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May 8, 2025 84 mins

The sit‑down continues! OMB Peezy is back with new DM receipts from Future’s ex, reacts to her $100 K‑chain police call, and explains why he’ll “never spin the block.” Loon & Peezy then unpack 50 Cent’s alleged sabotage of Big Meech’s Florida concert, Kodak Black’s public spiral & Ye’s offer to help, plus what AI‑generated vocals mean for rap royalties. Dating in hip‑hop, fake industry love, and parenting young kings round out an unfiltered Pt 2. | 00:00 | Intro / Part 1 recap & new receipts teaser | | 03:11 | Future’s baby mama: fresh DMs, chain saga & police call | | 12:44 | “Never double back” — Peezy on closing that chapter | | 18:30 | Did 50 Cent torpedo Big Meech’s welcome‑home show? | | 28:55 | Rick Ross catch‑22 & street legacy vs. meme power | | 36:40 | Kodak Black health debate, addiction, & Ye’s olive branch | | 46:22 | 50 vs Meech breakdown: internet clout vs. real respect | | 55:07 | Dating as a rapper, fake love & why Peezy avoids deep talks | | 1:05:18 | Going independent: inside Peezy’s best rollout yet | | 1:15:09 | Kanye calls AI vocals “the new sampling” — royalty talk | | 1:25:47 | Fatherhood segment: celebrating grades & mental health | | 1:33:10 | Rapid‑fire fan Q’s & Part 3 teaser | Subscribe & hit 🔔 so you don’t miss Part 3! Business: bookings@itsuptherepodcast.com ⏤⏤⏤ All opinions are personal and for entertainment only. © 2025 Up There Media, LLC. All rights reserved. Peezy pulls fresh receipts on Future’s BM, breaks down 50 blitzing Big Meech, & reacts to Kodak + Ye. Part 2 is even wilder — link in bio! #ItsUpTherePodcast #OMBpeezy Watch Part 1 here → https://www.youtube.com/watch?v=PA7vXFlYvBk&t=2964s Audio version → https://www.iheart.com/podcast/1119-its-up-there-podcast-w-lo-81051334/ Follow Loon → @itsuptherepodcast Follow OMB Peezy → @omb_peezy Join Our Its Up There Podcast Clip Channel now https://www.youtube.com/channel/UCEh6Wk40kcNcMJ4t_jtmluw Discord https://discord.gg/GJKXMWQS For all exclusive interviews & more content not here click here https://www.patreon.com/itsuptherepodcast 🚨Unreleased Interviews https://www.patreon.com/itsuptherepodcast 🦺All Merch Options teespring.com/its-up-there-podcast-merch 🎧LISTEN ON SPOTIFY: https://open.spotify.com/show/4Jheeb8FxYVDRo8khyrz36?si=e339dD2JRte2MYX2Uon3BQ 👀 SUBSCRIBE HERE:https://www.youtube.com/channel/UCl_GorAVekpEVDlk1Yc8giw 👂 LISTEN ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/its-up-there-podcast/id1317524092?uo=4 👣FOLLOW ITS UP THERE PODCAST HOST : INSTAGRAM | fogfo_looney TIKTOK | https://www.tiktok.com/@fogfo_looney PATREON| https://www.patreon.com/itsuptherepodcast SUBSCRIBE TO Youtube Channel ➡️ https://www.youtube.com/channel/UCl_GorAVekpEVDlk1Yc8giw WATCH MORE ➡️ https://www.youtube.com/watch?v=JwNIuOcAtoo&list=PLnwwxLxHiDWayq4HPgNYUtsAGvqe3liOO

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I wasn't gonna dress this because I'm not trying to
let nobody trick me off the streets. But I never folded,
never told, never will. Oh my God meets Big Meats,
gets out and he goes and links with rig Ross.

Speaker 2 (00:16):
Right, ro Rick rosses wrong? Nigga took a picture with
Rick Ross.

Speaker 1 (00:25):
You're like, oh, nigga, put your back against the wall
and just slide down. Yeah, let the kids know, nigga.
Let's not. Let's not duck and hide and go run
up under wrap get money. Let's tell the kids. I
go do thirty years after selling dough twenty five hundred
bricks a week or money, and I ain't got no money.

(00:45):
I get out. I don't got none. Fifty is the
kind of nigga that if you come around me and
get money and leave me in a way this disrespectful,
I'm gonna not only cost you all the money that
you got will leave, I'm gonna cost you more than that.
I'm gonna cast you five hundred more than whatever I
gave you. I'm trying to crush you on your way out.
You know, you know when last time you came on

(01:06):
here and we were talking about your ex future baby,
what man?

Speaker 2 (01:10):
You know she hit me what she.

Speaker 3 (01:12):
Said, and then when I called him, there were just like,
you know, do our own thing the niggastle on my
chain and promise to give it back. Pool that you
got your ship together, because I'll pull an bro.

Speaker 2 (01:28):
She called police.

Speaker 1 (01:30):
Right then and they told and window he my jury up.

Speaker 2 (01:38):
I'm my baby, the jury ship. He didn't tell something.
I was like, man, I just said, what question on you?
And the dude told you everything that was anything on.

Speaker 1 (01:48):
My life cut No coners need to kept that ship,
I said, if I didn't, if I didn't keep a
gas one more, he'll reaching out to a nigga. Facts
feel me, that's a whole fact.

Speaker 2 (01:59):
Many a man.

Speaker 1 (02:00):
Sh the I'm the big guy old games.

Speaker 2 (02:08):
Look, you know you won't.

Speaker 1 (02:11):
She said, I deserve it.

Speaker 2 (02:12):
I deserve it.

Speaker 1 (02:13):
You know what's going on? You know you come on
that man. I have been seeing you with what's her name,
Joey Spender and my girlfriend. I could tell you like
cor god like he Oh, I ain't gonna lie. They
go back to, uh, what I was saying about you?
Little more les long with me and ship. I really

(02:35):
feel like she done that. Grid can last long with
because I like that. Take that, bro, then I'm a sniper.

Speaker 2 (02:44):
Yeah.

Speaker 1 (02:45):
And if you ain't talking, Look they see this guy's
didn't live. And I'm going farther than that she keeps
doing on my phone. So I called her mama, come
and get your daughter back. They wanna lit up better
than get them boys wagon what little one and I
boys and brain? But all that they did, the Scuy's
the limb.

Speaker 2 (03:03):
I'm going fall. You can try to, but can't kim.

Speaker 1 (03:06):
I'm the ball. I just bought a niggle life as
I did a side. Come with that art, you leave
the reason you broke.

Speaker 2 (03:12):
You don't know how a horse on trying it ain't
normal stressed some red rough red eye.

Speaker 1 (03:18):
He got to know, I'm nothing into the bullet asn't
for a bullet because he.

Speaker 2 (03:21):
Never felt want sticking to the wilds and nail. Come
right with my dogs on the nail.

Speaker 1 (03:25):
So you gotta utilize that. Make sure you take advantage
of that ship. You know what I'm saying. That's the
new That's how Travis Scott because he and the reason
I mentioned Travis Scott is because he was the person
that done that, not the person everybody does it all
the big artists do it. Yeah, but he just did
it with the shoes. But because he did a drop

(03:48):
with the shoes, of course, the next week and the
next week, the hype isn't there.

Speaker 2 (03:52):
For the shoe anymore.

Speaker 1 (03:54):
You did because the people that wanted it got it.

Speaker 2 (03:56):
That's what made the number so high.

Speaker 1 (03:59):
Next week it was the biggest drop off of any
album ever because the true numbers are now back of
just the streaming.

Speaker 2 (04:09):
So I think he might have did three hundreds in.

Speaker 1 (04:11):
One week and then fifty eight next week. But that
should show someone like y'all the power in the bundle thing. Yeah,
stead nig hating and they looking back man tricking the numbers,
inflating the numbers. That boyshit that nigga instead of saying
that was a horrible little tricky done now. Yeah, like
you gotta pay attention to that man. What have you

(04:34):
ran in the WiFi and lucas since he got out?

Speaker 4 (04:37):
Oh no, I ain't ran to me. We had talk
in BM brief let ship when he got out of here.
He's like, I can't wait to see I'm like for
show my nigga.

Speaker 2 (04:45):
I already know nigga.

Speaker 1 (04:46):
At birthday Head came out and talk a birthday and ship.

Speaker 2 (04:48):
He sent me a number. Yeah, I just been letting
you know what I'm saying, Like, I just I know
that it is Bro.

Speaker 4 (04:52):
So I've been letting I see you posting his kids
and ship like, you know what I'm saying, half your
time with your kids. When you pop out, I know
you're gonna be ready to pop out of you pop up?

Speaker 2 (05:01):
Be right.

Speaker 1 (05:03):
How do you feel about how he handled the whole
situation he's been going through for the last two years?

Speaker 2 (05:08):
You know you don't you know?

Speaker 1 (05:10):
I grew up on you.

Speaker 4 (05:11):
Don't get no cool puss for doing doing that. But
in them circumstances, you feel me. In them circumstances You're
seeing all this ship like you feel me, Like you
know what I'm saying, you getting stabbed up in his
mother type of ship. You gotta get him his flowers.
You feel me, that's the whole fact. That's that's a
thorough You feel me, And I already knew that. I
ain't saying that like I ain't even know you feel
me cause I had to hung around Bro like a

(05:33):
lot of times.

Speaker 2 (05:33):
You feel me like I always knew he was a
genuine person.

Speaker 1 (05:36):
You feel me but that right that that ship, I
ain't all I was feeling for him the whole time
to like, damn bro, like the real one you feel
I'm talking he held it down all the way, like
he showed that leading by example, you know. And you
know I was telling y'all off like east Side, Jody
already hit me, like, Bro, I need you and you

(05:56):
and Luca to sit down.

Speaker 2 (05:58):
You know what I'm saying. It's gonna be there as well.

Speaker 1 (06:01):
I'm like, bro, just let me know. If he ain't
already got one, I'll do it like you. It ain't
nothing brou because it ain't too many people that's gonna
be able.

Speaker 2 (06:09):
To understand you feel, I mean, you know what I'm saying,
or like.

Speaker 1 (06:15):
Exactly and at oftentimes looking like he losing the war,
people giving up, like it's a lot going on. So
I'm probably the only nig that can probably sit with
Doug and Lucha and have the right compensation facts.

Speaker 2 (06:28):
You know what I'm saying. You are the only more
sh had the right conversation with them, like real talk.

Speaker 1 (06:35):
Ain't ain't too many people that you can just sit
with and have them conversations with an instry.

Speaker 4 (06:41):
You is the pioneer for that ship. Yeah for sure,
I'm sure you said that, real, yeah youation. You can't
just sit and talk with I ain't this colored with
it just I would have been got to laugh and
talk throwing out the comingsation like yeah, yeah, you don't
just sitting talking with nobody seriously and in the industry
for nah for.

Speaker 1 (07:02):
Sure, yeah man, yeah, and people love it, bro, And
I just hope you know, to keep pulling into the
coach as I try to do the best I can,
you know what I'm saying. But I need, you know,
and that's what I respect about the infrastructure that I
need ship like that, Like I need for Jody to
hit me and try to make ship like that, make
that happen, yeah, instead of me scratching and clawing as

(07:24):
I'm really the only kicking this kind of flavor.

Speaker 2 (07:27):
Fact literally period, Bro, There.

Speaker 1 (07:30):
Ain't nobody doing it like this here. I'm the only
person and I you don't want me to start scratching
and clawing and thinking.

Speaker 2 (07:37):
Like damn what damn a real nick? Ain't even you
know what I mean? You know what I'm saying, Yeah, better.

