October 30, 2025 • 52 mins
Dominican lyricist J Noa sits down with Honey German to talk about her incredible journey from growing up in the Dominican Republic to becoming one of the most respected new voices in Latin music. 🇩🇴🎤
J Noa opens up about her childhood back home, her mother’s health struggles, and how those challenges pushed her to help raise her niece at a young age. J Noa talks about never editing her raps after recording, staying authentic, and moving with respect in an industry that often disrespects women.
J Noa also shares admiration for Tokischa, calling her smart and multifaceted despite how she’s sometimes perceived. We get into her Grammy nominations and WINS, her collaboration with fellow Dominican artists like Vakero & Yendry and her hope to one day work with fellow spitta Snow Tha Product.
She also speaks on how it is living in RD while being a celebrity and lets it be known that if she ever jumps on a dembow record, she’ll be dropping bars and not singing no hook.
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Grass Come Again a podcast by Honey German.
Speaker 2 (00:08):
I'm sitting down with someone who already did Tiny Desk
a seventeen years old. She already has two Grammy nominations,
and she's been covered by New York Times, Complex Magazine, Billboard.
Speaker 1 (00:17):
People in Espanol being Benita j.
Speaker 3 (00:20):
No Calloy.
Speaker 2 (00:24):
Ferrando episode the Come Again J Persona, No Claro can Glad.
Speaker 1 (00:38):
And personas Melodissa to l person I said.
Speaker 2 (00:53):
No if in my delivery, then the game mass straight.
Speaker 3 (00:58):
To the point's curcular persona and contrad person No, no
you are my loaf.
Speaker 1 (01:13):
I get you. York Ok, Gevin the welcome back there
you go, welcome back. That's a good one.
Speaker 2 (01:23):
Tiny se that's huge. Do not the Mahina par and
York Dominican.
Speaker 1 (01:33):
He was just like, what is this?
Speaker 3 (01:35):
Do we Minicana Nominican? Yeah, you feel like.
Speaker 1 (01:44):
Clark, No, you killed it?
Speaker 2 (01:49):
La Mane to to Tiny Dust complete the different because
to Commanda Latin, it's like, wow, who is this?
Speaker 1 (01:59):
Bars look at.
Speaker 2 (02:01):
Downds just like Tang and Mundo the wrapping in le
but like you saw, you know, you saw that Tiny
dis You saw that girl from the she killed it.
Speaker 1 (02:10):
When you impersonal rappers in persona and co and with you.
Speaker 2 (02:20):
I was like, wowl, don't know me, Hello Grammys, big
superkin the train young com.
Speaker 1 (02:41):
Likes op for movie.
Speaker 3 (02:55):
N mimron okay seeing the multiri you're you know and
that yeah yell my money so yo me like the
camera I k I mean young pokey. I then handing
(03:16):
the mill because I can he singkle your cahole like
the das paro sigo paro sig persona no so no
claro and the second okay rima young for okay, wow,
(03:39):
pokay for man salm sal if to.
Speaker 1 (03:48):
You on the wh yells like no no you.
Speaker 3 (03:57):
Yourm okay ma mysole no come okay sa you know
anser okay, yeah you call me this yes complete not
well they see yel final tell me nom come come
(04:18):
remember that rock local and that's a parent We are masked. Wow,
okay it's Alma rock to So it's like it's come okay,
come not form pulic.
Speaker 1 (04:33):
You know you see your teaster going back exactly. You
know you see you, you see your.
Speaker 3 (04:40):
Ro I feel like you no.
Speaker 1 (04:45):
Mosica you look to.
Speaker 2 (04:48):
Joe mecha the super impression condo. P I'm like boom boom,
but it's like com punchlines like this rio because men
manera you don't get to that you deliver man because
per tan holing.
Speaker 1 (05:07):
It's like the don yeah no a bibi ben a quarentano.
They don't do saka to.
Speaker 3 (05:21):
Sake like Crianza influent. You can see Clara, yeah Jo
Cristo and really okay it look at you is Sagay Jr.
In spiral del mundo your mispiral. Then the endo wye
(05:44):
and and internet to absorb ah perrol to.
Speaker 1 (05:53):
Look at or look at the job via the house
like okay.
Speaker 3 (06:02):
See my.
Speaker 1 (06:05):
Casas like I see you ye like it's like yeah
like I sack and c and.
Speaker 3 (06:22):
Hair blow.
Speaker 1 (06:24):
To pendre.
Speaker 3 (06:29):
Do having down say a con no poke too, so
you know mammy Pappy not that poco. Okay, no, just
impress your money myself, ye know.
Speaker 1 (06:51):
Yeah Sala, yes.
Speaker 3 (06:58):
You know, I no introverty that you sing okay parts
super active jo and no no no your cos you
know your cocina cocina what all.
Speaker 1 (07:12):
Of you you know and say.
Speaker 3 (07:22):
Honey to.
Speaker 1 (07:25):
The bar the mihent theo cong rap so I g
a lot widow pair of blando.
Speaker 3 (07:47):
Com l e p s for my taming arem okay.
Speaker 1 (07:55):
See come for receivido your crook super.
Speaker 3 (07:59):
Martin you okay except that young I love that young
and young you'r super fairly Plndmnicaro.
Speaker 1 (08:13):
The Plat I'm like, you know, you know in cormdo
ben and.
Speaker 2 (08:23):
Oh there with TV Benino SLAMI the Yallo'm like that
deep sucking mild because the persona ca C Farmer.
Speaker 1 (08:40):
Media man the animal is it there? Bro you always and.
Speaker 3 (08:49):
And Superman you're pretty Madore okay you personal allowing alms,
I mean Jampola champoo, yeah, cl collineaulas mats because.
Speaker 2 (09:19):
Place, I'm like, who med me ganta k No, that's parando,
says Lokmicano. A yellowsando. The is a counter either the Plato.
(09:40):
I'm like, wow, I said Nadia ki ok Talento bars
lyricism with not.
Speaker 1 (09:55):
And to.
Speaker 3 (09:58):
Pos you're coke Morat you're connecto. Yeah, so person.
