Feat Navv Greene | Nav Green Talks Druski , Coulda Ben Records, 85 South Show, Auditions for Coming to America 2, and the Impact of Sports Betting on Comedy - ITS UP THERE PODCAST W/LOONEY

Episode Transcript
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Speaker 1 (00:01):
Have you ever wore dressed as a coming would you
do that?

Speaker 2 (00:05):
The thing is like you like you said that, this
ship getting repetitive, and and why don't these gentlemen come
out on behalf.

Speaker 1 (00:13):
Of our community?

Speaker 3 (00:14):
Right if they see that all of these gentlemen bro
were saying, the Jamie Foxes, the money Lawrence, the tyler
peer is as powerful as you guys is if you
did it for whatever reason, why don't these gentlemen come
out to say something or.

Speaker 1 (00:29):
Or what I'm saying it wasn't no and y'o, y'all
got that wrong?

Speaker 2 (00:34):
This you hell long nigga, I won't that. I'd have
been in I'm gonna say, coming to America to our talk.
That's when I understood how movies work.

Speaker 1 (00:47):
Though I'm being honest with you.

Speaker 2 (00:49):
We was on set so many days and then when
they start editing that ship, my partner's smaller, smaller and smaller.

Speaker 1 (00:57):
But it was audition for a cousin.

Speaker 2 (01:01):
So that's when all the comedians in Atlanta all us
in there.

Speaker 1 (01:05):
So I'm looking around the room.

Speaker 2 (01:07):
I'm being under u.

Speaker 1 (01:08):
Desy Banks was in there.

Speaker 2 (01:10):
Oh they had Disney Banks, they had laugh Love, they
had more man any comedian that's in Atlanta. They were
trying to get in that boy we was in there. Yeah,
so I'm looking around the room, and to be honest
with you, I was like, bro I said, all these
motherfuckers in shape, I said, they're looking for somebody short.

Speaker 1 (01:28):
In fact, I got.

Speaker 2 (01:29):
This bitch, and that's what I had to see early.
So sometimes I was like down in myself, like damn,
what it gonna take for this year? Yeah, so if
somebody had to tell me sometimes it ain't even about talent.

Speaker 3 (01:43):
With that stuff, they can't be looking for you and
Dinzy Banks for the same role. If we're taking that
into consideration. Yep, I gotta be able to share with
niggas Broh Done taught myself that this year, I want
to share with people. I want to not just anybody
because Sharon ain't giving and not getting.

Speaker 1 (02:04):
People think Sharon.

Speaker 3 (02:06):
Sharon is initiating the barter and trading system. It ain't
saying that I'm gonna give you everything and get nothing new.
Turned like a wolf. A wolf will eat everything that
it has because it's afraid it'll be stolen from it.
It gives itself nothing later on. It don't say like
you ever see a dog bury a bone, You ever

(02:28):
see them take meet and put it somewhere for later on.
A wolf won't do that because it's so afraid that
wherever it takes, because of the mentality whatever it has.
If it don't eat it now, somebody else is gonna
get it.

Speaker 1 (02:45):
Now.

Speaker 4 (02:45):
Niggas want to lure me to death looms exactly, my man,
looms old.

Speaker 1 (02:51):
Loan, new loom.

Speaker 5 (02:53):
Okay, okay, all is up there and stuck that when
it's up there, man, it's stuck.

Speaker 1 (03:00):
Shut up.

Speaker 3 (03:01):
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Speaker 1 (03:40):
Let's get back to the show. Yo, yo, yo.

Speaker 3 (03:50):
Welcome to another episode of It's Up That Podcast. I
am your active and attractive hosts for another episode of
the fastest growing podcasts in the world. Right now, listen,
the vibes is how vibrations always high, big homing on
every part of the world.

Speaker 1 (04:07):
Today.

Speaker 3 (04:08):
I have someone man that I was looking forward to
speak with. He's a force to be wrecking with in
this comedic world. I got the home in nav Green.
What's going on?

Speaker 1 (04:17):
My brother? What it do?

Speaker 4 (04:18):
Man?

Speaker 3 (04:19):
Pleasure to be here, man, appreciate that, brother, Sure, I
appreciate that.

Speaker 1 (04:22):
You know you you in this game. It's content. Game
is some motherfucker, man.

Speaker 2 (04:27):
Yeah, I feel like it could it could go. It
could drain you at times, and then I feel like
you gotta get rejuvenated with it too. You do sometimes
just take a break like and when I say a break,
like a mental break like live life too, so you
can have something to talk about it even do.

Speaker 1 (04:44):
Is that how you draw your ship up?

Speaker 3 (04:46):
Yeah?

Speaker 2 (04:46):
Because I was noticing, like sometimes we come off the road,
we might go I'm back doing something work related, but
I ain't had time to like get no, you know
what I mean?

Speaker 3 (04:56):
Yeah, And don't let us content creators can understand that
because you fool from literally your soul with.

Speaker 2 (05:02):
This real life is not saying I'm getting material from
my family, but I gotta be around my family experience, Yeah, just.

Speaker 1 (05:09):
To know what's going on in the world.

Speaker 2 (05:11):
And when I say the world, like what's going on
like in the city, like.

Speaker 1 (05:15):
What's the good going through? You feel me.

Speaker 2 (05:19):
I can't do that if all I'm doing is around
the work around people with money, Yeah, because they don't
know the Yeah.

Speaker 3 (05:27):
That's why. And sometimes you feel like you call in
between this thing. You be like, why ain't broken enough
to be in the hood every day? But I ain't
rich enough to be in the birds? And then why
You're right, you know what I'm saying. So you get
stuck in the middle of it. That's why nigga feel alienated.
And now I'm trying to figure out why people say
this is lonely at the top ship. I don't think

(05:49):
it's because I think it's because to get to the top,
you gotta shed so much skin that it's like, damn
where everybody you look around, damny go.

Speaker 1 (06:00):
And that's where you disconnected it and then.

Speaker 2 (06:02):
Because it's like what you just saying that it is
some shit that like, I can't keep being around this
type of shit though, but sometimes I need to come
around it.

Speaker 1 (06:11):
Just for to speak on behalf of this kind of
shpeak on behalf of that shit, and then got them
motivate me some more to never go back.

Speaker 3 (06:19):
I come from that well what yeah, so yeah, And
I think, like we was talking man for me content creation.
I look at podcasts man, and this is this is deep.
But I look at it like almost like the Bible.
I look at it like life experiences and stories. Right,
some of them are lessons, some of them are experiences.

(06:41):
You may see me sit down with a drug dealer
that did twenty years. You may see me sitting down
with a doctor that been saving lives for twenty years.
I'm talking to him about his experiences. I'm talking to
him about his lessons. You see what I'm saying. So
the podcast thing to me is where I always try
to leave something like somebody watch this and gain something
from you, just on like damn, what ever, how the

(07:04):
fuck he did that? Here's something I want to start
talking to talk to you about. Have you ever been
in a movie. Yeah, I saw you in a few.

Speaker 1 (07:12):
But for the people who don't know, tell them the
movies you've been in, I'd have been in.

Speaker 2 (07:17):
I'm gonna say coming to America to our talk, but
you know what I'm saying, the role.

Speaker 1 (07:23):
That's when I understood how movies work.

Speaker 2 (07:25):
Though, I'm being honest with you, because like, we was
on set so many days and then when they start
editing that shit, my part got smaller and smaller and smaller.
But then from the bigger, bigger scale of it, they
edited a lot of the other movie out. But I'm
looking at it from my point like, damn, I wanted
this to be this and wanted this to be that

(07:47):
when sometimes it's just all about like what you just
say a lesson in that.

Speaker 3 (07:51):
Right, and then you build a resume. Yeah, So getting on,
getting on, coming to America. How did that come about?

Speaker 2 (07:58):
Uh? We had audition. I had audition for another role.
So uh the first thing I auditioned.

Speaker 3 (08:04):
Audition with who though where at La No, it was
in that Uh in Atlanta. Wow, So Atlanta's having those
kind of auditions.

Speaker 1 (08:12):
Yeah.

Speaker 2 (08:13):
So the first audition was a role that Tracy Morgan got.
But at the time, I don't know who got the
role I wasn't for he was the uncle.

Speaker 1 (08:24):
Okay.

Speaker 3 (08:24):
It was in the same movie, yeah, the same Okay,
so you came to audition for Coming to America and
then that role.

Speaker 2 (08:30):
They just said, okay, so I did the uncle role.
Then I didn't get that. So then they came back
and it was like it was an audition for a cousin.
So that's when all the comedians in Atlanta all us
in there. So I'm looking around the room. Well, I'm
being under Uh. Desi Banks was in there.

Speaker 3 (08:48):
Uh.

Speaker 2 (08:48):
They had Dizzie Banks, they had laugh Love, they had Man.
Any comedian that's in Atlanta.

Speaker 1 (08:53):
They run to get that. We was in there. Yeah.
So I'm looking around the room.

Speaker 2 (08:57):
And to be honest with you, Bro, I said, all
these motherfuckers in shape. I said, they're looking for somebody short.
In fact, I got this bitch. I look up Rodney
period come through a little shorter here, a little God
damn got competition.

Speaker 1 (09:17):
Man, what's so crazy? Bro?

Speaker 2 (09:19):
Both of us got the part for real, Me and
Rodney different parts. Yeah, we was in the same move,
but it was like for the like for the family,
for his family.

Speaker 1 (09:29):
So so how does audition go though?

Speaker 2 (09:31):
Man, you go in the audition, you don't you don't
really know what they're looking for. Everybody reading the line
the same lines, so you kind of slick, gotta bring
something different.

Speaker 3 (09:39):
So do you walk in and it's four people at
the table and they saying you walk in on some
American idol ship.

Speaker 2 (09:45):
Yeah it's something. Some some of the rooms be different.
Some of it might be just you and the casting
casting director.

Speaker 3 (09:52):
See that's that's that's that's weird. It could be one
on one time because your tape and a nigga don't
give a because you can be like, man, I promise
I'm funnier than this. That don't mean Yeah, you don't
even know how you what they are they giving you
any response?

Speaker 1 (10:08):
Old faith, bad please. And that's the thing.

Speaker 2 (10:14):
So like with stand up, you hear that immediately. You
know if a Joe hit Man, you could be in there.
You felt like you did good as hell? What is
the what?

Speaker 3 (10:23):
Let's what is the reason for not giving feedback in
the moment for a table read.

Speaker 1 (10:28):
Or something, Because most of the time, if the.

Speaker 2 (10:33):
If the producer or directed, a lot of people got
to see that tape, so they might be taping it
and let somebody see it and they going through. You
gotta think if they don't audition thirty people, they want
to go through thirty people tapes, so they don't know
exactly what The producer and everybody got to come into ingreements.

Speaker 3 (10:52):
That's what it is. It's that I can't make the
decision on my own. Even if I say, boy, he's
smoking this, I can't even make that decision just me.
I still got to take that to the table. And
it's around the producing something.

Speaker 2 (11:05):
Else though, And somebody had to tell me sometimes it
ain't even about talent with that stuff. It ain't even
about Sometimes you might not just fit a cast. Everybody
tall and you short, how you gonna be in their family?
Or everybody short and you six feet right, everybody light skin,
you can't be the dark skin brother, right, So sometimes
it's about like you just don't have a look.

Speaker 3 (11:24):
So do they consider that in auditioning, Like did all
of those comics come just saying I'm auditioning period, Nigga.
I don't care if they say they looking, because they
can't be looking for you and Dizzy Banks for the
same role.

Speaker 1 (11:36):
If we're taking that into consideration.

Speaker 2 (11:39):
Yeah, but sometimes they don't know to look until they
cast it everybody else. So sometimes then they'll start piecing
everybody together. Well he got this role, he got this role.
But they might go together, makes sense, you see what
I'm saying, Or they might fit. They chemistry might work,
makes sense. So it's like a it's like a puzzle.
They piecing that shit together, and you don't even know.

(12:00):
You in there going off a dream and a damn dollar,
they don't even know.

Speaker 3 (12:05):
Like part of the quake. Them broke your whole dreams
in half. You thinking, Man, I went in and pulled
my heart.

Speaker 1 (12:12):
Out, man, and that's what I had to see early.

Speaker 2 (12:14):
So sometimes I was like down in myself, like damn,
what it gonna take for this?

Speaker 1 (12:20):
Shear?

Speaker 3 (12:20):
Yeah, But before we get to that, Coming to America,
you auditioned in front of who George Pierre and.

Speaker 2 (12:26):
Then shut out, shout out whoever that is. I'm sure
somebody that make it decision, you know what I'm saying,
got you all.

Speaker 1 (12:33):
So I'm saying that's just so you one on one?
Was it just you and him? Yeah?

Speaker 2 (12:39):
It was one on one and he had the camera,
so you gotta think he the casting director.

Speaker 1 (12:43):
So he said, a listen, is it like this right here?

Speaker 2 (12:45):
Like yeah, how I'm looking at the camera right now
after I do my scene, okay, take boom, I'm out
the door.

Speaker 1 (12:51):
And so is they saying something like.

Speaker 3 (12:55):
I'm the brother and they give a line and you
react or like I'm saying, how are they doing this?

Speaker 1 (13:00):
Are you just reading lines? Or yeah?

Speaker 3 (13:02):
So they'll read and I read okay, So they are
interacting with you, so you okay, So but you.

Speaker 1 (13:07):
Gotta think they read dry.

Speaker 2 (13:08):
They ain't putting no character behind the ship like somebody
just reading they're supposed to.

Speaker 3 (13:13):
So the brother said, why are you in my room?
And then you gotta come and that's the.

Speaker 2 (13:17):
Character and you done read that ship drives head that
like that like you would have been. You're doing all
this shit. She's just sitting there and ain't cool. Yeah,
come on, hard to deal with? How many times have
you auditioned? Oh man, I don't audition so many times?

Speaker 1 (13:37):
Yeah? Yeah?

Speaker 2 (13:38):
And you know what, I didn't have got to the
point I don't be given the damn Yeah. And when
I say I don't be given them, no, I want
the part. But it's like I know it might it's
not even my y'all. Sometimes they don't need numbers, bro,
Sometimes they just need people to audition.

