August 22, 2024 • 61 mins
An all new Eyes Up Here features a jam packed collection of news and debuts. We talk WWE and AEW news as well as debut a new Francine tribute song by Monteasy and a special surprise reveal at the end of the podcast.
You can now send questions into Francine's Eyes Up Here Podcast: email allpodcastquestions@gmail.com Connect with Francine on social media. Instagram: / ecwdivafrancine Twitter: / ecwdivafrancine Tik Tok: / ecwfrancinepodcast Facebook: / ecwdivafrancine
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Yeah, hey, everybody, it is the Queen stream.
Speaker 2 (00:31):
Free and you are listening.
Speaker 3 (00:33):
I up here with Franking, the Iheartrading Network or rever.
We getting podcasts and as always I am ployed by
my fast that's sir. What's going on?
Speaker 4 (00:45):
What's up, Queen? What's up? I'm doing great? How are you?
Speaker 2 (00:53):
I'm doing well, coming off a great weekend in Minnesota,
which will uh let's talk about here in a few
but a little sleepy today, but I'm feeling all right,
you know, oh all right, Well, we'll get right into it.
Then I was gonna ask you how your weekend was,
(01:14):
but we'll start with the weekend.
Speaker 4 (01:15):
My weekend was very sorry to say this, very chill,
very chill.
Speaker 2 (01:21):
I guess you guess what. Some of those weekends are
the best. When you do absolutely nothing and you just
chill and you relax, they're the best. So my weekend
started off on American airlines.
Speaker 4 (01:34):
And.
Speaker 2 (01:36):
You know, I don't know what the hell is going
on with these airlines, but it just seems like there's
always a maintenance issue. Can anybody relate to this? Who's listening?
Every time I get on I get to the airport,
I had an eleven o'clock flight not bad, right, leave
(01:56):
leave around nine. We hit a ton of traffic trying
to get to the airport. I finally get there and
uh man, I get there, I check in, everything's okay.
I get to the gate. Delayed, and I'm like, okay, goddamn,
sit down, what's up?
Speaker 4 (02:15):
Goddamn delays?
Speaker 2 (02:16):
Sit down. You know, They're like, oh, we're just delayed,
blah blah blah. Then they finally they let us on
the plane. I get on the plane and we're sitting there,
and we're sitting there, and we're still sitting there, and
I noticed that that flight time of eleven o'clock is
way past eleven o'clock. So I'm like trying to text
the promoter because you know, they have people waiting to
(02:40):
pick us up, and uh hear what happened was and
I totally forgot this part. Shane Douglas was flying from
Pittsburgh to Philadelphia and then he was getting on my flight.
So he texts me first and he's just like, I'm
not gonna make the second flight. So that was the
first that what is that called.
Speaker 4 (03:03):
Whatever it's called, is the is the problem? Snatch fu
is like a wrestler or porn star.
Speaker 2 (03:10):
Sorry, uh yeah, so he you know, he he's missing
his flight and his his day was way worse than mine.
So I really shouldn't bet you about this. But even
still we're going back and forth. You know, he's keeping
me updated. He's kept getting pushed and pushed and pushed.
They rescheduled him on a different flight. Instead of going
through Philadelphia, he had to go through Charlotte, which, if
(03:33):
you know the Charlotte airport, you can be dropped off
in a and have to get to like e and
have to run all the way across, which I think
that's what happened with him. But he had hours now,
he had hours between his flights because he just kept
getting pushed back and pushed back and pushed back. So
so I'm on the on the plane and I'm just like, well,
(03:54):
my goodness, we're delayed. Now. Maybe he could have made
this one if he could have got the Phillip, but
they had closed the doors. So anyway, we sat there
for about two hours and they go, oh, okay, it's
a maintenance issue. You have to get off the plane.
We're deboarding, And I was like, are you serious, Like
(04:16):
everybody's like just sitting there relaxing cause it's been hours.
We had to go to a different terminal, so we
get all, we grab our stuff, we get we're in B.
We had to go to Terminal C, but all the
way at the end, so everybody's running because at first
she said two o'clock, then she said one forty eight.
(04:38):
Then then it was like twelve thirty eight, and then
it was like two o'clock. It was like crazy. I
don't even know what was going on. But finally I
made it. I made it there. I was in my
hotel a little before five, and Shane got there at
like I don't know what it was, six, six thirty
(04:59):
something like that. Like thank god there was an outback
attached to the hotel because me and him went and
got cocktails and food and just chilled that night. And
then it was so bad that the next day Tommy
Dreamer was held up in Toronto due to lightning. I
(05:20):
think they told us, so I didn't even see him
at the show. He didn't get there until Shane and
I had left.
Speaker 4 (05:26):
We did our match, really yeah.
Speaker 2 (05:29):
We did thet We were one second. So they had
a fan fest which was so fun. Let me tell
you the Minnesotans. Is that how you say it?
Speaker 4 (05:37):
Minnesota?
Speaker 2 (05:38):
What do they call it? Minnesotans? They are the sweetest
group of people. I had so many nice people come
up to my table and say hello and take pictures
and buy pictures and just a great group of people,
just down the earth Midwest hospitality, like so so sweet.
(06:00):
Dave the promoter, Fred that picked me up. Like everybody
was so nice. So we we did a fan fast.
I got to meet Joe Hendry, which the mayor, I
think the mayor proclaimed that day Joe Hendry.
Speaker 4 (06:15):
Gosh, you know, he said those guy's over.
Speaker 2 (06:18):
Over, but he was so sweet. I got to talk
to him for a little bit. And then they had
Sheen and I go in the ring and like do
this was a like a bad idea. We should have
did this before the show started. They had a sign
for two hours at our table, and then like after
(06:39):
the FanFest is over, everybody's in their seats and they're like, okay,
does anybody want to pay to get pictures with Shannon
Fried seen in the ring? We were like, you probably
should have did this before they all came to the table,
you know. So we had like a couple like I
don't know. A couple of people come in the.
Speaker 4 (06:57):
Ring, but we were just that's an old school. That's
old school. Get your polaroid.
Speaker 2 (07:04):
You shouldn't they should have did it. Yeah, not when
everybody was seated and the show was just about the
start to me and Jane were just like cracking a
laugh and like. But then we were match number two
and did a nice tag match and oh my god,
these guys were so great to all three guys that
(07:25):
we worked with, which so great to work with. And
the one guy, what was his name was it? Rich Maxwell?
God forgive me, I can't remember Ale on Twitter? Yes,
yes he was. They were. They were all so nice.
But he showed me a picture. Okay, this is how
cute he was. He should and he's younger like in
(07:46):
the in the picture on Twitter. I thought he was
like a little older. He's these are young kids, right.
He shows me this picture and it's a split picture.
So there's a picture on the top and a picture
on the bottom. The picture on the top is the
Triple Threat, so it's me, Shane, Bambama and Chris. The
picture on the bottom is him his two friends and
(08:08):
he goes and some random girl that we pulled in
to portray you. It was from years ago. It was
them as the Triple Threat.
Speaker 4 (08:17):
Nice, there you go.
Speaker 2 (08:18):
It was so cute, and he's like, we always used
to pretend we were you guys, and we would go
around and like, and I was like, are you kidding?
He goes, yeah, he goes in. Anytime we were out,
he goes. We never had a girl with us, so
we would just pull some girl in for pictures. It
was showing me like random girls in the picture. They
were so fun to work with. It was so nice
being there with m Aw. If you don't know who
(08:41):
they are, Maw Minnesota such a good place to work.
I hope that we can go back there because I
really enjoyed myself.
Speaker 4 (08:50):
Nice.
Speaker 2 (08:51):
Yeah, it was really really fun. The only down part
was we left at so coming home. We left that
for thirty in the morning, and we were delayed coming home,
and then Shane couldn't get on the second flight for
(09:11):
some reason, so he had to go. His flight wasn't
until like to something. He had hours to wait at
the airport. So he's texting me, I hate airports as
I'm home already, so I had a little The Philly
flight had a little bit of a delay, but then
poor him going back home, he had a big delay.
So yeah, the airports were all screwed up. I mean
(09:36):
just ridiculously screwed up. So he goes through clear. You know,
he pays the gimmick, goes through Clear. I didn't. I
don't have that, so I had to go through the
regular line. I made it with literally four minutes to spare, because.
Speaker 4 (09:53):
How do you do that? Oh I could not even
remotely stand that.
Speaker 2 (09:59):
That's the day was so long. Well, I thought, four
point thirty in the morning, nobody's going to be on
this six A. It was mobbed. It was mobbed. There
were people with their babies. I felt so bad, these
little kids and their pajamas walking through TSA. I'm like,
oh my god. And he's all the way, hurry up, Queenie,
we gotta go, and I'm just like, yeah, you just
(10:20):
go your clear. Tell him to hold the plane. But
I literally got there was four minutes to spare, so
I was good, but just you know, it was just tough.
I hate bitching a mooning because I love what I do.
I love these conventions and stuff with the airlines. Just maintenance,
it's always maintenance.
Speaker 4 (10:40):
It always like it's worse lately.
Speaker 2 (10:43):
Something wrong. Something was wrong with the slide. You know,
God forbid if we go down, you need the slide
for the water evacuation.
Speaker 4 (10:51):
Yeah, that was the problem.
Speaker 2 (10:54):
Going The slide wasn't working, so that's why we had
to get off the plane and go board on another plane.
And then there wasn't a crew, and I was just like, well,
how the hell are we going to get there?
Speaker 4 (11:06):
And they say there's a job shortage. Then there wasn't
a crew.
Speaker 2 (11:10):
I'm telling you. And then it was the same people
that were on the first flight that came over. Wow.
I was like, what are you talking about. I don't know. Anyway,
it worked out for us in the end, but it
was exhausting.
Speaker 4 (11:24):
I felt bad for you. I felt bad for you.
You seemed like you were toasted.
Speaker 2 (11:28):
I was tired, Yeah, oh I was. I was so well.
And also like Sunday was the one year anniversary of
my mom passing. Yeah, you know, I was just you know,
my thoughts. I was just thinking about a year prior
what we were doing today, like anybody else would, and
I just wasn't in the mood to do anything, so
(11:50):
I kind of just hung out with the kids, tried
to occupy my brain and just venged. I was exhausted.
I was in bed, like I think at like nine,
I'm nine point thirty, like out. I was so tired.
So but you know, we're here now and there's a
lot to talk about. Yeah, but don't get me wrong,
(12:14):
for those listening, I know how lucky I am. I know,
I get paid to write my name on a piece
of paper. I love it, and I'm blessed to do so.
It's just that sometimes the travel is excruciating, and that's
all I'm saying. But I would do it again and
again and again in a heartbeat. Let's just put that
out there, make that clear.
Speaker 4 (12:33):
Nice.
Speaker 2 (12:33):
Yeah, so.
Speaker 4 (12:37):
I'll Cody Rose, So, what do you want to talk about?
Speaker 2 (12:41):
I've been watching that.
Speaker 4 (12:44):
I hate that line. What do you want to talk about?
Speaker 2 (12:47):
Actually, I watched two episodes last night. I watched Bali
and I watched Bianca bell Air so far.
Speaker 4 (12:55):
Saw a little bit of the Bailey one uh huh.
Speaker 2 (12:57):
And I started Our Truth but didn't get through that
that one yet. So it's a cute concept. I like it.
Speaker 4 (13:05):
Yeah, I mean, you know, it's got a lot of
stuff going on. Now, we got to sit down and
do an interfuture.
Speaker 2 (13:12):
Yeah, I mean I think it's a way to put
over the wheat weeds vodka.
Speaker 4 (13:16):
I think, yeah, I think that that's basically what it is.
Speaker 2 (13:19):
Yeah. Hey, if somebody wants to sponsor me, I'll drink
whatever you send me. I'll get lit every podcast and
freaking one.
Speaker 4 (13:27):
You said you did like the Rocks. What was it?
Was it? You didn't like it? I thought you liked it.
Speaker 2 (13:33):
No, I don't like tequila at all.
Speaker 4 (13:35):
You like it just in case I want to guess.
Speaker 2 (13:37):
What if he wants to sponsor me, I'll love it.
But I'm not against getting boozy on the job. Could
you imagine how?
Speaker 4 (13:45):
You know? I cracked the other day.
Speaker 2 (13:47):
I just drank.
Speaker 4 (13:49):
I just grabbed one of my screwdriver bottles. Yeah, and
I was just like, nope, I forget what day. I mean,
it was it Sunday. I don't Sunday sun. I just
needed it. And I'm trying to just go cold turkey. Yeah,
I've gone I think, almost all summer without any kind
of alcohol. But I just yeah, just today's the day,
(14:12):
just one, just one in moderation.
Speaker 2 (14:14):
It doesn't hurt you.
Speaker 4 (14:15):
Yeah, you know, I'm just trying to stay away. Just
extra sugar, don't need.
Speaker 2 (14:18):
It, so you drink this stuff that's sugar free, like
the Seltzers. That's what chain does.
