#Throwback Episode - w/ Fat Joe, Remy Ma, Papoose, Statik Selektah + More| (Ep.44) - Drink Champs

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Y'all was going on Bro Dreams Radio.

Speaker 2 (00:04):
But he's a legendary Queen's rapper.

Speaker 3 (00:08):
Hey, Hanks is your boy in no I he's a
Miami hip hop pioneer.

Speaker 2 (00:12):
What Up is dj e f N?

Speaker 4 (00:14):
Together they drink it up with some of the biggest
players in music and sports.

Speaker 2 (00:18):
You know what I mean?

Speaker 5 (00:19):
The most professional, unprofessional podcast and your number one source
for drunk facts.

Speaker 6 (00:24):
This is Drinks Radio. Every d is New Year's e.
That's right, Hey Hanks, Ibi, this is your boy and what.

Speaker 2 (00:33):
Up is DJ e f and his drinks tant mother?
The book of podcast makes up? That's the horns as
everybody even participated in this and right now, I'm so
honored to have our first guests.

Speaker 6 (00:54):
Who came.

Speaker 2 (00:54):
He knew that we was foul podcast from the beginning.

Speaker 4 (00:58):
No, he didn't know what to expect, no way to
but so that's why, that's why it was a special episode, and.

Speaker 2 (01:03):
It's a special episode today because right now, not only
he's my friend, not only he's my brother, he's a
great sneaker officionado and we are his sneak assistant.

Speaker 6 (01:14):
This is amazing doing it up right now.

Speaker 2 (01:16):
The space Annoyse for fat Joey.

Speaker 1 (01:23):
Right now we are up in YC. Well, first of all,
let's set it off for Sae. I was your first kids, Yes,
and I'm keeping to my word.

Speaker 6 (01:36):
I told you guys, I was never going back to
the show. We came here. But let's.

Speaker 2 (01:47):
So let's break down this up in n y C. Yes,
this is a beautiful I see you got cookies there.
I see you got pum ones up all the time.

Speaker 1 (01:55):
We got Nike, we got Jordan's Major, Jordan's restock, we
got Nike in the building, we got Timberland. We are
billionaires boys Club p on PS. I mean getting a
lot of money, billionaire joint over there.

Speaker 6 (02:10):
I mean we're working. No, you super working.

Speaker 2 (02:12):
And you got the drink champions here, you got the
dreams Da Joe. I could never be proud of you
because you can never be more proud of you than
I am right now, because you are really a sneaker
God like you.

Speaker 6 (02:27):
You like every.

Speaker 2 (02:28):
Times I get a sneaker and I just come.

Speaker 6 (02:30):
Around you and I won't say nothing, and then.

Speaker 2 (02:32):
You'll be like I got those already, damn, Like like
you're really you had your sneaking display out here.

Speaker 6 (02:40):
Yes, I have a museum. Oh my god, you're a sneaker.

Speaker 2 (02:43):
He's a fast sneaker from Jordan, because I've seen the
Jordan Moneys.

Speaker 6 (02:48):
Yes, oh my gosh.

Speaker 1 (02:49):
So what happens is we we wanted to stay true
to the sneaking heads, and I made like a museum
and every two months it'll be somebody else's collection. So
right now, that's my collection, and the two months it'll
be the Mayor's and two months after that it'll be
called Melo Anthemis two months after that to be Spike
Lee's two months after that.

Speaker 6 (03:08):
So it's a museum for.

Speaker 1 (03:09):
The kids who really really loved uh, the sneaker culture,
so we have to stay true to them.

Speaker 6 (03:16):
And so we wanted to do both.

Speaker 1 (03:18):
We wanted to bring something really really fly to the community.
You know, we uptown Washington Heights and it's the end
of Hayes.

Speaker 2 (03:29):
If you can't fly, if you can't find Hayes Head,
then you're just not looking.

Speaker 6 (03:33):
I'll tell you one thing. The Cubans was here.

Speaker 7 (03:44):
Listen.

Speaker 8 (03:44):
Let me tell you the Cubans was here before Dominicans.

Speaker 6 (03:48):
Then the Dominicans came and took.

Speaker 2 (03:51):
When we say that, we got Johnny Newman is taking
a shot, john.

Speaker 6 (03:57):
You don't mean the camera shot.

Speaker 1 (04:00):
Started soleonas now you know pretty much first my first
customer was fifty cent this morning year, so I didn't even.

Speaker 2 (04:07):
Get up too early. Yeah yeah, he caught me up
and he's like, yah, I'm here before you.

Speaker 6 (04:12):
I'm like, yeoh, my man, I can't. I can't.

Speaker 2 (04:15):
It was too early.

Speaker 6 (04:16):
So let's ask you this question.

Speaker 2 (04:19):
You gotta you got a famous story on the podcast,
and right now it's between no Joke and Dave da
which one is telling the truth?

Speaker 9 (04:29):
I have to admit it's Damon dat your story.

Speaker 2 (04:33):
Choke is my brother. So Dame is telling the truth,
but Choke is your brother. That's make a noise for that.

Speaker 6 (04:37):
Got that.

Speaker 2 (04:41):
Only because I'm working. I can't tell the long story.

Speaker 6 (04:43):
Don't tell them.

Speaker 2 (04:44):
I'll come to the next story, all right.

Speaker 10 (04:45):
But it all started when but pretty much uh Day
refused to allow this the infamous Paris story to get
beat down by a bunch of pivots and he took
a bruise and some stitches, but he.

Speaker 6 (05:01):
How was he swinging the can?

Speaker 2 (05:02):
You showed us the camera.

Speaker 6 (05:04):
We got to be looking at Johnny.

Speaker 2 (05:05):
You came getting it in Johnny you know.

Speaker 6 (05:07):
This ain't no chunk.

Speaker 9 (05:07):
All I will say is that all the kids that
he used to travel with, they were pussy.

Speaker 2 (05:12):
And they ran.

Speaker 9 (05:13):
What what made what made me stay behind was that
I've never been traveling out of out his country. So
for the first time to be out of the country,
I didn't want to be that sucker that ran in
a fight.

Speaker 2 (05:27):
So how was he holding the camera when you, Smoky
showed us it's got a camera. Show us how you
showed us before.

Speaker 6 (05:35):
I'll do it for the next time.

Speaker 2 (05:37):
No, no, no, no, next time's drink n y C
is a new sneaker store.

Speaker 6 (05:44):
You can't do that time.

Speaker 5 (05:52):
He was.

Speaker 2 (05:55):
Choke no joke. No, but chummy and Dame you squashed.

Speaker 6 (05:58):
You love that both.

Speaker 1 (06:00):
Johnny Noon years, I do Christmas hat. Can't say a
nice guy didn't know he's swinging.

Speaker 2 (06:06):
He'll stab somebody for you. God, God, damn smoke, dizzey smoke, Disney,
come over here. You and Status said like to come
over here, come on, come over staty so let his
original drink Champ.

Speaker 6 (06:19):
You know that is my first time on him. I'm
kind of heat. No, no, you you.

Speaker 2 (06:23):
Crazy, You're crazy. Yes, go ahead, you're crazy. Static in Miami.

Speaker 7 (06:27):
You remember, we went to eighty nine and we're gonna get
French and he ended up pushing it back and there.

Speaker 6 (06:30):
It was Ramadan and you went to the club and.

Speaker 7 (06:33):
With fifteen on him and I passed the funk out
of the hotel.

Speaker 2 (06:35):
I went to.

Speaker 6 (06:36):
Miami for no reason. I just sleeping. I mean, you
got enjoy yourself.

Speaker 2 (06:40):
So you see how he said, we went to the
club and see fifty he he just lined it up
that that's how he got fifty that night. Goddamn big
up fifty cent.

Speaker 6 (06:48):
He let me tell you he was here. You shid
the ship out of me.

Speaker 1 (06:50):
I just saw that Donald Trump had on my.

Speaker 6 (06:59):
Trump joint.

Speaker 2 (07:00):
Smoke is not in our element because me and you
are both smokers. But being with you can't smoke in
fat Joe grab you can't do that.

Speaker 6 (07:08):
You know you can't. Not in the balcony though.

Speaker 2 (07:12):
He is his especial Norri balcony.

Speaker 6 (07:15):
In his career. He has wonderful crib.

Speaker 2 (07:17):
He's very rich, by the way, no make.

Speaker 1 (07:24):
By sneakers. Listen, listen, let me tell you something. I
got my little man first. Simon America Rasht whoa a
k A money kicks.

Speaker 2 (07:35):
He from Dubai, Duba you know it. He looked like
your bracest smell sound sound like Dubai, Like you're very rich.
How you doing, I'm good, telling you I am great.

Speaker 1 (07:46):
Have you seen me, Dobby? Have you seen my snap?
And I was carrying the lion. The lion had three lines, no,
one hundred lines. Got a zoo in his house, and
what's crazy? In the middle of the zoo, he got
a sneak a room sneaker collector, so he said, he said,
find Joe, my brother. I want to come America. I said,

(08:09):
come on, let's go more tea and travelers. Let's hit
him with that royal elite right now, you.

Speaker 6 (08:22):
Smoke this.

Speaker 2 (08:22):
I don't know if you know Fat Joe has the
best relationships in hip hop. No, no, I'm like, that's
the best relationships. I know. I'm talking about Carmelo Anthony.
You know. He just says things like that, I went
out to dinner with Spike Lee yesterday, like word for real,
Like nobody don't do that?

Speaker 6 (08:38):
Like do you agree with me?

Speaker 2 (08:40):
Of course?

Speaker 6 (08:41):
Let's make some joy. This guy calls me from a
plane last night.

Speaker 7 (08:45):
I can't even understand him and I'm like Joe, whatever
it is, it's on literally.

Speaker 2 (08:50):
Like, come on, fan, Joe's the best guy on hip
hop for for real, there guy and E f N
wants to make sure he represents Cuban human being human
beings and this is what drink. I'm Wato Rican, so
I wanted to represent the Puerto Rican side.

Speaker 6 (09:06):
He wants Puerto.

Speaker 2 (09:08):
Rican and Cuban.

Speaker 6 (09:09):
It is what it is.

Speaker 2 (09:11):
He's care said.

Speaker 6 (09:17):
So smoke Disney, you from n y C.

Speaker 2 (09:22):
What is it? What does this mean for you to
come in this store and see Fat Joe. This is
Fat Joe's star and this is it's monumental, you know.
I mean, that's why I came.

Speaker 11 (09:31):
I'm like, man, I gotta come support, buy some sneakers
to bring my niggas here and let them cop out
because I mean, you know, we ain't got ship like
this in New York, you know what I mean.

Speaker 2 (09:38):
So it's big for the city period. And the thing
about Joe store is it's exclusive, but it's retail, so.

Speaker 6 (09:46):
He's not trying to rub nobody. He's selling it is
this true.

Speaker 1 (09:50):
Joe boxed rice nothing sold over, so it's boxed price
a brand like Philip Pin. It would never be in
the Philip Lyne do four hundred million a year.

Speaker 6 (10:02):
I don't know what that in your look? Oh yeah,
what is that?

Speaker 1 (10:05):
Well, it's three four thousand dollars Jackiet shirt Oler.

Speaker 2 (10:08):
It's over there like a Jackie. You got all right,
now you're very flying that. Let's start out.

Speaker 6 (10:13):
Let's hear what out this big?

Speaker 2 (10:15):
Be proud of you.

Speaker 6 (10:17):
Big, I'm gona be. It looks on thousand and one,
but what but it is.

Speaker 1 (10:22):
But what I'm saying to you is, you know, I like,
I feel like us Latinos blacks. We set the trends,
you know, and we never get our share of flying this.
So when I did the store, I said, shut up.
My partner, Scotti, the youngest partner in the wady nineteen

(10:42):
years old.

Speaker 6 (10:43):
He working very well, My Scotty gotta work. I we
was hand. I felt Richard just there ahead continue and we.

Speaker 1 (10:51):
Just wanted to bring like the Hamptons in the middle
of Washington Heights. So it's actually I wanted them to
see the sneaker culture. Same time, get stuff box price
where we ain't robbing nobody. Plus we're giving them something
that they can see their favorite rapp Let's look at
this Drink Chance number one show in the US.

Speaker 6 (11:09):
Last we can we bigger than Howard Stern.

Speaker 8 (11:18):
Tell them you drink Chances, No drink.

Speaker 6 (11:29):
Your ship to put the show you back in your
nasty what up?

Speaker 1 (11:35):
We got the Bing whatever you do, don't sharpen this
ship please.

Speaker 2 (11:44):
That's my brother King Bing. We also got the Ching
Bing Mike Booth podcast. Let's also look out for Fat
Joe's podcast. We're announcing it live do the Drink Chance Network.
It's called just for kicks. Let's make somenoy Pat, y'all.
I love you so much man. Look you also know
you got a cubans of God. I give you a

(12:06):
car he avert.

Speaker 6 (12:08):
Let me tell you who I'm proud of.

Speaker 1 (12:10):
I'm proud of you guys, right because you prove that
you can make something out of enough.

Speaker 2 (12:17):
That's a fact you guys.

Speaker 1 (12:19):
You know you're started with something and you had an idea.
You didn't know it was gonna be this big, And
what happens is it's the true testament to never giving up.

Speaker 6 (12:30):
And that's the story of our life. You know. Because
a lot of people got short memory.

Speaker 1 (12:35):
We put out platinum albums, gold albums.

Speaker 6 (12:39):
We put out the biggest hits.

Speaker 1 (12:40):
But after a while the fans is almost like they
be like, where's your last hit now? So they start,
you know, forgetting the work you put in. But you
never laid down, and now you got a two million
viewers two million points four every week.

Speaker 6 (12:58):
Two six last month because you believed.

Speaker 1 (13:02):
In yourself and you did something in the Vadia Breddy
something my brother show What Happens.

Speaker 6 (13:07):
Is the same thing with Fat Joe. I sit in
the couch.

Speaker 1 (13:10):
Sometimes when I ain't gotta hit, people try to act
like they forget that we ain't put out lean back,
making rain all these things. So then we got to
hit him with.

Speaker 2 (13:17):
All the way up, by the way, all the way up.
It's platinum. Let's make.

Speaker 6 (13:33):
Oh no excuse me, sir, double all the way platinum.

Speaker 2 (13:46):
Yo. But you know, Fat Joe, I just want to,
you know, big you up because you transcended with people
thought like people thought you gonna.

Speaker 6 (13:52):
Have a hit record like cause smoke design.

Speaker 2 (13:54):
We know you're a new artist, but after you get
ten years a better, people gonna.

Speaker 6 (13:57):
Count you out.

Speaker 2 (13:58):
Even if you hot, they're gonna count you out. They're
gonna say you can't do it again. They're gonna say whatever, whatever.
But faan Joe, you you you stumbled over those and
you kept going. And one thing about you that I
notice you really still love this game. Oh I love it?

Speaker 1 (14:12):
You really love Yeah. I'm fighting for my respect. All
these years in the game, I still don't get my
just Duke, I keep fighting for my respect. The album's
called Plot Thou Plombo, shout out remy man. She's on
her way. She went Banana's on this album. This album
is incredible. Once again, I repeat incredible.

