Sean Chandler and SHG Tallk Marvel, Jurassic World, & Internet Fame

Youtube movie critic Sean Chandler and Straw Hat basically bond over our favorite movies and franchises.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:03):
Wake up? Did you time to go to work? All right?
Can we talk about we go back in it? Get it? Yeah,
wake up, back, get it and get it. That goal
with everyone saying that up next, it's not my father,
the vocals a goal that making that hit it so
well that my nag is a movie the way then
that role they stand him. People. Baby, you know I'm
making everybody upset because we thest we get and I.

Speaker 2 (00:25):
Know, gunning and bread, gunning, get bread running, get breath, cunning,
bread gunning, bread bread.

Speaker 1 (00:35):
Guys. Welcome to another episode of Get Wrecked with straw
Hat goofy. I'm here with someone very special to me,
even though he never knew it until maybe about a
month ago. Sean Shandler from Seawn talks, Man, how are
you doing? Man?

Speaker 3 (00:47):
I am doing good. I am so overstimulated because you know,
I'm from small town Texas quite literally, where they shot
the TV show Friday Night Lights, Okay and TV show
right and and but later Texas. There's a pace of
life in Texas and then you know La, it is
so much crazier. We're just talking about that before we
started recording. But GPS said it's twenty minutes to get

(01:09):
over here. We're like, let's add twenty minutes on top there.
Then it took forty minutes to get here, and we're
driving by the Paramount Building. I'm like, whoa this is?
We are not in Texas anymore. So my brain is
freaking out about everything.

Speaker 1 (01:22):
Welcome to La man, Like especially you came on a
rainy day too, on the rare rainy days. And as
you you know, you've probably seen the news. We've needed
it desperately.

Speaker 3 (01:29):
But I mean, we were supposed to be doing this
a few weeks back.

Speaker 1 (01:32):
And that's what kind of got in the way of it,
the LA fires, and so you know, we like a
lot of things during that time. We have to push that,
you know forward, you know, do a lot of community efforts,
like I'm actually gonna be doing like a multicon pretty soon.
We're gonna be doing like a fire aid like, you know,
raising money for that. So really excited about that. But
I'm really glad that we're sitting here talking now on
a rainy day. So I think that's symbolism for everything's

(01:54):
looking up and up for us right now. So you're
here for the Critics' Choice Awards, manam dude? Are you
excited like I've never been. I'm jealous.

Speaker 3 (02:01):
So many different things about all of this that it's like,
how is this my life? Like you know, in my
mind starting my movie critic journey in some regards back
in like nineteen ninety eight and other regards back in
twenty sixteen. Getting to go to Critics' Choice, being invited
to it is kind of the culmination of like validation
of this path that I've been on. And then my

(02:22):
little hobby is like, wait, I'm a real deal. Last night,
we're in the hotel room and we're watching Amazing Spider
Man two. During the commercial break, they're advertising for Critics' Choices,
like we're gonna we're gonna be at that.

Speaker 1 (02:37):
You made, Like this is my job, Like, yeah, I've
been made. It's not the indicator of you made it
as a critic. I don't know what else is.

Speaker 3 (02:43):
And it's so easy to have like imposter syndrome and
so much of this, and you have those moments of like,
especially with comment sections and people pushing back you don't
like enough serious movies you do, And then.

Speaker 1 (02:54):
Well, I feel like we like if we're critics on
the internet, we deal with more of the comics than
say the old Guard to a critic. I mean, I
want to say old Gard, but they're also still around
where you know, the critics who write for publications and
things that it's I envy them so much because they
just get to write and then throw it out there
and just probably not worry about it. You know, who
knows that they read their comments. But you put things
out on the internet, Which putting your opinion out on

(03:16):
the internet is the biggest oxymoron that I think I
could think of, because if you got to deal with
the comments and like you put your opinions meet other opinions,
and then you know, people start attacking you personally. But
the fact that you have been doing this for a
while you do it very well. By the way, now
you're at the Critics Choice Awards as a critic, a
culmination of what you've been doing. I can only imagine, dude,

(03:37):
like how much validation you feel. That also goes with
feeling like an imposter? Right another oxymoron?

Speaker 3 (03:43):
What I mean, even in the context right now, the
fact that you were excited to talk to me is
like you you reached out message You're like, how is
this a real day in my life and and like
shurning my web strange goofy, he's just not missing me
a DM And She's like.

Speaker 1 (03:57):
What what, Don't do that? Don't do that, cause like
I feel like we're gonna just be gushing about each
other for like the next like hours. So because I've
been watching you for so long, dude, like even before
because I started a YouTube channel back in twenty sixteen.
Nobody really knows this, but I remember it was like
right before my daughter was born. I was like, yeah,
like I was watching your video. I was watching Dan Meryl,

(04:19):
I was watching like Jeremy John's and Chris Stuckman, and
I was just like, yo, I want to like get
into this. I want to be a part of this.
And then my daughter was born and I put it
on the back burner, and so, you know, daughter was born,
got myself like a little grown up job doing advertising,
as we talked about, and then you know, TikTok just
kind of fell in my lap while I was working
in advertising, and so you know, I'm just kind of

(04:40):
like doing my thing and like I just want to
make videos and like talk about the things that I love.
And like I was just scrolling on my Instagram one
day a couple months ago, and I saw that you
were following me, and I was like, oh, excuse me.
I've been like in love with your content so much.
I love your list, I love your opinions, I love
your reviews. Like I just like am upse cess with
the way you talk about movies, because it's so hard

(05:03):
to talk about film in a non film broid way,
in a non pretentious way, in a way that exudes
joy for film while also being critical but not being
a dick about it, right, you know what I'm saying. Like,
I feel like people try to equate criticism with being
an ass yea when you know you're right, and like whenever.

Speaker 3 (05:20):
She's like, why are you talking about you? It seems
like you don't even like movies, Like what are you doing?

Speaker 1 (05:24):
Right? And it's just and it's like you wouldn't believe
how many times, you know, I would review a movie
and I will, you know, come with my criticisms, and
you know, but I'll say them in a way that's
just kind of eh, it didn't work for me, you know,
And like that doesn't mean it's bad, that doesn't mean
like it's the best movie ever. It just didn't work
for me, and people will either just say, why do
you love this movie so much? Or why do you
hate this movie so much? And it's like we can

(05:46):
add nuance and still have joy for the things that
are not the best things ever, right, And that's the
type rope that I feel like we have to walk
whenever because you know, our faces are in front of
the reviews, which means we get a lot of the
blame for that. So it's it's very interesting the light
of work that we are in. And like, I just
want to say thank you man, because you and all
those other names that I mentioned are the things that

(06:07):
got me into this content creation game. So to hear
you talking about like, oh, Shra, how Goofy did this,
I'm just like, no, you caven said yes the big
aud here, So I really appreciate that.

Speaker 3 (06:15):
Dude. It's I that's what's so fascinating about the world
of Internet fame is that it is we all have
different people that we idolize or that we watch, and
you know, you list off every single person you listed
off where the people I was watching before I started
on screen junkies and of course you know James, John

(06:36):
Stuckman and then now there are people that I just
kind of know, which is in and of itself a
little bit surreal, like in particular like John Flickinger, like
I'm just good friends with him. I've done comic cons
with and stuff like that, and it's it's it's an
interesting conversion in your brain from the person I was
watching to the person that I'm just buddies with and

(06:58):
and I still haven't gotten over it yet.

Speaker 1 (07:00):
Yeah, no, no, it's it really like puts everything into
perspective for you. Because I remember one of the big
ones that I used to watch all the time, and
I think I first saw him on screen Junkies movie Fights,
which I really want to bring back, dude, I really
like it was my dream to be in a movie
fight today. You know too, you know, so like I
really want.

Speaker 3 (07:18):
To bring it up back. We have a lot of overlap.

Speaker 1 (07:19):
Let's let's like one day like make this happen, because
like I've been dying to do a movie fights. I
kind of did a miniature version of movie fights, like
a testing ground one at Vigcoon last year, and it
was a lot of fun, and I was like, I
want I'm kind of addicted to this thing now. So
I'm definitely gonna make this happen again.

Speaker 3 (07:35):
I think most of the people in our kind of
era that came about, that's what we were watching in
twenty fifteen, and we're like, we want that again.

Speaker 1 (07:42):
Yes, so we're going to bring it back. Like I'm
going to bring it back. I will make it my
personal mission in twenty twenty five to bring it back.
But Coroy gendre in that like he is such like
a master at the speed round during movie fights. And
I remember going to a screening. It was one of
my first screenings that I went to for the Suicide Squad,
and I remember after seeing the movie, I remember seeing

(08:04):
my I don't think I've ever seen Cooy's whole body before.
He's always sitting down. It's always like from like the
big chest up. But I remember seeing this really buff individual,
like walking into the theater just his back right. I
felt like that scene in How I Met Your Mother
where Ted sees like the mother's foot in the thing
for the first time. But I saw him and I go,
did I know that could have been? Ah, it's probably nothing,

(08:27):
And I'm talking to my friends. We were sitting outside
the theater, and then I get a tap on the
shoulder and I turn around and it's Coy and he
looks at me and says, people have told me that
we should meet. And I said, wait a minute, first
thing he's ever said to me. And I was like,
oh my god, you're Coy Gendre. He was like in
your straw hat, goofy, and he was talking about how
he watched me for a long time. I talked about
how I watched him for a long time. And now

(08:48):
he's like literally one of my best friends in the world,
Like we've quite literally traveled the world together. I was
there when he met his now fiance Anye, who's like
amazing and like trying to wrap my brain around this
kind of life that we're in, just making a living
by talking about movies, which again you described it as

(09:08):
a hobby. I still see it as like a hobby, right,
And you know, we get paid to like do promos,
we get paid to like go places and see things,
and it's just like it's amazing. So again, big thank
you to you, man, Like I'm really excited to pick
your brain. Plus, like there's some movie news that came out.
We have a reaction for you because you hadn't seen
it yet, But we'll get to that right after. I
want to ask you the big question, because the reason

(09:28):
why I start this podcast is that I like to
connect with people about movies and I like to get
to know who they are, like just kind of like
the building blocks of who they are. And I feel
like movies connects us in that way, it builds us
up in that way. So a question I have for
you is, what was that movie or movies that was
the thing that changed your brain chemistry, right, something that

(09:50):
kind of like made who Sean is.

