“Drinkin' The Soda” (w/ Brittany Snow)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Hey, hey, hey, or should I say ho ho ho?
It's me Matt Rogers And in the words of another
Christmas icon, it's time. I'm back with my new nationwide tour,
Matt Rogers Christmas in December.

Speaker 2 (00:16):
Yes, it's time to remember when Christmas is.

Speaker 1 (00:19):
I'm hitting the road all of December with Henrykoperski and
the whole band performing my album Have You Heard Of Christmas,
along with a bunch of other little surprises. So, if
you're in La San Francisco, Seattle, Portland, Philadelphia, d C.
New York City, Boston, Toronto, Chicago, or yes, Orlando, Florida.

Speaker 2 (00:37):
I want to see your gorgeous ass.

Speaker 1 (00:39):
Go to Matt rogersofficial dot com or head to my
Instagram at Matt Rogers though and hit the link in
my bio. Until then, stream the album, get your look
together and get ready to deck the damn halls at
a venue near you Christmas in December. You in my
heart XO XO Santa Boy, look mare.

Speaker 2 (00:59):
Oh I see you my own and look over there
is that the culture? Yes? Goess wow, Lost Culture ding Dong,
Lost Cultusa's calling. Well you have come from an interesting event.

Speaker 3 (01:15):
Oh that's right, Yeah, I was just with Manan, Sophia, Daniella, Yunch,
Megan and Sophia. Already do I repeat some names you
might have said, Lara, Lara, of course, I'm like a
Laura Roger.

Speaker 4 (01:29):
You know.

Speaker 2 (01:29):
If that's the power of Sofia, she gets mentioned, gets mentioned, Fia,
You go girl, you go girl. I was with cats Eye,
dancing with them.

Speaker 3 (01:35):
I was not dancing with them, but I was shooting
a video that should be out by now, by the
time this comes out.

Speaker 2 (01:42):
But god, those girls are truly incredible. They have a
great bounty of talent. Oh, great fortune, they have a
great fountion. Anthony Fouchon, what.

Speaker 4 (01:54):
Are you.

Speaker 2 (01:56):
Bounty and fortune at the same time is actually really powerful?
Well it's actually really culture number sixty. When you say
bounty and fortune at the same time, you get fountion. Well,
those girls of kats I have a great fountion of beauty.

Speaker 3 (02:11):
And youth and talent and work ethic and they're so sweet.
They're funny as hell. I mean that ep beautiful, chaos excellent.
I mean, obviously we're like the last people telling people
to stream.

Speaker 2 (02:22):
They're like machines, as were you, my friend, my dearest friend,
mine one of your most famous dancers. Now that's not true.
It is true. Don't challenge me.

Speaker 3 (02:32):
Well, I flopped on this stance, I must say, because
the choreo that Katsi does is was it difficult?

Speaker 2 (02:39):
Incredible?

Speaker 3 (02:40):
Like you have no ideat We got to talk to
our guests about choreo because I want to know what
Adam Shankman made this icon do our.

Speaker 2 (02:46):
Guest has hit the step for decades. Absolutely, it's actually
a real culture. Number fifty has hit the step for
decades and it was a lot of fun. Check it out.
It comes out Halloween. They do fun Halloween stuff.

Speaker 3 (02:59):
These girls they do yeah, because you're gonna love this
Halloween thing.

Speaker 2 (03:03):
Really special at this point it's out.

Speaker 3 (03:06):
So they got dogged online because at the VMA's on
the brid carpet, a lovely correspondent on from Billboard ask them,
we're celebrating Mariah tonight. What is your one by one?
Let's go around one by one your favorite Mariah video?
And these girls they're young, they don't know they're babies.
It's a little bit of.

Speaker 2 (03:22):
Babies don't necessarily know about Maria. It's actually really coach
number fifteen. Babies don't necessarily know about Mariah. So they
were stumped.

Speaker 3 (03:28):
And then of course, like the you know, a certain
millennial sect, you know, sect of gay men, especially kind.
It was like, oh, these girls, you know, open the schools.
These girls don't know. And so for their Halloween thing
this year, they are all dressed up as their favorite
Mariah video.

Speaker 2 (03:44):
Look. I love that they paid respects.

Speaker 3 (03:47):
They pay respects and there's a great broad, sort of
gamut of Mariah.

Speaker 2 (03:51):
Looks that I think will please a lot of people.

Speaker 1 (03:53):
And I'm sure the millennial gays will now put their
weapons down and leave the girls alone.

Speaker 3 (03:59):
But okay, but like I just talked to the girls
and they were like, we love her, we love her
so much. We just like we couldn't think of like
any videos, and like we watched all of them, and
they're so cats.

Speaker 2 (04:08):
I come on the show, Come on the show. We'll
get you're invited, we'll get a gab.

Speaker 1 (04:11):
All right, Well, speaking of it, if they opened the schools,
I believe that our guest is in all the textbooks
in the school. She actually is an incredibly part, big
part of pop culture.

Speaker 3 (04:23):
In so many different lanes and ways and verticals.

Speaker 2 (04:27):
I'll say, I remember when I first saw the guest
when on television there was a preview for a new
show called American Dreams, and the star of it was
this absolutely gorgeous ray of light. And I remember being young,
gay and I said, that's a star. That is a
superstar whose name we will know. I believe she even

(04:47):
got one of those like an introducing Brittany, she got
an and introducing she did.

Speaker 1 (04:53):
She's making a face that would suggest I'm wrong, but
in my mind it was American Dreams and intro deducing Britney.

Speaker 2 (05:00):
Snow, Oh that sounds so right. It hits the ear perfect.

Speaker 1 (05:04):
She's the star of the cultural phenomenon that is the
Hunting Wives, Murder of Murder.

Speaker 2 (05:09):
Sophie is on Hulu now so much more. I said, Sophie.
Sophie was the name of her character, different from Sophia, right,
but let's say Sophie twice, just to make it fair. Sophie.

Speaker 1 (05:21):
Yes, And I guess I could say on most culture
recess and now and introducing Brittany, Yes, it is a
phenomenon that you're here.

Speaker 4 (05:36):
No, it's I'm just so delighted and honored. It's not
a phenomenon. I was gonna come here regardless but do
you want to be here or not?

Speaker 3 (05:42):
No, for us, we want you here. Yeah, it's a
personal phenomenon for us.

Speaker 4 (05:47):
Oh no, no, it's I mean, this is the most
lovely introduction. Though I do not feel like I'm in
this category whatsoever.

Speaker 1 (05:54):
But think was it an introducing Britney Snow? It might
have been if.

Speaker 5 (05:58):
It was for you.

Speaker 1 (06:01):
I just remember, like that's a huge deal though, like
you're you're I guess you've been acting since you were
a kid.

Speaker 5 (06:07):
Kid a kid kid, like a baby, a Tampa kid.

Speaker 4 (06:11):
Mom put me into those commercials when I was a baby,
and so I have known no different.

Speaker 2 (06:15):
Yeah, it's just.

Speaker 1 (06:17):
Living the living the life, the hard life of a
Tampa child actor.

