December 18, 2025 • 58 mins
Dominican icon Vakero sits down for an honest and wide ranging conversation about music, family, and legacy.
The Latin Grammy nominated artist talks about growing up in San Pedro de Macorís, and his role as a later pioneer of Dominican urban music since the 1990s. Vakero opens up about working very humble jobs outside of music like selling apples, becoming a fashion forward artist, and his views on beauty standards, marriage, and fatherhood with 11 kids.
He shares stories from acting alongside Manny Pérez, explains why he declared himself Team Fruta on La Casa de Alofoke, and talks about collaborating with younger artists like J. Noa.
Plus, Vakero reveals exclusive details about a new album coming in 2026 with Dominican producer Maffio and why using his voice for the less fortunate in our countries still matters to him today.
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Grassiers Come Again a podcast by Honey German and welcome
to another episode of grasses Come Again. Oh yes, a
super important the names gender Ikono Papa suppose artista fashionista
bien benido.
Speaker 2 (00:25):
Gracia gracias the fashionista fashion Okay your sentimental to in
nomina Yes yes from Sally made Okay you la mo
(00:48):
ca for you know t y o k yo you're
not you know.
Speaker 1 (00:58):
Pres your yeah, normal city come to Essensia to a
spirit to algo look to rop who next? Since you're
the express you matista, it's all you.
Speaker 2 (01:13):
Know, Joe commodus, let's just say precis I mean Jose
com go to.
Speaker 1 (01:27):
I mean can't because I'm like a not a person
and the more and not a person. The trends it
is individual to look at the.
Speaker 2 (01:36):
Good then you still yes, he come bokuda yeah for my.
Speaker 1 (02:00):
Into a knowing who difrast located to local.
Speaker 2 (02:06):
Connect us a look at the.
Speaker 1 (02:12):
Comood movie and movie.
Speaker 2 (02:15):
And Decho the bore then said the anvils and mbment Bombo,
I mand the the best person lives up and music
(02:36):
part the the compromise, You're gonna go public to lokay
have another the Polka and you know congresmand the public,
the public dominicanas you know m mas Latino ye conscious
(02:57):
the go to or my I go to log at
your compongo lolo compared to the man ras in Seragon
and public and Republic Dominican and you have to look
at that give you grand map. I mean I was
(03:19):
in Ceo pecial Many.
Speaker 1 (03:22):
I love that songs can song.
Speaker 2 (03:28):
Bello, you can, I show the man for for your
body Mahica expectacle here.
Speaker 1 (03:46):
Dominican is a lineup. I was just like Mega bas
in your super.
Speaker 2 (03:55):
Dominican Shy is len El Mediholo Dominican.
Speaker 1 (04:06):
I love it.
Speaker 2 (04:09):
Daddy for.
Speaker 1 (04:15):
Art he said you own and so clips eclipse eclipse super.
You know what I'm saying. Alpha. I'm like, wow me Cento,
Togue or.
Speaker 2 (04:27):
Madio they were Alpha Camerino and here those peopled blood
and super Tulo Okay not well no they were and
the super public La indeed I album Cambio.
Speaker 1 (04:51):
Fruitur FaceTime. Yeah yeah, I was like, oh my god,
fruit and is whatever you're in fruit.
Speaker 2 (05:03):
Fruit if guess no mont Control Silo Authentico yes a
man okay, Commo no no no, not for Somingo yes, Dominigan.
(05:26):
It also got all guy loves follow.
Speaker 1 (05:31):
And that this is a Dominicano know what a fool
he had to.
Speaker 2 (05:51):
Then then yeah, no no, no, no, no no matter, Okay,
I that course, like you say, okay, you know normal
you know bother that in the definitive, I mean you
(06:15):
know bother that the me from India. You know we
are said cretion you and you know claud and no
boy you and your long heavier by mare.
Speaker 1 (06:37):
You annoys j So Santiago. Sorry they are.
Speaker 2 (06:46):
Coming, I see and get the moment. Yahya b col
Yeah the Pando no quarter.
Speaker 1 (07:12):
Our Lemo, the twin fancy Nacidomicano.
Speaker 2 (07:17):
And some ptter than my cord is Claro col mac
cord Is later proce being a poro prucendo Byla the.
Speaker 1 (07:36):
Ald grand League.
Speaker 2 (07:44):
Felt that wan blood guy to Yo Marco Caminero and trets.
Speaker 1 (07:56):
Not indeed that mean will be that art the moon Problema.
Speaker 2 (08:08):
Hill and get you that not the.
Speaker 1 (08:17):
Santiago Santiago down down.
Speaker 2 (08:29):
Like you know they didn't will be free not.
Speaker 1 (08:43):
To in Fancia. You're like, wow, when I'm in Fancia, fancy.
Speaker 2 (08:55):
For when a Boca software pardy it's a processor of
local So I mean for I mean I'll go kill
call ya governmental Sito, Manuel and Mosica, Mosco, Leo Garcia
(09:28):
and moment on bro for a come through for Manzo
and and Ala. Then respect theb Lo lokey boy vad
conal tranquos and single trement comes on affected on the
(09:55):
manera negative.
Speaker 1 (09:58):
I mean so no oil impacto to musica, you know
the t to musicak negativitrol hartif lyricism to try, the
la Manka to component make and Martin Grassia grassia.
Speaker 2 (10:20):
So that's all man man, you know that.
Speaker 1 (10:29):
The alerte condo label, the pioneer Pioneero, the la musica ur.
Speaker 2 (10:38):
That's all this for Noah, the handle real, the song
de rapp and.
Speaker 1 (10:54):
D I mean, I mean yeah.
