June 23, 2025 • 33 mins
He’s the everywhere man in Stars Hollow! Our favorite background actor Robert Lee joins Scott to recap Season 2 E9 “Run Away, Little Boy.”
Is Luke playing too many games with Lorelai? Hear why Robert thinks his teasing is actually showing a true emotion.
Plus, this is Tristan’s last episode, but is he leaving on a redeemable note?
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Speaker 1 (00:00):
I am all in again.
Speaker 2 (00:09):
Hello, let's just you.
Speaker 1 (00:17):
I am all in again with Scott Patterson and iHeartRadio Podcast.
He Everybody, Scott Patterson, I Am all in Podcast, one
of them productions iHeartRadio Media. I Heart Podcast Season two,
Episode nine, Runaway Little Boy. November twenty seven, two thousand
and one, was the momentous date that this originally aired,
(00:39):
and I am joined by very special guests. Mister Everywhere,
mister everything. You see him in every scene. Just about
Robert Lee, the famous Robert Lee. Hello, Robert, how are you?
Speaker 2 (00:54):
I'm doing great? How are you doing?
Speaker 1 (00:56):
I'm doing okay. You are credited for appearing in Good Trouble,
to Pit, ex Pat's, Gray's Anatomy, Call Me Kat, and
so much of Gilmore Girls, And I'm thrilled to have here.
We're going to dive into this, but before we get started,
you were on the Pit, the hottest show right now.
(01:16):
So how was that? How was it different from Gilmore Girls?
Speaker 2 (01:21):
That that was a great show. The working with John
Wall's production and Noah Wiley and the wonderful actors on set.
They had a great crew. It was a little crazy.
I played a gentleman that was having a heart attack
and they were moving crazy fast to save my life.
But that was a wonderful experience and the crew was welcoming.
(01:45):
The actors are great, fantastic.
Speaker 1 (01:49):
Now let's discuss the episode Romeo and Juliet. Here's the synopsis.
Dean gets jealous when Rory and Tristan are cast as
Romeo and Juliet in the school play, which is fifty
percent of the overall grade, and Luke Teas's Laura Ali
for dating a younger man. Director Danny Leaner writer John Stevens.
(02:16):
Paris is directing who else would be directing? She's in charge,
and Rory's kisses Juliet and Tristan is Romeo. She feels
Rory does inclined to tell Dean about her kiss with
Tristan at that party in season one because Paris is
making them do rehearsals in Stars Hollow at Miss Patty's
(02:38):
when Dean insists on watching Rory's rehearsals. She asked Tristan
to keep their kiss a secret. But during the rehearsal,
what does Tristan do? He does Tristan things. He reveals
that they had a kiss before, and that's right in
front of Dean, who insisted on being there. Later, we
find out that Tristan's dad has pulled him out of
(03:00):
school for bad more bad behavior, you know, fulonious behavior,
breaking into people's safes and taking money out. You know,
any other kid would have gone to jail and been prosecuted.
But so Tristan goes to a private military school in
North Carolina, and then Para steps up to inhabit the
role so fully as Romeo. In the final performance, Robert
(03:26):
is Dean being overprotective? Was he justified?
Speaker 2 (03:30):
Well? I mean I have to say that Dean was
pretty annoying in this episode. He was being extremely needy
and insecure.
Speaker 1 (03:38):
Yeah, but don't you think Tristan was even being more annoying? Oh?
Speaker 2 (03:42):
Yes, he absolutely was. He was egging danon every step
of the way, and it just wouldn't. I mean, the
episode itself is so well. I mean, the dialogue that
we had in the diner with you you just slinging
those mad You had great lines.
Speaker 1 (04:04):
Good stuff, good stuff, good stuff. So they're teenagers, how
was Dean supposed to act? I thought he acted pretty
grown up for a teenager.
Speaker 2 (04:13):
Yeah, he wasn't too bad. He wasn't too bad. It
just it just some of the things. The pushing.
Speaker 1 (04:19):
I mean, men do that, right, they do that. That's
the same scene that has been played out time and
again for thirty plus forty plus men. Yeah, I think
I should be there. Yeah, I think I'm crazy. Right. Yeah,
someone's always getting in between Dean and Rory.
Speaker 2 (04:34):
Right, Yes, it's always trying to get in there.
Speaker 1 (04:39):
So, but do you think he went too far? Do
you think Dean went too far?
Speaker 2 (04:42):
I think it's kind of normal for his situation in
a small town. You know, you know people you're you're
afraid the the implication of you know, he's rich and
you know from the school, and you know, it's it's
just that normal teenage anks.
Speaker 1 (04:58):
You think it's more that he doesn't it's not that
he doesn't trust her, it's that maybe he really doesn't
trust Tristan, Like that guy is manipulative, diabolical, and you
know he's up to you, right, he keeps showing it
at every word out of his mouth, right exactly.
Speaker 2 (05:18):
Yeah, I mean that encountered that they had at Dozes
market place. You know, he was just every little needle
nigging on.
Speaker 1 (05:27):
Yeah. I think if anybody ever deserved a sock in
the jaw is that character Jesus. Let me ask you this.
If Dean was a little more chill right or stand
offish with Rory, I wonder if she would have stayed
with him. What do you think you think she there's
(05:47):
a part of her that liked him being a little overprotective.
Did that make her feel safe or did that make
her did that turn her off a little bit?
Speaker 2 (05:56):
I think the drama, the this situation was very overwhelming
for her and that was not the experience she was looking.
Speaker 1 (06:08):
For, right right, Obviously we know that Tristan has feelings
for Rory, right it was a very sweet goodbye after
he's carted off to military school. I for want am
not sad to see Tristan leave the show. I think
this is the last time we have to deal with us.
What would you have liked to see it happen between
(06:29):
Tristan and Rory.
Speaker 2 (06:30):
Well, Tristan just wouldn't learn. Would I would have liked
to see an actual you know, his character was a
good character, and if we could see him grow from
learning from his mistakes rather than just constantly repeating mistakes
over and over asking for that attention. If he kind
of like put two and two together, says, you know,
(06:53):
I could be a better person. I could grow or
if Amy decided to have him grow in that character,
he would have been a really awesome character to continue
with the work.
Speaker 1 (07:02):
So you think he was redeemable. There's there's some redeemable
qualities here.
Speaker 2 (07:07):
Yes, I mean he the dialogue when he said goodbye
to war kind of im just going.