Speaker 1 (07:45):
Fuck with me and it'll turn me in the you know,
I'll do everything. I do everything in my power not to,
but it'll turn you into a academics. And I'm much
more powerful than him. Like my if I get on
the nickage bruh and get the breaking down, it's inconsistency.

Speaker 2 (08:04):
People gonna make.

Speaker 1 (08:06):
Sense when I say ship.

Speaker 2 (08:07):
People just gonna go with it.

Speaker 1 (08:08):
And it's like, but I don't never want to take
that route, and it's suckers ship to go that route.

Speaker 2 (08:13):
But at the end of the day, it's business.

Speaker 1 (08:16):
I got a lot of people depending on me face.

Speaker 4 (08:19):
So you know another thing too, though, like you probably
intimidate a lot of niggas.

Speaker 2 (08:23):
Yeah, I don't want to see around the rig. Know
they got flowers.

Speaker 4 (08:27):
I'm saying, when nigga flowers, they do not want to
come see Niggah.

Speaker 1 (08:32):
I've been going through that ship my whole time in
the industry, real.

Speaker 2 (08:36):
Talk, I'm going through it.

Speaker 1 (08:38):
And sometimes I may say you niggas names, you know
what I'm saying, But I'm looking at and I'm like,
I really in my heart believe them, nigga. See no fact,
that's what it be. Bro.

Speaker 2 (08:51):
I'm not even gonna lot to yah. I'm years even
real niggas fool.

Speaker 1 (08:55):
Yeah, Bro, I'm saying them niggas dons know they faking
and you know you ain't sake when you pull up
on this ship.

Speaker 2 (09:02):
Yeah yeah, that's what they don't know. How they don't know.

Speaker 1 (09:04):
Theyself, so they don't care themselves well be especially people
like you you yeah.

Speaker 2 (09:11):
Fuck yeah beak.

Speaker 1 (09:13):
And then if you see me sitting next to all
these different niggas, he ain't letting none.

Speaker 2 (09:17):
Let none slide. You feel real talk like all.

Speaker 1 (09:23):
But that's what I don't that But you see, you
see all the real nigga they come fun like they
were niggas. The respect like you got to respect it, bro,
Like you gotta understand, Bro, I came up with uncles
and ship just like like I like, I always hold
with older people like you feel me. It be me
and my mom got like fifteen year gap on me.

Speaker 2 (09:41):
That's what I respect.

Speaker 1 (09:42):
You know what I'm saying, Like I.

Speaker 4 (09:44):
Always been just soaking up and feel like I ain't
started talking about I had a cousin, right, we say
it's his birthday in March nineteenth.

Speaker 2 (09:52):
When we was little, we only talk to each other.
You know what I'm saying. We ain't talking no about
I just sitting you were just sitting with the grown people.

Speaker 1 (10:00):
Just yeah, peak sponge, Yeah.

Speaker 2 (10:05):
Yeah, I feel me.

Speaker 4 (10:08):
So it's like I'm used to this ship for real,
for real, I had a better conversation with more mature people,
you feel me like, because people don't they they might
donna be right bro out man.

Speaker 2 (10:20):
Especially a little Freeze. Yeah yeah, let's get to that though. Man,
he Freeze. I ain't gonna lie like me. I'm the
type of niggas. I'm an old soul, so it'd be like,
you know, I'll be talking talking my ship out.

Speaker 1 (10:34):
It's not be playing.

Speaker 4 (10:34):
But when it's time to chill at the house and
be cool and ship, you got to have your ogi business.

Speaker 2 (10:40):
Yeah you guys do you do? You know when the
lead alone?

Speaker 1 (10:43):
Yeah, you know you're watching first for they all you
want something to eat?

Speaker 2 (10:46):
You know what I'm saying.

Speaker 1 (10:47):
She ain't finna come white. You ain't talking to me.
You walk into Saint say nothing's wrong? You mad?

Speaker 2 (10:53):
Yeah?

Speaker 1 (10:53):
Hey man, I just did three show Bake to Bake,
been my first night home.

Speaker 2 (10:57):
But sh bro for like talking b screaming on the mic.

Speaker 1 (11:02):
Right, they don't know how to deal with that ship.
You know, you know when last time you came on
here and we were talking about your ex future. Bah Man,
I ain't get nobody in store, but I'm gonna keep
it all the way, honey, wishy my lie.

Speaker 2 (11:16):
So this is where mother come out.

Speaker 1 (11:18):
I handed the home the crazy boom, the police going
every studio bro with my name, with my face on
the bro, my own boys and I had getting old boom.

Speaker 2 (11:29):
I get lowered her ship. Felm. We just met though
she stayed forty fifty minutes out of the city. I
know for a fake. Nobody know that they ain't coming in.
So that's why I'm over this month career. You know
what I'm saying. Come out of the room with a
bottle of saying.

Speaker 1 (11:47):
No, that's what That's what I was doing over the boom.
I just spit moving into a townhouse. I gave my
brother dumped off of her ship on.

Speaker 2 (11:59):
My life right.

Speaker 1 (12:01):
So but see sometimes I be thinking, like so when
you was in there, she bought the ji or what
you what what she gave it to you?

Speaker 2 (12:08):
She like what she like? She like what was in
that bit? See uh hell ship hell ship boom. So God, yeah,
she come out to the She like my last thing.
I get my last one hundred thousand. Still always to me,
but I got all this year.

Speaker 1 (12:29):
I'm like, stem get, I'm pushing text mess thing and
still I'm like, ain't found about you know? She like
she takes me like I'm still looking with them by
the bye. But if they don't want to buy, bye,
should I just want you that. I ain't never saying
give me the ji. I ain't never said, but I

(12:50):
need that.

Speaker 2 (12:50):
I need that. You know what I'm saying.

Speaker 1 (12:52):
Boom is I'm already knowing they played in person the
off form. I already repeat you know you did, and
she's the full him.

Speaker 2 (13:00):
But I'm god, damn, this is business. All this she's
going on. Now my people don't telling them, well you
know she's on. Why did you say them? Now? You
know she'd be playing them in the game, so now
you know what I mean. She's right. She's trying to
set up there.

Speaker 1 (13:17):
She's like, man, I ain't gonna like, well, I'm in
the house, bro, the nigga come the exiting, come for
the jewelry. Hey boy, he come this. This this is
a little this is a little bit of trouble.

Speaker 2 (13:37):
Died you know, trumble, Yeah, he died. Deep. I'm blowing on. Yeah,
nigga thought she come run up the stairs. She's wake
up on where.

Speaker 1 (13:53):
She ain't nobody how somebody at the door, Yea, She like,
ain't nobody, ain't nobody, ain't nobody.

Speaker 2 (13:58):
She nervous. What was grandma damn door?

Speaker 1 (14:06):
She like like somebody got something of mine in there? Mom, Yeah,
she likes the nigh give him give what I do
get jewelry I got in there, dog.

Speaker 2 (14:21):
Dann bro.

Speaker 1 (14:23):
She called the police on it man right then, and
they told her need to leave. And I don't think
that he got this my jurry. No, I'm my baby,
damn old lord, because I'm when I was fool.

Speaker 2 (14:45):
That's deep.

Speaker 1 (14:45):
But you be next though.

Speaker 2 (14:47):
That's the thing.

Speaker 1 (14:47):
When the girl treating the nigga, you be, that's gonna
be your jurey a lot of times.

Speaker 2 (14:52):
In there next now exactly, it ain't gonna lie.

Speaker 1 (14:56):
I ain't ain't.

Speaker 2 (14:57):
I ain't as show as my pienzling or any in
the in the thing. But I'm very intellectionous, my young man.
Like I peeped to the back of door my ship,
I wrapped up. I ain't going I'm not yet. Yeah, yeah,
you're ready to go out of that what you're doing

(15:18):
going right now, she's seeing it. You know what I'm saying,
she is to get on them.

Speaker 1 (15:24):
I was the guy my door.

Speaker 2 (15:25):
I hear her streaming the police coming out. Hey, not
going out the window like this got my children.

Speaker 1 (15:36):
Man, that's the best situation, bron. I put myself in
a situation for real. Even no way I could have
stopped that ship.

Speaker 2 (15:43):
Yeah.

Speaker 1 (15:43):
But what I'm saying, like she must not be done
with the niggas something she.

Speaker 5 (15:47):
Wasn't why she let her I left that yo, what
she said, Yeah, I know where you being. I'm backing
for wanting to send him over there.

Speaker 2 (16:01):
For bro, for like talking bitch I did screaming on
the Mica.

Speaker 1 (16:09):
They don't know how to deal with that ship.

Speaker 2 (16:12):
You know.

Speaker 1 (16:12):
You know when last time you came on here and
we were talking about your ex future baby, you.

Speaker 2 (16:18):
Know, she hit me.

Speaker 1 (16:19):
What she said, said when I'm trying to get on
there right now, like she said, I want to get
on there right now on the show, and I got
some ship I need to say.

Speaker 2 (16:34):
She gonna say the truth. I don't know. She said.
Man's gonna keep it, she said, but she talked.

Speaker 1 (16:41):
About some the Jery ship. He didn't tell something. I
was like, man, I just what the question? You ad
told you everything that was anything on my life? Nigga
cut no coners. Need to kept that ship, I said,
if I didn't, if I didn't keep a gas one
more reaching out to her that her facts.

Speaker 2 (17:00):
You feel me, that's a whole fact. Man, m I
mean that's a whole cut them. Yeah see yes, lord,
old lord.

Speaker 1 (17:14):
Who that is right?

Speaker 2 (17:15):
Though? Hold on, le'm go and look where he put.

Speaker 1 (17:21):
Hold on. You see, I'm the big guy on games.

Speaker 2 (17:30):
You know you won't. She said, I deserve it. I
deserve it.

Speaker 1 (17:33):
You know what's going on? You know you come on
that man. She scared me from my ol G business.
Been all just there the o G B. That's what
made me think about it. Oh yeah, man, ma mom,
I'm going back to the O G business.

Speaker 2 (17:46):
Hey all the OG business folk. What are your man?
I just had to take a little break. You ain't
gonna pull back over.

Speaker 1 (17:52):
You ain't pulling back up.

Speaker 2 (17:53):
On that never in my life ever.

Speaker 1 (17:55):
But once you go to the internet on there, so
you going to the police, then you go into the
internet line, it's like going to the police. Yeah, you
then to try to put a robber charge on neither.
You know what I'm saying. You hired the publicist to
get you interviews and ship so you can get this
fake ass ship out there. Like, man, bro, I ain't
like in a different life, I would have killed you
even like we're talking, like, I don't even play like

(18:15):
that for man, she.

Speaker 2 (18:18):
Look it over. I mean, I'm a little dickie to
be in the club seeing know what you want me
to do? Man, leave alone? I don't even crowds.

Speaker 1 (18:25):
Yeah, leave alone, I said, I said, Man, you know
I didn't know how to take it.

Speaker 2 (18:31):
You know what I'm saying.

Speaker 1 (18:32):
When I seen her, and I ain't never seen her,
you know, I don't even know none of these.

Speaker 2 (18:37):
You know what I'm saying.

Speaker 1 (18:38):
I ain't never seen her. That's what I'm saying.

Speaker 2 (18:40):
I didn't.

Speaker 1 (18:40):
I didn't never see her.

Speaker 2 (18:43):
Is she bad? Shehit bad? A little bit she found
on her first Now she she was a bit like
who she is?

Speaker 1 (18:49):
All lets ship go out the window? Yeah yeah, but
she when I first seen her, you were like, that's
one of them. Get behind Yeah, yeah, yeah, what's up?

Speaker 2 (19:01):
Yeah?

Speaker 1 (19:01):
But I think you know it's crazy how she trying
to do work back. I wonder what that's about?

Speaker 2 (19:06):
Spell? If I ain't this ain't there?

