Why Loon STOPPED the Young Thug Conversation + Big Bank Interviews Woody + Akademiks Hating Again!

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
And we got to a spot in the culture. Right,
even when you see me do something real, you don't
hear a lot of applause. But what happens is we've
now witnessed the shift in culture. It ain't that people
don't understand what being real is or they don't understand
the real quote unquote real perspective. What happens is people
now understand it's just cheaper to be a I should

(00:22):
have known, because see, I've seen in this culture where
they have no regard and they give rewards. I've seen people,
I've seen bodies dropped, and it's going interview the alleged
responsible party, little to no backlash, little to no backlash,

(00:48):
and salute to them.

Speaker 2 (00:49):
Do what you do.

Speaker 1 (00:50):
I keep telling you, push whatever they accept. I'm just
setting the gold standard. I'm just setting the gold standard.
Not that we can't have conversations, but let's have real conversations.
I've always stood on that if I want to get
into a concert, That's what I was trying to tell
Ada Ross. Listen, Aden, you don't need academic That shit.
Academics got y'all knowing. Man, that shit is like a

(01:12):
gener word mission ticket.

Speaker 2 (01:14):
Man.

Speaker 1 (01:15):
Like while y'all like crowded around academics and they taking y'all. Man,
that shit is a generoid mission ticket. He ain't kicking
up no money the hell of a thing. Man, y'all
can't even go backstage. You damn it got beat by
Dave Free. You knee deep in beef with Tde because
you're defending Drake, and you got the nerve a safe

(01:36):
because I didn't want to have a conversation about thug.
Why Charleston is in character Molde, then I'm biased. You'll
post music with five mod just because somebody gave you
two thousand dollars. You use your entire platform, the lot
to the people. You don't even know the music, you
don't even think it's fire, but you will post this

(01:56):
fire because you've been paid.

Speaker 2 (01:58):
I came in with money you made. George.

Speaker 1 (02:01):
Amongst these people big and barring and stealing, have some respect.
I want to welcome everybody to another episode of It's
Up There podcast that I tenderary for the coach. I
go by Big long on On not Dots. You must
never ever ever seen the game up close. Right now,
if you listen to hit the like button, hit subscribe,

(02:22):
his shall let somebody know I was there, how bad
witness to the game. Right now, we got a lot
to talk about. I know, I'm on the heels of
a very heated interview that just dropped with Charleston White.
I want to respond to some of the nay sales.
I want to present some of the thought process that
I have and had at that moment, and we want

(02:44):
to react to some of the clips. The content is content,
and people are looking at it and they have their opinions.
You know, when you're a big dog man, this shit
is unphased, man, you dig. A lot of people are
tag me and send me things, and I let them know. Man,
Like when I say I'm elite, I mean that I'm

(03:05):
address a couple of people that's in the comments section too,
because you know, there's a lot of people that's trolling.
But then there's a lot of people that really got
hateful spirits and the haters and they got hate for hards, right.
And just because you don't know that it's snowing an Artica,
don't mean that it ain't snowing in an Artica, you
understand me. So, hey man, we really stacking this shit

(03:25):
up on this side. Man, We really really getting to it.
And so when I speak business, when I speak revenue,
when I speak reputation, when I speak resume, when I
speak relevancy, when I speak these kind of things, you
understand me. I believe people need to just take a
back seat and let me do what it is I do.
Right I'm in front of the camera for a reason.

(03:45):
I'm the CEO for a reason. I run the company
for a reason. I'm at the forefront for a reason.
I make the decisions for a reason. I'm a down
my sword. That's just how I was born. I will
not be misunderstood though, because I've been granted and not
tunity to build a platform big enough to be able
to establish my side of the things that I want

(04:07):
to convey to the public. So we're gonna do a
little bit of that today. For people who are watching
this on YouTube, come to patreon dot com.

Speaker 2 (04:14):
It's up there. Podcast.

Speaker 1 (04:16):
Behind that paywall is where you will get extra content,
be involved with my community.

Speaker 2 (04:21):
To start at.

Speaker 1 (04:22):
Twenty twenty six, we're gonna spend a lot more time now.
Salute everybody behind that paywall on Patreon. I really got
love for y'all because I know y'all want to see
me win. Y'all want to see the business go to
the next level. And I owe y'all a different experience
when y'all interact with the Godfather, and so I'm gonna
be working on getting that done as we heading in

(04:44):
the twenty twenty six make sure that you come to
patreon dot com. You also see the remaining parts of
the Charleston White interaction. When Charleston White came in, we
spoke for about forty five minutes to in our well,
kind of had a little bit of back and forth,
and then you see part one go live on YouTube.

(05:07):
That's why you don't see us really coming to the
interview introducing Charleston White. It's because we were already speaking.
Some of that stuff I kept off the camera. Some
of it is just available on Patreon. We spoke about
the Dancer Project situation. I was kind of tooking back.
I was wondering, like what happened with you and them?

(05:27):
Like I don't like how that played out, and so
we kind of got into that. He explained his side
of it, and that's available on Patreon. There's so much
to talk about, man, I invited Charleston White back on
it's up that podcast that quickly, because you know, usually
we space to guess out as it pertains to their

(05:49):
return to the show. I brought him back because I
had heard some rhetoric that he was spewing that I
felt like me and Charleston would have a great conversation
if we was in front of each other and spoke
about it. Some of the subject matter that I heard
him referencing was his language as it pertained to NBA

(06:10):
young boy fans and how they retarded because they listened
to a certain music, and how he was able to
categorize them. And I thought some of that messaging deserved
a credible pushback, an incredible conversation, and so I brought
him in to have those conversations. If you notice when

(06:30):
we got to the part that kind of blew the
conversation up, he kind of just rolled into the young
thug thing.

Speaker 2 (06:36):
And we'll get to why I didn't want.

Speaker 1 (06:37):
To have that conversation at the time, but let's have
a conversation first about loom bringing him in. I shared
the opinion and you were see in some of these
clips that YO rhetoric is dangerous, right, and so for me,
I've been knowing charge in four or five years. So
I know the man and I know the character. I

(06:58):
know what mold he can get in, and I usually
get the man. This time, I guess because I was
pushing back some he brought the character out. It's an
important conversation for me to have. I think in twenty
twenty six, I want to bring some of these conversations
closer to each other.

Speaker 2 (07:15):
Some of these ideas.

Speaker 1 (07:16):
That don't align with one another, I want to bring
them closer to each other. Granted, we're not going to
be able to have blow ups like that, because again
we're a professional platform and then a position to do
things that nobody is able to do. And so I
want to protect the integrity of the brand and product
to show. But I also want to have some of

(07:37):
those uncomfortable conversations. And so at times we'll get into
these gray areas where yo, we have to build this
thing out. If I said, hold on, that don't make sense,
and you say, well, it does make sense because X, Y,
and Z, and if you think about it this way
and you tie this in and the studies are it
and if you make it make sense. I have to
accept new information. And I think we've been so gun

(07:57):
hold on. Whatever we got going on in our brain,
we stick to it. Charleston White came on this up
that podcast. He let me know for about fifteen twenty
minutes that he was in character mode, and then we
rolled into the young Thug conversation. I'm looking forward to
getting into the NBA young boy stuff. You know why
he was there as we get into it. And I

(08:18):
think this is important for me to establish as well
for people who don't understand you have different kind of
content being created. I do a podcast, I do a podcast,
this conversation based. The unique skill set we have is
that we go from interview to conversation, interview to conversation
inside of one piece of content. And so sometimes you

(08:40):
gotta let me do what I'm doing.

Speaker 2 (08:41):
Right.

Speaker 1 (08:42):
Some people have their styles that they enjoy and others don't.
But I don't want people to come here thinking that
they're coming to hear an NBC type of interview where
it's going to be like so mchter President. So this
Charleston White interview got kind of heated. He ended up
walking out. For people who are watching this, I'm gonna
kind of share some of my thought process in the

(09:03):
moment and show you how we got to what we got.
As it pertains to this particular situation with Charleston White.
We had already been talking for maybe an hour at
this point. The conversation had evolved from a couple different things.
I had already set the page and let him know.

Speaker 2 (09:19):
Yo.

Speaker 1 (09:20):
You know I'm gonna push I'm gonna push back a
little bit. But I want you guys to pay attention
to where it got heated. And I'm gonna just tell
you my thought process, and then we'll get into some
of the nay sales, address some of the commentors, some
of the common folks who maybe don't understand where they
are and why I'm here. You just a ball of
them misunderstanding. But before we get there, I want you

(09:43):
to see how we rolled into this young Thud conversation
and why I decided that we weren't going to have
that conversation today with Charleston White. Pay attention Charleston White
in the building. We listen, man, we haven't one of
them conversations today.

Speaker 3 (09:56):
I think is long await this would this would make
this great interviewer. He can come back to the middle. Yes,
that's what makes you good do it with doctor mar
you done done, your come back to them.

Speaker 1 (10:07):
That's why I want to have one of those today.
I want us to get that because I think the
people need some clarification on some things. And I think
you were one of the great speakers we have in
the culture. I've always said that, and so I think
that's what's offensive to me to say. Playing on me
is because I'm an elite. You know my catalog, though, But.

Speaker 4 (10:26):
Listen to what I'm saying. Taking a fish, No I ain't.

Speaker 2 (10:28):
I'm clarifying too.

Speaker 4 (10:29):
No, no, no, I'm not.

Speaker 1 (10:31):
I'm a scholar. I'm an elite. I'm an elite. So
I'm playing that one. So I'm saying. All I'm saying
is for us to be, for me to be someone
that don't reach.

Speaker 3 (10:41):
Come watch me work with children and you will get
the real me. Come watch me amongst kids and you
will get the real me.

Speaker 4 (10:48):
No, camera not.

Speaker 2 (10:49):
We need to do that.

Speaker 3 (10:50):
We need to matter of fact, we need to put
something together from around here. I'm feeling some families now.

Speaker 4 (10:54):
I got one. A couple of days.

Speaker 3 (10:55):
I got HBCU Pine Bluff, Arkansas. So I got HBCU
after uh I got a high school, and then I
think a little league football organization. So I'm gonna do
all that, like two day time spend this week. So
the real me, homie, Uh, I can't. I can't bring
to the world, uh, because they don't know the pain

(11:16):
of our children. If I brought the real me, there's
no way I could sit on these podcasters and have
dialogue because I'm gonna take everything back to the lyrical
content of hip hop. I'm gonna take everything back to
h How's young Thug and all these people still getting highlighted.
But y'all, y'all have never highlighted, no victim of their crimes.

Speaker 1 (11:36):
I don't want to talk about the all I'm saying.

Speaker 2 (11:39):
I know, so I'm saying.

Speaker 4 (11:42):
I'm saying that I'm better not talking about this. Let's
talk about the victims.

Speaker 2 (11:45):
Of the time again.

