December 26, 2023 • 85 mins
LOOK OUT! It’s only Films To Be Buried With!
Join your host Brett Goldstein as he relinquishes the controls this week to show producer BUDDY PEACE for a heavy Xmas mix session!
We have a little seasonal tradition over here at the Films To Be Buried With labs, where Brett kindly offers the floor to me to present a mix for you all... I'm a DJ and producer of music as well as podcasts, and it's a chance to select a bunch of bits and pieces I've made over the past as a little diversion to the usual format. Some of these are unreleased and never heard before, one or two are where I added scratches, but mostly it's all tracks or sections of mixtapes I've made. I really hope you enjoy! I'll get a tracklist of sorts up in one way or another, but links below will take you towards the best places to locate what I make. Thank you so much, huge love and my immense gratitude to Brett, and you all listening. It means a lot.
BP BANDCAMP (many free bits here too)
METERMAIDS • A Line In The Sky
SUPERBOB (Brett's 2015 feature film)
CORNERBOYS with BRETT & SCROOBIUS PIP
DISTRACTION PIECES NETWORK • FACEBOOK / INSTAGRAM
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Look out.
Speaker 2 (00:01):
It shall should be very good beat straceless slit say
two tho twenty three.
Speaker 3 (00:56):
Okay the followers a reference.
Speaker 4 (00:58):
Oh yea man, but this.
Speaker 5 (01:01):
One more itement in my mind.
Speaker 6 (01:02):
That was sola whtroler nothing for your pleasure or your entertainment.
Speaker 5 (01:06):
I came with a crew.
Speaker 7 (01:08):
Called sale crew cast Sale, true cast, Sale, true call.
Speaker 3 (01:15):
Yeah, what's up?
Speaker 8 (01:16):
What's up?
Speaker 9 (01:19):
Yeah?
Speaker 10 (01:19):
I ain't really got too much the same urban, but
you know, I can speak a lot of ship on
the twelve.
Speaker 11 (01:24):
You know what I'm saying.
Speaker 3 (01:32):
It's on that note.
Speaker 8 (01:36):
I don't have to tell y'all like this.
Speaker 12 (01:40):
The other part of the process of getting the drums
together is, uh, the drum editing.
Speaker 5 (01:45):
Part of it.
Speaker 10 (01:47):
You sit down and got you know, twenty thirty takes
a song.
Speaker 11 (01:51):
Song, So on, buddy, peace.
Speaker 9 (01:52):
Know, I mean.
Speaker 13 (01:56):
The consolation deverything, you know, the whole dishes, the complication
of all.
Speaker 14 (02:00):
I mean, the gods agree they could talk on the
galla until the thall. We gotta get right height before
y'all fall because lation, degradation of the whole nation, the
complication of thought. I mean, the gods agree they could
talk on.
Speaker 15 (02:11):
The gallapy until it's all We gotta get right ef
you'll fall.
Speaker 16 (02:16):
There's a gun against the wall on the coffy read
there's two sides of the story now here.
Speaker 17 (02:20):
The other one because because because the best best, because
because because the best.
Speaker 18 (02:26):
Ain't put ing up, put en up.
Speaker 17 (02:28):
It's the best, the best at because the best ain't.
Speaker 10 (02:31):
Put not put enough.
Speaker 19 (02:37):
Around you, you know.
Speaker 5 (02:39):
Using your peace.
Speaker 14 (02:41):
You know what I'm saying. Fucking shut your face.
Speaker 5 (02:49):
This is what I do.
Speaker 6 (02:50):
Put it up.
Speaker 3 (02:50):
So it all comes down to.
Speaker 20 (02:52):
The money, deep game when in your face, trying to
be the man right and once.
Speaker 14 (02:57):
Again the man's back when it mixed.
Speaker 6 (02:59):
Take this, this is a mess. It turned it up,
so it bump.
Speaker 14 (03:02):
Get me pass that point.
Speaker 21 (03:04):
You know how to fuck you out to smotherfucker.
Speaker 6 (03:06):
Turn it up so it bump bump.
Speaker 3 (03:12):
By.
Speaker 22 (03:22):
Radio work can be just as dirty and exciting as
hunting down in public Enemy number one.
Speaker 8 (03:27):
Yo, this is for your mixtape, buddy.
Speaker 23 (03:28):
Yeah, yeah, lot of things, don't you.
Speaker 11 (03:39):
You know what I mean. Let's not do this all right?
Speaker 4 (03:43):
Yeah?
Speaker 5 (03:44):
I like that.
Speaker 19 (03:44):
Fuck I'm fast in your seatbelts please.
Speaker 24 (03:50):
Turns talk.
Speaker 25 (03:52):
Turn turn turn.
Speaker 14 (04:00):
Back on the scene nine trips the Slipper, I got
it putting all.
Speaker 19 (04:03):
These ladies wanna.
Speaker 9 (04:04):
Find my chaste.
Speaker 6 (04:05):
I'm going out like that.
Speaker 21 (04:07):
Y'all ready to play you, then you play me.
Speaker 5 (04:11):
Take a sound man with Bobile. You know he reready
talks about.
Speaker 26 (04:19):
Selling out, thinking that uh, thinking that we've we're done
in and we can't write music anymore.
Speaker 20 (04:28):
In that.
Speaker 5 (04:30):
They're gonna find out they can't predict what we do.
Speaker 27 (04:36):
Here's Rick James, bitch, I know you wanted to end up,
but wait, now let's go up them.
Speaker 6 (04:49):
Don't go get Scarce, be prepared for the worst on
anything to written her.
Speaker 13 (04:53):
Damn fucking nonymous John though stupid fuck nobody knows.
Speaker 3 (04:56):
Me, don't walk.
Speaker 28 (04:58):
Of course we had the link first win with with
the stuff, the little bad every pick everybody rocking John d.
Speaker 29 (05:07):
He will still be.
Speaker 6 (05:09):
Joey beats cho Cho Cho Cho cho Cho choke.
Speaker 30 (05:12):
Joey beats in my eye.
Speaker 3 (05:13):
Yeah, fuck up the party before I didn't stalk bottle.
Speaker 31 (05:18):
Now comb around the proof when the more, because Joe,
you want.
Speaker 9 (05:23):
To battle touch the mike?
Speaker 6 (05:24):
Fuck being for life?
Speaker 9 (05:25):
What what some more?
Speaker 6 (05:28):
Your father turned that stud some more? Turn to ask
me what I'm in.
Speaker 5 (05:31):
I'm gonna say murder.
Speaker 32 (05:34):
Bird the bird breast play what for me.
Speaker 9 (05:51):
Like this, you can drop me and my dag.
Speaker 21 (05:53):
My dag's gonna swom.
Speaker 16 (05:59):
Like this, what night saying when I'm all.
Speaker 22 (06:01):
Jo see you jump up, Christ you get your highest
you see he's look in the mirror and see that
black man, black man that I don't care about.
Speaker 13 (06:10):
Hold free now, honey, you're mad lamous for being a
no honey. You're mad famous for being a no honey.
You're mad famous for being or no honey. You're mad
famous for being or no honey. You're mad, famous for
being on no money. You're mad famous for being or
no honey. You're mad famous for being on nose honey,
You're mad famous for.
Speaker 5 (06:44):
I'm brother.
Speaker 30 (06:49):
Okaya.
Speaker 6 (06:54):
He's from London. He's incredible. His name is Buddy Peace.
Speaker 24 (07:04):
Oh please, oh my mother, Crisma up, move.
Speaker 8 (07:53):
By fly by by Bly. I need to have a
(08:52):
few techniques, a few skills.
Speaker 5 (08:54):
You items do work well.
Speaker 12 (09:03):
When you walk out there into that system, you're going
to be standing there facing these people once again.
Speaker 6 (10:46):
Spot is incredible. His name is Buddy Peese.
Speaker 7 (11:34):
You have to have a weapon.
Speaker 5 (11:35):
We use that ras like lla that all the questions.
Speaker 11 (12:43):
M SIS episode.
Speaker 10 (12:47):
Side Sto.
Speaker 8 (15:30):
Boom and all the stuff. Like that.
Speaker 5 (17:14):
I just got a brom I deal with it. This
isn't breaks life.
Speaker 33 (17:18):
Oh.
Speaker 9 (17:25):
Happening.
Speaker 5 (17:25):
This is within the shipping.
Speaker 34 (17:26):
Your pon you prapping happens just within the shipping. You
p on your pappopin happens just within the ship. And
get on your pappapin happens.
Speaker 5 (17:31):
This is within the ship.
Speaker 34 (17:32):
And nip on your pappason happens just within the shipping.
You're p on you prappaton happen just with in the
swippingpoon you pappas and happening.
Speaker 5 (17:37):
This is wiping the shipping nic.
Speaker 30 (17:38):
Only papa and happening.
Speaker 5 (17:39):
Just whipping the sipping.
Speaker 34 (17:40):
Coony taps and happen. This is slipping the shipping you're
pony props and happening. In the sipping l papising happening.
This we in the sipping pap happening.
Speaker 8 (17:48):
This.
Speaker 12 (18:11):
I asked if he had when the old electronics left,
maybe that he'd want to trade or so. He said
he didn't have much, maybe a few pieces, let.
Speaker 3 (18:55):
Me atonic.
Speaker 12 (19:26):
Bits and pieces, layers and layers, objects, all of the
emments of things. Most people spend most of their lives
spending a living one man or woman's losses another one's gain.
Time is money a lit.
Speaker 9 (20:44):
Look look.
Speaker 8 (21:01):
Mm hmmm.
Speaker 9 (21:11):
S by.
Speaker 35 (21:18):
Yo oh your way.
Speaker 36 (21:25):
Oh always clear clear m let's RISI.
Speaker 1 (21:42):
Say why.
Speaker 37 (21:49):
So stay the day?
Speaker 30 (21:54):
And man man is the same.
Speaker 11 (22:07):
Word for.
Speaker 35 (22:11):
When you said.
Speaker 24 (22:16):
Yoing me.
Speaker 16 (22:23):
No, S.
Speaker 37 (22:57):
S said, say said.
Speaker 24 (23:21):
Hey s.
Speaker 8 (23:24):
S S.
Speaker 11 (23:28):
S say side.
Speaker 3 (23:53):
We can cut the tapes.
