October 25, 2023 • 20 mins
Maejor experiences biblical scripture come to life inside a dirty hotel room. Lil Gotit is the victim of a Cuban curse.
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Speaker 1 (00:00):
Mm hmm.
Speaker 2 (00:04):
There's a place beyond this place, a middle ground between
the light and the darkness, the natior and the zenith.
For some, it's a bridge between the living and the dead.
Yet for others it's something else. Entirely, it's the place
where our nightmares dwell. Each one of us has touched
(00:25):
the other side and felt the presence of something beyond
this world.
Speaker 3 (00:31):
Whoever faces in the house, I don't recognize looking in
emeraciment devil's eyes mixing too much.
Speaker 4 (00:51):
I mean, I get crazy now, magalone on my Patrick.
Speaker 1 (00:55):
Swayze ghost gave it everything and only took up. Oh
guess the paracite is looking for ho bit you so
the minded min it does you sew the sign and
sign you never met a life.
Speaker 2 (01:10):
We are all influenced by our surroundings from the moment
we become conscious to this world, positive or negative. The
experiences you have as a young person shape the way
you feel and see the world around you. For a
lot of us, religion was introduced to us at a
tender age. Sometimes the complexities of our holy books and
practices can be daunting and hard to understand for a
(01:32):
young mind. Let's delve deeper into this topic. On this episode,
we have Major sharing his hip hop horror story.
Speaker 5 (01:52):
Yo, what's good.
Speaker 6 (01:53):
This is Major and this is my hip hop horror story.
At the time, I was living in Detroit, Michigan. That's
where I'm from. So when I was a kid, I
was introduced to church through a lens of like black church,
you know, like gospel music, singing, dancing, live church preaching
kind of. That was the lens of what I saw
(02:15):
the church through. I had got in like a little
bit of trouble when I was like in the seventh
grade and my mom sent me to a Catholic school.
When I first went to that school, I was thirteen.
It was all boys school. I didn't really like it.
We had to do a thing called masks, and when
(02:35):
I came into the mask, this was the first time
I was hearing that kind of music.
Speaker 2 (02:40):
For me.
Speaker 5 (02:40):
It sounded very haunting.
Speaker 6 (02:41):
Like like chanting, and that kind of very solemn and quiet,
scary kind of sound that I was that I had
never heard before, especially in the church.
Speaker 5 (02:52):
I mean, this big giant.
Speaker 6 (02:53):
Cathedral and I had, you know, only seen these videos
online about Illuminati and all this stuff, so you know,
I didn't know what any of this stuff was.
Speaker 5 (03:00):
I hear the organ and then it made us all
go in the line.
Speaker 6 (03:06):
And I'm walking up to the thing and I see
there's a pastor at the front, like some type of creature,
and he comes and puts on your head. He puts
ashes because the black ashes in the shape of a cross,
puts it on your head and he says something like
you will return to the dust or something like that.
I remember seeing that and I was like maybe twelve
or something. I was just like, what is this. I
(03:28):
remember just being afraid by it, like did I did
I join the Illuminati?
Speaker 5 (03:32):
What happened?
Speaker 6 (03:33):
So after that thing happened, I remember they, you know,
I would hear little things like, oh, read these certain
things in the Bible. Don't read these certain things in
the Bible. People would kind of encourage me to do
these things, and I was scared of that experience. I
went on the family trip or somewhere I don't remember.
(03:55):
I want to say, Ohio something like that. It was
like in a little hotel and it was like I
got in the room, it was like pretty dirty and dingy.
Speaker 1 (04:07):
You know.
Speaker 6 (04:08):
It was like one of those ones when you go
into your room from the outside you know, you walk
in a hotel, you go in your room from the outside,
so you already know what type of hotel that was.
Speaker 5 (04:16):
But so it wasn't the nicest place that I think.
Speaker 6 (04:18):
The environment of it being kind of a dirtier place
scared me a little more too, you know. And you
open up the the hotel drawer and there's the Bible
in there. I I opened it and said, placed by
the Gideons on it, and which I later looked up,
and it was like a Gideons was a group of
people who went around try to spread the uh Christianity crazy,
(04:39):
so they would put all these Bibles in hotels. And
one of my cousins told me something that I literally
forgot to this day cause I was too scared about
the experience. He said, read this certain passage on the Bible.
As the guy said said, read this passage. It's just
you need to read this. And all of a sudden
I started hearing a s loud banging on the glass.
Speaker 5 (05:02):
I got super scared. I threw it down.
Speaker 6 (05:04):
I was like, what is this. I went out and
looked in the room. No one's there. I go back
to open this again. I opened it and try to
look for the first that my cousin told me. It
was my cousin Ricky Star. I'm trying to look for
the verse, and again the mirror starts shaking on the
(05:25):
wall and lots of banging starts happening. So I threw it.
