"Crushed" Recap Season 5, Episode 16

This week, Tommy Page is breaking hearts left and right in the Tanner household! But, we have some criticisms of the writing here... Why did they have him kiss the girls on the LIPS?! Let's not forget Stephanie's dance performance to Marky Mark's "Good Vibrations" though! And Jodie tells us the swoon-worthy interaction she had with Mark during this era. It's all right here on How Rude, Tanneritos!

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Episode Transcript

Speaker 1 (00:19):
Hello, aby, hi, yah, hi, I have to formally announce
something on the show.

Speaker 2 (00:25):
Wait what I was wrong?

Speaker 3 (00:28):
Oh? Wait, we're wait, Maddie, you're recording this, right, you
get this.

Speaker 2 (00:33):
You're recording it.

Speaker 3 (00:34):
I'm regarding it.

Speaker 2 (00:35):
We're going to put this out into the world.

Speaker 3 (00:37):
What you're wrong? Tell me? Tell me about what.

Speaker 2 (00:42):
About the sight from the shoes? See?

Speaker 3 (00:45):
See, I was right. Sorry, that was a little too loud.

Speaker 2 (00:49):
You No, it was Yeah, you're being too loud.

Speaker 3 (00:54):
I was. Wait, so you've changed your mind?

Speaker 2 (00:55):
What happened? Wait?

Speaker 3 (00:56):
What happened besides you admiring my kid shoes?

Speaker 1 (00:59):
Well, first of all, I had well once I saw
them in person.

Speaker 2 (01:04):
And you have the.

Speaker 3 (01:05):
Kissicks, right, I have the kiss the athens to Yes,
I have pak Okay.

Speaker 1 (01:10):
So after I was in the airport with you and
I complimented you on your cute tennis shoes, and you
then informed me that they were the slip ons.

Speaker 2 (01:20):
Yes they are, I had I.

Speaker 1 (01:24):
You know, I had a moment where I had to
consider the fact that maybe I didn't know all of
the things that were out.

Speaker 2 (01:29):
Wow, And I took you forty four years sweet forty three,
but maybe by forty four I'll have it but they
they sent me several pairs.

Speaker 3 (01:43):
Oh nice, and which ones and which ones?

Speaker 1 (01:46):
Don't worry, I have them here. We're going to show
until time.

Speaker 3 (01:51):
Yes, I also.

Speaker 1 (01:54):
Got the got the athens too. But they're like lavender.

Speaker 2 (02:00):
And white and yellow like little accents of yellow on
the hill. Cute, super cute, super cute.

Speaker 1 (02:06):
So freaking comfortable, right, Oh my god, so easy.

Speaker 2 (02:11):
The other day they were amazing.

Speaker 1 (02:13):
And you know, Mescal was gone last week for work stuff,
and he's gonna be gone a bunch of the the
next coming weeks.

Speaker 2 (02:21):
So I'm in charge of the.

Speaker 1 (02:22):
Dog walking usually he's that's so I'm constantly I don't
like to wear shoes at home, so I'm like, con
oh god, I gotta go upstairs. And then the dog's
excited because she saw me walk to the door, and
now she you know, now I can just sleep them on.
But not only can I slip these on, I can
also slip these on.

Speaker 3 (02:42):
Oh oh, what what else do you have?

Speaker 2 (02:44):
And tell them in an all, I don't know.

Speaker 3 (02:47):
If these are these are like color.

Speaker 2 (02:49):
This is a it's a light that's adorable, looks almost
like a Nike like. Misc has some very similar shoes
to this. Their nikes. So those are my like, pir.

Speaker 3 (03:04):
You have two pairs of slip arms shoes, I have three? Three? Yes,
what's the third pair?

Speaker 2 (03:11):
Third pair?

Speaker 1 (03:12):
Oh? I wish I remembered what names are so cute.
I don't remember. I don't remember the style name of these.

Speaker 3 (03:19):
This isn't an AD.

Speaker 2 (03:20):
This isn't an AD. It's just really excited about it.

Speaker 1 (03:23):
It's not it is. It's an old lady talking to another.
But these these ones almost like like a like golden
goose or like.

Speaker 2 (03:34):
Kind of like tumas.

Speaker 1 (03:36):
They're like a very red everyday shoe, like thin flat,
kind of like almost like a like a samba, like
an Adidas samba or something like that.

Speaker 3 (03:46):
But they've thought all different.

Speaker 1 (03:48):
Kinds of texture, like some fuzzy and light blue and
the blue on the front.

Speaker 2 (03:53):
Like it's kind of like it's.

Speaker 3 (03:56):
Like, uh.

Speaker 2 (03:58):
And these are also huge step ins. So I want
that pair.

Speaker 3 (04:03):
I'm going to go order that pair as soon as
we're done.

Speaker 1 (04:06):
I'm like, I said, you guys, this is not I
I'm no one from Kissick is paying us to say this.

Speaker 3 (04:12):
We're just like old ladies.

Speaker 2 (04:14):
Sharing between each other.

Speaker 1 (04:17):
And and I and I had to give Andrea, uh
the satisfaction of saying that I was wrong.

Speaker 3 (04:24):
Yeah, this is a moment. And it took thirty eight years.
Thirty eight years, you finally admitted you're wrong and I'm right.
You were remarking this on my calendar.

Speaker 2 (04:32):
Yeah, you were right. This is yeah, Andrew was right.

Speaker 3 (04:35):
Day. I didn't know this was coming people. I didn't know,
Like when we logged on today to record, I did
not know that this had happened.

Speaker 2 (04:41):
No. I I thought about texting, going to text you
a picture of him and be like, look who's come
to the dark. But then I was like, no, this
is an excellent pre show.

Speaker 3 (04:51):
Chatter, so excellent pre show chatter. I am so proud
of you. I am dude.

Speaker 2 (04:56):
Change.

Speaker 3 (04:56):
It's life changing. It is life changing.

Speaker 2 (04:58):
I hate tying my shoes. It's one of the.

Speaker 1 (05:01):
Things, like rushing my teeth or do Like, there's certain things.

Speaker 2 (05:07):
Of the day that I don't like. I like all
of the other activities. I don't like that one with
rush your teeth. Tying shoes it's just tea. Yeah you
don't so I would step into shoes, but you know
you can't. They ruse the back blah blah blah.

Speaker 3 (05:23):
Now, yeah, the back always folds in.

Speaker 1 (05:25):
I got I'm stepping in and out just for fun.
Halfway through the room, I just.

Speaker 2 (05:29):
Step out of my shoes because I can't go back.
Kicking back on you.

Speaker 3 (05:33):
You're so fast and life like. You're just you can
just glide through your house, glide through your neighborhood.

Speaker 2 (05:41):
You know what, I will feel fast.

Speaker 1 (05:43):
I will say it is an excellent pair of shoes
to have by your bed in case of an emergency.

Speaker 3 (05:50):
Oh yeah, okay, because you won't store.

Speaker 1 (05:55):
So you know they always say, like in an emergence,
don't run out in.

Speaker 2 (06:00):
Slippers or especially with the bake or a hurricane or something.

Speaker 3 (06:03):
Yeah, you need broken shoes on, like decent shoes. This
I need a pair to put by, like.

Speaker 2 (06:10):
A pair to put by the front door whatever.

Speaker 3 (06:11):
Like I thought about that the other.

Speaker 1 (06:13):
Day and I was like, yeah, this is that because
I have always thought that, like.

Speaker 2 (06:16):
Oh god, what you know run out barefoot? But now
I need to.

Speaker 3 (06:21):
Now you are so prepared. I am prepared for you,
and you're fast. You're prepared like your life is almost
completely true. This is amazing. See it's not old lady like,
it's it's about function and fashion.

Speaker 1 (06:32):
Look once I saw yours in person, and I thought
yours were like, you know, like I said, like Nike's
or the Hookahs or something like that.

Speaker 3 (06:39):
I was like, Okay, so cute. I need compliments everywhere.

Speaker 1 (06:44):
I wait, my my feeling about it. And I when
I warmed it the gym the other day, I got
so many to get comments.

Speaker 2 (06:52):
Oh my god, I love your shoes. I was like, yeah,
let me tell you.

Speaker 1 (06:56):
I mean I I basically was like just an ad
for them because I got a ton of compliments on
them and people were like, oh my god, they're just
the slip on ones.

Speaker 2 (07:04):
I was like, hell, they are.

Speaker 3 (07:06):
The slip on shoes. Don't have to be orthopedic or
bad looking, like they can.

Speaker 2 (07:10):
Be cute and fast, cute and like flat sort of
retro looking ones. I've been wearing those of a bunch.

Speaker 3 (07:16):
Yeah, yeah, I'm putting that on my list. That is
just really cute, stinking.

Speaker 1 (07:19):
They're really cute, and and yeah they don't they're not
like big workout you know, they.

Speaker 3 (07:24):
Just look like big white platform orthopedic shoes. No, they're
super cute.

Speaker 2 (07:30):
So I'm very excited and.

Speaker 3 (07:32):
Very excited I should get a pair for Michael. Michael,
I but if they make a size fourteen shoe, that's true.
We're on two wins of the spectrum, and I'm one
of you can.

Speaker 2 (07:42):
Find shoes were clothes.

Speaker 3 (07:45):
Right, so one of you? Right? Yes, but kissicks does
make them. Neither make the coaster because he's too short. Right, Oh,
it's hot. It's difficult. This is why when we go
to like the movies or to a concert like these
away self conscious because he's like the one behind him
and I can't see because I'm trying, and that really

(08:07):
is it's it's very difficult. It's very difficult. This is
why we need simplify our lives and have slip on shoes.
That eliminates one more problem from your life. You don't
have to stop, but.

Speaker 2 (08:19):
No, but he'll be making him more efficient, way more efficient.

Speaker 3 (08:25):
This makes me so happy.

Speaker 2 (08:27):
There you go. It's a it's an early Christmas present, so.

Speaker 3 (08:31):
Thank you so much. Want wrong, Honestly, this is better
than like any sort of fruitcake, like this is amazing
that you're wrong. You're now wearing slip on.

