April 10, 2023 • 49 mins
Without a question round five of “The Super Awesome Contest to Become the Next Big Voice Actor!” is one of the most competitive yet. And even with the assistance of guest judge and VO stalwart Trevor Devall this competition reaches ‘too close to call’ levels. Will they need to invoke the use of the tiebreaker?!
There’s only one way to find out!!! Episode five awaits…
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hi, Christy, Hey Will, how are you good. We've got
a kind of a strange start to our show because
our wonderful engineer Brian is not here today, so Trevor
is with us. So for the first time ever, Hey Trevor,
why hello, we get to hay in our guest, which
we've never done before. Christie, welcome, and welcome back Trevor.
(00:22):
He was actually signed on first, so he should be
the one that's I am ready to go great awesome
walk us through the contest today, Trevor. What are the
rules and what's going on? Fun? So we are back again,
everybody with our super awesome contest to become the next
big Voice actor. And thank you so much Trevor for
joining us as our special guest today. So Trevor, so,
(00:45):
so you know we told you about the launch of
this contest. We ended up getting over four thousand entries
that we then whittled down to the top sixteen and
they are going the first sixteen the Sweet sixteen. I'm
coining that phrase, um are going to be coining to
the Elite eight, the winners coining that phrase as well
to then the final four. I love all these things
(01:07):
I made up. Yeah, but we are so happy the
competition has been I'm right here, Hey, Brendan, can we
maybe be in the middle of our podcast instead of
you swearing all over the place. So I'm recording of
(01:30):
a podcast. Yeah, I was screaming because I'm talking to
Will for now and he makes me scream. What the hell, Brendan?
He said, what the hell Brendon? He thought I got hurt.
I'd like to point out that he's actually one of
the executive producers of the show. It shows how little
(01:51):
he knows of what's actually happening. He's the perfect executive producer, exactly,
exactly pretty much. Yeah, no, that's awesome. So we are,
as we said, fifth round, and the competition has been
amazingly fierce. We've had some incredible guests come on, guest judges. So, Trevor,
(02:12):
what we're going to do is we have two guests
come on, they go head to head. We have a
game that we're doing that we call by the Numbers.
So what we've done is we have come up with
four categories, size, what are you, age, and a wacky
attribute You. Trevor de Val, who are our guests today,
are going to give us different numbers and by the
(02:33):
numbers you pick, you will be creating the characters that
the contestants have to do on the fly. They have
been given two lines of dialogue that they were allowed
to have overnight. We will do two rounds and then
we throw a third line of dialogue which they have
not seen to see how they do with cold readings,
and we go from there. In between each round or
(02:54):
in between each take, I should say, we like to
throw it to you and open to us, the guest judges,
to maybe give everybody some notes, maybe give them some
ideas of what they could change, what they would do differently,
and then we, you know, go through the three rounds
and then we decide who was moving on to the
Elite eight. Which is a lot of fun. So we
last week was a great round. The week before we
(03:18):
could it was it was amazing. We just Cree Summer
was our our guest judge, and we were going back
and forth. They were so good we just didn't know
who to pick. It was really really neck and neck.
I mean, the competition is getting very very stiff. Everybody's
doing really really well, so it was really great. So
(03:40):
is everybody here are the contestants with us now yes, okay,
So our contestants are with us, So we bring our
contestants in just by whoever was in the waiting room first.
So I believe our first contestant that was here is
Hannah from Alabama. So if we could bring Hannah in
and learn a little bit about her before we start
(04:01):
our show, that would be great. Hannah, come on in.
Oh hi, Hannah, how are you? Are you welcome to
the super awesome contest to become the next big Voice Actor.
Thank you and congratulations on making the top sixteen. No pressure, right,
no pressure, I'm Will. This is Christy and our very
(04:21):
special guest judge today is the legendary Trevor de Val,
who you've heard as everything. How are yours? Sounds ling? Voice?
That is his real voice. We've never actually no one's
ever heard his real voice. It's like it's like going
back and seeing the beginning of time. You can't actually
see it. So Trevor, I don't think even remembers what
(04:42):
Trevor actually sounds like. Remember what we sound like? It's
very strange. See. So, Hannah, where where you know? You're from? Alabama? Correct?
I am? And what made you decide that you wanted
to be a voiceover actor. Well, I was originally setting
to be an opera singer, and I had a really
(05:05):
rough summer where I was just sick every other week
and singing just wasn't happening, and I needed a creative outlet.
And I had always loved playing, you know, video games
with my brother Replaylic and I Seal Old Republic, Call
It or Water or Warfare too, and we just had
a blast at those. And actually Avatar the Last Airbender
was running while I was six, so I was watching
that in the middle of the night. I was like,
(05:27):
I didn't it never registered to me that like voice
actors could actually was a job like that. And I
was like, wait a minute, Like how do I do this?
This sounds like a great creative outlet. So I typed in,
like how do I become a voice actor? And I
got Dee Bradley Baker's website that popped up, started educating
(05:47):
myself and so like for three days, I just like
really got into it, and then I was like, all right,
I'm gonna throw some auditions out there and see what happens,
because why not. And with my laptop my phone in
my basement, we recorded. We had no idea what sounds
quality was. We just went for it and uh yeah,
(06:08):
book two of the three. That's great. I was like,
oh my gosh, okay, this is something and then it
just it unraveled into this unbridled passion that's really taken over.
It's great. But you do not have representation, correct, I don't. Okay, good,
or else I would have disqualified you right here, unfortunately, Hannah.
So we're looking for amateurs. That's the point. I mean.
(06:29):
The thing is is though honestly you may be amateur,
but you sound like you're a pro. So I'm excited
to get into it today with you, Hannah. Thank you
so much for being here. Thank you. Guys. We will
make this as inspirational and positive experience as possible. I
promise Christie. I want to make it painful and difficult,
(06:50):
except mister fidel I love the All right, Anna, you
have your your couple lines dialogue ready, I sure do? Okay, perfect,
So we will be back with you in a moment.
And now we are going to go with contested Number
two is Adam Adam from Illinoisies. It's Illinois, Illinoisies. I
like to pronounce the s. I was just in Illinois.
(07:12):
E's last night. Literally I was. We were at C
two E two this weekend in beautiful downtown Chicago, Illinois.
Is that where you had that amazing reunion and Friday party? Did?
We had our ninety six birthday party from mister Bill
Daniels and a lot of the cast deployment. Roy was there.
It was absolutely wonderful. It was great, um, But we're
not here to discuss mister Bill Daniels. We are here
(07:34):
to discuss Adam from Illinois. Adam, welcome to the show.
Congratulations on making the top sixteen. Thank you so much.
I appreciate it. And we are here with Christy and
Christy Carser Romano and that is Trevor Deal, who is
actor extort. I like to use the word redoubtable because
it sounds like an insult and nobody really knows what
(07:54):
it means. So the redoubtable Trevor de Val is here
and I am just curious. What started you on your
journey to become a voice over actor. Cool? Yeah, I
think like a lot of people, I grew up with
my brother watching a lot of cartoons, playing a lot
of video games. I took the more scientific mathematic track
(08:16):
and then pivoted back around over the last handful of
years in Chicago back into RPGs and long form improv.
So all these things kind of go hand in hand together,
and I was like, I'll just try to do some
of this stuff and have been loving it pretty much
ever since. That's great. Oh, in an improv background, that
is very helpful when it comes to the world of vo.
(08:37):
So we are going to have to see do you
have your your lines of dialogue ready? I do? All right, perfect.
We are going to be back through your Your fellow
contestant got here first, so we will be starting with them,
but we will be back with you in a second, Adam,
and we will start our wonderful game. Sounds great, Thank you?
All right? Seeing a bit all right, everybody, here we go.
(09:06):
It is going to be round one of by the numbers,
and we are going to start with Hannah from Alabama.
So if we can bring Hannah back in, Hi, Hannah,
how are you? I'm good? How are you? I am good?
We are going to jump into this so as you know, Hannah,
or hopefully you know that, we have four categories size,
what are you, age? And a wacky attribute and by
(09:29):
random chance with mister Trevor de val, we are going
to be picking the character with which you are going
to be reading your line of dialogue. So Trevor, if
you would, sir, a number between one and six four,
and now a number between one and twelve eleven, and
now a number between one and seven one, and now
(09:52):
a number between one and eleven. This is so hard.
Eight eight, Chris, Okay, I got it. You are going
to be a small mirror person who is ancient who
has been stuck in traffic for six hours. We never
(10:17):
said it was going to be easy, Hannah, Sir, you
can take the character and do whatever you want. We
are just going to be reading the first line of dialogue,
so Hannah at your pleasure, all right. It is not
the size of the dog in the fight. It is
the size of the fight and the dog unless fighting
(10:38):
a lion or traffic, they're the size of the dog matters.
I like the ad lib in there too, Trevor, do
you have any notes? Yeah? What was the description again?
A small ancient mirror person who's been stuck in traffic
for six hours? Cool? Well, you definitely got the frustration
of being stuck in traffic. I definitely heard the small
(11:01):
I would like to hear just just for fun, just
for fun, absolutely, let's hear what happens with the two things.
I'm gonna throw two curveballs to hear. The first one is, uh,
can you dial up the ancient? I want to hear
some wisdom in there. So it's gonna you know, you
gotta get a bounce frustration to be in traffic with
the wisdom. But also, and and here's the fun one.
(11:24):
I'd like to hear like you're trying to breathe there,
but you have gills because you're a mer person, so
you're having some issues with not being in water. Let's
see what you'll do with it. All right, Hannah, those
are your notes. I don't have anything to add to that.
CHRISTI da, how could I that was perfection? Un doubt?