I threw it down and I ran out. I was
just like, nah, I'm not I don't know what that is.
I did not see what struck it, But by the
time I got back around, I saw the mirror still
shaking moving, so I knew that it wasn't just the sound.
I saw the movement of it, like something shaking. That's
(05:47):
why I was thinking, is it an earthquake? You know
what I'm saying. I was trying to process it in
my brain, but I'm like, I've never been in an earthquake.
I wasn't in California to where even like what happened
to why is this? When the mirror shaking almost like
somebody had been shaking it.
Speaker 5 (06:02):
And it ran out right when I came in.
Speaker 6 (06:08):
So I still never exactly figured out what that was
at that moment, but I felt like maybe it was
some type of spiritual something didn't want me to get
to read that and it was and it actually worked
because I don't even remember what it was, and at
the time I was too afraid to talk to people
around me to even ask them what it was. So
(06:28):
that was one thing that I can really remember happening.
Speaker 5 (06:31):
My cousin Rick, I.
Speaker 6 (06:32):
Should probably ask him now, like what was that? And
I was just too nervous to tell him because, like
I don't know just how.
Speaker 5 (06:38):
I was just scared. Honestly, that was what my dad
sided the family.
Speaker 6 (06:46):
So then a few weeks ago past, I mean, I
went back with my mom's side of the family in Detroit.
Speaker 5 (06:52):
It's definitely a summertime day.
Speaker 6 (06:54):
It was not particularly cold or hot, but it was
definitely a classic summertime day.
Speaker 5 (07:02):
Our family's Jamaican.
Speaker 6 (07:03):
They have this thing in Jamaican culture where they put
their name on a piece of foil in the freezer
and it's to do some type of voodoo kind of
things or like spells.
Speaker 5 (07:12):
I don't know, but it's not a good thing.
Speaker 6 (07:15):
Someone called my mom and said, hey, I found your
name on this What does it mean?
Speaker 5 (07:19):
Hey, I found your name on this spoil? What does
it mean? So my mom knew what it meant.
Speaker 6 (07:25):
So my mom was telling me about this, And as
we were having that conversation, we walked out into our
backyard at the time, we had a little yard in
the back. Couldn't have been outside for more than since
ten twenty seconds, maybe thirty seconds.
Speaker 5 (07:41):
Maybe a minute.
Speaker 6 (07:42):
And when we came back in the house, every single
thing was open. We walked out, everything was closed, walked in.
All the drawers in the kitchen were open, other one
was open, refrigerators open, all these things were open. It
was so weird of like it almost felt like somebody
had broken into the house, because it was like somebody
like what happened, But it was so quick and nothing
was missing. So having her to witness it with me
(08:03):
just validated to me that, A, it wasn't crazy to
this stuff.
Speaker 5 (08:06):
It is happening. It's different things happening.
Speaker 6 (08:08):
And then also hearing her talk about it from like
the Caribbean perspective and like from the spiritual thing, it
made me feel like, Okay, and this stuff is real
and this stuff is really happening. When I had the
first experience, i was by myself. Right then when I
had the second, when I was with my mom, like
it's some type of spiritual type of thing.
Speaker 5 (08:29):
That's going on, or I.
Speaker 6 (08:31):
Don't know, if it's something from the other side, I
don't know. You know, he not even describe it, and
I still to this day have no explanation for what
that was. It was, and it was as we were
having a conversation about, you know, some of the things
I was telling her about when the bang was happening
with when I was trying to read the Bible and
all of these unexplained kind of things.
Speaker 5 (08:53):
The way I view it now was like it was
just like no, like not right now? Do you not
to see this?
Speaker 6 (09:01):
And it knew that if it scared me bad enough,
I would just throw it down.
Speaker 5 (09:06):
That's that's what how I process it.
Speaker 6 (09:11):
When we're children, we're more open to these kind of
things until they hit a certain point. Their brainwave frequency
mimics that of the same one we are at when
we're in a creative state. They might be seeing an
imaginary frame, but to them it's it's real and it's
the same way that that. And then once we hit
(09:31):
a certain age, our brain waves literally change to a
different frequency. And so some people say, like you grow
up right and you lose your imagination and your spark.
But I think definitely, that childlike part of it is
very big and very important, and the brain wave I
think as a key to why that happens so young. Okay,
(09:54):
So the human eye can see from a certain spectrum
of wavelengths, just like our ear can hear from twenty
herds to twenty thousand herds. But there's so much outside
of that range, and I think even life exists out there.
So maybe there's ghosts or UFO as people want to
say it. It could be existing right here, just we
only perceive a small piece of reality with our senses.
(10:18):
So I believe that right here in this space, just
like how the cell phone waves are coming through, just
like how the Wi Fi is, I believe it's other
spirits as you may want to call them, or entities
or yeah, supernatural things going on right here.
