do this, and he was on his own
type times. I'm just I'm just we ain't claiming the
read we got that part right, black mother? How the

(03:26:15):
you can say I wish Trump was back like I wouldn't. No,
I wouldn't think. My only thing nobody was him back
because nobody wants Trump sucked up. I ain't gonna funk
in jail, in jail, he fucked up. He fucked up
a lot of ship. He battled a lot of ship.
But he was just trying to that somebody. Everybody got rich.

Speaker 4 (03:26:40):
I don't know about rich about rich, but they got
people view loans Like I said, he did ship that
a lot of people that people.

Speaker 3 (03:26:53):
Better bun the better. A bunch of niggas that have
roles that did not and shouldn't have. Like I said,
I had bunkies that was like yo, that they came
to my crib and tried to take this and take
that and take this and take that. I said, you
had all that.

Speaker 4 (03:27:12):
I'm not, but Trump had a lot of my broke
friends not broke right.

Speaker 3 (03:27:20):
That was an arrow. I'm gonna just say that was
an error, but should have broke friends, and they broke
friends during the Trump After they get that money, they're
not gonna want to work for it anymore.

Speaker 2 (03:27:28):
I'm saying that right there.

Speaker 3 (03:27:31):
Made kind of made motherfuckers right now. Two three years later,
I was supposed to get out of chair, get out
of jail. Man is lazy Corona cad niggas like, Yo,
let need that check, Yo, get down on your cheek,
young gun. Motherfucker's was like, now Trump battles niggas ain't
getting then, ohish whose bags? So I shut up? They

(03:27:55):
gotta play PlayStation two. If just a little excuse me,
PlayStation anybody wants it. You gotta fight right.

Speaker 2 (03:28:03):
I want to make sure we're not cutting into your
I know you gotta flight to catch make sure your
fellow mister chi.

Speaker 3 (03:28:09):
Yeah.

Speaker 5 (03:28:10):
They want to shout instagrams real quick.

Speaker 3 (03:28:11):
Yeah yeah, missus cheeks. Uh forget the blue check, buddy,
miss TV baby.

Speaker 2 (03:28:19):
They saturated that blue check. They're doing the blue check.

Speaker 4 (03:28:23):
They find out my friends my friend Sonny hit me,
was like, Michael Jordan's just hit me.

Speaker 2 (03:28:31):
Michael Jordan's this nigga got to follow up. Yeah, that
ship that you could buy a blue jack. I have
somebody hit me up like anybody.

Speaker 1 (03:28:40):
No nigga hit me up and said you, I submitted
my information for the blue check.

Speaker 2 (03:28:46):
I hope that they hope that they accept me. I said, bro,
this ship is fifteen dollars.

Speaker 3 (03:28:50):
For accept you. Hey, to play yourself for the bag
every time. But that's what it is. That's a society
mean were living in and real verified niggas real.

Speaker 4 (03:29:05):
Man.

Speaker 3 (03:29:08):
I ain't gonna lie.

Speaker 5 (03:29:09):
I feel like anything else you want to say before
we wrap it up.

Speaker 3 (03:29:13):
Hey, yo, man, shout outs to the world. Man, shout
outs for the world. That's the first choice.

Speaker 6 (03:29:20):
Damn.

Speaker 3 (03:29:21):
But we came a long way. Speak nice o G
speak nice ob fan. Yes, sir, I g that's my g.
I got a few things that's going on. Hold on,
let me get she's got some ship going on.

Speaker 6 (03:29:33):
Hey man, we got some ship going Hello. I want
to give I gotta do this right now, the ring show,
the ring else for like, oh June seven, I shall
see you there, buddy. Shout out to Charlie Mac, shout
out to Philly, shout out to DJ Jeff, and shout
out to Dougie.

Speaker 3 (03:29:53):
Fresh from putting on that fifty Yeah Anniversaron Philly, Lantic
City last night you did that mag showing back. This
is my big brother.

Speaker 6 (03:30:10):
Tuggie fresh Yo, d J J Jeff. Let me let
me raise it hello, flat, Let me raise a flat
right there.

Speaker 3 (03:30:24):
I mean, we got a lot of we we gotta
we got a lot of ship that we want to do.

Speaker 2 (03:30:31):
We not that we want to do that.