(11:47):
What is it? Undoubtable? Redoubtable, redoubtable? Are the normal? The
normal note I have the first time they read it,
because people have their adrenaline pumping a little bit. Is
slow down, But I think actually the pace was pretty good.
So once again line one, Hannah, at your pleasure. It's
(12:07):
not the size of the dog in the fight. It's
the size of the fight and the dog, he lash
a fighting a lion for traffic in the size of
the dog matics right, thank you so much. We will
be back with you in a moment. Not bad, she took.
(12:28):
So one of the things we're noticing, obviously, why we're
doing this, Trevor, and I know you've already picked up
on this is just to see how they take direction
and kind of how they're taking the notes. And I
thought she added, you know a little more, a little
more texture to it, which was nice. So let us
go on now and see what contestant number two, Adam
from Illinois, ees can do. Hey, Adam, how are you
(12:51):
doing well? How are you all right? I am doing well. So,
as we just explained to your fellow contestant, you know,
we're going to be playing by the numbers. We have
four categories for you, size, what are you age, and
a wacky attribute, and through a random chance of numbers
that mister Trevor de Val is going to pick, we
will be creating the character with which you will be
(13:12):
reading your dialogue. So aren't you got that? Got it
all right? Here we go, Trevor, if you would, please, sir,
a number between one and six six, and now a
number between one and twelve three, and now a number
between one and seven seven, and now a number between
one and eleven two. Christy, you are a ninety five
(13:39):
year old Scottish mouse who is microscopic. Oh so once again,
that is a microscopic ninety five year old Scottish mouse. Hey,
(14:00):
all right, ready, so you got line number one there, Adam,
at your pleasure. It's not the size of the dog
in the fight. It's the size of the fight in
the dog unless you're fighting a lion, of course, and
the sleighs of the dogs. I thought that was pretty good,
(14:23):
Trevor any notes, Well, yes, that's good. It's interesting. A
lot of people when they hear Scottish they tend to
go into Irish. You had a had a little irish
ism in there for a second, which is fine. Fine Trevor.
By the way, the Master of Dialects, I'm not gonna
I'm not gonna go on and on about access because
that's just that's a very specific thing. But I like
(14:44):
the I like the attitude of it. I wonder if
ninety five years old and microscopic. So let's let's not
focus so much on the accent part of it now,
let's focus more on the the ninety five year old
mouse and microscopic. That's I'm I'm thinking small. I'm thinking,
I'm I want to hear small, but I want to
(15:06):
hear kind of crotchety, because because ninety five year olds
and Scottish goes very well together, small and crotchety is
what I would say. We can build it to that,
all right. I would also say, just from a technical standpoint,
i'd back off your microphone just a little bit, right, yeah,
or maybe even just turn your game down just it's
just the tight, tiniest little bit. And Christy, do you
(15:28):
have any other notes? I don't. I think it's perfect,
all right, Adam, actual pleasure. It's not the size of
the dog in the fight. It's the size of the
fights and the dog. Right, unless you're fighting a lion,
the size of the dog really matters. There. Oh, oh,
(15:54):
thank you very much, appreciate it. We will be back
to you for a round two. Good thanks. Interesting when
when when you gave the note of crotchety, did he
think that meant in pain or I don't know where
I got that from, but it was kind of a
little more coffee I think then like he was struggling
with that that was his choice. Yeah, No, but I like,
I loved that both of those characters were super tiny
(16:17):
for both of them, so we saw their voices very small,
and uh, that was cool. That was a good round.
I thought, just if we're going round by round, I
thought the first round she I think her adjustments were
a little better than his adjustments were. I disagree. Oh really, okay,
you do you thought you thought his adjustments were better? No,
I think that overall, I think that his acting was
(16:40):
better from the jump. I think so far it seems
like his his he's really putting himself into those characters.
I think I want to I want to encourage her
to have fun with it, you know, because a lot
of times what we've seen in these contestants is that
they'll get in their heads with all these notes and
um and that's really truly what we have to deal
with when you're in the boot or when you're you know,
(17:01):
given an audition. So him was that he immediately physicalized it,
and that's yea. Yeah, you could see his body shape
sort of change as he's inhabiting that character. That's that's passive.
That is that no that's true. Now, that's very now. Yeah,
the acting, I think he would have the leg up.
I thought she took the direction better than he did.
But I thought his acting is better. And at the
end of the day, we're looking for a voice actor.
(17:22):
But they that was just round one. We are going
to round number two. If we could bring Hannah back in,
please hello, Hannah, Hello again. Welcome to round number two.
So you've got your second line there, and once again,
mister de Val, if you will a number between one
and six three, and now a number between one and
(17:45):
twelve twelve, and now a number between one and seven four,
and now a number between one and eleven five. Okay,
this is a good one. You are a fifteen year
old teddy bear, medium sized who just lost the love
(18:09):
of your life. Oh no, no, no number five, Christy,
oh he thought, he said six. Okay, well then never mind,
you just you just won the lottery, exactly. Keep talking
about two different things. No, wait, you just won the lottery,
but teddy bear losing the lover of the lift This
kind of makes sense. But okay, so you are a
(18:31):
fifteen year old teddy bear who's a medium size who
just won the lottery. Good luck. There you go, and
now line number two, Hannah at your pleasure. I was
sitting here contemplating some of the mysteries of the world,
like why do you park? Why do you drive on
a parkway? But the park got a driveway? Oh, we're raving.
(18:55):
That was very good, Trevor any notes, Yeah, that's good.
I wonder this kind of changes it up. But what
the hell that's what we're doing here? Yeah? Absolutely? What
if you keep keep everything you did, keep everything perfect?
Does that get it perfect? But now I want you
to build in this idea of like full on teenager.
I want to hear some of that going on. I
(19:20):
won the lettery and I'm fifteen. Great, Okay, that's awesome, Christy.
Anything else? Yeah, I mean I think that, um, yes,
I think that, And speaking from the fifteen year old
female viewpoint in that, I think it's easy to go
caricature with that, um and it might be fun to
(19:43):
kind of do that with more of a point of
view rather than just going straight for like the full
you know, teenage archetype, because teenagers now are different than
teenagers when we grew up, Because you could almost even
make the choice of is she really all that excited
about winning the lottery because these kids, I just don't
know what these kids value anymore. But you know what,
(20:04):
let's just say she's really excited for the sake of
range in your voice, and have fun with it. I'm
just going on in tangent. Don't listen. I just said no,
but for real, like I just think that, like you know,
it's you don't as a female voice actor. You don't
want to get caught in the trap of doing the
same thing, and so you want to really find your
(20:26):
voice and what your instrument. Hannah is into into the
female voice of that, you know what I mean? Absolutely, Yeah, Okay,
so let's give it a try. Have fun with it.
Like like Trevor said, will what do you think I
agree with? I'm just now excited to hear what Hannah's
gonna do. So here we go, Hannah once again, line
(20:47):
too at your pleasure. I was sitting here contemplating some
of the mysteries of the world, like why do you
drive on a parkway kind of driveway? Weird? Right, very nice,
Thank you very much. We'll be right back with you. Well,
(21:09):
I'm tickled because I said nonsense and she listened to it.
It was probably Trevor. But no, Actually, as soon as
you said that, I was like, oh, yeah, no, I
just steered her directly towards the stereotype. You pulled her
away from that. And I love it that she took
that part of the note because she she took sort
of like you could you could feel the character building.
(21:30):
It's like the characters trying to be super cool but
then just can't contain themselves. And that was really that
was great. There's some lovely shape to that bit. Yeah, good,
good choices, and I thought she made a great adjustment there,
and the acting was there on that one. Fully, yes, fully.
Now I'm like, now I'm confused, guys, because now I
don't know. Now we're neck and neck. Now we are
neck and neck again. Competition here, Oh my goodness. All right, well,
(21:52):
let's bring back Adam from Illinois E's um for round
number two. No fight fight Hello Adam, Hello, welcome back,
and we are now going to be doing line number two.
Uh playing by the number, So mister val once again, sir,
(22:13):
if you would a number between one and six, I'm right,
numbers here about six? We did do that, okay, two
copy that? All right? Now a number between one and twelve. Three.
Oh my god, see I'm just I'm the same guy
(22:33):
every time. Eight all right, And now a number between
one and seven O. Nine is nine? Is not between
one and seven? You want three? Okay? And now a
number between one and eleven, This is nine. This is
for the wind, nine for the wind. Okay, you are
a shocked, big fish that's ten years old, A big
(22:59):
old ten year old fish that's shocked. All right, Adam,
you're ready for line number two at your pleasure. It
was just sitting here some of the mysteries of the world.
What why you're driving a parkway but park on a driveway?
(23:20):
M h weird? Run like how for some reason? He's
sad seriously Trevor and notes, Yeah, that would be my note.
I liked it. I think, uh, if we can play,
you're doing the sort of thing which is awesome. Can
(23:42):
you take that and use that to fuel the shocked attitude?
And also I'm missing the ten year old boy. But
I do like, I do love that he feels big,
like he's a big boy, you know, he's like a
big ten year old boy. So I kind of love that.
But I wonder if they're's a way to feel like
he's more a ten year old boy somehow. All right, Adam,
(24:05):
here we go. You got your notes ready to go?
Line number two at your pleasure, sir. I was just
sitting here contemplating to some of the mysteries of the world,
like why do you drive on a parkway? Park on
a driveway? We are right, thank you very much. We
(24:30):
will be right back with you. This is hard, man,
This is gonna be a tough one. But they actually
have a tiebreaker on this time. I know. I've got
to be honest. I thought her last round was really strong. Yeah, ye,
(24:52):
so I think he took the first round and she
took the second, if I'm honest. So I think we
are coming into round three tide. That's my personal opinion. Sure,
we haven't even done a tiebreaker yet, we won't even
get there yet. But we are now going to round three.