Speaker 1 (19:08):
Like, yeah, it's over with and I can tell about it.
The emoji you sitting back no think this ship?

Speaker 2 (19:17):
Yeah, what you're doing?

Speaker 1 (19:19):
I ain't saying no, you ain't sitting on this? Yeah,
I'm confused, like you just She like, why are you
looking like that?

Speaker 2 (19:26):
I'm like, why why wouldn't that? She's like, I know
I deserve it about the Yeah, yeah, so it's officially
rap on that. Yeah that's over.

Speaker 1 (19:35):
Yeah what you So let's talk about this speaking about women,
how much would you spend for a date night?

Speaker 2 (19:43):
Like, how much is too much?

Speaker 1 (19:44):
You just went to say Lest yesterday in New York,
Salute say Lest That was a five thar.

Speaker 2 (19:51):
For dinner date night? How much is too much for
you and the female to spend?

Speaker 1 (19:56):
Me and a female, Okay, we're gonna get dinner, powder
go if we're in Atlanta, we're gonna go.

Speaker 2 (20:01):
To Cheatah or something.

Speaker 1 (20:05):
I like eating pasta or I'm gonna eat that steak
she give them she won't. Then we're gonna get wasted
out of these drinks.

Speaker 2 (20:12):
Or date in general. So for a date with you,
do you do pre game?

Speaker 1 (20:16):
Then go to the to the dinner, then maybe a
move or do you just do one thing head to
the house.

Speaker 2 (20:22):
Do you you know what's your vping on the grid?
Now if I want some fast shitting, I'm trying to like.

Speaker 4 (20:27):
You know, and she like me as much as I
like her, and I know that she liked me as
much I like her. Ain't just no random bitch trying
to get a little free dealer. Oh yeah, I'm a
pre game pre.

Speaker 2 (20:36):
Game might be like pre game, a couple of hundred
dollars dealer might.

Speaker 1 (20:42):
Be probably what's pre game if you in the a
one game.

Speaker 4 (20:45):
Pre gaming and then a probably go to a ball
or something, get a couple of drinks. That's that's that's yeah,
that's a couple of couple hundred or something else drinks.
Then we go to dinner. Dinner gonna be probably like yeah,
after they probably go to the house. I'm gonna probably
depending on on the restaurant door.

Speaker 1 (21:05):
Yeah, that ain't that much though something because they won't extravagant.
Bro it's niggas making it hard for nigg b ain't
making it hard, but they leading with money at the
same Yeah, man, I take a bit to Burger King
and she gonna feel like she if you right, were
riding the colors and the old.

Speaker 2 (21:21):
School mus um grabbed me your chin finger to it
you on top of the world. Yeah, Like, I ain't
gotta leave with money because I got charism right there
and that work.

Speaker 1 (21:30):
But but what I'm saying is that nigga, that first date,
you know, we're going on a yacht and we're doing
this because it's a class a bit out there that
at least present themselves. Like that's the vibe the facts.
I'm noticing though, as I get more and more paper,
I'm noticing, Yeah, it's getting wicked. I told you don't

(21:54):
really got money. If no, girl ain't never fake fall
in love with you. Man, what you say, bro, you
would think it's real too brouh and they'll go all
the way crying all kind of shit. This this is
really fake love. Like the girl doesn't convinced herself to
fall in love with you based on who you is
and what you or what you got.

Speaker 2 (22:14):
Yeah, Bro, that's the scariest thing ever.

Speaker 4 (22:15):
Bro, Like I was just telling my whole but no, like,
if it real, like real shit, I wish I would
just stayed with my high school sweetheart. Or something my
baby mama their ever like, because shit, we admit when
I when we were in high school, I'll probably like
sixteen when I medal.

Speaker 2 (22:31):
We had a baby when I was eighteen, Like shit,
I feel like that's the closest thing into that, that
real thing it would get. You don't think you don't
think it's out there. I don't feel like I'm in
the right line of business to be looking for that
type of shit. I'm keeping a handler.

Speaker 1 (22:44):
That's me too, Bro, It's out there, but it's like,
how do I find it?

Speaker 2 (22:48):
Cut?

Speaker 1 (22:49):
It's so much that's attached to it. But you're right
the line of business. Why do you think this is
the wrong line of beuiness? Because like everybody I already
got they they outlook on rappers. You feel like I
was just talking to a girl. I was just talking
to a girl that like.

Speaker 4 (23:04):
And damn she was like, Uh, everybody knows raffles is
cheatahs and basketball players and cheetahs like it ain't ship.

Speaker 2 (23:10):
We feel me, do feel them.

Speaker 1 (23:12):
So people already feel like that. And so you gotta
watch out for the girls who already think you cheat,
because if you're think you're cheating already, she's coming in
the doe cheat right or at least looking for a
thousand problems, looking for college going through your phone out
type of ship.

Speaker 4 (23:25):
Or she got somebody in mind, like if you him
so often and just entertaining this a little bit, then
you got the most want the chick. Then you got
more who want to be rappers, want to be bloggers,
want to be uh streams and ship like.

Speaker 1 (23:37):
They want you to uplift their career and ship like this.
You feel them, so it'll be like you just gotta
watch Apple too much.

Speaker 2 (23:44):
You feel me.

Speaker 4 (23:45):
And now my big mama, she that the home girl.
Now I don't really see it having him, but she
don't spot like.

Speaker 1 (23:51):
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Speaker 2 (24:54):
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Speaker 1 (24:55):
This is Daily Fantasy Sports made easy. Salute the prize
picture that supporting the movement. And let's get back to
the episode and a business. Why do you think this
is the wrong line of being because like everybody already
got they they outlook on Rapples. You feel me Like
I was just talking to a girl.

Speaker 4 (25:15):
I was just talking to a girl that like and
DMN she was like, uh, everybody know Raffles's cheetahs and
basketball players and cheetahs like it ain't ship.

Speaker 2 (25:23):
We feel me? Do I feel them?

Speaker 4 (25:25):
So people already feel like that, and so you gotta
watch out for the girls who already think you cheat.
Because the girl think you cheating already, she coming in the.

Speaker 1 (25:31):
Doe cheat right, or at least looking for a thousand problems,
looking for college.

Speaker 2 (25:36):
And going through your phone out type of shit.

Speaker 4 (25:38):
Or she got somebody in mind, like if you fuck
up from him so often and just entertain this a
little bit, then you got the mother folks who want
to check. Then you got mother folks who want to
be rappers, want to be bloggers, want to be uh
streams and.

Speaker 1 (25:50):
Shit like they want you to uplift their career and
shit like this. You feel them, so it'll be like
you just gotta watch Apple too much.

Speaker 4 (25:57):
You feel me. And now my baby mama, she that
a homegirl now I don't really see it having it,
but she don't do spotlight. Never really been to a club,
to a first club, you know what I mean.

Speaker 2 (26:08):
It's just like, see, you.

Speaker 1 (26:09):
Want that pure ship. You want that ship that ain't
been tampered with or feel like that it's been just
it's being utilized for more than love purposes, like some
of you been using your looks and bodies just to
go on dates, to go out of town and ship,
you know, what I mean. It's like treatment, like just
to go out of turn, just to get to get
flew out of the courage and ship, like yeah, ain't

(26:32):
waxed down to eat his own but ye ain't fucking
with it.

Speaker 4 (26:36):
Bro, I'm a hood. I hope it's romantic. Bro, I
got real hard. I love women too in me. You
feel like if I like it, I like it, like
it when you.

Speaker 1 (26:43):
Could love so much that it scares you.

Speaker 4 (26:46):
That's what I'm saying. That's exactly what I'm saying. Like
it's like, bro, I know my heart like Brian ain't
even from whenever it's got on the internet there, that's it.
That shit hurt me for man, Like this shit hurt
me bad, Like you know why I came over there
like war going on? Seeing how the police know that
cause you knew what was going on. You're like I
thought it was love. Yeah, And that's the thing, like,

(27:09):
especially with me, I feel like, yo, bro, I'm too smart.

Speaker 1 (27:13):
Ain't gonna be a treat me. And then when I
look up and say.

Speaker 2 (27:20):
It's up the ball off cook for a nigga, you
rubbing and s faking.

Speaker 1 (27:27):
I told you that fake fall in love with different
alm if fake fall in love. And it's something that
when Money is going to experience before he died. Man,
somebody gonna fake fall in love with you and you're
gonna be like this hole is.

Speaker 2 (27:42):
Grabbing my knees and crying and like I can't leave.
What is going on?

Speaker 1 (27:46):
Like I don't even know.

Speaker 2 (27:48):
You like this ship?

Speaker 1 (27:52):
But she don't want it. Man, I'm telling nigga felt that. Bro.

Speaker 2 (27:55):
I'm telling you every every.

Speaker 4 (27:58):
Get my name it and ship like I'm talking about
the period like niggas, Yeah, it ain't gonna let me stay.

Speaker 1 (28:07):
I had some come in with the total package right
before I knew was running game.

Speaker 4 (28:12):
She come a good nigga, good heart. So that's prejicting.
When you thinks about a running game. You come in
thinking they running game.

Speaker 2 (28:18):
You on some bullshit. You think right off the bulls
here you on.

Speaker 1 (28:21):
That's prejicting. So we come in with open hearts and
she bru I come in open up.

Speaker 2 (28:25):
I'm thinking, oh, you had to be love me.

Speaker 1 (28:27):
She fucked with me, And I'm saying to myself, oh man,
she moving reclearly I don't really so who she presented
as wasn't who she really was, but she was working
towards really me in, so she had all of the
tools in her tool belt. So she hit me with

(28:47):
the rubbing the nigga head, eating a nigga off the ball,
giving a nigga threesome. Uh, you know, cooking for a niggah.
She oh, man, she whooped me. But this far I
knew they were running game. I'm thinking the threesome was
out of love. The food was out of love, but
Rubin was out a little. All this shit would technique.

(29:10):
I'm trying to get this dog the lock on this monkey. Yeah, man,
it worked at threesome gap.

Speaker 2 (29:16):
Man.

Speaker 1 (29:17):
That's why I be running from them buses to try
to give me three someomes now because I know you
all taking the.

Speaker 2 (29:22):
Three steal getting three.

Speaker 1 (29:23):
I ain't gonna lie, bro. I'm taking them to my
white clothes right now.

Speaker 2 (29:26):
Bro.

Speaker 1 (29:27):
Like, oh, I still I still a little high, a
little but.

Speaker 2 (29:32):
My guard up so high? Like is it? But I'm
with a girl, I don't.

Speaker 1 (29:37):
I don't have no deep conversations no more, which I'll
be yearing it for that type of shit too, though
I really need deep conversations like that should be. That
shit helped me make my music for real counter so
like it's like I don't have no deep combensations. All
bullshit and loves and giggles and shit, I don't even
want you. All that hit me. I went through this
on I was lotting shit. Yeah, that ship cut fee

(29:57):
because biscus use.

Speaker 2 (29:58):
All the type.

Speaker 1 (29:58):
That's why your daddy wasn't good.

Speaker 2 (30:01):
I hate when they do that ship like I ain't.
I don't even rock like that, But you go, you can't.

Speaker 1 (30:05):
You ain't gonna be able to just sit there and
keep doing that and me neither, like because I'm like
there too, Like I was in with my old lady
for seven years and then I've been away from her
for for like two three years and now I still
ain't back in that groove. I still ain't in that
groove with the bit where I'm just like, bro, I.

Speaker 2 (30:25):
Gotta do it. I got the real bachelor pad.

Speaker 1 (30:27):
Like I'm having really my way, you know what I'm saying,
Like I'm having my weight, but it's still my heart
ain't letting me just indulge like I want to indulge,
like you said, I want to have some of them
conversations and yeah, it's like but I can't.

