#Throwback Episode - w/ Trick Daddy | (Ep.51) - Drink Champs

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Yeah, what's up, y'all was going on Brother Radio.

Speaker 2 (00:06):
He's a legendary Queen's rapper. Hey, Hank is your boy
in O He's a Miami hip hop pioneer?

Speaker 1 (00:12):
What Up is dj E f N?

Speaker 2 (00:14):
Together they drink it up with some of the biggest
players in music and sports.

Speaker 1 (00:18):
You know what I mean, the most.

Speaker 2 (00:19):
Professional, unprofessional podcast and your number one source for drum facts.

Speaker 1 (00:24):
This is drinks champ Day. Every day is New.

Speaker 3 (00:26):
Year's Eating, right, Hey Hank Saguiobisavia, this is your boy
in o R.

Speaker 1 (00:35):
What Up is dj E f N?

Speaker 3 (00:37):
And this drink test motherfucker podcast?

Speaker 1 (00:38):
Man something?

Speaker 3 (00:42):
And right now we don't only have Miami's mix safe King.
We have Miami's King, the mayor everything in Miami, guy
who taught us about when why was in New York.
This is how I knew what Miami hip hop scene was.
He's been out here rapping. He's the realist dude, and
he's also the realist. He got an whole different following
on the internet. He's in the cooking. We got hot sauces. Say,

(01:05):
I don't know, because they said trick Daddy's heads, they gonna.

Speaker 1 (01:08):
Have a hot sauce on the motherfucker take.

Speaker 3 (01:10):
For no reason one of the realist dudes in hip hop.
Right now, I'm proud to introduce trick Daddy Dollars.

Speaker 1 (01:17):
Make something.

Speaker 3 (01:21):
Now take us in the beginning, trick, how did you
How did you first start rhynd into him?

Speaker 1 (01:27):
Well, see, I went to the chain game when I
was fifteen. That's jail for people that know, yes, exactly,
we only have.

Speaker 4 (01:34):
One penitentiary and you don't want to go there because
you's gonna get the chair.

Speaker 1 (01:39):
So you know that's the electric chair.

Speaker 4 (01:41):
So all the rest are either prisons of correctional facilities.

Speaker 1 (01:46):
Right.

Speaker 4 (01:48):
So when I got out, I violated the same day
I got out, Damn choose and got home my violation
day on the same day. At the time, I'm sixteen
when I got out, and I was already thinking like, damn,

(02:09):
you know, I'm thinking the dank fina send no.

Speaker 1 (02:11):
Young nigga in prison because you say sixteen at the time,
I was fourteen.

Speaker 4 (02:15):
Oh wow, Okay, So they sent me on up the
road and a lot of dudes in my neighborhood.

Speaker 1 (02:21):
You'll never pass Orlando. Shut up the shots man, unless.

Speaker 4 (02:24):
You never passed Orlando, unless you got get on the bluebird.
Anybody know what that is from? You know, you got
to be from Florida to know what the bluebird is.
That's the prison transportation. The vehicle, no knee room, handcuffed
to a nigga, wear two hundred pounds more than you.
He shackled at the feet, got a shotgun in the back,

(02:47):
one in the front, and the driving no a condition.
You can't see out the windows before I end, before
I go to before I go to prison. The second time,
it was right before Hurricane Andrew. And you know, I
went on the tenth floor. The first time, I was
able to burn out. This time I'm on the violation
as well as a new charge, so I can't burn out.

Speaker 1 (03:08):
So now I got the due time in jail. This
around the time.

Speaker 4 (03:11):
When Andrew came through, you know, which was once no communication.

Speaker 1 (03:16):
He was in the heights back then. Yeah, it was
down south.

Speaker 4 (03:19):
I got I got caught with the birds and nay,
actually in front of the school.

Speaker 1 (03:24):
So this is how we do it. It's gonna be
a wild damn that man go good.

Speaker 3 (03:35):
Actually, but that was this was with the shots missed
the league, Yeah he did. You're trying to get tricked,
your goal straight in.

Speaker 1 (03:43):
I don't need no look.

Speaker 4 (03:45):
So what it is is I was on the tenth
floor at the time. If you get sentenced as an adult,
they put you on the floor together. It's in county,
but in the county, but juvenile under eighteen. It was
a five man seller, two beds in the seller and

(04:06):
forty niggas. So thirty niggas sleeping on the floor.

Speaker 1 (04:12):
County is all fucked up. You got no.

Speaker 4 (04:14):
When I went to prison first time, was one hundred
and twenty four pounds. By by then I had that
got big about one fifty. So they used to bring
the mail in. They used to throw the mail on
the table, and it was some niggas that was so
uneducated they didn't even know they named if they saw

(04:35):
their name written.

Speaker 1 (04:36):
Down on a piece of paper. Wow. So I started
out writing letters for them.

Speaker 4 (04:41):
I started out writing they mama, they girlfriend, or they baby, mama, Yo,
come come holler letter man see me some I started
out writing for them.

Speaker 1 (04:51):
I started writing for.

Speaker 4 (04:51):
Them, wow, and then lyric right, it wasn't lyrics, but
the people was like, who wrote this letter for you?
And you't know one of my homeboy like whatever he
wrote in that letter you came to see me, and
she was like, whoever wrote this letter for you? Real smart,
you know. And then I had a way with I
always had a way with worlds.

Speaker 3 (05:09):
You know.

Speaker 4 (05:09):
In prison, you have to You ain't getting twenty five
dollars a week, so I have to make my own
cars and shit. So I used to write letters. Anybody
I wrote a letter for that been sent me fifty
one hundred dollars. So I'm like, okay, I got away
with words right.

Speaker 1 (05:28):
When I was younger.

Speaker 4 (05:29):
My daddy didn't really started the music ship back in
the days with the DJ How we dj down here
is different from how y'all.

Speaker 1 (05:36):
Did it because your daddy got mad kids, right right.

Speaker 4 (05:38):
My daddy got mad kids from different women, so all
of us grew up in different environs. How we DJ'd
on the corner, we put up what we call vegas.
We would line up.

Speaker 1 (05:51):
From speakers from here to the street, and we battled
like that.

Speaker 4 (05:55):
And when we dj it was different from DJ's from
the West Coast, the DJ's in the East Coast.

Speaker 1 (06:00):
It was you.

Speaker 4 (06:02):
You hyped the mic, you hype the word, you hype
the song, and then at some point you you said
things and changed the meaning and the title of the
song and you it was like a rhyme. So I
knew how to DJ. So I used to always tell.

Speaker 1 (06:17):
My daddy, Daddy, man, I think I could rap, but
that it wasn't popular. But you know at that time,
that way DJ, you gotta know you, you got to
you got to know the song. It's not about like
it was hard to be a DJ battle. They was
the lyrics.

Speaker 4 (06:35):
It was I couldn't come to you and cut a
check or you couldn't be an ass kissing and dropped
my record and I walked in.

Speaker 1 (06:41):
The club, but he.

Speaker 4 (06:42):
Knew DJ didn't get a pair of beats in.

Speaker 1 (06:45):
The pro mother for the djut there.

Speaker 4 (06:50):
Come on And I told my dad, I said, Daddy,
I think I can rap. At the time, I had
an older brother that was rapping, but he was like
doing a lot of the ship that I wouldn't do
because I was on the street ship.

Speaker 3 (07:02):
You know.

Speaker 4 (07:02):
I growed up in the Poker Bean project, y'all. Y'all,
y'all watched the first forty eight that's probably was one
of the first shows.

Speaker 1 (07:09):
Now, is that Liberty City.

Speaker 4 (07:10):
Or no, that's Liberty Shitty and all our inner cities
also separated with neighborhoods and areas. Like God Project was
the Liberty shit, you know, the forties what they call
Ada Pattle.

Speaker 1 (07:21):
That's still Liberty City. Brown sub is still Liberty City.
Is That's what the Dominicans be at. That's what. Yeah,
that's why. That's what. It's not a normal shop, by
the way. But I let you get away with me.
Get just glass. So I tell I tell my daddy.

Speaker 4 (07:33):
I said, I think I could rap, right, And he said,
I don't know about rapping, but you can cook that
dope going there and cook up four ouces and dump
them off.

Speaker 1 (07:42):
Yeah yeah, yeah, yeah, funk that rapping.

Speaker 4 (07:45):
You You cooked that dope, Go cook me four hours
and drop them off down there at Homestead.

Speaker 5 (07:53):
All right, Oh god, I'm gonna be doing this ship,
so take it easy.

Speaker 1 (08:06):
If my daddy ended up going going to the Feds.

Speaker 4 (08:09):
So now I don't cook the dough no more. Now
I pick up the money, and I was, I was
my twelve thirteen. I counted so much money.

Speaker 1 (08:21):
I threw up right, and I was like, Dad, I
ain't realize money was that dirty.

Speaker 4 (08:24):
He was like, you throw it out. I was like, yeah,
he said, you count that shit right.

Speaker 1 (08:29):
The count was right, right, So you don't son, you
don't cook, no dope, you count the money right.

Speaker 4 (08:37):
When I got a prison, I'm going around at this time.
My daddy's in prison. You got one hundred some years
in the FEDS at the time before.

Speaker 1 (08:44):
It's a pilled god. Plus uh.

Speaker 4 (08:48):
I get out to meet two little brothers that I
didn't have when I went to prison.

Speaker 1 (08:52):
I went to prison.