Speaker 2 (08:46):
Shoes like I am.

Speaker 3 (08:48):
We're ready for gladly, Gladly, let's get our kaftans and
go sit.

Speaker 1 (08:54):
On your close a lemon calf tan. I have a
leopard print calf tan. Honey, I got calf hands.

Speaker 2 (09:01):
I'm this is I'm.

Speaker 1 (09:03):
Ready have arrived about like Missus Roper.

Speaker 3 (09:10):
I love Missus Roper. She was the best.

Speaker 2 (09:13):
That's what I want to be.

Speaker 1 (09:13):
Just give me a moomoo and some big weird jewelry
and I'm set.

Speaker 3 (09:19):
That's goals and goals.

Speaker 2 (09:20):
And with some slip on shoes and a calf hand,
I'll be like the cool, funky old lady. They'll be like,
look at her, She's so cool, and I'll be like, no,
it's just comfortable.

Speaker 1 (09:30):
It's just basically I'm wearing a shift and shoes that
I don't have to bend over for.

Speaker 3 (09:34):
Yes, yes, hey, you know what. Comfort is something that
we all need in our lives, especially.

Speaker 1 (09:41):
To be uncomfortable these days. Yes, and that I'm not
even that old, but I just have given up I
mean it being uncomfortable. No, I will, I will pay
for the seat. I will do whatever, like just yeah,
give me a place to slip down. It's worth I
can slip on my shoes, questions and make myself comfortable.

Speaker 3 (10:02):
It's quick either way, slip on or slip off.

Speaker 1 (10:04):
Right, Yeah, Anyways, slipping slipping, Let's slip into a strange
fever dream of an episode.

Speaker 3 (10:13):
That is, you do slip in this. I mean you
don't see it on camera, but I watch it happened.
You slipped when running around the kitchen table like five times.

Speaker 2 (10:22):
Yeah, it's all on the gag reel too.

Speaker 1 (10:24):
Yeah.

Speaker 3 (10:24):
I find with gag reels.

Speaker 1 (10:26):
I think remember this scene. Oh that's right, it's the
gag reel. I was falling down and I thinks.

Speaker 2 (10:31):
What are you even tripped? What is there?

Speaker 3 (10:34):
There's nothing you tripped on. Nothing, You tripped on nut carpet.
That's what you tripped on.

Speaker 2 (10:38):
Is amazing, man, you know.

Speaker 3 (10:41):
Anyways, Welcome back to Howard Tanertos. I'm Andrea Barber and
I'm Jody Sweeten, and today we're discussing season five, episode sixteen, Crushed.
It originally aired January fourteenth, nineteen ninety two, and it
goes a little something like this. Pop singer Tommy Page
perform at Stephanie's tenth birthday party, which creates a love

(11:04):
triangle between Stephanie and Djoh the Tommy Page episode. This
is like, and this took place right before your real birthday,
real day or right around my real birthday.

Speaker 1 (11:16):
And yeah, and this was like in the days before
you know, people were paying pop stars a million dollars
to complain at a birthday party.

Speaker 3 (11:23):
This was full house likes to do this though. We
did this in fuller with the New Kids. Hey just
stop by the house and sing some songs?

Speaker 2 (11:31):
Is it every day?

Speaker 3 (11:32):
Yeah, Beach Boys, Tommy Page, this is just the Tanner's
you know, it's the Tanner's universe. We're all just living
in it.

Speaker 1 (11:39):
Tommy was like, actually, I got to do some recording anyway.
I'll just bop right over to your recording studio and
we'll call it even I have to.

Speaker 3 (11:47):
Pay for recordings, so yeah, this was a win win,
you know, I scratch your mutually beneficial absolutely. This was
directed by joel's Wick. It was written by Diana Airs
and Susan Sebastian, two names that do not ring a bell.

Speaker 1 (12:05):
But I do like that It was two women writers
sort of writing about the girl's crush moments.

Speaker 3 (12:10):
Yeah, oh it's yeah, it's this is a very milestone,
you know, having you your first crush or getting your
heart broken for the first time. Yeah, that's a universal experience.
We have two excellent guest stars. We have the incomparable
Tommy Page as Tommy Page, who was a very famous

(12:31):
pop star at the time. His song I'll Be Your Everything,
which was co written by Jordan Knight, it was Danny
Wood of New Kids.

Speaker 1 (12:38):
I was gonna say, didn't wasn't there a New Kids
connection somewhere?

Speaker 2 (12:41):
Yeah?

Speaker 3 (12:41):
Big connection, big connection. Okay, So Jordan and Danny they
co wrote the song and they sang the background vocals
on it. Tommy Page opened for The New Kids on
both their Hang and Tough tour in nineteen eighty nine
and their Magic Summer Tour in nineteen ninety and so
that's what sort of launched him into you know, the
fandom of screaming teenage girls who couldn't get enough of

(13:04):
these handsome boys. So yeah, he was dubbed like the
sixth New Kid or the little brother to the New Kids. Yeah,
so that's I was thrilled that he was on the show,
just because it was like, you know, six degrees of separation.
I was like, oh, I'm closer to the New Kids
because Tommy opened for them exactly. But yeah, he's so
talented or he was so talented in his own right.

(13:25):
He was the publisher of Billboard Magazine, vice president at Pandora.
Yeah oh yeah wow. And he was the executive of
Warner Brothers Records, and he helped shape the careers of
Michael Boublet, Alanis Morrissette, Josh Grobin, and Green Day.

Speaker 2 (13:41):
Yeah.

Speaker 3 (13:41):
Well he was a big time music executive. Yes, this
wasn't like a one hit wonder or whatever.

Speaker 2 (13:46):
I need. I knew he had remained in the business.

Speaker 1 (13:48):
We had a couple mutual friends like back and forth
that I would hear about every once in a while,
but I had no idea that he had Like was
that good for him?

Speaker 2 (13:57):
Yeah?

Speaker 3 (13:58):
Good for him, Like he took what could have just
spend like a one hit like I mean, you know,
riding on the backs of the new kids. But he
really made a name for himself in the music industry.
So yes, good for him. Sadly, he passed away in
twenty seventeen, so I'm very glad that we can honor
him this episode and last, but certainly not least, we

(14:19):
have Todd McKenzie as boy at Party.

Speaker 2 (14:22):
I don't know. He might be last and least in
this is.

Speaker 3 (14:26):
His only credit on IMDb, Like this is I don't
know Mackenzie. That name doesn't ring a bell. So yeah,
whose kid was he? I don't know? Yeah he was
last and least Todd Mackenzie. Sorry Todd, but they should
have given you more to do. We'll blame the writers.
So we start, We start. We start with teaser. In

(14:49):
the kitchen, Michelle and Becky are decorating Stephanie's birthday cake,
and Michelle is dying to lick the spoon as usual,
I get it regular the sugar binge. Yeah, in this case, yeah,
I'd be the same. It's delicious to lick the spoons part.

Speaker 2 (15:06):
Uh.

Speaker 3 (15:07):
So, after a millisecond of spreading some frosting onto the cake,
Michelle asks, now can we lick the spatula. Becky gives
her the go ahead, and so Michelle proceeds to scrape
off a huge layer of frosting directly from the cake
and she devours it. Becky laughs before emphasizing now we
have to make more frosting. Michelle responds with a mouth

(15:29):
covered in frosting and says, really, what a shade, and
continues to lick the spatula. I didn't even know what
she said, So I'm glad that madam was able to translate, I'm.

Speaker 1 (15:40):
Just like, yeah, very much enjoying the sugar binge chocolateasting
off of a spatula.

Speaker 2 (15:48):
There's nothing, there's.

Speaker 3 (15:49):
Really nothing better than chocolate frosting off a spatula. Truly
like it tastes better. It tastes better off a spatula
than it does off of a cake.

Speaker 1 (15:56):
Yeah, for sure, there's something about it. It feels slightly forbidden, psychologic.
You're like, oh, like not, I'm licking the thing before it's.

Speaker 3 (16:02):
Ready, But it's delicious, delicious. Next in the kitchen, Becky
is attending to one twin while Jesse handles the other twin.
He realizes it's Friday, which means he cleans the baby

(16:23):
bottles and Becky cleans the baby bottoms. Then Joey walks
in and does his Bullwinkle impression for the twins, also
known as his biggest fans. One of the boys gives
him a big belly laugh in return, and Joey beams.
Becky admits, don't get too excited. They crack up at anything.

Speaker 2 (16:43):
This was so cute.

Speaker 1 (16:44):
It was kind of one of the first like big
like smile laugh moments that we'd seen from the babies.

Speaker 3 (16:49):
Yes, kids, they were so cute after looking like those
worried little.

Speaker 1 (16:56):
Like one was laughing, the other one was like, not
here for you to mistro He can entertain him easily,
but not me.

Speaker 3 (17:04):
Yeah, he's like, I'm a tougher critic. You gotta work
harder for my laugh. So Michelle decides to take a
whack at it. She puts on her fake antlers and
her best Bullwinkle voice, saying Hello, I'm Michelle Winkle. But
the boys give her nothing, and she's appalled. Hey, what's
your problem? This is funny stuff, she says. Becky tells

(17:25):
her not to worry. The babies are just tired. She
tells her boys that they need their beauty sleep, and
Jesse corrects her, You mean they're ruggedly handsome sleep. Jesse
and his masculinity need to strict gender roles here.

Speaker 2 (17:40):
Gender, let's gender our sleep too.

Speaker 3 (17:46):
Not enough gendered things in life. Jesse picks up one
of the boys and they head upstairs for nap time.
Michelle stays in the kitchen with Joey and she lets
out a big sigh. I want to be funny like you.
Joey puts on his announcer voice and takes a seat
across from her. Welcome to Joey Gladstone's Comedy College. You'll
have those babies laughing so hard, there won't be a

(18:07):
dry diaper in the house. He lets out a roaring
laugh at his own joke, and Michelle mimicks the low
pitched laugh Dave's power laugh, the power laugh. Yeah. He
gives her some pointers to enhance the laugh and she
tries a few more times. Then they walk out of
the door together and she gives him a big ha
and he nods, there you go, which is this was

(18:27):
such a cute bit.