Speaker 1 (10:06):
I see say come Linda was like a come.
Speaker 3 (10:15):
On diego you mire to like you excellent l tip okay,
I letter and no sea second young Jo Joe va
cantando Joe you like colombe a second song per Cono
(10:36):
you like said hello conet your ket coke can easy yeah, cant.
Speaker 1 (10:46):
You like.
Speaker 3 (10:49):
Kero I can the female compartment your hemira you know
says it to get the sure consion is present cont
to cantando medio you know local to yea l I
k I tell you that I come, ok bar we
(11:12):
won't need that on a persona and creve so the
hend to high super connect that that's young super as
song and you do so okay your super on T
SuPAR on TP yaya ma in pot and to s
(11:32):
and person mir and c podcast in America and.
Speaker 1 (11:41):
Form l.
Speaker 3 (11:45):
Hendi the hend carom mobilty to saw in fisht man
art and fo lok you know yeah, so I can
see a fluendo and persona is six connect musica hen
(12:10):
because it's it's just like the com like then go
se manaja handle the person.
Speaker 1 (12:24):
No ok momental including am.
Speaker 3 (12:30):
You see okay maybe that came came as soon as
a man and then you come that process process another
if said ok, get per exact and say now you do.
Speaker 1 (12:58):
Hand sorry but like that fairly see that mam.
Speaker 3 (13:03):
S hurri coma you me endo yeah, well I seen
then say go to fell that cont your made your
(13:24):
your my mamasuf in and a little bit if process
then your co no no, your family, my family, I
can maro coming to my mind you know tamas and
(13:46):
hic ter film yeah and film yes, the commentary comment
Mario media some c then come ok so idea manola Yeah,
now the my see you're working the miss arina, then
(14:09):
your working cala peken you and then superla the you
co here cola the cola cas s take y e
sac and go okay wine I see you can't come
(14:36):
algo your do ho and go okay to win. See
you're okay.
Speaker 1 (14:45):
So like.
Speaker 3 (14:48):
The sal like costumbre, the so stoke chi like I
hoper field okay, mundo jo sola, see your got o
m fast the don maybe that mando if I can run,
you know, cres proper mondo, if come come locate to
(15:14):
mama eating okay, are you the exact per you act
almente guando pero act one man and going through and
going to come on the scubriendo my the corinal mon
okay gel come come that like to come okay like
(15:42):
youas mo artist that's com and.
Speaker 1 (15:55):
A sac yeah yeah com to sally not much cogno
(16:23):
you're going to.
Speaker 3 (16:28):
You're no, no, you're Cristo Gona cas mon this lo
the Pineapple, but you're not. I would you my photo
the fans you know for you do that? Come okay
(16:49):
you're not personal contra condrac henty and can okayny you
know include come on to bond and.
Speaker 1 (17:16):
I want to see video.
Speaker 3 (17:21):
It doesn't know you know, okay, multiple that's all day
comment commentary.
Speaker 1 (17:28):
Okay, hello, s your al Blad influences rappers twenty lid
to because s a flow to you? They don't this
Leo again to me, that's a rapper.
Speaker 3 (17:50):
Come on, HONEYM means RAPPERO del Barrio, Okay you flow
you he no you livy you know no, no, forget
fifty and you're like, I want to be like fifty
you know the other left casa. No, you're not along
(18:12):
the best hand got you los artists primer for the
Yama tablet.
Speaker 2 (18:19):
Okay, yeah yo, yeah, I can do it. Okay, lappy Okay,
Dominican Brown.
Speaker 3 (18:27):
See Dominicano jo per moment. Okay, your you know what
were the fine you but you know you have a
more finie the livery said, I see your implemented and
to casa see Lando land Okay you know you're like
(18:49):
you since land Ince, since I see my papa piano. Yeah,
lu I go you know yah coo yea.
Speaker 1 (19:01):
Sony okay ya got.
Speaker 3 (19:08):
You know Persona seeks okay, Brondo Munice and cores la
mucho and mim car div me you know what ind
crs l the my youn gonna Saonica yo you go
(19:31):
you look you're gonna lost any o the com on okay, yes, that.
Speaker 1 (19:41):
Because wrapping them don't know you can do thing. Oh come, Persona,
no no, no, it's not my yokes.
Speaker 3 (19:54):
You let the music.
Speaker 1 (19:57):
Oh oh she's Dominican country. Lamar. I'm like.
Speaker 3 (20:01):
Well as a procas when I can see on old
school because traffic and rah yeah man you know and
see that yeah perro to super come look different okay, yeah,
(20:26):
ok exact okay you pol trensa your I said you
necess do look a you're different. You see punto.
Speaker 1 (20:40):
Period Yeah it's a mad super hong da.
Speaker 3 (20:47):
Then in my hand they do how the song like
school you see local alejandros sans.
Speaker 1 (21:00):
Your a the know.
Speaker 3 (21:12):
Maney italily that far the impression, the the the lms
because they.
Speaker 2 (21:25):
Ammen canta Cola lyric mm hmm, yeah, because it's like
your preferro to Msica exactly because I feel like, mana,
that's not real, but so mana gon to p r
go to manager, you the your prefer look at Mosica, Uncle,
(21:52):
mix master camian quanto.
Speaker 3 (21:56):
Local, No you're not so at all, No loky you
a go look at your cre and momental because moent
young com oke rima to so because okay yours I
(22:21):
imme o no you know you.
Speaker 2 (22:25):
Do came com so, Bra, yeah, trava in hip hop
in and you know and sot yative different differing the defending.
Speaker 3 (22:45):
Grassius grassiers whole inment remember Rember, okay, you know the
coke song using goes on the eye respect to no
eye pork, I mean exact and okay join the endo
you the hand and the bad induce you the end. Okay,
(23:09):
bin paralocause you respectable cases know what was respre come
okay no pokeno so no poke and those confience cay
confiance a person a thank you too, s and thre
come okay broke bro your s okay so lok leddy
(23:30):
good okay, So yeah, Bra, you know Madra and you
so yeah, brom you so you brow you you so
you broke all moon the po poke here my colina
you here, my colina your man you know more hell
you have com you mo hell oh you're not oversize
(23:51):
perman hoh dimon and okay my respect of the com
the vista and come to a hand for a hand
blow to cant canta play okay, go and go diepay
(24:14):
different you see if an article, get and go to
them and we can turn to the okay you see
fun fu strada the cha you say, movie from the
press excellent, then Lexico excellent, latipa let them being, latipac
lati the lad and don't say not okay so mos
(24:37):
express that handy, yes, express a being and they say
gon go do the press and come on to the wista.