Speaker 2 (30:45):
I can't get there.

Speaker 1 (30:46):
So a kid.

Speaker 2 (30:48):
How lonely you behaving with me?

Speaker 1 (30:51):
Yeah? Yeah, I colone, Yeah, Now.

Speaker 2 (30:55):
I just this the whatever they try to be friending me,
and I'll be like, can how long do you be
seeing this around me? And I'll be stolen. Lord.

Speaker 1 (31:06):
Basically, I'm when we when I feel like you easing
out their honeymoon stage, when your real self start coming out.

Speaker 2 (31:12):
This ain't really you. I'm gone. Yeah, I'm not even
gonna explain why I'm going or nothing. You just can't
reach me no more.

Speaker 4 (31:18):
Ron like yeah, yeah, because me, I'm the same way
when I come in saying well, I'm not thing might change,
I might open up more. I'll tell you more about
my life and shit and shit than I went through
that got me like this, and I can laugh and
smile a lot of time, and shit, you feel me.
We can't get to that point, yo ed Gred if
you if your shit changed in any type of way,

(31:40):
if I come over your house and your house clean,
and for the first.

Speaker 2 (31:43):
Three days when I come over there.

Speaker 1 (31:47):
And you leave it like that for a week, oh
I'm done.

Speaker 2 (31:49):
Yeah you feel me?

Speaker 4 (31:50):
If you see if I tell you, because I tell everybody.
I don't like arguing I'm not a confrontational person. As
soon as you yeah, I shut down. You feel if
I tell you this, you've been like, okay, y'all get
that I like this, and then we go by.

Speaker 2 (32:01):
Now you want to argue and ship?

Speaker 1 (32:02):
What is this in your comments?

Speaker 2 (32:03):
Who I'm gone? You know what I'm saying.

Speaker 1 (32:06):
If anything changed, you dipp it?

Speaker 2 (32:09):
Now?

Speaker 1 (32:09):
Do you do you think that that old girl? Was
that the worst that you've been.

Speaker 2 (32:16):
Through with a girl taking worse note? Yeah, it's tied
for real.

Speaker 1 (32:22):
It's tired.

Speaker 2 (32:23):
That tie was ship, That tie was and ship when
I was probably.

Speaker 1 (32:26):
Like, man, I got keep the I'm drunk.

Speaker 4 (32:30):
I go to a tree tray soil concert right, go
to a tree sun consort with Kevi, shout out bull trunk, Bro,
I don't even drink around this time, Bro, people gott
to force me to drink. Run in time, so boom,
I'm trump.

Speaker 2 (32:44):
We pulled back up to the beach.

Speaker 6 (32:46):
I leave my gun and the car drunk and keep
the dog drink on coming in and get my jeer
out of drunk so form so they get up out
of that.

Speaker 2 (32:57):
Mother forg get my scrap.

Speaker 1 (32:58):
I come back in the what the fun? I'm like whoa.

Speaker 2 (33:01):
She bought up, crying. She I'm like, you start saying
something minutes. Yeah, for sure, put a drinks on my
off fare.

Speaker 1 (33:08):
She got damn, oh, my sister, my sister, he boyfriend's dad,
Ye had a drink.

Speaker 4 (33:14):
Okay, your sister a ball brothers dad and ring all right,
take me over the will sister.

Speaker 2 (33:20):
So bo and really ship like this, So a lot
of guys she had minded. Then God damn pay forward.
I lead a business law feel me. She kissed me cheating.
We on the roll, we uh ween Baltimore and a
bitch dm me.

Speaker 1 (33:36):
I'm like, hey, put up, pull up, and then the
bitch I sent all my messages and the like why
is you sending your message?

Speaker 4 (33:43):
I put up blue the spot up like why you
aren't sending your message? Like I don't know you were
a bit scream Ship she already had she screens. She
got to send it to the beach.

Speaker 2 (33:51):
So the buses in the road crying, and she takes
me home like this we all the way of Baltimore,
so bull.

Speaker 1 (33:56):
She called us LUF getting get back for one of
my partners and ship and my part com like man,
I ain't even gonna lie to tell you brou like
we feel Youtubo player.

Speaker 2 (34:04):
It is one of my old apartments, feeling like.

Speaker 1 (34:06):
Man YouTube plug for a bitch like that anyway you feel.

Speaker 2 (34:09):
But I don't like it though.

Speaker 1 (34:11):
I don't like that because I wouldn't want the big
homide or the older nigga that the little nigga don't
fuck the little homie bitch. I'm like, all right, you
gotta eat it because we gotta keep it playing no
matter what.

Speaker 4 (34:23):
And I'm like, you, Kyle, you man a love the
coll Ain't I want the same nigga taking them there
almost butersh it.

Speaker 2 (34:29):
I'm like, you made love coll My phone was taking.

Speaker 1 (34:31):
Shit like that. I got her respiking.

Speaker 4 (34:32):
You've really did how he came to He was like,
bro with Trump, like you feel like she probably going
on there?

Speaker 2 (34:39):
You feel me? So I'm like, I love the bitch.

Speaker 1 (34:41):
She get with the nigga, she get with her boyfriend,
she get with her sister boyfriend that that that that
set me up and married him. What what talking about?

Speaker 2 (34:57):
Yeah? What you.

Speaker 1 (35:01):
So the boy you will fuck with end up marrying
the mother that set you up?

Speaker 2 (35:05):
Yeah?

Speaker 4 (35:06):
She married her sister boy her own to go to Ji.
Sister was in the coat, some niggle throw cut throat
her sister in the cold and nigga.

Speaker 2 (35:14):
They end up doors, go to jiz.

Speaker 1 (35:16):
She get with her sister, boyfriend married. Oh my god, Yeah,
I ain't got no ill.

Speaker 2 (35:22):
Wheel throw it no no, y'all like, yeah, cool, I reached. Yeah,
but that's deep rich. Yeah they can't hurting on nig
no more. But that's a lot, man.

Speaker 1 (35:30):
And then you know, I go through it a lot
like some of my little homis. They girlfriends I can
bruh like, and they see it and fit it up.
They get in so much rhythm. I be saying stop this,
like I stay away, bro, like literally, bro, because they
give me so much. I'm like, hey, you doing too much.

(35:51):
Like they might come up to me and say he
thinks he you you know, little things like that like that,
and I'm saying, that's your boy. I'm just I'm just
staying away. Yeah, like bro, But I've never respected when
the when the niggas like the big homie fucker for
the little homie girlfriends and ship like that, because you

(36:11):
got certain big homies that that's they moved. Man.

Speaker 4 (36:15):
The thing about this this dum she's so cut through
though she taking me I'm talking about. I might get
bored one night and be like, hey, come on, she driver,
she taking me to go shoot at the Enis and ship.

Speaker 2 (36:29):
Yeah she hot and still chasing nigga down the street.
Still though.

Speaker 1 (36:37):
It's in Alabama. Now this is cannon, this is candy,
Oh my god, because you know they got they got
Alabama on their list, where like sisters fuck their baby
dag ship. I ain't never for my cousin ship. You
ain't know, you know, Yeah, in the South, in certain
spots they do have some weird ship like they do

(37:00):
for sure. Yeah, but but you ain't fun only fans
or what what's good you on?

Speaker 2 (37:06):
Now?

Speaker 1 (37:07):
You scribe anybody, you're fan anybody?

Speaker 2 (37:11):
This is what I want to do.

Speaker 1 (37:11):
I got some Twitter business.

Speaker 2 (37:12):
I'll be on that Twitter. You don't be DM them.

Speaker 1 (37:15):
You ain't never fucking nothing off nod to fuck a
couple of shit off Instagram that got a Twitter. Yeah,
but I met him on Instagram when I ain't there.
I went to the Twitter and then a couple of
bro Then I'm a sniper. Yeah, I'll be seeing some
of the Twitter business. I'll be saying, Man, I ain't
got no cloud over here. I should have been nothing
made me a page over here. You know, I'm just

(37:39):
a little bitty three four hundred because I don't even
tweet my Twitter page out or nothing. So I'm just
over at creeping.

Speaker 2 (37:44):
But boyter should I be seeing?

Speaker 1 (37:46):
I be sitting for They styling in profile in profile,
Jesus Christ, they running commercial real And guess what I'm saying.
Some ofm I'm saying like hey, like I was telling
I was telling the Homeboy, it was this one that
got me. Dick Maschall.

Speaker 2 (38:06):
No, I ain't gonna say her name.

Speaker 1 (38:08):
You can describe a little bit older man, God this
whole show. I said, Man, I'm you know, I'm having
my way. I'm finna hit this. So I went ahead.
I ain't never subscribing the only fans, but I'm knowing
how you're gonna get in touch with the big man.
Do you know what I'm saying? How you gonna get
in touch with the big?

Speaker 2 (38:28):
Now?

Speaker 1 (38:28):
The big don't know you exist, and you gotta cut
through the it's a bunch of you know what I mean,
It's a bunch of little ship this. I gotta cut
through the bullshit.

Speaker 2 (38:37):
So I.

Speaker 1 (38:39):
Subscribed to the bitch only fan first time, I ain't
never had the only fans.

Speaker 2 (38:45):
I'm been an only fan.

Speaker 1 (38:47):
Now, this what she fucked up. If I would have
fucked up, I would have been a only fans from
then on. I would have knew this what they what
they do, This is what the move which it is now,
don't get it confused. Yeah, the dems work, but the
only fans moved.

Speaker 2 (39:03):
This what threw me off, and it's gonna fuck you up.

Speaker 1 (39:06):
So she thig Math, I'm talking about man, she got
one of the softest asses one. You know, some of
the big asses all shake like my nigga. She got
one of them, big soft math. So I'm in a DM,
so I hear the boom, I hear a message. Now
I'm in content. So I got enough sense to know, Bro,

(39:28):
it's high level gaming. Only fans, not only is the big, Yeah,
not only is the Big. Got a subscription fee. She
might got an agency running up messages that didn't even
hurt you talking to you know, it's different. It's different
layers to it depending on how much money she makes.
She might got a free only fans another only fan
like they doing a lot. So I get in there,

(39:49):
I tell I'm like, yo, uh you know I ain't here.
I'm here for a good time, not a long time.
You know, I'm trying to see what the number is
on that thing. I'm not trying to I'm finna tell
you exactly who I am. You can expose me or anything.
I'm me for real, I'm finna tell you who I am.
I'm trying to get you to me. Whenever you read it,

(40:13):
I think it was an agency. Guess what the whole
said back to me. You a good trick that day.
Unsubscribed look unsubscribed blocked a bit. I don't even like
her no more. Man, I'm a straight player. I only

(40:34):
done it because I was, you know, caught me in
a horny moment right then. Oh man, you know I
feel weak right then, made the only fan that want
to fail weak.

Speaker 2 (40:44):
But I wanted to get more.

Speaker 1 (40:45):
When she said that, I said, oh ship. And so
what that opened my eyes to is that it's nickapaying
and they getting treated like that, and they were gonna
get talked to like that.

Speaker 2 (40:55):
Man. I had a business.

Speaker 4 (40:56):
I had about two business only fan set up type
shit right, and the ship was on my phone. So
I get through them up and get the leg and
let me see what's going on.

Speaker 1 (41:11):
On that.

Speaker 2 (41:11):
I ain't gonna lie, nigga, won't that ship?

Speaker 1 (41:19):
They want to be talked to like every bit I
got money. I don't want no be telling me you
a good trick that that.

Speaker 7 (41:25):
Niggah all though, And I hear girls talk like strip
of girls that I know, like, yeah, my little trick.

Speaker 4 (41:34):
Facts they handling them niggas like that, handling them sucked up.

