Episode 467 w/ Southside and Fuse of 808 Mafia

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
He is drinks chants, motherfucking podcast makes He's a legendary
queens rapper.

Speaker 2 (00:17):
He ain't sagreed as your boy in O r E.

Speaker 1 (00:18):
He's a Miami hip hop pioneer put up as d
J e f N. Together they drink it up with
some of the biggest players you me and the most
professional unprofessional podcast and your number one source for drunk
drink chans days New Year.

Speaker 3 (00:34):
C that's it's time for drink champs. Drink up mother.

Speaker 2 (00:43):
Would it could be? Is your boy in O R E?

Speaker 3 (00:46):
What up is d J e f N?

Speaker 2 (00:48):
This is minna take me crazy wall have yow up,
drink Champs, Yawa Dawa and all that. Now, I ain't
gonna lie you. I looked at these brothers discography and
I went through it, and I came to the realization

(01:10):
that they don't know how to not make ahead. Every
record that these brothers is involved with and a part
of it's your everyday records that you hear every day.
For sure, I'm sitting back and I'm so like proud
of y'all. And it's only one thing that I could

(01:34):
probably complain about is that I got one.

Speaker 3 (01:42):
Complain Yo.

Speaker 2 (01:43):
I'm gonna just be honest. I want to get straight
into it. That's what motherfucker now, Holy moly, guacamole. I'm
just in the car vibing. I'm going through the playlist
and I'm like every So, let let's take it from

(02:07):
the beginning, all right, how did this start? Ship? In Atlanta?

Speaker 4 (02:15):
We know that Miss deb I was signed to deb
walk Up.

Speaker 2 (02:21):
Welcome Mama.

Speaker 5 (02:22):
You know I made all I made all Walkers, like
ship they started like his first ship.

Speaker 4 (02:25):
I made all that ship and leg.

Speaker 2 (02:27):
Yeah wow, so queen, you's got something to do with this? Sure?

Speaker 6 (02:33):
Yeah?

Speaker 2 (02:33):
Yeah, sure, it's like my second home.

Speaker 6 (02:35):
I love.

Speaker 2 (02:35):
Okay, Okay, so.

Speaker 5 (02:37):
Walking up like really walking them really walking and who
put me into it?

Speaker 4 (02:40):
Like all the way?

Speaker 5 (02:41):
So and I just went from there and I started
working with Gucci, you know what I'm saying. Then I
I got the future. And when I got with Future,
it's just like sod with.

Speaker 2 (02:51):
I ain't gonna lie when I when I realized that
I did Marsh Madness, Yeah like that was the record. Yeah,
I I didn't understand what I was listening to, just
like you.

Speaker 4 (03:05):
Know, I gotta I started this ship.

Speaker 5 (03:07):
Like I said, what I realized was like in music,
the super producer groups of niggas like like for real
and like you know, enough to the ship. So it
wasn't nothing in our generation. So I had like I
got fused, I had Tarantino, Like Tarantino really made Marshal madness.
He was signing me to like it was like eleven us.

Speaker 2 (03:23):
You know, let's break down there, right, that's a big team. Yeah,
because ain't eight feet Let's break that down.

Speaker 6 (03:29):
Let's let's let's show up to everybody.

Speaker 2 (03:32):
Okay.

Speaker 4 (03:33):
Yeah, So it started with me and TM eighty eight because.

Speaker 2 (03:35):
That's eight o eight right, yeah, you get a lot
of money.

Speaker 4 (03:43):
Just man.

Speaker 5 (03:45):
It started starting being TM eighty eight and then it's
just like I had, I got fused, I got uh
Trey pounds is d y, I got a new kid,
ain't shmad and I make everything right now, that's a
lot of us, but it's like twenty of us now.
But it started off like a leveing us like so,
but everybody had something different like fusees do like currency
and big Sean ship like because I can't do everything,

(04:08):
you know what I'm saying, and I wasn't stingy.

Speaker 3 (04:09):
There's different styles in the team.

Speaker 7 (04:11):
Yeah, but we still got It's still like the same,
you know, like.

Speaker 4 (04:16):
For the whole crew, the VC used to make that
feel in love. He made like he don't even make
them no more.

Speaker 7 (04:20):
Like you know what I'm saying, like sample, I'm from
New York, Yeah, so you know what I mean.

Speaker 2 (04:24):
So what would you describe your style as more like
hip hop? Hip hop?

Speaker 7 (04:29):
You can do that. I could do that, like I
do order New York Ship. But it was just like
I was flipping samples but putting trap meats on.

Speaker 2 (04:36):
Them, putting putting trap drums under the Yeah. So that's
what it.

Speaker 5 (04:39):
Kind of opened me up to that, Like I was like, damn,
I wouldn't even because I was making anything from scratch,
still making them from scratch, putting making trap ship like that.

Speaker 6 (04:45):
Which that's kind of the norm now for across the world.

Speaker 4 (04:49):
We made that cool.

Speaker 7 (04:51):
For sure.

Speaker 2 (04:57):
I go live, bro, I'm a brag for y'all. I
feel like this last decade, but y'all decade for sure. Sure,
Like like when I'm going through this disciography, I'm like,
holy shit, you motherfucker's made everything. Yeah, So how does
that feel?

Speaker 4 (05:18):
I mean, I don't.

Speaker 2 (05:19):
I don't feel like I did enough.

Speaker 4 (05:20):
Yet we're trying to I want if you do not
want to be living there like you is, it's just
nice shots.

Speaker 2 (05:26):
It's like you know, it's so all right because arguably Future,
for lack of a better term, is the down South.

Speaker 4 (05:48):
Jay Z damn right say that, like.

Speaker 2 (05:51):
Like like like for real, Like I remember hearing someone
compare them to and then I said, damn. Only people
that debated that it was people who actually never been
to Atlanta. If you beat in Atlanta, and you know
the impact.

Speaker 3 (06:06):
Of Future about the status, right, the status.

Speaker 2 (06:11):
And arguably I'm not taking anything away from Future. Well,
some of his biggest hits are produced by you, for sure.
I was riding in the car and that was with
j JP and I was like, yeah, they can never
go broke. I was like, these guys unless they saw

(06:39):
they published, and they could never. So for us, you know,
new Yorker is we love New York, right, But then
for people who don't travel, we don't understand the impact
that it is. We don't understand Atlanta's impact unless you
actually go to Atlanta. Atlanta was like a number three

(06:59):
more so I used to always frequent that, so I
understand that, But to control that market. I just need
to ask y'all, how does that feel?

Speaker 4 (07:08):
I mean, how it is? And it none for me.
It's like we are family.

Speaker 5 (07:13):
So I knew all these people when I was when
I was broke, when they was broke, when they had nothing.
So it's like it's like, I'm pretty sure I have
my friends. I'm changing like you know, I'm changing history
with my real friends. Like shit feel amazing, Like it's
no fake vibes. Everything is organic, like you know what
I'm saying, Like I love it. I love it up,
like for all of them, like you know, for everybody,

(07:33):
because we all worked together.

Speaker 4 (07:34):
That was the thing about us to another.

Speaker 5 (07:35):
It wasn't no like it won't a lot of separation,
Like everybody will be at one studio, you know what
I'm saying. So it went hard to see the Migos,
it went hard to see future, it went hard to
see twenty one.

Speaker 3 (07:45):
Everybody will be in Atlanta always had that.

Speaker 4 (07:47):
Everybody wanted to everybody.

Speaker 7 (07:50):
That's what I love about Atlanta because you know, in
New York, I feel like there was a lot of crabb.

Speaker 2 (07:54):
In the battle. I'm from the Bronx. Okay, you're from Grandy,
part of the New York.

Speaker 7 (08:01):
Let's yeah, Like I said, I just felt like in
New York, you know, there was a lot of stepping
on each other's toes and a lot of crabbing.

Speaker 2 (08:06):
The barrel ship.

Speaker 7 (08:07):
Whereas in Atlanta, everybody works and supports each other. It's
like one big, huge family, you know what I'm saying.
Even for Bro, you know what I mean, to take
me from New York, tell me to come down in
the a like you know what I mean, that's a
big thing.

Speaker 2 (08:18):
You know, So how did that happen? Let's let's let's
describe that. How did how did you do that? Go ahead?

Speaker 7 (08:22):
Well, shure, I was just sending beats like it was
one of a partners that you know, used to be
around the team that used to hang around No one
of my partners I used to go.

Speaker 2 (08:30):
To school, used to be around the team.

Speaker 7 (08:32):
And I used to send beats to him and like yo,
get my beast to walker or whatever. And then you
know he'll hit me up like yo walker using you know,
he was a couple of year beats last night. But
oh word, you know what I mean, that's kind of crazy.
And then one day he just called me like yo,
south Side, I want to talk to you. And I
was just like, oh, ship, And then you know he
chopped it over with me. He was just like, Yo,
I need you to come down to the A. I
packed up next day. You know what I'm saying, Like
I don't wasting time. It ain't left either. Yeah for sure.

Speaker 2 (09:00):
I'm jumping strink into the quick, Thomas Gilower. Let's give
them they flowers. Our show was about giving people they
flowers where they could smell them, They thoughts, where they
can tell them what they can take, the drinks where
they can drink them. We want to get y'all off top,
man off top because you know what I mean, Like

(09:22):
I ain't gonna lie to y'all. Y'all might have saved music?
How you feel like? I mean like like like how
y'all delivered it? You know me, I'm a I'm a
I'm a connoisseur. You know what I mean of music?
Like I love I love this ship and when I

(09:45):
listened to this discography because you know, dyslexic, so bear
with me. And I'm just looking and I'm just like, yo,
you saved like the last ten summers. Yeah for sure,
down I'm listening to want to I'm like, yo, this
ship is is fucking classics. Also excited to have y'all here,

(10:06):
and I'm so excited to be I'm also going to
get a beat. That's something. So as you go to
the cooks Amazon already. Hell, okay, okay, all right, cool, cool,
cool something, send something. Let's take a couple of shots.
Someone run through. I'm gonna run through something, all right,

(10:29):
got the keys? The only record jay Z in Future
is on. Yeah. I don't believe that they never spoke
again after that.