Speaker 2 (10:59):
And number the better come on the rabbits, the lie
and yeah and the die dog Army Yo Laura, the
complemental revolution Adio local red. You know, d tell me
(11:21):
not your fishing spasab from inspiration para, because you know
in the common and the annual different thing and it's
like said, no Comedican pon NEOs to see you front
of your stamo como KF. You know the local capital
(11:52):
located movida and okay demo and yeah a r M
Paula coul you lok momento the more or you're n
suppose you come brown yea yea locomo neo comal officio
(12:18):
mile down the ladi your algun thing, Okay, the man ral.
Speaker 1 (12:25):
Beneficial quando tondo the said me occupa.
Speaker 2 (12:36):
Kundo there this came for you, said okay la madre
Ye mean no, come on, yesa Sonando the combatim and
artista for monso anel globile poc and prep sa comn me.
(13:04):
Then you know, said Domingo, you're doing sadasi give me
lone contest for nonother than the comment commando Daniel. Ye,
(13:25):
then go Now when I keep on the baseball that's
pay then go and then go and see the common
common see pedro wander this meal, como boy reservation the
(13:47):
como and but can you have any come hen blow Oriano,
Susanna and Frank seeing see no deficial parod great Joe Franca,
(14:18):
the control alt and and the man Sanah central balk.
Speaker 1 (14:37):
For them Momento mas Puerto Rican ain't know. In the
end the important ya quantificial era par comero mansana.
Speaker 2 (14:54):
Loma deficialbaha and puerto You then sah you tell ma
man sana el beni quatro el ben quartami perro per
deficial stadla world centralblo yahi and local key okay Kevin
(15:20):
then to man san ala et cetera yam and mano
Kevin land brother than a capaso loguna and bardola mansana
you two your friends and all the post medio and
(15:52):
in putt to barha around thea la for the long
grophone p n man.
Speaker 1 (16:05):
Is super important person knowing d ending. Yeah, so so.
Speaker 2 (16:21):
That that proo yeah pro dim.
Speaker 1 (16:42):
To a persona fruta in the dificats.
Speaker 2 (16:46):
See record in your basal and your basal of flag.
And like I said, no land including Italia mano you
(17:15):
know and manolo the oil and copra no nes co
alo alo k yo.
Speaker 1 (17:38):
A country weird not necessary, the compra nego and music and.
Speaker 2 (17:50):
You got pay forward s poe toy ky and it's pretious.
Speaker 1 (18:02):
Ye single public locate, say I see the necessity persona
not single public's.
Speaker 2 (18:14):
And claros and claro public being s no claro because
that you are gonna cause.
Speaker 1 (18:27):
And said you commentary the negative that you're your swel
so no why no hello commentary Hawaii know the.
Speaker 2 (18:37):
Points easy to die in local negative locm youtubelando.
Speaker 1 (18:49):
The YouTube, but then they will be there, know what
they are remixed cases the b l B there in
missing the super emotional poque posa la malo and vid
o no so come on the una manera tang k
(19:12):
back contra to loke remos case shuna si ya jola
via the manira was just like, wow, it's a so jo.
It's a som nora known as sam tanto not said
(19:33):
dam beja pelo. It's like wow, I tanta version, no miramo,
no curls trensa. It's just like it's a so jomo
manera pero e TOI tange in focla and Kay look
sally and la red o se comveo macomo peroa. COIs
(19:56):
a republic a ti you have to post at present
is on vulnerability a you know a da nothing but
support Polis for me.
Speaker 2 (20:17):
Graussia, grascia, yes la de la crave the more reality show, Okay,
Galia prendo I'll go, I'll go the Yeah Islam and
dabling can You're gonna get mon republic a Dominican in
(20:43):
perando you know problem, yes, but do cambio. Yeah, you're
gonna calls call your LP and that can get the head.
(21:05):
Tell the doll pagando so you know your if content.
He conformed me, no come come no solam the man
the come o yes away see know the okay I
the tra la madreque come on ya natural natural ceo,
(21:28):
come on ye jando don show la mala casa, don't
you Yeah, way I got that. I go to your
collect you control are undo alamran vas and he said,
(21:51):
moment you agrito h my con cravely in cravely in
cravelyan cons compromision and collect you yeah, as a crifical
and your guests.
Speaker 1 (22:10):
But dand u qual no.
Speaker 2 (22:18):
Imtant yeah yellow grande Okra said pil and defic my
matur's what.
Speaker 1 (22:37):
Your second semiment to too to hit the MIRMI post Yeah,
that's clan sposa persona is spos being post you is
(22:58):
supposa being.
Speaker 2 (22:59):
So l correct said okay, do you are Loki so number.
Speaker 1 (23:12):
The look and a momento posta y jo who called
posa ca Yeah tevy olympia loister phenomenon hard go many prayers.
Speaker 2 (23:55):
Wow. So so's I'll go your money on megastera Tepo
song link on tip Mac and I you know not
and Lavandya Gerando, d represent and Digna the money to
(24:22):
summer man. But call your control. They are well, there
are no port Me Camino, you the hell, the frank films,
the Olympic com com, the mid level we a nephiw
(24:46):
you take a little.
Speaker 3 (24:47):
Bit of the I know right, Lavinado, those basic if
you if a solo solo, I'm like, you don't know
me that DNA you in the cl there are you there?
Speaker 1 (25:00):
See you know not in anything problem. L know that's
tempo Dominican and just Dominican and.
Speaker 2 (25:08):
Your boy see elm maya malo may cook see yes
(25:38):
because Condolande and syd k b your may may Mary
Muncho and the Godia not then then con media pedro
(25:58):
may Mama, the thea called do you know? Seeing it?
Then I guess, oh my song some poor guy and
(26:22):
Dominican nod.
Speaker 1 (26:26):
It was a sea moving Jeli and I was like, wow,
this is a good movie. Budgets like Cato. It's just
a it's a parcel in Hollywood.
