"Girls Will Be Boys" Recap Season 5, Episode 24

When the master of disgust (Aaron) influences the sweet people pleaser (Teddy) to no longer associate with Michelle... She has to turn herself into Uncle Jesse! Did you catch all that?! Plus, Denise has FINALLY entered the picture and we are here for it! Join us as we recap a tale as old as time, when girls had cooties and boys were gross. It's all right here on How Rude, Tanneritos!

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Episode Transcript

Speaker 1 (00:21):
I'm going to put Corey Booker to shame. Can you imagine?

Speaker 2 (00:26):
I wonder if anyone would tune in to see us,
to hear us filibus stream just talking nonsense for twelve hours,
you know what.

Speaker 3 (00:35):
Look, twenty four hour telethons used to be a thing,
okay on to watch unboxing videos. They would watch us
yap about nothing. I mean, that's pretty much what this
podcast is, with an intermittent break of like recap right
right right.

Speaker 2 (00:51):
The recap gets in the way of our banter. But
that's all right. You don't have to have some structure, so.

Speaker 3 (00:57):
God, I hate structure, speaking of not speaking of structure,
but yes, when I was at an event recently, a
fan of Rito of ours, her name is Emory Alexander
and she is ten years old.

Speaker 1 (01:14):
Em Marie hi, Emory, uh.

Speaker 3 (01:17):
So, Emory gave us this note and I would like
to read it.

Speaker 1 (01:22):
It's his first.

Speaker 3 (01:23):
Of all, there is an adorable little picture, so cute.

Speaker 1 (01:26):
Is that like a hedgehog?

Speaker 3 (01:28):
This is the cutest hedgehog so cute in the world, right, yeah.

Speaker 1 (01:33):
A little turned up knows you got little very Emory.

Speaker 3 (01:36):
I love this little hedgehog, but it says how rude
Tanta Rito's perfect.

Speaker 2 (01:41):
Perfect yep, tan or I love the spelling too. That
like there's no question makes.

Speaker 1 (01:46):
Sense, right, tan or Ito's Uh.

Speaker 3 (01:50):
Dear Jody Sweeten, I love Full House so much and
I love your podcast. How rude Tanta Rito's I wish
I could have met you when you were a kid,
but she had to settle for adult me. I guess
h please please say hi to Andrea barber Ford me
so hi.

Speaker 1 (02:09):
And then she drew She drew us in the full
House house. Look at us, sweet am I the time.
That's yeah, I think you're the tallest.

Speaker 3 (02:17):
Remember she would have rather have met me when I
was smoking.

Speaker 1 (02:20):
So I think you do the smaller small haven't.

Speaker 2 (02:22):
I'm the taller because that's the only time I was
smaller than you.

Speaker 1 (02:24):
I haven't been talking to Mike sorri is uh.

Speaker 3 (02:26):
And then and then she a little ps what this
was written in the car? Maybe you can mention my
card on your podcast.

Speaker 1 (02:35):
It would mean a.

Speaker 3 (02:35):
Lot, so Emory, thank you so much for this little note.
I hope you hear this, uh, and I hope you
know that we are grateful for your hedgehog drawing and
all of the uh.

Speaker 1 (02:48):
The fan Urito love, so I wanted to make sure
that we read that.

Speaker 2 (02:51):
Yeah is adorable. Thank you Emory for that lovely drawing
and sentiment. That's just made my whole day right there.

Speaker 1 (02:57):
I know.

Speaker 3 (02:58):
I also now, as a pointed, that was never a
hedgehog on a full house.

Speaker 1 (03:03):
Of all the animals.

Speaker 2 (03:04):
We never had a ferret?

Speaker 1 (03:09):
What else was it? Monkey?

Speaker 2 (03:10):
So there were monkeysh there were all the woodland animals,
but I don't think a hedgehog's one of them. Let's
make it back and reshoot like season seven, right now,
let's just go back.

Speaker 3 (03:21):
I need a hedgehog, an armadillo, and a lemur, you
know what I mean. Like, if I don't get those,
I'm not doing it.

Speaker 2 (03:28):
Yeah, that's put it in your writers, like, yeah.

Speaker 3 (03:31):
That's anything I do. Now I need I need a
scene with a lemur. I let those things are ridiculous
looking along with my love of slots.

Speaker 2 (03:39):
Oh that you definitely have a type. You have a
type of animal. Yeah, welcome back to Howard San Ritos.
I'm Andrea Barber and I'm Jody Sweeten. Today we're discussing
season five, episode twenty four.

Speaker 1 (03:54):
When will this season end? How are we on episode
twenty four.

Speaker 3 (03:57):
This was this was a twenty six er. Gosh, season
five was when we got twenty six.

Speaker 2 (04:02):
Feels so long, especially now when the streaming era night episodes. Yeah,
this episode is titled Girls Will Be Boys, and it
originally aired on April twenty eighth, nineteen ninety two, and
it goes a little something like this. Michelle begins dressing
and acting like a boy to win back a friend

(04:23):
who suddenly decides he doesn't like girls. Meanwhile, Jesse lands
apart on Joey's TV show.

Speaker 1 (04:30):
Of course he does well.

Speaker 2 (04:32):
Joey just won the award for you know, best children's programming.

Speaker 3 (04:36):
So no one else in San Francisco except for this
family and the people that they know it really is
the Truman Show.

Speaker 2 (04:44):
Whatever channel. This is like they just have a lock
on the whole block of programming. They've got the Morning
Waker San Francisco.

Speaker 1 (04:51):
Carl Tanners, Yeah, Chanders Show in the afternoon.

Speaker 2 (04:54):
They've just got all we need is like a late
night show and they will have, you know, hit everything.
This was directed by Joels Wick. It was written by
Tom Bercard and Stacy hur And we got some great
guest stars Michelle's friends. We have finally Ladies and gentlemen.
Journey Smollett as Denise Yes, Journey, she has finally arrived.

Speaker 1 (05:18):
It is I am so happy for her.

Speaker 3 (05:21):
She was always so sweet and so lovely, and her
parents were amazing and like she just just such an
like creative, interesting, yeah tribe, you know what I mean.
They were like just such a cool family. I loved them, just.

Speaker 2 (05:39):
Amazing personalities and sage presence and you're just very drawn
drawn to that person.

Speaker 3 (05:46):
Absolutely like they Yeah, they were, they were really great.
But Journey was so sweet and so lovely, so talented, yeah,
so talented. So it's it's been so great to see her,
you know, really taking off in film and TV. Watched
all of the Lovecraft on HBO. But she was amazing

(06:07):
watching her in a bunch of things, and she's just
so talented.

Speaker 1 (06:09):
So yeah, Journey, Journey, it's amazing. We and we love
getting to come back and.

Speaker 4 (06:14):
Watch you as a little This is so well they
say they say that her breakout performance was age eleven,
and this is before age eleven, So I can't believe
they're not considering Full House as her breakout performance.

Speaker 3 (06:26):
Well, I guess it would depend that breakout would probably
mean she has a larger part.

Speaker 2 (06:32):
I would also, yeah, probably she Well she was in
eves By, your opposite Samuel L.

Speaker 1 (06:36):
Jackson, So I oh.

Speaker 3 (06:38):
Eves By, Well that was yeah that was a very
uh dark and hard film. So yeah, why that would
be her breakout and uh and.

Speaker 2 (06:47):
Not full That's all right, I'll take it.

Speaker 1 (06:50):
Okay, Yeah, no, look she yeah, I remember that movie.
Oh my gosh, yeah she was.

Speaker 2 (06:56):
Yes, we had a lot of child actors that dealt
like even kil Hughes doing the pet cemetery.

Speaker 1 (07:02):
Like, we had a lot of young people.

Speaker 3 (07:03):
And then in Fuller we had we had oh oh yeah,
I played Rose.

Speaker 1 (07:09):
Why am I forgetting her name?

Speaker 2 (07:10):
My god?

Speaker 1 (07:12):
She's on everything right now too.

Speaker 3 (07:13):
She's na great Kenna, so like I want to say mackenzie.
And I literally was look the cutest picture of her
and Zoe Zoe's like eighth or ninth birthday party because
they were buddies.

Speaker 1 (07:25):
Yeah, and I just looked. I was like, oh, m Kenna,
Oh man, it's so great to see her.

Speaker 3 (07:29):
And I literally thought that yesterday and I couldn't remember
her name.

Speaker 2 (07:33):
Paul Os Brain That's okay, Just a few more of
Journey's credits because they she's just so fabulous. And she
played Black Canary in Warner Brothers DC Universals, Birds of Prey.
Like you mentioned HBO's Lovecraft Country, True Blood, Friday Night Lights.
And she did twenty four episodes of Cosby in ninety
eight ninety nine. So and that's just a smattering of

(07:55):
her credits. Yeah, I did far more than that, but
super excited she's part of the show now. Miko Hughes
returns as Aaron, Taj Mowrie returns as Teddy Cyrus Namani.

Speaker 1 (08:08):
He stars as Boy at Show.

Speaker 3 (08:11):
Oh brilliant pect. I'm just like, I don't think he
even spoke so well. Yeah, I know he was someone's kids.
He was someone's kid for sure.

Speaker 2 (08:20):
He has two other credits, Love Affair in nineteen ninety
four and Live at the Bike in two thousand and four.

Speaker 1 (08:27):
I don't know. Then we have Molly Orr as Girl
at Show.

Speaker 2 (08:33):
Sorry, you don't get a name.

Speaker 3 (08:34):
Second second only to Boy at Show. Really in terms
of it was a very it was hard to pick really,
monks who did best well.

Speaker 1 (08:42):
Molly went places.

Speaker 2 (08:43):
You may recognize her from her many appearances on The
Amanda Show, Stephen Stevens, Seventh Heaven Drake and Josh sister sister,
and she'll be back next week on Full House for
a Captain video Part one. So yeah, she did a
ton of guest appearances, all right, So go Molly. Yeah,
you don't have any lines on our show, but you
went on to have lines on.

Speaker 3 (09:03):
Right, right, but you went on to have lines on
other shows. So congratulations.