Speaker 4 (10:40):
May I made that beat in the kitchen, in the kitchen.

Speaker 2 (10:43):
Okay, I need to hear this cook eggs.

Speaker 4 (10:46):
And the Airbnb. I made have beat in the kitchen
on one of this speaker in the kitchen. Everything I love.

Speaker 2 (10:50):
You could get eggs like a dude from baby Boy.

Speaker 4 (10:52):
I don't get anywhere, but I go to the car
right now.

Speaker 5 (11:00):
Put it outside and blood off. See if it's on
my man, I'm just doing it right now.

Speaker 2 (11:04):
Okay, laptop are using a machine off the laptop frou of. Look,
so let's let's let's describe this record. I got the keys,
all right? So now the college for you or was
this future record or.

Speaker 5 (11:13):
Was this whole Future called me and was like, hey,
I need a crazy pack, like I need a crazy pad.
I'm doing some ship with Cali right now. So I
had just made like ten beats. That's how I do.

Speaker 4 (11:22):
When he'll called me, that's what I do. I just
send him in ten beats. He ended up hitting me
back in like two hours and was like, hey, this
one right here, this this ship.

Speaker 2 (11:28):
Don't do nothing with that, and it was I got
the keys. Yeah okay, so he he picked out the beat. Yeah, okay,
See back then, he used to just wrap on. If
I send him ten beats, he'll wrap on all ten
of the beats, but full start all the whole tirap on.
If I send him twenty you're gonnay to do the

(11:49):
whole twenty up.

Speaker 6 (11:50):
That's Chris.

Speaker 5 (11:50):
Yeah, he's gonna try something on every beat I got him.
He's back doing that right now. I'm like, wrap on everything. Like, so,
you got mad tracks that probably never came out. I
got five thousand songs with him, It ain't sure never
came out.

Speaker 4 (12:01):
He got a whole.

Speaker 2 (12:03):
Future.

Speaker 4 (12:04):
Yeah that's like that with every producer, right, not just me.

Speaker 2 (12:09):
Okay, so you send them ten songs, he says the keys.
He points that one out. Yeah, and then is it
is it College that says I'm bringing hold to the
to the I think I think brought home and brought
and put that together. Do you realize how legendary that
song is?

Speaker 4 (12:26):
No, that's that's that ship was a moment for me,
Like that was a real moment.

Speaker 2 (12:30):
Even the video.

Speaker 5 (12:31):
Yeah, for sure, that was a moment for me. Like
just even had j rapping on some ship for me
was just like da I got jay z rapping on
this ship.

Speaker 2 (12:36):
But did you know Jay was gonna rap on? Yeah?
They told us, Okay, yeah, we're not because this is
like two of the biggest figures Yeah in the hip
hop at the time, right Future and Jay. Yeah at
the time and then later.

Speaker 6 (12:52):
On even at this time. What you mean at that time?
This so you're good ass? You ain't got no help?

Speaker 2 (13:05):
Said Okay, he said he ain't got no help one
because I just want to think. I want to take shots.
Just get straight into it.

Speaker 6 (13:12):
All you ready, this is our drinking game. By the way,
you're taking shots of anything. You just want to what
is that.

Speaker 3 (13:21):
You got shot? Blesses?

Speaker 6 (13:23):
So we're gonna we're gonna give you you know this
or that basically big one. We're not drinking. But if
you say both in neither of them, like you don't
really don't want to answer it, then we drinking, were.

Speaker 3 (13:33):
Drinking, you know what I'm saying.

Speaker 2 (13:34):
But we drink with you, and we really just want
to bring up.

Speaker 6 (13:38):
Stories of DJ. I mean, it's not about this and anybody.
It's really about bringing up you know what I'm saying.

Speaker 2 (13:43):
All Right, see you ready? I like this first one.
I'm gonna take this one. Doctor Dre or Quincy Jones
ship doctor Okay, that was easy. They remember Dre okay
for real? Or Kanye it was a shot? Both are

(14:08):
you my favorite? You gotta get one shot? I need
the shot. Yeah, that's crazy. Wait wait wait wait you
said both of those are your favorite and producers both
of them for real? And yea, holy I just meant
for real.

Speaker 4 (14:21):
For the first time when like onces Ago, I cooked
that with him for the whole day. I had him
in the studio like tripping like he was in Paris.

Speaker 2 (14:27):
No here, okay, future Okay, he.

Speaker 4 (14:29):
Was in there tripping like He's like, Bro, you do
this ship in five minutes, six minutes.

Speaker 2 (14:33):
Bro.

Speaker 4 (14:34):
He couldn't believe this ship.

Speaker 2 (14:35):
By for real, but you work with Kanye.

Speaker 4 (14:38):
I was with you for like two months when you
like for popular like for Polo two month bugging like
so how how how was that that was life changing?
Like you ain't got damn yeah real.

Speaker 5 (14:49):
Like all the ship that being in the media, ship
that ain't the yeah I met. I don't like you
know what I'm saying, Like that's what I'll be.

Speaker 2 (14:54):
Ting to tell me.

Speaker 4 (14:55):
Yeah, like like yeah, like I didn't that ain't the
I don't like I That's why I was looking like that.

Speaker 5 (15:01):
I don't know if he's just doing that ship for
the cameras as what because that ain't how he was
acting like that around me.

Speaker 2 (15:05):
Yeah, this fuck up because he said it on this
show off camera.

Speaker 5 (15:11):
He's like, yeah, I was real honest with him, like
he was playing he was playing songs for us in
this at this house and ship he played a song,
he played that ship.

Speaker 4 (15:20):
He played it. Everybody in the.

Speaker 5 (15:21):
Room going around. COmON was in there. He has coming
coming like I love it, like everybody know my love
it get to me. I'm like, I don't like that.

Speaker 4 (15:28):
Ship he had, like the songs I told him, like
I'm a real fan of you. Like like when he
put out the song Real Friends, like we were the
reason he put out Real Friends.

Speaker 5 (15:38):
That was my favorite song. He played out all them songs.
When he kept playing them, I was like, I said,
that's not some yate ship. Like I was like the
other ship just sounded too. It was just all it
was all.

Speaker 4 (15:47):
Over the place. But after I told him that, he
was like, hey, can you pull up kick come over
every day? He's like, don't nobody tell me the truth?
Like I was like, I don't like that sho.

Speaker 2 (16:03):
You know what, I just found out that when you
pull the sake, he's supposed to pour it over the top.
What do you mean? Yeah, I drink so I can't
drink hot drinks heavenly so you've been having and I
drink the best champagne on the market. That ain't the

(16:24):
stake all the time, all the time? Job, All right,
let's go to the next one.

Speaker 3 (16:29):
Cooling dre are the Runners?

Speaker 6 (16:31):
Who the Runners drink the fan that's my brother, That's
home team for us here in Miami future.

Speaker 2 (16:40):
Travis Scott, come on, broke, I mean I.

Speaker 3 (16:43):
Shot right, I got just.

Speaker 6 (16:48):
Pour up the shot as soon as they're done with it,
I guess We're just that's crazy.

Speaker 2 (16:57):
By the way, that's the cocaine section that writes these
question Yeah, come up here. We don't come on these questions. Yeah,
they come on the question, but it's because they followed
the discography. All right, you.

Speaker 4 (17:14):
Guys got it? Oh yeah, yeah, extended it. Okay, I
might end up in the club to night. Yeah, I
got me drinking.

Speaker 3 (17:26):
Yeah, all right, we didn't take this shot yet, right, cheers?

Speaker 2 (17:32):
Oh okay it.

Speaker 6 (17:36):
HM twenty one Savage or Kodak Black twenty one Savage
twenty one, The Reserve or Alchemists.

Speaker 7 (17:46):
So I'm gonna say Alchemists that's the new one.

Speaker 4 (17:51):
Say Alchosis the one.

Speaker 2 (17:56):
Metro booming or murder beats.

Speaker 4 (17:58):
Come on, I retro murdered old murder, you know, murdered
the lhommie though, but metro overly out cast a U
g K from Atlanta, Georgia man outcasts.

Speaker 5 (18:09):
Yeah, my daddy used to make beats for outcasts. Yeah
that's the crazy.

Speaker 3 (18:15):
She used to judging family.

Speaker 5 (18:17):
Yeah, like future. But that's why she's so crazy, because yeah,
got the third generation of that ship for you. You
grew up in this Yeah, making beats for sure, that's wild. Yeah,
we gotta dip deeper into that. After Migos are the locks.

Speaker 4 (18:34):
I know you're going take a SHOT's take a shot.

Speaker 3 (18:45):
Ghetto Boys or three six Mafia.

Speaker 5 (18:49):
I'm gonna say three six because I'm making bets because
of you know, say three six ship away my feet.

Speaker 4 (18:53):
That's where it kind of come from a little bit.

Speaker 2 (18:57):
What was that ship six six month? That's right, organized noise,
But you.

Speaker 6 (19:03):
Forgetdn't put nobody with that. That that's dom or nobody.

Speaker 2 (19:16):
That's that's that's what seems right.

Speaker 3 (19:20):
Jade the Prix.

Speaker 4 (19:23):
Organized that, Jamanda Prix. I'm gonna say organized noise.

Speaker 6 (19:27):
Okay, yeah, all right, walking up, Gucci.

