Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:19):
Really, I don't want to see myself today. It's so
here's how I got on today's zoom. You guys, as
I just went you remember that book when you were
a kid, Alexander in the Terrible, horrible, no good, very
Bad Day, I was like that, I'm Alexander today, so
uh yeah, yeah, it's every to day. I just woke up.
Speaker 2 (00:37):
On the wrong side. Yeah, it's you need to do
really on.
Speaker 3 (00:40):
The wrong side of the bed. Yeah it was.
Speaker 2 (00:43):
But you didn't break anything. You're not in the er
like this is.
Speaker 1 (00:46):
No, I'm not in the r although I did trip
and spill my coffee all over the patio this money
there's that, which was like just I was like, okay,
I'm going to go outside. I'm in a crap mood.
Let me go for myself some coffee and go sit
out on the patio before it's too and like enjoy
a morning. And as I'm heading out, I trip over
like a two inch step that's there every time I
(01:08):
walk out of the house, trip, spill the coffee everywhere,
almost pour hot coffee on the dog.
Speaker 3 (01:13):
And I was I literally had a tantrum, like you know.
Speaker 1 (01:17):
Like it was either that or I was gonna hurl
the coffee mug at the fence.
Speaker 3 (01:21):
So I was like, let's go with the tanker.
Speaker 2 (01:24):
That's a lot easier to like.
Speaker 3 (01:26):
I just like waved my hands. I'm like stomp my feet.
Speaker 2 (01:29):
It's like, ah, like you don't have the words to
be able to say what you're annoyed at.
Speaker 3 (01:34):
As like a two year old. Yeah, I was like, okay,
this is even.
Speaker 1 (01:38):
The dog came in just once I finally refilled my coffee,
wiped myself off, changed my sweatpants, came sat outside. The
dog was just sitting there looking at me.
Speaker 2 (01:48):
Like, oh no, yeah, she's used to it.
Speaker 1 (01:52):
No, she's I'm usually not in a bad mood I am.
I am very much like spilly.
Speaker 2 (01:58):
Yeah, she's like she's to kind've tripped on your patio doors.
I blame those mosquito.
Speaker 1 (02:03):
It's screen things, the mosquito net things. But the dog
goes in and out, so you got to have the magnetized.
Speaker 2 (02:09):
It's useful, but it is.
Speaker 1 (02:12):
It's you step out of the sliding door and then
there's just like a tiny little like one brick step. Yeah,
that goes off and if you if you miscalculate, you're
going right up.
Speaker 2 (02:23):
If you get tangled in the mosquito door nets. Then
that's just straight.
Speaker 1 (02:28):
It's all bad.
Speaker 2 (02:29):
It's all downhill from here.
Speaker 3 (02:31):
Well, anyway, how are you today? Abe? It's been we've
got a week off. You've had a birthday a year older?
Speaker 2 (02:36):
Do I know?
Speaker 1 (02:37):
I do?
Speaker 2 (02:37):
I look a year older. I don't feel a year
old at all.
Speaker 1 (02:41):
Also important news, Uh, the eagles returned to their nest,
did they not?
Speaker 2 (02:47):
Well, not the baby. The babies are gone, the babies,
but the moment Dad, Jackie and Shadow and they'd.
Speaker 3 (02:51):
Been gone for the Jackie chat, have been gone for
like a weekend. Well when the.
Speaker 2 (02:55):
Fire works, I'm telling you, I really hate fireworks, and
now I used to love it as a kid. Now
I'm just like fire Why are we doing this? It's
just hate everything about it. But yeah, the fireworks scared
off probably all of the wildlife up and right.
Speaker 3 (03:07):
Where do they go? They're like, God, it's everywhere.
Speaker 1 (03:09):
Yeah, it's everywhere.
Speaker 2 (03:10):
So Jackie Shadow came back, so that okay, I'm probably
used to this. They're like, we've been here a few years.
Speaker 3 (03:15):
We get this is the thing again. What is it
that they do every year?
Speaker 2 (03:17):
Yeah? Why do they do? Why are these humans doing.
Why do we have this right? But yeah, between scaring
the wildlife, scaring the dogs, I'm just like what, I
don't leave the house anymore on fourth of July. Now
there's just no.
Speaker 3 (03:30):
There's no reason to. But on the third of July.
Speaker 2 (03:33):
Way it was. I'm so I got my my slip
on shoes. I got see they're not Look how cute
they are. These are durable. They don't look like Grandma.
Speaker 1 (03:45):
Okay for everyone I'm going to describe since where this
is a radio show.
Speaker 3 (03:48):
They actually not terrible. I'm not gonna they're not terrible.
They look like there's little tennis shoes. Yeah, they're cute.
Speaker 1 (03:53):
They're pink and gray, and they've got a little and
the little thing and then you just snat like stuffed
the little heel in there and you see slip them on.
Speaker 2 (04:00):
Yet it's got like a reinforced heel, so you can
just slip them on. Okay, it's got real laces.
Speaker 1 (04:05):
Like this places though, so you don't look like you're
wearing orthotics or orthotics or you know, old people's shoes.
Speaker 3 (04:12):
They're great.
Speaker 2 (04:13):
I'm so happy for anyways.
Speaker 1 (04:14):
Have you have you slid them on and off yet?
Have you been all the time.
Speaker 2 (04:18):
Yes, I haven't even gone. I haven't even gone anywhere.
Speaker 3 (04:20):
And yep, like you need to go at the one
of the plants.
Speaker 2 (04:26):
Yet. Yes, it's exchanged my life. I love it. And
I got my binoculars, which I won't pull those out
because they're they're kind of put away. But yeah, I
got my binocular So I've just been bird watching.
Speaker 1 (04:37):
You exactly what I wish you.
Speaker 2 (04:38):
And yes, I was like, sent me that lovely gift
basket and I was it was perfect, Like that's all
I did. I sat on the patio with all my
snacks that you sent me and just watch all day.
Speaker 1 (04:50):
I'm like this snacks already nine uh and Harry and
Davids snacks are debitious and I, oh my gosh, there's
so good.
Speaker 2 (04:58):
Yeah, Mike, Michael and I.
Speaker 1 (05:00):
Like a seventeen dollars pair, you know what I mean,
Like it's yeah that's wrapped in like gold leaving.
Speaker 2 (05:04):
But they're the best.
Speaker 1 (05:05):
But they're the best pair, the best years. And yeah,
I was like, I said, may you may you be
walking around in your slide off slip on shoes and
a bird watching all day or something.
Speaker 2 (05:17):
Yeah, and that's what I did. I did that exactly.
It was perfect. That was so thoughtful.
Speaker 1 (05:22):
Oh my god, of.
Speaker 3 (05:23):
Course did you go to did you get an ollow
night in?
Speaker 2 (05:27):
She did not know? I know, it was very I
just yeah, there was that. I just strayed from tradition
this year. You know, we just stayed home. It was
just with Holli. She's nearing the end of her life.
Speaker 3 (05:40):
You don't want to.
Speaker 2 (05:40):
I just to spend as much time with her as could.
Speaker 1 (05:42):
She put her in a bag, so not like a
clothes one, like a dog bag, you know, I mean
not like a like a paper bag, but you know,
like like a little dog bag.
Speaker 3 (05:51):
She wouldn't know, Yeah.
Speaker 2 (05:53):
I could she but she gets nerves will she gets
nervous when she's in places she's unfamiliar with because she's blind.
Speaker 1 (05:59):
And yeah, she's probably what she'd be like worthing.
Speaker 2 (06:04):
So I feel like it's just yeah, she would be like, hey,
give me some of those give me some of those fahdas.
So yeah, so no, I mean we'll go to Alo sometimes.
But I was just wondering, we can't go this time. Yeah,
I'll get there, I know regular, but I was just
wondering because it's a birthday to go for my birthday
of it is my cattle. I'm still waiting the cadillact.
(06:25):
Margarita is still wait for me.
Speaker 3 (06:27):
That's all right, but you.
Speaker 2 (06:28):
Gotta drag me off the porch.
Speaker 1 (06:29):
I gotta drag the old lady out of her rocking chair,
get her to slip on her shoes and go for
a walk.
Speaker 2 (06:36):
I'm a little embarrassed though, because like, you're my embarrassed
my neighbor over the shoes. I'm a little no okay,
well no, no, not embarrassed about the shoes at all.
But when I was using the binoculars. So my neighbor, my.
Speaker 1 (06:48):
Neighbors, were you now are you gonna get calls as
like a peeping tom?
Speaker 2 (06:53):
I know? Well my neighbor walked right in my life
of vision, and I'm like, so I just I'm like,
oh my god, he thinks I'm like this peeping Okay,
that was a nice house walking across the driveway.
Speaker 1 (07:07):
Yeah, but he sees it, and I'm like this, you
really are that old lady now next door?
Speaker 3 (07:12):
Like who's the old lady with the binoculars?
Speaker 2 (07:14):
Just you know, well, And then a few hours later
I went to my backyard because I'm like, maybe i'll
see birds out here. He walked by again.
Speaker 1 (07:22):
To get the coop where the cock is, yet again
turning everything.
Speaker 3 (07:26):
No, I don't.
Speaker 1 (07:30):
I don't think it's weird though if you were, if
if he walked by his bedroom window and you were
pointed there, that would be odd.
Speaker 2 (07:38):
Okay, No, no, no, you know what I mean, unless.
Speaker 1 (07:41):
There were a bird perch directly outside of it outdoors.
Speaker 2 (07:44):
But I think that, you know, okay. I never said
I can't see your final all just like that yard,
and I mean you could just yell out.
Speaker 1 (07:53):
It was still just look side not you don't be weird, right,
I don't. Does that make it worse? I don't know.
Speaker 2 (08:02):
That just looks so embarrassed.
Speaker 1 (08:06):
I should have said, I just wave, you know what
I mean, and point like there's a really fascinating bird
and be like oh, and then flew away.
Speaker 3 (08:13):
You know I should have done that, Yeah yeah, yeah, yeah.
Speaker 2 (08:15):
Yeah, But no, I made it worse by running away.
Speaker 3 (08:19):
Right now, You're like, oh god, he.
Speaker 1 (08:21):
Saw me, I should run And he's like, why is
running away?
Speaker 3 (08:27):
Give me from full house stocking, right, I'm just waiting.
Speaker 2 (08:30):
I'm waiting for that. He's got little kids under the
age of seven. And so I'm just waiting for that
for them to connect, but so.
Speaker 3 (08:37):
Far I'm just stalking me.
Speaker 2 (08:39):
Yeah, when you see the t m Z article, it's
like give her a peeping tom.