Speaker 6 (14:35):
By the time if you love.

Speaker 1 (14:36):
Hip hop, by the time you get to the fourth song,
by the time you get to the fourth song, you
texting thirty people like, oh no, they serious about this.

Speaker 2 (14:46):
We know you're serious already.

Speaker 6 (14:47):
Joe, stop killing you.

Speaker 1 (14:50):
Don't practice every year.

Speaker 6 (14:55):
It's time after the time, every year ever failed.

Speaker 2 (14:57):
And I'm gonna keep it a honey with you, man.

Speaker 6 (14:59):
Fa Joe is hip hop.

Speaker 9 (15:01):
If y'r niggas thiga is a game, y'all niggas is out.

Speaker 6 (15:04):
Of pocket because the BX is fat Joe. I forgot And.

Speaker 2 (15:08):
Let's make.

Speaker 6 (15:14):
So smoke Disney, you got wean on you.

Speaker 2 (15:17):
Questions. We're gonna take a smoke break and were gonna
go acro the street. Let's not.

Speaker 12 (15:24):
Joe.

Speaker 2 (15:24):
Stop Joe.

Speaker 6 (15:26):
I'm the most respectful nigga.

Speaker 2 (15:27):
Now let me tell you the story though that Joe
in writing me to his crib on Thanksgiving.

Speaker 6 (15:32):
Listen up, listen up, yo, my nigga guesses, hold on, no,
this is last.

Speaker 2 (15:39):
This is this is this thing is given last things
give and yo. You know Joe is rich, so he
has the caterer. He says that he has the caterer.
He has everybody out. So I'm sitting there and Joe
was He's he lit, he's got strike nigga. I'm like, ship,
I feel like.

Speaker 6 (15:56):
He's challenging me.

Speaker 2 (15:57):
But this is my brother, so I don't want to
take it this and he goes and then Fat Joe
threw up in his own crib one thanks Giving Joe
jokey drinking joke drink yo.

Speaker 6 (16:11):
Hold on, they went all in the cup.

Speaker 2 (16:13):
You who's a profession smoothing store bareveroing in the cup?

Speaker 6 (16:23):
Listen listen, hold up.

Speaker 1 (16:24):
I got a very special person in the house tonight,
who's actually the hottest host in New York City clubs.

Speaker 6 (16:32):
Pretty little pretty loose right behind you?

Speaker 2 (16:38):
What's that wom shame my shi shame, my pretty little
I see a little in the hospital, God bless I
pray for you. And look at you, you out the
hospital looking fucking what. You text me this morning? You
ask me what sneakers I was putting on, and then
you you, you put on the same sneakers. Little just

(17:00):
only gig.

Speaker 6 (17:00):
I'm manager.

Speaker 7 (17:01):
Let me feel hold on before says I would have
expected for everybody. I see Lou at the radio station, right,
Denny's in the club. Denni's in the hospital getting treatment,
Denny's at the radio, Denn He's in the club.

Speaker 13 (17:14):
Damn.

Speaker 7 (17:15):
This guy's consistency with putting work. A lot of people
with just punks out and be like I'm done.

Speaker 6 (17:20):
This guy is stronger. That's right, pretty low. What's up?

Speaker 2 (17:23):
Man in in was s oh no, we're here the
grand opening up in YC. I see a lot of
beautiful people.

Speaker 1 (17:29):
Your pretty new Hold up, because there's a lot of
this is I'm not just saying it.

Speaker 6 (17:34):
This is the biggest podcast in the world.

Speaker 2 (17:41):
Hold on. Let me let me tell you something.

Speaker 1 (17:43):
Hold on, hold on, hold up, tell them your journey
with cancer. Because you're inspiring thousands and thousands and thousands.

Speaker 6 (17:51):
Of people with your journey, pretty Lou, tell them that
people got to hear this.

Speaker 14 (17:55):
Let me tell everybody man one thing. I want to
thank Fat Joe on this podcast. Man without Fat Joe.
I want to be where I'm at right now with
the with the power and the and the stamina that
I have two years of fighting leukemia, two years of
having on blood cancer and.

Speaker 2 (18:12):
Let's make some nuts for Look.

Speaker 8 (18:14):
And you know.

Speaker 6 (18:17):
He's not making no put it like.

Speaker 2 (18:21):
Put it like this. You know.

Speaker 14 (18:24):
I want to thank God because if it wasn't for God,
and see people and all my supporters it's all about God,
I wouldn't be I wouldn't be touching what is it, Joe,
thousands and thousands of people.

Speaker 2 (18:33):
Stage on stages.

Speaker 1 (18:34):
Yeah, but it's more than that, Lou. Let me explain
something to you. Great, right now, you're not even fighting
for Lou. You fighting for somebody who got cancer somewhere
in the world watching you, and they getting up and
they don't have the motivation you got. So every day
you wake up and you fight, and you go work
and you talk, tell your story.

Speaker 6 (18:52):
You are inspiring the little kid.

Speaker 1 (18:53):
Somewhere wrest cancer who's saying I could make it pretty
lose a fighter.

Speaker 6 (18:58):
I'm gonna fight you out. That's what's so powerful about you.
Now makes a noise for that there.

Speaker 12 (19:03):
You know.

Speaker 2 (19:08):
This is Joe Town.

Speaker 14 (19:09):
But I'm gonna say one thing for the grand folk.
Shout to the Instagra, shout to everybody. But listen, anybody
who's out there fighting cancer or any type of disease,
always lets you know that the disease doesn't take you.
You know what I'm saying. It's all about the mind.
It's all about the power. It doesn't matter what type
of chemotherapy you get, what type of medicine you get.
It's all about your mind. If you put your mind

(19:29):
into it, never matter. You know what I'm saying, and
you don't let the disease get to you. Believe me,
it doesn't take no drug for you to beat this. Yeah,
number one podcasts.

Speaker 2 (19:42):
I said it. I've been listening. This is the hospital
bed and listen pretty little. I also want to pick
you up. But just always being a motivator, always being
an inspired person, always being every time I've seen you,
you smiling, and you know that's important to me because
I don't I can't do this business. I can't be
a part of this business. Unless I'm smiling. If I

(20:03):
ain't having fun doing what I want to do, I
can't do it. You know what I'm saying.

Speaker 6 (20:08):
Elite might be helping, I don't even I don't even help.

Speaker 2 (20:12):
I don't eat unless i'm I'm sorry. Man.

Speaker 6 (20:19):
I appreciate you always having the Roylar eleae bottom. You
ain't have faun.

Speaker 1 (20:24):
You always wrapped that Broylar elee that back up brands
you want to take.

Speaker 6 (20:31):
By the way, have you tasted it yet?

Speaker 2 (20:33):
This is my first time.

Speaker 1 (20:34):
This is get the cameras on its.

Speaker 2 (20:38):
How no no, no show you or a check watch out,
You're gonna die For twelve seconds, it goes down smiling light.

(21:06):
This nigga Fat Joe got the thirteenth century roka out there.
Let's respect that even living queens are taking the days
with this ship.

Speaker 6 (21:17):
They used to come out with this ship. It says
eighteen having straight up that ship from mommy, how did
you get how did you get put on the Royal League?

Speaker 1 (21:26):
Well, you know, I started drinking it first, and then
he's a great said, you know what, he's amazing drinking
it first, and I was like, yo, this is the
best quiet you know, best kept secret. So I contacted
the owners and was like, yo, you might need fat
Joe in your life. And then they cut us through something.
I believe that you always got to be like a

(21:49):
product of the product. So I became now I love
the product. So I contacted them and now we're partners.

Speaker 6 (21:55):
Wow. Then they cut that chall that just making that job.
I two white Okay, God loom.

Speaker 2 (22:08):
Okay, money, we ain't watching and listen, there's a lot
of coke dealers that's gonna come here by sneakers.

Speaker 6 (22:15):
Know that a legend allegedly got, don't you that's a
nice people here. I've seen Chinese people come for.

Speaker 2 (22:23):
All of these gender genderfuer gentified, I said, gentle gentified,
all right? That whoa we got for men? Face? What up?

(22:45):
We need Premo on drink Champs make you drunk Later,
we get you drunk. Primo, Yes, have your prayer, Holy ship,
I was throwing up PREMI So you gotta album with
geek Rock?

Speaker 6 (23:03):
How the fuck did that happen?

Speaker 2 (23:04):
Well? I knew Pete since I was young, you know
what I mean?

Speaker 11 (23:07):
And I used to carry Pete face to get in
the club before I could get it from Mount Vernon.

Speaker 2 (23:10):
Now I'm from hollow, but pe you know, pee everywhere.

Speaker 11 (23:14):
But we did something for Flex and uh pete really
fun with the James, Like, yo, let's just do a
whole album.

Speaker 2 (23:21):
You know. That's how that ship came about. Don't Smoke
Rock and it looked like the pay the full comfort
take it back n y C.

Speaker 6 (23:31):
Let me tell you something, smoke. There's a uh.

Speaker 2 (23:34):
I respect everybody coming up new artists, but I especially
respect new artists from n y C. Because that's where
my heart is. I live in Miami. I'm wear flip
flops all day. Keep it the honey and I never
have a babysitter. But the only the only store in
America it's gonna have the drink Champ Slide is gonna be.

(23:59):
I want to support you. I want to continue you
know you, the Younger Maids, the Davidss, the Eight Boogies,
the don Cs. I want to continue to support y'all
because y'all what's gonna keep us?

Speaker 6 (24:12):
Y'all was going to bring it back and he's got
a movement.

Speaker 2 (24:15):
You gotta move the man. I look up to y'all.
I mean, like a nigga.

Speaker 11 (24:18):
I started this ship listening to y'all listen in the crack,
listening the pun, listening to the noise.

Speaker 2 (24:22):
The whole listen to d m X and I mean
a lot. So let's make noise. Cut checks now. It's
a noise for whole checks. Oh my god, lell you later.

Speaker 6 (24:35):
God damn it. That's big up, that big up.

Speaker 2 (24:41):
God.

Speaker 6 (24:41):
Come in from from Nike. Don't cut no, I need
your account.

Speaker 2 (24:49):
He's actually a big fan of the drink.

Speaker 6 (24:54):
Right now, say your names wearing out. We need like
we need to like you love ship here you go. Yeah,
that's about the bell something Instagram in your Twitter and
all that.

Speaker 4 (25:07):
No, not.

Speaker 6 (25:09):
The blanket club, Yo, I wear you know you ain't
my number. You know what you know me?

Speaker 1 (25:15):
I went and met with him and I was like, Yo,
it's the choice of Joe from the Bronx. He actually
got a story. Talk him about your mom.

Speaker 6 (25:24):
This is drink jack, this is real. You get to
talk to the money, your fact.

Speaker 15 (25:28):
This is.

Speaker 6 (25:37):
Yet.

Speaker 2 (25:38):
Tell me I grew up one hundred eighty second in
Preston and the Boots. Oh yeah, Harry Rocky.

Speaker 6 (25:45):
So uh when I live, Joe used to uh hang
out out. That's he's so cracked there. So it's I
got into something and I.

Speaker 7 (25:56):
Tell you one thing, this man and your your I
tell you all that this son's head Carty brother came up.

Speaker 6 (26:02):
My mother was screaming, what's going on? What's going on?

Speaker 2 (26:05):
They said, Debbie, we got you, so can met and
now what wait something years later.

Speaker 6 (26:10):
Now you're a big dogg a Nike and you have.

Speaker 2 (26:13):
Huge Let's make sure you take my number buses.

Speaker 6 (26:19):
I love the story. I love the story, but look,
take my number bucking.

Speaker 2 (26:23):
Are you out? You're out here?

Speaker 6 (26:24):
I got We're gonna do this, me and you, nigga.
I don't need to pass you all.

Speaker 4 (26:30):
This is the number taking section. I'm my next nice book.
While they're doing that, let's talk about this album. Pete
rocks Man, so yeah, make you lord, get that.

Speaker 2 (26:44):
And please whatever when y'all come myself in putting Nike
fights very important, very important. We don't have they don't
have another Nike. Himm and pe Rocker coming up him
and Pee rock is coming. But you hanging out with
us right now? When Johnny newnas Can I'm standing right behind,
come sitting down all right? Let me get you. Oh
you got a BlackBerry still, I'm just blowing up.

Speaker 6 (27:05):
Be careful.

Speaker 2 (27:07):
You can't hack the eat Uncle Static selected, what up
your official drink chain?

Speaker 7 (27:13):
We talk about how we really set off my drink Champ.

Speaker 6 (27:18):
My brother you pronounce it. I'm the prince of drink
Champs and he's like the king Novelle.

Speaker 7 (27:23):
Let's talk about how the drink Champ Norris static ship started.

Speaker 6 (27:27):
Yo, smoke this be careful.

Speaker 2 (27:29):
Yeah, I'm only drinking against that because because they pay
for the flag up. Yeah, yeah, coming up? Maybe, my god,
don't leave man, we come in here.

Speaker 6 (27:41):
Yeah listen.

Speaker 2 (27:45):
Yo statics selected. Yeah, h huh, Johnny knwonan is we
need the.

Speaker 6 (27:51):
Rest of that story? My god, damn it. This drink
is fantastic.

Speaker 10 (28:03):
Going on?

Speaker 2 (28:05):
What there's three DJs and a rapper right now. Don't
forget Nasty here too, fluid the motherfucking house. Man. I
did not know DJ Nasty was Cuban, Yes, man, I
did Cubans not Cuban DJ know these things. So Camillo,
what's going on? You opened up a slice? Yes too, Yes,

(28:28):
and the Storia got one in the Storia and one
in Longan City, Queens, Long Island City, Queens.

Speaker 6 (28:33):
You'll get a lot of money. It makes a noise
for Camilla get a lot.

Speaker 2 (28:36):
Of er DJ Camillo, What yo, So you're the international
because one thing I know about your.

Speaker 6 (28:45):
Parties is every race comes to your party.

Speaker 2 (28:48):
Fact is that? Well?

Speaker 6 (28:50):
Now you know in New York I have that Latin
core fan love.

Speaker 2 (28:59):
If you're like Spanish bitches, go to the Committal thousand.

Speaker 6 (29:02):
Let's just get to the point. Let's get to the point.

Speaker 2 (29:08):
Super Old demonized the back Okaine for these guys back
in the day.

Speaker 6 (29:14):
And take it back to Queens. He's back in the day, yo.

Speaker 2 (29:17):
Static Selector, Static Selector and DJ Camillo, I would like
to ask you both a question right now, you're both.

Speaker 6 (29:25):
DJ every night. What is the go to record right now?

Speaker 15 (29:30):
Man?

Speaker 2 (29:32):
Right now?

Speaker 6 (29:33):
And is it different right now, right now?

Speaker 10 (29:35):
Right for you?

Speaker 6 (29:36):
It means DC.

Speaker 7 (29:37):
For Lyddy, I don't even know what. Yes, sir, that's Hall,
That's Hall, right yeah? Yeah, then I thought the day
of the group was DC. All right, cool, let me think.

Speaker 2 (29:52):
Man.