Speaker 2 (26:41):
Yes he said that Mondo so he said my water
man know this d yo maintendo us did so lamon
(27:01):
the perro lasn.
Speaker 1 (27:04):
So cast in command casting directors. It's a look and
said you you know Rivera, but you know I said
to be like nah jose mb okay, yummy our Dennis
(27:25):
Travaus you know Bama black our.
Speaker 2 (27:30):
Hey, you know man, you know that you're not gonna
see amio. Ravando says so and what terminal Dominican you
(27:51):
to here? You said, do go here? You man is
mana boo memotro flaky. I send them free style and
the rappiando and double the tempos parava na say as
(28:21):
a concept that lemil you know you want to say lacos.
You know I remained that rabera LaCOSA dina you know
the tiny mont s, the the loquadro, gold be lost
(28:48):
in gold, pela in gold bo content. Okay, so fanatico
maya mala and let's do okay your yeah and contra.
But okay, the other time have we had okay, yourpen okay,
(29:10):
your say okay, your includsive yes yo area and polk respect.
Then you are me Come on, come on, Delica, tell
me basally rap gonna Colent Billard may come on important
(29:34):
and then through there gonna rap and Spaniard, Yeah, rapping
republic Alminican, Ye yo poems you know my old school
my my come on when lady the sample mam said
the call to it all okay don okay la sign
(29:59):
and he is a Momentomo you do old tm twe
t com video de la Cincoal's rapp hip hop the Lane.
Speaker 1 (30:27):
Super Yes, when you're nominated for Grammy, so that certified
member fielder Spotify clar because you know, yes say validity.
It's like it's like, okay, okayendo, yes, I can you
(30:51):
know l v D like me just like wow, come
on matrimonial you know the like old school new.
Speaker 2 (30:59):
School say it's a follow matulo the I momental like
and some let go come overl and does to the O. Yeah,
(31:21):
yes a pone okay, okay, yeah it's okay leh yeah
but no matter okay, yes, pon poning. It's a god
building that Clark didn't do to hang gang guy. Yes, no.
Speaker 1 (31:48):
Nos like no whay come to meals miualdo nowhere coming
because okating it is a con cours grief.
Speaker 2 (32:09):
Yet so yes local Randy and again yes character Jose
Maria yao okay.
Speaker 1 (32:27):
To Maria.
Speaker 2 (32:27):
So we are personal, so personal laga okay hell yam
and Manuel yea yeah yam. That inclusive called Mosica. You
(32:50):
know lot Woolen dosic can yes, controls, Yes.
Speaker 1 (33:12):
The project. I love it. It's like the La mani flu.
It's perfect oppositions.
Speaker 2 (33:25):
Coming remon cariven yo, the repeat and being the town
(33:47):
called model, La hurricancelo in person laam dialog and j
(34:09):
tempo and alma amarapia de manmand okay leptam quadro lp
three quarter quadro and the okaya yes travahand and you
(34:38):
know as it's associd men for la cosa alfin dan
number problema and republicavanol us local and j your practical American.
(35:05):
Then you know your loco Lippi's normal.
Speaker 1 (35:21):
Fast. I want to common in lose lose nomber the
Lippi Sam.
Speaker 2 (35:29):
I can.
Speaker 1 (35:32):
Please your.
Speaker 2 (35:36):
Amm cant I mean your Commandita then say it's a
compromise of social Then guando they see a car like
Canno microph then you yeah, okay pcondo and accompanied la
(36:05):
perota sena ma da drag drag come on reggae sim
March human.
Speaker 1 (36:28):
DNA. The album singles.
Speaker 2 (36:34):
Ganda modo ya not get the salami, get the compound yourself.
Look at the d N M L get bound. Did
(36:55):
Helena Records o hanaud d s say, oh, I say
mucho mon yeah, Repetito coca it made pens on la
comill and so Repetti only me and the mid yes.
Speaker 3 (37:19):
The.
Speaker 1 (37:21):
World it no way Artista Tipo talk and I'm like wow,
You're on the boat and I'm like wow, okaye you
ly because yeah, repetitive.
Speaker 2 (37:45):
Does not que lady in Rava concern to me. The
condo Moselle Baso and so ver so I can't do
(38:12):
the the handle on and and co condo that it
will be the multi party, you know, parapol case soon
as of course I go the Mocho by Nation, the
(38:33):
ander seb.
Speaker 1 (38:39):
Condo.
Speaker 2 (38:39):
D yeah, I tag party then.
Speaker 1 (38:48):
And so no l e p being con hm oh
yeah no, ladies, Joe Canta to Migro, to Tempo to
(39:14):
the Nero large Pueblo look.
Speaker 2 (39:18):
Piece set mautall okay me didn't problem bo paro alfinale
key mim logal now lower said the cont repair Loca
(39:41):
president logo. Don't say I get behind la alum and.
Speaker 1 (39:49):
That the said to videos and because you know the
memo pero como como per co know d na the
persona can andando you know to look, I say, man,
you know these better Joe and the persona like you know,
(40:12):
stay and mimo manny me my dash my blad jo
because I'm like, you know the not mio so yeah,
to go can port that so you know the se
person you know this is in Diablo in the local
(40:33):
persono alan mimos and tientos.
Speaker 2 (40:38):
Remo dandle and come on say no, but you know
what I don okay bought.
Speaker 1 (40:46):
Me handed I mean para ye to lego and the
to come impact us saying they common back to dubai
no person ambril you know yeah Joe, okay, I Bentley
(41:17):
Ferrari can see I see.