Speaker 5 (10:31):
Yeah all the time.
Speaker 6 (10:32):
It also made me like think about the power of
the mind too, and what you focus on and like,
because it's like other stuff happening connected to stuff we
can't see.
Speaker 5 (10:50):
What is fear?
Speaker 2 (10:52):
Some say it's the first emotion we ever feel. It
can't be translated or understood. We all have rational, sometimes
irrational fears, but they vary from person to person, something
that brings others comfort. If presented to you the wrong way,
it constract fear in your heart with major the ashes
mixed with hearing a quote about being returned to the
(11:14):
dust was too complex a concept for his young mind
to grasp. Or maybe he just trusted what he felt.
That's why they say you can never make a first
impression twice. This next story is a spine tingling blend
of fame, fortune, and the shadowy world of curses. Little
(11:37):
God had thought he'd struck gold when he joined forces
with a renowned Cuban musician. But does the beach drop
and the track is laid down? So is something far
more insidious, a hex that threatens to strip away not
just his riches, but his very life gone, or the
luxuries and the lifestyle, and in their place a cascade
(11:59):
of explicable misfortunes.
Speaker 5 (12:02):
I won't give it all the way.
Speaker 2 (12:05):
This is little guyed telling his story.
Speaker 7 (12:15):
So Loo, I'm gonna tell a story about me doing
a feature with e Fi priest from Cuba, and I, like,
I say, like all money and good money. So one
day I was goddamned rhyme with my brother.
Speaker 4 (12:29):
Though it like.
Speaker 7 (12:31):
It's a dude I know in Lanta. He hit me like, hey,
my biba, want a feature from you? So, you know
back then, like they were like twenty seventeen, twenty eighteen,
I'm doing everything I said, come on with it.
Speaker 4 (12:43):
No, I like some you know, have some quick money,
like I ain't.
Speaker 7 (12:46):
I don't remember. I don't get so many songs. I
don't need too much. Remember what we were reading at
I pull up to the studio, I pull up live
how go through the feature. But like the dude like
he when I met him, like he won him, like
only he who When we vibe in the studio, I
do the song. I tell him like I gotta gonna
do something else, like I gotta. I'm on the move, car,
I ain't never look like you sit still type shit.
(13:09):
So I do the feature, but he want me to
stay long, but I'm like, man, I can't do it.
I gotta go with So I end up leaving like
probably like some weeks after that, like probably weeks a month.
I just see somebody keep tagging me on Instagram some
Grand Reaper shit. So I'm like, man, what the fuck
(13:29):
I got? Damn look at the pages, buddy. So I
hit him like man, why the hell you keep tagging
me me and this this shit? But you got some
weird shit? What the hell going on? He tell me, Nah,
you took for me. I paid you for a feature.
I ain't never get the song.
Speaker 4 (13:46):
How to hell? How the hell, god damn, you're gonna
do me like this.
Speaker 7 (13:49):
I'm gonna make sure you don'na do nobody else like
this ever again. So I said, bro, I did the song,
like the end of it. If you ain't get the song,
the engineer gotta be the one that didn't send a song.
So he like, no, is you you think just because
of who you is and all that you can do
people like this on mission? No, you can't do nobody
else like this. So more I don't got damn. I said, hey,
(14:09):
what's your number? In I end up hearing the studio like, hey,
what engineering recorders? And like they tell me I called
that in engine I said, bro, you ain't seen the
man his stuff cause they mad on some other shit.
So he like, oh, I did forget to send it?
My bad Like wait, want me to send it there?
I say, hey, man, of course this man got me.
He takes me in grim Reaper shit like oh type shit.
(14:30):
He and Cuba praying on a down file like he
over here on some other ship. So I get on
line with him. I called the EPI pre like the
man who I did a future with. So he he
was like, God damn yeah, I'm gonna make sure you're
donna do this to nobody else type shit. So I'm like, man,
you tripping. So I'm rounding my brother kid Raindrow. I
(14:53):
go somewhere downtown like I partner, get something out of
the stove.
Speaker 1 (14:57):
Bro.
Speaker 7 (14:58):
I'm on the phone with the nigga he got damn
talking to me, telling me like I ain't like, i'm'a
make sure you don't do this to nobody else. When
I'm coming out of store, I just parked my brother car,
I'll come out to stove.
Speaker 4 (15:10):
Man like fourteen tigers.
Speaker 7 (15:12):
I ain't motherfucker like twelve, but like fourteen, hey bruh,
Like I done know when I'm so weird, shit like
this shit ain't even real, like this ain't even no
like this shit like it was made up type shit.
But they put like fourteen tigers on it and then
told me I couldn't get in the car. They told it,
So I called what am I g got down my
brother personal partner.
Speaker 4 (15:32):
So he got down and pull up on me. He
couldn't get me. I'm talking. I'm telling him what's going on.