Speaker 1 (08:45):
Like she is the world, and the source will be
like I've known it for years and just be me.
Speaker 3 (08:53):
She's been like this for years.
Speaker 2 (08:55):
So she's just that annoying neighbors through.
Speaker 1 (08:58):
And I ever grew out of it.
Speaker 2 (09:01):
Commit to the bit.
Speaker 3 (09:03):
Anyways, So you had your birthday, you stalked your.
Speaker 2 (09:08):
I enjoyed my birthday. I ate very well. I stalked
a neighbor. I got my slip punch shoes and my
binoculars that I couldn't have.
Speaker 3 (09:15):
Are that's You're perfect?
Speaker 1 (09:19):
There you go.
Speaker 2 (09:19):
Yeah, well, now I can see detail. I didn't realize
we have red tails and red shoulder hawks. I couldn't
tell the difference.
Speaker 3 (09:25):
One is a tail and one is a shoulder.
Speaker 2 (09:28):
Right, But when they're up in the sky and you
don't have binoculars, sometimes you can't really tell. But when
I'm looking at them up close, I can see all
the t in the mark.
Speaker 1 (09:36):
I don't tell me about the day I walked out
on my patio on the fence, right, here and there.
Speaker 3 (09:41):
Was a red tailed hawk just sitting there.
Speaker 1 (09:45):
Yeah.
Speaker 3 (09:45):
All these birds were going.
Speaker 1 (09:47):
Nuts, dive bombing and everything, and this hawk was just
sitting there unbothered.
Speaker 3 (09:51):
Oh yeah, yeah, that was the closest I ever got
to one.
Speaker 2 (09:53):
Though.
Speaker 3 (09:53):
I like walked down and I was like, oh, oh.
Speaker 2 (09:54):
They're scary, Yeah, they're well yeah, because.
Speaker 3 (09:56):
I was like, I don't know.
Speaker 1 (09:57):
I mean, I don't think he's gonna try go for
me because I don't look like a small rabbit.
Speaker 2 (10:02):
But right, no, I think I think you're a little
too big. East is probably fine because she's too big.
But you know, Holly, I have to protect Hollie.
Speaker 1 (10:09):
Because these hawks could easily swoop her up and take
her dog Ginger. She she almost got swooped up by
a hawk in her backyard one day. Oh you like
twenty years ago. Yeah, she's a little Yorky.
Speaker 2 (10:18):
Oh and we.
Speaker 1 (10:19):
Had redtail hawks and this one just swooped through the
yard and she like looked up and just walked inside
and was like yeah, nothing, like I.
Speaker 2 (10:26):
Cannot with this. No, these hawks, go find there's plenty
of squirrels out there, Go find one of those, right,
No pets, no pets?
Speaker 3 (10:34):
Well, shall we do it. Should we do the thing
that we do.
Speaker 1 (10:37):
Let's do the thing I mean other than the incessant yammering,
but like the actual show part.
Speaker 2 (10:41):
Yes, we've kept it to a tight eleven and not
a tight ten, but tight eleven. Yeah, and uh yeah,
let's be on time today. Let's not draw it, drag
this out. Let's just start the show. Welcome back to
Howard tan Ritos. I'm Andrea Barber and I'm Jody Sweeten,
and today we're discussing season five, episode four, Oh Where,
Oh Where has my Little Girl Gone? It originally aired
(11:04):
October eighth, nineteen ninety one, and it goes a little
something like this. After snooping in DJ's room and finding
out that a bad rumor about her has been spread
around school and she refuses to talk to him about it,
Danny worries that their father daughter Bond, is fading. Oh Danny,
and he's going through it in this one right. It
(11:25):
was directed by Joelswick, it was written by Mark Fink,
and we have two amazing guest stars as well. Yes,
Brian Kale, Brian Kas's father, Like, he's our dialogue coach.
He's just so wonderful and so great.
Speaker 3 (11:40):
And has the best radio voice ever.
Speaker 1 (11:42):
He does, he really does.
Speaker 2 (11:44):
It's so distinctive to me. I don't know if it
is to our audience. Yeah yeah, but it's so distinctive
that as soon as I hear it, I'm like, oh,
Brian kle bran Ale. But this time he had a line,
so I hope he got paid and he got a credit,
So yeah, fantastic. And then we have Megan Parlan as
Bowling Girl. So cute. She start on the NBC series
(12:05):
Hangtime in nineteen ninety five. She worked on that for
six years. Oh and then she went on to get
her master's degree in broadcast journalism. She's now a science
documentary writer and producer. Hell yeah, we launched.
Speaker 3 (12:18):
A great career like.
Speaker 1 (12:21):
Girl, Yes, Megan, get it, hit It, hit It girls
and Stem we love it.
Speaker 2 (12:26):
She's so proud of her. It all started in the
bowling alley.
Speaker 3 (12:29):
It really did. I saw it. I saw it there.
Speaker 2 (12:32):
So we start in the basement the newly renovated base.
Speaker 1 (12:38):
Okay, I forgot I mean I knew that we Jesse
built up a studio, yes, but.
Speaker 2 (12:44):
This it was like what has insane? This is insane?
Speaker 1 (12:49):
That's like a two hundred thousand dollars studio that they
built in the basement.
Speaker 2 (12:53):
Yeah, there's real recording artists that don't have that.
Speaker 3 (12:57):
I like that.
Speaker 2 (12:58):
Yeah. First, the number of renovations these family has gone
through in just five years.
Speaker 3 (13:06):
I really need to know where the money comes from.
Speaker 2 (13:08):
Yeah, some trust fund or oil rights or something.
Speaker 1 (13:14):
I don't Yeah, yeah, but I need to know. I
got to make up this backstory. But I don't know
family gets all this money.
Speaker 2 (13:20):
Let's get like an economist on the show to correct
how could the family of right, what would.
Speaker 1 (13:26):
It actually cost to do all of these renovations in
the late eighties early nineties in San Francisco.
Speaker 3 (13:31):
Yeah, and you know what they love to let you
do in.
Speaker 1 (13:34):
Historic homes in San Francisco is got the basement and
build a recording studio.
Speaker 2 (13:38):
Yeah, permits ran would take five years to get you
exact right. Yeah?
Speaker 3 (13:42):
No, no, no, not in the Tanner House.
Speaker 2 (13:44):
No, No, they probably aren't permitted. Like the Tanner House
was completely.
Speaker 1 (13:48):
Why he had to give the house to DJ and
Fuller because.
Speaker 3 (13:51):
You can't sell it because everything's un permitted. It can
never leave the family.
Speaker 1 (13:56):
Does he stay in the family, stay in the family,
because that can't be sold because the permits.
Speaker 3 (14:01):
Would kill you.
Speaker 2 (14:02):
Yeah, that is that. That explains a lot.
Speaker 1 (14:05):
Now actually explains a lot, but it doesn't explain how
we got here in the first place. But anyway, it's fine.
Speaker 3 (14:10):
That's a hippy.
Speaker 1 (14:11):
It was Pam. Maybe Pam had a big life insurance payment.
Speaker 2 (14:15):
Oh yeah, I feel anyway. I feel like Danny was
very organized, so I assume Pam was to like they
they got their they got their their living will and
trust and order in their right insurance.
Speaker 3 (14:28):
Now we have an amazing personal recording studio.
Speaker 2 (14:30):
It's so amazing. So Jesse piggybacks Michelle down to the basement,
which has transformed into his own personal recording studio. He
sets her down and asks, what do you think of
all this music equipment? Michelle scans the room and admiration.
You got better toys than I do. For real, Jesse
grinns to show appreciation for your dad letting me build
(14:52):
this studio. I thought we'd record a song together. What
song do you want to sing? Michelle doesn't hesitate. Let's
sing the spelling song. Jesse adjusts his mic to or
adjusts a mic to her height and counts her in.
He starts to sing a b CD and Michelle Yell's
cut not that spelling song, the Cool Spelling Song. She
(15:12):
hits a button on Jesse's drum machine and a beat
kicks in and she sings at the top of her
lungs R E S P E C T. I didn't
know where this was going, so I was legitimately I
laughed at and so Jesse joins in and Michelle's BN
A n as.
Speaker 1 (15:31):
That's what it was. It's yeah yeah, which is the
only way I know how to spell bananas. Now from
that Gwen's Too Bunny song.
Speaker 2 (15:37):
Oh hey, there you go, it's a yes yeah. So
Michelle starts repeating on a loop socket to me, sock
it to me, sock it to me, and Jesse halts
this jam sash hold it, but Michelle tells him, I'm sorry,
but this song is about socket to me, and she
keeps singing. Jesse tiggles her mid verse and she giggles
(15:58):
into the microphone, and you know, it stood out to
me most in this whole scene. John's white socks with
the black shoes.
Speaker 1 (16:06):
I was like, literally the socks it was when he
knelt down, I.
Speaker 2 (16:10):
Was like, oh, his pants kind of went up a
little bit you can see it was Michael Jackson.
Speaker 1 (16:15):
Well, you know what those socks are never socks are
always a struggle, you never know because the white sticks
out the black sticks.
Speaker 2 (16:20):
It just never. He should have gone with like either
a dark gray or just black, you know, and just
don't like white socks. It's just like a neon signs.
Speaker 1 (16:29):
It is just white socks bought in bulk at Costco. Now,
because he spent all of his money building that studio.
Speaker 2 (16:34):
Good point, good point, just save money.
Speaker 3 (16:35):
Yes, all he could buy is the gym size.
Speaker 1 (16:37):
They're actually Danny's old socks.
Speaker 2 (16:42):
He's just a little too close.
Speaker 1 (16:44):
Well, the family, they cheap out on the important stuff
and they spend frivolous money on everything else.
Speaker 2 (16:51):
Renovate the basement three times, sure, but socks, I don't know.
Speaker 1 (16:54):
Well, they just moved all the stuff from up in
the attic down to the basement.
Speaker 2 (16:59):
They store in their storage facility. It doesn't think they
just there's gotta be secrets, similar to couldn't it be
great to just do that? If yeah, if our real
lives were like sitcom lives, or you just didn't have
to think things through, and it's just magically happens.
Speaker 3 (17:25):
This is Gavin Newsome.
Speaker 4 (17:27):
Being a television showrunner is almost like being a governor.
You know, it's the.
Speaker 3 (17:32):
Same thing from Gleed and Nip Tuck.
Speaker 4 (17:35):
The days of civil discourse are over. The thing that
I was not prepared for was the Kennedy firestorm.
Speaker 3 (17:41):
Monsters, the Lyle and Eric Menendez story.
