May 22, 2024 • 17 mins
En esta ocasión harlamos con la querida actriz Oka Giner. Ell es la protagonista de la nueva telenovela de Las Estrellas, «Marea de Pasiones» y reveló los entresijos de su papel y los desafíos enfrentados en el set.Oka Giner no pudo ocultar su emoción al hablar de su primer protagónicoen en un horario estelar en la televisión
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
A brim the La television.
Speaker 2 (00:05):
Person the cargo Sia, this is.
Speaker 1 (00:14):
Jack and your Abeo.
Speaker 2 (00:18):
The Sexualisarmes Alista.
Speaker 1 (00:23):
And alull Momento and Alul Momento Come. That's the mundo.
Speaker 2 (00:34):
L Piso Loo and v areas tarkestes to Relia respiar
set the model travess the what are Como Ropa Baser
Blair Walder Verres Robert Persona.
Speaker 3 (00:55):
Ropaao Mondo now in also and Conna actress a young
(01:18):
collection man Revere, Remoto's no Lee Oyago h Place school
post s, Rick car Corna, the Nya Yellow Novelas and
Camargo my man for Reality, Yoo Yestar Novela e f
me Esta Andela's Masses Perace and Univision Italy Visas and
(01:41):
presenters and.
Speaker 1 (01:45):
Yes make Mira in Bata Oh ye okay.
Speaker 3 (01:53):
When yes that the least this was Para Estelle Luisa
and Maria pasion Esperua port As the my content and
the persona includes so you know it's the como and
timiento where paratrasi vers acrificial past formally the history save
al They has the two Carrera and Nco.
Speaker 1 (02:20):
Correct our ut the start noel ya theat ca an
alummento an alum momento. Come on, there's the mundo.
Speaker 2 (02:39):
Yeah, I mean remember when yeah say whatever, al must
take just and Fucala and Andrea car final comficial permis
papas porquees momento Womanola heron thela us years is questa
(03:01):
yes Harry like can no Senora.
Speaker 1 (03:06):
It was just.
Speaker 2 (03:08):
And la vida elas Thomas or no well win. That
is why Grisio Louis and I comenda Grindota Carrera is
a me fol tempo d masca eld on the sta
(03:32):
Esta Felies Baliola pen sagrificio, mules madame uelest Jose for
a yell mas, you know, for the Pisa Camargo Tierra
Orlista and Academy.
Speaker 1 (03:50):
My fourth topnega.
Speaker 2 (03:52):
Andses balaena ballet, La pena, la nina esta pa sambo. Yeah,
is known Caramela real macuesta macuesta Wo see over that.
Speaker 1 (04:06):
Yeah.
Speaker 3 (04:06):
I so we're talking lat you know, and we present
another to Papa. Okay ye part and that the ministers
does then you know, just because uncle your Crockett stamp Hyever,
I'm the alga pero quamas quentomas supper came a superson,
(04:31):
I have a stand presenting, said nor person. Now he
thought to the ok, not two persons important La pro
definite amateur crock Sluis and Marit.
Speaker 1 (04:45):
Not for importance, Ita Mello. I look at them friends
and know, I said I literally to Vesta plad Alexandro part.
Speaker 2 (04:57):
Look at the tow the perence emper respectivities is Alejandro
Macho stas me a migo meda co host eltrosa to
call persona most important to Carrera your quest get tao
(05:18):
no elst Aurita Claro is always case b romamento te
lo comente and personamas important. Carrera is Elsa Forgano is
the persona and roll protagonico o n d L persona
himas important to Luisa calo a prime, the la television persona,
(05:46):
the cargo cousin, Willow Capro Si Personama's important. Carrera, Luisa,
It's all okay ye to all responsibily it keep with
all historia respecta pulmos pass were used to in or
ver noma greo.
Speaker 3 (06:07):
Yeah, the the Luisa bourque tramas tam we went, the
lem friend, the Marcello ca the crazy propart and Aluisia
screveal agriam as Luisa zeppa locally espera ma past.