Speaker 1 (13:54):
They already know who they want. They're going just through
the process.

Speaker 2 (13:59):
So sometimes like you gotta think, when you get to
a place where you're comfortable, it's like, hey, what's.

Speaker 1 (14:05):
For me is for me? But what does that is?
Making money outside of their system?

Speaker 3 (14:09):
There you go, because boy, they check depending on that
audition that your go.

Speaker 2 (14:13):
With you you ain't gonna get you, You're gonna get
what damn b let's go with that.

Speaker 1 (14:18):
So it's like I'm touring. I give money outside of this.
So it's like I'm doing this many times.

Speaker 2 (14:23):
I'm winning there and I ain't got ship else going,
and motherfucker, I'm in there like I'm doing a Shakespeare player.
Nigga got one line, well all the off screen hey
ad line, Yeah, trying to put something on it.

Speaker 1 (14:42):
We just just stick to the script. See that's what
I'm saying. That's that's breaking the nigga thinking too.

Speaker 3 (14:50):
Yeah, they said, sir, that's unnecessary. Not just read it
just a little too much. Producers wasn't going that way
with better. Fuck, I'm trying to get y'all a little.

Speaker 1 (15:01):
They were practicing all at the house. Man, they did
shit the water to do so.

Speaker 3 (15:06):
So so all right after the audition, you don't know
if you get it, you leave there, what happens.

Speaker 2 (15:13):
Uh. After I left there, the agency they called me.
They were like, what's your schedule between these dates?

Speaker 1 (15:21):
So I was like.

Speaker 2 (15:22):
She was like, they're not saying you got the part,
but they just making sure that you're available. I was like, hell, yeah,
I'm available. So then she was like, okay, I'm gonna
let him know. Then I hit her back like because
a week none went by. I was like, they still
ain't saying nothing. She was like, no, but no one
else has casted it, so you're still good.

Speaker 1 (15:39):
Then like a week.

Speaker 2 (15:42):
No, maybe like four days later she called me and
I was hitded somewhere, and then she was like, I
got some good news. I was like, what's up. She
was like, you got the park. I was stuck because
that was during a time right there I was going
through some shit, like just like when I say going
through some shit like career wise, like I'm like, bro,
I need something to shape with this ship and not

(16:04):
saying and then you know at the time you're thinking
about it like it ain't for me because I know
where I am talent wise and ability wise. But it's
like we do certain stuff and want certain stuff though
prove it, Like I'm here now, I'm at a certain
level where I can do this.

Speaker 1 (16:20):
But why I was stuck?

Speaker 2 (16:22):
I'm like, man, she was like, you ain't saying and
I was like, man, I want to cry.

Speaker 1 (16:27):
I rub with God was like what I needed this?

Speaker 2 (16:31):
It was like a win you gotta if you go through,
like if we're talking sports and if you go through preseason,
summer camp and all training camps, all this type of stuff,
you feel what I'm saying. It's like, why I do
want to make it to the playoffs? You feel what
I'm saying. So that's why I look at it.

Speaker 3 (16:48):
Before that time, what what what were you doing?

Speaker 2 (16:51):
Were you doing stand up? Just stand up? Just doing
stand up? And I had like how you said, I
have many auditions. I have been auditioning for so much shit.
What would the dates stand up?

Speaker 4 (17:00):
Like?

Speaker 1 (17:01):
How many dates a year were you doing that ship?
I think during that time, woy, it was scattered.

Speaker 2 (17:06):
That's before even eighty five South yeah and right, and
like bruh, everything just started like.

Speaker 1 (17:14):
Start piecing together, like organically.

Speaker 2 (17:16):
After that, I started touring with eighty five South, and
now it was like them dates coming So now when
the auditions be coming in, sometimes it was a time
where like, boy, I gotta do this audition. But it's
like you gotta get back hungry too, sometimes like it
we don't appreciate starving.

Speaker 1 (17:37):
Yeah for real, Yeah, because it's starting point. Boy, we
was monsters.

Speaker 2 (17:42):
Why try to hit three rooms a night? You know
what I'm saying, work on the crawdy. Now it's like
I'm gonna get some risks, rush away, get your fat ass.

Speaker 3 (17:54):
So so all right, so that was you said, they
cut you out? What's the editing process? Then, don't even
let you know was you are? Especially me.

Speaker 2 (18:04):
They ain't gonna let me though, because even when I
was on set, you gotta think, man, everybody in this
movie has been in many and multiple films. So it's
like I'm Eddie Murphy or singing Yo, Tracy Moore and Leslie.

Speaker 1 (18:19):
Jones like all these people.

Speaker 2 (18:21):
Man, I think I had the least amount of credits
on that whole call shot. Yeah, So it's like when
I'm on set, I'm like, man, but we had so
we had about five scenes.

Speaker 1 (18:33):
Five yeah, five different scenes.

Speaker 2 (18:35):
But then the movie so they were shooting so much
they had to edit it down.

Speaker 1 (18:41):
I wonder why they did it, Like is that just
process for Hollywood?

Speaker 2 (18:45):
Well, on that they had money. And when I said
they had money, certain films they only shoot. They got
a certain a lot a lot of days. And they
were like, you know, they don't want to waste no
money with this. This is a big paramount film. They
got the money right, so they could shoot.

Speaker 1 (19:03):
We can shoot whatever. We're gonna see what we're gonna use. Yeah,
yeah type yeah, yeah, yeah, that's what it was.

Speaker 3 (19:08):
So in that that's the biggest movie you done, probably
the biggest movie.

Speaker 1 (19:12):
What's the biggest stage you done done? The biggest stage?

Speaker 2 (19:15):
Oh?

Speaker 1 (19:15):
Man?

Speaker 2 (19:16):
Oh it was in Greensboro now North Carolina, that Greensboro Coliseum.
It was eighty five south show man they had them
for it had thirteen k in there. And when I
say usually when we go on stage before the show
opens up, it'd be like seventy percent field.

Speaker 1 (19:37):
On this day, bruh, I'm talking about them. Folks were ready.

Speaker 2 (19:40):
They was one hundred percent field by time, gonna stay
so los on the side. He was like, man, it's
thirteen thousand and now he was like, you're finna pee
a little bit a like I said thirteen thousand.

Speaker 1 (19:52):
Well, I ain't never talked to that many people at
one time. It's different.

Speaker 2 (19:56):
Like you might see people watch a you know what
I mean, watch something you don't did online and you
see all them views. But to watch it at one
time and you get that immediate response that.

Speaker 1 (20:05):
Big roar was like, what it's that ship different?

Speaker 3 (20:10):
Then that's the thing the big rut though, But it
changes your response time, it changes your joke because you
got to allow.

Speaker 1 (20:17):
Time for yeah to travel.

Speaker 3 (20:19):
Yeah, in that little in that little bitty room, it's
it's boom bam and boom bam.

Speaker 1 (20:24):
It's a different cadence.

Speaker 3 (20:25):
Yeah, but in that big room, it's boom boom bam.
Then then you grabbed me back. Yeah, yeah, how do
you develop that? How do you the more you do it?

Speaker 2 (20:36):
Because I remember at first, like you just said, coming
from like doing comedy clubs and even going to doing theaters,
I didn't realize the cadence.

Speaker 1 (20:45):
You know what I'm saying. I'm on the next joke,
but it's like you ain't get time for.

Speaker 2 (20:48):
Them there the head back. Then let it breathe, and
then it's just getting more comfortable. I'll be walking on
stage now at them big shows, like it's like I'm still.

Speaker 1 (20:57):
In a room right because I'm like, I know what
comes with it? Right? Do you? What did where you
from Atlanta? Yeah? I'm from Atlanta? So what what clubs
were you working coming up? In? What year did you start?

Speaker 2 (21:10):
Man twenty fourteen? Man in Atlanta? See, this is the
thing in Atlanta. It was coming to clubs. You had uptown,
you had Atlanta coming to theater, you had clubs like Punchline.
But in Atlanta, it's a lot of bars that we
work work out jokes here, and dog it be coming
to nights in bars they don't even know it's coming
to night. Yeah, them niggas be shoot pool loud as

(21:33):
a motherfucker. Man Washington, we might be doing coming in
the game on.

Speaker 1 (21:38):
Oh my goodness, and then you competing.

Speaker 2 (21:42):
But I'm telling you, I don't regret it for nothing,
because it's like if I do coming to with somebody
coming and they know they gonna laugh or they want
to laugh, I got a way better chance than when
I started. Now I gotta get these motherfuckers attention and
when you finally get their attention.

Speaker 1 (21:58):
Like okay, yeah or not.

Speaker 3 (22:01):
But it's a hard fight, nigga fighting that Sunday night
game or something or that chiwdboy game. Man, that's a problem.
So you doing jokes that, do you write them down?
How you how you.

Speaker 1 (22:12):
Doing sometime with that?

Speaker 2 (22:14):
They don't like they don't want to hear no scripted
like no scripted joke you had that day? Something got
you gotta catch some shit that's going on in the room.

Speaker 1 (22:22):
You know what.

Speaker 3 (22:23):
It's something about niggas, man, Because I studied comedy, white folks,
they'll work they jokes, man, Niggas feel like they gotta
keep doing new jokes like it's something every time I
talk here's a black comic talk, at least in the
new age, because I know back in the day that

(22:44):
was what it was. But it feels like that there's
something attached to saying the same jokes over and o.

Speaker 2 (22:50):
How do you feel about that? Is that routine or
what I think it's like with with me? Sometimes like
I might get tired of a joke that I undid
or said or something like you might get different tasks
to add on that joke because I feel like a
joke always could get better. So sometimes I might leave
it alone and come back and get it and have

(23:10):
some more stuff to go with it. But sometimes even
being topical going on with current events, we got to
talk about something that's going on current even just to
have what's my take on this, what's my thought process
on this. But then it's like if people don't went
to your shows and not seeing you do, you don't
want you don't want the motherfucker to be there. It

(23:32):
all right, bro, we heard this.

Speaker 3 (23:34):
But on the other hand, you got comics like Bert Christner,
Well he can come and do the machine story and
they ever sited for five or six, seven years, and
people go crazy knowing and anticipating the joke.

Speaker 1 (23:47):
That's what I'm saying something.

Speaker 3 (23:48):
It's something with black comedy, where like now we ain't
respecting that. Don't not win do your family, don't bring
it up here again? And then you know, like you say, now,
there is a place where I believe a joke is finished,
right and it becomes a set and that set is done.

Speaker 1 (24:08):
Yeah, when you continue.

Speaker 3 (24:10):
To do that set over and over, not a joke,
because that's a developmental process that a joke has to
go through. You work it in the little room, you
work it in the big room, working with the women.

Speaker 2 (24:21):
Different regions too, Like you know what I'm saying, Yeah,
give you different takes on it.

Speaker 1 (24:26):
But I think what that even saying. It's like.

Speaker 2 (24:31):
I feel like if it's something current like safe instance,
if you're still doing jokes about when Obama.

Speaker 1 (24:38):
Was the president, Yeah all right, bro, Yeah.

Speaker 2 (24:40):
You feel what I'm saying, like sooner or later, like
we shouldn't even have no sloppy with it. They're they're
do it like a family joke or a joke about
my son, you know, like a bird Christ and a
joke with it. It's a machine joke where he run
into somebody in Russia and da da da d you know.
And so it's that they ain't gonna be a slap

(25:01):
enough to just yeah, so them type of jokes. But
sometimes people want I be seeing people requesting little little
douf All to do jokes even like yeah on the road,
like Carlos, they might ask him to do like we
want to hear such and such. So at times people
want to hear them jokes, but you don't slip, you know,
forgot about them, Like I wonder, I.

Speaker 3 (25:21):
Wonder like what the difference is though, you know, but
you freestyle for the most not freestyle, but you do
you repeat jokes or you Yeah, I.

Speaker 1 (25:29):
Repeat jokes and I do CrowdWork. I mix it in.

Speaker 2 (25:33):
Yeah, so like yeah, I want to, and like I might,
I'm not gonna do to set the same way. I
might put this joke in front or add something new
to this or something like that, so it won't be
like you don't watch the same thing in case you
came back from last week.

Speaker 1 (25:48):
You know what I'm saying, last run whenever.

Speaker 2 (25:50):
You saw and then I know, go ahead, I know this.
With eighty five South, they they crowd travel. You might
see them because you know they're doing strictly improblems. They
a motherfucker might come see them in Charlotte and then
turn around and come see them and and mephis.

Speaker 1 (26:09):
Or see them in Nash Far.

Speaker 2 (26:11):
So it's like, shit, if I knew y'all nigga travel
like this or gonna be coming to all the show,
you see what I'm saying, So you gotta mix it
up a little bit like.

Speaker 1 (26:19):
That for them.

Speaker 3 (26:19):
Yeah yeah, yeah, but some people don't. Some people don't,
and then you're doing the comic of this service. I
guess when you don't give them a chance to do
that sit across the world. That's why Dave and them
take the phones, you know, Kevin Hard, all these guys
that up with us because this is they will walk

(26:41):
off if you see you corner. Yeah, serious about that,
because when they hear this, it need to be unique
to the ear.

Speaker 1 (26:49):
Because you can step on a joke.

Speaker 3 (26:51):
That's a real thing to step on a joke, you
know what I mean, even like hecklerser do that motherfucker
be in the crowd then figured out where you going,
and I think the.

Speaker 2 (27:01):
Best, the better, the better jokes. Niggas don't know where
you're going.

Speaker 1 (27:06):
Right when it at the end, Yeah, nah, you're definitely right.

Speaker 3 (27:10):
But yeah, man, but I like I like comedy, man,
I don't know. It's something about it that I think.
You know, y'all are like very unique individuals to be
able to craft those jokes up, you know what I mean,
something about that process, bro, to make people laugh.

Speaker 1 (27:28):
Bro.

Speaker 2 (27:29):
And then when somebody might be going through some shit,
that's when it be like, you know, after the show,
like man, I need it is I just such and
such such like like damn and the fact that you
came out and you forgot about that during that time.
It be on some That's that's the dope part about it.