Speaker 4 (06:21):
It was hard.

Speaker 2 (06:23):
What was the hardest part The driving.

Speaker 4 (06:26):
Lando, Florida, the five ams, Like getting in the back
of my mom's van. She gets me one Dunkin donut,
one strawberry glate. Come on now and I am in
the audition, like eight thirty nine o'clock in the morning,
and I have to be on.

Speaker 5 (06:43):
I've got to be cute.

Speaker 4 (06:44):
Yeah, pigtails always of course the look well around like
six or seven.

Speaker 2 (06:50):
Yeah, braided pigtail, no.

Speaker 5 (06:52):
Like to annoying stalking vibes.

Speaker 3 (06:56):
Yeah, but does part of you like I I wasn't
even at all near this like sort of channel between
Tampa and Orlando or anywhere in Florida feeding into central Florida.
It just felt like such a nineties thing, like this
aspirational nineties thing for kids, for people our age, where
it was like, oh my god, well you can like
get your start in Orland.

Speaker 2 (07:17):
You could go to Orlando. God.

Speaker 4 (07:19):
And it was even worse that we were in Tampa.
Like I was a Tampa kid. I was born and
raised there, so it was almost like required that I
was a part of dance and singing and stuff like
that because there was pop stars coming out of Florida
and everything. It was very nikky related and and so yeah.

Speaker 5 (07:35):
I had no choice.

Speaker 2 (07:36):
So you were a Tampa kid who longed to be
an Orlando kid.

Speaker 4 (07:39):
I did, actually, especially because in my teenage years, Orlando
had teen clubs, all the groups.

Speaker 5 (07:47):
The groove was my mecca.

Speaker 4 (07:49):
I would leave high school and go right from like
high school Friday to Orlando, would spend the weekend with
my friends in Orlando, and I would be at the
teen clubs with like a cowboy hat and like.

Speaker 2 (08:01):
It sounds heavenly on it. That was exactly what on
the island I pictured.

Speaker 4 (08:05):
It being, Yes, but like no social media, no phones,
were just at the teen club, like yeah, what was
like that? Big?

Speaker 5 (08:16):
Isn't it fun?

Speaker 4 (08:17):
They love and feel so good?

Speaker 2 (08:24):
Oh wow, what.

Speaker 3 (08:25):
Are you going?

Speaker 2 (08:26):
Cowboy out on? It is so wrong? What's so right?
So right? But what are you throwing back the die cokes? Yes?

Speaker 1 (08:33):
Well, this was a time when there was no limits
on soda. Now they've banned soda. It's almost like you
can't even say the words sprite. You can't even say
the words full fat coke. They'll come for you, they'll
come for you, they'll come for your kids.

Speaker 4 (08:44):
It was freedom back then. We really had it made.

Speaker 1 (08:46):
I just remember being that, being like young and just
watching my Nickelodeon and knowing that everyone on my television
was at Universal Studios Florida film before a live studio audience,
and I would run around in a circle drinking soda
until I passed out.

Speaker 3 (09:04):
I had the energy for it and the ability to
consume it. And you just wanted to be at the
groove so badly.

Speaker 1 (09:09):
Well, especially Tampa. You're talking about Tampa. You aspire to Orlando,
like Long Island, you aspire to Tampa so that you
can even get close to I know, I know, but
Florida had a different image then it did.

Speaker 5 (09:21):
And I think because I've known, I know too much,
you know.

Speaker 4 (09:25):
But here's a weird story is then after I was
in the teen clubs in Orlando, I made it to Hollywood.

Speaker 5 (09:32):
You know, American Dreams is happening.

Speaker 4 (09:33):
I'm fifteen when I do the pilot, and then it
gets really dark because there's teen clubs in La.

Speaker 2 (09:39):
A different flavor.

Speaker 5 (09:41):
It's a different flavor, same fruit, juice.

Speaker 2 (09:43):
And same so there's different stuff in the fruit.

Speaker 4 (09:45):
But there's different, different people in.

Speaker 2 (09:49):
Different in the environment.

Speaker 4 (09:50):
What I mean. Yeah, there was a teen like club
that behind a door there was like an a list
portion of this club. Oh no, Hollywood and Highland. And
basically if you were on like a CW show, but
at the time of WB, or if you were on
any sort of like show like Lizzie Maguire or something
like that, we were all back there in this room,

(10:10):
and we were all in this little way smaller than
this room together just drinking soda.

Speaker 2 (10:17):
Soda quote unquote unquote soda.

Speaker 4 (10:20):
Definitely soda definitely.

Speaker 5 (10:21):
So you're fifteen, sixteen years.

Speaker 3 (10:24):
Old, so does that engender kind of like, oh, I
get it. There's a hierarchy, there's this, there's a stratu
or like that's that's that's so. I mean, I guess
that happens everywhere, like in high school.

Speaker 5 (10:38):
Well, you got to.

Speaker 4 (10:39):
The head of the teen club line if you were
on show, which was already so bizarre, but somehow we
just knew that.

Speaker 5 (10:46):
We go to the front hall.

Speaker 2 (10:47):
So you're talking about this is like you and Hillary
Duff drinking soda in the back.

Speaker 4 (10:51):
Lindsay, wow, so would all the kids that were ever
on Seventh Heaven that yeah.

Speaker 2 (10:57):
Miss Beale.

Speaker 5 (10:59):
Miss Beale was never that. It was just it was David.

Speaker 2 (11:01):
David with me.

Speaker 3 (11:06):
That's why that That's what I was gonna you know,
I'm going to ask you about Kingdom.

Speaker 2 (11:09):
Pointed because you said I want my video game cred,
I don't want the official So I've had the Florida portion.
Go ahead, take the Kingdom Hearts portion.

Speaker 3 (11:19):
This is a first for me. I have nothing specific
prepared for you in the way of questioning what would
god this this is weird. What would you like to
be asked about Kingdom r.

Speaker 4 (11:31):
Truly anything, because I do not remember doing Remember, I
think I was sixteen, and I knew I was doing
a video game, and I knew it had to do
with DISNEYEP and that's all I knew. Sure, So I
I remember the only thing that I remember about that
time is that the guy who was like the sound
editor was really familiar with Christina Aguilera because he had

(11:52):
just done Milan and she sang. And I wanted to
know everything about Christina Aguilera, and so I just pumped
him for information.

Speaker 5 (12:00):
But other than that, no clue.

Speaker 2 (12:03):
Love, that's one. That's how it is in the booth.

Speaker 4 (12:06):
Hekay.

Speaker 3 (12:06):
And let's get real about the industry. Sometimes when you go,
when you go into the vocal booth for these things,
you go, sure, I'm playing a cat named Gary, okay,
and I have no memory of it.

Speaker 2 (12:17):
I was in the vocal booth today, And do you
remember anything you did? You just told us. I remember
using my voice in all kinds of ways for an
animated character. I'll black out. Ask me again in twenty
five years.

Speaker 4 (12:27):
Sure, thank you guys for making me feel better about.