Speaker 4 (17:44):
And I haven't really spoken about this. One of my
good friends who's the star of one of my shows
coming up, Kim Kardashian.
Speaker 2 (17:51):
You may have heard of her, one of the most
prolific writers, producers, and directors in Hollywood today.
Speaker 4 (17:57):
Are monsters made or are they born?
Speaker 1 (18:00):
This is Ryan Murphy.
Speaker 4 (18:01):
Hollywood used to be Hollywood.
Speaker 1 (18:04):
How about the pressure you put on yourself. You're competing
against this guy, Ryan Murphy.
Speaker 4 (18:08):
Well, that's the secret of my career. To the opposite
of what you just did.
Speaker 1 (18:11):
Get another twenty years of this in you.
Speaker 4 (18:14):
That's interesting.
Speaker 2 (18:16):
Listen to This is Gavin Newsome on the iHeartRadio app,
Apple Podcasts or wherever you get your podcasts. So next
in the kitchen, unsurprisingly, we have Danny cleaning his cleaning supplies.
Speaker 1 (18:30):
That feels like we've crossed the line into Danny might
need some therapy.
Speaker 2 (18:37):
Yes, it's just it's.
Speaker 3 (18:39):
Like that is that was real OZD.
Speaker 2 (18:42):
Very very on brand for Danny Tanner. He ducks behind
the counter to put some items away, and that's when
DJ and Kimmy burst in. DJ is pleading with Kimmy,
you gotta tell me this is a nightmare, and on cue,
Danny pops up from behind the counter. What's a nightmare?
DJ freezes this whole savings and loan crisis?
Speaker 3 (19:03):
Oh god, remember that?
Speaker 2 (19:04):
Yeah, that was that was bad.
Speaker 1 (19:05):
I was like, I was like, not in two thousand
and eight one, we're under it out. But yeah, I
don't know.
Speaker 2 (19:12):
Hey, the old savings and loan crisis of nineteen ninety one,
that is a bad one.
Speaker 1 (19:17):
Yeah.
Speaker 2 (19:17):
She questions Danny, why were you hiding behind the counter,
and Danny says he wasn't hiding, he was just cleaning
his cleaning products, and DJ remembers, oh, yeah, it's Friday.
Kimmy sarcastically notes, boy, mister t you sure know how
to kick off a weekend, and Danny just glares at
her in annoyance and with that gimme chirps see ya
(19:38):
and heads for the door, but DJ grabs her by
the hand before she can escape and drags her upstairs.
I should save this for it everywhere you look, but
I'm not. I'm going straight for it. Oh outfit I'm
wearing and this scene is the same outfit I'm wearing
in my opening credit, which finally will appear next episode.
Speaker 1 (19:57):
So I was like, I know this outfit. I was
like this out that was very cute on you, thank you.
I like this out I wonder if I wonder if
this is the week that you shot your it is, yeah,
and I.
Speaker 2 (20:07):
Probably it's because uh Candace. Okay, So Candace is opening credit.
It takes place in her new room at the computer,
So I think they were waiting for the new room
reveal the DJ's new room to do whym until this week.
Raw thirty something years. But I finally figured it out.
Speaker 1 (20:27):
Here's a method to the madness.
Speaker 2 (20:29):
Yeah, I'm finally over my bitterness of the last four
episodes of Where's my opening credit?
Speaker 3 (20:34):
Right right?
Speaker 2 (20:35):
It's coming next episode? People, Okay, moving right along. Up
in the hallway, DJ demands spill it, Kimmy. Why is
everyone talking behind my back? And Kimmy says, because they
don't have the guts to tell you to your face. Well,
now DJ grabs her by the backpack and shoves Kimmy
into her room, calling her a coward now in the
(20:57):
privacy of her own newly decorated room, which.
Speaker 3 (21:00):
Is very again.
Speaker 2 (21:03):
Right, yeah, yeah, it's just in a week. It's just
it's very It's very Laura Ashley. This room, you know
what it was like, Laura.
Speaker 1 (21:10):
This is the ultimate like late eighties, early nineties.
Speaker 3 (21:14):
There is a wicker bed.
Speaker 2 (21:16):
Oh yes, there is like just.
Speaker 1 (21:18):
Sort of non descript peaches and blues and greens like stage.
Very The color scheme is very early nineties.
Speaker 2 (21:27):
Yeah, very early graineties. If it can be covered in
floral is.
Speaker 1 (21:31):
Oh, let me tell you my mom loves Yeah.
Speaker 2 (21:34):
Yeah, I live how sweet and designed this.
Speaker 1 (21:36):
This is I Yeah, the chair that's in DJ's corner,
the big floral girl was like, oh I had that.
Speaker 3 (21:42):
In my room.
Speaker 1 (21:43):
Uh yeah, I totally had one of those. Yeah, mom
stole it stolen after the mauve carpeting. Let me tell
you mauv mauve whatever.
Speaker 2 (21:50):
You call it.
Speaker 1 (21:51):
Yeah, yeah, yeah, lived in many houses with MAV carpeting
throughout my childhood.
Speaker 2 (21:55):
Oh I got I kind of though. I miss the
posters like I missed the teenage Jackson posters and news b.
Speaker 1 (22:03):
Has posters all over her room. She's got tired of
the creator and TV girl. She got stuff hanging from
her ceiling.
Speaker 2 (22:08):
Yeah, well that's anomal like I missed.
Speaker 1 (22:10):
The DJ's room has none.
Speaker 2 (22:11):
Of that, So like I wish she had just throw
Janet Jackson. Yeah, a little bit like a I don't know,
like a showroom. It didn't look like a right right, right,
didn't look like a teenager's room.
Speaker 3 (22:23):
It looked like a very well put together guest room.
Speaker 2 (22:25):
Yes it does, it does, but that's okay. DJ's happy
she has privacy. So once again, she orders Kimmy to
tell her what's going on, and Kimmy flops onto the bed, deflecting,
I love what you've done with your new room. All
you need now is a poster of Patrick Swayze on
your ceiling, and she looks up on the ceiling and
(22:46):
pictures it. You can just kick back and hope the
Scotch tape gives out. Give me such a horn dog
like she really is?
Speaker 1 (22:56):
Yeah, yeh, Kimmy is she?
Speaker 2 (22:59):
I'm sorryful?
Speaker 1 (23:00):
Yeah.
Speaker 2 (23:01):
So DJ pulls a note out of her backpack and
begs please I'm desperate. Look at this card I got
from Kathy Santoni and Kimmy reads it out loud. My
thoughts are with you during your mega crisis. DJ huffs,
I can't believe I'm having a mega crisis and I
don't even know what it is. Oh, gim me sorry.
Speaker 3 (23:21):
I felt like that this morning when I woke up.
Speaker 1 (23:22):
Yeah, you're having a mega crisis.
Speaker 3 (23:24):
I don't even know what it is.
Speaker 1 (23:25):
Yeah.
Speaker 2 (23:27):
So Kimmy finally says, I guess it's better you hear
this from your best friend. The word that's going around
is that you're the worst kisser in school. DJ is
in shock. I am not who said that, and Kimmy
claims it's Todd Mitchell.
Speaker 3 (23:43):
Oh Todd Todd. Damn it, Todd, not again.
Speaker 2 (23:47):
Not again. DJ screnches her face in disgust. I could
kill him. He walked me home from the library. He
tried to kiss me, but I didn't want to, so
I turned my cheek and he slobbered all over my ear. Yeah,
Kimmy recoiled. You you don't be kissed you. Yeah. Gross.
Just then there's a knock at the door. DJ says,
(24:07):
come in and quickly hides the card. Danny smiles as
he walks in and casually asks, so, honey, I was
school today, and Kimmy cheerfully answers, fine, mister T and
thank you for caring, and then I do the most
awkward cross the most I was.
Speaker 3 (24:25):
Like, oh, that was such Yeah.
Speaker 1 (24:27):
It was one of those crosses where like, as an adult,
you'd be like, I need a purpose to do this.
This is so right and there's no motivations. I just
need to be on the side of the bed so
they can have a conversation.
Speaker 3 (24:39):
It was so fake.
Speaker 2 (24:40):
It's you know, yeah, you learn with time. That's like, no,
you need a reason go.
Speaker 1 (24:44):
Grab You're like, I don't know, I just have to
go over here now and then turn around.
Speaker 2 (24:49):
Just walk up, you stand, and then you just place
yourself on your new mark yees. So bad. I learned
a lot that season, so.
Speaker 3 (24:57):
We're glad you brought that up, though, because I did notice.
Speaker 2 (24:59):
I was like, wow, awkward, it's so bad. So uh again,
Danny glares at Kimmy before addressing DJJ. You seemed a
little upset downstairs. I just want you to remember that
you can talk to me about anything, and she responds, well,
there is something I want to say to you. Danny
(25:19):
perks up, Oh great, great, I'm right here, hun, DJ
Flatley states Kimmy and I want to be alone, and
Danny plays it off. Fine, great, that's a great idea.
What's important here is that we have opened up the
door for communication. As she closes the door on him,
she exclaims, right, Dad, bye, and then she turns to
Kimmy in sighs damage control. This one bad thing could
(25:43):
ruin my social life forever. Just how far has this
rumor gone? And Kimmy frowns hard to say, I heard
it from my algebra teacher. Wow, the teachers are gossiping
about it, right, you know it's bad, Poor DJ, I
remember that I remember this from high school though. Yeah,
like everything, every just a slight rumor, you like, this
(26:04):
is everything.
Speaker 1 (26:06):
We're not gonna survive this, right, and now can you imagine?
Speaker 3 (26:11):
Now?
Speaker 2 (26:13):
Forget it? No damaging?
Speaker 3 (26:16):
Yeah, And it sounds like Candace is sick in this episode.
Speaker 1 (26:19):
She has a cold.
Speaker 3 (26:20):
Yes, I can tell.
Speaker 2 (26:21):
I noticed the same thing.
Speaker 3 (26:23):
The second she walked in.
Speaker 1 (26:23):
I was like, Oh, she's sick.
Speaker 2 (26:25):
Like tell the scenes that you know they pre taped,
like the Bowling Alley, the bullying, You're like, she's super
sick on the Thursday pre tape day. She got a
little bit better in the tape, but all the scenes
they pretabed. I'm like, oh, she's very sick. Yeah, episode
so what you always get the most sick during like
this your story? Like cool? Cool? Why did we we
even had to cancel when the one time we canceled
(26:47):
the taping is because you were sick and I think
it was your storyline.
Speaker 1 (26:51):
Was my storyline?
Speaker 2 (26:51):
We couldn't do it, couldn't do it. Dang it, man.