Speaker 1 (27:45):
You feel what I'm saying. And so with a toy
five south, how much would you say that helped you?
Five oh? Man? Tremendous.

Speaker 2 (27:53):
The reason why I say that because it's like seeing
so many seeing so many different type of people the
age range, and then just like hitting different regions that
I probably want to hit like, you know, like doing
my trajectory. I want to hit it this fast, you
know what I'm saying, Or being in different this situation

(28:15):
this fast, like even going to LA and being out
there doing like you know what I'm saying, doing certain shows.
So it was like, okay, bet.

Speaker 1 (28:24):
You know, I think that.

Speaker 3 (28:28):
The tribe is so important too, man, Like to just
have that tribe of men moving together in and out
of these states, you know, serving these fans. You have
an off night, he picked it up, he killed it tonight.

Speaker 1 (28:42):
Yeah.

Speaker 3 (28:42):
You know what I'm saying, These things help man because
by me maneuvering this thing by myself, that off night
count ain't.

Speaker 1 (28:51):
You see it? You see it?

Speaker 3 (28:53):
But see as y'all move as a collective, man, it's
something about the tribe, because human beings are tribal people,
you know what I mean. And sometimes the people you
grew up with a lot of times you don't end
up in business, man.

Speaker 2 (29:06):
They don't understand it sometimes, like you know what I'm saying,
Like just like you got cousins, you just got homeboys.
Like we'se homeboys. We grew up together because we were
in the same neighborhood. But that don't mean we always
thought the same you know what I'm saying, right, And
that's sometimes we don't as we grow, like nigga, you
still not thinking how or I could be I could

(29:29):
be at fault. I might be thinking too big, but
how we supposed to.

Speaker 3 (29:33):
It is we we changing And yeah, we we went
through the same things, but we took different things from
you know, And I think sometimes that breeds envy because
people next to you think they deserve what you got
right without putting the work in, because they somewhat figures
that they was handed to you, man, and.

Speaker 2 (29:52):
Then they don't see them like you know what I'm saying.
Sometimes our wings get broadcasted way more than our els.

Speaker 1 (30:00):
But it's like the losses be there. Yeah, and when
them losses there you don't want that do it? And
them long nights?

Speaker 3 (30:08):
What they don't know what a nigga go through like me,
I've been traveling all day. People don't know, Like yo,
You just see the views and move and the niggas
here and there.

Speaker 2 (30:18):
Like there's people working hard and chasing these ideas. But
for anybody listening, though, you gotta remember that there's reward
on the other side of sacrifice. And so when we
don't do that, when we don't give ourself anything in
the future, we do ourselves a disservice, and sacrifice is

(30:39):
the only way to do that.

Speaker 1 (30:41):
You see what I'm saying. You don't like a wolf.

Speaker 3 (30:44):
A wolf will eat everything that it has because it's
afraid it'll be stolen from it.

Speaker 1 (30:48):
It gives itself nothing later on.

Speaker 3 (30:50):
It don't say like you ever see a dog bury
a bone, You ever see them take meet and put
it somewhere for later on. A wolf won't do that
because it's so afraid that wherever it takes because of
the mentality, whatever it has, if it don't eat it now,
somebody else is gonna get it. And sometimes we have
that mentality, and I gotta be able to share with niggas.

Speaker 1 (31:12):
Bro.

Speaker 2 (31:12):
I done taught myself that this year, I want to
share with people. I want to not just anybody because
Sharon ain't giving and not getting People think Sharon Sharon
is initiating the barter and trading system. It ain't saying
that I'm gonna give you everything and get nothing.

Speaker 1 (31:32):
New turned then.

Speaker 3 (31:36):
You know what I'm saying, a nonprofit, No, we ain't
doing that. You know what I'm saying, what do you?
How much content do you create a week?

Speaker 4 (31:48):
Man?

Speaker 2 (31:49):
So we started the sports show, Uh broken play that's hard.

Speaker 1 (31:54):
Yeah. So it came from like us just being around.

Speaker 2 (31:58):
They always hear about me, like you know, I gave
them on sports like you know everybody got advice.

Speaker 1 (32:04):
Yeah, I got a whole list of niggas. Yeah, so
I gave you though, man, you know.

Speaker 2 (32:10):
What I and I was telling people, you don't be
hitting b without telling somebody. When you see what when
you hit and you see how much you don't put in,
you really ain't hit.

Speaker 1 (32:23):
That shouldn't mind thing. Bro.

Speaker 3 (32:25):
Niggas knocking five from this ship. Yeah man, you ain't hitting, bro. Yeah,
well it's whooping you, but you winning sometime. What's your
ratio though, how you looking on that ship? Do you
know that ship? Or is you bullshipping over with your money?

Speaker 2 (32:42):
I'm gonna look doing a little bow because it's like,
you know what I'm saying, what what fucks me up?
If I get an early loss? I now, yeah, now
I'm chasing straight back too, so I might straight bit.
Like like the cowboys just fucked me up. I had

(33:02):
them on Parlais, had them on straight bed bet niggas
in the city, all that type of shit. They fucked
me up so that I was like, I'm gonna take
a couple of days off.

Speaker 1 (33:10):
How much you be betting on them ship? So like
on my straight on my Parlais, I do like one
hundred dollars three team and you and what that brain?
I think that brain let's brain six hundred. See then
that's a hundred gone. Yeah.

Speaker 2 (33:25):
But then my straight bed Now this supposedly supposed to
be the lock, the straight bet. Yeah, my straight bet
this is what? Oh I know this is gonna hit.
So if I lose the hunter, I ain't tripped. Now
my lock lose, I'm fucked up. Yeah, So my lock
be five hundred, I bet straight be so sometimes yeah,
I might lose.

Speaker 1 (33:43):
So now like.

Speaker 3 (33:46):
Nigga badly make up for the straight bed if you lose, No,
sometime my lock might be on the parlais yeah you yeah,
yeah see but I know niggas been ten k. Yeah,
Nigga's hitting man. People watching this, No, it's people living
off sports. Oh yeah, I'm fast, big racks, Yeah, it's big.

Speaker 1 (34:09):
That shit big.

Speaker 2 (34:09):
We asked somebody to come in and he breaking down.
He was like, cause you know what I'm saying, a
lot of us be gambling. He looking at it, like, no,
you get one better day if you lose that shit.
He was like, spread your money out over thirty days.
It ain't many. He was like spreading that. Spread your
money out on thirty days, and he was like, you're
gonna win more than you lose. But like, if you gambling,

(34:32):
I can't tell you nothing because you gonna want to
keep doing it. You're doing this shit like we gotta
get money out this shit. He been one hundred k back.

Speaker 3 (34:39):
That's what I'm telling you. I got niggas that I
know for one hundred percent. Fact, my guys one million percent.
This ain't knowing his participation. I'm telling you not because
I'm hearing it. I know for a fact that niggas
is winning forty rags, sixty recks at a time, seventy
racks at a time. So I'm saying, and it got

(35:01):
me wanting to go over there, but I know it's trickery.

Speaker 1 (35:03):
Oh yeah, for sure, you're.

Speaker 2 (35:04):
Gonna have your good you man, the same way you
win it, the same way you lose it.

Speaker 3 (35:09):
So like what about the niggas selling the bets though
you don't fuck with that?

Speaker 1 (35:13):
Yeah, ship, that's the one he was telling.

Speaker 2 (35:15):
So like, bro, he he would sell his bets and
like forty people buy the.

Speaker 1 (35:20):
Bets, so like like he's smoking it. He's killing it.
Even if he lose, he wins. Yeah, he got something.

Speaker 3 (35:27):
That's my bet. Faulty people paying me to get my
bet that payment.

Speaker 2 (35:32):
That's like I but it be like it's sometimes they'll
sit there and study that ship four and five hours. Man,
niggas had me five and six TV's on in the
trap fucking with that ship right now today.

Speaker 1 (35:43):
Little bitty joints, big joints. It just looks ugly there
with how they got the prize. Pitch with the players.

Speaker 2 (35:49):
You ain't even got to You ain't even got your
team ain't even gotta win. Shout out Mike prize picks.
It just got my situation with prize picking, so you could.

Speaker 1 (35:57):
More or less they ass now you on that ship.

Speaker 2 (35:59):
So I'm like, bro, now it's like you might be
watching the game and I'm watching the game with the
kids the other day, and you know they got their
favorite player. They hey, hey today today? Yeah, yeah, take
his he going to motherfucking craze. I got him on
the least, not today, boy, break that motherfucker.

Speaker 3 (36:22):
Man, I'm talking about real that sports bending world is
a different world. That ship rolls up quickly, and I
said to myself, Man, if I need, I need to
get into that ship, because it's more than just imposted bending.
It's some science on that ship. Hell yeah, and I
believe the teams to be involved. I be seeing him
sometime and say, you know we need three.

Speaker 1 (36:43):
Look and I'm gonna tell you another thing.

Speaker 2 (36:45):
Bro.

Speaker 1 (36:45):
When they be doing certain stuff, I was like, bro,
they know the over under the game. It can't be over.

Speaker 2 (36:51):
The motherfucker just come down there and poper three put
you down nineteen.

Speaker 1 (36:54):
Run the fucking clock out, man, what you're doing?

Speaker 2 (36:56):
Yes, So I know it referee, they could slow the
game down, call files now, and they in the penalty early.

Speaker 1 (37:04):
So anytime they get filed, they at the free throw
line at count.

Speaker 2 (37:07):
Sometimes you hear the commentation like, oh they're letting them
play no motherfucking out.

Speaker 3 (37:11):
Today, call them foul and that's but that's what I'm saying,
So they all I believe.

Speaker 1 (37:16):
Him to be involved. Man, I'm saying to myself, I
believe he folkosed.

Speaker 3 (37:19):
To be involved. Man, like you say, it'll be like, yo,
why they kicking the field goal?

Speaker 1 (37:24):
What's going on? You can't win?

Speaker 3 (37:26):
It is no reason to kick a field goal right
now boom yo. That is only helping the bet. There's
literally no other reason for that. So and I don't
think is it against the rules for them to bet
on themselves?

Speaker 1 (37:38):
Yeah it is.

Speaker 3 (37:40):
I guarantee they still betting on this. I know they
are nigga through they people, nigga.

Speaker 1 (37:44):
Yeah.

Speaker 3 (37:45):
Media puts in fact that athletes has been self through
their people.

Speaker 1 (37:50):
Nigga.

Speaker 2 (37:50):
Yeah, you might see a nigga go out there, leave
here blood sweating till well he had the over.

Speaker 1 (37:56):
He ain't even think about passing. Yeah, well, I got.

Speaker 3 (37:59):
Myself for a half a rat man but so so
you did. So they did the use sports Bend and
they they say, let's do a show.

Speaker 2 (38:09):
Yeah. So, like we had just started coming up, like
let's just talk about sports. So we started doing the
sports prize. Pitch came in, shout out to them, and
then we just started you.

Speaker 1 (38:18):
Got prize pick, Yeah, okay, shut fucking hey.

Speaker 3 (38:21):
You know one thing about they trying to tap in
with the Colt you frock with Mike?

Speaker 1 (38:26):
Who you fucking with? Mike shot? Yeah?

Speaker 2 (38:29):
So and then another thing with them, you know what,
it's like bruh, like they getting people. This ship like
a drug. I don't want to say it like that,
but this ship like a because I'm seeing niggas who
I ain't never think man, man them niggas a man,
I've seen a nigga like boy, I need this so bad.

(38:51):
He been three dollars like, bro, man, don't put that
millionaires sweating sweating. Yeah, so niggas is on it, man.

Speaker 3 (38:58):
I think it rejuvenal native sports what gambling did for sports.

Speaker 1 (39:03):
Literally center shock.

Speaker 2 (39:04):
The viewership going to come back up now because niggas
is watching the game. Bro, I be watching teams that
I don't even know what state they until we go
to the city. Sometimes I'm like, damn, this is what
Siana at. They gonna been on schools like that?

Speaker 3 (39:18):
Yeah, the is you know he nigga with low voice
like bro, we might be passing.

Speaker 1 (39:26):
I'm like, what it's what is school like?

Speaker 3 (39:29):
Been on college and all sports bending world. I think
it picked up the It picked up sports.

Speaker 1 (39:36):
Because you gotta watch it.

Speaker 2 (39:37):
And I got ESPN Plus on my phone now because
that way you watch all the school that they're not
gonna show on TV, and now we're watching Watford all
them even even if it even if they don't seeing
in viewership, right, let's just say they don't see the
spike in viewership, but the interaction and involvement and how
people care about it because money is attached to you

(40:00):
know what, even if you checking the score, you busy,
you gotta go to NBA dot Com.

Speaker 1 (40:04):
I gotta rent them speak on them before like I
don't give a I've heard.

Speaker 3 (40:08):
Irvis Kyprie Irvin say, yo, niggas need to quit hitting
me about what they bet. Yeah, so I'm telling you
niggas is hitting them board man. I got two thousand.

Speaker 2 (40:18):
Kevin Durant probably the realist niggas. Somebody had said the
rest my guy. He somebody had said something about, man,
you cost me such and s. He was like, y'all, nigga,
don't hit me when y'all win, you don't send me nothing.

Speaker 1 (40:31):
That nigga said, Nigga, you rich. I can't even argue
with you.

Speaker 3 (40:35):
That no real though, but both of them, both of
that's real. Yeah, niggas not mad at them players. Man,
Niggas hit them folks.

Speaker 1 (40:44):
Man, No, folks don't play the back to back game.

Speaker 3 (40:47):
The rap niggas get what rap niggas really be mad
at these athletes.

Speaker 1 (40:51):
Nigga, you they put the bag on you. Niggas.

Speaker 3 (40:55):
They ain't sitting in front rod because they no hell
of fan niggas say they come.

Speaker 1 (41:01):
Yeah, nigga, let me get it going. Niggas is in there.

Speaker 3 (41:05):
Nigga madgisty grain on this motherfucker.

Speaker 1 (41:08):
I'm telling you they betting man. You dead that right though,
for real, nigga be mad here, that's crazy.