Speaker 1 (07:12):
Man, just what how do people evolve like this? Let's
let's say twenty years later, these people have an epiphany
at twenty five and they say, I don't want to
be this person anymore. How do these people end up?
What do they do? Are they redeemable? Do they turn
into like the opposite of what they once were? Are
(07:34):
Are they as obnoxious on the other side, love bombing
people all the time and trying to get everybody to
fall in love with them? And I'm a great guy, And.
Speaker 2 (07:42):
I think the energy just kind of starts coming down,
and then you kind of settle down, and you kind
of well that, you know, you can't put that force,
that much energy into being that character all the time,
and chill kind of settle down.
Speaker 1 (07:57):
Well, maybe maybe the reason he's like that is because
he has no idea who he is, yes, right, yes, anyway,
all right, well that's for the bigger minds to ponder.
All right, let's talk about lorelized date. This was This
(08:19):
was a very This was hysterically funny. The payoff for
this was really great. She's at business school. She's asked
by one of her class names made. Paul is very
young looking, youngish looking. Although we don't see the date.
She opens up about how she enjoyed the idea of
a dating life, not necessarily thinking her and Paul are
a match. But you know. Then he shows up at
(08:43):
Luke Steider with a baseball cap, one that made him
look like he was seventeen. Oh, he looked like a
college guy. It was really funny with his parents and
he's full of enthusiasm and oh, it's just great. This
was probably the funniest scene in the show.
Speaker 2 (09:03):
I love the lexuses line. I always wanted a little brother.
Speaker 1 (09:08):
She had.
Speaker 2 (09:11):
Again, like I told you before, you just had some
great one liners, telling Laura she'd she should have a
hype bar.
Speaker 1 (09:19):
R right, right, right, Rory had some good one liners too.
I mean she had some singers. You know, she mocks
her own mother. She always had a little brother, so
Luke is a little salty towards Laura. I mean he's
kidding her and teasing her, but then he gets a
little you know, he says, you know, the turn is
(09:40):
it's embarrassing that she's running around with a kid. I mean, right,
is Luke jealous? No?
Speaker 2 (09:46):
I think Luke is he is generally invested in Laurali
and he thinks she can do better. I mean she
is literally I think he is literally embarrassed for her
because he thinks that much of her and that she
can do so much better.
Speaker 1 (10:04):
Right, I'm going to say, you know, to answer the question,
is Luke playing the right game here? I think for
him to remain unbothered by it could come off as uncaring,
right yeah? Oh yeah, and he cares. He cares deeply.
Speaker 2 (10:23):
Yeah.
Speaker 1 (10:23):
And I think another way of him showing his feelings
for her is to be a little critical and to
be like, you know, to take on the friend roll,
like what the hell are you doing? What are you
thinking of it? I mean it's a bad look for you,
you know, I mean, come on, step up, I mean,
without you know, pushing himself. But yeah, I don't think
(10:46):
ice and unbothered and not engaging in it is possible
for him, you.
Speaker 2 (10:52):
Know, I mean he wears his heart on his sleeve
and he shows it all the time by showing his
emotions of when he's bothered and when he's not bothered,
when he's generally happy and proud of Orri, and when
he's frustrated by the antics that laurel Lie sometimes does.
Speaker 1 (11:13):
Should he have gotten together with lorel I sooner? Is this?
Is this proof that it's being dragged out too much
and that the fans are getting frustrated. Like it's almost
like the writing is so artful that they want the
fans to give up hope, they want them to settle on. Oh,
they're just going to be friends. It's never gonna happen.
(11:34):
And then when it does happen, it's like, wow.
Speaker 2 (11:36):
No, it's it's it's truly a great, great slow burn.
And you know Amy just writes so well and had
this run out so well that yeah, I think it
would have been the payoff would have been better, or
had been was better by making it longer.
Speaker 1 (12:00):
Friendshit, there is Paul too young or you know, I
don't know Laurrea Lash she date who she wants right, right?
Isn't it a good idea for her to tipper tone
in the dating pool again, I mean, so what, he's
so he's young.
Speaker 2 (12:14):
So what, It's just her track record, it's just her
choices in her track record has just not been sterling
of late.
Speaker 1 (12:21):
She's in a tough spot, right. It's just such a
tough to be a single mother and dating a what
a minefield that is. You have to be so careful
who you bring into your world. And now that you know,
Rory is on her way to you know, some Ivy
League institution, Let's face it, she's going somewhere. She's doing
(12:43):
great at Chiltern, you know. Yeah, you got to take
a little me time.
Speaker 2 (12:48):
Right exactly.
Speaker 1 (12:50):
And she's you know, she's thirty what, she's thirty three now,
she's thirty two. At the beginning of the show, she's
thirty three season two, so she's thirty three. Yeah, why not? Right?
Speaker 2 (13:02):
Right?
Speaker 1 (13:03):
Yeah, gotta get out and live. And I think I
think Suki was right, like get out there and like,
you know, anyway, is it better for Rory or Luke
to make fun of this guy's age?
Speaker 2 (13:14):
I just well, it's just both. I mean, Rory just
shows the camaraderie, the the the love and that level
of kitting around with your mom and being her best friend,
and then Luke just being there as as a truly
good friend, going holding up a mirror and saying, what
(13:38):
are you doing? Look at this?
Speaker 1 (13:40):
But you know this is very North of Eastern kidding
each other, teasing each other. It's very you know, it's
what It's how I grew up. This is what you do.
You just bag on people you know, and it's just constantly.
It's fun. Why Why do you think Luke isn't making
a move just yet? What is it? What is he
waiting for? Robert?
Speaker 2 (13:59):
I think he's a good friend. I think he's truly
a good friend. And and if it comes down and
he's looking for what's best for her, if someone else
else turns up that he approves of that is best
for her, he'll support it. But if someone like this
little boy comes around and he's going to say no,
this is he'll he'll he'll he'll criticize it and tell
(14:22):
him that's not good enough. And I'm not sure he's
decided that he's also putting his hat in the ring.
He's truly a good friend.
Speaker 1 (14:34):
Yeah, I guess he likes his routine. I think he's
I think he's a little afraid of breaking up his routine.
If it didn't work out, it would blow his whole
world apart. If it does work out, it blows his
whole world apart. Right, So he's he's I think he's
hanging on with, you know, one hand plus three fingers
on the other hand, and he's got a pinky and
(14:55):
a thumb available maybe for this relationship. Boy, that didn't
come out right anyway.
