Episode Transcript
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Speaker 1 (00:00):
I am all in again.
Speaker 2 (00:06):
Oh, let's you Gilmore Girls Gazette with Amy Sugarman and
Danielle Romo, an iHeartRadio podcast.
Speaker 1 (00:24):
If this boat is a rocking Was this a rocking
episode for you? Amy?
Speaker 3 (00:30):
I thought this was very very good. I thought, look,
I think they're all good. I thought last week was
just not quite up.
Speaker 4 (00:37):
To the level, but this one was. I have a
lot of thoughts. I also think Crosby shouldn't sell the boat.
Speaker 3 (00:46):
If there's any chance that Crosby can afford to have
the apartment and the boat, keep the boat.
Speaker 4 (00:50):
I don't get it.
Speaker 1 (00:51):
Yeah, we can debate that. I have a different take
on it. But all right, well, okay, Amy and Zoom
all fired up, ready to talk. So before we get
into that, how dare you say, Zoom?
Speaker 4 (01:06):
We showed up to this professional podcast.
Speaker 1 (01:10):
All professional podcasts are via Zoom, so it's fine.
Speaker 4 (01:13):
I don't think so.
Speaker 3 (01:14):
I think some are, like I don't know, some are
not on zoom anyway. Shout out two people, shout out?
Got to give two shout outs? Okay, number one the
person that said, if you like to hear people just ramble,
listen to Amy and Danielle.
Speaker 4 (01:28):
Thank you much.
Speaker 1 (01:29):
Correct. Correct.
Speaker 4 (01:30):
They were like, didn't I send it to you? Somebody
wrote the nicest comment and I was like, who's mal
wrote this?
Speaker 3 (01:35):
They were like, if you want to just hear two people,
just shoot the shit and ramble. These are two great ones,
So mad respect to that person. And number two, the
person who wrote when is listen if you want to
coming I'm low key waiting for it twenty twenty six, baby, listen.
Speaker 4 (01:52):
If you want to coming to you.
Speaker 1 (01:55):
Twenty twenty six.
Speaker 3 (01:57):
We're gonna pop the baby out, We're gonna get Danielle
back and then and.
Speaker 1 (02:01):
We're hopefully going to get through menopause.
Speaker 4 (02:05):
I don't you never get through menopause. I think it's forever.
Speaker 3 (02:08):
I've got a whole menopause minute that you won't believe.
But anyway, first and foremost, bravo Lauren Graham.
Speaker 1 (02:16):
Let me synopsize. This is the season two episode eight,
Adam come fronts a man in defense of Max, Crosby
and Jodel domestic conversations beginning with the selling of Crosby's boat. Meanwhile, Sarah,
at least we.
Speaker 4 (02:32):
Gave them something to do. At least we gave them
something to do.
Speaker 1 (02:35):
Correct. Meanwhile, Sarah and Gordon spent an afternoon together, which
carries on until sunrise the next morning. Loved it, Andrew.
Speaker 4 (02:44):
Loved loved it.
Speaker 1 (02:46):
Elsewhere, Hattie discovers intriguing information about Alex.
Speaker 4 (02:50):
Also good, good, yeah, good.
Speaker 1 (02:53):
So where do you want to start? Amy?
Speaker 4 (02:55):
Wait?
Speaker 3 (02:55):
What was Joel and Julia and this one? Did they
have anything? I think I interrupted you nineteen times during
the synopsis.
Speaker 5 (03:01):
No no, no, no, no, no, no, no that Joel and Julia don't.
Speaker 3 (03:05):
Only Yeah, we had a funny little bit when Joel
tells Jasmine, oh.
Speaker 4 (03:13):
Yeah, that was very cute with the shell.
Speaker 3 (03:16):
And then Eric Christiansen on the boat was kind of
you know, first of all, what do you think that
they've all snuck onto the boat to do like dirty stuff?
Speaker 1 (03:25):
I liked it. I liked it.
Speaker 4 (03:27):
That seems so invasive, like what that's his home?
Speaker 1 (03:32):
Oh, come on, it is funny.
Speaker 4 (03:36):
I thought Lauren Graham was amazing.
Speaker 1 (03:39):
Let's start with Lauren Graham, Aarah Braverman, and Gordon. I mean,
my favorite is that the click shooth clicker was DA.
Speaker 3 (03:47):
And she goes, remember she had some name for Da.
She's like, do it again or whatever?
Speaker 4 (03:53):
Do it do over?
Speaker 1 (03:55):
Do over again? Yeah?