Speaker 3 (12:30):
That, feel any any way about the Kingdom. Hearts of
it all. I'm thank you for being honest about it.
But I will let you know how important your character
nominate is.

Speaker 5 (12:42):
That's so great.

Speaker 2 (12:43):
Should you have played it?

Speaker 5 (12:45):
No, I don't. I've never played the games. I don't
even know what I do.

Speaker 3 (12:48):
Okay, so you play. So in the world of this game, terrible,
not terrible? Oh please not terrible, because this is going
to be thrilling. Paint the teacher. Well, first of all,
you have a stacked cast. Well I'll get to that later.
But in the world of Kingdom Hearts, the crossover game
from Disney and Square Enix, famous one of the best
video game sort of distributors and companies of all time.

(13:10):
Donal Fantasy. It's their sort of mashup and so Hailey
Joel Osmond plays Sora, Hayden Paneteer plays Kyrie, and David
plays Riku. Anyway, the three of them start off on
this island. They get dispersed when the Heartless come and
corrupt the soul of their planet. Now, in the process
of getting your heart corrupted, you get a vessel of yourself.

(13:33):
A copy of yourself comes into the world named a Nobody.

Speaker 5 (13:38):
Yes, I do remember saying, so.

Speaker 2 (13:40):
You are Hayen Paneteers Haten Panettiers nobody.

Speaker 5 (13:43):
I mean, it wasn't the first time.

Speaker 2 (13:49):
I wanted to save the world, to be the cheerleader.

Speaker 5 (13:51):
Definitely at that time.

Speaker 4 (13:53):
Hell yeah, of course. But then some interesting like Hayden
Panetier and I have known each other since I was
twelve years old.

Speaker 5 (14:02):
She was played my little sister on a soap opera.

Speaker 2 (14:05):
Now you were on Guiding Light.

Speaker 4 (14:08):
Yes, that was my first jobs and she she was
my little sister, and we we knew each other very well.
We did a lot of scenes together and so and
she was like a baby person when we were on
Guiding Light. I don't know, the difference between eight and
twelve is so vast for some reason.

Speaker 5 (14:26):
So I just looked so down to her.

Speaker 4 (14:27):
And then when she was on Heroes, I was like, oh,
she's like a human. So when we did Kingdom Hearts,
I did feel like, oh, this makes sense, like we're
playing connected again, So it makes Yeah. I'm Michelle, I'm nobody.
I'm the shell of the person.

Speaker 3 (14:40):
You are, Kyrie, Kyrie of the person tracks No, no, no,
this is this is no. I'm about to give one
last day.

Speaker 2 (14:48):
I won't. I won't dwell too much on this.

Speaker 3 (14:50):
I just I've always wanted to tell you, like how
you watching, because now I feel like I really learned.
So Kyrie is so special. So these three kids, a
Rico and Kyris are very special. And so Kyrie gets
turned into a heartless and so then she turns back
to a human. But then Nominate your character enters the world,

(15:10):
and because she is Kyrie's nobody, she has the special
power to rearrange people's memories. Yes, and you are a
Nominated gets recruited by the bad guys to basically like
refabricate Sora Haley Joel Osmond's memory.

Speaker 2 (15:27):
And it's it's a profound thing.

Speaker 4 (15:30):
This is, I mean kind of ironic that you're speaking
of memory because that jolted my memory. Yeah, because I
remember having to do a scene about that, about how
I got his memory back.

Speaker 5 (15:39):
Yes, wow, I haven't thought about that.

Speaker 2 (15:42):
Of course.

Speaker 3 (15:43):
This is a big part of bon Yang's formative huge
Oh no, it's and there's still a very very active
community of people who adore that. It's a formative, formative
piece of pop culture history and video It's one of
the most pop cultural like video game items ever. And
so and then Hailey Joe Osmonds nobody is play is Rocks.
This is played by Jesse McCartney.

Speaker 2 (16:04):
It's like it was. It was such it was who
of the stars of it. It was kids who were
in the A list of the LA clubs.

Speaker 3 (16:11):
It was.

Speaker 2 (16:11):
It was all the soda drinkers.

Speaker 4 (16:13):
Yeah, we were back there drinking soda.

Speaker 2 (16:14):
Yeah, a lot of these names were drinking the soda. Yeah, absolutely,
drinking the soda. Might be title of it, drinking this soda.
What was your order, do you remember?

Speaker 4 (16:22):
I mean I just remember being so excited to go
back in this room. Yeah that Like I don't even
know if I drank soda. I think I was looking
around like I too, could one day be on the
WB you know, like that's that was the pinnacle for me.

Speaker 5 (16:37):
Absolutely when we American Dreams, I know I wanted to
do with the frog.

Speaker 2 (16:41):
Well, oh my goods frog in the top half. But
speaking of we were just talking before we started about
how like when you're in Florida, and because this was
also the time of Mickey Mouse Club, like that was
something that you wanted but were just a smidge too young.

Speaker 5 (16:55):
Yes, that was I aspired to be.

Speaker 4 (16:57):
That's all I wanted was to be on the Mickey
Mouse Club.

Speaker 5 (16:59):
I would practice.

Speaker 4 (17:00):
I would tell my mom what I was going to
do with my audition, and yeah, I was too young.
Just think of where I could have been.

Speaker 2 (17:07):
But then your book Crust TV. There you go.

Speaker 5 (17:09):
I mean, not not right away, Oh you mean American Dreams.

Speaker 2 (17:12):
I think American Dreams.

Speaker 1 (17:13):
Like, I just remember watching it with my family and
it being like so dramatically potent. I would be so
curious to go back and watch it. Now, your older
brother in that was hot.

Speaker 4 (17:22):
It's weird to say he was, but this is a memory.

Speaker 1 (17:26):
I just jugged my own memory of it. I was like,
I think he was one of my first like crushes.
I think he might have been one of my first
things of like hmm, like when like when a dog
sees like.

Speaker 2 (17:35):
When a dog realizes it's gay, You know, a dog
realizes it's gay. Because he's the older brother for American Dreams.
That was kind of me. It was very that.

Speaker 1 (17:45):
It was very One of the best things about that
show was one of its features. One of the things
that made it serrated was that a different guest star
would come in and play a guest star from American Bandstand.
And we were just talking about a couple of Ashanti
was Deon Warwick, like you know, Kelly Clarkson was Brenda Lee.
I think in one of the first episodes what Yes,

(18:07):
In like the.

Speaker 4 (18:07):
Third episode, she played Brendaly. We talk about it every
time I go on the show. I'm like, can you
believe that that was one of your first jobs? I mean,
she has just won American Idol.

Speaker 2 (18:17):
So do you have any memories of like particular people
coming through? Do you have a favorite memory of someone,
because at the time, you're like fully the star of
the show, but also like a kid who's idle worst.

Speaker 5 (18:28):
I Sure came on and was Marvin Gay and that
was really cool.

Speaker 4 (18:33):
He was so lovely.

Speaker 2 (18:34):
Yeah, and he like.

Speaker 4 (18:35):
Danced a little bit, and I remember that that was
really cool. I also everyone was so lovely. There was
like two people that I won't name. Sure, Yeah, that
broke my soul because they were sort of mean, and
I was like, you're getting to play an iconic person,
Like this is a cool little job.