Speaker 2 (41:21):
Ba claro claro claro man and can caremo persona the
difficult la cosa mabill loke remo then and denilo there's
a personal and gondo ya the long radio endo. Yes, okay,
(41:48):
you're in the endo. Okayramoa the Nindo foils at the
endo complaining and portmelo the logo tiendo yours either local
(42:09):
pagan nessmo alga.
Speaker 1 (42:18):
A k.
Speaker 2 (42:20):
The Carlos Brenda the man radnall pan sil Gamelo to
you yeah when I track, okay, so no person solament
bios per into a palti.
Speaker 1 (42:40):
P don't the eye probably a simple cream no problema
como this see see p electric Sto mechanico so then
departmento trop c I how song ablus is Carlos the
(43:06):
com Yeah.
Speaker 2 (43:08):
Moo talento you know, but then I said no, then't
lafo okay permitt okay the malo.
Speaker 1 (43:29):
Ninomica the other.
Speaker 2 (43:36):
You then.
Speaker 1 (43:44):
Loky like cano but you're not.
Speaker 2 (43:54):
Now Musica Meloya the man.
Speaker 1 (44:07):
Come Emo rap him my co co cool see come
on dark Command.
Speaker 2 (44:21):
Pedro and person talent and my el final number number
Jeremy Tremendo composite super yes for the commoletta and saook accompaniment.
(44:44):
Get your piano to the center black on the lad
your you make called la com and being clad then
it is that bo then the distance all.
Speaker 1 (45:18):
Cool, not on Instagram is cool, not for the Instagram
is cool?
Speaker 2 (45:22):
Are you okay, Mario? Mario, but you're you're going to
and you you think you think okay, you Tomingo. You'm
going you think, okay Tomingo, can you think okay? Brenda
so complaining does a passable? Now we are Baylas America.
(45:48):
Yeah yeah, because I'm bad, but do not get away
and lied and d J my mo co complicate bing Malamano.
(46:22):
Yeah you know don la Mano, Yes, kill you Mario
moment participants for Mamulo Mario p Yeah, yo, Brendo is
(46:51):
Brenda is Maravillosa. Mana, you're the caja in my house
in Pala. The lady yeah a Sertanaga said, get pero
(47:21):
par will van Attica Guandola the sa on the the
bon and cares memo, We're going to you case momento
(47:42):
you you said okay, Dad Momento, Ya yo my participa
And then they got a moment and I heard a
key and sam God, you know, bro.
Speaker 1 (48:04):
Mansie, I don't know, you know, but Yankee, get your
vito and Adi make it create you know, you know,
you know, you know.
Speaker 2 (48:21):
Job came algom my personal old La mosical proposital proposal
for theself with the hen timon with maybe that real okay,
(48:47):
tell me that the Olympus you are, you know, say
go pression. But the moning get salad and told us
so I yell companions use that yell ja that undo
(49:13):
the so polk you don alien yes, musical looking when
the saprai okay comparty biography and Cantaria see and a
(49:40):
biography and soper yo see you're the riado so the
domental Oh and the ballet my my being touched pero
(50:10):
cosa pero velo ul you lose ya siado jula and
paso to the local documento eat a documento hambre in
last Adea Alba said for no non lo superferential nolan
(50:39):
negoo film for madelon touzio to senor aloud two more
in coladow at the mo okay elgaia.
Speaker 1 (51:00):
Okay you know la maney com manipular mine person Biographia,
medicula Netflix.
Speaker 2 (51:11):
Special yeomo Kemo said yeah, and your crevato livida o Calda,
I'll be my young youvida hence your son Loga Savin
(51:42):
Perron Canaria, canti e lake boys Silva the mmadel sen
your now sen your back Monday. So you know. The
brother says it's a project Cinemato Africa. The amen, amen, amen,
(52:09):
then plan Yeah that when went to say, okay, then
you bag please your co Mafia and Miami, yeah your
mundo album, no po composites to music a Mafia Lodico
(52:45):
song thre okay yeah, sore pa and no not then
I have the mother hinted the saunam jownm on and bag.
It's like Totley Lamo, the young local Klapo Dico you
(53:11):
know Sabias young audious Meal part young Lo wow I
being Bonita alam ki Many Marley Marlena of course.
Speaker 1 (53:30):
Are legendary pone the do Ma Menomal.
Speaker 2 (53:38):
Dico es mafew the caval tag and look at where
oh your blah blah blah yeah sa la more your
perfect yes ma fu kimani k g ma. But I
(54:00):
know the opera now intentional okay, sou cosa con held
because a personal kelln p and Kelo postone. You know
that you member lady about Marley having me admirab Marley
(54:25):
and know the whole Kuanto Minamo Ldjo and Tia look
at your look at your can't they here Kellsentia Dante.
You know again that little creditor the termino Mi musical
(54:52):
intende pa Okay, apparent mar You're not po okay, I
said that, but the loose Lomo that me and you know,
like you know Magai and the rich rather than too.
(55:17):
In the Sante your twelve Dan and dang Gernando Plaza,
Grandi said comment okay, yeah, but ill Mill went to
say for pos I probably that okay, lose your damn
Solidari album was a little. Cat said the om the
(55:40):
CMO postponell parapproxima con see can't look then yeah, you gonna.
But then I said, your man that.
Speaker 1 (55:58):
Com yah turn to telephono.
Speaker 2 (56:12):
Manager Cat and ala, wow wowo. The Grammy album Bases
(56:36):
and Dominicano movie represent connect Petro Mariano.
Speaker 1 (56:43):
I love it, g Momento la Gracia or Beniro Tempo
in COMUNKI I'm like wow. The Commo my Grande sinco
co Latino photograph of Cantante hactor in Tang honored in it.
(57:04):
I'm like wow. I'm like Para is like up here
on Econo. I'm like wow, like a Miami and public
look OMDA and YouTube and it's like to temple is valuable.
