Jose Guapo Finally Tells the Truth on Young Thug & Gunna, Gucci Mane , Bricc Baby & A Furustic Summa,Atlanta’s Era

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I got a motherfucking gets today, alleged from the motherfucking.

Speaker 2 (00:03):
South ose guapo.

Speaker 3 (00:04):
I'm in the building.

Speaker 2 (00:05):
What's good, my nigga?

Speaker 3 (00:06):
Hey man, it's up there stuff though, Yes.

Speaker 2 (00:08):
Lord, who gave your big break?

Speaker 3 (00:09):
What's rich? Kid?

Speaker 1 (00:10):
It's your big break? Do you think two Chains and
Street Execs.

Speaker 2 (00:13):
Was your big break?

Speaker 3 (00:14):
Now? Was probably my biggest.

Speaker 2 (00:16):
That's my bruh shut out to yup. How did you
get introduced to that situation?

Speaker 3 (00:20):
I mean, you know, pee from the streets on from
the streets, you know. So it was like basal, just
like we had the studio in it and he'll push
up on it, just on some regular pushing up on
the in hear some you know. Also, I'm also having
a relationship with the migos too, Mmm okay, okay, having
a relationship with them and shit, now, y'all, I'm homele
I'm bros and ship with Y'allso y'all y'all signs on

(00:41):
them already, so I'm around. Do you think that the
thug and ship split the cit up? No? I want
to split this se up because it ain't like when
they got together, they brought this that brought the city together,
not saying that in no type of way. But I'm
saying like it ain't like well time when they was
out just ski and all something. It ain't like that

(01:02):
about the city together. The city fuck which with them
when rhyning with them cause the front of town. But
it ain't right with the them partner know each other,
like no, the city together? So them not damning yet,
I ain't on real. Ain't nobody putting your folks on
forck with man? They get ready insider that folks on folk.

Speaker 1 (01:21):
That the narrative is kind of changing with a lot
because at first everybody felt like go down here.

Speaker 2 (01:27):
Everybody worked together, niggas you know they each other.

Speaker 3 (01:30):
Exactly as the the blind started.

Speaker 1 (01:32):
To open, you'd be like, oh you can really don't
everybody don't funk with everybody?

Speaker 3 (01:37):
It did used to be like yeah it did. Metro
drum eight the way to do it right. Why I'm
to my all us in Stull together like just you
name that around the pioneers like you all us in
the walk for five producers of some of the ones
their name we in there?

Speaker 2 (01:53):
What you think changed that though?

Speaker 3 (01:55):
When I'm minna come flock over what they think his
name is?

Speaker 2 (01:58):
Try to kind of get you into a back and forth.

Speaker 3 (02:01):
Do you know him? Do you have a relation? Nah,
I ain't know him. I ain't know him. A question though, like,
who's this nigga called.

Speaker 2 (02:09):
Nigga? When I see you almost like cool?

Speaker 4 (02:11):
So now I know you are privy to crashing out
fat I'm gonna come on line now violate you.

Speaker 3 (02:17):
Now. I dare you to go on that platform and
make a credible threat. Nigga, I did you right? He
spoke on It was just really like he spoke on
some Atlanta shit and I just spoke on what he
spoke on, and then I just like, I don't take it.
I never took him.

Speaker 1 (02:31):
What's happening to y'all? This is Loan from It Up
There podcast. I want to thank everybody who was watching
this channel and who like and subscribe to our content
and just enjoy our conversations. It does show a high
level of people who stop by and watch the content
or not subscribed, and so I wanted to put a
call to action in front of the videos and ask

(02:53):
that you guys who are here right now watching me
watching this video, make sure you hit the like, but
and more importantly, make sure you subscribe It may sound small,
but it does help with the algorithm, and it does
keep this content coming and help us know that we
are actually growing in the market and people enjoy what

(03:14):
we bring. If you enjoy the content to the next level,
you come to patreon dot com. It's up There Podcast,
and that's where you can catch me a lot at.
This is where I have a live call in show,
and we also have a community field with all kinds
of things we do, gaming and different endeavors on our show,

(03:34):
different endeavors for our show. So again, thank you, guys
from the center of my soul for helping me being
able to start in this content world and cover a
lot of ground, even though we got a lot more
ground to cover. I thank you guys so so so much.
But make sure you hit subscribe, make sure you hit like,
and make sure you tuned in with the family. And

(03:55):
let's handle this like a family. Let's watch these videos
like a family. Let's come in like a family. Let's
really enjoy each other as I try to run around
the world creating some of the best content that the
world has ever seen. I do appreciate y'all. It's Up
There Podcast. Let's get on to the show.

Speaker 3 (04:13):
Thank you?

Speaker 2 (04:26):
Yeah, how long you've been torn, how long you've been
doing show? How many years?

Speaker 3 (04:33):
How I feel seen.

Speaker 2 (04:36):
You look younger the month. But this what I don't
know about you, y'all got on his teenager.

Speaker 3 (04:45):
And then even in at the age that I was
a teenager, I still were like a van because I
wasn't hanging around nobody my age, like I started hanging
with them late, like late, I was the last one
in the for real.

Speaker 1 (04:56):
I didn't know that said when I was looking into it,
that's the first thing. It's I was people.

Speaker 2 (05:01):
I was like, Oh, they got it on when they
were like when they were like teenage.

Speaker 1 (05:05):
Like younger and kind of carried the sound right introduced
the sound. I was talking to Rich Homi Kaw and
Daddy yesterday I DM too, and I was talking about
how a Lianne of help really take over the rap
game facts And I ain't just talking about like on
some cool I'm talking about the business fact. You feel me,

(05:29):
that's a different conversation. That was a very hard obstacle
for us to take that from New York, when they
had all the buildings in New York, all the execs,
everything was in New York.

Speaker 2 (05:39):
And we found a way to kind of pull it
to the South. Do you think that?

Speaker 1 (05:46):
And for y'all that don't know, man, it's up the
park as you know, the vice final boss, you know
all that Singleton, biggest in history, you.

Speaker 2 (05:53):
Know all of that you did.

Speaker 1 (05:55):
I got a guess today, a leegend from the man
South Jose Guappo.

Speaker 3 (06:00):
I'm in the building.

Speaker 2 (06:00):
What's good?

Speaker 3 (06:01):
My name man?

Speaker 2 (06:03):
Though?

Speaker 3 (06:03):
Yes?

Speaker 2 (06:03):
Lord, So I think I was going to ask you, like,
how do you feel?

Speaker 1 (06:10):
Do you feel like that that you get enough props
around here for what you've done?

Speaker 3 (06:16):
I would say yeah. I would say yeah, because it
ain't like nobody discredit it might not be acknowledging it,
but it ain't discrediting it. So I would say yeah,
because it is people that is crediting. So I was
saying right now when you say especially from like the
real ones, like right, you know, real ones?

Speaker 2 (06:37):
Right? Yeah?

Speaker 3 (06:38):
The guy like yeah, yeah, I get that from him,
like all my peers like yeah for sure.

Speaker 2 (06:44):
And that's really what it be about.

Speaker 1 (06:45):
Nigga want to feel like yo, the ones that do
it too, like y'all know, I'm wanting them too.

Speaker 3 (06:50):
Now.

Speaker 2 (06:50):
Yeah, you know what I'm saying It's like in the NFL,
like that's.

Speaker 1 (06:53):
What puts the prestige on the super Bowl, ring on
the Championship, you know, the finals and things, because who
came before you and done it. They are respect the
fact they know what it took to get there, and
their respect the fact that you are now in the
finals and actually putting in points. So now when you
say Nigga.

Speaker 2 (07:13):
May not acknowledge you, what does that mean and what
does that feel like?

Speaker 3 (07:17):
Mmm? Like you know, I'm like like like like, uh,
may be listening to your music on the all the
time whatever, but they're posting they don't even really listen
to on their story, but they know they're listening to you.
But I don't want to promote you, right Souse's something
that might be going on something behind the doors in

(07:39):
the hotel room and drops out and just lie on
your name or something like that. Like that, I felt like, oh, yeah,
they just they just do a lot of slobbery on
the pillows. They're doing a lot of pillows that like that.
That's why I like that when I said that knowledge

(08:00):
and like when they don't get acknowledged by certain people
or whatever they is on the level of artists. I
be like already and I'm.

Speaker 2 (08:09):
Like, you know, a yeah, you know it's a motive
with it.

Speaker 3 (08:13):
Yeah yeah, but it still be a respect, be respect.

Speaker 2 (08:17):
Yeah.

Speaker 1 (08:18):
Now what what I'm also figuring out about Atlanta because
the narrative is kind of changing with Atlanta because at
first everybody felt like you down here, everybody worked together.

Speaker 2 (08:30):
You know each other exactly.

Speaker 1 (08:32):
Now you start as as the the blind started to open,
you'd be like, oh they really don't everybody don't everybody?
And then it ain't acknowledging.

Speaker 3 (08:43):
It used to be like that. It used to it did.
It used to be like yeah it did, metro drums
eate a way to do it. I'm to my all
us instead of together like just you name the Atlanta Pioneers,
like when all of us in the walk off five
four five producers of some of the ones their name
we in there. So it's just like, I don't know

(09:06):
what you think changed that though when I mining car,
because ain't even like it changed a person card because
I'm still in cohesion with everybody, know what I'm saying.
I'm still I still come to everybody, and you know,
and like it change, I'm gonna it's just like you know,

(09:26):
he being himself, you know what I'm saying, And he's
been itself one hundred percent like he was being hisself
like thirty percent around you. Yeah, you know what I'm saying.
That why he fucking with him? He knew he was
a really you knew because he was thirty. But he
only can be thirty because he knew, like he went
in the seat to why he can't even think he
can compare with you or compete with you or anything

(09:48):
like that. When when you're in the punt of y'alln't
competing in parent anyway. But you know how this ship goes.

Speaker 2 (09:54):
There'll still be some underlying competition though a lot of.

Speaker 3 (09:57):
Times though, Yeah, so man, all that shit like that,
like shit, you got no player player round play it
well like on these sports teams they got they got
rolls and position. These folks gotta play. Man. In fact,
everybody can't be the quarter of that. Everybody can't be
around that. Ere I can't be where I say. So

(10:18):
you gotta do that, like you gotta learn how to
get in when you fit in right, and sometimes you
might got to bite the apple. As long as you
know that you got some good teeth this alive?

Speaker 1 (10:28):
Yeah, yeah, who actually discovered you?

Speaker 3 (10:32):
Mm? I would say I discovered myself for real on
some playings on some plan like as far as like
damn when I became when I joined the Rich Kids
or whatever.

Speaker 2 (10:46):
Like who gave who gave your big break? Was Rich Kids?
Your big break?

Speaker 1 (10:50):
Do you think two Chains and Street Execs was your
big break?

Speaker 3 (10:53):
Now? Was probably my biggest? Yeah, my bigger break? Yeah, yeah,
that's kind of That's what I did the most. I
did the most over there, right, So I would say, yeah,
that was.

Speaker 1 (11:07):
Your biggest break. How did you get introduced to that situation?