Speaker 2 (15:01):
So his I mean, his life is a little bit
on the rocks because of the news of his nephew
Milo coming into his life, you know, right and upsetting
that card. So he's got issues.
Speaker 1 (15:18):
Right right, right, all right, So let's discuss Robert, if
you will indulge me. I know you're busy. I know
you have to be in several places at once. You're
mister everywhere, mister everything. Sixth, seventh and eighth Man of
the Year. Lorel I approaches Luke at the diner and
(15:43):
she says that she doesn't have many people in her
life that are permanent, and and she brings it up
as an example that that could have been. Then she
says she has roy Suki this town. And then last
but not least you know the gipper there, Luke, and
(16:06):
then he says that you know she has him right exactly.
Let's talk about Lorelay saying that she doesn't have a
lot of permanent people in her life. Did that hit
you emotionally? Definitely?
Speaker 2 (16:21):
Oh, absolutely, because Lorela does. She is looking for stability,
and she's looking for the people that she can count on,
and she doesn't. She is way too scared to screw
that up. And you are one of Luke is one
of those you. Luke is one of those people that
(16:43):
have been rock steady in her life.
Speaker 1 (16:45):
M hm. Yes, it's nice to hear, right, It's nice
to hear that absolute. Yeah, So I think it maybe
gets him. I think that scene maybe gets him to
the starting line again in the you know, and that
the kathlon that is laurel I's heart, right, he maybe
(17:06):
wants to step up and vuy for that trophy, right, maybe? Maybe?
Speaker 2 (17:10):
Yeah?
Speaker 1 (17:11):
What do you think of all this? Do you think
one of the reasons laurel I has such issues with commitment?
You think it's it she's commitment phobic.
Speaker 2 (17:22):
Well, she's definitely admitted that she sucks at dating, right,
and that you know, when she dates a man romantically,
it's gone bad for her. So she's getting a lot
or a little or a lot gun shy on the
whole romance title. And she doesn't want that title to
be put on someone that she can count on because
(17:44):
she always loses them.
Speaker 1 (17:47):
Do you feel that on a psychological level, maybe she
feels she isn't worthy of that type of permanence that
she liked, Like she had her shot, but now she's
got bigger fish to fry with her daughter and her
daughter's future and that's really the important thing, and that
she's made it this far and she runs her own
(18:08):
business and she's she's an independent woman. Does she really
need a man right now? I mean that's that's really
the question I think this show is posing. Do you
really need a guy by yourself? Maybe nice to have
one if it works out, But I mean she's perfectly capable,
right I'm not arguing against the relationship, trust me. The
(18:28):
Luke LARELEI think is wonderful. But it's like she's a
very capable person. She's figured it out at sixteen years old.
She had to figure it out. Imagine being sixteen and
having to do that. Now she's still she's she's still young,
thirty thirty three years old. Yeah, but there's nothing wrong
(18:49):
with wanting to have a partner. Nothing wrong.
Speaker 2 (18:52):
Yep.
Speaker 1 (18:53):
You know, she's going to be an empty nester in
a couple of years, so it's like she's going to
be so young still as an empty nest or she'll
be what thirty four, thirty five, thirty five years old?
That's really young, kidding me, right, So it's a real dilemma,
you know for single mothers.
Speaker 2 (19:12):
Yeah. I think that she's understanding that there is the
next stage in her life is coming up. She's dipping
her toe in the water and damn it, but it's
you know, working out like it did before. So something's
got to change, and she's trying to figure it out.
And admitting that she sucks at dating goes a long
(19:34):
way to I think, establish and maintain her friendship with Luke.
Speaker 1 (19:41):
She also includes the town like the town really is
her rock. It's the collectives, it stars hollow, that is
her permanence. Yeah, that's her safe place. That's where she
found herself and raised her daughter. I mean, she's never
going to leave that town. She's a lot like Luke
in that way. I think when you know, that's why
(20:02):
maybe these two are faded to be together because they
are both that town. Yes, you know, he grew up there,
but she adopted it. And I don't see her leaving, right, No,
I don't see her leaving. Do you see Luke and
Laurel eyes there together? Right, They're there forever in that
town and they'll always be you, it will always be on. Yeah.
(20:29):
When Luke said you have me right, you have me
pretty good line.
Speaker 2 (20:37):
Huh, that's a great line. I mean, it just shows
you that you can be a good friend, you can
have a relationship with a guy and not screw it up, right,
And I think that's what she needs to know, right.
Speaker 1 (20:52):
The inevitability of this relationship. It's inevitable, right, Yes, that's
great writing. It has to feel inevitable if you want
this thing to work, it's got to feel inevitable. From
the first scene that we see them together, there's got
to be a spark, right, There's got to be something there,
you know. It seems like the writers they just they
just they never give us too much. They give us
(21:17):
just enough. Right that The magic of the show is
that the magic.
Speaker 2 (21:21):
Robert no writing is the magic of the show it is.
I mean, it's so well written. This was but second season.
This is the beginning of me working on Gilmour Girls.
I think it's the fourth episode that I've done as
a busboy. Overall, I think I've done about ten episodes
(21:43):
so far. And I mean, I'm I'm still finding myself
in the role of the bus boy and still try
not to laugh on camera when you guys boy again,
you and Roy with the one liners and Liz Torres
(22:05):
coming in, Liz Liz coming in.
Speaker 1 (22:08):
That's right, you had to really repress your laughter.
Speaker 2 (22:12):
Yes, Oh my god, God, what you read to go
There was a huge difference between reading the script or
the sides that they give you. So okay, I know
they're going to say this, but then when you deliver
and then Liz delivers and Suki delivers those lines, it's like, shit,
that is way funnier than I read it.
Speaker 1 (22:34):
To me, it's a very heartfelt scene, very sweet little scene. Yes,
And I gotta tell you my reaction to it when
I first read it at the table read was you know,
it gave me. I think it was the first time
I felt secure that I was going to have a
job going forward. Yeah, you know, because I was always
(22:55):
a little like God, they're throwing so many guys, and
I wanted to believe that this couldn't possibly.
Speaker 2 (23:03):
End.
Speaker 1 (23:04):
But you know, everybody's expendable that isn't like a Gilmore.
And this is the scene that gave me that confidence,
like I think I'm going to hang. I think I'm
going to survive this if this sort of this merry
go round of boyfriends.