Speaker 1 (11:47):
So for my thinkers out there, some of y'all ain't
even talking to And that's what I try to tell
some of the homies, Like when you put a piece
of content out, when you put music out, you gotta
understand that there's a sub section of the Internet. Some
of these folks. This ain't even for you, loved one. Nah,
this's above your pay grade. This is a buy.

Speaker 4 (12:05):
Yo.

Speaker 1 (12:06):
Yeah, you ain't tall enough to ride this ride your understanding.
You ain't been through enough, you ain't done enough, you
ain't covered enough ground. So when I speak, please understand
that I'm speaking from a perspective of a man that
has got his hands dirty for the things that he
was after. And so for my high level thinkers and

(12:26):
just for the people paying attention out there. If you notice,
we rolled into the young Thud conversation off of him
explaining to me lorn I mean character mode. I don't
bring my real self to the internet. Everything I said
about NBA a young boy was so I can get
my name in the algorithm. This is what he's telling me.

(12:48):
I'm doing it purposely to get my name in the algorithm.
I'm in character mode, he's letting me know. So I'm
hearing these words, and me as a high level game
related I'm hearing them telling me long I mean character mold.
I'm paying attention to what he's saying. He's saying, yo,
I mean, so that's basically telling me I'm in costume.

(13:09):
And so when you in character mode, I need people
to understand. And that's not just for brother that's for
any content creator. When you see that, go to character mold.
That means damn, the nothing they say can be rooted
in reality, no matter how passionate they say it. So
they just saying things because they're in this character mold.
I understand what that does and how inflammatory that position

(13:33):
is in culture. And so I wanted to stop that conversation.
I think it's lost on people that he had just
explained to me for twenty minutes, thirty minutes that yo,
I mean character mold. And now we want to have
a conversation about young thug who is a friend of mine.
He's a little home of mind, and pay attention to
how it blows up and where we go from here.

Speaker 2 (13:53):
Pay attention.

Speaker 3 (13:55):
Let's talk about crimes, then a victims of crime.

Speaker 2 (13:59):
Yeah, let's talk about it.

Speaker 4 (14:00):
Put a blanket on victims. Let's holler about them. So
there's a lot of murders.

Speaker 3 (14:04):
That's just talking about a lot of murders that's tied
to these guys that y'all interview. We're the families. We're
the family that y'all go.

Speaker 4 (14:10):
Get their story, because it's two sides to this. Cod now.

Speaker 2 (14:14):
Got an interview.

Speaker 3 (14:15):
Rich Homyn that rich Homi Korn didn't die gun violence.
Now he's he died doing what his daddy was shot.

Speaker 4 (14:24):
I don't give it, damn.

Speaker 3 (14:25):
But because because of this, I'm talking about the people
who don't buried, buried their sons and stuff behind it.
Don't tell me, so get if you want the real meat.
Let's have that discussion and that I gotta place.

Speaker 4 (14:36):
Let's go.

Speaker 3 (14:37):
Let's talk about so, let's names. You want to talk
about some victims.

Speaker 4 (14:40):
So let's name victims.

Speaker 3 (14:42):
Now we won't talk about we're not talking about We're
not talking about them. Let me call police department, gets
some names of thug victims. Then some people who don't die.
We're not talking about victims. Then, now let's talk about victims.

Speaker 2 (14:54):
Spirit. We ain't talking about thug.

Speaker 3 (14:57):
You can't. Now we're gonna talk about We're not talking
about man.

Speaker 2 (15:01):
We're not talking about thug man.

Speaker 4 (15:03):
Were leaving thug out of it.

Speaker 3 (15:05):
Were moving for we mean you listen now, we were
moving man, We moving for Charles victim.

Speaker 2 (15:15):
Were not talking about thug man.

Speaker 3 (15:17):
What kind of what I being?

Speaker 5 (15:19):
Then?

Speaker 4 (15:19):
Lit you talking about in front of me like that? Victims?

Speaker 2 (15:22):
What kind of victims?

Speaker 4 (15:24):
Victims of Crown let's talk about rush, talk murder. What
I need to talk for?

Speaker 3 (15:28):
Let go to nothing, mama them, let's get your mama
family for getting that family from.

Speaker 2 (15:31):
Salute to nothing. I just had bro listen. I didn't
talking to both sides.

Speaker 3 (15:36):
Let me see what you get the name of the victims.
What's the baby mama got talked to both sides. Baby mama,
we ain't talking about the victims.

Speaker 4 (15:42):
The man. I don't want to talk no more. We
ain't talking about your charles. Let's talk about victims. Then,
let's talk about victims. Song.

Speaker 1 (15:51):
I just want to be clear right and charging my guy.
I probably said let's talk about it for ten times.
I probably sayle's talk about it ten fifteen times. Now
let's talk about it. Yeah, let's talk about the victim.
Go ahead. You said you raising awareness. I shouldn't be
the one to have to have a conversation. You should
know the names, right, go ahead, let's talk about it.

(16:15):
I just didn't want to speak about thug because you
are in character mode. Now let's speak about yo loan man.
You talk about everything. Y'all boys be talking about stuff.
Of course, we do and not invite conversations even surrounding
young thug and what's going on with him, but not
in character mode. It's almost like people are forgetting that

(16:35):
we're dealing with Charleston White.

Speaker 2 (16:37):
There's an assessment that happens.

Speaker 1 (16:39):
You look at it and you say, all right, I know, bro,
we've been doing this long enough.

Speaker 2 (16:43):
I'm the highest level. I know he's in character mold.

Speaker 1 (16:47):
What kind of dual would I be to allow him
to get on here and do what I would consider
as drag young thug? Because I understand what he's what
he wants to say. I've heard some of the talking points.
I know how they develop. I speak for a living.
I do this at a high level. I even can
understand what he's saying. And let me say this to
the victims. Any victims out there that's been involved with

(17:11):
anything that I've spoken on in the past, that want
to get on this up there, reach out to my
people and we'll have a conversation about that. We are
running a platform that stands for something on this side.
It's unfortunate that we live in the era that they'll
miscategorize your behavior. And while I do believe Charleston is

(17:31):
in tune with victims because this has been a part
of his talking point since he came in the game.

Speaker 2 (17:37):
It's the victim side of things.

Speaker 1 (17:38):
He took took aside when dealing with dirt, he took
duck mama side. He has been saying things about victims.
But I also can identify that this is a trick
to identify with the audience, and this is why these
are too high level content creators. Me and this dude
sitting like this, this is too high level minds that

(18:00):
you're seeing, belin and you see mind tricks that's coming out,
and the loud talking and the antics and the saying
certain things. These are tricks of the trade when you're
making content. But I really want people to understand that
I stopped this conversation because he's in character mold. It's
clear to me he said it a fifteen million times,

(18:21):
ain't in character mold. He moves on to the victims.
Let's talk about the victims. I say it ten times.
Let's talk about the victims. He then expects me to
know the victims' names. I don't know the victims' names
because that's not my song and dance. I'm an information guy,
So when I'm saying I'm not sitting around watching it.
I'm really telling you the truth. I'm an information junkie.

(18:43):
I'm not sitting there watching what.

Speaker 2 (18:46):
I know.

Speaker 1 (18:46):
Some of these content dudes can name off, you know,
ray Sean Lemon and Brandon Jenkins and Maurice Clay like
they can name people off that's involved with these things
by proxy, not even the main characters, like some of
the side characters that that tapped in with it.

Speaker 2 (19:05):
I'm not.

Speaker 1 (19:06):
My job is information and demonstration. So I want to
be clear about that. Now, watch how the conversation goes left. Now,
pay attention to this of who what.

Speaker 4 (19:21):
I don't watch that ship.

Speaker 2 (19:23):
I'm not talking about.

Speaker 4 (19:25):
Let me get to the ticket. We're not talking about
thug brother. Let me get to the tiction. Let's talk
about some mother. Let's victim, any rap.

Speaker 2 (19:33):
Let's talk about it dirt.

Speaker 4 (19:34):
Let's name some of the dirt victims. I don't really know.
That's what I'm talking about, y'all. Stay focused on the rappers.

Speaker 6 (19:39):
That's what I'm talking about right there at Homie.

Speaker 3 (19:41):
The victims is invisible, but they pain ain't talk about
who they kill, what they've done, or we can't talk
about my niggas. You're killing the hurt people, let me
ask you a question. I ain't never shot accountable for
what I know. I've never shot a gun, accountable what I've.

Speaker 1 (19:57):
Done, And of course we're going to skip through this part.
I just want to take note for people that's watching it.
This is another tactic that people do when you have
heated debates or conversations, where at this point he just
throwing stuff out there, trying to get an emotional reaction
out of me. Now, it's not anything disrespectful, but depending

(20:19):
on what I've been through in my life, it may
be triggering.

Speaker 2 (20:24):
Right.

Speaker 1 (20:24):
I always remember triggering and disrespectful is two different things.
So I believe at this moment this is another tactic
that we don't necessarily have a conversation. But now we
going to Carroll, We're going to full character mode. Right
for us to be having a conversation, two black men
to be having a conversation, and then he just pop

(20:45):
out with I ain't never shot a gun at a
black man. What he's saying is in his brain is
I'm sitting next to a violent looking But you have
to remember, I'm off the executive branch, I'm elite, I'm
the black man. I've been through every black man experience,
and so I have a different level of intel. So
I'm already understanding. This is why I get them all

(21:07):
that I'm comfortable in that area because I get them
all there. They see the hat, they see the drudgs.
They don't understand I'm CEO. They don't understand. I understand,
and that's the understanding. The most beautiful thing you can
have is the element of surprise. D to think right,
I'm always one step ahead from the people that prejudge

(21:31):
what they're looking at.

Speaker 2 (21:32):
So this is where we go full character mowing.

Speaker 1 (21:34):
So I just wanted to point that out there for
people who watch the understand what's going on. This is
high level chess that you're looking at. And as a professional,
I took the young Thud conversation and I spun us
out of that because I had made it clear with
not speaking about that while you're in character mode. I
took the conversation over the NBA young boy and the

(21:55):
retarded comments that he had made about you know, all
of the fans, because I wanted to have a conversation
about that. I think content does the best when there's
people who actually can explain their ideas and defend their positions.
That's the kind of content I enjoy and I plan
on producing. And so I think, Yo, we're finna road
right into this young boy thing. And had this conversation.

(22:17):
Pay attention to how this goes?

Speaker 4 (22:20):
I said, we don't talk about it.

Speaker 3 (22:22):
I'm a big home, your family, you got life. Listening
to you? You got life? Is it make him apologizity?
You say you're a big homie. Of course you you crazy.
You stop hollering big homie talking. I ain't no big home.

(22:42):
I'm a daddy. I'm a daddy too. I'm multiple things,
a multiple things. I leave the village.

Speaker 4 (22:49):
Man, what this one? What fish?