Speaker 3 (03:57):
I thought it was so like, first of all, we
knew the click her shoe was not going to work
because it's a bad idea, Like, no one's losing their
shoe that much, although occasionally I do see a random
kids shoe out on the street.
Speaker 1 (04:08):
But whatever, right, and and and look at the end
of the day, was it a good idea? Sure? But
was it? But was it the idea?
Speaker 5 (04:20):
No?
Speaker 4 (04:21):
You know, like it was like it was very clever
but not practical.
Speaker 1 (04:28):
Right, So I guess in you know, when an idea
fails miserably, they go out and celebrates, like a tradition
of Gordon and Adams.
Speaker 3 (04:38):
Wait wait, wait, you know what it reminds me of though,
I must say, so, my niece has this pig pick
right like it's one of those jelly cat pig picks,
and she's had it since like birth, and they kept
losing it.
Speaker 4 (04:52):
So now pig pick.
Speaker 3 (04:54):
Where's like a full choker necklace of the apple tracker.
Speaker 1 (04:58):
Yeah, airtime.
Speaker 3 (05:00):
I might have told this story before, but I mean,
pig pig just has a full which is basically the
clicker shoe, Like basically it is home arrest inklet.
Speaker 4 (05:11):
Tracker.
Speaker 3 (05:12):
And then one time my brother dropped, dropped everybody off
at the pool and then had to go to Tahoe
and pig Pig came all the way to Tahoe, which
they tracked, and that was that, there's a backup pig Pig.
Speaker 4 (05:24):
Anyway, the clicker shoe had bearrit. It just was it
was it was too.
Speaker 1 (05:29):
Soon, right it? And shoes aren't so small that you
just lose them like keys. You know you lose your keys.
That that makes sense. Shoes, what do you miss? Peace the most?
Speaker 3 (05:40):
For me, sunglasses are tough sunglasses and my credit card.
If I take it out of the wallet and just
carry the credit card, the odds of that getting back.
Speaker 4 (05:49):
To where it's supposed to or slip.
Speaker 1 (05:52):
My phone is the number one thing that just goes missing,
either my son takes it, brings us I'm around the house,
or I just pregnancy brain. I don't know where I
left it, and I have That's why I have my
husband fully tracking me so I can be like, can
you please tell me where my phone is?
Speaker 3 (06:12):
The other one that is a kerfuffle for me.
Speaker 4 (06:17):
It's not once, but many times I have walked out
of the house and left my.
Speaker 3 (06:22):
Keys in the front door hanging out many mold tiple times.
Speaker 1 (06:26):
I've done that too, and it's very scary when you.
Speaker 3 (06:29):
Really going on in my brain when I'm doing that,
because like, did I not?
Speaker 4 (06:33):
Am I not locking it? Like don't you do? Lock?
And then turn it back? And like what am I doing?
Speaker 1 (06:40):
I do the reverse. I come home and my hands
are full, I unlock it and then I close the
door and lock, you know, lock the door from the inside.
I've done that before. We're the next morning, I don't
lock the dog, and I'm like, oh my god. The
entire night my keys have been in my door waiting
for an intruder to welcome.
Speaker 4 (07:00):
I've done that many times. Here's a good one that
I did.
Speaker 3 (07:05):
I wrote a check to somebody and I wrote it
wrong like I wrote I wrote the number correct, and
then you know, the words part I wrote it wrong
like I wrote, like, you know, two hundred dollars when
it's suposed to be two hundred and forty dollars. I
rewrote it. The person's like, hey, you wrote the check wrong.
I go, no problem, let me rewrite it, rewrote.
Speaker 1 (07:23):
It, put it out wrong again. Uh no.
Speaker 3 (07:28):
Then I thought, oh, well, I'm going to throw out
the wrong one.
Speaker 4 (07:31):
Throughout the right one left the wrong one. Like that's
so I wrote back to the person, Am I insane?
Let me do it again anyway. I don't know why
we're talking about this menopause. I have no of course. Okay,
back to the limo.
Speaker 1 (07:50):
Back to Limos. So Sarah and Gordon, you know, they
go out to celebrate their failed idea.
Speaker 3 (07:57):
Real quick note though clearly the Malibu like, they couldn't
have been more in Malibu than the Bay Area.
Speaker 4 (08:04):
If I've ever seen anything look like Malibu in my
whole life.
Speaker 3 (08:07):
I was like, that's not what anything looks like where
they say they are.