Speaker 2 (06:38):
Your calahndstar and some verses paras Luisa los n p
n bores Sia mamas don to Marcello Bordos know implemented.
Speaker 1 (06:55):
Fasi le and.
Speaker 2 (07:00):
Kela more tip super parol Papa in Martllo.
Speaker 1 (07:11):
In the momentary algo and.
Speaker 2 (07:15):
No put over over op on the staff, Porno la
caa semina comprandos historia in massa, the supposed a superpar
explica familia.
Speaker 1 (07:32):
Supposes a superban.
Speaker 2 (07:36):
Suna cosa and you know conflicts porto care probably Marcello
Resa m o s l p Loo and the keV
areas tarkestes to relate, respire, set the.
Speaker 1 (07:54):
Model, travess the people.
Speaker 2 (07:59):
More the tvidacom amass.
Speaker 1 (08:03):
Arm in puels and does the chance and chance and meluisa.
Speaker 3 (08:10):
Oh yeah okay Thelaca and aim verta and came book
by vast need to do the no no no, it's
the pera see the the s in como bos is
(08:35):
Brandy Stasi, lud.
Speaker 1 (08:40):
Actor p come.
Speaker 3 (08:44):
Tsand friends at I mean i o is the noelas
a common prestata vertes.
Speaker 2 (08:53):
On processors p Guandola rista your clochistos chiquita, this is.
Speaker 1 (09:03):
Jack and kept your.
Speaker 2 (09:06):
Medio the sexually arme yourst alista po no s re
lista an album, Projecto modo, Yeah, blah, promising Sidesperskiri Ticken
equando Wo so you corpor and her con is the
(09:28):
fact of black as it cares fer s so yeah,
I guess Magasma Loo.
Speaker 1 (09:38):
Muda came and then.
Speaker 2 (09:42):
They came and Mira Trees Yes, oh yeah, mister here
so you nto perfect man Lina the seruna professional men
gantas a tip sa set Jason calls moment We're gonna
(10:05):
kill as spoils Lasana momento sometimes with other las vemos
los directors, monitor emos look Creato, two vessel projects, project
okay keetin and places in the photography is stink quintas
cosas the manor is stint cas and procl a man
(10:27):
bandola and says alas you wanted to meet, you wanted
to kill ant there opens a level look the next
and no.
Speaker 3 (10:47):
One the Luisa yeah in trust as a problema and
more came and Lema more burg Tennis and contrast are
to a disposal, okay comes to okay, let us as
the nation lost the Los Angeles los ass perque on comedyant.
Speaker 1 (11:13):
That comes to yo, So I feel criente. So when
a romantically noomic.
Speaker 2 (11:21):
Name is silo quest and your quest career, yourso crient
the cause you know, let.
Speaker 1 (11:27):
P contos forsslui.
Speaker 2 (11:29):
Versus and to prayers las cosas passam pa.
Speaker 1 (11:36):
M marco.
Speaker 2 (11:39):
Cro Several issues were pre yeah people more paro scuros
are last a lass travel the la coo media yea
(12:03):
st fasil connector con Ignacio poms pora and vidas.
Speaker 1 (12:13):
Mos la vida.
Speaker 2 (12:18):
Ms can lavedan rapido ILOs, momentous buenos. Presidents come on
jo paravas quanto you know.
Speaker 1 (12:32):
Apportun per you no the policy la rue the ultimo j.
Speaker 3 (12:43):
Oh ya London focus the ins why not the for
the premier Projecto is the gossip, care is the capul
It's the It's a projector when residents momentum, criticas aur
your croquette come come the man hastan and inventors staats
(13:05):
as critical as the project to come experience.
Speaker 2 (13:07):
Here Seela Mocho melans Ala.
Speaker 1 (13:15):
Blair Waldorf, Mexican cal and.
Speaker 2 (13:19):
Ricka Millonaria, ccnscond As, what was filters Lenko, the soyos.
Speaker 1 (13:30):
Companies as as Coloria Beal, the MPs.
Speaker 2 (13:37):
They are Comoes Ropa Blair Waldor P Robert Persona Roba.