Speaker 3 (22:51):
This name? Something you do out here? I just fed
fifty two families last week. I just fed fifty two
families last week. And I'm feeding five hundred family.

Speaker 4 (23:03):
By myself a ten years.

Speaker 2 (23:04):
I'm doing it out of my pocket.

Speaker 3 (23:05):
But I did it out my pocket for ten years,
never took a dollar from nobody.

Speaker 2 (23:09):
It will see.

Speaker 4 (23:09):
I'm so goddamn bold.

Speaker 2 (23:11):
And what I say, I ain't.

Speaker 4 (23:12):
Never I'm looking for you.

Speaker 2 (23:14):
I'm listening to you.

Speaker 3 (23:15):
It is documented. It is not a minute how much
you spinis what you mean? I didn't keep up with it.
I doem mind how you spending that, how you spend
your own money?

Speaker 4 (23:24):
Ain't keeping up with it because it was coming as
it wins.

Speaker 2 (23:26):
And when I'm telling you five o one seasoning.

Speaker 4 (23:29):
About hype, you thout riches.

Speaker 3 (23:31):
Telling me how you spend your own money and documentary.

Speaker 4 (23:33):
You gotta pay taxes on how.

Speaker 2 (23:34):
You don't know if you ain't paid ten I'm not.
You should have had that information. You've been taking a
ten years.

Speaker 4 (23:40):
You got it, You've been telling A ten years. You
should ain't nothing.

Speaker 2 (23:44):
I still do it.

Speaker 4 (23:45):
I ain't got to prove it to you. I'm a
big name in real life.

Speaker 2 (23:48):
I'm a big name in real life.

Speaker 4 (23:49):
You ain't you cray my world? You ain't.

Speaker 3 (23:52):
I get paid for everything, So a man, I'm been
moving everything, I'm doing anything I'm at.

Speaker 2 (23:58):
I did see a couple of questions. I want to
about that really quick.

Speaker 1 (24:01):
I've seen a couple of questions that you know, people say,
what did he mean when he says he's an iHeart guy.
I think there's a misconception about some of the language
that I've had, and I've sometimes I slip and I
forget that I'm not speaking just to my core audience
that has that understanding of how the podcasting business works,
and sometimes those clips creep outside of the audience and

(24:23):
then without the context needed, it sounds very vague and
you may not understand like this when I say I'm
an ieheartened. There's a common misconception amongst people that do
interviews and get paid a lot of money, in particular Charice,
and I've heard numbers that they said I paid them.
All of that's untrue, But you know, I don't want

(24:43):
to blow up anybody's spot, but it's one hundred percent
untrue what the academics is reporting that Loan paid for
Charleston White and anybody that even thinks they understand or
know what I paid you wrong.

Speaker 2 (24:55):
It is nowhere in that ball park.

Speaker 1 (24:57):
But I do want to say this when you hear
in that moment say I'm an ieheart speaking to the
ability that I have to be paid off my audio.
I'm a CEO, I own a catalog, and I have
leverage with companies, and so for me hearing someone who's
coming to do an interview start the interview off saying
that they played on you, and they played on you,

(25:19):
and then I'm playing on it because they're doing interviews
with me, and I'm trying to flush out the idea
that Yo, you do understand and I'll get paid for
this forever for the rest of eternity. It's just a
part of a catalog and a business that's really solidified
in the game and attached to a lot of different companies.
The I hard part is it's because when you speak

(25:41):
to some of these people that are involved with the
streaming like the Kick and the Twitch, they think they're
stunting on the podcasters. What they don't realize is some
of us treat our audio side of the business the
way that they treat Twitch. Meaning the ancillary revenue that
we make from the audio is as powerful as what

(26:02):
they're doing on Twitch. Meaning we're able to also monetize
everywhere y'all are monetizing, but we have this extra pocket
that makes money because of the podcast industry, and it's
our audio. And so I hold audio up to a
certain standard because I understand that it's an extra line
item from a business perspective. And so basically that's me

(26:25):
saying that Yo, I get paid for my audio, not
only get paid for the views that you see. One
of the blessings about being in this spot that I'm
in where you one of the biggest shows in the
world and you're connected with every big artist in the game.

Speaker 2 (26:39):
We'll get to that in a minute.

Speaker 1 (26:40):
What happens is is that usually in this facet of
the business, people would have been already infiltrated and be
making more money off of me than I'm making. Right,
So I would argue that some of these people that
you see, they're not monetizing one hundred percent of everything
that comes out of the wheelhouse. I'm like a high

(27:01):
ninety eight percent of what I monetize that you see period,
meaning ninety eight percent of the content you see from
it's up there podcast, no matter where you see it
or how many views it has. I'm the one that
monetizes from that. And so I'm in this very unique
spot because it allows me to make five, six, seven

(27:24):
times the money that these gentlemen are making. For example,
there'll be fifteen clip pages that have nothing to do
with let's say AID and ROSS, and they'll be monetizing,
making money and taking care of their family off of
AID and ROW streaming, and granted it helps with it's marketing.
So there's a give and take with it. Right, my

(27:44):
visibility doesn't do what it should do in certain markets
because the lack of those clip pages, and so sometimes
my visibility may be limited on certain platforms because those
clip pages may not interact with it in the same way.
But it allows me to control content and control the
business in a way that not many of these other

(28:06):
creators are doing without a third party attached to it.
So from a business perspective, you'll go on TikTok, for example,
and see fifteen billion views and not know who was
paid for their fifteen billion views because there's nobody over
here registered with a TikTok account or create an account.
There's nobody that has filled out the correct paperwork, or

(28:28):
there's nobody that understands content IDs or created the correct
paperwork to make sure that you actually reap the benefits
outside of just getting famous. Because I always came into
it and said, the FAMO is cool, and I'm known
everywhere I go and respect it, but the money is
the mission. I got a family to save. I was

(28:51):
in the street all my life for real, like I
literally fourteen fifteen outside like I come up in it.
So I'm lucky enough now to be able to sit
chill and make sure we handle this business in a
way that one I'm gonna do. So I wanted to
explain to people that that's what I meant at the
iHeart part. Let's pay attention to the ending of this
and see what we took it.

Speaker 3 (29:11):
I think most I think most of his fans for me,
just sitting back seeing I think most of them, you
can understand what he's saying. Just a bunch of ain'try, young,
ain't got no girls around, They violent, so h most
of I really believe.

Speaker 2 (29:26):
So on is that for young boy? Is fast?

Speaker 4 (29:29):
All of them every fan.

Speaker 3 (29:32):
But does a young boy got ten eleven children? Yeah,
all bastard babies. He got thirteen, so he got he
got women around him? No, no, no, no, no, he got
one woman around, but he got thirty. You got thirteen
bastard babies, thirteen different women, thirteen bastard babies, children born
out of wedlock. So it's not called us and putting
his children born out of wedlock, which is spiritually comes

(29:52):
with a certain kind of curse when they talk with
generational curses. You got thirteen different kids by thirty, how
many of them kids might end up fuck each other.
If we're gonna be serious, how many the mothers are
gonna be divided by this one in that one?

Speaker 4 (30:05):
So let's look at the effects of this ship.

Speaker 3 (30:07):
But let's talk about the tool. We'll get the Okay,
we're gonna talk about some of that. So so back
to the tool. So I got invited, so you get there.
I got invited by his team.

Speaker 4 (30:18):
I don't know. I got the numbers on.

Speaker 2 (30:19):
My phone, so we did so oh nineteen.

Speaker 3 (30:23):
So what I did was and the reason why I
say that is because every every every major city he does.
Since most of y'all don't know, I do research, I
do quantitative and qualitative research and studies. I google every
major city he went to and sold out the reading statistics.
If you think I'm lying, every major city he went
to is in the high to mid thirties on reading

(30:48):
percentages that these people can read on or above their
grade level, the high thirties at the most. So I
mean most of these towns they go to people are illiterate.

Speaker 6 (30:58):
And I take it back mentally challenged that sound better.

Speaker 4 (31:06):
I'm my own study.

Speaker 3 (31:07):
If you think I mind, you do your study, but
where is your study at that the people that are
buying the tickets. Are those people that that that you're
speaking about from the study.

Speaker 4 (31:16):
They skin color?

Speaker 6 (31:17):
So white kids going, most most black kids in America
can't read my.

Speaker 4 (31:20):
Brother through your statistics.

Speaker 2 (31:22):
It's that on it, right, So that's a blanket.

Speaker 3 (31:25):
That's a blanket statistic that you can have behind when
you say something like I can't hide behind it me
and Charlie Kirk is speaking it and you can't prove
us wrong. He just did and can't say it. I'm saying,
most black children in America cannot read on.

Speaker 4 (31:37):
Above their great liars, right.

Speaker 1 (31:38):
That's factual doubt and that's a great conversation to have.

Speaker 2 (31:41):
I'm saying, and why are you calling the people.

Speaker 4 (31:45):
You can't?

Speaker 3 (31:46):
Because these I don't want to going there are these
are my people.

Speaker 4 (31:49):
I'm black, and I know most black people are dumb
and stupid.

Speaker 3 (31:51):
That's why they listen to rap music. Can a white
boy be a thug?

Speaker 4 (31:54):
I don't know. I'm not a white boy.

Speaker 2 (31:58):
So you only can speak on black people.

Speaker 4 (32:00):
I don't speak on nothing ew nothing else.

Speaker 2 (32:03):
Charlie Kirk came black.

Speaker 4 (32:05):
Charlie Kirk spoke on black people.

Speaker 2 (32:06):
That isn't what I said.

Speaker 3 (32:08):
No, no, no, No, I ain't never spoke on Charlie Kirk
till he died.

Speaker 4 (32:11):
I was asked about him.

Speaker 2 (32:13):
That didn't what I said, either said you spoke.

Speaker 3 (32:16):
You don't speak on black black issue, Charlie Kirk, black issues.

Speaker 4 (32:20):
Torni Kirk was a black issue.

Speaker 2 (32:21):
Charlie Kirk was a black issue.

Speaker 3 (32:23):
She was a white man that strewed out bullshit propaganda
about black people.

Speaker 4 (32:28):
I never knew about him till he died.

Speaker 6 (32:29):
And when I found out about him, get what I
said something about it?

Speaker 1 (32:32):
Do you think the kids at the tour, the people
that's twenty five and under, they go see n being
young boy, do you think that they are they'll.

Speaker 2 (32:39):
Hurt, hurt, hurt people, hurt.

Speaker 3 (32:41):
Being molested, most of them, violid, most of them angry.
Most of them come from traumatized mother's experience. That's why
they gravitate and relate to the music. It's always been
the case.

Speaker 2 (32:49):
Why don't I viewed him as wounded? Then?

Speaker 4 (32:51):
Oh, traumatized, wounded, hurt?