Speaker 3 (09:54):
I don't know if it's any one movie, right, I
think it's Summer nineteen eighty nine, okay, where Batman eighty
nine comes out, and it was Batmania, and that like
is kind of the kind of the start of my
childhood memories and a lot of certain senses. So I
had all the toys. Is the first time, like I
was excited for a movie. I still have the whole
notebook of collected cards for it and returns. And that

(10:18):
same summer. So I was born in San Jose and
then moved to Texas when I was seven and been
in Texas ever since. But that summer we drove back
from Texas to California, stopped in middle of nowhere theater
halfway between Texas and San Jose. This theudere's one screen,
there's a balcony, one screen, and if they didn't sell

(10:39):
twenty tickets, they wouldn't show the movie. And it was
Star Trek five, infamously the worst start movie.

Speaker 1 (10:45):
Actually is it that the wae where he says, what
will God need with the Spaceship? Yeah, yeap, love it,
love it.

Speaker 3 (10:52):
They're hunting down God and then he goes question, what
does God need with the Starship? Infamously the worst until
a couple weeks ago when they put out a TV movie,
A Star Trek that.

Speaker 1 (11:02):
Is now the worst. It was saved.

Speaker 3 (11:07):
So now my child, this pivotal childhood movie for me
is redeemed. But so it's just like that memory of
like being in a theater and it was an event
of like we're sitting there counting heads as people walk in,
and it got to twenty and we got to watch
I didn't know it at the time, the worst Star
Trek for five years.

Speaker 1 (11:26):
You don't know it at the time, History will tell
my friend.

Speaker 3 (11:30):
But that kind of led to the nineties kind of
just being in nerd culture with you know, my sister's
four years older and so she kind of drove a
lot of that. But we didn't go to comic cons.
We went to Star Trek conventions, same exact thing, just
more focused and went to movies all the time. And
then when Jackie Chan transitioned over the United States and

(11:52):
Rumble in the Bronx, I was suddenly like people can
do that. This is incredible because it's like, you know,
it'd been watching Van Damn movies, but that's a very
specific style.

Speaker 1 (12:02):
He very specific does slits, you know, try to like
chop like stop himself for being like electrocutey, and so
the splits is let's say.

Speaker 3 (12:09):
Yeah, And then you watch Jackie Chin. It's so fast
and it's so fluid. It's like this has a.

Speaker 1 (12:14):
Lot of personality with it. Two you know, like I
think I think it was a rush hour. I want
to say it was rush hour with the vase and
like he's like trying to keep the vase up and
he's fighting these guys and he has his face and
then it breaks, it goes shit, like you know, like
that was like one of the first action sceneson I
was like personality, Yeah, action cool.

Speaker 3 (12:33):
Someone on the plane yesterday's watching rush Hour too. It's
like they're watching Rush Hour. Yeah, but I saw that
it just like became obsessed and realized movies are bigger
than what I know. Like, wait, he's been making movies
over overseas and there's decades worth of them. So I
became like obsessed with Hong Kong cinema in the late nineties.

(12:53):
And so it was both Jackie Chan and then that
kind of branch of the martial arts and then John Wu.
So I started a fan page, Jackie Chan fan page
in nineteen ninety eight, where you could then a picture
of his body and you could click on the different
body parts to find out which movie he got injured.

Speaker 1 (13:07):
That's cool.

Speaker 3 (13:08):
It's cool also a little weird and creepy, you.

Speaker 1 (13:10):
Know, but he's putting it out there, yeah, you know,
and honestly, that's kind of you know, that fits into
what we love about movies, is that, you know, I
feel like and it may seem like a tangible stage
in the in film production are two completely different things.
Because the thing with stage is it's live and let's
be real, we're all waiting for to see somebody make
a mistake. And that's part of the fun of seeing

(13:30):
like a live show. It's like it's in your face,
it's happening, it's right now, whereas like film, yes it's
pre recorded, Yes it's been like rehearsed a million times,
similar to stage obviously, but it's the magic of this
is happening. How did they accomplish that? How did no
one get hurt when this happened? Turns out somebody did
get hurt a lot, and Jackie ched is able to
like show that off right. The amount of bone t

(13:52):
break I find like to be utterly fascinating to like
get the shot. You know, we see that with Tom
Cruise all the time, with like Mission Impossible, knowing that
him jumping from one building to the other, he broke
his foot and kept going, you know, Like it's it's
these type of things that make me fall in love
with movies. And I feel like I just got transported
to who you were, like in the nineties as a child,
like I was born in ninety two, so like not

(14:13):
to make you feel old or anything like that, but.

Speaker 3 (14:15):
In the space, oh you know, I feel like the
dad of the space. And especially like on film Twitter,
there's so many people at twenty five years old, like,
and I'm like what you were? You were born after
I graduated high school.

Speaker 1 (14:26):
Listen, A lot of a lot of my friends are
that way. Like one of my good friends, Matt Ramos,
who soups he's twenty three, yeah, and I'm like that
I met him when he was like nineteen twenty and
I'm just kind of like yo, like and all his
friends all my friends overlap and it's all around. So
I feel like I'm the new father this kind of
like thing. But the crazy thing is like I just
started like a lot of these people, Like some people

(14:48):
will call me unk or the og. I was like
one of the first people to do like TikTok movie
reviews because you know, before the platform was just kind
of like dancing videos and lip syncs and things like that.
And you know, I was just like always that kid
who just loved talking about movies. I was gonna like
talk to anybody about it.

Speaker 3 (15:04):
That's literally what my concept. I had interns in twenty
twenty eleven. I worked at a church and two interns
and somehow I don't even how this came about, but
I started lecturing them on John Williams Scores and it
was like riding on the you know who did the
score for John's Like we were just came out twenty
years before before, like John and so like you know

(15:27):
Harry Potter, Yeah, Harry, of course, you know Jurassic Park. Yeah,
John Williams.

Speaker 1 (15:32):
You just listened off to make a get all of these.

Speaker 3 (15:35):
And it was like, wait a minute, we're supposed to
be planning a youth group of what is this moment
in my life? And it was like had that like
that epiphany of like maybe I do talk about movies
too much.

Speaker 1 (15:45):
Yeah.

Speaker 3 (15:46):
I'm still good friends with both of them to this day,
and whenever they want to know like can I take
my kids to go see the Super Mario Brothers movie, Like,
yes you can, because that that those interns got married
and have a kid. So the movies it worked.

Speaker 1 (15:58):
You're a love for movies together. Now. I hope like
on their honeymoon they said, like, hey, remember when Sean
used to tell us about John Williams.

Speaker 3 (16:06):
We should watch that movie with the John Wims.

Speaker 1 (16:09):
Dude. Honestly, like, I really hope that they walked down
the aisle to like the Jurassic Park theme because of you.
That would be really good I had a very similar
moment when I was working advertising because even in my
you know, advertising job, people knew me as like the
movie guy, which is kind of where that came from
when I started this whole thing. But I remember we
were working doing a Google app and Google did a

(16:30):
partnership with their it was like the Google Pixel three
and they did a partnership with Avengers in game, and
so they were like, we gotta call Juju in on this,
because like he's the movie Marvel guy, like he knows things.
And I remember a good buddy of mine, his name
is Scott, he asked me. He said it was Scott
and his partner Bart. He said, hey, uh, can you
tell us a little bit about like the universe. Just
give us like a quick rundown of the ball universe.

(16:54):
My face said you better buckle the fuck up because
we gotta get into it. So behind our desk we
had like these like clear like boards and like whenever
you know, create in a creative space. It was like
one of those like Google type of places where you
just write things down on the board. I said, all right,
I took multiple markers, multiple colors in the colors of
the Infinity Stones, mind you. And I wrote down every film,

(17:15):
every timeline, every character, every stone, and I said, like,
here's the main thing. This is like before Black Panther
came out too, so I brought in theories. I said,
all right, purple is the powerstone. When you think power
think Guardians of the Galaxy, think Thanos purple guy. Okay,
we locked at it and it like literally it became
you ever see that meme of Charlie Day of like
he's like yeah. It was literally that, but with like

(17:37):
Marvel things on the white board, and I literally by
the end of this lecture it was like twelve people
just sitting there like whoa, like look at this guy
go And they kept that up for the rest of
the years, like and we would reference this board when
we were making this ad and they were just kind
of like, well, holy shit, like this guy, you know,

(17:58):
put this together.

Speaker 3 (17:59):
So so that was a total rabbit trail that like
the way you described that excitement for that phase and
time in Marvel. That was was so fun. And that's
where people tell me like Marvel's just as good as
ever was, and like, hey, they are absolutely fun, exciting,
great things still, absolutely yeah, but there was something so
special about that lead up to Infinity warn endgame that

(18:19):
there is nowhere close to that right now, and I
hope I want to get back to you.