Speaker 2 (18:28):
It's cute, but I made me go are you Are
you okay? You know what I mean?

Speaker 1 (18:33):
I would have actually done that. I'd be like, are
you choky?

Speaker 2 (18:36):
Right? Guys?

Speaker 3 (18:36):
Are you put your arms?

Speaker 2 (18:38):
Let me hit you on the back.

Speaker 3 (18:39):
Do you need the highlights? Do you need some water?
So then Danny walks downstairs with stephan Dj trailing him.
Stephanie is begging, please take me to your show today.
I gotta meet Tommy Page. Maybe he'll autograph this picture,
and she shows off a large poster of the celebrity
and Danny size, I'll try to get him to sign

(18:59):
it for you. But you cannot cut school just because
some rock star is on my show. But you should
know this because we went through this Q in season one.
Right right, I've already done this.

Speaker 1 (19:10):
We've already done the random giant poster appearing over the
bed that suddenly we had never seen before.

Speaker 2 (19:17):
And then right right, we're just say.

Speaker 3 (19:19):
We're repeating storylines in five years, you've got to repeat
some storylines now, I don't so, Stephanie argues, he's not
just any rock star. His poster is hanging over my bed.

Speaker 2 (19:31):
Last three days.

Speaker 3 (19:34):
As Yes, as soon as came through, he's the last
thing I see before I fall asleep, except the inside
of my eyelids. I was so jealous of your black
and plaid jacket here, Like this was the key little
jacket jacket. I was speaking of plaid jackets. Yeah, it
was so cute, the color, the like, the styling. It

(19:59):
was just adorable.

Speaker 2 (20:00):
And you looked so the my style in this whole
episode I really liked.

Speaker 3 (20:05):
Yeah, I wasn't.

Speaker 1 (20:06):
I wasn't girly like I've never really been the girly
girly one. So I liked like I it reflected that.

Speaker 2 (20:13):
She was kind of in a relationship thing.

Speaker 3 (20:15):
Yeah, You're not just wearing like floral dresses like A yeah, exactly, No,
you had you were on trend and making your own trends.
I loved that jacket, so DJ smiles. This is so
cute Stephanie's first childhood crush. You know, I had the
same thing with George Michael until his ear rings got

(20:38):
bigger than mine. Oh is that jokes?

Speaker 2 (20:42):
We didn't well know, but we didn't know at the time.

Speaker 3 (20:44):
I don't think we didn't know, right, No, we didn't
know at the time, So that's okay. Stephanie reminds her,
I am not a child. Today is my tenth birthday,
the big one. Oh. She turns to Danny and tries
to guilt trip him. I can't believe you won't. You
wouldn't let your own daughter meet her all time favorite
singer in the whole universe on her birthday. She sighs,

(21:06):
and I thought you loved me. DJ applauds this dramatic performance,
and Steph looks at her dad with hope. Did it work?
And Danny responds bluntly no. Steph shrugs, I'm losing my touch.
Danny hands over her lunchbox and tells her to get
out of here. After she's out the door, DJ tells
her dad that was pretty cool. I mean, it is

(21:28):
her birthday and she does worship the guy. Danny spills
the beans. I told Tommy what a big fan Stephanie
is and he agreed to stop by her party after
school today. DJ exclaims Stephanie's gonna go nuts, and Danny grins, am,
I the raddest, baddest dad a kid ever had no

(21:48):
and she admits, well you were until you said that, yeah,
and exits. He had a good thing going and then
he just he did a Danny Tanner. Yeah, made a
cheesy joke. So later in the day, we are in
the living room at Stephanie's tenth birthday party.

Speaker 2 (22:07):
There's the dancing.

Speaker 3 (22:09):
Yeah, it's so great. Marky Mark's Good Vibrations is playing
as kids are gathered around for the.

Speaker 2 (22:18):
Party, which I've told you the Marky Mark story.

Speaker 3 (22:20):
Right have you? Have? You reminded me.

Speaker 1 (22:24):
Probably around this age because it was just like Marky
Mark era. I was flying to Boston for something and
he was like in the row, like in front and
over whatever.

Speaker 2 (22:37):
I was dying, but Mom was like, say hi.

Speaker 1 (22:44):
Like you could go see it and I was like no, no, no, no,
like I do.

Speaker 2 (22:48):
I'm like no, I'm that's not you know, I get it.
You don't bother you. I'm not gonna don't. I don't
want to bother you. Anyway.

Speaker 1 (22:55):
As we're getting off the plane, uh, we're like, you know,
in before you get off, and he just leans over
and he goes.

Speaker 2 (23:01):
Hey, I got to tell you I love your show.
And I was like I melted right there.

Speaker 3 (23:07):
And then so the Boston accent and everything was very good.

Speaker 2 (23:11):
I actually did that very well.

Speaker 3 (23:13):
You did very good. Yes, but yeah a moment, Yeah,
you were just floating right on the.

Speaker 2 (23:20):
I was real, I remember it to this day.

Speaker 3 (23:23):
Yeah, that's so bad.

Speaker 1 (23:25):
And then the fact that I was like, oh, hell yeah,
we even like we even could play it on the show.

Speaker 3 (23:31):
So I was like, yeah, it's like great, they got
the clearance and they it was a perfect song for
this party. If you can't get one, you got to
get together. So the boys are eating caramel apples while
the girls are out on the dance floor.

Speaker 2 (23:47):
It seems like a strange party snack. But what else.

Speaker 3 (23:51):
Yeah, that's more of like a halloween.

Speaker 2 (23:53):
Especially losing their teeth.

Speaker 1 (23:56):
It's gonna be like like a shark in there, me
laying all over.

Speaker 3 (24:00):
The floor another too, Yeah you need more finger foods,
not something that you get all over.

Speaker 2 (24:07):
Your face and a slice.

Speaker 3 (24:10):
They're very difficult. Yeah, not not the best party snack.
I agree. So Jesse joins the dance circle for a
minute to show off his awkward moves, and then we
see Joey up on a pedestal acting as the DJ
for the party. The group of girls cheer for him
when the song is over.

Speaker 2 (24:27):
And these were a bunch of my dance friends.

Speaker 1 (24:29):
By the way, Yes.

Speaker 3 (24:34):
That little one with the blonde hair like she's always
staring right at the.

Speaker 2 (24:38):
Staring right in them. I can't remember her name now,
but yeah, she was. She was in it.

Speaker 3 (24:45):
They got a lot of screen time in this season.
That's so amazing. I love this. So Joey speaks into
the microphone. Yo, yo, yo, this is Joey Joe bad
Stone at Stephanie Tanner's birthday party, pumping up the jams
and jamming up the pump. You know what I'm saying.
The crowd does not know what he's saying. They shrug
in confusion, and so he changes course. Hey, neither do

(25:07):
I all right? Everybody party and the music resumes. Steph
walks up to Jesse and complains none of the boys
will dance, and he assures her that he can help.

Speaker 2 (25:17):
Never going to change stuff.

Speaker 3 (25:19):
No, this is common at these gender parties. On either
side that's divided. I'm more impressed that you invited boys
to this party at ten I did not want.

Speaker 2 (25:30):
Anything to do it. It looks like eight you know what
I mean?

Speaker 1 (25:33):
They look as usual, The girls look like much more mature,
and the boys I was like, well, I mean, I
can see why these boys aren't wanting to talk to
These girls are at least three years.

Speaker 3 (25:42):
Older than them, right, they have no social skills and
they are feeling awkward for being at this party. Uh So,
Jesse walks over to the boys and tries to lend
some encouragement. I realize you guys might be a little
shy around women. You're wondering if you're overmoosed under yodory.
I know how you feel. One of the boys asks

(26:03):
you mean you were shy around girls, and Jesse scoffs, No,
what am I a dork? Go ask them to dance?
They all cringe and say you at the suggestion, So
Jesse takes a different approach. He tells the girls it's
lady's choice. They can grab their favorite guy and go
for it. On cue. All of the girls swarm Uncle
Jesse and he cringes, Oh oh no, no, no, not me.

(26:26):
The little ones. Their face is sour as they say
you at the thought. They don't want to intermingle like that.

Speaker 1 (26:35):
Boys and girls agels are having fun dancing and the
boys are heaving been eating and that's usually how I just.

Speaker 3 (26:41):
Want to eat. Yep, this is this is how it goes.
So the girls resume their dancing to good Vibrations and
Steph leads them in a cool dance routine.

Speaker 1 (26:51):
I did love this one. This was a fun one
and it does make the rounds.

Speaker 2 (26:58):
It makes it. I mean, it's been done to I think,
like Kendrick Lamar, they not like us. It's ben Zunde
like and.

Speaker 1 (27:05):
It weirdly like depending on like whatever the bpm is
of good vibrations, you know, if you find something.

Speaker 3 (27:13):
That goes with the kind of similar it works perfectly.

Speaker 1 (27:17):
And I've seen a lot of versions of it and
I'm like, oh I like that.

Speaker 3 (27:20):
Okay, that's a good one.

Speaker 2 (27:22):
But yeah, that was a fun dance. It was. I
loved that it was. It was cute.

Speaker 3 (27:27):
It was very full house just to break out into
dance randomly, at least dance friends.

Speaker 1 (27:33):
Obviously they've been working on this in class.

Speaker 3 (27:37):
Very true, very true. Do you remember who choreographed as Staley?

Speaker 1 (27:42):
It was Dennis Caspery, My my dance teacher, Dennis Caspery
and the Casbury family owned.

Speaker 3 (27:49):
Studio C which was where I.

Speaker 1 (27:53):
Danced growing up, along with a couple other places later on,
but Studio CE and Dennis was our teacher and he
was there like competition dance teacher too.

Speaker 2 (28:04):
So he choreographed all that stuff.