Speaker 7 (15:37):
I ain't know losing losing the car, losing my car
so boom. So I'm testing it. Like, hey, bruh, you
just you just put something on me. He said, i'm'a
do a lot more. I said, you don't want a song, bruh,
Like you don't want the song. I'm I'm trying to
give you the song.
Speaker 5 (15:51):
I promise you.
Speaker 7 (15:52):
This ain't got nothing to do. I ain't even know
the engineering. Like the engineer retarded, like he ain't seen
a song. He like, man, I'm not trying to hit it.
I know it got something to do with you. So
I think I went to the house.
Speaker 4 (16:01):
I went to the house.
Speaker 7 (16:02):
So if I went to the house, I ended up
getting a call. But you gotta move at your house,
I said, man, what by the hey, I gotta move. Man,
y'all be racing cars up and down the street, not
knowing we don't race no cars up and down the street.
The cars yet loud because it's like SRTs and stuff.
So I know it with him, Okay, every time something
happened to me. He at text me like, I'm like, bro,
(16:23):
this man, none of them play with the man for
rid he the real deal. None of them play with
I said, man, the man on my ad, I ain't
know losing my house because in this same situation, because
he puts.
Speaker 4 (16:33):
Some on me, I'm bigging to get it off.
Speaker 7 (16:35):
I said, man, bro you can get an I G
five more song, but they get the more forcker off me.
Speaker 4 (16:40):
He said, I don't want the song.
Speaker 7 (16:42):
I just want to just want to show you like
you can't do people like that, Like people like that
worked hard for this. I said, brod didinn't doing nothing.
I just handled my business and left, like the song
is between you and the internet for you to get
show song. So I ended up getting my ba ba
priest like we had to do a lot togain like
my brother Key, we doing a lot everybody do on
e balls to me like get a maha because I'm
(17:03):
eph I too. So he had like they missed with him.
So he faked the death the EPHI priest like who
put it on me? He faked it death. So his
wife hit me like somebody hit me from his page,
like yeah he died. So I was like, shit, they
ain't got I'm on ship, like she ain't got nothing
to do with me that would come back day letter
with a video said that you thought I dynamn installan
see you don't care for people eat them.
Speaker 4 (17:24):
So I said, god damn.
Speaker 7 (17:25):
Like why Dad, you own me so bad? Like I
ain't did nothing. So he the god damn he went
to Cuba. He he don't tap me in a video
here in the layer of type shit like it scolds
all type of shit like it's ridding there everything like
he praying and all the type of I said, Bro,
whatever you got going on, brother, ain't got them person
you got going and got them to do with me? Bro,
you tripped like so I'm like to hear in my
(17:48):
head like, bro, I'm never doing a feature for any
anybody like money, all money and good money.
Speaker 4 (17:53):
So I'm like, man, I ain't taking it. I ain't
taking any type money.
Speaker 7 (17:55):
He on our c man, this boy really that made
me little a house in a car and like all
type with bad.
Speaker 4 (18:00):
Like energy type shit.
Speaker 7 (18:02):
Just having to a nigga might end up getting them
off like doing some more ever shit and just sell them.
My differences with him and Jed really gave him like
three songs.
Speaker 4 (18:09):
Like Man and Jay got him off. But I ain't
like one.
Speaker 7 (18:12):
Of the persons, like one of them people that just
do bad etho on people.
Speaker 4 (18:15):
I can't do that.
Speaker 7 (18:16):
Like it could have been plenty of situations like I
can feel how he feel to another person, like I
could have put him in some bad ship like, but
I don't do it. I don't want that type energy.
I do like good EPHI. I mean, I stay protecting
like type shit. I don't do bad EPI. They well
put some real voodoo on me.
Speaker 4 (18:34):
Man.
Speaker 7 (18:34):
It took probably like a year to get the ball
up on me. It took about a year to get
him want me. He was in cute when that mighty
win man, that man real deal like some shit like
but it shill scare you. You while this shit man
this ship and the ship he prays he send him word,
Hey man, this ship scared the hell like you. I
was like, man, oh hell nah, he the real deal. Man,
I ain't know, like I ain't heard from us. And
(18:55):
then like just the moral story. Don't take any type
money of money, all money and good money.
Speaker 4 (19:01):
Yeah.
Speaker 2 (19:01):
Man faced with the hecks that nearly unraveled his life
Lo got it was forced to confront the very source
of his undoing. It's an ending as harmonious as a
welcome posed song, but the notes of this tale will
linger long after the music stops. Was the hex a
(19:24):
manifestation of artistic differences, a clash of egos, or perhaps
something darker, a cautionary symphony warning us of the more
intricate threads that we've talented fate, and possibly something much
more sinister, you decide, Thank you for tuning in to
hip hop horror stories. I'm your host, Belly.