Speaker 1 (18:23):
Yeah, I feel like we are on the way, like
you know, we'll talk about this in a second, but
the Fantastic four trailer just dropped, and I described twenty
twenty five as the year that's a gut check year
for Marbars Studios, right because I think what was so
exciting about that time is that if you take it
back to Phase one, Phase one was clearly leading to something, right,
It was leading to the formation of the Avengers. We

(18:43):
didn't know this until that post credit scene in Ironman,
and then in all honesty, like those Phase one films
were still pretty rough, Like Ironman two to me is
still pretty rough. Thora is definitely rough. First Avenger, I
think it's like very like worthwhile of a watch. But
they're just kind of like pretty good films, right with
with the exception of Iron Man and uh, the Avengers
in that like phase but we were waiting for the

(19:04):
Avengers because we have never seen an event like that
in cinema period.

Speaker 3 (19:09):
And if you weren't there at the time, if you're
young enough, if you were born in the year two
thousand and you can't appreciate growing up without that and
realizing everything's a team up movie now. And that was
the first one. Yes, and like, uh, iron Man, it's
so difficult to remember, was like a B minus level

(19:31):
Marvel character.

Speaker 1 (19:32):
Ironman, thor Captain America, all those guys like B even
C level.

Speaker 3 (19:36):
These are not the A list, and they made them
the A list and some of that, and like took
actors that were not A listers, like like Robert Downe.
You of course had his like shipwrecked his.

Speaker 1 (19:47):
Career sevens had like like teen comedies and whatnot. Not
another team movie, perfect day shit like that.

Speaker 3 (19:53):
Yeah, but was not who he is now.

Speaker 1 (19:56):
And Chris no nobody. He was the star of.

Speaker 3 (19:59):
The first ten minutes of Star Trek nine and their
big star was Edward Norton.

Speaker 1 (20:05):
Yeah, yeah, how that lasted.

Speaker 3 (20:08):
And my wife had no idea who iron Man was.
She's like, just that looks like a pretty cool movie,
and it then.

Speaker 1 (20:15):
It was it actually watched, it was like.

Speaker 3 (20:19):
That was as good as I think.

Speaker 1 (20:20):
You literally walk out like okay, that was pretty rad.

Speaker 3 (20:24):
What just happened because something happened in that moment and
then you get to Avengers, and like everyone would go
see it over and over again, and it seems very
quaint now if you compare it to what came afterwards,
But it was such a like we've never done this before,
and it made everyone excited exactly. People like did not

(20:46):
know who the Avengers were suddenly loved the Avengers.

Speaker 1 (20:50):
And like, if you look at the construction of that movie,
a lot of that movie is just dialogue and character interactions.
That's what Joss Wheden kind of like Milt, a lot
of his career off of was character relations, characterization and
just seeing these characters in a room interact, and that's
a large chunk of the movie. Yeah, there's pretty great action,
nowhere near what we see in the MCU today. But
it was just really cool to see Tony Stark and

(21:11):
Kritt and Steve Rogers just like debate, which would be
the nuggets for Civil War further down the line, and
seeing things like Thor and Hulk, like you know, Hope
punching Thor after that awesome tracking shot scene.

Speaker 3 (21:23):
And it shouldn't work because it's like it's a corny joke. Yeah,
it's a very corny low but it works. So well,
it's perfect.

Speaker 1 (21:32):
And something that I need to point out is that
the Avengers where they're most colorful in that movie, Like
all the colors now have been like since muted, like
you know, a little cooler, but they were like they
were literally like the super Friends, but like on screen.

Speaker 3 (21:44):
Captain America suit, it's like so blue, it's so.

Speaker 1 (21:47):
Blue, it's so goddamn blue. And Iron Man's is his
most red, like he's Spider Man red and in that movie.
And so then like after that, that's when you can
hit the ground running. That's when, like, you know, I
feel like Phase two was still kind of finding its stride,
like trying to test what characters can we really show.
Guardians of Galaxy turned out to be a really good hit,
and it was like, okay, like we could do anything now.

(22:10):
But it was that Phase three that was like we're
heading into something.

Speaker 3 (22:15):
It together.

Speaker 1 (22:16):
It took what we were feeling in that Phase one
leading into Avengers, and it blew it up by ten.
And not only did to say remember how you felt
when like six characters came together, this is twenty five
characters coming together.

Speaker 3 (22:29):
And twenty plot lines and character arcs.

Speaker 1 (22:34):
And it all had emotion it all had pathos. It
had one of the greatest endings. And I feel like
in sentem a history with Infinity war right with like
everyone turning to dust and like a lot of us,
like you know, if you read comics and if you
knew this, you knew what was happening. But it was
executed so well. And the fact that you lived with
these characters for so long, that was the biggest emotional
gut punch of Like wow, the characters that I've like

(22:58):
in a way, grew up watching, you know, just like
from my teen to adult life. I just saw them
get clapped by this giant purple dude who is also
the secret protagonist of the movie, Like who what? It
was like a mind blowing thing. And then you know,
Avengers End Game was like this three hour I called
a movie that was like three movies in one. It
was like a drama at first, and then it became

(23:19):
a time travel heist movie. Then it just became this
action like war movie with your favorite heroes, and all
of it worked so well. Now Phase four and five,
you could tell that there was a direction with like
the whole multiversaka, I don't know where it was headed,
Like I know Kang was at the end of it.
I don't know what the endgame four that was, but
you could just tell they were just kind of like

(23:41):
testing things like setting things up, and it just felt
like a lot of setup. And you set things up
too long, people start to lose interests, and it just
didn't feel like it was going anywhere. And I still
feel like in many ways it's we don't know if
it's going anywhere. Fantastic four, Captain America and hopefully X Men,

(24:02):
we'll see, like if we have like a clear direction.
I feel like once we have a clear direction, people
will have something to look forward to, and once they
look forward to something, they can like enjoy it again, right,
And like that's what I feel like. People will say
the MCU is back, so.

Speaker 4 (24:15):
But the Yeah, I saw a video and I think
it put it the best together where it said the
big issue with things right now is time, and what
they meant by that was both the number of times.

Speaker 3 (24:27):
You see characters, how often you see those characters? Yes,
and so you go in two thousand and eight, you
see Iron Man, and then he shows up a month
later in Incredible Hulk, and then the next Iron Man two,
and then the Avengers to you, and then you spend
so much time with him, and you spend time with him,
and Captain America is setting up an arc there, and
then they have the little banter moments that set up

(24:50):
you know, they're trying to pick up the hammer. The
reason that the Captain America picking up the hammer is
so meaningful.

Speaker 1 (24:57):
Is because you remember that moment, like you.

Speaker 3 (25:00):
Had a sequence that was not intended to set this up,
but it sets it up perfectly. And because we care
about the relationship between the two of them, Like the
most basic line, I knew it. Yes, you're just saying
it like you have get chills saying is like what
a great line that in the middle of this fight
for their life, he's proud of his friends. Yes, Like
in the moment, the first the setup scene, he's like

(25:23):
nervous and embarrassed because like it has to be just me,
but of course his friend. And it's so good And
so we buy into all of these different things, all
these plot lines, conflicts and everything like that. And that's
where I look at Doomsday and cigare Wares and I go,
you haven't done all the work, the work that made

(25:44):
those last ones so good exactly and like, you know,
when was the last time we saw shan Chie, Well
it was what the month ago? But what I mean,
but that doesn't really count, and so we say that
we introduced him and then nothing.

Speaker 1 (25:56):
Not just that, but it's also like the plot point
of like then that are in the rain, It's like,
what are they call it out to? It feels like
they completely forgot about that and I'm still waiting for
the answer to that, right like it like they they're
just now starting to pay off like the whole Tiamut
thing and like making use of like the giant celestial.

Speaker 3 (26:13):
Thunderbolts should have closed out phase four and so you
kind of go, take this movie.

Speaker 1 (26:18):
Setting up Thunderbolts, this falcon in the winter.

Speaker 3 (26:20):
It's like all of the characters in this they like
there wasn't any was there any new setup for it
in phase five? She just take it and your root,
no new characters, eternals, like all just right there.

Speaker 1 (26:32):
Fun fact, the earliest character introduced outside of Bucky and
for Thunderbolts, the earliest character introduced is Ghost, who was
introduced in like in the Wasp, which is like before
Thatles even was done with.

Speaker 3 (26:47):
Yeah this like that that was now seven years ago,
Like she was the villain in the movie that most
people forgot about because it was the sandwiched between these
two event films and it wasn't Captain Marvel. So it's like, oh, yeah,
that one, and now she's part of the Thunderbolts and
you go back to the concept of time, like that's
way too long. Nobody cares and like, you know, we

(27:09):
introduced John Walker and it's like like you're like, I
haven't seen him in a while, and it've seen him
since the second project of this phase, and you're.

Speaker 1 (27:17):
Like what what what? Why?

Speaker 3 (27:19):
Why did you wait so long to do this project?
That's the obvious follow up to all of the setup
that you did then, and so you don't have that
thing pulling it together in the question like the big
question who are the Avengers?

Speaker 1 (27:30):
Can I ask you a quick question? Okay, do you
think we'll ever see Harry Styles as Star Fox again?

Speaker 3 (27:39):
It's trying to think like where where could that go?
Where would it go? Where?

Speaker 1 (27:44):
What? Like what like THATTS is done and like I
don't know if the Eternals are coming back, right, I
don't know if they're coming back. And that's the only
way because like they set it up as if he's
coming back with the Eternals because his last line is,
let's go help your friends. Yeah, And I'm just like,
who's friends? Who is who? Like what's happening?

Speaker 3 (28:00):
And I'm old enough that I mean, I know who
Harry Styles is because I was working with teenagers in
the one direction and of course of course the movies now,
but like not of the age to where he was
the impactful for formative years. I mean, I'm in the
theater and when he shows up on screen, every girl
in the going nuts, nuts, going nuts for that. And

(28:22):
when were they When are they gonna follow that up?
Is he just gonna be like character number twenty eight
on the roster.