Speaker 2 (23:22):
That is really funny. You say that because working background
on the show, the ads in the first eighties were
looking for a spot for me very kindly, and I
was a towny walking around driving a car, and when
that scene came out, going wow, I could They're gonna
make me the bus boy. I guess I can do.
(23:44):
The bus boys going to be the job that I'm
going to do. And that's what it grew into that
I was always in the dinerize the busboy, because you
we're going to be there forever, you know what.
Speaker 1 (24:08):
Let's let's I want to ask you a couple of
things about about how you got involved with Gilmore girls.
You remember your first day on set?
Speaker 2 (24:15):
Wouldn't say I remember literally remember the first day on set,
but I do remember coming in the first couple of times,
and Carla was the first a d and she was saying, well,
I'll find you something, you know. Was it going to
be a teacher. We didn't know if Chilton and the
(24:36):
teachers were going to be seen a lot, or were
we going to be at Chilton mostly where we're going
to be in the town generally mostly And later on
as we just talked about, we found out that one
of the primary sets would be Luke Steiner and we're
going to be in there so much so trying to
find out generalized essentially, it was first generalized that you're
(24:59):
just going to be a towny and we'll see where
it goes from there. And slowly certain specific things started
coming up, like working in the diner, in which we
had not just ask one or two principles, you would
have up to six five six principles in and you
(25:24):
needed someone or they needed someone to be reliable and
do the background without screwing it up, you know, make
the takes not about the background making mistake, but about
the actors getting the work done and getting the best
possibles work out of you guys. So I think this
(25:46):
is probably one of the starting episodes one of the
first episodes where they're going, oh, Rob's doing good at
these complicated scenes.
Speaker 1 (25:56):
And can I interject something here? Days when I would
be standing next to you, and you are always very
friendly with everybody and very respectful and reverential. And one
of the things we appreciated so much about you and
the work that you were doing was that you took
it so seriously like you were a member of the
(26:20):
main cast, and that I was standing next to you
one day and it was pretty early on and yeah,
a lot of people were in the diner and it
was kind of a hot day and we were all
dressed for winter and all that, and you were sweating
your brains out and I could see the moisture on
your shirt. I could see the coming through your shirt,
(26:41):
the sweat stain. And you were just like focused every
single take, focused, ready to go, ready to do your thing.
And if somebody, another extra wasn't doing their job right,
you would go over and you would you would tell
them in the night nicest possible way. It's like you
(27:02):
were the captain of the extras and you were making
sure that it was the most believable background scene. And
I just I just respect you so much for the
work you put in. Because you put in the same
amount of hours you put your work was maybe even
harder because you know, you had to focus and listen
(27:25):
to every line of dialogue to know exactly when to
hit your mark on the other side of the din,
when to pick up the plate, when to I mean,
you had to do all of that stuff, and you know,
we really marveled at your dedication and your skill at
doing this. So good on here for that.
Speaker 2 (27:45):
Thank you so much.
Speaker 1 (27:46):
No small job, no small job to work in that diner,
you know, you know right, because those scenes were very,
very complex, and the blocking was very complex at times.
Speaker 2 (27:58):
You guys had so much dialogue to do, and I
respected you guys so much, and I understood that I
can't be There's just I just could not be part
of the problem. I needed to be part of the
solution because you guys were getting your damn you were
(28:22):
getting your lines last minute all the time. And I
saw it. I heard it. I heard when the Blues
and the Pinks came in. I'm just going, are you
kidding me? They're changing it again? All that dialogue that
you guys have to do, and I just had I
just felt that it was really my responsibility to be
(28:43):
part of the solution and never the problem.
Speaker 1 (28:46):
Well, I'll tell you you made that a very well
oiled machine in that diner. When we were working with you,
it was a well oiled machine. We had the utmost
confidence that we were working with somebody who was truly
a pro, who took it very seriously, and we I
just want to say how much I appreciated. I know
(29:07):
everybody else did too. And if there was some kind
of an award for extras, you would be getting the Emmy,
you'd be getting this Screen Actors Guild. I mean, you're
just wow, really great job. Do you ever get recognized
by the way as as tell us tell.
Speaker 2 (29:25):
Us, I wouldn't say I get recognized on the street
so much. But when we when I was working with
you at the Holidays made here event at Warner brother
right with the absolutely wonderful and truly great Gilmore girl fans.
Speaker 1 (29:44):
Oh god, yeah, yeah, they.
Speaker 2 (29:47):
Were recognizing me left and right, and absolutely absolutely was happy, happy,
happy to oblige and you know make I mean being
there and having stars Hollow recreated in person for them,
I'm sure it's so great and seeing someone that they've
(30:07):
seen on TV and they wanted to be part of that.
That was at that you know there absolutely and if
I probably went to a convention maybe, but fortunately, fortunately
out in the public on the street, I get to
remain anonymous.
Speaker 1 (30:25):
Right, and you're working over there now, right, you're over
there at Warner Brothers. Now, No, that was a temporary
Oh that was temporary.
Speaker 2 (30:32):
Oh okay, that was just for the event.
Speaker 1 (30:35):
Okay, what about what about this? What about this coming year?
You're going to be there again? I don't know, back
by popular demand? Come on, man, well I know that.
Speaker 2 (30:47):
I haven't in I know some people on the lot,
so I'll be able to get on the lot for free,
but to actually work the event, I'm not sure if
they want would want me to be there.
Speaker 1 (31:01):
You're too famous. Now that's a problem. Yeah, yeah, yeah,
exactly kind of a problem. You know, you're causing riots,
little little mini riots all over the place.
Speaker 2 (31:10):
It's almost like you're kind of hired to do a job,
you know, so stand over your job, but you're attracting
all this attention. Yeah, so, you know, it was it
was a weird kind of like I'll do the job,
but I'm also trying to be that.
Speaker 1 (31:26):
Well, let me tell you something. You're an asset to
any organization. Thank you that is smart enough to hire you.
It's been great catching up with you, and I know
we'll see you again real soon. Robert Lee, the best
extra any production could ever hope for, best in the
(31:46):
business right here. All the best to you and the family,
and we'll see you real soon. And thanks for downloading. Everybody,
best fans on the planet bar none. We saw you
five thousand at a time at Holidays Made Here. Get
ready for the twenty twenty five, twenty fifth anniversary extravaganza
over at Warner Brother Studios Holidays Made Here. Robert, you
(32:09):
know it's going to be off the charts. Oh yeah,
and it's going to be a real hooton Nanny as
they say. Anyway, all the best and remember where you lead,
we will follow. Stay safe everyone, everybody and TULUSO again.