Speaker 4 (08:53):
My mama had nine. Now she got eleven, you know.
And I was like, Mom, who is that you babysit now?
Because my youngest brother mixed with some shit like like
what and some shit currently light skin shit, you know.
So I went and moved with my cousin, one of

(09:13):
my favorite cousins. I want to move with her. I
want to throw with some niggas in the apartment. That week,
her dog got kicked in. When she came back, I
was sleep on the floor with ak in my hand and.

Speaker 1 (09:22):
I had the niggas trying to fix.

Speaker 4 (09:24):
Her dough for she got home, she was like, no,
you're getting out with the same shit. You got to
get out of here, right. So I went down the street.
We trapped in the apartments and I would listening to
the radio. There was like two Live crew was looking
for a new member.

Speaker 1 (09:42):
In Miami. The Pack Jam was a teen disco on Saturday,
and on Saturdays you can go there as an eight
year old to a twelve year old. They called excuse me,
called kiddy Day. It was like a strip club too,
because our.

Speaker 4 (09:58):
Women always being That's why why I get so offended
with these old fake TV's and fake ass Like you
can look at the Miami Bitch back in the days
and be like, yeah, she from Miami, like you know.
So I went at the content. The last person I
ended up battling in the contest was Red Eyes. Oh

(10:19):
Me and Eyes went for about an hour. I'm like, damn, man,
hold on now. So I'm telling Luke, listen, I'm running
out of ship. I don't freestyle. To me, Freestyle is bullshit.
Freestyle is what a lot of these new rappers do.
They say anything around with anything, but it's no story.

(10:42):
They sound like they look like they dressed like no story,
no no content, you know, just right. So I ended
up winning the contest. So Luke was trying to start
the new two Live. I did my first record. You
probably don't remember this. This was my first meant you knew.
It was the scar Jog where we had to judge

(11:04):
itto and on the that's around the old J's templeton
ship was just.

Speaker 1 (11:11):
Crazy, right, and so verb couldn't do a clean verse.

Speaker 4 (11:18):
And I was like, I can't do a clean verse,
but I could say a little bit of cuss words
because that's my second lange. I know English in profanity.
I don't know the rest of the ship. So I
ended up doing the scar record. This card record was
big then. So Luke went, uh, Luke Simon Island at
the time, man and Hiram I believe his name.

Speaker 1 (11:36):
Was hrum Hicks. He uh. He was like, I want
to sign a deal. I was like, okay, Luke, go
haller money. The numbers they came back wasn't it wasn't right.

Speaker 4 (11:49):
So I'm telling Luke, listen, I need some money, but
I ain't no buster, I ain't soft. If you give
me a little bit of money, ain't gonna be able
to sta out here. I got niggas that I left
in the prison. I got to take care of. I
got my mama.

Speaker 1 (11:59):
I got to take care of h I said, I
ain't with that ship.

Speaker 4 (12:02):
Luke said, with what you do. I say, Man, I'm
selling to go still doing the same ship. He was like,
come stay with me. That's why, no matter what, I'm
always respect Luke. I'm always giving his props. You know
what I'm saying. How are you when Scar came out?

(12:22):
When Scar came out, I was nineteen still, yo, that
was a long time ago. So I stayed with Luke.
We did a lot of ship, a lot of Luke
off the chain any motherfucker. And it's right around the
time when the West Coast Ship was, when Luke them
had just went through it with what Drea. Yeah, so

(12:45):
I'm on that ship, like you know, we grew up
on that, on.

Speaker 1 (12:48):
That ship, like we respect you respect us, like you
know what I'm saying. So me and Luke vibing.

Speaker 4 (12:54):
I watched him and I realized the ship that everybody
was giving Master Peter props for Luke been doing it,
but they respect that. Miami Niggas is only as base records,
even a movement at that time, even though because j T.
Money was one of my favorite right even though they
still consider it as base because the singers that you

(13:15):
would have to pick in order to get radio plays
would have to be more up Timper You an't class
was hands down n w A of Miami, exact hands
at the South perid So one of my brother's best
friends who used to hustle with. They say, man, Touche
got a record label.

Speaker 1 (13:37):
That's the slides.

Speaker 4 (13:38):
So I go holler at Touche and he like trick Man.
I never signed with I never signed with Louke. People
don't know that I've been telling these other niggas, don't
be signing that ship. Because even niggas I tell you
don't have to sign with me, you don't have to

(13:59):
sign I don't want you to with me. When you
read the I'm gonna tell you ready. I can't stand
the niggah get one record to thank boy. They say, head,
I can't stand the type of niggas because I actually
talk and you know this game, because what kind of
deal y'all have you had to go and meet the buyers.
They don't even know that those people existed. The people
that sold the records to Specsis Vergin and all the

(14:21):
other players, f y I and all the little f
y E. Those people were people like regular drug dealers.
They brought the work, the music, and they sold it
to the store.

Speaker 3 (14:36):
Jays used to have to meet the retailers. Right if
they ain't like you, it wasn't another ship.

Speaker 1 (14:40):
When they carry around, they say they call it.

Speaker 4 (14:42):
Let me think of the word. They say, we are
not service. They say we similar word. Where they getting to?
They get by fifteen motherfuckers sit around and they say, okay, makers,
it's some.

Speaker 1 (14:54):
Of the ship.

Speaker 4 (14:54):
They do not no record pools, no DJs, no nothing.
They do something to the records and they say, okay, yeah,
this this this record of work.

Speaker 1 (15:02):
Yeah yeah, talk about now the way it goes down
to my radio. Oh what is it called? Research?

Speaker 3 (15:09):
Yeah?

Speaker 4 (15:09):
Yeah, yeah, oh we researched the recD I'm like, how
the fuck you research the record?

Speaker 1 (15:13):
Yeah.

Speaker 3 (15:13):
They have a couple of guys that sit around and
now they'll play the record fifteen to forty two seconds
and then they'll make a choice that.

Speaker 1 (15:21):
Answers on family feud ex. First of all, we asked
one hundred men.

Speaker 4 (15:26):
Okay, what the niggas was from? Like you understand what
they're saying. You asked a hundred man, But what was
it from Australia? Because I can't go there. I've never
been in Canada. I have been in Canada. But I
didn't pass the customs. They tell me to walk back.
That's the year turn though, Like we don't want to.

(15:47):
So we do that ship and you get with slipping slide. Yeah,
I don't get with sleep and slide. Telling me, man,
trick ain't gonna listen.

Speaker 1 (15:58):
He hang with all these here us that we call
the killers digging, Yeah we don't.

Speaker 4 (16:03):
He ain't with all these hitters. Man, this niggain't gonna listen.

Speaker 1 (16:07):
Man. So Debbie Benning when his worker with slipper slopes,
she was like ted. I talked to him. He's hungry,
he's giger save his life because anything goes out here.

Speaker 4 (16:21):
The niggas that you see on Death ro the Boves,
the little Bowl, the niggas you seen first forty eight,
the booiese, the Vonda's. Then I grew up with them.
This was my friend Dick. Those what we know cocaine
and machine guns. That's what we knew at the time
we found it. Hit Town were going there, We're putting
down like it's Miami. I wasn't gonna last in that

(16:42):
game long because when every time I want to prins,
I eos. That's called in the sentence no game time,
no nothing. I'm not listening to the officers. I'm not
calling him sir. I don't feel like going the word.
I don't feel good.

Speaker 2 (16:56):
You know.

Speaker 1 (16:57):
I stayed the confined from July to January. When I
got out, like you want to do, gotta let me
out January.

Speaker 4 (17:04):
So I convinced touche man, listen, I'm gonna do so
my first, my first album based on the Truth story.
I got a lot of recognition for that in the South.
But Debby kept stressing, if you don't get New York
radio to play this record, you're never gonna blow up.

Speaker 1 (17:27):
If you don't get.

Speaker 4 (17:27):
This next record out in LA, it's not gonna work
if you don't get it.

Speaker 1 (17:33):
In Virginia and Charlotte, in d c.

Speaker 4 (17:35):
And and Chattanooga was certain times at that time, certain
areas was the ones you had to blow up your
first So she said, what we're gonna do. We're gonna
get it played in Miami. We did the now Nigga.

Speaker 1 (17:48):
Join Shae wasn't come on to make.

Speaker 3 (17:59):
In Miami seeing y'all, and and I saw to god,
I don't know if you remember this, but I came.
I heard that record in club Rolex, and I went
and did Angie Martinez the next day, and my whole interview,
she kept saying, she kept talking to me. I was like,
you know what there and then, and I just kept
doing it like and it like I do out the
interview just you know, and I didn't know what you

(18:23):
were saying.

Speaker 1 (18:25):
I was just and I love said it's not complete.
You got to put something else. So I say, no,
that was first. No, it was no, no, it wasn't
me first, that me. But it was like this shade
is it?

Speaker 4 (18:39):
I'm telling you, I say, I see how they react
to this motherfucker straight up.

Speaker 1 (18:43):
She was like, this, miss is something. They don't know
what you're talking about. Nobody ain't know what now meant.
That's what was the Golden Pope. Excuse nobody knew what
now meant.

Speaker 4 (18:56):
In Miami, we got different slang and different lingo from
other places. When you say old girl in Miami, that's
your mama. When you say old boy, that's your daddy.

Speaker 1 (19:08):
Now, I mean no, nothing, nothing like.

Speaker 4 (19:12):
So my whole thing was I'm not gonna sound like
these even though I fucked with Cougie Rap, I love them.

Speaker 1 (19:18):
I like a Z, I like Scar phase.