Speaker 2 (09:07):
And last, but certainly not least, we have Michael J.
Shay returning as stage manager. M He does an excellent
job as the stage job.

Speaker 1 (09:16):
It's almost like he is.

Speaker 2 (09:19):
We start with the teaser. In the kitchen, Danny and
Michelle are sitting at the table, each with a huge
plate of spaghetti in front of them. Michelle's eyes widen
at her plate of food. Oh boy, pisketti. She grabs
a fork full and stuffs it into her mouth, using
her hands to scoop in the rest. Danny interrupts her,
saying he has a meeter way to eat pisqutti. He

(09:42):
shows her how to use a spoon to aid in
twisting the spaghetti noodles.

Speaker 1 (09:47):
Important, very important, critical steps.

Speaker 2 (09:50):
Michelle follows a long sort of but she ends up
with a mound of spaghetti on her fork and she
proceeds to shove it into her mouth. She's like, she
doesn't have time for these pleasantry you know.

Speaker 3 (10:00):
She's like, I mean, but again though, I'm like, Michelle,
what the food they call it? It's okay, Like it's not, Yeah,
you don't have to I don't have to eat with
your hands and shove stuff in your face.

Speaker 1 (10:12):
You know it's cake or scatty or ice cream. I
don't know.

Speaker 2 (10:15):
I think this was just a funny bit in the night.
Like it's like, oh, kids eating food messily. That's a
funny visual. It's a comedic bit, and the writers are tired.
The writers are tired. It's episode twenty four.

Speaker 3 (10:27):
The teeser the teaser, Uh, I think was just always
inherently Michelle and food.

Speaker 1 (10:34):
Michelle is just a silly, fun little yeah win in.

Speaker 2 (10:37):
Doubt, throw Michelle in with some messy food and let
her go to town.

Speaker 1 (10:41):
And that's what she did.

Speaker 2 (10:44):
So next, at the television studio, Joey is hosting his
Ranger Joe show and the kids on stage are scream
singing the theme song along with the track. Once the
song ends, the stage manager tells them they're clear. He
gives Joey a heads up mister Strobridge wants to see
him in his office, and the stage manager, Michael Shay,

(11:06):
has this biggest headset. It's like it's like it's as big.

Speaker 3 (11:10):
As these It's like it's like podcasting can't Yeah.

Speaker 2 (11:14):
No, it's like his head must hurt by the end
of the day.

Speaker 3 (11:17):
And they were like one sided too, so like, you know.

Speaker 1 (11:20):
It's got to be heavier side for sure.

Speaker 2 (11:26):
So Joey gives him a hesitant nod and tells Teddy, Aaron,
and Michelle to stay on the set while he goes
to see the boss. Michelle turns around and asks, are
you in trouble? Joey shrugs, I can't be in trouble.
I bought him a big, gigantic cheese log for Christmas.

Speaker 3 (11:43):
That's if somebody buys me a cheese log. I'm yeah,
I love a good cheese log. You know they had
me at cheese exactly.

Speaker 2 (11:51):
Teddy comments, so why are you sweating, Ranger Joe, and
Joey explains it's because he's working under these hot lights
and sweat is the body's natural cool system. But Michelle
sees right through this and can tell that he is
a nervous wreck.

Speaker 3 (12:06):
I mean she's a therapist. She can see right through
the cover. You know, all those you don't have to hide,
you don't have to mask.

Speaker 1 (12:12):
See.

Speaker 2 (12:12):
Yeah, the unspoken body language, she can read it like
nobody's business.

Speaker 1 (12:18):
Joey sighs.

Speaker 2 (12:19):
I knew I should have bought him the beer sausage,
and he walks away to meet his fate. Then Aaron
walks up to Teddy and asks if he wants to
play at.

Speaker 1 (12:27):
His house today.

Speaker 2 (12:28):
Teddy politely responds, no, I'm playing at Michelle's house. She's
my best friend. This absolutely disgusts Aaron. He turns to
Michelle and shouts, yeak, I.

Speaker 3 (12:41):
Have to say, Nico Hughes is the as a child
is the master of disgust.

Speaker 1 (12:51):
Like, could not be more grossed out.

Speaker 3 (12:55):
Yeah, and also, you just's one of those little kids you.

Speaker 1 (13:00):
Like, oh see, you kind of want to chase him,
you know what I mean. He's so at this role.

Speaker 3 (13:07):
I was like, oh, stop it, Aaron, Yeah, great, such
a so I love that these children are just left
alone on a set you know, the nineties.

Speaker 1 (13:17):
Yeah, No, workers don't need him.

Speaker 2 (13:20):
No, Joey's there, Joey's there somewhere in the building.

Speaker 1 (13:23):
That's enough.

Speaker 2 (13:26):
So Michelle asks Aaron, what is your problem? He bluntly
points out that she's a girl, and Michelle responds with
her signature duh. Aaron says he doesn't play with girls,
but Michelle.

Speaker 1 (13:38):
Aaron, Aaron, We got it?

Speaker 2 (13:40):
Aaron, who are his role models at home? Because you
know this, this came from whoever's raising him, So I blame.

Speaker 1 (13:49):
We have some streets.

Speaker 2 (13:52):
Michelle points out I am a fun girl. Teddy chimes
in and says you should play at Michelle's house. They
have great stuff in their refrigerator. Aaron gives in, but
not without saying I better not get girl cooties. Michelle admits,
you've got a bad attitude. Yeah, Teddy, No, it's an agreement.

(14:13):
I love Teddy like Teddy's just Teddy's. You're so sweet
and innocent and.

Speaker 1 (14:17):
Is so sweet. Yeah, Aaron is.

Speaker 3 (14:21):
I feel like if Aaron doesn't change trajectory, I know
exactly who this kid is going to become as an adult.

Speaker 1 (14:27):
You know, Well, yeah, yeah, I see it. I've seen you,
Yeah exactly, I've run into plenty of you. Yeah yeah,
oh you got I've seen you on the internet.

Speaker 3 (14:38):
No, but but uh yeah, it's but it's very funny.

Speaker 1 (14:43):
I mean, and I get it.

Speaker 3 (14:44):
Everybody the kids are little and like boycootie's girl cooties
you bubba.

Speaker 1 (14:47):
Well, it's a right of passage. Gross. I get that, but.

Speaker 3 (14:51):
I don't feel like that happens as much anymore though
I never I didn't see that.

Speaker 1 (14:57):
Like as much.

Speaker 3 (15:00):
I mean, I saw them like picking on each other,
but I don't think it was necessarily like don't play
with the girls or boys.

Speaker 2 (15:05):
You know, right, I feel like at least your kids
growing up, No, well mine would just naturally tend towards
their own gender like they you know, they were They
didn't think the other gender was gross. They were just like, no,
my friends are all girls if you're Felicity, or all
boys if your tate so. But there was no like
ew girl cooties.

Speaker 1 (15:25):
There's nothing that.

Speaker 2 (15:26):
See.

Speaker 3 (15:26):
I was growing I had more friends that were boys
than girls because I did. I was not part of
the girl drama sort of thing, and like I was like.

Speaker 1 (15:38):
This is BEAUTI full time job. But it was.

Speaker 3 (15:40):
But yeah I was gone and I you know, come
back in a week later and like all alliances have shifted.

Speaker 1 (15:45):
You're like, oh, so we don't like her now, And
I was like, I can't yeah this you need note cards.

Speaker 3 (15:49):
So I'd get Yeah, I'd get kicked out of handball
or something for you know, okay, stupid some of you avoid,
and so I'd go, I'd go play war out in
the field with the boys and we'd just be running
and clotheslining each other, you know what.

Speaker 1 (16:03):
I can picture that. Yeah, yeah, so that's it. Says
a lot about me.

Speaker 2 (16:07):
This explains a lot. This actually explains a lot about you.

Speaker 1 (16:11):
Yeah yeah, yeah, yeah, Oh I love it.

Speaker 2 (16:13):
Well, this is a this is a funny, problematic, but
funny premise, and uh yes, Miko is selling it.

Speaker 3 (16:20):
He is, Oh yeah, he's so great because he's just
so obnoxious in this.

Speaker 2 (16:27):
Next, in the living room, Jesse is with the twins,
who are sitting in their chairs with large bibs attached
to them. That's when Becky and Danny come home from work.
Jesse excitedly tells Becky that he taught the boys how
to play catch, and Becky stunned, how can they play catch?
They just learned how to dribble. Jesse believes them to

(16:47):
be natural athletes, and he proves it by throwing two
velcrow balls onto their velcrow bibs. When the twins catch them,
he brags to Becky and Danny, these kids are headed
to the big leagues. Danny jokes, yeah, as long as
they can wear those bibs. Then Joey comes home from
work with Aaron, Teddy, and Michelle in tow. Aaron immediately

(17:10):
suggests let's play superheroes. Teddy holds out his arms and
announces I'll be Batman, and Aaron says I'll be Superman
while sporting an adorable superhero pose himself. Ko commits man
he's just giving. Michelle chimes in, I'll be the Little Mermaid,

(17:32):
but Aaron tells her that that's not a superhero, that's
a fish.

Speaker 1 (17:37):
Becky steps in. Aaron just calmed down, like Aaron, Aaron,
he's making all the rules. It's like the rules so bossy,
very bossy. So Becky steps in.

Speaker 2 (17:50):
How about if Michelle is wonder Woman and Aaron shakes
his head as he is suddenly picky about these rules.
That's impossible, she doesn't have black hair. Becky shakes her head.
What was I thinking? Teddy asks Michelle if she wants
to play Superman's mother, and Michelle asks, what does Superman's
mother do, Teddy says. She lays out Superman's pajamas, but

(18:14):
Michelle is not impressed.

Speaker 3 (18:17):
No, welcome to the page where your options are.

Speaker 1 (18:21):
Somebody's mother you take. When this was I was like,
oh my god, that's right this.

Speaker 2 (18:30):
Yeah, and it was like the Yeah, your role is
as a helper or a caretaker. You are a mother
or nurse in this episode.