Speaker 3 (41:16):
I'm a nigga from being your favorite player too. You
done fell out what the nigga unfollowed every time. Don't
block the nigga so he don't even know.

Speaker 1 (41:26):
You don't even know. You don't even care.

Speaker 3 (41:28):
Kyrie Irving told him, nigga, Man, stop calling me. Listen, Bro,
I don't tell nobody to bet on me.

Speaker 1 (41:36):
Man.

Speaker 3 (41:37):
Niggas don't care nothing about your family being in turn
on niggas don't give a damn about.

Speaker 1 (41:42):
You, don't. Man.

Speaker 2 (41:43):
Yeah, how I like what your mental state is?

Speaker 1 (41:48):
Like you remember on my Space.

Speaker 2 (41:49):
I think a nigga need to have a mood on
Instagram where you know a nigga moved before the game.
If a niggas say angry ah ship, he might go
for forty to night or.

Speaker 3 (41:58):
I ain't betting if he's said, you're not nig what
that nigga put saying that nigga sain he's sad nigga nigga?
So people don't know like and I bet, I bet
it's offensive. Like, Bro, you don't think I'm trying my
hardest right? Some people might not be though, but them guys,
it be offensive to question some of them men that

(42:21):
is solidified in putting the work in time after time
and time after time.

Speaker 2 (42:27):
But then, bro, think about it, how we look at
sports like that. Imagine if for a nigga did our
life like that? You know what I'm saying, and what
we do at our.

Speaker 1 (42:38):
But they do it us. Yeah, but it just ain't
no more or less we get nigga ainting the light
of nigga ass up in the coming.

Speaker 2 (42:46):
Yeah, but they ain't. You don't see no nigga betting
on you though, Like you know what I'm saying it, Madden,
if you feel like you're good and a nigga, you
go in and see they said I can't go six points.

Speaker 1 (42:57):
Yeah, you know what I'm damn as far. Yeah, that's
fucked up.

Speaker 3 (43:00):
You'd have made it to the lead, worked all your life.
They got you down for one point to day. That
fucked up, man. Yeah yeah, wow, yeah, get one rebound.
But now ad a comedian and a crowd that ain't
giving him nothing, that silence of the crowd.

Speaker 1 (43:22):
Have you ever dealt with that? Man? Damn Yeah, I
done dealt with that. It's been a long time. Though.

Speaker 3 (43:29):
You're going to familiar places. Some of them people crave now, man,
to go to people that don't. Really it's biased. Some
people like to work their jokes, some of the greats
or work their jokes amongst the people that may not
necessarily be their crowd.

Speaker 2 (43:47):
Yeah, but man, I'm gonna tell you this I had.
I had tour with Drewski in twenty twenty three. Shut
Drew Man, shout.

Speaker 1 (43:55):
Out, what kind of comedy does Drewski do? Man? So
he was doing it could have been he'll come out
and do stand.

Speaker 2 (44:03):
Up and then he'll do like uh like you sign
into his label. So it was a dope ass concept,
dope ass show. So I was doing the tour, I
go up and do twenty minutes. Okay, Bro, I'm seeing people.
We might hit cities that I done been in a
long time A lot of times. I ain't gonna say
a long time a lot of times. Bro, I'm seeing
people I never would back nigga. It was so many

(44:26):
white people when we did Memphis, because he brings out
a different crowd. He got a different man, a man
he reached, bro. And that's what I realized.

Speaker 1 (44:38):
So this one, I'm doing my jokes in front of these.

Speaker 2 (44:40):
I'm like, oh, this ship here, and when I say
he and is like it translates on both sides because
it's been times where you know, people was like, oh
he could do that in front of a nigga crowd.

Speaker 1 (44:53):
What kind of joke? What kind of joke like about what.

Speaker 2 (44:57):
Like, Bro, I talk about shit, I talk about me,
about my family, talking about kids, look what's going on
in the world. And sometimes it was like, you know,
even with my accent, you will hear people say certain
stuff like or they won't translate you know what I'm saying,
they won't be able to understand it went over there instantly.
Ship Like bro, when you got it, you got that ship.

(45:17):
That why you can't listen to certain shit people say.
You might want to change your you know, try to
try to project your voice, you know, try.

Speaker 1 (45:25):
To I know in them auditions you get a lot
of that.

Speaker 2 (45:27):
Yeah, they cause they hear it. Man, I might audition
for something in New York. I'm talking just like that.
I ain't trying to change my voice.

Speaker 1 (45:35):
And because I don't know, I don't.

Speaker 3 (45:36):
I ain't never tried. It's all I know anything. How
they say, let me talk to you for a second.
One time I was on set. I was on set
the movie. It was based out of New Jersey, but
I had nothing, got the role. And I said something.
They was like, oh, could you try to, uh.

Speaker 1 (45:55):
Try to your accent.

Speaker 2 (45:59):
Yeah, like you were getting frustrated trying to explain so
now I'm trying to I can't do it on spot.

Speaker 1 (46:05):
There's some shit I got a train to do. See.

Speaker 3 (46:07):
That's the thing, man, that's I think every time I
hear about Hollywood, and I'm from the outside looking in,
so my perspective could be skewed a bit, but I
tend to view it and say, man, sometimes they have
unreasonable request. And then I think this leads me to

(46:29):
the dress conversation.

Speaker 1 (46:31):
Right, have you ever wore dress as a coming? Would
you do that?

Speaker 2 (46:37):
Nah?

Speaker 1 (46:37):
When?

Speaker 2 (46:38):
And and I don't know, like the stipulation with that
shit I wentn't wasn't no dress for one because of
how I'm built, like like I look like a like
a little thick bit. Well nah all jose aside, Bro,
he's like you see you hear all that type of stuff.

Speaker 1 (46:58):
I'm like, Bro, it's like I feel like.

Speaker 2 (47:03):
It's women actresses, Like what what I'm portraying with this?
You know what I'm saying, what I'm doing with this?
And I think if you probably would have caught somebody
in their younger, younger years, you know what I'm saying.
When you just like because I grew up, when I
say younger years, do what I'm gonna say, but I
grew up watching Mark. I used to think it was

(47:24):
hilarious him doing Shnay doing Mama Pain. So I didn't
look at it as like a man in a dress.

Speaker 1 (47:31):
What if that was forced? That's what I didn't know.

Speaker 2 (47:34):
We don't know until you start hearing those conversations, and
now you know, we get old and I'm like, damn.
You see they have a list of comedians and showing
a little collages of comedians. K.

Speaker 1 (47:46):
So, damn what all this is about? You feel what
I'm saying?

Speaker 3 (47:49):
What do you think what I'm saying? Well, let's talk
about that. I want to know what that ship is about.
That's what I don't know yet. It gotta be, Yeah,
it gotta be some crazy shit. But when you see
that type of shit, like what's.

Speaker 1 (48:01):
Funny about it?

Speaker 3 (48:02):
But if you were in your younger years, those times
when you would starve in auditions, if they were to say, yo,
a dress, get it done, cause you.

Speaker 2 (48:12):
Gotta think I'm still I'm knowing now I'm talking about
like when I used to watch marn and watch you know,
watch Jamie Foxx.

Speaker 1 (48:19):
Do wonder those type of I thought it was funny
at the time.

Speaker 2 (48:22):
But now when I'm older and I'm saying, like I
might if they talk about madea or something like that.

Speaker 1 (48:29):
What's funny about this shit? And then my thing is
like you, like you said that, this shit getting repetitive?

Speaker 3 (48:35):
And and why don't these gentlemen come out on behalf
of our community? Right if they see that all of
these gentlemen bro we saying that Jamie Foxes, the morn
Lawrence the tyler peer is as powerful as you, guys
is if you did it for whatever reason, why don't
these gentlemen come out to say something.

Speaker 1 (48:54):
Or I'm sing, hey, it wasn't no fun and yo,
y'all got that wrong.

Speaker 2 (48:59):
This is hell no nigga I wrote that, But it's like, say, so, man.

Speaker 3 (49:06):
How y'all quiet? Listen, twenty five niggas is silent. Ain't
nobody on the list come out to dispute. Ain't yo,
that ain't what it is?

Speaker 1 (49:16):
Family?

Speaker 2 (49:16):
No, no, no, no, y'all got that the other niggas,
but me, I wrote that point on my own. I
put myself in that motherfucker h y'all leaving room and
then't even spelt even that can speak to the environment, right,
Sometimes it's It's just like niggas leave with money because
they know these a lot of girls gold diggers. Sometimes

(49:38):
women are gold diggers, right, so sometimes you leave with money.

Speaker 1 (49:40):
That's why when you put.

Speaker 3 (49:41):
Cheese on the rat trap, it's because you know the
cheese to get him over there, to get his neck snap.

Speaker 1 (49:48):
You feel me. So it's the same thing they try to.

Speaker 3 (49:51):
They lead you over there knowing that if I put
the dress on, their green lighted. But if I just
come regular, funny. If I just come regular, they ain't
gonna grin. But if I put the dress on, I
got a better chance, and I'm green lightning.

Speaker 1 (50:06):
And sometimes it can be that.

Speaker 2 (50:08):
And Dave Chappelle he had spoken on one time when
he was on Blue Streak set, they had put a
dress in his trailer, but it never was in the script.
They were like, nah, we thought it would be funny
if we do that, Like he did an interview about it,
but he told him, no, he didn't do it.

Speaker 1 (50:23):
You know what I'm saying.

Speaker 2 (50:24):
But it was like, sometimes I guess they'll tell you
why you on set or something like that, or just
you know, just bring it just to try you. Maybe
I don't know, but he told him now, but you
saying you wouldn't do it? Nah, I no, you ain't
gonna see me in no dress. No, you ain't gonna
see me.

Speaker 1 (50:40):
No.

Speaker 3 (50:41):
I just think it's interesting though. Why don't you think
no one comes out to speak on that?

Speaker 1 (50:46):
Man, shit, I don't, bro. This is how I look
at it, like some shit you got it?

Speaker 2 (50:55):
Like say, like if you know what I'm saying, or
maybe they used to allegations on them what they like.
I can't address everyone on twenty five different people though,
but man, it's like if you it's like it's some
kind of cold attached to it. Twenty five Like it's
like twenty comics bro literally on their collage thing. Nobody

(51:15):
won't come out and say, y'all have the wrong idea
about Hollywood, y'all have it wrong right.

Speaker 3 (51:21):
Nobody forced me to do that. I was never put
in that Circum'm not on that. Nobody won't say that
that says something that's just like where we're from.

Speaker 2 (51:29):
I say, the two worst things somebody could put on
you is like if you not you know what I'm
saying is if you a snitch or you gay?

Speaker 1 (51:37):
Yes, if somebody say that, I feel like you defend
or you.

Speaker 3 (51:40):
Got HIV aids Oh, you got to come out of yo,
that's untrue, untrue.

Speaker 1 (51:48):
I got kids and everything. Hey, nah, I know you
call me a fuck nigga.

Speaker 2 (51:52):
I ain't to speak because you might. I might have
did some nigga, but look, don't have HIV.

Speaker 3 (52:00):
You know, niggas you can make the news for having
a like that's a serious thing, you know.

Speaker 1 (52:05):
So got the dispute. You've seen that girl.

Speaker 2 (52:08):
It was a girl who said somebody had an STD
missed him up in college and all that he had
to get his results and go live and all you
saw that.

Speaker 1 (52:16):
Yeah he was in college. Yeah, what happened? They broke
up and she just did the ship? She said, what
he dirt his ship dick dirt? Yeah? Was it HIV?
She said HIV?

Speaker 2 (52:28):
Yeah, So he had his family made him go get tested.

Speaker 1 (52:33):
He went live. Then did if any name?

Speaker 3 (52:36):
You got to so tell me why dudes got our
whole entire community. This is the whole sector of the
black community that's saying, Yo, there's something going on with
the dresses, and not one of the niggas in a
dress can come out and clarify these voices a loud.
So I just for some reason, I don't I don't

(52:59):
understand that are your movies that you have been auditioning?

Speaker 1 (53:02):
What they for Hollywood? Have they all been in Atlanta? Yeah?
So is Atlanta Hollywood now? Man?

Speaker 2 (53:11):
So look, this is what they do. Filming in Atlanta
is cheaper than filming in la you know what I'm saying.
So a lot of them they cast for movies and
then when they get here, they have to cast certain
roles to fill out the movie. So it might be
sometimes cheaper than flying a comedian from La Inn to
do certain parts of certain roles.

Speaker 3 (53:31):
But you never been approach on no weird shit in
no hell No, I wonder like that's what I'm saying.
I think they come with you.

Speaker 2 (53:38):
Oh and then another thing, maybe I'm right where I
need to be. Well, nigga, don't need to come drive
me with that ship up.

Speaker 4 (53:45):
I know.

Speaker 1 (53:45):
I'm like, what the fuck? Yeah?

Speaker 2 (53:48):
Yeah, I couldn't whisper that shit. I'm like, what y'all
boy triven to here?

Speaker 1 (53:52):
See?

Speaker 3 (53:52):
And that's you know, I've seen something there and I
want to talk to you about this. Oh, for those
on the where a couple of days ago, there was
a versus one with Krishan Rock. This circumstance with a
couple of YouTube individuals ended up in pure violence. The
reason it ended up in pure violence is because the guys.

Speaker 1 (54:13):
I guess there's a couple.

Speaker 3 (54:14):
Different YouTube crews that meet to do this twenty versus one,
which is where they get twenty girls verse one dude
or twenty dudes verse one. Okay, they take the rappers, right,
they bring a rapper through and you bring the girl
out on some old school game show kind of shit.
This one was a twenty verse one for Krishan, So
twenty men trying to.

Speaker 1 (54:36):
Get her attention.

Speaker 2 (54:38):
For some reason, they get into it about the content
and saying I want to release the content first. There's
an argument about that to the tune of a fight
breaks out, footage comes out, guns out. The reason I'm
bringing this up is because the energy of this dude
reminded me of the circumstance that I think sometimes you

(55:03):
be like it just was a weird energy.