Then Commo Pressio commun representa com as center my important
(57:30):
music Invoca can I said, you representa comic j g.
Speaker 2 (57:51):
United Palace, Yeah loa and so it's just partially is
(58:20):
and Republic Dominicana.
Speaker 1 (58:24):
Diago Ocago, Gracia, Gracia ti and Come Again Grassiers Come
Again is a production of Honey German Productions in partnership
with Ihearts micro podcast network HM
Grassiers Come Again a podcast by Honey German and welcome
to another episode of grasses Come Again. Oh yes, a
super important the names gender Ikono Papa suppose artista fashionista
bien benido.
Speaker 2 (00:25):
Gracia gracias the fashionista fashion Okay your sentimental to in
nomina Yes yes from Sally made Okay you la mo
(00:48):
ca for you know t y o k yo you're
not you know.
Speaker 1 (00:58):
Pres your yeah, normal city come to Essensia to a
spirit to algo look to rop who next? Since you're
the express you matista, it's all you.
Speaker 2 (01:13):
Know, Joe commodus, let's just say precis I mean Jose
com go to.
Speaker 1 (01:27):
I mean can't because I'm like a not a person
and the more and not a person. The trends it
is individual to look at the.
Speaker 2 (01:36):
Good then you still yes, he come bokuda yeah for my.
Speaker 1 (02:00):
Into a knowing who difrast located to local.
Speaker 2 (02:06):
Connect us a look at the.
Speaker 1 (02:12):
Comood movie and movie.
Speaker 2 (02:15):
And Decho the bore then said the anvils and mbment Bombo,
I mand the the best person lives up and music
(02:36):
part the the compromise, You're gonna go public to lokay
have another the Polka and you know congresmand the public,
the public dominicanas you know m mas Latino ye conscious
(02:57):
the go to or my I go to log at
your compongo lolo compared to the man ras in Seragon
and public and Republic Dominican and you have to look
at that give you grand map. I mean I was
(03:19):
in Ceo pecial Many.
Speaker 1 (03:22):
I love that songs can song.
Speaker 2 (03:28):
Bello, you can, I show the man for for your
body Mahica expectacle here.
Speaker 1 (03:46):
Dominican is a lineup. I was just like Mega bas
in your super.
Speaker 2 (03:55):
Dominican Shy is len El Mediholo Dominican.
Speaker 1 (04:06):
I love it.
Speaker 2 (04:09):
Daddy for.
Speaker 1 (04:15):
Art he said you own and so clips eclipse eclipse super.
You know what I'm saying. Alpha. I'm like, wow me Cento,
Togue or.
Speaker 2 (04:27):
Madio they were Alpha Camerino and here those peopled blood
and super Tulo Okay not well no they were and
the super public La indeed I album Cambio.
Speaker 1 (04:51):
Fruitur FaceTime. Yeah yeah, I was like, oh my god,
fruit and is whatever you're in fruit.
Speaker 2 (05:03):
Fruit if guess no mont Control Silo Authentico yes a
man okay, Commo no no no, not for Somingo yes, Dominigan.
(05:26):
It also got all guy loves follow.
Speaker 1 (05:31):
And that this is a Dominicano know what a fool
he had to.
Speaker 2 (05:51):
Then then yeah, no no, no, no, no no matter, Okay,
I that course, like you say, okay, you know normal
you know bother that in the definitive, I mean you
(06:15):
know bother that the me from India. You know we
are said cretion you and you know claud and no
boy you and your long heavier by mare.
Speaker 1 (06:37):
You annoys j So Santiago. Sorry they are.
Speaker 2 (06:46):
Coming, I see and get the moment. Yahya b col
Yeah the Pando no quarter.
Speaker 1 (07:12):
Our Lemo, the twin fancy Nacidomicano.
Speaker 2 (07:17):
And some ptter than my cord is Claro col mac
cord Is later proce being a poro prucendo Byla the.
Speaker 1 (07:36):
Ald grand League.
Speaker 2 (07:44):
Felt that wan blood guy to Yo Marco Caminero and trets.
Speaker 1 (07:56):
Not indeed that mean will be that art the moon Problema.
Speaker 2 (08:08):
Hill and get you that not the.
Speaker 1 (08:17):
Santiago Santiago down down.
Speaker 2 (08:29):
Like you know they didn't will be free not.
Speaker 1 (08:43):
To in Fancia. You're like, wow, when I'm in Fancia, fancy.
Speaker 2 (08:55):
For when a Boca software pardy it's a processor of
local So I mean for I mean I'll go kill
call ya governmental Sito, Manuel and Mosica, Mosco, Leo Garcia
(09:28):
and moment on bro for a come through for Manzo
and and Ala. Then respect theb Lo lokey boy vad
conal tranquos and single trement comes on affected on the
(09:55):
manera negative.
Speaker 1 (09:58):
I mean so no oil impacto to musica, you know
the t to musicak negativitrol hartif lyricism to try, the
la Manka to component make and Martin Grassia grassia.
Speaker 2 (10:20):
So that's all man man, you know that.
Speaker 1 (10:29):
The alerte condo label, the pioneer Pioneero, the la musica ur.
Speaker 2 (10:38):
That's all this for Noah, the handle real, the song
de rapp and.
Speaker 1 (10:54):
D I mean, I mean yeah.
Speaker 2 (10:59):
And number the better come on the rabbits, the lie
and yeah and the die dog Army Yo Laura, the
complemental revolution Adio local red. You know, d tell me
(11:21):
not your fishing spasab from inspiration para, because you know
in the common and the annual different thing and it's
like said, no Comedican pon NEOs to see you front
of your stamo como KF. You know the local capital
(11:52):
located movida and okay demo and yeah a r M
Paula coul you lok momento the more or you're n
suppose you come brown yea yea locomo neo comal officio
(12:18):
mile down the ladi your algun thing, Okay, the man ral.