Speaker 7 (23:55):
Head two zero point five million years ago a friend
(24:18):
of mine made a fool from the stone and defended
the stripes.
Speaker 5 (24:22):
Sorry for the technical surf.
Speaker 7 (24:24):
It's a wheels and a fire and the rest is
a blur brow with the rise plot in the pocket,
with applying science, let it sit. I bet it streamlines
your environment. What's a resource local? Till that grono that
bet there is a freaking till I'm being this. I
followed that you cannovate a different feet of engineering a
system made officient. There is in a conditioning complication a
(24:45):
repetition where the it's a reach of building sophisticated wid
it just tired the games, Bronze Age, Giant age weaponry,
instellar form, shelter runner by the day, Livestock and vegetables
that rose behind the high away mess up taming and
half the motherfucking lion cage.
Speaker 21 (25:00):
Alabast Dennis out.
Speaker 38 (25:02):
Of bast Dennis, out.
Speaker 21 (25:05):
Of the bast Dennis, out of bad.
Speaker 3 (25:08):
Now that it's a powerful cat. Now that it's a
powerful cat.
Speaker 7 (25:18):
Now that is a powerful You take a lever rent
a pulley in the winch and a wet saget a
la rent the aqueduct of givernment steps before the Jesus
Archimedes on that mivercle text here Cerah, you can build
a field, your rebind its head, put a shoe on
a horse and shoot a man with a gun. Steam power,
big vocals and mechanical bongmen the be a light electure
said they never cannot be done.
Speaker 5 (25:38):
This again, ain't a thing that could cancel.
Speaker 7 (25:40):
The flood through the human curiosity after three knowledge pulling
genies at a bob, stealing from leionnardos, plane train order,
hauling space h cargo, but sorrow technology every day is
tomorrow to like grab telephone. You can put a door
simpip pipsie from a cousy b It does a gum
and sidney. You could write a letter with no paper.
You fix anything with a laser.
Speaker 38 (26:03):
Out of the tennis, out of the bad, Tis.
Speaker 5 (26:08):
Out of the badish.
Speaker 3 (26:11):
That is a powerful cat. Now that is a powerful cat.
Now that is a powerful cat.
Speaker 7 (26:24):
You could get a roll by limb, but you're blown
off limb later on, the same technology can automate your
gig as awesome.
Speaker 5 (26:32):
As it is.
Speaker 7 (26:33):
Wait it, kid, it's awful. You can stead out of
Willy Nilli. If it's energy that come bys for killing,
then it will be.
Speaker 5 (26:39):
It's not about a better knight.
Speaker 7 (26:40):
Fixed chemistry and genocide medicine for temper. Bring the heck
in a projector light laying mind's aging, orange, letting gas, cigarettes,
cameras in your favorite corners, plastic in the wilderness.
Speaker 5 (26:50):
We cannot be trusted with the stuff that we come
up with them. A pheno rey could eat us.
Speaker 7 (26:53):
We just really love our body and some technology focused
on the other ship three D printed body parts hydrated
and you.
Speaker 5 (27:00):
Can buy it.
Speaker 7 (27:01):
Just keeping myself on jumble jet. An't no what lo
does you want to get to the bootsom.
Speaker 38 (27:16):
This out of plu back Channish, put back, if this
out of the back, Spanish out up, clap back, if
this out of clup back Spanish cup back.
Speaker 3 (27:25):
Now that is a powerful cat. Now that is a
powerful cat.
Speaker 9 (27:43):
Take a logy.
Speaker 11 (28:09):
H m hm.
Speaker 16 (28:24):
H m.
Speaker 5 (28:33):
H rip aside, what the fuck up? I like rippers.
Speaker 7 (28:47):
I like rippers, sell boats, fisherman's skinny dipping swimmers, kids,
turn the rock, silver, catch and love credits, Gland, the
pine Tree, eye Bowl and Jenner. My uncle used to
cut school to get your sush Mahanna. You cut yourself
a bottle really here of being a bramble spool took
a tenants.
Speaker 5 (29:02):
It was quiet as the mouse.
Speaker 7 (29:03):
She was at the rever pulling adverta and by its
mouth A riverend the day lighters, energy and life. A beverend.
The dark can be a genuine surprise. You might find
some lovers getting cozy on a shore rover cold blood
and psychopathic spokes on other courts, sitting by the hugs
and rember talking to a ghost stoke. Well but still
we could rock a beating smoking other tones. I'm miner
(29:23):
STI way you rommy, how you never had a clone?
Ain't a motherfucker lip? And that could ever crack the cold.
Speaker 5 (29:28):
I like rivers. I like rivers freight ships passing through
old jaw bredges.
Speaker 7 (29:33):
It looks so cool when you catch from a distance,
A little less cool when you're stuck inside your civic
I wonder what could possibly be lurking on the bottom.
I look into the water ran imagine all the options
officials we never knew about some Russell Hill JALOPI the murder,
the weapon used to catch the ahmentioned body. I sitting
(29:53):
the beaver chilling bottom bank of o a Lamit. We
gazed the point each other, rondniya bly and chinning away,
but tailor pathic information and through the filtermitsid. When I
go to heaven, I want you to have the river.
The other side agreed that I was chosen. Just don't
mention it in front of them.
Speaker 5 (30:07):
Is floating. It's vanilla.
Speaker 7 (30:08):
I'm pretty sure you've done of the authority to say this,
But thank you all except.
Speaker 5 (30:11):
I'll have my lawyer draft of papers. I like rivers.
Speaker 7 (30:15):
I like rivers hard to put a price so on
water for the village. I jumped into the Amazon to
lunder roll my Adams the child. Probably I have the
spilling corporie on the Captain. My heart is in the
East River, floating on a frisbee that came in from
the Long Island Sound. A sojourn in a city. It's
not the kind of water where you throw a triple Lindy.
If you get someone in your skin, they probably know
the fighter siblings. I picture of a son every year
where someone's helping captive and escape with me to build
(30:36):
a raft and never get some rapids.
Speaker 5 (30:38):
I wonder if my training from the School of TV.
Speaker 7 (30:40):
Managions would be get some makeshift water craft that may
go up for Damascus and practice.
Speaker 5 (30:44):
I have no desire to get into the water.
Speaker 7 (30:45):
I like to know it's there in the event I
ever want to water falls tribute Terry Sticktenberg's figures.
Speaker 39 (30:51):
So I like fireflies. I like rivers. Rivers like members
rip but fucker members.
Speaker 5 (31:12):
Like members.
Speaker 9 (31:21):
Look a.
Speaker 40 (31:24):
Look at these talks. Some sat.
Speaker 9 (32:04):
Check it out.
Speaker 16 (32:05):
Stop ties b the paw check it out.
Speaker 19 (32:09):
Doop stop ties by.
Speaker 9 (32:13):
Check it out?
Speaker 24 (32:14):
Do stop tag bies boy paw check it out.
Speaker 16 (32:19):
Doop stop stop stop fig it out it out.
Speaker 26 (32:57):
Top up dot dot dot dot do.
Speaker 30 (33:05):
Tell you tut.
Speaker 35 (33:10):
T t t t ttttt.
Speaker 26 (33:23):
You don't go out, you don't tell you don't tell
you tom, you don't don't.
Speaker 9 (33:38):
Then you don't let it out.
Speaker 16 (33:40):
Then it out, pegging out, pegging out, pegged it out,
pegged it out, seged.
Speaker 21 (33:46):
It out jo.
Speaker 8 (33:49):
Out goes now.
Speaker 31 (33:57):
Can't wait for my hands make as much noise as
a camping and I'm saying, used to play in the band.
Speaker 6 (34:04):
But those people look gone now the turntable.
Speaker 19 (34:07):
I didn't need a linus R.
Speaker 6 (34:08):
I'm in a van flying without parachutes. White if you
didn't plan and have marriage disputes.
Speaker 41 (34:13):
Every time I was handing at the door to say goodbye,
like she's watching a man go to die.
Speaker 31 (34:18):
I packed in the bus. She was too fast for
us handing me. You know, the made of master grabs
on my stuff. Put the pillar women briefcakes to come
with no rebase. I guarantee of a turn.
Speaker 5 (34:26):
When I leave state.
Speaker 6 (34:27):
I make mixtape, but the cd R in crazy.
Speaker 9 (34:31):
You see these.
Speaker 6 (34:32):
Scars break straight from a song. Now, the turntable, I.
Speaker 19 (34:36):
Didn't need a linus on.
Speaker 6 (34:38):
Like burning, I'm hurting it, I'm burning, I'm burning.
Speaker 11 (34:40):
I'm hurting.
Speaker 9 (34:40):
I'm hurting.
Speaker 42 (34:41):
Wait, I fill up the milk crates to collect the
LB's every bee laughing that you should check out my abilody.
DJ Pollo to a pawn terminator excellent an Oscar farm
jam as the chat is gone. Even that's a shame,
they say, it's betted up, burnout crack hey.
Speaker 6 (34:57):
I tore the States with a guy named c R.
He had nothing, put a tub of toothpaste and kee tar.
Speaker 31 (35:02):
He with a soul brother, a baby mama back at home,
brother a good reminded what it is a fucking gold
brother mashed potatoes every.
Speaker 6 (35:08):
Meal and if it ain't served at a greasy spoon,
no deal.
Speaker 31 (35:12):
Real, that's againstwit up off that don't quit good a
matter piano. When then he slopes it because he's a
blues man, which wold to go back to school.
Speaker 6 (35:19):
Man still running it out, but he already paid his duels.
Speaker 33 (35:21):
Man.
Speaker 6 (35:22):
I can see it in his face when he said,
sage brother, I gotta get out of this place and
embarrassed the knocked me off the palace. Two up the
matter his care off my talents.
Speaker 31 (35:31):
Perhaps you could at one point, with the day seemed
gone out a turntable, throw away my tools, scrape with
my hands, make as much noise as a campaig and
a sand I used to play in the band.
Speaker 6 (35:42):
Those people are gone now, the turntable out of heel,
and it's all flame on.
Speaker 24 (35:46):
Keep burning.
Speaker 6 (35:47):
I'm burning, I'm burning, I'm burning, I'm burning.
Speaker 9 (35:49):
I'm burning up.
Speaker 41 (35:49):
But wait, when you brun out of matches hard, when
you burn out of passion, what you got when they
all stopped laughing, when the DJ he saw stop scratching.
Speaker 9 (36:12):
Money.