Speaker 3 (11:10):
I mean, you know, he from the streets on from
the streets, you know, so it was like basically just
like he used to be pushing up to the studio
on and spending they mean the spot spin. We had
the studio in it and he'll push up on it
just on some regular pushing up on the heal song,
you know like that. It started all that, right, But

(11:31):
what playing the most like he for he for that
song going on. So originally me and A Long Way
Post have been the first two artist he signed for real.
Originally I didn't know that. Yeah, he had the Studio
Metropolitan of fourteen. Yeah, like we were the two that

(11:52):
he took up the first.

Speaker 2 (11:54):
Yeah.

Speaker 3 (11:54):
Yeah, we was just a long way too, man, going
through a hell of things. Yeah, free my nigga along way.
They already know what's up with that rest up. They
know what's up man when we run around with and
get home.

Speaker 2 (12:03):
Yeah, you talk to him, how you doing?

Speaker 3 (12:06):
He good? He good, good, solid, He ain't tripping, He
ain't tripp. He ain't tripp. But just to finish up
your questions with pee. Also al so having a relationship
with the migos toomm okay, okay, having a relationship with them,
and yeah, I'm homeless, I'm bros. And also y'all, y'all
signs him already. So I'm around, but I'm not just

(12:29):
around like he an extra homes around and he got
potential to your joint whatever to well you know what
I'm saying, yeah, type. So I was just taking advantage
of all the opportunity I can getting on what's home
as I can don't getting the studio time that I
can get and ship fun around the mad one that

(12:53):
they were ready to go on made a couple.

Speaker 1 (12:56):
What what was the first one that that y'all did together?
Or what was the one you think had the most impact?

Speaker 3 (13:02):
Right up? Yeah, yeah, that was that one carricter label
for a minute because they couldn't drop no music. The
Migo can't drop no music for eighteen months for the
three hundred. Yeah, so that's why Skip of the Flipper
was on the original version, but he ain't again took
off and take off I put on because they came
dropped on music at the times.

Speaker 1 (13:22):
I remember that they was in litigation with three hundred.
I remember that. So and that was the time you
was there, damn. So when y'all was young doing So
let's go back a little more because we're gonna get
the currency. But but for the people who made it's
a lot of people watching this and some people may
not know history, you know what I'm saying. But take
me back to rich the kids. Did y'all know, well,

(13:45):
y'all just having fun? Did y'all talk about the business?
Was the business?

Speaker 3 (13:49):
No? Hell no, man, we we ain't even adolescent these teenagers.
Teenagers were talking about business.

Speaker 2 (13:57):
So how do y'all get together with that? Like how
y'all get a studio? Like?

Speaker 3 (14:01):
I mean, shot is tipped blood cousin.

Speaker 2 (14:05):
Show.

Speaker 3 (14:06):
Yeah, Shot show, that's why he still be with Tip.
That is real cut, like not little col that's real cool.
Like we had a studio to studio in the basement.
Right Shot recorded all that record that first two men
say money, sweat and twenty four seventh Shot recorded, Shot

(14:27):
recorded my paro. That's deep shout shout smart shout.

Speaker 2 (14:33):
Yeah, that's dope.

Speaker 3 (14:34):
We got a new single out right now. To think
about mine. It's going crazy. Think about money, it's going crazy.
You got to put on your Apple music.

Speaker 1 (14:42):
Yeah, when you when you see y'all going back up
on them playlist or on TikTok, what what does that
feel like?

Speaker 3 (14:49):
I mean it just be like a made timeless music
and like most like okay cool like this this, you
know matter like when they come around whatever age you is.
When once you get to an age that you understand
the music, you gonna like it.

Speaker 2 (15:04):
Yeah. Sure, did you have a relationship with Young School?

Speaker 3 (15:09):
Of course? He like, I executive produce Street Lottery. I
didn't know that I executive produce Street Lottery. You can
put it up right now. I got a song on
the call. Cant get your school or not featured on
it or that he just wanted to put a song
around on the mid tape because I executive produce street lot.
As far as like, I ain't telling him no lyrics,

(15:30):
not nothing like that. But if he had a verse
in the hook and I hear it beat like putop
on that one like thump in the Mace one day
at the studio, I'm like, man, then then when Mace
had all her you know when they down on about
him and a preaching. But I know how to read energy,
like when I see injury, I'm like, man, he's like

(15:51):
the energy look feel like he come from where we
come from the street. Like man, you know, yeah I
put that I'm putting in. I wouldn'tay put it together
because I ain't tell makes come in town. Last was
already that this.

Speaker 2 (16:06):
What's about our coach? You can't even say you put
that together? When you slip.

Speaker 1 (16:11):
You ain't got to tell him fly in if a
come and if I just be like yo, bro y'all
gonna do that and it go, I slick put that together, Yeah,
I coach, you don't need you don't need to kind
of like talk about that, like if you if you
put that together, that's Dad ain't no, bro, you don't
got to bake noin and all that.

Speaker 2 (16:29):
That's that's some cap.

Speaker 1 (16:31):
That's too much doing too much like you know what
I mean, instrumental when to play, you know what I mean,
y'all need to but that's our coach, you and put
pressure on the knick quick to call anything cap and man,
Now he ain't had a fight down, you know what
I'm saying, have a little pressure on it, but I
just won't really know that's over with.

Speaker 2 (16:50):
We ain't got to be sip.

Speaker 3 (16:52):
Squabbed put in. They came out alone like some going
all that, like even back to that old old put
the old pl min sake like that John did it.
John did it like I was the nigga that he
walked up to and like said the hook before he
went in the book like and he dropped then hey

(17:17):
put them on now. Yeah, I was in a lot
of steel sessions like.

Speaker 2 (17:22):
You've been in the mix.

Speaker 3 (17:23):
It's a teenager. Yeah, if you had to count, I'll
be trying to tell like you can't fake this man
like this, they would have been exposed sounding like.

Speaker 2 (17:34):
Yeah, and you know they can't wait disposed.

Speaker 3 (17:36):
Whoa You know that, especially when Cat Williams. Did he
did you know they readily go into interviews and all that.
That what I be telling now, they're gonna get on
the day, They're gonna get somebody hurt.

Speaker 1 (17:46):
Yes, Lord, them a little bit of your like the
like man up, you know what I mean. That's how
they try to do. Like you gonna pipe me our
way up, you know what I mean. But for me,
I be telling the truth. You can't do that to
the truth. That's the reason why, Yeah, I be loud
on these mice right, because I'm the truth. It gotta
be the truth. Like you said, been in the mix.

Speaker 3 (18:06):
Too long with with with some of the ones that
scared to go around and being especially closed studio spaces
and yeah with on my land ship, yeah cuts man, Yes, Lord,
I'm really part of the culture from two thousand and
eight up to now. I don't have something going on
every year. Do you think it's two sides of Atlanta?

(18:29):
I want to say two sides say a lot of
out of time people don't move, I said, John, I
two sixes is Atlanta right me? Personally? That what I said.
Besides that, I just be like the out of towne
that I'm more so I want to say two sides. Yeah,
because they were gentrifying. They were gentrifying it before already,
like years back, right, I want to say two sides.

(18:51):
Do you think that the thug and gonna split the
sit up? No, I want to split this se up
because it didn't like it ain't like when they got
together they brought that brought the city together, right, not
seeing it in no type of way. But what I'm saying, like,
it ain't like well when they was out with the

(19:12):
ski and all something, it ain't like that brought the
city together. The city with them and were running with
them cause they front of the town. But it ain't
like like it was them partning up with each other
like man the city together. So them not being together
ain't gonna really ain't nobody picking you for man and
they get a real insider and folk on folk.

Speaker 2 (19:33):
For home, That's what I'm saying.

Speaker 3 (19:35):
So they're gonna be behind clothed like phone conversation. Yeah,
you know, niggas know what going on in real right.

Speaker 1 (19:45):
See, but I'm thinking like that's what can lead to
the downfall. But letting not through gonna but just the division, right,
because like we said back in the day, you would
have Guappo jump on something with Gucci and then Future
end up on it and then the Metro did the
drums and Ate the way did the.

Speaker 3 (20:02):
Keys and appeal.

Speaker 1 (20:05):
Yeah, it'll be like a a bunch of like facts
you dig and now it's like if you got on
dish with them. Guys, we're not working with you. We
ain't gonna whoop on you or noney.

Speaker 3 (20:17):
You know what I'm type of intentions. But I can't
say I can't really speak for nobody else, but I
just know you know going on in your industry, like
like you know what I'm saying it right.

Speaker 1 (20:31):
It's you, But but what have you ever been pushed
to one side of the other?

Speaker 3 (20:37):
No, kind of like this. It's like I look at
it like this, if I ain't, if I ain't gonna
shoot my gun, be ready to die about whatever it
is that you got going on. Yeah, I'm in bothering.

Speaker 2 (20:49):
Myself right, And it's a lot of that going a lot.

Speaker 3 (20:52):
I ain't, yes, man, just because oh when I saw
all your house.

Speaker 1 (20:59):
Right yeah, and and I ain't even gonna say Atlanta,
it's a lot of that and not cold what niggas,
but see, but like you says, yes, man behavior because
niggas need Yeah, but niggas need favors. And sometimes a
nigga don't even promise you a favor. Sometimes they just
know I'm powerful and just to try to get in
my good grace. They're trying not to do something that

(21:19):
may offend me. I ain't never even promise them niggas nothing.
I ain't never even you look them niggas. Wait, but
I ain't fucking Guabo c Loan Slick, don't fuck with
him and ship.

Speaker 2 (21:29):
If I fuck with Guabo Loon, ain't gonna never fuck
with me Loan ain't never promise.

Speaker 3 (21:34):
That's how the black boss shit go.

Speaker 2 (21:35):
That ship so fucked.

Speaker 3 (21:36):
That's dombina off go. Yeah, they ain't ready to be
personal with a lot of people. It just be they
get put it in a space. So I respect the game.

Speaker 2 (21:46):
I don't respect it.

Speaker 3 (21:48):
I respect the game as in like I mean, I
ain't gonna buy. I ain't a buying by. I acknowledge
that it is like the law break them I fast.
That's basically what I was like, that's what you're doing.
I still coming over and do what I want to
do it my way. I can take ship, but you
definitely had on with that.

Speaker 2 (22:08):
Like, so when.

Speaker 1 (22:13):
It says right here that you did you do like
you got any stories you can you can tell the
fans that maybe they haven't heard before.

Speaker 3 (22:21):
Maybe I got time any time store. I can't even
really off the top, off the top, just talk about
and a lot of like I got a lot of
street stuff that but I do that. It's a it's
a it's a it's a it's a YouTube channel, block
party talk with like me telling some stories.

Speaker 1 (22:42):
Yeah, I've been seeing I've been seeing you try to
get into the content bag. Really Okay, So before the TikTok,
before they did you have you ever lost confidence in this?

Speaker 3 (22:52):
Confidence? No?

Speaker 2 (22:54):
Right?

Speaker 3 (22:54):
But fun? Yeah? Confidence?

Speaker 1 (22:58):
Yeah, you always knew you can pop it. But I
ain't having fun with this.

Speaker 3 (23:05):
I probably even be popping in all the fun. I'm
still better do me Like, but if I have fun,
it ain't gonna go right. I ain't not gonna go
right for real. I ain't gonna really be standing podcast
for real. You know what I'm saying. I am fine
like a job. Yeah, oh y'all be ahead. I don't

(23:25):
want to do it like that, want to have fun.