Speaker 1 (28:06):
And yeah, whenever we needed Motown Philly or you know whatever,
like he came in and uh and love shack.

Speaker 3 (28:15):
So he did fantastic.

Speaker 1 (28:17):
Yeah, his brothers was on. So you think you can
dance as a choreographer for a while really?

Speaker 3 (28:23):
Oh okay, Yeah, so it runs in the family.

Speaker 2 (28:26):
Indeed, this waslight to watch.

Speaker 1 (28:30):
Was in Don't Tell Mom, the Babysitters Dead. And she
was also a backup dancer for Janet Jackson for a
long time too. Yeah, it was They were a whole
dance family.

Speaker 3 (28:40):
Oh that's amazing, Oh so cool. Yes, so glad that
he got some of his work to show you and show.

Speaker 1 (28:45):
It was so much fun. But this dance had some
This was like a good dance. This was when I
was getting like more into like the fun sort of
like had coordination of arms and legs all at one
time right right that before. But it was it felt
like a little more secure in it.

Speaker 3 (29:03):
It was a little more mature. Ye it wasn't you know,
So I don't know, but yeah, it was. It was
mature and cute and trendy.

Speaker 2 (29:12):
I had some shoulder pads going.

Speaker 3 (29:13):
It's the shoulder pads were all the point. If TikTok
had been a thing back then, this would have definite
TikTok down absolutely easily. So next in the kitchen, Kimmy
bursts through the back door and runs up to Danny,
who is decorating Stuff's birthday cake, and she demands Wor's
Tommy page tell him his love slave is ready to

(29:36):
fulfill his every wish. Oh, Kimmy, Kimmy is so extra,
She's so extra right now, Danny looks at his daughter
and questions, why did you tell Kimmy? And DJ admits,
because I tell Kimmy everything. He smiles okay, then tell
her to go home. Kimmy gives him a smug grin
in return. No can do, mister, t I saw tim

(29:57):
Tommy's limo outside.

Speaker 2 (29:59):
Timmy's where Timmy. Timmy's lama outside.

Speaker 3 (30:04):
Related to the lama, but it's a toy lama Alamo. Well,
we ride horses up the front stairs and his lama
lamo upstairs. Uh so, Kimmy continues, Now, where are you
hiding that hunk delicious boy toy? Danny reveals he's waiting downstairs,

(30:25):
and Kimmy starts to sprint towards the stairs, but Danny shouts,
freeze Gibbler, I need him in one piece. He walks
over to Kimmy and declares, right now, I want the
two of you to go out there and tell Jesse
and Joey that we're ready. Okay. He wags his finger
in Kimmy's face and demands, don't do anything to embarrass us,
and Kimmy assures him I'll be the perfect lady until

(30:48):
I see Tommy, and then you'll have to hose me down.
Calm down, Kimmy, like she's just thirsting, kim Wow, I
know she's just boyfriends.

Speaker 2 (31:00):
Like Kimmy's frustrated.

Speaker 3 (31:02):
You know, she's gone from Patrick Swayze and she's all
about Tommy.

Speaker 2 (31:08):
You know, it's just yeah.

Speaker 3 (31:09):
Bitterman's gone. So she needs somebody to fit the bill,
and she's chosen poor Tommy Page to be the one.
So DJ grabs Kimmy and they go into the living room.
DJ runs up to Joey and says he's ready, and
all of the family members get into place. Danny walks
in and grabs the microphone. He asks everyone to move

(31:30):
back and motions Stephanie to sit in the chair that
was placed in the middle of the room. Once she seated,
he announces, this is my special gift from me to you.
Jesse begins to play the keyboard, and then Tommy Page
appears in the doorway. Stephanie screams his name at the
top of her lungs, and the rest of the girls follow.

(31:52):
Kimmy lunges for celebrity crush, but DJ holds her back.
Then Tommy begins to sing a personalized song for steph
called Stephanie. Oh. She watches an awe.

Speaker 2 (32:05):
Stephanie, Remember Bob and Dave, you had a whole joke
about it.

Speaker 3 (32:11):
Oh. They they they whole week.

Speaker 2 (32:14):
They were a week. They could not shut up.

Speaker 3 (32:16):
They could not because they weren't in the really in
the a storyline much.

Speaker 1 (32:19):
So they were there and there was some music dancing
at which and they were like, let's be idiots.

Speaker 3 (32:26):
It was idiots, complete idiots.

Speaker 2 (32:29):
Yes us.

Speaker 3 (32:31):
The other girls are swaying to the music in the
background after the song is over.

Speaker 2 (32:35):
Was so creepy to me.

Speaker 3 (32:38):
This, okay, are we starting out? Like we gotta start?

Speaker 2 (32:41):
How we can't not we got a start? This was
so strange and it only gets stranger too.

Speaker 3 (32:49):
It's so he's I think he was twenty one or
twenty two at the time. You're ten, right, DJ is fifteen, Yeah,
and he's just you know, kissing everybody on lips and everybody.

Speaker 2 (33:03):
I was like, I'm sorry, sir, are you European? What
is why are you doing this? Don't we don't do
this here?

Speaker 3 (33:08):
But okay, we don't do this here. No, And he
knows that. And also Stephanie loves him and adores him.

Speaker 2 (33:14):
And it has a huge children that you don't know
on the lips, just.

Speaker 3 (33:18):
Don't don't do that, kiss any underage children on the lips.

Speaker 2 (33:20):
That don't It's like grandma or you know what I mean.

Speaker 3 (33:26):
Well, grandma's not underage. Just don't kiss any of the
would grandma, Well yeah, grandma can kiss you on the lips,
but yeah, Tommy Page cannot.

Speaker 1 (33:34):
Don't random children whose living rooms you happen to wind
up in serenading them, don't kiss them on the lips
after It really creates confusion.

Speaker 2 (33:44):
Yes, agreed, Yeah, I know this song was uh creepy and.

Speaker 3 (33:49):
I the song, Yeah, that song wasn't my favorite.

Speaker 1 (33:52):
Well it wasn't what the song itself wasn't creepy. It
was the singing it to a ten year old, uh,
without change, jing like the lyrics of it were.

Speaker 2 (34:04):
It was creepy.

Speaker 3 (34:06):
Yes, it's the the whole thing, the whole thing.

Speaker 2 (34:09):
It didn't make me uncomfortable, you know what I mean.
It's like watching it, you're.

Speaker 3 (34:14):
Like, oh, like really, yeah, I can't remember if this
was a song that was written for this show. I
hope so, I hope so, okay, so they could have
changed the lyrics. It's not like they were.

Speaker 1 (34:27):
No, I'm sure this was the established It was one
of those songs that it's like, we got to write
a song next by next week here, you know.

Speaker 2 (34:34):
You have to go for eight hours to write a great.

Speaker 1 (34:36):
Song, and they're like, uh, you know, and it's got
to be about Stephanie and it's got it, you know.

Speaker 3 (34:41):
So and double as the girlfriends Lee.

Speaker 2 (34:46):
Yeah, it was it was odd.

Speaker 3 (34:51):
I get what they were going for, like this is
I love the plot of this, It just was not
well executed.

Speaker 1 (34:57):
Would have picked a different song, yeah, I would have
picked less of a Sarah Nade and more of some
sort of you know, maybe they dance together and she
get you know what I mean, Like there were there's
pleas do it that aren't Like an.

Speaker 2 (35:13):
Adult man singing to a ten year old and then
kissing her on the lips at the end. That's strange. Strange.

Speaker 3 (35:18):
Yeah, yeah, you know it. It took me out of
the It took me out of the moment. It took
me out the scene and I just all went downhill
from there. But yeah, I mean, this is Stephanie's dream,
Like of course she's going to just fall madly in
love with him and think that their soulmates. You could
see this coming a mile away, and poor clueless Tommy.

Speaker 2 (35:38):
Page no idea.

Speaker 3 (35:40):
I don't know, man, I don't I mean, I guess
he was clueless.

Speaker 1 (35:45):
If he can't do you know what I mean, you
have to figure out his like fan interaction moments.

Speaker 3 (35:50):
This is true. Yeah, he needs some media training and
a handler just to get him through all this.

Speaker 2 (35:55):
Just let some show to some random family's house. It's strange.

Speaker 3 (35:58):
Yeah, he has no security bodyguard, he is no manager.
He was set up for failure. He really was sure. Yeah.
So anyways, after this.

Speaker 2 (36:12):
Love ballad to a child.

Speaker 3 (36:14):
He uh, Tommy kisses Stephanie's hand wishes her a happy birthday.
As everyone applauds his performance. Stephanie gives her dad a
huge hug and exclaims he's the best birthday present ever?
Can I keep him? Meanwhile, dj is holding on to
Kimmy for safety, but Kimmy assures her that she can
let go now. As soon as dj unhooks her arm,

(36:35):
Kimmy darts toward Tommy and jumps into his arms. Luckily,
he catches her and gives her an awkward hello. And
all I could think about was how I had to
cheat my look so I wasn't looking to Joel kept saying,
you're looking too far upstage, and so you're like, you
can I have to look out the in my eye,
which is the most awkward thing ever. And then I'm

(36:56):
performing it with this this hunka Honka pop star, and
so I just.

Speaker 2 (37:00):
Like have had interactions with the new kids, which at the.

Speaker 3 (37:03):
Time, I absolutely had interactions with the new kids. So
I was like, what if he goes back to the
new kids and tells them this weird child actress kept
looking at me like, you know, her eyes and crossed did.

Speaker 2 (37:17):
That's probably why they didn't and they didn't come on
the show.

Speaker 3 (37:20):
I know it all. This is the origin, this is
how it all.

Speaker 2 (37:23):
Why she's the one is she won't look at you
in the eye. It's kind of weird.

Speaker 3 (37:27):
She won't look at you in the eye, and it's awkward.
This girl is awkward, and it was so Kimmy wraps
her arms around Tommy's neck and she explains, I'm Stephanie's
best friend, Kimmy Gibbler. Can I have your autograph? Just
sign it to Kimmy the woman of my dreams. Danny
chimes in, he writes music, not science fiction.