Speaker 3 (26:55):
I actually just wanted to pull a diva moment. I
was like seven.
Speaker 1 (26:57):
I was like with they were how I would never
do that? Yeah, yeah, I'm not coming out of my drana.
Speaker 2 (27:04):
Yeah, such a diva. So over in Stephanie and Michelle's
room again, this is so many decorated no no, no, no,
no nice you can just move the furniture. Too many
reveals in one episode. You know, I got it time,
gotta give it time. Yeah, the bud the budget was blown.
Speaker 1 (27:22):
They're like, sorry, Steph, you got to live in the
bathroom again because we blew it all on a two
hundred thousand dollars studio. In your sister's room. So at
least they got their priority straight.
Speaker 2 (27:31):
What about a tent, Steph, do you think, yes, you
are the middle child through and through, you know, just
always getting the Yeah, you just the middle child.
Speaker 1 (27:43):
Yep.
Speaker 2 (27:44):
Uh so, yes, the girls are moving their stuff around,
they're settling into their shared space and stuff boasts. Living
on this side of the room is going to be
so cool. I got the cool window, the cool closet,
and the cool mirror to look at my cool self.
Speaker 1 (28:01):
In that cool outfit.
Speaker 2 (28:03):
That was adorable, that hot pink little number with that
floral collar.
Speaker 3 (28:07):
That collar is jigants flying none.
Speaker 2 (28:11):
Yeah, it's huge.
Speaker 3 (28:12):
I could take off. I could just fly it was.
Speaker 2 (28:15):
It was so but the matching shorts like it was
very spongey.
Speaker 3 (28:20):
Yeah, the whole thing.
Speaker 2 (28:21):
I could see you wearing this in real life too,
because right, that was just something you would wear.
Speaker 1 (28:26):
It was something Jane Sweton would have picked it.
Speaker 2 (28:28):
Yes, that's what it is, correction is something Jannae Sweeten
picked out. Yeah, so Steph grins. She gives a little
wave to herself in the mirror. Her confidence is just unmatched.
I love that about her. Michelle walks over hugging a
giant plush bear. I'm cool too, look at this, and
Stephanie face drops. You are not hanging Barney the bear
(28:50):
in my room. It's my room too, Michelle retorts, and
Stephanie shrugs with a smile. Yes it is, and I
have the perfect spot to hang Barney. She grabs the
bear and stuffs him into the closet, saying he can hibernate.
They are all winter. Michelle narrows her eyes. Is this
a trick? And Stephanie raises her arms. Michelle, bubby, baby,
(29:13):
would I trick you? Except you're not saying but what
are you saying? Booby booby booby booby booby. It's like
a Yiddish word, yeah, booby, Yiddish word. But I was
just like boo, not booby and not bubby.
Speaker 1 (29:26):
Is it bubby booby booby booby bob it's a shortened
kind of Oh, it's a not yeah, you know, a booby.
Speaker 2 (29:34):
Both, And I'm like bobby a funny bit. So just
then Danny enters. He asks Stephanie if she heard DJ
mention anything that might be bothering her. Steph reminds him, Dad,
I live with a kindergarten kid. Now. The only hot rumors.
I hear are who put their water who put their
mouth on the water fountain?
Speaker 3 (29:53):
You who put their water fountain on the mouth right?
Speaker 2 (29:59):
Just hoist it up there, right, yeah? Then Michelle pipes up, Daddy,
could you put Barney over my bed? And Danny crouches
to her level. You bet I can, Honey, I'll tack
him right up over here where nobody can miss him.
Thrilled is so mad right now. As he hangs the
bear near Michelle's bed, he mimics Barney in a high
pitched voice. Careful, Danny, careful, thank you Danny. That felt good, boy.
Speaker 3 (30:24):
That was a bob ddition.
Speaker 2 (30:26):
That was a bob ad lib. Michelle is so happy,
she's beaming. Don't you think Barney looks cool? And Danny
nods in agreement before walking out. Then Michelle turns to
Stephanie with a smirk. I know some tricks too, Booby Booby,
Booby Bubby booby, but I'm just gonna call you Booby
(30:48):
for the rest of this episode.
Speaker 3 (30:50):
Be the first time.
Speaker 2 (30:52):
Now, I didn't think this Barney the Bear was so bad.
I kept picturing Barney the Purple Dinosaur.
Speaker 1 (30:56):
I think this was I was this pre this is
pre Barney. Yeah.
Speaker 2 (31:01):
God, think of the timeline we could have had. This
could have been existed in.
Speaker 1 (31:04):
This universe and Barney the Purple Dinosaur never came out.
Speaker 2 (31:07):
Yeah, Matt, So I was like, this, Barney the.
Speaker 1 (31:10):
Bear wouldn't be where we are today if that happened. Oh,
so really trace everything back to that.
Speaker 2 (31:17):
Yes, begunness for this Barney the Bear because he is
just yeah, a completely different world. Yes. So. Over in
DJ's room, we see Danny carrying a laundry basket and
knocks on DJ's door before walking in. He looks around
and there's no sign of DJ, so he steps further
into the room while just casually whistling. He's head straight
(31:40):
for the dresser where the card is hidden. Just as
he's about to read the mysterious note, Michelle walks in.
She startles Danny and he quickly stuffs the card behind
his back to avoid suspicion, but Michelle questions, what are
you doing. Oh, I'm just putting away some laundry, honey,
Danny replies, trying to play it off cool, but Michelle
(32:00):
reminds him laundry day is Monday. Danny stammers, yeah, well
I switched it with dustin day, you know, just to
keep life exciting. Michelle gives him a dramatic eye roll
okay and walks away, and the audience loves it. They
applaud this was a funny little eye roll that she did.
Speaker 1 (32:19):
It was very cute.
Speaker 2 (32:22):
Back in the kitchen, Jesse stands under the staircase holding
a red light bulb while Becky and Joey watch him closely,
observe very carefully. Jesse instructs as he screws in the
light bulb. After the job is done, Becky sarcastically admits, Oh,
I only wish the twins were born. They would be
so proud of their dad. Jesse demands some respect. Come on,
(32:44):
this is very important to me. When the red light
is on, it means I'm recording and I'm not to
be disturbed for anything whatsoever. Joey raises an eyebrow. What
if Godzilla attacks like those old Japanese movies, He growls,
what if?
Speaker 1 (33:00):
What have we? He imitates these movies.
Speaker 2 (33:03):
Godzilla is attacking, we must inform Jesse, and then he
keeps his mouth moving to illustrate that it's a dubbed
film that he's imitating. Then he panically responds back to himself,
we can't. The red light is on. Jesse tries to
keep a straight face and he points a finger at Joey.
You are the mother of all idiots. He heads downstairs
(33:26):
and Joey trails after him. In the basement, Joey looks
around at the new equipment and admits Jess, this is
a big moment, and Jesse nods taking it in, I know,
the first time working in my new studio, and Joey clarifies, No,
I'm talking about our partnership. You and I were in
the ad business together for three years, and now you're
(33:48):
committed to your music. I'm going back to my comedy
full time. It's the end of an era.
Speaker 1 (33:54):
But didn't they quit the music and the comedy because
they weren't doing well in it?
Speaker 2 (33:59):
Right, That's why they started the ad The ad well, three.
Speaker 1 (34:04):
Years of the ad business, I mean it's like thirty
you know, three years?
Speaker 3 (34:08):
Did they even family need? It's three years? They can
make a mountain of money.
Speaker 2 (34:12):
Yeah, did they even do an ad campaign after those
singing kittens like? I don't like the pump was.
Speaker 3 (34:17):
The biggest ad campaign of the late eadies.
Speaker 1 (34:18):
I don't know if you remember it won awards's huge.
Speaker 2 (34:22):
There were no storylines really after that, maybe one two. Like,
I was just like, what happened to this? I thought,
you're right. They did the ad. They did the ads
because the music in the comedy wasn't we didn't.
Speaker 3 (34:34):
Jesse also just lose his recording thing. He was like
on tour and then they were like yeah, no he yeah.
Speaker 2 (34:39):
He went on tour, was very successful, and then Megan
couldn't land.
Speaker 3 (34:42):
It, couldn't land a music job.
Speaker 2 (34:44):
So now he's got it now he built a studio.
I was like, I'll show you right, it's really all
about Jesse's ego.
Speaker 1 (34:51):
Fascinating all it's about.
Speaker 2 (34:54):
So then Joey dramatically grabs Jesse's face and shouts, oh
miss you man. He tells him to step out of it. Joey, please, Joseph,
get a grip. We live in the same house. We'll
see each other now, run along upstairs. He gestures towards
the stairs and reminds Joey of his rule. The red
light is on, which means I am not to be disturbed.
Go go go go, I love you, I miss you.
(35:16):
Go ahead, go okay, fine, I can take a hint.
Joey sighs. I have a very full and busy life
of my own. I'll just go upstairs, make some nachos
and get ready for a little Yogi Bear because he
needs a job. Right, No, he's working on his comedy.
This is how he does it. Nachos and Yogi Bear.
Then Joey grabs the doorknob and he yanks it off
(35:37):
the door completely.
Speaker 3 (35:39):
Have you ever done that?
Speaker 2 (35:41):
Yeah, you did it at nineties, Gone with the bathroom
you I did the thing right off. We couldn't get
out of the bathroom.
Speaker 3 (35:51):
That's right.
Speaker 1 (35:51):
We were in there together, weren't well, yes, and you
pulled the door thick.
Speaker 3 (35:54):
The door handled right off.
Speaker 2 (35:55):
We had to wait for someone to come in so.
Speaker 3 (35:58):
We could get out, right We.
Speaker 1 (36:00):
Were banging on the door from the inside.
Speaker 2 (36:02):
This was a fulast episode. We recreated it without even.
Speaker 3 (36:06):
I remembered being in there, but I forgot you were
in there. We like went to the bathroom.
Speaker 1 (36:10):
It was like one of those big, like handicapped single stalls,
and I was like touching up, mego whatever.
Speaker 3 (36:13):
We're like, okay, we go and.
Speaker 1 (36:15):
We went out and was like chunk.
Speaker 2 (36:16):
It was like oh no, yeah, We're like crap, you're
living here now, frest Line, right now.
Speaker 1 (36:20):
We're missing things. Yeah, well luckily we weren't in an
incredibly sound proof studio.
Speaker 2 (36:27):
Oh so yeah, and it was there were lots of people,
Like someone came around, I mean and they were like,
what did you do?
Speaker 3 (36:33):
And I just handed them the door handle. Like I
walked up.
Speaker 2 (36:36):
To one of the people.
Speaker 3 (36:36):
Working there and I was like, Hi, I don't know
where you want.