Speaker 1 (18:38):
Yeah.

Speaker 3 (18:39):
I just I was like and again I was like, Aaron, yeah, look,
we gotta break these we got we gotta break the
site here now. But yeah, exactly, but we need you
to to to adjust yourself, right.

Speaker 2 (18:54):
I wish we had met his parents. I don't think
we do meet his parents now.

Speaker 1 (18:57):
I'm curious. I want to meet them. I'm curious what's
going on in So they all go.

Speaker 2 (19:03):
Upstairs to play, and Michelle exercises caution, yelling no running
on the steps.

Speaker 1 (19:08):
You could totally hear.

Speaker 2 (19:09):
Danny's voice that's exactly repeating what he's told her. Next,
Becky takes the twins out of the room, saying, come on,
big leaguers, it's time to hit the showers. Oh, Nicky,
nice drool. You can use that for your spitball, and
Jesse walks over to Joey, who is sitting on the
chair with mister Woodchuck. Jesse asks him, how can't put
the bubbet down?

Speaker 1 (19:30):
Can't? You can't know it's attached to his It's attached
to his arm.

Speaker 2 (19:34):
Jesse asks how to the show go, and Joey admits
the show went great, but my meeting with Strowbridge was
a disaster. He says, I need a sidekick. Jesse thinks
that's a great idea. He can have another adult on
set for some added snappy banter.

Speaker 1 (19:50):
Mister Strowbridge is always suggesting.

Speaker 3 (19:53):
Sidekicks though, ye be yeah, that's right what he's doing
with Joey.

Speaker 1 (19:57):
He's like, you're okay, but.

Speaker 2 (19:59):
You need some bounce off of Yeah, I agree with Strobridge.
Yeah you need I need a co host to bounce
off of. I'm just saying. Joey has a light bulb
moment and uses mister Woodchuck to tap Jesse on the shoulder.
He admits there's only one guy perfect for the job.

Speaker 1 (20:17):
And Jesse asks me.

Speaker 2 (20:19):
Joey says yes, and then the two of them go
back and forth with no and yes, no, yes. Danny
comments from the sidelines, boy can banter get any snappier.
Joey tries to convince Jesse, you could do all the music,
put a band together, be my posse. Jesse cringes, no, no,
I don't want to be some dorky ranger dressed up

(20:40):
like an overgrown cub scout.

Speaker 1 (20:42):
No offense.

Speaker 2 (20:44):
Joey insists he doesn't have to be he can be
somebody macho and rugged. He thinks for a moment before
suggesting lumberjack. Jess, I think this is a great idea, Like,
I love this is one of Joey's best ideas ever.
For sure, you know, Jesse gets to be the little
bay and sidekick guy like on the late night talk shows.
He gets to be a lumber This is brilliant, well done, Joey.

(21:07):
But Jesse pauses and looks off in the distance. I
could live with that. Plus I need the money. Joey
excitedly tells him he can start tomorrow and welcomes him aboard.

Speaker 1 (21:19):
Mister wood. Wow, that was quick.

Speaker 3 (21:21):
I just like again, i'ves just this family is amazing
that they are like.

Speaker 2 (21:26):
I don't have to get approval from the boss.

Speaker 3 (21:28):
No networks now, which is like I trust you, yeah,
you and your wood chuckle pick the right person. It's
just yeah, and I bet they'll live in your house. Well,
it saves on transportation.

Speaker 1 (21:40):
Costs, can carl. Yeah, yes, he.

Speaker 3 (21:42):
At least can drive because Joey has to take the
bus because he can't take the Woodchuck office.

Speaker 1 (21:46):
Yeah, that's right.

Speaker 3 (21:47):
So this is working out for both This work out great,
This is yes, great for both of them. Yeah, uh,
what's happening? Oh yeah, mister Woodchuck gets face to face
with Jesse and says, get it. A board is made
of wood, board, wood.

Speaker 2 (22:04):
It's a wood pun. I got millions of them and
you'll hear them all. Jesse bites mister Woodchuck's nose in response.
As Joey and Jesse exit, mister Woodchuck leans on Jesse's shoulder,
repeating Lumberjack, Jess, Lumberjack Jess. Finally, Jesse asks, knowing, get
that beaver off his shoulder, and mister Woodchuck replies, I'm

(22:24):
not a beaver. Then the phone rings and Danny goes
to answer it, but dj bolts in and tells him
it's for her. She grabs the phone out of his
hands and says, hi, Kimmy. Danny asks why doesn't Kimmy
call you on your own phone, and DJ explains, I
just left Kimmy's house. She knew I wouldn't be upstairs yet.

(22:45):
Then DJ begins to gossip on the phone, but realizes
Danny is still there and asks him for privacy. Danny
sarcastically responds, Oh sure, I'll just go hide in the
hamper for a while, and then he leaves. DJ continues
to tell Kimmy, You'll never guess what I heard from
Kathy Santoni.

Speaker 3 (23:05):
Kathy's Antoni back at it again, the center of gossip. Yeah,
she's always in the middle of She's always just like
I heard. Yeah, I love this, Oh boy, Kathy Santoni.

Speaker 2 (23:24):
Meanwhile, in the kitchen, Stephanie has just arrived home from school.
She picks up the phone and realizes it's being used,
but once she overhears DJ gossiping with Kimmy, she decides
to listen in. And you're wearing this adorable sparkly jumpsuits.

Speaker 1 (23:39):
Oh this little jumper.

Speaker 2 (23:42):
Yeah, I look so comfortable, so comfortable like I want to.

Speaker 3 (23:46):
I've seen those same sort of things like come back
like that, very like drop crotch, sort of one piece.

Speaker 1 (23:53):
One thing.

Speaker 2 (23:54):
Those are definitely in style, or at least they were recently.

Speaker 3 (23:57):
So I feel like you had some from that. Was
was that company that you used to.

Speaker 1 (24:01):
Wear all the time. Oh yeah, Carly, Carly Jean.

Speaker 2 (24:03):
They had a bunch of this.

Speaker 1 (24:06):
Yes, that's exactly what I was born.

Speaker 2 (24:08):
Yeah, you were a trendsetter. Stephanie was a trendsetter before
she even knew it.

Speaker 1 (24:14):
Yeah. Yeah, I had a little half and half side
pony there too.

Speaker 2 (24:17):
Yeah you did with your scrunchy yeah. So DJ continues
to tell Kimmy over the phone, there's this rumor going
around that Roxanne is stuffing her braw with two ply
paper towels during lunch today. She spilled juice on her
blouse and it was absorbed like that. Then DJ hears
gum popping through the receiver and gets suspicious to stall.

(24:40):
She asks Kimmy what she's doing this weekend. Kimmy rambles
on about her mom's roller derby championship, and while she does,
DJ peeks her head into the kitchen to find Steph
listening in. DJ comes up with a brilliant plan. She
tells Kimmy, Oh, I just remembered what I wanted to
tell you.

Speaker 1 (24:58):
Then we get a.

Speaker 2 (24:59):
Split screen of DJ in the living room and Stephanie
in the kitchen. DJ says into the phone, you know
how Stephanie's always reading my diary and going through all
my stuff. Steph proudly nods to herself when hearing this,
She doesn't hang up.

Speaker 1 (25:16):
I know.

Speaker 2 (25:18):
DJ continues She's the queen of the sneaks, and Steph
puts a hand over her heart to compliment Stephanie's confidence.

Speaker 1 (25:28):
Oh, keep going.

Speaker 2 (25:30):
Finally, DJ threatens I've come up with the ultimate revenge.
She won't know where, she won't know how, but when
she least expects it, boom. Steph quickly hangs up the
phone in fear of what she just heard. When DJ
sees that she stopped listening, she clarifies to Kimmy that
she only said that stuff to teach Stephanie a lesson. Still,

(25:52):
Kimmy offers her mother's stun gun, but DJ declines.

Speaker 3 (25:57):
Thanks, did don't tase your sister? But yeah, a stun
gun is a taser. It just sounds cut when you
say it when it rhymes, yeah, tase your sister.

Speaker 1 (26:06):
Yeah, dazing siblings, It's not guilty.

Speaker 2 (26:08):
Gibblers aren't known for their safety, their safety regulations. So
this was my voice, right, I don't remember doing voiceover work.
I don't did I get paid for this?

Speaker 1 (26:17):
I don't know.

Speaker 3 (26:18):
Like this was No, you didn't get voiceover work. They
just recorded it on set and the microphone or you
went in and did it was like loop.

Speaker 2 (26:24):
Yeah, like I don't remember, I don't even doing that,
So no you didn't.

Speaker 3 (26:28):
It was I mean every time you had to go
do looping or anything like that, you just went to
the sound stage.

Speaker 1 (26:34):
And yeah, yeah I was. I was talking.

Speaker 3 (26:36):
Recording in those big giant sound stages when you would go.
So looping is when you go and you have to
re record some audio. Sometimes you have to match your
lip reading, and sometimes it's like if your back is
turned and they want to add just something in there
to make.

Speaker 1 (26:51):
The scene made more sense.

Speaker 3 (26:53):
We used to record it at at Sony Studios, and
Sony was MGM, so it was these huge sound stages
where they would record like full orchestras back in the
you know, thirties, forties, fifties for music scores, and you
would be like in the corner in this little thing
that had like a bounce, you know on it, so

(27:14):
your your voice didn't go out into the distance, but
you would be in these like gigantic size screening rooms
that were you know, made for full orchestras, just.

Speaker 1 (27:23):
To do these little looping lines.

Speaker 3 (27:25):
And it was I mean it was so cool to
go into these buildings that had been there forever.

Speaker 1 (27:28):
Yeah, oh it was.

Speaker 2 (27:29):
I remember how big the screens were.

Speaker 1 (27:31):
And then when you see yourself like a full size
movie screen. Oh yeah, face like that.

Speaker 2 (27:38):
Yeah, I remember that the beaps, the three beaps to
match the line to your lip movement. Yeah, that's like
embedded in my head.

Speaker 1 (27:46):
Oh yeah.