(32:50):
Follow us on Instagram at I Am All In podcast
and email us at Gilmour at iHeartRadio dot com.
I am all in again.
Speaker 2 (00:09):
Hello, let's just you.
Speaker 1 (00:17):
I am all in again with Scott Patterson and iHeartRadio Podcast.
He Everybody, Scott Patterson, I Am all in Podcast, one
of them productions iHeartRadio Media. I Heart Podcast Season two,
Episode nine, Runaway Little Boy. November twenty seven, two thousand
and one, was the momentous date that this originally aired,
(00:39):
and I am joined by very special guests. Mister Everywhere,
mister everything. You see him in every scene. Just about
Robert Lee, the famous Robert Lee. Hello, Robert, how are you?
Speaker 2 (00:54):
I'm doing great? How are you doing?
Speaker 1 (00:56):
I'm doing okay. You are credited for appearing in Good Trouble,
to Pit, ex Pat's, Gray's Anatomy, Call Me Kat, and
so much of Gilmore Girls, And I'm thrilled to have here.
We're going to dive into this, but before we get started,
you were on the Pit, the hottest show right now.
(01:16):
So how was that? How was it different from Gilmore Girls?
Speaker 2 (01:21):
That that was a great show. The working with John
Wall's production and Noah Wiley and the wonderful actors on set.
They had a great crew. It was a little crazy.
I played a gentleman that was having a heart attack
and they were moving crazy fast to save my life.
But that was a wonderful experience and the crew was welcoming.
(01:45):
The actors are great, fantastic.
Speaker 1 (01:49):
Now let's discuss the episode Romeo and Juliet. Here's the synopsis.
Dean gets jealous when Rory and Tristan are cast as
Romeo and Juliet in the school play, which is fifty
percent of the overall grade, and Luke Teas's Laura Ali
for dating a younger man. Director Danny Leaner writer John Stevens.
(02:16):
Paris is directing who else would be directing? She's in charge,
and Rory's kisses Juliet and Tristan is Romeo. She feels
Rory does inclined to tell Dean about her kiss with
Tristan at that party in season one because Paris is
making them do rehearsals in Stars Hollow at Miss Patty's
(02:38):
when Dean insists on watching Rory's rehearsals. She asked Tristan
to keep their kiss a secret. But during the rehearsal,
what does Tristan do? He does Tristan things. He reveals
that they had a kiss before, and that's right in
front of Dean, who insisted on being there. Later, we
find out that Tristan's dad has pulled him out of
(03:00):
school for bad more bad behavior, you know, fulonious behavior,
breaking into people's safes and taking money out. You know,
any other kid would have gone to jail and been prosecuted.
But so Tristan goes to a private military school in
North Carolina, and then Para steps up to inhabit the
role so fully as Romeo. In the final performance, Robert
(03:26):
is Dean being overprotective? Was he justified?
Speaker 2 (03:30):
Well? I mean I have to say that Dean was
pretty annoying in this episode. He was being extremely needy
and insecure.
Speaker 1 (03:38):
Yeah, but don't you think Tristan was even being more annoying? Oh?
Speaker 2 (03:42):
Yes, he absolutely was. He was egging danon every step
of the way, and it just wouldn't. I mean, the
episode itself is so well. I mean, the dialogue that
we had in the diner with you you just slinging
those mad You had great lines.
Speaker 1 (04:04):
Good stuff, good stuff, good stuff. So they're teenagers, how
was Dean supposed to act? I thought he acted pretty
grown up for a teenager.
Speaker 2 (04:13):
Yeah, he wasn't too bad. He wasn't too bad. It
just it just some of the things. The pushing.
Speaker 1 (04:19):
I mean, men do that, right, they do that. That's
the same scene that has been played out time and
again for thirty plus forty plus men. Yeah, I think
I should be there. Yeah, I think I'm crazy. Right. Yeah,
someone's always getting in between Dean and Rory.
Speaker 2 (04:34):
Right, Yes, it's always trying to get in there.
Speaker 1 (04:39):
So, but do you think he went too far? Do
you think Dean went too far?
Speaker 2 (04:42):
I think it's kind of normal for his situation in
a small town. You know, you know people you're you're
afraid the the implication of you know, he's rich and
you know from the school, and you know, it's it's
just that normal teenage anks.
Speaker 1 (04:58):
You think it's more that he doesn't it's not that
he doesn't trust her, it's that maybe he really doesn't
trust Tristan, Like that guy is manipulative, diabolical, and you
know he's up to you, right, he keeps showing it
at every word out of his mouth, right exactly.
Speaker 2 (05:18):
Yeah, I mean that encountered that they had at Dozes
market place. You know, he was just every little needle
nigging on.
Speaker 1 (05:27):
Yeah. I think if anybody ever deserved a sock in
the jaw is that character Jesus. Let me ask you this.
If Dean was a little more chill right or stand
offish with Rory, I wonder if she would have stayed
with him. What do you think you think she there's
(05:47):
a part of her that liked him being a little overprotective.
Did that make her feel safe or did that make
her did that turn her off a little bit?
Speaker 2 (05:56):
I think the drama, the this situation was very overwhelming
for her and that was not the experience she was looking.
Speaker 1 (06:08):
For, right right, Obviously we know that Tristan has feelings
for Rory, right it was a very sweet goodbye after
he's carted off to military school. I for want am
not sad to see Tristan leave the show. I think
this is the last time we have to deal with us.
What would you have liked to see it happen between
(06:29):
Tristan and Rory.
Speaker 2 (06:30):
Well, Tristan just wouldn't learn. Would I would have liked
to see an actual you know, his character was a
good character, and if we could see him grow from
learning from his mistakes rather than just constantly repeating mistakes
over and over asking for that attention. If he kind
of like put two and two together, says, you know,
(06:53):
I could be a better person. I could grow or
if Amy decided to have him grow in that character,
he would have been a really awesome character to continue
with the work.
Speaker 1 (07:02):
So you think he was redeemable. There's there's some redeemable
qualities here.
Speaker 2 (07:07):
Yes, I mean he the dialogue when he said goodbye
to war kind of im just going.
Speaker 1 (07:12):
Man, just what how do people evolve like this? Let's
let's say twenty years later, these people have an epiphany
at twenty five and they say, I don't want to
be this person anymore. How do these people end up?