Speaker 3 (55:06):
So it's a bigger guy, right, he get the fighting
with the dude, He do some kind of spinning back.
He missing everything, big boy, missing everything. He going, but
he got hard. I could tell this brought him because
he got hard and I know the secret. And I
know the secret because I come from hustling. I kept
a fat nigga with him, keep a fat nigga which

(55:27):
he had everything he got, an ounce and a half
of everything you want under this bey in his neighbor
I come from this. Niggas watching this right now saying
he ain't lying. I had niggas ran with me with
dope in their neighbors under they flaps of they bed list,
under they thigh. Yeah, we ride around the hood like

(55:49):
that because I come from a hood where they had
got at a snigg people in that social media skit
eco system, and then there's people on the outside of.

Speaker 1 (55:59):
Him into fruition.

Speaker 2 (56:02):
Even when they were talking about the app, I said,
we don't need that, and you know why, because mother
people like to get over the other day, a female
came in there with her three kids, trying to buy
all of them meals with her reward points. I said, all, babe,
we ain't doing that. She said, well, what you mean,
I earned it. I don't know where you earned that.
All these scamas going on, you could have stole the

(56:24):
reward points. I said, look, I give you one small
free fry and you could get the fup out of here.

Speaker 3 (56:29):
The characters I see it, you know, because what happens
is for us for this era to have that Friday
kind of movie, we're gonna have to unfortunately pull from our.

Speaker 1 (56:41):
Social media characters.

Speaker 3 (56:42):
If it comes together for this era and do do
what it needs to do for comics, it's gonna be
from a social media standpoint of characters that's living like
the Country Wayne character, like Polay with desert banks. This
will now become this era's Friday.

Speaker 1 (57:00):
The Shift Leader.

Speaker 2 (57:02):
It's a lot of cussing in the Shift Leader, like
they monetized. Yeah, but what I'm saying with me off
top and may.

Speaker 1 (57:09):
You get bleed cussing out, I ain't for fifty thousand
a month. Who can fit thou? There? Misload numbers.

Speaker 2 (57:20):
From like I'm thinking strictly talent when you're thinking on
the side of like, yes.

Speaker 3 (57:27):
What you can get because the reason why, because what
separates you and those guys is not talent, because you
will be upset looking up in a year now two
years and some young comic come up, you inspired and
now he's doing.

Speaker 1 (57:44):
That what are he doing? The shift leader? Yeah? And
now he's going to another level.

Speaker 2 (57:48):
Now he's up the whole time, you see, I was
saying like, yeah, man, just tell you.

Speaker 1 (57:54):
Said another daughter that hold up.

Speaker 3 (57:58):
Privileged Because I'm saying getting money together is showing love.
And I think we've confused the culture far too long
with the showing love with the picture or showing love
with the repost. I'm saying, yo, yo, bruh, tell me
how I can monetize my shift leader thing. Are you
afraid to go buy yourself out there as a comedys.

Speaker 1 (58:21):
Want to lure me to death?

Speaker 4 (58:23):
Exactly? My man, Lord loans old loan new look.

Speaker 5 (58:29):
Okay, okays is up there and stuck that n when
it's up there, Man, it's stuck there.

Speaker 1 (58:36):
Shut up.

Speaker 3 (58:40):
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Speaker 1 (58:57):
So why wait?

Speaker 3 (58:58):
Jumping the prize picks right now and bring more excitement
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Let's get into those picks and start winning with prize
picks today, I utp Cole. Let's get back to the show,

(59:25):
Sean Rock. This circumstance with a couple of YouTube individuals
ended up in pure violence. What the reason that ended
up in pure violence is because the guys, I guess
there's a couple.

Speaker 1 (59:39):
Different YouTube crews that meet to do this.

Speaker 3 (59:41):
Twenty versus one, which is where they get twenty girls
verse one dude or twenty dudes verse one.

Speaker 1 (59:47):
Okay, they take.

Speaker 3 (59:48):
The rappers right, they bring a rapper through and you
bring the girl loud on some old school game show
kind of shit. This one was a twenty verse one
for Krishan, so twenty men trying to get herd tense.
For some reason, they get into it about the content
and saying I want to release the content first. There's

(01:00:08):
an argument about that to the tune of a fight
breaks out, footage comes out, guns out.

Speaker 1 (01:00:15):
The reason I'm bringing this up.

Speaker 2 (01:00:17):
Is because the the energy of this dude reminded me of.

Speaker 3 (01:00:24):
The circumstance that I think sometimes you be like it
just was a weird energy. So it's a bigger guy, right,
he get the fighting with the dude. He do some
kind of spinning back. He missing everything, big boy, missing
everything going. But he got hard. I could tell this
brought him because he got hard. And I know the secret.

(01:00:46):
And I know the secret because I come from hustling.
I kept a fat nigga with him, keep a fat
nigga which he had everything. He got an ounce and
a half of everything you want under this barey in
his neighbor. I come from this niggas watching this right
now saying he ain't lying. I had niggas ran with
me with dope in their nah boys, under their flaps

(01:01:08):
of their bed list, under they thigh.

Speaker 1 (01:01:11):
Yeah, we riding.

Speaker 3 (01:01:12):
Around the hood like that because I come from a
hood where they had got at a snigg.

Speaker 1 (01:01:17):
Yeah, he got ship everywhere.

Speaker 3 (01:01:21):
So look ibo, because I come from a hood where
at a certain point they knew we were hustling, so
they sent the vice unit. They would just pull you
over and search you, search you. We kept it fat
nigga with It's hard to find this ship on the
big niggas.

Speaker 1 (01:01:34):
They get the sweating, so I know they wondered how
the fuck his guns in here?

Speaker 3 (01:01:40):
Fat boy? Some kind of way they had got to fight.
Fat Boy come out his shirt. Fat Boy hit the
spinning back fist, miss everything. Stumbling dude hit him too.
He handed them to him. Boy dude run up and
hit him with the gun. Foo knocked the tooth flu
Look he fo all back like they get what big boy? Dude,

(01:02:02):
see I do where you were going for a big
boy got that dog? What's a swiss? Big boy go
like itself in the sweat because the sweat falled down.
He flaps over that fat old grab big clock out
of there.

Speaker 1 (01:02:14):
Look over that dude and hit him dead and bust
his ship.

Speaker 3 (01:02:20):
Now, I'm saying that to say, the whole time they
was in there, that fat nigga had that gun under
some kind of flap in his what I don't spro Listen,
you don't know what that nigga had some I don't
know where it comes from, but I know the trick
of the big man in the crew. So I don't

(01:02:43):
know what I was talking about.

Speaker 1 (01:02:47):
Talking about the YouTube. So so you haven't saw that
video of that? Have you saw it? Yo? Bro?

Speaker 2 (01:02:58):
Now them niggas going to jail and ship like content.
And it started off because who wanted to release it?

Speaker 3 (01:03:03):
Who wanted to release the content first? How do y'all
deal with that in this ecosystem that you in.

Speaker 2 (01:03:09):
Well, you know, like sometimes people like if they coming
to like shoot something, they had their own cameraman in
recording some stuff and stuff like that. But it's like,
you know what I mean, it's a conversation though ain't
to no point, like I don't know, there might have
been some JITs like younger, you know what I'm saying.

Speaker 3 (01:03:28):
And them niggas got the squabbling in that. Dude, God
I thief was on the ground. Blood was on the ground.

Speaker 2 (01:03:34):
I ain't pulling no strap on the nigga about who's
gonna release it first.

Speaker 1 (01:03:38):
But you gotta remember what these things do now.

Speaker 2 (01:03:42):
They know they know, like I need these views first
because once you put it up, if you put it
up first.

Speaker 3 (01:03:49):
Looking at this piece of content might be worth for
fifty sixty grand.

Speaker 2 (01:03:54):
And like I'm saying, dude was kind of handling big Boy.
He was kind of handling Big Boy for big Boy.

Speaker 1 (01:04:01):
Big Boy had that secret sauce with he.

Speaker 3 (01:04:03):
Didn't know it, and he put it on and he
didn't know that. Big boy got the kind of man
where even though it's over, I ain't letting it go.
The fight was up because they done drew down on him,
so so dude was now it is.

Speaker 1 (01:04:16):
Kind of over with, but he still looking at.

Speaker 2 (01:04:18):
Him like, now, yeah, let me open. Soon as they
draw it open.

Speaker 3 (01:04:25):
They got the boy like his big boy still looking
at him like cause you got me a little bit,
and he looked at him, bro, and dude was kind
of like thinking this over man. He took it and
he done done this, hippifore you. He put that motherfucker
just how you want it with the side of and

(01:04:46):
dude didn't even see it coming boom and looked at him.

Speaker 1 (01:04:49):
Dude, They're like, he couldn't do nothing. But if even
it gets shot in here, plane ain't So look tell
me that who put this out?

Speaker 3 (01:04:56):
I don't I think the nigga soone, the nigga who
threw the This is why it's all about views, man,
dangerous get the YouTube niggas trying to get together to
maximize the audience.

Speaker 1 (01:05:07):
This shit getting dangerous, trying to maximize yall.

Speaker 3 (01:05:10):
And that's why champion y'all in this ecosystem because where
do you see black dudes come together and be able
to do this here?

Speaker 1 (01:05:17):
Man, I think it gets it.

Speaker 2 (01:05:20):
Gotta get to a point where I think, man, who
who you are is who you are? And sometimes like
people can hide it, but you only can hide it
for so long you will start sensing some stuff, like bro,
like it's so much when people realize the fight ain't
against the fight ain't against us, it's against them, Like
and we come together, we could knock all this ship down, but.

Speaker 3 (01:05:44):
We can't come together with the suckers in position. That's
what's fucked up. That's why I kind of respect what
Cat Williams done to a certain extent because it's like, Yo,
let's put let's let's put some conversations on the table,
Like let's have some conversations, like Yo, what's going on?
You know, whether y'all agree or disagree, but let's start
these conversations and get to talk.

Speaker 2 (01:06:05):
Yeah, and then bruh, not just so much that nigga
interview was so interesting that that people will watch, you say,
the viewers the views on it, like bro, And I
know me like I watch interviews, like I could I
could get on YouTube and watch interviews, you know, what
I'm saying, because I do that, like if it's stuff
like that. But that interview, bro, I don't. I done

(01:06:28):
went back two or three times because the parts whereas
he got some some funny shit in that, like you're
watching a special.

Speaker 1 (01:06:34):
You do know what I'm saying, Yeah, fife.

Speaker 3 (01:06:39):
Now the interesting part in that is that Kat Williams
don't get a back.

Speaker 1 (01:06:44):
You know, if any money, he ain't do it. I
would have sent them.

Speaker 2 (01:06:49):
A check though, yeah, if it just to be player,
or sent them a check just to be Playure sent
them a check, bro.

Speaker 1 (01:06:54):
But you notice he said that during the interview what
it was gonna do. But I think it's the year
of that. I think gets the year. Yo. Man, he
could have gave me an opportunity, but he didn't.

Speaker 3 (01:07:03):
I ain't mad at him, but he know that, and
y'all need to know that behind the scenes, this is
what's going on.

Speaker 2 (01:07:09):
But see, you know how sometimes people ask, well, why
such and such no folks and so them like, nah,
ain't no problem. People used to just keep it, you
know what I mean. But now niggas like, nah, he
do funck shit and it is what it is. Yeah,
because there's no problem with I just don't. I don't
rock like how he w's what.

Speaker 1 (01:07:25):
I don't feel as though we ever work together.

Speaker 3 (01:07:27):
And it's youngsters following me, and so they find themselves
in these rooms with these guys and they don't understand
that a lot of tricks are being played. It's my
duty to over communicate, seeing the road, travel, seeing which
way I win. It's my duty to let these youngsters
know what I'm encounter.

Speaker 2 (01:07:45):
You know the worst thing, Bro, You in a room
with somebody or a room with a group of people
and you leave out the room, you don't really know
if you if y'all right?

Speaker 1 (01:07:55):
You know what I'm saying, Like, Bro, that energy win? Yeah,
I don't like it.

Speaker 2 (01:07:58):
They're probably with some flake shit. So like I don't
want to be in rooms like that. You run into that, yeah,
because sometimes like how we just work. But it's like
if I walk out the room and I'll adapt you up.
I don't want to walk out thinking you gonna say
some shit like oh man, I don't fuck but right yeah,
Like no, nigga, don't You don't have to work with
niggas if you don't fuck with.

Speaker 3 (01:08:18):
Them, simple, simple, simple, who you you got comedy smoke.

Speaker 2 (01:08:23):
Nah, I ain't got no comedy smoke. But that's the thing.
I don't be around if I do. You don't know,
I don't know, they probably donna fuck with me. Because
there's certain calls you should get. Like there's an ecosystem
of money being spent, bro, this is what creates right.

Speaker 3 (01:08:39):
I expect people with no understanding not to have an
issue with how things are rolling right, because when you
don't understand the ecosystem attached to these opportunities and the
money and the financial gain and certain certain pathways that
is being created by way of opportunity, then you don't

(01:09:00):
have any business with a dog in the fight.

Speaker 1 (01:09:02):
You don't even know what I'm talking about.

Speaker 3 (01:09:04):
But when you understand that, yo, at this point, at
this juncture, you.

Speaker 1 (01:09:09):
Should be able to be doing this.

Speaker 3 (01:09:11):
But that call isn't coming or they call for whatever reason,
y'all don't work together. Like, who's somebody out there that
you feel as though you should be working with right now?

Speaker 2 (01:09:26):
You could work with right now that you want to
work with right now? Who I would want to work
with right now? I want to work I want to
work Kevin Hart not saying, but you know, like sometimes
you have shit on your bucket list, like you know
what I'm saying, like people to work with and stuff
like that, and it's just like shit, you see that
nigga work ethic and shit like that type of shit.

Speaker 1 (01:09:48):
Right.

Speaker 2 (01:09:48):
Other than that, it's like the people I'm already working with, bro,
So it's like I don't even I mentioned Kevin Hart
just because like you know what I'm saying. You see
the the shit he doing and there, like you know
what I'm saying that that's the type of like okay, boom,
that'll be dope. But if it don't, I ain't tripping either,
because it's like the people that are organically working around

(01:10:09):
I think these niggas is dope and funny.