Speaker 2 (41:38):
Hold on is my trick? Yeah?

Speaker 1 (41:40):
Yeah, yeah, this is manute.

Speaker 2 (41:41):
I'm in the driver.

Speaker 1 (41:42):
See he got eight I'm gonna send you five How
your day? Man? How niggas competing with that? He gonna
shoot you five K for nothing? Man? Going crazy? Man? Now,
I have been seeing you with what's the name Zoey's.

Speaker 2 (42:00):
In my girlfriend? I could tell you like her?

Speaker 4 (42:03):
I like she Oh, I ain't gonna lie. They go
back to what I was saying about, you know more,
don't les long with me and ship. I really feel
like she done a grid the last long way because
we both know your fun by ship. We'll go about
what people think. Whatever we go, We're gonna have fun
and ship. And then when we get to the house,

(42:24):
she be chilling, you know what I mean? Watching TV?
You know what I'm saying, Like I.

Speaker 2 (42:28):
Fuck with that.

Speaker 1 (42:29):
Y'all seem to have a good, good chemistry.

Speaker 2 (42:31):
You know what I'm saying.

Speaker 1 (42:32):
Is she big and streaming?

Speaker 2 (42:33):
Like what does she?

Speaker 1 (42:34):
Yeah, she's pretty big.

Speaker 2 (42:35):
I'll be seeing her good numbers and ship.

Speaker 1 (42:37):
She a part of any of those clans Cruise, you
know they be having like Phase clan and then Aidan
ross S mother.

Speaker 4 (42:43):
She really don't like people, but she locked in with
like uh catsand d D Gum and ship ain't lie.
She's been teaching me a lot about this shipund Yeah,
but because y'all.

Speaker 1 (42:55):
Can crank up together and do some ship like because
she making money now fix, Yeah, she making money.

Speaker 2 (43:01):
And what happens is.

Speaker 1 (43:04):
It's a different fan than the rap fan, right, so
the the twitch subscriber fan, which is a feeded is
associated with that. It's a different fan from the rap fan.
But luckily for her and y'all have a good synergy.
Luckily for her, she has people who are active in
the Twitch world like fans and subscribers and you know

(43:26):
and all of that ship. Have you have you ever
talked to her about Casnetta ship or trying to fuck with.

Speaker 2 (43:31):
Cale or have you out of her.

Speaker 1 (43:33):
I ain't ever rig broke broke that up for real, real,
you know, I'm really in that world. I'm really going
with the flow, just be right, said, I'm really just
peaking my head in the room, like what y'all got
going over here? Yeah, I've been seeing, I've been seeing.
I've been in by this hit. Let me come go
to the part of ray Queensye what going out? So
that's really what I'm doing. Then, you know, I got

(43:53):
a viber and every personality, so I know, like right,
if I light up a twitch rate and that type
ship is, it's gonna go down here. But I got
to learn in the works to the first you feel,
I'm not saying I'm using her, no shit like that.
Then she when I when I went to go do
the stream was she opened my eyes to that sit like,
damn the it's a whole other world over there. And
that made me want to learn you feel me?

Speaker 2 (44:12):
She opened the teacher on. Yeah. And and so this
year I want to get into that world.

Speaker 1 (44:17):
I was telling my like I told you about somebody
from Netflix song and I was telling them like I
want I want to get in that world this ship,
like I want to get with some of them streaming
niggas not only for my.

Speaker 2 (44:30):
For my content, but my children.

Speaker 1 (44:33):
My children love them, my little niece and nephews and
shit crazy. Now, yeah, bro, they really really love them streamers.
So I seen Boosy on Twitch. She's now on twitch.
You've seen that, yeah, boost on Twitch. Let's talk about
this now. This has been big in culture, fifty cent
and Big Meat.

Speaker 2 (44:53):
It's in the Big Meat. It's been big. So for
people who.

Speaker 1 (44:56):
Don't know, a couple of weeks ago, Big Meats had
Welcome Home concert. It had literally a bunch of big
rappers on it. There's been allegations on Big Meats coming
from a guy to Saint Louis and a couple other people.
But they kind of laid dormant because people are waiting
on paperwork and waiting on people to get out to

(45:17):
kind of show exactly what's going on.

Speaker 2 (45:21):
How do you feel about it? And Big Meats went
to that part.

Speaker 1 (45:23):
I'm gonna get to it and Big Meats, Big Meats
gets out and he goes and links with Rick Ross.

Speaker 2 (45:29):
Right, Rick Ross, Rick Ross and Fit they have a problem.
So you you feel like that interaction was wrong.

Speaker 1 (45:36):
Me and you and me and you getting getting getting
money together, and we get will a quaint and you
feel we're getting some of the money together.

Speaker 4 (45:42):
Bro, I'm not going over there, right I'm like, I'm
not going over there that jam my heart you feel
you shot me out in this song? Whatever, Yeah, I'm cool.

Speaker 2 (45:51):
I'm like that too.

Speaker 1 (45:51):
Like it's people like.

Speaker 2 (45:54):
Ship like that.

Speaker 1 (45:55):
There's people who I've literally damn that had to and
you gonna stop that. Bro, it's just right here right now,
You're gonna stop that. And they respected it, you know
what I'm saying. But when people are getting money with
you or they've helped you in a way like only
I could have helped you, like the effects only I
couldn't nobody else done that for you what I've done

(46:17):
right then, and you just let that fall by the wayside.
For me, I have an issue with that.

Speaker 2 (46:21):
On top of.

Speaker 1 (46:23):
What value I guess I'm having trouble understanding the value
meet seen and Ross. Yeah, I don't.

Speaker 2 (46:31):
That's what I don't give is like, how did that
help you? Even if he's giving you a twenty or thirty.

Speaker 1 (46:38):
Like it ain't worth it ain't worth it worth it
at all.

Speaker 2 (46:41):
It ain't worth the relationship you got over here. But
you know what, I want him to be honest about.

Speaker 1 (46:47):
And if this is a case I need. I need
niggas to come out and be honest.

Speaker 2 (46:51):
Yo. The street shit don't pay Yo.

Speaker 1 (46:53):
The king, pining, dope king, pining dope dealer. Nigga come
home with nothing. Yeah, let the kid let no, nigga,
let's not. Let's not duck and hide and go run
up under wrap niggas and get money. Let's tell the kids.
I go do thirty years after selling dope twenty five hundred,
twenty five hundred bricks a week a month.

Speaker 2 (47:14):
And I ain't got no money.

Speaker 1 (47:17):
I get out, I don't got nothing. Ain't nobody giving
me nothing? Then nobody see, nobody escapes this shit. When
you go to jail, they forget about you. That's jay Z,
Lil Wayne, whoever you wis nigga. Once you go to jail,
it's over with. So I need for big Meat to
come out and tell the truth to the children. The
dope game gonna leave you with nothing. You see what

(47:38):
I'm saying. Go hey, you're coming out running up under niggas.
You don't know who they say is x Y and
Z who got an issue with the nigga who puts
your son through and you'll have to do that to
try to make sure your bills get straight, because the
streets ain't left youar nothing. They don't got nothing for you.
All right, this is a question I got for you.

Speaker 3 (47:56):
Right.

Speaker 1 (47:57):
Yeah, you feel like you feel like fifty SEV was
the supposed that shit.

Speaker 2 (48:02):
If he didn't go there, no, so you feel like
fifty wrong for that.

Speaker 4 (48:09):
You would have still been footed with you your red
but you would have still been fuggled.

Speaker 1 (48:12):
With I think fifty, uh, I think fifty always knew, right.
I think he knew that it was rumblings. Fifty is
the kind of nigga that if you come around me
and get money and leave me in a way that disrespectful,
I'm gonna not only cost you all the money that
you got with me, I'm gonna cost you more than that.
I'm gonna cost you five hundred more than whatever I

(48:34):
gave you. I'm trying to crush you on your way out.
He did it with young Buck. He does it with
anyone that is around him that gives him flashes of inconsistencies.
And he's also always said, if your niggas is on
the ropes, I'm gonna push you to.

Speaker 2 (48:47):
The other side.

Speaker 1 (48:48):
He's literally said that out his own mouth, so I
think he always knew.

Speaker 2 (48:56):
What do I think about him not saying nothing?

Speaker 1 (48:58):
If a nigga read a nigga read yeah, if you
if you I got niggas that I really did love
that I had to cut off.

Speaker 4 (49:05):
Yeah, I know that the world don't know that this
nigga right out here and I'm out though. Yeah that
you told I'm not gonna wait for you, you go
fuck with Doddison Den.

Speaker 2 (49:16):
Yeah, that that a real because I knew.

Speaker 1 (49:19):
Again Fifty can't tell me didn't know number one because
he's doing a docu series on him, which means you
have research teams and tested that.

Speaker 2 (49:27):
You know what I'm saying. Somebody got cause what her name,
Buffett Cuffy, somebody got Yeah.

Speaker 1 (49:33):
He been loud, He's been on the internet. They've been
reaching out to me and ship. He got a daughter
that's running around.

Speaker 2 (49:38):
They could talk.

Speaker 1 (49:39):
They wanted you know what I mean, People are actually
trying to speak on it. But I just think fifty
is emotionally.

Speaker 2 (49:48):
Involved with disrespect man.

Speaker 1 (49:50):
You know, it led to him getting shot at the
point of time, so he gotta I feel that. You
know what I'm saying, he gotta keep disrespecting bay. Oh
them niggas playing that niggas played. I look that the
nigga like they were playing and got shot nine times.

Speaker 2 (50:03):
Yea letting ships like I fuck with her.

Speaker 1 (50:06):
I've been telling you the type three thought the type
three he'd see him smoking on bro.

Speaker 2 (50:11):
That fucked me up.

Speaker 1 (50:12):
He was, Yeah, he went, I said, I think it's
smoked on earth?

Speaker 2 (50:16):
Got it? Say? I got it? Asked whatever he's that
he legside know, well he ruthless. Now here's the thing. Also,
I like what fifty is doing. I think this is
what makes him genius. Is that.

Speaker 1 (50:39):
So if you notice all the rhetoric and the propaganda
that the fifty is posting, you know he's a smooth operator.
He's posting this ship that is made by content creators.
What he's doing is he's basically creating the narrative. He
understands how to fuel the narrative. Right, So you like,

(51:00):
I ain't saying this is what the world is it?
And on top of that, the street niggas that look
like a post from So there's a difference between self
motivation like obligation and passion, right, So people want to
be posted on fifty cent page. You see what I'm saying.
So content creators who normally are just make a piece

(51:20):
of content every day, now they know if I make
it about meats, fifty might post it.

Speaker 2 (51:25):
So now he activates everybody.

Speaker 1 (51:28):
All these different content creators that's making different stories about
meaching hosts to cause that's like going viral, it's like
going platinum exactly. So I think that's so genius of
him to understand how to control the narrative in that way,
to say he's not saying it, but creators are understanding that,
Oh he posted shit about meat, So if I make

(51:49):
something about meat and it's funny, it might go to fifty.
And so he's fueling content like that, And I think
that's so fucking smart, bro, because that's how I ain't
killed him that. Do you think that fifty has affected
Big Meach's legacy, Yes, all the way the way, because

(52:10):
you know I still be around, man, I still be
out of about. Yeah, like the conversations that's going on,
you ain't really looking.

Speaker 2 (52:18):
Too good for brother him, but ship it is, Yeah,
now he gonna.

Speaker 1 (52:23):
I still ain't looking towards that you feel.

Speaker 2 (52:25):
You know, I gotta reading myself.

Speaker 1 (52:26):
Yeah, I ain't seen it, but I got I've had
a couple of real stand up guys that Donet just
told me Loan Free Coffey Man, you know what I mean.
They saying ship like that to me, Like I'm saying, damn,
this is a nigga.