Speaker 1 (24:48):
So no.
Speaker 3 (24:51):
Before that, grand Ca, So you're not called erfordable, you're
not your double respect And don't say so.
Speaker 1 (24:59):
Drada repet period because it's as I'm the homie. You know, Linda,
your girl went sex? You know now you know your
so I do bro Yeah, because hand right.
Speaker 3 (25:18):
Trying to.
Speaker 1 (25:21):
You know, no.
Speaker 3 (25:26):
Son that pul j.
Speaker 1 (25:32):
I mean, look, who is it much for music?
Speaker 3 (25:40):
I see? Don't you get.
Speaker 1 (25:48):
Off your husband. You know you are you are com
It doesn't man York see rudos a first dog see
(26:08):
Manyana Gendri snow the product.
Speaker 3 (26:15):
Canta Squaldo, Yes, see the Lama sentimental corrido r and
b se mar n b e and the ma shallow
(26:38):
top you this canta excellent young Hey, okay, canta see
medio sexa thank for snow Domingo.
Speaker 1 (26:57):
No, yeah, I support a dow. I like that.
Speaker 2 (27:06):
Jesus Christ, know what's up on the mirror, on froer
on flow myla paro.
Speaker 3 (27:11):
Now you're the super fly lo okey does the sparse.
Speaker 1 (27:19):
Yellow analyst.
Speaker 3 (27:24):
Come okay, I see that the bother for you like
mon Ma ma.
Speaker 1 (27:35):
To sur Pascha.
Speaker 3 (27:39):
La macaren, the super fely, the super super content.
Speaker 1 (27:45):
Kell ok gentry is it dembo loto carrier inter.
Speaker 3 (27:53):
S Youlria she do super Loria Momento Okay, better in
my Dini hand bow you know almost on them Bollo.
Speaker 2 (28:03):
It's not like you see artist, no comment. Common Paspea
lyricists straight to the point said you.
Speaker 3 (28:19):
Got your ramat exactly the boa the hip hop and
they they then bow two hours so no, okay, can't
tell hand seem okay, can't tell hand okyo.
Speaker 1 (28:39):
T bars You're like exact you know your.
Speaker 3 (28:45):
Saving I'm like you know, I'm like, are you thember
you then it's you my little flow you know them bo.
Speaker 2 (28:52):
And the Dominicano to prepara rossa and la paradomic and
anyway yes.
Speaker 1 (29:04):
Like rough rough I said her own flow.
Speaker 2 (29:08):
Yes, yes, if you represented the Dominican youth coma rosa press.
Speaker 1 (29:22):
Because the represent.
Speaker 3 (29:24):
Press on.
Speaker 1 (29:28):
And no male lando so no no no no no
no no no okay, well mail man boom.
Speaker 3 (29:42):
My hand and then then your mano per condent.
Speaker 1 (29:54):
Charts like the see what they were doing comedy.
Speaker 3 (30:05):
Too many Italian Italian you know, no you do the
come prone let's advices not call me that maky okay
and you're you're.
Speaker 1 (30:17):
Said yes they're gonna president and not like.
Speaker 2 (30:24):
To I'm like you say, come on with me because
the go ahead talking in tritt me just I just
work aholic man said Mandy.
Speaker 3 (30:50):
Log to super you the prie, I said he you
said he your peral little not gonna know your numero
to take ben patron Noo the tell you sad can
put the hemp come mewell mart you okay, mind but
(31:16):
the more you come, hamp does see your ful you
know foka you know saying you know, say you're man
c you get a numeral danto so to sisu manaba
the planet you know man your t V b endo
(31:42):
you do this end you maybe really your movie that
your part rock star you we will I see, Okay,
then look at ka passa you can look Manda your
felice lord problem said bother resolution you know, and so
(32:03):
you tangle you and your your coho then my sn
go by the Boomsica, come okay, you're not you you live, okay,
you don't get any other house. No, you don't go
to okay the fruit You're not.
Speaker 1 (32:27):
Come on, come on, mam comprava to know us.
Speaker 3 (32:33):
You're get younger han block you can said, yo got
naming se but then you're sent me the soul and
more I was to do pro you don't get the
seven la cosa can you not go?
Speaker 1 (32:50):
You're gonna go.
Speaker 3 (32:52):
And you could do the body mahina you are so
I can like your fairy clat to the free salami
sent tang bank minds. Yeah, no necessito mana plata paro
sisa super called got.
Speaker 1 (33:11):
To control the Duda oh my or to look at
Kira to Televanta.
Speaker 3 (33:18):
This non gon hand were man Italy in the press
and then contrave the Consoli goog please Mira empress you
know handa heya Mega Okay again okay, okay, your Pam
(33:47):
manager Loco O k I the Alara D n D Yeah,
yeah came and I said, yeah a Cosina and camp
reliever a Rio. It's a local.
Speaker 1 (34:02):
The handle to you're like your.
Speaker 3 (34:09):
Comm went j B B oh Madrid, Miami, Miami is
in Miami, Miami, and I'm with a Miami Miami ken
(34:31):
poken Miami lass you that the soul poke and Miami
like Mosic. I'm go the Miami Leo Tranquill that last
Residents and Miami is on Tranquil exactly. I'm going to
Miami superficial. Like, okay, You're gone Miami. Your podel I
(34:56):
said you you gether R B m B, but not
my Miami. Okay, you make B M SAP. You know
you're gonna you know what okay, yeay, y can we always.
Speaker 1 (35:14):
Public? But yeah.
Speaker 3 (35:20):
Exactly, Ca yeah okay Ca Miami, Ma, yeah, because you
know my can come to you.