Speaker 4 (19:22):
I like Q and too short, but I'm gonna say
Miami from New York Miami.

Speaker 1 (19:30):
I feel this make some noise for Day County.

Speaker 3 (19:32):
God damn it, the home with Drink Tims County got
damny continue.

Speaker 1 (19:37):
I dropped that now, and I don't know it was
Fulk Facts Folk flexor or Angie that dropped the record first.
But I got a lot of love from Angie Martinez.

Speaker 3 (19:50):
Big up Angie Martinez. That's big up Master Flex. They
realized it early. That's also big up Cipher sounds cpher sounds.

Speaker 1 (19:58):
But not only that.

Speaker 4 (20:01):
Who was listening to a New York radio to hear
respected DJ give props to a nigga full of South.

Speaker 3 (20:07):
You one of the first. You're one of the first
to break what is this nigga talking about? Let's make
some noise for trick Daddy. God damn it.

Speaker 1 (20:14):
Let me just tell you something.

Speaker 3 (20:17):
I don't know if you know about our show, but
an off show, we praise our artists, and I want
to praise you for that because you was one of
the first South artists to transition, and New York niggas
related to that. New York niggas accepted you for the
way you are. You are who you are, and you
stayed who you are, and we fuck with you because
we praise our We give our artists they flowers when
they can smell them, and trees when they can help them.

Speaker 1 (20:40):
That's what we do over here.

Speaker 4 (20:42):
And I also funck with the right niggas for New York.
The niggas they're not sure to have guns, but they
will rob they will.

Speaker 1 (20:49):
As always with the right niggas. You know what I'm saying.
Y Bleek always speak highly of you as well. That's
the round here record.

Speaker 3 (20:59):
He is almost like Bleak knew that you and t
I were like the kings of the South.

Speaker 1 (21:04):
And then a lot of people used to always say
how TI I say, he the king of the time.
Let him say what you want to say. That's just
like a bitch coming to tell me, oh, you hanged
up with that nigga. I used to say, this is
about you. I say that about you. I said, but
you didn't matter back then when you was with that nigga.
Now and you talk bad about me, go to your ass.

Speaker 4 (21:28):
You need to be mad, mad at this nigga. And
I always and it's certain niggas like I even always
call that ja. Niggas be like, man, every time I
see you talking to Jay z Waite, want to put
you down. I was like, man, I respect this man.
Mind every make his game. Everything ain't for everybody. Everything
ain't for everybody. Ship we was on, it wasn't for

(21:49):
no Rockefeller at that time.

Speaker 1 (21:52):
It wasn't for that nah that when niggas talk ship,
we're gonna smash the head you feel. I need to
see y'all wilding on South Beach.

Speaker 4 (21:59):
We used to, we used to be wide ass. And
then when can't coon that's around him. When now Nigga
was big, you know, and they had the party and
they dropped now Nigga and they told me, you.

Speaker 1 (22:11):
Got yourself for one boy, you got one from there.

Speaker 4 (22:14):
I sold three gold album and three platinum albums, and
a lot of niggas don't.

Speaker 6 (22:18):
Make the.

Speaker 1 (22:23):
Boy shot the physical copies. That's physicals. Yeah, not that
that digital ship dreaming not though here. I'm gonna give
you fifty dollars copy with somebody by there scaring this
and you had none of that ship. No payoler.

Speaker 4 (22:37):
I ain't paying nobody ship all right, Wow, I'm not
paying nobody.

Speaker 7 (22:42):
Ship.

Speaker 1 (22:43):
Ain't kissing the ass. I ain't doing none.

Speaker 3 (22:45):
Of that now now I was going, didn't do this shot.
So what was what was the most biggest Like what
did you see?

Speaker 1 (22:53):
Like was that the.

Speaker 3 (22:54):
Record right there? That brum you said, you know trick,
that is a star. Now, no, get out of here.

Speaker 1 (23:00):
I just found out I was famous. Like, nah, nigga,
you've been famous, let's stop. Yeah, but it was. It
was a little famous and famous wherever you go where
you can't go to the grocery store, you my phone
and it's like I know that voice. Now you've been
famous way before. We're gonna way before all the other
all the other ship you know, way before skinny jeans

(23:26):
and way after. I want to I want to tell
you something to about skinny jeans. I want something to say.
That was any I guanas uh.

Speaker 4 (23:36):
People a couple yes, and Jeezu was in there performing
uh huh and no respect to the game and not
the rap of the game, but the dope game, the
hustle game, the frog hey whatever niggas was in but.

Speaker 1 (23:55):
I was hurt. I don't understand where this is going,
but I mean it was.

Speaker 4 (24:01):
It was three hundred and fifty to four hundred niggas
with Cuban links.

Speaker 1 (24:05):
Ain't no way, no ninety percent of them. That is
USA free market coming.

Speaker 4 (24:14):
There was three to the folk hundred niggas with Cuban,
big thro kie Cuban in the USA. Niggas beggar for drinks,
got on Cuban leaks. I'm like, what the fuck, Carol Mark,
nothing to ass niggas and nothing to assholes.

Speaker 1 (24:34):
All they care about is.

Speaker 4 (24:35):
Likes like and the ship fuck with me. I told
my dog them all like, man, let's go.

Speaker 1 (24:41):
Man.

Speaker 4 (24:42):
They're like, what's wrong. I say, I'm gonna tell you
when we get in the car. When we sat down
in the car, the first thing they seen, I've.

Speaker 1 (24:47):
Never seen so many Cuban lenks not here what It's pathetic.
It's pathetic.

Speaker 4 (24:56):
And I'm really pitched at the niggas who say I
raised it the music. When I get a feature with
a nigga, it's because I loved that nigga.

Speaker 1 (25:06):
I liked it this style, and.

Speaker 4 (25:07):
When I heard that certain record and knew what I
was gonna do with it, I knew that he was
gonna do the same thing, and he was gonna be
real about it. I ain't never try to get no
hot nigga on my records. I ain't never try to
get no popular nigga on my records. I ain't never
did no records with no fucker Justin Bieber. I never
did a record with Mariah Carey or or Kelly Rowland.

Speaker 1 (25:27):
Well I've got a record with Kelly, a record when
these were my people who I really fucked with in respect,
I never did a record with them because I couldn't think.

Speaker 4 (25:39):
Of a record to do with them that it would
be a real record. Your album was they still a
true story w w dot thug dot Com book a
Thug Thugs, rugs by Thug the Man, Thug Matrimony, not
none of that. Play play ship like real ship. And
now that Bill Cosby fucked up right, I got a song.

Speaker 1 (26:02):
Suposed to write to ring. I got a song that I.

Speaker 4 (26:07):
Gave him to Bill Cosby for the fat Abbat music. Oh,
and he turned the song down.

Speaker 1 (26:13):
I'm like, what the fuck?

Speaker 4 (26:15):
I didn't curse on the song. It took me about
a week to write this, bitch. I didn't curse.

Speaker 1 (26:21):
It was a song called I Just Want to Sing.
I got the kids on the records, and a lot
of people get and get j I done, had the
kids on all my society to so side.

Speaker 4 (26:35):
Yeah, I always I funk with the kids, and he
turned my record down.

Speaker 1 (26:42):
And are we saying bo Cosby right now? Oh? My
family turned you know, but just him. But I believe him. Girls,
you want one of them. Listen.

Speaker 4 (26:56):
My last case that I wanted to try out for
it was too witnesses. That's the only thing that helped me.
There was two witnesses. And they kind of tell you
when you come in the courtroom, they say, anybody in
here for the defendish stand up now. And when you
call the motherfucking court and your mama and your daddy
living and they not in court with you, and you
got kids that they ain't in court with you, and
your baby mamas and your friends and your neighbors and

(27:17):
your teacher ain't in court with you, the judge say
you are fucked up person. Whether they said to you
or not, the way they're gonna be talking to you
and looking at you.

Speaker 1 (27:25):
When they said my name, the courtroom feeled up.

Speaker 4 (27:29):
The judge told the prosecuted, we need to try to
resolve this.

Speaker 1 (27:34):
Instead of finishing this trial.

Speaker 4 (27:38):
When I first see Bill Cosby, he reminded me of
ass Sharpening and Jesse Jackson don't talk.

Speaker 1 (27:46):
Every time.

Speaker 4 (27:47):
Every time I see one of them. Niggas are like
turn channel. They play players, niggas trying to get on TV.
There is the reason why we don't have.

Speaker 1 (27:55):
No If Bill Cosby, ass Sharpening and Jesse Jackson was
real black folks who stood up for black folk, they
would have killed them like they did. Martin M. King
and Malcolm X.

Speaker 3 (28:09):
We're getting political and Bill Cousey fronted on shoot but
on Richard Pryor, Richard Pryor.

Speaker 1 (28:17):
For talking that ship were getting political.

Speaker 4 (28:19):
And now you go, you're gonna say, okay, one one motherfucker, Okay,
I don't believe her.

Speaker 1 (28:24):
Two Okay, I don't believe the whole front cover of
Time magazine. Ain't.

Speaker 4 (28:31):
Time Magazine is like one of the first magazines, uh
national magazines.

Speaker 1 (28:35):
It is. I believe that's about es.

Speaker 4 (28:40):
That's like big and plus I never liked it to
Bill Cosby show. After I got old enough to understand him.

Speaker 1 (28:47):
What happened? No doctor, go.