Speaker 2 (37:48):
Damn.

Speaker 3 (37:49):
It's a good burn though. It's yeah, burned, but and
Kimmy deserves it, like she's so unhinged in this episode
like somebody hoes her down. So Tommy sets Kimmy down
and insists, it's no problem. Where do you want me
to sign? Kimmy reaches for her foot and says, here,
sign my shoe. But as soon as her foot is exposed,

(38:11):
everyone plugs their noses and says you in unison.

Speaker 1 (38:15):
I would love to tell people that that is something
that never happens, but I cannot tell you how many
times someone has ripped off a shoe for me to
sign it.

Speaker 3 (38:23):
Oh yeah, no, that's whatever they got on hand. You know.
Sometimes you signed on foot, on hand, on arm on Yeah,
I know. There's no shortage of things that you can
autograph for sure. Uh So Danny and Joey intervene. They
grab Kimy's arms and lift her out of the room,
while Kimmy protests, wait a minute, he hasn't signed it yet,

(38:45):
and they drag her out.

Speaker 2 (38:46):
Hilarious though in this moment, very funny, thank you it was.

Speaker 3 (38:50):
Kimmy deserved to be a scorty out just like that. Yes.
Then Steph makes her way up to Tommy and assures
him I've never seen that woman before in my life life.
She continues, thank you so much, for coming. Would you
sign my CD? And he responds, you're the birthday girl c.

Speaker 1 (39:07):
D stuff Man CD y Height of Technology in nineteen
ninety two.

Speaker 3 (39:13):
Steph grins and tells him she'll be right back. Then
she runs over to her group of friends and says,
watch him until I get back. They do exactly as
they're told, and they run up to Tommy all at once,
but Tommy dodges them to chat with Jesse. He thanks
Jesse for his help on the piano, and Jesse casually responds,
no problem. You know, I dabble in music myself there,

(39:35):
tom You may have heard of my band, Jesse and
the Rippers. Tommy nodds, Yeah, didn't you play in Seattle
this summer with the record Like again, wait, didn't.

Speaker 2 (39:46):
I this summer last? Oh?

Speaker 1 (39:50):
Because it was the summer that's true because Becky was
pregnant and went with him a little bit. So yeah,
and that was and then he fell from grace. He
had a tour and then he was Yeah, the.

Speaker 3 (39:59):
Record company was like, we want to wash our hands
of you and sent him into a tailspin. So Jesse
is thrilled that he's getting this acknowledgment from Tommy and
he says, why, yes, we did. We played at a
little club near the university over there. Tommy humbly brags,
Oh cool, Yeah, I played at the Kingdome. Jesse tries

(40:20):
to play it off. Oh that's nice if you're into
big stadiums and lots of money, I prefer to play
these small, intimate places where I can split a pizza
with my audience. Great line. Becky lets out a big
fake laugh and asks the pop star to excuse them.
So Tommy walks back over to the middle of the
dance floor and the girls shuffle along with him. Michelle

(40:42):
pipes up and introduces herself to Tommy. She politely shakes
his hand and tells he tells her it's nice to
meet her. Then she declares, my birthdays in November, start
working on my song. Tommy laughs and tells her she's funny.
I don't think she was joking. I think she's a
checkting a song in November.

Speaker 1 (41:00):
Demand has just been made of him that she's.

Speaker 3 (41:04):
Gonna follow up November. First, she's like, it's November.

Speaker 2 (41:08):
It's November. Where is my song?

Speaker 3 (41:12):
So then Michelle braggs I'm in comedy college, and with
that she walks away.

Speaker 2 (41:17):
I'd be like, are you is she kid? Okay?

Speaker 3 (41:21):
What's wrong with gray?

Speaker 2 (41:23):
Like a donkey?

Speaker 3 (41:24):
What was that? So? Then DJ sees an opportunity to
introduce herself. She tells Tommy, I'm Stephanie's sister.

Speaker 2 (41:33):
DJ.

Speaker 3 (41:34):
Is this your first time in San Francisco? He responds, yeah,
but I haven't really had the chance to see anything yet.
She gives him some suggestions like Chinatown and Fisherman's Wharf,
and Tommy asks, maybe you could show me around tomorrow.
DJ can't hide her shock me I'd love to on cue.
Steph walks back into the room with her CD and

(41:55):
smiles at Tommy, saying, sorry, I took so long. DJ camment,
whoa Steph? How many gallons of perfume did you put on?
She responds, I just put on one little dab and
then she leans in and whispers on every inch of
my body that's so like, Yes, when you're new to perfume, what.

Speaker 2 (42:14):
You do.

Speaker 1 (42:16):
Walking through a middle school school hallway and like just
the mixture of undeodorized children and uh per spray and
and uh bathom body works body spray.

Speaker 2 (42:34):
That's it's just that mixed.

Speaker 3 (42:35):
Oh my gosh, Yes, there's just it's in my nose
is like vibrating.

Speaker 2 (42:40):
Think about it.

Speaker 3 (42:44):
So then steph hands the CD to Tommy so he
can sign it, and he reads his autograph out loud
to Stephanie, love Tommy, it's a little too much emphasis
on the love part. He hands it back to her
and then plants a kiss on her lips.

Speaker 2 (43:02):
Why would you know it's so strange?

Speaker 3 (43:06):
Kiss her hand again. If you got to kiss something,
just kiss her hand.

Speaker 2 (43:09):
Don't kiss her fifteen year old on a date you're kissing.

Speaker 3 (43:15):
This is a lawsuit waiting to happen, Tommy. That's that's
what this is.

Speaker 2 (43:19):
Like.

Speaker 3 (43:19):
This is I was very uncomfortable from this moment on.
I was like so much discomfort. It's like, oh boy.
Stephanie faints immediately after, and DJ has to drag her
over to the nearest chair.

Speaker 2 (43:33):
Was Danny in the room?

Speaker 3 (43:34):
Good question? Well, we know Becky and Jessie left. I
need to go do something.

Speaker 2 (43:39):
Was Danny in the room.

Speaker 3 (43:40):
Maybe not? If that was my daughter, he'll be like, okay, yes,
like a background check on this guy. No. So next
in the kitchen a little while later, Stephanie is sitting
by the phone asking comment which sounds better for her
name Missus Tommy Page, Stephanie Page, Stephanie Tanner Page, or

(44:06):
Missus Stephanie Judith Tanner Page Calm. It turns over for
a belly rub, but she reminds him that he can't
get one of those until the wedding invitations are done.
Then DJ and Tommy walk in from their sight seeing
date and Steph listens in on their conversation.

Speaker 2 (44:23):
We call it a date.

Speaker 3 (44:26):
I'm calling it a date.

Speaker 2 (44:27):
I know it's weird. It was just the two of
them on the list. He doesn't know, terrible.

Speaker 3 (44:38):
I'm telling you this. Tommy needs someone to sit him
down and say these are the things we don't do.

Speaker 1 (44:44):
This is not going to end well, Uh, someone's going
to suit you.

Speaker 2 (44:51):
Yeah. Yes, Also, don't do that. Just don't do that.

Speaker 3 (44:55):
It just just stops underage girls like yeah, don't please.
So DJ thanks him for the day, admitting I've never
had tacos in a limo before. Actually, I've never been
in a limo before. Tommy laughs. I kind of figure
that out when you went to sit in the front
seat with the chauffeur.

Speaker 1 (45:13):
Well, because it would be weird to sit in the
back of a limo with a man. I don't know
at fifteen, but whatever I know.

Speaker 3 (45:20):
I know. So then he asks, do you want to
come to my concert tonight? I can get you backstage passes.
DJ excitedly tells him yes, but Stephanie looks disappointed. Tommy
says he has to go downstairs to see Jesse, explaining
I promised Stephanie I'd make her a tape of that song.
DJ thanks him for a great day, and then Tommy

(45:43):
kisses her on the lips. Stop it, Tommy, It's not
even a kiss on the cheeks, like kiss.

Speaker 2 (45:53):
The lip on one on each side. It's a right
on the lips.

Speaker 3 (45:58):
Was this weird at the time or is it just now?
Like like here's weird at the time too, Like just
these are things you just don't do.

Speaker 2 (46:05):
You know now that I think about it.

Speaker 1 (46:06):
There were a couple of times that John would do it,
but it felt different because John was like our family.

Speaker 3 (46:10):
It's your uncle. Yeah we knew, Yes, that's true. John
did do this several times, but we.

Speaker 2 (46:15):
Knew, but we knew him, and it didn't feel weird.

Speaker 1 (46:17):
Then this felt weird just because it was like right,
it wasn't family, and he was just slightly older you
know what I mean, Like it wasn't.

Speaker 3 (46:25):
Yeah, and they had just met and he know and
he I'm sorry. Tommy Page has to be smarter than this.
He knows that these girls are falling for him and
have crushes on him, Like he has to know that
he's a pop star, right, So like to very encourage that,
very oblivious. I couldn't read the room Tommy Page. Uh

(46:46):
So once Tommy's out at your shot, DJ whispers to
herself yes, and Stephanie quickly runs upstairs, goes into her
room and cries, that was so sad you and your tears. Hmmm,
I know I felt for you. I felt for you
in this moment. I mean, yes, is stuff a little
delusional with the wedding invitations?

Speaker 1 (47:05):
Yes, when you get a crush on somebody, I remember
when in middle school being fooled by some boy that
told me that he was this was actually him in
a magazine that he was like a model, and I
felt I want for hook line and I was like, oh.

Speaker 2 (47:20):
My god, so and everyone's like, yeah, that's like an
adult man. It's like no, no, no, no, he just looks
different in the pictures. And then like oh yeah, a
year later, I was like, that's absolutely ridiculous.

Speaker 3 (47:31):
That is ridiculous. True, yeah, no, this was the very
com for ten year old girls like me. I was
always like missus Andrea McIntyre like that guess on my notebook,
over and over and over all the combinations, So I
get it, I get it. I felt really felt for
stuff in this moment. So next to the attic, Becky's
holding Nicki and Alex, trying to teach them their first

(47:53):
words mommy. Then Joey and Michelle entered the room and
Joey announces Nicki and Alex get ready to laugh because
here comes the first graduate of Joey Gladstone's comedy college.
Michelle walks behind the couch and re emerges with an
arrow on her head, saying, boy, do I have a headache?