Speaker 6 (29:53):
That's a tough question though, because so many I would say, uh, man,
you could depending on the crowd too.

Speaker 7 (30:01):
Yeah, it definitely depends on the I'm I'm the artist.

Speaker 6 (30:08):
No, I'm not the artist. I'm a fan.

Speaker 2 (30:10):
But you don't understand it, man, I don't in the
cloud DJ with them, give us, give us one.

Speaker 6 (30:16):
Don't you you know? I mean listen, DC for just
dropped this week, big, big up Meek Mill. We've been
buying right now in the.

Speaker 2 (30:23):
Street right now.

Speaker 6 (30:24):
That's what's going on. That's it right now, that's it.
You know what it is. Nobody got it though? What
that new trip called?

Speaker 2 (30:31):
Quest?

Speaker 6 (30:32):
Don't ask me. I think I think you misunderstood my question.

Speaker 7 (30:38):
Like nah, I know in the club, in the club,
in the club, and like what do you man? I
would say, you know what a fade man, Kanye fade.

Speaker 6 (30:47):
I love that record. That's Taylor. That's all about that big.
I love the record that's big. You know what for
a DJ that that's like a tool. There's a rule
to where you can like the record they can bring you.

Speaker 7 (30:58):
You can either go school after go new with it,
like it's just one of those records you use as
a tool and then musician right and.

Speaker 16 (31:04):
Then when this club bangers, it's like just left records
you could just hate. Anybody goes crazy like Shorty low
jay Z jay Z got I mean, I'm sorry, jeez,
I'm bad.

Speaker 2 (31:15):
I'm looking.

Speaker 6 (31:20):
Drawing the drink chaps. I'm looking all I'm looking at
his liquor around because you're you're You're not a guy,
You're an effing guy. That's right, but everything your leads together.
Take a shot, squad.

Speaker 2 (31:36):
He say it was the first customer today, He said,
what was the first customer? I seen that?

Speaker 4 (31:39):
What is this?

Speaker 2 (31:40):
What is this?

Speaker 15 (31:40):
This is.

Speaker 6 (31:42):
Leading right all right on the way up. They cut
the check.

Speaker 2 (31:45):
God damn it.

Speaker 6 (31:46):
I do this by myself though, all right, I'm doing.
I'm doing, and I'm still one of that. I'm still
on these drink half don't have more. I don't have shots.
Get Columbian, man, Look, there's already.

Speaker 2 (32:01):
Shots. Let's go.

Speaker 6 (32:03):
You want to go full shopping and I can't.

Speaker 2 (32:06):
I'm gonna just throw it out there. Listen, listen, listen.
Staddy was the first guy that I said, you can't
beat him to join him. I put Hennessy in his cup.
Then I put the rock in his cup and he
drank it, and then and then he mixed it with Moet,
and then I gave him three more drinks. And I'm
looking wait for the earl. I would have loved that

(32:26):
puff drink. Oh no, no, no, puff made the Jeff
made the puff imagine right, here, right here, listen, salute
the DJs. DJ come in on, DJ e Fin. Let
me tell you something. As an artist, we don't salute
y'all enough.

Speaker 6 (32:45):
Hell no, you don't.

Speaker 2 (32:47):
Hofuckers don't support the DJ.

Speaker 6 (32:50):
Hold over man that's coming.

Speaker 2 (32:53):
So as an artist, you know, without y'all, we don't
exist because there has to be a DJ who has
to understand on our record, play our record, and support
our record. So the thing about when you got to
DJs that that break records, like DJ Camillo, like a
DJ e f L, like a status select Nasty. I
want to that Nasty. I want to salute you, brothers.

(33:15):
Give Nasty a shot.

Speaker 6 (33:15):
God damn it.

Speaker 2 (33:18):
Drinking to you ain't the best today? You the best shot.

Speaker 6 (33:28):
I want to.

Speaker 2 (33:29):
I want to. I want to salute the DJ because
without again, without the DJ, you know what the DJ is, y'all,
the bullets.

Speaker 6 (33:37):
We're the gun, but the gun can't function.

Speaker 2 (33:41):
The DJ is the backbone of hip hop. Man.

Speaker 6 (33:43):
Let me break it down my way. I'm gonna tell you.
Let me bring it to tell you right now.

Speaker 2 (33:47):
The DJ is the bullets and we are the gun.
And I want to salute the DJ, DJ Nasty, DJ
Camillo Static Select though, DJ Enough, DJ MV, Clue Master,
flex K Slave, everybody.

Speaker 6 (34:04):
On the way, and I say, kick Capri just man
sollo he hallow. That made me want to go that's crazy.

Speaker 2 (34:19):
You can't Yo, what's that record?

Speaker 6 (34:22):
Yo?

Speaker 2 (34:22):
Really?

Speaker 16 (34:24):
One time I was listening to one of the episodes
and I had to hit up nor Chance because of
course Drink Chances, because after the after the episode, I
was like, Norri, great show for fuck you twisted right.

Speaker 2 (34:36):
Hell because Dame Da I don't know which one it was.
I've listened to, like maybe Dame is the Moon.

Speaker 7 (34:43):
He was fucked up the fifty one. You were sucked
up the fifties fucked up more than me though, Yeah
fifty you don't drink, Yeah you got onto drink.

Speaker 2 (34:50):
And that was an amazing show.

Speaker 6 (34:51):
Shout out to everybody getting the Way from Drink Champs.
Everybody would do a right con for the podcast.

Speaker 7 (35:00):
But I can't even like I'm wanting to do now,
I'll say it on the air. It's called backstory. Shot
my partner JFK. We're doing this thing called backstory right.
The co host is gonna blow your mind when you
see who it is. But uirrel now, but it's about
basically every episode is gonna be the making of an
album a class. So we gotta do War Report. We
gotta do a couple of different things. It's a podcast

(35:22):
you're gonna do Yeah, but I.

Speaker 2 (35:24):
Hate I hate that.

Speaker 7 (35:25):
Everybody's what I gotta feel bad because my Shade forty
five ship.

Speaker 6 (35:29):
It's like everybody that's on the podcast that's not down
with drink Champs.

Speaker 2 (35:32):
Let's do that right to say, I'll be doing let's
work out, I'm having to afford you.

Speaker 6 (35:40):
Let's not get DJ Nast to get that. Get that
my for a second, man, right now, Man, Orlando J.

Speaker 4 (35:47):
Shout out to Orlando Man, tell the first person to
play a crazy hood record straight at Ed'll style.

Speaker 2 (35:54):
Yeah, and that's where Colin is really from. Let's keep
it really from my way, your mississipp Orlando J started
out there, Yeah I started. But he's from New Orleans,
Window Orlando. And then he made his home some god
damn god damn it snapchat. I heard the own snapchat.

(36:14):
I had no idea. I'm killing its supposed to be
on drink Chance.

Speaker 6 (36:18):
Man, we're waiting for you, No, I.

Speaker 2 (36:19):
Know that gotta get Yeah, he keeps sucking with the
corny people. God damn it. Bick them up as well
as well. We love you rap raight now.

Speaker 5 (36:30):
Yes, he's still on the radio, and know what's our
ninety five point three is right?

Speaker 2 (36:34):
Yep?

Speaker 6 (36:35):
Now is that that's a clear channel?

Speaker 4 (36:37):
Hard Cocks, Yo, you've been there forever right, you must
own the station now cos yeah radio man.

Speaker 2 (36:46):
Am right, that's Meedy Orlando. I'm saying it's not the
same cocks. Nah oh yeah, oh yeah, yeah yeah yeah
ship man, what brother like you? Bigga said, God, I'm
big up to my dude, super old man.

Speaker 6 (37:07):
I love you, super Old.

Speaker 16 (37:07):
You're looking very slim shot the nasty was Beance tour
with Cali right, yeah, yeah, I'm watching.

Speaker 6 (37:15):
I'm watching You can to smell with Beyonce.

Speaker 5 (37:18):
Yeah yeah, she smelled.

Speaker 6 (37:19):
I heard she smelled like.

Speaker 2 (37:22):
The fact people I'll be texting hole like yo, he
smelled it.

Speaker 6 (37:27):
I'm not you definitely about that.

Speaker 2 (37:29):
You're crazy.

Speaker 6 (37:30):
But I felt good for.

Speaker 2 (37:31):
The moment, for the moment. Big up the whole because
he's cutting checks right now. He's cutting checks right now,
Look up the whole. And you switched from Sarah to
f correct what happened. Let's get straight to the point
I feel like you about the real we talked about
to the point. Yeah, I was with you.

Speaker 6 (37:49):
Shot the puff you know what I'm saying. He definitely
opened the door.

Speaker 2 (37:52):
Yeah.

Speaker 6 (37:52):
But I was down with boys for five years.

Speaker 16 (37:55):
And the situation came about two years ago, came down
and I was like a gentleman a step just puffing
and say, yo, I got this situation here, man, what's up?
So you just took a map for him rocking situationally
stepped to like press press And then the first year
I didn't take it.

Speaker 6 (38:14):
You didn't take that. So the offer was on the
tip from men. Yeah, but you from queens.

Speaker 16 (38:19):
Exactly second year, second year they were knocking again, what's suck?
And then and then and then I did the right
thing again. I said, Yo, my brothers, you know this
is going on.

Speaker 6 (38:30):
What's up? You know right now? Things they moving things,
And I'm like, okay, well then y'all know I took
them up to Rock Nation offices. Yo, this is about
to go down, yall. We still can't make a move.
We can't help you.

Speaker 2 (38:42):
Blah blah blah, Rock saying that, saying that, okay, man,
I don't I don't you know, because he said, went
to Rock Nation offices that Yeah.

Speaker 6 (38:51):
I made him. You know I did the right thing.
You know, I gave him.

Speaker 2 (38:55):
Not because yeah, right, and then you know, after a
while being.

Speaker 16 (38:59):
There fire years, you know, I say, you know, I
think it's time, man, fifty. You know, I want to
get down with this new and and it's great to
start something new again, you know what I'm saying, up
and coming. You know, fing is new, still still new,
and you believe in the product absolutely, and then just
the whole Queen's movement that's on fifty goddamn it, yo.

Speaker 6 (39:16):
You know he was real, genuine. I met when him was.

Speaker 16 (39:23):
Due and he you know, he put he put the
whole paint, the whole picture for me. And it's just
more than just effing you know what I'm saying. He
has a plan behind it.

Speaker 2 (39:30):
Big of fifty goddamn it right. So you know I
got the move But you can come to drink Champ. Yeah,
the chance Army please hit him up, because we let
him slip out of our things.

Speaker 6 (39:44):
He came and did the podcast. We let him slip.

Speaker 2 (39:46):
We didn't pressure him. But now it's time to pressure
Hi because everybody tell me he's a good guy. But
you're a guy, right not. I'm actually a free agent.
We just I don't know if I got the power
to do that, but I just already did it. I'm sorry.
I'm sorry, Royal Lee hollo Way. Yeah, so was your

(40:09):
Dawn with her Rocke at one point? No, I never
got into the you know, you don't really drink. I
drink a little bit drink.

Speaker 12 (40:15):
You know.

Speaker 2 (40:16):
Cuban man, he drinks a little card here, cub Yeah,
am grooving Cuban, und you one hundred percent of yeah?
You know what what you black?

Speaker 7 (40:28):
I gotta go change typers. I love you Selective.

Speaker 2 (40:32):
Let's make sure you shout out to Instagram and all
these people so they make sure you know original.

Speaker 7 (40:35):
Drink champs at static select that's what k is now
ss S T A T I K S E L
E K T you know, shave forty five Thursday nights
and me and are about to build about this other
this other podcasting.

Speaker 2 (40:46):
Wipe me and you fish out in that guy makes
connect the guy you know brother, Okay, let me know
no hear me that we're gonna strimp all right, We're
gonna edit that part out.

Speaker 6 (40:58):
That's it, all right, So listen dj.

Speaker 2 (41:03):
We got DJs. I'm excited. When you go to a club,
how does it How does it work? You look at
the crowd and you play? Or do you play and
didn't look at the crowd?

Speaker 16 (41:16):
You mean camello, I walk in, I have definitely a drink.
I gotta get an a zone.

Speaker 2 (41:21):
Man.

Speaker 16 (41:21):
Yeah, sometimes I sometimes got to wake up myself. And
you definitely observe the crowd, you know what I'm saying.
You know, doing it so long, so many years, you
already know what.

Speaker 2 (41:29):
You're walking into.

Speaker 6 (41:30):
But still you gotta observe the car.

Speaker 16 (41:31):
You gotta see what the fuck the DJ did the
last twenty minutes, you know what I'm saying. Because sometimes
sometimes these the new guys, they just like to go
in early.

Speaker 2 (41:41):
All that time.

Speaker 6 (41:41):
They forget that, you know, the club is up until
four in the morning.

Speaker 16 (41:44):
We got two more hours to go, so you're burning
all these records down.

Speaker 4 (41:47):
But how often you think now because there's a difference.
I don't spend a clubes anymore. I used to, and
we used to be able to break a record in
the club. Right, it doesn't seem like you could.

Speaker 2 (41:56):
Do that anymore.

Speaker 6 (41:57):
No, that's not clear that I know.

Speaker 16 (41:59):
Well, yes, but nowadays, right nowadays, let's say nowadays, you
have an artist in the in the in the room.

Speaker 6 (42:05):
They have their assistance on our next yoh, here's the
USB yo yo.

Speaker 2 (42:09):
So they might have their peoples. That might help the environment.

Speaker 6 (42:13):
It might help the environment, it might not.

Speaker 16 (42:14):
Also, because you know, you got the new play, the
new so and so, crowd don't want to hear the
new song and so the crowd want to hear the fun.

Speaker 6 (42:20):
Even something that you like that you want to break.

Speaker 2 (42:22):
It's tough.

Speaker 6 (42:23):
It's tough if it is, it's tough.

Speaker 2 (42:25):
Before it seemed like the crowd was like I fused
with the DJ, no matter what. It seemed like that.
That's that's the shift back in the nineties, That's what
I'm talking. That's when I was in the clube those days.
Right now, it's crazy because I see DJ's getting booked.

Speaker 6 (42:37):
Are you out?

Speaker 2 (42:38):
You can't leave us, man?

Speaker 6 (42:40):
You know, you know you got the dinner to get
the schedule be back tonight.

Speaker 2 (42:44):
But get the joints. Get the joints out of my list.
Where do you think? Right right on the Nasty Jay
rock before you leave. Yeah, I'm coming to the shore.

Speaker 6 (42:52):
I'm coming, Big up Jay Rock.

Speaker 2 (42:56):
We love you, Jay Rock, going away going to college
for two years, and we love you. We're always gonna
hold you down, Jay Rock. You know what I'm saying,
but so nothing else.

Speaker 6 (43:08):
What we're saying, breaking the record in the breaking the record.
So this is what I see nowadays.

Speaker 2 (43:14):
Nowadays, I see a DJ that get high, like a
big DJ, and they'll say he's at live, but he'll
he'll technically be on the set for twenty minutes.

Speaker 6 (43:22):
That happens a lot. Does that bother you?

Speaker 4 (43:25):
Like me?