What do they do? Are they redeemable? Do they turn
into like the opposite of what they once were? Are
(07:34):
Are they as obnoxious on the other side, love bombing
people all the time and trying to get everybody to
fall in love with them? And I'm a great guy, And.
Speaker 2 (07:42):
I think the energy just kind of starts coming down,
and then you kind of settle down, and you kind
of well that, you know, you can't put that force,
that much energy into being that character all the time,
and chill kind of settle down.
Speaker 1 (07:57):
Well, maybe maybe the reason he's like that is because
he has no idea who he is, yes, right, yes, anyway,
all right, well that's for the bigger minds to ponder.
All right, let's talk about lorelized date. This was This
(08:19):
was a very This was hysterically funny. The payoff for
this was really great. She's at business school. She's asked
by one of her class names made. Paul is very
young looking, youngish looking. Although we don't see the date.
She opens up about how she enjoyed the idea of
a dating life, not necessarily thinking her and Paul are
a match. But you know. Then he shows up at
(08:43):
Luke Steider with a baseball cap, one that made him
look like he was seventeen. Oh, he looked like a
college guy. It was really funny with his parents and
he's full of enthusiasm and oh, it's just great. This
was probably the funniest scene in the show.
Speaker 2 (09:03):
I love the lexuses line. I always wanted a little brother.
Speaker 1 (09:08):
She had.
Speaker 2 (09:11):
Again, like I told you before, you just had some
great one liners, telling Laura she'd she should have a
hype bar.
Speaker 1 (09:19):
R right, right, right, Rory had some good one liners too.
I mean she had some singers. You know, she mocks
her own mother. She always had a little brother, so
Luke is a little salty towards Laura. I mean he's
kidding her and teasing her, but then he gets a
little you know, he says, you know, the turn is
(09:40):
it's embarrassing that she's running around with a kid. I mean, right,
is Luke jealous? No?
Speaker 2 (09:46):
I think Luke is he is generally invested in Laurali
and he thinks she can do better. I mean she
is literally I think he is literally embarrassed for her
because he thinks that much of her and that she
can do so much better.
Speaker 1 (10:04):
Right, I'm going to say, you know, to answer the question,
is Luke playing the right game here? I think for
him to remain unbothered by it could come off as uncaring,
right yeah? Oh yeah, and he cares. He cares deeply.
Speaker 2 (10:23):
Yeah.
Speaker 1 (10:23):
And I think another way of him showing his feelings
for her is to be a little critical and to
be like, you know, to take on the friend roll,
like what the hell are you doing? What are you
thinking of it? I mean it's a bad look for you,
you know, I mean, come on, step up, I mean,
without you know, pushing himself. But yeah, I don't think
(10:46):
ice and unbothered and not engaging in it is possible
for him, you.
Speaker 2 (10:52):
Know, I mean he wears his heart on his sleeve
and he shows it all the time by showing his
emotions of when he's bothered and when he's not bothered,
when he's generally happy and proud of Orri, and when
he's frustrated by the antics that laurel Lie sometimes does.
Speaker 1 (11:13):
Should he have gotten together with lorel I sooner? Is this?
Is this proof that it's being dragged out too much
and that the fans are getting frustrated. Like it's almost
like the writing is so artful that they want the
fans to give up hope, they want them to settle on. Oh,
they're just going to be friends. It's never gonna happen.
(11:34):
And then when it does happen, it's like, wow.
Speaker 2 (11:36):
No, it's it's it's truly a great, great slow burn.
And you know Amy just writes so well and had
this run out so well that yeah, I think it
would have been the payoff would have been better, or
had been was better by making it longer.
Speaker 1 (12:00):
Friendshit, there is Paul too young or you know, I
don't know Laurrea Lash she date who she wants right, right?
Isn't it a good idea for her to tipper tone
in the dating pool again, I mean, so what, he's
so he's young.
Speaker 2 (12:14):
So what, It's just her track record, it's just her
choices in her track record has just not been sterling
of late.
Speaker 1 (12:21):
She's in a tough spot, right. It's just such a
tough to be a single mother and dating a what
a minefield that is. You have to be so careful
who you bring into your world. And now that you know,
Rory is on her way to you know, some Ivy
League institution, Let's face it, she's going somewhere. She's doing
(12:43):
great at Chiltern, you know. Yeah, you got to take
a little me time.
Speaker 2 (12:48):
Right exactly.
Speaker 1 (12:50):
And she's you know, she's thirty what, she's thirty three now,
she's thirty two. At the beginning of the show, she's
thirty three season two, so she's thirty three. Yeah, why not? Right?
Speaker 2 (13:02):
Right?
Speaker 1 (13:03):
Yeah, gotta get out and live. And I think I
think Suki was right, like get out there and like,
you know, anyway, is it better for Rory or Luke
to make fun of this guy's age?
Speaker 2 (13:14):
I just well, it's just both. I mean, Rory just
shows the camaraderie, the the the love and that level
of kitting around with your mom and being her best friend,
and then Luke just being there as as a truly
good friend, going holding up a mirror and saying, what
(13:38):
are you doing? Look at this?
Speaker 1 (13:40):
But you know this is very North of Eastern kidding
each other, teasing each other. It's very you know, it's
what It's how I grew up. This is what you do.
You just bag on people you know, and it's just constantly.
It's fun. Why Why do you think Luke isn't making
a move just yet? What is it? What is he
waiting for? Robert?
Speaker 2 (13:59):
I think he's a good friend. I think he's truly
a good friend. And and if it comes down and
he's looking for what's best for her, if someone else
else turns up that he approves of that is best
for her, he'll support it. But if someone like this
little boy comes around and he's going to say no,
this is he'll he'll he'll he'll criticize it and tell
(14:22):
him that's not good enough. And I'm not sure he's
decided that he's also putting his hat in the ring.
He's truly a good friend.
Speaker 1 (14:34):
Yeah, I guess he likes his routine. I think he's
I think he's a little afraid of breaking up his routine.
If it didn't work out, it would blow his whole
world apart. If it does work out, it blows his
whole world apart. Right, So he's he's I think he's
hanging on with, you know, one hand plus three fingers
on the other hand, and he's got a pinky and
(14:55):
a thumb available maybe for this relationship. Boy, that didn't
come out right anyway.
Speaker 2 (15:01):
So his I mean, his life is a little bit
on the rocks because of the news of his nephew
Milo coming into his life, you know, right and upsetting
that card. So he's got issues.