Speaker 1 (08:14):
Okay, so there's the whole thing that, like Gordon goes
up to Adam's like, we gotta do this is our tradition,
and Adam was like, I'm not going shot.
Speaker 4 (08:22):
I don't know.
Speaker 3 (08:22):
Adam wasn't going because he just had to lay up
seven people are because he's like, this is weird with
my sister.
Speaker 4 (08:27):
I don't know.
Speaker 1 (08:27):
But yeah, So in that scenario, do you feel like
Sarah should have been like, I'm the fricking intern, sit down, Adam,
you go before me.
Speaker 4 (08:35):
First of all, would I go with Joe Jonas if
he asked me to go. Of course I would when
I go with Brad Pitt. Heck, yeah, that's Billy Baldwin.
Speaker 1 (08:43):
Of course you're a boss. Though, this is like like if, if,
for example, me, you are my boss, if Joe Jonas
is like Amy Danielle and I are going to celebrate,
you have to come with. And if you're like, I
have so much work, I cannot go. I'm to say, Joe,
my boss has so much work, which means I have
(09:04):
so much work.
Speaker 3 (09:05):
First of all, that's so thoughtful of you. And I
pride myself on being a good person.
Speaker 4 (09:11):
I really do.
Speaker 3 (09:12):
But if Joe Jonas or Bracket want me to go
to Malibu with them, I'm out. I'm on my way.
Speaker 1 (09:24):
I think that's the thing. You are my boss, you
will be going, which means I will be going. But
if you declined for any reason because you're you're way
too busy with work and so stressed with work.
Speaker 3 (09:36):
If you are my boss and you're so busy with
work and Joe Jonas wants me to go to Malibu
with him, I'd be like, I'm on my way, Jojo.
Speaker 4 (09:48):
I mean, are you kidding me?
Speaker 1 (09:50):
Immediately, you know you're in this make.
Speaker 4 (09:53):
Jo Joas was like, want to go to Jack in
the Box with me?
Speaker 6 (09:56):
I'm going this tracks very well because you are you
have very Sarah vibes, like Sarah and Lauraai and Lauren
Graham vibes.
Speaker 1 (10:06):
You just have them all.
Speaker 3 (10:07):
First of all, there is no better compliment you could
ever give me than that one.
Speaker 1 (10:13):
I agree, I agree, well, thank.
Speaker 4 (10:15):
You said that. And yes, when I was if I
was an intern and Joe Jonas is like, want to
come to the doity dooo, yes I do. Joe Jonas
immediately thank you so much.
Speaker 1 (10:28):
And I'm very Adam, but I mean.
Speaker 4 (10:31):
It, I know, yes, so true. Actually you yeah, Adam.
That's why I can't wait to talk about the punch.
Speaker 1 (10:37):
I know, oh my god, one punch. I would have
done three? Should we talk about that?
Speaker 4 (10:44):
For sure?
Speaker 3 (10:44):
First of all, I knew I was like so uncomfortable
in the scene because I'm like, oh no.
Speaker 1 (10:49):
Oh, no, oh my god.
Speaker 2 (10:52):
Who.
Speaker 3 (10:53):
I felt like Adam should have stepped back sooner instead
of engaging engaging, and then the guy was so awful.
Speaker 7 (11:00):
But then oh, we'll get back to Sarah Gordon in
a second, but we have to jump to at them
at the grocery store with Zeke and Max.
Speaker 1 (11:18):
And it is oh my god. I mean, it is
one thing to be like a papa mama bear, right,
Like I think you just have that instinct in you
to protect your children or whatever. But this situation caused
so much it made me itch.
Speaker 3 (11:40):
That just shows that the scene was so well done too,
because if we both were like really reacting like that,
like even my neck is hurting as we're talking about it.
Speaker 1 (11:48):
I'm like, right, so we all know those you know
lines at the grocery store where it's like, oh yeah,
Express slange ten items or less or whatever, and you
know people usually ten eleven, all right, right, right?
Speaker 3 (12:01):
And he kind of liked this gum count or you're like,
is two oranges two or is it one?
Speaker 1 (12:07):
Exactly? I go with exactly. Anyways, this guy has seventeen
items in his cart and he is, you know, ten
item or less, and Max did not like it. He
counted all the items and he was like, dad, Dad,
he is seventeen. He shouldn't be here.
Speaker 5 (12:26):
And he starts, which I thought was so cul He
started for moving seven items from this.
Speaker 1 (12:36):
I thought that was hilarious.
Speaker 4 (12:37):
I still am confused why Zeke was at the grocery store.
But I guess he was just going along.