Speaker 2 (23:28):
Yeah. I was also on the research.

Speaker 1 (23:31):
It was saying, like you you had some you dropped
a song called Truth after some kind of contract disputes,
whatever you learned about the music business that you make
and give a new artist or some insight.

Speaker 2 (23:44):
I think you got kind of before you ask it.

Speaker 1 (23:46):
I think you guys kind of got put in the
trap because you were so young, you know what I'm saying.
So it wasn't no, you didn't really have an opportunity
to understand what was happening.

Speaker 3 (23:56):
What was going on?

Speaker 2 (23:57):
Yeah, what kind of what kind of what kind of game?

Speaker 3 (23:59):
What kind of how you're a lawyer, man, how you're
a lawyer. You know what I'm saying. Make sure you
read over it all paperwork and whatever you don't understand,
Go find somebody that understand that. You see her might
understand that. Make sure you read over that shit. And
you know what I'm saying. Just try to get the
best deal for you. Even if you get a deal,
because what may work for somebody else may don't work

(24:20):
for you. You may can get a deal for fifteen
thousand and you make and they shoot you to what
in three years? You were seventeen? Me, Yeah, it's lord,
But somebody else makeing go get a deal for four
me and then two years they can be broke with
one hundred and twenty thousand in the account. So it's
like the advice is to keep working, don't stop at

(24:41):
what you're doing. And hey, you man, sometimes you got
to spend some the makes on.

Speaker 1 (24:46):
Right when you think about this kid and Gates Lebron thing,
what was your.

Speaker 2 (24:49):
Thoughts on that?

Speaker 3 (24:50):
Already? You got no thoughts on them like that? It's like,
I mean, I still from a perspective that he's saying,
but I also like, you know, come on, man, you
know it sounds it's it never came out of my mouth.

Speaker 1 (25:02):
Yeah, because you don't. I mean, you know that's an
unspoken rule man, you know what I mean.

Speaker 3 (25:06):
But you don't care how heel, Like I know a
person like he'll be playing and everything like that, like yeah,
I was just speaking down the other day. You will
care about the internet like he ain't really stunning, no
comments and all that get on and say.

Speaker 2 (25:24):
But for me, it's like we like gay.

Speaker 1 (25:26):
So I don't want to call it for what it is,
but it's it was cloud chasing, you know what I'm saying. Nigga,
don't want to call it for what it is because
a lot of people like him, you know what I'm saying,
Like I was talking to some people earlier, and you
know they're trying to find a way to say it.

Speaker 3 (25:40):
Right or good or nice.

Speaker 2 (25:42):
Yeah, the reach, Yeah you know what I mean, Like
folks want to.

Speaker 3 (25:48):
Talk about that, like we know, like, yeah, I know
what I can get on my right and I know
it will be everywhere. But I don't got this for
no gut man. I ain't even no gimmicks need all that,
and they gonna need all that, like it ain't just serious,
like they ain't liking the music. And you know we
can feel this real born hustle like that was before

(26:12):
a rapper, hustle before the rapper. Yeah, it's a hustle,
damn rapper.

Speaker 1 (26:17):
Like, yeah, let's talk about your your dad once that
your father that passed away. Yes, I junk man, all right,
Peter bro I seen I've seen a lot of real
legends posting posting about that.

Speaker 2 (26:30):
How have you been since that?

Speaker 3 (26:31):
Bro? I just don't stand bizz, you know what I'm saying, Yeah,
just staying biz. They're working, like just keeping keeping bounced
out because you know, I got siblings and I got sisters,
they got kids, you know what I'm saying. But we're
all in a good space, you know what I'm saying.
Nobody financially like even like around her for food stamps

(26:53):
like that, you know what I'm saying. And good space
every boy kids taking care of you know what I'm saying.
But it was just like, hey, man, I understand life.
I know death is the only thing we promising. Now,
how you go? Maya made Nigga may be like, oh,
I know you got to go.

Speaker 2 (27:12):
Lord.

Speaker 3 (27:12):
I just feel like my dad did their job while
he will, like he taught me and from whatever, I
don't give it on what you may think he may think,
like Nigga, don't even talk about it, Like yeah, he
teachs me about like that. I'm talking about nine years old,
Like even sometime the simplest learn how to work at

(27:34):
electric washing machine. You know what I'm saying, Like real father,
You know what I'm saying, Like your real father, Like
brush your teeth tooth time a day, like you know
what I'm saying. Like so it's like and then once
Nigga got to their age, it wasn't the really got
into w he were hustling little like that around the
clubs and dancing, and that might know know him, He's

(27:58):
still just be giving nigga as as like as as
you get older and older, whatever age you're at, he
got something, he got something for you.

Speaker 2 (28:06):
Yeah. What what was his what was his thing? Did
he own clubs?

Speaker 3 (28:10):
Like?

Speaker 2 (28:10):
What was his thing?

Speaker 3 (28:11):
Yeah? Yeah? Kept tap out? Everybody know about top Out?
Everybody you're not from Alanta, Georgia if you don't know
about top Out. What I'm saying. The first one was
on fourth in Industrial didn't get shot up by no rappers, funny.
The other one was on Camelton, the other ones on

(28:35):
cometing the boy undred thous I see the boy undred
two thousand on one night, Yeah, on the humble them
because it's an alcohol.

Speaker 2 (28:42):
Damn three thousand and Oh god, that's.

Speaker 3 (28:46):
Hard walking off. Let me see what he got to
look on his face, let me see what's going on.
I did see it, right, that's hard. That's hard a lot.

Speaker 1 (28:56):
Like I said, the people that that that I know
from him, that that was like big ingen up your father,
like a bunch of them one bunch of them ones.

Speaker 2 (29:05):
You know what I'm saying.

Speaker 1 (29:06):
So I'm saying Okay, he must have been someone that
that people.

Speaker 2 (29:10):
You know what I mean, hell in high regard, you
know what I mean. And you got player on you
like you know it's player.

Speaker 3 (29:16):
On you now, ain't doing that.

Speaker 2 (29:22):
Don't let him get away with Yes, lord, it is
done on you broke at.

Speaker 1 (29:31):
Yeah, but it's on you thought like because I be
around everybody, so I know, like you know, I can
smell corny, I can smell like I can smell it
this bro, I can smell it, you know what I'm saying.
So you know it don't take long give it. It's
like it's I can just you know what I mean,
I can tell it's on you.

Speaker 3 (29:54):
Get out of there without even making you feel batter.

Speaker 1 (29:56):
Right, Yeah, yeah, yeah, because we been doing it too long.

Speaker 2 (30:01):
It's part of how we been able to survive, you
know what I'm saying. And maneuver. Sure you know it
said you had a brother passed away as well.

Speaker 3 (30:08):
The other money My brother little money passed away in
twenty fifteen, like but like it wasn't even hey man,
he man, pops, that's one meant for them. Like it
wasn't like because I don't have smoke, I get money
exactly right, I understood, and I've been got taught that
violence brains supposed to stop the money. Yes, lord, so

(30:31):
you know we also play defense. But I got im
saying like when none of them, even with my father
and my brother, want none of them for them, and like, oh,
I need to come to look for them, right, just
be miscellanian drive by and shit, I don't respect driver.
That's my house. Yeah, how do you handle that?

Speaker 2 (30:51):
Though?

Speaker 1 (30:52):
Like, I'll give you an example. So you know, you
know he's in my hood. So I pull up. You know,
every every city got areas where the guys be at.
So I pull up to the truss by, you know,
the dice house, and he got the pool tables.

Speaker 2 (31:09):
So I push up, and you know, I check it
in on the homies.

Speaker 1 (31:12):
When I come around and I see one of the
little homies, you know, about twenty eight they done shot
him in the chest.

Speaker 3 (31:20):
So I'm saying, Yo, what the what? Yo?

Speaker 2 (31:24):
What happened? And so he goes to explain to me that.

Speaker 1 (31:29):
There was a situation going on upstairs, because that's a
that's a strip club upstairs. Its like a whole compound
slick on, you know, so far as what I what
I'm getting to is like, man, what did you was
you just talking about you before? Before I got to that,
My father in, oh yeah, that it wasn't meant for them.
And so my question, my question is basically surrounding or

(31:52):
how you handle that? And the reason I asked that
is because one of the homeboys, so I go in,
he shot in the chests and I'm asking what going
on and what happened?

Speaker 2 (32:00):
How you get shot?

Speaker 1 (32:01):
He tells me that one of the new guys he
got around him, went up to the strip club area
messing with somebody and then they come down. Yeah, so
they come down. He basically made a dry threat.

Speaker 2 (32:16):
You talking to me, God, shoot this whole arong with you.
So them calling him, they thinking, is he really finish?
Shoot it up? So when he go into the dice spot,
they gonna break on.

Speaker 1 (32:30):
They gonna come behind him and start shooting cause they
really thinking something that happened.

Speaker 3 (32:36):
Right.

Speaker 1 (32:36):
You can't do no bluffing, you can't do no talking,
you can't do no talking. So but the long story
short is they started everything.

Speaker 2 (32:47):
Didn't get shot in the chicks.

Speaker 1 (32:49):
The homie who spotted is because soon they come in,
they just see him and boom they don't know who
they gonna see.

Speaker 3 (32:58):
So he asked me like, how did.

Speaker 1 (33:00):
How do you handle like because I told my guy
I would have heard that looking responsible like the little
they brought them down here, they got me shot in
my chest.

Speaker 2 (33:10):
I got to hold him accountable.

Speaker 3 (33:11):
And how do you how do you say? How? I
look at it on the street time streetway. But as
far as just you know, mental and healing type words,
life just goes like once you see, like once you
wake up, like if it was yesterday and you wake
up tomorrow and you see, like how I don't stop

(33:34):
still going on.

Speaker 2 (33:36):
I'm just saying and with the streets, we can't.

Speaker 1 (33:42):
We're not talking about streets, And I'm talking about the blame,
the anger, the frustration.

Speaker 3 (33:48):
Out on anybody. You wanted to go free pitree.

Speaker 1 (33:54):
Because I couldn't take bro, My homeboy couldn't breathe, you
know how, you just get hitting the chest and they
bre you can really hear it, like they weezing their
shortness of breath. And I'm like, damn, bro, you ain't
have nothing to do with this, right And so I
was sitting there at that moment it made me think
like damn bro, and my emotionally, you know, unstable, because

(34:17):
I would have looked at the dude that brought them
down there and been like.

Speaker 3 (34:20):
You weren't being lefting wrong though, Yeah.

Speaker 2 (34:22):
That's what that's basically.

Speaker 1 (34:24):
I want to make sure that I ain't irrational with that, right,
because it's like I ain't.

Speaker 3 (34:27):
Not who bought you? Right? Well here right?

Speaker 2 (34:34):
Yeah, look at wrong you scared of these podcas Now
they sending in.

Speaker 3 (34:38):
Jail, na I ain't don't do whatever they wanted to
he like, cause I ain't. I'm innocent, man, I don't
got no, I don't got nothing. But you've been seeing
how you seeing out of the West Coach. They sending
it by yeah gang bangers, so you know they getting
they know all the other turning jump into a game
band platform, right, so they going telling the real stories

(35:02):
and my bodies ain't no such tell that. You know
how that's telling? You're just telling an interview, right. It's
a confession, bro, Yeah you ain't told. You can't tell
to the police in the interrogation room, but you just
told it on the podcasts.