Speaker 1 (15:18):
Right right, right, all right, So let's discuss Robert, if
you will indulge me. I know you're busy. I know
you have to be in several places at once. You're
mister everywhere, mister everything. Sixth, seventh and eighth Man of
the Year. Lorel I approaches Luke at the diner and
(15:43):
she says that she doesn't have many people in her
life that are permanent, and and she brings it up
as an example that that could have been. Then she
says she has roy Suki this town. And then last
but not least you know the gipper there, Luke, and
(16:06):
then he says that you know she has him right exactly.
Let's talk about Lorelay saying that she doesn't have a
lot of permanent people in her life. Did that hit
you emotionally? Definitely?
Speaker 2 (16:21):
Oh, absolutely, because Lorela does. She is looking for stability,
and she's looking for the people that she can count on,
and she doesn't. She is way too scared to screw
that up. And you are one of Luke is one
of those you. Luke is one of those people that
(16:43):
have been rock steady in her life.
Speaker 1 (16:45):
M hm. Yes, it's nice to hear, right, It's nice
to hear that absolute. Yeah, So I think it maybe
gets him. I think that scene maybe gets him to
the starting line again in the you know, and that
the kathlon that is laurel I's heart, right, he maybe
(17:06):
wants to step up and vuy for that trophy, right, maybe? Maybe?
Speaker 2 (17:10):
Yeah?
Speaker 1 (17:11):
What do you think of all this? Do you think
one of the reasons laurel I has such issues with commitment?
You think it's it she's commitment phobic.
Speaker 2 (17:22):
Well, she's definitely admitted that she sucks at dating, right,
and that you know, when she dates a man romantically,
it's gone bad for her. So she's getting a lot
or a little or a lot gun shy on the
whole romance title. And she doesn't want that title to
be put on someone that she can count on because
(17:44):
she always loses them.
Speaker 1 (17:47):
Do you feel that on a psychological level, maybe she
feels she isn't worthy of that type of permanence that
she liked, Like she had her shot, but now she's
got bigger fish to fry with her daughter and her
daughter's future and that's really the important thing, and that
she's made it this far and she runs her own
(18:08):
business and she's she's an independent woman. Does she really
need a man right now? I mean that's that's really
the question I think this show is posing. Do you
really need a guy by yourself? Maybe nice to have
one if it works out, But I mean she's perfectly capable,
right I'm not arguing against the relationship, trust me. The
(18:28):
Luke LARELEI think is wonderful. But it's like she's a
very capable person. She's figured it out at sixteen years old.
She had to figure it out. Imagine being sixteen and
having to do that. Now she's still she's she's still young,
thirty thirty three years old. Yeah, but there's nothing wrong
(18:49):
with wanting to have a partner. Nothing wrong.
Speaker 2 (18:52):
Yep.
Speaker 1 (18:53):
You know, she's going to be an empty nester in
a couple of years, so it's like she's going to
be so young still as an empty nest or she'll
be what thirty four, thirty five, thirty five years old?
That's really young, kidding me, right, So it's a real dilemma,
you know for single mothers.
Speaker 2 (19:12):
Yeah. I think that she's understanding that there is the
next stage in her life is coming up. She's dipping
her toe in the water and damn it, but it's
you know, working out like it did before. So something's
got to change, and she's trying to figure it out.
And admitting that she sucks at dating goes a long
(19:34):
way to I think, establish and maintain her friendship with Luke.
Speaker 1 (19:41):
She also includes the town like the town really is
her rock. It's the collectives, it stars hollow, that is
her permanence. Yeah, that's her safe place. That's where she
found herself and raised her daughter. I mean, she's never
going to leave that town. She's a lot like Luke
in that way. I think when you know, that's why
(20:02):
maybe these two are faded to be together because they
are both that town. Yes, you know, he grew up there,
but she adopted it. And I don't see her leaving, right, No,
I don't see her leaving. Do you see Luke and
Laurel eyes there together? Right, They're there forever in that
town and they'll always be you, it will always be on. Yeah.
(20:29):
When Luke said you have me right, you have me
pretty good line.
Speaker 2 (20:37):
Huh, that's a great line. I mean, it just shows
you that you can be a good friend, you can
have a relationship with a guy and not screw it up, right,
And I think that's what she needs to know, right.
Speaker 1 (20:52):
The inevitability of this relationship. It's inevitable, right, Yes, that's
great writing. It has to feel inevitable if you want
this thing to work, it's got to feel inevitable. From
the first scene that we see them together, there's got
to be a spark, right, There's got to be something there,
you know. It seems like the writers they just they
just they never give us too much. They give us
(21:17):
just enough. Right that The magic of the show is
that the magic.
Speaker 2 (21:21):
Robert no writing is the magic of the show it is.
I mean, it's so well written. This was but second season.
This is the beginning of me working on Gilmour Girls.
I think it's the fourth episode that I've done as
a busboy. Overall, I think I've done about ten episodes
(21:43):
so far. And I mean, I'm I'm still finding myself
in the role of the bus boy and still try
not to laugh on camera when you guys boy again,
you and Roy with the one liners and Liz Torres
(22:05):
coming in, Liz Liz coming in.
Speaker 1 (22:08):
That's right, you had to really repress your laughter.
Speaker 2 (22:12):
Yes, Oh my god, God, what you read to go
There was a huge difference between reading the script or
the sides that they give you. So okay, I know
they're going to say this, but then when you deliver
and then Liz delivers and Suki delivers those lines, it's like, shit,
that is way funnier than I read it.
Speaker 1 (22:34):
To me, it's a very heartfelt scene, very sweet little scene. Yes,
And I gotta tell you my reaction to it when
I first read it at the table read was you know,
it gave me. I think it was the first time
I felt secure that I was going to have a
job going forward. Yeah, you know, because I was always
(22:55):
a little like God, they're throwing so many guys, and
I wanted to believe that this couldn't possibly.
Speaker 2 (23:03):
End.
Speaker 1 (23:04):
But you know, everybody's expendable that isn't like a Gilmore.
And this is the scene that gave me that confidence,
like I think I'm going to hang. I think I'm
going to survive this if this sort of this merry
go round of boyfriends.
Speaker 2 (23:22):
That is really funny. You say that because working background
on the show, the ads in the first eighties were
looking for a spot for me very kindly, and I
was a towny walking around driving a car, and when
that scene came out, going wow, I could They're gonna
make me the bus boy. I guess I can do.
(23:44):
The bus boys going to be the job that I'm
going to do. And that's what it grew into that
I was always in the dinerize the busboy, because you
we're going to be there forever, you know what.