Speaker 1 (36:40):
Me to put this, but we like go to that
bathroom or something, right, so we like we have to go.
Speaker 2 (36:45):
We're late for the panel.
Speaker 3 (36:46):
We have to go.
Speaker 1 (36:47):
But here's a door handle.
Speaker 2 (36:49):
So awkward, so awkward, and that's so on brand for
you joke.
Speaker 1 (36:56):
Yeah, it was like the time I got myself stuck
in a bathroom on set and they had to come
and break the door down.
Speaker 3 (37:00):
It's happened on the last the Lifetime movie I was on.
Speaker 1 (37:03):
Oh really yeah, yeah, Jody got stuck in the bathroom
in the house that we're shooting in in this like upstairs,
oh dear. And I shut the door and it was
an old house, so like the doorframe kind of it
like wouldn't quite shut. And I was like I can
do it, and I wedged it shut and then that
was it and I and then the door handles spin
(37:23):
it and I'm like, oh no, and they're shooting so
and so I'm like, I don't I.
Speaker 3 (37:27):
Can't hear when appropriate time.
Speaker 2 (37:29):
There's no red light in that bathroom.
Speaker 1 (37:31):
There's a red light in the bathroom, and I can't.
So I'm like I wait for everyone to like hear everybody,
and then I'm like hello, when becomes the door like hello,
I was like, I'm stuck. It's Jody. And they were like,
oh good god, Jody's stuck in the bathroom.
Speaker 2 (37:46):
The talent is stuck in the bathroom. We need to
get her out. Yeah, oh Jody, this is becoming a trend.
Never go to the bathroom alone. That's is This is
the lesson for you.
Speaker 3 (37:57):
This is why we're go in groups.
Speaker 1 (37:58):
That's my girl's going groups. You're going to do so.
Speaker 2 (38:02):
Joey nervously shows Jesse their little problem, but Jesse frowns,
that's impossible. I installed it myself, and Joey has the
opposite reaction, saying, oh, well, that explains it. Jesse swipes
the knob from him and he tries to wedge it
back into the door. To no avail. Joey suggests they
yell for help, and he asks did you sound proof
(38:22):
this room yourself? And Jesse nods yes, so Joey responds, Oh, great,
then they'll hear us burn but not. You know, he's
not wrong, he's not wrong.
Speaker 1 (38:32):
Can you imagine if you had a basement studio in
that house.
Speaker 3 (38:37):
You'd hear it. You'd hear it all the way through
the gigantic backyard.
Speaker 1 (38:42):
Yeah, you'd hear Kimmy.
Speaker 2 (38:43):
The Gibblers can hear it from you from their house
from two miles away. In the kitchen, Danny walks in
and asks Becky if the guys are downstairs. She says yes,
but stops him before he can go down, explaining that
the red light's on and that means they're recording. Sure enough,
Danny can hear them through the soundproof walls shouting help.
Speaker 3 (39:02):
Help.
Speaker 2 (39:03):
He tells Becky, Oh, they're doing the Beatles song Help
I left out loud.
Speaker 1 (39:08):
That was a good one.
Speaker 2 (39:09):
That was a really good one. And then Danny asks
Becky for some advice. He explains DJ's having a mega
crisis and she won't talk to me about it. Becky
raises an eyebrow if DJ won't talk about it, how
do you know she's having a mega crisis. Danny admits, well,
I saw the card in her sock drawer while I
was putting away the laundry, and Becky shoots him a
(39:32):
puzzled look. It's not Monday. Danny admits, okay, I was snooping,
but it's driving me nuts that she won't talk to me.
On cue, DJ and Kimmy walk in, and DJ quickly says,
see you later, dad. I'm going over to Kimmy's, but
Danny tries to stop her. Wait before you go. I
have this feeling you've got a problem and you're not
sharing it with me. DJ fakes a smile. There's no problem, Kimmy.
(39:55):
Do I have a problem. Kimmy hesitates, well, your dad
is kind of non I.
Speaker 1 (40:01):
Mean, yeah, yeah, kind of give me.
Speaker 2 (40:04):
It's full of these singers unrelenting this episode. DJ just
gives them a wave and assures I'm fine, gotta run bye.
As the girls run out, Danny turns to Becky. Did
you see that she lied right to my face?
Speaker 1 (40:21):
She's a teenager.
Speaker 2 (40:22):
Yeah, that's what they do. They're professional liars. Becky responds, well,
I hate to get technical, but you lied to you
never mentioned your little raid on her sock drawer. Danny size,
what's happening to me and DJ? We used to be
so close. I feel like I'm losing my little girl.
Speaker 1 (40:44):
I will say this is definitely something that dads go through.
I know both my girls. Yeah, the dads have struggled
with it.
Speaker 2 (40:51):
They're not They're not struggling.
Speaker 1 (40:53):
Come on the hangout and I'm like, they don't want.
Speaker 2 (40:55):
To haut, they just want.
Speaker 3 (40:58):
You're lame.
Speaker 1 (40:59):
I like they're all late over like twenty five is
super late.
Speaker 2 (41:03):
Yes, super lame. They come back around. I hear they'll
come back around.
Speaker 3 (41:06):
With I said, just letter, just let her be, you know.
Speaker 1 (41:09):
Yeah.
Speaker 2 (41:10):
Yeah, well, I think, but it is hard.
Speaker 3 (41:11):
It is hard.
Speaker 2 (41:12):
They're kind of like you don't adore me, you know,
like you well, I think that you know what I think.
Speaker 3 (41:18):
And I went through this to do with my dad.
Speaker 1 (41:19):
I think like Dad's kind of they struggle once their
daughters are like teenagers and becoming more like people and
not daddy's little girl or little pal or little you
know what I mean.
Speaker 2 (41:30):
They're not like little Yeah.
Speaker 1 (41:32):
I think a lot of dads, you know, to be fair,
aren't really taught or raised how to like talk to
teenage girls and young women and what you know, and
be emotional or be you know whatever. And yeah, I
definitely it's like Dad's kind of go, oh, you're not
little anymore. I don't. I don't.
Speaker 3 (41:52):
We were pals, we were buddies.
Speaker 2 (41:54):
Yeah. Yeah. Well, and just also that age they're starting
to go through changes that oh my god, guys aren't
comfortable with the girls aren't talking about it. They yeah, so,
oh yeah, there's a lot. There's a lot working against
the dads here, sure, for sure. So in the living room,
DJ throws on her jacket and tells Kimmy, we need
a plan to get people to stop saying I'm a
(42:14):
bad kisser. Kimmy suggests just make out with every guy
at school until they change their minds. I mean, that's
one method.
Speaker 1 (42:23):
That's one method.
Speaker 2 (42:25):
Then Danny jogs indech Wait a second, I was just thinking,
you and I hardly have any time to hang out anymore.
What do you say we hang out tonight?
Speaker 1 (42:34):
Not gonna happen.
Speaker 2 (42:35):
DJ protests, Dad, I can't just hang out with you.
Kimmy and I have plans to do what Danny asks,
and she shrugs to hang out. Yeah, duh. Danny tries
to persuade her by telling her they can go bowling.
Oh boy, and Kimmy pipes up. G mister t that
sounds nifty. Are Wally and the beef coming too? This
(42:59):
is a good one I committed, you know, Yeah it
was great. Danny shoots another glare in her direction and
she quickly backtracks. Oh, one step too hard, too far later,
and Kimmy makes her exit. DJ size dad, I haven't
been bowling since my seventh birthday. But Danny reminds her
she loved it. DJ finally caves, Okay, if it means
(43:23):
that much to you, let's go bowling. Danny gives her
a big hug. That's my girl. Just let me get
my ball, my shoes, my corn protectors, and we're out
of here. Oh.
Speaker 1 (43:34):
I didn't realize Danny was.
Speaker 2 (43:35):
Such a bowler, but corn protectors. Wow, he really is
prepared for all scenarios. Yeah, I'm surprised DJ gave in
so quickly. Like normally my.
Speaker 1 (43:45):
Kids, my kids would have been like out the door
and like you're so bame you never understand and then
get it.
Speaker 2 (43:52):
Yeah, yeah, but you know the storyline has to work
so exactly.
Speaker 1 (43:57):
Although now I do want to go bowling. Actually a
fun bowling spot by me, like one of those pins
places that does.
Speaker 3 (44:03):
Yeah, yeah, I like.
Speaker 2 (44:04):
I've always liked bowling. Bullyings always be cool. You know.
Speaker 1 (44:07):
Well, I think it in like the like later nineties
once they made like cool bowling alleys like hands like
all the.
Speaker 2 (44:15):
Yeah, nighttime bowling. Yeah, I think it's come back around.
So now the kids like going bowling these days. It's
the kids like going bowling.
Speaker 1 (44:22):
The days have girl, you're wearing slip on shoes and birdwatching. Okay,
this is already leaned in do the old people's stuff,
so it's not the bowling shoes.
Speaker 3 (44:31):
Remember bowling shoes were popular though.
Speaker 1 (44:33):
Yeah, remember in nineties where everyone was like, you know what,
we should wear lounge shoes.
Speaker 2 (44:39):
They were cute. It was just yeah, like those cute
little it was fashion back then. Now it was it was.
Speaker 1 (44:44):
But they don't do anything for your feet. They don't
exactly support.
Speaker 3 (44:49):
No, they make your feet look gigantic.
Speaker 2 (44:51):
Yeah oh yeah, I.
Speaker 3 (44:53):
Mean probably not yours because you have the tinese.
Speaker 2 (44:55):
Feet in the world. But feet, but no, yeah, it's
it's hard.
Speaker 3 (44:58):
It's hard.
Speaker 1 (44:59):
For me.
Speaker 2 (44:59):
I actually ended up. I ain't a pair of bowling
shoes right because they start I can't kids shoes started
a six. I'm a five, so I have to wear
kids shoes. So I finally, because sounds like this is oh,
so you also have your I haven't, I haven't.
Speaker 3 (45:17):
This is all tracking.
Speaker 1 (45:22):
I do.
Speaker 3 (45:23):
Do you have corn protectors?
Speaker 2 (45:24):
No, I've stopped short of the corn. But you know
it's not a bad idea. It's better than dealing with
the blisters and the corn later on. I might just
get some corn protectors. But no, no, no, I stopped.
Speaker 1 (45:33):
You knock yourself out, do whatever you want. Can you
keep the corn protectors on when you're sliding your foot
in your shoe?
Speaker 2 (45:38):
Though?
Speaker 1 (45:38):
You know what I mean?