This is the will we will see, uh if the
cream will rise to the top here because this is
(25:14):
the line of dialogue that neither of them have seen
or have any time with. So it is a completely
cold reading. And let us start with Hannah. So here
we go, Hannah, Hello, Hannah, Hello, So if you could
look at your chat. Yes, alrighty, Trevor, can tell I
(25:41):
write all these you can? You? Can you see the
line of dialogue? Yes, sir, okay, so while you read that, Trevor,
please a number between one and six one, and now
a number between one and twelve, ten, and now a
(26:02):
number between one and seven. Three. One more time? Oh four?
No wait you said, yeah, okay, four, No, four works,
four works forwards. And now a number between one and eleven.
Have you done eleven? We have done four for her before,
just so you know. Oh okay, then, okay, I'm sorry, Yeah,
(26:23):
you're right, You're right, Christie. Let's go one ten, sorry, one, one, ten, five, okay, eleven, okay, great,
one ten, five, five's good for her? Five works? And
now one between one and eleven six yeah, six, okay,
you're ready for this. Here we go. You are a
(26:45):
giant robot that's thirty years old whose love of your
life just left. No there it is, which which actually
works perfect for the line of dialogue. There were really done,
and robot robot to boot. Oh boy, all right, Hannah,
(27:06):
at your pleasure. I was on a date the other
night and it wasn't going well, so I swiped him
right in the face is that well? I never learned
how to use any of those dating apps. A robot
(27:30):
who cries? I love it, Trevor in that in that
vein just because let's let's hear what what happens? Um?
I like that you were you were kind of holding
back on the robotic thing. But what would what would
it be like if if the robot um had very
robotic emotional outburst? Right? Oh okay, so like normal speaking
(27:52):
but robotic emotional whatever that means to you? Say? Also,
I feel like your void your natural voice to me
sounds more thirties than the voice that you had done there,
So maybe maybe enjoy more of your richness of your
of your voice, you know, because even Siri has like
a womanly thirties type voice like that. Good point, all right,
(28:15):
I'm not going to add anything because I think all
of that is absolutely right. I would go with what
they said and at your pleasure. I was on a
date the other night and it wasn't going well insert
emotion here, so I swiped them right in the face.
(28:36):
Query is that wrong? I never learned how to use
any of those dating apps insert anger. Good stuff, Hannah,
thank you very much. We'll be back with you. That was.
(28:58):
I can hear every director I've ever worked with going,
can we get one? Is written place? Yeah? Yeah, yeah,
I know, but you know, as an actor, it was
like she took all the all the notes, added her
own thing, did something none of us were expecting. Yes,
that was. That was a wonderful take. And what do
they say in the in our acting world here they say,
(29:20):
you know you can't you can't ever go too big.
The problem is is that when somebody's too small, it's
way harder to pull them out of that. So we
were looking for somebody that goes big, makes bold choices.
We've said this many times week by week. So she's
doing it. She's having fun, that's important. She is. She's
also completely relaxed from the first round. Obviously she's joking
(29:41):
with us in between the two. That's the thing. That's
the thing. So yeah, all right, well let's let's that
was that was very good. That was. Let's see what
Adam can do. Let's see what Adam can do, because
he's been great as well. So here we go Adam.
All right, Adam, we got one to throw at you here.
(30:01):
As you know, we're going to give you one line
that you've never seen before. It is going to be
on your chat there, can you see it? Yep? All right,
So as you are reading that, Trevor, please a number
between one and six. I'm going to totally repeat myself. Five. No,
that's good. Five is good. Five is good. And now
a number between one and twelve. Have we done? Have
(30:24):
we done seven on that one? No we have not,
No we haven't. And now a number between one and seven, one, seven,
one and seven ons? Can we do two? Yeah? Yeah
we can. And now a number between one and eleven?
Can we do ten on that one? Yes? Yes we can.
(30:46):
What we got Christy? So you're a tiny five year
old flower who's afraid of your own shadow. Um, So,
I don't know, guys. I mean it's interesting to me
with the five year old. I guess we'll let him
do it. We'll see what happens and then we'll go
from there. So Adam, you got your marching orders at
(31:09):
your pleasure. I was on to dig it the other
night and I well, it wasn't going well, so I
swiped him right in the face. Is that wrong? I
never learned how to use any of those dating apps, Trevor.
Any notes what was the description again one more time
(31:31):
of five year old flower who's scared of their own shadow. Yeah,
who's who's tiny? Yeah. I would love to really get
the sense of that kid energy, that that really sort
of hesitant kid energy thing. I'm not gonna do an
(31:52):
example because I want you to do it, but yeah,
a very very young kid energy in terms of um
in terms of speech pattern, well whatever that means to you,
like five year old. Really, that's what I would say.
I want to hear more more than the child and
that see. And you know what's frustrating for me is
that I feel like a lot of times we'll see
(32:12):
something like in Roger Rabbit with the baby baby Louie right,
where it's like was it baby Huey, baby Huey right,
Roger Rabbit, where it's like you see the baby, but
then he has this really bright, like you know accent. Yeah. Yeah.
And sometimes you know, we see a lot of ironic
animation voices where because why would a five year old
(32:33):
be talking about a date? So I don't know, I'm
kind of like, do we encourage him to just full
onto another bold choice or I think you've got to
play You've got to as an actor. That's part of
it is you've got to make your choices and then
you've got to run into them. So I think, you know,
Adam's got to decide how he wants that five year
old to sound and five year old to be? And
are you playing against type? Are you playing with type?
Are you you know? It's that's part of the deal
(32:56):
is you got to you got to make those choices.
So with that in mind, Adam, you want want you
take another swinging that that's your pleasure? Can I get
the description one more time? Tiny five year old flower
who's afraid of his own shadow. I was on a
date the other night. I wasn't going so well so
(33:20):
so I swiped him right in the face. Is that wrong?
I never learned how to use any of those dating apps.
Thank you, Adam, appreciate it. We'll be back with you. Thanks.
All right, let's talk about this, okay, guys. I think
(33:41):
we may have a tie, only because I really feel
like we've not been able to utilize his voice base
like frustrating for him. I know, but I think I
don't know. At the same time, can we do a
tie on this one? Please? You just want to do
a tie? I don't know. I just I don't know.
I also, yes, I do, I want to do a tie,
(34:03):
and I want to Trevor, and you I know, but
I I personally don't think it was a tie. Okay.
That is my own personal opinion is I believe that
she grew as we were going. Her acting got better
as we were going. The note She took the notes
as we were going. She was more playful as we
were going, and she was ad living and adding things
to the character. Again, I could be overruled, but I
(34:26):
personally think she did more with what she was given
than he did. That's not to say that he was
bad in any way, but that's my opinion. Trevor. I
think in this case, he got caught up on trying
to play play the notes rather than playing the scene,
you know what I mean? Like I felt we lost
(34:46):
connection with the meaning of the words because he was
maybe focused on the directions we gave or or or something.
But she was able to more inhabit the scene with
the notes, do you know what I mean? Like she
was the character felt like it emerged organically out of
the meaning of the words, whereas it felt like with
(35:07):
him in this last one, it felt like he was
imposing the character on the words. And I know, obviously
it's super tough. Sure these are this is a sentence
out of context. He's just seeing for the first time now,
and then we're throwing sometimes contradictory. Yeah, that's a tough one.
So maybe so maybe this was the tiebreaker, if we
were to look at it like this was the final
(35:27):
you know this, I mean, Trevor, do you think we
should do you think it's worthy of a tiebreaker? No?
I think I think she wins that. Okay, yeah, all right,
I have to agree, But I also I also tend
to agree with you guys, And I really love the
way that she took that that fifteen year old note
that I gave her. Yes, I mean that to me.
That to me was like, I feel like, really really expected. Also,
(35:50):
you gave her another note, Christie, where you said I
like the regular register of your voice as a thirty
year old, and when she just went back to her
regular voice, it was great. She has a lot of range.
I just feel bad because I do think he's very great,
and I feel like we should just encourage him to
keep moving. Oh definitely, Well, we've talked about this all
the time Christy, the sixteen that we ended up with
(36:11):
could be signed. I mean, we picked sixteen sixteen people
that know what they're doing. Some of them need a
little bit of acting experience, some of them need just
you know, again, my my, My overall note for Adam
would be and it's a horrible thing, but it's a
note we all need to hear eventually, which is you
need to get out of your head a little bit. Yeah,
you need to. You need to just feel, you know,
(36:32):
the acting side, the organic side, and just kind of
let go and be a little more playful, especially in
the world of Voum. And again that's that's a tough
thing to ask an actor who's auditioning with a line
they've never seen before. Oh my god, I don't think
the actors in front of them. We always talk about
how horrifying this would be if this was it and
(36:52):
some of the characters recreate. Like we're sitting there. It
was Rob Paulson going like, I don't want to do that.
I don't want to do that character that you just
I mean, Trevor said, the German characters that we've got, yeah,
we've gotten It's like you're you're an ancient German mer
person who just won the lottery. Well, what the hell
does that mean? So it's, oh god, I know Trevor
so well in his head, in his head, he already
(37:14):
has the character down to it. But it but that's
but that's what we're looking for. You're looking forward the
exactly Trevor's face right there. That's the actor you're looking for.
You're looking for. Oh, I already just had the voice
in my head of exactly what you're gonna do. And
that's what we're trying to find. And with her adding
those insert emotion here and and showing how she could
(37:35):
go from younger to that's impressive. And I have to say,
I think I think she took the day and I didn't.
I don't think she was winning after round one. And
I think she really she really turned it around. All right,
we all agree? I agree? All right? All right? Now
is the hard part. Gotta hate this so much. Will
Will is so good at this though, I can't stand.