Speaker 19 (36:14):
It's the it's the hell they can't breeze.
Speaker 3 (36:20):
It's the d J.
Speaker 42 (36:21):
They can't free Phoebe on.
Speaker 6 (36:23):
The wall, and that's the shame. They say. It's better
to burn out quick thing made.
Speaker 31 (36:28):
Let me take you back to the coast there with
the mixer and the timetable.
Speaker 5 (36:33):
Came along way from getting the.
Speaker 6 (36:36):
In whees the stead. Nowadays you see os.
Speaker 5 (36:39):
Ca and then the long white. They're getting milk pop.
Speaker 31 (36:44):
That's when I'm smashing you because it's easy Coder, I'm
making pop fancay.
Speaker 6 (36:49):
Yeah, I'm tripping.
Speaker 5 (36:50):
You might think when when it's the hills, gills that
wise up open their hos.
Speaker 17 (36:57):
Up, may make bake a clap, may may make make
a clap baby at the top of.
Speaker 28 (37:01):
This continue group think the time I'm beginning again this
battle below.
Speaker 6 (37:05):
But the boar real wind.
Speaker 21 (37:07):
When you play against me, you know you're going to
get third and I'm not defeated.
Speaker 5 (37:14):
Why did you start sticking.
Speaker 6 (37:17):
Back in the day. We must do win it for
the Love and break Beat Secret.
Speaker 9 (37:22):
Put you out of Sight now.
Speaker 43 (37:31):
Our false her Caddy, our false spy.
Speaker 5 (37:50):
Flames oblasion. I saw the devil with his grin.
Speaker 9 (38:15):
Yeah.
Speaker 44 (38:15):
Cat cat.
Speaker 9 (38:25):
Yeah, cat cat.
Speaker 44 (38:35):
Yeah yeah, cat cat yeah catch.
Speaker 19 (39:34):
MSH English English, Yeah.
Speaker 9 (40:17):
Yeah. Oh.
Speaker 3 (40:57):
It's about a guy that streams things up in his head.
You know, he's just kind of looning.
Speaker 10 (41:04):
You know, you never got to do anything right, so
he has to do everything.
Speaker 11 (41:09):
H you know, he has to dream or anything up
in his head is to really do that.
Speaker 1 (42:32):
K three and three.
Speaker 9 (43:46):
And three and three and.
Speaker 7 (43:52):
Three three three and.
Speaker 11 (43:57):
Three.
Speaker 5 (44:24):
So love leavening, isn't it?
Speaker 45 (44:25):
Yeah?
Speaker 44 (44:27):
It is.
Speaker 5 (44:29):
The moon is beautiful. I like to watch the Reppels,
don't you.
Speaker 8 (44:35):
I don't really think about it too much.
Speaker 46 (44:42):
We talked regularly about how we are kind of an
internet band and internet. We wouldn't exist without the Internet
in the sense that we couldn't have found a lot
of the music that.
Speaker 11 (44:53):
We do listen to without the Internet.
Speaker 46 (44:59):
Because a lot if the music to listen to isn't
available and just said third final, and also because we
lived apart. If it weren't for the Internet, we couldn't
have sent music back and forth between each other to
make music that we do.
Speaker 39 (45:14):
M m.
Speaker 8 (45:41):
M m m m m y the.
Speaker 1 (46:25):
Caddy.
Speaker 9 (47:34):
But I.
Speaker 5 (47:37):
Know I am raised some sing other people.
Speaker 8 (47:42):
Stolen lay songs, flattery, people.
Speaker 5 (47:46):
Scare sources.
Speaker 3 (47:48):
That's to see rasources to others care sources.
Speaker 20 (47:52):
Don't after that, get that little family and after telling
people people with the other.
Speaker 7 (47:58):
People that's touched you cramework where.
Speaker 19 (48:02):
Awareness and opening.
Speaker 30 (48:04):
We're right from.
Speaker 9 (48:10):
The start where in my life.
Speaker 19 (48:18):
I don't know, you know, whatever happens, you know people.
Speaker 9 (48:24):
That anything.
Speaker 19 (48:31):
At you guys gonna remember you cannot do everything.
Speaker 5 (48:39):
Was apportage study.
Speaker 3 (48:41):
And my radio operator has just.
Speaker 5 (48:45):
Received a report.
Speaker 14 (48:46):
From one of our weather planes.
Speaker 19 (48:57):
We don't have time for the meeting.
Speaker 11 (49:01):
Prince tweaked us back, wearing high heels on stage.
Speaker 14 (49:07):
He's just couldn't sleep when the nighttime came.
Speaker 7 (49:13):
Tom Penny cooked this had been still booked fifty dates.
Speaker 14 (49:20):
The guy would rather die than see a disappointed face
lay wasted away from his childhood pain.
Speaker 19 (49:33):
And Kirk couldn't fake it.
Speaker 3 (49:35):
The lies and the fame.
Speaker 28 (49:39):
These great men made mistakes and down before their age,
and they.
Speaker 19 (49:46):
Did it all for us. How can we deny the blame?
Speaker 31 (49:51):
I guess all our friends were just junkies that fried
their brains.
Speaker 19 (49:58):
They run the same trains as they're idels.
Speaker 14 (50:00):
Died in shame.
Speaker 19 (50:02):
Somehow it's not the same.
Speaker 14 (50:05):
Quiet on the set, Quiet on the set, Crying on
the set, We need, Crying on the set.
Speaker 22 (50:30):
Miles, James Brown and John Bennon were abusive. A tempest
in the soul creates the most amazing music. Didn't take
much before Sinatra's Little Fuses blue.
Speaker 9 (50:50):
And he looks for drugs.
Speaker 22 (50:51):
Johnny Pacheck had to shoot it through Marky Mark half
blinded a man for being Asian. You stick to your
own come back then, That's how the streets had raised
to balance, sold the half a key of blow straights
(51:11):
at the FBI, they say, you never.
Speaker 3 (51:16):
Guess his past was checking if you met the guy.
Speaker 22 (51:21):
A couple of cooked steps. But now the works considered
cannon is. My friends would just tweet to pull themselves
a whole life, had them dragged in, never moved past
their transgressions because he putting food on plates, would not
consider them successful.
Speaker 19 (51:42):
They made too many mistakes.
Speaker 5 (51:44):
But isn't that the breaks.
Speaker 14 (51:47):
Crying on the sand, crying on the s rying on
the set, we need, ring on set.
Speaker 6 (52:12):
It was again of function de regulation.
Speaker 3 (52:14):
Then there was a lab leak.
Speaker 47 (52:19):
There were members of a whip market where people got
their backs to each scientists worldwide where then rushed to
find a vaccine.
Speaker 6 (52:32):
The pharmaceutical government contract.
Speaker 5 (52:35):
Was preached.
Speaker 47 (52:38):
Profit store for them as public paranoilia had peaked.
Speaker 6 (52:42):
Check any blackouts, a bunch.
Speaker 47 (52:46):
Of four seats in the trash heap, five g conspiracy.
Speaker 5 (52:52):
The result had reached. Check that's a reach.
Speaker 6 (52:58):
Travel was restricted, so then gas became mad cheap.
Speaker 47 (53:04):
People started plastic grocery bags until them back seat check check.
There was more distance and there was learning homeschooling on
the crack screen. People who were to toilet people like
they couldn't keep the ass clean. Two weeks they told
(53:24):
them that's good. Mass managed fact checks. The fact checkers
let them facts wake.
Speaker 14 (53:30):
Crying on the set. We need crying on the set,
were hying.
Speaker 9 (53:43):
On the set.
Speaker 14 (53:48):
We need crying on the set.
Speaker 9 (54:01):
To name.
Speaker 30 (54:08):
Child or by a paris.
Speaker 35 (54:58):
Quire the artist is going to create a sound for
a concise purpose.
Speaker 14 (55:18):
Story zero.
Speaker 12 (55:24):
But you.
Speaker 4 (55:30):
You're lad, You're lad, You're lad, and it's.
Speaker 24 (55:42):
Story zero.
Speaker 25 (55:48):
But you.
Speaker 9 (55:51):
Yeah s.
Speaker 25 (55:58):
Zero?
Speaker 9 (56:00):
What chi can I.
Speaker 4 (56:06):
H relied? M hm, you lied?
Speaker 24 (56:12):
You lied? And it's.
Speaker 36 (56:19):
Well, well, I, well, I did let know.
Speaker 9 (56:40):
All h.
Speaker 14 (56:56):
Relied?
Speaker 9 (56:58):
M hm, well did.
Speaker 29 (57:01):
Mm hmm you dilied, you lied, you lied, And it's.
Speaker 22 (57:20):
H l.
Speaker 4 (57:47):
H you lied, you lied, m hm you lied, mm
hm relo relo, and it's.
Speaker 14 (58:58):
Oh yeah, justster.
Speaker 9 (59:34):
Mister.
Speaker 48 (59:41):
Hard times hard times.
Speaker 9 (59:58):
That's me.
Speaker 48 (01:01:09):
Ugly hard times. Nothing hard times, that's me, that's me.
Speaker 44 (01:02:54):
Give yourself an evil since you read well, I couldn't
have any.
Speaker 20 (01:03:05):
Don't know, Yeah, yeah, yoh call me your zodiac killer.
Had shot a liquor to a coney yac zip for
rap spit of flow umbera it'll a slash yellow X,
crack dealer coal, i'mb a pull a cap tiller, capricclorn,
just a line to gobrillas get cancer from the smoke
sixty nine out to the It's just a small person,
(01:03:28):
but the po seis bigger. My finger ram triggar my
the han reas in your chair. It's like they're doing
in up a query and the sun says, get your
point across sagittary again, but not just see food pecatary again.
Speaker 5 (01:03:39):
He'll is cut bill up in your cuts. That's a serian.
You can win me on the scale legendary.
Speaker 20 (01:03:44):
You're up every again, tell them leave brough bar Perry,
Oh my bully, you bringing your in a friend of mine?
Speaker 6 (01:03:50):
Then you only shooter that's in the gym.
Speaker 5 (01:03:52):
It's Jim and n.
Speaker 20 (01:03:54):
H yeah, mister meth Sodiac killers and who the hearth
to shoot.
Speaker 6 (01:04:04):
Wu Tan Clan rocks the world?
Speaker 5 (01:04:06):
Baby?