Speaker 3 (03:30:32):
We're going to do everything that we want to do.
We've been prolonging and now it's time. Basically, yes, hopefully
your platform give us all the hope. Just raising on
the drink. Okay o school, listen continues man school, I'm here. Nice,

(03:31:03):
we get that together. You know what I'm saying. We
got a lot of ship that we're doing. We got movies,
we got podcasts, visiting yours big nice, we got we
got pizza. We got Stone the Pizza Pusher. We got
a lot of things. You know, Christopher and we were,

(03:31:23):
we were everybody that is really with lb VA Kila
gotta shout out definitely Voca. We got a lot of
people that's definitely down with us. You know what I'm saying.
We want to bring everybody together. We want to bring
everybody up. You know what I'm saying.

Speaker 2 (03:31:39):
That queen that she was talking to that Queen's to
like I said.

Speaker 3 (03:31:43):
I had, I had different boroughs.

Speaker 2 (03:31:46):
Ain't just now we're talking about.

Speaker 3 (03:31:52):
One thing about queen. Listen. When I was locked up,
niggas ship.

Speaker 4 (03:31:59):
Up.

Speaker 3 (03:31:59):
Listen, damn we used to be with person of one thing.
I always saying about drink one thing, one thing about queens.
No disrespect for anybody in every country, in any city,
state or whatever it is. We had the most ms

(03:32:22):
in every decade, in every era, every queen, and every season,
every every every every joint you have, anybody. So we
had in any emerald we had the most seas, but

(03:32:54):
we had the most seas on any plateaus in any
any But we love them, we but we love them.
But I mean you know we love them.

Speaker 2 (03:33:05):
We love we Barrols and.

Speaker 3 (03:33:07):
And listen, I had to go. I had to go
through this and jet niggas always talking about your versus.

Speaker 16 (03:33:13):
We have verses, this barrow versus, we barrow versus. What
we do with that, We put the verges of the borough.

Speaker 3 (03:33:24):
And you're not just destroy everybody's feeling.

Speaker 4 (03:33:30):
We're gonna know what, Elizabeth and Lizeny and you can
bring Brogs, you can bring Brooklear, you can bring whatever.

Speaker 2 (03:33:40):
By the way, law Law.

Speaker 3 (03:33:44):
Bring out.

Speaker 4 (03:33:46):
We can bring all our cool Jay, We bring out
Run DMC everybody.

Speaker 3 (03:33:52):
We bring out everybody from the borough. Lost boy, everybody
from the borough. Get three records.

Speaker 2 (03:33:58):
Listen, that's like you whatever, that's like four. We're gonna
give you twenty.

Speaker 3 (03:34:03):
We're gonna give you twenty. And we gotta.

Speaker 4 (03:34:08):
Question what happens Queen Queen Queens Queens Queen Queen.

Speaker 2 (03:34:13):
You know.

Speaker 3 (03:34:16):
Right, there's a borough thing, so you ain't gotta That's
the thing about that first we about competition. Rat was
about competition.

Speaker 2 (03:34:33):
All it's all love.

Speaker 3 (03:34:35):
Rap was about competition, and we kept it like that.
Let me tell you we kept it like that.

Speaker 12 (03:34:42):
M M.

Speaker 3 (03:34:43):
I want Peter Scotland Rock or anybody about.

Speaker 2 (03:34:45):
The first Absolutely absolutely.

Speaker 3 (03:34:52):
Yeah, that's my tragic and hip hop.

Speaker 11 (03:34:56):
I have a felt in that's the first tragedy bull
of bar Scott, Come.

Speaker 3 (03:35:03):
On, cousin, I'm saying that's the first, like.

Speaker 6 (03:35:07):
The first incident ever where you've seen a nigga getting
money and get killed.

Speaker 3 (03:35:13):
Since you know I mean that out there and.

Speaker 6 (03:35:17):
Want to throw a bigger as I as I slide
away repeater Lovesky miss you nigga Else you.

Speaker 4 (03:35:25):
Do, Miss loved, make some love. You're gonna wrap it
up right now. We're gonna take some pictures and then
you're gonna do some drops. But but I'll be remissed
not to say how much I wanted to do this.
I love to do this, you know, and I want

(03:35:49):
to really really like because I know I am a
queen's representative and I am a I'm a queen's in basket.

Speaker 6 (03:35:58):
But this is not me.

Speaker 4 (03:36:00):
This is me being pure love for the Lost Boys,
because the Lost Boys are the first people that to
me after Bis Marky Bis Markey was making funny wrap.
But but y'all are making y'all are partying with street music,

(03:36:21):
and that's never happened exactly. That's never been actually documented.
Y'all parties, But yall party with street music and you
still tell stories at the same time that's never been happened.
It's never been I want to actually, you know, big

(03:36:41):
y'all love for that show, y'all soul, so much love
for that to your face, face to face, and give
you all your flowers for that.