Speaker 2 (19:33):
Take a shot, locked up? Tell all right? The next
one is you for Joe? Magic City or onyx Man,
Magic City? That wings and more.

Speaker 5 (19:51):
Man, I love the wings and magic the wings just
be good too. But I love magic wings.

Speaker 2 (19:56):
Yeah, I like magic wings. O.

Speaker 4 (19:57):
The hundred pieces, man, I think I just like anything
and magic over there a hundred piece.

Speaker 2 (20:04):
I just seen Bratt christ Now he did the whitest
of the whitest thing that I ever saw in my life.
He went to Magic City and he took his shoes
off and his socks off and went and used the bathroom.
Hell no, and you know not get you up in clubs.
I'm not even gonna say I take my shoes off
my life, my son, Yeah, hold on you please somebody, yo,

(20:39):
I'm gonna go do that right now. You gotta take
that right now, because yeah, he had to be having
he said. This is what he said, That's what he said.
He said. He said, this is for all my black people,
because I know this is frown up. He's white. He's
the whitest of the white. And he went and he
filmed himself. He took his socks on. He was he

(21:00):
went to the bathroom of the Magic City. And I
just just like slightly threw off. He's all kinds of fits.

Speaker 4 (21:08):
He's great.

Speaker 2 (21:09):
Yeah, friend, you know what type of ship be going on?

Speaker 3 (21:15):
You, scarface of ice Cube.

Speaker 5 (21:22):
I'm gonna say ice cube like I just like I
love the West Coast, I love the West Coast music,
I love the West Coast.

Speaker 3 (21:30):
You want to get him?

Speaker 2 (21:32):
He was a good thing. Okay, it's a good.

Speaker 3 (21:40):
Or sunny digital.

Speaker 5 (21:42):
Take a shot both of the my You know, I
look up the standing my real brother, you can't do that, little.

Speaker 2 (21:51):
Woof go ahead, all right, you want the next one? Okay,
you two change.

Speaker 5 (22:02):
I'm gonna say t I change my bit brun of them.
But yeah, I'm gonna I wrap that word for it.
I'm sears album.

Speaker 2 (22:10):
Word for word. Okay, you're saying definitely tr I'm starting
with you this time. I want to see a New
York represent Andre. Three thousands or nas no okay, because
I see you just jump out of you man.

Speaker 4 (22:32):
Three can't bad?

Speaker 6 (22:33):
What?

Speaker 4 (22:34):
Three K overly bad boy? That's one of the ones
I would never sleep on three K, Like who you,
I gotta go three K, you gotta go through.

Speaker 2 (22:48):
I'm gonna take even though you're yeah, I gotta go through.
I'm gonna take a shot, would say. I'll be saying both.
So that is a good comparent, said Andre. And and
that's a great young dog gonn play boy CARDI.

Speaker 5 (23:07):
My little brother like King Carson, my nephew that signed
to him, like my real little brother, like I raised Carding.
But the most talented personal lined to me, like sitting
down recording the song, just you know you the most
talented one out all of me really, like all the lingo,
all that ship that comes from, Like you know, you're

(23:29):
the most talented one.

Speaker 2 (23:30):
And thank you for thank you Doug for keeping my
slim lingo, which yes, a lot of people don't know.
I made up the slim, that's me for sure. And
I made up slim trying not to say the N word.
That that that was it. But you know, they took
it and they made it there. Guess what I was right.

(23:53):
I ain't old. I ain't the old. You never met
I met there one time. Let I assume that, yeah, yeah,
I heard, Yeah, yeah, I want to. I want to
do slim first line.

Speaker 4 (24:05):
I put that together, slim and slim, put together slim
and slim.

Speaker 2 (24:09):
I want to do that. You know. I admire what
he did, how he stood tall as a man, and
I rob with him. I ain't got a personal relationship
with him, but I got him. Yeah, yeah, yeah, I
with him. I got I got his back, you know
what I mean. So so so all right, let me
let me, let me let me change up right, because

(24:30):
this is this is this is this is my number
one question I want to ask you, okay, because I
don't know. But I don't know, but I think I know.
If Gunner asks you right now, this is this is
this is mean not a question right now, you're producer,

(24:55):
you're you're both beat makers. I ain't making no beach
for him. You ain't making no beat for Gunner.

Speaker 4 (25:00):
Right is right?

Speaker 2 (25:00):
Wrong is wrong.

Speaker 4 (25:01):
I'm a street nigga at the end of the day.

Speaker 5 (25:02):
You know what I'm saying, Like she line been my friend,
Like I made Danny Glove with him, that blew him up.
That's been my friend when he ain't had teeth in
his mouth. He was signed with Guccia at first, So
that's been my friend for a long, long, long, long
long time.

Speaker 4 (25:15):
So I can never go against what he say. Like
you know what I'm saying, if he feels some kind
of way about it, that's how you feel. That's how saying.
He's the same way with me. If I feel some
kind of way about something with somebody, he just ain't
gonna fuck with it, you know what I'm saying, Just
because I feel some kind of way, So I.

Speaker 2 (25:28):
Just like, I can't do it. So if Gunnar was
to call you right now, I can't do what they got.

Speaker 4 (25:33):
Can't do it. You know what I'm saying, I can't
do it. That's just my My dog is my dog.
You know what I'm saying. Did with it.

Speaker 2 (25:40):
That so now me, I'm outside of looking at him,
started looking at right. Do you think Gunna violated? I
ain't gonna, you know, I don't.

Speaker 5 (25:51):
You know, I don't really want to because I feel
like that's stay like, that's that's they ship like they
you know what I'm saying.

Speaker 2 (25:56):
But you pick a side, but street street.

Speaker 5 (25:59):
Wise, I would have never did what he did. Like
I'm just that's just me, like you know what I'm saying,
And if my brother did that to me, I feel
some kind of way the same difference, like you know
what I'm saying.

Speaker 2 (26:09):
Moving on, that was real, that was rare. So moving on,
jaded kids to push your teeth.

Speaker 4 (26:20):
I'm gonna say, Jada a bad boy for sure, yea
a bad boy sure tupacer easy pop but easy against it.
But as far as a rapper and the artist pot
but easier show.

Speaker 3 (26:39):
Goodie mob or eight Ball and m j G.

Speaker 2 (26:42):
I'm going with the good Goodie mom. Shout out to
Goodie Mom. Man. Atlanta boys, they they they stick stick
with Atlanta. You don't say nothing when the New Yorkers
stick with New York. He's using what I'm saying.

Speaker 3 (27:00):
Think on some Miami ship you stay on some New Yorkshire, but.

Speaker 2 (27:05):
You always say something when we get on some New York.

Speaker 6 (27:10):
Saying that you think that it never happens in a
certain way historically that's a different story.

Speaker 4 (27:15):
All right, all right, Booby Trapper, Taboo. M I'm gonna
say Taboo. I'm gonna just say table. I fuck with Table.

Speaker 5 (27:26):
I'm gonna say why I say taboo, cuk boom trapped,
be too got, it'll be too going, It's it's too much. Yeah,
I can go on Taboo and had the time my
mother's fucking life. I love Table, like everybody know. I
love Table.

Speaker 2 (27:36):
Who trapped? The girls taking their rappers too? Right? They rappers?

Speaker 4 (27:41):
Sure, you gotta think when they go to the club.
I'm gonna throw some mother fucking money. Leaves a fucker
to eleven and twelve o'clock, so I can't even. It's like,
it's like what I'm just throwing you out of man.
I think the taboo and to have me a good time,
let's money go home, which I say, Booby.

Speaker 2 (27:59):
I'm I'm a Booby driving you know, Yeah, Booby Trapp.
More like I like a little rations ship, Yeah, like
be a little more rational. It's a Hollywood. It's like
that's a little like ration ship. But I'm a booby
trapped guy.

Speaker 4 (28:16):
Like like like you get you give me a booby shock.

Speaker 2 (28:19):
Yeah, I'm a booby drive. I don't know. I got
about to sit down. Tell the d J don't shot
you out, because if you shot me out, I gotta
throw money at like what.

Speaker 3 (28:33):
I need coming here for that? N w A wool tang.

Speaker 4 (28:42):
I'm just saying you're gonna separate. I'm gonna say. I'm saying,
w ain't we gotta drinks to that?

Speaker 2 (28:47):
More drink separated in New York and Alanda? Separate to
sure for sure the least one. Okay, I'm gonna add one.

Speaker 3 (29:02):
Go ahead.

Speaker 2 (29:03):
Good because one thing about Atlanta, it's like New York
sixth Borough, right sure, like hit me out, promise you.
I went to a next game Knicks versus the Hawks

(29:24):
in Atlanta, and there was more New York next Jerseys. Yeap?
Why casual this? Why do you like? New York Niggas
love moving to Atlanta.

Speaker 4 (29:37):
It's like like my girlfriend right now, she's from New York,
you know what I'm saying.

Speaker 2 (29:40):
And Atlanta niggas love to go to New York where
it is. It's like I think, I think it's in
the twine some kind of way, in the twines some way.
But they don't leave their New York list once they.

Speaker 4 (29:54):
Know they don't.

Speaker 8 (29:55):
That's why they used to see in Atlanta leave to
go to New York countries. Yeah, it worked, and it worked, worked,
it works.

Speaker 2 (30:06):
So let's describe that like like seeing for you? How
about that? Let me let me let me direct the
question to you being a New York dude that moved
to Atlanta. Was it easy? But had you been going
there a lot before that? Nah? I mean I've been
back in Atlanta. He's going, what.

Speaker 3 (30:28):
Horror?

Speaker 4 (30:33):
They love.

Speaker 2 (30:35):
What it is down there?