(37:56):
I definitely we could bring if we could bring Adam in, please,
I would appreciate it. Hey, Adam, how are you doing well?
How are you? I'm good? Thanks, We want to thank
you so much for coming and congratulate you again on
making the top sixteen. Unfortunately, this is going to be
as far as you go today. I'm so sorry. We
(38:17):
have been discussing this for a while. We think you
are great and you have to keep going. You've got
a wonderful resonance to your voice. And yeah, we it
was a tough one today. Really, We've we discussed quite
a bit who was moving forward and by no means
should this be the end for you? This would absolutely
be the start for you, because you're good. Any anybody
(38:41):
have anything they want to add tremor Oh yeah, yeah
what wealth diad yah, I know it's I think something
that Christie had mentioned behind the scenes is that you
you you buy total fluke kept getting characters that were
really sort of young and small when we were sort
of dying to hear something more in your because we
(39:02):
just even when you're speaking, we can hear this this
lovely sort of you know residence you have. Um, but
that's a way to cookie crumbulls kids. What can I
tell you? Yeah, it's it's awful. It stinks. We hate
this so much. Um. But yes, what we said before,
and we were just talking about this the top sixteen.
The people that we picked could all be signed by
agents today. We truly believe that. Um. And so you
(39:25):
have to keep going and using this to move forward
because you've got you've definitely got a possibility of a
career here. Um And I think you need to keep
going and doing what you're doing. I appreciate it so much, Adam.
I did. I agree with what Trevor said. Obviously we
were we were were we were Obviously we're all rooting
for you still, um and UM, it is it is
(39:46):
complicated to be getting out of your head. And what
we enjoyed I think most was how you were doing
all of your physicality was kind of giving life to
what you created today. And like, just doing more of
that and fine tuning the range of your voice will
only help you more and more. I think, Yeah, that's huge.
That's one of the first notes that I had for you,
(40:07):
or what the observations I had, was that you physically
embodied the character and that is big, that that really
really helps. So yeah, keep going down that road and
you'll you'll find all kinds of cool stuff to use. Cool. Well,
thank you so much. I just want to say that
I really appreciate this being on. I'm super thankful and
grateful for you, guys. I think this is just such
an awesome contest that you're putting out there, just getting
something people involved, and I'm just forever grateful and thankful
(40:31):
for the opportunity. And I just really love all of
you individually together on this podcast. So I appreciate that. Adam,
I'm gonna do something. I'm gonna do something really weird
that I've never done before. But can you do me
a favor? Sure? Can you, just as if you were
reading an ad copy, say, drive the new Toyota Tacoma
in your normal cadence, in your normal voice. Sure, drive
(40:53):
the new Toyota Tacoma. Done perfect, Hire him, guys. I
just wanted to just wanted to hear what kind of
your your normal ad read voice was going to be like,
because I think I think you might have a career
doing that too. You've got a very nice, young dad
kind of kind of voice, and I yeah, I would say,
(41:14):
if you're going to be putting together a real do
a lot of AD read stuff, because I think I
think you could find a very nice career doing that.
Audiobooks too. Audiobooks too. I think he's got a beautiful voice.
To listen to you now, you've got a great voice,
you really do. So we wanted I just I wanted
to hear that, and I wanted you to be able
to hear that when you listen to this back, because
you should definitely make a real and animation is great,
(41:34):
and I think you can definitely focus on some animation.
But I think you got some ad read in your
in your future, so that's really real. Money is money? True?
Thank you so much for joining us again, Adam. We
really appreciate it. And congratulations again. I'm making the top sixteen.
Thank you so much. All right, bye bye, bye bye,
And now we get to have fun with Hannah. This
(41:55):
is my favorite part because we like her to think
she didn't make it. That's the fun part. So if
we could bring Hannah back in Hey, hey, Hannah, Hello,
how are you good? That's good. Today was tough. Today
was very tough. I just want to start by saying
that because the contestants that we have on are so
(42:17):
good and it's so difficult to pick, and you made
the top sixteen, which you need to be so proud
of the fact that you've made it. This far. You really,
you really do, because it was it was great and
you did really really well today and we're just super
happy that you were on. So we just wanted to
start by saying that, and then we wanted to say, um,
congratulations for making it to the next round. I was
(42:46):
so you did. You made it to the next round.
Oh my god, all the emotions, Hannah just happened. Oh man, congratulations,
you did great, you really did. You took the direction
very well. You were ad libbing and putting your own
stuff in there. And if I have any notes moving forward,
it would be continue with that, the playful side, the
(43:08):
fun side, the taking chances, the taking risks that can
only get you farther in this industry. So anybody else
have anything to add? I think her gain is a
little low. I don't know what that's about. And we
don't have our regular producer because because I want to
hear the richness of your voice. That matters. That is
what we kin. Yeah, definitely just a little bit more loud.
(43:29):
But other than that, girl, you're good. I can fix that.
There you go. Trevor. Yeah, you surprise, You're surprised and
delighted me with your choices. And building up something that
Christie has aid at one point about how it's very
easy to go to what seems obvious at first glance.
(43:51):
But and that's good because sometimes producers have a very
specific idea of what they want. But you got to remember,
when you're going into an audition, there's going to be
fifty other people that are doing maybe that exact thing.
So if you can throw a curveball in there and
play the opposite, that can get you the job many times.
And you obviously have instinct for that, which is awesome
and it's going to serve you well. Yeah, you you
(44:14):
you relaxed as you went on. You By the time
you were giving your last take, I was like, oh, yeah,
she could be in a room with us. Yeah, like
hands dead, hands dead, definitely. Oh that's that's great. I
agree with everything Trevor said. Yes, you started, you were
at a little nervous when you started to be honest
with you, you were not in the lead after round one.
Totally honest with you, you you ran into a very
(44:37):
good fellow contestant today. But just like Trevor said, you
relaxed and you let the acting take over and then
the natural kind of richness of your voice came through,
so it was great, and just keep doing what you're doing.
The competition is only going to get more stiff. Only
one person can win, and the prizes, as you know,
are pretty wonderful. So not only flying out LA, meeting
(45:00):
all of us, training sessions with Mary McGlynn and of
course Sam Regal, but also signing with CESD winning a
thousand dollars, it's pretty amazing. So we look forward to
seeing you in the next round. Hannah, Congratulations, you're moving
on to the Elite eight trademark. I'm trademarking that nobody's
(45:22):
episode before. Thank you so much, Thank you, and we
will see you next time. Congratulations, Bye, thank you guys,
Bye bye. Hannah. Ah, that's so much fun. I think
the right person went through, I do, but I also
think I think Adam's got a shot. I do. I
think he's you know, everybody's good. So before we get
(45:43):
too much farther, we want to give shout outs to
everybody who has helped make this contest happen. Our friends
over there at Prime Video, everybody on Voxmachina, and our
friends over there at Critical Role. Don't forget season two
of Voxmachina is available for download right now on Prime Video.
It is amazing. I'm not just saying that because I
am on it. It is in fact very very good.
We also, of course want to thank our sponsors, everybody
(46:07):
that's helping us out. We want to thank I Heeart,
who has been so amazing in allowing us to do
this contest. We want to thank CESD and everybody helping
us with the incredible prizes. And of course we want
to thank Trevor to Val and all of our great,
great celebrity guests who are coming on and mentoring and
helping everybody and giving notes and doing all that fun,
(46:27):
wonderful stuff. It has been great. Thank you again Trevor
for coming out. My pleasure. Thanks for having me on. Guys,
that was fun. It is too much fun. Then congrats Trevor.
If I don't see you again, I hope the Texas
weather behaves for your your upcoming nuptials. Yes we had
not mentioned that, but Trevor is in fact getting Married's
(46:48):
got going on, and I will be there. We also
have She doesn't know it yet, but when I let
her out of the chains in the basement, it'll be
very happy. Wait, what's great When when Trevor was building
his wife, he said, all right, I didn't need a
number between one and six. You are Dat's thirty year
(47:09):
old flower. So thank you all for joining us. Trevor
once again, just so everybody knows where to find you,
what's where are your socials and what do you got
coming up? And what do you want to pump? Well,
the big thing I'm doing now is the Me, Myself
and Die Show, which is rule playing game show but
I play again. It's like Critical Role except without all
(47:30):
the people. It's just me and I play the character.
So that's a big thing right now. I just released
a new series based on the Blade Weather game, which
is pretty cool. But yeah, kind of stuff there at Me,
Myself and Die dot com where you can find it
on YouTube. Otherwise I'm on the twitters at at Trevor
de Vell and uh not that I'm ever on Twitter.
I don't really have much time. I mean my Twitter
(47:51):
just was hacked. Yeah, it was hacked. I don't know
when I'm going to get it back. Some guy pool
X stole my verification, stole my my people, and started
selling bitcoin on my Twitter. So I needed the money
and I knew your passwords, so okay, it was very
very simple. But thank you again for joining us, Trevor.
(48:12):
Thank you everybody else out there for sticking with us
as we're getting down to the nitty gritty and we
are going to find the next great American voice actor.
And don't forget if you think you have what it
takes to step up to the microphone, put your voices
where your mouth is. Thanks everybody. I Hear Voices is
hosted by Wilfridell and Christy Carlson Romano. Executive produced by Wilfridille,
Brendan Rooney, Amy Sugarman. Our executive in charge of production
(48:34):
is Danielle Romo, Our producer is Lorraine Vera Wez, and
our editors slash engineer is Brian Burton. And that was
my announcer voice. Some side effects of listening to I
Hear Voices are sore abs from hilarity, falling down the
coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.