Speaker 5 (03:36:48):
Who I wrap it up ahead.

Speaker 3 (03:36:58):
More right?

Speaker 2 (03:37:02):
You see how you said what you said, it's the
two party is a question.

Speaker 1 (03:37:07):
You see how you said it's been a minute since
you had that, and.

Speaker 3 (03:37:13):
Bobby Smurder, I.

Speaker 2 (03:37:15):
Believe that you feel me.

Speaker 1 (03:37:17):
He may not even be he may not even understand it,
but it's been the he understands.

Speaker 3 (03:37:21):
Even he probably do. I'm saying, give it take. I
don't know.

Speaker 1 (03:37:25):
I'm not I don't know dancing music. What I'm saying
is what I'm saying is to Bbby's a great guy.

Speaker 3 (03:37:31):
I know he's a great guy.

Speaker 1 (03:37:32):
I can tell by his energy open, how he's enjoying
life right now. What I say is I say that
to say this the energy you feel me New York energy,
that New York energy. When Bobby came on the scene,
he made he made it good for gangster niggas that

(03:37:52):
come from the hood to have a good.

Speaker 4 (03:37:55):
And filming the videos in the in the Hood video
was filming.

Speaker 3 (03:38:01):
Hold on, I said it was a two par and
then another part you the Queen's nigga, you feel me?

Speaker 1 (03:38:09):
Do you have any lost boys freaky tis mister Cheeks
memories that you had to the just give us one.
We just need we need one form because because your queens.

Speaker 4 (03:38:19):
And mister Chiefs played basketball and he's.

Speaker 3 (03:38:31):
Gonna say that ship. He said that.

Speaker 4 (03:38:35):
He was saying basketball checks just turned up.

Speaker 3 (03:38:37):
I don't know what the fuck I was so. I
was so bad. Just like we always drinking. I was
setting them up the same way.

Speaker 4 (03:38:46):
I'm sending them today.

Speaker 3 (03:38:49):
I want.

Speaker 2 (03:38:50):
But that day, chicks, he did not let himself get drunk.

Speaker 4 (03:38:56):
If we played basketball, and this niggas was doing some
crazy like I was like, what's that?

Speaker 2 (03:39:08):
Yeah, yeah, it's definitely damn.

Speaker 5 (03:39:09):
This was the street from left right.

Speaker 4 (03:39:12):
Damn.

Speaker 3 (03:39:12):
I was so mad.

Speaker 4 (03:39:13):
I was so mad because I didn't even know, like, like,
by the way this nigga started doing ship, nobody told me.

Speaker 3 (03:39:23):
She could play back. That was a good night.

Speaker 2 (03:39:29):
Like that good night yo.

Speaker 3 (03:39:32):
When you grew up in left right, yes, did they
have tennis racking course?

Speaker 4 (03:39:39):
No, it came later.

Speaker 2 (03:39:41):
See I was there.

Speaker 3 (03:39:42):
We was about to move me and my family. He
was about to move the left rack when they had
a tennis racking court.

Speaker 4 (03:39:47):
Yes, yes, yeah, I was there, Yes, I was going.
It happened, and then the white people left exactly. You
know why they wanted to make it the Jewish community.
At one point they wanted to make it it's the

(03:40:07):
Jewish community.

Speaker 3 (03:40:08):
Now it wasn't when you moved it.

Speaker 1 (03:40:11):
It was, but you understand like I understand that now it's.

Speaker 2 (03:40:15):
Robots out there live right right, you know what I mean?

Speaker 4 (03:40:19):
And yeah, about to beat You're about to go, We're
about to get the You're about to go, Yeah, about
to beat.

Speaker 8 (03:40:25):
Yeah, that's you have to be like they want to
be mellible yet because listen, you know what I'm talking about.
People about the the fuck out of y'all. I know
down here, I'm reading.

Speaker 2 (03:40:46):
What they're gonna do with y'all.

Speaker 4 (03:40:48):
You better buy probably you better own that ship because
because that's my word. Listen to me, y'all the only
New York property before the Hampton that's.

Speaker 3 (03:41:01):
On the beach. Are you crazy? Listen to let me
just own it by the city first of the y'all
going to work first. Gentification is not not it's not

(03:41:23):
go ahead.

Speaker 2 (03:41:24):
I'm something.