Speaker 2 (27:46):
I don't feel like we did as much looping in
the fuller days as we did in the full house days,
except for the.

Speaker 3 (27:52):
Total, probably because your audio was a lot better, you know,
I mean you picked up more. I think the problem
with when you had to do looping it was if
if the mic didn't catch you or something.

Speaker 1 (28:01):
And I'm sure the microphones were boom didn't catch you.

Speaker 3 (28:03):
Yeah, I'm sure the microphones are much more sensitive now,
so it's.

Speaker 1 (28:06):
A little bit easier technology unless you have to add stuff. Yeah,
that's right, that's right.

Speaker 2 (28:12):
So next in the kitchen, Stephanie is pacing back and
forth repeating I'm dead, I'm dead. She stops to take
a deep breath and says, oh no. Then DJ comes
up from behind and casually says hey Steph, and Stephanie screams.
When she sees her, DJ innocently asks, what's wrong. You
seem a little tense. Steph slowly walks backward while trying

(28:33):
to maintain her cool. Me. Nope, no tension here, cool
as a cucumber. So DJ offers, want to go up
to my room. We can play that new computer game
I got, Stephanie.

Speaker 1 (28:44):
Whenever a sibling says that you're in trouble.

Speaker 2 (28:47):
She's volunteering to spend time with you.

Speaker 3 (28:49):
Right eighty times, Zobeie like, hey, Bee, you want to
I was like, it's a trap.

Speaker 1 (28:53):
It's a trap. Don't fall for it. Don't fall for it,
And they.

Speaker 2 (28:56):
Fall for it every time Steph is not. She hesitates
your room alone. No witnesses, I don't think so DJ shrugs, Okay,
I'll get I mean, I'll catch you later, and Stephanie
says aloud, I'm doomed. Next, in the girl's room, Aaron
and Teddy are running around the room with towel capes on,

(29:17):
pretending to be Superman and Batman. Michelle is at her
play kitchen when she calls out, Superman, Batman, your breakfast
is ready. Michelle doesn't seem too happy about this, like
she's just sort of going through the motions.

Speaker 1 (29:31):
I don't think she's excited about this role as the cook.

Speaker 3 (29:35):
I mean, I you know, she's She's like, I could
make scrambled eggs and also be wonder woman multitasking.

Speaker 2 (29:44):
We are very good at multitasking.

Speaker 1 (29:47):
Yeah.

Speaker 2 (29:47):
So Teddy walks over and Michelle hands him a plastic plate.

Speaker 1 (29:51):
He says thanks.

Speaker 2 (29:52):
Superman's mother and pretends to eat some pancakes, and then
he shouts, your pancakes are delicious. Aaron throws his hands
up and declares, let's play wrestling now. Teddy walks back
over to him and growls, I'm the ultimate warrior. Aaron
growls back, I'm the macho man. Michelle interrupts with her
hands on her hips. Don't tell me, I'm the macho

(30:14):
Man's mother. Aaron gives her a thumbs up, you got it,
and the boys start to wrestle.

Speaker 1 (30:21):
And then Michelle kicks Aaron out of the house.

Speaker 2 (30:26):
Well, she does get a little tougher. She tells them to.

Speaker 1 (30:28):
Freeze as yeah, She's like no, no, no, no, no no no.

Speaker 3 (30:31):
So they but also I have to just really quickly say,
this show, this entire show is a reminder though, of how.

Speaker 1 (30:38):
Many of how lacking.

Speaker 3 (30:42):
Female superheroes, female wrestlers like women were represented in these
things to where now like I don't it wouldn't be like, oh,
there's not really any superheroes other than wonder Woman, Like there's.

Speaker 1 (30:54):
So many you know what I mean there?

Speaker 2 (30:55):
Now?

Speaker 1 (30:55):
Yeah? Yeah, yeah.

Speaker 3 (30:56):
It was an interesting episode to kind of go back
to that, like early ninety saying be like, oh yeah,
there weren't there were wonderful Yeah, well look I'd love
me she Bomb. But I wanted to be She's.

Speaker 1 (31:11):
For Halloween next year. You can be Shera right.

Speaker 3 (31:13):
I was so mad when Netflix did that Sheira cartoon,
and I was like, I wanted to.

Speaker 1 (31:18):
Be the voice. Oh you should have been Princess of Power. Oh,
I told Teddy, I missed opportunity. Darn it.

Speaker 2 (31:25):
So Michelle tells the boys freeze. They do as they're told,
and she continues, it's my room, and I say, we
play house.

Speaker 1 (31:33):
Good.

Speaker 2 (31:33):
Michelle set a boundary. It's your room, it's your house. Yes,
you tell them what you're doing. That's exactly the way
to do it.

Speaker 1 (31:40):
Teddy is all in.

Speaker 2 (31:41):
He loves playing house, but Aaron rejects the idea because
playing house is for girls.

Speaker 1 (31:49):
This Aaron, Aaron, Aaron, Aaron in a house.

Speaker 2 (31:57):
His parents Like, what are his parents?

Speaker 1 (31:59):
Like, there's parents.

Speaker 3 (32:01):
Because he's always kind of been this kid, pre school everything.

Speaker 1 (32:03):
He's just kind of yeah, he's been.

Speaker 2 (32:05):
He's the pincher, he's the non sharer.

Speaker 1 (32:08):
Like, yeah he's that, right, is that? Yeah? Well we
know how those kids.

Speaker 2 (32:13):
So this causes Teddy to backtrack and he says, I
hate playing house, Teddy. I know, you know, Teddy, Teddy
is a people pleaser. You know, he loves Michelle, but
he doesn't want to be awesome. He doesn't want to Aaron,
I get his but I get that he's too young
to like really know how to have the confidence to
stand up for yourself.

Speaker 3 (32:33):
So right, and as my mom would always say, three
playing is a bad number?

Speaker 1 (32:39):
Really is Janice is?

Speaker 3 (32:40):
So I remember my mom would be like, if I
wanted to invite two friends over, she would.

Speaker 1 (32:46):
Be like, no, I.

Speaker 3 (32:48):
Think you should invite you, especially when she knew.

Speaker 1 (32:50):
The two she was like, no, you guys are it's
it's not going to go well. Yep, And I remember.

Speaker 3 (32:55):
Seeing it with my kids, you like, there's always two
that are closer and a line and one feels left out,
and then it's all.

Speaker 1 (33:01):
Always a third wheel.

Speaker 2 (33:02):
Yeah, all of awkward number revolved when there were three
three friends and then one.

Speaker 1 (33:08):
Help left out. That was all that's always the source
of all the fight. Yes, yes, yes.

Speaker 2 (33:12):
There's a terrible number.

Speaker 1 (33:13):
You needed to add one more.

Speaker 4 (33:17):
So.

Speaker 2 (33:18):
Aaron suggests, let's play guns.

Speaker 3 (33:21):
Pretty sure you couldn't say that on me now as
a child.

Speaker 1 (33:25):
Yeah, because it's not funny.

Speaker 2 (33:27):
It's not funny anymore, not that it ever was, but well,
Michelle stops him to reiterate that they are playing house.
Aaron responds, Okay, let's play house and blow it up
with our guns.

Speaker 3 (33:39):
God, I know who this kid's gonna be.

Speaker 1 (33:44):
Just I can see it. I can see it.

Speaker 2 (33:48):
Everybody knows somebody like this.

Speaker 3 (33:50):
You know, I have seen who this like.

Speaker 1 (33:56):
Misogynistic guns runing person. Because I'm just kidding everyone, I'm
not picky. Everyone relaxed.

Speaker 3 (34:03):
You gotta admit Aaron's being kind of again.

Speaker 2 (34:08):
I blame his parents, not Aaron but telling if it
was this would bother me a lot more, probably, But
if it's mik and he's so good, I love him.

Speaker 3 (34:17):
He's so good and playing this little Yeah he is, Yeah,
he's a little. He just is.

Speaker 1 (34:22):
So.

Speaker 2 (34:22):
He grabbed one of Michelle's dolls and pretends it's a gun,
firing it all over the room, but Michelle grabs it
out of his hands and argues, baby love button is
not a gun. Aaron walks over to Teddy and puts
a hand on his shoulder. Teddy, you should come over
to my house. I have phasers. Teddy likes the idea,
but he asks, what about Michelle?

Speaker 1 (34:44):
I love Teddy. Teddy is just so good friend, trying.

Speaker 3 (34:47):
To be like wait this, and what are fasers like
lazers like.

Speaker 1 (34:57):
A ard be like I have?

Speaker 3 (35:00):
They live, they live and their stun guns and ostriches, and.

Speaker 1 (35:06):
Yeah they probably are good. Their parents are good friends
with Aaron's.

Speaker 2 (35:09):
Parents, right, they all get along very well, they do. Yeah,
so Aaron threatens, if you play with her, I'll tell
the whole school that you're a girl lover.

Speaker 1 (35:22):
Teddy doesn't want that.

Speaker 2 (35:23):
He looks at Michelle and sadly tells her sorry, Oh, Teddy.

Speaker 1 (35:28):
Michelle mirror's that same sad look at him. I know poor,
I know, poor Michelle, poor Teddy.

Speaker 2 (35:35):
Poor everyone except for except for Aaron. But Teddy doesn't
want that. He looks at Michelle and sadly tells her, oh, no,
I said that already. Meanwhile, Aaron praises Teddy, way to go,
come on, let's go be men, and they walk out growling.
Michelle looks at the ground and says, I lost my
best friend. We'll we hear some sad music, sad sad music.

Speaker 1 (36:00):
I just feel.

Speaker 2 (36:01):
Bad for Michelle. I feel bad for Teddy though, because
he is literally in the middle of this. You know,
he's got an internal struggle.

Speaker 3 (36:08):
I am just surprised though, that these what are they
kindergarteners now?

Speaker 1 (36:12):
I think so that these kindergarteners.

Speaker 3 (36:14):
Are like, hey, we're out, We're gonna go call a cab.

Speaker 1 (36:17):
See you later. Get Laren's house, right yeah?