Speaker 7 (19:47):
It could never be real, could never be real, It
could never get
Speaker 3 (19:55):
A real, never real stand st
Mm hmm.
Speaker 2 (00:04):
There's a place beyond this place, a middle ground between
the light and the darkness, the natior and the zenith.
For some, it's a bridge between the living and the dead.
Yet for others it's something else. Entirely, it's the place
where our nightmares dwell. Each one of us has touched
(00:25):
the other side and felt the presence of something beyond
this world.
Speaker 3 (00:31):
Whoever faces in the house, I don't recognize looking in
emeraciment devil's eyes mixing too much.
Speaker 4 (00:51):
I mean, I get crazy now, magalone on my Patrick.
Speaker 1 (00:55):
Swayze ghost gave it everything and only took up. Oh
guess the paracite is looking for ho bit you so
the minded min it does you sew the sign and
sign you never met a life.
Speaker 2 (01:10):
We are all influenced by our surroundings from the moment
we become conscious to this world, positive or negative. The
experiences you have as a young person shape the way
you feel and see the world around you. For a
lot of us, religion was introduced to us at a
tender age. Sometimes the complexities of our holy books and
practices can be daunting and hard to understand for a
(01:32):
young mind. Let's delve deeper into this topic. On this episode,
we have Major sharing his hip hop horror story.
Speaker 5 (01:52):
Yo, what's good.
Speaker 6 (01:53):
This is Major and this is my hip hop horror story.
At the time, I was living in Detroit, Michigan. That's
where I'm from. So when I was a kid, I
was introduced to church through a lens of like black church,
you know, like gospel music, singing, dancing, live church preaching
kind of. That was the lens of what I saw
(02:15):
the church through. I had got in like a little
bit of trouble when I was like in the seventh
grade and my mom sent me to a Catholic school.
When I first went to that school, I was thirteen.
It was all boys school. I didn't really like it.
We had to do a thing called masks, and when
(02:35):
I came into the mask, this was the first time
I was hearing that kind of music.
Speaker 2 (02:40):
For me.
Speaker 5 (02:40):
It sounded very haunting.
Speaker 6 (02:41):
Like like chanting, and that kind of very solemn and quiet,
scary kind of sound that I was that I had
never heard before, especially in the church.
Speaker 5 (02:52):
I mean, this big giant.
Speaker 6 (02:53):
Cathedral and I had, you know, only seen these videos
online about Illuminati and all this stuff, so you know,
I didn't know what any of this stuff was.
Speaker 5 (03:00):
I hear the organ and then it made us all
go in the line.
Speaker 6 (03:06):
And I'm walking up to the thing and I see
there's a pastor at the front, like some type of creature,
and he comes and puts on your head. He puts
ashes because the black ashes in the shape of a cross,
puts it on your head and he says something like
you will return to the dust or something like that.
I remember seeing that and I was like maybe twelve
or something. I was just like, what is this. I
(03:28):
remember just being afraid by it, like did I did
I join the Illuminati?
Speaker 5 (03:32):
What happened?
Speaker 6 (03:33):
So after that thing happened, I remember they, you know,
I would hear little things like, oh, read these certain
things in the Bible. Don't read these certain things in
the Bible. People would kind of encourage me to do
these things, and I was scared of that experience. I
went on the family trip or somewhere I don't remember.
(03:55):
I want to say, Ohio something like that. It was
like in a little hotel and it was like I
got in the room, it was like pretty dirty and dingy.
Speaker 1 (04:07):
You know.
Speaker 6 (04:08):
It was like one of those ones when you go
into your room from the outside you know, you walk
in a hotel, you go in your room from the outside,
so you already know what type of hotel that was.
Speaker 5 (04:16):
But so it wasn't the nicest place that I think.
Speaker 6 (04:18):
The environment of it being kind of a dirtier place
scared me a little more too, you know. And you
open up the the hotel drawer and there's the Bible
in there. I I opened it and said, placed by
the Gideons on it, and which I later looked up,
and it was like a Gideons was a group of
people who went around try to spread the uh Christianity crazy,
(04:39):
so they would put all these Bibles in hotels. And
one of my cousins told me something that I literally
forgot to this day cause I was too scared about
the experience. He said, read this certain passage on the Bible.
As the guy said said, read this passage. It's just
you need to read this. And all of a sudden
I started hearing a s loud banging on the glass.
Speaker 5 (05:02):
I got super scared. I threw it down.
Speaker 6 (05:04):
I was like, what is this. I went out and
looked in the room. No one's there. I go back
to open this again. I opened it and try to
look for the first that my cousin told me. It
was my cousin Ricky Star. I'm trying to look for
the verse, and again the mirror starts shaking on the
(05:25):
wall and lots of banging starts happening. So I threw it.
I threw it down and I ran out. I was
just like, nah, I'm not I don't know what that is.