Speaker 2 (48:12):
A gotta go with it. Staby's Martin with the original Yep.

Speaker 3 (48:19):
The babies have zero reaction, so Michelle tries again, maybe
he didn't see this arrow in my head. Still no
reaction from the babies, so Michelle turns to Joey and admits,
I'm dying out here. Joey suggests that she go for
her big finish, but Michelle doesn't really want to. He
emphasizes everyone knows that a pie in the face is

(48:40):
the oldest joke in the book, and it always gets
a laugh. Michelle gives in, Okay, let me have it,
so he pulls out a pie tin filled with whipped cream.
When Joey asks if Michelle Michelle if she's ready, Michelle
pulls a fast one on him and slams the pie
into his face instead.

Speaker 2 (48:59):
I just be mad at the whip cream on the floor.

Speaker 3 (49:02):
And it gets on the wall.

Speaker 2 (49:06):
Do you think I don't have enough to deal with?

Speaker 3 (49:08):
Right?

Speaker 2 (49:09):
Change and carpet?

Speaker 3 (49:12):
Right?

Speaker 2 (49:13):
This poor goal?

Speaker 3 (49:14):
Like give her a break.

Speaker 2 (49:16):
The least could have done is done this joke in
the kitchen.

Speaker 3 (49:19):
Yes, yes, like the floors already need to be waxed
from the last easy clean up. So but the babies
are finally smiling. One is laughing we at Michelle, and
she victoriously says, I did it. I'm funny. Joey is
stunned and he has a face full of pie. He

(49:40):
reminds her I'm supposed to throw the pie in your face,
but Michelle insists this was funnier, and as she tries
to quickly run away, Joey tries to catch her. Then
Steph walks in, Yet, Becky, can we talk woman to woman?
Becky nods sure, but I thought you'd be downstairs listening
to Tommy record your song. Stephanie admits this is more important,

(50:03):
so Becky takes a seat on the couch right next
to her. I love these heart hearts be they always
fill my heart with you know, it's.

Speaker 2 (50:11):
Just like a mother figure.

Speaker 3 (50:14):
Yeah, I just it always makes me smile. So Stephanie
asks Becky, what would you do if another woman stole
Uncle Jesse from you? Becky explains, well, that would never
happen because your uncle Jesse and I have a loving
and committed relationship based on mutual trust and respect, and
then she scoffs she'd never know what hit her stuff.

(50:37):
Seems pleased, got it, Aunt, Becky? She's toast and gets
up to leave, but Becky stops her and asks, is
this about a boy at your party? And Steph responds, well, yeah,
sort of. He really liked me, but another woman stole
my man right out from under my nose, the scuz queen.
Becky is just as appalled as Stephanie is, and she asks,

(50:58):
so who is this scugz Queen?

Speaker 2 (51:00):
I feel like scus Queen would be a great name
for a punk band. Yeah, the Scugs Queens Queens.

Speaker 1 (51:06):
Yeah, it's giving. I would give the germs kind of vibe,
you know. Yeah, yeah, I would watch them in concert. H.

Speaker 3 (51:15):
Then Steph cleverly explains, well, she was like a sister
to me, but not anymore. I'm gonna win him back.
Becky suggests, well, there's nothing wrong with letting him know
why you're the one he should be with, and Steph
nods in agreement. Right, and if that doesn't work, she's
toast and she marches out with determination. Okay, okay, not

(51:36):
not Becky's best talk, but that's okay.

Speaker 1 (51:39):
She's going on went unanswered, but many or and then unasked.

Speaker 3 (51:45):
Really but what stuff got? What she needed?

Speaker 2 (51:49):
A vague answers to create confusion.

Speaker 3 (51:52):
Right, like, we're on we're on minute eighteen. I need
to wrap this up, so there's really no time for
a heart to heart. Let's just speed it up. In
the kitchen, DJ is anxiously waiting for the red recording
light to turn off. When Kimmy barges in. She looks

(52:14):
around frantically and slams the door. I know he's here.
Where'd you stash him? DJ explains Tommy's downstairs in the
studio recording, but I can't go down there until the
red light is off. Kimmy grins and immediately starts to
inquire about their date. I want details, what happened with
you and Tommy? DJ smirks before or after he kissed me.

(52:36):
Kimmy is stunned. No, you were lip wrestling with the
stud puppy.

Speaker 1 (52:41):
That was such a Kimmy line. It's fantastic.

Speaker 3 (52:47):
Things normally the stud puppy.

Speaker 2 (52:49):
Yeah, liip wrestling. Wow.

Speaker 3 (52:54):
Kimmy's very colorful with her descriptions and her choice of words.
So yeah, that was a very Kimmy Gibler comment. DJ
nods yes, and Kimmy exclaims, I am so happy for you,
and I'm thinking of that meme. Well, you wouldn't know this,
the Friends meme with Jennifer Aniston where she's just like,
I'm so happy for you and I'm not jealous at all.
That's like what I'm thinking. DJ has stolen Kimmy's crush.

(53:19):
Stephanie's crushing.

Speaker 2 (53:21):
No, cool, you got yours? I'm gonna She's.

Speaker 3 (53:25):
Like, yeah, can I take a crack at it? And
DJ's like, yes, I mind, he's not running a kissing booth.
We're starting a real relationship. Kimmy shrugs, Hey, it was
worth a shot. Well, good luck. When that red light
goes off, it's a green light for love, and she
does a little shimmy before heading out the door. I
hated that line. I don't I was just embarrassed about

(53:47):
this whole bit. I don't know green. It was just cringey,
corny language, and I was selling I was trying to
sell it, and I can't sell.

Speaker 1 (53:55):
It otherwise it's even worse, and you it's worse thing
is race.

Speaker 3 (54:01):
I didn't want to say that step puppy or wrestlingly.

Speaker 1 (54:04):
Aloof and uninterested and the most non of nonchalant.

Speaker 3 (54:09):
Yeah right, but no, I shil made my way out
that door and tried to sell it. Uh so, yeah, anyways,
that was a thing that happened. Next, in the studio,
Tommy is finishing up the vocals for his Stephanie song
while Jesse helps him record it. Jesse admits, that was
really nice of you to write that song for Stephanie,

(54:31):
but Tommy comes clean, I didn't really write it for Stephanie.
I wrote it for my girlfriend, Melanie. I just changed
all the Melanies to Stephanie's.

Speaker 2 (54:39):
Does Melanie laugh about your kissing of people?

Speaker 3 (54:43):
Were Melanie at all this, Melanie would not be happy
to see what has transpired at the Tanner House today
between his date with the fifteen year old kissing ten
year olds on the lips. If I was Melanie, I'd
be like, this is a big red flag, dude, right.

Speaker 2 (54:57):
Uh so?

Speaker 3 (54:58):
Jesse laughs, telling him not to mention that to Stephanie
and Tommy grinns asking him not to mention it to
Melanie either. Then Jesse turns the red light off and
DJ immediately walks downstairs. She tells them, oh, I just
happen to see the red light go off, not that
I was waiting for the red light to go off,
because I do have a life. She sees Tommy and says,

(55:18):
oh hi, completely bypassing Uncle Jesse on the way over
to him. Then Stephanie walks in and says, oh hi, Tommy,
and she also bypasses Jesse. He jokes that he's the
invisible uncle and then asks if Tommy wants a drink.
DJ and Steph both answer for him in unison iced
tea lemon, no sugar. Jesse shakes his head. I say

(55:40):
the magic word, Tommy, and bada bing, I'm back in
the room. Steph grabs Tommy's arm and leads him to
a nearby chair. She pulls out a box and says,
I got the party pictures back. Here's a nice one
of us, suitable for framing. DJ looks at her little
sister in questions, don't you have something to do? And
Steph narrows her eyes at the trader. Don't you worry

(56:03):
your pretty little pointed head about me? This whole exchange
is so great. Steph is just on her game, like
she's just like, I'm going to embarrass discuss queen if
it's the last thing I do. DJ frowns, I really
don't think Tommy wants to look at pictures of a

(56:24):
ten year old's birthday party, but Tommy insists that it's okay.
Steph was prepared for this. No, DJ's right, you'd probably
rather look at pictures of her. Steph proceeds to pull
out a photo of DJ with the mumps. When she
hands it to Tommy, she asks, doesn't she remind you
of mister potato head? DJ quickly snatches it out of

(56:46):
his hand, but then Steph shows off another photo of
DJ's first bath. Again, DJ grabs it out of Tommy's hand,
but Steph isn't done. She shows him another photo where
you can see a rash on DJ's fanny, and DJ
had it. She grabs her sister by the arm and
tries to pull her upstairs to have a chat, but
Stephanie breaks out of her grip and says, no, that's okay.

(57:07):
I don't really feel like chatting. DJ angrily insists I
do now. As Steph is being dragged upstairs, she calls
out to her man, don't worry Tommy, I'll be right back,
and DJ assures him no, she won't. I promise. As
soon as they're upstairs in the kitchen, DJ shouts how
could you do this to me? And Stephanie spits back,

(57:29):
what about what you did to me? You backstabbing boyfriends,
stealing trader? Oh, it's getting it's getting ugly. DJ is shocked.
You thought Tommy was your boyfriend? You're dreaming, and Steph shouts,
he was to my boyfriend. Jesse intervenes and tries to
get them to calm down, but Stephanie continues he's going

(57:50):
to dump you and come back to me after he
finds out you drool in your sleep. DJ argues I
do not, and Stephan says, yes, you do, and I
have the picture to put it. Stuff comes with receipts.
Impressed with this level of petty looks prepared.

Speaker 1 (58:07):
I knew it was gonna happen at some time. I
didn't know what or when, but I knew i'd need
the pictures.