Speaker 1 (12:25):
Beneficial quando tondo the said me occupa.
Speaker 2 (12:36):
Kundo there this came for you, said okay la madre
Ye mean no, come on, yesa Sonando the combatim and
artista for monso anel globile poc and prep sa comn me.
(13:04):
Then you know, said Domingo, you're doing sadasi give me
lone contest for nonother than the comment commando Daniel. Ye,
(13:25):
then go Now when I keep on the baseball that's
pay then go and then go and see the common
common see pedro wander this meal, como boy reservation the
(13:47):
como and but can you have any come hen blow Oriano,
Susanna and Frank seeing see no deficial parod great Joe Franca,
(14:18):
the control alt and and the man Sanah central balk.
Speaker 1 (14:37):
For them Momento mas Puerto Rican ain't know. In the
end the important ya quantificial era par comero mansana.
Speaker 2 (14:54):
Loma deficialbaha and puerto You then sah you tell ma
man sana el beni quatro el ben quartami perro per
deficial stadla world centralblo yahi and local key okay Kevin
(15:20):
then to man san ala et cetera yam and mano
Kevin land brother than a capaso loguna and bardola mansana
you two your friends and all the post medio and
(15:52):
in putt to barha around thea la for the long
grophone p n man.
Speaker 1 (16:05):
Is super important person knowing d ending. Yeah, so so.
Speaker 2 (16:21):
That that proo yeah pro dim.
Speaker 1 (16:42):
To a persona fruta in the dificats.
Speaker 2 (16:46):
See record in your basal and your basal of flag.
And like I said, no land including Italia mano you
(17:15):
know and manolo the oil and copra no nes co
alo alo k yo.
Speaker 1 (17:38):
A country weird not necessary, the compra nego and music and.
Speaker 2 (17:50):
You got pay forward s poe toy ky and it's pretious.
Speaker 1 (18:02):
Ye single public locate, say I see the necessity persona
not single public's.
Speaker 2 (18:14):
And claros and claro public being s no claro because
that you are gonna cause.
Speaker 1 (18:27):
And said you commentary the negative that you're your swel
so no why no hello commentary Hawaii know the.
Speaker 2 (18:37):
Points easy to die in local negative locm youtubelando.
Speaker 1 (18:49):
The YouTube, but then they will be there, know what
they are remixed cases the b l B there in
missing the super emotional poque posa la malo and vid
o no so come on the una manera tang k
(19:12):
back contra to loke remos case shuna si ya jola
via the manira was just like, wow, it's a so jo.
It's a som nora known as sam tanto not said
(19:33):
dam beja pelo. It's like wow, I tanta version, no miramo,
no curls trensa. It's just like it's a so jomo
manera pero e TOI tange in focla and Kay look
sally and la red o se comveo macomo peroa. COIs
(19:56):
a republic a ti you have to post at present
is on vulnerability a you know a da nothing but
support Polis for me.
Speaker 2 (20:17):
Graussia, grascia, yes la de la crave the more reality show, Okay,
Galia prendo I'll go, I'll go the Yeah Islam and
dabling can You're gonna get mon republic a Dominican in
(20:43):
perando you know problem, yes, but do cambio. Yeah, you're
gonna calls call your LP and that can get the head.
(21:05):
Tell the doll pagando so you know your if content.
He conformed me, no come come no solam the man
the come o yes away see know the okay I
the tra la madreque come on ya natural natural ceo,
(21:28):
come on ye jando don show la mala casa, don't
you Yeah, way I got that. I go to your
collect you control are undo alamran vas and he said,
(21:51):
moment you agrito h my con cravely in cravely in
cravelyan cons compromision and collect you yeah, as a crifical
and your guests.
Speaker 1 (22:10):
But dand u qual no.
Speaker 2 (22:18):
Imtant yeah yellow grande Okra said pil and defic my
matur's what.
Speaker 1 (22:37):
Your second semiment to too to hit the MIRMI post Yeah,
that's clan sposa persona is spos being post you is
(22:58):
supposa being.
Speaker 2 (22:59):
So l correct said okay, do you are Loki so number.
Speaker 1 (23:12):
The look and a momento posta y jo who called
posa ca Yeah tevy olympia loister phenomenon hard go many prayers.
Speaker 2 (23:55):
Wow. So so's I'll go your money on megastera Tepo
song link on tip Mac and I you know not
and Lavandya Gerando, d represent and Digna the money to
(24:22):
summer man. But call your control. They are well, there
are no port Me Camino, you the hell, the frank films,
the Olympic com com, the mid level we a nephiw
(24:46):
you take a little.
Speaker 3 (24:47):
Bit of the I know right, Lavinado, those basic if
you if a solo solo, I'm like, you don't know
me that DNA you in the cl there are you there?
Speaker 1 (25:00):
See you know not in anything problem. L know that's
tempo Dominican and just Dominican and.
Speaker 2 (25:08):
Your boy see elm maya malo may cook see yes
(25:38):
because Condolande and syd k b your may may Mary
Muncho and the Godia not then then con media pedro
(25:58):
may Mama, the thea called do you know? Seeing it?
Then I guess, oh my song some poor guy and
(26:22):
Dominican nod.
Speaker 1 (26:26):
It was a sea moving Jeli and I was like, wow,
this is a good movie. Budgets like Cato. It's just
a it's a parcel in Hollywood.
Speaker 2 (26:41):
Yes he said that Mondo so he said my water
man know this d yo maintendo us did so lamon
(27:01):
the perro lasn.
Speaker 1 (27:04):
So cast in command casting directors. It's a look and
said you you know Rivera, but you know I said
to be like nah jose mb okay, yummy our Dennis
(27:25):
Travaus you know Bama black our.