Speaker 2 (52:41):
I know it is a yeah, one of the men.
So I don't know. I think meach is.

Speaker 1 (52:49):
I think it's the first time you will see street
legacy versus.

Speaker 2 (52:53):
Like internet power.

Speaker 1 (52:55):
Yeah, you know what I'm saying, what fifty centers standing at?
I found it interesting that Ross couldn't keep the concert
held up in Florida.

Speaker 2 (53:06):
Oh my god? What uh?

Speaker 1 (53:09):
Why do you think it was canceling? I don't know why.
I don't know, bro, I ain't rappers start bagging now.
I was just that what I was just saying, I
feel like people started bagging line. He was like, man,
ain't the right time. Well, I don't think it was.

Speaker 2 (53:22):
No.

Speaker 4 (53:23):
Fifty made a call and then the owners that have
been you shut it down. I don't think it was
no shit like that or the owners that have been you.
I think that was a direct call from whoever rerun it.
And you know, I don't think fifty has to make
a call you.

Speaker 1 (53:36):
You see, That's what I'm saying. Fifty understands that you
don't have to say, hey, y'all, everybody create content talking
bad about meat. You just create the environment where you
reward motherfuckers that's creating content about meats. So in the
same way, fifty doesn't necessarily make a call to counsel it,
but he creates an environment where if a rapper gets

(53:58):
caught going now, they may he's back last, they may
be nixt on his page. He may go to looking
into your ship. So he created a very interesting vibe
that I think rappers started pulling out and it didn't
make sense. Even fifty came out and said, meach gotta
be in at six o'clock the concerts store.

Speaker 2 (54:17):
It ain't gonna be there. Oh my god.

Speaker 1 (54:19):
He was smushing it.

Speaker 2 (54:20):
Broh. Fuck me up, fucked me all the way up.

Speaker 1 (54:24):
I'm like, man, this nigga die ballo, his nigga a
die ballot.

Speaker 2 (54:29):
Yeah, bro I fuck with fifty, Yeah, fifty, fifty, good nigga.

Speaker 1 (54:33):
Man, What you what you got on your mind?

Speaker 2 (54:36):
Man?

Speaker 1 (54:37):
Ship? Man, I'm happy as a bitch right now, man,
I just had the best Oh yeah, I gotta touch
on that.

Speaker 2 (54:47):
I was. I've been signed since I got in the
gag some eight years right.

Speaker 1 (54:55):
Soon as I become independent, I had one of the
best rollouts of my career biz rolls ever.

Speaker 2 (55:03):
And it's like, what did you do different?

Speaker 1 (55:08):
I have my own team, though, you feel so you're
actually seeing the results. See when you with the label,
they can fake the results. They can, they can. They
can just act like they've done. Hey, we've been running
marketing in sixteen states. It's like, what, I don't feel
it though, you know what I'm saying. So what what? What?

Speaker 2 (55:25):
What? All? Did you do? Ship? All right? So boom?

Speaker 1 (55:29):
As far as like putting together the tape, me picking
my own beats, I ain't got a crowd of people
in the studio, like now I try some more up
tempo ship.

Speaker 2 (55:36):
Now, I'm I'm in the studio record half of that tape.

Speaker 4 (55:39):
I recorded myself in the studio by myself, five of
the morning, all the lights off.

Speaker 2 (55:43):
I'm in front of the light up screen, feeling like
deck st You feel soault real. I guess this is
good for the audience. So are you?

Speaker 1 (55:50):
So what is the regular process when you are signed.
Does the label always send someone in the studio with you?
They don't always send somebody indo with you, but it's
a good chance, like YO might be there, you know,
and know they in choice putting you with producers, you know,
trying to get features and ship. But sometimes like there,
I walk in the MoU it beat ten producers. Now

(56:11):
I gotta sit and listen to thirty beats from ten producers.
I'm burnt out. You feel me like when I wanted
to wrapt when I heard the first beat. Feel when
I heard the first beat, I want to wrap?

Speaker 2 (56:19):
But why couldn't you?

Speaker 4 (56:20):
It's just I start, I started trying to be you know,
I'm a student of the gang. So I'm okay, maybe
this is how it go for them. Maybe okay, I'm
Then I watched all the documentaries at the house on YouTube.
You feel okay, all right, there wasn't notther like hell
the producers and shit, right, So maybe this is how
it go.

Speaker 1 (56:36):
But it's dim' scross with different folks. Me and the
world we live in now, this ain't the old injury.
This the new injine exactly.

Speaker 4 (56:42):
So it's like the world we live in not everything fast,
and that's that's what I come up in. You feel
me so like when I get in the studio, i'd
be willing to work work, work, work, work, and I
got fires on the night or some shit.

Speaker 1 (56:51):
Yeah or also or or y'all take y'all producers, ship,
y'all doing, take it over every quick, go to the
aid room, y'all.

Speaker 2 (56:59):
Let's like this motherfucker up. I want to record on
that one.

Speaker 1 (57:02):
That's the ship that I don't really understand. It's like yo,
like yo, I like that beat. I'm ready to roll.
I'm ready to roll. And then they'll be like, okay,
all right, let me play some more. You don't hear
no more of them?

Speaker 2 (57:14):
Like my choice ain't good enough? Right, this is what
I like?

Speaker 4 (57:18):
Ray here, And then when I hear some a number
club beats like bro, y'all burning me out? Bro my
ears getting tired, and it's a bit of him like
I ain't I've been in the studio for three hours
and ain't went out of space yet.

Speaker 1 (57:30):
Come on, n y'all fucking me up?

Speaker 2 (57:31):
Yeah, yeah, all right.

Speaker 1 (57:32):
That was one of the like cording damn, my marketing guy,
I got I got a good guy named Koy shot
out cave for it's my first shout out I gave
him in the shut out shot I cave for I'm
talking about beats at the marketing and ship.

Speaker 4 (57:46):
We be sitting like I might have a twelve hour
ride to a show. We sitting up in that motherfucker
coming up with ideas.

Speaker 1 (57:52):
Okay, running into the blouse, this would be yeah, all right,
like a guy here DM.

Speaker 2 (57:58):
Me like, hey, I want you to come that the
kids at this book camp. You feel me at the
juvenile high.

Speaker 4 (58:02):
You feel alright for shure boy on me, King Kvo
sat down like all right, bone and so was gonna
bring cam Man. It's be a good thing to run
to the blogs to show him that you just no
retarded yellng niggas motherfucker, cause you know that's a stigma
the head on him for a minute.

Speaker 2 (58:14):
You feel like, I just want to call trouble.

Speaker 4 (58:16):
Yeah, so bulling like just them, the marketing them with
the with the with the with the with the digital
ship like as far as like what I'm posting on
my Instagram and ship like that, you feel like, all right,
stay fresh, make sure you keep it lying up, you know,
Ship like that feeling like, uh ship that they would
would would hint it, but they ain't like they ain't

(58:38):
like press like and then interviews like you feel me
all I want to do the interviews I want to do,
Like I told it was a point of time like
what I see kim like brain doing no more interviews,
no more niggas feeling let's just long you feel nigga,
I sit down on top with yeah, cause I told her,
I told the label that you feel that's dope. I
ain't doing no more interviews with no more nigga because

(58:58):
I glow when I'm more all with me for like
in the girls, they buy into it.

Speaker 2 (59:02):
Yeah yeah, and then the niggas.

Speaker 1 (59:04):
Don't ask me ship, but so where you from that ship?
Like yeah, you know what I'm saying, answer turne.

Speaker 4 (59:12):
So like me just handing the hand and picking what
I will to do, like you feel me ship like this.
So I feel like that's why it was the best
role because I got I got what I wanted people
to see out you feel you know what I'm saying
I wanted people to see.

Speaker 1 (59:27):
So that's marketing. So you covered your marketing, your beats, uh,
your your press.

Speaker 2 (59:35):
That's whatever. And uh, it's basically I think it's covering
all bases.

Speaker 1 (59:39):
I mean, you know, you saw seeding this ship we
used to before.

Speaker 2 (59:43):
Yeah, it's like that already in the algorithm. Yeah yeah, yeah, yeah,
yeah yeah.

Speaker 1 (59:58):
The seeding process is definitely something that has become as
a new industry inside the industry. It's like a sub
industry because at first it was all organic, right, it
was all shade room post you if you should get
tractionit on TikTok or somewhere else. They were just randomly
organically posted. Now it's like, hey, you're gonna have to
see this stuff, and it's money attached to it, and

(01:00:21):
it's astronomical money.

Speaker 2 (01:00:23):
I don't like that. You see.

Speaker 1 (01:00:26):
I done turn it's up there podcast page. I'm turning
it into a blog because I'm saying, y'all ought to
get you need some of that money. Yeah, bro, listen,
I was looking over some numbers.

Speaker 2 (01:00:37):
I'm like, this can't be real.

Speaker 1 (01:00:39):
Like some of them blog sites, just on one Instagram
was clearing like millions a month. I think it was
something like eight million dollars a month because they were
charging fifty five hundred a posts and they were doing
like ten or fifteen posts a day. I'm like fifty grand.

Speaker 2 (01:00:53):
A day, Like we really sat down and done the numbers.

Speaker 1 (01:00:55):
Like they're killing this like that, so we got.

Speaker 2 (01:01:01):
Twelve hundred thousand. You know what I'm saying.

Speaker 4 (01:01:03):
You just gotta know exactly. You gotta know how to
word see you. First off, you gotta know what you
are to the to the game and what you like
how the world look at you. And you gotta know
what the post like, a lot of people are spending
five thousand on the post and don't do nothing, but
like that, ain't no I hear some ship for the
person that you.

Speaker 1 (01:01:19):
Are for and that's where it gets rough. And then
also it's really no formula. It literally is really no formula.
The people will react to something.

Speaker 2 (01:01:28):
You'll be like, what the fuck?

Speaker 1 (01:01:29):
I wouldn't have never thought.

Speaker 2 (01:01:30):
To see that?

Speaker 1 (01:01:31):
Shay, you know, and everything you've been seen won't go it, won't.

Speaker 2 (01:01:35):
You know what I'm saying. It's like, man, so I
like the Russell's idea.

Speaker 1 (01:01:40):
Where he says, you know, we just put three four
hundred dollars, will do an ad put three hundred on
him as ad too.

Speaker 2 (01:01:46):
Yeah, and then you wake up and check it.

Speaker 1 (01:01:48):
So with you what do you did you use any
of the big sites, because I'll tell you something else.
Some of the big sites you really don't get your
bang for your buck. Yeah, Like, let's just say you're
not someone that Let's say academics posts a lot, but
you're gonna pay five thousand for this post today.

Speaker 2 (01:02:08):
I'm wondering how far does that go for an artist?

Speaker 4 (01:02:11):
You gotta I feel like a me, all right, I'm
even me for instant all right, certain shit, I noticed
that certain shit works on a certain page. Like if
it's like the juvenile holl shit, I rang that on
small smaller blouse like in Florida, Alabama or California, like
the smaller blouse like the hood blouse and shit. And
then like I might post like on a radar freestyle

(01:02:34):
on academics.

Speaker 1 (01:02:35):
Shit like makes sense because that's so that's what that okay,
So that's that's where you get creative, not necessarily creative, strategic,
because okay, maybe academics doesn't post me a lot, but
these on the radar ships he posts a lot.

Speaker 4 (01:02:49):
And they go viral from them, So that makes sense.
That makes like, you gotta know what works for what pages.
Then some shit I might just post on my page
you feel because you got.