Follow I Hear Voices wherever you listen to podcasts so
you don't miss any of the amazing voices. Be sure
to follow us on Instagram and TikTok At I Hear
(48:55):
Voices podcast. You can also check us out on my space,
omigal Vine, LimeWire. Ay, I'm a napster. Okay, well, let's
teach you about the Internet, the who
Hi, Christy, Hey Will, how are you good. We've got
a kind of a strange start to our show because
our wonderful engineer Brian is not here today, so Trevor
is with us. So for the first time ever, Hey Trevor,
why hello, we get to hay in our guest, which
we've never done before. Christie, welcome, and welcome back Trevor.
(00:22):
He was actually signed on first, so he should be
the one that's I am ready to go great awesome
walk us through the contest today, Trevor. What are the
rules and what's going on? Fun? So we are back again,
everybody with our super awesome contest to become the next
big Voice actor. And thank you so much Trevor for
joining us as our special guest today. So Trevor, so,
(00:45):
so you know we told you about the launch of
this contest. We ended up getting over four thousand entries
that we then whittled down to the top sixteen and
they are going the first sixteen the Sweet sixteen. I'm
coining that phrase, um are going to be coining to
the Elite eight, the winners coining that phrase as well
to then the final four. I love all these things
(01:07):
I made up. Yeah, but we are so happy the
competition has been I'm right here, Hey, Brendan, can we
maybe be in the middle of our podcast instead of
you swearing all over the place. So I'm recording of
(01:30):
a podcast. Yeah, I was screaming because I'm talking to
Will for now and he makes me scream. What the hell, Brendan?
He said, what the hell Brendon? He thought I got hurt.
I'd like to point out that he's actually one of
the executive producers of the show. It shows how little
(01:51):
he knows of what's actually happening. He's the perfect executive producer, exactly,
exactly pretty much. Yeah, no, that's awesome. So we are,
as we said, fifth round, and the competition has been
amazingly fierce. We've had some incredible guests come on, guest judges. So, Trevor,
(02:12):
what we're going to do is we have two guests
come on, they go head to head. We have a
game that we're doing that we call by the Numbers.
So what we've done is we have come up with
four categories, size, what are you, age, and a wacky
attribute You. Trevor de Val, who are our guests today,
are going to give us different numbers and by the
(02:33):
numbers you pick, you will be creating the characters that
the contestants have to do on the fly. They have
been given two lines of dialogue that they were allowed
to have overnight. We will do two rounds and then
we throw a third line of dialogue which they have
not seen to see how they do with cold readings,
and we go from there. In between each round or
(02:54):
in between each take, I should say, we like to
throw it to you and open to us, the guest judges,
to maybe give everybody some notes, maybe give them some
ideas of what they could change, what they would do differently,
and then we, you know, go through the three rounds
and then we decide who was moving on to the
Elite eight. Which is a lot of fun. So we
last week was a great round. The week before we
(03:18):
could it was it was amazing. We just Cree Summer
was our our guest judge, and we were going back
and forth. They were so good we just didn't know
who to pick. It was really really neck and neck.
I mean, the competition is getting very very stiff. Everybody's
doing really really well, so it was really great. So
(03:40):
is everybody here are the contestants with us now yes, okay,
So our contestants are with us, So we bring our
contestants in just by whoever was in the waiting room first.
So I believe our first contestant that was here is
Hannah from Alabama. So if we could bring Hannah in
and learn a little bit about her before we start
(04:01):
our show, that would be great. Hannah, come on in.
Oh hi, Hannah, how are you? Are you welcome to
the super awesome contest to become the next big Voice Actor.
Thank you and congratulations on making the top sixteen. No pressure, right,
no pressure, I'm Will. This is Christy and our very
(04:21):
special guest judge today is the legendary Trevor de Val,
who you've heard as everything. How are yours? Sounds ling? Voice?
That is his real voice. We've never actually no one's
ever heard his real voice. It's like it's like going
back and seeing the beginning of time. You can't actually
see it. So Trevor, I don't think even remembers what
(04:42):
Trevor actually sounds like. Remember what we sound like? It's
very strange. See. So, Hannah, where where you know? You're from? Alabama? Correct?
I am? And what made you decide that you wanted
to be a voiceover actor. Well, I was originally setting
to be an opera singer, and I had a really
(05:05):
rough summer where I was just sick every other week
and singing just wasn't happening, and I needed a creative outlet.
And I had always loved playing, you know, video games
with my brother Replaylic and I Seal Old Republic, Call
It or Water or Warfare too, and we just had
a blast at those. And actually Avatar the Last Airbender
was running while I was six, so I was watching
that in the middle of the night. I was like,
(05:27):
I didn't it never registered to me that like voice
actors could actually was a job like that. And I
was like, wait a minute, Like how do I do this?
This sounds like a great creative outlet. So I typed in,
like how do I become a voice actor? And I
got Dee Bradley Baker's website that popped up, started educating
(05:47):
myself and so like for three days, I just like
really got into it, and then I was like, all right,
I'm gonna throw some auditions out there and see what happens,
because why not. And with my laptop my phone in
my basement, we recorded. We had no idea what sounds
quality was. We just went for it and uh yeah,
(06:08):
book two of the three. That's great. I was like,
oh my gosh, okay, this is something and then it
just it unraveled into this unbridled passion that's really taken over.
It's great. But you do not have representation, correct, I don't. Okay, good,
or else I would have disqualified you right here, unfortunately, Hannah.
So we're looking for amateurs. That's the point. I mean.
(06:29):
The thing is is though honestly you may be amateur,
but you sound like you're a pro. So I'm excited
to get into it today with you, Hannah. Thank you
so much for being here. Thank you. Guys. We will
make this as inspirational and positive experience as possible. I
promise Christie. I want to make it painful and difficult,
(06:50):
except mister fidel I love the All right, Anna, you
have your your couple lines dialogue ready, I sure do? Okay, perfect,
So we will be back with you in a moment.
And now we are going to go with contested Number
two is Adam Adam from Illinoisies. It's Illinois, Illinoisies. I
like to pronounce the s. I was just in Illinois.
(07:12):
E's last night. Literally I was. We were at C
two E two this weekend in beautiful downtown Chicago, Illinois.
Is that where you had that amazing reunion and Friday party? Did?
We had our ninety six birthday party from mister Bill
Daniels and a lot of the cast deployment. Roy was there.
It was absolutely wonderful. It was great, um, But we're
not here to discuss mister Bill Daniels. We are here
(07:34):
to discuss Adam from Illinois. Adam, welcome to the show.
Congratulations on making the top sixteen. Thank you so much.
I appreciate it. And we are here with Christy and
Christy Carser Romano and that is Trevor Deal, who is
actor extort. I like to use the word redoubtable because
it sounds like an insult and nobody really knows what
(07:54):
it means. So the redoubtable Trevor de Val is here
and I am just curious. What started you on your
journey to become a voice over actor. Cool? Yeah, I
think like a lot of people, I grew up with
my brother watching a lot of cartoons, playing a lot
of video games. I took the more scientific mathematic track
(08:16):
and then pivoted back around over the last handful of
years in Chicago back into RPGs and long form improv.
So all these things kind of go hand in hand together,
and I was like, I'll just try to do some
of this stuff and have been loving it pretty much
ever since. That's great. Oh, in an improv background, that
is very helpful when it comes to the world of vo.
(08:37):
So we are going to have to see do you
have your your lines of dialogue ready? I do? All right, perfect.
We are going to be back through your Your fellow
contestant got here first, so we will be starting with them,
but we will be back with you in a second, Adam,
and we will start our wonderful game. Sounds great, Thank you?
All right? Seeing a bit all right, everybody, here we go.
(09:06):
It is going to be round one of by the numbers,
and we are going to start with Hannah from Alabama.
So if we can bring Hannah back in, Hi, Hannah,
how are you? I'm good? How are you? I am good?
We are going to jump into this so as you know, Hannah,
or hopefully you know that, we have four categories size,
what are you, age? And a wacky attribute and by
(09:29):
random chance with mister Trevor de val, we are going
to be picking the character with which you are going
to be reading your line of dialogue. So Trevor, if
you would, sir, a number between one and six four,
and now a number between one and twelve eleven, and
now a number between one and seven one, and now
(09:52):
a number between one and eleven. This is so hard.
Eight eight, Chris, Okay, I got it. You are going
to be a small mirror person who is ancient who
has been stuck in traffic for six hours. We never
(10:17):
said it was going to be easy, Hannah, Sir, you
can take the character and do whatever you want. We
are just going to be reading the first line of dialogue,
so Hannah at your pleasure, all right. It is not
the size of the dog in the fight. It is
the size of the fight and the dog unless fighting
(10:38):
a lion or traffic, they're the size of the dog matters.
I like the ad lib in there too, Trevor, do
you have any notes? Yeah? What was the description again?
A small ancient mirror person who's been stuck in traffic
for six hours? Cool? Well, you definitely got the frustration
of being stuck in traffic. I definitely heard the small
(11:01):
I would like to hear just just for fun, just
for fun, absolutely, let's hear what happens with the two things.
I'm gonna throw two curveballs to hear. The first one is, uh,
can you dial up the ancient? I want to hear
some wisdom in there. So it's gonna you know, you
gotta get a bounce frustration to be in traffic with
the wisdom. But also, and and here's the fun one.
(11:24):
I'd like to hear like you're trying to breathe there,
but you have gills because you're a mer person, so
you're having some issues with not being in water. Let's
see what you'll do with it. All right, Hannah, those
are your notes. I don't have anything to add to that.
CHRISTI da, how could I that was perfection? Un doubt?
(11:47):
What is it? Undoubtable? Redoubtable, redoubtable? Are the normal? The
normal note I have the first time they read it,
because people have their adrenaline pumping a little bit. Is
slow down, But I think actually the pace was pretty good.