I did not see what struck it, But by the
time I got back around, I saw the mirror still
shaking moving, so I knew that it wasn't just the sound.
I saw the movement of it, like something shaking. That's
(05:47):
why I was thinking, is it an earthquake? You know
what I'm saying. I was trying to process it in
my brain, but I'm like, I've never been in an earthquake.
I wasn't in California to where even like what happened
to why is this? When the mirror shaking almost like
somebody had been shaking it.
Speaker 5 (06:02):
And it ran out right when I came in.
Speaker 6 (06:08):
So I still never exactly figured out what that was
at that moment, but I felt like maybe it was
some type of spiritual something didn't want me to get
to read that and it was and it actually worked
because I don't even remember what it was, and at
the time I was too afraid to talk to people
around me to even ask them what it was. So
(06:28):
that was one thing that I can really remember happening.
Speaker 5 (06:31):
My cousin Rick, I.
Speaker 6 (06:32):
Should probably ask him now, like what was that? And
I was just too nervous to tell him because, like
I don't know just how.
Speaker 5 (06:38):
I was just scared. Honestly, that was what my dad
sided the family.
Speaker 6 (06:46):
So then a few weeks ago past, I mean, I
went back with my mom's side of the family in Detroit.
Speaker 5 (06:52):
It's definitely a summertime day.
Speaker 6 (06:54):
It was not particularly cold or hot, but it was
definitely a classic summertime day.
Speaker 5 (07:02):
Our family's Jamaican.
Speaker 6 (07:03):
They have this thing in Jamaican culture where they put
their name on a piece of foil in the freezer
and it's to do some type of voodoo kind of
things or like spells.
Speaker 5 (07:12):
I don't know, but it's not a good thing.
Speaker 6 (07:15):
Someone called my mom and said, hey, I found your
name on this What does it mean?
Speaker 5 (07:19):
Hey, I found your name on this spoil? What does
it mean? So my mom knew what it meant.
Speaker 6 (07:25):
So my mom was telling me about this, And as
we were having that conversation, we walked out into our
backyard at the time, we had a little yard in
the back. Couldn't have been outside for more than since
ten twenty seconds, maybe thirty seconds.
Speaker 5 (07:41):
Maybe a minute.
Speaker 6 (07:42):
And when we came back in the house, every single
thing was open. We walked out, everything was closed, walked in.
All the drawers in the kitchen were open, other one
was open, refrigerators open, all these things were open. It
was so weird of like it almost felt like somebody
had broken into the house, because it was like somebody
like what happened, But it was so quick and nothing
was missing. So having her to witness it with me
(08:03):
just validated to me that, A, it wasn't crazy to
this stuff.
Speaker 5 (08:06):
It is happening. It's different things happening.
Speaker 6 (08:08):
And then also hearing her talk about it from like
the Caribbean perspective and like from the spiritual thing, it
made me feel like, Okay, and this stuff is real
and this stuff is really happening. When I had the
first experience, i was by myself. Right then when I
had the second, when I was with my mom, like
it's some type of spiritual type of thing.
Speaker 5 (08:29):
That's going on, or I.
Speaker 6 (08:31):
Don't know, if it's something from the other side, I
don't know. You know, he not even describe it, and
I still to this day have no explanation for what
that was. It was, and it was as we were
having a conversation about, you know, some of the things
I was telling her about when the bang was happening
with when I was trying to read the Bible and
all of these unexplained kind of things.
Speaker 5 (08:53):
The way I view it now was like it was
just like no, like not right now? Do you not
to see this?
Speaker 6 (09:01):
And it knew that if it scared me bad enough,
I would just throw it down.
Speaker 5 (09:06):
That's that's what how I process it.
Speaker 6 (09:11):
When we're children, we're more open to these kind of
things until they hit a certain point. Their brainwave frequency
mimics that of the same one we are at when
we're in a creative state. They might be seeing an
imaginary frame, but to them it's it's real and it's
the same way that that. And then once we hit
(09:31):
a certain age, our brain waves literally change to a
different frequency. And so some people say, like you grow
up right and you lose your imagination and your spark.
But I think definitely, that childlike part of it is
very big and very important, and the brain wave I
think as a key to why that happens so young. Okay,
(09:54):
So the human eye can see from a certain spectrum
of wavelengths, just like our ear can hear from twenty
herds to twenty thousand herds. But there's so much outside
of that range, and I think even life exists out there.
So maybe there's ghosts or UFO as people want to
say it. It could be existing right here, just we
only perceive a small piece of reality with our senses.
(10:18):
So I believe that right here in this space, just
like how the cell phone waves are coming through, just
like how the Wi Fi is, I believe it's other
spirits as you may want to call them, or entities
or yeah, supernatural things going on right here.
Speaker 5 (10:31):
Yeah all the time.