Speaker 1 (12:42):
Yeah, he was just going along. But the guy that
was in front of them, the other customer, like had
a reaction that was like essentially like he was so mad,
and Adam was like.
Speaker 4 (12:55):
An adult was doing and it's a kid like exactly.
Speaker 1 (12:59):
And he was just like saying things like under his breath,
and Adam was like, dude, I mean, you got seventeen
items like this is ten items or less, you know whatever,
which is like just a whatever comment. But then he
literally was like, you need to train your son. Oh
my goodness, you need to train your son, and blah
(13:19):
blah blah blah blah blah blah. And then he said
he called him the R word, and Adam punches him
in the face and I said, yes, Adam, punch away.
Speaker 4 (13:32):
Oh see, I am. I don't like punching.
Speaker 3 (13:40):
I here's why, it's just escalating the punch.
Speaker 4 (13:44):
Then that guy gets up and punches.
Speaker 3 (13:46):
I just am like, oh, but the sentiment I agreed with,
this guy's a jerk, But the punching, now, now, I
do think the thing I.
Speaker 4 (13:57):
Love, not love that's the weird word.
Speaker 3 (13:58):
But the thing I like is that we get the
payoff later with Zeke on the boat, with Adam understanding
the complexities of the punch and the situation and sort
of how it comes back to zek and we get
some real insight into.
Speaker 1 (14:16):
Zeke even before then though Amy, Like in the scene
at the grocery store, the camera pans to Zeke and
Zeke is like what the hell? Like he he was
like super confused, because it's just not an Adam's character
correct to punch anybody or to get upset.
Speaker 3 (14:34):
This is what the thing really is about that I
thought was so fascinating and why Parenthood is such a
good show. It's not so much about the fact that
Adam hit the guy. It's really about Adam and Zeke.
And we learn that too at the end when Monica
Potter's like, you're not your father, You're not your father,
and we sort of learn a side of Zeke that
(14:55):
sounds not good that I.
Speaker 4 (14:57):
Didn't necessarily not know. But I didn't necessarily no.
Speaker 1 (15:00):
I mean I picked up on that. I picked up
that Zeke is like the hot head, like you know,
like it's it's his way or the highway. He has
a little bit of a temper, like I've I've picked
up on that through through since season one, uh, you know,
with the the whole shadiness of the things that he
did in his relationship. Like I I picked up on
that right right day one. But it you're so right.
(15:24):
It has nothing to do about Max is you know, outbursts.
It has nothing to do with this guy calling Max
the R word. It is all about how Adam is
showing a lot of similarities to Zeke.
Speaker 3 (15:38):
And also how Adam is complex, right that Adam is
all you can get. Look, we learned right out the
gate Adam is the leader of the family. Adam is
the prodigal son, if that's the right word.
Speaker 1 (15:49):
He is steady.
Speaker 4 (15:51):
He is, he is steady. He go to look to him.
Speaker 3 (15:55):
And you also really learned right out the gate it's
Julia and Adam on one side and Crosby and Sarah
on the other. And they really also made that very
clear on the boat scene, which we'll talk about. But
the thing that I like is these characters are also complex,
like Zeke is complex. They're all there are not one
(16:16):
note characters, not one of them, not Michael b.
Speaker 4 (16:19):
Jordan, not Pattie, not Andrew. None of them are one note.
Speaker 3 (16:25):
And that's what makes this show so good and that
the writing is so brilliant that you start to learn
about these characters without it being forced down your throat.
Speaker 1 (16:33):
All right, well, let's talk about that scene where Zeke
and Adam like their have their moment.
Speaker 4 (16:41):
I have to say, Craig t Nelson.
Speaker 3 (16:44):
Look, craigtie Nelson is like iconic on the show, right
because like he's coach, he's alter your guys, he's all
these movies, right, I think he's even true Beverly Hills whatever.
Speaker 4 (16:55):
So his is not saying anything.
Speaker 3 (16:59):
He said nothing basically, so little other than like I've
got your back.
Speaker 4 (17:02):
He really was listening. I also like like when he
said something to Adam and Adam's like who are you?
And He's like, I don't even know.
Speaker 1 (17:11):
He said something like how did you feel? How do
you feel?
Speaker 3 (17:14):
Or something like that, Oh, I'm sorry, who are you?
But he says very little. But he's so talented. I mean,
these people are so good. That's why you're completely immersed
in them. You're never like I'm watching them. I'm like,
I'm I'm just part of.