Speaker 5 (43:26):
I'm cool if I go in there and I do
my hour, it's cool. But you know, yeah, I know
what you're talking about.

Speaker 2 (43:32):
There's also there's also a lot of politics.

Speaker 16 (43:34):
Like let's say you go to live, there's mad politics
that people don't know. You know, schools on some of
those well, you know, sometimes they tell you not to go.

Speaker 2 (43:41):
In, you know, they tell you not to play certain
records because Stevie J gotta buy.

Speaker 6 (43:45):
Yeah, that happens. Let's for what, Let's get my hands down,
you know, let's let's sealuse STEVEJ.

Speaker 2 (43:50):
Because that's how my guy, that's is how respect liuple
of times.

Speaker 16 (43:55):
And I stood off certain records because I know sometimes
I see stevj right behind me.

Speaker 2 (43:59):
Just stare, were like, that's kind of really like it.

Speaker 6 (44:03):
But you know, but here's the other thing. You know,
you gotta live. You want to bust that nut, especially
not for Miami.

Speaker 2 (44:08):
And if you can bust it without those records, of
course you kill the DJ.

Speaker 6 (44:13):
Of course, but that that you know, that room is special.

Speaker 16 (44:15):
It's a special room because it's one of the biggest
hip hop clubs in.

Speaker 2 (44:18):
The East Coast industry too.

Speaker 16 (44:21):
Sometimes you know, and them guys, they've been there over
seven years already. That's legendary for club to last over
seven years.

Speaker 6 (44:29):
It doesn't happen. This is you know what I'm saying.

Speaker 2 (44:32):
It's my job. I'm high. CBS hied me. Yeah, I
am pretty chance sight talking normal. It's normal ship. It's
not disrespect. It's just listen, listen. Has you ever returned
to favor like with STEVJK to New York and he
was DJing and then you ever say to him, yo,
don't play as no.

Speaker 12 (44:51):
No.

Speaker 16 (44:51):
He came one time uptown and I let him do
him like you know, this was back let me see vintage.

Speaker 6 (44:57):
This is back uptown. Yeah, off of Dykeman.

Speaker 2 (44:59):
But these are good dude right here. You're a good dude,
like you know.

Speaker 6 (45:04):
A little great people.

Speaker 16 (45:05):
We've been in the game for a minute, so it's
like one night ain't gonna break. You'll make you man,
you know what I'm saying. So you know there's a
lot of the other thing is, you know Stevie JA
seen him come up from when he was nobody, So
now he's buzzing you.

Speaker 6 (45:17):
You know what I'm saying. Now he got that record
right now or heard of that? You know what I'm saying.

Speaker 16 (45:21):
As a deep fellow DJ, I played it on half
of him found you know up here nobody playing stevj
record right now.

Speaker 2 (45:27):
Really, but one thing I see about you is beginning
in the Instagram. You never posted your children.

Speaker 6 (45:33):
Yeah, yeah, your wife yep, yeah, facts.

Speaker 2 (45:36):
And I was like, damn, Like I used to look
at your pictures to say, his wife going to kill
him when he goes home.

Speaker 6 (45:42):
He's actually black.

Speaker 16 (45:43):
I used to blow him out, yeah, because you know
I was new. I g this is we're talking about
four five years back, and I'm like, yeah, I don't
want to put my kids there. They're two years old.
I don't know whether this Jesus going say something fat.

Speaker 2 (45:55):
You guys gotta ignore it, that's right.

Speaker 6 (45:57):
So but it wasn't even that was just like more
like I don't want my people know what my kids
look like.

Speaker 16 (46:02):
You know what I'm saying, because it's personal nowadays though
twenty sixteen maps they already know.

Speaker 2 (46:06):
So you change that.

Speaker 7 (46:07):
Now you change because now they're old and it's on
my case because I don't bring my girl to the
podcast and.

Speaker 2 (46:12):
I know that's my word. Yeah, yeah, you're right, following me.

Speaker 6 (46:16):
On snirts at DJ Camello, following my instagram. DJ camel
his girl.

Speaker 2 (46:20):
I mean, oh mah, Havot had his girl. I haven't
had this girl. No. He said he had a side piece.
It looked like a side piece. I just I gotta
stop saying that because you said, I ain't saying in
my mind that could be a girl. You know what
I'm saying, nasty. I'm so sorry have it, but it
could be his girl. We don't know.

Speaker 6 (46:38):
They were on the show.

Speaker 16 (46:38):
They're like behind just decided, Yeah, I was going to
hit you one day because like, yo, Nord, you need
some females up on the show. And then and then
I saw what was the envy and Angelie to me.

Speaker 2 (46:49):
That was like, that was a dope episode.

Speaker 6 (46:51):
That was the first time we had a female.

Speaker 2 (46:52):
Actually, yeah, you know, we've asked.

Speaker 6 (46:54):
We also have Cassie.

Speaker 2 (46:55):
You got I'm trying to smoke you a blood with Cascaulloy.

Speaker 6 (46:59):
So I was smoking the black.

Speaker 2 (47:03):
We're not supposed to.

Speaker 6 (47:04):
If you want to talk about that.

Speaker 2 (47:05):
You don't give so if you want to edit that out,
don't worry about it. We already do it on the podcast.

Speaker 6 (47:12):
He smokes blunts and.

Speaker 2 (47:13):
I also smoke down bad business right now, and I
also smoked a download sigarerite. No, no, no, what makes
a noise for me smoking? You're smoked to dorney right now.

Speaker 6 (47:23):
No, no, you can't roll up this Fat Joe's story.

Speaker 2 (47:26):
You can't do that. You can't do that.

Speaker 6 (47:28):
Let me tell you something, Fat Joe. Fat Joe is
a great guy, hey time.

Speaker 2 (47:32):
And he's a sneaker.

Speaker 6 (47:34):
Like let me tell you I said it while he
was here.

Speaker 2 (47:37):
I said it right here's DJ Nasty, Like I get
exclusive sneakers. I just go hang out with him just
just because I just wait for him to analyze it
and then he'll be like, I got those are ready.
Of course he's looking at it only three times. I
knew this got twenty years only three times. He said,
I don't got those And if the Jordan's that you

(47:58):
have on, no it wasn't.

Speaker 6 (47:59):
He's dropping my nigga. No no, no, no, no, no,
my nigga, my nigga. Biz who got the Jordan's on?

Speaker 2 (48:06):
Can show us to Jordan's, Show us to Jordan's. You
got on? He's like, flip them up, my nigga, mister bitley,
mister bitley, show him, show him to Jordan's. What are
what are they call?

Speaker 6 (48:19):
What are they called?

Speaker 2 (48:20):
The threes? I had those on and Joven like this
to me, he said, they're not making nose again.

Speaker 6 (48:27):
Good And then he finally picked me up.

Speaker 2 (48:30):
He was like, I ain't got the smoke, bizzos, listen,
I gotta smoke up.

Speaker 6 (48:33):
There's certain things you gotta do in hip hop.

Speaker 2 (48:37):
You gotta smoke a blunt with snoop. You did that,
it's seventeen. You gotta smoke seventeen blunts with snoop because
one just just don't feel right. You gotta make sure
you put the paper on. The one is like finger popping.
Like finger popping is cool.

Speaker 6 (48:50):
You ain't, but you ain't hit you.

Speaker 2 (48:54):
But you gotta like you gotta playing with smoking with fingerbobbing.

Speaker 6 (48:56):
Is no no no.

Speaker 2 (48:57):
I explain with fingerpi the fun that finger sounds weird, man,
But when we did the showposed finger Poppa. He likes
the finger pop. Back in the days, he was a
finger popper. R.

Speaker 6 (49:07):
I don't know, I don't know.

Speaker 2 (49:08):
Back in the day. You're taking this in the dark place.
It's beautiful. We are in NYC. We got DJ coming,
a little DJ Nasty stating select the smoke bizzle.

Speaker 6 (49:16):
I'm just patching a flashbacker.

Speaker 16 (49:18):
Now I'm looking at your f I'm like, I remember
I tried to push mixtapes that he shot, right.

Speaker 2 (49:22):
He had to shot like y'all from me and nor
he met in ninety seven.

Speaker 6 (49:26):
Let me let me send twenty pieces down there.

Speaker 2 (49:29):
And I had my mixtapes in Woodside. Wow, your nas
take that hat off. You don't look good in it.

Speaker 6 (49:34):
I'm gonna keep your heart. I'm fucking with you. I'm
fucking with you, yo.

Speaker 2 (49:39):
Johnny, Johnny, your weight, your hands some were come on, wait,
man perspired, was lotion on his hands coming out? Yeo?
So he was fingerpop? How how is how annoying it is?

(50:00):
It when you got a wreck of you're popping. The
artist thinks they're popping, but they kind of not popping.

Speaker 6 (50:08):
That's all day. That's every day.

Speaker 2 (50:09):
That every day, that's every day, every night, every artist.
Do they have your phone number or do they head
of your Twitter?

Speaker 6 (50:16):
How do they annoy you? And you don't smoke? Camel crush?

Speaker 2 (50:19):
Right, I'm white, give me black nigga Cigarettesrette who said
that I don't find you and you in turn? Now,
so like, how how was that?

Speaker 10 (50:35):
Now?

Speaker 6 (50:35):
He described me?

Speaker 2 (50:37):
Describe me. You're in Orlando. Guys in the landlo he
thinks he's popping because it's shut up to everybody Orlando man,
you used so describe me that.

Speaker 11 (50:48):
I mean, it's some of them are popping out there,
you know what I'm saying. The ones that are popping,
you know, we support them.

Speaker 6 (50:54):
But and you're late.

Speaker 2 (50:56):
Sometimes you're late. Yeah, sometimes we're late. I heard from
Flex say that one night from Flex said, I played
myself and then he jumps on the record.

Speaker 11 (51:04):
But you know, when you jump on it, it's a
whole different story, right because you're from the town exactly,
and it gets a bigger reaction.

Speaker 2 (51:11):
But you know, some some cads just ain't popping. You know,
you got to get it popping.

Speaker 6 (51:16):
Sometimes they were super popping.

Speaker 16 (51:17):
They're not popping right now, and you know they're trying to,
you know, trying to get back up where they were and.

Speaker 2 (51:22):
They hitting you like crazy, and like what do you do?

Speaker 6 (51:25):
Like what do you do?

Speaker 16 (51:26):
You don't you know, you don't want to be just
flexing your my nigga, this ain't the one you know
what I'm saying.

Speaker 6 (51:31):
So it's tough.

Speaker 2 (51:32):
I think I think, I think I want to correct
you on that. I think an artist will respect that
more if sometime you.

Speaker 6 (51:39):
Know why me and Flex have I know, I fe
the ticket a heart be and Flex we have.

Speaker 2 (51:43):
One of the of the one of the greatest relationships.
Because I could, I could, I've never sent records to Flex.
I go see him and Flex be like that one
like this, it's good. I'd be like, you don't like that,
you know what I'm saying. It's like, but like I
think that. But but again, to you guys, respect. You

(52:06):
can't meet with every artist. You can't sit down in
degree captain and eat some crab legs or excuse me,
slice see and just sit down and have a slice
of pizza with everybody.

Speaker 6 (52:18):
But but what happens if you got a record that.

Speaker 2 (52:23):
You personally love, but no other DJ on your station
loves this record? Do you still stand there and support it? Yeah?

Speaker 6 (52:31):
Yeah, you support it.

Speaker 16 (52:32):
But then there's, of course there's a certain degree, like
you go to a certain extent and if it's d
be like what's called the PD forgetting Like, yeah, you
know radio, you gotta understand radio is another ball game,
Like I can't beat Camello on radio.

Speaker 6 (52:45):
I could be half fifty this is a.

Speaker 2 (52:47):
Business d damn man, that's programming program.

Speaker 6 (52:53):
The other fifty is radio fucking talk like it is
what it is?

Speaker 2 (52:57):
Man?

Speaker 6 (52:57):
Wow, that's and isn't it different?

Speaker 4 (52:59):
Now where there's artists and records that are blazing on
the Internet.

Speaker 2 (53:04):
Artists they got like hundreds of thousands of followers.

Speaker 16 (53:07):
I'll give you an example, Savage twenty one blazing blazing.

Speaker 2 (53:13):
Before you say whatever you say, that's damn near my
my favorite new artist, Savage twenty one record, you would
leave him.

Speaker 6 (53:19):
And he's he's fire. But can I hit that on
the radio at five pm?

Speaker 2 (53:24):
That nigga said, he said, I'm a fucking bitch and
then I'm gonna give that.

Speaker 6 (53:28):
Bitch that the a pill the man b pill shit
that was That was like in Miami.

Speaker 4 (53:36):
I don't know how Denzel Curry hasn't been on the
radio and like like on regular rotation.

Speaker 2 (53:41):
You know Denzel Curry out.

Speaker 6 (53:42):
Of Miami, you're talking about it. Yeah, he's an.

Speaker 2 (53:45):
Incredible artist, out of mind.

Speaker 6 (53:46):
He's like the next Kanye. Yeah, he's got a joint
one cross joint.

Speaker 2 (53:50):
I have a joint on my album with Gunplate.

Speaker 6 (53:52):
Radio radio you know, radio be late, man killing radio
be late.

Speaker 4 (53:56):
You know he was with Joy Batas with Joy Batts,
Like I'm saying, like he's got a movement.

Speaker 2 (54:00):
That's what I'm say. It's like a different parallel.

Speaker 4 (54:02):
There's the radio parallel and then there's like this online
internet movement.

Speaker 2 (54:05):
You know what I'm saying. When people have fans, thank
you ain't got super depend on radio? You feel me?

Speaker 6 (54:13):
There's the new artist that radio.

Speaker 2 (54:15):
Like, what does that mean for radio? Chance?

Speaker 6 (54:19):
Radio is the ratings thing?

Speaker 12 (54:19):
Man?

Speaker 2 (54:20):
Like, what do you think you think? What do you
think the lifespan of radio is today?

Speaker 16 (54:24):
I think it's way smaller. Man, Like, listen, nowadays, these kids,
I don't you know when I was growing up, you
had to go to radio.

Speaker 2 (54:30):
You had to go.

Speaker 16 (54:31):
I was just stretching by beetle Guy one in the morning.
Let me listen to college radio. Then I was listening
down to Flex. Then you know, I was kick apree
when he was on the radio. Like nowadays, these kids
wake up. It's on the phone, man, it's on the app, it's.

Speaker 6 (54:44):
On YouTube, it's on streaming, streaming, it's on the podcast.
It's so much to so many avenues now.

Speaker 2 (54:50):
And do you think that's a good thing, the streaming thing,
or you think that's a bad thing.

Speaker 6 (54:55):
As a DJ, it's a good thing.

Speaker 2 (54:57):
It's a good thing. I think it's a good thing.

Speaker 6 (54:59):
Yeah, it's a good thing. Can't change the apps now,
DJ Camelo app by the way, that was Big.

Speaker 2 (55:08):
Drink Champs Lap by the way, Oh yeah drink. We
got a text app too, and we got Texticker drunk
Text by Drink Chaps.

Speaker 6 (55:14):
He's very rich.