Speaker 1 (28:28):
At this point, He's Howard the Duck showing up to
the venders in game War in the background at this point,
like cause and again I feel like and this is
this is like the difference between casting and then kind
of like you know, cameo stunt casting, right, And I
feel like they muddied the waters with that one because
it's Harry Styles. He's in the movie because yeah, he

(28:50):
was in things like Dunkirk and he just had the
the Olivia Wilde movie, Don't worry Darling, Don't worry Darling.
So he's like you know in movies, but like he
was also pretty because he had that huge album that
came out Watermelon Sugar and that one did he know
it has?

Speaker 3 (29:06):
It was?

Speaker 1 (29:07):
And they were just got like, hey, Harry Styles, he's big, right,
and like that would have been cool if you was
just a cameo and he's out, but you set him
up as like a major player in this universe. Now
that you kind of have to pay that off in
some way, and I don't feel like they're going to
do it.

Speaker 3 (29:25):
It's even like that the lack of vision, like strange
casting stuff. I mean the gigantic obvious one Blade that
they announced that in twenty nineteen and like all right,
most anticipated Marvel product. I can't wait, Like what do
we get? Like we got an Oscar winner, Like yes,

(29:46):
we're taking this seriously. And then six years past are
we taking this? Like what just happened here? And you
know he shows up in the eternals like doing a voice,
cameo voice all he got and like when I started
doing the math on it went Wesley Snipes, who's actual
martial artist, like known just like he's good too, stop

(30:09):
playing Blade when he was forty three until obviously coming back,
but like his main run ended at forty three. Yeah,
Herschel was already this fifties and you go, can you
start playing a vampire in your fifties? And you go,
how did you? Guys? Like Blade seems like one of
the ones. It's easier to make a story out of it, like.

Speaker 1 (30:27):
The fact that it took this much, and that there's
so much going wrong with Blade. It's like, first off,
I don't condone just like copying, pasting, or even just
kind of like like I condone doing influences. You already
have a blueprint of this works. You have two of them.
You have Blade one, you have Blade two. At the
very least, you can so Gambado Toro on one of

(30:48):
those things you bring in here. Hey, man, we're struggling
doing this vampire Marvel movie. But you know what I
think it is, man, is like I feel like Blade,
It's that's gonna be a are rated like MCU movie.
And I know there are gonna be some people saying, like, oh, well,
Deadpool and Wolverine, this and this and that that was
a fun R rated MCU movie. Like it still fits. Yeah,

(31:10):
you know, you just get a little bit more blood
and a little bit more swearing, and like, hey, just
tell your kids not to watch it until there's seventeen
and you're good to go.

Speaker 3 (31:16):
My son has been desperately trying to get to see Tadpole.

Speaker 1 (31:21):
And you gotta be like, listen, I have a seven
year old daughter, and like she sees colorful superheroes in
the on the posters, like with like the way place
that we live in La you see a lot of
superhero posters. There is a Disney owned billboard right outside
our house. So we've looked at Deadpool and Wolverine staring
at us on the way to school every single day.
And you know how kids try to do the reverse psychology.

(31:43):
She's always just kind of like ill dead Pool and Wolverine.
I don't want to see that. Uh Like I'm just
kind of like, I know you want to see it,
Like I get it, but you gotta stand pat on it.
But again, like even though kids can't watch it, it
still feels like something that like fits with in the
MCU Blade, you gotta go hard. You gotta go hard

(32:04):
with Blade. We're talking like people are getting ripped open.
We're talking like like Wesley Snipe's level, motherfucker, some motherfucker's
always trying to ice skate uphill. Those are lines I
want to see and like I feel like and because
I read my comments section, and I don't want to
be affiliated with these people. But I don't want the
disneyfication of like of a Blade. I don't want Blade

(32:27):
to be softened. I want him to be as hard
as he could be. And I feel like Marvel is
struggling because they know it has to be that, but
they're trying to have their cake and eat it too,
played by the rules of the mouse, and that's where
the big struggle is coming in. Again. I'm not behind
the scenes. I don't know these things. It's just we
know what Blade is supposed to be, and you know,
we've been burned by like things that were in the

(32:49):
MCU that were like, oh, this is more greedy, more mature.
Moonnight was supposed to be that, Daredevil was supposed to
be that Hawkeye was supposed to be that, but they weren't.
So I really hope that if it ever gets off
the ground, because now Maharschel is in Jurassic World now,
which you know, I think that will be a perfect
transition into talking about the next thing that like was

(33:11):
like big news because like you have fantastic for MCU.
A new trailer for Jurassic War Rebirth just came out
and it's the first movie in the Jurassic World franchise.
I've been very in fy al the Jurassic World movies,
Like I find them to be like really fun, very
like you know, Monster Eat them Up flicks. You know,
Chris Pratt is an action star, but now they got
a bona fide action superstar, which I don't think we

(33:31):
give enough credit to Scarlett Johansson being a superstar, very
similar to like Tom Cruise, Robert down Junior, all these people.
But it's her Dan Stevens who's having himself a really
big year. Yes, between this and then Wicked for Good,
which I think his role is gonna be even bigger
than that, and then Mahershali you know who should be
Blade by now this should have been his big year.

Speaker 3 (33:52):
But even when you play that out of yeah, since
he now it's just Blade there rode a thousand drafts,
hired a thousand directors and then they just went like
we're gonna write and direct and make a whole new
Drastic World movie before between scripts, drafts.

Speaker 1 (34:11):
Before that, even before even like the trailer, like.

Speaker 3 (34:15):
We can't even figure out who's directing the movie. And
he does a whole Jurastic World movie.

Speaker 1 (34:19):
My gosh what And that's gotta be funny for him,
where he's like, dude, I've done he if he does
a second movie in between this time, I feel like
we should be studying this type of like development because
like it's one thing that be in development. Hell when
you're just a standalone movie and then it just like
ends up on the cutting room floor and then like
things just happen. This is like a movie that's a
component and a giant puzzle piece. So it always feel

(34:40):
like this story can't move forward without this thing coming up.
And I don't know what the movement is. It still
feels like we're at twenty percent capacity, I suppose, and
Maharschaul has the entire twenty So we got a trailer
to watch. This is the first time Sewan has watched
the trailer for a Drastic World rebirth.

Speaker 3 (34:57):
Doctor Henry Lumis, this is Zora Bennett, our mission specialists, Sorry,
what mission? This would be a medical breakthrough that could
save countless lives. It comes from the largest dinosaurs on
the planet. Oh my god. Fortunately for us, all these
species exist in one isolated place.

Speaker 1 (35:18):
How can me?

Speaker 3 (35:18):
Can you be ready tomorrow? I can guarantee your safety there,
I mean more or less, more or less.

Speaker 1 (35:26):
This surprising warlike Jurlassic Park. He's your guy. We're the
best that moving things and people and an out of
places they shouldn't be coop.

Speaker 3 (35:36):
Up towards Barbados avoid government patrol. But there aren't that
many anymore, mysach. No one's dumb enough to go where
we're going. This island was the research facility for the
original Jurassic Park.

Speaker 2 (35:53):
We need DNA from the three biggest dinosaurs.

Speaker 3 (35:57):
Do we have to get a sample from an egg?

Speaker 1 (36:01):
I suppose we could try and get it from the parent,
but they're a flying carnival the size of an F sixteen.

Speaker 3 (36:06):
Maybe we should make it quick.

Speaker 1 (36:09):
He is so these dinosaurs.

Speaker 3 (36:21):
We're too dangerous for the original park.

Speaker 1 (36:24):
CRIO, say directors, the worst of the worst.

Speaker 3 (36:31):
We're left here.

Speaker 1 (36:37):
Again.

Speaker 3 (36:45):
We put ourselves in a place where you don't belong.

Speaker 1 (36:50):
Survival is a long shot.

Speaker 3 (36:54):
What the hell are those they're helping them.

Speaker 1 (36:57):
Roses defend territory, stalk hunt.

Speaker 3 (37:01):
None of what you just said is good.

Speaker 1 (37:14):
There goes at John Williams, All right, what do you think? Man?

Speaker 3 (37:23):
So I'm perfect age for when the first Jurassic Park
movie comes out. I was in middle school and so
I mean everyone was the perfect age with that movie.

Speaker 1 (37:34):
If you in the theater, anybody.

Speaker 3 (37:38):
To have childhood like Wonder a dinosaur movie and all
the breakthroughs, So that, like is another one of those
foundational everyone. My age is that's one of our top
ten favorite movies, as it should be, and nothing's really
kind of lived up to it, I think ever since.

Speaker 1 (37:59):
Which is fair, you know, with parts of Strike, Lightning
and a Bottle, Right, you're talking.

Speaker 3 (38:02):
About the best director of all time arguably I would
say that, but everyone puts him in that category. Uh,
in the peak of his career, adapting the best book
from a prolific, highly celebrated writer and working with the
I would argue the best composer of all time in

(38:23):
John Williams, and you kind of go, of course, you
get get the perfect thing, but they're trying to figure
out how do you continue to capture the wonder as
well as the horror and the action.

Speaker 1 (38:39):
I think that's the big one, the wonder and the
horror at the same time.

Speaker 3 (38:43):
And so Jurassic World feels like a bit of a
fun rehash, like it's twenty first century. Just amp everything
up and it works as that your blockbuster roller coaster.
It's it's too dumb. It gives away all the marts
of the original. There's none of the intelligence.

Speaker 1 (39:02):
You've created a dinosaur whose specific diet was you Yeah,
and thought, yeah, this will be fun to put in
front of the kids.