Speaker 2 (18:53):
Yeah.

Speaker 4 (18:53):
Who wasn't mean?

Speaker 2 (18:54):
Though?

Speaker 4 (18:54):
Who I just sat behind at the VMA's which is
a bizarre sentence to say, was rs Hilton played? Uh?
She was a Barbara Barbara I dream a Genie.

Speaker 2 (19:08):
Oh oh oh oh oh oh you go.

Speaker 4 (19:16):
Yeah.

Speaker 2 (19:16):
I think she just up like a dog there about
Barbara eating. Oh that's a good one. Yeah. Yeah.

Speaker 5 (19:22):
She was lovely, actually, like really lovely.

Speaker 3 (19:24):
I mean you were getting this like pretty cool glimpse
like on maybe not a weekly basis or whatever the
cadence was, but like you get this glimpse into like
how like different case studies on like how fame works
or how it affects certain people.

Speaker 4 (19:36):
Depending on like who comes in right, definitely, And at
that time there was no social media, which I think
was sort of a detriment to the show because I
think if it was in a different time, people with
that sort of following would have blown the show up
because everybody who was coming on the show would have
wanted to, you know, gramb about it and tweet about
it whatever. But back then, it was just like, oh,

(19:57):
coming next Sunday, get the usher being Marvin Gay, you know.
And so you really got to see who the inner
workings of their team was and how they conducted themselves
on set because they were only there was such a
short period of time that you saw such like a
glimpse into who they were, and then they left and
we were always sort of like, Wow, that was a

(20:18):
surreal thing, and much like what we were doing on
the show, we were sort of meta in that way
of being real American bandstand audience members being like, oh
my god, there's these icons.

Speaker 3 (20:28):
Totally Do you think that grounds you? I feel like,
because like I think the feature that I sort of
not the feature. I mean, I don't want to talk
about you in that term.

Speaker 5 (20:36):
Well talk about me while I'm sitting here, for sure, Okay,
but sure.

Speaker 3 (20:40):
I'm always so struck by how grounded you are, Like
there's there's something so really just I don't know, so
stoic but warm. But you know, I think I think
that is a pretty remarkable thing. Every time as Old
the Center, I.

Speaker 1 (21:00):
Have to say, like just to speak about like the
next like thing that happened was was Hairspray before or
after Pitch Perfect?

Speaker 2 (21:08):
It was before after John Tucker.

Speaker 4 (21:10):
John Tucker was first John Tucker was to really act
with I'd really acted with a shan I love Ashanti.
Her laugh is exactly the same. It's so like perfect,
like a little cute cackle, and I just adore her
and she at the time was just starting to date
Nelly which talk about a cultural phenomenon. We were at

(21:31):
dinner one time and I could barely keep it together.
I was just like, but no, it was a really
it was a really great time. But I think to
go back to I guess the original question was that
I went through like a lot of these types of
movies really early on, but I always was sort of
like struggling with something at the time, or went really
up and down and had all these different obstacles going

(21:54):
on in my personal life that I never really was
present with what was going on and or like saw
it for what it really was. And so in hindsight,
it actually made me really grounded because I couldn't get
my head up in the clouds or see it from
another macro view. I was too busy just trying to
keep my shit together. Yeah, yeah, it doesn't bring it down,
but I don't at all.

Speaker 1 (22:14):
Especially because like a lot of the things that I think, well,
for example John Tucker and then Pitch Perfect, you're around
a lot of you're you're in great ensembles with people
that are close to your age. So I would imagine
that that's like kind of cool because you can make
friends and get in touch with people but you're also
all kind of have the.

Speaker 2 (22:32):
Same POV on this thing that's happening to us, so
that has to be like a little.

Speaker 4 (22:36):
Bit like definitely, it's always really helpful. And I think
something that I've innately had about me since I was
a kid is that I'm pretty perceptive and self aware,
almost to a fault sometimes, So I do see like
what other people are taking in and how they're reacting
to what the movie's doing or what they're getting from things,
and I just yeah, and then I sort of like

(22:58):
go about what I want to do. Yeah, if that
makes any sense totally. But having that sort of duality
of knowing that someone else is doing something over here
and I don't necessarily need to has always been really
helpful for me.

Speaker 5 (23:10):
You like, we're you just going to let.

Speaker 4 (23:11):
Them go there?

Speaker 3 (23:13):
If you're right, though, it is it is this thing
that either is discombobulating or really grounding the duality that
you're talking about, which which is like being an ensembles
of people close to your age, including up up until now,
up until adding wives.

Speaker 5 (23:28):
Yeah, you know, it's actually really nice.

Speaker 4 (23:30):
I mean it kind of makes me believe that people
want me to see like see me in movies that
have to do with like female friendship or like community,
or that I'm always in a group of people. I mean,
it's better than just me playing like I don't know
a castaway character and just being alone in all my
movies and people being like I don't really want to
see her interacting with anybody, you know. I like that
I'm always around other people and all these movies it

(23:50):
shows that maybe unfriendly I feel like.

Speaker 1 (23:52):
Well, Also, the thing is, I believe it was like
Tina Fey who once said, like, you need a really
nice person to play a really mean person. That's why
you were such a good Amber von Tussle is because
it was like you did it so well, but like
you in the seats weren't snapped out of the movie,
like it because it wasn't that deep.

Speaker 2 (24:09):
But like you were so And also like she does
get a little No, she doesn't get redemption in that movie.
She gets redemption in the Broaday.

Speaker 4 (24:16):
Musical she does get a little bit not redemption, but
I think she has a change of heart towards the end.

Speaker 5 (24:21):
Yeah, because she sort of without.

Speaker 4 (24:23):
The power struggle of her and her mom, she sort
of sees it from a new and it's so slight.

Speaker 5 (24:28):
I mean, it's at the very end of the movie's
like you can't stop to be.

Speaker 4 (24:31):
Like maybe Amber's having a different perspective, and then out
in the movie's over.

Speaker 2 (24:35):
Because did they cut in the movie?

Speaker 1 (24:37):
Did they cut when you and that when Amber and
Velma sing in you can't stop the beat?

Speaker 2 (24:43):
Or is it they cut that? Yeat?

Speaker 4 (24:44):
See.

Speaker 2 (24:45):
I knew they cut it because.

Speaker 1 (24:46):
In the musical it's this like moment where the von
Tussels like kind of fully get brought up on the
other side. And I remember, truly one of the moments
in culture for me was seeing that Broadway musical and
just Laura Bell Bundy on the high.

Speaker 4 (24:59):
Harmony of that psycho right like crazy crazy crazydle.

Speaker 2 (25:04):
Did you see that?

Speaker 4 (25:05):
Yes, I've obviously seen her, but you know Laura talking
about Guiding Light. Laura played my aunt guiding Light.

Speaker 2 (25:11):
Yes, Laura Bell Bundy, Yes.