Speaker 2 (55:15):
You I need to get an ABB damn feeling behind
signed to Drink Chaps. Don't worry about we see we
were lost colleague man, good DJ Gallup, Big up DJ College.

Speaker 6 (55:29):
We don't know where he had in the world right now.

Speaker 2 (55:32):
Yeah, I'm so so happy for you got him as
a DJ.

Speaker 6 (55:34):
Y'all have to be happy.

Speaker 2 (55:37):
Right now.

Speaker 6 (55:37):
Happy.

Speaker 16 (55:39):
The first time I ever played in Miami, ever, there
was this party from these guys called NFA. I don't
know if you remember them, of course. The first time
I played in Miami, Calid open up for me. You
know this is back in the day when like Calie
was around the way locals probably right, you know, early
to see her now twenty sixteen, My brother, like he
is then.

Speaker 2 (56:00):
Got a big looks people.

Speaker 4 (56:03):
I've seen Calied already popping a little bit in Miami,
passing out his old flyers. Yeah, and I could never
take that away from I've seen his grind from the beginning,
and he's never changed. He's always been that outlandish person.

Speaker 2 (56:16):
You ever change make time? Yeah, we had a DJ segment.

Speaker 12 (56:21):
Yo.

Speaker 2 (56:21):
I've been for this, y. I ain't gonna.

Speaker 6 (56:23):
Problem out numbered. You know we're just looking at right now, guys.

Speaker 2 (56:27):
I'm looking hard.

Speaker 5 (56:30):
Right here.

Speaker 6 (56:30):
Well, thank you for not letting me get jokes old.

Speaker 2 (56:36):
Man. Yo. So what's next for DJ Nasty Before Smoking Boy?

Speaker 5 (56:41):
This is gonna be the year I put out a single.
I've been producing behind record album. I'm not gonna do
an album I'm just gonna do a single. See how
that goes. Can you say what records you produced on that?
We know a lot of records. You need a little Wayne, Yeah,
I do. When keep going, all I do is will yeah. Man,

(57:03):
Come on, man, let me get your damn man. The
roster's crazy man's crib. It's a lot of any artist
you can name. I worked with him.

Speaker 6 (57:14):
Come on, you gotta name these records. Now.

Speaker 2 (57:16):
He's got a lot of bigger Jesus his publishing check.

Speaker 6 (57:20):
I'll be forget how many you got new records to.

Speaker 5 (57:24):
The new Cali record too, I'll do your mind. We
call produce that joint. Yeah, yeah, we did that joint,
that long time coming joint. I'd be the Wikipedia sick
man DJ nasty LBM.

Speaker 2 (57:36):
Wikipedia to be lying. Let's not go to the Wikipedia.
We're gonna make some money. They said they told me
I was forty years old.

Speaker 6 (57:42):
I'm thirty nine. Don't you forty years old?

Speaker 2 (57:46):
Bud? Don't you did give me an Actually, yeah, I'm
thirty nine. Let me be thirty nine. That's the Timber six.
I'll be forty. So you got my age. I'm good.
So what's next? What's next for Camillo. You know, pick
up the Lex, my nigga, Lex.

Speaker 6 (58:01):
He's on his way back. What's going on?

Speaker 2 (58:03):
What invite me to the Dominican trips? You, mister, mister Lee.
They be having Dominican trips where they go out there
and go crazy, and.

Speaker 6 (58:14):
They never they never invite me. I got money, go
by mom. What's a Dominican trip?

Speaker 2 (58:18):
Like? What are you gonna think? I want to I
want to go and see it. I already know what
I heard.

Speaker 6 (58:31):
It's fantastic. Come on, you go to these trips too.

Speaker 2 (58:34):
No, I see you on the ground. Because I'm supposed
to get married, right Lex? What happened?

Speaker 6 (58:42):
I can't speak on that.

Speaker 2 (58:44):
He's rare. Get read right now? Man sending on the
podcast around.

Speaker 6 (58:51):
That's my second time.

Speaker 2 (58:53):
So you should have texted me and told me I
shouldn't talked about this, But you didn't, so I'm gonna
keep talking about it. So Lex supposed to get me marry.

Speaker 6 (59:00):
They was going to Dominican and Popula.

Speaker 2 (59:03):
They didn't get married, and he still went to Dominica.
Call's crazy. Big up. Mister Lee started rock clothing and
Lex she got Okary I got open a little bit.

Speaker 6 (59:13):
But listen, I'm gonna married.

Speaker 2 (59:15):
Yeah, you're a married guy, So I know why they
don't invite me to Dominican.

Speaker 6 (59:19):
But I can behave myself.

Speaker 2 (59:21):
I can go there, everybody, I doubt it. I can relax.
What's going on, Big Pink? What's going on? My nigga?
You ate your cor bra? All right? All right, all right,
all right, all right. That's my nigga, Big Pink.

Speaker 6 (59:34):
I've never met him, but he looks a.

Speaker 2 (59:38):
Big pick.

Speaker 6 (59:39):
I thought you knew him. He looks dangerous.

Speaker 2 (59:41):
Thought that's big them up. Fat boy, that's my nigga,
fat Boy Instagram famous, and he got on camera on Pink.
Let's make some noise for that. You'll commit off stop.
Don't worry, Lex. We want you to get married eventually.
We really do it because you've been having your dick

(01:00:03):
in the dirt for a long time, twenty years.

Speaker 6 (01:00:06):
I met you twenty years ago and your.

Speaker 2 (01:00:08):
Dick was there, and then I come back twenty years later,
dick is still there. You gotta take your dick up
the legs. You gotta listen, crazy, horrible, there's a lot
of there's a lot of people listen. I know if
you're from Left Brack City, the only fuck left rack
city pussy.

Speaker 6 (01:00:26):
You can't do that.

Speaker 2 (01:00:27):
You gotta take your dick and do it if it
warned up in manhand or it's better than left rack,
even though you might have a bitch, that's not better
than the left frack chick.

Speaker 6 (01:00:39):
It's just you gotta travel.

Speaker 2 (01:00:41):
You gotta take your dick, and you got to give
you a dick. Where has this podcast gone?

Speaker 15 (01:00:45):
Right?

Speaker 2 (01:00:47):
You gotta take her? Yes, you gotta give you a dick.

Speaker 6 (01:00:50):
Knowledge cast right, you gotta give you a dick. Frequent
flyer Miles, my nigga.

Speaker 2 (01:00:58):
I want can see the legends. You're gonna smoke a
new ball with me? Commitle what's up?

Speaker 6 (01:01:08):
Camilla? You don't be fucking though, I'll be seeing Mary Man.
Let me keep it real.

Speaker 2 (01:01:13):
Blow everybody like, don't blow.

Speaker 6 (01:01:16):
Everybody know what everybody Paul, but you and Daddy.

Speaker 2 (01:01:20):
You and Daddy Yankee is probably the only people I've seen.
They got the baddest chicks that want to fuck y'all.
And you ain't taking you and Daddy yuck. Yeah, but
you be taking them down sometimes. I've got to ten years.
You know, I'm married kids, not.

Speaker 6 (01:01:41):
To get married ten No, I want no problem.

Speaker 2 (01:01:44):
Ten years together in the relationship, ten years together, five
years married, I'm gonna marry my wife again nice because
I love her like that, I respect them. I felt
like I felt like my first wedding was like I
just did it. I mean, I'm doing my wife. It's
my second marriage. I'm sorry, Okay if I confuseing y'all

(01:02:06):
there with me. Here's my second time married. But this
wedding that I gave my new wife like, it wasn't
Nori like.

Speaker 6 (01:02:15):
It was like, you're the big Catholic.

Speaker 2 (01:02:18):
I'm going to do a big captain wedding and Chris
Lighties where Chris Lighty got married, remember Sky and I
write it, y'all because we wanted to jump Steve Stole
at that time. But you want in short using shorts
and he didn't when it went in.

Speaker 6 (01:02:29):
Let me jail let me.

Speaker 2 (01:02:31):
I'm telling my people like, let me DJ STU, let's
DJ let me. I'm gonna remarry my wife September fall.

Speaker 6 (01:02:37):
Let's do it next year. At the wedding.

Speaker 2 (01:02:45):
You're gonna be dressed up though, no, I mean that's
all all right, tucks and the podcast you're gonna do
DJ that that that's Labor Day weekend that's they wanted.
But just so you know that you got it, I
ain't got it, Yo.

Speaker 6 (01:03:03):
Chance Podcast.

Speaker 2 (01:03:04):
We're gonna take a break and smoke some cigarettes. Hey
he ain't Sam Green Hope, you're sid beaters?

Speaker 6 (01:03:16):
Boy n are what up?

Speaker 2 (01:03:17):
It is dj e FN and this is drink Chance.
Motherfucking podcast makes something. And right now we got the
queen of hip hop. She is running it. I seem
to her as a as like we were both youngins
and this was Pun's number one shooter, like when it

(01:03:39):
came to rhyme's her number one. I'm so proud.

Speaker 6 (01:03:42):
I'm so happy of what you're doing. I'm proud of.

Speaker 2 (01:03:46):
Your husband as well, because god damn it, you a
real nickel. Proud of the union.

Speaker 6 (01:03:50):
Let's make some llyse for black love.

Speaker 2 (01:03:52):
God damn so for me? How how how's life been?
I'm chilling, good m you're not drinking. You don't smoke, okay,
and even Parole you can't drink. God damn it. I
mean I never really was a drinker, but.

Speaker 6 (01:04:11):
Pat Poos is a drinker though.

Speaker 2 (01:04:17):
Something of bad influence. Need a whole different before like
and my family.

Speaker 12 (01:04:22):
It's like I'm running ongoing joke like it's Pools and
then when he's drinking, we call him drunk Paps.

Speaker 2 (01:04:27):
It's like two different people turned to another person on
introduce me to drunk path. I only know science tific
pack right, like, like you know what I'm saying, yo,
But Pat Pools man, you know you and Remy. The
one thing I want to admire about y'all is this real,
no doubt, Like y'are the first people that got on

(01:04:49):
love and hip hop and it actually inspired me to
do love and hip hop. I said no at the end, Okay,
but when I seen y'all, y'all was sold. Y'all was
sold like elegant. Y'all was so sincere.

Speaker 6 (01:05:00):
It was so real.

Speaker 2 (01:05:01):
I can tell Like they didn't give y'all script at all.
So like what what because the way you rhyme is
like anti love and hip hop? So what made you
make the decision to do love and hip hop?

Speaker 13 (01:05:13):
I mean actually they wanted to. They was reaching out
for a while when she was locked up. They just
wanted to document me, visit or none and all that.
But we look clined it for those reasons that you said.
He was like, we ain't with the fool of me,
you know, what I'm saying. But when she came home,
we was like, yo, you know what, why not put
the rill on the show and how they introduced the toys.
They was like, yeah, we want somebody who could really
live up to the title Love and Hip Hop.

Speaker 2 (01:05:31):
Right, let's make some noise that I'm married as well
wife listening to.

Speaker 6 (01:05:40):
Hopefully son, man, you you look so good. Thank you.

Speaker 2 (01:05:44):
You came home and it was like you just came
home and you you just hit the track running.

Speaker 6 (01:05:51):
What was that planned?

Speaker 2 (01:05:53):
Was you?

Speaker 7 (01:05:54):
Yeah?

Speaker 12 (01:05:54):
I mean I looked at the history of everybody who
got locked up and with it when they came home,
what they did and panned out, and it wasn't looking
too Goody came home, tried to chill for a little while,
like and it didn't work that for some reason, because
this big conception that if you go to prison, you're gonna.

Speaker 2 (01:06:13):
Come home, you're gonna be lit right, But you know,
everybody come to pots that he's the only one. Everyone else,
you know, they came home. So listen, let me just
say something. I'm just so happy that the one thing
that I see from Love and Hip Hop was, like

(01:06:34):
I said, ship was real, But the fact that I
wanted to promote that more like me personally. You said
it was the only positive thing that was because because
I ain't gonna lie and I'm gonna keep it on honting.
When you went to see her at the restaurant, right,
and then you gave her something and.

Speaker 6 (01:06:53):
She was like, is this is nail bag or whatever?

Speaker 12 (01:06:55):
Whatever?

Speaker 2 (01:06:56):
And then you gave it a teddy bed your tail
came my mind.

Speaker 6 (01:07:01):
I swear to God, I'm not even lying. I was like,
you know, but I felt bad. I was just like, damn.

Speaker 12 (01:07:11):
You know.

Speaker 2 (01:07:11):
That's one thing when I met my my uh my
new wife, because this is my second time being mad
with my new wife, I found out that she only
had one pelopium too, you know what I'm saying, like,
and so she couldn't reproduce. But then she got pregnant,
and it was like, it was like, damn, that was
a blessing for God. So my son, my Cuban son,

(01:07:32):
because his nigga's Cuban pro Cuban, my Cuban son. He's
a miracle. But when you did that at that moment,
it reminded me of how I felt because I would
have loved my wife whether she could reproduce or not.
It was just something that she just gave me. But
that moment, I was like, I didn't that type of crime.
It was a thug tidation And I really, I really

(01:07:55):
think that you should be a miad more. You know
what I'm saying because I heard you say something you
say when you go visit your homies, Yeah, you see
people on the v our floor, but when you go
visit your wife.

Speaker 6 (01:08:08):
Right, can you break that down?

Speaker 2 (01:08:10):
Yeah?

Speaker 13 (01:08:10):
Man, Basically, you know, I visit a lot of my
homies that's locked up over there. You know how it
is we're from and every time I'm going to the visit,
whether it's a lot of snow on the ground or
in summertime, you see a lot of females pushing strollers,
carrying babies, bringing packages.

Speaker 2 (01:08:24):
It's crowded.

Speaker 13 (01:08:25):
You can't even get in there because the females are
supporting them. But coming from the hood, they always say, yo, bitches,
ain't shit. You know, if you catch the cakes, they
don't hold you down. So you know you kind of
that though, is kind of implanted in your brain.

Speaker 2 (01:08:36):
Well, my wife became.

Speaker 13 (01:08:37):
Incarstabated and I started visiting her. When I went to
the facility. The visiting floor is empty. There's no dudes
visiting them, and they got to visit every day. So
I'm like, damn, the hood taught us wrong.

Speaker 9 (01:08:47):
Man.

Speaker 13 (01:08:47):
Like they're so hard on the females, saying they're not lower,
but we're not supporting them.

Speaker 2 (01:08:51):
And it's a lot of females in there, nobody visiting them.

Speaker 6 (01:08:54):
Spakeingoids from Black Love again.

Speaker 2 (01:08:55):
Goddamn it.

Speaker 6 (01:08:59):
Got damn you got too many niggas in yo.

Speaker 2 (01:09:03):
I don't know WoT fat Joe Fat Joe tells everybody
else that's not with us.

Speaker 6 (01:09:07):
They say, Fat Joe asked Hill, you wait, he's ignored.

Speaker 12 (01:09:17):
I don't want to let you know that. I would
have been did you know your podcast? But you brow
and we're very loose yo, So pretty much to me,
it's like, I don't like when we.

Speaker 2 (01:09:30):
Did the record. Y'all did the record?