Speaker 6 (10:32):
It also made me like think about the power of
the mind too, and what you focus on and like,
because it's like other stuff happening connected to stuff we
can't see.
Speaker 5 (10:50):
What is fear?
Speaker 2 (10:52):
Some say it's the first emotion we ever feel. It
can't be translated or understood. We all have rational, sometimes
irrational fears, but they vary from person to person, something
that brings others comfort. If presented to you the wrong way,
it constract fear in your heart with major the ashes
mixed with hearing a quote about being returned to the
(11:14):
dust was too complex a concept for his young mind
to grasp. Or maybe he just trusted what he felt.
That's why they say you can never make a first
impression twice. This next story is a spine tingling blend
of fame, fortune, and the shadowy world of curses. Little
(11:37):
God had thought he'd struck gold when he joined forces
with a renowned Cuban musician. But does the beach drop
and the track is laid down? So is something far
more insidious, a hex that threatens to strip away not
just his riches, but his very life gone, or the
luxuries and the lifestyle, and in their place a cascade
(11:59):
of explicable misfortunes.
Speaker 5 (12:02):
I won't give it all the way.
Speaker 2 (12:05):
This is little guyed telling his story.
Speaker 7 (12:15):
So Loo, I'm gonna tell a story about me doing
a feature with e Fi priest from Cuba, and I, like,
I say, like all money and good money. So one
day I was goddamned rhyme with my brother.
Speaker 4 (12:29):
Though it like.
Speaker 7 (12:31):
It's a dude I know in Lanta. He hit me like, hey,
my biba, want a feature from you? So, you know
back then, like they were like twenty seventeen, twenty eighteen,
I'm doing everything I said, come on with it.
Speaker 4 (12:43):
No, I like some you know, have some quick money,
like I ain't.
Speaker 7 (12:46):
I don't remember. I don't get so many songs. I
don't need too much. Remember what we were reading at
I pull up to the studio, I pull up live
how go through the feature. But like the dude like
he when I met him, like he won him, like
only he who When we vibe in the studio, I
do the song. I tell him like I gotta gonna
do something else, like I gotta. I'm on the move, car,
I ain't never look like you sit still type shit.
(13:09):
So I do the feature, but he want me to
stay long, but I'm like, man, I can't do it.
I gotta go with So I end up leaving like
probably like some weeks after that, like probably weeks a month.
I just see somebody keep tagging me on Instagram some
Grand Reaper shit. So I'm like, man, what the fuck
(13:29):
I got? Damn look at the pages, buddy. So I
hit him like man, why the hell you keep tagging
me me and this this shit? But you got some
weird shit? What the hell going on? He tell me, Nah,
you took for me. I paid you for a feature.
I ain't never get the song.
Speaker 4 (13:46):
How to hell? How the hell, god damn, you're gonna
do me like this.
Speaker 7 (13:49):
I'm gonna make sure you don'na do nobody else like
this ever again. So I said, bro, I did the song,
like the end of it. If you ain't get the song,
the engineer gotta be the one that didn't send a song.
So he like, no, is you you think just because
of who you is and all that you can do
people like this on mission? No, you can't do nobody
else like this. So more I don't got damn. I said, hey,
(14:09):
what's your number? In I end up hearing the studio like, hey,
what engineering recorders? And like they tell me I called
that in engine I said, bro, you ain't seen the
man his stuff cause they mad on some other shit.
So he like, oh, I did forget to send it?
My bad Like wait, want me to send it there?
I say, hey, man, of course this man got me.
He takes me in grim Reaper shit like oh type shit.
(14:30):
He and Cuba praying on a down file like he
over here on some other ship. So I get on
line with him. I called the EPI pre like the
man who I did a future with. So he he
was like, God damn yeah, I'm gonna make sure you're
donna do this to nobody else type shit. So I'm like, man,
you tripping. So I'm rounding my brother kid Raindrow. I
(14:53):
go somewhere downtown like I partner, get something out of
the stove.
Speaker 1 (14:57):
Bro.
Speaker 7 (14:58):
I'm on the phone with the nigga he got damn
talking to me, telling me like I ain't like, i'm'a
make sure you don't do this to nobody else. When
I'm coming out of store, I just parked my brother car,
I'll come out to stove.
Speaker 4 (15:10):
Man like fourteen tigers.
Speaker 7 (15:12):
I ain't motherfucker like twelve, but like fourteen, hey bruh,
Like I done know when I'm so weird, shit like
this shit ain't even real, like this ain't even no
like this shit like it was made up type shit.
But they put like fourteen tigers on it and then
told me I couldn't get in the car. They told it,
So I called what am I g got down my
brother personal partner.
Speaker 4 (15:32):
So he got down and pull up on me. He
couldn't get me. I'm talking. I'm telling him what's going on.