Speaker 7 (30:38):
Okay, Okay, No, No, Atlanta's fire, you know what I mean.
Definitely second home. But I would just say musically, you know,
Atlanta's really based off relationships, and like he's from Atlanta,
so a lot of the relationships. Like he said, he
grew up with a lot of people. So for me
moving out here, I just had to get acquainted, you
know what I mean. They seen me with Bro and

(30:58):
you know what I mean, they grew a liking to
me and everything like that. So you know, after that,
I was able to navigate my way. But prior to that,
you know, it's just figgering it out. And I feel
like that's what the swooming.

Speaker 4 (31:08):
Every crew got their New York homie, Yeah, for sure,
for sure, Like show Show.

Speaker 3 (31:15):
You Got, Like the movie atl they had the one
dude that you got you got to New York.

Speaker 2 (31:21):
There's a lot of New York niggas in Atlanta.

Speaker 4 (31:22):
Yeah got the New York homie for surely.

Speaker 2 (31:26):
Does every New York homie have Atlanta?

Speaker 7 (31:30):
I would say that for sure because you yeah, because
even when I was in New York, I had a
couple of homies that just you know, that was down
in Atlanta just doing their thing. And I just grew,
you know, fun with Atlanta niggas, even back in the
days like when free niggas the thing, you know what
I'm saying. Like I was a little I was a
little kid, and I used to come out here and niggas,
you know what I mean, Because I have people out here,
so definitely fucked with, you know, Atlanta for a long time.

Speaker 2 (31:52):
About Yeah, I see the documentary. No, I ain't see
the documentary, but I was. I used to be two
years old in the damn struggle with.

Speaker 4 (32:02):
Them in free if you was in coming home right now,
Like what she always said that, She's like you were
two years old in the stroulder. We hear nobody watch you.

Speaker 2 (32:14):
You gotta make some loyal to that.

Speaker 4 (32:17):
Young head, like you know what I'm saying, I'm a
real Atlanta baby, Like yeah, he's straight up like real
real Alanta baby Atlanta and to report.

Speaker 2 (32:27):
Fuck you all right, the last one, our last one.
Loyalty or respect?

Speaker 4 (32:40):
I say, I'm gonna say lords mm hmmm, because with
llyd respect coming lords, you can't be lawyer and I'm
respecting that right, So like right, I'm gonna say lord.

Speaker 7 (32:53):
I agree. I say loyalty as well. You know what
I'm saying, Like I think that's what we all want.
Somebody that's gonna be loyal with. You know what I'm saying,
thinking thing to any situation, you know what I mean,
who's gonna hold it down? So it's just like a
person could respect you, but I feel like that should
fade away. Loyalty, you know what I'm saying, Like that's
some ship that's like long, last life life long.

Speaker 2 (33:15):
You know what I'm saying with the right person, yea
space noise.

Speaker 3 (33:24):
So I kind of want to go back to your
pops introducing it. So he's in the Dungeon family.

Speaker 5 (33:28):
My dad grew up like grew up with all that ship.
My dad from each point what was his name? That
his name is Cap, but he used to make beats.
My dad was always like big Cap, Like I know,
I know CeeLo, I know Big I mean, I know
big Boy, I know I know all of them like
they see me, they can always look Cat.

Speaker 6 (33:45):
So was that an inspiration for you growing like you
think that that's what you can see? I don't realized
me growing up.

Speaker 5 (33:50):
I ain't really like get a relationship with my dad's
So I was like seventeen eighteen, but all I ever
knew about my dad was that.

Speaker 4 (33:56):
My dad made beats. Right besides that, like sh Street
ship my mom, he make beats, wrapping beat like you
know what I'm saying, right, So I always you knew
it was in the family. Yeah right, I always wanted
to make beas. But all of them remember me from
being a little boy and ship like that's crazy being.

Speaker 5 (34:09):
Around my dad young. Because I was around my dad
when I was like two or three. He was always
in not a prison and ship, you know, what I'm saying.

Speaker 6 (34:15):
So, did you like who who do you think inspired
your your style of making beets?

Speaker 3 (34:20):
So was there anybody.

Speaker 4 (34:23):
I'm a fan of? Like I was a fan of
like shot Her Red, Like I used to love Shot
of Red everything, Shot of Red Dead, like fat Boy
they told me the producer, Yeah, like I was fans
of them, Like That's why that's where I swear it
kind of come from, because they just had like the
greedy street ship, like they had like the theme music
to bmfter me. I you know what I'm saying, Like,

(34:43):
I always like, I gotta.

Speaker 2 (34:44):
Make beats like that, and you always made it on
fruity loops.

Speaker 4 (34:47):
Always always started on f loops three crazy Yeah.

Speaker 2 (34:52):
And listen, that's the that's what the whole reggae throm
was made off for real. Yeah yeah, yeah, Regan never
knew that make it say all of it.

Speaker 3 (35:02):
But I mean a lot of the majority of a
lot of a lot of the big records, most of.

Speaker 2 (35:05):
The big records, you never knew that.

Speaker 4 (35:07):
That's crazy feeling.

Speaker 6 (35:09):
I love it.

Speaker 2 (35:15):
So now let's let's let's let's go back to the beginning,
because we did Lloyd Ti Yeah, okay, let's go back
to the beginning. How are y'all starting? How are you
started first? And then we're getting how are you started
starting with? Like making beats?

Speaker 5 (35:35):
I started with however, just whatever you just saw the drums.
He's saying, like what you mean, Like, how do I
start a beat? I started making beat?

Speaker 2 (35:43):
Yeah?

Speaker 5 (35:44):
Man, my I had an uncle that used to rap,
Mincale Pooky, like you know what I'm saying.

Speaker 2 (35:49):
I like poogy already.

Speaker 5 (35:50):
I used to wrap, but Mincale Pooky used to like
he get mad at me every time a sending this
st Michael Pooley.

Speaker 4 (35:54):
Used to go to the airport and just steal bad.

Speaker 3 (35:58):
I know what look like the back of He get
mad at me this ship every time.

Speaker 4 (36:02):
But I'm telling him, like, bro, you changed our whole
family name. You can't get mad at me. You you did,
you know you put the second fights off.

Speaker 2 (36:08):
Like he's out here steal in bad.

Speaker 5 (36:10):
Go to the airport, he and come home five six bads,
go through the bads. He went through the bad and
motherfucker had a loptop bag in it with the speaking
and pulled it out, opened it up that she had
froo loops on it. Oh wow, So he gave me
this ship and was like, learn how to make beats.
Make me some beat because he rapped the ship. He
telling you this, and I was ten years old, eleven
years old. That's how I started using her loops.

Speaker 2 (36:29):
He was a criminal producer, like I was a kid.
Like you know what I'm saying.

Speaker 5 (36:35):
The story, Yeah, he getting mad at me. Me and
my mama was just talking this like two days ago.
He get mad at me every time, and I'm like, bro,
that's just it's like, yeah.

Speaker 4 (36:45):
I love I love you, like you know.

Speaker 3 (36:50):
How to use it already, like loops.

Speaker 2 (36:51):
I taught myself to use it.

Speaker 4 (36:53):
I taught myself.

Speaker 2 (36:53):
And did he think that it was you that would
know how to do that?

Speaker 5 (36:58):
Because I always like the music and ship like that
was always my thing. That's all I really knew about
my dad. It's like, you know what I'm saying. And
I always look at my uncle and I'm like, they
go to the studio ship. I want to go to
the studio with them, Like you know what I'm saying,
you can't go, like and you can't go, like he.

Speaker 4 (37:12):
Just still stole some went on that ship and seeing
what that ship was on there and it was like, hey,
learn how to make and gave me the share like
a little speaker, like a little plug in speaking to it.
Wasn't even that loud, but that's.

Speaker 2 (37:23):
What I started. She was meant to be uncle.

Speaker 3 (37:26):
If I could get a.

Speaker 5 (37:27):
Computer right now, I pay somebody to get that computer
right now.

Speaker 4 (37:29):
I don't know where that computer at.

Speaker 2 (37:30):
Don't do the Oh what's this guy? Then he came
on the show. Uh god, he said a million dollars.

Speaker 4 (37:41):
I ain't gonna say no price. I said, I pay somebody.

Speaker 2 (37:44):
Crazy.

Speaker 4 (37:46):
I paid somebody said.

Speaker 6 (37:48):
On here.

Speaker 2 (37:51):
Like you should.

Speaker 4 (37:52):
I mean, you know, I pay somebody. I pay you
something something.

Speaker 6 (37:57):
Something for so uh and the eight away is it
strictly offered because of the baseline that.

Speaker 4 (38:05):
Yeahcause of the drumk Yeah, that's why we called it
away my fee.

Speaker 2 (38:09):
Yeah.

Speaker 5 (38:10):
Niggaker said that ship in the song like he said,
he just said it like he said this ship freestyled
in the song. Like when he said this in the
song he said, he said anyway, my fear sizl and
lits and the song when he said this ship, I'm like,
damn that ship hard. And I took the ship and
was like, I'm finna got to make this ship. The
company try to do it with les lets really and

(38:30):
he was just let's just let's Luka.

Speaker 4 (38:32):
Was going to present. Yeah, he was just that.

Speaker 2 (38:34):
That was y'all three that started right. Yeah, let's you
see it was me and lets started together came out.

Speaker 4 (38:41):
Yeah, it was me always me a lects first. Yeah,
but lets went so crazy in one year. Lets, I
understood he started producing brick Ross did every he was,
he did.

Speaker 5 (38:52):
Harder to painful, b a melf. He did a lot
of ship in one year, like you know what I'm saying.
So I understood what he was saying, Like Marama focused
on me.

Speaker 2 (38:59):
I got it.

Speaker 4 (39:00):
I was on something. I'm gonna start a production group
ship with this ship.