Speaker 8 (01:04:08):
Uh huh?
Speaker 6 (01:04:11):
Now can I get a shoe here?
Speaker 28 (01:04:13):
It is a cool slightly transformed, just a bit of
a break from the norm, just a little something to
break the monotony of all that hardcore dance that it's
gotten to be a little bit out of control. It's
cool to dance, but what about a cool pursuits and moves,
no mass, give me a soft, subtle mix. And if
it ain't both, then don't try to fix it.
Speaker 5 (01:04:34):
And think of the summers of the past.
Speaker 28 (01:04:36):
Adjust the base and let the alpine blast I've in
my c DN.
Speaker 5 (01:04:40):
Let me run a.
Speaker 28 (01:04:41):
Rome and put your car on cruising lay back because
it's summer time and like the black.
Speaker 5 (01:04:45):
The blue, like like that with the nine shot, like.
Speaker 9 (01:04:53):
That for the nine shots, soumer time, like like like
that for the nine shots.
Speaker 5 (01:05:02):
That was the nine shot.
Speaker 9 (01:05:04):
School is out And.
Speaker 5 (01:05:05):
This sort of a buzz. But back then I didn't
really know what it was.
Speaker 9 (01:05:10):
But now I see what happened.
Speaker 5 (01:05:12):
This ain't that respond to summer blackness.
Speaker 28 (01:05:15):
The weather is hiding girls, addressing lesson, checking down the
fellas to tell him who's best riding around and the
g for your venzos or in your knee sign setting
normal red zolts back getting Really, we'd be out in
the park, a place called the Plantau of Us where
everybody go. Guys out punting, and the girl's doing likewise,
punking at the honey in front of you with the
white odds.
Speaker 6 (01:05:36):
She's turned around and see what you leave her at.
Speaker 28 (01:05:38):
It's like the summer's the natural LABORDIZI yeah, well, avented bad,
I can boos this spond to hit you with to
get you quick full.
Speaker 6 (01:05:45):
The summer time, you're all cant ball.
Speaker 16 (01:05:48):
You're all cat.
Speaker 28 (01:05:49):
Ball Slaton today and I ain't been on the course yet.
Hustle took the ball to get me a short set. Yeah,
I got on sneaks, but I need a new fan
because basketball court in the summer got girls, dads, the
temperatures about eighty eight. Hobbing a water plug this old
time sake break to your crib, changing clothes once more,
because you're going find the two will bother you to
start at four, sitting with your friends and y'all brother
(01:06:11):
And this is about the days growing up and the
first person you kiss. And as I think back, makes
me wonder how the smell from a girl can spark
up a stalgia. All the kids playing out front, little
boys passing around, but the girl's playing double Dutch, while
the DJ spending the two now as the old folks
chance at.
Speaker 5 (01:06:28):
Your family reunion. Then six o'clock rolls around.
Speaker 6 (01:06:32):
You're just finish wiping your card down.
Speaker 28 (01:06:35):
It's time to cruise, so you go to the summer
time train out and look, it's like a card show.
Everybody come looking real fine, fresh from the barber shop,
of fly fing the beauty salon every moment fronting and
max and chilling in the cartee. Spent all day waxing,
leaning to the side. But you can't speak through two
miles an hour, so everybody sees you. There's an air
(01:06:55):
of low being, of happiness, and this sits the fresh
Prince's new definition of something.
Speaker 8 (01:07:05):
No no.
Speaker 5 (01:07:14):
No break?
Speaker 13 (01:07:28):
Are you trying of classes to go on and on
in the middle of the day wanting to hundred numbers about.
Speaker 11 (01:07:33):
Getting your career together.
Speaker 23 (01:07:34):
But you try to get your career together and gone
to those classes they have in the work, and you
try again and keep working, trying the same bush, looking
at good gigs and getting fired at the same old
sh no.
Speaker 45 (01:07:43):
Fun with that ship.
Speaker 8 (01:07:44):
You don't even fuck with the TV A day. They
focused doctor ship.
Speaker 11 (01:07:47):
I'll feel exactly what you want to do and make
it happen.
Speaker 8 (01:07:49):
That notca do I look at.
Speaker 19 (01:07:50):
The numbers of the fastest fastest.
Speaker 11 (01:07:52):
Really, I'm glad that it was funny.
Speaker 9 (01:07:57):
We we we.
Speaker 45 (01:08:00):
Reasonable people. We are reasonable email we are we are
we are we are reasonable people. We are reasonable.
Speaker 8 (01:08:16):
Emo yes.
Speaker 18 (01:09:11):
Y standing bloc Danglo standing bloc.
Speaker 49 (01:11:21):
Ro landmarm takes me in the mouth sinnam and tongue
isn't to make flames and then sent the mini but
the but the diny just beat with the conviction that
tis Michael Moore. That's the mon He just starts brow
and starting to now because it's Minuster tried to get
the mother the motor of the rabbit now running test
next the number being hallo n't printed with the brother
(01:11:42):
the trade hop position gets with everything gets off a passion,
that's a purpose.
Speaker 6 (01:11:47):
Shoot, I expect it from you nothing from me.
Speaker 3 (01:11:49):
Nothing and that's the best of the losers.
Speaker 49 (01:11:51):
Perfect from people, window sensers discussion that she wants you
with that move, but give my.
Speaker 6 (01:11:55):
Fuck a mom on the phone mute, screamed Rob Ski.
Speaker 5 (01:11:58):
Ready to buck Rob to them.
Speaker 19 (01:12:00):
They've been the rock box been, the rock Rocks, rocks.
Speaker 49 (01:12:03):
You make it to rock the Brocken Brock Box limit
the rock rock Steam rocks, and we make it to
rock products and the rock rocks, the rock rock rocks.
Speaker 6 (01:12:13):
You make it to rock the brockcts and rocks and
the the rock Rob Ski. All I heard was static,
(01:12:46):
Oh that.
Speaker 8 (01:12:49):
I never knew when you were being watched for years.
Speaker 2 (01:12:52):
I checked and it was always there.
Speaker 50 (01:12:55):
There are a million little puzzles that are going to
be solved in certain places. The beans incidents all having
something to do with the city, but seemed to fit
like woods in a cross with a puzzle with a shape.
It's always change of incidents through subject I was never
sure of in the first place. When things were getting tight.
Speaker 5 (01:13:12):
In certain neighborhoods, they reminded.
Speaker 50 (01:13:14):
Me a little with something from school, and for a
while it's nineteen ninety three. Anyhow, I forgot about it
for a while.
Speaker 8 (01:13:26):
But there was that what I looked like, which I
was left with, and maybe so often.
Speaker 50 (01:13:31):
As I traveled through the city.
Speaker 5 (01:13:33):
And sometimes there was gross make me lose?
Speaker 11 (01:13:35):
Are working for holloway and see funny for holidays.
Speaker 8 (01:13:38):
Objects that it all began.
Speaker 23 (01:13:40):
To sing wrong, and I used to the praise, and.
Speaker 8 (01:13:42):
I wasn't making much money at all.
Speaker 50 (01:13:45):
More than anything else, you just tried not to get
bored when you watched.
Speaker 8 (01:13:52):
At the end of the day.
Speaker 17 (01:13:53):
You still find myself.
Speaker 8 (01:13:54):
Asking what was the city made of?
Speaker 21 (01:14:20):
I've got a hundred twenty.
Speaker 51 (01:14:21):
Dollars, I mean crucial at the end of the day.
Speaker 1 (01:14:51):
Have the sun sets and.
Speaker 51 (01:14:53):
Light huts or on a gold.
Speaker 5 (01:14:56):
No tape? Mixed it up a hand. It was very
easy to do. I mean we could it.
Speaker 45 (01:15:00):
I could take you out right now and we could
make an adequate bomb by eight o'clock tonight.
Speaker 52 (01:15:23):
The clock keeps chicken, The clock keeps chicken. If the
(01:15:43):
bomb runs out, the clock keeps drinking.
Speaker 5 (01:16:23):
Can run bob.
Speaker 9 (01:16:44):
Bomb.
Speaker 6 (01:17:21):
I thought you might to find time that you miss miss.
Speaker 53 (01:17:23):
This time time time time time time time time time
time time time time time time time time time time
time time time time time.
Speaker 3 (01:17:45):
Time stress, stress.
Speaker 9 (01:17:55):
Spreads that.
Speaker 11 (01:18:14):
No dreaming.
Speaker 54 (01:18:36):
Maybe Tom's take itself TICKETSLF ticket up, take it up.
Speaker 37 (01:19:09):
You see this side, maybe y wondering.
Speaker 55 (01:19:29):
You see this side side maybe us because hinging jury, Maybe.
Speaker 19 (01:20:10):
This side.
Speaker 11 (01:20:16):
Maybe because.
Speaker 25 (01:20:21):
Back back.
Speaker 17 (01:20:53):
Maybe yes, think about the bob bob OK.
Speaker 21 (01:21:13):
Can I drop BM?
Speaker 37 (01:21:14):
Yes?
Speaker 9 (01:21:15):
I can?
Speaker 21 (01:21:21):
Yes, drink about the form? Can I drop the bar bo?
Can I drop the barm?
Speaker 9 (01:21:34):
Oh?
Speaker 21 (01:21:34):
Yes, I can? Yes, thinking about the form?
Speaker 6 (01:21:42):
Can I drop the bar?
Speaker 15 (01:21:44):
Bomb dropped the bomb, drap dropped the bomb dropped the bomb.
(01:22:09):
Drap dropped the bom.
Speaker 9 (01:22:10):
Bom dropped the bomb.
Speaker 6 (01:22:12):
Drap dropped the bomb.
Speaker 15 (01:22:13):
Blow up your sceptor in your vicinity dropped the bomb,
drop dropped the bomb dropped the bomb, drop dropped the bomb,
bom roped the bomb, drop dropped the bomb, blow up
your sceptor.
Speaker 9 (01:22:25):
Bob Clap PEPs chicking.
Speaker 52 (01:22:27):
If the tim runs out, no clap, PEPs chicking, the
tom runs out, No clap peeps chicking.
Speaker 21 (01:22:38):
The tim runs out.
Speaker 5 (01:22:40):
No clap keeps chicking.