Speaker 1 (17:30):
This right right. And then I mean, look, so we
have all that with the conversation with Adam and Zeke
where you just like really see as much and I
feel this way. I don't know if you feel this
way as much as sometimes you try not to be
like your parents, they're they are embedded in you, Like
(17:52):
I I see that with my dad all the time,
Like when I grew up. My dad and I are
very close now, but growing up we butted heads because
we are the same person.
Speaker 4 (18:03):
Don't use All the kids are a bit more Zeke
than Camille. She seems very Camille.
Speaker 1 (18:09):
There is something in Camille, like in the way she
delivers all her lines. I'm like, I need more. I
need more of Camille so bad, because.
Speaker 4 (18:20):
So calm and like present.
Speaker 3 (18:24):
By the way, I still just trip out that she
is Matt colly Culkin's aunt.
Speaker 1 (18:29):
I know, I know that is crazy, but she's so weird.
Well you were saying she's calm and uh present.
Speaker 3 (18:35):
She's very present, like even with the scenes with Lauren Graham.
Speaker 1 (18:39):
And there's so much more behind her words. Ye, Like
it's just I forgot what she did in this episode
with Sarah, but she said something like of course you didn't.
Speaker 4 (18:50):
Right, and like you should be with someone sweet. She's
very like I don't know I like her.
Speaker 1 (18:57):
Yeah, I'm hoping that we kind of already got a
little bit of a midlife crisis with her with you know,
the art teacher. But I hope there's like something meaty
with her as a center figure in the series to come.
I just really enjoy her character. There's just something there
that it draws me. But yeah, I mean the Adam
(19:21):
and z stuff is just so incredible. And I think
Adam realizes in this episode that, like he I think,
his whole life he was like, I'm not like my dad,
and he's just starting to kind of see that He's right.
Speaker 3 (19:37):
He's very combined because he does have a lot of
the mother character in him too, the calmness, the present.
And then we have that interesting scene at the end
with Monica Potter where she's like, you're not your father.
Speaker 4 (19:49):
It's almost like it's this is not the first time they've.
Speaker 3 (19:51):
Talked about it, right, right, because it's sort of like, oh, wait,
why is she It's almost like, oh, is this an
overstep of Monica Potter being like you're not your father?
Speaker 4 (20:00):
Because like, oh what, I don't know.
Speaker 3 (20:02):
There was a lot to that that I'm like, oh,
this is something I didn't really realize.
Speaker 1 (20:07):
I think kind of what I've what I've gathered so
far is that the four kids they all kind of
have a slight trauma from their father. Yeah, you like
kind of gather that maybe Zeke wasn't like and.
Speaker 4 (20:21):
I would say all the significant others. Definitely.
Speaker 3 (20:25):
Monica Potter is not the biggest fan of the Braverman's,
Like I feel like Joel is like, yeah, I'm in
with these people even though they're nuts. Like I think
Monica Potter is the most sort of standoffish to the
to the Braverman's really, Yeah, for sure, especially on Halloween.
Speaker 4 (20:47):
We see it all the time. She's always like, oh
your family, Oh wow.
Speaker 1 (20:51):
Yeah, yes, right, you're right, you're right.
Speaker 3 (20:53):
Compared to Joel, compared to Jasmine, compared to I mean,
Sarah Braverman doesn't necessarily have someone, but still I can't
read Sarah sneaking into the house.
Speaker 1 (21:04):
That was the talk about it.
Speaker 3 (21:06):
Tell me, Okay, first of all, I love it. She's like,
the first of all, I hate limos. There's nothing to
me worse than a lima.
Speaker 1 (21:12):
I agree, They're so hard to get in and out
of it.
Speaker 4 (21:15):
If you want to feel car sick.
Speaker 3 (21:18):
What I highly recommend is going in a lima if
you have any remote car sickness and you want to
really take that to a level ten, take a limo.
Speaker 4 (21:30):
Number two. Do limos even exist anymore?
Speaker 1 (21:33):
They do?
Speaker 3 (21:33):
And okay, we had to rent that limo. We did
this thing for The Bachelor, and we had to rent
a limo and like it wasn't it looked banged up
a little bit, Like all these limos are like we
were made in the nineties, because that's when limos were around,
and now you're still using the same limit.
Speaker 4 (21:51):
Is there a new limo? I don't think so.
Speaker 1 (21:54):
I don't think so. My brother's wedding, which was a
few months ago, he had a limo and getting in
and out of that limo in a poofy dress and
pregnant was the worst thing. Oh my god.