Speaker 2 (35:20):
It's a confession.

Speaker 3 (35:21):
I know he did this, and I know you're saying,
you know, man, ain't crazy.

Speaker 2 (35:26):
They went out bad. I tell I ain't gonna lie.
You know, I know all them.

Speaker 1 (35:31):
Yeah, I know you know the brick baby too, because
you know you had been I've heard you speak about
him before, but he didn't he if you asked me
when he spoke about you.

Speaker 2 (35:42):
He really didn't give you no He ain't give you
no love.

Speaker 1 (35:45):
He kind of talked about you in a way where
it was like it wasn't as friendly as I would
have expected it to be, Like you know what I'm saying.

Speaker 3 (35:53):
When he was out there, Yeah, I think he was
in the stage. It was like, I don't know, you
smoke cigarette, camel. I read going through something that was
around the time way to my GUCA man got some good.

Speaker 2 (36:06):
He was doing too much.

Speaker 3 (36:07):
I was just going through something just you know. And
he had already hit me up about like pounds of
scheme and that thing. Know they be doing all that
nothing no jump, yeah, trying to charge niggas for this that,
And I just feel like it.

Speaker 2 (36:21):
Was that yeah do you But but do you think.

Speaker 3 (36:24):
Cause because it ain't nothing that happened for him to
even go left, I just think that's character out, like
somebody cares them out.

Speaker 2 (36:33):
But why they do it. I mean, and you, out
of everybody, why pick you?

Speaker 3 (36:38):
He did you?

Speaker 2 (36:39):
He said, you know, I'm gonna be honest about this.

Speaker 1 (36:42):
When brick Baby talk about Atlanta, damned it be fitting
like he talking like the boards. But I'm in Atlanta
and I know better. I know the difference. I plugged
with the guys.

Speaker 2 (36:53):
But when he talked, he'd be basically like I got
them than they know who they know. You know, he'd
be kind of big.

Speaker 5 (37:00):
He goes big, But I'm saying, like I think he's
experienced down hill.

Speaker 3 (37:09):
I mean, you know, I don't know what he was
doing around before that, before we before I started being
around or whatever. But I don't know about change national
getting changed. Back when I was around, it was like
solidified solid from my he carried, he carried before all

(37:31):
that Internet, no jump all that like it was. It
was anybody sep want them, you want them?

Speaker 2 (37:39):
Yeah?

Speaker 3 (37:42):
And he one of us.

Speaker 1 (37:44):
Yeah, and you know I been I heard certain things,
you know, but I've also heard other things that you
know what I mean. But that's part of this. You
ain't gonna win every time the dice roll, you know
what I'm saying. So it's part of it.

Speaker 3 (37:56):
But like you said they don't have that just got
down something to talk about? Why not?

Speaker 2 (38:01):
For sure?

Speaker 3 (38:03):
It ain't talking about you ain't have nothing going on
now for sure something talk about well good or bad?

Speaker 2 (38:08):
Yeah, you've been on No Jumper before.

Speaker 3 (38:10):
Too, And yeah I've been on a Jumper but like
some ship had with the episode to what like I
think I lost the videos so it came out like
with like on the audio real. Yeah, but they tried
to get me back and yeah, trying to. I just
ain't went back.

Speaker 1 (38:26):
Yeah, I've seen a lot of people kind of blackballing
because of the the line of questioning. Like even when
I interviewed Adam, I didn't do No jumple but I
interview him, but I was just like, you know, I
wanted to talk.

Speaker 2 (38:38):
To him about what he was doing, like what are
you doing?

Speaker 1 (38:41):
Like you know what I mean? But I didn't. I
didn't want to sit without him. It's just too much.

Speaker 2 (38:47):
Fluff, you know what I mean.

Speaker 1 (38:49):
I like I like like this because you get to
see it for hard witty what he thinking, what he knows.

Speaker 2 (38:55):
Yeah, you can't run from this right here. This is
like a you know what I mean?

Speaker 3 (38:58):
Yeah, min no he mind.

Speaker 1 (39:00):
You got to have something up here though, you know
what I mean, Or you're gonna whoop on you and
then people gonna say, breast sound dumb and.

Speaker 3 (39:05):
They what he's talking about? What he's talking about?

Speaker 4 (39:09):
Right?

Speaker 3 (39:09):
Turn it?

Speaker 1 (39:11):
But but but I do think that the relationship between
podcasts and artists is productive if it's done right.

Speaker 3 (39:19):
Yeah. Yeah, Like right now, I'm gonna be on my
brother Tomas tom Myney new single thing about money is
out right now on our platform. We're shooing the video
we see already undeal, we already started. We finishing it
this Thursday. You know what I'm saying here? The next Instagram,
I don't know what type of game they play on
my Instagram, my main page they unhacked or whatever. So

(39:41):
I got the whole they gappo back up right now.
Until I get that back they get at me on there.

Speaker 2 (39:46):
Do you do you lose money when the Instagram go down?

Speaker 3 (39:50):
Yeah? Of course yeah.

Speaker 1 (39:53):
Was you getting paid or was it just you do
the visibility side of it.

Speaker 3 (39:58):
It's the visi business side of it and the pay
because like you may got money in your DM yeah
that's what I mean, right, It may be like the mony.
You may got bad in your DM right right.

Speaker 2 (40:11):
Right, right right?

Speaker 1 (40:13):
Do you like independent better than being signed with the label?
What's the best route for you?

Speaker 3 (40:17):
I fuck both? I fucked both. Like the label? If
if the labels, I feel like, oh yeah cool, def
my folk, I fuck with them and we negotiate the
right foruck with them. But until then they're gonna be independent. Yeah,
you got the name read I think, like on their

(40:40):
own self. And then they were crazy when I be
seeing like artists that be popping or whatever at the time,
they can't drop and they go to going up about the.

Speaker 2 (40:49):
Label happen damn there Every time they go to.

Speaker 3 (40:52):
Going up, I'd be like, I don't even undersign distribution
man distribution IMPLI what's your.

Speaker 1 (41:00):
Yeah, guys, what happens with the labels where they try
to stop from dropping?

Speaker 3 (41:06):
Though?

Speaker 2 (41:06):
That's I don't never understand that.

Speaker 3 (41:09):
I ain't ever mess to amazing able to know, right,
I ain't.

Speaker 2 (41:13):
When you had the Street Execs, what was that management?

Speaker 3 (41:15):
Yeah? And then the QC was managed SID and then
you had the I did say with GUI, but it
one that like work was just he wanted to sign me.
He wanted the sign yeah, but you know then he
again locked up and.

Speaker 1 (41:36):
You know who you you look like to me too?
That is locked up right now?

Speaker 2 (41:40):
What's that? Uh from here too?

Speaker 1 (41:45):
You should be around depending what the god then the
money and.

Speaker 3 (41:49):
The hood was probably my man. We got too many together,
man out of plug like that man, you look like
that free blood man. I'm talking about y'all getting me
like a certain My brother. Man, my brother, like we
got two four minute take together.

Speaker 2 (42:08):
He finish, come home.

Speaker 3 (42:09):
He's been going home too. Yeah, they've been going He
stay sout, stayed always shut, he stayed solid. How long
is six years? That's six five and going on six. Damn.

Speaker 2 (42:22):
He did hit him with the rico too.

Speaker 3 (42:25):
I ain't really get too much into it, but I
thought it was like a rico. I don't know if
he was included in the rico, right.

Speaker 2 (42:31):
Do you not worry about that down here?

Speaker 1 (42:33):
Like how Atlanta is moving like you got him baby
with the wife.

Speaker 3 (42:39):
And I mean, I don't really worry about it because
it's like niggas don't rather be on that type of
ship no more. You know what I'm saying. Yeah, niggat
nigga did it go turn up with the young crew sometimes,
but nigga around young crew. Maniga know the young tripp.

Speaker 1 (42:57):
They bullshit, but see the thing, Yeah they went and
got through them, and they were talking about twenty twelve,
twenty thirteen, like man, my teeth were rocked in everything.

Speaker 2 (43:06):
And then I ain't need the same, right.

Speaker 3 (43:08):
I mean, but you gotta know what skeletons you got
in your closet. You know, you gotta be prepared for it,
come with it. You know you still got skelets in class.
And I ain't talking about understand for anybody, right, But.

Speaker 1 (43:20):
That's what makes it, that's what makes it scary as
a rapper doing here. It's like, yeah, I don't I
don't hang with the young, but you know I do
got it, you know what I mean.

Speaker 2 (43:28):
I did come from runing now, you know.

Speaker 3 (43:34):
But young be knowing what's in it already though they
wanted they want to do cancer young. You know what
I'm saying, maybe hollering like ask me different. I run
to a couple of them. I got some good sense, right,
run run to a couple of about he burned that.

Speaker 2 (43:51):
Yeah, they don't take long.

Speaker 3 (43:54):
Saving ain't no saving und folks, A little hundred thous
the one fit, it's I ain't called a watch y'all
dropped two little songs. I ain't gonna know no.

Speaker 1 (44:04):
More, bro, But you've been around long enough to know
the sequence of events, you know what I'm saying.

Speaker 2 (44:10):
I don't know the sequence of events.

Speaker 1 (44:12):
And it's always important to remember prosperity has no guarantees, bro.

Speaker 2 (44:18):
So just because you.

Speaker 1 (44:19):
Get a chick or deal or a good song, and
that don't mean you're gonna get a nun.

Speaker 2 (44:24):
You gotta learn how to work the stove.

Speaker 3 (44:26):
Yeah, for sure. I mean I dropped to me, I
dropped one every year. But it's like a formula, you
know what I'm saying, right, It's like a former like okay, cool.
You gotta know your audience, right, you gotta know, like
what's going on in the world the lingo? Yeah, yeah,

(44:47):
is the world for uh? Like dang gonna be just
trying to hear nothing about bolling. I mean balin' gonna
be getting played or whatever. But I know if I balling,
come on times, we ain't doing none of that, not
even hanging on the song. But it's like I'm gonna
put him over balling. Yeah like that. So, and the

(45:09):
folks got at attention Span song zone through some song Yeah,
if they don't come on the way, they like that,
skip them over.

Speaker 2 (45:17):
Yeah.

Speaker 1 (45:17):
Do you think for somebody like thug getting getting out,
do you think what position do you think his music
could be in if he can't rap about certain things?
Should he go towards the pain or popping it?

Speaker 3 (45:36):
Both? I say both? Your personally, I say both. And
you know you got you know, thug pop records and
all that. That's diamond, so getting any genre.

Speaker 2 (45:47):
Yeah. Do you think he lost anything from the jail though.

Speaker 3 (45:52):
And even if it's just after hearing that money not money?
So now you like that you can tell.

Speaker 2 (45:59):
Yeah, I think I think he's I think I don't know.
I think jail.

Speaker 3 (46:03):
I think Jill know how jail do niggas anyway, like
you still like you still have to adapt, like that's
what time.

Speaker 1 (46:11):
And when I hit that money on money that I
can it's damn it, like I can. I can feel that,
I can feel that fresh shout. I'm back, me, I'm back,
but I ain't.