Speaker 4 (28:50):
Marry no college professor and have five kids and none
of them don't do drugs, cuss words, smoke weed and
don't do nothing legal. Uh, you could be the best
parent in the world. Everybody ain't gonna be right. Everybody
ain't gonna make it.

Speaker 1 (29:05):
Everybody, and it was just it was, it was unbelievable.

Speaker 4 (29:09):
It was unbelievable too for me. It's like they selling dreams.
And that's my problem with the Tyler Perry's and.

Speaker 1 (29:15):
The omer Winfries in the world.

Speaker 4 (29:17):
Why can't we have successful movies From the beginning of
the movie I struggle, I struggle, okay, we know some
struggle from the beginning of the movie. Okay, But while
we always got a cheat, while we always gotta still
kill one another, lie, why we gotta do bad before
we do good? And that's how all they movies to me.
They always degrading niggas for their wealth. And then like

(29:40):
she went to open, went to Africa build the school.
Africa is the richest continent in the world, the resources.
Yet they got natural resources. That don't see the ship
we made up. We need some schools round here. You
got your television show.

Speaker 1 (29:57):
That you made billions of dollars, not hundreds of menniggas
big as a dollar in Chicago. Well, young niggas ain't
got nothing to do but kill each other. And you
ain't get shipped for them niggas. So I have a
problem with people like that. I don't want to meet them.
I'm not interested in them. I don't I'm not.

Speaker 4 (30:13):
I don't want them dig I don't want to see
him doing bad. But maybe Bill died before the trial.

Speaker 1 (30:19):
They have to feel like he's gonna die.

Speaker 4 (30:21):
Why do you think, oh J in prison? Oh J
in prison for being the shit with the call.

Speaker 7 (30:27):
Yeah, Bill already going through it because the son got killed.

Speaker 1 (30:32):
All that shit go handy head, you know what I'm saying.

Speaker 3 (30:35):
And now that we're political, not really political, a little political.

Speaker 1 (30:41):
I'm wondering how you feel about Kanye West and Donald Trump.

Speaker 4 (30:46):
I feel sorry for Kanye the same way I feel
sorry for oh my god man, anybody that gets Let
me tell you the problem is.

Speaker 1 (30:58):
That kr Dashian pussy is a curse.

Speaker 4 (31:03):
I don't want no pussy who lived next door roll up.

Speaker 1 (31:07):
When this school with no I'm talking about the mummy
when he said that. Look at and no matter what
they call him, Caitlyn nigga, you' bruce nigga. Nigga, you Bruce,
they're like Tyler nigga, You my dear nigga. Every time
I look at you, nigga, You okay, then you want
to be a so called woman, but you want to

(31:29):
keep your dick. What you gonna do that you're a woman.
What you gonna do? What you did? They look again
in Lamar Miller, Lamar Miller, Lamar Old him my older,
not Lamar Miller. Excuse me, Lamar Older lost his fucking mind.

(31:53):
And then this nigga walked out with Donald Trump the
other day yesterday. But because we're dropping this tomorrow, yeah tomorrow,
this comes out tomorrow. This comes out tomorrow. So I'm like,

(32:14):
did I what happened? First? I've seen Jim Brown? Jim Brown, Yeah,
he went to but heeah right with him racist on
my dog. So I'm like, damn, Like, I'm like, like right,
like every sistant what they call the quote unquote ray
Lewis Murty rolled up. The only one got convicted. He

(32:39):
stitched on my dog. So now you want to be
the same man, the same that. It's like, how could
you talk from drinks hamp sports. I need me a drink.

Speaker 3 (32:50):
Oh yeah, But by the way, we want you to
finish your story once you remember. But listen, our base
home is in Miami. I want you to know this
is your homeie, man, this is your home. Anytime you
want to come and talk, because I want to get
into some comes crazy shit in a little while. But
anytime you want to come promote your records, we're going

(33:11):
to support it.

Speaker 1 (33:12):
You know.

Speaker 3 (33:14):
Me being in Miami, I always respect Miami kings.

Speaker 1 (33:18):
I always respect.

Speaker 3 (33:20):
That's why nobody never had a problem with me because
I don't fuck y'all bitches.

Speaker 1 (33:23):
I don't, I don't. I don't take y'all drugs, not
back in the day. I'm from. I'm married.

Speaker 3 (33:31):
I came down here and I respect Miami and you,
the Miami King, the mayor, and I want you to
continue to come back here anytime you ever got anything
you want to say. We love your interviews on the
Brefast Club, but you know what, you ain't even got
to take to take a flight, and those are peoples.
We love the Breafast Club. But you can stay right
here next time you go to my house. Oh yeah,
but you gotta cook though, No, let's talk about cooking

(33:58):
when we're talking about that was great.

Speaker 1 (34:00):
Yeah, you're sucking up Trump. Oh yeah, and Kan yeah, yeah,
it's like okay, but at least Lewis said, I'm here
for it was making urban development. At least he you
know what I'm saying, had something to tell us like,
but it's like Kanye is just standing up like he

(34:21):
just pussy whoop gone crazy. Let me ask you a
quest I could I ask all the qub I know
nobody don't ask you all questions. Y'all show but got
Kim ring? Huh?

Speaker 7 (34:34):
What who?

Speaker 1 (34:35):
They stole that ring in France and stuff? Actually, I
think you know that that was terrible saying. Man.

Speaker 3 (34:46):
You know, I know some found niggas in France, but
they ain't got nothing to do with it.

Speaker 1 (34:51):
Yeah, it was like me telling me it was like
Kim caught that ship. It was her snap the name.
It's worth a lot of money. They're talking about Black
China want to bring her name and I know I heard.

Speaker 4 (35:05):
About that on her. Yet I'm thinking, can't cut that ship.
It's at a private place with no security. Nobody in
the ring come up missing. You think you feel me, Kanye,

(35:25):
I don't know.

Speaker 1 (35:27):
I mean her brother that blacks got.

Speaker 3 (35:31):
Him a brother with her brother in law.

Speaker 1 (35:40):
Baby Mama. Yeah, that that's a little word that that
go there. Trick is gone, man, trick got me, Man,
think about me.

Speaker 4 (35:51):
I'm gonna tell y'all to anything y'all want to ask
me one thing about men?

Speaker 1 (35:55):
Do shipped to me?

Speaker 4 (36:00):
Gonna if a nigga fall asleep in dream that he's
gonna fuck with me, he better wake up in a fall.

Speaker 1 (36:10):
But it's just it's just it's just weird. I'm just
thinking about that.

Speaker 3 (36:13):
If Kanye, so, you will not vote for Kanye in
twenty twenty.

Speaker 1 (36:21):
You know what.

Speaker 4 (36:23):
If I had a choice to vote for Kanye over
Donald Trump, Kanye, please, you gonna vote yeah, because I
know he'll get it peached faster than some. But they
want to give you choices like you got choices, and
that it ain't like you can make up her name
it and if you, if you did, you know, feeling
in it wouldn't count, you know what I'm saying. But

(36:45):
if Donald Trump that he's gonna get in behind that
motherfucker in that old office and run this country like
a motherfucker business, a lot of people.

Speaker 1 (36:53):
Gonna die behind that run like a dictator. Man. That's
the way it's actually, that's the way he's He's.

Speaker 4 (36:59):
Not gonna make it as a dictated because there's There's one.

Speaker 1 (37:02):
Thing I've learned about. I grow up in Miami.

Speaker 4 (37:05):
So when I hear racist word racism, I don't know
what that really means. I know what prejudice is, I
know what separation is, segregation is, and I call my
fucked up relationship situationships.

Speaker 1 (37:22):
Right, But I don't know what it is to.

Speaker 4 (37:24):
Be racially divided by white people because we don't really
have white people in Miami. Miami is is multiculture. White
people are Cuban right now? You know white people is
niggas because if you go.

Speaker 1 (37:38):
To qub, I'm saying Cuban.

Speaker 4 (37:43):
But how we consider them, We consider them as just
like us. Everybody know this Indian land. We ain't nobody
from America. So how do we choose who were going
to kick out?

Speaker 1 (37:54):
Now?

Speaker 4 (37:55):
How the country do show the Cubist love and then
turn the haitius back. I don't agree with that absolutely,
But at the same time, if we could, if we
as American people, I don't give a fuck who decided.

Speaker 1 (38:09):
To vote for Trump.

Speaker 4 (38:10):
If we think that Donald Trump could run this country,
we fucked up.

Speaker 1 (38:17):
We might as well vote for Kanye. We all fucked up.
We might well vote for Kanye. Yeah, we might make
a fork, but he's bugging right now. I keep telling you,
fuck none of them. Gonna tell you I've never been

(38:42):
funled as much.

Speaker 4 (38:43):
But listen, Bruce Jenner was the number one athlete in
the world.

Speaker 1 (38:49):
He was in we these boxes and ship he was.
They were talking about Bruce Jenner. They talk about Bruce
Jenner in American history. And now you're Caitlin.

Speaker 7 (39:05):
Somebody was like he outran Africans, like like the fastest
people in the world.

Speaker 1 (39:10):
The Kenyon beat the king. Yes, yes he beat averything.
Yes he ain't coming second and nothing where they're going
to try after the try triathles whatever, that triathlon, Yeah,
that ship straight, that's the one with you out make
the different Oh my god.

Speaker 3 (39:37):
Now, now, Trick, you had the Internet on fire two
different instances, and we're gonna bring up one the spitting
on a computer.

Speaker 1 (39:47):
What happened there? He don't even know and we still
don't know who who you was talking about.