Speaker 3 (58:13):
You're an A plus student and so prepared for these
petty little arguments.

Speaker 2 (58:17):
I love it.

Speaker 3 (58:20):
So she holds the photo out of DJ's reach and smiles.
You didn't know I took this, did you? I knew
it would come in handy yep. Steph runs away, but
DJ chases after her. The girls run into the living
room and Jesse's on their tail trying to stop them.
Joey and Danny don't know what's happening, but they follow
after Jesse to try to help. They run back into

(58:41):
the kitchen and the guys are finally able to separate
the girls.

Speaker 1 (58:44):
When I kept coming around the kitchen table because there
was that rug that like braided rug under it too,
and I just wouldn't pick my feet up all the
way and my toe would like catch and I would
just eat it.

Speaker 3 (58:56):
Every single take you would fall, and I'm like, can
we get some different blocking in here? You just kept falling,
showing up.

Speaker 2 (59:04):
Child like you know what are you doing?

Speaker 1 (59:08):
You're like, you just choreographed all the time. When I fall,
it's because my brain is over ahead of me already
and I'm not in my body, so I'm not really
paying attention to.

Speaker 3 (59:19):
Like how far I need to step up.

Speaker 2 (59:22):
Or do something, and then I fall.

Speaker 3 (59:25):
It's the easiest thing in the world, just got to
run around the kitchen table. But nope, that's that is
a challenge for little Jodi Sweeten. So Danny asks what
is going on and Jesse emphasizes, next time you bring
a star home, try Angela Lansbury. DJ is being held
back by Danny, so she explains Stephanie thinks Tommy is

(59:46):
her boyfriend and she's showing him embarrassing pictures of me.
Steph argues, while being held back by Joey, he was
to my boyfriend until you stole him. DJ Fire's back,
You're insane, but Stephanie insists I am not insane. He
signed my CD Love Tommy and Joey admits he signed

(01:00:07):
my CD love Tommy, but Steph continues to defend her feelings.
But he wrote a special song just for me, and
he kissed me. I love him and he loves me.

Speaker 2 (01:00:18):
I at first it was Harry, Now it's Tommy.

Speaker 3 (01:00:22):
I know, like stuff is unlucky in love.

Speaker 2 (01:00:25):
He keeps stilling her men, I know this.

Speaker 3 (01:00:29):
It's so ugh darnut, older, sister, it's just how rude. Indeed,
So Danny walks over to Stephanie and explains, look, Steph,
I know you feel very strongly about this, and I
don't mean to hurt your feelings, but I don't think
this is really love. I think it's just a crush,
you know. Jesse adds, Yeah, Steph, your dad's right. You know,

(01:00:52):
when it's really love, your heart starts pounding and your
toes curl and you start sweating. Danny glances at him
or lairs at him. So Jesse backtracks and well, this
isn't it. Joey grabs her hand and says that they
all know what she's going through. Sometimes you wish for
something so badly that you start believing it's true that

(01:01:14):
now that's this is the good advice right here, coming
from Joey ironically, Yeah, you feel for Steph. It's like
no wonder she got caught up in all this excitement,
DJ adds with a lot less empathy. Yeah, face reality,
Tommy was just being nice. He's not in love with you,
He's in love with me and the guys true old sister.

(01:01:40):
She doesn't care that her sister is devastated.

Speaker 2 (01:01:43):
Watch Times.

Speaker 3 (01:01:49):
So the guys all look at DJ wide eyed, and
Danny questions, when did this happen? You just met him?
DJ explains, well, I know we only spent a couple
of hours together, and it's true we haven't talked about
commitment yet, but I think it's getting getting pretty serious.
Danny asks, you know that nice little talk we just
had with Stephanie, Well, right about now, I think we're

(01:02:11):
gonna have that talk with you. DJ shakes her head
in denial. Stephanie is a child. I am a woman.
And then the offender, Tommy walks upstairs and obliviously asks,
is it safe for me to come up yet?

Speaker 2 (01:02:27):
Dude?

Speaker 3 (01:02:27):
You caused this whole thing, like you've just been saying,
waiting for your.

Speaker 2 (01:02:32):
Right clear this up and be like, I'm so sorry.

Speaker 1 (01:02:35):
I have I come from a family whose cultural background
demands that we kiss people on the lips. And there
must have been a great amount of confusion because need
to be anything other than uh, hello, like.

Speaker 3 (01:02:50):
This dude, man, he causes all this chaos and then
then just watches it unfold and yeah, you could have
solved this at least eighteen minutes ago. So uh. DJ
walks over to Tommy and asks, will you please straighten
everybody out about what's going on between us? Tommy tells them, well,
DJ and I had a really fun day and I

(01:03:11):
hope that we could be good friends. DJ WinCE's friends.
You mean just friends. Tommy finally responds, Yeah, I'm sorry
if you misunderstood. How about you're sorry you gave her
the wrong signals? Yes, sorry, Tommy, Tommy, Tommy sir. He

(01:03:36):
had to have been directed to kiss people like I'm
not blaming Tommy Page. I am blaming the writing on this.
I'm assuming.

Speaker 1 (01:03:47):
Very clear, this is not this was not time. It
was the writing of the episode that that is what
caused the thing, right, So.

Speaker 3 (01:03:57):
It was the writing and the direction to hey, kiss
these under girls on there.

Speaker 2 (01:04:01):
The first second we read that at.

Speaker 1 (01:04:03):
A table readly we've been like, uh, yeah, you guys,
you can't have an adult Yeah, yess, that's weird.

Speaker 3 (01:04:09):
Yeah the legal department. A teacher is a social worker. Wait, yes,
uh so Stephanie confidently barges over and pushes her way
past DJ. Well, now that she's out of the way,
I guess it's just you and me Thomas. Tommy breaks
the news that he just wants to be friends with
her as well, and Steph reacts the same way. You

(01:04:32):
mean friends, like you're just friends with DJ. He nods,
but Stephanie's in denial. You wrote love Tommy on my CD,
he smiles. I always write love Tommy. Sometimes I'll even
forget and write it for a guy. Yeah. This made
me this. Since this episode, this has made me think

(01:04:52):
or think twice about writing love Andrea Barber. When I'm
signing autographs, it's like a.

Speaker 2 (01:04:59):
Little heart and my name because for that reason that
I'm like, I don't want to.

Speaker 3 (01:05:04):
Although there are some people that as you write me.

Speaker 2 (01:05:08):
A personalized note about how great we are together, You're like,
I don't we can do that.

Speaker 3 (01:05:15):
I'll give you a little tiny heart and joy Sweeten.

Speaker 1 (01:05:19):
Yeah, I don't know, yes, And I mean I never
thought about that. I really, you know, stopped kissing all
my fans on the lips.

Speaker 2 (01:05:26):
Yeah, yes, I mean I.

Speaker 3 (01:05:29):
Learned that lesson, you know what I mean, that lesson
at the tender age of eleven. But yeah, it never
occurred to me that people could misinterpret. And I always
used to write love and everything.

Speaker 2 (01:05:40):
I remember Gavin de Becker telling me as not well.

Speaker 1 (01:05:44):
Yeah, me and my mom as a kid, uh to
not to specifically not write that down autographs and things,
because it does give some people the wrong intention because
they think it is just me that you're writing this too.

Speaker 3 (01:05:56):
Yeah, back to love Tommy, and sometimes he'll even forget
and write it for a guy. Joey pipes up. Yeah,
you gotta watch that. Tommy continues his apology tour. Look,
I didn't mean to cause any trouble. He walks in
between Stephan DJ and says, I hope you'll still come
to my concert tonight. Okay, I gotta go. He shakes

(01:06:18):
the guy's hands and tells them it was nice meeting
them all.

Speaker 2 (01:06:20):
He should have kissed them all in the lips.

Speaker 3 (01:06:22):
I know, right, this is a double standard here.

Speaker 2 (01:06:24):
That's what you're doing when you say hello and bide people,
you kiss them then.

Speaker 3 (01:06:29):
Uh so before you can go. Michelle walks in and
she asks Tommy if he's leaving, and he kneels down
to say, yeah, it was really great meeting you, Michelle,
and he gives her a kiss on the cheek. Stop
stop kissing, just stop, yes, like it's just too much kissing, don't.
A wave from across the road is plenty.

Speaker 2 (01:06:53):
Yeah, pat on the shoulder, you know what I mean?

Speaker 3 (01:06:55):
My god, yeah, this was this was excruciating to watch, Michelle,
She grins. She falls for this. Wow, you are such
a babe, And as Tommy walks out, she turns to
the guys and declares, I'm gonna marry him, and Danny says,
oh man, it never ends. All the Tanner girls, all

(01:07:17):
three of them, and Kimmy are falling in love with
this guy. So later on in the girl's room, Steph
is solemnly sitting on her bed with mister Bear by
her side, always there, I know. DJ walks in and
she asks can I help you? DJ explains, well, I thought,
if I'm miserable and you're miserable, we might as well

(01:07:38):
be miserable together. Steph agrees, sit be miserable, DJ sits
in her desk chair and admits, I was so dumb.
I was so sure he liked me, and Steph jokes,
at least you didn't make up wedding invitations.

Speaker 1 (01:07:52):
Have the calligrapher was such an expense. I really got
the huge expence embossed. Uh yeah, envelopes and everything.

Speaker 3 (01:08:01):
With the wax on the stamp, with the wax on
the back and everything for two and fifty people.

Speaker 2 (01:08:06):
That's not cheap.

Speaker 3 (01:08:08):
Yeah. Anyway, that's well, that's a big lesson learned. So
DJ continues, you know what the weirdest part is.

Speaker 2 (01:08:17):
He kissed all these young girls on the lips. Yes,
you're not wrong, I think is the weirdest part that is.

Speaker 3 (01:08:28):
That's one of the weirdest parts of this episode. Uh.
DJ continues. Everything Dad, Joey and Uncle Jesse said was right,
and I hate it when that happens. Steph realizes if
this was just a crush, I don't know if I
can take it when I really fall in love, what's
that going to feel like. DJ doesn't know because she's

(01:08:49):
never really been in love before, but she hears it's
pretty intense. Just wait because Scott Wenger will be back
next season when they officially start dating. So the other
Steve will be back, Steve having Chang's name hyphen Hale.