Speaker 4 (14:25):
But see, I got maxed out on them, and I honest,
I just lost a taste for it.
Speaker 2 (14:31):
It just yeah, I think they taste like water with
a little drop of fruit.
Speaker 4 (14:38):
Yeah.
Speaker 2 (14:40):
Oh it's They're terrible. I call them sissy.
Speaker 4 (14:43):
Drinks, weird, weird aftertaste.
Speaker 2 (14:46):
I was drinking sangria and I had two glasses of
sand Gria and it was lovely and I was just
that's when we arrived and a nice meal, and I
got a good night's sleep, you know, and just a
it was a good weekend. So yeah, so thank you
again to M. A. W. And the crew and the
(15:09):
locker room was so nice and all the guys were
nice and loved it. Had a good time. Yeah. So
what do you want to start with? I hear you
got something for me?
Speaker 4 (15:22):
Where do you want to go? Do you want to
start there?
Speaker 2 (15:25):
I think we should. I think we should.
Speaker 4 (15:28):
I have been. I mean, you know, sometimes they say
money burns a hole in your pocket. This piece of
audio goodness has been burning a hole in my pocket. Okay,
I was Okay, go ahead.
Speaker 2 (15:44):
Yeah, I was just going to say, can you please
give the backstory because I don't even remember what you
told me how this all happened.
Speaker 4 (15:50):
Yes, I will go right ahead. I just want to
get all my ducks in a row here because I
want to get my my correct quote, credit and plugs
and all that good of stuff up on the table here.
Speaker 2 (16:05):
This is something that shocked me, by the way, because yes,
you were in twenty twenty four. It's like, really, I'm
just flabbergassed and humbled by it.
Speaker 4 (16:20):
Yes, So I was contacted by somebody that I had
been connected to years ago. And when I see years ago,
I want to say twenty fifteen, twenty sixteen, first starting
out and podcasting, started to work with an independent wrestling
organization in West Virginia area. I got connected to a
(16:42):
artist named montese Okay Antoine Montesey Moore Okay back then
was just an artist, just an artist trying to get
his name out there. I believe he was podcasting as well,
but he was making music, and he was making music
(17:04):
for a bunch of different promotions and was really doing
a great job of marketing himself and spreading the name around,
so I was connected to him because he was also
working with the promotion. But I believe he was based
out of Florida at the time. I was not us here,
so we just got connected. We were talking. Did not
(17:24):
talk to him for years, eight years, maybe nine years,
something like that. God can't even imagine how long. So
to my surprise, I get a DM from Montese, who
has since created music for AW co hosted the Swerve's
(17:45):
House podcast with Swerves Strickland. He's done a lot lately
AW Champion, right, So Montesi says, Hey, Chad, want to
put together a Francene rap song? Is that okay? I
(18:08):
was like, let me just go through the proper channels.
I got the blessing. I was like, go for it.
I waited on baited breath for this thing, honestly trying
to picture what it would sound like in my head
for the weeks that I was waiting for it, and
by God, when I received it, it did not disappoint.
(18:28):
This is a masterpiece of audio gold. I have no
clue and you have not heard it. It has not
heard it at all.
Speaker 2 (18:37):
No, this will be a first listen, they say, a
first look, but actually it's a first, listen, because I
have not yet heard this masterpiece. When you said rap,
I'm thinking yo, ho she ho, she, No, i'mbad to
give me my money.
Speaker 4 (18:58):
He did not find a way to work in. She's
a crackhore from the crowd. Chances.
Speaker 2 (19:05):
No, this is a.
Speaker 4 (19:06):
Franccene eyes up here driven podcasting sounding wrap. I this
is phenomenal.
Speaker 2 (19:16):
So I am so excited I hadn't. I'm I'm blown away.
So yeah, I'm gonna listen to it. I'm not going
to talk until it's over. I might dance, all right.
Speaker 4 (19:30):
I am going to bring it up on the screen. Okay,
So is there a video? No, it's just an I'm
to bring on my audio player. No, we don't have
a video yet. We're not We're not that sophisticated yet
with it. Hey, look, if this thing starts to sell,
I'm sure the video is not far behind. All right,
So let's see the broadcast premiere of the aptly titled
(19:54):
fran Scene.
Speaker 5 (20:02):
Yeah, fran Scene, France Scene. Queen Extreme Extreme odds up here,
head head, the Queen Extreme podcast iddes up here. Hey head,
it's the Queen Extreme Podcast. It's the Queen of Extreme
(20:23):
Beauty and the legend.
Speaker 4 (20:24):
She is the woman.
Speaker 5 (20:25):
Nuff your dreams Legend on the Scene France Scene Podcast.
Speaker 1 (20:29):
What you mean?
Speaker 5 (20:29):
Please your tramblade to show you what you need if
you find the stand the Queens from the Beginning of
Time Odds here our heart Radio, shine only a head
and tell you a story from the wind the Legend
odds up here, the Queen Nobody's like frand Scene tides
up here here here, The Queen Extreme podcast IDEs up
(20:50):
here here head the Queen Extreme podcast ds up here
here hand the Queen Extreme Podcast. Awesome cleeen Street Podcast podcast.
Speaker 4 (21:20):
There it is there, it is Wow. Wow. If that
doesn't stay in your head for the rest of the day,
I don't know what will Cleeen Street Podcast.
Speaker 2 (21:31):
Yeah yea, how flattering is that? Well? Thank you?
Speaker 4 (21:39):
I love it, you know, I mean, do we do we? Uh?
Substitute sung with that? I gotta get at least an
instrumental version of some sort for it. Instrumental like some
sort of like the beginning, some sort of like beginning lyrics.
(21:59):
Oh no, I mean we have got to use it,
of course, But I need you need I need in there,
I know, but I need the instrumental too. I need
to hear that beat like twenty four to seven, I need.
Speaker 2 (22:09):
You think we can like maybe open with what we
have and then close the show with his like play
that as an outro or or vice versa.
Speaker 4 (22:22):
Definitely think you're on the right track. I don't know,
I've I love this. I was like, I'm changing my
ring tone.
Speaker 2 (22:30):
I'm telling you, I'm gonna put you in my phone
just to that song.
Speaker 4 (22:35):
No, this is it. So I I just I love it.
I thank Matezi for thinking of super contacting me and
putting this together. This was awesome, so phenomenal.
Speaker 2 (22:48):
I am. I'm flattered that somebody would even think of
me to write a rap ballad about me. So for Tez,
thank you. Well how fun.
Speaker 1 (23:01):
So there you go.
Speaker 2 (23:04):
I wonder if there's an extended version, like we can
make up more lyrics and I can st maybe we
can collab.
Speaker 4 (23:13):
The Girl of your Dreams. I think that was it.
I gotta get the lyrics in my head.
Speaker 2 (23:18):
Amazing. Well thank you. Yeah, and uh, maybe we should
have them on the show to us see what his
inspiration was.
Speaker 4 (23:26):
Absolutely I would love to do that. Yeah, I will,
I'll get on I will. I'll see what our schedules
can sink up.
Speaker 2 (23:32):
Okay, sounds great. Well again, thank you for that. That
made my day. That was fun. Not every girl gets
chosen to have a rap song done about her, so
I feel very special at this moment.
Speaker 4 (23:50):
It's just one of those things. It's like these people
you meet along the way, and I swear, I mean like,
I just I never thought that we would get reconnected
like that through the through the love of music. Right,
it's all together beautiful?
Speaker 2 (24:09):
Yeah, way to go. Well, we have to incorporate that
in in the pod somewhere.
Speaker 4 (24:17):
Oh, I think the.
Speaker 2 (24:20):
Outro, because the way we talk over the music in
the beginning, I think we would need an instrumental. I
think that an outro would be the way to go.
If he's down with that, that would be fun.
Speaker 4 (24:33):
Let's do it.
Speaker 2 (24:34):
Let's start with this show. Can you do it on
the outro?
Speaker 4 (24:38):
I'll throw it on there again. People want to hear
it again? Absolutely, dig it? Absolutely?
Speaker 2 (24:45):
All right? Well that was fun. Okay, Well, there's a big,
big story looming a E dub A dub. Did you
see it?
Speaker 4 (24:59):
You? I did, hold you? I didn't. Well, I saw
it after some discovery.
Speaker 2 (25:06):
Which mean telling you, hey, pull this article up. The Biggins.
How about this, Warner Brothers Discovery makes a new offer
for ae w's TV rights. Tony Kahan, with a big
smile on his face.
Speaker 4 (25:21):
Can't wipe the smile off his face.
Speaker 2 (25:23):
I'm telling you, this is huge. It's reportedly worth double
the current TV deal that they have, So this is
really this is monumental for AW right now because the
current TV deal is set to expire and now they're
(25:44):
getting double what they were before.
Speaker 4 (25:47):
So incredible, incredible.
Speaker 2 (25:49):
The current TV deal is estimated to be worth seventy
million per year, the current TV deal.
Speaker 4 (25:57):
Wow.
Speaker 2 (25:58):
They said. The hope is that the higher means AW
pay per views and its library of weekly shows will
be available on Max. So this is this is huge
for the company. I still think that they should start
to save money by getting the smaller venues right, and
(26:23):
I think they're they're taking a step in that direction
because if you noticed, next year's UH pay per view,
instead of being in England, is now in Texas.
Speaker 4 (26:39):
Right, they're putting they're doing that a year ahead of time.
Speaker 2 (26:41):
They already announced. The isn't not what they announced.
Speaker 4 (26:45):
I did not see the full announcement.
Speaker 2 (26:48):
I'm pretty sure that's what it was is it all
out or all in there?
Speaker 4 (26:53):
I mean they're taking up residency in Texas. I know that.
Speaker 2 (26:58):
Yeah, ae W twenty twenty five. Yep, all in. It's
all in in Texas Saturday, July twelfth, twenty twenty five
at a Global or sorry Globe Life field, Right.
Speaker 4 (27:18):
That's okay. Yeah, that's where they've been in Texas consistently
for that's better part of the last few months.
Speaker 2 (27:24):
That's where they're doing it instead.
Speaker 4 (27:25):
Of yeah, okay, that's a big change.
Speaker 2 (27:27):
Well it's a big change, but let's put it this way.
It's gonna save a ton of money.
Speaker 4 (27:33):
Oh absolutely. But hey, look they had to get paid
in some way, shape or form for moving their date
for this year's show by Taylor Swift. So I mean
they got paid for that.
Speaker 2 (27:45):
I heard from a source, so I'm not going to
say who. But right now, the show that's on Sunday
is close to selling forty four thousand tickets. Last year,
didn't it sell like seventy six thousand or seventy one thousand.
Speaker 4 (28:04):
Pretty yeah, that was a huge, huge number, but they
still tout to this day.
Speaker 2 (28:09):
Still nothing wrong with forty four thousand tickets. It's a
great house. But it's not the house they had the
first time, right, So are they noticing, you know, first
times of charm, second time not so good? Maybe keep
it in the States, much lower revenue to have to
(28:31):
pay out, and you know, because it's very expensive going
overseas and you have that roster that I don't know
how many people are out there right now, but that's
got to cost a pretty well. Yeah, you know so,
I mean I just feel like, and we've talked about
this before, instead of getting these huge, huge stadiums, go
(28:56):
for the smaller venues. They look great, they sound great.
No shame in getting a five thousand seat venue for TV,
Absolutely not if that's what you're selling in tickets. Why
have to pay for a seventeen thousand seed arena and
you have all these tarps covering. No, you're wasting your money.
(29:21):
Get the smaller venues. You know. That's that's my I mean,
that's how I would do it.
Speaker 4 (29:28):
One so, but this is huge. I mean I never
would have expected this. Well you're a hater, No, but
even okay, even take the hater hat off, Okay, how
do you how would you anticipate them getting double with
realistically their television numbers not being anywhere near what any
(29:53):
television station would find to be desirable.
Speaker 2 (29:56):
Maybe they want it wrestling on their channel.
Speaker 4 (29:59):
Go anywhere, you could go, pick a promotion and say,
let's pluck this one.
Speaker 2 (30:05):
What promotion?
Speaker 4 (30:06):
What somebody? Who pick somebody DNA, Let's bring TNA. They
got a good little buzz.
Speaker 2 (30:13):
Bring them up the anthem that they have a deal.
Speaker 4 (30:17):
Plug pluck them.
Speaker 2 (30:18):
You can't do that.
Speaker 4 (30:20):
Pluck them.
Speaker 2 (30:21):
Oh my god, you're the worst. You cannot do something
like that until your contract has inspired.
Speaker 4 (30:26):
Well you know, I mean, look, but what I'm trying
to say is is that you wouldn't think if they
wanted to keep them. Let's say, for arguments, say yes,
they wanted wrestling content. Okay, double double they were, that's
I will I would say. I would say double is
on the table. Here, prove it. You gotta prove it first,
(30:51):
and then you get your double. Here's the deal. Achieve
these number. It's like an incentive laden sports contract. I
don't achieve it, and then we'll give you this.