Speaker 52 (01:22:43):
The tom runs out, No clap keeps chicking. If the
TIM runs out, no gas clap keeps chicking. If the
Tim runs out, No gas Clapp keeps chicking. If the
Tim runs out, no Dad keeps taking the tim. Onesam
(01:23:05):
oneesa onesa onesie one sae mosai mosie.
Speaker 5 (01:23:23):
We're gonna talking about you.
Speaker 33 (01:23:24):
Indeed, I ask me, I'm showing see any troubles.
Speaker 45 (01:24:52):
Yeah.
Speaker 30 (01:25:00):
Us back back by the backs as by a contact
(01:25:21):
by Basta bas back back backs contact by bast back
back
Look out.
Speaker 2 (00:01):
It shall should be very good beat straceless slit say
two tho twenty three.
Speaker 3 (00:56):
Okay the followers a reference.
Speaker 4 (00:58):
Oh yea man, but this.
Speaker 5 (01:01):
One more itement in my mind.
Speaker 6 (01:02):
That was sola whtroler nothing for your pleasure or your entertainment.
Speaker 5 (01:06):
I came with a crew.
Speaker 7 (01:08):
Called sale crew cast Sale, true cast, Sale, true call.
Speaker 3 (01:15):
Yeah, what's up?
Speaker 8 (01:16):
What's up?
Speaker 9 (01:19):
Yeah?
Speaker 10 (01:19):
I ain't really got too much the same urban, but
you know, I can speak a lot of ship on
the twelve.
Speaker 11 (01:24):
You know what I'm saying.
Speaker 3 (01:32):
It's on that note.
Speaker 8 (01:36):
I don't have to tell y'all like this.
Speaker 12 (01:40):
The other part of the process of getting the drums
together is, uh, the drum editing.
Speaker 5 (01:45):
Part of it.
Speaker 10 (01:47):
You sit down and got you know, twenty thirty takes
a song.
Speaker 11 (01:51):
Song, So on, buddy, peace.
Speaker 9 (01:52):
Know, I mean.
Speaker 13 (01:56):
The consolation deverything, you know, the whole dishes, the complication
of all.
Speaker 14 (02:00):
I mean, the gods agree they could talk on the
galla until the thall. We gotta get right height before
y'all fall because lation, degradation of the whole nation, the
complication of thought. I mean, the gods agree they could
talk on.
Speaker 15 (02:11):
The gallapy until it's all We gotta get right ef
you'll fall.
Speaker 16 (02:16):
There's a gun against the wall on the coffy read
there's two sides of the story now here.
Speaker 17 (02:20):
The other one because because because the best best, because
because because the best.
Speaker 18 (02:26):
Ain't put ing up, put en up.
Speaker 17 (02:28):
It's the best, the best at because the best ain't.
Speaker 10 (02:31):
Put not put enough.
Speaker 19 (02:37):
Around you, you know.
Speaker 5 (02:39):
Using your peace.
Speaker 14 (02:41):
You know what I'm saying. Fucking shut your face.
Speaker 5 (02:49):
This is what I do.
Speaker 6 (02:50):
Put it up.
Speaker 3 (02:50):
So it all comes down to.
Speaker 20 (02:52):
The money, deep game when in your face, trying to
be the man right and once.
Speaker 14 (02:57):
Again the man's back when it mixed.
Speaker 6 (02:59):
Take this, this is a mess. It turned it up,
so it bump.
Speaker 14 (03:02):
Get me pass that point.
Speaker 21 (03:04):
You know how to fuck you out to smotherfucker.
Speaker 6 (03:06):
Turn it up so it bump bump.
Speaker 3 (03:12):
By.
Speaker 22 (03:22):
Radio work can be just as dirty and exciting as
hunting down in public Enemy number one.
Speaker 8 (03:27):
Yo, this is for your mixtape, buddy.
Speaker 23 (03:28):
Yeah, yeah, lot of things, don't you.
Speaker 11 (03:39):
You know what I mean. Let's not do this all right?
Speaker 4 (03:43):
Yeah?
Speaker 5 (03:44):
I like that.
Speaker 19 (03:44):
Fuck I'm fast in your seatbelts please.
Speaker 24 (03:50):
Turns talk.
Speaker 25 (03:52):
Turn turn turn.
Speaker 14 (04:00):
Back on the scene nine trips the Slipper, I got
it putting all.
Speaker 19 (04:03):
These ladies wanna.
Speaker 9 (04:04):
Find my chaste.
Speaker 6 (04:05):
I'm going out like that.
Speaker 21 (04:07):
Y'all ready to play you, then you play me.
Speaker 5 (04:11):
Take a sound man with Bobile. You know he reready
talks about.
Speaker 26 (04:19):
Selling out, thinking that uh, thinking that we've we're done
in and we can't write music anymore.
Speaker 20 (04:28):
In that.
Speaker 5 (04:30):
They're gonna find out they can't predict what we do.
Speaker 27 (04:36):
Here's Rick James, bitch, I know you wanted to end up,
but wait, now let's go up them.
Speaker 6 (04:49):
Don't go get Scarce, be prepared for the worst on
anything to written her.
Speaker 13 (04:53):
Damn fucking nonymous John though stupid fuck nobody knows.
Speaker 3 (04:56):
Me, don't walk.
Speaker 28 (04:58):
Of course we had the link first win with with
the stuff, the little bad every pick everybody rocking John d.
Speaker 29 (05:07):
He will still be.
Speaker 6 (05:09):
Joey beats cho Cho Cho Cho cho Cho choke.
Speaker 30 (05:12):
Joey beats in my eye.
Speaker 3 (05:13):
Yeah, fuck up the party before I didn't stalk bottle.
Speaker 31 (05:18):
Now comb around the proof when the more, because Joe,
you want.
Speaker 9 (05:23):
To battle touch the mike?
Speaker 6 (05:24):
Fuck being for life?
Speaker 9 (05:25):
What what some more?
Speaker 6 (05:28):
Your father turned that stud some more? Turn to ask
me what I'm in.
Speaker 5 (05:31):
I'm gonna say murder.
Speaker 32 (05:34):
Bird the bird breast play what for me.
Speaker 9 (05:51):
Like this, you can drop me and my dag.
Speaker 21 (05:53):
My dag's gonna swom.
Speaker 16 (05:59):
Like this, what night saying when I'm all.
Speaker 22 (06:01):
Jo see you jump up, Christ you get your highest
you see he's look in the mirror and see that
black man, black man that I don't care about.
Speaker 13 (06:10):
Hold free now, honey, you're mad lamous for being a
no honey. You're mad famous for being a no honey.
You're mad famous for being or no honey. You're mad
famous for being or no honey. You're mad, famous for
being on no money. You're mad famous for being or
no honey. You're mad famous for being on nose honey,
You're mad famous for.
Speaker 5 (06:44):
I'm brother.
Speaker 30 (06:49):
Okaya.
Speaker 6 (06:54):
He's from London. He's incredible. His name is Buddy Peace.
Speaker 24 (07:04):
Oh please, oh my mother, Crisma up, move.
Speaker 8 (07:53):
By fly by by Bly. I need to have a
(08:52):
few techniques, a few skills.
Speaker 5 (08:54):
You items do work well.
Speaker 12 (09:03):
When you walk out there into that system, you're going
to be standing there facing these people once again.
Speaker 6 (10:46):
Spot is incredible. His name is Buddy Peese.
Speaker 7 (11:34):
You have to have a weapon.
Speaker 5 (11:35):
We use that ras like lla that all the questions.
Speaker 11 (12:43):
M SIS episode.
Speaker 10 (12:47):
Side Sto.
Speaker 8 (15:30):
Boom and all the stuff. Like that.
Speaker 5 (17:14):
I just got a brom I deal with it. This
isn't breaks life.
Speaker 33 (17:18):
Oh.
Speaker 9 (17:25):
Happening.
Speaker 5 (17:25):
This is within the shipping.
Speaker 34 (17:26):
Your pon you prapping happens just within the shipping. You
p on your pappopin happens just within the ship. And
get on your pappapin happens.
Speaker 5 (17:31):
This is within the ship.
Speaker 34 (17:32):
And nip on your pappason happens just within the shipping.
You're p on you prappaton happen just with in the
swippingpoon you pappas and happening.
Speaker 5 (17:37):
This is wiping the shipping nic.
Speaker 30 (17:38):
Only papa and happening.
Speaker 5 (17:39):
Just whipping the sipping.
Speaker 34 (17:40):
Coony taps and happen. This is slipping the shipping you're
pony props and happening. In the sipping l papising happening.
This we in the sipping pap happening.
Speaker 8 (17:48):
This.
Speaker 12 (18:11):
I asked if he had when the old electronics left,
maybe that he'd want to trade or so. He said
he didn't have much, maybe a few pieces, let.
Speaker 3 (18:55):
Me atonic.
Speaker 12 (19:26):
Bits and pieces, layers and layers, objects, all of the
emments of things. Most people spend most of their lives
spending a living one man or woman's losses another one's gain.
Time is money a lit.
Speaker 9 (20:44):
Look look.
Speaker 8 (21:01):
Mm hmmm.
Speaker 9 (21:11):
S by.
Speaker 35 (21:18):
Yo oh your way.
Speaker 36 (21:25):
Oh always clear clear m let's RISI.
Speaker 1 (21:42):
Say why.
Speaker 37 (21:49):
So stay the day?
Speaker 30 (21:54):
And man man is the same.
Speaker 11 (22:07):
Word for.
Speaker 35 (22:11):
When you said.
Speaker 24 (22:16):
Yoing me.
Speaker 16 (22:23):
No, S.
Speaker 37 (22:57):
S said, say said.
Speaker 24 (23:21):
Hey s.
Speaker 8 (23:24):
S S.
Speaker 11 (23:28):
S say side.
Speaker 3 (23:53):
We can cut the tapes.
Speaker 7 (23:55):
Head two zero point five million years ago a friend
(24:18):
of mine made a fool from the stone and defended
the stripes.
Speaker 5 (24:22):
Sorry for the technical surf.
Speaker 7 (24:24):
It's a wheels and a fire and the rest is
a blur brow with the rise plot in the pocket,
with applying science, let it sit. I bet it streamlines
your environment. What's a resource local? Till that grono that
bet there is a freaking till I'm being this. I
followed that you cannovate a different feet of engineering a
system made officient. There is in a conditioning complication a
(24:45):
repetition where the it's a reach of building sophisticated wid
it just tired the games, Bronze Age, Giant age weaponry,
instellar form, shelter runner by the day, Livestock and vegetables
that rose behind the high away mess up taming and
half the motherfucking lion cage.