Speaker 2 (01:09:02):
Yes, coming back, returning from the Witness production program.

Speaker 3 (01:09:06):
Yes, exactly, uh so, Steph nods, I hear the same thing.
And then DJ gets out of her chair and sits
next to Stephanie on her bed. You know what, I
just realized. I'm sitting here talking to you about love
and boys. Steph, you are really growing up. She can't
help but agree. Ever since I turned ten, life got

(01:09:26):
so complicated, truly preach.

Speaker 2 (01:09:29):
Yeah.

Speaker 3 (01:09:30):
DJ goes on to say, well, one day we are
going to be dating like crazy, and I want you
to know that I will never ever steal one of
your boyfriends, because guys are gonna come and guys are
gonna go, But you and I will be sisters forever,
and Steph smiles. Sisters forever, and they give each other
a big hug. Ah. DJ demands and I want every

(01:09:53):
one of those embarrassing pictures back, and Stephanie nods, you
got it. But when DJ asks for the negatives, Steph says,
we'll talk. As DJ leaves the room, Steph turns on
her radio and plays Stephanie with a big smile on
her face, and that is our show. That's our show.
Whoa I think again, I will say I I loved

(01:10:17):
this plot sty It was a.

Speaker 2 (01:10:20):
Cute storyline that was premit was executed with.

Speaker 3 (01:10:26):
Some poor direction, yes, but absolutely it was.

Speaker 2 (01:10:29):
Also it was also balanced out with great dancing, so
fabulous dance. I feel like, yeah, it's yeah, I did.
I forgot that he kissed everybody.

Speaker 3 (01:10:38):
I was like, I don't, just so weird. Yeah, I
don't remember cringing quite this hard when we were shooting it.
I was just more like, oh my god, Charlie, nobody, no,
nobody's batter than eye back then.

Speaker 2 (01:10:52):
But it did.

Speaker 3 (01:10:53):
Okay. So so Tommy Page in real life was gay,
but he was in the closet at this point, and
I think his manner was working overtime to portray that
he's straight so that the teenage fans would still be
in love with him or whatever. So this episode really
felt like it was just sort of a part of
the propaganda to convinced well he was straight, and that

(01:11:13):
gives me the ick, like I'm just like, well, and
that was.

Speaker 1 (01:11:16):
I mean, how you know, I mean, even the sorry
I'm having to send Zoe money right now because she's like,
I need food.

Speaker 3 (01:11:25):
Okay, that's changed lunch.

Speaker 2 (01:11:27):
He kept calling me and I'm like, no, I record
you know it. I mean, but that was very of
the time, right. We made the joke about you know,
George Michael and like that was you know, it was
all you. They were all in the closet, which was unfortunate.

Speaker 3 (01:11:43):
It is unfortunate, and I mean, and that's still.

Speaker 2 (01:11:46):
True, right, I mean of.

Speaker 1 (01:11:50):
I mean, we've known actors and people that like, if
they're you know, super hunky and good looking, like and
they happen to be gay, oftentimes their team is like,
don't be super out with it because you're gonna kill
your audience of you know, eighteen forty five year old women,
and yeah, you.

Speaker 3 (01:12:07):
Can only be a heart throb to the opposite set. Yeah,
that was the mindset in the day. But well it
was for Juan Pablo, like he mean, yeah, come a
long time it came out.

Speaker 2 (01:12:16):
I wasn't going to it, but he was. He was
an attractive guy. He talks about it, Yeah, he talks.

Speaker 1 (01:12:22):
About it, and so yeah, it's, uh, it is something unfortunate. Yeah,
and I'm sure and I'm sure it happens to women too,
just it's not. Yeah, I still think culturally we don't
freak out the same way, but it's.

Speaker 3 (01:12:35):
True, which is silly. We shouldn't agree either, But yeah,
this was there was there was.

Speaker 1 (01:12:41):
This was one of those episodes that I was like,
hmmm mm hmm, okay, well yeah, moving on, moving.

Speaker 3 (01:12:49):
Not right, and we I just couldn't figure out, Like,
I don't think Tommy Page, the character was supposed to
be a bad guy, like he came to this ten
year old's birthday party and saying or a song like
he's a good guy. Yeah, well meaning, but I felt
like he was a bad guy because he caused all
this drama and he led these girls on and he
wouldn't stop kissing them on the mouth. And I'm just like,

(01:13:10):
you give me the ick, but You're You're not written
as a good guy, right, But it was executed as
him being a creep, and I'm just like, I didn't
like that. I think it did a disservice to Tommy Page.
Yeah for sure, And it didn't it made this This
episode didn't quite hit the way I wanted to do
because of that.

Speaker 2 (01:13:27):
Yeah, well, look in twenty twenty five, we probably would
have done it very.

Speaker 3 (01:13:31):
Differently, very very It's a you know, we hit a
very nineteen.

Speaker 2 (01:13:36):
Ninety two moment in the last couple episodes of like.

Speaker 3 (01:13:39):
Ah well or yeah, big reminders that it's nineteen ninety two.

Speaker 1 (01:13:45):
But you know, other than that, I do love the
storyline between Steph and DJ and the sort of ridiculousness
of it that they both It's kind of it's very
reminiscent of the Secret Admirer episode in that everyone is
sort of in their own delusion about yes, what's.

Speaker 2 (01:14:01):
Really going on?

Speaker 1 (01:14:02):
And that's kind of the funny part is these you know,
two ten and fifteen year olds are like, I'm actually
and everyone's like, no.

Speaker 3 (01:14:09):
I'm his girlfriend, right, Yeah, that part was funny, the
delusions of yes, you know, preteen and teenage girls exactly.

Speaker 1 (01:14:18):
But no, I I it was that was what we did,
and that was now what we did. So we never
have to have any more kissing pop stars in the
living room.

Speaker 3 (01:14:31):
Thank God for this season. And we never see you, no,
we never see you turn sixteen, so this is like
your last now.

Speaker 1 (01:14:36):
Jeff always said, if we if I have shown have
made it till I turned sixteen.

Speaker 3 (01:14:39):
He was like, I'll buy you a car.

Speaker 2 (01:14:40):
And I've damn it man tarn it ABC by.

Speaker 3 (01:14:46):
Like six more seasons. Oh man, dang it almost too bad.

Speaker 2 (01:14:52):
But that was all I had. Did you have any
everywhere you look moments?

Speaker 3 (01:14:56):
Oh no, I was too squipped out.

Speaker 2 (01:14:59):
I any everywhere you had one?

Speaker 3 (01:15:01):
What was yours? My shark tooth? The sting there really starting.

Speaker 2 (01:15:07):
To protrude right down stage on on my right side.

Speaker 3 (01:15:12):
Oh yeah, downstage even so it's right there in the camera.

Speaker 2 (01:15:16):
Shot depends on which I'm looking, I guess, but it was.

Speaker 3 (01:15:18):
But in this shot, yeah, I was like, in that
one shot, there's the tooth. So yes, if you if
you guys haven't heard that story, it was on our
when we collabed with pod Meats World a few months ago.
Stephanie Jody told this snaggle.

Speaker 2 (01:15:31):
Tooth sweetened story.

Speaker 3 (01:15:33):
Yeah, too, sweetness, one of my favorite stories because you
hate it so much because.

Speaker 2 (01:15:40):
It's just it was just a soul crushing at the time.
Now I'm like, oh my god, it's hilarious.

Speaker 3 (01:15:46):
But like you, you were mortified, mortified about your snag tooth,
your shark tooth.

Speaker 2 (01:15:55):
Yeah, but no, that was my only everwhere you look
was my my shark tooth.

Speaker 3 (01:15:59):
So that's a good one. That that deserves its own
everywhere you'll look there.

Speaker 2 (01:16:04):
And it's gonna be everywhere you look for probably the
next season.

Speaker 3 (01:16:07):
Or two, so until you get your flipper. Finally, I
couldn't get a for that because it was just so
come down.

Speaker 2 (01:16:15):
It didn't come down. That was the whole problem.

Speaker 3 (01:16:17):
They have like extracted, what did they do?

Speaker 2 (01:16:20):
And because I didn't was too crowded in there, dang it.

Speaker 1 (01:16:24):
So I didn't move everything around anyway about my work history.
I'm sure that you guys would like to be done
with this episode because we would too.

Speaker 3 (01:16:36):
On another tangent, I.

Speaker 1 (01:16:37):
Don't even know another yeah Tanner engent. No, that didn't,
that didn't, that didn't. Should should have not said that anyway.
Thanks for hanging in with us until we hit our
three of recording and are completely delirious and I have
lost our.

Speaker 3 (01:16:55):
We need food, we need yeah, in and out.

Speaker 2 (01:17:00):
Thank you so much for listening to whatever we do
on this show. We love you guys.

Speaker 1 (01:17:05):
Check us out on Instagram at how Red Podcast. Send
us emails at how Rude Tannerto's at gmail dot com.
Check out our merch store howardmerch dot com and and
I think that's it.

Speaker 2 (01:17:15):
So we've done plenty to remember you guys. The world
is small, but the house is full.

Speaker 1 (01:17:26):
Of unsent wedding invitations from from the page Tanner wedding
that was called off at the last night.

Speaker 2 (01:17:34):
So yeah, just so many.

Speaker 3 (01:17:38):
Caligraphy.

Speaker 2 (01:17:39):
Yeah, it was yeah, the caliber for still waiting to
get paid.

Speaker 3 (01:17:42):
You know. That was eight years ago or so.

Speaker 1 (01:17:45):
Yeah, sorry, uh anyway, it was the first of one
of many weddings that I would.

Speaker 2 (01:17:50):
Wait for me.

Speaker 1 (01:17:51):
So all right, you guys, thanks so much for listening.
We'll see you next time.

Speaker 3 (01:17:55):
By A wish