Speaker 3 (36:22):
Are they going downstairs to call mom and be like hey,
we're Like it just was such a I was like, oh, yeah,
usually we're out a parent coming and saying okay, cui
five more minutes till Teddy's you gotta go right right, No.

Speaker 2 (36:35):
They unilaterally are and we we're out.

Speaker 1 (36:38):
Yeah, we out.

Speaker 2 (36:41):
So meanwhile in the living room, Joey and Jesse are
going over Lumberjack Jess's news script, which relies on Jesse
being fun and magical. And I did a double take
seeing the guys holding their scripts because I was like, wait.

Speaker 1 (36:57):
They had their game was probably their strips. Absolutely, I
would have I would have absolutely written.

Speaker 3 (37:05):
Every time I had a paper in my hand, I
was like, here's my.

Speaker 1 (37:07):
Line clipboard of fun. Write your lines on it.

Speaker 3 (37:12):
Yeah.

Speaker 2 (37:14):
So Jesse plasters a fake smile on his face to
read the script, but after one line, he compares himself
to Tinkerbell, so Joey gives him another adjective to embody.
This time he should try being fun, magical, and manly.
Jesse questions what Joey would know about being manly, considering
he still wears foot sea pajamas, and Joey defends his

(37:37):
cold feet and says that doesn't make him any less
of a man.

Speaker 3 (37:41):
Exactly, joe you wear shit, you wear those Jesse, you
and Aaron need to go just sit down for a minute.

Speaker 2 (37:50):
I wish I had seen a scene seen a scene
between Jesse and Aaron, like that's like, let's.

Speaker 1 (37:56):
That's what I well that Oh where'd you go? Hold on?
I just got no he knew I clicked. I don't
know what I did.

Speaker 3 (38:04):
My computer updated and I clicked something and then you
like went your hold.

Speaker 1 (38:07):
The whole screen went away, and.

Speaker 3 (38:08):
I was like, ah, I couldn't he needed a break up?

Speaker 1 (38:12):
Yeah?

Speaker 3 (38:12):
I was like enough, yeah, no I I I uh.
Jesse and Aaron I thought that was gonna be the thing?

Speaker 1 (38:19):
Was it?

Speaker 3 (38:19):
Maybe Jesse saw that like he was trying to be
over it, and then so I was like, oh, yeah,
maybe that's I don't.

Speaker 2 (38:25):
Know, that's that's not where this lesson went.

Speaker 3 (38:27):
And I feel like Nick Enselis and Aaron's parents are
have a lot.

Speaker 1 (38:37):
There's some stuff in common there.

Speaker 3 (38:38):
They're tight ver old school ideas, you know, very yep, yeah, yeah,
they're cut from.

Speaker 1 (38:43):
The same close. There's a lot of Yeah, there's a
lot going on.

Speaker 2 (38:45):
So Jesse clarifies it's not the foot sees it's the
little trap door in the back with the missing button.
So is suggesting that you could see Dave's button because
the trap door doesn't have a button to But I
don't know, thinking too much about it.

Speaker 1 (39:00):
It's there, Well, there's there's usually two buttons, right, so
there's one hanging it's just one? Yeah like that?

Speaker 3 (39:07):
Like, yeah, I don't know if they don't want copper tone, baby,
that's what I'm too much about.

Speaker 1 (39:11):
But so what's not?

Speaker 3 (39:15):
So?

Speaker 2 (39:15):
Then fine, yes, gratefully yes. Michelle walks in looking extra somber.
She asks the guys if she can hang out with
them since her friends went home. Jesse and Joey are
more than happy to have her of course. Joey even
mentions that Lumberjack Jess is learning to become a real man,
and suddenly Michelle lights up. You can learn how to

(39:36):
be a man.

Speaker 1 (39:36):
I gotta see this. Yeah, So Jesse takes.

Speaker 2 (39:40):
The challenge and channels his inner manly man. He spits
on his hands before running them through his hair and says,
in a fake deep voice, Hi, I'm Lumberjack Jess. I
walk with a manly swagger because I have a manly job.

Speaker 1 (39:54):
Why did you spit on your hair? Why would you
do that? Is that what men do?

Speaker 3 (40:00):
Do? They?

Speaker 1 (40:00):
I know, they like they'll spit on the ground, but
do they spin in their hands?

Speaker 2 (40:03):
And then anyway, has that ever been a thing like
maybe that's was it a thing?

Speaker 1 (40:08):
I don't I don't know.

Speaker 2 (40:09):
That's just this was there a especially Jesse, like you'd
think only like the right, only the hair products could
touch his hair.

Speaker 3 (40:16):
But spit, well, I know he didn't actually spit, but
like I guess, I don't know.

Speaker 2 (40:19):
Was that it's just a man that's Jesse's interpretation of
manly spit, spit on your hands, hands, through your hair.

Speaker 1 (40:28):
I don't know. Well, that's it's a low bar.

Speaker 2 (40:31):
And then he shows them how he pulls up his
manly pants and scratches his manly scratch. You can see
Dave's trying not to break in this.

Speaker 3 (40:41):
Right's watching Dave's face was like, I was like, he
this took so long to probably.

Speaker 2 (40:47):
Get manly scratch. Like that went a totally different direction
that I was expecting.

Speaker 1 (40:52):
So right, it's not wrong though, No, they're not wrong.
They're not wrong. Always some scratching. Hey, they're apparently very itchy.

Speaker 2 (40:59):
I don't don't know why there's a Yeah, I I
could go off on a tangent on this.

Speaker 1 (41:04):
I won't. I could too, but I'm.

Speaker 3 (41:05):
Just saying, and I think everyone listening out there would
agree there.

Speaker 1 (41:08):
Is a there's a lot of scratching.

Speaker 2 (41:09):
Well, Michael would say, it's asting, it's not scratching. You
have to like theres you adjust your boobs and a
bra something like. That's what men are doing. Yes, I
want to know why why singer like singers, performers, new kids,
why don't they always grab their crotches to like emphasize
a note, like what is that?

Speaker 1 (41:28):
Is that just a thing? Have you ever? Have you ever?

Speaker 3 (41:31):
You know?

Speaker 1 (41:31):
I think if you grab certain things, your voice gets hired.
So it's yeah, it's a thing, you.

Speaker 3 (41:40):
Know, it's it's why uh you know back in the
day eunuchs made great choir boys. You know, it's you
squeeze them. It's yeah, that's what it does.

Speaker 1 (41:50):
So it's a it's a technique. It's a singing technique.

Speaker 2 (41:53):
Okay, yeah, yeah, this explains everything.

Speaker 1 (41:56):
That's exactly.

Speaker 3 (41:57):
But do you think Michael Jackson's voice was naturally.

Speaker 1 (42:00):
No, he just he just yeah, yep.

Speaker 2 (42:08):
I will never look at new kids the same. This
is amazing today.

Speaker 3 (42:16):
Things every time joe does it now you'll be like, ah, I.

Speaker 1 (42:21):
Know what you're doing. What you're doing.

Speaker 2 (42:24):
Jesse gives Joey a manly punch to greet him and
follows it up with a terrifying fake laugh.

Speaker 1 (42:30):
Yeah.

Speaker 2 (42:31):
Michelle is just watching all of this with fascination and
asks what makes boys different than girls. The guys stammer
as they try to figure out how to explain that
to a five year old.

Speaker 1 (42:43):
They talk about birds, bees, the flowers.

Speaker 2 (42:46):
Finally, Joey just throws all of the responsibility onto Jesse.
He takes a seat next to Michelle and begins to
describe boys get to lead when you dance, Boys can
grow a little mustache. The best part is at a
concert or a ballgame, the line at the men's room
are so much shorter. Yes, that that is really He's
got a point just with this last thing about the

(43:07):
shorter lines. I tried to go at the New Kids
concert a few weeks ago. Women's lines were so long,
and I will try to go into the men's room
and the attendant wouldn't let me.

Speaker 3 (43:15):
He's like, no, guess what, You're either gonna let me
or I'm gonna appeel over you right now.

Speaker 1 (43:21):
Take your choice.

Speaker 3 (43:23):
Some what I've seen at some concerts that are very
female heavy, like New Kids and stuff like that, they
will shut down some of the men's room and and
turn them into women's restrooms because they know that there's
going to be an outsized number of women that would
have been nice.

Speaker 1 (43:39):
The men will need considerably less. Yeah.

Speaker 2 (43:42):
Yeah, there's like what five men in the audience, Like
they can get by with one bathroom.

Speaker 1 (43:46):
They're gonna be.

Speaker 2 (43:47):
They're fine, Like one urinal that's all they need. Rest
of us, we need toilets of people.

Speaker 1 (43:53):
Yeah, it's not This is not pretty.

Speaker 2 (43:56):
So Michelle admits that being a boy sounds like fun,
and Jesse agreed. He asks if that answers her question,
and she nods, yes, it does, and then he lets
out the biggest sigh of relief.

Speaker 1 (44:08):
Yeah. I didn't have to get into the details. I don't know.

Speaker 2 (44:11):
Yeah, were they they they must have assumed that Michelle
was talking about like the physical differences between boys and girls.

Speaker 1 (44:17):
They were like, what makes boys and girls different?

Speaker 2 (44:19):
You're like, oh, well, and she's talking about societal traits,
you know, like personality traits, right, Well.

Speaker 3 (44:25):
I think, yeah, I mean I think really what I
got out of is like, well, really, what's the difference
between boys and girls? Is at base sort of the genitalia,
I guess, you know what I mean? Like, other than that,
like hormonal whatever, but they were going there because that's
really the biggest difference. And Michelle was just like, what's
the what's what's steal? What's the wrestling thing?

Speaker 1 (44:45):
You guys?

Speaker 2 (44:46):
Yeah, why can't I play superheroes with the boys?

Speaker 1 (44:48):
That's that's basically right. And he was like, how do
we explain.

Speaker 3 (44:53):
Uh, you know, yeah, reproduction, you know what was a
missed opportunity here having mik walk in and say boys
have a penis, girls have a vagina.

Speaker 1 (45:05):
I don't care.

Speaker 2 (45:06):
Maybe kindergarten cop hadn't come out yet, maybe, but.