Speaker 3 (22:07):
First of all, if I was ever at ms, which
look listen if you want to may really take off
and it may become a teap V show. We don't know,
but say that happens, and that Danielle and I are
at the Emmys to be nominated. I'm driving myself. I
don't want to go in a black suv. I don't
want to go in a Limo. I'm just gonna drive myself.
(22:28):
Just get me a parking pass, like all this limo
black suv thing that happens in.
Speaker 1 (22:34):
La uh oh, I'll take your car for you.
Speaker 4 (22:38):
Would you say okay? Would you say you know all
the like limo stuff. Is it that people don't want
to drive or they don't want to park? What is
their hang up? Like you know we always get these celebrities,
can you send a car? Like? Is it they don't
want to park or they don't like driving?
Speaker 1 (22:56):
Oh y bove, I don't like. I don't like. Uh
you know, you can't be on your phone when you
get there. You don't hunt if I'm parking, it that
you get dropped off exactly where you need to enter,
so you don't.
Speaker 3 (23:10):
There's no valet at the Emmys, like just valet, like
I will te. I haven't either, But like I'm assuming
that if I drove myself that somebody can park my car.
Speaker 4 (23:22):
Let's just park my car, like I want to drive myself.
I want my own car. I want to know that
my emergency lip gloss is in my car if I'm
in a limo. Too many things to remember the thing,
the emergency things I have in my car dental floss.
Speaker 3 (23:36):
Lip gloss. I might have a spare pair of underwear
in here. I don't know, But I have so many
emergency things. I want my own car.
Speaker 1 (23:44):
Fair fair fair like.
Speaker 4 (23:46):
I'm telling you, there's definitely somebody that's like, why did
I take this limo to the Emmys.
Speaker 3 (23:50):
My car has my emergency you know, Advil probably got
a granola bar somewhere, Like I have a toilet in
the back of the car.
Speaker 4 (23:59):
I'm pretty well equipped in this thing.
Speaker 3 (24:02):
Anyway, sidebar the limo definitely gave me like first of all,
and they're driving the canyon.
Speaker 4 (24:06):
They're definitely on like the canyon.
Speaker 3 (24:10):
That that shot that overshot with their coming down the
curvy road and you see like a big mansion.
Speaker 4 (24:15):
They are coming down the canyon to PCH.
Speaker 3 (24:19):
Second of all, they pulled over like on pH where
people you know, you see, because I drive PCH a
lot where people have those uh have they called motor.
Speaker 1 (24:27):
Homes still Yeah, yeah, RV's r v's yeah.
Speaker 4 (24:33):
So they pulled over there. They obviously did the bound
chick bound bow.
Speaker 1 (24:39):
And also, I mean the one the one thing I
thought was cute before the bounce Chickamau is Gordon like
shows his sketchbook of like all his his past like
ideas that failed. I thought the golf shoes were a
good idea.
Speaker 3 (24:53):
First of all, I did too. I act the flip
flop was bad, but the golf shees were great. Also,
I might be putting Billy Baldwin.
Speaker 1 (25:00):
That was my favorite bald One, I would say so.
Speaker 4 (25:02):
He always was neck and neck for me with Alec
back in the day. Look Alec in the in the
nineties was solid right like solid. But Billy, Hello.
Speaker 1 (25:16):
Billy has I mean, I don't get this from Alec.
Billy has like there's like some some sign like he's like,
he's cute, he's got swag, he's got game. Yeah, you know,
he's got the bill.
Speaker 4 (25:29):
I'm gonna get Billy top Baldwin billing right now.
Speaker 1 (25:32):
I will too.
Speaker 4 (25:33):
I've seen him in Santa Barbara. He looks good. Lots
to unpack.
Speaker 3 (25:37):
We could do it that that would be an episode
of Listen if you want to the bald One.
Speaker 1 (25:41):
I like Sarah and Gordon together. I'm just bummed up. Obviously,
the shoe drops soon, So what happens.
Speaker 3 (25:47):
I don't know, but I love that they she First
of all the four am. It's like she's kind of
like a teenager slash mop. She runs into the guest house,
puts on her pajamas. First of all, blessed Drew who
woke up and panicked that it's not there. Now I
put a flag on it though, that at six am,
a teenager wakes up and gets in the shower and
(26:08):
gets ready for school, and the mom lives in the
guest house.
Speaker 4 (26:10):
I don't know that he would have noticed she's.
Speaker 3 (26:12):
Not there, but fine, the panic was real, the fact
that they all four were up and that she comes
in and tries to pretend and then they're all and
like his reaction of being mad was great and amp
The whole thing was.