Speaker 7 (15:37):
I ain't know losing losing the car, losing my car
so boom. So I'm testing it. Like, hey, bruh, you
just you just put something on me. He said, i'm'a
do a lot more. I said, you don't want a song, bruh,
Like you don't want the song. I'm I'm trying to
give you the song.
Speaker 5 (15:51):
I promise you.
Speaker 7 (15:52):
This ain't got nothing to do. I ain't even know
the engineering. Like the engineer retarded, like he ain't seen
a song. He like, man, I'm not trying to hit it.
I know it got something to do with you. So
I think I went to the house.
Speaker 4 (16:01):
I went to the house.
Speaker 7 (16:02):
So if I went to the house, I ended up
getting a call. But you gotta move at your house,
I said, man, what by the hey, I gotta move. Man,
y'all be racing cars up and down the street, not
knowing we don't race no cars up and down the street.
The cars yet loud because it's like SRTs and stuff.
So I know it with him, Okay, every time something
happened to me. He at text me like, I'm like, bro,
(16:23):
this man, none of them play with the man for
rid he the real deal. None of them play with
I said, man, the man on my ad, I ain't
know losing my house because in this same situation, because
he puts.
Speaker 4 (16:33):
Some on me, I'm bigging to get it off.
Speaker 7 (16:35):
I said, man, bro you can get an I G
five more song, but they get the more forcker off me.
Speaker 4 (16:40):
He said, I don't want the song.
Speaker 7 (16:42):
I just want to just want to show you like
you can't do people like that, Like people like that
worked hard for this. I said, brod didinn't doing nothing.
I just handled my business and left, like the song
is between you and the internet for you to get
show song. So I ended up getting my ba ba
priest like we had to do a lot togain like
my brother Key, we doing a lot everybody do on
e balls to me like get a maha because I'm
(17:03):
eph I too. So he had like they missed with him.
So he faked the death the EPHI priest like who
put it on me? He faked it death. So his
wife hit me like somebody hit me from his page,
like yeah he died. So I was like, shit, they
ain't got I'm on ship, like she ain't got nothing
to do with me that would come back day letter
with a video said that you thought I dynamn installan
see you don't care for people eat them.
Speaker 4 (17:24):
So I said, god damn.
Speaker 7 (17:25):
Like why Dad, you own me so bad? Like I
ain't did nothing. So he the god damn he went
to Cuba. He he don't tap me in a video
here in the layer of type shit like it scolds
all type of shit like it's ridding there everything like
he praying and all the type of I said, Bro,
whatever you got going on, brother, ain't got them person
you got going and got them to do with me? Bro,
you tripped like so I'm like to hear in my
(17:48):
head like, bro, I'm never doing a feature for any
anybody like money, all money and good money.
Speaker 4 (17:53):
So I'm like, man, I ain't taking it. I ain't
taking any type money.
Speaker 7 (17:55):
He on our c man, this boy really that made
me little a house in a car and like all
type with bad.
Speaker 4 (18:00):
Like energy type shit.
Speaker 7 (18:02):
Just having to a nigga might end up getting them
off like doing some more ever shit and just sell them.
My differences with him and Jed really gave him like
three songs.
Speaker 4 (18:09):
Like Man and Jay got him off. But I ain't
like one.
Speaker 7 (18:12):
Of the persons, like one of them people that just
do bad etho on people.
Speaker 4 (18:15):
I can't do that.
Speaker 7 (18:16):
Like it could have been plenty of situations like I
can feel how he feel to another person, like I
could have put him in some bad ship like, but
I don't do it. I don't want that type energy.
I do like good EPHI. I mean, I stay protecting
like type shit. I don't do bad EPI. They well
put some real voodoo on me.
Speaker 4 (18:34):
Man.
Speaker 7 (18:34):
It took probably like a year to get the ball
up on me. It took about a year to get
him want me. He was in cute when that mighty
win man, that man real deal like some shit like
but it shill scare you. You while this shit man
this ship and the ship he prays he send him word,
Hey man, this ship scared the hell like you. I
was like, man, oh hell nah, he the real deal. Man,
I ain't know, like I ain't heard from us. And
(18:55):
then like just the moral story. Don't take any type
money of money, all money and good money.
Speaker 4 (19:01):
Yeah.
Speaker 2 (19:01):
Man faced with the hecks that nearly unraveled his life
Lo got it was forced to confront the very source
of his undoing. It's an ending as harmonious as a
welcome posed song, but the notes of this tale will
linger long after the music stops. Was the hex a
(19:24):
manifestation of artistic differences, a clash of egos, or perhaps
something darker, a cautionary symphony warning us of the more
intricate threads that we've talented fate, and possibly something much
more sinister, you decide, Thank you for tuning in to
hip hop horror stories. I'm your host, Belly.
Speaker 7 (19:47):
It could never be real, could never be real, It
could never get
Speaker 3 (19:55):
A real, never real stand st
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