Speaker 1 (01:10:12):
They might not be by yourself. Do you tour by yourself?
Oh no? Are you expected to do that? Do you
want to do that?

Speaker 2 (01:10:19):
Ever, if it comes to it, you know what I'm saying,
it's like how we we we just started a tour
U me Clay English and money Bag. We've been doing
that tour and that shit been dope. So it'd be
like like how you mentioned that. The tribal instance of it,
like being around other like you know what I'm.

Speaker 1 (01:10:40):
Saying like we cool, do you?

Speaker 3 (01:10:42):
But see that's why I but I do have a
certain respect for that nigga even though it's still tribal
on all these shows, right, it's still it's still like
a Dave Chappelle. Yeah, but boy, it's like he demands
a certain energy out.

Speaker 1 (01:10:56):
There here, a different type of nigga.

Speaker 2 (01:10:58):
Yeah, man, you know why I say he every type
of nigga, like bro even with the craft that how
he how he channeled his craft. He'll he'll talk about
it on like, oh I got booed in this city
and boot in that city. Like he'll sit there and
work his material, go places and like he he's worked ethic.

(01:11:18):
A lot of people talk about Kevin hard work ethic.
Dall got a mean ad work ethic too. That nigga
be on stage every night. Yeah yeah, two three show.
They say you might leave somewhere, And he didn't just
work on some ship. He loved coming ill prodigy.

Speaker 1 (01:11:36):
He started when he was a afraid of that though.

Speaker 3 (01:11:39):
Are you afraid to go buy yourself out there as
a comedian?

Speaker 1 (01:11:43):
Hell no, I just gotta get ass and seats.

Speaker 2 (01:11:47):
If I get ass in c I would have been
on you, man, ship with the social media now, steady
putting out content, building your own fan base. So a
lot of shit I was doing with the shift Leader
and that ship been catching fire on TikTok like the
man it's brouh. I'll be lying to you. I didn't

(01:12:11):
even wasn't ever putting sh it on TikTok. I'm on
Instagram right because ship not at I ain't old, but
shit like you know, learning something new, like I ain't
got that ship.

Speaker 1 (01:12:22):
Yeah, man, it's.

Speaker 2 (01:12:25):
A uh he's probably like twenty two twenty three out
of Memphis. Just start putting my videos on TikTok. Made
a page nigga. That ship booming, so I'm liked off. Yeah,
but look he getting paid. He told me. He he
told me cause the nigga had me blocked that first.
I said, look, I don't want the money, brou I said,

(01:12:48):
what I need you to do? Go cut the rest
of them up. Put the because it's boy, it's helping,
because bro, people don't because it's like I.

Speaker 1 (01:12:56):
Paid for marketing. Keep the money.

Speaker 2 (01:12:58):
He hit me one time, he was like, man, I
know I shouldn't be doing this, but I gotta ask
you for a favor. I was like, what's up? He
would like somebody paying me to do a promo. I
need you to dress up and ship leader and see it.
I said, Bro, you know what I got?

Speaker 1 (01:13:13):
Fucked with you? I got you. I did it for
He locked in forever.

Speaker 4 (01:13:16):
Now.

Speaker 3 (01:13:17):
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(01:13:40):
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Speaker 1 (01:13:55):
I U TP Cole. Let's get back to the show. Bro. Listen,
this is what I'm gona tell you this. He locked
in forever about that.

Speaker 2 (01:14:06):
This last Halloween that your passed. Bro, it's so many
people drenched up as the shift leader. So just imagine
I would have been on some whole ship with him.

Speaker 1 (01:14:15):
Got the page, Like you know what I'm saying. People
don't be realizing that.

Speaker 2 (01:14:18):
It's like, Bro, it's people around me who ain't even
think to put up.

Speaker 1 (01:14:22):
I could add a home boy who did that ship?

Speaker 2 (01:14:25):
Like, bro, you tripping talk. He chopped that ship up,
got the pages the ship. He don't start putting broken
place ship on there.

Speaker 1 (01:14:33):
He got work. That's dope. I don't know what team man.

Speaker 3 (01:14:39):
Yes, shout out the bru sho. I be telling them,
young niggas, just go to work. I'm just some money. Hey,
when it comes.

Speaker 1 (01:14:47):
To time, I'm a fire.

Speaker 2 (01:14:48):
So I'm like I'm telling them when we're trying to
do social media country, I'm like, y'all nigga tripping.

Speaker 1 (01:14:53):
I got a nigga. He'll figure that out. Yes, tell
for people who don't know. Tell him what the shift
leader is.

Speaker 2 (01:14:58):
The shift leader like, man, he shiftfuley at McDonald's. But
he feels like he owned that motherfucker. You can't tell him.
He not like, you know what I mean? Heat the CEO.
He take it as that. So it like, but it
came from me just working a job and just seeing

(01:15:20):
how people let a title.

Speaker 1 (01:15:22):
Just go to that. Bro.

Speaker 2 (01:15:24):
Nigga, you make a dollar more than me. Relaxed, Bro,
it's that chill bro. I had a supervisor. We worked
that damn the dome, the Georgia Dome before they changed
the Mercedes, being state. I'm fresh out of high school.

Speaker 1 (01:15:38):
Bro.

Speaker 2 (01:15:38):
Some days you might do housekeeping, some days you might
do goddamn set up.

Speaker 1 (01:15:43):
We got damn.

Speaker 2 (01:15:44):
We gotta mop the flows, like the little pathway before
they go down the steps at the dome. So you're
supposed to do three and change the mob water, Nigga,
I might have went four or five. That nigga stopped me.
That nigga said, you don't went too many, Nigga, you
could eyeball more.

Speaker 1 (01:16:03):
I started looking. I said, but they can't be my life, Bro.
He said, he get eyeball mop That.

Speaker 2 (01:16:11):
Nigga eye man. That nigga looked at that ship. He said, oh,
you went one too many. I said, but a bad motherfucker,
And he was right. But I said, damn, you're a
bad boy. What that nigga eyeball? So a lot of
that ship came from me working around him, and then
it just got damn.

Speaker 3 (01:16:31):
You don't know I got turned up fucking with this. Yeah,
hey man, so what was it? So how long you
work with that nigga?

Speaker 2 (01:16:38):
I worked with that nigga, man, bro, he was older
than us, that nigga Curtis might have been at the time.
I was nineteen. That nigga probably like fifty two, Like
he might do some ship like this. He'll bet us
on the game we lose, we come getting a gat,
you know, get the money. That nigga, he'll he'll lose
that nigga one time, pay me in ben sheets. So

(01:17:03):
you know, I at the nigga like an old uncle,
old granddad, but like nigga cheating the fucker. You think
you got all the sick that nigga got their working
ship get on the bus.

Speaker 1 (01:17:15):
What I said, boy, I can't do this ship. I stuck.

Speaker 3 (01:17:18):
I was like, boy, I gotta get ship led into you,
you know, made a character out of it.

Speaker 1 (01:17:22):
What else was it? Just that?

Speaker 2 (01:17:25):
Oh?

Speaker 1 (01:17:26):
Yeah, just that?

Speaker 2 (01:17:27):
And then like seeing how people work at fast food.
You know what I'm saying. I had I never worked.

Speaker 1 (01:17:31):
That fast food.

Speaker 2 (01:17:33):
My first job was that, like working at the Georgia down.
I would have worked that fast food, but I know
I would have been one of them niggas who didn't
give a fun by work stealing. We had a homeboy
work that Matt number nigga boy. We used to I know,
but he was a man. That nigga will go up there,
that nigga load that bag up. We might have gave

(01:17:54):
four dollars that nigga load us up. We go to
the how play the game?

Speaker 1 (01:17:58):
Yeah yeah niggas ybody, yeah you know real yeah, hell yeah.

Speaker 2 (01:18:06):
Then sometime then after that, you know, like we're his
stories from that. Then when I once I started doing
the Ship Leader, they were like, man, you need to
talk about such and stuff when they do this and
when they do that. So it just like experiences and
jeff Rick, I'm a part of it too, though ain't
too far away. I still now go to McDonald's just
for ships and given look around.

Speaker 1 (01:18:26):
When of the last time you did one of them
Shift Leader, George shit I did.

Speaker 2 (01:18:30):
The last time I recorded something was like in November,
because I knew I had to put some new ones
out cause, like like I told you, after that scene
that ship on Halloween, I was like, but this ship
because like how we were saying, like we get jaded
from it, like tired from it. Like, Bro, I've been
doing it shift leader ship. I started doing this shit
in twenty fourteen dollars. That's nine years. So it's like, damn,

(01:18:54):
how much shit can this niggas go through? Why he's
still the shift leader? But then I said, it's still
the shift Yeah. After that TikTok resurgence, I don't give
a fuck what the niggas say.

Speaker 1 (01:19:05):
It's new motherfucker loving this ship.

Speaker 2 (01:19:09):
Yeah, but Duvall had to even tell me, like, you
gotta think people growing up on that ship too. You always,
no matter what you do, you're always gonna be the
shift leaders. So no, keep putting out that ship. So
sometimes I find myself like I need to do that.
But being Lazer, Bro.

Speaker 3 (01:19:24):
What's the relationship with little little duv h Man, what's
so crazy?

Speaker 2 (01:19:29):
Long?

Speaker 1 (01:19:29):
Little Clay? I made him through Clay Evan. That's tip
manager too.

Speaker 2 (01:19:34):
So uh with Duvall, I had did his host gnar
had Uh was getting sick. So Dull asked me that
I want to do some dates with him. Hell yeah,
cause you know, like growing up all legend up. You
know what I'm saying, do all the legend Anyway, I
ain't gonna say to us, but it's like you know
what I'm saying. We grew up on the Duval watching Duvall,

(01:19:55):
so going around him like the niggas so smart though,
And when I said smart, like you don't notice to
you around certain people, you hit them, talk about certain
stuff like that.

Speaker 1 (01:20:05):
Nigga be knowing what's going on and just he'll give
you game. He ain't tripping. Same with Loos Losa.

Speaker 2 (01:20:11):
Give anybody game and don't don't be looking for no
feedback back or need you the goddamn go out and
say you did. But it'd be like it's real people
like that.

Speaker 3 (01:20:22):
When the last time he did a comedy thing, what
you mean comedy specialist?

Speaker 2 (01:20:26):
Oh I think twenty twenty?

Speaker 1 (01:20:31):
What's your take on comedy special? Comedy? It ain't special
no more? Yeah?

Speaker 2 (01:20:37):
And reason why because like everybody, people could put it
on any platform. Now you remember, at a certain time,
it was like the reason why they called it special
because it was rare that somebody put it out. It
was a piece of work that somebody worked on for
a minute and then they finally put it out. Then
you got somebody like Burning Mack. We never seen a
special from him.

Speaker 1 (01:20:57):
Wonder why.

Speaker 2 (01:21:00):
As dope as he was, he got so many you know,
he got the material, but it just was it was
rare then when somebody would do specials.

Speaker 1 (01:21:08):
They did the Kings of Comedy. You know what I'm saying.

Speaker 2 (01:21:10):
That was dope, but just one man show. We would
love to see a special from Burning Man.

Speaker 1 (01:21:17):
Damn. I never thought about that specials Like, but you ain't.
You don't care.

Speaker 3 (01:21:21):
You don't really care if you get a Netflix special
or no ship, Like.

Speaker 1 (01:21:25):
I ain't gonna say that, That's what I'm saying. Yeah,
I won't one. Yeah, but they're at more common a
little bit. That ship. Hey, whatt you a colleage? You
don't know if.

Speaker 2 (01:21:38):
It's on Netflix, I might call this ship now flicks y'all?
Fuck with that enough whatever.

Speaker 1 (01:21:45):
You'll get it your thinking though, you know it takes time. Yeah.

Speaker 2 (01:21:49):
I probably just shot around, you know what I mean?
I figure that ship out.

Speaker 3 (01:21:53):
Yeah yeah, but nah, I think I think, man, when
I when I think about it with you doing content
like the shift Leyder was that just like the internet thing?

Speaker 1 (01:22:05):
Yeah? It was an Internet thing?

Speaker 3 (01:22:09):
Are you making money off that? Like say a country
Wayne or Funny Mark.

Speaker 1 (01:22:14):
Or hell no? Now, why is that what's the disconnect?

Speaker 2 (01:22:20):
So like with Country Wayne' Bro that nigga, That nigga
in a whole nother world when it comes to that
social media shit like Bro, like it's people because we're
done me and money Bad. We played some characters on
some on the series he had on there and Bry

(01:22:40):
it's a whole different audience. People might see us like
why I watched that? Every day they watch it like faithfully,
and I'm gonna tell you this. He have a fan
base where there's no cursing on there. So older people
and people on Facebook, they'll watch it. They'll feel comfortable,

(01:23:00):
you know what I'm saying. I could share this on
my page and laugh. Well, I ain't got to worry
about people that I work with taking work. Yeah, I
could do all that type of stuff. So it's like, yeah,
so like he able to monetize and get that money
off that in people like you know what I'm saying.

Speaker 1 (01:23:16):
So it's different.

Speaker 3 (01:23:17):
But it's like ecosystem though, because I believe Vanni Marco
is in the ecosystem. I believe Desert Banks is in
the ecosystem. There's people in that social media skit ecosystem.

Speaker 1 (01:23:30):
And then there's people on the outside of it. Yeah right.

Speaker 3 (01:23:33):
You just happen to be good enough to make money
from pardon from Comedy with eighty five and y'all doing
that from auditions. But there's other people, like say a
fat boy.

Speaker 1 (01:23:44):
Sc or Queen's Flip type guys. They don't.

Speaker 3 (01:23:49):
They may make money now like sc raps flip is
on Joe Budden, but without that, they live in that
skid world. But I'm not sure if they have been
introduced to that. Them guys are monetizing. If you watch
Desi Banks drop a blog immediate after he goes live,
he's telling his live to go on there, Hey yo,

(01:24:11):
get under that, Hey tag ten people, Hey get under that?