Speaker 1 (13:50):
From with Opero Seniority, pc.
Speaker 2 (13:54):
Oh Yenda, the boys, young Criticas, Lanza a second Sernra
myn the story and you were all okay, momento made
in the Garda gar annoy the television.
Speaker 1 (14:15):
It was this historian historia contendo exactly.
Speaker 3 (14:20):
The control or not, you know.
Speaker 2 (14:26):
Sa comore no empress no more. Yeah, this is is
manoys total, the al the Alvis Raskin also Rea. Yeah,
just an assurements my commentario whether you're just doing clar
(14:49):
to my meloy chance.
Speaker 1 (14:52):
I guess.
Speaker 2 (14:55):
So they are okay, the GM and you know the
Persian see Pama, yeah, I can be likely to know
or Aleva m Piso.
Speaker 1 (15:06):
Yeah, come oh y y.
Speaker 3 (15:10):
Caspero is the lasts spanosos los mi grants, the STOs,
the luna formaena stamena as causssss, the cave sil qies
cas no silosas, the pleas spanos.
Speaker 2 (15:35):
Kelos amro mucho keno is facil the hard like paras
ther cannitoena much brason candidos pamas are your groupy connect
amos novela for Dora una in la Vidazanos permitte grita
(16:00):
lomos gritar coo in our callans permit your are per
no no no no no and fra hilo and thoses
to stamos gon telenovela is live per cases seeta no
(16:21):
yes laap is over to those late telenovelas. Look at
the connect Veela Lael and Beela Telenovela and do la
Telenovela it is inevitable. Recorder is a starts and familia
las comidas lapage you know and says yokoyla telenovelas connector
(16:50):
Conosta raises in Nadas is higher to Nola is cap
padre parport came porcos parts and pla in Blos y yeah,
Nolla pier then Jose Bousta stas well.
Speaker 3 (17:14):
Are large Plato the team tan Raso.
Speaker 1 (17:22):
And Rivista you wanted to mantas lets bass listen
A brim the La television.
Speaker 2 (00:05):
Person the cargo Sia, this is.
Speaker 1 (00:14):
Jack and your Abeo.
Speaker 2 (00:18):
The Sexualisarmes Alista.
Speaker 1 (00:23):
And alull Momento and Alul Momento Come. That's the mundo.
Speaker 2 (00:34):
L Piso Loo and v areas tarkestes to Relia respiar
set the model travess the what are Como Ropa Baser
Blair Walder Verres Robert Persona.
Speaker 3 (00:55):
Ropaao Mondo now in also and Conna actress a young
(01:18):
collection man Revere, Remoto's no Lee Oyago h Place school
post s, Rick car Corna, the Nya Yellow Novelas and
Camargo my man for Reality, Yoo Yestar Novela e f
me Esta Andela's Masses Perace and Univision Italy Visas and
(01:41):
presenters and.
Speaker 1 (01:45):
Yes make Mira in Bata Oh ye okay.
Speaker 3 (01:53):
When yes that the least this was Para Estelle Luisa
and Maria pasion Esperua port As the my content and
the persona includes so you know it's the como and
timiento where paratrasi vers acrificial past formally the history save
al They has the two Carrera and Nco.
Speaker 1 (02:20):
Correct our ut the start noel ya theat ca an
alummento an alum momento. Come on, there's the mundo.
Speaker 2 (02:39):
Yeah, I mean remember when yeah say whatever, al must
take just and Fucala and Andrea car final comficial permis
papas porquees momento Womanola heron thela us years is questa
(03:01):
yes Harry like can no Senora.
Speaker 1 (03:06):
It was just.
Speaker 2 (03:08):
And la vida elas Thomas or no well win. That
is why Grisio Louis and I comenda Grindota Carrera is
a me fol tempo d masca eld on the sta
(03:32):
Esta Felies Baliola pen sagrificio, mules madame uelest Jose for
a yell mas, you know, for the Pisa Camargo Tierra
Orlista and Academy.
Speaker 1 (03:50):
My fourth topnega.