Speaker 1 (03:41:24):
I'm saying nothing when Sammy, I'm not like said with Sammy.
When Sandy came, that was that was like free demolition
for for rockaway about that breezy point because it knocked
off all the beach. Now it's all free for developing.
You know how many houses was lost like that? You
know how many development people coming in Yo as black

(03:41:46):
people to go to church and listen. I'm a young nigga,
and we, like I said, we in the era where
we started we learning. We we got a lot of
access to a lot of ship, financial freedom, learning what's
going on the world, paying attention and doing the right
ship because we in situations like we grew up like
like you said, we grew up in in these environments

(03:42:08):
where it's not too much for us.

Speaker 2 (03:42:09):
You feel me, but now it's.

Speaker 1 (03:42:12):
Our Our situations is developing.

Speaker 2 (03:42:15):
You feel me.

Speaker 1 (03:42:15):
Even you feel me wherever you are. There's a lot
of new development. But we've been there forever.

Speaker 3 (03:42:21):
You feel me.

Speaker 1 (03:42:21):
We've been in there forever and we've been doing the project.

Speaker 3 (03:42:24):
Ship. They're taking over the projects too.

Speaker 1 (03:42:26):
So what we gotta do is you said, either buy
you some ship, get the fuck out, flip that ship.

Speaker 3 (03:42:35):
Yeah you understand, Yeah, you know we.

Speaker 5 (03:42:41):
Chicken wings.

Speaker 2 (03:42:44):
What you want to say?

Speaker 3 (03:42:47):
You had one last question. I forgot that you a
big span, right fixed. I just want to give the
a shower. Nice Kim in the building. Yes, shot, baby doll,

(03:43:07):
that's what.

Speaker 2 (03:43:09):
The first.

Speaker 3 (03:43:11):
You on Sunday. Yes, we got KALs in Atlanta that's
right on Sunday, brunches. I say, from twelve to four,
everyone that's listening, we're at the Man where the girls be. Man,
that's what got So what are you talking?

Speaker 2 (03:43:28):
You say you don't live in Queens. So where you
live now?

Speaker 3 (03:43:30):
Right now? I live in South Carolina, Man, in South Carolina.
Trying to move. But I'm trying to blow the South
Carolina up because I know we've been doing ship from
like I said, from the eighties, we've been moving all
the way to Florida, all the way here and we've
been playing seeds all the way now literally or literally,
not literally literally but literally sixteen kids, I don't know what,

(03:44:02):
but literally, but listen, we've been putting music dirt all
the way down ninety five since the eighties. Actually we
did good, we did bad, you know what I'm saying.
But I want to do South Carolina. I want to
help South Carolina grow because everything skipped. Everything was going

(03:44:25):
but and it skipped over South Carolina, but it went
all the way this way. We're talking about to why
are we talking about you? Why are we talking about you?

Speaker 4 (03:44:32):
Because we kept saying earlier the good and the bad,
right but and then cheeks said, you know what, at
one point they went bad?

Speaker 3 (03:44:42):
Is the bad time at the time you hit the bank?
Is dad it?

Speaker 6 (03:44:48):
Oh?

Speaker 4 (03:44:49):
Because this might be the last question, because everyone is
telling me y'all got to go.

Speaker 3 (03:44:54):
I got you. But listen, My thing is, I'm a
street nigga. I've been in the streets right, always been
in the streets right for real. Yes, when I say
for real, for real, yeah, I met niggas that's in
in jail, that saying you're a legend. I said, fool,
what what are you talking about, young niggas. I never

(03:45:18):
met a bank robber, never mind a rapper, never minded
the shit that you don't heard this that, and the
third heard me from I never met a bank robber.
M I heard about him. I seen stories, I seen
movies or shows and this that, and third, I never
heard somebody else had a bank robbery charge, like for real?
And you like that? You you cool? You ain't gonna

(03:45:39):
suck up time or bullshit time. And the center third,
so times is up and down, ups and downs. You
know what I'm saying. Sometimes you got your good times
and sometimes you go in your back time. Niggas do
what they do. I've been in the street, niggas, I've
been in the streets, So what happened happened. Not saying

(03:46:03):
that these motherfuckers know what the hell will happen, or
that what they accused me of happening, shit happens if
I ain't. If I then you would have known about it.
But you ain't hear them. Ah, So it's whatever it is.

(03:46:26):
You know what I'm saying. I ain't you know, niggas
get off the porch and run in the streets and
get hit by a car.

Speaker 2 (03:46:36):
That's a bar that is as you know.

Speaker 3 (03:46:39):
Niggas is over here talking about he did it. He
told me to go across the street. You feel me.
N I ran across the street myself. Nobody tell me
nothing if you ask me, or whatever the case may be.
So it's like I did what I do? I do?