Speaker 15 (01:09:32):
Is?

Speaker 2 (01:09:33):
Oh, I gotta thank you face to face. It's not
you know what, No, remy, you know what. It's because
there's a lot of people in this game that you know,
I might have seen.

Speaker 6 (01:09:44):
Him come up.

Speaker 2 (01:09:44):
I've really seen you come up, like I really seen
the like from when pun signed you to where you're
at now and it's no, it's like it's no prouder
I can be thank you. And it's also like I
just I was so like also came in my eye
when you and when Joe squashed it because like I
love the original TS. I'm sorry, I know I'm in.

(01:10:05):
I know I'm in at your store. I know I'm in,
you know, closer to the Bronx with I mean, I'm
just saying, like, you know, I just love the original.
So when when when the turmoilal happened, I remember pun
loving everybody, so I couldn't really like separate because that's
who I am, Like I wasn't that guy in the

(01:10:27):
hood that you whip me, you against me. I was like,
all right, well y'all niggas right, because I'm just and
to see where you at to see I just I
just want to salute you. I want to keep continue
to support you. Thank you, and because you are the
queen of hip hop right now, there is no bitch
fucking with the mervy mam and everybody makes a noise.

(01:10:52):
I agree with you on that. What I was saying
was like, you know, I did the record.

Speaker 12 (01:10:58):
I was something Joe like y'all did the record is
don't listen to whatever, and he was like, you better
not do that damn podcast?

Speaker 2 (01:11:07):
Good about it?

Speaker 12 (01:11:08):
So then you know, he goes him and pat like,
you know, I'm I'm like that. He used to be
the bad guy.

Speaker 2 (01:11:14):
He was like the straightest arrow.

Speaker 12 (01:11:17):
Him and Joe they joined forces against me, and they
going like little areas and have these disclosed conversations about
what I can and cannot do. It's the point that like,
if me and him get into a disagreement at home,
he'd be like, oh, really, you know what, let me
see what Joe would say about that.

Speaker 6 (01:11:33):
I love that.

Speaker 2 (01:11:36):
Going to like doing something where he can't really control.

Speaker 12 (01:11:41):
He goes and he calls Pap and they have private
conversations like don't let me do Nordy's podcast.

Speaker 2 (01:11:47):
Take two of Us, that's so beautiful, even though you're
shipping of us, it's just little's a great ship on us,
because you know what it is, you have a supporting
cast and a lot of people. Artists sometimes they make
it then they think it's just them. And I was
an artist that did that.

Speaker 6 (01:12:05):
I made it. It was like what the fu fuck everybody?
And I fucked up. You know what, I'm saying, so.

Speaker 2 (01:12:10):
When you think about like to make up every great artist,
it's at least five to ten people that make them break.
There's people that's behind it. He's putting it.

Speaker 6 (01:12:20):
You know.

Speaker 2 (01:12:20):
It's the mister LEAs that people don't I'm realized about.
It's a sunny D's even though you fucked up, I'm
gonna beyondest the son.

Speaker 6 (01:12:27):
I'm not really digging you up right now.

Speaker 2 (01:12:29):
My nigga, his first time in New York and fifteen years.

Speaker 6 (01:12:34):
He's a fake New York nigga. Look at him. You
look like he's from New York. He's a from Brooklyn.

Speaker 2 (01:12:38):
Pat is the first class. You think even Brooklyn? You
never know. Man, the back of the plane, nigga, say
one in Brooklyn.

Speaker 6 (01:12:49):
You said, Nigga, that was part of Brooklyn. He's nineteen
Saint Paul.

Speaker 2 (01:12:52):
Bush Okay from the Bush.

Speaker 6 (01:12:54):
I don't know if you agreed.

Speaker 2 (01:12:59):
It's always a brook everywhere. That's that's true. Everywhere, that's true.
Som Yes, are you doing a solo or it's blot
the Plomos First.

Speaker 12 (01:13:08):
Yeah, that's coming this year next month actually, and then
is my solo album seven one is the sixth Summers
So that's.

Speaker 2 (01:13:17):
Come on, Joe, I was going over here, just over
me from this show, kicking his strange people out.

Speaker 6 (01:13:29):
That's not what I do. Tell you something. I was
the first person that absolutely I said it would not
do it. Hockey.

Speaker 1 (01:13:44):
They start talking about remember when you punched the girl
and you know, remember you gotta little and she's the
queen and he turned.

Speaker 6 (01:13:59):
First worst my first.

Speaker 2 (01:14:02):
Rappers the queen.

Speaker 6 (01:14:09):
There's nobody. You know, he's bigger than Howard Stern.

Speaker 2 (01:14:11):
Now millions, said Joe six million, six millions, six six million,
and six millions for the movie Bigger than Glass.

Speaker 6 (01:14:22):
Get radio stations. You know, we have to soul Train
Awards tomorrow. Were nominated to be my sister for two
awards that Jess Martin there right, we all would to stop.

Speaker 1 (01:14:32):
We're paying bills. We're very humble about things, and uh
but I forgot what I was gonna say when I
just came by.

Speaker 2 (01:14:40):
Said Principle about the scolders.

Speaker 1 (01:14:42):
Yeah, I gotta do that because you know your name
and Nory. Everybody's Norrie's cousin in the storm.

Speaker 2 (01:14:48):
I'm trying to clear it out everybody because you have
that problem. You're run rap your counsel, Miss bananas is.

Speaker 6 (01:14:59):
Yeah, I'm gonna know yeah.

Speaker 1 (01:15:01):
Remember I tell you it's gonna the streets is gonna
be paralyzed.

Speaker 2 (01:15:05):
The only problem is just me a Pat Poos that's
not on there. That's the same way family, and that's
feel like a TS change. You know, real niggas with
tschang on. I'm throwing a song for Pat Poos. That's
a fact, man, Jobo.

Speaker 6 (01:15:21):
I'm taking the ke from Rough Riders a day. That's
my nigga. I'm taking it too.

Speaker 2 (01:15:26):
Joe's change what you're talking about?

Speaker 6 (01:15:33):
Say so, I let him want These are good diamonds too, Joe.

Speaker 2 (01:15:37):
You know I'm gonna I'm gonna I'm gonna get lost
like you're not gonna know that. God, I'm gonna keep it, yo.

Speaker 6 (01:15:49):
Joe's on wanna cut you off?

Speaker 2 (01:15:50):
N Yeah, Joe's on that hoodie season three. Man. I
want to think I'm blue enough on that look over that.

Speaker 6 (01:15:57):
I don't retired. Hey, Ray, what is it?

Speaker 2 (01:16:00):
Velvet?

Speaker 6 (01:16:04):
You know helt You see the doc over there.

Speaker 2 (01:16:07):
You see the doc the dentist.

Speaker 6 (01:16:12):
That's how you know people they just running around. This
is rich, yo, Listen.

Speaker 2 (01:16:19):
I can't be proud of of this union I'm going
to keep continue big enough this union.

Speaker 6 (01:16:24):
Listen. Normy said nor heart all the way up before anybody. Yes,
I did, And when I played it for.

Speaker 1 (01:16:29):
Him, he said, yoall it feels like lean back had babies. Like, Yo,
this is just like leaning back to the baby.

Speaker 6 (01:16:40):
This is crazy. I can't lie.

Speaker 2 (01:16:45):
I went to the studio because when I first heard
your mixtape, I was like, damn, I didn't feel like
it was remy. I felt like it was just you,
like you know, just coming home and discovering something. But
when I see all the way up, I was like,
that's exactly cool.

Speaker 15 (01:17:00):
I know, I know.

Speaker 2 (01:17:02):
I didn't have to see you again. I knew exactly
and you where you are comfortable. So when you when
I was.

Speaker 12 (01:17:07):
Saying Blackjack, I got an eight city nine and I'm
still like hitting sheet on write a rhyms, he fed
lines like Britney, I don't need a shooter.

Speaker 2 (01:17:16):
I'm the shooter. Come and get me. Got a non millimeter.

Speaker 12 (01:17:19):
Resting on my right, kid. This for everybody that was
claiming that they missed me for where Crispy fly it
into Frisbee. Keep a paper made in some college, rule
with me and look a fifty non fifty getting the
heroin from Houston, so I call it Whitney and makes
the fiend scream, So I call the fiend Sydney. Shoot
at your crib, But I don't mean where you live, see,

(01:17:41):
I mean the crib where your motherfucking kids sleep. You
a squear like a motherfucking bingejeep. I'm more hood than
a cool Klux clan sheet. I'm'a sit on the throne
since hos can't stand me and leave until they call
it an ounce me seven grandms. Can't nobody tell me
that own does this? I need some hammer hands because
can't no bitch touch this court. Y'all red handed? Oh yeah,

(01:18:03):
bitches is busted, might flow sick nor she's disgusted. My
mic sounds nice. I just had the dusty the rap
game twisted.

Speaker 2 (01:18:11):
I'm here. They're just it.

Speaker 12 (01:18:12):
I know y'all flustered, got paintings, is bunching, you know,
eat rap holes or breakfast in there and lunch. But
if y'all play nice with me in the sandbox, I'll
let y'all bitches breathe no need for its tampons. But
if you want to bleive my Welcome to gym Rock
I just did six years.

Speaker 2 (01:18:26):
Bitch. You're nice with a can top.

Speaker 12 (01:18:31):
So you're telling me you listened.

Speaker 3 (01:18:32):
Today, beautiful queen, queen. He's a beautiful way queen. Because
some people weren't listening.

Speaker 2 (01:18:51):
We just listen to that.

Speaker 6 (01:18:53):
We listened to that was amazing. What happens is, let
me you know, we we got back together and get together.

Speaker 2 (01:19:01):
She got.

Speaker 6 (01:19:02):
Said she just kept making me think. I was like, said,
she can't get I looked at I was like, damn,
I was looking for the helicopter.

Speaker 12 (01:19:22):
What happens is like we describe it like people people
like Fetcher like that this hands down, this long glad,
people like remy moms.

Speaker 2 (01:19:31):
But they love to see us together. They do.

Speaker 12 (01:19:35):
So I think what happens is when we we bring
a different dynamic to it. I gotta be on my
super A game and vice versa. Like we we make
each other better. So I think that's that's what people respect,
and that's what people love when they when they hear
these records, and I feel like when they hear the
entire project, you know it's.

Speaker 1 (01:19:56):
Album, didn't you a?

Speaker 6 (01:20:00):
This is gonna be the first people to hear the album.

Speaker 2 (01:20:02):
Let's do it? You literally the first listen, but we're
not independent.

Speaker 6 (01:20:06):
We can play it for two point two million if
you're independent, now we can do it if I want
you to hear it in the studio, to do something
so y'all can know once again, and then we do
a review.

Speaker 2 (01:20:17):
You got this album.

Speaker 6 (01:20:18):
Once you hear he heard it, he was damned old ship.
Your pact is crazy.

Speaker 2 (01:20:23):
You.

Speaker 6 (01:20:24):
I ain't just saying once you hear it in choke.

Speaker 1 (01:20:28):
The in Choe, you're gonna know immediately from the intro, like, oh,
these niggas ain't playing so y'all about the time you
get by the thirty four.

Speaker 6 (01:20:35):
I'm telling you the album is phenomenal.

Speaker 2 (01:20:38):
I'm not a ship popping.

Speaker 6 (01:20:40):
When you married and the scope at Come at y'all. No,
we don't want nobody doing double platinum? Are you crazy?
We we don't want nobody to come goddamn it. We
all sports.

Speaker 2 (01:20:53):
Did god niggas for the Tigers and Ship.

Speaker 1 (01:21:01):
We don't want twelve cents a record, We want seven
dollars a week.

Speaker 2 (01:21:05):
God damn, Come on, how long are you before you're
inactive or or for all? After three more years? They
don't know years?

Speaker 6 (01:21:15):
Oh no, they don't trust me. I don't.

Speaker 2 (01:21:17):
But when I am of August.

Speaker 12 (01:21:21):
On a Saturday, August second in twenty nineteen, I'll be
having the biggest wee party having all.

Speaker 6 (01:21:28):
And we got Deep from Rough Ridutes in the building.

Speaker 2 (01:21:30):
God, damn God, damnite rough product. What's going on?

Speaker 6 (01:21:34):
My nigga?

Speaker 2 (01:21:36):
How you doing?

Speaker 6 (01:21:36):
Deep?

Speaker 2 (01:21:36):
You got you got? It's my nigga, man, you know
fact don't finally got me a tsch.

Speaker 6 (01:21:43):
I've been thirty five years.

Speaker 2 (01:21:44):
Of being with these guys. I love thee I love
these people, man, Deep, So what's going on?

Speaker 13 (01:21:49):
Man?

Speaker 6 (01:21:50):
Talk to the people Deep, Say something.

Speaker 2 (01:21:52):
To the people.

Speaker 6 (01:21:52):
Man, this is drink.

Speaker 2 (01:21:56):
Let's just I feel like Rough Riders got something up.
They sleep, they're doing something different.

Speaker 6 (01:22:04):
Now you know we're walking. We're trying to get ready
to do this movie right quick, this book.

Speaker 2 (01:22:10):
Then we're gonna go on to Rough Riders movie. Don't
just say that, Just move over the Rough Riders movie. Yeah,
they're gonna have d m X with his with his jogs.
Shut wind up, you gonna that's how that was a
you't gonna have.

Speaker 6 (01:22:24):
The locks with shiny suits on.

Speaker 2 (01:22:25):
We love that.

Speaker 6 (01:22:26):
I don't know why people we can't see a little.

Speaker 2 (01:22:29):
I'm going is a documentary or is a legit like
trying to sh I love.

Speaker 6 (01:22:33):
I loved when they was in the shiny suits. It
didn't bother me at all. They had a problem, got
open for you a little bit. No, They're good. I
didn't have better. Leo said that on the podcast. Leo said,
that's true.

Speaker 2 (01:22:48):
I think did you all like them when you signed
the lock when they was a bad boy?

Speaker 6 (01:22:53):
That bad boy took over and like made them something else?
Did you feel like that?

Speaker 4 (01:22:57):
Nah?

Speaker 6 (01:22:57):
See what did you'll agree to that? Friends? Look, come
over there. I took locks and the mace over there.
I gave them to them because I ain't really oh Max,
I was murder on that point.

Speaker 17 (01:23:08):
I was only managing them at that point because I
really didn't know the business. I was more in the
streets than the business. So I said, he take them,
then I can learn off for them and then do
the next thing with my label. So I was just
managing them at that point, so I didn't have him
signed to.

Speaker 12 (01:23:21):
Each Okay, Okay, I mean I think that the outfits
didn't change the way they.

Speaker 6 (01:23:25):
Was, That's what I'm saying that. But outside of that.

Speaker 4 (01:23:30):
You just felt more real, like when they was outside
of that environment, not wearing those suits.

Speaker 2 (01:23:35):
So being at Remy is the first female artist that
we ever had of it and the fact that she
is the queen female artist.

Speaker 6 (01:23:43):
Who are you? Who is Remy?

Speaker 15 (01:23:45):
What?

Speaker 6 (01:23:45):
What female is Remy listening to?