Speaker 2 (31:00):
There's no it's expiring, there's not enough.
Speaker 4 (31:03):
Till but sign here. Okay, we'll take you. Well, you
know we want you. We'll take you, but your numbers
have been dipping, so come back home. We'll take you home.
But if you want this double, you gotta perform. You
gotta raise your numbers.
Speaker 2 (31:19):
How do you not know that they came to Tony
and and was just offered, Like, do you think Tony
had to fight to get double? Do you think this
was Tony Kahan's move? Or do you think it was
a network's move.
Speaker 4 (31:31):
I'm gonna go out on a let me say it's
a network.
Speaker 2 (31:35):
Well, if it's the network, then they're they're not wanting
him to prove anything.
Speaker 4 (31:39):
I know, it's so dumb. I'm gonna just say it's
a network because yeah, I mean, like it makes no sense.
So it's probably some wrestling mark in the management area
that's just like, hey, let's give him double. Let's keep
wrestling here. I like going to the shows and hanging
around backstage, so let's give him more money.
Speaker 2 (31:57):
I'm thrilled for them, absolutely, as as a company. You know,
no one wants to see anyone go out of business
or fail. Let's let's put that out there. I want
everybody who works in this business to have a job,
to have a steady income. A lot of these guys
(32:20):
and girls deserve to have a home. And when somebody's
contract is up, like I can. ECW for example, you know,
we were on TNN and we only had a year deal.
When that year was up, we didn't have anywhere to go.
There was nowhere to go, and we kept, you know,
hopes up. We were being told, Oh, we're shopping around,
(32:44):
we're talking to USA, we're talking to this one, we're
talking to that one. To this day, I still don't
know if there was any meetings with any TV executives
anywhere else. I don't know. And you can call me naive,
you can call me stud bit. I wasn't privy to
those informations. I wasn't in the boardroom when this stuff
(33:05):
was happening. I don't even think we had a boardroom
in ECW. But once our deal expired, that was it
and we couldn't live off syndicated television. So look at
all those people that were out of a job. A
ton of us were out of a job, nowhere to go.
(33:27):
What do you do? Most of us went back to
the indies and that's where we worked. You know, not
everyone was offered I mean I was offered WWE at
that point. I didn't take it, but not everyone was,
you know, offered a place on that roster, and you
(33:51):
either wanted to go there or you didn't want to
go there. And at that point I did not want
to go there because I didn't want to wrestle full time,
and I knew that's what they wanted the girls to do.
They wanted them to wrestle. If I had gone and
went in there and said, well, I want to do
what I did inn ACW and be a manager and
they didn't want me to do that, then I would
(34:13):
have just had to either suck it up and start
training again to wrestle, which that I think that was
my biggest problem. Like I just saw them sending me
down to like an OVW or wherever the developmental was
at the time. I can't even remember two thousand and one,
(34:35):
you know, I just saw them trying to because I
saw watching the program, it was like all their girls
were transforming into wrestlers. Whether they were good or not,
they just threw them in the ring constantly, and I
didn't want to do that at that point, you know,
it wasn't what I wanted to do. And then I
had a year on the Indies and then TNA came
(34:56):
around and I was offered that for shot deal. I
was never really offered a long term contract. It was
just four dates for them, a four date contract, whatever
you want to call it. And I did the four
dates and then you know, like Jerry Jarrett was like,
I don't know what to do with it anymore, and
I was like, oh my god, what is wrong with everybody?
(35:19):
I know exactly what you should do with me, you know,
but it just it didn't pan out. And that's fine,
and everything happens for a reason. But to see that
they want to keep aw is great because these guys
and girls, you know, they have their contracts there and
they're secure, and now they're going to have I don't
(35:41):
know how long the deal is for, whether it's a
year or three years, I don't know how many years
they signed for, but whatever it is, they have a
home and that's a good thing. And I'm just happy
for them. So, you know, you can't frown upon that.
And I just know what we went through was awful
(36:02):
and I wouldn't wish it on any other company. So
in this day and age, if you can stay on
television and work, that's a good thing.
Speaker 4 (36:13):
Well, my general feeling on the matter is, if I
had double the amount of money that I was anticipating,
I'd have a shnazzy looking Ricardo Montalbond red scarf around
my neck too.
Speaker 2 (36:27):
So did he wear this get up on Fantasy Island?
Is that what you're trying to say.
Speaker 4 (36:31):
I've seen him in a movie with a scarf. I
don't know if it was necessarily red, but I don't know.
He was the first guy that popped in my brain
that was relevant to wearing a scarf and had a
funny name. So Ricardo Montelbon MJF.
Speaker 2 (36:45):
Wears a scarf or he did wear a scarf? Does
he still?
Speaker 4 (36:49):
No? He wears a jean jacket and.
Speaker 2 (36:52):
He changed his whole thing. No more scarf.
Speaker 4 (36:55):
I don't know. He wears a triple H jean jacket now.
Speaker 2 (36:57):
Well, I know we wore that for his return, But
does wear it to the ring when he wrestles?
Speaker 4 (37:03):
You're gonna have to talk to aw fans drop those
college you don't even watch a w.
Speaker 2 (37:11):
No, I don't. I probably will check out the pay
per view though, because you know that's what I do.
I'm a pay per view kind of gale. There was
one more story that I saw that we can touch
on if you'd like to, and that is about Yeah,
(37:38):
you can't see him, but he saw his contract if
he extended it, So did he pull with Terry Punks
and say he's gonna retire, But now he's not going
to retire? Is that what we're getting? John Cena announced
that he signed a contract extension with w W that
(37:58):
will take him beyond twenty twenty five retirement. Were you
made the announcement earlier on Club Shashe Shotton Sharp?
Speaker 4 (38:10):
Oh yeah, yeah, yeah, that's like one of the biggest
podcasts in the world.
Speaker 2 (38:13):
Well, I just gave him a free plug, so you're welcome, Shannon.
Speaker 4 (38:16):
What are you going on it?
Speaker 2 (38:19):
Yeah, like he needs my help. Sina said that the
agreement will keep him part of the WWE family in
the near, mid and long term future. Oh yeah, So
I don't know what that means. But I don't know
if it means, uh, wrestling beyond twenty twenty five and
(38:40):
maybe coming back as an on air personality, maybe a
GM or I don't know. I don't know if the
retirement was because his body is starting to tell him
not to work anymore. You know, I only met once,
So I don't know, what do you what are your feelings?
Speaker 4 (39:05):
It's not for money, that's John Cena hell out. I
think that, you know, just like all wrestling retirements, they
are frivolous if you will. I think they saw the
response to the John Cena announcement and they were like,
(39:27):
holy cow, we sold a lot of merchandise. There's a
ton of nostalgia for this guy. And whether or not
they do retire him at WrestleMania twenty five, there is
absolute value in keeping him around twenty five. Are yeah,
the next wrestleman they want to retire from WrestleMania forty.
(39:50):
I said, the WrestleMania in twenty five.
Speaker 2 (39:53):
You said WrestleMania twenty five.
Speaker 4 (39:55):
I thought, no, no, no, I said the WrestleMania in
twenty five. The oh oh yeah no, I said, I
get through me all there. I was like, no, no, no.
Whether or not they want to retire them at the
WrestleMania in twenty twenty five, I think that they were like, oh,
we need to keep this guy around a lot longer,
(40:15):
and you know, before he commits to another blockbuster and
lock him up, so you know, and he was he
was in his interviews. He was like, no, this is it.
I'm done after this year.
Speaker 2 (40:27):
By well, let's talk about that, because do you think,
you know, with this extension, do you think they would say, no,
you can't do a movie. We're not going to let
you leave for three months because you're under contract.
Speaker 4 (40:40):
Good question, Yeah, I mean.
Speaker 2 (40:43):
Maybe he you know, part of his wanting to sign
the extension was listen, if something Lucratip comes up for me,
I need to have the ability to be absent from
your programming and go shoot a flick or commercial or
whatever they want him for. Because he's a man of
many talents.
Speaker 4 (41:02):
Oh my gosh. I mean he's a voice of like
hesty trash bags.
Speaker 2 (41:05):
I hear his voice constantly. I'm like, yeah, another scene
of commercial, Like, you know, can you spread the love around?
Other people want to work too. You know, he's doing
everything like he's in everything, which is great. Not I'm
not knocking the hustle. That's tremendous. Get the work while
you can, you know. But I you know, I'm just
(41:28):
thinking about this and I'm saying to myself, it's something huge.
You gets dropped in front of his feet. Oh no,
I can't take this because you know, I have to
go to the WWE house show and it's a boykin Now,
you know what I mean, that's not happening.
Speaker 4 (41:46):
Someone tells me he's going to be a major market
house show kind of guy if he works any outside
of Madison'square Garden or you.
Speaker 2 (41:54):
Don't know where these WWE superstars will be appearing. You
never know. That's the beauty of a house show. No
one knows what's going to happen. But seriously, there's got
to be I would think some kind of claws in
there that says, well, you know, I can do other
things besides work here. I can't see him just doing
(42:16):
WWE stuff unless they signed him to a three movie
deal under their production on.
Speaker 4 (42:25):
Rod WWE Films.
Speaker 2 (42:27):
Sure, I don't know. I don't know, but I just
saw that and I found that quite interesting.
Speaker 4 (42:32):
So smart move.
Speaker 2 (42:35):
I mean, you know, you got a little bit of leverage.
I would believe when you're John Cena. You know, it's
not like Joe Schmo walking in there and saying, yeah,
you know you can keep me, but I need a
B and C. It's like, yeah, okay. John Cena says
that it's like brought to you on a silver platter,
of course. Uh, what else would you like? What else
(42:56):
can we do for you?
Speaker 4 (42:58):
He's a dynamo. He is John Cena.
Speaker 2 (43:01):
It's great. He's great. He's got a new movie coming
out with Aquafina. Did you see the trailer for it.
I don't know what the name is, but I saw that.
It's like an action flick.
Speaker 4 (43:10):
No, I didn't see it.
Speaker 2 (43:11):
Yeah, I saw the trailer for it. I might give
it a go. We'll see. I just watched what a
segue and transition. I just watched the original Twister for
the first time, and then I watched them in reverse
order that I watched the new Twisters. Have you seen either?
Speaker 4 (43:31):
I've seen the original, Okay, I have no desire to
see Twisters at all.
Speaker 2 (43:38):
It wasn't a bad flick, and I like my husband,
I said, I wish I would have watched the original
first and then watched the second one. But I like
the first one better, obviously, But the second one wasn't
bad at all. It really wasn't. I enjoyed both of them.
We're trying to watch like older, like get older films
(44:00):
that I haven't seen out of the way, and there's
believe me, there's a million of them.
Speaker 4 (44:04):
You got to waiting for you.
Speaker 2 (44:06):
Yeah, I'm so bad, but uh, I just like the
part where the cow flies by and then it flies
by again and they're like the same col It's like, wow,
this is crazy, you know. And my husband used to
work at a movie theater and he's like, oh my god,
this was crazy, like the theater like with the wrap
around and stuff, and you know when he was I
(44:27):
don't know, in high school or college or whatever, and
he was like, this movie was incredible, Like I wish
you could have slid in like the bigger theater because
they He took my son to see the new one,
Twisters right in the I don't know if it's like Imax,
like the one that's all the way around and it
(44:48):
just makes you feel like you're there.
Speaker 4 (44:50):
Was it the one with the shaking seats and everything.
Speaker 2 (44:53):
No, so just look that up because there's something coming
up that he wanted to take him to, right, And
we looked that up because it's relatively a new thing,
at least around here. It is. They showed a video
it's like you're in a freaking earthquake. Bad like he said,
he says, I'm not doing this the whole chair was gone.
(45:16):
The woman's like they were dropping their popcorns, their drinks.
I don't want that. I woult to relax. I don't
want that experience.
Speaker 4 (45:25):
That's how I saw Inside Out Too.
Speaker 2 (45:27):
They wet you, like in the scenes with the water
they were getting like way and the wind and h h.
Speaker 3 (45:35):
No.
Speaker 4 (45:35):
Inside Out Too was annoying. It was just annoying because
it's like you didn't need it a lot, but they
gave it to you. The no, they also gave it
to you in the previews, so there was a they
just were like, oh, here you go in the midst
of your previews of movies. Let's just throw a car
commercial at you where you gotta hear it feel here
and you're like, oh my god, okay, but twisters, I
(45:58):
can't that. That was probably spin it by the end
of it.
Speaker 2 (46:02):
Yeah, the one the girl she was, I mean, her
popcorn was flying all over the place, and I was
just like, how the hell do you enjoy I know
it's something new and different, but how the hell do
you enjoy a movie? So we decided not to uh
not to take my son there. But it was just
like the wrap around, which he thought was the coolest thing,
(46:24):
you know. And I enjoyed it because we had the
surround sound home theater speaker system in the basement where
we have one of the hookups, you know, with the
big screen TV and our little chairs, and I thought
it was great. So I enjoyed it.