Speaker 3 (39:09):
Yeah, well so, but I had a lot of fun
with the first one and then the other two. I like,
just as dinosaur movies. There's fun they had, but they
even from their huge diminishing returns. Yeah, I watched this trailer.
Makes me very hopeful, Okay, Like it was equipier, equippier

(39:31):
than I would like. Yeah, like we gotta pause every
twenty seconds to go.

Speaker 1 (39:36):
Say a line, give you a little little laugh track.

Speaker 3 (39:38):
But what it felt like is you found another fun
dinosaur adventure and a potential way to kind of maybe
get some of the wonder. Yes, here's this thing over
here that's been running wild. It's not the domesticated dinosaurs. Yes,
that of course aren't domesticated. It's the ones making their
own thing that we were afraid and so they them

(40:00):
alone and we're going to go explore there in this
wild place. Uh you mentioned Jurassic Park three. It absolutely
has that.

Speaker 1 (40:07):
Favor of people going there, going to an island and
get some mercenaries together, like we're here to get something
and get out, like you know, it has that, but
it's talking raptors.

Speaker 3 (40:16):
Though unfortunately we've seen.

Speaker 1 (40:21):
Shot in a movie. Let's not.

Speaker 3 (40:26):
This feels like a better excuse. It doesn't feel like
we're going to do mercenaries, but they're they're not mercecenaries,
which they did in the last one. Is like they're mercenaries,
I mean, but not really really like to protect like
why why did we why did what were you doing?
So it seems like there's a lot of potential there.
It's the guy that wrote the script for the original one. Yeah, Now,

(40:49):
adapting a script is not the same thing as we're
coming up with an original story. But he does have
a long career in Hollywood. He has plenty of misses
in there too.

Speaker 1 (40:58):
He's not it's not always you know, but.

Speaker 3 (41:01):
Going back to someone that crafted the vibe of the
one that I love very good sign and then our director.
He knows how to deliver great visuals, both in terms
of VFX.

Speaker 1 (41:16):
Because he's a master of scale. Right now, I feel
like when it comes to I think him and Christopher
Nolan are two of the best in the game when
it comes to and I'll also put in Chloe Jao
as well, are the best at delivering visuals with scale
that I've ever seen in film.

Speaker 3 (41:30):
And that's one of the things that's been missing for
from was missing from the Jurassic World movies.

Speaker 1 (41:35):
Yes, is it goes back to the wonder you were
talking about.

Speaker 3 (41:38):
It's like, let's treat dinosaurs like their common and there
wasn't the ability to make a dinosaur seem like this
is incredible. Like I can still thirty years later, thirty
two years later, rewatch the first scene when they see
the dinosaur, and it's just one of the best scenes
because it captures the sense of wonder. Yes, And so

(41:59):
much of it is that the ability to show scale
and be able to like have characters experience what the
audience want to experience, and it has that sense of wonder. Yes,
And you get a director that that's like you, there's
criticisms of this Godzilla movie, yeah, but there's also.

Speaker 1 (42:19):
Like no denying whoa Godzilla is. Like they he does
a great job at showing Godzilla as a otherworldly force
walking amongst people who think they're the shit in the universe,
and then people confronting the fact that oh shit, like
this is this is a god right, And you know,
I feel like that has always been an essential thing

(42:41):
about the Jurassic Park in Drastic Well, it should be
Drastic World movies should be where you know, you have
these people who are scientists who think they have everything
figured out. If not, they're trying to figure everything out,
and they're confronted with something that we haven't seen in
sixty five million years and it's such a wonder and
like such a gut punched them to be like wow,
like Jeff Goblum was right, we shouldn't fuck with this right,

(43:06):
and to have this movie and Gareth Thatt, where's hopefully
he can like I have a doubt that he will
be able to do that within the film, but I
want to see that in the characters, like them recognizing
like we're in a world where this isn't our own anymore.
And I feel like Steven Spielberg. I can't remember who
said this. I want to say it was Dan Merle,
but he's a master creating wonder in all of his films.

(43:31):
And that's what I And that's the one thing that
I didn't really like dig with the previous Drassic World movies,
where I never felt a sense of wonder. I just
it felt like exactly what Jeff Goblum was talking about
with that awesome monologue that he gave when he said,
before you even knew what you had, you packaged it,
you slapped a little sticker on it, put it on
a lunch box, and you just putting it out to
the masses. And that's Jurassic World. Those were the Jurassic

(43:53):
World movies right well.

Speaker 3 (43:55):
And you think it's even built into the plot that
dinosaurs aren't that exciting literally the plot of the movie.
I mean, like dinosaurs, but let's cook up a better one,
because like a scarier one like and you immediately go,
there's no shortage of monster movies out there. You just said,
let's make a monster like that's not as interesting. Yeah, dinosaurs,

(44:17):
the things that we're on our planet, like, that's so interesting.

Speaker 1 (44:21):
I have a huge like when it comes to creatures.
I have a huge thing when it comes to existentialism,
Like whales freak me out because they live on our
planet and they are things that are just like these
gigantic living things, Like I think the size of their
brain is like the size of a car or some
shit right there, Like basically, I have a rule. I
don't funck with anything that can eat me by accident.

Speaker 3 (44:42):
Right, that's wise, That's a good I'm gonna write that
one down. I have it tat it on my right,
but I've been looking for something to get on my
lower back.

Speaker 1 (44:53):
There you go, I won't. You don't have to charge
me for it, just like put a little like j
ju on it for like your little copyright. But like
things like that, things like the universe, like what could
be out there, like things that lived on this planet
that were ginormous, like uh, the Megaladon, you know, a
giant sloth creature that was ten times bigger than a bear.

(45:13):
Like shit like that terrifies me, but it also fascinates
me because I'm like, how can something like that exist? Right?
Because you know, I live in Los Angeles, Like we
don't even see deer around here, you know, Like I
see a deer and I'm like, whoa, Like these are
real And so.

Speaker 3 (45:30):
We're like in Texas, like they'll they'll just walk in
your backyard if you don't have a fence. So like
at my in laws, we'll just be at their pool
and there'll be just deer walking around in their backyard.
An go other places, it's.

Speaker 1 (45:39):
Like everything stops. Everything stops, like deer. WHOA.

Speaker 3 (45:45):
Like driving my daughter to preschool, we would drive by
several fields of cows.

Speaker 1 (45:50):
See you just see like a cow.

Speaker 3 (45:53):
You see them everywhere. If you don't see that normally,
it's like there's a bunch of cows over there.

Speaker 1 (45:59):
I remember, se I don't want to get too much
into like the animal. Listen, this is this is no
longer a movie at cow. We're just talking about animals
that fascinate us.

Speaker 3 (46:08):
What animals have you seen them?

Speaker 1 (46:10):
Well, let me tell you. But like like my grandmother
used to like have us go from like Los Angeles
to Fresno a lot, and then for one year I
did live in Fresno. But on the way up there
will be like fields and fields and fields and you
can see these fields. Also like driving up to San
Francisco if you don't take the coast, and I remember
just being in like that back seat, just like on
the window looking at cows because I'm like, whoa, those

(46:31):
are cows, right, Like, we don't see cows a lot.
They're just things that you hear, we drink the milk
and cheese from, so, you know. But back to the other.

Speaker 3 (46:38):
Places, they'll just have these animals. They're they're just on
the side of the road. Cows are just on the
side of the road.

Speaker 1 (46:45):
And I can't fathom that. With Jurassic World, I really
hope that this movie. You know, with every Jurassic World movie,
they it's always like the promise that we're bringing something
back that you missed from the original. And I feel
like that's with a lot of legacy sequels and things
like that. But with Drassic World, I feel like, I
I like the other movies for what they are. They're

(47:07):
not the original Jurassic Park. They're not gonna be my
most they're not gonna be on my top ten list
for best movies of the year, but I will still
have fun with them. I really hope that this movie
not only delivers like what I miss about Jurassic Park.
But given that, Gareth at Ward, it's like flair those visuals,
Like I want to be wowed by dinosaurs again, right right,

(47:28):
And I feel like, you know, the world still loves dinosaurs,
like I think each one made a billion dollars anyway, right,
you know, So like I don't think they're gonna be
hurting for it. I think I'm still gonna have a
lot of fun with it. And I'm also like kind
of coming to terms with like just making movies just
to entertain, you know, that they don't always have to
be like this life changing event like the original one was,
but rebirth Hopefully the franchise gets rebirth.

Speaker 3 (47:49):
Well. Even even as you're kind of saying some of
that and thinking about this trailer in terms of the
last movie we got, which seems like that film completely
like missed the mo of just you released dinosaurs across
the Earth that was the South there were. We are

(48:11):
now in the Jurassic World, So what are we gonna do.
We're gonna do the epic Avengers level Jurassic move. We're
going to bring back the original people, you know what,
We've wanted to see Alan Grant doing what if he
did corporate espionage in Evil Apple in Europe and you
immediately go, what in the plot of the movie is

(48:33):
that evil Steve Jobs is sending locusts out to kill cornfields?
And you say it and you go, how did that
get past the brainstorming? How did no one in the
room go nobody wants Jurassic World to be that movie?
And did you see the short film that they made
between films like Battle of Big Rock or something like this.

(48:54):
It's about ten minutes long. Colin trevorro did it like
it's him and it's like a family is in out
camping in their RV and they're attacked by a dinosaur
and so it's just like a family and it's nighttime
and they're just trying to survive, and you went, is
that what the movie's gonna be?

Speaker 1 (49:12):
Yeah, and that's gonna sounds right.