Speaker 3 (45:38):
Is I gonna knock it out of place? Oh yeah,
I didn't think of slide on bowling shoes.
Speaker 1 (45:41):
Yeah, that's your next step.
Speaker 2 (45:43):
Okay, So I've got issues like next.
Speaker 1 (45:44):
Birthday, your fiftieth birthday, I'm getting you slide on bowling
shoes that have tiny binoculars attached to the feet with
corn protectors. Yeah, yeah, with corn protectors built in. Happy birthday.
Speaker 2 (45:55):
I can't wait. So in the girl's room, Steph is
eyeing Barney the Bear while organizing her room, and after
looking at the bear one too many times, she breaks,
I can't take it. That thing keeps looking at me.
Speaker 1 (46:14):
Truly best.
Speaker 2 (46:15):
Michelle smiles, that's because he likes you. Steph comes up
with a plan, Michelle, here's a fun idea. How would
you like to be in the Big Girls Club? And
Michelle confidently states, I'm a big girl. I should be
in that club. Steph responds, you'll love it. It even
has a secret song. Michelle asks how does the song go?
And Stephanie thinks on her toes and sings, I'm a
(46:37):
big girl.
Speaker 1 (46:37):
You're yady.
Speaker 2 (46:41):
Yeah, it's it's not It's not quite as great as Dad, Dad, Dad.
Speaker 1 (46:47):
Dad's at the beginning of Steph's songwriting career.
Speaker 2 (46:51):
So yeah, yeah, this is where.
Speaker 3 (46:54):
Yeah, dad dad, and I'm a big girl and.
Speaker 2 (46:56):
I'm a big girl. This is where it all started. Yes,
Stephanie's me is it career? So she points her fingers,
wiggles her hips, and Michelle is thrilled. I like the
little dance. Steph explains. To join the Big Girls Club,
you need to get rid of all your baby stuff.
Michelle asks, you mean, Barney, don't you, and Steph nods
(47:17):
there's nothing more baby ish than a toy bear. Uh. Oh,
you set yourself up for this. Oh girl, you don't
know what you just said. Michelle gives a sad shrug
and says, well, okay, nice knowing you Barney. Stephanie tries
to be empathetic. I know this is painful, so I'll
get rid of Barney for you. Michelle mirrors the empathy,
(47:39):
and I'll get rid of mister Bear for you.
Speaker 3 (47:42):
To schee, yeah Tooche, makes sense. That's what you said.
Speaker 2 (47:46):
That's what you said. Toy bears are babyish. So she
walks over to her older sister's bed and picks up
mister Bear, but Steph immediately shouts freeze, drop the bear.
Michelle does this, she's told, and Stephanie instructs now step
away slowly. Michelle puts her hands up in surrender, reminding
her sister of her previous words. You said, no toy
(48:08):
bears in the Big Girls Club, but Stephanie argues, but
mister Bear isn't a toy. He's a member of the family,
so is Barney. Michelle insists he keeps the monsters away.
Stuff looks around the room. There are no monsters in here,
and Michelle responds, see, he's doing a good job.
Speaker 1 (48:26):
It's true. You can't prove that he's not right.
Speaker 2 (48:29):
Like she has a point, like Michelle really has thought
this out logically. Steph lets out a sigh of defeat. Okay,
the bear stays, are we still in the Big Girls Club?
Michelle asks, yeah, yeah, whatever. Steph responds, and Michelle bounces
up and down, singing the Big Girls song and tells Stephanie,
(48:49):
I can't hear you. So Stephanie dejectedly joins in knowing
her Oh darn it, your plot against Barney has failed,
foiled by a five year old. Right down in the basement,
(49:09):
Jesse and Joey are still stuck. Joey suggests let's get
a running start and break the door down. Jesse insists
that will never work. If we hit it at the
exact same time, Joey says that door will pop right open,
so Jesse caves, we both have to do it together,
and it's got to be precise, all right. So I'll
count the guys line up, and Jesse counts them down one, two, three, go,
(49:35):
and they take off toward the door, but Joey stops
to point out, Hey the light. This causes Jesse to
slam his shoulder into the door all by himself. Joey explains,
you left the light on, no wonder, nobody's come downstairs
to get us. It's a good thing I caught that.
And as soon as Joey turns the light off, Becky
opens the door to tell them that lunch is ready.
(49:57):
She admits, boy, I thought that red light would never
go off. You guys are really working hard, Jess. I
am very, very proud of you. She gives him a
loving pat on his injured arm and leaves. Jesse gives
her a pain smile and waits for her to leave
before shouting out, oh Jesse, poor Jesse. Oh boy. This
(50:19):
was a cute little BT storyline. Though I was cute,
it was funny then getting John and Dave were great together.
This is just a simple story.
Speaker 1 (50:26):
Yeah, it was a funny little yeah that actually happens
sometimes it does.
Speaker 2 (50:30):
Yes, you've lived it many times. So next we are
in the Palace Bowling Alley. What a set like this is?
Speaker 3 (50:38):
It was so mid century modern. I loved it.
Speaker 2 (50:41):
Yes, like the vending machine, a little spiky chandeliers.
Speaker 1 (50:46):
Yeah, oh very Yeah, that mid century modern, sort of
ultra futuristic rounded like bowling.
Speaker 2 (50:53):
Alleys used to be right, Yes, it's a little bit
like the Jetsons.
Speaker 1 (50:56):
It's like in the future, but it's I think there's
like only one like kind of in La on the
East Side at least that I can think of, like
Silver lakeish that's still like an old school like bowling
alley like that.
Speaker 2 (51:09):
Oh, I loved her.
Speaker 3 (51:10):
It was set.
Speaker 2 (51:10):
Dick did a great job.
Speaker 1 (51:11):
Dah, it was great.
Speaker 2 (51:13):
And this is just quite a big set for It's
only this is the only scene that the set is in,
so I'm like, wow, right, season five, big budget, they
built this whole thing for one scene.
Speaker 1 (51:21):
Yeah.
Speaker 2 (51:22):
So Danny is suited up in his bowling gear and
excitedly nudges DJ, isn't this fantastic? You're doing great? And
DJ gives him a puzzled look. All I did was
write our names on the score sheet. Back when you
wrote your name.
Speaker 1 (51:36):
Dan even wrote a pencil and it wasn't like a
little computer thing. Yeah. Oh man, back in the days,
back in the pencils and paper.
Speaker 2 (51:46):
Man. I miss those days. So, uh, Danny clarifies, well,
since the last time you bowled, your handwriting has really improved.
She gives him a small smile and tells Danny he's up.
He begins to teach DJ the art of bowling, telling
her the most important part is getting a good rhythm going.
He gives her a little demonstration, first bouncing up and
(52:08):
down and then adding a hop and swoop. As the
ball rolls toward the pins, he shouts, go baby, go baby,
go baby. He gets a strike and boasts the dan
Man's still has the touch. DJ cringes, reminding her dad
that they are in public.
Speaker 1 (52:24):
Oh, such a moment I have with my kid. Yes,
I say that, like when we're in the car.
Speaker 2 (52:30):
Yeah, Like, are we embarrassing right right? By this time? Yeah,
this time they're actually in public. So I did feel
bad for a couple next to them were kept looking
over and I'm like, I've.
Speaker 3 (52:43):
I've seen this happen this ye with dads and kids.
Speaker 2 (52:46):
Oh yeah, Danny, although he couldn't care less, he declares,
this is great. Why don't we join a father daughter league? Huh,
and she mutters, oh, something to think about very carefully. Next,
DJ stepped up to the line. She tries to emulate
Danny's previous round, but the ball quickly rolls toward the gutter.
(53:06):
Danny's initial chance of go, baby go become no, baby no,
But Danny tries to stay positive. We'll get him on
the next ball. Honey, don't worry about it. That's what
I'm here for, to help you with your problems, whether
they be in bowling, at home or at school. Do
any of those pertain to you? Good God?
Speaker 3 (53:25):
Uh, just trying bowling ball.
Speaker 2 (53:28):
He's trying to just shoehorn this topic in any way possible.
D Jay insists Dad for the millionth time, I'm fine.
She takes her second shot and the ball veers toward
the gutter again, but this time she manages to knock
down one pin. Danny shouts with triumph, all right, one
big one. He tries to give dj a high low
(53:51):
and side high five, but she tells him no one
does that anymore. Danny admits he just got carried away
with all this father daughter fun. Just then Kimmy walks
in out of nowhere. She calls out hey deej which
causes Danny to mess up and send the ball rolling
behind him. This is before cell phones.
Speaker 3 (54:12):
Kimmy had to show up in person.
Speaker 2 (54:14):
She had no other way of contacting DJs.
Speaker 3 (54:16):
I know she had a open person.
Speaker 1 (54:18):
Yes, she probably wants six Bowling Alleys, but other bowling
Alleys and San Francisco before this, Yeah.
Speaker 2 (54:23):
She just had the local one.
Speaker 1 (54:24):
This is the one that's closest.
Speaker 2 (54:25):
They's probably bowled there before, so yeah, she knows. But yeah, no,
this is the storylines that wouldn't have worked unless you know, right,
it's just not exciting with the cell phone no, then
it's just an insert shot of a text message. But
this is way more exciting. So Kimmy calls out, hey,
deeje oh, no, I read that Danny messes up his
his ball rolling and Kimmy snarkily responds, the pins are
(54:49):
that way, mister t and points toward the lanes.
Speaker 3 (54:52):
I kind of see why they start to get a
little marder to Kimmy.
Speaker 1 (54:54):
She's brutal to episode.
Speaker 2 (54:58):
She's so obnoxious. Yes, Dan, she deserved some sort of
comeback from Danny, and he was just silent through this
whole episode, so yeah, it was well, it was deserved
this episode. She deserves some feedback.
Speaker 1 (55:11):
Uh.
Speaker 2 (55:11):
So Kimmy talks to DJ. We have to get to
the mall right away. Guess who's at the food court
spreading more rumors about you, Todd Mitchell, and DJ responds,
we have to put a stop to this. She immediately
asks Danny if she can go to the mall, and
Danny questions, right now, we're only in the second frame,
I paid for ten But DJ isn't taking no for
(55:32):
an answer. She insists one of my friends really needs me.
I won't be out late, and she and Kimmy rush
out before he can protest. Just then Danny notices and the.
Speaker 1 (55:44):
Yeah.
Speaker 2 (55:44):
Danny notices father daughters in the next lane. There we go.
He tells he hears the daughter tell her dad, let's
join that father daughter Lee just rubbing on cue. DJ
runs back over. Danny is ecstatic to see her, thinking
she's back for good, but she just asks him can
I borrow ten bucks? Danny hands over the money, a
(56:07):
little bit defeated, DJ gives him a high five in return.