Speaker 3 (46:21):
Bro.

Speaker 1 (46:21):
Just go back to some of the records. He was
just floating on them ship, changing his pitches and he
was just in a pocket. And now it's like it
damn it feels like he's trying to double Dutch, like,
trying to get.

Speaker 2 (46:33):
Get his back in.

Speaker 1 (46:35):
I don't feel it. You know, that's my guy, Roscoe.
All him is my guys. I'm saying, but I don't
think that he's comfortable right now to where he's dropping it.
And it sounds like number one, he's enjoying hisself. And
then number two, I just it's something missing. I can't
put my I can't put my finger on it, because

(46:57):
he's still him, he's still monumental, he's still huge.

Speaker 2 (47:01):
But I'm telling you because I'm I'm a I'm I'm.

Speaker 3 (47:06):
Be around too many folds, so it takes some of
that away, bro, I'm telling you, like and of course
one of them, yeah.

Speaker 1 (47:18):
Yeah, yeah, But I'm saying if it was me, I'm
looking at him right and I'm saying, all right, the
money on money number one and see.

Speaker 2 (47:25):
You got that again.

Speaker 1 (47:26):
I'm final, boss man. So I take a little bit here,
a little bit there, and I put all this together
and I say, that's why what my theory is makes sense.
So when he went on g Q, he basically said,
I'm consciously now rapping to where they can hear me, right,
meaning instead of saying yeah, you know what I'm saying.

Speaker 2 (47:48):
You know, he's trying to. He's trying to.

Speaker 1 (47:50):
And I don't know if there's trauma from using the
lyrics in court, or.

Speaker 3 (47:55):
It might just be growth as an artist.

Speaker 1 (47:57):
Yeah, but I think the band is the the bag.
I think he finds himself in that mumble le like
in that just.

Speaker 2 (48:05):
That vibe bag, you know.

Speaker 1 (48:07):
And so that's basically when I'm you know, I'm just
trying to figure out. Tell me, what's your process? What's
your process is that? Do you go in and mumble?
Do you go straight to the paper? Do you freestyle?

Speaker 3 (48:21):
I punch in? I punch in like line fine line fine.
I may think of I may think of the chorus,
think of the cords, That's what I may think about.
I said, punch in on that too. Or I may
write a course. Sometimes nigga be in the airport on
flights and just traveling on the road to or that.
Nigga may write a course some of the notes of
that and that my process. I go in that moment,

(48:45):
my studio necessities and is it have you been?

Speaker 2 (48:49):
Have you did it?

Speaker 1 (48:50):
A long stint in jail, so you probably see you
don't know what I'm saying, Bro, I'm telling you when
I hear that, I'm saying, don't hate this, bro. I
ain't hating them to help me get in the game.
So this but they know I say what's real. I'm
gonna say what I feel.

Speaker 3 (49:10):
And you're entitled to say something.

Speaker 1 (49:12):
It's that on that right, So but I'm saying, it's
like it just doesn't feel in that pocket.

Speaker 3 (49:22):
It's just that man, first one probably probably wasn't it
a miss? Right?

Speaker 1 (49:27):
What contrasted with gunn on And that's why I say
leaning into the pain, especially for the first two or three,
because you really just went through a hell of a thing, right,
And it's almost almost feels like that he wants.

Speaker 2 (49:39):
To just skip over it like it never happened. Like
I don't even like.

Speaker 1 (49:46):
Talking about that's the lead single and we know the
at least I know the business, so I know.

Speaker 5 (49:51):
That Jel had to come with the But then when
first first then he was Blackett and then left me
because the fans want to hear from like the fans
want to update.

Speaker 3 (50:04):
You see what I'm saying.

Speaker 1 (50:05):
You can't just pop back out popping it. It's like
you just was in like facing light.

Speaker 3 (50:11):
But what he told the fans on the land ain't
even feel like my cap I'm saying it could be
cap what I'm saying. But if you're telling of your
fans that, but.

Speaker 2 (50:20):
That's what I'm trying to tell you, might be the mistake.

Speaker 1 (50:23):
Don't cap us down, gone gone and go on and
tell us you hurt gone, tell us then be traded
me gone.

Speaker 3 (50:29):
You gotta gone lean into that.

Speaker 1 (50:31):
Bro, I'm telling you what's gonna win because you evoke
emotion in these people. I was part of uh uh
uh the entire I'm part of the media. So I
saw how all these people stopped and followed the case,
and right, it's equity.

Speaker 2 (50:47):
In there everywhere, That's what I'm saying. Yeah, So it's
equity in that.

Speaker 3 (50:52):
Bro.

Speaker 1 (50:52):
You don't just you don't just leave that go just
even from a bending perspective, right, And I'm gonna shoot
that to him. I'm really gonna shoot that word to him.
You know what I'm saying, Like, Bro, I feel as
though my opinion is that lean into the pain, lean
into what happened. Bro, don't run from that. You know,
I know, I know you want to like that over with.

(51:13):
I'm done with that I'm back in my bag. But
your fans they don't work like that, you know what
I'm saying. Yeah, they want to update, Yeah, they want
both all And so I'm not saying I'm saying you
use the formula.

Speaker 2 (51:31):
I ain't saying don't pop it.

Speaker 3 (51:33):
I would have dropped the further out exactly.

Speaker 2 (51:36):
See, it's a formula with this, that's part of the coach.
That's part of the formula.

Speaker 3 (51:40):
The first day out is part of the coaching. Be
a street artist, part of the coach.

Speaker 1 (51:45):
And then he could have switched the first day out
by him being one of the biggest artists in.

Speaker 3 (51:49):
The world, it would have been his thing. Whatever.

Speaker 2 (51:53):

Speaker 1 (51:53):
But that's what i mean when I say we gotta
start sitting down, you as an artist, me as a
CEO of this, we gotta start sitting down then, like
really putting thought into our rollouts, campaigns. I'm messaging like
not just because put it all in his outfit.

Speaker 3 (52:10):
Yeah, all this all the count of Count Brown for
a lot wayiam more than the outfit.

Speaker 2 (52:16):
That's facts, bro, that's fact.

Speaker 3 (52:18):
So so.

Speaker 2 (52:20):
Do you do melodies?

Speaker 3 (52:21):
Do you? Yeah? A female song? I probably should a
video to a female song. I did a couple. I
did it a minute ago. But I ain't never shoot
a video and the girl like that, my folks, I
probably shot a video too. I ain't never shot a
video to what like I catered to a women in
the video like as shaking and like that. So I'm

(52:41):
shut the video twelve like it's just one main girl,
she playing my girlfriend type. Yeah, try like that, well,
not even try to do something. I down did a
pop record with a girl from Canada and they were
writ one of them type records. Oh yeah, yeah, you
you are top five from Atlanta. Pluto t u w

(53:06):
mm hmm uh mhm from from Atlanta.

Speaker 2 (53:16):
It ain't in line if the ain't.

Speaker 3 (53:18):
Uh Gucci Man on counting at first, he said, Alabama, Yeah,
I think he came up here. Yeah, of course he
was from six Man just you know brown what. Yeah,
but yeah, you gotta go Tip.

Speaker 2 (53:41):
Tip on the first one you had, you gotta go Tip.

Speaker 3 (53:44):
He was out for all them.

Speaker 2 (53:46):
Yes, your list, you do what you ain't really.

Speaker 3 (53:48):
Putting in no order. I'm not tip uh Tuto baby
up in twenty one.

Speaker 2 (53:59):
Three stacks, I mean.

Speaker 3 (54:03):
Yeah, because they don't really get that. I mean, I
know what it is. I know what you mean the kid.
What I'm saying, Like I just told you I've seen
what type of person was with no camera names, just
walking there after all, fun with her right as a person,
right but if but if music, Yeah, I don't know
too much of it. You know, I'm Siman's jackson. Yeah

(54:26):
you know so, I'm also grow up on dip said
more than outcast.

Speaker 2 (54:32):
You liked that dip set?

Speaker 1 (54:33):
Who your favorite camera on Jim Jim shout out Jimmy,
Jim shout out Jimmy.

Speaker 2 (54:39):
Jimmy pushed the mean line. Yeah, Jimmy pushed the mean line.

Speaker 1 (54:43):
If it wasn't for Jimmy, though, I ain't gonna you
know what I'm saying, it would have looked different for
cam them.

Speaker 3 (54:48):
For a minute.

Speaker 1 (54:49):
Man, you know what I'm saying, Jim jam I for
you got a personal relationship with.

Speaker 3 (54:54):
Him person, Yeah, very personal. That's dope, real man, Yes, sir,
been doing it, yeah, been doing I need to be
taking pictures in them all, like y'all got this shirt?
Yeah big on fashion, Yeah, I fuck with fashion, but
I want sound that super big on it. But yeah,

(55:15):
like I'm funny, yeah yeah, yeah, but yeah I like
little pieces and like I want to be time for
you know that I might gotta do a certain show
you I might want to go a certain look like that. Yeah,
like I'm down to I'm into what was the European

(55:36):
cuts right type tailor made? And you know what I'm
saying to him, pants, all that the right way? You
know what I'm saying, it might be a little too
much over here, take that out to make it right type? Yeah,
all the ship cut the right way for sure. You
know they don't know about them European cuts.

Speaker 1 (55:55):
Yes, lord, but yeah, now man, I just you know,
I was I was wondering that because something I've seen
y'all in them. Have a conversation with Jim about Atlanta
or New York fashion and both both Swag City yea, both.

Speaker 2 (56:15):
Saying yeah it was Hallered. It wasn't New York as
a whole.

Speaker 3 (56:19):
It was New York.

Speaker 2 (56:21):
Yeah, it was right.

Speaker 3 (56:23):
Both because like even when meet some doing their thing,
they was down there in front of the Yeah they
were front of d but down there from when they're
doing their thing. So it's like even with that, they
did they think what you're thinking about the big meat situation.

(56:44):
I don't know, man, It's like it's like you, I
don't want them to be that. I don't want to
beat you because we come up on off them, you know. Yeah,
like I really watched the old documents and learned and
said people based off that, based off what he was saying, like,
I don't know, man, that's a tricky situation. Man's just

(57:06):
like how they're just trying to put something on everybody
name this.

Speaker 2 (57:09):
Year right it's going down.

Speaker 1 (57:11):
Do you think from from the street perspective, do you
think that you got to have paperwork to be labeled
to wreck?

Speaker 3 (57:19):
Because nowadays now you know that you see see you know,
are you just talking about the people do the lawn
stretches and all, you know, the people that sneak out
and go tell see some oh such and such was itself. Yeah,
and they don't get rolled up and.

Speaker 2 (57:38):
They trying to get around you know what's going.

Speaker 3 (57:40):
On inside jail Snitch is a curse, like just crazy,
Like I don't want to do it, man, I don't
want no problem with no rack beef. I don't want nothing, man,
you know what I'm saying, I don't I don't want
nothing to do it.

Speaker 2 (57:58):
Man.

Speaker 1 (57:59):
I was because it's like this here, right, because I've
been set up, told on from an inform and me
now you know, not my cousin. So I know kind
of the feeling and the betrayal associated with you are helping.

Speaker 3 (58:14):
Them really turned you in.

Speaker 2 (58:16):
Man, that hurt me. That's really why I be by myself.