Speaker 2 (32:54):
Have you wanted to why come in?

Speaker 1 (32:55):
Why come in with the white principal type of I
don't heard, bitch, I don't know why.

Speaker 3 (33:00):
Yeah, that's where they come from. White people yeah, I
thought it came from psychologists. Well, white people use it
when a black person white. No, white white people, white
people weaponized white people to black child.

Speaker 4 (33:12):
White people have always using white people black child.

Speaker 3 (33:17):
They didn't cause white people were white kid was mentally
red because blacks black people never took their kids.

Speaker 6 (33:23):
To psychologists to be classified as mentally.

Speaker 2 (33:27):
We ain't talking.

Speaker 3 (33:27):
About classified, we're talking about weaponize.

Speaker 4 (33:31):
What I ain't never heard white people use words.

Speaker 2 (33:33):
That's right, you didn't go to school.

Speaker 4 (33:35):
What I'm talking about.

Speaker 2 (33:36):
So sometimes you need the student learn.

Speaker 3 (33:39):
Clothes to the student len clothes, what's your highest education?

Speaker 1 (33:43):
No events following that, the reaction from some of the
public people who are new here, some of the charged
and white fans, or some of the onlookers, just some
of the people that's just out there watching content and
came across the video, what you what you were dealing
with is charged and white coming on to this up
there part cast specifically because I wanted to challenge some
of the ideas. That's a lot of things happening. We've

(34:05):
been knowing each other for a while. He does great conversations,
and he does numbers, and so I wanted to have
a conversation he rolled into the young Thug thing. I
didn't allow him to get that off. I felt like
the time it wasn't right. He had spent the greater
part of the last forty five minutes explaining to me
that he was in character mode. And he says things

(34:26):
that pushes him in the algorithm, and they may or
may not be necessarily rooted in reality, as long as
it does the job and continues to fuel the brand.
And I understand that and respect the ability to maneuver
in the market that way. It just won't be at
the expense of meat. Seeing that I have a real

(34:47):
relationship with young Thug. Let's speak about some of that,
some of the artists you see me deal with. You know,
I want to see everybody win. Number one, Let's make
sure we clarify that, because I'm just a real new
and I really got that in my heart. So I
want to see everybody win. That's number one, number two,
and so a lot of these guys we get money together.

(35:07):
You know, our relationship evolved beyond the industry, and I
want that to act as a beacon of hope to
the young men that's getting in this game. And let
you know, there's a few real ones left, But tell
me why. I already knew that we're living in a
day and age where a lot of people wasn't gonna
respect the fact that I stood on my morals and said, yo,

(35:28):
not right now, not in character mode. We'll do that
at a later date. We'll revisit that when we really
can have a conversation. What's important that people understand. I
could have cashed in on the chaos. I'm really big home.
I'm really somebody that can move. However, I mold people
respect me. Cain't nobody tap me on my shoulder and
tell me nothing. I just do what I do because

(35:50):
I'm a real one. That's just how I'm really put together.
And it's not no limited amount of people. I'm just
like a protector. I'm just that kind of individual. Now,
from a journalistic podcast to standpoint, I want to be clear.
We're in a position to invite all conversations, all conversations,
even those surrounding Thug and other people that you know

(36:11):
I have relationship with, but we want to remain respectful
and really try to have a dialogue that gets information
out of it. I understand that character mode does not
equal to dialogue. And so I decided, as a veteran
of examining human behavior, I decided to pull the plug

(36:31):
on the conversation. It's unfortunately, we got to a spot
in the culture. Right even when you see me do
something real, you don't hear a lot of applause. Or
what happens is we've now witnessed the shift in culture.
It ain't that people don't understand what being real is
or they don't understand the real quote unquote real perspective.
What happens is people now understand it's just cheaper to

(36:53):
be a It's cheaper. It's like that decide to buy
bubble because the profit largin, or because hid and Valley
now chooses this cheaper plastic container, or because Aquafina now
decides to choose the cheaper bottle container because now it's
easier to make. It's easier to make it as a

(37:16):
fun and so it ain't that they don't understand what
a real is. They just disqualify themselves from running a
long race. One thing you must understand is don't no
trophies come with it. Ain't nobody clapping, you know, there's
a lot of people hitting my line saying a lot
of different things. But I need you to understand when
you come up like I come up, you've been around

(37:38):
long enough to see them reward these needs. Who screamed
the loudest, not who's staying the longest. And so when
I'm playing a long game, I understand what I'm doing.
I'm gonna be okay no matter what, because if all
else fails, I still gotta And so sometimes I get
to think and I get to say, oh man, they
condition the culture. But I also remember that the people

(38:01):
I'm talking to don't do no comment and if they do,
it's rare. But salute to the commenters. Salute to the
ones built like us. They do come in and not street.
Y'all stop marginalizing me. I keep telling y'all me Elead,
Executive Branch, Southern District. Y'all keep Holland Street because y'all
don't identify Black American culture. It's always from the outside.

(38:25):
They're saying, Yo, deed board Street. Y'all grew up outside
the gate. We hustlers. We know how to go get
the money. But they throw that street word on you
to make you radioactive to the brands and to the
organizations that cut the checks. I will not allow these
to play on my top. I'm just too much. I

(38:46):
just understand it. I see what they trying to do,
but it don't stick. It just don't stick. I should
have knew, though, I should have hit that keys. I
should have known better. I should have known, because see,
I've seen in this culture where they have no regard
and they give rewards. I've seen people. I've seen bodies

(39:09):
drop and going interview the alleged responsible party, little to
no backlash, little no backlash, and salute to them. Do
what you do. I keep telling you, push whatever they accept.
I'm just setting the gold standard. I'm just setting the

(39:31):
gold standard. Not that we can't have conversations, but let's
have real conversations. I've always stood on that. But it
ain't lost on me that these shake my hand today
and interviewed my murderer next week. These call my phone
in holler love and interview my murderer next week. That
ain't just how I'm giving it up. My conscience won't

(39:53):
allow it. I really was deep out there and I
didn lose my conscience. I've regained my conscience. And this
is probably why I don't fit in because I don't
fit in. I just this is probably the problem, right
because I'm in content land, I'm in podcast world. I
invite all these conversations, it's just some of them it's

(40:16):
just too sticky. It's a lot we can talk about
in this world. I keep telling my team, bring me authors,
bring me scientists, bring me talk show hosts, bring me actors,
bring me legit psychologists, bring me people a part of
the military industrial complex. I need to speak to more
people that just killed each other. I'm the one pushing

(40:39):
that one. Then what I say. I know y'all got
it wrong because the hat still cocked. See the hat
still cock Just because I'm relatable. I know I'm supposed
to go quarter zip. I know I'm in the position
I'm supposed to go carter zip. But I'm giving them
this look because I want to give them this look.
Bad with me, because you bad and witness, you would

(41:03):
think your reputation would mean more. So I just knew
the culture was cooked, you know. I kind of viewed
it and say, you know, we cooked as a culture.
But I see how the ecosystem react, and I think
we have to have a conversation about it. The ecosystem
react really really interesting to my interview with Charleston white Wall.

(41:25):
I'm just like, Yo, we ain't gonna have no thug talk,
just not right now. You're told me you in character mode.
The character is not rooted in reality. So therefore you
may have a conversation just for the algorithm and for me.
I'm not interested in those kinds of conversations at the moment.

Speaker 2 (41:41):
Now.

Speaker 1 (41:41):
I understand that there is no incentive for me to
have morality on the microphone, for me to take these
kind of stands. I do need people to understand that
I understand the financial burden that puts on the business
and not necessarily saying that we are doing bad, but
I understand on the other side of that that's millions

(42:02):
of dollars. They've already created the ecosystem where you tatter
rap it down and you make millions. I'm literally next
in line to go through that door tatter rap it
down to make millions. I'm next in line, right, I'm
at the door. I'm here, I make all the money,
I got all the accolades. I'm literally at the door
that they've created where they've they'll switched the mold to

(42:27):
if you are a creator of my magnitude, with my connections,
doing it how I'm doing it, with the views I get.
You now get to this spot where you got to
make a decision. You can make two million dollars money.
As you start tearing rappers down, fucking their careers up,
and working for the other side, we'll get you up
to like at least one point five a month. And
so if a rapper do something that we think deserved

(42:49):
some understanding putting next to it, we put some understanding
next to it that excludes nobody.

Speaker 2 (42:54):
That's a situation.

Speaker 1 (42:55):
Brewing in media where if you take the opposite side
of the rapper, and if he says he's a pretty boy,
you says he ain't never been a pretty boy, you
start to make money. And I'm in that spot where
I can do it a million dollars a month, easily
turn it up. That's the definition of not being for sale.
That ain't a phone called thuck can make. That, ain't
a phone called baby can make. The ain't a phone

(43:18):
call nobody can make. Pe All of them will tell
you long, just solid like that, that's just what kind
of nigga home is? He just wanted them kind of niggas.
Let me give a few minutes to respond to academics
and then we'll move on to the next topic. We'm
gonna give y'all one more topic and get out of here.
For people who don't know academics responded to my interview
with Charleston.

Speaker 2 (43:37):
White about me not allowing him.

Speaker 1 (43:40):
To have the young thug conversation while he's in character
mode and he had a lot to say. I want
to be clear with academics. Man, let me explain something
to you, low budget add nig You don't take your
police ass on somewhere talking all his high power shit.
I can't see me in no day to end? Then

(44:02):
why and today is included. I know you say I
talk slow. You wouldn't understand what it's like to be important.
You don't have to rush when you were important. I'm
gonna say it slow so I ain't got to see
it no more. So academics comes out and as the
universe I have it. This is an interesting thing he done.
He put my interview up next to Big Banks interview.

(44:25):
I get a phone called me and Bank talked like
two days ago. He called my phone when he dropped
with Charles dam White and we had a conversation. Then
I get another conversation that banking Academics was on the phone,
and I really don't give a fuck. I don't know
what's going on. I don't give a fuck. That ain't
no problems with academics. He's on that side. Don't nobody

(44:47):
listen to him. I don't know nobody that listened to him.
I believe that if I had a conversation with Academics,
I'll wipe the floor with him on any aspect in
the world. Right, That's how I feel about it. I
feel like we're not speaking to the same people, you know, whatever,
people he's speaking to, that's great. I think we're not
speaking to the same people, which I think sometimes that

(45:09):
makes for great content and conversation. But at this moment,
I want to take a look at some of the
things that I feel is wrong with how Academics approached
and what happened with me and Charleston White. And so
Academics goes on his platform and he puts my interview
next to bank interview and he says salute to Bank
for interviewing Woody. For people who don't know what he is,

(45:31):
the lead witness in the ycl trial. Me and Bank
were there two people that had interviews from Thug when
he was going through his turmoil as it pertains to
the jail cause and all of those different things that happened.
He brought his interviews to our platform, and so academics
brings this out and say, you know, he try to
contrast the way I handle it versus the way big

(45:52):
Bank handles it, and he's clapping for Big Bank. So
I've been in this game too long, so I see
that from a mile away, and that means nothing to me.
Right Bank is my guy. He interviewed. Would he do
what he want to do? That's his business. So when
I see academics try to put banking I against each other,
I say to myself, yo, this low level game. He

(46:14):
low budget a police said, little niggas man. They trying
to run. It's ineffective. Bank interview? Would it Bank? Do
what you want to do? He interview? Would it? That's
his business? But the case study comes for me when
acting them try to act like I handled it wrong
and Bank handled it right.