Speaker 1 (35:29):
So you're just having look the Miami.
Speaker 3 (35:31):
But see logo you via O and Madrid, oh in
Miami and black okay no s thenriccapans Puerto relegious.
Speaker 1 (35:46):
Pol Pero la persona and my content.
Speaker 3 (35:52):
Yeah say say see Perro, you see Madrid and b
Mari local Madrid am Madri Madri and the Barcelona Madri
(36:12):
man Canto Premier and to the NDA and the Madrid
the cdo do you got Pari? It does in henn
Lando all Mondo, I get you like that see the
ken pot parties and man's on hend and you do
so your party per Peel and Maria. You know they
(36:35):
got the girl your men be doing and they can
take you know, you go take Madri, go taken Madri,
kynn la par sago and don't say you might go
(36:55):
to You said your Fami Premier Parti Grande for Madrid,
paldr legal and Madri is your own party labre like
laboration party party com Flora party Parana, Yes of little
(37:21):
come on man to the laboration la and then gravely
yeah yeah song lack come that excellent lack of milla
for your communa romolos cha.
Speaker 1 (37:40):
Yeah you.
Speaker 3 (37:43):
Camela, I feel like that's p Coolo the Madri Grane
like Carmela, like Amela sa Yama, I'm on the location.
Then came and promotion, promotion and accel right look com
com that super lady came to call me whatever you
(38:11):
know I mean, can do this, you know, Linda, exact exact.
It's not that, it's why not make it? You know, Goto,
you know, good for you. You lo your your com
doll deal, get you lone, your the photolo. Come go
(38:35):
to me mill Mage, No Joe, you're not going to
see Yeah that Sally Claro you me the mi cao
(38:56):
do why not? Okay main then the high the yea,
the end of the terreno.
Speaker 1 (39:05):
Yeah, so you know.
Speaker 3 (39:07):
And so you know, you know, you know, go Toaldo,
you know you know they go to Keo, you know
tengo yeah, cal sad Mark you well done, mel Dinery.
Speaker 1 (39:28):
The Tokai man Familia Seeman and.
Speaker 3 (39:34):
See pero Ma Drava, per pro Lukaya the mehroa you
know Rava and Saya condo, com dels I medi huo
Si though lady, okay, I put the movie with you
know in you got a multiplaque in Matla Casadran kill.
(40:00):
It doesn't that you do Bangando rental Lemondo, yeah leman.
Speaker 1 (40:06):
L y so yeah, I do your commers R chips
lo may be the.
Speaker 3 (40:22):
Me my my then los ho and know g Clark
and behind they know my somos Yeah yeah yellow down
sEH and the.
Speaker 1 (40:41):
P bors.
Speaker 3 (40:44):
I know no conference Paul, you know your camel and
Trenga Porke.
Speaker 1 (40:55):
And me tod you not the FaceTime no, yea.
Speaker 3 (40:59):
My am a parol the human sallam Amica man okay, okay, yes,
barrosa and go come miss Ago you go ye your
brotter go not go to yeah you likes like, no
(41:20):
you're not You're okay, No, do not do the whole.
Speaker 1 (41:27):
Let you know what I do.
Speaker 3 (41:28):
The hony world now see you are mamma Mia literal
and let me see more the o us mirin so yeah.
The ol s on the over say you gonna become
(41:50):
yeah my cassat Yeah okay.
Speaker 1 (41:54):
You know.
Speaker 3 (41:55):
To Mama, to Srina family your can so yeah yeah yeah,
Pat you mam you pull and manar on you Chica
co four house behemy chacho sammy Famili make a super
(42:16):
grand honest you come on the day, Felice.
Speaker 1 (42:21):
Then the guy.
Speaker 3 (42:23):
In bahem chaco yaheto companion Peter in a familia and
that's your Pando selena plan you know come family yea
you soon I fire another of the family. Include you
(42:44):
have the PENTI you're gonna.
Speaker 1 (42:46):
Do it.
Speaker 3 (42:50):
And be familis that though more than one do like
sala can see.
Speaker 4 (42:56):
Okay Johnny Blue by Classica Claire by a classic you
get two person cl Hey with your the also double multiplaydo.
Speaker 1 (43:08):
Lambon dance co Recondo to personal person and the multiplic.
Speaker 3 (43:16):
Gonna Blue prim peral Emmy Hendy Okay, my man cos
sa course see when go ye okay, n I your
matress hand feel like why rock the k ole co
(43:39):
com pro let go splash get to at all buondo
on the compros in the quality quality Yeah, par Hendy
sty felist movie with the personal center me pic.
Speaker 1 (44:02):
The school. Yes, this.
Speaker 2 (44:08):
Dominicana Kat and T came in this Dominicana come to
the country, said Dominicana Kate.
Speaker 3 (44:18):
Local Solomonicano and you look okay, I want to do
this again to Dominicano, len here, I can't be an AUTOMATICO.
Where are you from? Are you from Dominican Republic?
Speaker 1 (44:33):
Oh, Dominican You know the gay, Yeah, I commune your money.
That was.
Speaker 3 (44:41):
I come and you know Solomnican, I want to come
Dominicana saliente me okay, then I came away Dominican.
Speaker 1 (44:57):
We went.
Speaker 3 (45:01):
S Dominican represent as young Maya don't know you're not
my Dominicana. Yeah you see.
Speaker 1 (45:12):
Yea to do something.
Speaker 3 (45:27):
Some mile you know, may say and it's true. And
the Joe public Americans and a friend Jose.
Speaker 2 (45:43):
Reports us from Macao to a hotel La complete a different.
Speaker 3 (45:53):
Pros you like Diego and the free to Yeah you
casa my gon keep on THEO includes you. Yeah, yo,
so it's super come okay, you're the film dominic Mankanta
(46:19):
Joe Amo Ammon Miras to save your sou the represented
los the.
Speaker 1 (46:30):
It's Arika Man. I love it. I love it.
Speaker 2 (46:32):
I men canta lond and I'm like, yo, I want
live Loketo experiment that yeah, give me some bars because
(46:53):
because I'm gonna say, I just want to s story
time and persona.