Speaker 3 (58:22):
Now.

Speaker 1 (58:23):
I'm traumatized, like I'm literally from the street traumatized from
that situation.

Speaker 3 (58:29):
Bro that man told on me, I can imagine that
I feel aware about doing that to me. Bro.

Speaker 1 (58:38):
It literally called you see, and I'm literally having my
way nobody with me. Bro, that's cold from that, from
that situation broke me. Man, So I look at that
a different way. It hurts me man like, especially when
it's some like that. But here's what I also know
a lot of these now try to get around and man,

(58:59):
my name ain't no paperwork, ain't it told on this,
that and the third. But here's the trick.

Speaker 2 (59:05):
You can give information that don't lead to arrest today.

Speaker 3 (59:10):
Right.

Speaker 1 (59:10):
So when I was under investigation, right, come to find
out that the first thing one of my homeboys done
was told him that he have all them cars out
on the road, like telling them to play.

Speaker 2 (59:23):
Now this didn't.

Speaker 1 (59:25):
This wasn't setting me up to where they would come
by something and get me. But he was giving them
that last little piece that they needed for them to
move and understand which carter pull over. And that's what
ended up getting me pulled over, end up getting me searched,
end you know what I'm saying. So it don't necessarily
have to be in paperwork that yo, loan did this

(59:47):
or this person you know, gave us information directly to
arrest these people.

Speaker 2 (59:53):
Yeah, man, they know how.

Speaker 3 (59:55):
I'm just a rapper. Ma, you know what I'm saying,
I'm a rapper. I know there may be a new
audience to be seeing me and shouts to my fans
and supporters though, but for the new audience, I need
to know that I'm the I'm the person. I'm the
artist that the songs, big old facts running up hustle
and now what's up?

Speaker 4 (01:00:16):
Uh?

Speaker 2 (01:00:17):
What's that TikTok? Right now?

Speaker 3 (01:00:21):
Yeah? Yeah, I was a part of all of that,
Like you know what I'm saying.

Speaker 2 (01:00:26):
So, and you got to keep pushing the line with
the rep.

Speaker 3 (01:00:31):
Sing a single all right now, like the single right
now two feet in one for them?

Speaker 1 (01:00:40):
Right, I've seen what what them, no jumping, try to
kind of flock over. I think his name is trying
to kind of get you into a back and forth.

Speaker 2 (01:00:47):
Do you know him? Do you have a region?

Speaker 3 (01:00:49):
N I ain't know him. If I ain't know him
at all, I ain't know him at all. I ain't know.
But he spoke on It was just really like he
spoke on some Atlanta flo.

Speaker 2 (01:00:58):
Calling the cops on rapper Guappo and getting him booked
for selling drugs. He made about me, I said, Jose
Guappo lead Millos.

Speaker 4 (01:01:05):
So then I started to bite back, right, I made
a YouTube video saying, Jose Guappo, I'm gonna get you
locked up with him two months right.

Speaker 2 (01:01:11):
Oh, ship, So you got him locked up today?

Speaker 1 (01:01:13):
So you called the police and told them about this
Jose Guappos trap house.

Speaker 3 (01:01:18):
And two months later, Jose Guapo trapouse just got ready
and he got arrested.

Speaker 2 (01:01:21):
Look on the flopper got two rappers arrested so.

Speaker 4 (01:01:23):
Far, listen Jose and his homie was also on bail.
So I made the call in and said, Jose Guappo
was posted on his Instagram that he got arrested and
he's out on bail and he's facing you know, blah
blah blah. Right, I said, I don't think that he
should be out here like smoking weed, popping purns on
his Instagram as he says, So I'm not hold up
now plug also too bro like Jose Wappo, don't like,
don't got a job.

Speaker 3 (01:01:44):
YouTube not paying him, the music not paying him.

Speaker 4 (01:01:46):
Jose Guappo is making money because Jose Guoppo is like
selling drugs and he's proud of it. Right, he brags
about selling drugs on like he's like YouTube champ. So
we made the call down. Nine days later, Jose Guappo
locked up by time because the traphouse got run up
into you can't beef with CVIL.

Speaker 3 (01:02:00):
And I just spoke on what he spoke on and
then I just was like, don't I don't take it.
I never took him to see it. Like I'm turning
into more like I'm a joning type thing. I'm not
feel to thrawn you because you already playing the police police.
I don't thinking you in now, but I am faining
cracks and jokes, right, but yeah, but to keep it real,

(01:02:23):
those shot to call me uh when pop past and
not call me with like the Instagram pop past. He
was like, uh, you know at long passed like squashed.

Speaker 2 (01:02:35):
Yeah, they try to put it behind.

Speaker 3 (01:02:37):
Yeah, like he came genuine though, right. I was without
a chicken, right because I know and it wasn't nothing
real to begin with at all at all. It just,
you know, just some content that he was doing.

Speaker 2 (01:02:49):
What's your relationship with two Chains and all the nigs?

Speaker 3 (01:02:52):
Y'all good? Yeah? I don't good with everybody, bro. I
don't really got no problem about it, and it ain't
nothing happened to me to for media have some problem.

Speaker 1 (01:03:02):
With somebody joint tapes. You're thinking about doing another joint tape?

Speaker 3 (01:03:06):
Yeah, me and Shoty godfriend drops a joint, a joint
tape called The Originals. It's already done. It's hard, that's
already done. That's you're gonna pipe it up? Yeah, for sure.
We're gonna finish on that thing about money video Thursday.
I don't know it's gonna be out by then, but
I don't even know what the video gonna be out
by then. But y'all just stay tuned because a movie

(01:03:26):
they might get money after the other summer. I promise
I'm gonna put on your music before I go yeah.

Speaker 2 (01:03:33):
Let go I need that, Yes, sir? What what what is?
Who inspired you in your music journal? You were so
young's damn it.

Speaker 3 (01:03:41):
Like like Jim damn Like they had heavy feel it's
on just swagging, like not even just rapping, just the
mean there like you know what I'm saying, Joe I
nigga pop it like you know New York nigga got
an accent, just jam for real? What's what's that? What's that?
What's that? Because Dollard them got songs like it too?

Speaker 2 (01:04:02):
Was that was that style that like b.

Speaker 3 (01:04:09):
Like was that style? There was a sound of the
right but was.

Speaker 1 (01:04:13):
It before the rich homie young thugs?

Speaker 3 (01:04:17):
Wow?

Speaker 1 (01:04:18):
So that's where they pulled that from. So they pulled
that and kind of added to that, like you know
what I'm saying, It started to make table way, make
you views up table way, you know what I'm saying,
kind of making it a little more palatable. But that
had a whole Bro, Atlanta loves that kind of ship.
When that's that's that's Atlanta.

Speaker 3 (01:04:40):
Bro and the really front like effect. That's different because
we know what was going on when it came out.

Speaker 2 (01:04:49):
Bro, they can drop future and all this that's cool.

Speaker 3 (01:04:51):
Go up.

Speaker 2 (01:04:52):
But if they dropped one of them joints, where y'all
where that's the bag?

Speaker 3 (01:04:56):
What? What is that? That? What?

Speaker 1 (01:04:59):
I I can't explain it, but it's a very distinct
Atlanta sound.

Speaker 3 (01:05:04):
I know what you're talking about. I know what you're
talking about. I don't know the name up to put
on it and run like that, but I know what
you're talking about that right there.

Speaker 1 (01:05:10):
I've never seen Atlanta react the way I have, just
certain times when I seen them react to they dropped
that and just whoa and she just go crazy.

Speaker 3 (01:05:21):
Yeah, because it was a mother Fire era.

Speaker 2 (01:05:23):
It's a moment.

Speaker 3 (01:05:24):
Yeah, coming out with dances like that. Yeah, what happened
to that? Don't dance around here no more? Do? They
started getting pop? I ain't nah, but you know they
still be doing that little dances shit on tip top.
I ain't gonna say that, but I think they still
be doing their little dances and shit on tips into

(01:05:44):
that type of sh I said that, but they used
to be in the club dancing down here, like they
used to tell that died out of that died down
and died out early. That died down like probably like
twenty ten, twenty twelve.

Speaker 2 (01:05:55):
They stopped all.

Speaker 3 (01:05:56):
Yeah, they started that. Don't even start sneaking gun club.

Speaker 2 (01:06:00):
Get caught over and top it out.

Speaker 3 (01:06:02):
Yeah, it wasn't even by then. Yeah yeah, yeah you
got any children? No, I don't got no children yet.

Speaker 2 (01:06:11):
Boy, that's boy. That's boy, didn't even got it.

Speaker 3 (01:06:14):
I don't no chidren yet because she I don't want
my child Like boy, how I did? I want my
child out of mama and dad intentional with that? Yeah,
so don't want to baby mama.

Speaker 2 (01:06:26):
What about the relationship for the women watching?

Speaker 3 (01:06:28):
I'm single, single, Yeah, I'm already mingling, but I'm really
ready to meet something talking about something.

Speaker 2 (01:06:37):
Yeah, it's really worth every weight.

Speaker 3 (01:06:39):
Lord what I'm saying? Yeah, ain't going along?

Speaker 2 (01:06:43):
Yeah, because it's about their time. Really, ain't really said the.

Speaker 3 (01:06:52):
Man. Yeah, let the young the platform man. Yeah, I'm
still gonna be a young So.

Speaker 1 (01:07:00):
You're gonna be an old old waite for show all.

Speaker 3 (01:07:05):
My niece's nephew gonna know I ain't the one they're
gonna tell you mama. Yeah, of course, man, they're gonna
unclench they call financial shout my niece and nephew.

Speaker 2 (01:07:20):
What kind of what kind of women you you like
to mess with?

Speaker 3 (01:07:23):
Though.

Speaker 2 (01:07:23):
Do you like a home body?

Speaker 3 (01:07:25):
Do you like a yea home boy for sure.

Speaker 2 (01:07:27):
Home body? Do you like thick? Skinny?

Speaker 4 (01:07:30):
Like?

Speaker 2 (01:07:30):
What's your type?

Speaker 3 (01:07:32):
I don't really got no type, but yeah I don't
got no I prefer I prefer I prefer like nice ass,
nice weight on you, not not I wanna say nice way.
I'm just saying, like Dick, I like me too, you
know what I'm saying. I like cute partit like skinny
ship when they just looking they looking, but muscle. I

(01:07:57):
like to like the big butts. I like big butts
and I can't not lie, you know kind of now
if you don't got line whatever, Yeah.

Speaker 2 (01:08:10):
Yeah, man, Like I'm like that too.

Speaker 1 (01:08:13):
But you know what I'm finding is the skinny ones
with the with the ass though, skinny with the eggs
they call. Yeah, yeah, yeah, that's the slim, thick junk.
Yeah man, that junk that's starting.

Speaker 3 (01:08:25):
To kischen workout with the workout let because.

Speaker 2 (01:08:29):
Really, because really I ain't gonna lie.

Speaker 1 (01:08:31):
I'm the heavyweight champion. You have to be too something,
ready to do something. She got the have as. There's
no stomach fat, none of that, but just all woman
and I like I done took several women over there
that got yeah to get that yeah.

Speaker 2 (01:08:51):
Yeah, yeah, yeah tightened up. That's my playground. They need
to get that together. You know what I'm saying.