In that neighboring lane, the little girl gets a strike
and gives her dad a big hug, saying I love you, daddy.
And Brian Cale. Brian Cale is such a doting father.
Speaker 1 (56:21):
And it's both of them were just so obnoxiously over
the top. You're like, oh god, yeah, that really would sting.
Speaker 2 (56:28):
Yes, It's just it's so over the top, and I
loved it. And I relate to this, like I see
like little toddlers with their moms wanting to I miss
that so much. My teenagers don't talk to me anymore, right,
so relatable. In the living room, Danny is sadly staring
(56:49):
at a photo of little DJ, and then DJ walks
in through the front door. He asks her was everything
all right at the mall? And she nods. Danny suggests,
don't you think we should talk? She shrugs, okay, So
how'd you bowl? And he responds, no, not about that.
I mean, what's going on with you? I know you're
having some kind of problem. DJ brushes him off, Dad,
(57:12):
give me a break, it's no big deal, and Danny counters,
since when is a mega crisis? Nothing? M DJ looks
at him wide eyed. Where did you get mega crisis from?
And he nervously responds, oh, I don't know. It just
kind of popped into my head. But DJ sees right
through this. You mean you just popped into my sock
(57:32):
drawer and went through my personal property?
Speaker 3 (57:34):
How could you do that.
Speaker 2 (57:37):
Danny insists it was an accident. I was putting away
your laundry. She rolls her eyes. It's not Monday. You
are spying on me, and you know it. Look at
every every family member just calling him out.
Speaker 1 (57:48):
It's not Monday, dude, this is we know you.
Speaker 3 (57:51):
You don't stray from schedule.
Speaker 1 (57:54):
It's obvious you're lying.
Speaker 2 (57:56):
So obvious, Danny. Come on, so Danny says back, what
was I supposed to do? You wouldn't even talk to me.
DJ says, well, maybe it was none of your business.
What's next? Are you gonna bug my phone? She storms away,
but Danny follows, yelling after her. I don't like that tone,
young lady. She shouts back. Well, I don't like you
invading my privacy. He argues, I'm your father. All invade
(58:18):
Normandy if I want to.
Speaker 1 (58:21):
I've literally heard this argument between like my kids and
their dad, and I just like over text message and
I'll just text on it. I'm like, just stop, just
don't let it go, let it go right, invade whatever.
I'm like, no, you just lost it. Yes, yeah, I know.
Speaker 3 (58:39):
This was such a great moment though, because it was
so so real, so real, you know, your kids just
like hate you. What do you mean?
Speaker 1 (58:48):
Yeah?
Speaker 2 (58:49):
And and Candice and Bob and DJ and Danny. They're
so good at these fight scenes, these arguing scenes. You know,
you don't see that so much with Steph yet, and
Michelle certainly know. So yeah, I'm just like, I'd love
these scenes because it's just true.
Speaker 1 (59:00):
Stuff wasn't really an arguer.
Speaker 2 (59:02):
She was more of people pleaser. Yeah, yeah, you were
kind of a people You were confident, you know, you
knew yourself.
Speaker 1 (59:07):
You just want to make everyone happy.
Speaker 2 (59:09):
Yeah, your middle child you're trying to like.
Speaker 1 (59:10):
Don't want to live in the bathroom? Peace right, That's
all very independent.
Speaker 2 (59:16):
So DJ continues up the stairs and says, I can't
wait to get out of this house. DJ catches her
at the door to her room.
Speaker 1 (59:23):
Uh, this flash, You'll never leave this house. J. You're
never going to leave this house. You're gonna die in
this house.
Speaker 2 (59:29):
Forty years you will still be in this house, still
be in this house. That is That is a funny moment.
I didn't think of a wait to get out.
Speaker 1 (59:36):
Of this house. You never will?
Speaker 2 (59:38):
What never? Danny says, hold it right there, I'm not
through talking to you yet. But DJ slams the door
in his face and declares, well, I'm through listening. That's
getting nasty. Yep. Danny barges into DJ's room and DJ scoffs. See,
you don't even knock. You have no respect for my
(59:58):
personal space. This is kind of true, though, Like, you
don't go through their stuff unless they're a danger to.
Speaker 1 (01:00:05):
Themselves, unless they're through. Yeah, only if there's someone is
in danger or they're you know what I mean that
you're like, I am worried for your safety or you're
making some really poor choices.
Speaker 2 (01:00:17):
Right.
Speaker 1 (01:00:17):
Other than that, I will not.
Speaker 2 (01:00:19):
Don't go through their stuff. Yeah, no, that they feel
violated like that is I get the proce is sacred
to a teenager, so I get it. Yeah.
Speaker 1 (01:00:27):
Yeah. You know what I will say too, is uh, well,
nobody does this anymore. I was gonna say. Also, don't
leave notes that your friends wrote you on kitchen tables.
I learned that lesson in high school.
Speaker 2 (01:00:40):
Really, you left a note on your kitchen that I
haven't finished reading yet. Oh no, what did it say?
Speaker 3 (01:00:47):
All kinds of stuff about what I had pulled the
weekend before.
Speaker 2 (01:00:54):
Dude, I can't believe you did.
Speaker 3 (01:00:55):
Blah blah, blah blahlah blah blah.
Speaker 1 (01:00:56):
Oh.
Speaker 3 (01:00:56):
And then of course I went back to my friend.
Speaker 2 (01:00:57):
I was like, you're an idiot.
Speaker 3 (01:00:58):
Why don't you write that down?
Speaker 2 (01:00:59):
Yeah, like that's evidence.
Speaker 1 (01:01:00):
Now. She was like, you're an idiot because you left
it sitting on your kitchen table. I was like, okay,
we're both at fault in this, but yeah, my mom
picked that one up real quick.
Speaker 3 (01:01:07):
I was like, what's the.
Speaker 2 (01:01:09):
Yeah, poor Janice. Yeah, you know, don't leave written evidence.
Speaker 1 (01:01:14):
And now everything's written evidence. Yeah, sure, there's no everything
lives forever after you read it. You can't burn your
cell phone.
Speaker 2 (01:01:21):
Yep. Oh boy. So Danny argues back, don't you dare
tell me about respect. You're yelling at me and slamming doors.
What happened to my sweet little girl? She questions, don't
you get it? I'm not your little girl anymore? And
Danny's sighs. Oh okay, oh that was such a heartbreaking.
(01:01:42):
You can just see it on Danny's face. He is
just so yeah, yeah, I mean, oh, he's just all
you just see the emotion on his face. He doesn't
a line, doesn't even know he just okay. It's that
thing that every parent feels when you're like right, punch yeah.
So there is an awkward moment of silence before they
(01:02:03):
both apologize to each other. DJ explains, I don't mean
to hurt your feelings. I just mean that I'm growing
up and I don't need you. I don't need to
come to you with every little problem, and he asks
why not You used to tell me everything, and she
reminds him, well, that's when I was a little kid.
When you were my age, did you go tell your
parents everything? And Danny admits, well, no, but they were old.
(01:02:27):
After a moment of reflection, he says, oh they were
my age. Yeah. Oh, Danny's going through it. DJ promises,
if there's some serious problem that I can't handle, I'm
going to come to you just like I always did.
Danny smiles, and I'll be here for you, dij She
smiles right back. I know you will, Dad, I love you,
(01:02:50):
Thank you. This is just I mean, yeah, we're approaching
twenty two minutes, so they had to wrap it up right, right, right,
right right?
Speaker 1 (01:02:56):
We got it's great, right, but this is wish two
minute arguments were like that was it? Wouldn't it be
great if your teenagers went I'm sorry?
Speaker 3 (01:03:06):
Yeah, that's great.
Speaker 2 (01:03:07):
I want to sit them down and make them watch
this and say two days later.
Speaker 4 (01:03:10):
Right.
Speaker 2 (01:03:11):
They're like, but you can resolve things, but it requires
the teenager to do some self reflecting and to say.
Speaker 1 (01:03:18):
You know, that's part of being a teenager. They're not
capable of that yet. They will not in a meaningful way.
Speaker 2 (01:03:23):
No, they're just expert grudge holders. They will be mad
at you, like I said, Oh, for sure, City still
is mad at me for missing her kindergarten circus play.
Speaker 1 (01:03:32):
So yeah, it's like they just yeah, And I'm like,
yepwait till you have kids and you disappoint them.
Speaker 3 (01:03:39):
I hope they bring it up forever.
Speaker 2 (01:03:41):
I cannot wait. I can't wait. So they each give
each other a big hug, and then Danny apologizes, I'm
sorry for reading the card. Switching laundry day threw off
my whole cleaning schedule. She laughs, Do you really want
to know about my mega crisis? And Danny admits, oh,
I don't want to pry, but I'm dying to know.
(01:04:01):
DJ spills the beans about her being the worst kisser
in school, and Danny lets out a huge sigh of relief.
Oh thank god, DJ, reminds him this isn't a good thing.
Then she goes on to tell Danny about the guy
who started the rumor and how she and Kimmy tracked
him down at the mall. Apparently Kimmy got him in
a headlock and DJ threatened him with a squirt bottle
(01:04:22):
of mustard until he told everyone the truth.
Speaker 3 (01:04:25):
I applaud that.
Speaker 2 (01:04:27):
Yeah, that's probably evolving. You know, yeah, I know. Danny laughs, Well,
you know, those stubborn mustard stains are a murder to
get out. Then he tells her on a more serious note,
I know you're kind of busy right now, but wouldn't
it be nice to set aside some time to hang
out with each other once in a while. DJ nods, sure, Dad,
(01:04:47):
let's go get some frozen yogurt my treat. They stand
to leave, and she ponders, do you mind if I drive?
I'm going to get my learners permit in a couple
of months. Danny slaps his knees. Oh man, it never ends.
Tell you what I'll drive and you can work the radio,
and that's our show. I like this episode. I really did.
Speaker 1 (01:05:09):
Episode was It's a It's a good episode for like teens,
and parents, parents, everybody can relate to it. Yeah, it's
nice to see Steph and Michelle kind of stuff's kind
of realizing.
Speaker 2 (01:05:23):
Like, oh wait, this was me and DJ, like you know,
like goal reversal. You are the DJ now the older sister.
Speaker 1 (01:05:29):
Yeah. Yeah, everyone in this episode's kind of like adjusting
to some new yeah, phases in their life.
Speaker 2 (01:05:35):
This is until we're at the start of season five
and everyone's adjusting to their new roles, their new ages,
their new rooms, their new everything. And yeah. This yeah,
this episode really, uh, it really stood the test of time,
Like this is still related.