Speaker 4 (46:41):
It was fun nice. Yeah, you got a lot to
catch up on. You've been watching some You've been hitting
us with some good like oh, I just saw Blah
Blah Blah for the first time, and everybody's like, Wow,
what a great It's my favorite movie, and you're doing
it a lot lately.
Speaker 2 (46:57):
I watched on the plane, I watched Oh God, what
was it?
Speaker 4 (47:02):
Is it?
Speaker 2 (47:03):
Swingers?
Speaker 4 (47:04):
Yeah?
Speaker 2 (47:05):
Is that what your money? Baby? You're so money you
don't even know it? Swingers? Right? Yeah, I watched that
on the plane. Now, I did see that once before,
but I wanted to watch it again because I saw
Vince Vaughn do hot Ones? Do you watch hot Ones?
We love hot Ones? So he was great, and I'm
a I really really like Vince Vaughan, and I was like,
(47:28):
you know what, I'm gonna go back and I want
to watch that movie on the plane. And I did
and it was good and I enjoyed it. So I'm
just picking up the older films for nostalgia purposes. But
there's so many that I have not seen. And guess what,
I'm not booked until November first, so I have plenty
of time to watch movies now, and plenty of time
(47:52):
to work on our YouTube channel. Yes, if I may
be so blunt for a moment, may I be.
Speaker 4 (48:01):
Blunt, be blunts as blunt as you want.
Speaker 2 (48:04):
I feel, I honestly feel like we're being suppressed by
you two. I have to say it.
Speaker 4 (48:10):
I agree.
Speaker 2 (48:11):
How do we have close to twelve thousand subscribers and
the views are not there? How is this happening? And
we're setting now We started sending our stuff out to
the sheets who have been picking up some of the stuff, which,
if you have, thank you so much because we appreciate
you more than you know. The numbers are supposed to
(48:33):
like go up when we do that. Correct. Where are
all these people? Where are all my people? Can you
get somebody?
Speaker 4 (48:44):
Answer me?
Speaker 2 (48:44):
Do you understand this?
Speaker 4 (48:46):
Well? I trust me. I've been looking it up. I've
been researching shadows. Yeah.
Speaker 2 (48:54):
Are we being punished for something that we did in
another life? Because I don't understand our numbers were starting
to rise. I mean, the nickname video was close to
seventy thousand views, and now I don't know what's happening.
So if you are subscribed to my YouTube channel, start
(49:16):
watching it. That's all I can say. Like the video
and leave a comment and help the algorithm. So I
don't know what else to I don't know what else
to do. I mean, if this keeps up, I'm gonna
have to stop doing it. And I really don't want
to do that because so many of you compliment it
all the time, and I answer all of the comments myself.
(49:40):
It's not somebody doing it, it's me. So I just
I can't wrap my head around it. I started diving
deep into like why are my views being suppressed? Why
is my channel suppressed? What am I doing wrong? Blah
blah blah. I can't figure it out. And it just
took a news dive out of the.
Speaker 4 (49:59):
Blue, out of the blue, no warning, nope, no life jacket, nothing, zilch.
Speaker 2 (50:09):
And neither of us can figure out why.
Speaker 4 (50:11):
We need to put a subscriber.
Speaker 2 (50:13):
Push Yeah, how do you get one? What do you do?
Speaker 4 (50:18):
We need to go and be like, hey, we need
everybody to go subscribe.
Speaker 2 (50:21):
Can you all subscribe?
Speaker 4 (50:23):
Do it?
Speaker 2 (50:24):
Can everybody subscribe? It doesn't cost a dime. It is
free unless you want to be a channel member for
five ninety nine.
Speaker 4 (50:31):
Which would be great, you know, that would be excellent.
Speaker 2 (50:34):
That would be great because you get to you get
to watch this in its entirety and not just listen
to it on the podcast, which I really hope you
do that as well. But you know, I just man,
creators work really hard to put out content, and it
takes up a lot of time, you know. And I
(50:56):
know it's not digging ditches. I you know, I get it.
It's not manual labor, you know. But we do take
a lot of time out of our schedules to record.
And I have pride in what I develop and present
to you guys, and I just wish it would go
to a larger audience. This weekend, so many people were
(51:18):
telling me, oh, your podcast is so great. I love
your YouTube channel. Thanks man. I appreciate that, But where
are the views? I don't get it. I wish I
knew somebody who can help me, you know what I mean,
Like I wish I had some insider information on just
(51:38):
if I'm doing something wrong if we're if we cross
the line somewhere and now we're being suppressed for it.
Because man, we try not to even say the F word.
Speaker 4 (51:49):
You know, we walk a fine line, we really do.
Speaker 2 (51:53):
And I try not to get demonetized. I follow the guidelines,
you know. I If there's certain words I know you
can't use, I dance around them and I use other words.
I mean, I don't what else am I supposed to do.
I don't understand it. So help a sister out. Go
to ECWDVA Francine on YouTube and subscribe and watch those
(52:16):
videos and click on them and leave comments and let
us know what you want to see and think outside
the box. We'll do it all. We'll do whatever.
Speaker 4 (52:24):
Absolutely.
Speaker 2 (52:24):
Let us know. I'm down for anything. I'm going to
be home. What is this August twenty first, h H
September and October. I'm home for two months. Can't say
the same for the Chadster.
Speaker 4 (52:37):
But I'm here be around here, there, here, and there
there and everywhere. Not when I need your brother, I'm
there when you need me.
Speaker 2 (52:46):
We'll do it all.
Speaker 4 (52:47):
Just how about how about this? How about from thinking
outside the box to going inside the box in here?
Speaker 2 (52:55):
Oh, I forgot all about her.
Speaker 4 (52:58):
Wait, wait, now I can't. Oh my god, here green screen.
There it is thinking inside the box.
Speaker 2 (53:05):
Oh, I forgot we were doing. Okay, So before we
leave for the day, my Major Bendy came in. Yes,
and it was in two variants, bloody and non bloody.
And the Chadster bought her. He bought non bloody.
Speaker 4 (53:21):
Correct, no spoilers.
Speaker 2 (53:23):
Oh, okay, I have yet to get mine. As much
as I love Brian and that I didn't get mine yet,
but I'm sure she's on her way.
Speaker 4 (53:34):
I am using the first ever box cutter that I
got in my first ever job, nice in nineteen ninety seven.
Wonderful working at Steinback's department store.
Speaker 2 (53:49):
And why did you need a box cutter? Were you
doing inventory?
Speaker 4 (53:51):
I was in the receiving department.
Speaker 2 (53:55):
No shame in that.
Speaker 4 (53:56):
All right, here we go some bubble app.
Speaker 2 (54:00):
Drum roll please, the first ever queen of extreme free scene,
Major Bendy.
Speaker 4 (54:07):
I got a it is hell, I got a card here.
Speaker 2 (54:11):
Oh look at that there. I am a.
Speaker 4 (54:13):
Little cartoon card, a little a little facsimile's signature. Here
we like it, okay, And taking out of the bubble wrap,
put his box there boom, Wait it's here, hold on,
hold on, wait, she is kind of there, stupid green screen.
Speaker 2 (54:37):
Yeah, there we go. Well that's okay.
Speaker 4 (54:39):
Wait I'm getting it. Come on, God, this stupid thing.
I hate it. Hey, why did this? Why did the
card come through? Just clean? The stupid thing comes in
because of the Oh oh yeah, all right, there's the back.
Yeah you can't see that either, damn it.
Speaker 2 (54:58):
That's all right, don't curse. Yeah, there she is.
Speaker 4 (55:02):
There she is.
Speaker 2 (55:04):
She's cute. Right, no blood, no blood, non bloody variant.
Speaker 4 (55:09):
Non blood. Oh, I'm turning hanging, I'm turning off my background.
This is ridiculous. I'm not you gotta see this thing.
I'm blurring. There you up now she's blurren.
Speaker 2 (55:20):
Yeah, what the hell? There?
Speaker 4 (55:22):
There she is? There she is about that?
Speaker 2 (55:25):
You think she's cute.
Speaker 4 (55:27):
I think it's perfect.
Speaker 2 (55:28):
She's cute. Yeah. I'm excited to get them. I can't
wait till they come. Yeah, she's cute, look at her. Hi,
that's me, but that I love it. Fifty two coming
out with all these action figures and rap songs.
Speaker 4 (55:47):
And all that. Yeah, yeah, you got a rap song
and an action figure, all of them show.
Speaker 2 (55:51):
I'm so over in the Europe. I love it. That's great. Well,
thank you for picking her up.
Speaker 4 (55:58):
Absolutely. I couldn't get to get the bloody one. That
was a little weird.
Speaker 2 (56:02):
Well, I mean some people did get it because they liked.
Speaker 4 (56:05):
That quick question though. I was asked, oh by Mike Durban,
who is a huge, major bendy completist, has almost all
of them, probably all of them, what event was the
bloody figure? Based off of.
Speaker 2 (56:26):
So I believe I sent him they. Brian had called
me and said did you ever bleed? And I was like, yeah,
hard way a bunch of times. And I was telling
them like when I broke my nose in Virginia, when
I did the Kuchi konrana onto Steve Corino and I
(56:47):
smacked into the post, my head busted open. There was
blood also at the Elks Lodge when PJ caned me
in the face and then I had the blood me
out of my mouth from the cane and so uh.
He said, well, do you have video of any of this?
And I said, the one with the cane is on
(57:08):
YouTube and that's what I sent him to show him.
Speaker 4 (57:12):
Okay, oh.
Speaker 2 (57:15):
And he said, oh, you were wearing like a gold
goldish dress I said, yeah, so that's that's why the
the other one has a gold dress on.
Speaker 4 (57:24):
Okay, there you go. Yeah.
Speaker 2 (57:26):
And then Lou di'angela, you never gigged, you never bled.
I was like, brother, I did. And then I was
telling them, he goes, I don't remember that one.
Speaker 4 (57:35):
I don't remember.
Speaker 2 (57:36):
I was like, dude, I remember because it happened to me, Like,
you don't have to remember I do. They've stuck tampons
up my nose because both my nostrils were gush and
blood because my bridge of my nose was broken. How
do you not remember.
Speaker 4 (57:53):
That once the tampon goes up the nose, you'll never
forget it.
Speaker 2 (57:57):
I never forgot it, but anyway, I love her so again.
Thank you to h Brian and bry Myers, Macardona, Mike Kinnick,
Major Bendy and now people are saying, oh, how do
I get one? I'm like, I only had the pre
order up for like a month.
Speaker 4 (58:20):
You snooze, you lose kids, you lose.
Speaker 2 (58:23):
Yeah, you can't because once they're done, they're done. Yep,
you can't order it anymore.
Speaker 4 (58:29):
I ordered mine on like a weekday at like eleven
o'clock in the morning. Just to make sure I got
it in the window.
Speaker 2 (58:35):
There you go, which I appreciate very much.
Speaker 4 (58:38):
I got you. Next time I see you, you'll get
it and then it'll be on eBay and then it's
a gunner.
Speaker 2 (58:48):
I thought you were going to keep her forever.
Speaker 4 (58:50):
It's gonna go right in the chats. There's a back closet.
Speaker 2 (58:54):
Awesome. Well she has a good home.
Speaker 4 (58:58):
Absolutely, thank you for that.
Speaker 2 (59:00):
Do you have anything to plug?
Speaker 4 (59:03):
Find me on X at Chatty and b find me
on Instagram at ib Exclusives. Ramping up on the road
to wrestle Kid. That'll be the next thing I got
to plug, so we'll get there when we get there. Yeah,
that's it for me.
Speaker 2 (59:20):
I'll see it as well. I'm not gonna plug anything
but YouTube and this podcast right now. If you're not
following me on iHeart, please do so. And if you're
listening on Spotify or Apple or wherever you get your podcasts,
look up eyes up here with Francceine and hit that
subscribe button again. It's free. All these things are free,
(59:44):
not asking you to pay dime to follow, subscribe and
spread the word. And you can follow me on socials
at ECWDVA Franccene. I hope you were staying safe. I
hope you were staying healthy and most of all, I
hope you are staying extreme.
Speaker 5 (01:00:03):
Yeah, h fran Scene France Scene. Queen Extreme Extreme Odds
up here, head hand, The Queen Extreme Podcast. Odds up here,
head head, It's the Queen Extreme Podcast. It's the Queen
(01:00:24):
of Extreme Bruin and the legend.
Speaker 2 (01:00:26):
She is the woman nifty dreams.
Speaker 5 (01:00:27):
Legend on the scene franc Scene podcast.
Speaker 2 (01:00:30):
What you mean?
Speaker 5 (01:00:31):
What your tramplads to show you what your needs? You
find the stand the Queens from the beginning of time.