Speaker 4 (39:54):
This bitch is one of these holes who tried to
get attention off social media, you know. And I'm trying
to explain to her, like listen, I'm I'm really from
the graduate. I grew a worldfare food stand like, you're
not gonna talk to me any type of way, bitch.

Speaker 1 (40:10):
I watched dishes when I was willing. But what she
told you wonder what happened was I.

Speaker 4 (40:14):
Put up a post about my homegirl pri Madonna, and
I was like, bitches always hain't no pre Madonna, Like,
if you're doing good, I'm gonna give your props. And
one of the comments was said her name when she wanted.
She went live on Facebook that live, gonna get bitch
fucked up.

Speaker 1 (40:34):
Instagram Live.

Speaker 4 (40:36):
She went live and she brought my name up, and
her daughter walked at the house and was like, Mom,
he didn't say nothing about you. She was like, I
don't give a fuck about that, nigga.

Speaker 3 (40:45):
See a lot of people don't know that. A lot
of people just thought you just went off. Oh she
said something about it.

Speaker 1 (40:49):
Wh think about it.

Speaker 4 (40:50):
I'm gonna tell you some god look out for babies
and foods. If you that motherfucker stupid god got you.
If I run and tell you, bitch you in the
hands of the depth. I'm a crucial fighter and you
know I got and I have loopers, so I ain't
even gonna get mad. Everybody was like, your eyes was
bloodshot read I probably had a mother fuck a stroke.

Speaker 1 (41:10):
And ain't know, I really really really wanted this bitch, Like,
but what did she say to you? Exactly? Oh that
nigga track, You're supposed to be a real nigga? Got
like yeah, yeah, yeah. So I got on line and
I'm like, you you got to watch your mouth, nigga.
What so that there? So?

Speaker 4 (41:34):
But since then she they whooped the ass at the
did y'all see that they whooped the ass? Live about that?
They caught her some of the girls she was beefing with.
They beat the ass at the hood office. And the
next picture you've seen was her standing by the police

(41:56):
car giving descriptions and ship. She was supposed to be
going to the hood office to.

Speaker 1 (42:05):
Go and report one of my other homegirls who's ain't
have a job, but she had a side business in
a side hustle. She was going.

Speaker 4 (42:13):
She was taking pictures of my homegirl wearing designing ship
at drive a nice car, and she was going to
hood trying to get my homegirl. Her kids kicked out
of their house. Ah, And I was like, that's fucked up,
and why I'm on that? No, I want to talk
about like being cast like. I wouldn't live to talk
about being constas like. They made him here the political nigga. No,

(42:35):
they made him hear the hood. Let me explain to
you what hood is. Her is the reason for all
these young killers. Her is the reason my mama got
so many baby daddies. Her is the reason that niggas
stopped that they was comfortable with worldfare, food stuff there
paying a dollar for rent. Her is a curse to
any black expanic that grew up in motherfucking Miami. So

(42:56):
for if he the house they put, they set him up,
and this is the criteria.

Speaker 1 (43:02):
A man can't live with you. That's not section eight though,
right the same thing. Section eight is like a scholarship
from hood where you can actually go live.

Speaker 4 (43:14):
You hainte somebody else property and instead of you paying them,
the government send them the check.

Speaker 1 (43:19):
That's what section eight is. But being constantly don't know
what he just got hisself into.

Speaker 4 (43:26):
I don't think he understands because it will take for
them to go in our schools.

Speaker 1 (43:30):
I live out of mirror, Mam. I live west Ise
seventy five.

Speaker 4 (43:34):
It's totally different from when I grew up at If
my kid dropped from a A to A C.

Speaker 1 (43:41):
They call him my phone.

Speaker 4 (43:43):
My kid can't walk home from school if I don't
sign the paper. That more than when I drop him off.
It's not like Liberty City when I grew up in
the Poker Bee in elementary school. If you was a virgin,
they picked at you. He don't know what he getting
itself into.

Speaker 1 (44:00):
He need to come get me and a couple of
other niggas so we can explain to him what need
to be done. That would be interesting.

Speaker 4 (44:06):
We need to explain him and not even take him
over town at ten thirty on a Friday night and
show him the thriller video.

Speaker 1 (44:14):
Was real, Like this ship is serious.

Speaker 7 (44:19):
The ghules to take him Trump No, No, they made
him brain certin.

Speaker 1 (44:26):
But sometimes we don't know where the brains is. He's
over hood.

Speaker 3 (44:31):
That is crazy too calm, too political. Bbe, bbe you
want to come over here? I feel like bb one of.

Speaker 1 (44:38):
Maybe a rich kid. That's my nigga though, throwing up
a rich.

Speaker 7 (44:42):
Kid the lunch money making mad money out there.

Speaker 3 (44:46):
Trying to be as big up the circle house er
whole family.

Speaker 1 (44:52):
Boy, you you.

Speaker 3 (44:53):
Ain't got you ain't got another mic for yeah, yeah,
yeah you expect the circle.

Speaker 4 (44:59):
House you were talking about, you were talking about the
second time that I was on it.

Speaker 1 (45:03):
You know I'm going there. That was big, wasn't it.

Speaker 3 (45:05):
No, I ain't gonna lie every black Charlemagne just got
it the record. Charlemagne just got it because Charlamagne said
some ship. I don't know what he said, but I
know every angry black female got on.

Speaker 4 (45:19):
But you know, you know what females, No decent female
is gonna get mad off nothing I say, I represent.

Speaker 1 (45:26):
Well, what exactly did you say? Let's listen to these
species in these holes that don't know it.

Speaker 4 (45:29):
For instance, the first ones are the ones that leave
Miami and move to Atlanta. That's the first sign that
that bitch got a lot of miles on her pussy.
She tried to be trying to we call him recovering
must She tried to start all over again.

Speaker 1 (45:45):
Ain't now, Ain't nobody for Miami just leaving Miami? Not
in a real bit.

Speaker 4 (45:55):
Women, they understand that one page hen't get put up
and get it, and you join it with the next
paycheck and you pay your motherfucker bills any day after that.
It's extras. They understand that the income tax check is
the money that they took out of the check prior
to them giving it to them a year before. These

(46:15):
holes income tax check at crazy in the club. You
walk in the motherfucker strip club, you don't know what
bitch you want?

Speaker 1 (46:22):
All them shaped the likes going. When they go to
doctor Miami, they be like, I won't her waist.

Speaker 4 (46:31):
I didn't grow up on that. A lot of them
shady pussy. Now I grew up with the Harry pussy.

Speaker 1 (46:36):
When we see they got help, yo, But that's that's
better than man's more.

Speaker 4 (46:41):
It's a little gently understand that look unless show pussies
look like you got buttweek sitting between your less and
you're bringing his help. You can shave it, trimming man
this trip. I real a Miami person, a real Southern

(47:02):
boy or Island boy. When they see you with no
hair on your pussy, the first thing they think about
is crabs.

Speaker 1 (47:09):
It's you had to shave it because now you got
everybody want to shame.

Speaker 4 (47:12):
You know, everybody's body, everybody blood, everybody is different. I
don't give the fun how you look. You're different. If
we were identical twins, we would be different. They could
test something on us and you'll learn to milk. I'm
gonna learns to something else. We're different. You can't shave,
ton can shave like Sarah.

Speaker 6 (47:36):
Put your shirt because Sarah everybody could could take raising
the gonna get raised chicken pop.

Speaker 3 (47:54):
You gotta let let me play, let me please, please,
we gotta make that takes for us. You know, I'm
a Black Lives Man activist. In my mind, I want
I want.

Speaker 1 (48:07):
To nominate you. I want I want to be got
a represent for all black star.

Speaker 4 (48:11):
I started an organization three years ago called the Eating
Booty Game.

Speaker 1 (48:14):
Oh god damn it. Don't go there right now, because
this is just say you love that woman. First drink.
Please talk about saying to eat boody.

Speaker 3 (48:21):
Please just say I love black women.

Speaker 4 (48:24):
You gotta say I love black women. I prefer chocolate
dogs loan.

Speaker 1 (48:30):
I'm ting. I don't eat pussy no more. I sucks.
I give him the spaghetti leaguers. I used to like
sports till find out they were peeing on me. That's
ain't peel me, that's your pe I thought you liked it.

(48:56):
You talk the doctors.

Speaker 4 (48:59):
You know you can't of people say just google it.
They don't know that Google got some ship that I
could put.

Speaker 1 (49:04):
In there.

Speaker 4 (49:07):
Because they say my million name. My middle name is Samuel.
I would never be called the mother. I don't have
no SI. Alright, look I put on face, I put
on I put on Facebook today.

Speaker 1 (49:22):
I love sucking pussy so much. I just go to
shake in and get nervous, I said, I say, iping
right now, thinking about it. Where you love black women,
I love him to death. My fato to a black woman,
this baby lay down. I got you exactly.

Speaker 3 (49:41):
Because they got a mist in school.

Speaker 1 (49:43):
I knew who it was. Tricked down his motherfucking dollars.

Speaker 7 (49:46):
Women.

Speaker 1 (49:46):
You were just saying, just well, like a couple of
y'all slipping, that's what you say a lot of but
not the women those in the all. And that's the difference.
That's the difference. The women and a real woman ain't
got time to be on them.

Speaker 4 (50:01):
Fu fucker social music making with me right right right,
She's taking care of business.

Speaker 1 (50:06):
It's rough I am, and I don't know a lot
of rich black women. So therefore certain.