Speaker 3 (46:56):
Oh yeah it's story time. The mill sink.
Speaker 1 (47:03):
That daring.
Speaker 3 (47:09):
And the reader right his story dying and we'll sing
play and all my solo like prime Rico and Coucina
Brano cola.
Speaker 1 (47:23):
So you know a.
Speaker 3 (47:27):
Blau Montra movie age.
Speaker 1 (47:33):
Boom bro and Persona and Persona.
Speaker 3 (47:39):
Story time, come on, so I sevel damn malam and
media said valley for the medical to the com Mamma
ta An bron and Poult You're not you're a man
do Condamo You're something you have Mira the coube young bar. Yeah,
(48:00):
they get Sally and you look.
Speaker 1 (48:06):
Okay when I sweat, see you also using a chair
man our candle.
Speaker 3 (48:17):
Yeah, alipitao project to tra handle approximally okay, Yeah, yeah,
I am a cosita is I'm also important.
Speaker 1 (48:31):
Yeah.
Speaker 3 (48:33):
They got to the camera. The camera see that was
the dri camera, you know, you know it's crazy.
Speaker 1 (48:39):
It's like album and I'm Likela Pita was like.
Speaker 3 (48:46):
No second, no offense.
Speaker 1 (48:52):
But I'm like Yulo.
Speaker 3 (48:56):
And someone asking working another worsking cause. In praying classical
color n b NA.
Speaker 1 (49:10):
Includes mass Bronto.
Speaker 3 (49:18):
Bronx se the Bam show like okay in a cord
this samrando proca doy you know, p so like and
(49:45):
artistas como novando to so hour no comke do in
contrando Okay, the party, the l rabero orbano in the
retam that doesn't Joe como Indians alter nativa, look you
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no alternative and don't sell public o co and republic
Dominican I el public alternativo then twas away j concl ya,
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(50:29):
public incredibly to save and don't say pull called nativo,
don y the hen them go hereas away see n
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don't say to public and our inclusive como las cosas
jag to comtist alternative ya yah yasha and mendando like
(51:13):
and and I said, yoo only comment and yu on
you know is a little.
Speaker 1 (51:24):
Increbl real you know, and it's look real, you know
temple person that o t a qi and rebublica sing
lo to your man impressed.
Speaker 3 (51:46):
Diva conta can you coma panas and.
Speaker 1 (51:55):
Friendly to and doesn't ok okay no pork this algo
different and exmas and you know Tom Grassiers come again.
(52:18):
You know where
Speaker 2 (52:22):
Grassiers Come Again is a production of Honey German Productions
and partnership with IHEARTMA podcast network HM
Grass Come Again a podcast by Honey German.
Speaker 2 (00:08):
I'm sitting down with someone who already did Tiny Desk
a seventeen years old. She already has two Grammy nominations,
and she's been covered by New York Times, Complex Magazine, Billboard.
Speaker 1 (00:17):
People in Espanol being Benita j.
Speaker 3 (00:20):
No Calloy.
Speaker 2 (00:24):
Ferrando episode the Come Again J Persona, No Claro can Glad.
Speaker 1 (00:38):
And personas Melodissa to l person I said.
Speaker 2 (00:53):
No if in my delivery, then the game mass straight.
Speaker 3 (00:58):
To the point's curcular persona and contrad person No, no
you are my loaf.
Speaker 1 (01:13):
I get you. York Ok, Gevin the welcome back there
you go, welcome back. That's a good one.
Speaker 2 (01:23):
Tiny se that's huge. Do not the Mahina par and
York Dominican.
Speaker 1 (01:33):
He was just like, what is this?
Speaker 3 (01:35):
Do we Minicana Nominican? Yeah, you feel like.
Speaker 1 (01:44):
Clark, No, you killed it?
Speaker 2 (01:49):
La Mane to to Tiny Dust complete the different because
to Commanda Latin, it's like, wow, who is this?
Speaker 1 (01:59):
Bars look at.
Speaker 2 (02:01):
Downds just like Tang and Mundo the wrapping in le
but like you saw, you know, you saw that Tiny
dis You saw that girl from the she killed it.
Speaker 1 (02:10):
When you impersonal rappers in persona and co and with you.
Speaker 2 (02:20):
I was like, wowl, don't know me, Hello Grammys, big
superkin the train young com.
Speaker 1 (02:41):
Likes op for movie.
Speaker 3 (02:55):
N mimron okay seeing the multiri you're you know and
that yeah yell my money so yo me like the
camera I k I mean young pokey. I then handing
(03:16):
the mill because I can he singkle your cahole like
the das paro sigo paro sig persona no so no
claro and the second okay rima young for okay, wow,
(03:39):
pokay for man salm sal if to.
Speaker 1 (03:48):
You on the wh yells like no no you.
Speaker 3 (03:57):
Yourm okay ma mysole no come okay sa you know
anser okay, yeah you call me this yes complete not
well they see yel final tell me nom come come
(04:18):
remember that rock local and that's a parent We are masked. Wow,
okay it's Alma rock to So it's like it's come okay,
come not form pulic.
Speaker 1 (04:33):
You know you see your teaster going back exactly. You
know you see you, you see your.
Speaker 3 (04:40):
Ro I feel like you no.
Speaker 1 (04:45):
Mosica you look to.
Speaker 2 (04:48):
Joe mecha the super impression condo. P I'm like boom boom,
but it's like com punchlines like this rio because men
manera you don't get to that you deliver man because
per tan holing.
Speaker 1 (05:07):
It's like the don yeah no a bibi ben a quarentano.
They don't do saka to.
Speaker 3 (05:21):
Sake like Crianza influent. You can see Clara, yeah Jo
Cristo and really okay it look at you is Sagay Jr.
In spiral del mundo your mispiral. Then the endo wye
(05:44):
and and internet to absorb ah perrol to.
Speaker 1 (05:53):
Look at or look at the job via the house
like okay.
Speaker 3 (06:02):
See my.
Speaker 1 (06:05):
Casas like I see you ye like it's like yeah
like I sack and c and.
Speaker 3 (06:22):
Hair blow.