Speaker 1 (26:26):
Just, this is my flag on the place. So they're
all stressed about not finding her or knowing where she's at.
Yet they're just they're just eating breakfast and.
Speaker 3 (26:36):
The kids why they didn't call, Well, they did call Adam.
I think they didn't call the police. But her cell
phone's dead. The whole thing, you know whatever, I hate
that word cell phone dead. I like to say cell
phone out of battery. I don't know why that always
gives me agito when I say it.
Speaker 4 (26:52):
That way.
Speaker 3 (26:52):
So anyway, I laughed, I sort of felt it and
laughed a little bit.
Speaker 1 (26:56):
Like yeah, like I was super stoved for Sarah to like,
you know whatever, have have It seems right now. Obviously,
I feel like the sho's gonna drop. Like I just said,
it seems right now that Billy and Sarah just have
this keem.
Speaker 4 (27:11):
Yeah, like is just so cute. He's cute, you said, Billy,
which I love.
Speaker 1 (27:16):
I don't.
Speaker 3 (27:19):
Now he's been real darling, like saving the girl from
the pool and like this.
Speaker 4 (27:23):
H No, they're real cute. They're not. I don't think
they're gonna last.
Speaker 1 (27:28):
No, they're not. Because he only has a few more episodes.
Speaker 2 (27:30):
All right.
Speaker 3 (27:30):
I think we've got like three more episodes with them.
But anyway, maybe he moves away. I don't remember what
happens with the shoe company. The whole thing's confusing.
Speaker 1 (27:36):
Who do they fire him?
Speaker 3 (27:37):
No, I think it's his shoe company. Maybe Adam starts
his own. I can't remember. It's fuzzy, Fuzzy, Fuzzy.
Speaker 4 (27:42):
I don't remember. Jasmine Crosby. You're interesting me a little
bit more in this episode.
Speaker 3 (27:48):
Yeah, okay, the hot dog scene was the one that
I loved the most, Like you're a little guy, Like
that was adorable. That actor is so cute, prey together,
like the Jasmine, Like I like Jasmine Crosby, but I
really like is Crosby and Jabbar.
Speaker 1 (28:07):
I completely agree with you.
Speaker 4 (28:10):
There's nothing bad about Jasmine. I'm just like, she's no Joel,
that's all.
Speaker 2 (28:15):
Well.
Speaker 1 (28:16):
I also think is we're annoyed. We're still annoyed with Jasmine,
Like we're just annoyed with her. I think that's why
we're like, back up, yeah.
Speaker 3 (28:24):
I need some more meat to Jasmine, which we will get.
We're gonna get. I loved the boat scene with the
four of them, and I loved there was something special
about Sarah Braverman to Crosby, I'll help you. I'll help you,
(28:49):
And it was like we needed it from Sarah the
most because the other two are like mister and miss
perfect you know, Adam and what's her face?
Speaker 4 (28:57):
Your name?
Speaker 3 (28:57):
Julia Julia Rosby needed Sarah I'll help you. And I
thought that whole thing was great, really great. We don't
get a lot of scenes with just the four of.
Speaker 1 (29:06):
Them, and I actually, hmm, ironically, I thought I liked
the Crosby Julia moment where Julia was like, Crosby, you're
the grown up, sell the boat.
Speaker 4 (29:17):
I wasn't as crazy about that.
Speaker 3 (29:19):
I felt that somebody should have said to him, if
you can afford the boat, keep the boat.
Speaker 4 (29:22):
If you can't afford the boat, sell the boat.
Speaker 3 (29:23):
Like to me, you don't have to sell your like
when you become old and married or whatever. You don't
have to get rid of everything that made you you
if you can afford it. If he can't afford the boat,
the boat's got to go. If he can afford the boat,
keep the boat.
Speaker 1 (29:37):
Hey, here's the thing we know Crosby. He can't afford
the boat, sell the boat.
Speaker 4 (29:42):
I mean, I guess, but I haven't seen his big statement.
I don't know.
Speaker 1 (29:45):
I'm just based off of everything we've known about him.
He lives on a boat.
Speaker 4 (29:49):
I wasn't as crazy about Julia. I was like Erica Christensen,
stop No.
Speaker 1 (29:53):
I was like, thank god, somebody just freaking told Crosby.
Speaker 4 (29:58):
The scene that made me laugh so hard.
Speaker 3 (30:01):
My favorite scene in the whole show is when Crosby
walks in and Adam and Sarah are fighting in.