Speaker 2 (03:52):
Andses balaena ballet, La pena, la nina esta pa sambo. Yeah,
is known Caramela real macuesta macuesta Wo see over that.
Speaker 1 (04:06):
Yeah.
Speaker 3 (04:06):
I so we're talking lat you know, and we present
another to Papa. Okay ye part and that the ministers
does then you know, just because uncle your Crockett stamp Hyever,
I'm the alga pero quamas quentomas supper came a superson,
(04:31):
I have a stand presenting, said nor person. Now he
thought to the ok, not two persons important La pro
definite amateur crock Sluis and Marit.
Speaker 1 (04:45):
Not for importance, Ita Mello. I look at them friends
and know, I said I literally to Vesta plad Alexandro part.
Speaker 2 (04:57):
Look at the tow the perence emper respectivities is Alejandro
Macho stas me a migo meda co host eltrosa to
call persona most important to Carrera your quest get tao
(05:18):
no elst Aurita Claro is always case b romamento te
lo comente and personamas important. Carrera is Elsa Forgano is
the persona and roll protagonico o n d L persona
himas important to Luisa calo a prime, the la television persona,
(05:46):
the cargo cousin, Willow Capro Si Personama's important. Carrera, Luisa,
It's all okay ye to all responsibily it keep with
all historia respecta pulmos pass were used to in or
ver noma greo.
Speaker 3 (06:07):
Yeah, the the Luisa bourque tramas tam we went, the
lem friend, the Marcello ca the crazy propart and Aluisia
screveal agriam as Luisa zeppa locally espera ma past.
Speaker 2 (06:38):
Your calahndstar and some verses paras Luisa los n p
n bores Sia mamas don to Marcello Bordos know implemented.
Speaker 1 (06:55):
Fasi le and.
Speaker 2 (07:00):
Kela more tip super parol Papa in Martllo.
Speaker 1 (07:11):
In the momentary algo and.
Speaker 2 (07:15):
No put over over op on the staff, Porno la
caa semina comprandos historia in massa, the supposed a superpar
explica familia.
Speaker 1 (07:32):
Supposes a superban.
Speaker 2 (07:36):
Suna cosa and you know conflicts porto care probably Marcello
Resa m o s l p Loo and the keV
areas tarkestes to relate, respire, set the.
Speaker 1 (07:54):
Model, travess the people.
Speaker 2 (07:59):
More the tvidacom amass.
Speaker 1 (08:03):
Arm in puels and does the chance and chance and meluisa.
Speaker 3 (08:10):
Oh yeah okay Thelaca and aim verta and came book
by vast need to do the no no no, it's
the pera see the the s in como bos is
(08:35):
Brandy Stasi, lud.
Speaker 1 (08:40):
Actor p come.
Speaker 3 (08:44):
Tsand friends at I mean i o is the noelas
a common prestata vertes.
Speaker 2 (08:53):
On processors p Guandola rista your clochistos chiquita, this is.
Speaker 1 (09:03):
Jack and kept your.
Speaker 2 (09:06):
Medio the sexually arme yourst alista po no s re
lista an album, Projecto modo, Yeah, blah, promising Sidesperskiri Ticken
equando Wo so you corpor and her con is the
(09:28):
fact of black as it cares fer s so yeah,
I guess Magasma Loo.
Speaker 1 (09:38):
Muda came and then.
Speaker 2 (09:42):
They came and Mira Trees Yes, oh yeah, mister here
so you nto perfect man Lina the seruna professional men
gantas a tip sa set Jason calls moment We're gonna
(10:05):
kill as spoils Lasana momento sometimes with other las vemos
los directors, monitor emos look Creato, two vessel projects, project
okay keetin and places in the photography is stink quintas
cosas the manor is stint cas and procl a man
(10:27):
bandola and says alas you wanted to meet, you wanted
to kill ant there opens a level look the next
and no.
Speaker 3 (10:47):
One the Luisa yeah in trust as a problema and
more came and Lema more burg Tennis and contrast are
to a disposal, okay comes to okay, let us as
the nation lost the Los Angeles los ass perque on comedyant.