Speaker 3 (49:15):
It's like, Okay, people doing normal life and all of
a sudden, this gigantic thing can topple over your RV.
Isn't you know? Ten minutes long? And it's just like
a cool scene, classic Jurassic sequence. And then they want
to put us over in a preserve over way over there.
It's like you you literally took it from the concept
that was so exciting, the thing that's what was exciting,

(49:38):
and then you went put it back on a preserve.
And even worse, you took one of you know, behind
Indiana Jones, the second best outdoors the adventurer of all time. Yeah,
and you put him indoors.

Speaker 1 (49:57):
I've never heard no one describe this movie and the
assassination of the great Alan Grant in this way, and
now I can never like watch it the same way.

Speaker 3 (50:07):
You think, like it's kind of fun to give him
the romance, and like I don't hate that. I don't
fully love it. I don't hate it, though, but like,
but you turn him into like, you know, he's a
puppy dog, high school crush on the girl from the
first movie, and it's like nicest and you're like, of
all the things you could do with Alan Grant, like me,
and you take that movie off the table. You sat down,

(50:29):
we got a whiteboard and we're gonna brainstorm. We're doing
Jurassic World. We're gonna bring back Alan Grant, and you're
trying to think, what is what would we write down,
you know, what would never even make it lit? Every
single thing they.

Speaker 1 (50:41):
Did give them, the crush like all these things. Yeah,
I like wow. Like honestly, like seeing Alan Grant back
was like, I guess enough for me, but I did
have this sense of just this actually was for me too.
You're right just seeing him back though what he was doing,
I was like okay, Like like every time he came
in a scene and the scene end, it's good to

(51:03):
have you back, Alan, It's great to have you back auled.
Like there's I.

Speaker 3 (51:07):
Rewatched the first half of it not too long ago.

Speaker 1 (51:10):
I haven't watched it since it came.

Speaker 3 (51:12):
I don't remember. My wife she just monster features. She
just throw them on.

Speaker 1 (51:17):
So that was on.

Speaker 3 (51:18):
And there's a bunch of things in it that either
give me the feels or there's an idea there that
you go, that's the better movie. And you even you know,
have Chris Pratt, you know, out wrangling loose dinosaurs and.

Speaker 1 (51:31):
You go, yeah, that's good ship, And I like, why did.

Speaker 3 (51:35):
We introduce human cloning? And he's got he's like raising
a little girl, Like this is a weird plot line,
but at least it's like like there's a there's some
sense to it. And then like the the what the
was it? Blues Baby gets and you kind of think
for a second, like if we're gonna be in a
franchise where we had Chris Pratt like on a motorcycle,
like riding with velots of raptors, why not have him

(51:58):
go on a revenge with his velociraptor, Like let's do
take it.

Speaker 5 (52:02):
Yes, yes, yes, they've already got They've already had the
whole scenes where he's riding a motorcycle and like like like,
what what do you want to call like dark market
backstreets where they're doing dinosaur legal dinosaur fights like their
dogs and he's like riding through these things.

Speaker 1 (52:18):
I'm like, this is already kind of taken already. We
might as well just go full on and let's.

Speaker 3 (52:23):
Get dude taken with the dinosaur and let him and
Blue go in and like I'm gonna get your baby back.

Speaker 1 (52:29):
I'm gonna get you.

Speaker 3 (52:34):
Listen, nobody takes blues Baby.

Speaker 1 (52:37):
They they really like miss the mark on just doing
anything with blues, the blues baby alliteration. They should have done.

Speaker 3 (52:43):
Something with that, just like you said something but you know,
oh that's I mean, that's that's stupid. This is a
stupid idea, but a really fun like I accepted in
this context and instead locusts in corporate.

Speaker 1 (52:59):
It's a prett espionage. I want that on a T shirt.
I want to put that on the back of this shirt.
Is a matter of the fact.

Speaker 3 (53:04):
But the goofy guy from the open at one of
the scenes with the wear in the hat.

Speaker 1 (53:10):
Goofy guy, I can thinking like, just oh uhs Dotson, Dotson, Dotson,
we got Dotson.

Speaker 3 (53:18):
Let's dot say, let's bring him back, and now he's evil.
Steve Jobs like what these are you? Literally? Were you
trolling us?

Speaker 1 (53:28):
Like did you think.

Speaker 3 (53:29):
Intentionally come up with the worst hospital?

Speaker 1 (53:31):
I think a little bit. Well, here's my thing, man,
and before we like this is what I'm gonna say,
like while we close this, like Jurassic World loop is
that I'm a big believer whenever I'm watching a movie
or whenever I'm watching a franchise, is that you either
know when to not go too far right or if
you go too far, you gotta go far, like you
gotta go full tilt right. And I feel like I

(53:52):
feel like Jurassic World and I've learned to accept this
went too far and I really want them to just
I also, I'm gonna pitch you this like, I want
them to combine with another franchise that are an expert
of going too far? Do you know what I'm thinking of?
We'll say it on three. If you know what I'm
thinking of? One, two, three, Fast and Furious, Yes, yes, yes, yes.

(54:19):
So with that being said, as long as we're going
down this path, you see, we're right here. We know
what we're talking about. So with that being said, here's
my pitch. Okay, okay for Jurassic and Furious. So we
have it. Opens with Don Toreno and his familiar at

(54:41):
home doing a cookout. Kurt Russell shows up and he's like, Dom,
I need your team to go to Costa Rica to
get an asset off this island. Dom says, yes, the
team together, I'm gonna get the I'm gonna get my
family together. Let me finish, let me finish my Corolla.
And I'm out right, I said, Corona, Corona, Sorry, Corona,

(55:01):
You're never gonna sponsor me now. But so, so they
do what they do and with Fast fir or six,
they air drop their cars via parachute and helicopter all
to this island. Letty goes on her motorcycle. She scouts
in the front of the jungle to find any wrongdoings.

Speaker 2 (55:18):
Right.

Speaker 1 (55:18):
So, as they're driving, Tez and Roman are arguing like
they always do. But Dom he's starting to see that
this place looks very familiar. It looks very familiar. Out
of nowhere, Letty's calms go off. They just static. So
they're looking for Letty. As they're driving their cars in
this seemingly abandoned jungle out of nowhere, Roman starts yapping,

(55:40):
as he often does, because he starts to hear a
sound for some reason. He's drinking and driving, and there's
konyak Oh and his cup holder, and just like the
classic scene in the first one, we hear a stomp
and we see the conyak ripple in the car right.
Roman says, what's going on here?

Speaker 3 (56:01):
Man?

Speaker 1 (56:02):
You know Tarres is great and delivered this. He can
do it. And then Dom says, I always knew that
this place really existed, but obviously a poor man from
Los Angeles can never afford to go out of nowhere.
They hear a growl, and holy shit, a t rex
pops out of the bushes to attack the cars in

(56:22):
the familiar. It is a lie. It is a fucking
t Rex race against these f ones and he's fucking
like chargers and the fucking Dom's car and shit. And
it turns out that Kurt Russell accidentally struck a deal
with was it engine is an engine, and he struck
a deal with Engin to get DNA samples from a

(56:45):
dinosaur because they want to make their own dinosaurs to
fight in the field. And Luke Evans and Jason Statum
is a part of it somehow, I don't know how,
but they're a part of it. So while they're there,
like Shnanian's happening in the movie, in Dom bonds with
a t Rex. Of course, right, I mean, the t
Rex steps on his charger. The charger is done. That is,

(57:07):
it goes the way of Paul Walker in the movie.
He's gone. And Dom decides to trade in this charger
for a t Rex. So instead of driving cars, now
Dom drives a t Rex. He defeats it gen He
takes the t Rex back home where he lives in
the backyard, and he throws them hot dogs during the
barbecue and coronas and they're all they sit down and

(57:34):
say grace, and he says, I don't have friends. I
got dinosaurs and family and the t rex and the
t you want to know the best part the t
rex is name is dom t Retto.

Speaker 3 (58:00):
Oh oh, it's all building up to that.

Speaker 1 (58:08):
Because a matter of fact, when the dinosaurs roar, instead
of hearing the roar, you hear Charlie Poo's voice come
out of the ta and that is Jurassic and Furious,
my friend, the crossover that we have all been waiting for.

Speaker 3 (58:22):
The Wow, I just don't understand why you're not running studios.

Speaker 1 (58:28):
Is better than locusts.

Speaker 3 (58:30):
Like, once again, if we're gonna go stupid ideas with
Jassic movies, Oh, would you rather have locusts and evil
apple or that?

Speaker 1 (58:42):
You know my answer? It's right.

Speaker 3 (58:45):
One of these is epic and one of them is
Alan Grant running through hallways. Do I want Dominic Toretto
to like do cheers with the t rex?

Speaker 1 (58:57):
With this.

Speaker 3 (58:59):
Hold the corona with the puppy dog crush.

Speaker 1 (59:07):
I think I know the answer to that. I think
our audience knows the answer to that. So please, guys,
if you're watching or listening, leave a comment, start a
petition Jurassic and Furious. This needs to happen. Okay, Universal
we're here. We're here, all right. That closes the loop
on Jurassic Park in the world.

Speaker 3 (59:26):
It's such a thorough pitch too.

Speaker 1 (59:28):
I've been thinking about this for a long time, a
long time. And plus Universal can just put the rise together.
You go to Universal Studios, just combine them easy, or
at the very least just put like a dom On
animatronic in the Durassic World. Like right, I think we're
good to go. Okay, who Okay? So to end this episode,

(59:52):
I used to do this thing on my TikTok that
a lot of people loved and I made used to
like the duet feature, and I like to call it
be soul Mate challenge. Okay, okay, And it's similar to
like what we did just now, like countdown to three,
we name a movie, I bat in a thousand right now. Yeah,
we can keep it up. So this is going to
be like if you have a fifty to fifty of
getting it right as me. The object is this. I'm

(01:00:14):
gonna name like a category like you know, best movie here,
best actor here. For this, I'm gonna give you two
actors and I'm gonna give you a second thing about it.
I'm gonna count to three, and then we're gonna say
our answers at the same time.