Speaker 1 (01:08:57):
I don't literally done that because I'm the heavy I
like the every weight jump, but.

Speaker 2 (01:09:02):
The petite jumps didn't giving me. Lately, I've been saying.

Speaker 3 (01:09:05):
Damn, you know, we we as man, we all go
through all the fast of what we were fell and
sometimes we might go, uh, one of these ye going,
you know what I mean, sometimes the one and.

Speaker 1 (01:09:19):
I got see now, I used to have a team
full little heavy weight champions.

Speaker 2 (01:09:26):
Now I'm heaving.

Speaker 1 (01:09:28):
You know, my main she's you know, perfect. I wouldn't
have made sure that as far as the other jumps
with I got a couple of little John skinny petite,
you know what I mean, it's just like ooh, he'll
own that. And it's it's easier to move around with
that junk though. That's what made I didn't see that

(01:09:48):
big thing. You just you ain't really just wrestling.

Speaker 3 (01:09:51):
That talking about trying to show I just somebody was
speaking on that happened to me to her like I
tried to sit on TP.

Speaker 2 (01:10:03):
Yeah, and you really can't get the big off if
she think like that.

Speaker 3 (01:10:06):
Hey you say you can't when they find out you
got school and they find out the incredible yeah, yeah,
over the gut, through the way out crazy. Yeah, they
playing a dangerous game. The only fans not really, I
ain't really what about the broad what about wrong? The

(01:10:29):
only fans I don't even like. I for out abroad,
they got their own fans. But I don't even like
hold semi like videos type doing that for me, especially
if I'm way across, if I'm in l A and
you and Atma, I don't really like the Oh you
know they're doing eros and you know they have out

(01:10:52):
naked for me.

Speaker 1 (01:10:54):
You know they're doing real live phone sex now especially
with the FaceTime now Bro, they have couples calling rippers
and I mean they haven't group.

Speaker 2 (01:11:02):
That's man.

Speaker 3 (01:11:04):
They got a dolls. They got their dolls. That that's
a as a as a multi being in that world.
And I'm telling what that's show up.

Speaker 1 (01:11:14):
Phil Victim chasing that Marke b d s him. He chasing,
he wants he he like to choke the beat the
and put it in.

Speaker 3 (01:11:23):
On the collar.

Speaker 1 (01:11:24):
You understand me, say he on that so that's the problem,
right manunk on some other ship. Man unk in that
choking that didn metter two weeks ago. Man, I'm throwed out.
He burnt man, Man, he dumb? Man?

Speaker 3 (01:11:40):
Wrong with you? Man?

Speaker 1 (01:11:42):
You done just meant this and she thirty years younger
than you and you choking in the room and you
were fifty men, you dumb.

Speaker 2 (01:11:48):

Speaker 1 (01:11:49):
You can't play them kind of games. And then that's
another thing, like even about status. We can't just really
be moving around if then like that say anything.

Speaker 3 (01:12:00):
Yeah, you all do a stortion with with with a
for abortion man, all type of the gap like they
print and try to stort you for someone abortion money
and it ain't even pregnant, but you know we're trying all.

Speaker 1 (01:12:13):
Yeah, man, And that that's another feel like that, you
know when I was in the street.

Speaker 2 (01:12:18):
It's a difference.

Speaker 1 (01:12:19):
This is different than street balling because this comes with
so many The visibility of it adds an element that like.

Speaker 3 (01:12:26):
Right, I wasn't prepared can be shown yeah coming yeah bro.

Speaker 2 (01:12:32):
So it's like now I'm just like damn man, but yeah,
what you think about this? Do you know anything about
you been keeping?

Speaker 3 (01:12:39):
I mean that's you know, you know it's gonna be
in an algorithm. I mean I've seen a little bit,
but you know they got the phone conversation. Yeah, it's
just like aunt Trump.

Speaker 2 (01:12:49):
An hundred million dollar deal done.

Speaker 3 (01:12:51):
It just like he like what hever and he's still
on the phone.

Speaker 4 (01:12:56):
What.

Speaker 3 (01:12:57):
Yeah, I don't know, man, No, you gotta think about it. Man,
you got some where I ain't saying, but you got
people will wear in the world. You know where fetishes.

Speaker 1 (01:13:14):
You know what though, it's like a heron addict when
you when you deal with those kind of fetishes wherever
you can get it.

Speaker 2 (01:13:22):
Bro See, if you come from the street and you
really hustle. I hustled it all.

Speaker 1 (01:13:26):
So I know the difference between a coke customer, appeal customer,
a heron customer, a smoke weed that Heron customer a
different beasts. He's undertaking, he's you can't control him when
he needed he coming because he's sick.

Speaker 3 (01:13:44):
It's different things exactly.

Speaker 1 (01:13:47):
So when you deal with these people with this kind
of fetish level, it's a kin to being a Heron
addict that wherever I find it, Thank you God, I
just hit the jackpot. That's why he can end up
with a girl thirty years younger than him, Shannon Seaw
doing these kinds.

Speaker 3 (01:14:03):
Of things, what I maint no sense?

Speaker 1 (01:14:06):
Yeah, because for me, Bro, like even if I'm an
choke my broad while we I gotta have some history
with this.

Speaker 3 (01:14:12):
Girl, I ain't. I don't even chugg choking.

Speaker 2 (01:14:16):
He ain't with that they with that because I.

Speaker 3 (01:14:18):
Just you know, I just I'm in talk a lot
about being on the road and came chugging him when
they say choking if Broad, I ain't even into that
for I ain't even I ain't no four place type
of right right, you know what I'm saying. I make
sure everything goes right to what she had, But I

(01:14:38):
ain't even into that for.

Speaker 1 (01:14:39):
It seeing that's what I'm saying. That's how so this
broad was getting him. He that's he would like hair
around that. So she'll send him a picture. One time
she was adding him for fifty thousand that he didn't
have the fifty and he was taking too long to answer,
so she sat on the couch, put the camera right
there and.

Speaker 3 (01:14:57):
Spread wide eagles centim cock shot.

Speaker 1 (01:15:01):
Get what do you do then? What I'm telling he's
a craving man. Bro, I ain't got fift, I got ten.

Speaker 3 (01:15:07):
What can you do for ten?

Speaker 2 (01:15:09):
Can you come down for ten?

Speaker 4 (01:15:11):
Bro?

Speaker 3 (01:15:12):
Uh?

Speaker 2 (01:15:13):
Bro, that's an addiction.

Speaker 3 (01:15:14):
Bro.

Speaker 1 (01:15:15):
You know what I'm saying. That's an addiction, bro, and
it's it's rough. Also, speaking about addiction, you dropped someone.

Speaker 3 (01:15:21):
Sorry for the.

Speaker 2 (01:15:23):
Talk about that.

Speaker 3 (01:15:24):
I kicked it coup salute and kick the cup salute salute?

Speaker 2 (01:15:29):
How hard was that?

Speaker 3 (01:15:31):
One of that hard? What you wasn't six and want
I ain't get a meal to what? Yeah?

Speaker 2 (01:15:37):
That's dope, thank god? Yeah, Bro, I have seen him
go through hell, you know.

Speaker 3 (01:15:43):
What I'm saying. They go through. I just starts to sales.
I've seen it go through. Yeah, I got a pup
on him, putting issues on it. They can't get big.
I've seen that. What made me like, I just be
sitting heavy two those but I don't know how the meals.
That's so dope because you're because usually the humans and

(01:16:04):
I take care of I take care of my man
to tea?

Speaker 2 (01:16:10):
How long it take?

Speaker 3 (01:16:14):
Like you just cold turkey? Yeah, ain't real taking that,
ain't really taking that like I ain't really again in
the West, That's that's a hell of a thing to
be able to do that they're getting in the West,
and it was like making me treat people bad. Treat them.

Speaker 2 (01:16:31):
Yeah you know that you have mood swim yeah, snapping
and then be cool.

Speaker 3 (01:16:37):
Be knowing that I was wrong man, knowing that dead
hair room man, feeling so through all this.

Speaker 2 (01:16:43):
Yeah, you like when I went off, didn't man, they
just called me. They did not say stop. I said,
like you'd be like, they'd be like, bro, what the No,
I'm just going nigga, You be like, why are you mad?
What's going?

Speaker 3 (01:17:02):
Haven't she having no man forever?

Speaker 2 (01:17:06):
You know what?

Speaker 3 (01:17:06):
I don't know ship? So they go to the kids. Man,
don't pick that up. Man, if you already got it
picked up, bounce some water than but don't pick it up.
If if you if you got the trust, you ain't
never had no no scarce with it like an old

(01:17:27):
d or no no, not real like I don't have
sit to what I think. I like, I was sleeping
the airport right and there's one flight and they probably
thought like I was super gone, But no, I ain't
never had no o D. I wouldn't know how let feel.
I ain't never even like went their hard like just

(01:17:49):
to be having because I'm gonna keep part of it right,
just because I got this this much or something. I
mean I'm doing, you know, come over on this, Yes,
might push off that on this.

Speaker 2 (01:18:04):
Yeah.

Speaker 3 (01:18:06):
It was like that. Yeah, and they had the people
more so things. I was probably gone because of how
buying it in.

Speaker 1 (01:18:14):
Yeah type, but we know that if you're from that,
you know what I'm saying. You know, but these people
on the internet probably don't know that. You know what
I'm saying when you because I think also some of
the interviews might have played into where they kind of
seen you on the interview and like Bro kind of
looked like he gone, you know.

Speaker 3 (01:18:34):
Going interview. I used to be gone, used to be going.

Speaker 2 (01:18:42):
You lucky.

Speaker 1 (01:18:42):
You ain't never had no scares, Bro. If you you
know what I'm saying, you getting down with this? Yeah, man,
because we.

Speaker 2 (01:18:50):
See Kwawn and it don't take a life one.

Speaker 3 (01:18:54):
Yeah, you know you gotta nigga gotta chill, like for real,
for real. I ain't even just saying it. Just ain't
got chill bro, for real, Right, I don't know what's
going on. You can get so crazy. How they had
the government and they get the one they put out
to the folks that really supposed to begin them like person.

Speaker 1 (01:19:17):
Okay and white because there is a scenario what population control.

Speaker 3 (01:19:23):
Is a common control as always control.

Speaker 4 (01:19:26):
You know that?

Speaker 3 (01:19:27):
Yeah, they talk about that. You know that?

Speaker 2 (01:19:30):
Yeah? Yeah, yeah? Man, what you want to lead to
people with anything? You want to tell the people?

Speaker 3 (01:19:36):
I want to tell people. I'm backing that action, man,
I'm backing the action. I'm back outside. I'm saying, y'all
gonna be y' don't be seeing me everywhere? Hop about
what I'm saying. New music on the way, think about money.
The single is out right now on our platform. My
folks going crazy. Go share it, go stream it, put
it on repeat. What I'm saying, I got artiststs got

(01:19:59):
we got merch on the way, got straight on the way.
I ain't gonna give them too much of yeah, cause
you know these folks run off.

Speaker 2 (01:20:09):
Yes, Lord, is there a rich Kids reunion going on?

Speaker 3 (01:20:15):
I will man, I'm gonna leave it at this. I'm
gonna say they want to beat enough. They don't get it, dope, dope.