Speaker 1 (01:24:14):
No? No, Then he go under that and comment under Yeah.

Speaker 3 (01:24:17):
So he's doing he's understanding I'm in this system that
I need to run these.

Speaker 1 (01:24:22):
Numbers through that man. He taught me. Is that the
case for you? Though?

Speaker 2 (01:24:26):
See okay for one, the shift leader, it's a lot
of cussing in the shift leader, like they monetized. Yeah,
but I'm saying with me off top man.

Speaker 1 (01:24:35):
You can bleep cussing out. I ain't bleeping nigga for
fifty thousand a month. Who can fIF thousand them is
load numbers.

Speaker 3 (01:24:45):
If a nigga getting a million to say say them
niggas is getting nigga like Desi Banks them getting a
million views on it, two three, four hundred thousand likes
and it's in ad sponsorships and in a revenue in
it bro and then he got a series of it.
Here's another trick they're doing when they uploaded added to

(01:25:07):
a playlist.

Speaker 1 (01:25:08):
So right after that it goes right towards to another one.

Speaker 2 (01:25:11):
So if you like this, when you're gonna keep watching it,
if you don't touch your phone, it'll keep going.

Speaker 3 (01:25:17):
Nigga, You now, I don't leave your algorithm. You don't
spend eight minutes on my shit.

Speaker 2 (01:25:22):
Now nigga might put that motherfucker on before they got
in the shower.

Speaker 1 (01:25:25):
That shits still going.

Speaker 3 (01:25:27):
So you've had conversations with Desie Banks and these guys.
Why isn't it Why don't you think that information or
you think it's the content.

Speaker 2 (01:25:37):
Not so much the content, Like that's why you remember
it was a time where people were going against stand
up comedians. How you feel about people who do coming
on social media? And they were going against each other.
People don't realize, bru, that shit on social media not easy.
That shit has worked. That shit is an art in
itself to continuously come up with content every day. Put

(01:25:58):
your content out, know how to edit then put it out.
But to put it out for a viewership, that shit
ain't easy. And you can't make these people engage, bro,
that shit is working.

Speaker 3 (01:26:06):
Getting the followers up and getting them to engage is
a different thing.

Speaker 1 (01:26:09):
So getting to like is a different thing.

Speaker 3 (01:26:11):
Getting them to comment, getting them to share, getting them
the book mark, these are different things.

Speaker 2 (01:26:16):
So to be real with you, it's a lot of work.
It's more work than anything.

Speaker 1 (01:26:22):
So do you believe.

Speaker 3 (01:26:25):
How much do you believe there's in them to be
making You don't think they? I know they making stupids
amount of money off this shit. You said you work
with Country Wayne before. What was your character over there?

Speaker 1 (01:26:38):
We did.

Speaker 2 (01:26:39):
We worked with the Vendom Machine with Mike, Mike bless
over that shout out to him.

Speaker 1 (01:26:45):
We worked on over him. Yeah. Do you ever ask
them about that though?

Speaker 3 (01:26:51):
Like, Yo, man, maybe I can take the shift leader
bring it in your world, yo, Dizzy Bank, let me
pop up over there. Shift Leader, We do one right quick.
You come in, make them your character black forces. Whatever
you doing, I'm shift leader, I kick you out or
you know, get your cold for whatever it is, Like,
do you ever think about collabing like that with those guys.

Speaker 2 (01:27:12):
It was a time where like that shit was heavy,
like with us collabining. But like I just was saying,
I don't be doing that shit enough to even be
saying it. I'm buyshit on my own with that type
of stuff, like taking it. It's like, why though, bro,
I kind of like, well, doing that shit so long,

(01:27:33):
Like gotta think, like I start. We started that shit
when we was doing the twenty fourteen, like we was
all with ratchet people meet it was me, DC, email Hudson, Markolevel,
Erica Dutch, like all us around, money bag Philip Hudson,
all of us would just do skits.

Speaker 1 (01:27:52):
So it's like but they were free or to get
your name up. Now that's true money for these.

Speaker 3 (01:28:00):
Nigga driving rolls, rosses and shit, and a nigga just
sit back saying, yo, I just I don't know, I
just don't feel like doing it.

Speaker 1 (01:28:06):
It's money being left on the field. Fucking with that. Yeah,
you know what comes with that too, what a lot
of bullshit. Yeah, could it could put.

Speaker 3 (01:28:18):
You done, put the work in already, and you got
the character that's already in the world. It's already in
an algorithm to not build on that. It's like if
you were signed to somebody that was like like Hollywood
type shit, they would develop that character.

Speaker 1 (01:28:33):
Yeah and make it a TV show. Yeah, yeah, this
thing but you but see that's the thing.

Speaker 3 (01:28:39):
I think all of those guys are trying to head
towards it, like some of these characters getting plucked out
social media and brought into the big screen, you know,
role because you look at these things.

Speaker 1 (01:28:50):
Where's this eras blank? Man? Where's this errors in of
that shit? Man? We did when you get a chance
check it out the apartments.

Speaker 3 (01:29:01):
I was looking at. I've seen that. I've seen some
clips of that motherfucker look good.

Speaker 2 (01:29:05):
Yeah, Jay Ski do vall DC, Carlos Tip directed it,
Tyler Chronicles running joint.

Speaker 1 (01:29:14):
Uh damn. Tip had everybody Tokyo, both of the Tokyo.
That's hard. Yeah, he put that ship together. It looked
good too. Yeah, that's you put that motherfucker together. Yeah.
How long did it take the film net? It took
about two weeks. That's cool.

Speaker 2 (01:29:33):
It first was it was gonna be like a TV
show episodic, but then with everybody scheduling it was hard
to god damn. He was like, we could turn this
ship into a movie, and like he really was hands
on with that ship. What did you grab from the
Cat Williams Interview, bro, The biggest thing being happy with

(01:30:00):
what you're doing and what you got.

Speaker 1 (01:30:02):
You know what I'm saying.

Speaker 2 (01:30:03):
And the reason why I say that is like how
somebody could be watching, you know when he said, somebody
go right now and look at my networks. And I
got that on me right now. But you could just
tell a lot of people call him better. He went better.
You could tell he happy, he could tent. Yeah, and

(01:30:23):
I get a lot of stories. I mean that's that's.
Oh he look out for a year for a lot
of people.

Speaker 3 (01:30:29):
But people took that like he was taking shots. A
lot of people responded.

Speaker 2 (01:30:35):
But he even said that a lot of them people
that came to the interview, they talked about him first
he would come back because he ain't even God damn, really,
they ain't really introduce it introduced him.

Speaker 1 (01:30:46):
He said, right now, boy, I got some shit to say.
But it's.

Speaker 3 (01:30:50):
But also but That's what it be like when you
were thinking, man, right, when you sit in the back
cave and you you look at the field. I'm always
looking at the field, right, And that's why I can
say what they've done, what they've been paid for, what
it's worth.

Speaker 1 (01:31:04):
You see, I'm.

Speaker 3 (01:31:04):
Speaking about DESI I don't do common I don't even
do social media content like that, but I'm i'm I
recognize value in the market over there. I see it
with streaming, I see it with all it TikTok stuff.
I see it with the replay value the characters.

Speaker 1 (01:31:20):
I see it. You know.

Speaker 3 (01:31:21):
Because what happens is for us for this era to
have that Friday kind of movie, we're gonna have to, unfortunately,
pull from our social media characters. We are not gonna
be able to just draw characters up like they did
with Smoky and Big Worm. These will have to naturally
be Internet characters like the Shift Leader, like a crypt Mac,

(01:31:44):
like a you know, the Friday is gonna if it
comes together for this era and do what it needs
to do for comics, It's gonna be from a social
media standpoint of characters that's living like the country Way
and character like Polay with Desert Banks.

Speaker 1 (01:32:00):
This will now become this era's Friday.

Speaker 3 (01:32:03):
But people have to continue to develop those characters alongside
each other. That's why I thank the opportunity for you
and that ship, because you will be upset looking up
in a year now two years and some young coming
come up.

Speaker 2 (01:32:16):
You inspired, and now he's doing that what are he doing?
The shift leader? Yeah, and now he's going to another level.

Speaker 1 (01:32:22):
Now he's up. The whole time. You see, I was saying, like, yeah, man,
just ship man, you said another diigga? Do it that?
Hold up?

Speaker 3 (01:32:32):
That different because you're gonna see him avery like how
Cat was on that character that count hold up.

Speaker 1 (01:32:41):
So I'm saying, man, Nah, You're definitely right.

Speaker 2 (01:32:45):
Though sometimes it like sometimes people don't be realizing. Sometimes
you gotta hear certain stuff and like conversations and like
certain stuff where we see something we don't realize it could.

Speaker 3 (01:32:55):
Be bigger because you looking at it from a talent perspective.
I'm always like, I'm an innovator and a producer kind
of nigga anyway, So I'm saying, yo, this era needs
our Friday for us to elevate those comics to that
level that Cat and Ricky and.

Speaker 1 (01:33:13):
All the niggas after that. We need that.

Speaker 3 (01:33:16):
And so when I say how can we do that,
You're not gonna be able to do that the old
fashioned way. Everybody come in audition. We got these lists
of characters. It needs to be more palatable for the consumer.
And the consumer the shift leader has an audience, probably
has an audience. The country Wayne character has an audience.

(01:33:37):
You see what I'm saying, d C. He has an
audience as hisself in that world, in that social media,
in that world that there's in them, live in d
sing them lived in on.

Speaker 1 (01:33:48):
Vine, Yeah for real. So you gotta remember.

Speaker 3 (01:33:54):
And for me, if I'm looking at it as a producer,
as just these individuals, I say, Yo, keep developing these
characters on social media.

Speaker 1 (01:34:01):
Making the little thousands they come with it.

Speaker 3 (01:34:03):
But at some point one of us is gonna put
together something and draw from all of this out there.
Now I'm putting this in the universe. Somebody gonna, Yo,
just pay me or just let me be involved in
that because I put you something. You're a consultant, Yeah,
I just put you gotta be yeah for show. Because
I believe the shift leader interacting with the desk character

(01:34:24):
like that's our eras Friday, if it's done right with
your crypt Max, with your guys, this the Joker do
for Miami, like you gotta pour from the whites, and
you gotta pour from every you see.

Speaker 1 (01:34:36):
What I'm saying, like and we can do that. Somebody
liked showing us that with the whites here you.

Speaker 3 (01:34:43):
Think his character in the the Drew Skid, the Shift Leader,
the oh my, this shit can be like yo, if
everybody just don't be greedy and just when you walk
the money, let's do what Ice Cube and them done.

Speaker 1 (01:34:58):
And you know how easy it is to say that though.

Speaker 3 (01:35:05):
Niggas are doing on cameo tip. But I'm talking about yo,
we gotta dedicate some time.

Speaker 1 (01:35:08):
Yeah, everybody to take out this this block of time.
Let's do this.

Speaker 2 (01:35:11):
But then you know what I will say this watching
that Cat Williams another thing like, Bro, I'm glad it
ain't so much of this if it is. You know
what I'm saying, you don't see it as much though, Bro.
Like people, you will see people working with each other,
showing niggas love. So I will say, and this era
kind of difference.

Speaker 1 (01:35:31):
What is showing love? Though? When I say I saw
the different with the eighty five South.

Speaker 3 (01:35:35):
I think you're talking from privilege because I'm saying getting
money together is showing love. And I think we've confused
the culture far too long with the showing love with
the picture or showing love with the repost. I'm saying, yo, yo, bro,
tell me how I can monetize my shift leader thing.

Speaker 1 (01:35:56):
That's that's what love is.

Speaker 3 (01:35:59):
I ain't saying we co workers, we work together, but
I'm talking about we've confused this love thing this era.
And I think dudes like Cat is coming out saying that, saying, Yo,
that ain't love. Y'all sin y'all thinking niggas showing love.
But let me tell you, da da da da da.
You gotta sa da da da da da da And
you gotta da da da da da da dad just
to get in there. And niggas like damn, I thought

(01:36:22):
they were showing love. But you think it's love. You
think people showing love in this era because you from
eighty five.

Speaker 2 (01:36:29):
Yeah, And like you said, I could be looking at
from a privilege standpoint, but it's like people working with
each other.

Speaker 1 (01:36:35):
Though who a lot don't work with each other. You'll see.

Speaker 2 (01:36:39):
It was a time where I seen Country Wayne and
Das working with each other.

Speaker 3 (01:36:43):
It's in the ty Coons though it makes sense, which
I just said, sharing ain't giving everything for nothing, so
that makes sense.

Speaker 2 (01:36:50):
Okay, then you might see flying Drewski working with each
other makes sense, makes sense.

Speaker 3 (01:36:55):
So yeah, so when I'm gonna see you and Dezzy
you this is what I'm saying though you see what
I'm saying. This is what I'm saying because this is
when I believe that it to make sense. Like sometimes
with the podcast thing with interviews, and she'd be like, yo,
it makes sense to sit down with long.

Speaker 1 (01:37:14):
Why they ain't doing it, don't. I don't get it.

Speaker 3 (01:37:18):
So I'm saying, when would I see you introduced in
those scenario?

Speaker 1 (01:37:23):
See what okay? For me?

Speaker 2 (01:37:25):
I be looking at it from a different standpoint. All
the names I know mission they done did the podcast.

Speaker 1 (01:37:30):
You see what I'm saying.

Speaker 2 (01:37:31):
So it's like, yeah, so that's why I say they
show love. But it's like to a point of like, bro.

Speaker 1 (01:37:39):
And you're really not interested in that character?

Speaker 4 (01:37:41):
No more.

Speaker 2 (01:37:42):
I ain't saying that nigga that say, I wouldn't much.

Speaker 1 (01:37:47):
No, we gotta make this shit bigger than life for real.

Speaker 3 (01:37:51):
Put a movie, but no, And I think those guys
show up because their appearance on the show means a lot.
But I think them dudes beat to your wealth of information.

Speaker 1 (01:38:01):
Yeah, that's true, That's what I'm saying.

Speaker 2 (01:38:03):
So what I understand what you're saying right now is
like what are what are you taking from those situations?