Speaker 2 (27:30):
Hey, you know man, you know that you're not gonna
see amio. Ravando says so and what terminal Dominican you
(27:51):
to here? You said, do go here? You man is
mana boo memotro flaky. I send them free style and
the rappiando and double the tempos parava na say as
(28:21):
a concept that lemil you know you want to say lacos.
You know I remained that rabera LaCOSA dina you know
the tiny mont s, the the loquadro, gold be lost
(28:48):
in gold, pela in gold bo content. Okay, so fanatico
maya mala and let's do okay your yeah and contra.
But okay, the other time have we had okay, yourpen okay,
(29:10):
your say okay, your includsive yes yo area and polk respect.
Then you are me Come on, come on, Delica, tell
me basally rap gonna Colent Billard may come on important
(29:34):
and then through there gonna rap and Spaniard, Yeah, rapping
republic Alminican, Ye yo poems you know my old school
my my come on when lady the sample mam said
the call to it all okay don okay la sign
(29:59):
and he is a Momentomo you do old tm twe
t com video de la Cincoal's rapp hip hop the Lane.
Speaker 1 (30:27):
Super Yes, when you're nominated for Grammy, so that certified
member fielder Spotify clar because you know, yes say validity.
It's like it's like, okay, okayendo, yes, I can you
(30:51):
know l v D like me just like wow, come
on matrimonial you know the like old school new.
Speaker 2 (30:59):
School say it's a follow matulo the I momental like
and some let go come overl and does to the O. Yeah,
(31:21):
yes a pone okay, okay, yeah it's okay leh yeah
but no matter okay, yes, pon poning. It's a god
building that Clark didn't do to hang gang guy. Yes, no.
Speaker 1 (31:48):
Nos like no whay come to meals miualdo nowhere coming
because okating it is a con cours grief.
Speaker 2 (32:09):
Yet so yes local Randy and again yes character Jose
Maria yao okay.
Speaker 1 (32:27):
To Maria.
Speaker 2 (32:27):
So we are personal, so personal laga okay hell yam
and Manuel yea yeah yam. That inclusive called Mosica. You
(32:50):
know lot Woolen dosic can yes, controls, Yes.
Speaker 1 (33:12):
The project. I love it. It's like the La mani flu.
It's perfect oppositions.
Speaker 2 (33:25):
Coming remon cariven yo, the repeat and being the town
(33:47):
called model, La hurricancelo in person laam dialog and j
(34:09):
tempo and alma amarapia de manmand okay leptam quadro lp
three quarter quadro and the okaya yes travahand and you
(34:38):
know as it's associd men for la cosa alfin dan
number problema and republicavanol us local and j your practical American.
(35:05):
Then you know your loco Lippi's normal.
Speaker 1 (35:21):
Fast. I want to common in lose lose nomber the
Lippi Sam.
Speaker 2 (35:29):
I can.
Speaker 1 (35:32):
Please your.
Speaker 2 (35:36):
Amm cant I mean your Commandita then say it's a
compromise of social Then guando they see a car like
Canno microph then you yeah, okay pcondo and accompanied la
(36:05):
perota sena ma da drag drag come on reggae sim
March human.
Speaker 1 (36:28):
DNA. The album singles.
Speaker 2 (36:34):
Ganda modo ya not get the salami, get the compound yourself.
Look at the d N M L get bound. Did
(36:55):
Helena Records o hanaud d s say, oh, I say
mucho mon yeah, Repetito coca it made pens on la
comill and so Repetti only me and the mid yes.
Speaker 3 (37:19):
The.
Speaker 1 (37:21):
World it no way Artista Tipo talk and I'm like wow,
You're on the boat and I'm like wow, okaye you
ly because yeah, repetitive.
Speaker 2 (37:45):
Does not que lady in Rava concern to me. The
condo Moselle Baso and so ver so I can't do
(38:12):
the the handle on and and co condo that it
will be the multi party, you know, parapol case soon
as of course I go the Mocho by Nation, the
(38:33):
ander seb.
Speaker 1 (38:39):
Condo.
Speaker 2 (38:39):
D yeah, I tag party then.
Speaker 1 (38:48):
And so no l e p being con hm oh
yeah no, ladies, Joe Canta to Migro, to Tempo to
(39:14):
the Nero large Pueblo look.
Speaker 2 (39:18):
Piece set mautall okay me didn't problem bo paro alfinale
key mim logal now lower said the cont repair Loca
(39:41):
president logo. Don't say I get behind la alum and.
Speaker 1 (39:49):
That the said to videos and because you know the
memo pero como como per co know d na the
persona can andando you know to look, I say, man,
you know these better Joe and the persona like you know,
(40:12):
stay and mimo manny me my dash my blad jo
because I'm like, you know the not mio so yeah,
to go can port that so you know the se
person you know this is in Diablo in the local
(40:33):
persono alan mimos and tientos.
Speaker 2 (40:38):
Remo dandle and come on say no, but you know
what I don okay bought.
Speaker 1 (40:46):
Me handed I mean para ye to lego and the
to come impact us saying they common back to dubai
no person ambril you know yeah Joe, okay, I Bentley
(41:17):
Ferrari can see I see.
Speaker 2 (41:21):
Ba claro claro claro man and can caremo persona the
difficult la cosa mabill loke remo then and denilo there's
a personal and gondo ya the long radio endo. Yes, okay,
(41:48):
you're in the endo. Okayramoa the Nindo foils at the
endo complaining and portmelo the logo tiendo yours either local
(42:09):
pagan nessmo alga.
Speaker 1 (42:18):
A k.
Speaker 2 (42:20):
The Carlos Brenda the man radnall pan sil Gamelo to
you yeah when I track, okay, so no person solament
bios per into a palti.