Speaker 2 (46:30):
Now, I agree.

Speaker 1 (46:32):
I invite conversations surrounding Thug and anybody else, just not
in character mode. I gotta keep saying that so they
don't get a clip out of context. The internet is
a very weird place now. If we have conversation and
he end up getting to a place where you're telling
your truth, that's one thing, honey, your business. But I
just don't operate like that. I think they have a

(46:53):
very low level approach and understanding because they grew up
outside the gate. They never grew up what they Mama said.
You came with each other, y'all leave with each other.
I tell my people, and I know a few of y'all.
It's a few people out there right now. When you
run into somebody that loved me, it ain't even gonna
be a conversation. You gonna know they love me by
how they handled you. Right now today. There's a few

(47:17):
of y'all that gotta deal with the consequences of certain
things y'all said, because people are coming on my behalf
that I haven't instructed. I haven't even gave march in orders.
But the way they feel about me, the love they
have for me, make them handle you a certain way
when they see you based off what you said. Y'all
ain't come up like that. It go vice versa. For me,

(47:39):
there's a few people that I really care about. If
I'm around you and things go left and you got
something to say about them, I'm gonna handle you in
a certain way. A lot of y'all even grow up
like that. Y'all really don't know what that's like. We
really had to mob with each other certain spots. We
really had to go into the next niggas neighborhood to
a house party four and five deep. And so the

(48:03):
people that truly know where I come from and how
much ground I've covered, you know, I'm a boss, and
I came in like that. You know, certain words and
certain themes they don't even stick to me, right, They
say certain things. It doesn't even stick. It has no
real meaning. It's just niggas in their feelings talking. When

(48:26):
I hear academics talk about me and reference my name,
it would be real hatred. Even when you hear me
speak about the dude, it really be by some information
in the little heir of that man. You doing some
sucker shit When he talk about me. It's like he
lost his old lady to me. It ain't no regular
content creator kind of like.

Speaker 2 (48:49):
You know what I mean.

Speaker 1 (48:49):
It's like this little nigga het it and he ain't
gonna do a motherfucking thing. I got five million on
a fight and nigg ain't gonna fuck with me, And
you're gonna get one of your security hurt. Player with
my people, somebody gonna get hurt. And that just sain't
for academics, that's for an one of you niggas. But
the thing about it is this, there's an interesting thing

(49:14):
when he deals with my name that it feels vindictive.
It feels like a lot of hatred because I'm having
the same kind of pool he have, and the same
people he called I can call if I want to
get into a concert. That's what I was trying to
tell Aiden Ross. Listen, Aiden, you don't need academic that shit.
Academics got y'all knowing. Man, that shit is like a

(49:35):
generarid mission ticket.

Speaker 4 (49:37):
Man.

Speaker 1 (49:39):
Like while y'all like crowded around academics and they taking
y'all man, that shit is a generoid mission ticket. He
ain't kicking up no motherfucking hell of a thing. Man,
y'all niggas can't even go backstage. But because Aiden doesn't
really know, he feels like that this is real pool,
and I think that's part of what I'm saying. It's like, Yo,
I'm in the mix with some of these people, with
some of these tours, with some of the companies, the

(50:02):
Live Nations, the ag Torn, the mac agencies. I'm understanding
who running what and what's going on. I'm in some
of these spots. I'm knowing what real pool looked like.
Shout out ce Bow. Certain niggas can come grab you
no matter what state they in and bring you all
the way to the Certain niggas get just so I'm
saying when I'm seeing academics get y'all, y'all damnar getting

(50:23):
generally mission tickets. Now, that sounded like, Hey and Lorne
ain't never hated on no nigga.

Speaker 2 (50:33):
I ain't never did no hating.

Speaker 1 (50:35):
I'm just stating the obvious at a nigga that keep
hating on me and man, because I'm really who I
say I am, and I'm getting to it. Let's address
what he said academics and I don't even want to
play the clip because I don't want to play the clip.
But academics had an issue with how I quote, unquoting
his words, defended young thug. He said that I had

(50:57):
done too much. He said, the young thug had me
on payroll and the little baby and thug is paying
me to have these stances. And anytime that a rapper
comes to sit with me, it's because they're trying to
position an argument that the industry isn't feeling.

Speaker 2 (51:17):
And I said, I kind of like that. He didn't
know that. He didn't know.

Speaker 1 (51:24):
I kind of liked it that he said that part
yo the industry. When them rappers go sit with Bruh,
they really trying to go over there because they really trying.

Speaker 2 (51:31):
To get the other side of the story.

Speaker 1 (51:34):
I said, I like that because that's how it started,
right rolls from the concrete, That's how it started. And
so when they come here, they have real conversation some
of the backdrop, not what happened, but why it happened,
you understand me. And so the low budget ad niggas

(51:55):
will go to hating on you and try to reframe it.
He says, I'm right too hard with the matter of fact,
Let's take a look at the clip. Pay Attention signed
him for like twenty three dollars. He's been trying to
be taxtone, like, Oh, I'm the real nigga like he's
one of those guys he keeps acting like he's so real,
like he turns lame.

Speaker 5 (52:15):
Charleston did an interview with him. This nigga is a
paid shill. I want to let everybody know, little baby,
young thug, he completely sucks them off.

Speaker 2 (52:24):
No backbone possible.

Speaker 5 (52:28):
And the reason why I'm juxtaposed to this to what
Big Bank did because Big Bank, I don't think he
went too crazy on Thug, but he gave a decent
interview with Thug. But he also gave the opposite side
an opportunity to vocalize their issues even though they didn't
speak too lightly of Thug. This guy right here, he's

(52:51):
the sucker that you gonna see a little baby and
young thug, which it don't work because like this nigga
can't change no narrative. When they want to go put
something in the air, they go to this bump ass
thing right here. So anyway, he paid Charleston White ten
grand to go interview on his platform, and Charleston White

(53:12):
exposed him as nothing more than a young thug, dick sucker.

Speaker 2 (53:16):
Y'all gotta watch this because I was hey number one.

Speaker 1 (53:18):
Let me say this to academics because some of this
is I know you're doing your content thing.

Speaker 2 (53:23):
It's a little disrespectful, but.

Speaker 1 (53:25):
I in front of your family, nigga, I do that
in front of your loved ones, like I'm willing to
do that in front of your like. You gotta watch
how you talking to me. And I know you ain't
gonna hurt the Prime Minister. You just talking right. It's
content for you. But I think you should watch yourself.

(53:47):
I think you should really watch how you handle me. Man,
it's not wise to use those kind of words when
you talk to men. And I know you don't know
that because nobody's taught you. When I talked to you,
it's an orientation. Mouth closed. You know, if you was
in my face, you wouldn't say nothing like that. Have

(54:08):
some respect, police sass nigga, Low budget ass nigga. Has
some respect. Your big homie wouldn't say that to my face.
Have some respect, low budget ass nigga. We need to
keep it content. We see how your eyes look when
you outside. Have some respect, police sass, niggle And we'll

(54:29):
get to the backbone part of.

Speaker 2 (54:30):
This in a second. Let's listen to a little more
pay attention. I say this today. It was highly entertaining.
Shout to my man, Chaunce White.

Speaker 4 (54:38):
Need to tell my testimony.

Speaker 2 (54:39):
Okay, then I don't tear it on the internet.

Speaker 3 (54:42):
Y'all have never highlighted no victim of their crimes.

Speaker 2 (54:45):
I don't want to there we go.

Speaker 5 (54:48):
I keep telling you this nigga right here is the
biggest fraud to be got it. He's a wanna be
taxed one that just really taxed on. At least was entertaining.
He's a slow talking old bum that's gotten propped up
by the niggas who are trying to run campaigns. When
I see a rapper sit with him, they're literally trying

(55:09):
to get quote quote the streets to validate because he
supposedly represents the street nigga an opinion that the culture
doesn't feel.

Speaker 1 (55:22):
So he's a wo whoa whoa whoa wo. Let me
correct Bozo the clown. Let me tell you some low
budget ass nigga. When you see a nigga sit with me,
it's actually the opposite. They're trying to clarify what the
culture does feel, because what you guys are spewing in
the industry is counter intuitive to the conversations I have

(55:44):
with all of the people that I know. So I'm
telling you someone when they come sit with me, they
come to sit with the Prime Minister, they come to
sit with the highest level executive brands. They come to
sit to tell you niggas what the culture fitling. I'll
let they come to sit because they trying to tell
you what the culture not feeling you niggas.

Speaker 2 (56:04):
Not the culture you niggas is imported. Good, I'm finished
start putting tariffs on you niggas.

Speaker 1 (56:16):
So when you see somebody come sit with me, quite
the opposite of what this low budget ass nigga said.
When you see somebody come sit with me, they trying
to clarify what the culture is feeling and what they
feel the industry has been infiltrated at this point. I
need you to know that. And so anytime you getting

(56:36):
claps from DJ academics, you're probably doing some fuck nigga shit.
Nine times out of ten, if academics big you up,
you're probably doing some fuck nigga shit.

Speaker 2 (56:46):
You're probably telling on yourself. You're probably doing right.

Speaker 1 (56:49):
So I'm telling you, I don't never really expect the
niggas to big me up because I ain't never doing
no fuck nigga shit like that.

Speaker 2 (56:56):
I was telling the homie the other day, Yo.

Speaker 1 (56:58):
I invite this low budget ass nigga to have a conversation,
I know he'll rather do it on stream. I rather
do it in person so we can refrain from using
some of that SMD language because I know in person,
Nigga's gonna watch how they talk. I know niggas gonna
watch how they talk, and they may not even look
my way. And we don't do this for tough guy shit.

(57:21):
I'm intellectually opposing nigga's ideas. I'm come too far. I
beat that game. That game behind me. That's why y'all
can't emotionally trigger me. I don't got nothing to prove.
Anytime there's a violation, there gonna be a demonstration. Outside
of that, I'm happy that I'm out the game. I'm
a static. I'm out the game. Y'all can't emotionally trigger

(57:44):
and charge me. But I guarantee you one hundred out
of one hundred times, these niggas won't disrespect me in
my face. And that don't got no asterisk beside it.
That mother for that don't got no anstry beside it.
They won't disrespect me in my face. That's a game.
Garrantee signed to general pay attention. Charleston He pays Charleston

(58:05):
White to do an interview.