Odds here, our heart Radio, shine only a head and
tell your story from the where the Legend odds up here,
The Queen Nobody's like frand Scene eies up here here here,
The Queen Extreme Podcast odds up here, hen pad, The
(01:00:53):
Queen Extreme Podcast. Odds up here, hen hand, The Queen
Extreme Podcasts pies up head here The Queen Extreme Podcasts
podcast
Yeah, hey, everybody, it is the Queen stream.
Speaker 2 (00:31):
Free and you are listening.
Speaker 3 (00:33):
I up here with Franking, the Iheartrading Network or rever.
We getting podcasts and as always I am ployed by
my fast that's sir. What's going on?
Speaker 4 (00:45):
What's up, Queen? What's up? I'm doing great? How are you?
Speaker 2 (00:53):
I'm doing well, coming off a great weekend in Minnesota,
which will uh let's talk about here in a few
but a little sleepy today, but I'm feeling all right,
you know, oh all right, Well, we'll get right into it.
Then I was gonna ask you how your weekend was,
(01:14):
but we'll start with the weekend.
Speaker 4 (01:15):
My weekend was very sorry to say this, very chill,
very chill.
Speaker 2 (01:21):
I guess you guess what. Some of those weekends are
the best. When you do absolutely nothing and you just
chill and you relax, they're the best. So my weekend
started off on American airlines.
Speaker 4 (01:34):
And.
Speaker 2 (01:36):
You know, I don't know what the hell is going
on with these airlines, but it just seems like there's
always a maintenance issue. Can anybody relate to this? Who's listening?
Every time I get on I get to the airport,
I had an eleven o'clock flight not bad, right, leave
(01:56):
leave around nine. We hit a ton of traffic trying
to get to the airport. I finally get there and
uh man, I get there, I check in, everything's okay.
I get to the gate. Delayed, and I'm like, okay, goddamn,
sit down, what's up?
Speaker 4 (02:15):
Goddamn delays?
Speaker 2 (02:16):
Sit down. You know, They're like, oh, we're just delayed,
blah blah blah. Then they finally they let us on
the plane. I get on the plane and we're sitting there,
and we're sitting there, and we're still sitting there, and
I noticed that that flight time of eleven o'clock is
way past eleven o'clock. So I'm like trying to text
the promoter because you know, they have people waiting to
(02:40):
pick us up, and uh hear what happened was and
I totally forgot this part. Shane Douglas was flying from
Pittsburgh to Philadelphia and then he was getting on my flight.
So he texts me first and he's just like, I'm
not gonna make the second flight. So that was the
first that what is that called.
Speaker 4 (03:03):
Whatever it's called, is the is the problem? Snatch fu
is like a wrestler or porn star.
Speaker 2 (03:10):
Sorry, uh yeah, so he you know, he he's missing
his flight and his his day was way worse than mine.
So I really shouldn't bet you about this. But even
still we're going back and forth. You know, he's keeping
me updated. He's kept getting pushed and pushed and pushed.
They rescheduled him on a different flight. Instead of going
through Philadelphia, he had to go through Charlotte, which, if
(03:33):
you know the Charlotte airport, you can be dropped off
in a and have to get to like e and
have to run all the way across, which I think
that's what happened with him. But he had hours now,
he had hours between his flights because he just kept
getting pushed back and pushed back and pushed back. So
so I'm on the on the plane and I'm just like, well,
(03:54):
my goodness, we're delayed. Now. Maybe he could have made
this one if he could have got the Phillip, but
they had closed the doors. So anyway, we sat there
for about two hours and they go, oh, okay, it's
a maintenance issue. You have to get off the plane.
We're deboarding, And I was like, are you serious, Like
(04:16):
everybody's like just sitting there relaxing cause it's been hours.
We had to go to a different terminal, so we
get all, we grab our stuff, we get we're in B.
We had to go to Terminal C, but all the
way at the end, so everybody's running because at first
she said two o'clock, then she said one forty eight.
(04:38):
Then then it was like twelve thirty eight, and then
it was like two o'clock. It was like crazy. I
don't even know what was going on. But finally I
made it. I made it there. I was in my
hotel a little before five, and Shane got there at
like I don't know what it was, six, six thirty
(04:59):
something like that. Like thank god there was an outback
attached to the hotel because me and him went and
got cocktails and food and just chilled that night. And
then it was so bad that the next day Tommy
Dreamer was held up in Toronto due to lightning. I
(05:20):
think they told us, so I didn't even see him
at the show. He didn't get there until Shane and
I had left.
Speaker 4 (05:26):
We did our match, really yeah.
Speaker 2 (05:29):
We did thet We were one second. So they had
a fan fest which was so fun. Let me tell
you the Minnesotans. Is that how you say it?
Speaker 4 (05:37):
Minnesota?
Speaker 2 (05:38):
What do they call it? Minnesotans? They are the sweetest
group of people. I had so many nice people come
up to my table and say hello and take pictures
and buy pictures and just a great group of people,
just down the earth Midwest hospitality, like so so sweet.
(06:00):
Dave the promoter, Fred that picked me up. Like everybody
was so nice. So we we did a fan fast.
I got to meet Joe Hendry, which the mayor, I
think the mayor proclaimed that day Joe Hendry.
Speaker 4 (06:15):
Gosh, you know, he said those guy's over.
Speaker 2 (06:18):
Over, but he was so sweet. I got to talk
to him for a little bit. And then they had
Sheen and I go in the ring and like do
this was a like a bad idea. We should have
did this before the show started. They had a sign
for two hours at our table, and then like after
(06:39):
the FanFest is over, everybody's in their seats and they're like, okay,
does anybody want to pay to get pictures with Shannon
Fried seen in the ring? We were like, you probably
should have did this before they all came to the table,
you know. So we had like a couple like I
don't know. A couple of people come in the.
Speaker 4 (06:57):
Ring, but we were just that's an old school. That's
old school. Get your polaroid.
Speaker 2 (07:04):
You shouldn't they should have did it. Yeah, not when
everybody was seated and the show was just about the
start to me and Jane were just like cracking a
laugh and like. But then we were match number two
and did a nice tag match and oh my god,
these guys were so great to all three guys that
(07:25):
we worked with, which so great to work with. And
the one guy, what was his name was it? Rich Maxwell?
God forgive me, I can't remember Ale on Twitter? Yes,
yes he was. They were. They were all so nice.
But he showed me a picture. Okay, this is how
cute he was. He should and he's younger like in
(07:46):
the in the picture on Twitter. I thought he was
like a little older. He's these are young kids, right.
He shows me this picture and it's a split picture.
So there's a picture on the top and a picture
on the bottom. The picture on the top is the
Triple Threat, so it's me, Shane, Bambama and Chris. The
picture on the bottom is him his two friends and
(08:08):
he goes and some random girl that we pulled in
to portray you. It was from years ago. It was
them as the Triple Threat.
Speaker 4 (08:17):
Nice, there you go.
Speaker 2 (08:18):
It was so cute, and he's like, we always used
to pretend we were you guys, and we would go
around and like, and I was like, are you kidding?
He goes, yeah, he goes in. Anytime we were out,
he goes. We never had a girl with us, so
we would just pull some girl in for pictures. It
was showing me like random girls in the picture. They
were so fun to work with. It was so nice
being there with m Aw. If you don't know who
(08:41):
they are, Maw Minnesota such a good place to work.
I hope that we can go back there because I
really enjoyed myself.
Speaker 4 (08:50):
Nice.
Speaker 2 (08:51):
Yeah, it was really really fun. The only down part
was we left at so coming home. We left that
for thirty in the morning, and we were delayed coming home,
and then Shane couldn't get on the second flight for
(09:11):
some reason, so he had to go. His flight wasn't
until like to something. He had hours to wait at
the airport. So he's texting me, I hate airports as
I'm home already, so I had a little The Philly
flight had a little bit of a delay, but then
poor him going back home, he had a big delay.
So yeah, the airports were all screwed up. I mean
(09:36):
just ridiculously screwed up. So he goes through clear. You know,
he pays the gimmick, goes through Clear. I didn't. I
don't have that, so I had to go through the
regular line. I made it with literally four minutes to spare, because.
Speaker 4 (09:53):
How do you do that? Oh I could not even
remotely stand that.
Speaker 2 (09:59):
That's the day was so long. Well, I thought, four
point thirty in the morning, nobody's going to be on
this six A. It was mobbed. It was mobbed. There
were people with their babies. I felt so bad, these
little kids and their pajamas walking through TSA. I'm like,
oh my god. And he's all the way, hurry up, Queenie,
we gotta go, and I'm just like, yeah, you just
(10:20):
go your clear. Tell him to hold the plane. But
I literally got there was four minutes to spare, so
I was good, but just you know, it was just tough.
I hate bitching a mooning because I love what I do.
I love these conventions and stuff with the airlines. Just maintenance,
it's always maintenance.
Speaker 4 (10:40):
It always like it's worse lately.
Speaker 2 (10:43):
Something wrong. Something was wrong with the slide. You know,
God forbid if we go down, you need the slide
for the water evacuation.
Speaker 4 (10:51):
Yeah, that was the problem.
Speaker 2 (10:54):
Going The slide wasn't working, so that's why we had
to get off the plane and go board on another plane.
And then there wasn't a crew, and I was just like, well,
how the hell are we going to get there?
Speaker 4 (11:06):
And they say there's a job shortage. Then there wasn't
a crew.
Speaker 2 (11:10):
I'm telling you. And then it was the same people
that were on the first flight that came over. Wow.
I was like, what are you talking about. I don't know. Anyway,
it worked out for us in the end, but it
was exhausting.
Speaker 4 (11:24):
I felt bad for you. I felt bad for you.
You seemed like you were toasted.
Speaker 2 (11:28):
I was tired, Yeah, oh I was. I was so well.
And also like Sunday was the one year anniversary of
my mom passing. Yeah, you know, I was just you know,
my thoughts. I was just thinking about a year prior
what we were doing today, like anybody else would, and
I just wasn't in the mood to do anything, so
(11:50):
I kind of just hung out with the kids, tried
to occupy my brain and just venged. I was exhausted.
I was in bed, like I think at like nine,
I'm nine point thirty, like out. I was so tired.
So but you know, we're here now and there's a
lot to talk about. Yeah, but don't get me wrong,
(12:14):
for those listening, I know how lucky I am. I know,
I get paid to write my name on a piece
of paper. I love it, and I'm blessed to do so.
It's just that sometimes the travel is excruciating, and that's
all I'm saying. But I would do it again and
again and again in a heartbeat. Let's just put that
out there, make that clear.
Speaker 4 (12:33):
Nice.
Speaker 2 (12:33):
Yeah, so.
Speaker 4 (12:37):
I'll Cody Rose, So, what do you want to talk about?
Speaker 2 (12:41):
I've been watching that.
Speaker 4 (12:44):
I hate that line. What do you want to talk about?
Speaker 2 (12:47):
Actually, I watched two episodes last night. I watched Bali
and I watched Bianca bell Air so far.
Speaker 4 (12:55):
Saw a little bit of the Bailey one uh huh.
Speaker 2 (12:57):
And I started Our Truth but didn't get through that
that one yet. So it's a cute concept. I like it.
Speaker 4 (13:05):
Yeah, I mean, you know, it's got a lot of
stuff going on. Now, we got to sit down and
do an interfuture.
Speaker 2 (13:12):
Yeah, I mean I think it's a way to put
over the wheat weeds vodka.
Speaker 4 (13:16):
I think, yeah, I think that that's basically what it is.
Speaker 2 (13:19):
Yeah. Hey, if somebody wants to sponsor me, I'll drink
whatever you send me. I'll get lit every podcast and
freaking one.
Speaker 4 (13:27):
You said you did like the Rocks. What was it?
Was it? You didn't like it? I thought you liked it.
Speaker 2 (13:33):
No, I don't like tequila at all.
Speaker 4 (13:35):
You like it just in case I want to guess.
Speaker 2 (13:37):
What if he wants to sponsor me, I'll love it.
But I'm not against getting boozy on the job. Could
you imagine how?
Speaker 4 (13:45):
You know? I cracked the other day.
Speaker 2 (13:47):
I just drank.
Speaker 4 (13:49):
I just grabbed one of my screwdriver bottles. Yeah, and
I was just like, nope, I forget what day. I mean,
it was it Sunday. I don't Sunday sun. I just
needed it. And I'm trying to just go cold turkey. Yeah,
I've gone I think, almost all summer without any kind
of alcohol. But I just yeah, just today's the day,
(14:12):
just one, just one in moderation.
Speaker 2 (14:14):
It doesn't hurt you.
Speaker 4 (14:15):
Yeah, you know, I'm just trying to stay away. Just
extra sugar, don't need.
Speaker 2 (14:18):
It, so you drink this stuff that's sugar free, like
the Seltzers. That's what chain does.
Speaker 4 (14:25):
But see, I got maxed out on them, and I honest,
I just lost a taste for it.
Speaker 2 (14:31):
It just yeah, I think they taste like water with
a little drop of fruit.