So once again line one, Hannah, at your pleasure. It's
(12:07):
not the size of the dog in the fight. It's
the size of the fight and the dog, he lash
a fighting a lion for traffic in the size of
the dog matics right, thank you so much. We will
be back with you in a moment. Not bad, she took.
(12:28):
So one of the things we're noticing, obviously, why we're
doing this, Trevor, and I know you've already picked up
on this is just to see how they take direction
and kind of how they're taking the notes. And I
thought she added, you know a little more, a little
more texture to it, which was nice. So let us
go on now and see what contestant number two, Adam
from Illinois, ees can do. Hey, Adam, how are you
(12:51):
doing well? How are you all right? I am doing well. So,
as we just explained to your fellow contestant, you know,
we're going to be playing by the numbers. We have
four categories for you, size, what are you age, and
a wacky attribute, and through a random chance of numbers
that mister Trevor de Val is going to pick, we
will be creating the character with which you will be
(13:12):
reading your dialogue. So aren't you got that? Got it
all right? Here we go, Trevor, if you would, please, sir,
a number between one and six six, and now a
number between one and twelve three, and now a number
between one and seven seven, and now a number between
one and eleven two. Christy, you are a ninety five
(13:39):
year old Scottish mouse who is microscopic. Oh so once again,
that is a microscopic ninety five year old Scottish mouse. Hey,
(14:00):
all right, ready, so you got line number one there, Adam,
at your pleasure. It's not the size of the dog
in the fight. It's the size of the fight in
the dog unless you're fighting a lion, of course, and
the sleighs of the dogs. I thought that was pretty good,
(14:23):
Trevor any notes, Well, yes, that's good. It's interesting. A
lot of people when they hear Scottish they tend to
go into Irish. You had a had a little irish
ism in there for a second, which is fine. Fine Trevor.
By the way, the Master of Dialects, I'm not gonna
I'm not gonna go on and on about access because
that's just that's a very specific thing. But I like
(14:44):
the I like the attitude of it. I wonder if
ninety five years old and microscopic. So let's let's not
focus so much on the accent part of it now,
let's focus more on the the ninety five year old
mouse and microscopic. That's I'm I'm thinking small. I'm thinking,
I'm I want to hear small, but I want to
(15:06):
hear kind of crotchety, because because ninety five year olds
and Scottish goes very well together, small and crotchety is
what I would say. We can build it to that,
all right. I would also say, just from a technical standpoint,
i'd back off your microphone just a little bit, right, yeah,
or maybe even just turn your game down just it's
just the tight, tiniest little bit. And Christy, do you
(15:28):
have any other notes? I don't. I think it's perfect,
all right, Adam, actual pleasure. It's not the size of
the dog in the fight. It's the size of the
fights and the dog. Right, unless you're fighting a lion,
the size of the dog really matters. There. Oh, oh,
(15:54):
thank you very much, appreciate it. We will be back
to you for a round two. Good thanks. Interesting when
when when you gave the note of crotchety, did he
think that meant in pain or I don't know where
I got that from, but it was kind of a
little more coffee I think then like he was struggling
with that that was his choice. Yeah, No, but I like,
I loved that both of those characters were super tiny
(16:17):
for both of them, so we saw their voices very small,
and uh, that was cool. That was a good round.
I thought, just if we're going round by round, I
thought the first round she I think her adjustments were
a little better than his adjustments were. I disagree. Oh really, okay,
you do you thought you thought his adjustments were better? No,
I think that overall, I think that his acting was
(16:40):
better from the jump. I think so far it seems
like his his he's really putting himself into those characters.
I think I want to I want to encourage her
to have fun with it, you know, because a lot
of times what we've seen in these contestants is that
they'll get in their heads with all these notes and
um and that's really truly what we have to deal
with when you're in the boot or when you're you know,
(17:01):
given an audition. So him was that he immediately physicalized it,
and that's yea. Yeah, you could see his body shape
sort of change as he's inhabiting that character. That's that's passive.
That is that no that's true. Now, that's very now. Yeah,
the acting, I think he would have the leg up.
I thought she took the direction better than he did.
But I thought his acting is better. And at the
end of the day, we're looking for a voice actor.
(17:22):
But they that was just round one. We are going
to round number two. If we could bring Hannah back in,
please hello, Hannah, Hello again. Welcome to round number two.
So you've got your second line there, and once again,
mister de Val, if you will a number between one
and six three, and now a number between one and
(17:45):
twelve twelve, and now a number between one and seven four,
and now a number between one and eleven five. Okay,
this is a good one. You are a fifteen year
old teddy bear, medium sized who just lost the love
(18:09):
of your life. Oh no, no, no number five, Christy,
oh he thought, he said six. Okay, well then never mind,
you just you just won the lottery, exactly. Keep talking
about two different things. No, wait, you just won the lottery,
but teddy bear losing the lover of the lift This
kind of makes sense. But okay, so you are a
(18:31):
fifteen year old teddy bear who's a medium size who
just won the lottery. Good luck. There you go, and
now line number two, Hannah at your pleasure. I was
sitting here contemplating some of the mysteries of the world,
like why do you park? Why do you drive on
a parkway? But the park got a driveway? Oh, we're raving.
(18:55):
That was very good, Trevor any notes, Yeah, that's good.
I wonder this kind of changes it up. But what
the hell that's what we're doing here? Yeah? Absolutely? What
if you keep keep everything you did, keep everything perfect?
Does that get it perfect? But now I want you
to build in this idea of like full on teenager.
I want to hear some of that going on. I
(19:20):
won the lettery and I'm fifteen. Great, Okay, that's awesome, Christy.
Anything else? Yeah, I mean I think that, um, yes,
I think that, And speaking from the fifteen year old
female viewpoint in that, I think it's easy to go
caricature with that, um and it might be fun to
(19:43):
kind of do that with more of a point of
view rather than just going straight for like the full
you know, teenage archetype, because teenagers now are different than
teenagers when we grew up, Because you could almost even
make the choice of is she really all that excited
about winning the lottery because these kids, I just don't
know what these kids value anymore. But you know what,
(20:04):
let's just say she's really excited for the sake of
range in your voice, and have fun with it. I'm
just going on in tangent. Don't listen. I just said no,
but for real, like I just think that, like you know,
it's you don't as a female voice actor. You don't
want to get caught in the trap of doing the
same thing, and so you want to really find your
(20:26):
voice and what your instrument. Hannah is into into the
female voice of that, you know what I mean? Absolutely, Yeah, Okay,
so let's give it a try. Have fun with it.
Like like Trevor said, will what do you think I
agree with? I'm just now excited to hear what Hannah's
gonna do. So here we go, Hannah once again, line
(20:47):
too at your pleasure. I was sitting here contemplating some
of the mysteries of the world, like why do you
drive on a parkway kind of driveway? Weird? Right, very nice,
Thank you very much. We'll be right back with you. Well,
(21:09):
I'm tickled because I said nonsense and she listened to it.
It was probably Trevor. But no, Actually, as soon as
you said that, I was like, oh, yeah, no, I
just steered her directly towards the stereotype. You pulled her
away from that. And I love it that she took
that part of the note because she she took sort
of like you could you could feel the character building.
(21:30):
It's like the characters trying to be super cool but
then just can't contain themselves. And that was really that
was great. There's some lovely shape to that bit. Yeah, good,
good choices, and I thought she made a great adjustment there,
and the acting was there on that one. Fully, yes, fully.
Now I'm like, now I'm confused, guys, because now I
don't know. Now we're neck and neck. Now we are
neck and neck again. Competition here, Oh my goodness. All right, well,
(21:52):
let's bring back Adam from Illinois E's um for round
number two. No fight fight Hello Adam, Hello, welcome back,
and we are now going to be doing line number two.
Uh playing by the number, So mister val once again, sir,
(22:13):
if you would a number between one and six, I'm right,
numbers here about six? We did do that, okay, two
copy that? All right? Now a number between one and twelve. Three.
Oh my god, see I'm just I'm the same guy
(22:33):
every time. Eight all right, And now a number between
one and seven O. Nine is nine? Is not between
one and seven? You want three? Okay? And now a
number between one and eleven, This is nine. This is
for the wind, nine for the wind. Okay, you are
a shocked, big fish that's ten years old, A big
(22:59):
old ten year old fish that's shocked. All right, Adam,
you're ready for line number two at your pleasure. It
was just sitting here some of the mysteries of the world.
What why you're driving a parkway but park on a driveway?
(23:20):
M h weird? Run like how for some reason? He's
sad seriously Trevor and notes, Yeah, that would be my note.
I liked it. I think, uh, if we can play,
you're doing the sort of thing which is awesome. Can
(23:42):
you take that and use that to fuel the shocked attitude?
And also I'm missing the ten year old boy. But
I do like, I do love that he feels big,
like he's a big boy, you know, he's like a
big ten year old boy. So I kind of love that.
But I wonder if they're's a way to feel like
he's more a ten year old boy somehow. All right, Adam,
(24:05):
here we go. You got your notes ready to go?
Line number two at your pleasure, sir. I was just
sitting here contemplating to some of the mysteries of the world,
like why do you drive on a parkway? Park on
a driveway? We are right, thank you very much. We
(24:30):
will be right back with you. This is hard, man,
This is gonna be a tough one. But they actually
have a tiebreaker on this time. I know. I've got
to be honest. I thought her last round was really strong. Yeah, ye,
(24:52):
so I think he took the first round and she
took the second, if I'm honest. So I think we
are coming into round three tide. That's my personal opinion. Sure,
we haven't even done a tiebreaker yet, we won't even
get there yet. But we are now going to round three.