Speaker 2 (39:02):
And you feel like he basically left the group.

Speaker 3 (39:07):
He was he was, you weren't doing it.

Speaker 5 (39:10):
He never he never really became part of the grind
like that was just some ship walker was freestyling and
saying like but I tried to make it a group
and he just was like, I'm cool, that's my brother
right now.

Speaker 4 (39:20):
I talked to him two three days ago, love him
to death, like feel me, But that was just a
try mate.

Speaker 2 (39:26):
Yeah. Would you wishing if y'all would have stayed to go?

Speaker 5 (39:31):
No, I'm glad things played out that, yeah, like because
he's still legendary. Like you know what I'm saying, I'm
glad that played could work. I wouldn't have all them.
I feel like, you know, I want to meet all
of them and had like the family I had now.

Speaker 3 (39:42):
I feel like, so was it eight Away Mafia when
it was just you?

Speaker 4 (39:45):
Now it was just south Side and it was just me. Yeah,
it was just south Side and it.

Speaker 2 (39:50):
Was just me.

Speaker 6 (39:50):
I'm saying it was just like when you came up
with eight Away Manfield. I see you had my people.

Speaker 3 (39:56):
He was bringing in under that he was in the
name by himself, but I started myself.

Speaker 5 (40:00):
I met a name by myself, but I still knew
certain people already that I was already working with on
beat ship, Like you know what I'm saying. So it
just made sense because I was the one with the
most motion from my hood. Feel it made sense.

Speaker 3 (40:13):
See y'all probably the after Dungeon family.

Speaker 6 (40:16):
I don't think there's any collective like that that big
out of especially out of Atlanta.

Speaker 2 (40:21):
Prediction Group, where hell.

Speaker 5 (40:24):
There's so many like you come to one sasions and
be twenty people in all everybody make beats literally.

Speaker 4 (40:31):
Everybody got something different. It's just like it shit, be crazy.

Speaker 6 (40:34):
What record you think outside of obviously working with Walker Flocker, Like,
what record you think is what took the whole name
and the brand to another level as a production team.
When I made Yourself because by Yourself, he was there when.

Speaker 5 (40:48):
I made Danny Glover for the Two Bitches ship. That
ship went up. That was like an away at my
fear record that went up.

Speaker 2 (40:54):
And then.

Speaker 7 (40:56):
I'm gonna say, I'll say a mixtape like FBG the
movie that went I'm saying is nice to fifty six
Nights for sure because.

Speaker 4 (41:06):
I made we made the whole fifty six nights.

Speaker 2 (41:09):
That's the future.

Speaker 4 (41:09):
When they made the whole when he got when they
took the drive, Yeah, we made the whole physicis nice, Yeah,
the whole ship. Yeah. I think that was the game
changes for us though. And then like DS too, like
that just right to changed everything. Yeah, they changed all
this shit completely for us.

Speaker 6 (41:31):
And what came right after that, Like what was the
next thing that you saw like okay, this is these
things are coming in now. Man.

Speaker 4 (41:36):
It was just after Durst right too. It was just
everything just everybody like it was just like I can
control that ship no one And.

Speaker 6 (41:43):
As a business, do you think it's easy to have
a producer collective? Like is it easy to keep everybody
under that near?

Speaker 4 (41:49):
Because see, I see like when we was young, certain
niggas a ride around with walker. I run around with
them all day long, you feel me, so around. I
learned everything.

Speaker 5 (42:02):
She always said that like she told me like I
taught you too much, like you know, because I learned
everything like so I rode around with her every day
in the car, right around with her, learning everything, going
to meets with her. So I understood this ship. Like
I didn't have a pub deal until after Dirty's right too,
I had an admin deal where I was giving them
niggas ninety five. I was having ninety five percent and
giving them five percent, right, So I was getting all
my checks, like you know, they had to give me

(42:23):
some ship where it was like I ain't never seen
this much money before in my life. I gotta take
you know what I'm saying. But I was getting all
my checks, so I understood what this ship was. I
used to make all of them. I wouldn't even I
wouldn't even let them do coport this. At first, all
of them was in admin deals like like y'all on,
like y'all ain't doing coport, do an admin deal til
you get to a certain levels so you can get
some real millions, right, Like you know what I'm saying,

(42:44):
like evaluation, don't go take a cop pub deal and
give them fifty I'll.

Speaker 7 (42:48):
Go and deals getting published in checks for me, Like
it's crazy.

Speaker 4 (42:52):
He like now you can get a check like a
copub for admin deal, like you know for sure, but
back then you couldn't. Like I was just like, don't
do that. That's dumb as hell.

Speaker 6 (43:01):
You think that the current music environment is better for
producers than it was before, Like yes, treatment and all,
I'm gonna.

Speaker 4 (43:06):
Say, I'm gonna say it because like I saw my
catalog in twenty and twenty one, so I'm gonna say
it's like and I'm about to sell it again it's
twenty twenty five, Like because I do this this sh it,
ain't I go to this shit here every single day,
literally sleeping that motherfucker still right now to this day.

Speaker 5 (43:22):
Like I don't even dawn, I ain't I'm thirty, I'm
thirty six. I'm you know, I got a lot lift
in me.

Speaker 4 (43:26):
So like this ship like you I keeping you keep
doing this shit is like, no, you gotta keep doing work.

Speaker 5 (43:32):
I'm not selling this ship like I'm gonna relax, Like no,
I'm gonna gonna make a whole nother catalog See this
ship again.

Speaker 3 (43:37):
You want catalogs in you versus line.

Speaker 2 (43:39):
I got all the time.

Speaker 4 (43:40):
It's like what I got to do right now, Like
you know what I'm saying, Like, that's what I got
to do. I ain't got nothing to.

Speaker 2 (43:45):
Do in the old team.

Speaker 3 (43:46):
We just learned from bro.

Speaker 7 (43:47):
You know what I'm saying. Right, He basically leads the
way and such such through standard.

Speaker 5 (43:53):
If they had anything, they had business and niggas called
me because I know that shit in and now I
tell them, don't do this, don't do that, ask them
for this, ask them for that.

Speaker 4 (43:59):
Like you know what I'm saying, Because I learned by
sucking up. You know what I'm saying. That's how I learned.

Speaker 2 (44:05):
So let's talk about funny Marco. Right, Yeah, one of
the biggest moments had the whole internet.

Speaker 4 (44:13):
Yes, it was crazy with you and g Herbal.

Speaker 2 (44:17):
Oh. Yes, I couldn't understand I'm gonna take some crazy ship. Yeah,
so I just seen him like.

Speaker 4 (44:26):
Yeah, three four months ago and Aleana I went to
the club. It's like sixty us.

Speaker 2 (44:31):
He in the.

Speaker 4 (44:31):
Club's just him, you know what I'm saying. So my
bodyguard gonna get me. He's like, man, marcol just so
I'm like, I'm like, take me to him, let me
go and real quick. When I go talk to him
and tell me, he's like, hey, bro, He's like I
want to apologize.

Speaker 5 (44:43):
He's like, bro, I didn't know that. The directors of
them told you all to do that ship. Oh you
know what I'm saying. You never addressed that because when
I'm I ain't looking together.

Speaker 4 (44:53):
Like I ain't even want to get internet like me
and in that don't miss.

Speaker 2 (44:56):
Okay anything, just you know a little let's just wait
into the people. That smart brother, so very smart. Yeah,
so the directors told you they told us to fuck
with him.

Speaker 5 (45:08):
Okay, yeah, like you know, they let her upstairs. That
ship was upstairs in the feeling like you know what
I'm saying. They let him in, gave him his cold
all this ship even like the watch, the watch he
had that ship was fake, like that ship when the
face was already out the watch.

Speaker 4 (45:20):
That's why I threw the watch and did all I
did fake, you know what I'm saying. But he never knew.
He was like, man, he's like I. So the directors
and the producers told me he didn't know something like
y'all with everybody, y'all fuck with him, you know. Yeah,
And then it wasn't even his fault.

Speaker 2 (45:41):
It was.

Speaker 5 (45:43):
When I brought us had a camera man with him,
and the camera man was on some thirsty ship and
posted some behind the scenes ship like just us fucking
with him and ship, you know.

Speaker 4 (45:50):
What I'm saying. So I don't really I don't blame
bro for that ship. The word looked at me crazy
for that ship.

Speaker 2 (45:55):
And it's like but so, so let me ask you,
because there were black black lash, wasn't the Jewish?

Speaker 4 (46:03):
Yeah you know that last like yeah, what.

Speaker 2 (46:06):
What what did Jewish see?

Speaker 4 (46:09):
Stay out the internet? And may be then okay, yeah,
take because you can't you can't deny my music.

Speaker 2 (46:16):
Take you to the studio, man.

Speaker 4 (46:21):
Music music together. Last's fine, yeah, like, because it was
a lot of bad lash with that ship, Like that
ship was bad.

Speaker 2 (46:27):
I didn't you know, we.

Speaker 5 (46:28):
Said we you know, we wild niggas, So I didn't
even think it was That's how we play out that long.
I ain't think yeah, we were doing it, you know,
I didn't even think it was It was funny, but
they try to.

Speaker 6 (46:37):
Make y'all look like y'all would you know fucking fire
Like yeah, but if it's.

Speaker 3 (46:41):
All set up, that's fucked up.

Speaker 4 (46:42):
They told.

Speaker 2 (46:44):
Told us, yeah to us, if they told her they
come on, yeah.

Speaker 4 (46:49):
That I would have just went and just did the interview.
Never brought her ship, like because.

Speaker 3 (46:54):
The winds parked up kind of crazy, like what the
is going on?

Speaker 4 (46:58):
That's why it looks like that the whole time, looking
at him like we're gonna.