Speaker 21 (25:00):
Alabast Dennis out.
Speaker 38 (25:02):
Of bast Dennis, out.
Speaker 21 (25:05):
Of the bast Dennis, out of bad.
Speaker 3 (25:08):
Now that it's a powerful cat. Now that it's a
powerful cat.
Speaker 7 (25:18):
Now that is a powerful You take a lever rent
a pulley in the winch and a wet saget a
la rent the aqueduct of givernment steps before the Jesus
Archimedes on that mivercle text here Cerah, you can build
a field, your rebind its head, put a shoe on
a horse and shoot a man with a gun. Steam power,
big vocals and mechanical bongmen the be a light electure
said they never cannot be done.
Speaker 5 (25:38):
This again, ain't a thing that could cancel.
Speaker 7 (25:40):
The flood through the human curiosity after three knowledge pulling
genies at a bob, stealing from leionnardos, plane train order,
hauling space h cargo, but sorrow technology every day is
tomorrow to like grab telephone. You can put a door
simpip pipsie from a cousy b It does a gum
and sidney. You could write a letter with no paper.
You fix anything with a laser.
Speaker 38 (26:03):
Out of the tennis, out of the bad, Tis.
Speaker 5 (26:08):
Out of the badish.
Speaker 3 (26:11):
That is a powerful cat. Now that is a powerful cat.
Now that is a powerful cat.
Speaker 7 (26:24):
You could get a roll by limb, but you're blown
off limb later on, the same technology can automate your
gig as awesome.
Speaker 5 (26:32):
As it is.
Speaker 7 (26:33):
Wait it, kid, it's awful. You can stead out of
Willy Nilli. If it's energy that come bys for killing,
then it will be.
Speaker 5 (26:39):
It's not about a better knight.
Speaker 7 (26:40):
Fixed chemistry and genocide medicine for temper. Bring the heck
in a projector light laying mind's aging, orange, letting gas, cigarettes,
cameras in your favorite corners, plastic in the wilderness.
Speaker 5 (26:50):
We cannot be trusted with the stuff that we come
up with them. A pheno rey could eat us.
Speaker 7 (26:53):
We just really love our body and some technology focused
on the other ship three D printed body parts hydrated
and you.
Speaker 5 (27:00):
Can buy it.
Speaker 7 (27:01):
Just keeping myself on jumble jet. An't no what lo
does you want to get to the bootsom.
Speaker 38 (27:16):
This out of plu back Channish, put back, if this
out of the back, Spanish out up, clap back, if
this out of clup back Spanish cup back.
Speaker 3 (27:25):
Now that is a powerful cat. Now that is a
powerful cat.
Speaker 9 (27:43):
Take a logy.
Speaker 11 (28:09):
H m hm.
Speaker 16 (28:24):
H m.
Speaker 5 (28:33):
H rip aside, what the fuck up? I like rippers.
Speaker 7 (28:47):
I like rippers, sell boats, fisherman's skinny dipping swimmers, kids,
turn the rock, silver, catch and love credits, Gland, the
pine Tree, eye Bowl and Jenner. My uncle used to
cut school to get your sush Mahanna. You cut yourself
a bottle really here of being a bramble spool took
a tenants.
Speaker 5 (29:02):
It was quiet as the mouse.
Speaker 7 (29:03):
She was at the rever pulling adverta and by its
mouth A riverend the day lighters, energy and life. A beverend.
The dark can be a genuine surprise. You might find
some lovers getting cozy on a shore rover cold blood
and psychopathic spokes on other courts, sitting by the hugs
and rember talking to a ghost stoke. Well but still
we could rock a beating smoking other tones. I'm miner
(29:23):
STI way you rommy, how you never had a clone?
Ain't a motherfucker lip? And that could ever crack the cold.
Speaker 5 (29:28):
I like rivers. I like rivers freight ships passing through
old jaw bredges.
Speaker 7 (29:33):
It looks so cool when you catch from a distance,
A little less cool when you're stuck inside your civic
I wonder what could possibly be lurking on the bottom.
I look into the water ran imagine all the options
officials we never knew about some Russell Hill JALOPI the murder,
the weapon used to catch the ahmentioned body. I sitting
(29:53):
the beaver chilling bottom bank of o a Lamit. We
gazed the point each other, rondniya bly and chinning away,
but tailor pathic information and through the filtermitsid. When I
go to heaven, I want you to have the river.
The other side agreed that I was chosen. Just don't
mention it in front of them.
Speaker 5 (30:07):
Is floating. It's vanilla.
Speaker 7 (30:08):
I'm pretty sure you've done of the authority to say this,
But thank you all except.
Speaker 5 (30:11):
I'll have my lawyer draft of papers. I like rivers.
Speaker 7 (30:15):
I like rivers hard to put a price so on
water for the village. I jumped into the Amazon to
lunder roll my Adams the child. Probably I have the
spilling corporie on the Captain. My heart is in the
East River, floating on a frisbee that came in from
the Long Island Sound. A sojourn in a city. It's
not the kind of water where you throw a triple Lindy.
If you get someone in your skin, they probably know
the fighter siblings. I picture of a son every year
where someone's helping captive and escape with me to build
(30:36):
a raft and never get some rapids.
Speaker 5 (30:38):
I wonder if my training from the School of TV.
Speaker 7 (30:40):
Managions would be get some makeshift water craft that may
go up for Damascus and practice.
Speaker 5 (30:44):
I have no desire to get into the water.
Speaker 7 (30:45):
I like to know it's there in the event I
ever want to water falls tribute Terry Sticktenberg's figures.
Speaker 39 (30:51):
So I like fireflies. I like rivers. Rivers like members
rip but fucker members.
Speaker 5 (31:12):
Like members.
Speaker 9 (31:21):
Look a.
Speaker 40 (31:24):
Look at these talks. Some sat.
Speaker 9 (32:04):
Check it out.
Speaker 16 (32:05):
Stop ties b the paw check it out.
Speaker 19 (32:09):
Doop stop ties by.
Speaker 9 (32:13):
Check it out?
Speaker 24 (32:14):
Do stop tag bies boy paw check it out.
Speaker 16 (32:19):
Doop stop stop stop fig it out it out.
Speaker 26 (32:57):
Top up dot dot dot dot do.
Speaker 30 (33:05):
Tell you tut.
Speaker 35 (33:10):
T t t t ttttt.
Speaker 26 (33:23):
You don't go out, you don't tell you don't tell
you tom, you don't don't.
Speaker 9 (33:38):
Then you don't let it out.
Speaker 16 (33:40):
Then it out, pegging out, pegging out, pegged it out,
pegged it out, seged.
Speaker 21 (33:46):
It out jo.
Speaker 8 (33:49):
Out goes now.
Speaker 31 (33:57):
Can't wait for my hands make as much noise as
a camping and I'm saying, used to play in the band.
Speaker 6 (34:04):
But those people look gone now the turntable.
Speaker 19 (34:07):
I didn't need a linus R.
Speaker 6 (34:08):
I'm in a van flying without parachutes. White if you
didn't plan and have marriage disputes.
Speaker 41 (34:13):
Every time I was handing at the door to say goodbye,
like she's watching a man go to die.
Speaker 31 (34:18):
I packed in the bus. She was too fast for
us handing me. You know, the made of master grabs
on my stuff. Put the pillar women briefcakes to come
with no rebase. I guarantee of a turn.
Speaker 5 (34:26):
When I leave state.
Speaker 6 (34:27):
I make mixtape, but the cd R in crazy.
Speaker 9 (34:31):
You see these.
Speaker 6 (34:32):
Scars break straight from a song. Now, the turntable, I.
Speaker 19 (34:36):
Didn't need a linus on.
Speaker 6 (34:38):
Like burning, I'm hurting it, I'm burning, I'm burning.
Speaker 11 (34:40):
I'm hurting.
Speaker 9 (34:40):
I'm hurting.
Speaker 42 (34:41):
Wait, I fill up the milk crates to collect the
LB's every bee laughing that you should check out my abilody.
DJ Pollo to a pawn terminator excellent an Oscar farm
jam as the chat is gone. Even that's a shame,
they say, it's betted up, burnout crack hey.
Speaker 6 (34:57):
I tore the States with a guy named c R.
He had nothing, put a tub of toothpaste and kee tar.
Speaker 31 (35:02):
He with a soul brother, a baby mama back at home,
brother a good reminded what it is a fucking gold
brother mashed potatoes every.
Speaker 6 (35:08):
Meal and if it ain't served at a greasy spoon,
no deal.
Speaker 31 (35:12):
Real, that's againstwit up off that don't quit good a
matter piano. When then he slopes it because he's a
blues man, which wold to go back to school.
Speaker 6 (35:19):
Man still running it out, but he already paid his duels.
Speaker 33 (35:21):
Man.
Speaker 6 (35:22):
I can see it in his face when he said,
sage brother, I gotta get out of this place and
embarrassed the knocked me off the palace. Two up the
matter his care off my talents.
Speaker 31 (35:31):
Perhaps you could at one point, with the day seemed
gone out a turntable, throw away my tools, scrape with
my hands, make as much noise as a campaig and
a sand I used to play in the band.
Speaker 6 (35:42):
Those people are gone now, the turntable out of heel,
and it's all flame on.
Speaker 24 (35:46):
Keep burning.
Speaker 6 (35:47):
I'm burning, I'm burning, I'm burning, I'm burning.
Speaker 9 (35:49):
I'm burning up.
Speaker 41 (35:49):
But wait, when you brun out of matches hard, when
you burn out of passion, what you got when they
all stopped laughing, when the DJ he saw stop scratching.
Speaker 9 (36:12):
Money.
Speaker 19 (36:14):
It's the it's the hell they can't breeze.
Speaker 3 (36:20):
It's the d J.
Speaker 42 (36:21):
They can't free Phoebe on.
Speaker 6 (36:23):
The wall, and that's the shame. They say. It's better
to burn out quick thing made.
Speaker 31 (36:28):
Let me take you back to the coast there with
the mixer and the timetable.
Speaker 5 (36:33):
Came along way from getting the.
Speaker 6 (36:36):
In whees the stead. Nowadays you see os.