Speaker 1 (01:02:58):
A follow one. That's the thing rappers gotta remember, is that, yo,
you got your own following. Now that far. Yeah, And
they may be dorming a little bit because the way
Instagram and social media work is that it rewards the
people that do a lot of posting. Right, So let's
just say you're not in album most so you don't

(01:03:18):
really do any page posts for a week, two weeks,
three weeks, a month, they start to put you down
in the algorithm, like they started to push you down
versus shave rooms. Posting every day all day, every day,
all day.

Speaker 4 (01:03:32):
You know what I'm saying. Somebody call it the hell man,
see this this is over? He started flashing, Yeah, yeah, Hey,
I'm in it. I'm in an interview right now.

Speaker 2 (01:03:45):
Say it was about what's going on? What's going on?

Speaker 1 (01:03:47):
How you doing?

Speaker 2 (01:03:50):
Men?

Speaker 1 (01:03:50):
You on a play? Called me on the plane? What
was it?

Speaker 2 (01:03:54):
What I I calling me on the plane? Thug?

Speaker 1 (01:03:58):
Say hey, Say hey to the people, Say hey to
the people, how'd your bonnet get this? Get closer on me?

Speaker 2 (01:04:04):
Say hey to the people growing up on the side
that make alright like that. I'm gonna take that Hey,
I'm gonna call you calling when you left. Yeah yeah, y'all,
y'all slip fucking around.

Speaker 1 (01:04:23):
Yeah yeah, she got damn and she she hit you
with the bonnet on.

Speaker 2 (01:04:27):
It's straight up. She fuck with her, you know. She
from Brioklyann though. I'm brilliant.

Speaker 1 (01:04:31):
I'm brilliant thing. Yeah, they definitely said that, bro. They
said the bitch would be talking crazy and you think
she she don't really mean nothing bad, funk out of
here and all that. Like, Yo, you talking to.

Speaker 2 (01:04:43):
It's excuse me. I ain't gonna like you.

Speaker 1 (01:04:45):
I haven't talked to me like you know what I say.

Speaker 2 (01:04:48):
This just this just all we talk, I know.

Speaker 1 (01:04:51):
But I'm from a different you know. So we're gonna
have to find the musical, you know what I mean.
I ain't gonna lie too, bro. I went to New
York and stayed in Dream. I didn't know that it
was a club dam hotel.

Speaker 2 (01:05:03):
So it's like loving he.

Speaker 1 (01:05:06):
Evidently there's a club in there, man, and uh it
be them yeahs in there. But I was interested when
I went there. I gotta go do breakfast club next month.
And when I went to when I went up to
New York also I was saying, done, they got some
bad pitches up here, and they foreigners.

Speaker 2 (01:05:26):
Like, yeah they got they got the club being.

Speaker 7 (01:05:28):
I was sitting all the hole Puerto Ricans, out your knee, daddy,
I'm saying, my god, y'all waving up pills because I
love women like you.

Speaker 1 (01:05:40):
I really love women. But I'm I'm so in a
good place in my life, and I think this is what.

Speaker 2 (01:05:47):
This is.

Speaker 1 (01:05:48):
What's interesting, bro, I'm such in a financial good place.
Is that the only thing and fucked this up is
if I fall into love any go wrong, goro, You
see what I'm saying, And that's keeping me away from
like fuck it. I just go with our lord to
keep the.

Speaker 8 (01:06:05):
Bankwall real though my mother and that shit ain't healthy
because as we you know, as we get as much
as we have, and we we need to share that
share the emotional Your homeboys ain't love, Nah, they ain't shit.

Speaker 1 (01:06:20):
Yeah, they ain't doing what no woman can now, Yeah
they can't do it.

Speaker 4 (01:06:23):
It be feeling good to me those seeing all my
people having fun and shit, Like know what I'm saying,
all right, bet we got a room for the whole
people are having fun A little bit full. Sometimes I
be going to been on by myself with known saying
somebody who I know love a niggas.

Speaker 2 (01:06:39):
Man.

Speaker 1 (01:06:39):
Listen, I be wanting to just watch the little shows,
you know what I mean, the little Apple TVs. Being Yeah,
i'd be wondering. I'm on all lest man, I'm a
rich nigga. Man, I will come in this man, let's
watch some shows and smoke weed and make slushes and
god damn it, don Houlio shit and yeah, yeah I'm

(01:07:00):
one of them niggas man. Yeah, man, So but again
I'm covering. I'm covering my my my mental health, man,
so bad. It's to to love detriment, you know what
I'm saying.

Speaker 2 (01:07:11):
I'm not.

Speaker 1 (01:07:12):
I'm not putting myself in a situation to find love
or even receive it, because bright so many women that
be coming at men just off my the way I
speak and ship. Women be like man the third of it. Yeah,
and then they say this, my, you know this, what's
what's the soap? What's the when you're attracted to a
person because they intellect soapo sex sepositum sepos yes, that

(01:07:38):
whatever that is, that's what they is. I'm not. It's
like I'm not I'm not. I'm not attraded you because
you're out of the out of the outside. It's like
how you think you and these be bad bitches now.
But what they're saying there, what's the reason I respect it?
Is because you don't know me to love me or
like me. But they saying, man, just based on hearing

(01:08:01):
you and your outlook. You know, I get random dms
from girls, and I want to ask you about this.
If you do I be getting random dms. Sometimes it's
just women that just explain theyself to me just to
be on some you know, the way your man is
set up, a woman gonna definitely have to do da
da da da, and if she can just keep it
d like I get random dms from women, Do you
do you You been getting that too?

Speaker 2 (01:08:21):
Right ahead?

Speaker 1 (01:08:22):
Might be a little different though what they say. You know,
there's a music things that I listen to it I listen.

Speaker 4 (01:08:28):
I've been listening to you for years, and you just
need somebody who is going to love you for you
and you know and understand all the things you've been
through that made you how you are.

Speaker 1 (01:08:37):
And I can tell though if they looking at your interviews,
they knowing that he slick a little loverboy, you know
what I mean.

Speaker 2 (01:08:45):
So it might be some of them trickeries up in there.

Speaker 4 (01:08:49):
Turn know what I'm saying, trying to do what i'd
be I'll be shouting that shit out like when you
go to beep their fans.

Speaker 1 (01:08:54):
Yeah you want some more kids.

Speaker 2 (01:08:57):
I'm scared, bro, I'm scared to have a daughter nine
years old.

Speaker 1 (01:09:00):
I ain't never had no practice to scalled nothing for really,
I ain't never made it be a proper playing be
nonhing that.

Speaker 2 (01:09:04):
Yeah yeah, yeah, So you're scared. While you're scared because
I'm scared of my daughter.

Speaker 4 (01:09:08):
Bro, Why he's gonna change a lot. It's gonna change
a whole lot. And then I ain't bruh the world
we live in, Bruh.

Speaker 2 (01:09:17):
I'm forging a kid what he is A nigga.

Speaker 1 (01:09:19):
Nah, I'm showing that bit of school slapping tea too,
slapping stoodents, saying that everything about my dog.

Speaker 2 (01:09:25):
I fiezy, my little.

Speaker 1 (01:09:26):
Boy, he cool, he'll player, he all right, just want
his first heart break?

Speaker 2 (01:09:30):
Yeah yeah, man, the girl he was he.

Speaker 4 (01:09:32):
Was talking to into another school. I told him real
niggas always me twice m M. Yeah, gonna see each
other again, we meant to be.

Speaker 1 (01:09:40):
Yeah, my kids now is going through. Like I was
telling her, my sixteen year old you know my mama.

Speaker 2 (01:09:44):
She don't.

Speaker 1 (01:09:45):
It's so funny, my mama, cop uh, can you want
to get an R B n B for us? Since then, ky,
you want to get an R B and B for
his birthday? But hell, ain't nobody letting no kids just stay?
I said, Na, Mama, he okay, specially him because he

(01:10:08):
gets straight a's, he good and scood. I said, Nah,
I'm letting him rock out. Whatever he wanted to do,
he get to do because he been good. Now if
he fucked that up, like, he gets leeway right now.
Because he gets straight a's, he's good. We can't punish
him for what we haven't saw him.

Speaker 2 (01:10:24):
Do you know what I'm saying?

Speaker 1 (01:10:26):
Yeah, So I would tell her, like I'm gonna go
ahead and go with the Arab say RB. I would
go with the Airbnb as well and let him do
his thanks. He want him and his little buddies to
come over. They ain't gonna do no more hook three
or four TV's up in the running and be loud
as a motherfucker player. They cut loud as they gonna

(01:10:46):
do it and the boy and I told him yesterday
because you know, I'm learning as a parent, as a father,
like I'm always the last line of defense, so I'm
always trying to correct them. But I was thinking the
other day because I was talking to my younger son
about his grades and he ain't doing as well as
my older son. And I was thinking to myself, Yo, bro,

(01:11:08):
call your other son and celebrate him.

Speaker 2 (01:11:11):
You know what I mean, Like let him know you
proud of him.

Speaker 1 (01:11:14):
Yo, Bro, you said you're gonna get that ship back together.
You've been smoking it. I'm with you. Whatever you want
to do on your birthday, whatever you want. Nigga, you
green lit around here. You know what I'm saying. Instead
of every time he yeah, instead of every time he
hear he hear me be coming down on him, man,
then I tell you about them grades. Mane. You know

(01:11:34):
what I'm saying. It's like I want to do that
you do.

Speaker 2 (01:11:37):
What are you learning with your parenthood? With see you?
You be around a lot of yeah, see me.

Speaker 1 (01:11:45):
I stayed there a lot with my son, stay in California,
so it'll be a lot of things that I'm missing
that I have to talk.

Speaker 2 (01:11:50):
To him over the falling about the field, I I
ain't gonna lie.

Speaker 1 (01:11:54):
He going through a little stage that I remember that
I would to he going through the hiding, the hard
work stages mom Mama then found the bounder for the
homework and ship you feel. So I had to have
a talk with him, like in this world like smarts
that like your smart, your mind, that's what you need
to make sure.

Speaker 4 (01:12:10):
And you don't want to have nobody thinking that they're
smarter than you and no room that you go into it.
Even at school, you think you're gonna have a girl.

Speaker 2 (01:12:16):
You talking about this girl.

Speaker 4 (01:12:17):
You think this girl is gonna like you if you
if you can't talk to it, and if you slow,
you a't gonna be able to talk for I try to.

Speaker 1 (01:12:24):
I had like a two hour come and stay with
him about how you do not want to be the
daviest person in the world. Right Yeah, and me too.
I tell my kids that I'm like yo, bro uh
number one, And I say this, but I'm really am
gonna always be there to save them. But I tell
them I ain't saving and I ain't gonna be yeah, yeah.

Speaker 2 (01:12:42):
Hold on, popular, I always be here because at the
end of the.

Speaker 1 (01:12:45):
Day, we're not true. That's what I'm saying though. Yeah,
and so I gotta trans seeing what day.

Speaker 4 (01:12:50):
So it's like, hey, li bro, I'm paving the way right,
but this way I'm paving. It takes them smarts to
to to to keep it going, to keep to keep this.

Speaker 2 (01:13:00):
Going for your kid. And I tell him, I'm like, yo, br.

Speaker 1 (01:13:04):
Being dumb is unacceptable, Like not knowing how to figure
shit out and be a problem solving. It is not
acceptable for a boy that's becoming a man. So I
try to tell him, if you are being slow, if
you're gonna be someone not paying attention to school, you
don't get away with that because up here you don't

(01:13:28):
gonna know nothing. Even if they pass you, even if
you make it our way through. Boy, when they sit
you next to a nigga like me, it's circus ran
around your motherfucker. I'm gonna talk you out, your money,
your food, your you know what I'm saying. So I'm
trying to tell them, like, and I'm so passionate about it.
I know they don't get it.

Speaker 2 (01:13:47):
They're like, what is he?