Speaker 1 (01:05:49):
This absolutely you will never uh, there will never be
a time when conflict between teens and parents and having
the argument of like you're lame and you don't understand
me and why are you so terrible?
Speaker 3 (01:06:02):
Like that that will forever happen forever.
Speaker 2 (01:06:06):
Yes, yeah, this is timeless.
Speaker 1 (01:06:07):
It's part it's literally part of the whole point.
Speaker 2 (01:06:10):
Yeah.
Speaker 1 (01:06:10):
Yeah, it's part of development of tea development, right, You're like, yeah,
you actually have to be awful in order to like individuate.
Speaker 2 (01:06:19):
Yeah, they're they're trying to break away from the family,
you know, trying to pledge.
Speaker 3 (01:06:23):
They want to fledge, so they have to be jerks
in order to they have to fall out of the ledge.
Speaker 2 (01:06:28):
Yeah. Yeah, And it's just this was so well done
between Candace and Bob, like they do ye argue. Seeing
they do these so well, it really hit home and
had a big impact.
Speaker 1 (01:06:39):
So yeah, for sure, No, I loved this episode. Uh
did you have any everywhere?
Speaker 2 (01:06:43):
He looks, Oh, okay, yes I do. I well, I
noticed that Candace sounded sick, and so I did write
that down. Also, this is a dumb one, but when
I'm lying on DJ's bed looking at Patrick Swayze the
poster above me, you can see the bottom of my
shoes which are totally clean. Like that's the thing about
right right, because you've never worn them, never worn them before.
(01:07:05):
So this is a thing anytime you see an actress
at the bottom of their.
Speaker 3 (01:07:07):
Shoes they never walked anywhere.
Speaker 2 (01:07:11):
Yeah, they have to like rip off the tag.
Speaker 1 (01:07:13):
That's the only reason why they wear them inside is
because they're absolutely cleaned.
Speaker 2 (01:07:17):
Yes, they've never seen the outdoors never. It's sever I
just thought that was just funny. That was my only
ever speaking of seeing the outdoors.
Speaker 1 (01:07:25):
Did you notice my everywhere you look in the scene
where uh, Dj and Kimmy are like leaving the house
and Danny's like, hey, you never hang out with me
or whatever, and then Kimmy says the things. She's like, oh,
I'm gonna go. When you open the door, if you
look in the background, it's the wall of Steph and
Michelle's room. It's it's it's the wallpaper, the red, the
(01:07:49):
geometric print. No what get it? There was I'm like yeah,
because that was where like you walked out the door
and it kind of that was like the curve of
the It was like, that's for something, that's the corner
there was where the living room set and Stephan Michelle's
(01:08:11):
set kind of met.
Speaker 3 (01:08:12):
But they had that flyaway wall like back they had
and that's what you see. Yeah.
Speaker 2 (01:08:16):
They so yeah, Grace, so they put in no greenery,
no no back.
Speaker 1 (01:08:21):
They were like, that's fine.
Speaker 3 (01:08:22):
Who cares?
Speaker 1 (01:08:25):
Sineteen ninety one.
Speaker 3 (01:08:26):
Yeah, this is amazing.
Speaker 2 (01:08:28):
I'm going to go back and watch that's.
Speaker 4 (01:08:30):
Yeah.
Speaker 3 (01:08:30):
That scene you literally was like I went back. I
did it twice because I was like nobody noticed that,
how did how did we ever line up this shot?
Speaker 2 (01:08:41):
And someone went, yep, that's great. Joe Joel's wick was
focused on other things that episode, like no.
Speaker 3 (01:08:48):
Nobody in post.
Speaker 1 (01:08:51):
And nobody saw on the monitors patty red and black
geometric wallpaper in the background.
Speaker 2 (01:09:00):
Yeah, I was, I was shocked. That's really funny. That's
really funny. That's a good one. But jud it's a
good one. There was that.
Speaker 1 (01:09:07):
And I also noticed a Nelson poster in uh in
Steph and Michelle's.
Speaker 2 (01:09:13):
Room, you have a Nelson.
Speaker 1 (01:09:14):
I have a Nelson poster because Nelson. First of all,
Nelson was big. Jeff I believe was friends with them
because I know Terry was friends with them.
Speaker 3 (01:09:22):
Make up artist.
Speaker 1 (01:09:23):
Yeah, yeah, no, look they were they before they really
made uh, the legalists from Lord of the Rings look popular.
That was you know. It was a style, white flowing hair.
The elves they were and they and they were twin
elves and they played guitar and who didn't like that?
Speaker 2 (01:09:46):
You know? Yeah, I know that was hot back in
the day. That was great.
Speaker 1 (01:09:49):
I love the they were like they were like the
the the the more Vanilli version of Millie Vanilly.
Speaker 2 (01:09:57):
That's a great comparison, Yes, the more More. But they're
saying their own stuff like they were legit recording.
Speaker 1 (01:10:04):
Artists, right, look to be fair, Milly and Vanilli, rob
and fab I believe what their names.
Speaker 3 (01:10:11):
Yeah, they actually were really good singers. They were great,
just them, nothing against them.
Speaker 1 (01:10:17):
I was just saying it was like that. I guess
the it's like the twin sort of. They weren't twins,
Robina were twins.
Speaker 2 (01:10:24):
No, but they no, but they were they lean into
the same yeah type of things. So I'm team Millie Vanilli.
Sorry just am but yeah.
Speaker 3 (01:10:33):
Anyway, So yeah, that was a Nelson poster.
Speaker 4 (01:10:35):
Uh.
Speaker 2 (01:10:36):
Yeah, I missed DJ's posters, so I'm glad that there's
at least one poster represent at least.
Speaker 1 (01:10:41):
As one, so I'm sure then.
Speaker 2 (01:10:43):
Yeah, so great, loved it. What a great episode that was. Yeah,
this was.
Speaker 3 (01:10:48):
This was one of those episodes like you said, stood
the Tan, stood the Tan, and the stood the Tan
and the two and stood the test of time.
Speaker 1 (01:10:58):
Yes with the Tanners.
Speaker 3 (01:10:59):
There we go, twister, but yeah, really it did.
Speaker 1 (01:11:03):
This is a just sort of an evergreen episode that
will always be appropriate. Yeah.
Speaker 2 (01:11:07):
I didn't remember. It's not one that I remembered really well,
like like, oh it's that up rate.
Speaker 3 (01:11:12):
No, I don't remember it.
Speaker 2 (01:11:13):
It didn't stand out to me, but I watched it.
I was like, this was really good. It didn't get
enough attention.
Speaker 1 (01:11:18):
Yeah for sure.
Speaker 3 (01:11:19):
I mean I didn't remember it because I wasn't in that.
Speaker 1 (01:11:21):
You know, again, when you're not in those parts of
the scenes, especially as a kid, you're like, what happened?
Speaker 2 (01:11:25):
You know, you have no clue, no clue. May have
been paying attention during the table read, but after that,
you heard that, after that was done, after that? Yeah.
Speaker 1 (01:11:32):
Yeah.
Speaker 2 (01:11:33):
Oh man, well, good stuff, man, good stuff, good stuff.
Season five.
Speaker 1 (01:11:40):
So far this has been I am to it and
I can't wait for next week when we get to
see the new titles.
Speaker 2 (01:11:47):
Oh yes, and oh just just you have to watch
them too. You have to sit down. I know's that skip, but.
Speaker 3 (01:11:53):
Never watch them.
Speaker 1 (01:11:55):
And but this season I've been fast forwarding through that
like waiting, just waiting.
Speaker 2 (01:12:01):
I think it's the next episode. Yeah, so I'm very excited. Everybody,
everybody fan Ritos, you must watch this episode. Yeah yeah,
you got to watch the title flast forward through the
credits because I think we all get new credits. We
all get new credits.
Speaker 1 (01:12:14):
Yeah yeah, everybody, the next episode, Season five, episode five,
everyone's getting new credits. Make sure and check it out.
Speaker 2 (01:12:20):
Wait.
Speaker 1 (01:12:20):
Yeah, the King and I is next is our next episode,
which I imagine is probably going to have something to
do with Elvis.
Speaker 2 (01:12:28):
Oh okay, I was thinking of the play that was
the very first When I was four, I played the
Littlest Princess in the King and I so I was like, oh,
what's this about?
Speaker 1 (01:12:38):
You know, it's a play on that, but it's definitely
not it's the other key, not that the king, the
other King. Yes, but yeah, we're gonna review that one
next time. We're going to see all the new title
cards and we will see you guys fan ritos next time.
Thank you again so much for listening. We love our
fana Ritos out there. Make sure you're following us on
(01:12:58):
Instagram at how Rude podcast at Howard Oh my god,
I've forgotten everything.
Speaker 2 (01:13:02):
No, in a week off Howard podcast. I think it's
Harvard podcast, right.
Speaker 1 (01:13:11):
Yeah, sorry, literally a week and I'm like, who am I?
Uh Manny just said blame it on the rain. Amazing,
just tie it yeah, rim shot, Yeah, that's what I'm
blaming it on.
Speaker 2 (01:13:25):
Nanny anyway.
Speaker 1 (01:13:26):
Yes, follow us on Instagram at how Rude podcast, which
I am very certain of. Also, you can email us
at Howard Tantorto's at gmail dot com. Make sure you're
liking and subscribing to the podcast wherever you're listening.
Speaker 3 (01:13:39):
I'm also choking. It's really going well.
Speaker 2 (01:13:43):
At the end of this is just smoothly flying.
Speaker 1 (01:13:45):
It's been a great warm up. Right by next week,
I'm gonna know what I'm doing. Just kidding anyway, Thank
you guys so much for listening.
Speaker 3 (01:13:54):
We love you, and remember the world is small. But
the house is full.
Speaker 1 (01:14:02):
Of Barney the Bear. Full of Barney the Bear everywhere,
creepily staring at from every corner.
Speaker 2 (01:14:07):
Yeah, it's really it's like the busts in the Haunted
Mansion were anywhere.
Speaker 3 (01:14:12):
It actually calmed inward, and so it just sits the yeah.
Speaker 2 (01:14:15):
Perspective, that's what the bear. Yeah, he's always watching. It's
like Santa. It's true terrifying. Yeah, it's really scary.
Speaker 1 (01:14:22):
Suddenly, like the next episode, his eyes just move like
a like a Scooby Doo episode.
Speaker 2 (01:14:27):
Yeah, Oh, Barney the Bear it.
Speaker 1 (01:14:30):
Oh boy, all right, we'll see you next time.
Speaker 2 (01:14:32):
Next