Speaker 5 (36:39):
Ca and then the long white. They're getting milk pop.
Speaker 31 (36:44):
That's when I'm smashing you because it's easy Coder, I'm
making pop fancay.
Speaker 6 (36:49):
Yeah, I'm tripping.
Speaker 5 (36:50):
You might think when when it's the hills, gills that
wise up open their hos.
Speaker 17 (36:57):
Up, may make bake a clap, may may make make
a clap baby at the top of.
Speaker 28 (37:01):
This continue group think the time I'm beginning again this
battle below.
Speaker 6 (37:05):
But the boar real wind.
Speaker 21 (37:07):
When you play against me, you know you're going to
get third and I'm not defeated.
Speaker 5 (37:14):
Why did you start sticking.
Speaker 6 (37:17):
Back in the day. We must do win it for
the Love and break Beat Secret.
Speaker 9 (37:22):
Put you out of Sight now.
Speaker 43 (37:31):
Our false her Caddy, our false spy.
Speaker 5 (37:50):
Flames oblasion. I saw the devil with his grin.
Speaker 9 (38:15):
Yeah.
Speaker 44 (38:15):
Cat cat.
Speaker 9 (38:25):
Yeah, cat cat.
Speaker 44 (38:35):
Yeah yeah, cat cat yeah catch.
Speaker 19 (39:34):
MSH English English, Yeah.
Speaker 9 (40:17):
Yeah. Oh.
Speaker 3 (40:57):
It's about a guy that streams things up in his head.
You know, he's just kind of looning.
Speaker 10 (41:04):
You know, you never got to do anything right, so
he has to do everything.
Speaker 11 (41:09):
H you know, he has to dream or anything up
in his head is to really do that.
Speaker 1 (42:32):
K three and three.
Speaker 9 (43:46):
And three and three and.
Speaker 7 (43:52):
Three three three and.
Speaker 11 (43:57):
Three.
Speaker 5 (44:24):
So love leavening, isn't it?
Speaker 45 (44:25):
Yeah?
Speaker 44 (44:27):
It is.
Speaker 5 (44:29):
The moon is beautiful. I like to watch the Reppels,
don't you.
Speaker 8 (44:35):
I don't really think about it too much.
Speaker 46 (44:42):
We talked regularly about how we are kind of an
internet band and internet. We wouldn't exist without the Internet
in the sense that we couldn't have found a lot
of the music that.
Speaker 11 (44:53):
We do listen to without the Internet.
Speaker 46 (44:59):
Because a lot if the music to listen to isn't
available and just said third final, and also because we
lived apart. If it weren't for the Internet, we couldn't
have sent music back and forth between each other to
make music that we do.
Speaker 39 (45:14):
M m.
Speaker 8 (45:41):
M m m m m y the.
Speaker 1 (46:25):
Caddy.
Speaker 9 (47:34):
But I.
Speaker 5 (47:37):
Know I am raised some sing other people.
Speaker 8 (47:42):
Stolen lay songs, flattery, people.
Speaker 5 (47:46):
Scare sources.
Speaker 3 (47:48):
That's to see rasources to others care sources.
Speaker 20 (47:52):
Don't after that, get that little family and after telling
people people with the other.
Speaker 7 (47:58):
People that's touched you cramework where.
Speaker 19 (48:02):
Awareness and opening.
Speaker 30 (48:04):
We're right from.
Speaker 9 (48:10):
The start where in my life.
Speaker 19 (48:18):
I don't know, you know, whatever happens, you know people.
Speaker 9 (48:24):
That anything.
Speaker 19 (48:31):
At you guys gonna remember you cannot do everything.
Speaker 5 (48:39):
Was apportage study.
Speaker 3 (48:41):
And my radio operator has just.
Speaker 5 (48:45):
Received a report.
Speaker 14 (48:46):
From one of our weather planes.
Speaker 19 (48:57):
We don't have time for the meeting.
Speaker 11 (49:01):
Prince tweaked us back, wearing high heels on stage.
Speaker 14 (49:07):
He's just couldn't sleep when the nighttime came.
Speaker 7 (49:13):
Tom Penny cooked this had been still booked fifty dates.
Speaker 14 (49:20):
The guy would rather die than see a disappointed face
lay wasted away from his childhood pain.
Speaker 19 (49:33):
And Kirk couldn't fake it.
Speaker 3 (49:35):
The lies and the fame.
Speaker 28 (49:39):
These great men made mistakes and down before their age,
and they.
Speaker 19 (49:46):
Did it all for us. How can we deny the blame?
Speaker 31 (49:51):
I guess all our friends were just junkies that fried
their brains.
Speaker 19 (49:58):
They run the same trains as they're idels.
Speaker 14 (50:00):
Died in shame.
Speaker 19 (50:02):
Somehow it's not the same.
Speaker 14 (50:05):
Quiet on the set, Quiet on the set, Crying on
the set, We need, Crying on the set.
Speaker 22 (50:30):
Miles, James Brown and John Bennon were abusive. A tempest
in the soul creates the most amazing music. Didn't take
much before Sinatra's Little Fuses blue.
Speaker 9 (50:50):
And he looks for drugs.
Speaker 22 (50:51):
Johnny Pacheck had to shoot it through Marky Mark half
blinded a man for being Asian. You stick to your
own come back then, That's how the streets had raised
to balance, sold the half a key of blow straights
(51:11):
at the FBI, they say, you never.
Speaker 3 (51:16):
Guess his past was checking if you met the guy.
Speaker 22 (51:21):
A couple of cooked steps. But now the works considered
cannon is. My friends would just tweet to pull themselves
a whole life, had them dragged in, never moved past
their transgressions because he putting food on plates, would not
consider them successful.
Speaker 19 (51:42):
They made too many mistakes.
Speaker 5 (51:44):
But isn't that the breaks.
Speaker 14 (51:47):
Crying on the sand, crying on the s rying on
the set, we need, ring on set.
Speaker 6 (52:12):
It was again of function de regulation.
Speaker 3 (52:14):
Then there was a lab leak.
Speaker 47 (52:19):
There were members of a whip market where people got
their backs to each scientists worldwide where then rushed to
find a vaccine.
Speaker 6 (52:32):
The pharmaceutical government contract.
Speaker 5 (52:35):
Was preached.
Speaker 47 (52:38):
Profit store for them as public paranoilia had peaked.
Speaker 6 (52:42):
Check any blackouts, a bunch.
Speaker 47 (52:46):
Of four seats in the trash heap, five g conspiracy.
Speaker 5 (52:52):
The result had reached. Check that's a reach.
Speaker 6 (52:58):
Travel was restricted, so then gas became mad cheap.
Speaker 47 (53:04):
People started plastic grocery bags until them back seat check check.
There was more distance and there was learning homeschooling on
the crack screen. People who were to toilet people like
they couldn't keep the ass clean. Two weeks they told
(53:24):
them that's good. Mass managed fact checks. The fact checkers
let them facts wake.
Speaker 14 (53:30):
Crying on the set. We need crying on the set,
were hying.
Speaker 9 (53:43):
On the set.
Speaker 14 (53:48):
We need crying on the set.
Speaker 9 (54:01):
To name.
Speaker 30 (54:08):
Child or by a paris.
Speaker 35 (54:58):
Quire the artist is going to create a sound for
a concise purpose.
Speaker 14 (55:18):
Story zero.
Speaker 12 (55:24):
But you.
Speaker 4 (55:30):
You're lad, You're lad, You're lad, and it's.
Speaker 24 (55:42):
Story zero.
Speaker 25 (55:48):
But you.
Speaker 9 (55:51):
Yeah s.
Speaker 25 (55:58):
Zero?
Speaker 9 (56:00):
What chi can I.
Speaker 4 (56:06):
H relied? M hm, you lied?
Speaker 24 (56:12):
You lied? And it's.
Speaker 36 (56:19):
Well, well, I, well, I did let know.
Speaker 9 (56:40):
All h.
Speaker 14 (56:56):
Relied?
Speaker 9 (56:58):
M hm, well did.
Speaker 29 (57:01):
Mm hmm you dilied, you lied, you lied, And it's.
Speaker 22 (57:20):
H l.
Speaker 4 (57:47):
H you lied, you lied, m hm you lied, mm
hm relo relo, and it's.
Speaker 14 (58:58):
Oh yeah, justster.
Speaker 9 (59:34):
Mister.
Speaker 48 (59:41):
Hard times hard times.
Speaker 9 (59:58):
That's me.
Speaker 48 (01:01:09):
Ugly hard times. Nothing hard times, that's me, that's me.
Speaker 44 (01:02:54):
Give yourself an evil since you read well, I couldn't
have any.
Speaker 20 (01:03:05):
Don't know, Yeah, yeah, yoh call me your zodiac killer.
Had shot a liquor to a coney yac zip for
rap spit of flow umbera it'll a slash yellow X,
crack dealer coal, i'mb a pull a cap tiller, capricclorn,
just a line to gobrillas get cancer from the smoke
sixty nine out to the It's just a small person,
(01:03:28):
but the po seis bigger. My finger ram triggar my
the han reas in your chair. It's like they're doing
in up a query and the sun says, get your
point across sagittary again, but not just see food pecatary again.
Speaker 5 (01:03:39):
He'll is cut bill up in your cuts. That's a serian.
You can win me on the scale legendary.
Speaker 20 (01:03:44):
You're up every again, tell them leave brough bar Perry,
Oh my bully, you bringing your in a friend of mine?
Speaker 6 (01:03:50):
Then you only shooter that's in the gym.
Speaker 5 (01:03:52):
It's Jim and n.
Speaker 20 (01:03:54):
H yeah, mister meth Sodiac killers and who the hearth
to shoot.
Speaker 6 (01:04:04):
Wu Tan Clan rocks the world?
Speaker 5 (01:04:06):
Baby?
Speaker 8 (01:04:08):
Uh huh?
Speaker 6 (01:04:11):
Now can I get a shoe here?
Speaker 28 (01:04:13):
It is a cool slightly transformed, just a bit of
a break from the norm, just a little something to
break the monotony of all that hardcore dance that it's
gotten to be a little bit out of control. It's
cool to dance, but what about a cool pursuits and moves,
no mass, give me a soft, subtle mix. And if
it ain't both, then don't try to fix it.
Speaker 5 (01:04:34):
And think of the summers of the past.