Speaker 12 (01:23:47):
With other females? Don't listen to Oh, I listened to
all of them. I'll be chocking about everything.

Speaker 2 (01:23:52):
Sho ain't no subs.

Speaker 12 (01:23:53):
Being said, see who I gotta shut down before they
get through popping. And I'm on.

Speaker 2 (01:24:00):
That for everything.

Speaker 12 (01:24:01):
Like you know, in this industry, they act like it
can only be one.

Speaker 2 (01:24:04):
They might let it be two.

Speaker 12 (01:24:05):
So I gotta I gotta make sure that I solidified
my spots up.

Speaker 2 (01:24:08):
I see something like.

Speaker 12 (01:24:09):
Oh whole lot wait or she getting crazy, let me go,
let me go drop something real.

Speaker 2 (01:24:13):
So I stay on my a game.

Speaker 6 (01:24:17):
Tell them or not.

Speaker 2 (01:24:18):
I don't fuck with anybody.

Speaker 12 (01:24:22):
Work because what happens is like you'll say you fuck
with somebody and then they'll do something that ship on you.
You be like yo, like they don't like they don't
know the previous like before Bedford Hills me.

Speaker 2 (01:24:38):
So I just sit back and say nothing. I'll be
like okay.

Speaker 12 (01:24:41):
So when I do, I got a conversational pap. I said,
from now on, when they asked me about anything, I
fuck with nobody because when you try to, you know,
you try to big people up and say something and
somewhere down and now they try to get crazy.

Speaker 2 (01:24:52):
Now I'm just like, like, I'm gonna want to find you.

Speaker 12 (01:24:55):
So I just.

Speaker 2 (01:24:57):
A female artist hit me right when they found out
that I had something to do with the Fat Joe
and jay Z squam so female artists in.

Speaker 6 (01:25:04):
Me and said, but why don't you squash it with
me and Remy?

Speaker 2 (01:25:07):
And I was like, no, this is awkward, right, I
was like no, because I know Remy and I know
I respect Remy and respect me. I don't know if
your respect. So I just stood away from this ship.
I didn't know I had beef that needed to be.

Speaker 6 (01:25:28):
Squashed about it, he said, fuck that bitch.

Speaker 12 (01:25:37):
But the thing about it is I'm very respectable. Like
if you are being disrespectful and you come to me
like yo, I think I feel like it's a bad
blood deal. Whatever I was to I told you I
had no problem. The problem is when you try to
get crazy, like my first resort, my first is to
resort to violence, Like that's that's that's just.

Speaker 6 (01:25:55):
The fact I chose to mind my business.

Speaker 12 (01:25:57):
But I think, I think right now, I'm super approachable.
Like anybody I come like, yo, they want to do
a song, they were just like they'd be telling like
why did you just do that? So I don't care,
like it's nothing like I never was the type to
think like I'm too big to work with certain people,
or I feel like intimidated, Like I don't care. I
don't be on it like that at all perviod when
I see people. But if I see something like like yo,

(01:26:19):
she looked right there. Oh she killed it on that verse.
So whatever the case may be, I don't get that
back like everybody sitting back like like are you saying
like rem you're doing your thing right now?

Speaker 2 (01:26:28):
I don't hear that, like like I'm not doing nothing.
They don't like I know very right now.

Speaker 12 (01:26:43):
It's the impossible, Like never mind in the rap industry,
you got people who did half the time I did.
Can't get a job at the corner store, Like it's hard.
So when I see certain things, I'm be like you
want to hate it on me? Like I was done,
like everybody counting me out, I was finished. You was
locked down for six sixth summers, seven winners and sixth

(01:27:04):
of us.

Speaker 6 (01:27:05):
Can you say that line again?

Speaker 2 (01:27:06):
I love it. I'm sorry we're part of all that.

Speaker 12 (01:27:11):
I don't want to hear a bunch of records and
big numbers because I was locked down seven winners and
sixth summers, cuffed all on that bus, locked me your
little ways.

Speaker 6 (01:27:19):
And now now you you worked for Eve, that was
your artist?

Speaker 2 (01:27:32):
Was Eve?

Speaker 6 (01:27:33):
Did you sign because even signed out the dre at first?

Speaker 2 (01:27:36):
Yeah?

Speaker 6 (01:27:36):
And what did Jimmy bring you Eve?

Speaker 2 (01:27:39):
No?

Speaker 17 (01:27:40):
He switched off to me because Drey really couldn't break us,
so we had to come and break up.

Speaker 6 (01:27:46):
We broke us rough Riders was popping.

Speaker 17 (01:27:47):
Yeah, yeah, we had a little bus at that Thompson
he bought it us and we just broke them.

Speaker 6 (01:27:52):
And how how how was that like? Because you know
she was like the queen of that. Yeh, that's my girl.
She keep it one hundred to this day. So I
fuck with she got she got to be in it.

Speaker 17 (01:28:01):
You got some woman the way more thoroughly niggas believe
it than that. You know, that's how we go.

Speaker 6 (01:28:06):
That's why I felt about Remy. She's very to somebody
here she's shown me.

Speaker 2 (01:28:10):
Now somebody said yo, I want to say yo, Like
you know, sometimes they say, don't choose sides.

Speaker 6 (01:28:16):
I chose sides a long time. I think I'm with
her in case I'm saying.

Speaker 12 (01:28:30):
But want you don't even gott to choosething like it's
love right, Like when when it came and was like, YO,
want you to do the track? I said, send me
the record, like what's the problem. Let me do Like
it wasn't a question. I wasn't thinking about it. I
kids that I just did all the way up. I'm like, yo,
I'm still.

Speaker 6 (01:28:45):
Waiting for the art work.

Speaker 2 (01:28:46):
And I'm like, yo, there's the artworks. I can post
it on my page. Still waiting for that the artwork.

Speaker 6 (01:28:51):
It was like, for real, I said, got the art
work of you and.

Speaker 2 (01:28:54):
Jay Z And I said, for real, I never got it,
never got it. But you know what I'm saying, I
just I just I just feel like I don't stuff
like that. That's stupid to me.

Speaker 12 (01:29:07):
When I when I came home, I gave it up
to everybody like you always have it. So when somebody
coming at me crazy or I hear my hands like
people so stupid, they don't realize, you hear, everything that's
going on in this industry is very small. So when
I hear the world small, when I hear certain things,
I just be like, yo, that's like I can't do nothing.

Speaker 2 (01:29:26):
I really, I.

Speaker 6 (01:29:26):
Literally can't do anything.

Speaker 12 (01:29:28):
So I just ignore it. You know. I go on
my social media and I just you know, laugh and
I look at it because it's really sad. It's really sad, sad.
I love to see any any female male that come
from the bottom where we come from, make it and
need to put some money in their pockets and take
care of their family or their kids or whatever the case.

Speaker 2 (01:29:46):
I'm never going to hate on that.

Speaker 12 (01:29:47):
So somebody that can hate on that and talking about
a little dumb shit that don't even matter, like, I can't.

Speaker 2 (01:29:52):
Take it seriously.

Speaker 12 (01:29:53):
Like at this point in my life, that's one of
the reasons why I did love and hip hop.

Speaker 2 (01:29:57):
When I came home.

Speaker 12 (01:29:58):
I'm like, yo, when I left, if you was ten
years old, twelve years old, you're eighteen now, or if
you was twelve, you twenty Like these people, it's a
lot of people that didn't know who I was.

Speaker 2 (01:30:09):
I looked at they they numb, missed.

Speaker 12 (01:30:11):
They got three million people that watch it every Monday,
not includion times when they rerunning. I said, people are like,
oh boy, you gotta look stupid out there. You comma
looks stupid. If I'm not acting stupid in front of
the camera, they can't make me look stupid. This is
impossible to make me look stupid unless I'm being a clown.
So I told I'm like, yo, babe, if we're gonna
go to on that, we're gonna do what we do
this impossibly, but nobody's gonna throw any type of drink

(01:30:32):
at you.

Speaker 2 (01:30:34):
Nobody's spitting in that area, like if we're gonna do
what we do?

Speaker 12 (01:30:37):
And it came, of course, like he ain't gonna lie pa,
He said, here act like if you was scared.

Speaker 2 (01:30:43):
He was like, I don't trust you.

Speaker 6 (01:30:45):
You're a live wire.

Speaker 2 (01:30:46):
You're unpredictable. I don't know what you're gonna do.

Speaker 13 (01:30:48):
I was you, you know what it is that visiting
her in that penitentiary for so long, I just ain't
want to interact, and nothing that could make that happen again.
So I'll be walking on thin ice and you know
what I mean, like, if let's be careful.

Speaker 2 (01:30:59):
Man, And then I remember I remember one night she
stayed out too late and you came and that's that's
what that's what that's what I do. It's like to
my wife, like when I see relate, so relate. My
wife looked and was like, oh my god, you and
Pap must be best friends. The same exact thing I
did to her. I get it to the day before.

(01:31:19):
So I'm like, yo, like, come on, we're going home then,
and you did the same exact thing. I was like, No, definitely.
Whenever what y'all see on.

Speaker 13 (01:31:26):
Love and hiphip man, we just we don't go up
and get up there and be frogen in on fake.

Speaker 2 (01:31:30):
We show y'all are real, you know what I mean.
They edited how they went, but.

Speaker 13 (01:31:33):
We show y'all the hell ship that go on, you
know with black couples, with couples of course the planet.

Speaker 6 (01:31:37):
And we also fake cousins.

Speaker 12 (01:31:38):
Right.

Speaker 2 (01:31:39):
I told her that, we said, you know me like,
because I related, lady.

Speaker 15 (01:31:46):
Because when I when I damn, I was like, okay,
y'all related related today that I related to? Good story
is true.

Speaker 6 (01:32:02):
It's true.

Speaker 2 (01:32:09):
Family, So listen. D D Pat pools remy mam. I
can't thank y'all so much because you know what. The
nucleus of us, of us sitting down right now is
Fat Joe. The Fat Joe has been my brother. Yeah,
that's a fact. He's been my brother through the thick
and things to bless us to do the drink Champs.

(01:32:33):
He's a guy who introduced me to my best friend
as a rapper, was big fun like I didn't.

Speaker 6 (01:32:41):
That was the first rappert ever hung out with.

Speaker 2 (01:32:44):
I remember meeting Big que and he's a unique studios
and I had a two five momie. I don't know why,
but like, I just had a two five movie. The
Fat Joe walked in.

Speaker 6 (01:32:53):
He was eating.

Speaker 2 (01:32:54):
No idea why I was carrying. He just got it on.
It's a hobby and he's eating. He's like and he's like,
which one of your niggas got shot? And I just
felt like that was like the disrespectful discussion I ever
heard in my life. Poe had just got shot like

(01:33:16):
the day before. So I'm looking at this nigga. I
never met Fat Joe before, right, So I'm looking at
this nigga and I'm just like, I'm a queen's nigga.

Speaker 6 (01:33:24):
Like your niggas think queens is soft, but we get
a popping right.

Speaker 2 (01:33:27):
So I got done on my ship, and then Fat
Joe goes and then Pun Pun walks up to me
and looks at me up and down because he seen
me scheming, so he looks at me up and there
like you Puerto Rican.

Speaker 6 (01:33:39):
I said, yeah, he said, take the ice girl off there, Papa,
You're gonna be my friend.

Speaker 2 (01:33:48):
Like ever my life.

Speaker 6 (01:33:49):
Like, I was just like, but I'm still trying to
be hard like I'm like laughing and ship.

Speaker 2 (01:33:54):
And from that day forward, Pun was my man and
his favorite artist, his number one artist that he had
a dream for right here.

Speaker 6 (01:34:05):
It's right here. And every time I see you shine,
I ain't gonna lie. I claim be a success like
his mons. I'm just being honest.

Speaker 2 (01:34:11):
You and Joe's I'd be like, like like the awards, yo,
oh my, Joe came up here and said you want
an award.

Speaker 6 (01:34:19):
I said, I'm blowing it up right now. I hung
up the phone and I put it in the podcast immediately.

Speaker 2 (01:34:24):
Its way before this shit came right right, I did
a bootleg version of y'all ships because I'm so happy, though, man,
so happy with what you're doing. I'm so happy the
succession you can take. And you know what's the crazy
shit about? Are you all remy?

Speaker 6 (01:34:37):
You're not like a fake queen.

Speaker 2 (01:34:38):
What I mean by that it's people who with the
queens and hip hop. Then you find out people are
helping write in their rhyms or whatever. But your rhyms
are fucking least super leaked.

Speaker 1 (01:34:51):
You.

Speaker 2 (01:34:51):
You're hitting, you beating niggas. You gotta stop competing with women.
You guys, don't you gotta start. You're gonna start.

Speaker 12 (01:35:00):
Got a fine actually told me, like, you know, any
song you have to get on with somebody. He's like,
I don't care food is the goal is so when
the song goes off for them to be like rendybody.
That's when he told me. And that's what I literally do,
whether it's I'm gonna my husband Joe, like I ain't
tell you.

Speaker 2 (01:35:19):
Like I want to know.

Speaker 12 (01:35:24):
It's a wonderful thing when when you know my pen,
my pen has never been questioned like ever, Like I
sit I purposely, you know, go to studios and I
sit there with people and I want to write my
music in front of them so that they.

Speaker 2 (01:35:36):
Know that it's authentic. I mean, it's it's cool.

Speaker 12 (01:35:38):
Like some people are artists and they get their things
handed to them, and you know, they go and they
do what they do and that's cool, But don't.

Speaker 2 (01:35:45):
Play with me.

Speaker 6 (01:35:46):
No, we're not playing with you. We understand. So now
you come home.

Speaker 2 (01:35:52):
You hear the music, right, what makes you say I'm
gonna go in a different direction? And now everybody else
because all the way up he sounds like what's happening now?
But at the same token, it sounds classic. I don't
know how to be a follower.

Speaker 6 (01:36:10):
Me neither.

Speaker 2 (01:36:11):
I don't know, Like I never was a good follower.

Speaker 12 (01:36:14):
Like even if I started off trying to be down,
somehow I ended.

Speaker 2 (01:36:17):
Up in charge, like.

Speaker 12 (01:36:20):
Like I can't like I can't, I can't conform. I
like to do things the way I like to do it.
And what it seemed like is that everybody is cool
with being like like I literally turn on the radio
sometimes and I don't know who I'm listening to because
everybody sounds so much ALIKEE like really bad. And when

(01:36:42):
me and Joe was working on our project, that was
our goal, like, yo, how do we do what we
want to do and get this bad? Because that was
the goal Like before when I first started, it was
I just wanted to be the nicest rap. I want
to everybody be like, O, she's dope, she's the best whatever,
Like all right, cool, we passed that. Now we got
to get this bag. How do we get this bad
act and still be us? Because what happens is if

(01:37:04):
I try to be somebody else, you might catch me
on a bad day and then you're gonna meet the
real mets.

Speaker 2 (01:37:08):
That's that's not gonna be good.

Speaker 12 (01:37:09):
Same same thing, the same thing with you know, with Joe,
he could try to be you know, certain thing, but
at the nucleus, like you said, at the nucleus, he's
still you know, fat Joe. And that was what we
wanted to keep. We did not want to have to
sacrifice who we are to be successful. And that's what
people were telling us. Nah, y'all got to get on

(01:37:30):
this way. Y'all got to talk about picking these books.
It's picking these books.