Speaker 1 (42:40):
P don't the eye probably a simple cream no problema
como this see see p electric Sto mechanico so then
departmento trop c I how song ablus is Carlos the
(43:06):
com Yeah.
Speaker 2 (43:08):
Moo talento you know, but then I said no, then't
lafo okay permitt okay the malo.
Speaker 1 (43:29):
Ninomica the other.
Speaker 2 (43:36):
You then.
Speaker 1 (43:44):
Loky like cano but you're not.
Speaker 2 (43:54):
Now Musica Meloya the man.
Speaker 1 (44:07):
Come Emo rap him my co co cool see come
on dark Command.
Speaker 2 (44:21):
Pedro and person talent and my el final number number
Jeremy Tremendo composite super yes for the commoletta and saook accompaniment.
(44:44):
Get your piano to the center black on the lad
your you make called la com and being clad then
it is that bo then the distance all.
Speaker 1 (45:18):
Cool, not on Instagram is cool, not for the Instagram
is cool?
Speaker 2 (45:22):
Are you okay, Mario? Mario, but you're you're going to
and you you think you think okay, you Tomingo. You'm
going you think, okay Tomingo, can you think okay? Brenda
so complaining does a passable? Now we are Baylas America.
(45:48):
Yeah yeah, because I'm bad, but do not get away
and lied and d J my mo co complicate bing Malamano.
(46:22):
Yeah you know don la Mano, Yes, kill you Mario
moment participants for Mamulo Mario p Yeah, yo, Brendo is
(46:51):
Brenda is Maravillosa. Mana, you're the caja in my house
in Pala. The lady yeah a Sertanaga said, get pero
(47:21):
par will van Attica Guandola the sa on the the
bon and cares memo, We're going to you case momento
(47:42):
you you said okay, Dad Momento, Ya yo my participa
And then they got a moment and I heard a
key and sam God, you know, bro.
Speaker 1 (48:04):
Mansie, I don't know, you know, but Yankee, get your
vito and Adi make it create you know, you know,
you know, you know.
Speaker 2 (48:21):
Job came algom my personal old La mosical proposital proposal
for theself with the hen timon with maybe that real okay,
(48:47):
tell me that the Olympus you are, you know, say
go pression. But the moning get salad and told us
so I yell companions use that yell ja that undo
(49:13):
the so polk you don alien yes, musical looking when
the saprai okay comparty biography and Cantaria see and a
(49:40):
biography and soper yo see you're the riado so the
domental Oh and the ballet my my being touched pero
(50:10):
cosa pero velo ul you lose ya siado jula and
paso to the local documento eat a documento hambre in
last Adea Alba said for no non lo superferential nolan
(50:39):
negoo film for madelon touzio to senor aloud two more
in coladow at the mo okay elgaia.
Speaker 1 (51:00):
Okay you know la maney com manipular mine person Biographia,
medicula Netflix.
Speaker 2 (51:11):
Special yeomo Kemo said yeah, and your crevato livida o Calda,
I'll be my young youvida hence your son Loga Savin
(51:42):
Perron Canaria, canti e lake boys Silva the mmadel sen
your now sen your back Monday. So you know. The
brother says it's a project Cinemato Africa. The amen, amen, amen,
(52:09):
then plan Yeah that when went to say, okay, then
you bag please your co Mafia and Miami, yeah your
mundo album, no po composites to music a Mafia Lodico
(52:45):
song thre okay yeah, sore pa and no not then
I have the mother hinted the saunam jownm on and bag.
It's like Totley Lamo, the young local Klapo Dico you
(53:11):
know Sabias young audious Meal part young Lo wow I
being Bonita alam ki Many Marley Marlena of course.
Speaker 1 (53:30):
Are legendary pone the do Ma Menomal.
Speaker 2 (53:38):
Dico es mafew the caval tag and look at where
oh your blah blah blah yeah sa la more your
perfect yes ma fu kimani k g ma. But I
(54:00):
know the opera now intentional okay, sou cosa con held
because a personal kelln p and Kelo postone. You know
that you member lady about Marley having me admirab Marley
(54:25):
and know the whole Kuanto Minamo Ldjo and Tia look
at your look at your can't they here Kellsentia Dante.
You know again that little creditor the termino Mi musical
(54:52):
intende pa Okay, apparent mar You're not po okay, I
said that, but the loose Lomo that me and you know,
like you know Magai and the rich rather than too.
(55:17):
In the Sante your twelve Dan and dang Gernando Plaza,
Grandi said comment okay, yeah, but ill Mill went to
say for pos I probably that okay, lose your damn
Solidari album was a little. Cat said the om the
(55:40):
CMO postponell parapproxima con see can't look then yeah, you gonna.
But then I said, your man that.
Speaker 1 (55:58):
Com yah turn to telephono.
Speaker 2 (56:12):
Manager Cat and ala, wow wowo. The Grammy album Bases
(56:36):
and Dominicano movie represent connect Petro Mariano.
Speaker 1 (56:43):
I love it, g Momento la Gracia or Beniro Tempo
in COMUNKI I'm like wow. The Commo my Grande sinco
co Latino photograph of Cantante hactor in Tang honored in it.
(57:04):
I'm like wow. I'm like Para is like up here
on Econo. I'm like wow, like a Miami and public
look OMDA and YouTube and it's like to temple is valuable.
Then Commo Pressio commun representa com as center my important
(57:30):
music Invoca can I said, you representa comic j g.
Speaker 2 (57:51):
United Palace, Yeah loa and so it's just partially is
(58:20):
and Republic Dominicana.
Speaker 1 (58:24):
Diago Ocago, Gracia, Gracia ti and Come Again Grassiers Come
Again is a production of Honey German Productions in partnership
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