Speaker 4 (50:14):
Things I have a problem with single black independent as
a woman that's lonely, hungry and program.

Speaker 3 (50:25):
So we love our black women. It's a lot of
it's a lot of women out there doing their thing.

Speaker 1 (50:29):
And all the ones that do their thing, like I
know Fadrial, I knew Fasor when she was in college.
She's a successful black attorney. Respect to that. I respect
her for that. That's right.

Speaker 4 (50:41):
And they could talk all that ship they want to
about Patty LaBelle, but you can say the piles nasty,
but they bought them.

Speaker 3 (50:48):
They brought the motherfucker pies.

Speaker 1 (50:53):
So now music, and if I see Patty, I'm gonna say,
what's something that's mother, my god, mama, it's one. It
is one of the ones they call considered as the
queen of soul way before anybody else, miss the legendary
missus Betty Right, what that's that's my god, mama.

Speaker 4 (51:13):
Nobody raised, nobody would ever understand her for slapping the
ship out of me, for disrespecting.

Speaker 1 (51:19):
The black woman, a decent black woman. Wait, we're talking
about Betty Right, not the white but it's the child.

Speaker 3 (51:30):
What's the ship? Golden girls? You know, I was like,
this ship got m.

Speaker 1 (51:38):
From the girl. One of them a slot, one of
them d The trick is going down the gold But
did you ever have do you ever have tagle bone?

Speaker 3 (51:53):
No, I never had that tackle bone. It's just one shot.
Come on, please you par if.

Speaker 1 (51:58):
You don't want that ship, I don't drinking a small shot,
small sh ship like Tapo bell Do I need to
take this ship in the bathroom and no, no, no,
that's how I feel about top of b I eat
that ship on the toilet as well. And you are
the Kings of the South. Toll right now, right well,

(52:20):
the legends of the Legends of the South. That's you.
Who's on the start face a ball M J G.
Shoolie movie. That's all them niggas. Come out here, man,
come to the drink. It is horrible, guys, I'm sorry
about this. I'm from Miami. It's like it's like you

(52:42):
want pussy. That's the girl that shake the pussy. Don't
even eat out of God we called eating at the guyage.

Speaker 3 (52:53):
So he So that's that's hard.

Speaker 1 (52:56):
It's just not good. It's just not good. That ship
not gonna say, I promise Trick is not gonna put
it in one of his video.

Speaker 3 (53:10):
So trick, So Trick. We got a guy who's down
with all cool. His name is Eddie That and you're
his hero.

Speaker 4 (53:19):
I am to see your president and founder of the
Eating Booty game game, which is which what I mean?

Speaker 1 (53:25):
Chance?

Speaker 3 (53:25):
Listen, we asked everybody if they asked, We're not gonna
ask you because we know you.

Speaker 1 (53:30):
You guys in the Canada, tell you something like game leader. Okay,
I don't take showers. I have a tough shower, but
January twenty fifth or not. You know, I take sit
down bubble baths, cleaning gangsters because I get hate out too.
I get asked eight to get one of the more

(53:51):
line of one trick the whole more so you get
verted described man I'm talking about I'm talking about woman
eating mad ass and and man women. Yeah, I ain't
talking about that that. So what happened? I know we
know we don't come on, you come on, we know

(54:14):
so Eatyboddy can't go before. So what happened? How for
something for people totally around like how I started like
getting my hand she was she had to sloppy jilopy,
like like you know, the sloppy dappy head. Ain't she
got slopp all over my head. I'm like, get that

(54:34):
out of there. She's like, are you looking for the
stopping though? I don't know. I was just trying to
get to you. If you never got eight out, that
what we call it get if you never got eight
out yo twenty. Hold on, but how did this start first?

Speaker 3 (54:54):
It started you eating the booty first.

Speaker 1 (54:57):
It really really, it really come from my family.

Speaker 4 (55:01):
I have a very spiritual family and they raise their
kids with man.

Speaker 1 (55:07):
I don't know if y'all know this. It's about, it's about.
It's about. This question is a look lie, you can't
say I'm right question. I'm just speaking to the neighbor
mama that old ladies. We didn't just say anything a

(55:37):
training camp. This is what you gotta do.

Speaker 3 (55:40):
The trick I've seen online you said you have quit
the Booty gang at one point.

Speaker 1 (55:44):
Right, because but hold on, this is what we're gonna do.

Speaker 3 (55:47):
We're gonna set up and it's gonna be a show
on on reality show. We're gonna do the Hohoy Gang
training camp where you sending the nigga and like anything
he did.

Speaker 8 (56:01):
And you, no, dude, you hold on this randomation daddy
for being the ball.

Speaker 3 (56:15):
No, I just didn't make joints to trick out of him.

Speaker 1 (56:18):
Because let's guess what, EFN. Let's be real.

Speaker 3 (56:21):
The minute the fans got word that we our main
basic you born and raised, not born and raised, but
raised in Miami and me being in Miami for ten
years and you know the number one.

Speaker 1 (56:33):
One of the first niggas that they say, hey, he
wants some drops, he wants some music for them. And
I said, all right, here you go. That's her and
he put that ship and it was out there. So
who would the first DJ that played play your music?
The first DJ that played my music?

Speaker 4 (56:48):
I don't know a lot of these radio DJs were
my DJ once before. But about J College is the
first DJ to really go crazy with it was calling
now it's.

Speaker 1 (57:02):
DJ nasty, Well go out uncle uncle. It was like
it's like family.

Speaker 4 (57:08):
So when when our like when Al did more? If
you knew, if you know who DJ, it ain't too
many tricks that the records you put on at the jam.

Speaker 1 (57:21):
You know what I'm saying.

Speaker 4 (57:21):
You understand what I'm saying. Yeah, I ain't have too
many of the records. A couple of them, get on up,
take it to the high, make it.

Speaker 1 (57:29):
To the hour. But you know our jams, the.

Speaker 4 (57:33):
Little girls remember that. I don't know if y'all seen
this on on Instagram, but I'm looking for her mama.

Speaker 1 (57:38):
The little girl and the little boy making the rain
on with the cars. You see that all of the Chinese,
the black little.

Speaker 4 (57:45):
Girl with the dancing and the little boy was making
the rain on with the cars. I'm like, I've been
I've been going to every stript club looking for her, mama.

Speaker 1 (57:52):
I can't find them. But I want to know what
girl you're talking about.

Speaker 3 (57:56):
It's a little it's a little Chinese girl. I think
it's a jeweler Julia. She'd just be throwing like she'd
be calling my car.

Speaker 1 (58:06):
I think it's one of the jeweler's kids. Okay, can
kill you, Trick. But how it's like a lot of
these kids out here. They don't got ship. They do.
Everybody got guns.

Speaker 4 (58:21):
Once you try, and once you beef with them and
say something slick, they're coming.

Speaker 1 (58:24):
To kill you. They kill you.

Speaker 4 (58:31):
Their friends, gonna kill one of your homeboys, one of
your home ones, gonna shoot up their friend. Wait, it's
fucked up. So what I do with Trick love the
Kids Foundation, and I don't lie to my kids no more.

Speaker 1 (58:45):
I used to tell them I'm uncle Trick, but I
was fucking half of their mama, So you got I'm
his stepdad. So because it's it's certain things.

Speaker 4 (59:00):
That my mama for them, my mom from South Carolina.
They call us Geeche ain't nothing Ma mama heard from us.

Speaker 1 (59:09):
She told us what not to repeat, what not to say,
words like nanny and babysitter, or we know what that
means five.

Speaker 4 (59:17):
Years old, lock my door door, open it for nobody.
We knew on Fridays, Saturdays when all the kids in
the room when you first played hide go hutch, all
the kids together because the grown folks is in the
room getting high.

Speaker 1 (59:32):
We do that, but they didn't do it in front
of us.

Speaker 4 (59:35):
The problem with these people they do shit in front
of their kids, anything in front of their kids, and
their kids do anything.

Speaker 1 (59:43):
And they try to be their kids friend.

Speaker 4 (59:45):
My kids ain't my fucking friends.

Speaker 1 (59:48):
They're not my friend.

Speaker 4 (59:50):
And the whole thing about me is respect my manhood,
respect my mind, respect me as being older. Young niggas.
Now they got they got a new name for niggas.

Speaker 1 (01:00:03):
Like us nor old head old head. Yeah, I'm like
old head head.

Speaker 3 (01:00:07):
I'm like oh gen neither like Sometimes sometimes O g
on the wing, I.

Speaker 1 (01:00:14):
Mean I gotta listen. Why It depends on.

Speaker 3 (01:00:15):
The where they use it sometimes because they say oh
G and it's like right and and something's like G
and it's like say you old nigga, I'm young bitch.

Speaker 1 (01:00:26):
When I ain't caught.

Speaker 4 (01:00:27):
When when I didn't want to get caught, old head,
old old g And the wrong way was when my
son started wearing my same size and shoes. And now
I can't get all this clusive joys because I'm stuck
in my way.

Speaker 1 (01:00:44):
Even to be walking around over no soup song, you
got me fucked up.

Speaker 4 (01:00:48):
I'm wearing my little jeans, my little jewels. I don't
want no old bitch either. What I'm gonna do with
the old bitch, We're not. We're not gonna die together.

Speaker 1 (01:01:00):
I want to.

Speaker 4 (01:01:01):
I want to be just to bury me and fight
with my family over the ship I got.

Speaker 1 (01:01:07):
I want.