Speaker 28 (01:04:36):
Adjust the base and let the alpine blast I've in
my c DN.
Speaker 5 (01:04:40):
Let me run a.
Speaker 28 (01:04:41):
Rome and put your car on cruising lay back because
it's summer time and like the black.
Speaker 5 (01:04:45):
The blue, like like that with the nine shot, like.
Speaker 9 (01:04:53):
That for the nine shots, soumer time, like like like
that for the nine shots.
Speaker 5 (01:05:02):
That was the nine shot.
Speaker 9 (01:05:04):
School is out And.
Speaker 5 (01:05:05):
This sort of a buzz. But back then I didn't
really know what it was.
Speaker 9 (01:05:10):
But now I see what happened.
Speaker 5 (01:05:12):
This ain't that respond to summer blackness.
Speaker 28 (01:05:15):
The weather is hiding girls, addressing lesson, checking down the
fellas to tell him who's best riding around and the
g for your venzos or in your knee sign setting
normal red zolts back getting Really, we'd be out in
the park, a place called the Plantau of Us where
everybody go. Guys out punting, and the girl's doing likewise,
punking at the honey in front of you with the
white odds.
Speaker 6 (01:05:36):
She's turned around and see what you leave her at.
Speaker 28 (01:05:38):
It's like the summer's the natural LABORDIZI yeah, well, avented bad,
I can boos this spond to hit you with to
get you quick full.
Speaker 6 (01:05:45):
The summer time, you're all cant ball.
Speaker 16 (01:05:48):
You're all cat.
Speaker 28 (01:05:49):
Ball Slaton today and I ain't been on the course yet.
Hustle took the ball to get me a short set. Yeah,
I got on sneaks, but I need a new fan
because basketball court in the summer got girls, dads, the
temperatures about eighty eight. Hobbing a water plug this old
time sake break to your crib, changing clothes once more,
because you're going find the two will bother you to
start at four, sitting with your friends and y'all brother
(01:06:11):
And this is about the days growing up and the
first person you kiss. And as I think back, makes
me wonder how the smell from a girl can spark
up a stalgia. All the kids playing out front, little
boys passing around, but the girl's playing double Dutch, while
the DJ spending the two now as the old folks
chance at.
Speaker 5 (01:06:28):
Your family reunion. Then six o'clock rolls around.
Speaker 6 (01:06:32):
You're just finish wiping your card down.
Speaker 28 (01:06:35):
It's time to cruise, so you go to the summer
time train out and look, it's like a card show.
Everybody come looking real fine, fresh from the barber shop,
of fly fing the beauty salon every moment fronting and
max and chilling in the cartee. Spent all day waxing,
leaning to the side. But you can't speak through two
miles an hour, so everybody sees you. There's an air
(01:06:55):
of low being, of happiness, and this sits the fresh
Prince's new definition of something.
Speaker 8 (01:07:05):
No no.
Speaker 5 (01:07:14):
No break?
Speaker 13 (01:07:28):
Are you trying of classes to go on and on
in the middle of the day wanting to hundred numbers about.
Speaker 11 (01:07:33):
Getting your career together.
Speaker 23 (01:07:34):
But you try to get your career together and gone
to those classes they have in the work, and you
try again and keep working, trying the same bush, looking
at good gigs and getting fired at the same old
sh no.
Speaker 45 (01:07:43):
Fun with that ship.
Speaker 8 (01:07:44):
You don't even fuck with the TV A day. They
focused doctor ship.
Speaker 11 (01:07:47):
I'll feel exactly what you want to do and make
it happen.
Speaker 8 (01:07:49):
That notca do I look at.
Speaker 19 (01:07:50):
The numbers of the fastest fastest.
Speaker 11 (01:07:52):
Really, I'm glad that it was funny.
Speaker 9 (01:07:57):
We we we.
Speaker 45 (01:08:00):
Reasonable people. We are reasonable email we are we are
we are we are reasonable people. We are reasonable.
Speaker 8 (01:08:16):
Emo yes.
Speaker 18 (01:09:11):
Y standing bloc Danglo standing bloc.
Speaker 49 (01:11:21):
Ro landmarm takes me in the mouth sinnam and tongue
isn't to make flames and then sent the mini but
the but the diny just beat with the conviction that
tis Michael Moore. That's the mon He just starts brow
and starting to now because it's Minuster tried to get
the mother the motor of the rabbit now running test
next the number being hallo n't printed with the brother
(01:11:42):
the trade hop position gets with everything gets off a passion,
that's a purpose.
Speaker 6 (01:11:47):
Shoot, I expect it from you nothing from me.
Speaker 3 (01:11:49):
Nothing and that's the best of the losers.
Speaker 49 (01:11:51):
Perfect from people, window sensers discussion that she wants you
with that move, but give my.
Speaker 6 (01:11:55):
Fuck a mom on the phone mute, screamed Rob Ski.
Speaker 5 (01:11:58):
Ready to buck Rob to them.
Speaker 19 (01:12:00):
They've been the rock box been, the rock Rocks, rocks.
Speaker 49 (01:12:03):
You make it to rock the Brocken Brock Box limit
the rock rock Steam rocks, and we make it to
rock products and the rock rocks, the rock rock rocks.
Speaker 6 (01:12:13):
You make it to rock the brockcts and rocks and
the the rock Rob Ski. All I heard was static,
(01:12:46):
Oh that.
Speaker 8 (01:12:49):
I never knew when you were being watched for years.
Speaker 2 (01:12:52):
I checked and it was always there.
Speaker 50 (01:12:55):
There are a million little puzzles that are going to
be solved in certain places. The beans incidents all having
something to do with the city, but seemed to fit
like woods in a cross with a puzzle with a shape.
It's always change of incidents through subject I was never
sure of in the first place. When things were getting tight.
Speaker 5 (01:13:12):
In certain neighborhoods, they reminded.
Speaker 50 (01:13:14):
Me a little with something from school, and for a
while it's nineteen ninety three. Anyhow, I forgot about it
for a while.
Speaker 8 (01:13:26):
But there was that what I looked like, which I
was left with, and maybe so often.
Speaker 50 (01:13:31):
As I traveled through the city.
Speaker 5 (01:13:33):
And sometimes there was gross make me lose?
Speaker 11 (01:13:35):
Are working for holloway and see funny for holidays.
Speaker 8 (01:13:38):
Objects that it all began.
Speaker 23 (01:13:40):
To sing wrong, and I used to the praise, and.
Speaker 8 (01:13:42):
I wasn't making much money at all.
Speaker 50 (01:13:45):
More than anything else, you just tried not to get
bored when you watched.
Speaker 8 (01:13:52):
At the end of the day.
Speaker 17 (01:13:53):
You still find myself.
Speaker 8 (01:13:54):
Asking what was the city made of?
Speaker 21 (01:14:20):
I've got a hundred twenty.
Speaker 51 (01:14:21):
Dollars, I mean crucial at the end of the day.
Speaker 1 (01:14:51):
Have the sun sets and.
Speaker 51 (01:14:53):
Light huts or on a gold.
Speaker 5 (01:14:56):
No tape? Mixed it up a hand. It was very
easy to do. I mean we could it.
Speaker 45 (01:15:00):
I could take you out right now and we could
make an adequate bomb by eight o'clock tonight.
Speaker 52 (01:15:23):
The clock keeps chicken, The clock keeps chicken. If the
(01:15:43):
bomb runs out, the clock keeps drinking.
Speaker 5 (01:16:23):
Can run bob.
Speaker 9 (01:16:44):
Bomb.
Speaker 6 (01:17:21):
I thought you might to find time that you miss miss.
Speaker 53 (01:17:23):
This time time time time time time time time time
time time time time time time time time time time
time time time time time.
Speaker 3 (01:17:45):
Time stress, stress.
Speaker 9 (01:17:55):
Spreads that.
Speaker 11 (01:18:14):
No dreaming.
Speaker 54 (01:18:36):
Maybe Tom's take itself TICKETSLF ticket up, take it up.
Speaker 37 (01:19:09):
You see this side, maybe y wondering.
Speaker 55 (01:19:29):
You see this side side maybe us because hinging jury, Maybe.
Speaker 19 (01:20:10):
This side.
Speaker 11 (01:20:16):
Maybe because.
Speaker 25 (01:20:21):
Back back.
Speaker 17 (01:20:53):
Maybe yes, think about the bob bob OK.
Speaker 21 (01:21:13):
Can I drop BM?
Speaker 37 (01:21:14):
Yes?
Speaker 9 (01:21:15):
I can?
Speaker 21 (01:21:21):
Yes, drink about the form? Can I drop the bar bo?
Can I drop the barm?
Speaker 9 (01:21:34):
Oh?
Speaker 21 (01:21:34):
Yes, I can? Yes, thinking about the form?
Speaker 6 (01:21:42):
Can I drop the bar?
Speaker 15 (01:21:44):
Bomb dropped the bomb, drap dropped the bomb dropped the bomb.
(01:22:09):
Drap dropped the bom.
Speaker 9 (01:22:10):
Bom dropped the bomb.
Speaker 6 (01:22:12):
Drap dropped the bomb.
Speaker 15 (01:22:13):
Blow up your sceptor in your vicinity dropped the bomb,
drop dropped the bomb dropped the bomb, drop dropped the bomb,
bom roped the bomb, drop dropped the bomb, blow up
your sceptor.
Speaker 9 (01:22:25):
Bob Clap PEPs chicking.
Speaker 52 (01:22:27):
If the tim runs out, no clap, PEPs chicking, the
tom runs out, No clap peeps chicking.
Speaker 21 (01:22:38):
The tim runs out.
Speaker 5 (01:22:40):
No clap keeps chicking.
Speaker 52 (01:22:43):
The tom runs out, No clap keeps chicking. If the
TIM runs out, no gas clap keeps chicking. If the
Tim runs out, No gas Clapp keeps chicking. If the
Tim runs out, no Dad keeps taking the tim. Onesam
(01:23:05):
oneesa onesa onesie one sae mosai mosie.
Speaker 5 (01:23:23):
We're gonna talking about you.
Speaker 33 (01:23:24):
Indeed, I ask me, I'm showing see any troubles.
Speaker 45 (01:24:52):
Yeah.
Speaker 30 (01:25:00):
Us back back by the backs as by a contact
(01:25:21):
by Basta bas back back backs contact by bast back
back
Host
Brett Goldstein
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