Speaker 2 (01:37:35):
It's like, nah, like I don't I don't know.

Speaker 12 (01:37:39):
Punic rule over in his grade, Like I make it
my business. I need every bar to have a bar,
And and that's what we did. And I think it's
it's a little shift going on right now. I always
catch the middle of the ship were shifting right now
to where you know, people are kind of starting to
care about the lyrics. So so you know it's good

(01:38:00):
for people like me. You know there's some people that's.

Speaker 6 (01:38:02):
Not gonna say something.

Speaker 13 (01:38:04):
I want to say something real quick, man, because I
want to make sure I pay the proper homage. I
was outside of the game watching all of y'all. You
know what I'm saying, So for me to be in
the presence, even.

Speaker 11 (01:38:14):
You a poem, you know what I'm saying, Like I
love y'all nigga shit, like I used to get crazy
and want to do wild ship listening to y'all ship
everything de board to the game.

Speaker 13 (01:38:21):
You know what I'm saying with rough Rider, I want
to salute you. I respect everything y'all did.

Speaker 2 (01:38:26):
And my uncle.

Speaker 13 (01:38:26):
I mean if my ugle was and my uncle worth
in burging path from off uncle, working guy, he go
to work every day. He could verify. I seen my
wife years ago when I told him, I said, Yo,
one day.

Speaker 2 (01:38:36):
I'm gonna have this ship was like before I even
got in the game. You know what I'm saying.

Speaker 6 (01:38:40):
Story, It's like Meek Mill, Sorry.

Speaker 2 (01:38:42):
I like this. I told my uncle that, like, Yo, man.

Speaker 13 (01:38:45):
One day, I'm gonna meet her and I'm gonna make
her mind, you know what I'm saying. So I just
want to everybody say even even even know you know
what I mean. When he first started the podcast joint,
he was kicking it, you know what I'm saying.

Speaker 2 (01:38:58):
Nor he would send me certain numbers like yo, look
at this, look at that one. You know what I'm saying.
So just to see another rapper make the transition.

Speaker 13 (01:39:04):
From rapping into doing something like this when you are
impact in the world, I want to salute you on that, man.

Speaker 2 (01:39:09):
So I just want to slew Ally just is your
favorite rapp up? Just came right there? Right? No, right
now hip hop? My favorite rapper is re me mind
fat Joe Man.

Speaker 12 (01:39:21):
Let me tell y'all, I love him to death, but
he's the biggest critic ever.

Speaker 2 (01:39:30):
Like no bad, Like it's real bad. If you didn't
come out before in nineteen eighty nine. He doesn't like you.
I respect that it's bad.

Speaker 12 (01:39:38):
So when we were in the studio and he was like, yo, y'all,
y'd really like it killed him. The first day He's
like sitting there, he was like, y'all, I ain't gonna
lie y'all. When y'all get together like ship, it's like, yo,
Like I was.

Speaker 2 (01:39:52):
Like, what do you want to say? Okay, So the
first time Fat Joe announced that y'all was doing the
album was on our podcast. And then he also said
that at first Joe told you to come to Miami. Yeah,
he said, He's like, wait, if you're going to Miami
for how many.

Speaker 6 (01:40:11):
Leaks, let's break that down.

Speaker 13 (01:40:12):
I mean basically, man, I don't know if the world knows,
but I managed my wife, you know what I'm saying.
I picked up the job by default. She was away
because when she got real, everybody over here, you know
what I'm saying.

Speaker 2 (01:40:24):
So, and we're doing another hip hop at the time,
and she was just like, Remy is very spontaneous. You know,
she's gonna do what she wanted to do.

Speaker 13 (01:40:32):
At that time period, you know what I'm saying. So
she came out of nowhere. It was like, I'm going
to Miami and then she was like two days away
of some crazy shit.

Speaker 2 (01:40:38):
I like this, Yo, just went the jealous story that
I'm a jealous looks.

Speaker 12 (01:40:48):
In lead. We got a winning and we got at it.
Over got this, I'm I need to record mine. He's like,
not was coming, So what ended that happen? And Joe
King's the wedding and he was like, yo, so when
you want honeymoon? Trying to was like, he was like,
when you coming up, when you come from your honeymoon,

(01:41:09):
can we record the album?

Speaker 2 (01:41:11):
So I'm like, record the album tomorrow. Joe he like,
so you're not gonna go.

Speaker 6 (01:41:15):
I was like, so I asked them to go on
your honey.

Speaker 12 (01:41:18):
Them you ain't gonna let me go to Miami record,
So now we don't.

Speaker 2 (01:41:23):
Get no honeymoon.

Speaker 6 (01:41:24):
I got to make my album. You ain't going no honeymoon.
Oh my god, Oh my god.

Speaker 2 (01:41:30):
We call them the poor.

Speaker 6 (01:41:31):
Tomorrow, we're gonna go to Hawaii because it's in the
United States, and I'm coming with y'all.

Speaker 2 (01:41:37):
That's crazy, he said that, But that's what you want
Hawaii for now, that's where we is gonna go. But
I com my pastor, I'm gonna come.

Speaker 6 (01:41:45):
I want to I'm gonna go on the other side
of the hotel. But you know, let's let's go.

Speaker 2 (01:41:49):
Let's go.

Speaker 12 (01:41:49):
But look, we didn't go on a honeymoon, but we
came up with all these You got so much money
now you got so much.

Speaker 2 (01:41:55):
You know it was the right choice because y'are all
the way up. But now it's time to enjoy, right,
and you have your children. You have beautiful children. You guys,
Black Love should continue to be supported. I'm gonna support
it that personally. I don't need nothing. I don't need
a handshake, I don't need a verse, I don't need
I just need love. And you guys, love should be

(01:42:18):
supported and continue to be on the forefront, and I'm
gonna continue to do it.

Speaker 6 (01:42:22):
I don't give a fuck.

Speaker 12 (01:42:23):
Well, I get to see one more season of it before.

Speaker 6 (01:42:27):
He announcing that.

Speaker 12 (01:42:27):
I get to see one more stress little like it's
really crazy, like it gets crazy.

Speaker 2 (01:42:33):
But they don't love it when they it's already done
because you do a drinking self faced right, I've heard that.

Speaker 6 (01:42:38):
I see what Joe said.

Speaker 2 (01:42:41):
Shout out themself, man, I'm doing drinking, my man, Shout
out the self man.

Speaker 6 (01:42:46):
When you do a drinking this space.

Speaker 2 (01:42:47):
What had I he was playing?

Speaker 6 (01:42:48):
Yo got here in New York too much?

Speaker 2 (01:42:49):
Right?

Speaker 9 (01:42:50):
You know what I mean?

Speaker 1 (01:42:50):
Man?

Speaker 6 (01:42:51):
No, No, I'm like the fact I already self is
my god.

Speaker 13 (01:42:54):
Shout out the self man, Shout out to the old
love and hip hop man shout out.

Speaker 2 (01:42:57):
The more the love Mona Scott part of me come
this season.

Speaker 6 (01:43:00):
I think y'all gonna love it.

Speaker 2 (01:43:02):
Man. It was a you know, we really got a
chance to document in his face and real ship nah man,
I patty patty, y'a but song I tryed to hear
with you got a song.

Speaker 6 (01:43:15):
I'm trying to get fifty on it and fifty ship.

Speaker 2 (01:43:19):
Petty like I used to boy it this versus and
then when I break up with him, I take the
first back. Is that petty? No? You told me yo
yo yo Yo's concerned?

Speaker 12 (01:43:31):
Hold on, I was gonna say that shouldn't have sucked
up Dallent the next.

Speaker 6 (01:43:39):
Nigger with my bags?

Speaker 2 (01:43:40):
You know you petty petty on when I when I
was signing to see Universal.

Speaker 6 (01:43:49):
That's why I see.

Speaker 2 (01:43:50):
That's before I got bann from that building. I still
go in there. I should be like, now I want
my Norsey ship. Everybody posted that really being there, I
used to do that.

Speaker 6 (01:44:02):
I'm on some petty ship. I'll tell you post it down.

Speaker 12 (01:44:07):
I didn't understand why I was in and it was
just all these posts.

Speaker 2 (01:44:10):
Quar, nigga, you just sent it to the black section.
I don't really understand that because when both sections, remember
I'm black Puerto Rico. Come on, I'm sorry, it's okay, yo.
Can you open up in Jack? Look how icy you are.
This is how you were supposed to come home. God
damn it, like a queen. And you know what, you
know who was the What was the craziest thing when

(01:44:32):
I seen Pat Poots out there, because everybody tried.

Speaker 6 (01:44:35):
To have a live broadcast when he was coming home.

Speaker 2 (01:44:37):
You know, I tuned in, But when I seen Pat
out there, I was like, that's a real nigga, like
he really like yo, yo, yo yo, come on you
because you know it wasn't easy. Though, I'm gonna say
that never thank you because you know why. And you
know who else I want to big up Gucci man
wife right right, she don't get enough praise. Shout, she

(01:44:59):
don't enough praise because you could have been out here
and been a scumbag. And if you want to scumback,
I would blow it up right now because that's I'm
that type of scumback.

Speaker 6 (01:45:09):
But you out here like really holding it down.

Speaker 2 (01:45:14):
Definitely.

Speaker 13 (01:45:14):
I feel like that's what I had called for. You know,
she deserved that type of respect.

Speaker 6 (01:45:19):
And you're a real nigga. Its not like you like
a like a like.

Speaker 2 (01:45:21):
I can't look at a man to say he ugly
or cute, but like you shouldn't be right because he
was getting pussied before. You know what I'm saying. So,
but but your wife went away and you held it down.
I really didn't feel like she deserves what happened to him.

Speaker 6 (01:45:35):
And that's why it went so hard.

Speaker 2 (01:45:36):
He's trying to say that, I'm so ill you say.

Speaker 6 (01:45:42):
You say that, God the god, she just your I'm
whipped heart, she humbled.

Speaker 2 (01:45:49):
Just say you wa, Yeah I am.

Speaker 6 (01:45:52):
I'm whipped to So that makes win.

Speaker 2 (01:45:54):
Niggas.

Speaker 6 (01:45:57):
Look, look the niggas that ain't make no I ain't
got the good thing. I respect you. I respect the
niggas ain't got the good thing. You didn't make noise.

Speaker 2 (01:46:06):
I'm concerned, concerned because you didn't make noise. He made
noise on the inside. You gotta stop being on the bus.

Speaker 6 (01:46:16):
Listen, your girl gotta stop coming out.

Speaker 15 (01:46:19):
Man.

Speaker 6 (01:46:19):
I'm just keeping it.

Speaker 12 (01:46:21):
Don't don't say it with pat Pat be making it
hard for people like you gonna do the tobo and
they was.

Speaker 2 (01:46:25):
Like fucking up my relationship right.

Speaker 15 (01:46:31):
There's some people that be like, yo, y'all good role models,
and then this somebody is like your pam fucking my
house up.

Speaker 12 (01:46:46):
I'm gonna tell you what they made. No call me,
he said, it's a face. I'm like what You're like, No,
I want both to you motherfuckers. I'm like cool, You're like, nah,
get that other black love, motherfucker. I'm gonna find a
way to get you motherfuckers off of TV. I like,
before you, yo, it's not my problem. You gotta start
living right.

Speaker 2 (01:47:06):
I got on the FaceTime. He's like, yo, man, my
fucking way. Everything happens. She keep saying, Yo, you need
to do this.

Speaker 6 (01:47:11):
Like Badpool, you need to do that. Oh nah, you
didn't suck it up for niggas.

Speaker 2 (01:47:16):
Ain't gonn.

Speaker 6 (01:47:16):
I'm living right, but ready so I respect you. Right,
I'm living right, But there's a lot of niggas that's
mad at you.

Speaker 2 (01:47:23):
I'm living right. I don't know what to say.

Speaker 13 (01:47:25):
Man, you know what it is thought normally where we
come from, man, life wasn't easy. So when you come
to it's all about growing up when you come to
I came to a certain space of my life. But
I said, yo, man, you're taking this is the female good.
This is the female that I feel like deserve it.
I want to be lawyer fayful.

Speaker 6 (01:47:41):
Look at him.

Speaker 13 (01:47:43):
Woman is the most precious jew. Man really in the
room and got on staff fire. You ain't got to
take one woman and rides above.

Speaker 2 (01:47:49):
The rism so she can show how pressure she is.

Speaker 6 (01:47:51):
You get a rind of the post.

Speaker 2 (01:47:57):
Listen, I ain't gonna lie.

Speaker 6 (01:47:58):
I ain't gonna li.

Speaker 2 (01:47:59):
I'm gonna still hanging out with happen just like just
on the strength because like we too, married lawyer, missus
nor what's your name? Miss nary ry Arry there, I'm
coming to Sunday, me and my wife. We want to
because like real talk, we like we like right.

Speaker 12 (01:48:19):
He loves singing out with other married copies.

Speaker 2 (01:48:21):
You got it to man. It makes him feel like
he's not the only what's the best advices, man, Tony,
every tithing hang around the matter. Listen, you got my number,
red definel, like you got a real number, real talk.

Speaker 6 (01:48:30):
I got niggas that got my other number, me too.
You don't got this nigga, you got the real no doubt.

Speaker 2 (01:48:34):
Thank you, Remy, thanks for being in the podcast.

Speaker 6 (01:48:36):
Thank you for giving us that verse.

Speaker 2 (01:48:38):
I wasn't ready because I need to shoot a five
hundred thousand.

Speaker 6 (01:48:41):
Dollars video for that. It's like I got like two
fifty right now.

Speaker 12 (01:48:47):
Now I want to do something something Verroe, you can
do that for fifteen right right now, workout, not fifteen.

Speaker 6 (01:48:55):
But I'm gonna get it out. Letnna get it out well.

Speaker 2 (01:48:58):
I picture Johnny noonan is man, Johnny lets you dar
let you alright?

Speaker 14 (01:49:06):
Everybody here.

Speaker 2 (01:49:10):
Make the Ace of Spade made me caught? Are we
sure this is good? Man?

Speaker 6 (01:49:21):
I know Hope is cutting checks, so let me start.

Speaker 2 (01:49:23):
Get big up.

Speaker 6 (01:49:25):
I love it. Oh, I love tight end Hole Fuddy.

Speaker 2 (01:49:30):
Chack, I love him.

Speaker 6 (01:49:31):
You'll thank you so much. Ray Yo yo, d we
love you. D rough Riders.

Speaker 2 (01:49:36):
What's uphead? And say say before you get out of here,
what's the new for a Rough Riders movie?

Speaker 6 (01:49:42):
A movie? Oh, we're doing a movie. Let's do it.
We're out here, Drake chat

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#Throwback Episode - w/ Fat Joe, Remy Ma, Papoose, Statik Selektah + More| (Ep.44)

Episode Transcript

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DJ EFN

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}#Throwback Episode - w/ Fat Joe, Remy Ma, Papoose, Statik Selektah + More| (Ep.44)