Speaker 4 (14:38):
Yeah.
Speaker 2 (14:40):
Oh it's They're terrible. I call them sissy.
Speaker 4 (14:43):
Drinks, weird, weird aftertaste.
Speaker 2 (14:46):
I was drinking sangria and I had two glasses of
sand Gria and it was lovely and I was just
that's when we arrived and a nice meal, and I
got a good night's sleep, you know, and just a
it was a good weekend. So yeah, so thank you
again to M. A. W. And the crew and the
(15:09):
locker room was so nice and all the guys were
nice and loved it. Had a good time. Yeah. So
what do you want to start with? I hear you
got something for me?
Speaker 4 (15:22):
Where do you want to go? Do you want to
start there?
Speaker 2 (15:25):
I think we should. I think we should.
Speaker 4 (15:28):
I have been. I mean, you know, sometimes they say
money burns a hole in your pocket. This piece of
audio goodness has been burning a hole in my pocket. Okay,
I was Okay, go ahead.
Speaker 2 (15:44):
Yeah, I was just going to say, can you please
give the backstory because I don't even remember what you
told me how this all happened.
Speaker 4 (15:50):
Yes, I will go right ahead. I just want to
get all my ducks in a row here because I
want to get my my correct quote, credit and plugs
and all that good of stuff up on the table here.
Speaker 2 (16:05):
This is something that shocked me, by the way, because yes,
you were in twenty twenty four. It's like, really, I'm
just flabbergassed and humbled by it.
Speaker 4 (16:20):
Yes, So I was contacted by somebody that I had
been connected to years ago. And when I see years ago,
I want to say twenty fifteen, twenty sixteen, first starting
out and podcasting, started to work with an independent wrestling
organization in West Virginia area. I got connected to a
(16:42):
artist named montese Okay Antoine Montesey Moore Okay back then
was just an artist, just an artist trying to get
his name out there. I believe he was podcasting as well,
but he was making music, and he was making music
(17:04):
for a bunch of different promotions and was really doing
a great job of marketing himself and spreading the name around,
so I was connected to him because he was also
working with the promotion. But I believe he was based
out of Florida at the time. I was not us here,
so we just got connected. We were talking. Did not
(17:24):
talk to him for years, eight years, maybe nine years,
something like that. God can't even imagine how long. So
to my surprise, I get a DM from Montese, who
has since created music for AW co hosted the Swerve's
(17:45):
House podcast with Swerves Strickland. He's done a lot lately
AW Champion, right, So Montesi says, Hey, Chad, want to
put together a Francene rap song? Is that okay? I
(18:08):
was like, let me just go through the proper channels.
I got the blessing. I was like, go for it.
I waited on baited breath for this thing, honestly trying
to picture what it would sound like in my head
for the weeks that I was waiting for it, and
by God, when I received it, it did not disappoint.
(18:28):
This is a masterpiece of audio gold. I have no
clue and you have not heard it. It has not
heard it at all.
Speaker 2 (18:37):
No, this will be a first listen, they say, a
first look, but actually it's a first, listen, because I
have not yet heard this masterpiece. When you said rap,
I'm thinking yo, ho she ho, she, No, i'mbad to
give me my money.
Speaker 4 (18:58):
He did not find a way to work in. She's
a crackhore from the crowd. Chances.
Speaker 2 (19:05):
No, this is a.
Speaker 4 (19:06):
Franccene eyes up here driven podcasting sounding wrap. I this
is phenomenal.
Speaker 2 (19:16):
So I am so excited I hadn't. I'm I'm blown away.
So yeah, I'm gonna listen to it. I'm not going
to talk until it's over. I might dance, all right.
Speaker 4 (19:30):
I am going to bring it up on the screen. Okay,
So is there a video? No, it's just an I'm
to bring on my audio player. No, we don't have
a video yet. We're not We're not that sophisticated yet
with it. Hey, look, if this thing starts to sell,
I'm sure the video is not far behind. All right,
So let's see the broadcast premiere of the aptly titled
(19:54):
fran Scene.
Speaker 5 (20:02):
Yeah, fran Scene, France Scene. Queen Extreme Extreme odds up here,
head head, the Queen Extreme podcast iddes up here. Hey head,
it's the Queen Extreme Podcast. It's the Queen of Extreme
(20:23):
Beauty and the legend.
Speaker 4 (20:24):
She is the woman.
Speaker 5 (20:25):
Nuff your dreams Legend on the Scene France Scene Podcast.
Speaker 1 (20:29):
What you mean?
Speaker 5 (20:29):
Please your tramblade to show you what you need if
you find the stand the Queens from the Beginning of
Time Odds here our heart Radio, shine only a head
and tell you a story from the wind the Legend
odds up here, the Queen Nobody's like frand Scene tides
up here here here, The Queen Extreme podcast IDEs up
(20:50):
here here head the Queen Extreme podcast ds up here
here hand the Queen Extreme Podcast. Awesome cleeen Street Podcast podcast.
Speaker 4 (21:20):
There it is there, it is Wow. Wow. If that
doesn't stay in your head for the rest of the day,
I don't know what will Cleeen Street Podcast.
Speaker 2 (21:31):
Yeah yea, how flattering is that? Well? Thank you?
Speaker 4 (21:39):
I love it, you know, I mean, do we do we? Uh?
Substitute sung with that? I gotta get at least an
instrumental version of some sort for it. Instrumental like some
sort of like the beginning, some sort of like beginning lyrics.
(21:59):
Oh no, I mean we have got to use it,
of course, But I need you need I need in there,
I know, but I need the instrumental too. I need
to hear that beat like twenty four to seven, I need.
Speaker 2 (22:09):
You think we can like maybe open with what we
have and then close the show with his like play
that as an outro or or vice versa.
Speaker 4 (22:22):
Definitely think you're on the right track. I don't know,
I've I love this. I was like, I'm changing my
ring tone.
Speaker 2 (22:30):
I'm telling you, I'm gonna put you in my phone
just to that song.
Speaker 4 (22:35):
No, this is it. So I I just I love it.
I thank Matezi for thinking of super contacting me and
putting this together. This was awesome, so phenomenal.
Speaker 2 (22:48):
I am. I'm flattered that somebody would even think of
me to write a rap ballad about me. So for Tez,
thank you. Well how fun.
Speaker 1 (23:01):
So there you go.
Speaker 2 (23:04):
I wonder if there's an extended version, like we can
make up more lyrics and I can st maybe we
can collab.
Speaker 4 (23:13):
The Girl of your Dreams. I think that was it.
I gotta get the lyrics in my head.
Speaker 2 (23:18):
Amazing. Well thank you. Yeah, and uh, maybe we should
have them on the show to us see what his
inspiration was.
Speaker 4 (23:26):
Absolutely I would love to do that. Yeah, I will,
I'll get on I will. I'll see what our schedules
can sink up.
Speaker 2 (23:32):
Okay, sounds great. Well again, thank you for that. That
made my day. That was fun. Not every girl gets
chosen to have a rap song done about her, so
I feel very special at this moment.
Speaker 4 (23:50):
It's just one of those things. It's like these people
you meet along the way, and I swear, I mean like,
I just I never thought that we would get reconnected
like that through the through the love of music. Right,
it's all together beautiful?
Speaker 2 (24:09):
Yeah, way to go. Well, we have to incorporate that
in in the pod somewhere.
Speaker 4 (24:17):
Oh, I think the.
Speaker 2 (24:20):
Outro, because the way we talk over the music in
the beginning, I think we would need an instrumental. I
think that an outro would be the way to go.
If he's down with that, that would be fun.
Speaker 4 (24:33):
Let's do it.
Speaker 2 (24:34):
Let's start with this show. Can you do it on
the outro?
Speaker 4 (24:38):
I'll throw it on there again. People want to hear
it again? Absolutely, dig it? Absolutely?
Speaker 2 (24:45):
All right? Well that was fun. Okay, Well, there's a big,
big story looming a E dub A dub. Did you
see it?
Speaker 4 (24:59):
You? I did, hold you? I didn't. Well, I saw
it after some discovery.
Speaker 2 (25:06):
Which mean telling you, hey, pull this article up. The Biggins.
How about this, Warner Brothers Discovery makes a new offer
for ae w's TV rights. Tony Kahan, with a big
smile on his face.
Speaker 4 (25:21):
Can't wipe the smile off his face.
Speaker 2 (25:23):
I'm telling you, this is huge. It's reportedly worth double
the current TV deal that they have, So this is
really this is monumental for AW right now because the
current TV deal is set to expire and now they're
(25:44):
getting double what they were before.
Speaker 4 (25:47):
So incredible, incredible.
Speaker 2 (25:49):
The current TV deal is estimated to be worth seventy
million per year, the current TV deal.
Speaker 4 (25:57):
Wow.
Speaker 2 (25:58):
They said. The hope is that the higher means AW
pay per views and its library of weekly shows will
be available on Max. So this is this is huge
for the company. I still think that they should start
to save money by getting the smaller venues right, and
(26:23):
I think they're they're taking a step in that direction
because if you noticed, next year's UH pay per view,
instead of being in England, is now in Texas.
Speaker 4 (26:39):
Right, they're putting they're doing that a year ahead of time.
Speaker 2 (26:41):
They already announced. The isn't not what they announced.
Speaker 4 (26:45):
I did not see the full announcement.
Speaker 2 (26:48):
I'm pretty sure that's what it was is it all
out or all in there?
Speaker 4 (26:53):
I mean they're taking up residency in Texas. I know that.
Speaker 2 (26:58):
Yeah, ae W twenty twenty five. Yep, all in. It's
all in in Texas Saturday, July twelfth, twenty twenty five
at a Global or sorry Globe Life field, Right.
Speaker 4 (27:18):
That's okay. Yeah, that's where they've been in Texas consistently
for that's better part of the last few months.
Speaker 2 (27:24):
That's where they're doing it instead.
Speaker 4 (27:25):
Of yeah, okay, that's a big change.
Speaker 2 (27:27):
Well it's a big change, but let's put it this way.
It's gonna save a ton of money.
Speaker 4 (27:33):
Oh absolutely. But hey, look they had to get paid
in some way, shape or form for moving their date
for this year's show by Taylor Swift. So I mean
they got paid for that.
Speaker 2 (27:45):
I heard from a source, so I'm not going to
say who. But right now, the show that's on Sunday
is close to selling forty four thousand tickets. Last year,
didn't it sell like seventy six thousand or seventy one thousand.
Speaker 4 (28:04):
Pretty yeah, that was a huge, huge number, but they
still tout to this day.
Speaker 2 (28:09):
Still nothing wrong with forty four thousand tickets. It's a
great house. But it's not the house they had the
first time, right, So are they noticing, you know, first
times of charm, second time not so good? Maybe keep
it in the States, much lower revenue to have to
(28:31):
pay out, and you know, because it's very expensive going
overseas and you have that roster that I don't know
how many people are out there right now, but that's
got to cost a pretty well. Yeah, you know so,
I mean I just feel like, and we've talked about
this before, instead of getting these huge, huge stadiums, go
(28:56):
for the smaller venues. They look great, they sound great.
No shame in getting a five thousand seat venue for TV,
Absolutely not if that's what you're selling in tickets. Why
have to pay for a seventeen thousand seed arena and
you have all these tarps covering. No, you're wasting your money.
(29:21):
Get the smaller venues. You know. That's that's my I mean,
that's how I would do it.
Speaker 4 (29:28):
One so, but this is huge. I mean I never
would have expected this. Well you're a hater, No, but
even okay, even take the hater hat off, Okay, how
do you how would you anticipate them getting double with
realistically their television numbers not being anywhere near what any
(29:53):
television station would find to be desirable.
Speaker 2 (29:56):
Maybe they want it wrestling on their channel.
Speaker 4 (29:59):
Go anywhere, you could go, pick a promotion and say,
let's pluck this one.
Speaker 2 (30:05):
What promotion?
Speaker 4 (30:06):
What somebody? Who pick somebody DNA, Let's bring TNA. They
got a good little buzz.
Speaker 2 (30:13):
Bring them up the anthem that they have a deal.
Speaker 4 (30:17):
Plug pluck them.
Speaker 2 (30:18):
You can't do that.
Speaker 4 (30:20):
Pluck them.
Speaker 2 (30:21):
Oh my god, you're the worst. You cannot do something
like that until your contract has inspired.
Speaker 4 (30:26):
Well you know, I mean, look, but what I'm trying
to say is is that you wouldn't think if they
wanted to keep them. Let's say, for arguments, say yes,
they wanted wrestling content. Okay, double double they were, that's
I will I would say. I would say double is
on the table. Here, prove it. You gotta prove it first,
(30:51):
and then you get your double. Here's the deal. Achieve
these number. It's like an incentive laden sports contract. I
don't achieve it, and then we'll give you this.
Speaker 2 (31:00):
There's no it's expiring, there's not enough.
Speaker 4 (31:03):
Till but sign here. Okay, we'll take you. Well, you
know we want you. We'll take you, but your numbers
have been dipping, so come back home. We'll take you home.