Speaker 5 (58:07):
Charleston White wants to talk about and if anybody know
Charleston White, independent thinker, he ain't gonna he's gonna go
from a different angle no matter what he's talking about.
But he wants to say, Hey, as we're talking about
the culture and talking about some of this criminality, shit
fuck what young Thug got going on, we should focus

(58:27):
on the victims of Young Thug and why South This
is nothing new that Charleston White has done. Charleston White
has done done outreach programs and done events with Tukah's mom.
While people have thought of Tuca as a strain of weed,
he is reached into that community and reached into those

(58:49):
families and people who have been hurt by some of
the what rap has kind of glorified as the you know,
dancing on the graves of some of these guys. And
he's talked to these families, So he cares a lot
about sometimes victims. I think Thug got him on payroll
watch this ship. Oh we don't want to talk about
thug or you're getting paid. I get you. We're gonna

(59:10):
talk about rich Tommy Kwan is one of thugs victims.

Speaker 2 (59:17):
It's all right, man, moving yo, big Beg.

Speaker 5 (59:20):
I give you the props because this is why you're
where you're at, and that's why this bozo is where
he's at.

Speaker 4 (59:30):
We moving, man, we moving.

Speaker 5 (59:34):
Were not talking about man, yo, This nigga is playing
a hell of a defensive thug.

Speaker 2 (59:40):
Huh would I being then?

Speaker 4 (59:42):
Lit you talking about me?

Speaker 2 (59:44):
What type of nigga? Would you be a podcaster.

Speaker 4 (59:50):
Like that?

Speaker 1 (59:50):
You heard me earlier kind of respond to that, well,
say it's a podcaster. Well, I'm gonna think. I'm not
a podcast I'm a broadcaster. I'm a CEO, I'm a father,
I'm a thinker. What I'm dealing with is understanding that
this man is in character mode with not having a
conversation while you're in character model about one of my
little homies.

Speaker 2 (01:00:08):
It's just not what happens.

Speaker 1 (01:00:10):
I know, you niggas will sit with anybody and do
anything because you niggas ain't nobody's so you niggas liable
to show up anywhere doing anything. You niggas save to
show up in a frecom dress to do a show man.
I don't put none past some of you podcasts and
ad nigga. Man, you niggas don't give a fuck who
you talk to, where you talk to, or man what

(01:00:30):
you got to Well, man, you niggas will do anything.

Speaker 2 (01:00:33):
So I get it.

Speaker 1 (01:00:34):
I know y'all can't relate to a nigga to say brother,
not right now, brother, not when you like this.

Speaker 2 (01:00:38):
Let's talk about that later. Family. That's my little homing.

Speaker 1 (01:00:41):
Y'all don't even understand that when I know niggas there
to go to jail about my name. So I think
we just see things different. Now, let's unpack it a
little more because I think it even gets deeper, specifically
dealing with academics. And I'm responding to you this time, Lott,
but nigga, so just pay attention. It's his orientation and

(01:01:04):
the student learns with his mouth closed. I find it
interesting how damn academics thanks to audience is the way
they think they can sway the audience from pillar to posts,
and people believe it. I'm here to tell them that
there's another side of this culture that I represent and
understand and speak too. Daily that can see beyond the pails.

(01:01:26):
They can read the tea leaves, they can pick up
on signals, they can understand what was not said, what
you did or didn't do, how you meant to come
across versus what you actually said, some of your hidden
intentions and hidden agendas.

Speaker 2 (01:01:41):
They're able to.

Speaker 1 (01:01:43):
Sniff things out in real time and so they get
It's kind of like chat TPT how they get more
intelligent as they go on and on and on, and
so they're able to now pick up on some of
the shit you low budget ass niggas been doing. See
it's important, y'all. Didn't hear me say, Yo, I'm chasing
niggas down. And if they talk about thug and I'm
beating them up, well, I'm putting baby Loan out there

(01:02:04):
to crashot on niggas that talking about thug. Now, I'm
just saying, not on my platform, brother, or not right now.
I really no, dude. But when you hear some of
these people talk that think they're dealing with an audience
who who doesn't have any information lack of a better term,
even sped. But I'm here to tell you that people

(01:02:24):
are alive and well. And his coach is alive and well,
and it's actually in good hands if we just continue
to make the right decisions. One of the things that
stood out for me is that academics can say that
Loan is riding for Thug and Baby and some of
these other rappers, and he basically is trying to position
this as Hey, this compromises his brand, The integrity of

(01:02:49):
his brand has been compromised because he's writing for Thug
and Baby, although that's untrue because we are journalists. We
run a really big company that's doing well, make over
seven figures every year easily. We used to live in
a time where you didn't even have to defend your morals.

(01:03:10):
I'm really a big homie. I'm really someone people look
up to. I'm really someone to give information and cleared
away for the young nigga that doesn't lived a little longer.
I really been to Columbia by myself, me and my
partner to take care of the business.

Speaker 2 (01:03:26):
I'm really one on one.

Speaker 1 (01:03:28):
I'm not like these other guys, and so my word
means something, my stance means something. My integrity still is
on display. But I know some of the people in
media that had an adverse reaction to me shutting the
young thug talk down. They have to get out in
front of it and say something.

Speaker 2 (01:03:46):
You know why.

Speaker 1 (01:03:46):
They have to act like it ain't right. You know why,
because they plan on continue to over you. They plan
on continuing the interview and you murderers two days after
they hugged you, called your phone. They plan on interviewing
this shot at your mama and them house. They playing
on playing them kind of games. So they got to
get out in front of it and say, Loan doing

(01:04:07):
too much. That ain't how journalists move. I agree with you.
We open to all conversations. Someone that I have personal
relationships with, you cannot slander on my platform. Really, with
my campaign, I don't have to go through management. I
don't go through teams. I call straight myself. They come right.
So I'm telling you it's a different level of respect

(01:04:28):
and relationship because we deal with each other outside of
the industry and the music.

Speaker 2 (01:04:33):
We both in the industry.

Speaker 1 (01:04:35):
No, I make enough money to handle whatever I want,
and them mega rich. All of the guys I f with,
they go for herbo. I can call HERB right now.
I can call any of these right now. And so
here's the interesting part if academics is gonna call what
I've done for banning the Young Thug talk with Charleston
White because he was in character Molde on my platform,

(01:04:56):
and I have a personal relationship with Young Thug and
basically say that I'm riding for certain represent the South,
trying to position narratives that the culture is feeling, but
the industry isn't recognizing and is having problems with that.
But here's the beautiful thing about it. Each and every
person that you really see me plugged with it with
I have personal relationships with in real life. Like I'm

(01:05:20):
an underground legend, I'm a legend money, so I got
relationships beyond music. And so if we're gonna characterize my
decision from stopping Charleston White from discussing Young Thug while
he was in performative character mode it's anything other than
integrity in real time, then we need to be honest
and talk about what integrity actually is. I drew a

(01:05:42):
boundary not because I'm afraid to have a conversation, but
because I understand the way the words. I also understand
the algorithm, and I understand what character mode is. There's
legal implications there's ethical responsibilities that comes with being a
man that comes from my walk of life. No matter
that industry that they get in, no matter the job description,

(01:06:04):
no matter the person married, no matter the road traveled.
That's residue from where we come from. I've lost people
in the real world to gun violence at a young age.
I buried my friend at fifteen, I walked in on
my cousin died at sixteen. Young man, I've saw the
results of playing both sides, and I've handed the belt

(01:06:27):
out for playing both sides. I done lived a certain
kind of life to understand playing both sides. It's always
a dangerous spot for everybody involved. And although we're no
longer in that and although we're no longer walk in
that walk of life, that residue still remains.

Speaker 2 (01:06:44):
And so if we're gonna call that dick pulling.

Speaker 1 (01:06:47):
Because I refuse to let someone weaponize theatrics in the space.
Why I'm responsible for content, culture, and conversation. It's my
responsibility over here. That's up there, podcast, it's the executive
branch our Tenerary othern district. It's my job over here.
I'm responsible for culture, commentary, and critiques. I'm responsible for

(01:07:07):
what is and what isn't weaponized in what kind of
conversations we have on this illustrious platform. And so if
we're gonna consider that a biasness, or if we're gonna
consider that favoritism or any one of the low vocabulary
accusations you low budget ass nick and make out there like,
if we're gonna call it something, then we got to

(01:07:29):
speak about the other behaviors we normalize. Low budget ass
DJ academics, you must forget who you're speaking with. And
that's what I think, and that's why I always like
to approach this shit with logic, because guess what, they
hope you get emotional and they can trick you out
of speaking about things and calling out very clear hypocrisy.

Speaker 2 (01:07:46):
I wanted to.

Speaker 1 (01:07:47):
Ask DJ academics, what do we call a man in
live streams every day, in the middle of a battle
defending someone he's never met, someone he's never set across from,
never interview, all because he's quote unquote my favorite artist.
Your damn it got your ass beat by Dave Free.
You knee deep in beef with TDE because you're defending Drake,

(01:08:07):
and you got the nerve a safe because I didn't
want to have a conversation about thug. Why Charleston is
in character mold, then I'm biased. You'll posting music with
five mod just because somebody gave you two thousand dollars.
You use your entire platform the lot of the people.
You don't even know the music, you don't even think

(01:08:28):
it's fire, but you will post this fire because you've
been paid. I came in with money you made. George
amongst these people big and barring and stealing has some respect.
It gets even deeper when you understand that Drake and
I with Drake, ain't got nothing to do with Drake.
I'm just dealing with this bozo, this low budget ass
who sees me say yo, Charleston, let's not have the

(01:08:50):
conversation about thug. Bro you in character mode, not right
now with you, but not right now, and costs that
me being biased and trying to rob my platform of
its integrity when it's really impossible to do. Everybody see
me built it brick by brick. Everybody saw that I
was an architect. They saw me go brick by brick.

(01:09:11):
And when we go to thinking about it, this situation
with Drake, people were getting shot there were real things
going on. He took that shit personal with Kendrick. Academics
jumps in there. Listen, ak yo. If what I'm doing
is biasness and it says something about the integrity of
my platform, what do you call what you've done for Drake.

(01:09:33):
It's a lot of unsolicited allegiance coming from your side.
As it pertains to Drake, he won't even interview with you.
He continues to go and interview with Bobby, and you
keep popping out getting black.

Speaker 2 (01:09:45):
Eyes for him. And I get it.

Speaker 1 (01:09:48):
If I'm Drake, I don't interview with you because you
play both sides same time.

Speaker 2 (01:09:52):
You act like you with.