This is the will we will see, uh if the
cream will rise to the top here because this is
(25:14):
the line of dialogue that neither of them have seen
or have any time with. So it is a completely
cold reading. And let us start with Hannah. So here
we go, Hannah, Hello, Hannah, Hello, So if you could
look at your chat. Yes, alrighty, Trevor, can tell I
(25:41):
write all these you can? You? Can you see the
line of dialogue? Yes, sir, okay, so while you read that, Trevor,
please a number between one and six one, and now
a number between one and twelve, ten, and now a
(26:02):
number between one and seven. Three. One more time? Oh four?
No wait you said, yeah, okay, four, No, four works,
four works forwards. And now a number between one and eleven.
Have you done eleven? We have done four for her before,
just so you know. Oh okay, then, okay, I'm sorry, Yeah,
(26:23):
you're right, You're right, Christie. Let's go one ten, sorry, one, one, ten, five, okay, eleven, okay, great,
one ten, five, five's good for her? Five works? And
now one between one and eleven six yeah, six, okay,
you're ready for this. Here we go. You are a
(26:45):
giant robot that's thirty years old whose love of your
life just left. No there it is, which which actually
works perfect for the line of dialogue. There were really done,
and robot robot to boot. Oh boy, all right, Hannah,
(27:06):
at your pleasure. I was on a date the other
night and it wasn't going well, so I swiped him
right in the face is that well? I never learned
how to use any of those dating apps. A robot
(27:30):
who cries? I love it, Trevor in that in that
vein just because let's let's hear what what happens? Um?
I like that you were you were kind of holding
back on the robotic thing. But what would what would
it be like if if the robot um had very
robotic emotional outburst? Right? Oh okay, so like normal speaking
(27:52):
but robotic emotional whatever that means to you? Say? Also,
I feel like your void your natural voice to me
sounds more thirties than the voice that you had done there,
So maybe maybe enjoy more of your richness of your
of your voice, you know, because even Siri has like
a womanly thirties type voice like that. Good point, all right,
(28:15):
I'm not going to add anything because I think all
of that is absolutely right. I would go with what
they said and at your pleasure. I was on a
date the other night and it wasn't going well insert
emotion here, so I swiped them right in the face.
(28:36):
Query is that wrong? I never learned how to use
any of those dating apps insert anger. Good stuff, Hannah,
thank you very much. We'll be back with you. That was.
(28:58):
I can hear every director I've ever worked with going,
can we get one? Is written place? Yeah? Yeah, yeah,
I know, but you know, as an actor, it was
like she took all the all the notes, added her
own thing, did something none of us were expecting. Yes,
that was. That was a wonderful take. And what do
they say in the in our acting world here they say,
(29:20):
you know you can't you can't ever go too big.
The problem is is that when somebody's too small, it's
way harder to pull them out of that. So we
were looking for somebody that goes big, makes bold choices.
We've said this many times week by week. So she's
doing it. She's having fun, that's important. She is. She's
also completely relaxed from the first round. Obviously she's joking
(29:41):
with us in between the two. That's the thing. That's
the thing. So yeah, all right, well let's let's that
was that was very good. That was. Let's see what
Adam can do. Let's see what Adam can do, because
he's been great as well. So here we go Adam.
All right, Adam, we got one to throw at you here.
(30:01):
As you know, we're going to give you one line
that you've never seen before. It is going to be
on your chat there, can you see it? Yep? All right,
So as you are reading that, Trevor, please a number
between one and six. I'm going to totally repeat myself. Five. No,
that's good. Five is good. Five is good. And now
a number between one and twelve. Have we done? Have
(30:24):
we done seven on that one? No we have not,
No we haven't. And now a number between one and seven, one, seven,
one and seven ons? Can we do two? Yeah? Yeah
we can. And now a number between one and eleven?
Can we do ten on that one? Yes? Yes we can.
(30:46):
What we got Christy? So you're a tiny five year
old flower who's afraid of your own shadow. Um, So,
I don't know, guys. I mean it's interesting to me
with the five year old. I guess we'll let him
do it. We'll see what happens and then we'll go
from there. So Adam, you got your marching orders at
(31:09):
your pleasure. I was on to dig it the other
night and I well, it wasn't going well, so I
swiped him right in the face. Is that wrong? I
never learned how to use any of those dating apps, Trevor.
Any notes what was the description again one more time
(31:31):
of five year old flower who's scared of their own shadow. Yeah,
who's who's tiny? Yeah. I would love to really get
the sense of that kid energy, that that really sort
of hesitant kid energy thing. I'm not gonna do an
(31:52):
example because I want you to do it, but yeah,
a very very young kid energy in terms of um
in terms of speech pattern, well whatever that means to you,
like five year old. Really, that's what I would say.
I want to hear more more than the child and
that see. And you know what's frustrating for me is
that I feel like a lot of times we'll see
(32:12):
something like in Roger Rabbit with the baby baby Louie right,
where it's like was it baby Huey, baby Huey right,
Roger Rabbit, where it's like you see the baby, but
then he has this really bright, like you know accent. Yeah. Yeah.
And sometimes you know, we see a lot of ironic
animation voices where because why would a five year old
(32:33):
be talking about a date? So I don't know, I'm
kind of like, do we encourage him to just full
onto another bold choice or I think you've got to
play You've got to as an actor. That's part of
it is you've got to make your choices and then
you've got to run into them. So I think, you know,
Adam's got to decide how he wants that five year
old to sound and five year old to be? And
are you playing against type? Are you playing with type?
Are you you know? It's that's part of the deal
(32:56):
is you got to you got to make those choices.
So with that in mind, Adam, you want want you
take another swinging that that's your pleasure? Can I get
the description one more time? Tiny five year old flower
who's afraid of his own shadow. I was on a
date the other night. I wasn't going so well so
(33:20):
so I swiped him right in the face. Is that wrong?
I never learned how to use any of those dating apps.
Thank you, Adam, appreciate it. We'll be back with you. Thanks.
All right, let's talk about this, okay, guys. I think
(33:41):
we may have a tie, only because I really feel
like we've not been able to utilize his voice base
like frustrating for him. I know, but I think I
don't know. At the same time, can we do a
tie on this one? Please? You just want to do
a tie? I don't know. I just I don't know.
I also, yes, I do, I want to do a tie,
(34:03):
and I want to Trevor, and you I know, but
I I personally don't think it was a tie. Okay.
That is my own personal opinion is I believe that
she grew as we were going. Her acting got better
as we were going. The note She took the notes
as we were going. She was more playful as we
were going, and she was ad living and adding things
to the character. Again, I could be overruled, but I
(34:26):
personally think she did more with what she was given
than he did. That's not to say that he was
bad in any way, but that's my opinion. Trevor. I
think in this case, he got caught up on trying
to play play the notes rather than playing the scene,
you know what I mean? Like I felt we lost
(34:46):
connection with the meaning of the words because he was
maybe focused on the directions we gave or or or something.
But she was able to more inhabit the scene with
the notes, do you know what I mean? Like she
was the character felt like it emerged organically out of
the meaning of the words, whereas it felt like with
(35:07):
him in this last one, it felt like he was
imposing the character on the words. And I know, obviously
it's super tough. Sure these are this is a sentence
out of context. He's just seeing for the first time now,
and then we're throwing sometimes contradictory. Yeah, that's a tough one.
So maybe so maybe this was the tiebreaker, if we
were to look at it like this was the final
(35:27):
you know this, I mean, Trevor, do you think we
should do you think it's worthy of a tiebreaker? No?
I think I think she wins that. Okay, yeah, all right,
I have to agree, But I also I also tend
to agree with you guys, And I really love the
way that she took that that fifteen year old note
that I gave her. Yes, I mean that to me.
That to me was like, I feel like, really really expected. Also,
(35:50):
you gave her another note, Christie, where you said I
like the regular register of your voice as a thirty
year old, and when she just went back to her
regular voice, it was great. She has a lot of range.
I just feel bad because I do think he's very great,
and I feel like we should just encourage him to
keep moving. Oh definitely, Well, we've talked about this all
the time Christy, the sixteen that we ended up with
(36:11):
could be signed. I mean, we picked sixteen sixteen people
that know what they're doing. Some of them need a
little bit of acting experience, some of them need just
you know, again, my my, My overall note for Adam
would be and it's a horrible thing, but it's a
note we all need to hear eventually, which is you
need to get out of your head a little bit. Yeah,
you need to. You need to just feel, you know,
(36:32):
the acting side, the organic side, and just kind of
let go and be a little more playful, especially in
the world of Voum. And again that's that's a tough
thing to ask an actor who's auditioning with a line
they've never seen before. Oh my god, I don't think
the actors in front of them. We always talk about
how horrifying this would be if this was it and
(36:52):
some of the characters recreate. Like we're sitting there. It
was Rob Paulson going like, I don't want to do that.
I don't want to do that character that you just
I mean, Trevor said, the German characters that we've got, yeah,
we've gotten It's like you're you're an ancient German mer
person who just won the lottery. Well, what the hell
does that mean? So it's, oh god, I know Trevor
so well in his head, in his head, he already
(37:14):
has the character down to it. But it but that's
but that's what we're looking for. You're looking forward the
exactly Trevor's face right there. That's the actor you're looking for.
You're looking for. Oh, I already just had the voice
in my head of exactly what you're gonna do. And
that's what we're trying to find. And with her adding
those insert emotion here and and showing how she could
(37:35):
go from younger to that's impressive. And I have to say,
I think I think she took the day and I didn't.
I don't think she was winning after round one. And
I think she really she really turned it around. All right,
we all agree? I agree? All right? All right? Now
is the hard part. Gotta hate this so much. Will
Will is so good at this though, I can't stand.
(37:56):
I definitely we could bring if we could bring Adam in, please,
I would appreciate it. Hey, Adam, how are you doing well?