Speaker 4 (25:13):
And Laura and I are very dear friends. And so
getting to take over, you know, or passing the baton
in a way to meet her to do the movie
was sort of really really nice and she gave me
her full blessing, which was huge because I can't sing
like Laura Bell Bundy like she's unbelievable.

Speaker 2 (25:30):
Or a wonderful singer.

Speaker 4 (25:31):
I'm not, but I but like Clarabel Bundy is like
a Mariah Carey of Broadway, is she I'll.

Speaker 1 (25:39):
Never forget that sound. Yes, because it was the first
time I heard like live. I think it might have
been my first second Broadway show. And just them appsol
her launching that high harmony, I think like changed something
my life. But it was like again, it was a
dog realizing it was gay.

Speaker 2 (25:57):
You know what a dog. Here's Laura Bell Bundy to
do the high heart realize this it's gay.

Speaker 3 (26:02):
But yeah, that we have to point out something though
Guiding lighte and just soaps in general. It's like the
longer I like absorb knowledge about this business, the more
I'm convinced that that is where like the flames that
forge these actors is like.

Speaker 2 (26:19):
No other flame in the world. What a weird metaphor.

Speaker 4 (26:22):
But it's like you but it's like catch on fire,
yeah you hate it.

Speaker 3 (26:25):
And and Laura, but also like you talked, we had
Lisa Rinna on earlier and she's like obviously a soap queen,
and like our friend Sarah Sherman was on General Hospital,
and she's just like, it's that thing where like if
you ask soap start to cry, They ask which.

Speaker 2 (26:38):
I, yes, you know, it's do you know the which
I thing?

Speaker 5 (26:41):
I can't do it out of which I? But I
can cry.

Speaker 3 (26:43):
Of course, every scene in Hunting Wives, we turned our
house just turns to each other and goes Brittany.

Speaker 1 (26:50):
Mother, No, there's a million things to talk to you about,
but like, let's just talk about Hunting Wives because it's
so Also, I have.

Speaker 2 (26:59):
Some bone, okay bones.

Speaker 4 (27:03):
Well, when I listened to the snow Bunnies of Brittany
snow Bunny, we are hot popic, of which I will
put on my tombstone. I I did notice that at
first you you love yeah, you were unsure of the macros.

Speaker 3 (27:18):
And Rebecca and I talked about this during the Emmys,
because I will say, Rebecca, Katie Lowe is Britney snow
mon Ackerman Christy Matt's like you. You were the bells
of the ball and you and I did have a really,
I thought poignant conversation about how like it was so
interesting to be at one of those parties from the

(27:39):
perspective of because you were, like I've been at these
parties when it is really weird. If like you get
asked like what are you working on, You're like, I'm
just kind of yeah, it's weird to be in that space,
and like that's just like the whole industry ri it's
small in that space, right, It's like that's like the
broader scope of like this business. It's like, well, if
you're in between stuff, it's it's a little weird to
like communicate that, and you're not sure to feel about this.
But anyway, Rebecca and I kind of talked it out,

(28:00):
and I was like, thank you for letting me like
come to that understanding and that real realization in real
time for myself on the podcast, because I was like,
I don't.

Speaker 2 (28:08):
Know what this is, what the show is doing.

Speaker 5 (28:11):
People had that reaction, But I.

Speaker 3 (28:13):
Think the terminus is pretty broadly and generally like, oh
my god, this show is bonkers camp like it's good
nutritional value.

Speaker 4 (28:24):
I think, yes, it's nutritional, but but it's definitely and
you know what's funny is that, and Rebecca will test
to this. We weren't necessarily trying to do like high
high camping.

Speaker 2 (28:35):
Sure we were.

Speaker 4 (28:37):
It was sort of somewhere in the middle, and then
as we were kind of doing the show, I sort
of like realized it was sort of like when you know,
like a beautiful mind when things start like coming into view,
where I was like, oh, we're really making big little lies.

Speaker 2 (28:51):
No, but you know what, you playing it like it was?
It is why? Yeah, it works because you again hold
the center.

Speaker 4 (28:59):
You were giving conscious choice and sometimes it didn't work out.
But I did feel like if I lose, if I
lose the plot, if I'm sort of over the top
in a way, then you don't have a groundedness at
all choice. But sometimes I do wish that I pushed
it a little bit, But I think that that's what
next season is for a little bit.

Speaker 2 (29:17):
Is now you're going to crack after what happened to
the finale.

Speaker 5 (29:20):
Yeah, crazy, she's crazy.

Speaker 4 (29:22):
This is a woman who's you know, almost forty, and
she's like, I must keep myself caged, and if I don't,
then everything will unravel. That's yeah, I have the capacity
to really go off the rails, and so I have
to keep myself really small, which is why I played
it pretty like small in general, and then I would
have these big moments, but then without them, you're kind

(29:43):
of like she's just sort of small.

Speaker 2 (29:46):
Interesting.

Speaker 1 (29:46):
Honestly though, it kind of makes the voicemail scene jump
out even more.

Speaker 2 (29:50):
Yeah, that's that's probably excellency, because that's an excellency.

Speaker 5 (29:54):
I loved that because we've all left that voice.

Speaker 2 (29:57):
Yeah, or we wish we did yet.

Speaker 4 (29:59):
Truly.

Speaker 2 (30:00):
I sometimes will record it and send it to a friend.
I recently yeah, yeah, yeah, I recently had a.

Speaker 1 (30:05):
Gnarly thought I wanted to tell someone, yeah, because I
found out someone did something, and I recorded the voicemail.
I recorded a voice memo and sent it to our
friend Jared, just to try it out. And he was like,
I didn't know what the context was and thought you
were talking to me. And I listened to the first
five seconds and how to lay down. He was like,
now I understand you cannot send this. I was like,
oh my god, I'm sorry. You should have read the

(30:27):
other text.

Speaker 2 (30:28):
I was like, this is not to you.

Speaker 4 (30:29):
Wait, that's really great hindsight or not hindsight, but like
foresight to send it to somebody first. I don't have
that within me.

Speaker 2 (30:36):
Well, I don't know.

Speaker 1 (30:36):
I probably probably was a little bit like too much
of it just cold. Send it to Jared but honestly
have me having like play it out there. It did
something for me.

Speaker 4 (30:46):
Yes, so pro tip that is a therapy tactic. But
you're supposed to do that where you exercise and you
get it out. Yeah, but you don't really necessarily send it.
I don't always subscribe to that, like the writing it down,
but you don't actually send it to them time. No,
I want the forcellness that I'm reading.

Speaker 1 (31:01):
I wanted to ask about like hunting Wi I was
obviously a little bit more, but just because you talk,
we're talking about this, like I wanted to ask about
Love is Louder.

Speaker 2 (31:08):
Yeah, so yeah, that's still ongoing.

Speaker 5 (31:11):
I don't work with loves Order anymore.

Speaker 3 (31:13):
No.

Speaker 4 (31:13):
I founded it in twenty ten with a friend of
mine and then it kind of became a different thing
in two thousand and in twenty twenty. But I have
a new charity that I started with a friend of
mine called September Letters that I started in twenty twenty
that is sort of in the same way where it's
like a therapeutic letter writing experience.