Speaker 1 (01:13:48):
They're gonna get away of them, They gonna get it's
gonna make about people know it's telling me.

Speaker 4 (01:13:52):
It's like I woke up one day and just start
hearing all they boys and seeing what they were talking,
Like what the fuck, Yeah, nigga, thanks you for freeing.

Speaker 1 (01:14:00):
Yeah nah them nigga fuck with me, hold with me
something about how that nigga look when they congratulate you,
that nigga over they watching it. Hey bro, bro, both.

Speaker 2 (01:14:15):
Can't give me much right appreciate it.

Speaker 1 (01:14:19):
But but yeah, man, so I deal with that. Also,
we were talking about Kanye West. I like, tuo, man,
I feel like he misunderstood. I feel like he waves
one of them people think he is. Yeah, it's like
he keep doing the super Bowl commercials and shit, I
spent my last on this super Bowl commercials. Just to
tell you guys, yea, even he'd be doing some crest now.

(01:14:40):
He says certain things. Appreciate you, bro, he says certain
things that that's questioning. Yeah, and but but he said
something today and I want to get your take on it. Yeah,
Kanye West said that when I tweet out outlandish offensive things,
he said, I render myself useless to the people in

(01:15:02):
this industry that uses people. So what I took from
you is, yeah, you know he's a big brain. And
so you got a lot of ass kisses, a lot
of people that's around you just trying to get deals
made and yeah, yeah, yeah, But when you start saying
ship like that, yeah, because the deals ain't no good
like Adidas ain't gonna fuck what you're saying that, And

(01:15:25):
you will start to see people don't come around as
much because you can no longer You're no longer access
to you know, opportunity.

Speaker 2 (01:15:32):
That's the ship that I've seen.

Speaker 4 (01:15:33):
Coda just say on the twenty verse one you to
do like, man, I play crazy so people can leave
me to fuck along.

Speaker 2 (01:15:40):
That ain't crazy.

Speaker 1 (01:15:41):
I play crazy so people can just leave me to
fuck alone. I'm tired of people using me, come around,
hurting me, is right? You know what I'm saying, right,
And I didn't that conclusion. Yeah, I think that's a
good that's a good conversation too. What what's your feelings
on Kodak game some of the anti things. I'm a
big fan of Kodak, Like you feel me to this day,
you feel certain shit I be seeing.

Speaker 4 (01:15:58):
Be kind of like hurting my heart. But in the day,
I don't know, bruh, life, I don't know what he
goes through on the day to day basis, and I
don't know what's real. It's the internet, you feels. It's
like it be kind of hurting my heart and I'll
be going to Beck for our kid. I'll be going
to bet He like many in the call low Ride
or something.

Speaker 1 (01:16:12):
Everybody, I'm like, hey, man, when you're gonna do too
much kode, I think you show He's like, I don't know,
bruh life and Ship, but like Coyne was like Coyne
was like, hey man, I'm flying down there to help
Woo Whoop to help him and ship. I feel like
that was the wrong thing to do. You wasn't spost
to post nothing like that little fence to come in
and shit like that. But that probably was offensive. Cake

(01:16:32):
what Bruce said in the in the video that I watched,
he was like, man, I play crazy so people can
leave me alone. But well he's said in that video,
and another thing he's said in that video was like
let everybody asked me, like, am I okay? Telling me
to step out of it, like snap out of what?

Speaker 2 (01:16:46):
Man?

Speaker 1 (01:16:46):
I'm good like you feel me? So you go on,
you going you going public and saying hey, I'm flying
down there to help help me and somebody in trouble
or like, you know what I'm saying. So I probably
look at like and I do believe, Yeah, I do
believe Kanye is doing a little bit of self serving
things when he does that. But at the same time,

(01:17:06):
I do think two thingys can be true, right, meaning
I think Kodak can be in a scenario where he
does play crazy for people to leave him alone. But
I also think he can be in a scenario where
something is truly going on. Son No, maybe he's on
some drug or something. So what people don't I come

(01:17:26):
from the street, so I can put two and two together.
What people don't understand is Kodak Black was shot not
too long ago. This can literally start an addiction journey.
That's usually how it's usually how all of our people
get hooked on that ship is they're introduced to a doctor,
a legit doctor, because they've been hurt, shot, horned, ran over,

(01:17:47):
injured in some way, and then they get hooked on
that ship and come out of that surgery or out
of that rehabilitation process and they're still hooked on the drug.
And so sometimes addiction it takes you down a very
dark path. You know what I'm saying, Like, if I'm
being honest, and I ain't never even told nobody this.

(01:18:09):
I saved Kodak from being robbed when he was down here.
Oh man, they were finna take Kodak black mouth out.
But I got love for Kodak Black. I really fuck
with the little nigga like, but he was our South
in the projects. You know what I'm saying, just doing
certain shit. This is what I'm saying. I know I
know something going on because he was around my people
doing certain things that was just wide open. I'm like, yo, man,

(01:18:32):
y'all look out for the little nigga out there. Man,
don't nobody take him down. And he got jied round
and there he in the middle of the projects, in
the back of a you know, in the back of
a kay.

Speaker 2 (01:18:43):
They called me, like, bro, the Kodak Black nigga in
the back of the.

Speaker 1 (01:18:47):
Such and something I'm trying to do. Don't nobody let
nothing happen to them boys, man, and then hunt Yo
end up in the dice house.

Speaker 2 (01:18:54):
I get a call about that.

Speaker 1 (01:18:56):
Like niggas be around, they don't really be knowing what
they doing, where they are, who they are, but they
just rolling they on tour. They just they tamping in
with the people. Kodak was out there late night on.

Speaker 2 (01:19:06):
Some bullshit man in a bad scenario, and I was like, Yo,
that's what I really.

Speaker 1 (01:19:11):
That's why the interview him when he was down here,
because I was like, I don't want to put him
on camera next.

Speaker 4 (01:19:15):
To me like that because I don't know how to
fat and yeah, you ain't going yo you go, yeah,
I man, what the man?

Speaker 1 (01:19:22):
I mean, I ain't gonna I respect that. I could
have either had him do an interview because I had
all these people lined up.

Speaker 2 (01:19:29):
They was with it and anything like, and.

Speaker 1 (01:19:31):
The people who brought him down here were gonna funnel
him right to Yeah, I didn't want to do him
like that because I'm saying, Bro, he clearly like I'm
talking about, he was bugged out that day, Like he
was bugg the fuck out, like you know what I'm saying. So,
you know, prayers up for him, But I do think
something is going on, Like you know what I'm saying,

(01:19:52):
something's going on, and Yay, I guess Yay is with
his public supporters doing I guess he's trying to do
a magic trick because he did the same thing with Diddy.
It's like he came out in publicly kind of endorsed Diddy,
like everybody.

Speaker 2 (01:20:07):
People giving up on Diddy. We support Diddy. You know
what I'm saying, What do you think of?

Speaker 1 (01:20:11):
Argularly, It's almost like he's I don't know, he's trying
to be a savior. It's like, I don't know, it's
like he's trying to put hisself.

Speaker 2 (01:20:20):
Like king niggas.

Speaker 1 (01:20:23):
Yeah, you know what I'm saying, Like I'm king nigga.
Like it. They can't counsel me, and if they trying
to cancel any nigga, I'm there. Yeah, He's like, you know,
super Man, super nigga. You know what I'm saying, That's
what I think.

Speaker 2 (01:20:38):
What you think?

Speaker 4 (01:20:39):
She probably something along on him last let me keep
it that Like certain stuff he says, like because I
seen I seen she had dropped with Justin little Boy.

Speaker 2 (01:20:48):
Ya.

Speaker 1 (01:20:49):
He's like, he's like, I got like I got bigger
fish to fry.

Speaker 2 (01:20:53):
I'm trying to save lives.

Speaker 1 (01:20:55):
I go to war with Woo whatever. I'm like, shit, okay, yeah,
this Tupac ship.

Speaker 2 (01:21:01):
Yeah yeah, And.

Speaker 1 (01:21:02):
He's serious about that because you can't be playing mentioned
in him name, So if he is playing, he didn't
say no game.

Speaker 2 (01:21:08):
Yeah it ain't no guy.

Speaker 1 (01:21:09):
Yeah yeah, you unveiling ship and saying certain names and
banks and ship playing a serious game, you know, ain't right?

Speaker 2 (01:21:20):
This ship serious like it's real money behind that. I
feel like he did for real though. He's like I
feel like.

Speaker 4 (01:21:29):
I feel like he's small enough as some type of plan.
I saying the plan gonna work, and I'm saying it's
not gonna work. He's smart enough there some type of plan.
It's a mythod to the madness.

Speaker 2 (01:21:36):
Yeah.

Speaker 1 (01:21:37):
What do you think about the AI? The use of
AI we've seen, Well.

Speaker 2 (01:21:41):
I like what it's coming to. Yeah, because Kanye used
what was the little.

Speaker 1 (01:21:45):
Nigga name RT Yeah, yeah, I like what it's coming to.

Speaker 4 (01:21:49):
And well he had seen it on in the interview
thing like in the little interview slash documentary.

Speaker 2 (01:21:53):
What he was like, this is a new wave.

Speaker 1 (01:21:57):
I forgot what he compared it to eight O way
sitting that the MPCs and ship like that, like this
new wave. It was like, uh, he got his voice
on AI, but he can make his voice say anything
like you feel. So that's oh, Dens what he was saying.

Speaker 2 (01:22:11):
He was like, this is the new sampler, that's what
he was saying. He said, like, this is the new sampler,
like how people push that sample.

Speaker 4 (01:22:19):
And then But would that make it an interpolation simple
or would it be a simple because it's still your voice,
but it's still using the cadence and their words you.

Speaker 1 (01:22:29):
Feel, so that's whatever simple work.

Speaker 2 (01:22:32):
I don't know.

Speaker 1 (01:22:33):
But if it's AI, that ain't your voice.

Speaker 2 (01:22:37):
But AI is.

Speaker 1 (01:22:38):
Their likeness, right, so AI is the AI is it's
still my likeness for you for for regular people or
people who don't understand the being this you say, you
just think it's a voice, you said, it's just a voice.
This is the actual brand. The brand of you is
your voice. It's your lyrics. So that's your likeness. When
the niggas use your voice, it ain't just use it

(01:23:00):
your He was his boys the same safe for instance
usher Oh yeah yeah right yeah yeah yeah right yeah.
I don't know.

Speaker 2 (01:23:08):
That's that's deep.

Speaker 1 (01:23:10):
Somebody getting paid, Yeah, somebody like you singing my ship
because I have see that's the that's but it might
be that might be an active loophole right now, yeah,
right right now, it's probably a gray area where they're saying, well,
it's not, but I do know my boys. Ay I right,

(01:23:33):
imitating my boy, But what about what about it if
it's damn? But what about it if.

Speaker 2 (01:23:41):
It's like.

Speaker 1 (01:23:43):
Because you got people that will take Drake voice and
make a song and it'll be a Drake song a doing,
but it'll be a Drake song, sound like Drake, but
it ain't really Drake.

Speaker 2 (01:23:56):
It's an AI dre. So in those scenario that still
Drake's likeness.

Speaker 1 (01:24:04):
I think the record business record labels are gonna move
away from y'all and funk around and start putting some
AI artists.

Speaker 2 (01:24:09):
In the mamas.

Speaker 4 (01:24:10):
They tried that with the dude that got canceled, Remember
the AI artist for festivals, and then the dude slipped
up and said, nigga did.

Speaker 2 (01:24:17):
They were good?

Speaker 1 (01:24:18):
And then the nigga kept though.

Speaker 2 (01:24:20):
Yeah, came the righting boy behind the computer man.

Speaker 1 (01:24:23):
He made the AI dude say nigga
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