Speaker 2 (47:00):
Get you, you know what I'm saying. But when I
take guy, I'm sorry. This has nothing to do with
the interview, but I just want to take a shot
because I'm happy. Man, for sure, should be the AP visit. Man,
this is pathetic. Yeah, it's my new pickup. Yeah, it's

(47:24):
one new pickup. I call it MAFI because I'm going
to the Mafi tomorrow. Yo. Man, I'm really, really, really
proud of y'all. Appreciated, you know what I'm saying, Like, yeah,

(47:44):
saved the de game. I'm appreciate. I like that. I
never heard nobody say that. No, that was like, when
I'm listening to this ship, I'm like, damn for y'all,
y'all we we might have had a space, yeah, and
the hip hop that was avoided. Yeah, but y'all I
came and saved that, you know for sure? You know,

(48:08):
let's let's let's see me talking about the tunnel Vision
with Kodak. How did that happen?

Speaker 4 (48:15):
Metro really did that?

Speaker 5 (48:16):
Like I made you know, I Metro just meet up
and make beats and ship that he put all that
ship together.

Speaker 4 (48:21):
Okay, so you you you had nothing to do with this.
I made to beat, but okay, I ain't had nothing
to do with the process. And I'm making the song.

Speaker 2 (48:27):
I don't understand that. Wait a minute, you're gonna you're
gonna break this down for the So you got something
to do with it, but you ain't got nothing to
do with it. Yeah, I break it down. I made
the beat for sure, Like not me and Metro meet
up beach like you know what I'm saying.

Speaker 4 (48:44):
Okay, so you made I made the beat with Metro,
made to beat tunnel vision tunnel Vision. But he left
and had a session with Kodak on his own and
that's the beat that he pulled up and they ended
up making tunnel Vision. Metro made the play. He made
the play. I made the beat with him, and he
made you got the credit for the beat.

Speaker 3 (49:02):
Because I just wasn't I just wasn't.

Speaker 4 (49:04):
There for when they made the actual song. I didn't
have nothing to do with him giving the beat the
Korea like he gave to beat the Korea.

Speaker 2 (49:11):
But we're still loan that credit, right, I just song.

Speaker 4 (49:19):
Credit credit punishing that.

Speaker 3 (49:24):
He's selling.

Speaker 6 (49:24):
Is it important for you to be in the studio
when the track is being made with your production.

Speaker 4 (49:29):
We wanted the ill list. I don't got to be there, Okay, yeah,
I ain't got it. I can email you this ship
if you could rap and you got something going on,
you're gonna make some five ship because you'll send it
to me like you will send me the song and
I got damn. I'll tell you my notes back sertain
ship like that. You know what I'm saying. But I
ain't got to be there.

Speaker 2 (49:45):
Mm hmm. That's a fly ship. That's a fly right.

Speaker 5 (49:52):
Sometimes artists don't like it to be in the studio
with them. Sometimes like to go in by themselves. That's
cool with me too, like going just I fixed it
l on. As long as you put something on it,
I could get it together and face it.

Speaker 4 (50:03):
I ain't got to be there with you.

Speaker 2 (50:05):
Do you have a preference though, Like would you.

Speaker 4 (50:07):
Rather be certain people like future I like to be
got chemistry with I like to be there with him,
like you know, I like to be right there with him,
Like certain people, I like to be right there with them,
like you know what I'm saying, Because it's like they
certain people so talented that they're just in the future
lible to write rap two songs to the same beat
and make them sounds different, two different songs, like you

(50:31):
wouldn't have to be dozen times like nah, bro, this
was cool.

Speaker 5 (50:34):
Let us take this and make this a hook. And
then I got three verses. I'm going to just put
this ship together real quick, you know what I'm saying.
So it just depends on.

Speaker 2 (50:43):
Who it is.

Speaker 4 (50:44):
Yeah. Then sometimes I go to the studio with some
people and just be like I should have just emailed
you this ship, you know what I'm.

Speaker 2 (50:51):
Saying, Like you want to be like the devil.

Speaker 5 (51:02):
The devil right there, you know, calm down? So about
some people just work different man, Like you know what
I'm saying.

Speaker 3 (51:16):
Yeah, not everybody has chemistry, man, that's really what Yeah?

Speaker 2 (51:19):
Yeah that. So who's your favorite person to go in
the boot?

Speaker 4 (51:25):
I know you said future and the Yeah, fishing the
I like, you know what's I like working with I
like working with writer Rich rowdy rich Yeah right, he
got like right of real tenancy. He's just long beach
righty talented, real real talent. I like working with writing

(51:47):
right and listen to Like I love when an artist
like listen listen. Yeah, collaborative, yeah, because I know you
know DJ I do all that, like you not do everything.

Speaker 5 (51:58):
So it's like I know, right, sometimes they be so
caught up in theyself and they young brother only hearing themself.

Speaker 4 (52:04):
They're not hearing what's going on in the world. They
don't hear wherever what we're hearing, what we ride around
listen to. They're not listening and listen listened.

Speaker 2 (52:12):
Sure. Yeah.

Speaker 6 (52:17):
Is there artists that you ever worked with that you
were surprised that you guys had chemistry that you was
like going into it, like, nah, I don't know if this.

Speaker 2 (52:22):
Is gonna work. Uh m hm, not really here nah, because.

Speaker 4 (52:32):
I am brou they can call me with a session
and tell me he noticed. They'll call me be like, hey,
we got two fifty for you up for it to
come to the session. I like, I will not go.

Speaker 6 (52:43):
Right if you already hesitant, you're just like, nah, I
just won't go either, breath, I won't go.

Speaker 4 (52:46):
It ain't even the money. It's just because I feel weird,
Like I don't know, I just feel weird in the session.

Speaker 2 (52:51):
I just want to go.

Speaker 4 (52:53):
So if I go to a session, I'm in there
with you. I wanted to go to this session. I
want to go with you.

Speaker 2 (52:57):
That's fair.

Speaker 4 (52:59):
Yeah, I feel like.

Speaker 5 (53:00):
I ironed that I ain't got Yeah, I'm back in
the day I used to God, damn, just go to
everything now that Yeah, I don't want.

Speaker 7 (53:08):
To side where I would go to every session, but
if I'm not feeling there, I just disappeared in the session.

Speaker 2 (53:12):
Yeah.

Speaker 3 (53:12):
Just you don't even say later that's worse.

Speaker 2 (53:15):
Worse that you coming. What if they start some crazy.

Speaker 3 (53:24):
I do that we can cook beats that just disappeared.

Speaker 4 (53:27):
Yeah, that's because you all.

Speaker 2 (53:29):
You get tired. I'm trying to be sleepy, you know,
at a certain time, going to sleep for sure. That's funny.
And ship. I got.

Speaker 4 (53:50):
So many questions, all right, money on money, who's talking
about this ship earlier?

Speaker 2 (53:57):
How did that happen?

Speaker 4 (54:01):
We's out of you know, out of here, like my
best friend that make beats for like make all the Thud.

Speaker 2 (54:08):
I actually yeah no, but you know, like We's in
my real brother I met.

Speaker 4 (54:13):
When he first moved from Mississippi. So Weis was in
the studio with me every day when we first started
working with Thug, when we first started putting Thuck together
years ago, Like we' is my real that's my dog,
Like you know what I'm saying.

Speaker 5 (54:24):
But Weezy made the first half of the beat, then
Future did his verse, and then I made the second
half of the beat for Future verse after he did
his verse. You get what I'm saying, Like he did
his verse on the original beat and I made the
second half of it. I went back and made the
beat to it and just put that ship together. But
when Thud played me that song for the first time,
I was like, oh that shit crazy. Yeah, I want

(54:44):
him to use it for I wanted him to use
it for an intro for his album, but you know,
he wanted to put something out.

Speaker 4 (54:49):
I might just put that up. He came up with
the oldest idea, like the oldest video all that ship,
like they chopped the limbo truck up, but.

Speaker 2 (54:57):
It was hard. Yeah a record that's not a hit.

Speaker 4 (55:03):
Yeah, We've got a lot of records and that's not hits.
That's but they ain't coming out. You might, you might
hear the motherfuckers and be like, like we just like,
you know, like them niggas make so many songs.

Speaker 5 (55:15):
It's just like it's like so many songs, like I
have to keep that ship in my notes, like I
have to write in my notes songs and keeping them remember,
because they make so much ship, so much ship.

Speaker 3 (55:28):
How's the sampling game now?

Speaker 2 (55:30):
And that's a great question.

Speaker 3 (55:31):
I mean, you know, I'm a oldhitel sampling.

Speaker 4 (55:33):
For me, it's more like we don't really like because
all this a ship because.

Speaker 3 (55:38):
I mean you were saying you do it over you
put you out of the trap, So like is it?

Speaker 2 (55:42):
I mean for me, I do it a little bit differently.

Speaker 7 (55:44):
I'll be the one that reached out to the people
that I'm sampling, like I'm reaching out to good Man now.

Speaker 6 (55:49):
But you got it because the game don'et got sucked up.
They were suing crazy, Like.

Speaker 5 (55:55):
Kids make just music with no drums on it and
it'll be like twelve bars long, and then.

Speaker 2 (56:01):
Send it to you.

Speaker 7 (56:02):
Let's say you fifty of them, Like really that whole
loop game, Like we really like started that ship to
be honest with you, like that's how That's how they
used to send us beats to collab on and we
would just strip drums off of them and we'll put
our own drum on it.

Speaker 4 (56:14):
Yeah, that's how mad. That's how I made stick sok
for the future. I went on YouTube and listen to
some music on YouTube and the music kept playing. I
downloaded the music, loop the music and put the drums
under and he made steak.