Speaker 1 (11:13):
That comes to yo, So I feel criente. So when
a romantically noomic.
Speaker 2 (11:21):
Name is silo quest and your quest career, yourso crient
the cause you know, let.
Speaker 1 (11:27):
P contos forsslui.
Speaker 2 (11:29):
Versus and to prayers las cosas passam pa.
Speaker 1 (11:36):
M marco.
Speaker 2 (11:39):
Cro Several issues were pre yeah people more paro scuros
are last a lass travel the la coo media yea
(12:03):
st fasil connector con Ignacio poms pora and vidas.
Speaker 1 (12:13):
Mos la vida.
Speaker 2 (12:18):
Ms can lavedan rapido ILOs, momentous buenos. Presidents come on
jo paravas quanto you know.
Speaker 1 (12:32):
Apportun per you no the policy la rue the ultimo j.
Speaker 3 (12:43):
Oh ya London focus the ins why not the for
the premier Projecto is the gossip, care is the capul
It's the It's a projector when residents momentum, criticas aur
your croquette come come the man hastan and inventors staats
(13:05):
as critical as the project to come experience.
Speaker 2 (13:07):
Here Seela Mocho melans Ala.
Speaker 1 (13:15):
Blair Waldorf, Mexican cal and.
Speaker 2 (13:19):
Ricka Millonaria, ccnscond As, what was filters Lenko, the soyos.
Speaker 1 (13:30):
Companies as as Coloria Beal, the MPs.
Speaker 2 (13:37):
They are Comoes Ropa Blair Waldor P Robert Persona Roba.
Speaker 1 (13:50):
From with Opero Seniority, pc.
Speaker 2 (13:54):
Oh Yenda, the boys, young Criticas, Lanza a second Sernra
myn the story and you were all okay, momento made
in the Garda gar annoy the television.
Speaker 1 (14:15):
It was this historian historia contendo exactly.
Speaker 3 (14:20):
The control or not, you know.
Speaker 2 (14:26):
Sa comore no empress no more. Yeah, this is is
manoys total, the al the Alvis Raskin also Rea. Yeah,
just an assurements my commentario whether you're just doing clar
(14:49):
to my meloy chance.
Speaker 1 (14:52):
I guess.
Speaker 2 (14:55):
So they are okay, the GM and you know the
Persian see Pama, yeah, I can be likely to know
or Aleva m Piso.
Speaker 1 (15:06):
Yeah, come oh y y.
Speaker 3 (15:10):
Caspero is the lasts spanosos los mi grants, the STOs,
the luna formaena stamena as causssss, the cave sil qies
cas no silosas, the pleas spanos.
Speaker 2 (15:35):
Kelos amro mucho keno is facil the hard like paras
ther cannitoena much brason candidos pamas are your groupy connect
amos novela for Dora una in la Vidazanos permitte grita
(16:00):
lomos gritar coo in our callans permit your are per
no no no no no and fra hilo and thoses
to stamos gon telenovela is live per cases seeta no
(16:21):
yes laap is over to those late telenovelas. Look at
the connect Veela Lael and Beela Telenovela and do la
Telenovela it is inevitable. Recorder is a starts and familia
las comidas lapage you know and says yokoyla telenovelas connector
(16:50):
Conosta raises in Nadas is higher to Nola is cap
padre parport came porcos parts and pla in Blos y yeah,
Nolla pier then Jose Bousta stas well.
Speaker 3 (17:14):
Are large Plato the team tan Raso.
Speaker 1 (17:22):
And Rivista you wanted to mantas lets bass listen
Popular Podcasts
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Intentionally Disturbing
Join me on this podcast as I navigate the murky waters of human behavior, current events, and personal anecdotes through in-depth interviews with incredible people—all served with a generous helping of sarcasm and satire. After years as a forensic and clinical psychologist, I offer a unique interview style and a low tolerance for bullshit, quickly steering conversations toward depth and darkness. I honor the seriousness while also appreciating wit. I’m your guide through the twisted labyrinth of the human psyche, armed with dark humor and biting wit.