Speaker 1 (01:09:54):
Drake, and then you will play some shit about him
like in Young Girls. It's like you don't understand because
you've been imported. You really don't understand what the fuck
you're doing. And so when I talk to you, I
expect for your mouth to be shut because you got
to know, you don't have no understanding on human behavior.
You got your degree, you got your but you don't
have no human behavior understanding love. And so my behavior

(01:10:15):
was grounded in principle. What was your behavior grounded in?
I need people to understand they think they're dealing with emotional,
fragile people. They actually think that it's important we remember
that this dude called all the Kendrid fans bots in
the middle of the fight. I would even argue that

(01:10:36):
some of what's going on with the lawsuit life people
in hip hop, somebody needs to do a documentary on
all of the problems in hip hop. Like I ain't
even talking about the street shit, the beef shit, the
real life issues in hip hop in business that Academics
has played a role in. It's astronomical. When you examine
academics its footprint, you know, over the last five to

(01:10:58):
ten years, not to know, it's not even the fanfare,
but the actual outcomes. There's a consistent pattern that emerges.
I think it's important that you guys hear me and
hear me well because if I just say it plainly,
Academics has not been utilized to build anything over the
last ten to fifteen years of his career outside of itself. Granted,

(01:11:19):
he's been able to get fanfare, but again, when I'm
talking the low budget, A need to shut his mouth
because he's more like a wrecking ball, right, He's not
used to build anything. And I'll give you some examples,
but over these last ten to fifteen years, show me
what he has built outside of hisself and at if
you really pay attention, your commentary has done what it

(01:11:42):
has contributed to, the dismantling of people's careers, reputations, and
their ecosystems. And people may smile when they hear that, right,
like oh man, that big bad wolf. No, sometimes it's unintentional. Again,
this is like a wrecking ball. This cannot build anything.
Anything it come in contact with, it destroys it. From

(01:12:04):
a brand perspective, you pay attention over the last ten
to fifteen years, and if I give you some examples
of what he's been involved in. But if I give
you some examples, it'll make sense. But when you think
about it, he's built no clothing line, no business, no
pure fuel. He's built no media company, no clothing line,
no tech pivot, no media network, no cultural foundation, no mentorship,

(01:12:25):
no pipeline, no streaming service, no nothing. In ten fifteen years.
It's incapable of building things. When you deal with a
platform that has been built in the way that has
been built highly effective, but only to destroy. There has
been no entity that reflects creation, only destruction. And so

(01:12:48):
when you look at me in contrast, we're trying to
represent creation. Why they represent destruction? Creation versus destruction. See,
I keep telling y'all, it's no longer real verse fake.
It's create versus destruction, good versus evil. And you can
still throw real and fake in there, but it's creation
above all, creation versus destruction. If I have a conversation

(01:13:11):
with someone who don't know any better, I'll tell them that, Yo,
this young man has been instrumental in inserting himself in
volatile situations and accelerating their collapse. And for some reason
they think the audience is so stupid to forget about
some of these things. Think about this. Anything academics touch,

(01:13:32):
he destroys. I know a lot of people in the industry,
and it sounds kind of productive, because a lot of
people in the industry is man, you need academics the
platform instead of Yo. The integrity is shot. We know
you can pay for the fire emoji over there. You
can pay money for him to say this is the
new banger. The integrity is collapsed. On top of that,

(01:13:53):
think about everything that he's been involved with that notably,
we know him for it. Takashi six 's nine. This
is the first one, was the blueprint for the destruction.
This is really what turned him out. Some people said
it was the warm shot wreck. I think they had
him scared after the wall Shot wreck. They really could
have got him together. Takashi really broke the seal. Academics
wasn't amplified for Takashi. And we're talking to early years.

(01:14:16):
We're talking about when he first came in the game.
He was an architect for the chaos, for the campaign
of the chaos. He was an architect for that young
boy to get his voice oide and say these rappers
on the West coast.

Speaker 2 (01:14:28):
It didn't go to the West coast.

Speaker 1 (01:14:30):
And while he thought he was building Takashi sixty nine up,
ultimately he said, up to jail. You contribute to him
going to jail. You contribute to the downfall of they
whole shit. And so when you zoom out, you see
that he helped engineer the trolling and the escalations of
some of these things, including the campaign of slide for Vaughn.
When we think about the Dirk and Vaughn in sixt'
nine situation, Yo, you put six nine up there with

(01:14:52):
their slab for von she did. Everybody else was saying, man,
that's radioactive. Brother, that's a little too deep. We ain't
going there with it now. The digital energy did transform
into real life federal pressure. See, it began its trolling
and it ended up for Takashi as a Rico indictment.
It started as trolling and then it shit start ended
up in the Rico indictment. The chief keep shit certain

(01:15:14):
things to Rico indictment. Yeah, it started as trolling. How
high he heat? But guess who was there the whole time?
The wrecking ball, nothing built, everything burned. That's Takashi six'.
Nine we talk about. Dirt you over. Dirt you got
around dirt and acted as a wrecking. Ball the fizz
are legend and murder for How and it's the same

(01:15:35):
exact situation that slithe For von environment academics helped glamorizing.
Platform even after the streets whispered it's hot and Slide
levon already was took ca of they ain't even saying
it no. More you still bought dirt on your. Platform
and then what talked directly to him about Slidea Von,
again nothing, built and so you talked to dirt about Slithele.

(01:15:58):
Von it's now in his federal K, listen this is
All i'm. Saying wherever you show up at up at my,
niggas seem like you a wrecking. Ball seem like you
up everything you. Touching you over there With. Dirk you
got a relationship With. DIRK i don't know Why dirk
let you play the middle like. IT i still don't understand,
that And i'm gonna ask him that one. Day WHENEVER
i let you play the middle like, That, yo you
platform In, takasha we can't be. Cool it lests you platforming?

(01:16:22):
Him will he not disrespecting? Me that's why they got
to call me out because they Shake dirk head and
hug on dirt and then Posts takashi six 's nine
Disrespecting dirk on their. Platform so they gotta, Say, Yo
loan probably doing too, much. Bro then she'll be paying
loon six seven figures a year for that kind of.
Shit they got to say. That but you sit With

(01:16:45):
dirk breaking that slide Of von and ship up because
you have no understanding of the consequences that is under.
Investigation you With dirk, Boom he's now in. Jail all
of a, sudden you dont stream one day dirt he
ends up on the. Phone, boom now. Boom that's brought
to the. Judge there's something else academics involved in wrecking

(01:17:07):
ball material Toy. Relanes the encouragement of Toy relays by
academics is what got him in his. Trouble now going
through the depositions and things of that, nature and, Listen
i'm not in. THAT i don't know what's up with
toy remad. Situation All i'm saying was academics was too
involved in a situation he had nothing to do.

Speaker 2 (01:17:26):
With he's a wrecking.

Speaker 1 (01:17:27):
Ball anytime he's, involved he clapping for, you it's tearing something.
Down academics plugged in with Toy. Relanes he didn't help Toy.
Relanes there was nothing. Built it harmed Toy relays in his,
sentencing in his public, Hostility it made the courts interpret
his online behavior is arrogance and not. Innocence it did
not help Toy relanes. Today where Is tory? Today toy

(01:17:51):
is serving a ten year sentence and the digital agitation
from academics did not help him legally or. Culturally PERIOD
Nba Young boy To business was jeopardized. Again these suggest
and this is just shit off the top of the.
Head you jeopardize young boy business Doing Young boy's. Tour
what did act? Do ac commentary created the perception That

(01:18:12):
Young boy was actively disrespecting, cities not Because Young boy said,
it Because act package is that, way promoters may get.
Nervous insurance companies get. Nervous they ask, questions sponsorships. Reconsider
you understand What i'm. Saying you turned that touring business
into some. Bullshit then you Bring Aiden ross up, There,
charleston get on the, platform say, yo they were trying

(01:18:33):
to give a million. Dollars you fut that money, up
so you own a money up and they ain't saying
nothing to. You they just letting you be backstage on
tour the money. Up Aidan ross trying to pay you
talking about ain't nobody paying, man he ain't paying. Nobody
who is? This then you go home and you painted

(01:18:53):
as If i'm going through these cities disrespecting these. Rappers
you starting to add to an already fragile RELATIONSHIP i
have with the touring. Market you're not helping Young boy
at that. POINT i, mean, listen, dude when we think about,
it you can do these all day can be one
hundred of. THESE i give you one or two, more
and then we'll move. On think About, drake bad, advice bad.

(01:19:15):
Outcomes you Convinced drake that all The Kendrick lamar's fans were.
Bots now DO i shot an opinion that that may
be a large? Percentage, YEAH i believe bots are. Involved
BUT i think in The drake And kendrick, battle a
notable portion Of drake's public position was influenced by academic.

(01:19:37):
Streams and so the loud intel that wasn't, accurate that
created a false, confidence disguised its inside. Information and that's
What i'm. Saying you're negligent at the will because you're.
Drunk you don't you just got your. Bullshitting you, done got,
rich you lucked. Up you otta be. Happy you ought
to be around here doing the right. Thing happy you

(01:19:57):
don't win and got? Rich you know you look up
in get. Rich don't get rich getting drunk every, day
y'atta be. Lucky rather than saying things disrespectful to me
WHEN i choking the ass out within the blink of
any BUT i think you presented a lot of information
To drake that wasn't rooted in fact that he may
have believed was rooted in.

Speaker 2 (01:20:18):
Fact i'm gonna stick by The byt.

Speaker 1 (01:20:19):
Narrative for, example the bots on The INTERNET x version
of the story was grounded in what he thought was verifiable.
DETAIL i don't. Know that's WHAT i found interesting About
drake listening to some of these. GUYS i was sitting
on the sideline, saying number, one he's playing both sides of,
This SO i get Why drake don't give him the.
Interview if you listen to this, dude you see him

(01:20:40):
play both sides of, things especially With drake And. Kendrick
he tried to be loud about certain, things And i'll
tell you when he really went on the other side
and really got out With drake when The kendrick people
start dubbing, him even when he came. Back because he's
used to Playing dirk and young. Boy that's his, Thing,
drake and he used to being able to do that,

(01:21:00):
right and we all do that on some level because
with journalists in this, game but he's able to do
it in a way that he thinks flies under the
radar where people are not paying, attention and it's just
not the. CASE i believe he Gave drake a lot
of bad information that made him believe that a lot
of The kendrick fans will botch when they were. NOT
i think most OF i think there are large percent

(01:21:22):
of bots in. THERE i think at the leadership of
acting some of those type of, people he was led
to believe that maybe there's more bots than than probably
than probably actually. Are now let's pay attention to this last.
Part Aiden ross goes to The Playboy cardi concert last.
Night here's another situation where academics acts as a wrecking.

(01:21:45):
Ball cuffum falls off of the high rise and bust his.
Head number, one we sent our condolences to the young
boy cuff. Them my children really rock With aiden cuffing
and all of these young.

Speaker 2 (01:21:57):
Boys that's number.