Speaker 3 (01:01:10):
That would have been so trick, I'll be I'll be
an asshole if I don't ask you this. We heard
that you're gonna be a part of a reality show.
We don't have to say the name.

Speaker 1 (01:01:18):
Yeah, it's gonna be, it's not it's gonna be off
the chain, off the chain. Yeah it's in Miami, Yeah, y, yes,
we want to.

Speaker 3 (01:01:26):
I'm so proud you know what I mean, because had
they did this show and this show unfolded in Miami,
and when I had you, you know what I'm saying,
I shot that bitch.

Speaker 1 (01:01:36):
Yeah, I would. I want to gave him a location.

Speaker 4 (01:01:42):
You told me, they told me some of the people
were interested in your name came up.

Speaker 1 (01:01:46):
You know, I'm like him, and I said the same
thing about you. I said the same thing about you.
But y'all met at the fucking meeting, you.

Speaker 3 (01:01:53):
Know my and listen, I'm the nigga.

Speaker 1 (01:01:58):
I think I'm the first nigga to introduce you the pun.
Is that correct? Fact?

Speaker 7 (01:02:03):
Yeah?

Speaker 1 (01:02:04):
And I remember this at least with Gammy and I
owe them five stacks And I was like, man I
met us. Joe was like yo yo.

Speaker 4 (01:02:24):
But I also also I'm gonnaetting ready to do this ship. No, no,
list yes and me and you talk.

Speaker 1 (01:02:33):
That's why we listen to. You know.

Speaker 3 (01:02:36):
We heard that Trick Daddy is about to start a
podcast and it's no way us you being from Miami,
me adapted.

Speaker 1 (01:02:45):
Miami is my second Miami. Now you've been here for
a while, yeah, I haven't long enough. Every Miami.

Speaker 4 (01:02:52):
Let me take the difference from from where you grew
up at it's too hot to wear rubbers down here.

Speaker 1 (01:02:57):
So I'm I'm looking for just a little nigga right now.
I'm married. I'm married. It's all good.

Speaker 3 (01:03:05):
But listen, we want to sign your podcast.

Speaker 1 (01:03:08):
Want to do another shot.

Speaker 7 (01:03:10):
Let's hear that.

Speaker 1 (01:03:11):
You can't let daddy out. Anybody giving up up daddy
side right here. You from Miami the puppy. But we
got the we got that TV oh vager ten.

Speaker 4 (01:03:23):
I personally drank the puffy juice that was fifty called it.

Speaker 3 (01:03:26):
But no shots of the fifty with him.

Speaker 1 (01:03:30):
You know. We got just Baker k and we got
Baked with Teeny. You want to smoke, you want to
smoke some bottle.

Speaker 3 (01:03:40):
That's baked my teen He got damn ship Yeah, yeah, yeah,
this is god.

Speaker 1 (01:03:45):
Yeah the joint. Yeah, it's not going.

Speaker 4 (01:03:48):
It looks like you're in the wid it's from It's
wrong baber t dot com.

Speaker 1 (01:03:54):
Yo. Hey, and I'm looking forward to doing that podcast.

Speaker 3 (01:03:57):
Yes, yes, we're gonna have on the Drink Champs network.

Speaker 1 (01:04:00):
That's big on the CB amazing, that's big up the C.

Speaker 3 (01:04:07):
I said, trick, you know, we'll have the camera guys,
the engineers, he said, I got everything nor so all
we're gonna do is come around produce, because you know
why they said, it's about time that real niggas got
a chance to we have our own station. The think
about it is this, if we're smart about what we're
doing right now, you ain't gotta drop an album on

(01:04:28):
the label or drop an album on something.

Speaker 1 (01:04:29):
This is something called sound.

Speaker 4 (01:04:31):
Is that you notice what's going on right around the
corner from here in a minute, this building.

Speaker 1 (01:04:36):
They're going to offer minis for this because they try
to turn.

Speaker 4 (01:04:38):
They trying to push your ass out therehere the crocodiles
at and shouts out to BB and face.

Speaker 1 (01:04:44):
The bike up the bb BB. You want to say
something about the looke episode. I feel like you want
to know. You can't drink it out of the liquid.
You gotta take.

Speaker 3 (01:04:51):
The But what in a minute, nigga smoking vodka?

Speaker 1 (01:04:57):
You able to do something? We ain't gonna be able
to afford to live here.

Speaker 3 (01:04:59):
No, no, no, no, we're gonna do Shout out to my bus
and went with the Puerto Ricans a little bit.

Speaker 1 (01:05:03):
Of crew of hours house. Big I used to go
there back in the day's little name.

Speaker 3 (01:05:09):
She used to brother, let's big up to every time
I see Trick, every time I'm in Miami, Trick always
tell me you good, nigga. You always you always made
shaw and you're real nigga. I remember I introduced some
of the pun. That's the that's amazing, man.

Speaker 1 (01:05:23):
I know something. No no, no no.

Speaker 3 (01:05:26):
I super loved him and I walked in his room
and he played a record and I was like, all right,
pummers downstairs, and then I went up. I sent Pun upstairs,
and I remember, y'all met I stayed downstairs.

Speaker 1 (01:05:37):
And You've always been a real nigga. New York niggas
always loved you.

Speaker 4 (01:05:40):
And you give me chills, nigga because it's like you
know what we were on the tour with Bomb right
and now I always and I growed up with it.

Speaker 1 (01:05:47):
I got a bucket full of stone, said I'm gonna
suck you up, your nigga, Like what I did was
like when your ass was going right before me. I
could leave once you get off the stage. Now you're
gonna last. And my wife says she leave. I appreciate real,
any real niggas, any real perta Ricans, Cubans, Cubans, right,

(01:06:12):
Portaman Cubans, God damn and blacks.

Speaker 7 (01:06:15):
Let me let me explain something real Quickmi Miami, just please.
I come from the era of I fucked with the Mother, Superbias,
the Dose, funky Bastards society.

Speaker 1 (01:06:25):
Those are my people's and we were.

Speaker 7 (01:06:27):
Some hip hop ship and the Miami bas was like
we were all parallel of each other, but as Miami
ins it was we were all together, saying.

Speaker 1 (01:06:37):
I remember when I met Uncle Al and I gave
him a record. It was a record that you did
for me. I saw him like a part of my yeah,
because I gave it to him.

Speaker 7 (01:06:46):
Studio way through and I gave it to him and
I was like, yo, man, this is I don't know
if you're gonna like this because I didn't think it
was his kind of record and hip hop yeah, hipps.

Speaker 1 (01:06:56):
He was younger then. They was like, man, what's that?

Speaker 7 (01:06:58):
White boy said No, I said, I said, yow, I'm
gonna give you. He said, if it's Miami ship, I'm
always gonna play You're for Miamimo, always gonna play it.

Speaker 1 (01:07:13):
I love Then That's what I'm saying.

Speaker 7 (01:07:14):
Like trick is for all of us, no matter what side.
Whatever the fuck. He wrapped Miami like Miami.

Speaker 1 (01:07:21):
He makes the name Miami. Put your down. You're gonna
hit the raging m brock because I hate this bitch
half a time because because I know you smoked that
ricord Delli. I want to tell the story before we
get up. You smoked that real.

Speaker 4 (01:07:36):
So the first time I went to Windy Williams show,
you smoked that ship, No go on there, And.

Speaker 1 (01:07:41):
She's like, imfto your pockets. You had that ship in
my pocket. He got like five thousand dollars, a hundred
dollars beer, he got some mad condoms. He got a
clip baggae with a white sustance. I don't know what
that was for that boat.

Speaker 4 (01:08:01):
That big niggah william under that big man that's about her.

Speaker 1 (01:08:10):
I wasn't ready.

Speaker 4 (01:08:11):
I told him I heard your husband had a cocaine problem.
But we got the best ship down there man that
your son like, don't try to climb me. Yeah, I'm
I'm the boom on the dog man.

Speaker 1 (01:08:24):
What is this ship?

Speaker 6 (01:08:25):
Hurt?

Speaker 1 (01:08:26):
Ye? This that period? This that period? What book is
the brown weed making weed? Y'all? God, y'all, y'all with
the thing thing with the with the problem you're not
when you're heard with the yall blow with the problem
on the on the top like that yall blow. Explain

(01:08:47):
that to the listeners. That's the dirty, dirty, that's the dirty,
because listen, that's all you smoke right here, that's all
I smoke.

Speaker 3 (01:08:55):
And I seen you outside with a cigarette. You dipped
in something I didn't know.

Speaker 1 (01:08:59):
That's that's all. Something else about that. You can't hold
him tame.

Speaker 3 (01:09:18):
But listen, man, the trick I told you in the
beginning this interview, this platform is for.

Speaker 1 (01:09:24):
We don't interview new artists. We don't interview the people
that is just hot.

Speaker 3 (01:09:27):
Now like how you said you described your albums. We
want to support our legends and again we want to
give you the flowers while we can smell them, and
while the trees were you go help them.

Speaker 1 (01:09:37):
We know you don't smell this. What do you call it?
Because this is this is this is medicine. They well,
we used to call it airplay, but now they're running
bud that so we called it live. But down South
on the southeet we called it scary, scary because that
ship is not loud chemicals.

Speaker 9 (01:09:59):
Why Miami crippy and some ship nigga broken, the nigga
out and.

Speaker 1 (01:10:11):
Stole the while ya. That's why I put you on
Real Deserve. The real crip. Mister Lee is keeping joints
and you're good for the day. You see them niggas
keep rolling off. That's some ship that got knocked off.