Speaker 2 (31:29):
Where speaking of writing it down.

Speaker 5 (31:31):
They're writing it down.

Speaker 4 (31:32):
But we do all sorts of different types of letter writing,
but it comes from the idea that I actually read
an article when I was going through a really hard
time when I was a teenager, and that article gave
me sort of like the hope that I needed that
someone else had what I had, because in the nineties,
when you're a teenager, no one's talking about depression, eating disorders, anxiety,
anything like that. And in a fitness magazine, this girl

(31:55):
was talking about it, and so I ripped out that
article and carried it in my back pocket. It's like a.

Speaker 5 (31:59):
Symbol that I was gonna be okay.

Speaker 4 (32:02):
And then later, when I got a lot of recovery,
I did a magazine article, and the magazine article had
come out, and I had talked about how that article
really infused my recovery, and this girl at a coffee
shop saw me, and she turned around and just started crying,
and she was holding my article.

Speaker 5 (32:19):
In her back pocket.

Speaker 4 (32:20):
And so September Letters was worn out of the idea
that you sharing your story might just be really small
to you, but it might be the story that someone
needs to feel like there's hope.

Speaker 2 (32:30):
So that's why you got to write it down well,
or at.

Speaker 5 (32:33):
Least share it in a way that makes someone else
feel seen.

Speaker 3 (32:36):
I guess that's so important. But you're just amplifying the
power of sharing by like within that story, like you
have like this nesting doll thing where it's like someone
else shared a story, so I'm going to share mine. Yeah,
and then and then this girl at the coffee shop
has your your sort of version of that that is
like encased in this other person's.

Speaker 4 (32:56):
Yeah, it was a true like pay it forward chain mail,
the moment where yeah, you think you're doing this one
little small thing and it turns out to be really
helpful to somebody that you might not even know down
the line. So that's that's what I continuously work on
as well. September Letters, Yeah.

Speaker 3 (33:12):
Beautiful, gosh, chain mail being like being the thing that
your parents would do over email, Like that was like
the the online behavior that your parents would partake in
where you go, oh mom no. But now it's like
sharing an article about how.

Speaker 5 (33:26):
Like, yeah, you know, we're all doing chain mail.

Speaker 3 (33:28):
Really, we're all doing a version of chain mail that
is yeah, a little a little fucked. Wait, we're I
do want to go back to hunting wives. I want
to open the floor before we ask you more about
honey wives and the question what was your other bone?
What are your what are your other bones? And also
TikTok things that are maybe getting at you. I'm throwing
a lot at you.

Speaker 4 (33:47):
Yeah, yeah, all the things that are annoying. No, you,
you were never annoying about hunting wives. I was actually
in agreement with a lot of a lot of the
things that you said.

Speaker 2 (33:58):
I'm on board. Ye. So first of all, it's fun.
That's that's why it's so great, is because it's fun,
and it's like so committed to like I felt so
safe in every episode because I'm like, these women are
tearing it up. I'm telling you, I'm such a fan
of everyone in particular.

Speaker 1 (34:15):
I want to shout out Katie Lows I know those
rocks man and I when she came in with that
hair blown out, like and she was just it's it's
behind her eyes, like she is in it.

Speaker 2 (34:26):
And for her last line after she shot in the chest,
to be you once.

Speaker 5 (34:31):
It's like, it's the best way to die.

Speaker 2 (34:33):
Come on. I was like, that's what I was, like,
this is the best show. It's the bestow like, come on.
And now I'm just upset because so many of the
women are dead I.

Speaker 4 (34:41):
Know, and Katie Low's and I got very close and
I just think she's the most special human. I mean
all of the women are, but I'm very very upset
that she's.

Speaker 1 (34:49):
Dead and when she come back, Like, I feel like
the Hunting Wife is a show where she could have
a twin.

Speaker 2 (34:52):
She could have a twin.

Speaker 4 (34:53):
We've already talked about that. I don't think that's a possibility,
but we do. We were like, what would her name be,
Jill nel je jel.

Speaker 2 (35:01):
Her It's me Jell. That's I want to be in
the room. I do think that. My pitch for Hunting
Wives season two is that Jamie Ray Newman's character with
her new show, comes on Lost Culturistas and we play
ourselves and she gets us to be right wing.

Speaker 5 (35:19):
Yes wait I just got chills.

Speaker 2 (35:22):
Yeah, and now I kind of like ruined it. But
literally it's it's it's like you ever see a monster
the lilent Eric Menendez thing, so you know, the wer
with Cooper Kotch when he's like doing the thing.

Speaker 1 (35:34):
I think it's that, but it's lost Coach. It's a
ninety minute episode of Hunting Wives, which is Jamie Ray
Newman playing her character and us as Matt Rogers and
Bewen yang Ye and by the end you see how
powerful she is because she got lost coach to be
like yeah, for sure, to fully go right.

Speaker 5 (35:50):
I mean I feel like she could do that.

Speaker 2 (35:53):
She's really amazing.

Speaker 4 (35:54):
Yeah, she's a really good No, not only is she
an amazing actor, but like that character, oh yeah, that.

Speaker 2 (35:59):
Character been in the butt, So don't tell me about
the show being you know, like like when when I
heard the the dildo come out of the butt, you
know what, We wound it fifteen times.

Speaker 5 (36:10):
I remember listening to that you break that down.

Speaker 2 (36:13):
We folly did it.

Speaker 1 (36:15):
And it was the most graphic anal sex either of
us experienced. And we were in Pete Town when we
watched it. I'm taking the pr am.

Speaker 2 (36:23):
I taking it out. No, no, let Britney react to that.
Come on, I believe you.

Speaker 3 (36:30):
At what point did the beautiful mind moment happened for
you while you were making the show where you were like,
wait a minute.

Speaker 4 (36:35):
It was pretty early on. I mean it was, it
was really I mean, once you see Katie Lowe's and
and everybody's you know, mallin and the way, you know,
it was sort of immediate. But in rehearsals and stuff,
not aware, not aware. Once we got on set and
sort of seeing the shots and the color, I was like, yes, okay,
I know, I know what we're doing.

Speaker 3 (36:56):
Yes, Why are you someone who watches dailies? Or do
you do you watch like playback, like like what's on them?
Like do you watch what's on the monitor?

Speaker 4 (37:03):
Not? Really? I do think I sometimes it's helpful to
just know at the very beginning. But I'm not a
person that is micromanaging myself because I'll go and say it,
of course, and I always think I can do better.
So there's never a time that I'm gonna be like,
nailed it, nail Yeah, So I always wanted.

Speaker 2 (37:21):
To go again, of course. Yeah.

Speaker 3 (37:23):
But I do think that's helpful just to get the
it does inform like the you know, the screen picture
of it kind of just informs the tone. As an actor,
you're like, gotcha, I can lock into what this is.