But if you want this double, you gotta perform. You
gotta raise your numbers.
Speaker 2 (31:19):
How do you not know that they came to Tony
and and was just offered, Like, do you think Tony
had to fight to get double? Do you think this
was Tony Kahan's move? Or do you think it was
a network's move.
Speaker 4 (31:31):
I'm gonna go out on a let me say it's
a network.
Speaker 2 (31:35):
Well, if it's the network, then they're they're not wanting
him to prove anything.
Speaker 4 (31:39):
I know, it's so dumb. I'm gonna just say it's
a network because yeah, I mean, like it makes no sense.
So it's probably some wrestling mark in the management area
that's just like, hey, let's give him double. Let's keep
wrestling here. I like going to the shows and hanging
around backstage, so let's give him more money.
Speaker 2 (31:57):
I'm thrilled for them, absolutely, as as a company. You know,
no one wants to see anyone go out of business
or fail. Let's let's put that out there. I want
everybody who works in this business to have a job,
to have a steady income. A lot of these guys
(32:20):
and girls deserve to have a home. And when somebody's
contract is up, like I can. ECW for example, you know,
we were on TNN and we only had a year deal.
When that year was up, we didn't have anywhere to go.
There was nowhere to go, and we kept, you know,
hopes up. We were being told, Oh, we're shopping around,
(32:44):
we're talking to USA, we're talking to this one, we're
talking to that one. To this day, I still don't
know if there was any meetings with any TV executives
anywhere else. I don't know. And you can call me naive,
you can call me stud bit. I wasn't privy to
those informations. I wasn't in the boardroom when this stuff
(33:05):
was happening. I don't even think we had a boardroom
in ECW. But once our deal expired, that was it
and we couldn't live off syndicated television. So look at
all those people that were out of a job. A
ton of us were out of a job, nowhere to go.
(33:27):
What do you do? Most of us went back to
the indies and that's where we worked. You know, not
everyone was offered I mean I was offered WWE at
that point. I didn't take it, but not everyone was,
you know, offered a place on that roster, and you
(33:51):
either wanted to go there or you didn't want to
go there. And at that point I did not want
to go there because I didn't want to wrestle full time,
and I knew that's what they wanted the girls to do.
They wanted them to wrestle. If I had gone and
went in there and said, well, I want to do
what I did inn ACW and be a manager and
they didn't want me to do that, then I would
(34:13):
have just had to either suck it up and start
training again to wrestle, which that I think that was
my biggest problem. Like I just saw them sending me
down to like an OVW or wherever the developmental was
at the time. I can't even remember two thousand and one,
(34:35):
you know, I just saw them trying to because I
saw watching the program, it was like all their girls
were transforming into wrestlers. Whether they were good or not,
they just threw them in the ring constantly, and I
didn't want to do that at that point, you know,
it wasn't what I wanted to do. And then I
had a year on the Indies and then TNA came
(34:56):
around and I was offered that for shot deal. I
was never really offered a long term contract. It was
just four dates for them, a four date contract, whatever
you want to call it. And I did the four
dates and then you know, like Jerry Jarrett was like,
I don't know what to do with it anymore, and
I was like, oh my god, what is wrong with everybody?
(35:19):
I know exactly what you should do with me, you know,
but it just it didn't pan out. And that's fine,
and everything happens for a reason. But to see that
they want to keep aw is great because these guys
and girls, you know, they have their contracts there and
they're secure, and now they're going to have I don't
(35:41):
know how long the deal is for, whether it's a
year or three years, I don't know how many years
they signed for, but whatever it is, they have a
home and that's a good thing. And I'm just happy
for them. So, you know, you can't frown upon that.
And I just know what we went through was awful
(36:02):
and I wouldn't wish it on any other company. So
in this day and age, if you can stay on
television and work, that's a good thing.
Speaker 4 (36:13):
Well, my general feeling on the matter is, if I
had double the amount of money that I was anticipating,
I'd have a shnazzy looking Ricardo Montalbond red scarf around
my neck too.
Speaker 2 (36:27):
So did he wear this get up on Fantasy Island?
Is that what you're trying to say.
Speaker 4 (36:31):
I've seen him in a movie with a scarf. I
don't know if it was necessarily red, but I don't know.
He was the first guy that popped in my brain
that was relevant to wearing a scarf and had a
funny name. So Ricardo Montelbon MJF.
Speaker 2 (36:45):
Wears a scarf or he did wear a scarf? Does
he still?
Speaker 4 (36:49):
No? He wears a jean jacket and.
Speaker 2 (36:52):
He changed his whole thing. No more scarf.
Speaker 4 (36:55):
I don't know. He wears a triple H jean jacket now.
Speaker 2 (36:57):
Well, I know we wore that for his return, But
does wear it to the ring when he wrestles?
Speaker 4 (37:03):
You're gonna have to talk to aw fans drop those
college you don't even watch a w.
Speaker 2 (37:11):
No, I don't. I probably will check out the pay
per view though, because you know that's what I do.
I'm a pay per view kind of gale. There was
one more story that I saw that we can touch
on if you'd like to, and that is about Yeah,
(37:38):
you can't see him, but he saw his contract if
he extended it, So did he pull with Terry Punks
and say he's gonna retire, But now he's not going
to retire? Is that what we're getting? John Cena announced
that he signed a contract extension with w W that
(37:58):
will take him beyond twenty twenty five retirement. Were you
made the announcement earlier on Club Shashe Shotton Sharp?
Speaker 4 (38:10):
Oh yeah, yeah, yeah, that's like one of the biggest
podcasts in the world.
Speaker 2 (38:13):
Well, I just gave him a free plug, so you're welcome, Shannon.
Speaker 4 (38:16):
What are you going on it?
Speaker 2 (38:19):
Yeah, like he needs my help. Sina said that the
agreement will keep him part of the WWE family in
the near, mid and long term future. Oh yeah, So
I don't know what that means. But I don't know
if it means, uh, wrestling beyond twenty twenty five and
(38:40):
maybe coming back as an on air personality, maybe a
GM or I don't know. I don't know if the
retirement was because his body is starting to tell him
not to work anymore. You know, I only met once,
So I don't know, what do you what are your feelings?
Speaker 4 (39:05):
It's not for money, that's John Cena hell out. I
think that, you know, just like all wrestling retirements, they
are frivolous if you will. I think they saw the
response to the John Cena announcement and they were like,
(39:27):
holy cow, we sold a lot of merchandise. There's a
ton of nostalgia for this guy. And whether or not
they do retire him at WrestleMania twenty five, there is
absolute value in keeping him around twenty five. Are yeah,
the next wrestleman they want to retire from WrestleMania forty.
(39:50):
I said, the WrestleMania in twenty five.
Speaker 2 (39:53):
You said WrestleMania twenty five.
Speaker 4 (39:55):
I thought, no, no, no, I said the WrestleMania in
twenty five. The oh oh yeah no, I said, I
get through me all there. I was like, no, no, no.
Whether or not they want to retire them at the
WrestleMania in twenty twenty five, I think that they were like, oh,
we need to keep this guy around a lot longer,
(40:15):
and you know, before he commits to another blockbuster and
lock him up, so you know, and he was he
was in his interviews. He was like, no, this is it.
I'm done after this year.
Speaker 2 (40:27):
By well, let's talk about that, because do you think,
you know, with this extension, do you think they would say, no,
you can't do a movie. We're not going to let
you leave for three months because you're under contract.
Speaker 4 (40:40):
Good question, Yeah, I mean.
Speaker 2 (40:43):
Maybe he you know, part of his wanting to sign
the extension was listen, if something Lucratip comes up for me,
I need to have the ability to be absent from
your programming and go shoot a flick or commercial or
whatever they want him for. Because he's a man of
many talents.
Speaker 4 (41:02):
Oh my gosh. I mean he's a voice of like
hesty trash bags.
Speaker 2 (41:05):
I hear his voice constantly. I'm like, yeah, another scene
of commercial, Like, you know, can you spread the love around?
Other people want to work too. You know, he's doing
everything like he's in everything, which is great. Not I'm
not knocking the hustle. That's tremendous. Get the work while
you can, you know. But I you know, I'm just
(41:28):
thinking about this and I'm saying to myself, it's something huge.
You gets dropped in front of his feet. Oh no,
I can't take this because you know, I have to
go to the WWE house show and it's a boykin Now,
you know what I mean, that's not happening.
Speaker 4 (41:46):
Someone tells me he's going to be a major market
house show kind of guy if he works any outside
of Madison'square Garden or you.
Speaker 2 (41:54):
Don't know where these WWE superstars will be appearing. You
never know. That's the beauty of a house show. No
one knows what's going to happen. But seriously, there's got
to be I would think some kind of claws in
there that says, well, you know, I can do other
things besides work here. I can't see him just doing
(42:16):
WWE stuff unless they signed him to a three movie
deal under their production on.
Speaker 4 (42:25):
Rod WWE Films.
Speaker 2 (42:27):
Sure, I don't know. I don't know, but I just
saw that and I found that quite interesting.
Speaker 4 (42:32):
So smart move.
Speaker 2 (42:35):
I mean, you know, you got a little bit of leverage.
I would believe when you're John Cena. You know, it's
not like Joe Schmo walking in there and saying, yeah,
you know you can keep me, but I need a
B and C. It's like, yeah, okay. John Cena says
that it's like brought to you on a silver platter,
of course. Uh, what else would you like? What else
(42:56):
can we do for you?
Speaker 4 (42:58):
He's a dynamo. He is John Cena.
Speaker 2 (43:01):
It's great. He's great. He's got a new movie coming
out with Aquafina. Did you see the trailer for it.
I don't know what the name is, but I saw that.
It's like an action flick.
Speaker 4 (43:10):
No, I didn't see it.
Speaker 2 (43:11):
Yeah, I saw the trailer for it. I might give
it a go. We'll see. I just watched what a
segue and transition. I just watched the original Twister for
the first time, and then I watched them in reverse
order that I watched the new Twisters. Have you seen either?
Speaker 4 (43:31):
I've seen the original, Okay, I have no desire to
see Twisters at all.
Speaker 2 (43:38):
It wasn't a bad flick, and I like my husband,
I said, I wish I would have watched the original
first and then watched the second one. But I like
the first one better, obviously, But the second one wasn't
bad at all. It really wasn't. I enjoyed both of them.
We're trying to watch like older, like get older films
(44:00):
that I haven't seen out of the way, and there's
believe me, there's a million of them.
Speaker 4 (44:04):
You got to waiting for you.
Speaker 2 (44:06):
Yeah, I'm so bad, but uh, I just like the
part where the cow flies by and then it flies
by again and they're like the same col It's like, wow,
this is crazy, you know. And my husband used to
work at a movie theater and he's like, oh my god,
this was crazy, like the theater like with the wrap
around and stuff, and you know when he was I
(44:27):
don't know, in high school or college or whatever, and
he was like, this movie was incredible, Like I wish
you could have slid in like the bigger theater because
they He took my son to see the new one,
Twisters right in the I don't know if it's like Imax,
like the one that's all the way around and it
(44:48):
just makes you feel like you're there.
Speaker 4 (44:50):
Was it the one with the shaking seats and everything.
Speaker 2 (44:53):
No, so just look that up because there's something coming
up that he wanted to take him to, right, And
we looked that up because it's relatively a new thing,
at least around here. It is. They showed a video
it's like you're in a freaking earthquake. Bad like he said,
he says, I'm not doing this the whole chair was gone.
(45:16):
The woman's like they were dropping their popcorns, their drinks.
I don't want that. I woult to relax. I don't
want that experience.
Speaker 4 (45:25):
That's how I saw Inside Out Too.
Speaker 2 (45:27):
They wet you, like in the scenes with the water
they were getting like way and the wind and h h.
Speaker 3 (45:35):
No.
Speaker 4 (45:35):
Inside Out Too was annoying. It was just annoying because
it's like you didn't need it a lot, but they
gave it to you. The no, they also gave it
to you in the previews, so there was a they
just were like, oh, here you go in the midst
of your previews of movies. Let's just throw a car
commercial at you where you gotta hear it feel here
and you're like, oh my god, okay, but twisters, I
(45:58):
can't that. That was probably spin it by the end
of it.
Speaker 2 (46:02):
Yeah, the one the girl she was, I mean, her
popcorn was flying all over the place, and I was
just like, how the hell do you enjoy I know
it's something new and different, but how the hell do
you enjoy a movie? So we decided not to uh
not to take my son there. But it was just
like the wrap around, which he thought was the coolest thing,
(46:24):
you know. And I enjoyed it because we had the
surround sound home theater speaker system in the basement where
we have one of the hookups, you know, with the
big screen TV and our little chairs, and I thought
it was great. So I enjoyed it.
Speaker 4 (46:41):
It was fun nice. Yeah, you got a lot to
catch up on. You've been watching some You've been hitting
us with some good like oh, I just saw Blah
Blah Blah for the first time, and everybody's like, Wow,
what a great It's my favorite movie, and you're doing
it a lot lately.