Speaker 1 (01:38:10):
Because like even there we can look at it as rap.

Speaker 2 (01:38:14):
So if somebody come and do your podcast, you do
it like, but that's a big feature.

Speaker 1 (01:38:19):
So like me coming over here, like but it's a
big feature for me.

Speaker 2 (01:38:22):
You know what I'm saying, Like I'm gonna loom podt
you know what I'm saying. So it's like that's how
I be taking it from Like I'm thinking strictly talent
when you're thinking on the side of like.

Speaker 3 (01:38:34):
Yes, because the reason why, because what separates you and
those guys is not talent, that's the whole play. What
separates you and those guys is the business. You see
what I'm saying, That's what that's what's making it. You
hear that shit right on the head, you know what
I mean. That's why when they come around, you got
to pay attention to the business.

Speaker 1 (01:38:54):
I know they watching it. Saying he right, bro right.
Now they looking at saying bro right and told he told.

Speaker 3 (01:39:01):
The nigga snob because they talking, Yeah, I think they
respecting it from a standpoint saying that's one hundred percent.

Speaker 1 (01:39:08):
Right because you say something.

Speaker 3 (01:39:14):
Because look what I'm doing with my business. That's the
only thing separates us. Because now funning a motherfucker like
I'm funny. He even got a content dude, he even
got a social media this nigga doe layers of it
just like me.

Speaker 1 (01:39:29):
Country wayin't say he ain't even interested in going on
the road, but you don't what a shit he shouldn't.
The ecosystem on, motherfucker.

Speaker 2 (01:39:38):
And look even when you go over there and like
you know what I mean, dude, skits with them and
stuff you get bunny.

Speaker 1 (01:39:44):
Yeah, yeah he ain't. They ain't on no, no shit.

Speaker 2 (01:39:47):
Well you know what I'm saying, Like this for exposure
even though it's big exposed to They making sure you
get paid too.

Speaker 1 (01:39:53):
That's good. Yeah.

Speaker 2 (01:39:54):
So he like, I will get him in my credit
and Chase Walker like them boy, they.

Speaker 3 (01:39:59):
Yeah, fuck cut away't man. I think what he do,
what he's staying for its been cool. Would you date
a comic. I think he dated just hilarious.

Speaker 2 (01:40:06):
With our day to coming what you considered day like
going public with him, being with him, going public for sure.

Speaker 1 (01:40:18):
For a little while.

Speaker 2 (01:40:20):
For a little while, you ain't trying to go public.
It's like you into public relationships. So you ain't into that.
That's why I say, why not ship? I ain't into
public ship?

Speaker 1 (01:40:36):
Take out so right now, so I'm saying for the women,
watch it. Are you single? What are you doing like.

Speaker 4 (01:40:46):
That?

Speaker 1 (01:40:46):
Hit me up?

Speaker 2 (01:40:47):
Man?

Speaker 1 (01:40:47):
This hit you up? Just talking? No, I got with
your how many kids you got? We got? We got
to them the only two you got farther that nigga?
Sound sure?

Speaker 2 (01:41:02):
I was as far as I know, No, But nah, man,
it's like I just be feeling like the world we're
living in with the relationship.

Speaker 1 (01:41:10):
Bro, I feel like social media fucking that ship up.
It is, bro.

Speaker 2 (01:41:13):
And when I say that, bro, you be seeing what
what they be talking about on social media, they be
like what women expect out of man?

Speaker 1 (01:41:20):
With me, Like, bro, everything ain't for everybody. Man, they
don't confuse motherfuckers. I love.

Speaker 3 (01:41:27):
I'm a slick mad that the social media ship for
an they done got my bitch.

Speaker 1 (01:41:35):
Yeah you told me.

Speaker 3 (01:41:39):
That's who got your big I look up my guess
start hollering narcissisted. Yeah, I said, what where that comes from?
I know what schools and ship you went to. Yeah,
you start calling me what not? Took care of everything
they done, tricked you in the belief. So, oh lord,
I can't fight it. I'm hustling too hard, but I can't.

(01:42:01):
You got it confused?

Speaker 1 (01:42:02):
Man? You just hit that ship right on the head
like that's their favorite word. Now, narcissists. Why because I'm
not gonna stand like I'm standing for something.

Speaker 2 (01:42:13):
I'm telling you you can't.

Speaker 1 (01:42:16):
You can't say ship nowadays. That's fucked up. Bro.

Speaker 2 (01:42:19):
When I start speaking on something, Oh no, everything gotta
go your No, I'm just telling you this how it is.

Speaker 1 (01:42:26):
Why wouldn't it not go my way? Is we talk
hold on now?

Speaker 3 (01:42:31):
I would hope she want things to go her way,
and I would hope we meet at the intersection.

Speaker 2 (01:42:37):
Why things going my way? Things are going your way?
And then you be seeing the motherfuckers in the comments.
Oh my god, couldn't be me.

Speaker 3 (01:42:45):
You ain't got no nigga and you will leave your
nigga for me?

Speaker 2 (01:42:50):
Bro, even with it when they be talking about who
pay the bills and all that type of stuff, bro,
whatever works for your households.

Speaker 1 (01:43:00):
Paying the bills or what.

Speaker 3 (01:43:03):
Cause niggas say they got women that demanding that they
pay the bills. This is something Chad just said. The
way is weighing on me. He said that men were
gonna always do the financial label, yeah.

Speaker 1 (01:43:18):
And uh and and.

Speaker 3 (01:43:19):
The regular label, but women have to show up with
the emotional label. And what he was saying was that
together that makes our family hold. Women tend to believe
sometimes they can just show up as is and not
do any work. You see what I mean thinking because

(01:43:40):
they don't have to work in the same way I work,
that they need to be invisible as it pertains the work.

Speaker 1 (01:43:47):
Right.

Speaker 3 (01:43:47):
What needs to happen is you need to be doing
emotional label and I'll handle everything else, you see what
I mean?

Speaker 1 (01:43:54):
And that's where I think, loom. I'm gonna tell you this, bro.
It done got to a point.

Speaker 2 (01:43:59):
You remember, like growing up or what we might thought
was us financially that ain't even enough for women no more.

Speaker 1 (01:44:08):
Wow. And you know why I say that, man.

Speaker 2 (01:44:11):
Not too long ago, me and my baby mama, we
we having a dispute. So she told me this. She
was like, well, take away. She was like, you say
you you pay the bills. You saying you you're paying
the mortgage. Take that, take that out of the equation.
Why the foot were taking that out of the equation.
That ain't nothing small.

Speaker 1 (01:44:30):
Yeah that's a trick.

Speaker 2 (01:44:31):
But okay, we take that out of the equation. So
then she was like, so what, like, what what did
you do for this? What did you do for me
on this?

Speaker 1 (01:44:38):
Okay? I was like, okay, now.

Speaker 2 (01:44:42):
If I use that because you you you bring up
you know, I pay for the daycare, all this type
of stuff. I said, okay, now take you cooking and cleaning,
because because you said I would have to pay mortgage
and pay bills, whether I stayed by myself, you would
have to cook and clean if you stayed by your
So take that out of equation.

Speaker 1 (01:45:01):
What do you do?

Speaker 2 (01:45:03):
See so sometimes but if I say that, so I
guess I don't do.

Speaker 1 (01:45:10):
Here go the trick that social media.

Speaker 3 (01:45:12):
Yeah, and see that's when Instagram then captured my gas. Yeah,
a lot of you niggas gas is captured. Instagram got
your gay mam. She coming in there with that, she
donna start calling you ship. But here's the thing with that.
I believe that women and men have to understand that
the trick is even doing that even being having even

(01:45:33):
having to be here to have this conversation about what
I do.

Speaker 1 (01:45:36):
And if we subtract this, we already already we.

Speaker 2 (01:45:40):
Already behind the eight ball. But we shouldn't even be
talking about it. But you know why we're talking about
this because we both and you done been captured. They
describing they heartbreak about a nigga. They possibly done took
back by now and you just seeing this clips six
months ago and now it's done affected your real relationship

(01:46:02):
for a nigga beholding you down for ten years, right,
and everything relationship goes till they break up. Everybody wanted
that car to be off set related, all of them
Young Miami and P Diddy. My man, we go together,
we go together, real band. I ain't seen the bitch
say that yet. They stopped saying that ship. Now you

(01:46:22):
don't go to you don't go together real bad with
the motherfucker.

Speaker 3 (01:46:25):
No more so. Now that ship is to media a bitch, bro.
They your social media buses. You sit down with therapists,
sometimes not in real life I talked to them on
the show, had show before, but I don't know, man,
I don't know if they can help me.

Speaker 1 (01:46:40):
How you feel about therapists, Bro, It's.

Speaker 2 (01:46:43):
Like I feel like I'm gonna say this, like as
me and Bro, I don't think we able to vent.
I don't need no therapist to figure shit out for me.
Just listen, because you know why I just brought that
up because when you just see how child was saying
about the emotional label women, don't listen no motherfucking more.

Speaker 1 (01:47:03):
I don't need you to solve shit. You can't solve
shit on your own, motherfucker.

Speaker 3 (01:47:13):
Tell me one time, I tell you, see, I'm very awall.
I just talk slow because I'm from the South. But boy,
if they take this, I got they in the trick bag.
If they take the slow talking for being dumb, I
got them.

Speaker 1 (01:47:27):
I might talk even slower and they got damn right.

Speaker 3 (01:47:29):
He and I keep the dreads and the necklaces. Boy,
this is a I'm on you niggas head. But guess what.
So I had a month for a girl. One time,
tell me, uh, don't you think you need to be
going over to your sisters? I said, you don't even

(01:47:52):
give me no recommendations. You don't give me no recommendations
about my time that on a fec you what I
do with you? Dig You need to focus on things
that affect you and I you telling me now you
done got into the wards with this thing. I had
to check her like, Yo, you done went too far

(01:48:13):
with this thing.

Speaker 1 (01:48:15):
You feel what I'm saying? Now? You over here telling
me what I should do on my time. You know
I don't respond to nothing like that.

Speaker 3 (01:48:21):
But if I'm not aware, most men are not aware
that they should not even be doing that. So here
they come trying to explain not knowing that, yo, that
it ain't never a proble. She gonna just switch the problem.
She gonna just once you sawve everyone this, this is
the new problem where you need to be. We don't
got no business over here, loom.

Speaker 2 (01:48:39):
I'm gonna tell you the something else, bro, When you
start speaking on their thing. Women can speak on a
million things you do wrong or what men do wrong.
They could go over there and have a whole list
on social media. Soon as you say something, say say
me and you having this conversation right, Oh damn, they
don't like women.

Speaker 1 (01:48:55):
Why y'all keep jumping. Why they gotta be the go too,
cause if we could, we can't call. We can't say
nothing if.

Speaker 2 (01:49:01):
They look at me and get energy that I don't like.
No I'm saying why.

Speaker 1 (01:49:06):
I'm just saying I don't.

Speaker 3 (01:49:07):
But the conversation does give that to women who don't
understand perspective. Right, So I'm saying to the women that's listening,
if you even think it gives that, you need to
go see a doctor, a mind, a head doctor immediately
because I ain't never giving nothing.

Speaker 1 (01:49:26):
But I love women, logo. That's how we here. I'm
loving women like for sure, for sure.

Speaker 3 (01:49:34):
So now my critique of women don't come from a
hateful place. It comes from the fact that I gotta
deal with women.

Speaker 1 (01:49:43):
You know, you can't take constructive criticism. What kind of
shit y'all got to be.

Speaker 3 (01:49:47):
In a dictatorship, I just got to accept what they
give me.

Speaker 1 (01:49:50):
Hey, what what was that? That isn't what it is?
Calling them countries? Just accept it. Don't say nothing about it.

Speaker 2 (01:49:57):
You can't do nothing democracy and the other ones or
what dictatorship?

Speaker 1 (01:50:01):
That's it?

Speaker 3 (01:50:01):
Yeah, So you know it's what I feel. I just
I don't know, man, what anything you want? To talk
about what's on your mind. I think all that flowed perfectly.

Speaker 2 (01:50:14):
It did because even when we were talking about with
the Cat Williams and we just flowed right into that.

Speaker 1 (01:50:20):
Ship to do it. But that's just that's how it goes. Yeah,
that's the conversation. Man, even even though you're behind the camera.

Speaker 2 (01:50:27):
He started speaking about the women ship, I'm going through
the same ship. What me and Wow, it's just like, bro,
you know how you might be talking to your homeboy.

Speaker 1 (01:50:37):
You say something, man, old boy, it'd be like they
be ready to because let me call you right through
all that ship. Yeah, nigga dumping on you.

Speaker 3 (01:50:49):
You ain't even mean to do it.

Speaker 1 (01:50:52):
You the hug up on you? Get that what I
be talking about? She badly? He said, Yeah, Man, bitches
ain't ship. He done went all the way down. Man,
I thought about killing mine. Nigga. Why this bitch I
didn't take I was just goodnit.

Speaker 4 (01:51:10):
Yeah.

Speaker 1 (01:51:10):
But niggas going through here but silently.

Speaker 3 (01:51:13):
Men are going through hell though a lot of niggas
in relationship they don't want to be in whether they
said or not.

Speaker 2 (01:51:20):
I feel like they gotta do the right thing. In prison,
man locked.

Speaker 3 (01:51:27):
Down them niggas there, I'd be holling free Couk cut
cook cuting, I.

Speaker 1 (01:51:33):
Mean prison with the bitch man. Man, you feel me.
It's rough.

Speaker 3 (01:51:37):
It's rough, man, But I think we had a great conversation.

Speaker 1 (01:51:40):
Man, for sure.

Speaker 3 (01:51:41):
I think we had a great conversation. It's Up There Partcast.
I see y'all next week. Let's get it.

Speaker 1 (01:51:46):
Thanks for watching this clip from It's Up There podcast.
To see the rest of the interview, click one of
the boxes on the screen. Also join Discord and Patreon
to be in our community.

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Feat Navv Greene | Nav Green Talks Druski , Coulda Ben Records, 85 South Show, Auditions for Coming to America 2, and the Impact of Sports Betting on Comedy

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