Speaker 3 (56:24):
But that's cut. That's sampling.

Speaker 2 (56:26):
Say, we just was like, you ain't chopping.

Speaker 4 (56:30):
We chopped too, but we're not using salt. We're not
using actual song.

Speaker 2 (56:32):
Yeah, like we're not going through that.

Speaker 4 (56:37):
Actually so crazy.

Speaker 5 (56:38):
Now I can take well the songs and say make
this shi it sound like it's from nineteen sixty and simple.

Speaker 2 (56:43):
What do you think about that? Though? Like, what do
you'll think? I love it?

Speaker 4 (56:45):
I don't think i A is the future like I
love you do?

Speaker 3 (56:48):
Think that kind of fucks everybody up in the long
rum listen.

Speaker 4 (56:51):
I'm with the robots. I'm with the I got, I
got this. I have a side.

Speaker 5 (56:56):
When I get in the side of the trucks, I
don't drive it. I let it drive me everywhere. Like
I'm with all a new ship.

Speaker 4 (57:01):
I'm not going to be the person to sit back
when the world's changed and there's something to do with
something for you, like I'm gonna do it myself. No,
I bought ten robots. They can do everything for me.
I'm not with that.

Speaker 3 (57:10):
I hope to make it now.

Speaker 2 (57:11):
I'm not necessarily like you know what, just like like
women matrix with.

Speaker 7 (57:21):
No, I'm the same. Well, AI, you know you can
give it prompts right now. So at the end of
the day, I'm not necessarily with the you know, taking
something from somebody else, right and then flipping it to
making my own. But you know, like I said, as
well as you know you tell it what you want
and make it'll make it for you. Yeah, so I forget.

Speaker 4 (57:37):
I can get that feel of a sample from the
fifties or the sixties. Yeah, get that same feel, and
it's mine.

Speaker 6 (57:41):
That's why I understand, you know, because everybody got angry
at Timbling talking about the AI label with the r
who do I say? Was it CHUCKI Thompson That somebody
was on the Breakfast Club and they was like explaining that.

Speaker 3 (57:53):
This is just another tool for a producer.

Speaker 2 (57:55):
I am everybody.

Speaker 5 (57:57):
Everybody always getting mad at the new something, right, you
know they were mad at Fruity Loose.

Speaker 3 (58:01):
Yeah, right when we.

Speaker 2 (58:02):
First started with Fruit of Loose.

Speaker 5 (58:03):
People, that's not real that y'all ain't really making beats.
Like okay, you always get mad at the new technology.
I'm we I fuck with it, like overly fun with it.
They showed me some ship like that. They showed me
a machine that like they could put they could take
like all my sounds on a hard drive and put
it in this.

Speaker 4 (58:19):
Ship and it'll make beats like me easily. Yeah, a
million beats in like thirty min.

Speaker 3 (58:24):
You can make an AI agent be an a for you.

Speaker 4 (58:28):
It ain't me, but it's like close to me. It's
like to the point it's like damn like it like
it's like that's crazy.

Speaker 3 (58:36):
You got to imagine if everything.

Speaker 7 (58:40):
It's crazy at that point, Like yeah, for sure, just
you know, at the end of the day, like there's
artists that want to get on right, you know what
I'm saying. So you could work with the artists, but
then you're also dealing with ego, dealing with people who
might not want to pay attention, might not want to
take direct.

Speaker 3 (58:54):
That was the other thing that was said about.

Speaker 7 (58:55):
So when you got AI and you just like, yo,
do this, do this, do that, and it's giving you
the results that you want, why would you be mad
at that?

Speaker 4 (59:01):
Right back, I'm making some I'm making some you know
what splices.

Speaker 5 (59:04):
I'm making my own splice right now. Yeah, it's called
It's anyway my fear. Sounds like it'll be up in
like four months. But it's like the same exact ship,
but I slices splices like where you could go and
download like loops making a roalty free to make beats,
but they go off subscriptions, so it's like you pay
three dollars a month and you get unlimited.

Speaker 4 (59:25):
Just download ship. It's none roalty, it's a gold mine. Yeah,
Like you know what I'm saying, I'm making my own splice,
So it's like I'm finna go up the same ship.
So you know I'm signing to like my managers sh Lizzie.
He managed Marshmallo. Also Marshmall never dropped the pack on
the dude that don't shot face. Yeah, that's my boy,
it's one of my best friends. He never dropped the

(59:46):
pack on splicing of that ship for the DJ. So
that's my first pack I'm dropping. You know what I'm saying, like, yeah,
like some crazy, crazy, crazy shit.

Speaker 2 (59:54):
Tak at a shot for that.

Speaker 4 (59:55):
Yeah, but I'm making some crazy ship right now.

Speaker 2 (01:00:00):
Now.

Speaker 6 (01:00:00):
I think I think that's a good future to forge,
just getting into the technology side of it and owning that,
because that's what that's what I think is the problem
right now. Everybody thinks that they independent just going straight
to you know, distributing yourself through whatever, all these digital distributions.

Speaker 2 (01:00:15):
But you're not.

Speaker 3 (01:00:15):
You have to mercy at these at.

Speaker 6 (01:00:17):
These uh these companies, these tech companies. So I think
that's what everybody needs to do now in the music business.
Create their own tech company.

Speaker 2 (01:00:24):
You know. The next step.

Speaker 4 (01:00:27):
Yeall got my own speaker coming out to speaker, Yeah,
got the speaker, getting one of them.

Speaker 3 (01:00:34):
We need one for the for the set.

Speaker 4 (01:00:35):
You've seen it. Yeah, they starting to get them right now.

Speaker 2 (01:00:39):
So what so let's let's promote this. Let's talk about
this speaker that's a little one.

Speaker 4 (01:00:47):
I'm doing everything.

Speaker 5 (01:00:48):
If you can make beats, I'm trying to make everything
is for you to use to make beats.

Speaker 4 (01:00:53):
That's how you get the money. That's the trying to
come up bellion there, that's the next set of money.

Speaker 2 (01:00:58):
Now you feel like.

Speaker 7 (01:00:58):
People who use fouity loops like my partner TM, he
got like his own cloud of sounds on you know
f L. You know what I'm saying, So like, that's
all it is, is just making sure that were the
source that you come to to get all the all
the time.

Speaker 4 (01:01:11):
I mean, I'm in the sound sound design. I gotta
plug in coming out. I gotta use Nexus Autoo and
I got my own ship and to come out there
any way I feel plugging. I got my own ship
coming out.

Speaker 2 (01:01:21):
Man, I ain't gonna lie. I'm just drinking this whole time.

Speaker 4 (01:01:35):
If you give me just I'll get your number to
send speak come on fire.

Speaker 2 (01:01:40):
We're gonna do. We're gonna We're gonna do everything because
I'm proud of y'all. Man, You know what I mean.

Speaker 5 (01:01:47):
We be needing that though, we need to o Jesus
tell us like, you know what I'm saying, Like even
though what it is, producers.

Speaker 2 (01:01:56):
Are the people who make artists right, one mean percent
for sure. And if it wasn't for producers producing me,
I wouldn't. I wouldn't. This wouldn't even EXI like, like
right now, I looked at uh the algorithms, and I

(01:02:18):
looked and I looked at everybody, and I'm like, yo, yo,
everybody's kind of following us. They're kind of following thing.

Speaker 6 (01:02:26):
I I mean, we did this now in the space
there wasn't a lot of people doing podcasts and drinking
and none.

Speaker 2 (01:02:32):
Of this ship. My brother Fat Joe, I love him,
brother Jady kiss I love him. Who did want yo? Look,
I love and they love me. But you know, I look,

(01:02:54):
I look at this show and i'mer like I can
see where that they're growing because.

Speaker 3 (01:03:03):
I mean staying with the producer game, you know, I
mean with us, there you go.

Speaker 2 (01:03:09):
There you go.

Speaker 4 (01:03:11):
You don't do your because how I look at you
like that with the producers, I ain't finna like you
saying yeah yeah, I see yeah, I see where they
get it from. I'm putting up inside of your ass.
I ain't bush when with me. No the producers, did
you say networks?

Speaker 2 (01:03:31):
I'm playing, uh, Memphis Bleak and partners I heard, and
partners are hard. So so.

Speaker 4 (01:03:43):
That's hard.

Speaker 2 (01:03:44):
That's hard. Let me having fun.

Speaker 3 (01:03:45):
We having fun.

Speaker 4 (01:03:47):
I peat that though. You always have fun.

Speaker 2 (01:03:50):
But yo, man, I really want to give you all
your flowers.

Speaker 4 (01:03:53):
Appreciate it.

Speaker 2 (01:03:53):
I just want you'all to know. Man, Yeah, I might
have saved music. Yeah, man, for a part.

Speaker 4 (01:04:07):
We gotta do that right now, right now again. Yeah,
that's where right.

Speaker 2 (01:04:11):
Man, Like because when I listened to to to the
to the movement, to listen to everything that y'all did,
I sit back and I say, damn, Bro, you saved
summers after summers after summer.

Speaker 7 (01:04:27):
For sure, he's saving summers. But I ain't even gonna
hold you like Bro saving lives too. Yeah, it's straight,
and I'm just keeping it real, like you know what
I mean. Like I was in the trenches, I was
in the streets, you know what I'm saying.

Speaker 2 (01:04:42):
And for Bro gave me that call. You know what
I'm saying, Bro, you know what I'm saying. Give them.

Speaker 7 (01:04:50):
Appreciate that for sure. Sure take a shot to that
for sure.

Speaker 2 (01:04:54):
Yeah, take a shot for that.

Speaker 6 (01:04:56):
What y'all think about, like about regional sounds, because you
know we I mean, I don't know how old you are, Bumma.