Speaker 3 (01:10:25):
That ship to youngst So now I asked you on
the phone, are we working on the next album?

Speaker 4 (01:10:34):
I'm working on the next I don't know what the
name of it is, but after we do it, after
we started reality show and after we do the deal.

Speaker 1 (01:10:40):
With you the podcast. What's the name of your podcast?
It's called Flop no T.

Speaker 4 (01:10:48):
The flop is this no matter where you're from from
around the world, when you mixed lemonade with tea, they
call it on a palm in Miami. If you go
ask for all aparll, they gonna think you looking for
some type of bills and.

Speaker 1 (01:11:03):
We call it the fuck right right?

Speaker 4 (01:11:06):
So the no T is the fact that I'm not
assassinate Nigga's characters.

Speaker 1 (01:11:15):
Speaking of the truth. That's right. I'm not anything I
say in my mouth. It's gonna be documented. If you're
a closer personal friend of mine, I will protect you.
That's what we do over here. Now, were just what
were doing over here. So I'm gonna say it.

Speaker 3 (01:11:30):
I'm gonna say a couple of names from Miami and
I just want to see what Trick Daddy thinks about it.

Speaker 1 (01:11:40):
Florida, Florida. Okay, you can go wherever fuck you want
to go. Kodak Black, Kodak Black. That's a young nigga
who who's hot.

Speaker 4 (01:11:49):
That's one of the quickest young nigga I've ever seen
get hot in the last twenty years. Maybe, but he's
kind of young. He don't have no guidance, and if
you fuck with me, I'm gonna show him what to do.

Speaker 1 (01:12:00):
Because he got their ears already. I don't want to.

Speaker 4 (01:12:02):
I don't want to talk about nothing different. I just
wanted to be careful because they guide him. It will
send it as the prison cood ain't black.

Speaker 1 (01:12:10):
You heard that.

Speaker 3 (01:12:11):
That's respect respectful court call that black and tricked down
his advice as well.

Speaker 4 (01:12:16):
Any of your nigga under twenty five or thirty, that's
my nephew, nigga.

Speaker 1 (01:12:20):
You ain't got to like me, nigga own nigga. You
better believe I like that. I like that.

Speaker 3 (01:12:24):
I told that to a nigga today. I said listen, man,
that's a week o g's man, I don't care.

Speaker 1 (01:12:28):
And that's the problem.

Speaker 4 (01:12:29):
It's not even the old jeez, it's the you know,
back in my day, it was like my mama, tell
him if you catch my children doing something wrong, beat
their ass.

Speaker 1 (01:12:38):
The village.

Speaker 4 (01:12:39):
It's two types of females. Now that's gonna say something.
It's the one that's gonna be on the news crime
when they kid get killed, saying he was a good kid.

Speaker 1 (01:12:48):
She don't even know a fucking kid.

Speaker 4 (01:12:50):
And it's this other ignorant bitch that's taking all the
stolen ship that her song bring in and said he'll
read niggas.

Speaker 1 (01:12:58):
Just like his daddy. That was d D. So I'm
gonna keep going with the just names randomly. Don't whisper.
I always whispered. Why don't know why? I always just
when I do this. Trina treated the baddest bitch. That's

(01:13:19):
the baddest bitch. That's everybody want to fuck her, and
everybody want to know that I fuck her. No, I
ain't never fuck her. I heard my brother fucking in's room.
You've heard he actually heard?

Speaker 6 (01:13:33):
Did not know this?

Speaker 7 (01:13:38):
She?

Speaker 4 (01:13:38):
I'm scared to ask another all right, man behind Rick Ross.
Rick Ross is Rick Ross is the next thing in Miami.
To me, a lot of niggas always stop. It was
a problem me and me and Rick Ross problems was
personal ship. And I feel like, I feel like this

(01:14:04):
two real niggas should never bump hiss with each other.
We should get the gun and deal with these fuck niggas.

Speaker 1 (01:14:11):
And that's the thing I always been on.

Speaker 4 (01:14:13):
So when I came out to the Port of Miami
the tenth anniversary, everybody was looking like, what the fuck?
Just let you know that they sleep with the eyes open,
you know what I'm saying, Like you can't believe. Every
every day we'll.

Speaker 1 (01:14:29):
Say a c got a ac Now he stepped it up. Continue, brother,
but Miami, we we came a long fucking way, still
going still. We came so far.

Speaker 4 (01:14:45):
We buying cocaine from other states, you know, because the
Mexican's controller.

Speaker 1 (01:14:53):
That's why we gotta go.

Speaker 4 (01:14:54):
I'm just waiting for one of runaway his sons to
get old enough to run for president.

Speaker 1 (01:14:59):
Come right back.

Speaker 4 (01:15:00):
Because when the crack era became popular, it wasn't no
niggas doing bad. It wasn't as much dying and killing
you couldn't kill a nigga for anything back in the days.
So and you got to ask one other group. Two
Life Crew, Life Crew.

Speaker 1 (01:15:14):
Two Live Crew is the first group I ever fell
in love. And that's my cousin. He ain't ship right there,
he he went two Live Crew right there. Two Crew
is the first group.

Speaker 4 (01:15:24):
That I ever fell in love with because they were
now sy, they don't want to be And if you
talk to a Miami niggas we call that women different,
you'd be like.

Speaker 1 (01:15:34):
Say red save black and then you know what they
from Miami. They said some ship to make him get
cussed out. My name ain't red.

Speaker 4 (01:15:43):
Once you see a snake like that, so we know
then you know what I'm saying. Tu Live Crew is
the first ones that beat a trial, beat somebody back
in the days.

Speaker 1 (01:15:59):
Back in the days, if you call charge, they can
keep you in the counties five six, seven years now
they got the rock court and different ship.

Speaker 4 (01:16:07):
Like you have this man that's kind of this long
time you wait on him to do something else stupid
or you ain't know some other ship to come and
to live talk Brown County.

Speaker 1 (01:16:15):
Mister Nick Navarro took his ass to.

Speaker 4 (01:16:17):
The Supreme Court and won like you can say what
the fuck we want to say and do what the
fuck we want to do.

Speaker 1 (01:16:22):
This is not right commental make some noise for that.
And I'm gonna say two more names and then we
get about it. Bb BB full of ship and Phoebe
is a rich boy. They got to be. We spent

(01:16:44):
millions of dollars in that studio. I get love in
that bitch. Now I have some knives.

Speaker 4 (01:16:52):
They want my nyes. But BB is an easy, good nigga.
He's very horsh the women always. He always lied to
the women. But he you lied to him and betrayed him.
But all in all, here a good dude. You know
what I'm saying.

Speaker 1 (01:17:12):
I know them since young and we around the same age.

Speaker 3 (01:17:16):
You know what, Big up to BB, he helped trip
down the interview happy goddamn big up the circle house,
bad boy.

Speaker 1 (01:17:27):
Man. What's it going to do when they come? I
still got two more That's why I learned on getting
them checks. They sticking checks from this ship. That's not
umble shit. And I got two more names. Can I'm
gonna say Collin and Luke Cadid and Luke Caleid was
necessary for Miami. Luke is like a cheetash Christ. Because

(01:17:51):
if the Bible say for God looks so lovers the world.
He gave his only begt something. He gave his motherfucker
Luke and Luke birth Calid believe it or not, because
he put work, he put nick show his big show
and shout out to butter fuck as well and cat it.

Speaker 4 (01:18:09):
Old girl, that's like my mama. That's my brother from
another mother. I can call on a couple of niggas.

Speaker 1 (01:18:14):
I can call on.

Speaker 4 (01:18:15):
I can call you say old girls, yo, old, that's
like my mama, Calid, Mama, I'm sorry, that's like we
call each other brother from another mother.

Speaker 1 (01:18:24):
DJ called Louke baby, right.

Speaker 4 (01:18:26):
I can call on cald pit Bull, Jason Taylor, you
Donald's has and say I'm doing something for the kids
and I'm gonna get a couple of thousands, tens of
thousands from them, and they gonna say.

Speaker 1 (01:18:37):
Is that enough? Right? Respect that straight up. So I'm
always fucked with them. Respect that. Let's make some noise trick.
Shouts out to the Drake Champ forgetting me fucked up
in the video. You want to shout, I got a
little Oprah bag and you got you don't got nothing.

Speaker 3 (01:18:59):
You listen but trick once again, we want you to
know that we are home bases in Miami.

Speaker 1 (01:19:05):
This guy's Miami mixtape King. He's been pushing.

Speaker 3 (01:19:08):
He's the first, one of the first people who put
you on your music, and we want to continue to
support our legends because in our game, there's so many
people that after you get ten years or better, they
say you washed up or you whatever.

Speaker 1 (01:19:20):
That's not what we do over here. We celebrate the
niggas that she needs to be celebrated. You know what
I'm saying.

Speaker 3 (01:19:26):
We celebrate the niggas need to be celebrated. Fact everything,
and now the fact that we're in Miami.

Speaker 1 (01:19:32):
You don't listen. I don't give a funk. If we
want to come back tomorrow, you come back to mom.

Speaker 3 (01:19:38):
This is your home, your home, you're every motherfucking time.
So I just want you to know that he wants
to getnother shot before you do.

Speaker 1 (01:19:44):
I just want to get ya. Then that make some
noise for chick Daddy.

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#Throwback Episode - w/ Trick Daddy | (Ep.51)

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}#Throwback Episode - w/ Trick Daddy | (Ep.51)