Speaker 3 (45:09):
No, I think it, or maybe not at this time.

Speaker 1 (45:12):
But he was. He was on it soon and then
I think came back on the show.

Speaker 2 (45:15):
I would have been legendary. Just Aaron just walks through,
says the line on the crash and then.

Speaker 3 (45:20):
Keep this a littlert. I think he was a little
ert maybe or was yeah, I don't know. Anyway, he
just said that and walked out.

Speaker 1 (45:27):
That would have been just chef's kiss.

Speaker 2 (45:29):
Let's go back and reshoot it right now.

Speaker 1 (45:31):
He's not wrong. It's not wrong. Boys have a penis,
girls I.

Speaker 3 (45:34):
Have a vagina, and and sometimes that's you know, I
just it's funny to me, like, how on here You're like, oh,
there's so many times when I'm.

Speaker 1 (45:41):
Like, well, that's not true. Well, it can be like
I want to sell Michelle like you don't. It's okay.

Speaker 2 (45:48):
You don't have to fit into a box. You don't
need a label you need to fit into a box.

Speaker 1 (45:51):
There's a spectrum.

Speaker 3 (45:53):
Jenny is a spectrum and is very much again like
this is kind of one of those amps are really.

Speaker 1 (46:00):
Yeah, it's learned. You're taught like, oh, boys do this.

Speaker 3 (46:04):
Girls do this, And it's kind of an interesting episode
where you're like, that's this an that's not the case exactly. Oh,
and Maddie says, Kindergarten Cop came out in nineteen ninety,
so it was already out.

Speaker 2 (46:15):
This was a missed opportunity.

Speaker 3 (46:17):
Yeah, gotta say, I'm sure it crossed the minds of
the writers, and I'm sure that someone in the writer's
room went, we can't say that on ABC.

Speaker 1 (46:23):
Oh yeah, that's right. They could. Yes, that's true.

Speaker 2 (46:25):
ABC would have been like nod, be.

Speaker 3 (46:27):
Like no, dear God, the correct anatomical reference though.

Speaker 2 (46:40):
So next in the kitchen, Steph is setting the table
when DJ walks up behind her, Steph screams at her
once again, and DJ casually mentions I have something for you.
Terror fills Steph's eyes as she responds, I don't want it.
DJ gives it to her anyway, but Steph cowers in
fear before she can even see the gift. To her surprise,

(47:01):
it's a harmless brownie. In fact, it's a double fudge
chocolate homemade brownie, her favorite.

Speaker 1 (47:08):
It's definitely laced placed with something.

Speaker 2 (47:11):
DJ says she baked it herself.

Speaker 1 (47:14):
Nice, step you shoed, Steph. You don't know what's in
that brownie.

Speaker 2 (47:20):
Stephanie asks you want me to eat that? And DJ nods,
so Steph continues to ask, you mean chew it up
and swallow it and have to go through my and
have it go through my blood stream. DJ insists that
she try it, so Steph finally takes it from her
and says, thank you. I'll just take this non poisonous
brownie and throw it out into the backyard.

Speaker 1 (47:43):
And you just you don't go see me coming.

Speaker 3 (47:46):
Yeah.

Speaker 2 (47:48):
She chucks the brownie out the door and gets serious
with DJ. I know you're out to get me. DJ
plays dumb, so Stephanie admits I listened in on your
phone call. DJ pretends to be shocked, asking Steph what
she heard. Stephanie responds, your evil plot, but it's gonna
take more than a brownie to do me in. DJ smirks,

(48:11):
I already did you in and Steph pauses for a
moment before asking huh. DJ reveals her ploy to drive
Stephanie crazy, and Steph admits, well, it just so happens.

Speaker 1 (48:23):
It worked.

Speaker 2 (48:25):
DJ asks if she learned her lesson, and she nods,
your personal life is your own business and I'll never
listen in on your phone calls again. DJ happily walks away,
and Steph mutters under her breath, I'll just read about
it in your diary and DJ asks what and stuff
pretends and she said nothing, nothing I got.

Speaker 1 (48:45):
I love how they get the just through something.

Speaker 3 (48:49):
To have the older sibling be like, oh, I'm not
actually gonna do anything. I'm just gonna make you think
I'm gonna do something.

Speaker 1 (48:55):
It's brilliant. What a what a relief though.

Speaker 3 (48:57):
Instead of actually being like no, no, no, I'm gonna yeah, yeah, yeah.

Speaker 1 (49:03):
Just the thread of it.

Speaker 3 (49:04):
Like making a brownie and it's just made with like
all salt or something you know what I mean, like
that would be that.

Speaker 2 (49:10):
Would be the thing that would I feel like, Yeah,
just subtle torture, subtle love it. Next, in the living room,
Teddy and Aaron walk in carrying big toy guns. Danny
calls out to Michelle, telling her that her friends are here,
and Aaron asks Teddy why are we here?

Speaker 1 (49:30):
Teddy explain, did you guys drive here? Where are the parents?

Speaker 2 (49:36):
There's parents saying thanks, there's no there's nothing.

Speaker 3 (49:41):
Like out of the car go and one kid's like, wait,
why were we?

Speaker 4 (49:45):
Yeah?

Speaker 1 (49:45):
I don't even know where you're going. Well, I mean
he probably is, like I just got in the cab
when Teddy rolled up and was like get in. We're
you know, getting stupid. We're going somewhere, and like.

Speaker 2 (49:54):
That's the self reliance of these kinder.

Speaker 1 (49:57):
We're going to Michelle's house.

Speaker 2 (49:58):
Yeah, riding the hor This is right up the front stoop.

Speaker 1 (50:01):
That's all right. Yeah, they barked him outside.

Speaker 2 (50:05):
So Teddy explains Michelle said she had a big surprise
for us, and Aaron responds in a sassy tone, it
better be good. Then we see Michelle walking down the stairs.
She's wearing a biker outfit and a backwards baseball hat
with her hair tucked into it. She even has a
neon toy gun strapped to her. She thumps over to

(50:28):
the boys and greets them in a deep voice, Hey teddy,
yo erin, and then she lets out a deep fake laugh,
mimicking Jesse.

Speaker 1 (50:35):
Ah sounded like she was being strangled some names, alarming.
Tanny is amused.

Speaker 3 (50:43):
Also, can I say, though, I'm so glad that finally
the leather jacket that Jesse bought her is coming in
handy yea for once.

Speaker 2 (50:52):
That's you know, it's the reciting Yes, but it's a
cute bit.

Speaker 1 (50:56):
You know, it's been a few years. No, it's very cute.
It's very cute.

Speaker 3 (50:59):
But I'm I'm like, thank god you got the leather jacket.

Speaker 2 (51:02):
See, yeah, that was good. The wardrobe they got to
reuse that and save somebody that week, so excellent. Danny
is amused, and he asks his daughter, what are you doing?
She responds, I'm a boy now, and she lifts up
her pants, mimicking Uncle Jesse once again. She tells the
boys they should play guns, and they happily agree. Danny

(51:25):
watches with concern as Michelle tells her friends last one
up the stairs is a girl and the kids run away.

Speaker 1 (51:34):
Oh the internalized misogyny, Well there's that.

Speaker 2 (51:38):
Yeah, there's there's playing with guns, like, there's a lot of.

Speaker 1 (51:44):
Right, well, there's just.

Speaker 3 (51:45):
A lot of things that now you're like the world
is yeah.

Speaker 2 (51:49):
Yeah, yeah, this hits differently in twenty twenty five.

Speaker 1 (51:52):
Twenty yeah, yeah, it certainly does.

Speaker 2 (51:56):
So Becky almost gets taken down by the kids running
up the stage, and she laughs and asks Danny what's
going on. He tells her Michelle said, Michelle just said
she's a boy, and Becky shrugs it off.

Speaker 1 (52:10):
Don't worry.

Speaker 2 (52:10):
When I was Michelle's age, I was a real tom boy.
Didn't you ever go through a phase like that? Danny
smiles as he recalls one Halloween, I actually wanted to
be Julie Andrews.

Speaker 1 (52:22):
Becky doesn't.

Speaker 2 (52:23):
Beggy stares at him in shock, and he certainly says
that doesn't leave this room. I love Julie Andrews. She
was great, Julia. I've always wanted to be Mary Poppins
for Halloween.

Speaker 1 (52:34):
So yeah, right, maybe he was Mary Poppins. There's so
many different like outfits you could choose.

Speaker 3 (52:39):
It's so great sound of music oh yeah, good choice, Danny. Yeah,
great choice, Danny. And also, you know, calm down, you
live in San Francisco.

Speaker 1 (52:49):
That's okay. You're gonna this is you'll blend don't. Don't
be concerned. You're okay, it's fine, everything's fine. You'll blend in,
just fine.

Speaker 3 (52:57):
Yeah.

Speaker 1 (52:57):
Yeah.

Speaker 2 (52:57):
Next, in the girls room, the boys are playing with
their toy guns, yelling bang bang bang.

Speaker 1 (53:03):
Teddy gets shot by.

Speaker 2 (53:04):
Erin and dramatically grabs his chest before face planting onto
the bed. Michelle rushes to his aid and asks if
he's all right. Aaron frowns and asks, what are you doing.
Michelle explains, I'm being a nurse. This man has a
serious awi. Aaron narrows his eyes. I thought you said
you were a boy. Michelle counters, So a boy can

(53:27):
be a nurse.

Speaker 1 (53:30):
Exactly, Michelle.

Speaker 2 (53:31):
Oh, Michelle. I don't know where she picks this up,
where she learned this from, but I am proud of her.

Speaker 1 (53:36):
Yes, exactly, a boy could be a nurse. Yeah. Also,
your friend got shot, man, you gotta go deal with it.
You have a heart, you know, That's what he's like.
Oh you're a boy, you can't care. No, dude, no,
feelings remained. See how we got here? Just at right?

Speaker 4 (53:54):
Yeah?

Speaker 1 (53:54):
Yeah.