Speaker 4 (30:07):
The office and he goes, are you guys fighting?
Speaker 2 (30:08):
Oh?
Speaker 3 (30:08):
This is great, like, let me, let me get let
me sit back. That made me laugh so hard.
Speaker 4 (30:14):
I was like, oh, so good.
Speaker 1 (30:16):
And so you didn't like the last scene where Jasmine
shows up in lingerie and they do.
Speaker 4 (30:20):
That dirty and actually gave me the wiggies. I'm not
gonna lie something about that.
Speaker 3 (30:25):
I was like, ew, yeah, it was weird because sometimes
I like those scenes, like like I happen to be
watching nine O two and zero and Kelly and Brandon
just kissed, and that gave.
Speaker 4 (30:34):
Me the like feels. I was like yes. And then
on Sex and the.
Speaker 3 (30:38):
City, I rewatched three iconic sex in the City scenes
this week, when Carrie bumps into Big and Natasha, when
Natasha catches Carrie in her apartment, and when Big and
Carrie when he's at his engagement party and getting in the.
Speaker 4 (30:56):
Car and she says, your girl's lovely hubble. I felt those.
I was like, yes, Brandon and.
Speaker 3 (31:04):
Kelly kissing, Yes that something about that one, Oh, I
don't know.
Speaker 4 (31:08):
I was so fixated on his shoes and.
Speaker 1 (31:10):
I'm like, oh, you see, I liked it. I liked
it because Okay, so he's selling the boat, but it's
also jazz and being like I know this is your
favorite place.
Speaker 4 (31:19):
It's like, you know, I don't know, maybe it's menopause.
I don't have enough estrogen. But I was like, I
don't like.
Speaker 1 (31:25):
Him fair enough. I was like, poor, poor Joy.
Speaker 3 (31:30):
I got to get some more estrogen in my body.
I don't have enough estrogen in my throat. I don't
have enough estrogen anywhere. Did you know That's why I
think my raspy voice is because I don't have estrogen.
Speaker 4 (31:39):
I gotta get some.
Speaker 3 (31:40):
I'm gonna I'm trying to eat some at a mommy,
but then I get diarrhea.
Speaker 1 (31:45):
Oh my goodness.
Speaker 4 (31:46):
Sorry, menopause. Been it? Sorry? I knew today was going
to be unhinged.
Speaker 3 (31:50):
I had a feeling these were going to be I
don't know if you listen to Gazette, but people, this
was a this is a great week.
Speaker 4 (31:55):
We've been really off the rails.
Speaker 1 (31:57):
Well, we have to fin I mean we've gone We've
gone long on this episode.
Speaker 4 (32:01):
I know That's why I'm like, Raperman's out.
Speaker 1 (32:03):
I don't want the whole time out. You can't just
braver Man. We haven't talked about Michael Jordan, and oh god.
Speaker 4 (32:11):
You got Michael B. Jordan is so good. She's so good.
Speaker 3 (32:15):
Although the office scene was awkward for me, I was like,
oh god, but and the kiss was awkward, so much awkwardness,
but in a great way.
Speaker 1 (32:22):
I love the awkwardness.
Speaker 7 (32:23):
I love it.
Speaker 4 (32:24):
And he's drinking orange juice like out of the jug.
I was like, I love it.
Speaker 1 (32:28):
But he reveals he's got some props, you know, some
lay and relationships are good.
Speaker 4 (32:34):
For He should have said what I thought. I don't
know why he didn't say.
Speaker 3 (32:38):
And I'm not supposed to date someone for a year
because that would like, you know whatever.
Speaker 1 (32:43):
But I just love that she left her prep browley
and she was like, I'm going to go for the dude.
Speaker 4 (32:47):
And I love ambergoing what are you doing?
Speaker 1 (32:51):
That was funny. My favorite was like do you have
a crush or HoTT He was like, I'm helping move
a homeless person. Imber goes, you have a crutch on
a homeless guy.
Speaker 3 (33:04):
I was like a little bit cringey on that, but
yet I was still like, giggle, giggle, But my Kobe.
Speaker 4 (33:09):
Jordan's around, so don't worry about that. He's around for
a bit. Good.
Speaker 1 (33:14):
I love it. Well, now you can go ahead and
sign off the episode. We just definitely had to talk about.
Speaker 5 (33:20):
My ten Braverman's Out, nine eight, Braverman's Out.
Speaker 2 (33:53):
Everybody don't forget.
Speaker 3 (33:54):
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