Speaker 4 (01:05:02):
What you mean about regional sounds?

Speaker 3 (01:05:04):
Well, we come from an era where each region.

Speaker 6 (01:05:07):
Had his sound, okay, and then it changed where naturally
everything and even globally at some points, everything sounds the same.
Everybody's using the same style of production, they're using the
same type of flow. But it seems like it's starting
to go back to region, the regional sound again.

Speaker 5 (01:05:21):
So how I feel like as a producer, I feel
like you should be able to make all that shit.
If he called me and said, hey, Lebron wants you
to put up and do an album and make shit
like keep rough Home. If he wants the shit that
I make, we got plenty of it, you know what
I'm saying. But we're gonna put up to that session
with shit that he's still gonna like, it's gonna tweak
his ear, like then this shit sounded like me ten

(01:05:43):
years ago or fifteen years ago, but with a touch
of today on it, you know what I'm saying. So
I feel like as a producer, you should always be
able to You should always be.

Speaker 4 (01:05:51):
Able to navigate around.

Speaker 3 (01:05:52):
He made me think like hit Boy and nas.

Speaker 4 (01:05:54):
Yeah, like you know what I'm saying, like a hit
point dope.

Speaker 5 (01:05:56):
I feel like hit Boy is a ill producer, Like
you know what I'm saying, he dope, like very very
very because hit Boy and goddamn, he could blame, he
could do whatever.

Speaker 4 (01:06:04):
Like you know what I'm saying, hit.

Speaker 6 (01:06:06):
Right, Yeah, I guess maybe the regional sound would go
maybe the more to the MC, but no, I don't know, man,
I just feel like producers, like I get what you're saying. Yeah,
I just I really do miss the time where you
you could hear a sound artist or group or whatever
and you was like, man, that's that's the Truice, that's Atlanta,
That's that's New York for us.

Speaker 2 (01:06:28):
I feel like it's getting like that now. I just
feel like it's going back.

Speaker 3 (01:06:31):
I feel like it's starting to go back to that
little bit.

Speaker 4 (01:06:32):
I feel like we're getting so older like that. Like
my my nephew, my nephew, Kim Carson.

Speaker 5 (01:06:37):
I don't know if y'all know what that is, but
he like, for the kids, that's my nephew since he
was ten years old, like you know, like he raised
they raised up in this shit with that they the
new sound. But he from them from the house, he
from where I'm from, from the south Side, But that's
the new regional ship. Every nigga from the from Atlanta
right now to young niggas, they sound like either him.

Speaker 4 (01:06:57):
Or baby drilling. Like you know what I'm saying. I
can see the oil like it's like the reasonal changing.
We're just not listening to it, right, but it's still
reasonal like a motherfucker.

Speaker 3 (01:07:04):
It's like you saying, it's more underground.

Speaker 5 (01:07:07):
Yeah, it just like New York having drilled right. No, No,
like you know what I'm saying, it's still regional, like
West Coast. They got their own little box, just growing
to some other ship, the new crowd.

Speaker 6 (01:07:16):
I feel like maybe Atlanta, though, might be blindsided to
this in the sense that the whole country sounded like
Atlanta for the longest the sound was Atlanta.

Speaker 2 (01:07:24):
But it's global at one point in time. Yeah, global
for sure. But I'm just saying, like before that, the.

Speaker 4 (01:07:29):
Whole country sounded like New York.

Speaker 2 (01:07:31):
You're right, right, It's just it just moved, right, That's
all they is. Move.

Speaker 5 (01:07:35):
You know what I'm saying, Just move you at Atlanta.
Niggas like niggas like t I T. I was probably
looking at jay Z like you know what I'm saying,
like T I want some other ship? How the Prince, Yeah,
like there was some other ship. It's how crazy fun.

Speaker 2 (01:07:52):
Nuts. It's probably one of the greatest conversations we ever had.

Speaker 5 (01:07:57):
Yay, you know what I'm saying that part, I'm gonna
say what I want to say, Like you know what
I'm saying, dope like dope, shid dope.

Speaker 2 (01:08:13):
That's fine. He's like that part for sure, because you're
one of the greatest producers of all time.

Speaker 4 (01:08:24):
Yeah, for sure. Sure.

Speaker 2 (01:08:30):
I feel like I've worked with the greatest producers of
all time. So for me to say, look at y'all
both in your face, say man, this is I appreciate
you'all one of the greatest producers of all appreciation to
appreciate mean that ship like that shit is dope. I
appreciate that. Trauth Thou.

Speaker 6 (01:08:52):
And I know y'all are successful, but it seems like
the trajectory for the whole the team everything is crazy.

Speaker 2 (01:09:00):
What y'all could Yeah, I don't feel like we did
enough yet, That's what I'm saying.

Speaker 6 (01:09:04):
You're already successful, but I think it's just even bigger
where it could.

Speaker 2 (01:09:07):
Go because it's still going.

Speaker 7 (01:09:08):
Yeah, there's a lot more to do, a lot way more,
way more, still going, still going.

Speaker 3 (01:09:15):
So wait, hold on, what's your production story?

Speaker 2 (01:09:18):
Like?

Speaker 3 (01:09:18):
Where where did you get the bug?

Speaker 2 (01:09:20):
Uh? Ship? You know?

Speaker 7 (01:09:21):
Just growing up in New York. I used to be
in a lot of studios and I was a rapper first.

Speaker 2 (01:09:26):
I used to just you still got.

Speaker 7 (01:09:32):
I actually got an album you know, about to come
out soon, but I don't.

Speaker 2 (01:09:38):
But I used to just.

Speaker 7 (01:09:41):
Yeah, you know, I used to be around allder producers
and I used to just sit there watch them make beats.
And then you know, I just by me watching other
people make beats. It was just like ship, I want
to do this ship myself made my own beats, you
know what I mean. So you know, my partner's a
he gave me my first laptop, you know what I
mean with you know, MPC and stuff like that.

Speaker 3 (01:09:59):
So you your machines not not just for.

Speaker 7 (01:10:02):
Yeah, because I said I was around all the older people.
I was, you know, like the young nigga that was
hanging around all the older niggas. So the niggas was
just like using all the you know, hallway and stuff
like that. And then when I got around bro, he
was like, Yo, you gotta go to FL man that
hardway ship. Like as much as I used Hallway, I
use any other door. Anything FL is would change my life,

(01:10:25):
like just keeping it a bean, you know what I'm saying.

Speaker 2 (01:10:27):
FL.

Speaker 7 (01:10:28):
When I start using f L, that's when the checks
started coming.

Speaker 2 (01:10:30):
For sure.

Speaker 6 (01:10:31):
Boys, he's a producer as well.

Speaker 3 (01:10:34):
Beats in the hood.

Speaker 2 (01:10:36):
For sure.

Speaker 6 (01:10:47):
Did Did you produce a lot of stuff though? When
you was in New York? Like far is there anybody anything.

Speaker 2 (01:10:52):
That we would know?

Speaker 7 (01:10:53):
Not no name, not like no songs that really like
blew Up or anything like that. But I think like
the first person like group I would say that I
produced for it was like m O P or Yeah.

Speaker 2 (01:11:02):
For sure.

Speaker 7 (01:11:02):
I was a young nigga and they pulled up to
the studio and I was just like and look, actually
little thing, little fame. He actually showed me how to
do certain tricks on the NPC.

Speaker 2 (01:11:10):
You know what I'm saying.

Speaker 7 (01:11:10):
That's crazy, Yeah, but that was like back in the
day young niggas. But you know, all the big stuff
came when I got around bro. You so, but that's
that's dope, that's fine.

Speaker 6 (01:11:19):
That's got Do you think we'll ever get a double
exelf freshman producer cover?

Speaker 4 (01:11:28):
I did that. I made the beat for the ship
last year for the freshman ship.

Speaker 6 (01:11:33):
Really yeah, but we need to cover for producers.

Speaker 5 (01:11:36):
I won't be able to get out of it. I
hope they do that though. That'll be dope they do that.
I know I had three four producers on that for sure,
for sure, Yeah, for sure, for sure.

Speaker 2 (01:11:47):
Hell man, I'm gonna be honest with y'all.

Speaker 3 (01:11:50):
Don't lie to us.

Speaker 2 (01:11:53):
All I want is to beat.

Speaker 4 (01:11:55):
We got you, you got it.

Speaker 2 (01:11:58):
But I'm not I and this ship album overdue right now.
I'm gonna come sit with y'all. Yeah, it's gotta be.
It's gotta be.

Speaker 4 (01:12:14):
Let me know. Whenever you are.

Speaker 2 (01:12:15):
I can't even like, look at y'all disiography and see
there's not a hit. You cannot make a hit.

Speaker 4 (01:12:23):
Yeah, something that for sure. I'm not leaving.

Speaker 3 (01:12:30):
I don't play like that.

Speaker 2 (01:12:37):
I'm going to studio.

Speaker 3 (01:12:41):
I'm drink. Champs is a drink.

Speaker 6 (01:12:44):
Champs ll C production hosts and executive producers N O.

Speaker 2 (01:12:48):
R E and d J. E.

Speaker 6 (01:12:49):
F N listen to drink Champs on Apple Podcast, Amazon Music, Spotify,
or wherever you get your podcasts. Thanks for joining us
for another episode to Drink Champs hosted by Yours.

Speaker 3 (01:13:01):
Truly, dj e f N and n O r E.

Speaker 6 (01:13:04):
Please make sure to follow us on all our socials
That's at drink Champs across all platforms, at the real
noriagon I g at Noriega on Twitter, mine is at
Who's Crazy on ig At, dj e f N on Twitter,
and most importantly, stay up to date with the latest releases,
news and merch by going to drink champs dot com

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