(03:47:00):
I take my lik if I didn't, or dinner, I ain't.
I don't know nothing. Ronald Blackwell, you feel me? That's
my name? What's your name? Ronald Blackwell? Bay? Now you
feel me? Broke my fast? Look, I'm doing it for

(03:47:22):
the drink drink chat. I make that one up. I'll
make this one up.

Speaker 4 (03:47:30):
Is there anything else any one in y'all want to
say before y'all get up out.

Speaker 6 (03:47:34):
Of here, LB for life, you dig man's no man know,
we appreciate the uh you know, giving us a light
real quick, you know what I mean? Shouts contained to
bite them in them universe? Who about to do a
little twenty five year anniversary album for legal.

Speaker 3 (03:47:54):
Half the time that half the time, that half the
time that hip hop was alive, We got twenty five.
We was in there, jumped in that game. Yeah, yeah,
we had our standing. Hey, stay nappy. We're trying to
do what we do and we're trying to continue the
legacy with our kids, with our nephews, with our frands.

(03:48:16):
Everything game in the game. Everybody grandfather's now all of
us grandfathers. Lou wait wait wait, cheer dad. Lou is
the cheer dad. Yes, cheer daddy. Cheerleader. He got daughters,
that's cheerleaders, and that's more important to him than anything.

Speaker 2 (03:48:39):
It should be.

Speaker 3 (03:48:39):
You know what I'm saying. Championship tossing around them. Yeah,
you got the legacy. That's what we're trying to keep
our legacy going. And for everybody that don't know lost
boys is listen, one more thing I used to tell cats,
young cats and ship like that, thig. I'm the reason

(03:49:03):
you hear your mother met your father on our show,
and that's been real ship because you know why, because
I met a bunch of dudes that said, I heard y'all.
They don't know me, but they heard her. Something. That
means that your parents was influenced. Your mother, your father

(03:49:24):
was influenced by music. That's how y'all got together, that's
how y'all got produced. We did produce, no disrespect to R. Kelly,
but we didn't produce a motherfucker bunch of kids ourselves,
and we played it seize ourselves.

Speaker 1 (03:49:38):
How many kids from like I want to see like
two thousand, two thousand and one, how many kids got
the name Talie?

Speaker 4 (03:49:45):
How many?

Speaker 3 (03:49:45):
How many can that's a go Google Google?

Speaker 1 (03:49:49):
And in the South, so many kids name is I
got two arts that really fuck with I'm like, damn,
and both of their name is Tale, and then I
I meet their feeling. I'm like, they're like, hey, you know,
I name them after your pops. It's so many boys,
and I like, because it's not even just you feel me,
but it's because like, my pops is an urban legend

(03:50:11):
in South Jamaica.

Speaker 2 (03:50:12):
Queens. Right, Yes, he's from street like you. You hear stories.
You hear stories from.

Speaker 3 (03:50:18):
All No, y'all all off, but y'all hear it.

Speaker 2 (03:50:23):
Y'all hear it to tell a story.

Speaker 4 (03:50:25):
You feel me.

Speaker 1 (03:50:26):
So when I me personally, when I hear stories about
I hear stories about pops.

Speaker 2 (03:50:30):
Literally every single I'm thirty years old.

Speaker 6 (03:50:34):
You feel me.

Speaker 1 (03:50:35):
I hear stories about my pops every single day I
wake I live in Jamaica, Queens, you feel me. Some
days I wake up niggas is driving past my window,
bumping those boys like this is this is every day,
every fucking feel me. It's so embedded in to our
like you feel me. Pop influenced that That's why we

(03:50:58):
said you hip hop gave us the flowers. That's necessary
because we put them Nigga. These motherfuckers put that shit down.

Speaker 2 (03:51:16):
Drink Champs is a Drink Champs LLC production and association
with Interval Presents. Hosts and executive producers n O r
E and dj e FN from Interval Presents executive producers
Alan Coy and Jake Kleinberg. Listen to Drink Champs on
Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever you get

(03:51:38):
your podcasts. Thanks for joining us for another episode of
Drink Champs, hosted by Yours truly, dj e f N
and n O r E. Please make sure to follow
us on all our socials That's at drink Champs across
all platforms, at the Real Norrie go on I g
at Noriega on Twitter, Mine is at Who's Crazy on
ig at dj e f N on Twitter, and most importantly,

(03:52:00):
stay up to date with the latest releases, news and
merch by going to drink Champs dot com m

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