Speaker 3 (01:00:26):
Okay, I'm my pick on this, your pick?

Speaker 1 (01:00:28):
Okay, all right, So movie soul Mate challenge with Sean
Let's do it best every man actor, Paul Rudd or
Jason Siegel. Give you a moment to think about it.

Speaker 3 (01:00:43):
Okay, I got my answers, all.

Speaker 1 (01:00:44):
Right, I got my answer. You ready, one, two, three?
Jason Sigel, See, I did that on purpose because I
love you man. Yeah, and I feel like those are like, like,
I feel like they're the best said.

Speaker 3 (01:01:00):
Uh, maybe it's just the simple uh recency bias of
Paul had a better more or done a lot more
than the last time, I thinks coming back with television stuff.

Speaker 1 (01:01:10):
And that's why he did. And like that's why, like
I thought that would be a good one because I
love Jason Siegel. I also just recently watch How I
Met Your Mother and I was like, fuck, this guy's great.
Shrinking's great. Plus we talked about the Muppet Movie movie
was incredible, right and so like and also forgetting Sarah
Marshall is one of my favorite like romantic comedies ever.
Plus Paul Ruts also in that movie too, is like

(01:01:32):
a surf instructor. So I feel like those two guys.
I think it's like a great one, but we can't
get them, all right. I was hoping we could, but
we still have a chance, all right. Best Quentin Tarantino movie.
I consulted Craig about this one because this one can
be really hard. And Gloria's Bastards or pulp Fiction okay,
all right? Three two one, and Gloria's Mastress. Oh my god,

(01:01:54):
if you said the same thing you said, the sad
thing he said, I wonder why you said.

Speaker 3 (01:02:00):
I'm curious.

Speaker 1 (01:02:01):
I think some of it.

Speaker 3 (01:02:01):
It's a more formative film for me, yes, that you know,
like I remember when it came out, my mom being
like John Travolta's dancing again, and then it's this movie
that like never seen anything like it, that was told
out of order, and so it's just it's the movie
that just blew my mind.

Speaker 1 (01:02:17):
Yeah, And so that like that's the.

Speaker 3 (01:02:19):
One that I tied to, like quintessential Guarantino for me,
that's fair.

Speaker 1 (01:02:23):
I feel like in Gloria's Bastards Now, pop Fiction was
my favorite film ever for a long time until Her
was released, and Her like took that spot. And I
still think, if you want to say what my favorite
film is, pulp Fiction is my favorite of the two.
I think in Gloria's Bastards is Quentin Tarantino firing on
all the cylinders that he's learned since pulp Fiction, right,
like the nonlinear storytelling, the dialogue, the like the character work,

(01:02:47):
like the moments, like I feel like the sculpe, the scale.
I feel like it's his like magnum opus of like
a movie of like this is peak Quentin Tarantino, where
it's like pulp Fiction. He came out, it's like a
peak Pinter, but then he's kind of at it. It's
like it's like when you think about Michael Jordan and
Kobe Bryant, Like we know that Michael Jordan's the greatest
player of all time, but Kobe Bryant, like arguably from

(01:03:08):
like being a product of like being a younger player,
like who learned more in the time that he was
in and like obviously players are more skilled now. He
adds to what Michael Jordan did, but Michael Jordan is
still the best, if that makes sense. Yeah, okay, okay,
so this one is a good one, and I feel
like this will rip a lot of people's shit open.
And I think this is gonna go with age too,

(01:03:28):
best non Disney animated film, How to Train Your Dragon
or Iron Giant. This may get a little personal. Okay, one,
you got it, You got it. It looked like you
were still thinking for a second, and I wouldn't blame you.
Three two one, Iron Giant.

Speaker 3 (01:03:50):
How to Train Your Dragon.

Speaker 1 (01:03:51):
Listen, listen. I don't think we're gonna be movie soul mates,
but we.

Speaker 3 (01:03:55):
We man, But it seemed like we went into it
really confident, like we're gonna pull this off.

Speaker 1 (01:04:00):
But I love this though. I love this because, like
I think How To Train Your Dragon is one of
the greatest films of all time, Like I really really do.
Like I still think of the test Drive scene. I
still play the music from John Powell all the time.
Incredible score, and they're bringing him back for the live
action as well. But there's something about it, and I said,

(01:04:20):
this is very personal, Like, this is a very personal thing.
And if this was against any other animated film, I
probably would have said, if it's not your name, I
probably would have said how to Train Your Dragon. But
Iron Giant, I just feel I've been riding for it.
Ever since I saw it flopped at the box office,
not a lot of people have seen it. It is
the crown jewel that got lost in the Disney renaissance,

(01:04:45):
and I feel like that's why a lot of people
haven't seen it, Like if it wasn't Disney, then why
should we see it? But Iron Giant is such a great.

Speaker 3 (01:04:50):
Right, I mean fucking movie. That movie is the reason
Brad Bird did everything he did exactly. Okay, that guy
right there, he's incredible. Let's incredible.

Speaker 1 (01:05:04):
I was like, that was good. You should have old that.

Speaker 3 (01:05:06):
It should have been that was intentional. But they saw
him and they went, that's the guy we need, and
then you know, even did live action. The best sequence
I've ever seen in the theater was the Dubai Tower
sequence in true Imax. Yes, and you know, mission poss
about the third Like I like the Third one a lot,
but the franchise is kind of weird face and then

(01:05:28):
go see this movie. It was like this is so
good and then they do that sequence. I was like,
that's the most immersive, Like that's incredible, and yeah, this
path happened because Iron Giant and another then Diesel.

Speaker 1 (01:05:41):
Diesel, Like, now was that his like first movie ever. No,
it was very early, wasn't very early on, but it
was his first voice acting role. It's so much emotion,
so much pathos and just like a few words, you know,
and then he later brings it on for group and
I love that. I got a chance to tell Vin
Diesel that like Iron Drye is one of the best
animated movies ever, and he was so appreciated. I was like,

(01:06:01):
I wish you could tell my daughter that, Yeah, you know,
we need to put these kids on.

Speaker 3 (01:06:05):
Yeah, so I think could be a little bit of
kind of the came out when I'm like a senior
in high school. I wasn't watching animated movies. When I
was a senior in high school, I was discovered.

Speaker 1 (01:06:16):
Those animated movies are still trying if it wasn't Disney,
Like animated movies are still trying to get the respect
of like they're more than this is like your.

Speaker 3 (01:06:23):
Dream Works is only two years old and so like
these other studios, like it was like Disney dominated and
like they hadn't.

Speaker 1 (01:06:30):
Wasn't even like in his hey day yet. I think
they only had two feature films.

Speaker 3 (01:06:32):
It was so early on, so it was like, yeah,
Disney kind of dominating things. And then How to Train
Your Dragon, who came out like a couple years before
my son was born. But then that whole new decade,
the movies were coming out, the animated shows came out,
and so my kids watched the animated shows. Yeah, so
you know that was a little bit one that even
kind of ties into the raising my kids. Yeah, and

(01:06:54):
those things that are the most impactful, that that elevate
the experience of a movie. Sometimes you casually watch them
in the background or whatever, you put much thought into it,
and then you sit down and you watch it and
you go there is so much in this like yeah,
like a moment where a dad goes, I'm sorry. It's
it's the most simple line. It's not like what what

(01:07:17):
brilliant writing? How did you come up with that line?

Speaker 1 (01:07:19):
But but it's just like target it because it's human exactly.
It's human. And like, as a father, you hear that
and you're just like fuck, like I I want that
moment or like I've had that moment, and it just yeah,
it captures the human experience. And a movie about dragons, right,
and you do the.

Speaker 3 (01:07:36):
Trailer for the live action when Google going back to
what we said something earlier that you know, it just
feels like we're doing it almost almost feels like one
of these AI generated live action versions or something. But
that score kicks in and it and it's you get
all the fields. It's because it's just that good of
a score. The music itself just does all the work.

Speaker 1 (01:07:54):
I got high hopes for those guys, Chris Sanders and
Dean Dabois because you know, they directed that movie and
I got to hang out with Chris Anders a lot
for like the Wild Robot stuff we were in France.

Speaker 3 (01:08:05):
And like, this was my favorite movie last year.

Speaker 1 (01:08:07):
Dude, Wild Robot just my god. I always like get
nervous whenever I do like promo for a movie because
I'm like, I hope I like this movie, like I
hope it's good, and like I've worked promo for movies
that weren't so great. I worked promo movie that are great,
and I was really happy that Wild Robot genuinely was great.
Like it's like they the people at Universal were telling me,

(01:08:27):
we think this is our best movie that we've ever made,
like we genuinely think this could be it. And coming
out of that, I was like, you guys should feel
that way because it really brings something new to it.
So again being able to talk to Chris and Dean,
and Dean seems really excited about it, like he's the
first director to do the transition from doing the animated
one and work on the live action one as well,

(01:08:48):
So hopefully that translates. We talk about like having hope
for stuff like that, and you know, I hope it's
not a shot for shot he's promised to us, not
how to shot for shot.

Speaker 3 (01:08:55):
But we'll see in the nature of a dragon story
that is a good life action Like, yeah, doing live
action line king, you go.

Speaker 1 (01:09:04):
Animals and they didn't have like facial expressions.

Speaker 3 (01:09:06):
It doesn't doesn't translate quite right. Yeah, as opposed to like.

Speaker 1 (01:09:11):
That are interacting with dragons that don't talk.