Speaker 2 (01:20:29):
Have y'all thought about touring couple pop up shows?

Speaker 3 (01:20:32):
Even even that? Now?

Speaker 2 (01:20:36):
Do you think?

Speaker 3 (01:20:37):
Because see.

Speaker 2 (01:20:39):
What are the powerful artists? That is powerful? And then
you know, Alex and them down here, they powerful and tour.

Speaker 1 (01:20:46):
Maybe they can put together some kind of alima you
know what I'm saying, tour that can go actually on
the road because you'll have enough artists here they can
draw mainstream you know what I'm saying, ticket sales.

Speaker 3 (01:21:00):
But they have to be a big guy.

Speaker 1 (01:21:02):
Yeah, it had to be somebody that just trying to
pipe out, trying to throw a bone to this from
the town.

Speaker 3 (01:21:08):
You know what I'm saying. You know they don't you know,
people having their own agendas and their own strategies on
what they doing in their life, our career.

Speaker 2 (01:21:16):
You know, so you ain't looking forward to no nigga
reaching out, reaching or helping or nothing. You just pushing your.

Speaker 3 (01:21:24):
Line pretty much. Hand out is Atlanta?

Speaker 2 (01:21:30):
Is that spirit dying in Atlanta?

Speaker 3 (01:21:33):
Where Yeah, a lot of realms again took a lot
of realms again took But we're gonna keep this for sure.
We're gonna make sure that is always that We're gonna
keep their name. We ain't need to go out in vain. Yeah,
but a lot of realms have that got took from
whether in jail or dead. Yeah.

Speaker 2 (01:21:55):
Yeah, who your favorite artists right now?

Speaker 3 (01:21:58):
S TG is my guy. Him made a knife, that's
my We was on tour with baby yeah tz. I
don't t anybody that be around me that they know
the song about how much I ride to it with that?
You got one with him? No, I ain't got one
with leta get that, don.

Speaker 2 (01:22:16):
Yeah that's got to get that.

Speaker 3 (01:22:17):
That's easy to It's easy. That's ain't got that connect?
Yeah that should be, but it be too about like
real when we get around each other, won't even be
really likession to them.

Speaker 2 (01:22:29):
That's how I be too.

Speaker 3 (01:22:30):
They've been in the studios with all of them. You
want a name like, but I just don't really like
be on the We might be on some other some
over hell, some other bus. There might be gambling might
get them girls like you don't necessari just be the
one like hey man, Thursday, all the ones that came

(01:22:57):
out that the people don't like and everything from work,
it just organic on that, like, oh you need to
put a verse on this. I was like, Okay, this
was the day that we work and this is what
came out.

Speaker 2 (01:23:09):
Yeah, you know what I'm thinking. It's maybe that's what
Atlanta is missing.

Speaker 1 (01:23:13):
It's just that organic feel now because it did turn
into business and I'm trying to hold future now.

Speaker 2 (01:23:17):
Man, I need to get him on this song.

Speaker 3 (01:23:19):
You know I need I need to get you know, the.

Speaker 1 (01:23:21):
Baby that I need to make your baby get on
these many copy You know, it kind of churked it
in the business when y'all was really just players, just
catching vibes in the yold and this ship turned into
an industry.

Speaker 3 (01:23:32):
And it's not nobody fuck because it's like, once you
sign a business move, it's a book. It's business like.
You know what I'm saying, ain't nobody fuck. You know
I'm I ain't walking around help.

Speaker 2 (01:23:44):
I ain't nobody nobody you can't.

Speaker 1 (01:23:48):
Yeah, That's what I was telling because you know, I
did it yesterday and we got to talk about Ralo
and I was like, the main thing you don't want,
bro is to look wounded. You don't never want to
look wombed it out here, you know what I'm saying, Yeah, man,
because sometimes you can just key man.

Speaker 3 (01:24:06):
Women, they ain't any niggas.

Speaker 1 (01:24:07):
Ain't you start looking like you start looking wounded, you
start looking like you need something. And one of the
four day laws of powers appeal to never need nothing.

Speaker 3 (01:24:18):
That's how you get everything teut. You see what I'm saying.

Speaker 1 (01:24:22):
So when you come out with the you know, so
that's what I'm saying, like, you know, the the law,
the universal law is always in effect, you know what
I mean. Can't nobody get around that. But yeah, man,
I was talking to actually Mondo. I did Mondo.

Speaker 2 (01:24:36):
He wanted to get some off his chest for I've
seen that that's gonna be stupid too when it come out.
When it's come out.

Speaker 3 (01:24:44):
I don't know if y'all did an He just and
he just went, he just went. He just he just went.
He went.

Speaker 2 (01:24:51):
He went up, like he said, a bunch of hefferent space.

Speaker 1 (01:24:56):
Yeah, and he actually also addressed a bunch of that
that has been dormant for a long time.

Speaker 2 (01:25:03):
You know what I'm saying. He kind of really set
the record straate.

Speaker 3 (01:25:05):
Like that what I'm doing.

Speaker 1 (01:25:07):
Yeah, yeah, for sure, Yeah you got to you know
what I'm saying, because me and his last one.

Speaker 2 (01:25:12):
But see, he know this is the thing, you know,
when they come here, I really got an.

Speaker 1 (01:25:16):
Audience and it's really real nice and it's real talk audience. Right,
So he come last time, he thought he was just
sitting with me like it was gonna be some Sam
Hundy k so.

Speaker 3 (01:25:30):
I gotta come back, you know what I mean.

Speaker 1 (01:25:32):
So now he that came man, he because you know
he got the wooded certain he had the dress like
and you know me, I'm gonna actually, you know, trust me.
The only reason why we ain't had no backing forth
is because you ain't said nothing that I really felt
like was no nothing dislike.

Speaker 3 (01:25:48):
You know what I mean, pretty much disagree with it.

Speaker 2 (01:25:50):
I ain't disagreeing with nothing, but any event that I watch, yeah.

Speaker 3 (01:25:56):
Go for nothing.

Speaker 1 (01:25:58):
So so what you kicking is just some well I'm saying, bro, everything'
bro saying to me is just in land with I agree.

Speaker 2 (01:26:07):
You know what I'm saying. But you will see me
sit with anybody, and the minute I hear something.

Speaker 3 (01:26:12):
That ain't right, yeah you'll check it. It don't matter.
You'll cut them off an airline, yeah, it no matter
who it is. I watch.

Speaker 1 (01:26:18):
I think I think you know over here like us,
this is really what we cattapult because what other you know,
big facts, salute facts, big facts. Yeah they're my family.
So but it's just me and them in the South.
You know what I'm saying. Literally, the rest of these
platforms don't got no deals, they don't got no infrastructure.

(01:26:39):
They know they could be big on YouTube.

Speaker 3 (01:26:42):
But I'm with this.

Speaker 2 (01:26:43):
iHeart bro.

Speaker 3 (01:26:44):
This is radio type, you know what I'm saying.

Speaker 1 (01:26:48):
So this is what I'm saying about understanding how you
can really service your audience.

Speaker 3 (01:26:53):
Right.

Speaker 1 (01:26:53):
Some I even get podcast mad at me, right, like
not mad at me because the ain't no me, but
just don't understand the bus this. For instance, I have
an artist come holler at me. So let's just say
that that that the artists go sit on the platform
before he come holler in me. He might go sit
on that platform and don't say nothing, and then come

(01:27:14):
to me and then say all this, and then that
the person who he just left from or feel a
certain kind of way, like damn bro just left my platform.
He ain't say none of that, like O n BPS
had just done my shot and he waited until he
got to me to say to talk about this where

(01:27:35):
they took his song and the label tried to do this.

Speaker 3 (01:27:39):
Yeah.

Speaker 1 (01:27:40):
Yeah, So it's just you gotta know this what this
is a real audience and it's purchasing power over here.
These nigga banshed they subscribing to my Patren, which is
like my Netflix.

Speaker 2 (01:27:50):
I got eight thousand people paying me over there.

Speaker 1 (01:27:53):
You know what I'm saying. So these people bash. So
if you get over here in my world and turn
these folks up, these folks are actually support and that's
what you got to make sure you do. And I
also been having a conversation about it's streaming really stream Yeah,
like because I was out streaming, came out. I was

(01:28:14):
out there.

Speaker 3 (01:28:17):
I ain't gonna like it. Ain't. Yeah, I'm just talking
about the other day too, Like you know you're gonna
Apple music and downold the song. You're not buying the song?

Speaker 2 (01:28:27):
Still you got on? Ain't they're crazy? Why would they separate?

Speaker 3 (01:28:33):
Like, I don't know I did that. I don't know
why they changed the charge if you asked me.

Speaker 2 (01:28:38):
They were forced to do that. They were forced to
do that by the government.

Speaker 3 (01:28:44):
Box.

Speaker 2 (01:28:45):
Yeah, that they charge you for that.

Speaker 3 (01:28:47):
Hell is going on? Apple man?

Speaker 2 (01:28:49):
Listen.

Speaker 1 (01:28:49):
The reason they did the change is Samsung actually took
them to court. And so now you have to have
a universal charging for everything. If you notice, everything ain't got.

Speaker 2 (01:29:00):
A C now.

Speaker 1 (01:29:01):
And so moving forward, if you push it out, damn
near everything gonna have one charger.

Speaker 2 (01:29:06):
Like a C for everything you got, you know what
I mean? They changing that, so they forced them to
do that, you know what I mean.

Speaker 1 (01:29:13):
And so that's the kind of thing. I watched the business,
the high level business, right, So I.

Speaker 2 (01:29:18):
Was watching.

Speaker 1 (01:29:22):
Apple and Samsung had a disagreement and Samsung sued Apple.

Speaker 2 (01:29:27):
For the for the the touch zoom you know how
you can zoom in.

Speaker 1 (01:29:31):
That was that was like a Samsung product and Apple
just kind of took it and put it on.

Speaker 2 (01:29:37):
Their ship and got famous for it.

Speaker 3 (01:29:39):
So now when they super to.

Speaker 2 (01:29:44):
But listen, let's not petty. They get though, this was
gonna suck you up. So they sue Apple, homie. They
win because it's clear they had it patting it. It
was they it was the zoom in. They had to
pay them, folks. I think it was like.

Speaker 1 (01:29:59):
Probably seventy million. Guess how they paid them for us
all track the trailers for the.

Speaker 3 (01:30:05):
Pennies ultimately try ultimate dis but they pulled up. Listen,
you know how many track the trailers is pulling up
in front of the Apple.

Speaker 2 (01:30:16):
All pennies.

Speaker 1 (01:30:18):
Just since y'all want to sources because we gotta pay y'all,
we're gonna make it inconvenience for you because you know
what I'm saying.

Speaker 2 (01:30:28):
But we're gonna have the.

Speaker 3 (01:30:29):
Business because we can't get around handling the business.

Speaker 2 (01:30:31):
Yeah, So it's like that man,

All Episodes

Episode Transcript

Host

Looney

Popular Podcasts

Stuff You Should Know

My Favorite Murder with Karen Kilgariff and Georgia Hardstark

The Joe Rogan Experience

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Jose Guapo Finally Tells the Truth on Young Thug & Gunna, Gucci Mane , Bricc Baby & A Furustic Summa,Atlanta’s Era