Speaker 1 (06:24):
To pendre.
Speaker 3 (06:29):
Do having down say a con no poke too, so
you know mammy Pappy not that poco. Okay, no, just
impress your money myself, ye know.
Speaker 1 (06:51):
Yeah Sala, yes.
Speaker 3 (06:58):
You know, I no introverty that you sing okay parts
super active jo and no no no your cos you
know your cocina cocina what all.
Speaker 1 (07:12):
Of you you know and say.
Speaker 3 (07:22):
Honey to.
Speaker 1 (07:25):
The bar the mihent theo cong rap so I g
a lot widow pair of blando.
Speaker 3 (07:47):
Com l e p s for my taming arem okay.
Speaker 1 (07:55):
See come for receivido your crook super.
Speaker 3 (07:59):
Martin you okay except that young I love that young
and young you'r super fairly Plndmnicaro.
Speaker 1 (08:13):
The Plat I'm like, you know, you know in cormdo
ben and.
Speaker 2 (08:23):
Oh there with TV Benino SLAMI the Yallo'm like that
deep sucking mild because the persona ca C Farmer.
Speaker 1 (08:40):
Media man the animal is it there? Bro you always and.
Speaker 3 (08:49):
And Superman you're pretty Madore okay you personal allowing alms,
I mean Jampola champoo, yeah, cl collineaulas mats because.
Speaker 2 (09:19):
Place, I'm like, who med me ganta k No, that's parando,
says Lokmicano. A yellowsando. The is a counter either the Plato.
(09:40):
I'm like, wow, I said Nadia ki ok Talento bars
lyricism with not.
Speaker 1 (09:55):
And to.
Speaker 3 (09:58):
Pos you're coke Morat you're connecto. Yeah, so person.
Speaker 1 (10:06):
I see say come Linda was like a come.
Speaker 3 (10:15):
On diego you mire to like you excellent l tip okay,
I letter and no sea second young Jo Joe va
cantando Joe you like colombe a second song per Cono
(10:36):
you like said hello conet your ket coke can easy yeah, cant.
Speaker 1 (10:46):
You like.
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Kero I can the female compartment your hemira you know
says it to get the sure consion is present cont
to cantando medio you know local to yea l I
k I tell you that I come, ok bar we
(11:12):
won't need that on a persona and creve so the
hend to high super connect that that's young super as
song and you do so okay your super on T
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(11:32):
and person mir and c podcast in America and.
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Form l.
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Hendi the hend carom mobilty to saw in fisht man
art and fo lok you know yeah, so I can
see a fluendo and persona is six connect musica hen
(12:10):
because it's it's just like the com like then go
se manaja handle the person.
Speaker 1 (12:24):
No ok momental including am.
Speaker 3 (12:30):
You see okay maybe that came came as soon as
a man and then you come that process process another
if said ok, get per exact and say now you do.
Speaker 1 (12:58):
Hand sorry but like that fairly see that mam.
Speaker 3 (13:03):
S hurri coma you me endo yeah, well I seen
then say go to fell that cont your made your
(13:24):
your my mamasuf in and a little bit if process
then your co no no, your family, my family, I
can maro coming to my mind you know tamas and
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hic ter film yeah and film yes, the commentary comment
Mario media some c then come ok so idea manola Yeah,
now the my see you're working the miss arina, then
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your working cala peken you and then superla the you
co here cola the cola cas s take y e
sac and go okay wine I see you can't come
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algo your do ho and go okay to win. See
you're okay.
Speaker 1 (14:45):
So like.
Speaker 3 (14:48):
The sal like costumbre, the so stoke chi like I
hoper field okay, mundo jo sola, see your got o
m fast the don maybe that mando if I can run,
you know, cres proper mondo, if come come locate to
(15:14):
mama eating okay, are you the exact per you act
almente guando pero act one man and going through and
going to come on the scubriendo my the corinal mon
okay gel come come that like to come okay like
(15:42):
youas mo artist that's com and.
Speaker 1 (15:55):
A sac yeah yeah com to sally not much cogno
(16:23):
you're going to.
Speaker 3 (16:28):
You're no, no, you're Cristo Gona cas mon this lo
the Pineapple, but you're not. I would you my photo
the fans you know for you do that? Come okay
(16:49):
you're not personal contra condrac henty and can okayny you
know include come on to bond and.
Speaker 1 (17:16):
I want to see video.
Speaker 3 (17:21):
It doesn't know you know, okay, multiple that's all day
comment commentary.
Speaker 1 (17:28):
Okay, hello, s your al Blad influences rappers twenty lid
to because s a flow to you? They don't this
Leo again to me, that's a rapper.
Speaker 3 (17:50):
Come on, HONEYM means RAPPERO del Barrio, Okay you flow
you he no you livy you know no, no, forget
fifty and you're like, I want to be like fifty
you know the other left casa. No, you're not along
(18:12):
the best hand got you los artists primer for the
Yama tablet.
Speaker 2 (18:19):
Okay, yeah yo, yeah, I can do it. Okay, lappy Okay,
Dominican Brown.
Speaker 3 (18:27):
See Dominicano jo per moment. Okay, your you know what
were the fine you but you know you have a
more finie the livery said, I see your implemented and
to casa see Lando land Okay you know you're like
(18:49):
you since land Ince, since I see my papa piano. Yeah,
lu I go you know yah coo yea.
Speaker 1 (19:01):
Sony okay ya got.
Speaker 3 (19:08):
You know Persona seeks okay, Brondo Munice and cores la
mucho and mim car div me you know what ind
crs l the my youn gonna Saonica yo you go
(19:31):
you look you're gonna lost any o the com on okay, yes, that.
Speaker 1 (19:41):
Because wrapping them don't know you can do thing. Oh come, Persona,
no no, no, it's not my yokes.
Speaker 3 (19:54):
You let the music.
Speaker 1 (19:57):
Oh oh she's Dominican country. Lamar. I'm like.
Speaker 3 (20:01):
Well as a procas when I can see on old
school because traffic and rah yeah man you know and
see that yeah perro to super come look different okay, yeah,
(20:26):
ok exact okay you pol trensa your I said you
necess do look a you're different. You see punto.