How are you? I'm good? Thanks, We want to thank
you so much for coming and congratulate you again on
making the top sixteen. Unfortunately, this is going to be
as far as you go today. I'm so sorry. We
(38:17):
have been discussing this for a while. We think you
are great and you have to keep going. You've got
a wonderful resonance to your voice. And yeah, we it
was a tough one today. Really, We've we discussed quite
a bit who was moving forward and by no means
should this be the end for you? This would absolutely
be the start for you, because you're good. Any anybody
(38:41):
have anything they want to add tremor Oh yeah, yeah
what wealth diad yah, I know it's I think something
that Christie had mentioned behind the scenes is that you
you you buy total fluke kept getting characters that were
really sort of young and small when we were sort
of dying to hear something more in your because we
(39:02):
just even when you're speaking, we can hear this this
lovely sort of you know residence you have. Um, but
that's a way to cookie crumbulls kids. What can I
tell you? Yeah, it's it's awful. It stinks. We hate
this so much. Um. But yes, what we said before,
and we were just talking about this the top sixteen.
The people that we picked could all be signed by
agents today. We truly believe that. Um. And so you
(39:25):
have to keep going and using this to move forward
because you've got you've definitely got a possibility of a
career here. Um And I think you need to keep
going and doing what you're doing. I appreciate it so much, Adam.
I did. I agree with what Trevor said. Obviously we
were we were were we were Obviously we're all rooting
for you still, um and UM, it is it is
(39:46):
complicated to be getting out of your head. And what
we enjoyed I think most was how you were doing
all of your physicality was kind of giving life to
what you created today. And like, just doing more of
that and fine tuning the range of your voice will
only help you more and more. I think, Yeah, that's huge.
That's one of the first notes that I had for you,
(40:07):
or what the observations I had, was that you physically
embodied the character and that is big, that that really
really helps. So yeah, keep going down that road and
you'll you'll find all kinds of cool stuff to use. Cool. Well,
thank you so much. I just want to say that
I really appreciate this being on. I'm super thankful and
grateful for you, guys. I think this is just such
an awesome contest that you're putting out there, just getting
something people involved, and I'm just forever grateful and thankful
(40:31):
for the opportunity. And I just really love all of
you individually together on this podcast. So I appreciate that. Adam,
I'm gonna do something. I'm gonna do something really weird
that I've never done before. But can you do me
a favor? Sure? Can you, just as if you were
reading an ad copy, say, drive the new Toyota Tacoma
in your normal cadence, in your normal voice. Sure, drive
(40:53):
the new Toyota Tacoma. Done perfect, Hire him, guys. I
just wanted to just wanted to hear what kind of
your your normal ad read voice was going to be like,
because I think I think you might have a career
doing that too. You've got a very nice, young dad
kind of kind of voice, and I yeah, I would say,
(41:14):
if you're going to be putting together a real do
a lot of AD read stuff, because I think I
think you could find a very nice career doing that.
Audiobooks too. Audiobooks too. I think he's got a beautiful voice.
To listen to you now, you've got a great voice,
you really do. So we wanted I just I wanted
to hear that, and I wanted you to be able
to hear that when you listen to this back, because
you should definitely make a real and animation is great,
(41:34):
and I think you can definitely focus on some animation.
But I think you got some ad read in your
in your future, so that's really real. Money is money? True?
Thank you so much for joining us again, Adam. We
really appreciate it. And congratulations again. I'm making the top sixteen.
Thank you so much. All right, bye bye, bye bye,
And now we get to have fun with Hannah. This
(41:55):
is my favorite part because we like her to think
she didn't make it. That's the fun part. So if
we could bring Hannah back in Hey, hey, Hannah, Hello,
how are you good? That's good. Today was tough. Today
was very tough. I just want to start by saying
that because the contestants that we have on are so
(42:17):
good and it's so difficult to pick, and you made
the top sixteen, which you need to be so proud
of the fact that you've made it. This far. You really,
you really do, because it was it was great and
you did really really well today and we're just super
happy that you were on. So we just wanted to
start by saying that, and then we wanted to say, um,
congratulations for making it to the next round. I was
(42:46):
so you did. You made it to the next round.
Oh my god, all the emotions, Hannah just happened. Oh man, congratulations,
you did great, you really did. You took the direction
very well. You were ad libbing and putting your own
stuff in there. And if I have any notes moving forward,
it would be continue with that, the playful side, the
(43:08):
fun side, the taking chances, the taking risks that can
only get you farther in this industry. So anybody else
have anything to add? I think her gain is a
little low. I don't know what that's about. And we
don't have our regular producer because because I want to
hear the richness of your voice. That matters. That is
what we kin. Yeah, definitely just a little bit more loud.
(43:29):
But other than that, girl, you're good. I can fix that.
There you go. Trevor. Yeah, you surprise, You're surprised and
delighted me with your choices. And building up something that
Christie has aid at one point about how it's very
easy to go to what seems obvious at first glance.
(43:51):
But and that's good because sometimes producers have a very
specific idea of what they want. But you got to remember,
when you're going into an audition, there's going to be
fifty other people that are doing maybe that exact thing.
So if you can throw a curveball in there and
play the opposite, that can get you the job many times.
And you obviously have instinct for that, which is awesome
and it's going to serve you well. Yeah, you you
(44:14):
you relaxed as you went on. You By the time
you were giving your last take, I was like, oh, yeah,
she could be in a room with us. Yeah, like
hands dead, hands dead, definitely. Oh that's that's great. I
agree with everything Trevor said. Yes, you started, you were
at a little nervous when you started to be honest
with you, you were not in the lead after round one.
Totally honest with you, you you ran into a very
(44:37):
good fellow contestant today. But just like Trevor said, you
relaxed and you let the acting take over and then
the natural kind of richness of your voice came through,
so it was great, and just keep doing what you're doing.
The competition is only going to get more stiff. Only
one person can win, and the prizes, as you know,
are pretty wonderful. So not only flying out LA, meeting
(45:00):
all of us, training sessions with Mary McGlynn and of
course Sam Regal, but also signing with CESD winning a
thousand dollars, it's pretty amazing. So we look forward to
seeing you in the next round. Hannah, Congratulations, you're moving
on to the Elite eight trademark. I'm trademarking that nobody's
(45:22):
episode before. Thank you so much, Thank you, and we
will see you next time. Congratulations, Bye, thank you guys,
Bye bye. Hannah. Ah, that's so much fun. I think
the right person went through, I do, but I also
think I think Adam's got a shot. I do. I
think he's you know, everybody's good. So before we get
(45:43):
too much farther, we want to give shout outs to
everybody who has helped make this contest happen. Our friends
over there at Prime Video, everybody on Voxmachina, and our
friends over there at Critical Role. Don't forget season two
of Voxmachina is available for download right now on Prime Video.
It is amazing. I'm not just saying that because I
am on it. It is in fact very very good.
We also, of course want to thank our sponsors, everybody
(46:07):
that's helping us out. We want to thank I Heeart,
who has been so amazing in allowing us to do
this contest. We want to thank CESD and everybody helping
us with the incredible prizes. And of course we want
to thank Trevor to Val and all of our great,
great celebrity guests who are coming on and mentoring and
helping everybody and giving notes and doing all that fun,
(46:27):
wonderful stuff. It has been great. Thank you again Trevor
for coming out. My pleasure. Thanks for having me on. Guys,
that was fun. It is too much fun. Then congrats Trevor.
If I don't see you again, I hope the Texas
weather behaves for your your upcoming nuptials. Yes we had
not mentioned that, but Trevor is in fact getting Married's
(46:48):
got going on, and I will be there. We also
have She doesn't know it yet, but when I let
her out of the chains in the basement, it'll be
very happy. Wait, what's great When when Trevor was building
his wife, he said, all right, I didn't need a
number between one and six. You are Dat's thirty year
(47:09):
old flower. So thank you all for joining us. Trevor
once again, just so everybody knows where to find you,
what's where are your socials and what do you got
coming up? And what do you want to pump? Well,
the big thing I'm doing now is the Me, Myself
and Die Show, which is rule playing game show but
I play again. It's like Critical Role except without all
(47:30):
the people. It's just me and I play the character.
So that's a big thing right now. I just released
a new series based on the Blade Weather game, which
is pretty cool. But yeah, kind of stuff there at Me,
Myself and Die dot com where you can find it
on YouTube. Otherwise I'm on the twitters at at Trevor
de Vell and uh not that I'm ever on Twitter.
I don't really have much time. I mean my Twitter
(47:51):
just was hacked. Yeah, it was hacked. I don't know
when I'm going to get it back. Some guy pool
X stole my verification, stole my my people, and started
selling bitcoin on my Twitter. So I needed the money
and I knew your passwords, so okay, it was very
very simple. But thank you again for joining us, Trevor.
(48:12):
Thank you everybody else out there for sticking with us
as we're getting down to the nitty gritty and we
are going to find the next great American voice actor.
And don't forget if you think you have what it
takes to step up to the microphone, put your voices
where your mouth is. Thanks everybody. I Hear Voices is
hosted by Wilfridell and Christy Carlson Romano. Executive produced by Wilfridille,
Brendan Rooney, Amy Sugarman. Our executive in charge of production
(48:34):
is Danielle Romo, Our producer is Lorraine Vera Wez, and
our editors slash engineer is Brian Burton. And that was
my announcer voice. Some side effects of listening to I
Hear Voices are sore abs from hilarity, falling down the
coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.
Follow I Hear Voices wherever you listen to podcasts so
you don't miss any of the amazing voices. Be sure
to follow us on Instagram and TikTok At I Hear
(48:55):
Voices podcast. You can also check us out on my space,
omigal Vine, LimeWire. Ay, I'm a napster. Okay, well, let's
teach you about the Internet, the who
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