Speaker 4 (37:35):
But I do think from the very beginning there was
a very clear understanding of the of what we were
making in terms of like the women that were on
the show, what kind of women we were going to
be that we're like not twenty years old and we're
having these vacccenes, like we're in our late thirties forties
and we're going to be like powerful and this is

(37:55):
for the woman gaze. Yeah, and we're going to like
go for it. That was never a question. We were
never like shy about. Oh, I wonder if this is
going to be too much.

Speaker 2 (38:04):
Like I wonder if we, you know, well, back this
scene when we get to it. I won't raise anything now,
but I might be a little uncomfortable. No, you guys
have to be going for We.

Speaker 4 (38:11):
Knew going into it, and we signed up for that,
and I think that that's something that we're proud of
that like.

Speaker 2 (38:16):
It would be oh my gosh.

Speaker 4 (38:18):
Hollywood wants to kind of disregard women after the age
of thirty two her sex scenes, specifically nudity and things
that are sort of like women coming into their own
sexual like promiless, and I think that this was just like, no,
we're going to still have this be very prevalent in
a in a woman's life, even after she's of a

(38:39):
Hollywood age of you know.

Speaker 3 (38:41):
Meanwhile, they're the most sensual, sexy sex scenes I've ever seen, Like, y'all, y'all,
Eating Box is like the craziest most that it's the
horniest I've ever found.

Speaker 2 (38:56):
I'm so malley when she eats box like ome baby,
you know what I mean, the way that she maybe
like the way that she I know, it's it's trust me.

Speaker 4 (39:05):
Wait, that was really hot.

Speaker 2 (39:07):
I'm and that's just the truth.

Speaker 4 (39:09):
Oh my god.

Speaker 1 (39:10):
I have to meet her because I know I'm her.
I know you one, and you're like, I'm them, so
I have to meet them for me. It's Mollin and
Kate Hudson. Yeah, that is a really good con three
of us need to have the filthiest martiniz that.

Speaker 5 (39:24):
You guys would never leave.

Speaker 4 (39:25):
I feel we would try to be I want to
be there, but then I feel like I'd leave after
a while.

Speaker 3 (39:32):
You would.

Speaker 2 (39:32):
You would get tired, and it's just because that conversation
would come up that you'd be like, I'm not.

Speaker 4 (39:36):
Getting into this with these No, I'd probably get too
drunk and just want to take a name.

Speaker 2 (39:40):
We're so the same, Brittany and Night are so the same.
You really are. Boen is the king of Like, I'm.

Speaker 4 (39:45):
Tired, but I'm going to rage until I get tired.

Speaker 2 (39:48):
For sure.

Speaker 4 (39:49):
Absolutely, that was that was my like m O on
the Pitch Perfect set, It's like, guys, we're young ones,
we got rage.

Speaker 2 (39:57):
You were the ring leader.

Speaker 5 (39:58):
Oh, I was definitely the ring leader.

Speaker 4 (40:00):
Really, especially in.

Speaker 5 (40:01):
Pitch Perfect one.

Speaker 4 (40:02):
I was like, we're all twenty five, We're doing a
movie about singing and dancing. Yeah, we're going out.

Speaker 2 (40:07):
We got to. Are guys still in touch?

Speaker 5 (40:10):
Yeah, we're all very close?

Speaker 1 (40:11):
Let me ask is there a pitch Perfect group chat?
I feel like that's the most like the news question.
I'm allowed to say that because they're not they don't exist. Oh,
ri ip, yes, well I love them while they were here.

Speaker 5 (40:21):
Yeah, there is a group chat.

Speaker 3 (40:23):
Yeah.

Speaker 2 (40:24):
How active is it?

Speaker 4 (40:25):
It's pretty it's died off like in the past couple
of months.

Speaker 2 (40:29):
It's died off since the second sequel. Yeah, no, no,
in the past couple of months.

Speaker 4 (40:32):
That's yeah, pretty recent Yeah, pretty recently, and not on purpose.
I think everybody's just busy older.

Speaker 2 (40:38):
Now I'm trying to think what happened a couple of
months ago? Did anything go down? No, nothing went down.

Speaker 3 (40:42):
Styler had a birthday recently and I loved skyl Oh. Yeah,
I love I don't know recent Skyler birthday? Anna, Anna,
I love, I love Anna Camp. Yes, Anna, Anna Camp
and Anna Kendrick both legends. Yes, we're Ben Platt heads.

Speaker 2 (40:58):
Of course, I mean we're Ben.

Speaker 4 (41:02):
Of course, me too.

Speaker 2 (41:05):
With Rebel. Isn't it romantic.

Speaker 5 (41:11):
With Adam divine too?

Speaker 2 (41:13):
Yes? Oh my god, you are.

Speaker 5 (41:16):
You are a part of us.

Speaker 2 (41:17):
You're a part of the group. Chat.

Speaker 5 (41:20):
That'd be great, maybe give resurgence to like the whole race.

Speaker 4 (41:25):
Here.

Speaker 2 (41:25):
That was here. Oh, I wanted to ask you about
Adam Shankman too, So I I was on I was
on set with Adam working on this.

Speaker 1 (41:39):
Thing, and he was like, oh, Brittany's the best that stuff.
And he told a story about how you auditioned for hairspray.

Speaker 2 (41:46):
Yes, it was a process.

Speaker 4 (41:48):
It was a process. I actually told this on like
a talk show or something like that. But it was
the audition for hairspray. This is sort of like in
very indicative of who I am. But I'm a pretty
anxiou auditioner. I've had to go to much hypnotherapy about auditioning.

Speaker 2 (42:05):
I want to ask for your hypnotists. I love my hypnosis.

Speaker 4 (42:07):
Okay, I need to she saved my life.

Speaker 2 (42:09):
Okay, we're into that.

Speaker 5 (42:10):
I love her, But but auditioning for me.

Speaker 4 (42:13):
It's not the fact that I am not a bad auditioner,
and it's not even there's something that happens with the
pressure bad test taker. I'm just really bad at like
the battle of my mind. That's like, you have one
chance to do this if you you know. So that audition,
I was only like twenty years old. I bombed the audition,

(42:34):
like I really really did badly. I got in my
head and I knew I could do it, and I
knew I was right for the role, and Laura Belle
already gave me the.

Speaker 5 (42:40):
Stamp of approval.

Speaker 4 (42:42):
And I had gone to a psychic two years before
when I was filming John Tecker Must Die, and the
psychic told me that I was going to play the
daughter of an iconic blonde woman who was very famous,
and she was like, it's going to be two years
from now, and I was like, that's so specific.

Speaker 2 (43:00):
Well, they're real.

Speaker 4 (43:02):
I mean, here, I have something to say about psychics
and a second't but then I put that away. I
write it down and I put it away, and then
this audition comes up. Adam calls me because he had
directed me in Pacifier. The Pacifier, so yeah, we won't
get into that, and so we were already friends and
he called me and he was like, you know, that

(43:23):
just wasn't your best and I was like, I know,
I'm sorry I let you down, you know, And he
was like it's okay, Like I still love you, but
it's really sad because Michelle Pfeiffer just signed on to
play Velma and she's so iconic and you guys look
so and I was like iconic and then I was like,
wait a second, I need to go back to my
journal and I looked up and by the time that
Hairspray would have come out, it would have been two years.