Speaker 2 (53:56):
So Aaron looks at Michelle in disgust and he tells
Teddy let's get out of here. She's not a real boy.
Teddy quickly gets up and nods, I guess you're right,
and he turns to Michelle and tells her nice try Eddy.
You know Teddy's just being brainwashed by Aaron. This is

(54:16):
this is how it goes.

Speaker 1 (54:18):
This is this is what happens.

Speaker 2 (54:20):
Then Danny walks into the room and asks how everybody's doing.
The boys circle him and shoot him relentlessly with their guns,
yelling get the giant. Danny smugly responds, lucky for me,
I just sprayed myself with my anti ray gun repellent.
Aaron looks at Teddy and admits you were right. He
is strange and they walk.

Speaker 1 (54:42):
Out again to their to their car.

Speaker 3 (54:47):
And he's like, yeah, I want to get some beers
on the way home. Yeah, let's get a beer, bro Yeah.

Speaker 2 (54:54):
Danny turns to Michelle and apologizes for breaking up their game,
but Michelle just says, I'm a crummy boy. Danny responds,
that's because you're a girl. Why are you trying to
be a boy, Michelle admits, because Teddy doesn't want to
play with girls anymore. Realization hits and Danny takes a
seat next to her. He explains, I know you feel

(55:17):
bad about this, but you've got to understand that Teddy
is just going through a stage right now, Michelle, I
didn't love this.

Speaker 1 (55:25):
Oh really that.

Speaker 3 (55:26):
He's going through a stage. It kind of feels like
letting his exclusionary behavior kind of off the hook and
telling Michelle, like, you need to understand that, like boys
are just not gonna like it sometimes that's.

Speaker 1 (55:42):
His boys are.

Speaker 2 (55:43):
Yeah.

Speaker 1 (55:43):
It feels a little bit like that instead of being like,
there is you know what that's not true? Yeah that
is you or you know what I mean. I feel
like it's he does sort of do that, but like
you know, I don't like the stage.

Speaker 3 (55:56):
Oh, don't worry about it. The boys are gonna want
to play with you all the time of it. Like
it know, right, I just feel like it's sort of
it's like that boys.

Speaker 1 (56:03):
Will be boys.

Speaker 3 (56:04):
Oh, it's just the thing they go through. They don't
have to like you right now, and you're like, we
just discard discarding Actually kind of they were kind of
mean and rude and like, that's.

Speaker 1 (56:13):
Not okay, it's not okay. No, you definitely have a point.

Speaker 2 (56:16):
I think for Aaron, absolutely, this is not a stage
for Aaron, Like, this is deep, this is arisogynya, this
is Aaron.

Speaker 1 (56:24):
For the rest of his life.

Speaker 2 (56:25):
Teddy, I could argue it's a stage for Teddy because
he's just he's trying.

Speaker 1 (56:29):
To hear, he's trying to people. Please. This might not
be a stage. This might become please. He might not
be a stage.

Speaker 3 (56:35):
It was more so that I just felt like Danny
was weirdly dismissive of Michelle feeling like left out. Yeah, yeah,
just saying it was more being gendered rather than being excluded.

Speaker 1 (56:49):
Yeah, I can see that.

Speaker 2 (56:51):
I can absolutely see that it was not the best
Danny talk, but you know, it makes for a funny
joke later.

Speaker 1 (56:58):
So I mean it was.

Speaker 3 (57:00):
Yes.

Speaker 2 (57:02):
So Danny explains to Michelle a stage is when you
go through something and then eventually you grow out of it,
and he provides an example. You once went through a
stage where you didn't like chocolate cake. Michelle gasps at
the mere thought and says, no way. Danny continues, it
only lasted ten minutes, but you get the idea. Right now,
Teddy's going through his I don't want to play with

(57:24):
girls stage. Michelle sighs, I don't like this stage, but
Danny assures her, before you know it, all the boys
are going to want to play with you all the time.
He frowns and mentions, that's when I'll go through my
keep away from my daughter stage. Michelle shrugs, I just
want my best friend back.

Speaker 1 (57:44):
See, when it.

Speaker 2 (57:45):
Boils down to it, Michelle just wants her best friend,
regardless he's a by or a girl, right, So, yeah,
pick the gender out of it. She just wants her
best friend, right.

Speaker 3 (57:53):
She just yeah, I feel like that should have That
was more the prominent thing.

Speaker 2 (57:57):
That was like, yeah, you know, rather than oh, boys
will be boys.

Speaker 1 (58:01):
They'll grow out of it, right right.

Speaker 2 (58:04):
Yeah, So Danny insists if he's really your best friend,
he'll come back around real friends like you.

Speaker 1 (58:12):
For who you are?

Speaker 2 (58:14):
She asks who am I, and Danny grabs her and
sets her on his lap, exclaiming, you are, Michelle Tanner,
you are one terrific person. You're sweet, you're funny, you're friendly,
you're kind. She looks at him and grins. Keep going,
and Danny laughs, I could keep going on forever, and
Michelle happily responds, you always do.

Speaker 3 (58:37):
She's not wrong, She's not wrong. That was That was
that the any moment was very sweet. That was a
sweet moment between Bob and I think it was Ashley.

Speaker 1 (58:47):
Yeah, yeah, Kate. I don't know which one it was,
but I can't remember.

Speaker 3 (58:50):
I can tell him apart, but I don't remember which
one was in that last scene, but it was.

Speaker 1 (58:54):
It was a sweet thing.

Speaker 2 (58:54):
It was a nice little pep talk after she felt
so bad about herself for being a girl. It's nice
that he kind of built up her self esteem a
little bit like Danny Tanner does.

Speaker 1 (59:03):
Yeah.

Speaker 2 (59:04):
Next, at the ranger, Joe taping, Aaron is pushing Teddy
around literally and telling him.

Speaker 1 (59:08):
To sit with the boys.

Speaker 2 (59:10):
Teddy rolls his eyes and responds, okay, don't have a cow.
Then Michelle walks by the two of them with her
head held high.

Speaker 1 (59:18):
Not paying them one ounce of attention. That's that's how
I'll how you do it.

Speaker 2 (59:23):
Yes, that's how you do You don't care yep.

Speaker 1 (59:25):
Don't let again to you. Okay.

Speaker 2 (59:27):
Yeah, Teddy says hi to her, and she formally responds
hello Theodore before walking toward a girl her age and
introducing herself.

Speaker 1 (59:35):
Hi, my name's Michelle. The girl gives her a big.

Speaker 2 (59:39):
Smile and says, my name's Denise. Michelle asks her a
very important question, do you like boys? Denise's face sours, Nah,
boys are gross. Michelle agrees, and the girls turn to
Teddy and Aaron and stick their tongues out at them.
The boys respond by sticking their tongues out too. Joey

(59:59):
has to break them up and reminds them to put
on their happy faces. The stage manager cues them in
and the Ranger Joe theme song begins to play. The
kids sing along at the top of their lungs. Joey
begins the show and reveals the exciting news he's introducing
the kids to his news sidekick, Lumberjack Jess. Jesse appears

(01:00:19):
from a fake tent wearing the goofiest lumberjack outfit you've
ever seen. He has knee high combat boots, a matching
fluffy plaid hat, and plaid flannel and suspenders. The kids
let out a roar of laughter when they catch a
glimpse of him. Jesse gives them a mocking laugh right
back and tells Joey they're laughing because you made me
wear this stupid hat. Joey assures him, they're not laughing

(01:00:42):
at your hat, but Aaron shouts, yes we are, and
the kids all burst into laughter. Aaron like Aaron takes
no prisoner, Like there's nobody nobody's safe from Aaron.

Speaker 1 (01:00:53):
Yeah, dishes, he doesn't care.

Speaker 3 (01:00:56):
He doesn't say what he thinks, although I will say
I remember going into my cousin's house who they lived
in like kind of northern Iowa, and my cousin had
one of those ridiculous hats with the flaps and the thing.

Speaker 1 (01:01:08):
And I was laughing at him.

Speaker 3 (01:01:09):
I was like, oh, that's hat, bro, And he's like, hey,
when it's twenty below and you're outside, you want your
ears covered.

Speaker 1 (01:01:15):
And I was like, hell you look when it's that
it's true. I was like, I didn't think about that. Yeah,
this is not so stupid, it's useful.

Speaker 2 (01:01:22):
But the right weather, it's definitely useful. So the kids
burst into laughter. Joey asks his sidekick if something's wrong,
and Jesse responds, yeah, I feel like a lumber jackass.
He takes the giant hat off and admits I don't
really fit into this enchanted forest thing, and Joey responds, Oh, sure,

(01:01:43):
sure you do. You signed an enchanted contract, and Jesse
nods that's right, and I do need that enchanted paycheck.
So he turns his attention back to the kids and asks,
you want to see the real Lumberjack Jess. He walks
over to a lumberjack band waiting on stage and picks.

Speaker 1 (01:01:59):
Up his guitar.

Speaker 2 (01:02:01):
He tells the kids to get their rumps off those
stumps because they are gonna rock this forest. Jesse and
his band start to play a song about knocking on
wood as the kids dance their hearts out on the stage.

Speaker 1 (01:02:13):
They were dancing.

Speaker 3 (01:02:16):
I love it, like kindergarten when you're like just dance
for all your and they there's some rhythm, but but
it's just rhythm and like, yeah, they're like slam dancing,
you know what I mean. They're like they're just just
ready for a mash pit.

Speaker 2 (01:02:34):
It's the best, you know that they're dancing with their
whole bodies. They are feeling it. They're not insecure about
people looking at them.

Speaker 3 (01:02:42):
There's like they don't care dance there. I'm here to
dance and have a good time.

Speaker 2 (01:02:46):
It is.

Speaker 1 (01:02:46):
That's so cute. I did love that is it?

Speaker 3 (01:02:50):
I do wonder though, I always when they're doing these
little asides about Joe Jesse not wanted to be a
lumberjacket Joe, didn't they start the show?

Speaker 2 (01:02:58):
Yeah, yeah, the audience.

Speaker 3 (01:03:02):
The audience is like waiting for Jesse to figure out
is that he needs his paycheck?