Speaker 1 (24:08):
Let's let's I want to ask you a couple of
things about about how you got involved with Gilmore girls.
You remember your first day on set?
Speaker 2 (24:15):
Wouldn't say I remember literally remember the first day on set,
but I do remember coming in the first couple of times,
and Carla was the first a d and she was saying, well,
I'll find you something, you know. Was it going to
be a teacher. We didn't know if Chilton and the
(24:36):
teachers were going to be seen a lot, or were
we going to be at Chilton mostly where we're going
to be in the town generally mostly And later on
as we just talked about, we found out that one
of the primary sets would be Luke Steiner and we're
going to be in there so much so trying to
find out generalized essentially, it was first generalized that you're
(24:59):
just going to be a towny and we'll see where
it goes from there. And slowly certain specific things started
coming up, like working in the diner, in which we
had not just ask one or two principles, you would
have up to six five six principles in and you
(25:24):
needed someone or they needed someone to be reliable and
do the background without screwing it up, you know, make
the takes not about the background making mistake, but about
the actors getting the work done and getting the best
possibles work out of you guys. So I think this
(25:46):
is probably one of the starting episodes one of the
first episodes where they're going, oh, Rob's doing good at
these complicated scenes.
Speaker 1 (25:56):
And can I interject something here? Days when I would
be standing next to you, and you are always very
friendly with everybody and very respectful and reverential. And one
of the things we appreciated so much about you and
the work that you were doing was that you took
it so seriously like you were a member of the
(26:20):
main cast, and that I was standing next to you
one day and it was pretty early on and yeah,
a lot of people were in the diner and it
was kind of a hot day and we were all
dressed for winter and all that, and you were sweating
your brains out and I could see the moisture on
your shirt. I could see the coming through your shirt,
(26:41):
the sweat stain. And you were just like focused every
single take, focused, ready to go, ready to do your thing.
And if somebody, another extra wasn't doing their job right,
you would go over and you would you would tell
them in the night nicest possible way. It's like you
(27:02):
were the captain of the extras and you were making
sure that it was the most believable background scene. And
I just I just respect you so much for the
work you put in. Because you put in the same
amount of hours you put your work was maybe even
harder because you know, you had to focus and listen
(27:25):
to every line of dialogue to know exactly when to
hit your mark on the other side of the din,
when to pick up the plate, when to I mean,
you had to do all of that stuff, and you know,
we really marveled at your dedication and your skill at
doing this. So good on here for that.
Speaker 2 (27:45):
Thank you so much.
Speaker 1 (27:46):
No small job, no small job to work in that diner,
you know, you know right, because those scenes were very,
very complex, and the blocking was very complex at times.
Speaker 2 (27:58):
You guys had so much dialogue to do, and I
respected you guys so much, and I understood that I
can't be There's just I just could not be part
of the problem. I needed to be part of the
solution because you guys were getting your damn you were
(28:22):
getting your lines last minute all the time. And I
saw it. I heard it. I heard when the Blues
and the Pinks came in. I'm just going, are you
kidding me? They're changing it again? All that dialogue that
you guys have to do, and I just had I
just felt that it was really my responsibility to be
(28:43):
part of the solution and never the problem.
Speaker 1 (28:46):
Well, I'll tell you you made that a very well
oiled machine in that diner. When we were working with you,
it was a well oiled machine. We had the utmost
confidence that we were working with somebody who was truly
a pro, who took it very seriously, and we I
just want to say how much I appreciated. I know
(29:07):
everybody else did too. And if there was some kind
of an award for extras, you would be getting the Emmy,
you'd be getting this Screen Actors Guild. I mean, you're
just wow, really great job. Do you ever get recognized
by the way as as tell us tell.
Speaker 2 (29:25):
Us, I wouldn't say I get recognized on the street
so much. But when we when I was working with
you at the Holidays made here event at Warner brother
right with the absolutely wonderful and truly great Gilmore girl fans.
Speaker 1 (29:44):
Oh god, yeah, yeah, they.
Speaker 2 (29:47):
Were recognizing me left and right, and absolutely absolutely was happy, happy,
happy to oblige and you know make I mean being
there and having stars Hollow recreated in person for them,
I'm sure it's so great and seeing someone that they've
(30:07):
seen on TV and they wanted to be part of that.
That was at that you know there absolutely and if
I probably went to a convention maybe, but fortunately, fortunately
out in the public on the street, I get to
remain anonymous.
Speaker 1 (30:25):
Right, and you're working over there now, right, you're over
there at Warner Brothers. Now, No, that was a temporary
Oh that was temporary.
Speaker 2 (30:32):
Oh okay, that was just for the event.
Speaker 1 (30:35):
Okay, what about what about this? What about this coming year?
You're going to be there again? I don't know, back
by popular demand? Come on, man, well I know that.
Speaker 2 (30:47):
I haven't in I know some people on the lot,
so I'll be able to get on the lot for free,
but to actually work the event, I'm not sure if
they want would want me to be there.
Speaker 1 (31:01):
You're too famous. Now that's a problem. Yeah, yeah, yeah,
exactly kind of a problem. You know, you're causing riots,
little little mini riots all over the place.
Speaker 2 (31:10):
It's almost like you're kind of hired to do a job,
you know, so stand over your job, but you're attracting
all this attention. Yeah, so, you know, it was it
was a weird kind of like I'll do the job,
but I'm also trying to be that.
Speaker 1 (31:26):
Well, let me tell you something. You're an asset to
any organization. Thank you that is smart enough to hire you.
It's been great catching up with you, and I know
we'll see you again real soon. Robert Lee, the best
extra any production could ever hope for, best in the
(31:46):
business right here. All the best to you and the family,
and we'll see you real soon. And thanks for downloading. Everybody,
best fans on the planet bar none. We saw you
five thousand at a time at Holidays Made Here. Get
ready for the twenty twenty five, twenty fifth anniversary extravaganza
over at Warner Brother Studios Holidays Made Here. Robert, you
(32:09):
know it's going to be off the charts. Oh yeah,
and it's going to be a real hooton Nanny as
they say. Anyway, all the best and remember where you lead,
we will follow. Stay safe everyone, everybody and TULUSO again.
(32:50):
Follow us on Instagram at I Am All In podcast
and email us at Gilmour at iHeartRadio dot com.
Hosts And Creators
Amy Sugarman
Danielle Romo
Scott Patterson
Tara Soudbaksh
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