Speaker 3 (01:09:13):
It's you know that like that can just be really cool. Yeah.
There was actually this obscure cult show from the last
decade called Game of Thrones that was the people that
saw it, which is only a handful. There's some cool
dragon writing in that.

Speaker 1 (01:09:27):
Okay, so I'll check it out. I'll check it out
for sure. How's the final season? The final season?

Speaker 3 (01:09:33):
It did great, the best season, Like they finally got
the pacing of the storytelling right at the end and
subverted my expectations in such a satisfying manner with who
ended up winning.

Speaker 1 (01:09:45):
Wow, thank you, Sean, thank you so much for that recommendation.
I don't want to check it out after this podcast.
Gave a throats. It's gonna be great. All right, we
got two more. Were like they really do talk. No, no,
we can talk for ever. Okay, we just had some
fun with this.

Speaker 3 (01:10:04):
That's right, you're gonna say something. I get to have
to think.

Speaker 1 (01:10:06):
There you go, best billion dollar franchise, Transformers or sorry,
I like make some things up Transformers or Fast and Furious.
I wrote fantastic for for some reason, you got it. Yeah, okay,
I feel like we're gonna be different on this again.

(01:10:27):
And I'm nervous. One, two, three, Fast and Furious, Yes,
you got one. We got one, dude, honestly, like Fast
and Furious, Like it's such a wild journey because you
had point break.

Speaker 3 (01:10:45):
With cars, like it's overt like it was just like okay, whatever.

Speaker 1 (01:10:48):
Whatever, And then like I call this a hood classic
because Too Fast and Furious. I grew up in Compton.
We watched Too Fast and Furious in the Hood every
single day because they had Tyreeze Gibson, they had fucking
Ludicrous and then that fuck is a fool like that
was made for the Hood. I'm sorry, like everybody else
just jumped in late. I like to think that the
culture it was for the John Singleton directed that one too,

(01:11:09):
like come on, like let's go.

Speaker 3 (01:11:10):
I went and saw that one in the theater with
my mom. I like, like, there's things that you don't like,
like why do I remember twenty three years later seeing
Too Fast.

Speaker 1 (01:11:19):
Too Curious?

Speaker 3 (01:11:20):
But like whatever, I remember going to go see that
movie with my mom and be like, that was the
dumbest movie I've ever seen it wrong, it was. I've
always been like very fond of that movie, and it,
in its own way, I think teased where things were going.

Speaker 1 (01:11:32):
I think thank you. I say that too with that
like that final like like car jump onto a boat. Yeah.
I was like, this franchise has always been kind of
crazy and bat shit. So then it was like you know,
Tokyo Drift, which at the time I was like, it's
just as good as like a straight to DVD thing
because like the main cast is and it is right.
But apparently when you look back on it. It's really
fucking like good.

Speaker 3 (01:11:51):
Christopher Nolan has singled it out as like, you know,
like people always think I just sit around watching serious movies.
I have a blast with like to the Furious Tokyo
Drift and he picked that one. That one.

Speaker 1 (01:12:04):
Just nad Faster.

Speaker 3 (01:12:06):
He said, Tokyo Drift is like Nolan, man, you are
a man of mystery.

Speaker 1 (01:12:11):
It's pretty, it's pretty rad and like also Faster Furious,
very underrated for like their like music soundtrack choice like
that if you live in and you know you have
to it was blasting that all summer hadn't seen a
movie at the time, but I was blasting that. Plus
also Lokio Hood Classic, Little Bow Wow, but they brought
everybody back. And then five was when Ship just Yeah.

Speaker 3 (01:12:31):
One of my top live favorite theater experiences with seeing
that movie and like went to a midnight screening because
this is before they started doing the Thursday previews. Yeah,
pulling the parking lot is muscle cars everywhere, lok in
and it's the pack theaters to the theater I still
go to for big premieres and big XD screen and

(01:12:52):
stadium seating. When it was still a novelty to have
stadium seating and just the theater is just so amped up.
Somebody starts running down the stadium seats and jumps over
the rail like and it's a fifteen foot drop, and
do you hear everyone in the theater go whoa? And
he like he didn't go my legs, but like it
seemed like it was fine, but it was just like
this bizarre amped up like cars. There's a guy jumping

(01:13:15):
over the rails.

Speaker 1 (01:13:17):
This was their Avengers, yes, thinking about it, this is
their Avengers exactly.

Speaker 3 (01:13:20):
And then you watched the movie and he was like,
like what just happened? Because that wasn't like that was
so much better.

Speaker 1 (01:13:27):
It was a massive furious but like heightened to like yeah,
a thousand times. And this is when like the rock,
the rock came in, rock comes in, and this is
you know, I think this is peak rock by the way.
I think this is like, yes, peak rock.

Speaker 3 (01:13:39):
And you know, he obviously kind of overstated as welcome
the last few years, made some choices that are questionable,
but like him showing up that way but still duking
it out with.

Speaker 1 (01:13:48):
Vin Diesel and your low headed muscleheads. It was like
it was an event, you know what they should have
made like a tight Vidal card poster with Vin Diesel
and the Rock if they I'm sorry, I don't I'm
not privy to this, but they should have done that
because like I like, I can't remember what year that
came out, but I remember, like I like to tie
myself to movies in that way where I go to

(01:14:10):
ball headed guys with muscles, like going at it in
a movie, and plus you just like combine everyone from
the previous movies. Six was I thought six was really good,
and then seven was when I was like, you guys
are just doing anything now. And I remember in I
want to say it was either N six or seven
where I said we either got to go to space
or we have the time travel at some point, and

(01:14:31):
they just said, let's keep up in the Ani and
they just they understood the assignment. Yep. And my favorite
moment in Fast and Furious history, I want to say
this was Fast seven. It has to be whichever one
they have the heat seeking missile in LA. That's eight.
That was That was fate, that that wasn't fake. It
was when they fought Jason Stato for the first time.

(01:14:52):
It was seventh because he's avenging from six talking about
rock Yeah yeah again, yes, yes, yes, yes, there are
a lot of miss because yeah he does like throw
a missile, like with his arm, like yeah, you're right,
like Patrick Mahomes just with the Missing Fast and Furious Baby.

(01:15:12):
There's a lot of moments, but.

Speaker 3 (01:15:15):
One battle for La.

Speaker 1 (01:15:16):
It was the Battle for La and my favorite moment ever.
And this was like a great settle because throughout the
entire movie you got Jason another ball headed villain, like
going up against Vin Diesel. There's a moment where uh,
the multiple moments where he they come to blows. They
come face to face, then Diesel whips out of no.
Then Diesel whips out crowbars, Jason Stadium whips out a gun.

(01:15:36):
You thought this was gonna be a street fight, and
like they they're interrupted for whatever reason. And this happens
multiple times in the movie. And then the final thing
is you have them ram their cars into each other.
They get out the cars, Jason pulls out the crow
bar and says huh. And then Diesel pulls out of
glock and says, you thought this was gonna be a
street fight, shoots it in the air, tosses it in
the car, pulls out two crow bars is like, you,

(01:15:58):
god damn right, it is. And that's not even the
best part. The best part I'm spinning because I'm so excited.
The best part is like when he has fucking Jason
State ofm dead to rights. He's doing the like the
mortal combat on the girl, like I'm defeated, and the
missile hits the parking structure, which the fighting on top of,
and the parking structure is slowly coming apart, and then

(01:16:19):
Diesel looks at Jason's stathum it says, you know the
thing about a street fight looks basically, might as well
look at camera and says, the street always wins. He
stomps the gun and the whole structure comes down, and
I swear to God, I did not know what else
happened in the first in the last fifteen minutes of

(01:16:39):
the movie, because I was in the theater on the floor,
crying my eyes out, just laughing, like this is no
longer a movie about cars, this is a superhero film.
Then Diesel has powers. I have to rewatch the movie
to find out what happened because I was just so
I was hysterical. That's the best moment in Fast and

(01:17:00):
Furious history. So anyway, I feel like that's like a
great place to like wrap this big up man.

Speaker 3 (01:17:09):
There's a lot of vin Diesel stories in this podcast,
a lot.

Speaker 1 (01:17:15):
Of it Diesel, a lot of dinosaurs and Fast and
Furious crossover. Like, I feel like we covered a lot
of ground today. I feel like we did a lot. Well, John,
thank you so much for like joining me on the podcast. Seriously,
where can the people find you at plug yourself?

Speaker 5 (01:17:26):
Bro?

Speaker 3 (01:17:27):
You can find me on YouTube. If you look up
Sean Chandler, you either find an NFL player or a
guy that looks like me that talks about movies. It's
the guy that looks like.

Speaker 1 (01:17:35):
Me talking about movies. So anybody with a football, we could.

Speaker 3 (01:17:38):
Just yes, yes, it's a different guy.

Speaker 1 (01:17:40):
Get it out of there. Well, that happened to me
one time when I was looking at myself in Getty
and like, I saw a photo of Draymond Green and
the the female college basketball player Juju. I can't remember
her last name, but they were together at the ESPN Awards,
and I was like, what the like, what in the
world they both came together at one place, took a

(01:18:02):
Getty image and one has the first half of my
name and the other has the last half of my name,
So when I look up my name in Getty, it
was Draymond and Juju together, so I was like, shit, Okay, sure,
I just thought they thought I looked like Draymond. But
but as you guys know, I am juju Ak show
had Goofi your movie guy, and thank you so much
for watching. Make sure if you're watching on YouTube or
listening to it on your drive home or to work,

(01:18:22):
wherever you're listening to this podcast at you even like comment, share, subscribe,
it hit the notification so you can never say that
you don't know when my videos are coming. It's very
important and I really appreciate you guys so much for watching.
And we will catch you next time when we talk
about the next movie.