Speaker 1 (01:03:08):
And right it's not.

Speaker 2 (01:03:09):
It was too early for a commercial break, so yeah,
the audience is city Okay.

Speaker 1 (01:03:14):
I just wanted to make sure because nobody.

Speaker 2 (01:03:16):
Yeah, I was like, are we just the world revolves
around the Tanner just wants to hear this fight exactly.

Speaker 1 (01:03:22):
They're like, what's going on?

Speaker 3 (01:03:23):
Right?

Speaker 2 (01:03:24):
It's better than a soap opera. So we're later on,
We're still at the Ranger Joe show and Joey finishes
the show with a joke from mister Woodchuck before queueing
Jesse to take him home. Jesse starts to sing the
Ranger Joe theme song as the kids scream along Ranger Joe,
Ranger Joe. Mister Woodchuck chimes in be back tomorrow with

(01:03:45):
a brand new show, and Jesse and the kids finish
out with a big Ranger Joe. The show wraps and
the kids all get up to leave. Denise grabs Michelle's
hand and they begin to walk out together, but Teddy
stops them. Hey, where are you going? Michelle responds to
play with my new best friend. Then she turns to
her best friend and asks, what's your name?

Speaker 1 (01:04:07):
Again? I do loving kids? Do you that? They're like,
this is my friend? What's your name? Y?

Speaker 2 (01:04:13):
Like?

Speaker 3 (01:04:13):
I get it?

Speaker 2 (01:04:14):
Funny, the girl responds Denise, and Michelle repeats to Teddy, Denise,
and you can't play with us. Teddy sadly asks why not,
and Michelle explains because you are going through a stage.
Teddy is shocked, I am, and Michelle points out you
just want to play with the boys, but Teddy insists, no,

(01:04:36):
I don't. Aaron's too bossy. So Michelle asks for real, Teddy?

Speaker 1 (01:04:40):
For real? Yes?

Speaker 2 (01:04:41):
Like yes, Teddy, you need to catch on to this.

Speaker 3 (01:04:44):
Teddy, Yeah, yeah, those don't. It's not yeah unless it's
you're not gonna want it. I feel like you two
are going to wind up on very opposite sides of
the spectrum.

Speaker 1 (01:04:54):
Teddy in aeron absolutely yes, y yes.

Speaker 2 (01:04:57):
So Michelle asks do you want to be my best
friend again? And Teddy nods, I really do. Michelle exclaims, yay,
the stage is over. Teddy runs over to the girls
and grabs each of their hands. He suggests, let's go
to my house, and they begin to walk out together,
but then Aaron runs up to them and shouts, Teddy,

(01:05:18):
are you a girl lover? And he responds yep, and he, Michelle,
and Denise all wave at Aaron in unison as Teddy
announces see ya, bye bye. But before they can leave,
Aaron wonders, hey, can I come too? And Michelle responds, Okay,
we're playing hide and seek. Aaron smiles, Thanks, Michelle, seeon, like.

Speaker 1 (01:05:43):
That wasn't hard, Aaron. Anybody can play.

Speaker 2 (01:05:45):
I'm proud of her. I'm proud of Michelle.

Speaker 3 (01:05:47):
I'm proud of Michelle because she was like, see, I'm
not gonna I'm gonna show you what it feels like,
and then I'm gonna then I'm gonna let you know that, yes,
you can't play.

Speaker 2 (01:05:55):
She did the right thing. She took the high road
and didn't exclude him. Yep, but he's got a taste
of his own medicine that was exactly well handled. Michelle
tells him you hide and will find you, and then
she whispers into Teddy's ear. Maybe she grabs Aaron's hand
and the four of them walk out together and that's
the show.

Speaker 1 (01:06:17):
Yay episode. This is cute. It was cute.

Speaker 3 (01:06:23):
It was yeah, I I Michelle and her little biker
outfit was hilarious. No one plays disgusted better than than Nko.
As a child, Miko Hughes. He could have been discussed
in inside Out.

Speaker 1 (01:06:37):
You know what I mean?

Speaker 2 (01:06:38):
It was that he is the embodiment perfect for that.

Speaker 1 (01:06:41):
Yeah, yeah, I know. The kid's had a heavy load
this week. This was a lot Michelle and his friends
to carry. Yeah, this was a lot for them.

Speaker 3 (01:06:47):
Yeah.

Speaker 1 (01:06:48):
They did great, they did. They did.

Speaker 2 (01:06:50):
The four of them work really well together. So yes, yeah, yeah,
I'm excited to see this. I know that Michelle's friends
appear more in the later season, so I'm very excited
to see where they go.

Speaker 1 (01:07:01):
Yeah. This was and they're a cute little crew. I do.
I do like them good posse. Yeah, yeah, no, this was.
It was a cute one. Did you have any everywhere
you look?

Speaker 2 (01:07:11):
I didn't write any down, so I'm gonna say no,
did you have any?

Speaker 1 (01:07:16):
I did not either. I did not either.

Speaker 3 (01:07:19):
My My only thing that I did notice is Danny's
quite bold choice of tie and shirt?

Speaker 1 (01:07:24):
Oh? What was it?

Speaker 2 (01:07:25):
I don't remember if you.

Speaker 3 (01:07:27):
Go back, so he had it was like either a
striped or sort of a plaid or something shirt like
different like two different colored, like wider stripes if I
remember it. And then is his tie looked almost like
a like a like a still life painting or something
with like big floral things on it.

Speaker 2 (01:07:44):
Oh, yeah, that's of patterns and color.

Speaker 1 (01:07:47):
Yeah it was. It was. I looked at Danny. I
was like, huh, it's a very bold tie.

Speaker 2 (01:07:53):
Roberta had influence on that decision.

Speaker 3 (01:07:56):
I was probably No, it would have been Brian bought
no Bob squar wire.

Speaker 2 (01:08:01):
Oh that's right, yeah, yeah, it feels like a Bob
Squire choice.

Speaker 1 (01:08:05):
Yeah, I think, yeah, yeah. He was always silish like that.

Speaker 3 (01:08:07):
Well yeah, anyway, that was my only note where not
even in everywhere you look, but just the thing where
I was.

Speaker 1 (01:08:12):
Like, huh, oh interesting. Danny's usually a little subdued, but
this felt bold.

Speaker 2 (01:08:17):
And I like this was this was very risky for Danny, Like.

Speaker 1 (01:08:20):
This was a risk.

Speaker 3 (01:08:22):
Well, I don't know where this shirt and tie would
be in the lineup of his you know, clothes, as
we saw in the closet, every very very color code.

Speaker 2 (01:08:30):
Very color coded, very well organized. Yeah, where does it go?

Speaker 3 (01:08:32):
And all very uh bland you know what I mean,
it's only like beige, beige, color neutral colors.

Speaker 1 (01:08:40):
Only he's stepping out, you know what. Maybe it's Vicky.
Oh yeah, Vicky.

Speaker 2 (01:08:45):
Yeah, she's in Chicaga. She's in Chicago though, right?

Speaker 1 (01:08:48):
Oh? No, wait are they she comes back?

Speaker 3 (01:08:51):
No?

Speaker 1 (01:08:51):
I thought she stayed. Did she still didn't? Wasn't long
to just review this, not did she stay or did
she go?

Speaker 3 (01:08:58):
Now?

Speaker 1 (01:08:58):
No, did she an airport.

Speaker 2 (01:09:00):
Moment and then she's stayed stay, But we haven't seen
her since the airport, so in my mind, she'll went
to Chicago.

Speaker 1 (01:09:08):
I thought we'd seen her. Have we seen her since that?

Speaker 2 (01:09:10):
Wow?

Speaker 1 (01:09:11):
I don't know. We're at the end.

Speaker 2 (01:09:12):
We're at the end of the season. So we got
two more episodes to.

Speaker 3 (01:09:14):
Go, two more episodes and then I'm not going to
remember what we did.

Speaker 1 (01:09:18):
This moah, We'll forget this way.

Speaker 2 (01:09:20):
We'll be in Turkey Comas in two days.

Speaker 1 (01:09:22):
Oh my gosh. Yes, uh well, everybody, that's it.

Speaker 3 (01:09:27):
Thank you so much fan Ritos for tuning in again
for our ridiculousness.

Speaker 1 (01:09:32):
Are fun and hopefully our laughter. So we love you
fan rito's.

Speaker 3 (01:09:37):
If you want to find us on Instagram, you can
check us out at how Rude Podcast. Send us emails
at how Rude Tanurito's at gmail dot com. We do
fan question episodes, so make sure and send in your questions.

Speaker 1 (01:09:49):
Whatever you guys got about full house, about us, about
the podcast.

Speaker 2 (01:09:52):
Let us know you guys had some great questions last time, so.

Speaker 1 (01:09:55):
Really good like deep questions. Yeah, things that like we've
no we've never been asked for.

Speaker 2 (01:10:01):
Yeah.

Speaker 1 (01:10:01):
Yeah, a good job. Seriously.

Speaker 3 (01:10:05):
Uh and uh yeah, how redmerch dot com. That is
our merch store with t shirts and fun stuff. Yep,
howd tan Rito's shirts. We've got a property of Stephanie
Tanner's shirts with a big pink funny We've got turtles
and bags on skateboards.

Speaker 1 (01:10:21):
Yeah, so go check that out.

Speaker 3 (01:10:23):
And and I believe that's it. Y'alllso, remember the world
is small. The house is full of errands, just full
of all, just full of little little errands running around
in disgust, making faces at everyone.

Speaker 1 (01:10:42):
Just they're everywhere. This is a house full of those
little works.

Speaker 2 (01:10:46):
It's kids like him that I'm like God blessed teachers
like they really don't get paid enough because I'm dealing
with kids like this.

Speaker 1 (01:10:53):
It's true, And now the house is full of horror.
House is what that is?

Speaker 2 (01:11:00):
Right?

Speaker 3 (01:11:00):
Yeah?

Speaker 1 (01:11:00):
Aaron, take it outside, bro? All right? See that side?
Did you squeeze yourself for that high note? Bye?