Speaker 2 (46:57):
I watched on the plane, I watched Oh God, what
was it?
Speaker 4 (47:02):
Is it?
Speaker 2 (47:03):
Swingers?
Speaker 4 (47:04):
Yeah?
Speaker 2 (47:05):
Is that what your money? Baby? You're so money you
don't even know it? Swingers? Right? Yeah, I watched that
on the plane. Now, I did see that once before,
but I wanted to watch it again because I saw
Vince Vaughn do hot Ones? Do you watch hot Ones?
We love hot Ones? So he was great, and I'm
a I really really like Vince Vaughan, and I was like,
(47:28):
you know what, I'm gonna go back and I want
to watch that movie on the plane. And I did
and it was good and I enjoyed it. So I'm
just picking up the older films for nostalgia purposes. But
there's so many that I have not seen. And guess what,
I'm not booked until November first, so I have plenty
of time to watch movies now, and plenty of time
(47:52):
to work on our YouTube channel. Yes, if I may
be so blunt for a moment, may I be.
Speaker 4 (48:01):
Blunt, be blunts as blunt as you want.
Speaker 2 (48:04):
I feel, I honestly feel like we're being suppressed by
you two. I have to say it.
Speaker 4 (48:10):
I agree.
Speaker 2 (48:11):
How do we have close to twelve thousand subscribers and
the views are not there? How is this happening? And
we're setting now We started sending our stuff out to
the sheets who have been picking up some of the stuff, which,
if you have, thank you so much because we appreciate
you more than you know. The numbers are supposed to
(48:33):
like go up when we do that. Correct. Where are
all these people? Where are all my people? Can you
get somebody?
Speaker 4 (48:44):
Answer me?
Speaker 2 (48:44):
Do you understand this?
Speaker 4 (48:46):
Well? I trust me. I've been looking it up. I've
been researching shadows. Yeah.
Speaker 2 (48:54):
Are we being punished for something that we did in
another life? Because I don't understand our numbers were starting
to rise. I mean, the nickname video was close to
seventy thousand views, and now I don't know what's happening.
So if you are subscribed to my YouTube channel, start
(49:16):
watching it. That's all I can say. Like the video
and leave a comment and help the algorithm. So I
don't know what else to I don't know what else
to do. I mean, if this keeps up, I'm gonna
have to stop doing it. And I really don't want
to do that because so many of you compliment it
all the time, and I answer all of the comments myself.
(49:40):
It's not somebody doing it, it's me. So I just
I can't wrap my head around it. I started diving
deep into like why are my views being suppressed? Why
is my channel suppressed? What am I doing wrong? Blah
blah blah. I can't figure it out. And it just
took a news dive out of the.
Speaker 4 (49:59):
Blue, out of the blue, no warning, nope, no life jacket, nothing, zilch.
Speaker 2 (50:09):
And neither of us can figure out why.
Speaker 4 (50:11):
We need to put a subscriber.
Speaker 2 (50:13):
Push Yeah, how do you get one? What do you do?
Speaker 4 (50:18):
We need to go and be like, hey, we need
everybody to go subscribe.
Speaker 2 (50:21):
Can you all subscribe?
Speaker 4 (50:23):
Do it?
Speaker 2 (50:24):
Can everybody subscribe? It doesn't cost a dime. It is
free unless you want to be a channel member for
five ninety nine.
Speaker 4 (50:31):
Which would be great, you know, that would be excellent.
Speaker 2 (50:34):
That would be great because you get to you get
to watch this in its entirety and not just listen
to it on the podcast, which I really hope you
do that as well. But you know, I just man,
creators work really hard to put out content, and it
takes up a lot of time, you know. And I
(50:56):
know it's not digging ditches. I you know, I get it.
It's not manual labor, you know. But we do take
a lot of time out of our schedules to record.
And I have pride in what I develop and present
to you guys, and I just wish it would go
to a larger audience. This weekend, so many people were
(51:18):
telling me, oh, your podcast is so great. I love
your YouTube channel. Thanks man. I appreciate that, But where
are the views? I don't get it. I wish I
knew somebody who can help me, you know what I mean,
Like I wish I had some insider information on just
(51:38):
if I'm doing something wrong if we're if we cross
the line somewhere and now we're being suppressed for it.
Because man, we try not to even say the F word.
Speaker 4 (51:49):
You know, we walk a fine line, we really do.
Speaker 2 (51:53):
And I try not to get demonetized. I follow the guidelines,
you know. I If there's certain words I know you
can't use, I dance around them and I use other words.
I mean, I don't what else am I supposed to do.
I don't understand it. So help a sister out. Go
to ECWDVA Francine on YouTube and subscribe and watch those
(52:16):
videos and click on them and leave comments and let
us know what you want to see and think outside
the box. We'll do it all. We'll do whatever.
Speaker 4 (52:24):
Absolutely.
Speaker 2 (52:24):
Let us know. I'm down for anything. I'm going to
be home. What is this August twenty first, h H
September and October. I'm home for two months. Can't say
the same for the Chadster.
Speaker 4 (52:37):
But I'm here be around here, there, here, and there
there and everywhere. Not when I need your brother, I'm
there when you need me.
Speaker 2 (52:46):
We'll do it all.
Speaker 4 (52:47):
Just how about how about this? How about from thinking
outside the box to going inside the box in here?
Speaker 2 (52:55):
Oh, I forgot all about her.
Speaker 4 (52:58):
Wait, wait, now I can't. Oh my god, here green screen.
There it is thinking inside the box.
Speaker 2 (53:05):
Oh, I forgot we were doing. Okay, So before we
leave for the day, my Major Bendy came in. Yes,
and it was in two variants, bloody and non bloody.
And the Chadster bought her. He bought non bloody.
Speaker 4 (53:21):
Correct, no spoilers.
Speaker 2 (53:23):
Oh, okay, I have yet to get mine. As much
as I love Brian and that I didn't get mine yet,
but I'm sure she's on her way.
Speaker 4 (53:34):
I am using the first ever box cutter that I
got in my first ever job, nice in nineteen ninety seven.
Wonderful working at Steinback's department store.
Speaker 2 (53:49):
And why did you need a box cutter? Were you
doing inventory?
Speaker 4 (53:51):
I was in the receiving department.
Speaker 2 (53:55):
No shame in that.
Speaker 4 (53:56):
All right, here we go some bubble app.
Speaker 2 (54:00):
Drum roll please, the first ever queen of extreme free scene,
Major Bendy.
Speaker 4 (54:07):
I got a it is hell, I got a card here.
Speaker 2 (54:11):
Oh look at that there. I am a.
Speaker 4 (54:13):
Little cartoon card, a little a little facsimile's signature. Here
we like it, okay, And taking out of the bubble wrap,
put his box there boom, Wait it's here, hold on,
hold on, wait, she is kind of there, stupid green screen.
Speaker 2 (54:37):
Yeah, there we go. Well that's okay.
Speaker 4 (54:39):
Wait I'm getting it. Come on, God, this stupid thing.
I hate it. Hey, why did this? Why did the
card come through? Just clean? The stupid thing comes in
because of the Oh oh yeah, all right, there's the back.
Yeah you can't see that either, damn it.
Speaker 2 (54:58):
That's all right, don't curse. Yeah, there she is.
Speaker 4 (55:02):
There she is.
Speaker 2 (55:04):
She's cute. Right, no blood, no blood, non bloody variant.
Speaker 4 (55:09):
Non blood. Oh, I'm turning hanging, I'm turning off my background.
This is ridiculous. I'm not you gotta see this thing.
I'm blurring. There you up now she's blurren.
Speaker 2 (55:20):
Yeah, what the hell? There?
Speaker 4 (55:22):
There she is? There she is about that?
Speaker 2 (55:25):
You think she's cute.
Speaker 4 (55:27):
I think it's perfect.
Speaker 2 (55:28):
She's cute. Yeah. I'm excited to get them. I can't
wait till they come. Yeah, she's cute, look at her. Hi,
that's me, but that I love it. Fifty two coming
out with all these action figures and rap songs.
Speaker 4 (55:47):
And all that. Yeah, yeah, you got a rap song
and an action figure, all of them show.
Speaker 2 (55:51):
I'm so over in the Europe. I love it. That's great. Well,
thank you for picking her up.
Speaker 4 (55:58):
Absolutely. I couldn't get to get the bloody one. That
was a little weird.
Speaker 2 (56:02):
Well, I mean some people did get it because they liked.
Speaker 4 (56:05):
That quick question though. I was asked, oh by Mike Durban,
who is a huge, major bendy completist, has almost all
of them, probably all of them, what event was the
bloody figure? Based off of.
Speaker 2 (56:26):
So I believe I sent him they. Brian had called
me and said did you ever bleed? And I was like, yeah,
hard way a bunch of times. And I was telling
them like when I broke my nose in Virginia, when
I did the Kuchi konrana onto Steve Corino and I
(56:47):
smacked into the post, my head busted open. There was
blood also at the Elks Lodge when PJ caned me
in the face and then I had the blood me
out of my mouth from the cane and so uh.
He said, well, do you have video of any of this?
And I said, the one with the cane is on
(57:08):
YouTube and that's what I sent him to show him.
Speaker 4 (57:12):
Okay, oh.
Speaker 2 (57:15):
And he said, oh, you were wearing like a gold
goldish dress I said, yeah, so that's that's why the
the other one has a gold dress on.
Speaker 4 (57:24):
Okay, there you go. Yeah.
Speaker 2 (57:26):
And then Lou di'angela, you never gigged, you never bled.
I was like, brother, I did. And then I was
telling them, he goes, I don't remember that one.
Speaker 4 (57:35):
I don't remember.
Speaker 2 (57:36):
I was like, dude, I remember because it happened to me, Like,
you don't have to remember I do. They've stuck tampons
up my nose because both my nostrils were gush and
blood because my bridge of my nose was broken. How
do you not remember.
Speaker 4 (57:53):
That once the tampon goes up the nose, you'll never
forget it.
Speaker 2 (57:57):
I never forgot it, but anyway, I love her so again.
Thank you to h Brian and bry Myers, Macardona, Mike Kinnick,
Major Bendy and now people are saying, oh, how do
I get one? I'm like, I only had the pre
order up for like a month.
Speaker 4 (58:20):
You snooze, you lose kids, you lose.
Speaker 2 (58:23):
Yeah, you can't because once they're done, they're done. Yep,
you can't order it anymore.
Speaker 4 (58:29):
I ordered mine on like a weekday at like eleven
o'clock in the morning. Just to make sure I got
it in the window.
Speaker 2 (58:35):
There you go, which I appreciate very much.
Speaker 4 (58:38):
I got you. Next time I see you, you'll get
it and then it'll be on eBay and then it's
a gunner.
Speaker 2 (58:48):
I thought you were going to keep her forever.
Speaker 4 (58:50):
It's gonna go right in the chats. There's a back closet.
Speaker 2 (58:54):
Awesome. Well she has a good home.
Speaker 4 (58:58):
Absolutely, thank you for that.
Speaker 2 (59:00):
Do you have anything to plug?
Speaker 4 (59:03):
Find me on X at Chatty and b find me
on Instagram at ib Exclusives. Ramping up on the road
to wrestle Kid. That'll be the next thing I got
to plug, so we'll get there when we get there. Yeah,
that's it for me.
Speaker 2 (59:20):
I'll see it as well. I'm not gonna plug anything
but YouTube and this podcast right now. If you're not
following me on iHeart, please do so. And if you're
listening on Spotify or Apple or wherever you get your podcasts,
look up eyes up here with Francceine and hit that
subscribe button again. It's free. All these things are free,
(59:44):
not asking you to pay dime to follow, subscribe and
spread the word. And you can follow me on socials
at ECWDVA Franccene. I hope you were staying safe. I
hope you were staying healthy and most of all, I
hope you are staying extreme.
Speaker 5 (01:00:03):
Yeah, h fran Scene France Scene. Queen Extreme Extreme Odds
up here, head hand, The Queen Extreme Podcast. Odds up here,
head head, It's the Queen Extreme Podcast. It's the Queen
(01:00:24):
of Extreme Bruin and the legend.
Speaker 2 (01:00:26):
She is the woman nifty dreams.
Speaker 5 (01:00:27):
Legend on the scene franc Scene podcast.
Speaker 2 (01:00:30):
What you mean?
Speaker 5 (01:00:31):
What your tramplads to show you what your needs? You
find the stand the Queens from the beginning of time.
Odds here, our heart Radio, shine only a head and
tell your story from the where the Legend odds up here,
The Queen Nobody's like frand Scene eies up here here here,
The Queen Extreme Podcast odds up here, hen pad, The
(01:00:53):
Queen Extreme Podcast. Odds up here, hen hand, The Queen
Extreme Podcasts pies up head here The Queen Extreme Podcasts
podcast
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