Speaker 1 (20:40):
Period Yeah it's a mad super hong da.
Speaker 3 (20:47):
Then in my hand they do how the song like
school you see local alejandros sans.
Speaker 1 (21:00):
Your a the know.
Speaker 3 (21:12):
Maney italily that far the impression, the the the lms
because they.
Speaker 2 (21:25):
Ammen canta Cola lyric mm hmm, yeah, because it's like
your preferro to Msica exactly because I feel like, mana,
that's not real, but so mana gon to p r
go to manager, you the your prefer look at Mosica, Uncle,
(21:52):
mix master camian quanto.
Speaker 3 (21:56):
Local, No you're not so at all, No loky you
a go look at your cre and momental because moent
young com oke rima to so because okay yours I
(22:21):
imme o no you know you.
Speaker 2 (22:25):
Do came com so, Bra, yeah, trava in hip hop
in and you know and sot yative different differing the defending.
Speaker 3 (22:45):
Grassius grassiers whole inment remember Rember, okay, you know the
coke song using goes on the eye respect to no
eye pork, I mean exact and okay join the endo
you the hand and the bad induce you the end. Okay,
(23:09):
bin paralocause you respectable cases know what was respre come
okay no pokeno so no poke and those confience cay
confiance a person a thank you too, s and thre
come okay broke bro your s okay so lok leddy
(23:30):
good okay, So yeah, Bra, you know Madra and you
so yeah, brom you so you brow you you so
you broke all moon the po poke here my colina
you here, my colina your man you know more hell
you have com you mo hell oh you're not oversize
(23:51):
perman hoh dimon and okay my respect of the com
the vista and come to a hand for a hand
blow to cant canta play okay, go and go diepay
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different you see if an article, get and go to
them and we can turn to the okay you see
fun fu strada the cha you say, movie from the
press excellent, then Lexico excellent, latipa let them being, latipac
lati the lad and don't say not okay so mos
(24:37):
express that handy, yes, express a being and they say
gon go do the press and come on to the wista.
Speaker 1 (24:48):
So no.
Speaker 3 (24:51):
Before that, grand Ca, So you're not called erfordable, you're
not your double respect And don't say so.
Speaker 1 (24:59):
Drada repet period because it's as I'm the homie. You know, Linda,
your girl went sex? You know now you know your
so I do bro Yeah, because hand right.
Speaker 3 (25:18):
Trying to.
Speaker 1 (25:21):
You know, no.
Speaker 3 (25:26):
Son that pul j.
Speaker 1 (25:32):
I mean, look, who is it much for music?
Speaker 3 (25:40):
I see? Don't you get.
Speaker 1 (25:48):
Off your husband. You know you are you are com
It doesn't man York see rudos a first dog see
(26:08):
Manyana Gendri snow the product.
Speaker 3 (26:15):
Canta Squaldo, Yes, see the Lama sentimental corrido r and
b se mar n b e and the ma shallow
(26:38):
top you this canta excellent young Hey, okay, canta see
medio sexa thank for snow Domingo.
Speaker 1 (26:57):
No, yeah, I support a dow. I like that.
Speaker 2 (27:06):
Jesus Christ, know what's up on the mirror, on froer
on flow myla paro.
Speaker 3 (27:11):
Now you're the super fly lo okey does the sparse.
Speaker 1 (27:19):
Yellow analyst.
Speaker 3 (27:24):
Come okay, I see that the bother for you like
mon Ma ma.
Speaker 1 (27:35):
To sur Pascha.
Speaker 3 (27:39):
La macaren, the super fely, the super super content.
Speaker 1 (27:45):
Kell ok gentry is it dembo loto carrier inter.
Speaker 3 (27:53):
S Youlria she do super Loria Momento Okay, better in
my Dini hand bow you know almost on them Bollo.
Speaker 2 (28:03):
It's not like you see artist, no comment. Common Paspea
lyricists straight to the point said you.
Speaker 3 (28:19):
Got your ramat exactly the boa the hip hop and
they they then bow two hours so no, okay, can't
tell hand seem okay, can't tell hand okyo.
Speaker 1 (28:39):
T bars You're like exact you know your.
Speaker 3 (28:45):
Saving I'm like you know, I'm like, are you thember
you then it's you my little flow you know them bo.
Speaker 2 (28:52):
And the Dominicano to prepara rossa and la paradomic and
anyway yes.
Speaker 1 (29:04):
Like rough rough I said her own flow.
Speaker 2 (29:08):
Yes, yes, if you represented the Dominican youth coma rosa press.
Speaker 1 (29:22):
Because the represent.
Speaker 3 (29:24):
Press on.
Speaker 1 (29:28):
And no male lando so no no no no no
no no no okay, well mail man boom.
Speaker 3 (29:42):
My hand and then then your mano per condent.
Speaker 1 (29:54):
Charts like the see what they were doing comedy.
Speaker 3 (30:05):
Too many Italian Italian you know, no you do the
come prone let's advices not call me that maky okay
and you're you're.
Speaker 1 (30:17):
Said yes they're gonna president and not like.
Speaker 2 (30:24):
To I'm like you say, come on with me because
the go ahead talking in tritt me just I just
work aholic man said Mandy.
Speaker 3 (30:50):
Log to super you the prie, I said he you
said he your peral little not gonna know your numero
to take ben patron Noo the tell you sad can
put the hemp come mewell mart you okay, mind but
(31:16):
the more you come, hamp does see your ful you
know foka you know saying you know, say you're man
c you get a numeral danto so to sisu manaba
the planet you know man your t V b endo
(31:42):
you do this end you maybe really your movie that
your part rock star you we will I see, Okay,
then look at ka passa you can look Manda your
felice lord problem said bother resolution you know, and so
(32:03):
you tangle you and your your coho then my sn
go by the Boomsica, come okay, you're not you you live, okay,
you don't get any other house. No, you don't go
to okay the fruit You're not.
Speaker 1 (32:27):
Come on, come on, mam comprava to know us.