Speaker 1 (01:21:58):
One number, two let me put this on the, Record Aiden,
ross you do not need academics to do that shit
he got you. Doing that's A generoi admission. Ticket if
you're asking, Me he's not taking you through any scenario
that makes him King jaffi joefa, MAN i can get
you them kind of tickets to anything in the.

Speaker 2 (01:22:18):
World fuck you talking about that shit he.

Speaker 1 (01:22:21):
DOING i thought he was taking y'all backstage and your
stream was gonna be explicit salute To Aiden ross for
going to give his fans what they. Want BUT i
want to be clear for people who don't understand torn
man that shit academics doing for. Them streamers don't warn
him being able to call you his son like he
doing some kind of hell of a. Thing he taking

(01:22:42):
y'all to some shit and sitting you on the high.
Rise set that to the, Side Aiden, ross academics come.
From all of these gentlemen showed up to The Playboy cardi.
Stream they were not able to take cameras into the back.
Stage i'm not even sure if they were able to
see Where cardi was at with the cameras and things
of that.

Speaker 2 (01:23:01):
Nature But aiden went. There they had a good.

Speaker 1 (01:23:03):
Time, unfortunately as they were standing on the high, rise
the bar fell.

Speaker 2 (01:23:08):
Off the bar fell.

Speaker 1 (01:23:10):
Off pay attention to this, Salute Aiden hope cuform Is

(01:23:50):
cuffle is the name on the stream of it feel right.
There but this is what academics had aiding in cufflem
at and uh this ended up. Happening but it's now
gonna take place WHAT i believe to be the following
steps is now there'll be a Lawsuit now the lawsuit
on the venue is about to get. Shaky why would
that be the? Case who gave them the? Tickets how

(01:24:13):
did they get in a?

Speaker 2 (01:24:13):
Venue?

Speaker 1 (01:24:14):
NOW i truly believe that doesn't. Matter but if you
believe you go all through this lawsuit without that becoming
a point of, CONTINGENT i think you have the wrong
idea in. MIND i think at some point they bring
up how did they get? In who gave them? Tickets
they didn't purchase, tickets so did?

Speaker 4 (01:24:33):
We?

Speaker 1 (01:24:34):
LIKE i think that becomes in. QUESTION i think a
lawsuit's coming from. THIS i think a lawsuit's coming from.

Speaker 5 (01:24:41):
This.

Speaker 1 (01:24:42):
Now if You Playboy cardi's, team you're, saying, damn academics
invited these. People we told them they couldn't come back.
Here but these people ended up falling and cutting the head.
Open somebody's really. HURT i don't know how this dude
is favorable on anybody tour at this. Point how is
this dude being called to anybody to at this, point

(01:25:02):
you go To Young Boy tour costs, here millions of,
dollars go home saying he dissing. Everybody next, thing you,
know shows get. Canceled then you get on streaming basically
let the world know that young boy then was trying
to Charge. Aiden they scam and they trying to scheme On.
Aiden next day you Bring Charleston white up there that
becomes in this. Shoe then you go to this PLAYBOY cardi.

(01:25:24):
Thing you bring them up here right For. Aiden they
know Who aiden. Is the crowd go. Crazy they Love.
Aiden you take them out. There what is on a high?

Speaker 2 (01:25:33):
Rise this Is Aiden.

Speaker 1 (01:25:34):
Ross you got out in the middle where they donna
stop looking at the show and they. Focused don't do
you got standing on a high rise and trying to sun?

Speaker 2 (01:25:45):
Them?

Speaker 1 (01:25:46):
Man you done cool lot? Man anyway is due to?
That it is a wrecking. Ball you don't help being
nothing up love one think about. This takashi six nine
is in a situation that what just Happened his home
was Just Burglar? Rise why was his Home Burglar? Rise
because he's been doing streams with everybody in the. World
who brought him back into. Streaming i'll let you guess

(01:26:09):
it at. Home but now The takashi six' nine is back.
In streaming What happens they go hold his mother at
gunpoint because they found that way Live a you invite
these streamers to. Your house these, dudes alive pay attention
To what. Takashi said happen wrote this clip to the world.

Speaker 2 (01:26:29):
Knows this it's.

Speaker 4 (01:26:30):
A fact i'm on.

Speaker 2 (01:26:31):
House rest i've been on.

Speaker 7 (01:26:32):
HOUSE rest i think Everyone in america and everyone across
the world Knows that i'm on. House arrest yesterday they
allowed me to leave. For, WORK people i guess SAW
that i was on live Stream With. Jack doherty they
took that opportunity to do some. Pussy SHIT like, i said,
it's ME so i. Get it the rules are different.
For me but if it was your, favorite artist your,

(01:26:56):
favorite actor and that, was done they don't get no
cool points. For that my mom is sixty. Years old
Y'all know i'm supposed to. Come home, Ya know i'm
home all. The time i'm on the, House rest so
y'all take the Opportunity that i'm. Not home y'all see
me on live Stream With jack Dorty, in miami and y'all.

Speaker 2 (01:27:12):
Do that that's.

Speaker 7 (01:27:13):
Pussy shit that's why get no cool POINT for i
don't think nobody respects.

Speaker 4 (01:27:17):
That shit BUT like, i said.

Speaker 1 (01:27:50):
So there's people Going into. Takashi, home no they've done
that to.

Speaker 5 (01:28:01):
His.

Speaker 2 (01:28:01):
Mom man, You know.

Speaker 1 (01:28:03):
I'm not interested in mothers and things. Being involved, you
know some just sliming, like that though some like, you
know they're they'll treat the mothers and grandmothers and all
that kind of. Different Ways so i'm not interested in
those kind. OF individuals i think those dudes need to
you need to really put them up, against.

Speaker 2 (01:28:23):
Gladiators let them really, feel it.

Speaker 1 (01:28:27):
Because sometimes, you know people don't people don't respect the
natural order of things And how god is ordaining his
universe too to interact with. One another but this is,
A situation this is a serious Situation for takashi. NUMBER
one a couple of. Different things this is my product

(01:28:49):
of being on all these. Different streams you got these
young guys showing up to your house on live talking
about put the. Camera down then you got Travel or
ross pull it out there and showing other houses in.

Speaker 2 (01:29:00):
Your neighborhood.

Speaker 1 (01:29:02):
This hose THEN what i be trying to tell these
Guys Like treblo ross and other people from outside the
culture when they have certain. Stuff wrong he don't even really.
UNDERSTAND that i just show.

Speaker 2 (01:29:13):
His.

Speaker 1 (01:29:13):
House yo if you show a house within three miles from,
my house you showed my house if you would show
me within five within five miles away and. Live it
just show me one house in, the area we'll figure
out where Ass At Trump lord ross come through there
doing a documentary and showing other houses that in, the
neighborhood talking about they.

Speaker 2 (01:29:34):
Got a gate.

Speaker 1 (01:29:35):
Around here look at these, other houses pretty nice houses.
Back here on top, of that you got the, usual
suspects the academics is and all those guys come out there.
To stream how many times you think you're gonna invite
people out there to stream and it ain't nobody else
gonna get? The location how many girls you're gonna invite
out there for the twenty v one or whatever that
shit y'all be doing? On stream y'all do a fake

(01:29:57):
blind date and invite girls from around the corner And.
In miami how many of them you think you're gonna
invite over to your house and ain't nobody gonna get?
The address and then here's another stupid thing. They're doing
and maybe he's convinced itself. Of it the streets is.
A meal the street people ain't gonna. Do, nothing man
them folks ain't gonna. DO nothing i don't have. NO

(01:30:19):
security i be wondering what they get when they're SAYING
that i don't have. No, Security man i'm, not YOU
and i don't do. No security you Know what. I'm
SAYING and i. Get it sometimes. It's bravado, it's, like man,
YOU know i move around. LIKE that i trust. The
universe all. IS well i trust. THE universe i. Get
that BUT sometimes i, be thinking like if it's in
his situation to be like, my mama stay Here and

(01:30:42):
i'm showing Money in JERE and i ain't got.

Speaker 2 (01:30:44):
No security they just. Be talking did you see me with?
Some security? Who's here that was THE time I.

Speaker 1 (01:30:49):
Seen takashi trying to call itself flexing right because he.
Want to that's something he. GOT bad i think he.
Feels played he spends so many much money. On security
he just got. A phobia now he just keep talking.
ABOUT it i don't, GOT secured i don't. Got security
who they talking about? THE security i don't do. No
security he just keep talking. About it ONE time i
heard him speaking about it to a dude that was interview,

(01:31:10):
on him and he was, talking, ABOUT yo i don't have.
ANY security i don't have. Any security but what he
doesn't understand is is that he's sitting across from, a
squad so he won't to shine for. The watchers so
he really poured. IT on i don't got no.

Speaker 2 (01:31:26):
Security door do you see, some security, dude, like nah ain't.
No security, i'm saying you see who? With me you
see how? We moving didn't?

Speaker 1 (01:31:34):
Howl, out man it's only one person, with you and
he ain't got.

Speaker 2 (01:31:38):
A gun.

Speaker 1 (01:31:41):
I came to, your house it was only one person
there and they didn't have. A gun then what they
saying on stream now and you think that's falling on
death is the interesting FACT that i think people don't
Understand is takashi is financially vulnerable. Right now so even
though those gentlemen broke in, his house he. Cannot move

(01:32:04):
so his mama and him got to still live in
that home Where foe nick just broke. In yesterday they.
Can't move he boughty cash is. He is maybe he'll.
Sell it, you know what do you? Move to he
did a lot of custom shit. To it he gotta.
STAY there i don't think he got the liquid cass
to really, do nothing to. Shake nothing and if he,
said it he, can move but you know that's a

(01:32:25):
lot to do so they now still have to live
in a house that's been invaded in.

Speaker 2 (01:32:31):
That way like you know where.

Speaker 1 (01:32:33):
We're from soon something like, it happened you move within,
an hour, Everything gone we out, of here this, house
done you KNOW what, I mean soon as you get
a whiff or something like, that happened you out, of there,
You know, god willing nothing like that never happened. To
y'all but, YOU know i think a lot of this
has to do with how visible he's being in the

(01:32:54):
in the eyes of. The public just been too many
people coming to. His home too many people coming to.
His home he goes, for centence and we'll see what's
going on. WITH that i need y'all go Watch this
Charge in white interview that comes out. Part two what
we really Talk about takashi and we kind of. Get
heated he's trying to Tell Me ta kashi's. A gangster

(01:33:16):
i'm laughing. AT it I believe takashi just grew up
around here. About it but you know how we. Do
it but hopefully y'all got something from. TODAY'S episode i
see y'all. Next week, you know the love is real
when it's coming from. Over here you Dig what i'm
saying hit that. Like button you know. The vibes it's up,
that podcast love y'all.

Speaker 2 (01:33:34):
For shit it

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