Speaker 3 (32:33):
You're get younger han block you can said, yo got
naming se but then you're sent me the soul and
more I was to do pro you don't get the
seven la cosa can you not go?
Speaker 1 (32:50):
You're gonna go.
Speaker 3 (32:52):
And you could do the body mahina you are so
I can like your fairy clat to the free salami
sent tang bank minds. Yeah, no necessito mana plata paro
sisa super called got.
Speaker 1 (33:11):
To control the Duda oh my or to look at
Kira to Televanta.
Speaker 3 (33:18):
This non gon hand were man Italy in the press
and then contrave the Consoli goog please Mira empress you
know handa heya Mega Okay again okay, okay, your Pam
(33:47):
manager Loco O k I the Alara D n D Yeah,
yeah came and I said, yeah a Cosina and camp
reliever a Rio. It's a local.
Speaker 1 (34:02):
The handle to you're like your.
Speaker 3 (34:09):
Comm went j B B oh Madrid, Miami, Miami is
in Miami, Miami, and I'm with a Miami Miami ken
(34:31):
poken Miami lass you that the soul poke and Miami
like Mosic. I'm go the Miami Leo Tranquill that last
Residents and Miami is on Tranquil exactly. I'm going to
Miami superficial. Like, okay, You're gone Miami. Your podel I
(34:56):
said you you gether R B m B, but not
my Miami. Okay, you make B M SAP. You know
you're gonna you know what okay, yeay, y can we always.
Speaker 1 (35:14):
Public? But yeah.
Speaker 3 (35:20):
Exactly, Ca yeah okay Ca Miami, Ma, yeah, because you
know my can come to you.
Speaker 1 (35:29):
So you're just having look the Miami.
Speaker 3 (35:31):
But see logo you via O and Madrid, oh in
Miami and black okay no s thenriccapans Puerto relegious.
Speaker 1 (35:46):
Pol Pero la persona and my content.
Speaker 3 (35:52):
Yeah say say see Perro, you see Madrid and b
Mari local Madrid am Madri Madri and the Barcelona Madri
(36:12):
man Canto Premier and to the NDA and the Madrid
the cdo do you got Pari? It does in henn
Lando all Mondo, I get you like that see the
ken pot parties and man's on hend and you do
so your party per Peel and Maria. You know they
(36:35):
got the girl your men be doing and they can
take you know, you go take Madri, go taken Madri,
kynn la par sago and don't say you might go
(36:55):
to You said your Fami Premier Parti Grande for Madrid,
paldr legal and Madri is your own party labre like
laboration party party com Flora party Parana, Yes of little
(37:21):
come on man to the laboration la and then gravely
yeah yeah song lack come that excellent lack of milla
for your communa romolos cha.
Speaker 1 (37:40):
Yeah you.
Speaker 3 (37:43):
Camela, I feel like that's p Coolo the Madri Grane
like Carmela, like Amela sa Yama, I'm on the location.
Then came and promotion, promotion and accel right look com
com that super lady came to call me whatever you
(38:11):
know I mean, can do this, you know, Linda, exact exact.
It's not that, it's why not make it? You know, Goto,
you know, good for you. You lo your your com
doll deal, get you lone, your the photolo. Come go
(38:35):
to me mill Mage, No Joe, you're not going to
see Yeah that Sally Claro you me the mi cao
(38:56):
do why not? Okay main then the high the yea,
the end of the terreno.
Speaker 1 (39:05):
Yeah, so you know.
Speaker 3 (39:07):
And so you know, you know, you know, go Toaldo,
you know you know they go to Keo, you know
tengo yeah, cal sad Mark you well done, mel Dinery.
Speaker 1 (39:28):
The Tokai man Familia Seeman and.
Speaker 3 (39:34):
See pero Ma Drava, per pro Lukaya the mehroa you
know Rava and Saya condo, com dels I medi huo
Si though lady, okay, I put the movie with you
know in you got a multiplaque in Matla Casadran kill.
(40:00):
It doesn't that you do Bangando rental Lemondo, yeah leman.
Speaker 1 (40:06):
L y so yeah, I do your commers R chips
lo may be the.
Speaker 3 (40:22):
Me my my then los ho and know g Clark
and behind they know my somos Yeah yeah yellow down
sEH and the.
Speaker 1 (40:41):
P bors.
Speaker 3 (40:44):
I know no conference Paul, you know your camel and
Trenga Porke.
Speaker 1 (40:55):
And me tod you not the FaceTime no, yea.
Speaker 3 (40:59):
My am a parol the human sallam Amica man okay, okay, yes,
barrosa and go come miss Ago you go ye your
brotter go not go to yeah you likes like, no
(41:20):
you're not You're okay, No, do not do the whole.
Speaker 1 (41:27):
Let you know what I do.
Speaker 3 (41:28):
The hony world now see you are mamma Mia literal
and let me see more the o us mirin so yeah.
The ol s on the over say you gonna become
(41:50):
yeah my cassat Yeah okay.
Speaker 1 (41:54):
You know.
Speaker 3 (41:55):
To Mama, to Srina family your can so yeah yeah yeah,
Pat you mam you pull and manar on you Chica
co four house behemy chacho sammy Famili make a super
(42:16):
grand honest you come on the day, Felice.
Speaker 1 (42:21):
Then the guy.
Speaker 3 (42:23):
In bahem chaco yaheto companion Peter in a familia and
that's your Pando selena plan you know come family yea
you soon I fire another of the family. Include you
(42:44):
have the PENTI you're gonna.
Speaker 1 (42:46):
Do it.
Speaker 3 (42:50):
And be familis that though more than one do like
sala can see.
Speaker 4 (42:56):
Okay Johnny Blue by Classica Claire by a classic you
get two person cl Hey with your the also double multiplaydo.
Speaker 1 (43:08):
Lambon dance co Recondo to personal person and the multiplic.
Speaker 3 (43:16):
Gonna Blue prim peral Emmy Hendy Okay, my man cos
sa course see when go ye okay, n I your
matress hand feel like why rock the k ole co
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Grassiers Come Again is a production of Honey German Productions
and partnership with IHEARTMA podcast network HM
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