Speaker 2 (43:44):
Wow.

Speaker 4 (43:44):
So I called down him back and I said, I
know this is crazy, but a psychic told me that
I was going to play the daughter of an iconic,
legendary blonde woman. And it's too weird for this not
to be true.

Speaker 2 (43:55):
Can I just audition again one more time?

Speaker 4 (43:57):
And he was like, you're the craziest human being. You've
either lost your mind or this is gonna be really
funny story. One day, I'm gonna let you audition again.
And so he let me audition again and I nailed
the audition. And you know why I nailed it is
because I had that sort of like talking in my head,
that voice in my head, psychic or not, that was like,

(44:18):
this is meant to be.

Speaker 5 (44:19):
You already have it.

Speaker 3 (44:20):
You have that subconscious underpinning where you're like, it's fine,
but this is the purpose. This is why I love
this story because I did see that interview and it
blew my mind. Where you told a story. It's the
perfect marriage of like, okay, it's whatever, it's predestined, but
also you had to pick up the phone and called
you keep that information. You were like, I'm going to
take this into my own hands. It's like free will

(44:42):
and predeterminism.

Speaker 4 (44:43):
And that's why, Like when people have heard that story
and they're like, I don't believe in psychics, you're promoting
you know, And I'm like, whatever, it doesn't matter if
you believe in psychics or not.

Speaker 5 (44:51):
Who cares.

Speaker 4 (44:52):
What really goes to show is that what really helped
me was the fact that I wanted to take a
chance on myself. I knew I could do it, and
I just needed another opportunity me and I need to
be my own like biggest cheerleader and to do it again.
And I think that everybody going into something like an
audition with the foresight that it's already in your hands.

(45:12):
You just have to take it. Is. So that's the
recipe for doing well in any sort of pressure situation.

Speaker 3 (45:19):
If you need us to pretend to be a psychic
anytime you're in Dow.

Speaker 2 (45:25):
I am one.

Speaker 4 (45:26):
No, really, no, but I do.

Speaker 2 (45:29):
I do think I have like something, and I bet
you do I have something. What do you see? What
do you see for Brittany.

Speaker 5 (45:38):
Greatness?

Speaker 2 (45:39):
I was gonna say greatness. That's crazy. Wow, I'm telling
you there's something here. Literally, if Mollem was here, this
would be even more of a turn up, because that's
I see greatness and our furut trappers out with her too.
Oh absolutely, well yeah, but like this is it's all,
it's all cooking. Wait, but tell me your thing about psychics?
Like what what? Additionally, like you said you said you

(46:00):
want to say something about psychic Oh no, that was
my thing.

Speaker 5 (46:02):
I was going to say, but I do love psychics.
I am a psychics.

Speaker 2 (46:06):
I think I think that it really obviously depends on
the one. But okay, I'm going to share this. I
saw one that used to be my writing teacher in college,
like he was at Tish. He was my dramatic writing teacher.
Like he was like a craft of writing teacher. And
we knew that he was also like he speaks to spirits,
like in some way he's like like a more of

(46:27):
a reader. He wouldn't use the words. He's like a medium. Yes. Yeah,
So years have passed. It's been I don't know how
long since we were in college, like third thirteen years,
thirteen years. I finally like, I'm like, I'm going to
look him up and I'm going to get a reading
with him.

Speaker 1 (46:43):
I look him up. It's like an eight month waiting list.
Oh and I'm like, okay, So I get on the
waiting list. Literally eight months later, I've forgotten about it.

Speaker 2 (46:51):
I get it. When was this? It's time? This is
like three months ago. And he goes and I sit
down with him, and he goes, where do I know
you from? Oh? And I was like, you actually were
my teacher in college. I've been waiting years to have
a reading with you. He was like, oh my god,
I was. He was like, how are you? I was like,
I mean, he was like, how is it going. I
was like, I mean, I guess I don't want to
tell you too much, but.

Speaker 4 (47:13):
But he was like.

Speaker 1 (47:15):
So he goes, you're right, You're right, don't say anything.
Don't say anything. So he starts going et cetera. He's like,
you are successful. He's like, I was like, yeah, I
mean like I kind of like am doing it in
the entertainment industry, et cetera. I'm proud to tell you that.
I kind of got like a little emotional. And so
then he was like, you are single, and that's what
you're so you want to talk to me about? And
I was like yeah, and he goes September. He goes

(47:38):
like small blonde, he's coming in September.

Speaker 2 (47:43):
I don't know this story, but my jaw has dropped
because I'm sure I figured that. And he goes and
well he was. He's like, he's like, you're thee but
that I didn't tell you that, but I have been
saying it out loud. It's there. I know I may

(48:03):
have even said too much, but like, that's.

Speaker 1 (48:05):
Really and I've had them before. When you said that,
I was like, I want to get into this because
I do believe that there are people with extra senses.
I mean, we had Tyler Henry on this show.

Speaker 2 (48:15):
We had Tyler Henry on the show talk about your hypnotist.

Speaker 5 (48:19):
I do love my hypnotist.

Speaker 4 (48:20):
I mean, I'm you know, I feel like this is
so like woo woo that I that I really do
believe in though, especially hypnotism. I think is is the
way that she described it to me, which I thought
was kind of interesting, is like, because she does it
where you listen to it every night as you go
to bed, So you're in that sort of like Peter Pan,
not asleep, not awake, like dream state, and so when

(48:41):
someone you know says something to you, you're more susceptible
to what it's saying, so you start believing it because
you don't have your conscious voice saying I don't think
that's true. So then after a while you start to
just take in in this fact, like when you're falling
asleep and you're sort of half awake and there's football
and the TV, and all of a sudden you're having
a dream about football, but you don't know anything about football, right,
Like that is sort of this mechanism in your brain

(49:03):
that sort of rewires your like you're subconscious, and so
after a while, you're you're listening to it as your
as you're dreaming, and so your subconscious starts to take
it in.

Speaker 5 (49:13):
And that's what really worked for me.

Speaker 4 (49:15):
It was like going into places and just not having
any sort of like fear about what the outcome was
going to be, but just like actually having fun in
the moment.

Speaker 5 (49:24):
Yeah, and that completely rewired my It.

Speaker 4 (49:27):
Sounds bad to say rewired it, but it made me
take a new thought pattern in terms of like what
what I thought was going to be true.

Speaker 2 (49:34):
That's a rewiring for sure.

Speaker 3 (49:36):
If it is calming you down on like a somatic level,
like going into these situations where you would feel amount
of an amount of pressure, Yeah, you're not feeling that.
That that's that's incredibly that that is something that's happening
up here entirely.

Speaker 2 (49:50):
Yeah.

Speaker 4 (49:51):
And I do feel like it was whether or not,
you know, and maybe it's through osmosis of I don't know,
Like it could be nothing over time either way. But
does it matter you're doing something like I don't know
if it matters necessarily as well as it's like helping
you and you feel better.

Speaker 2 (50:07):
I think also it's just like it's it's what you
want to get out of it, Yeah, you know what
I mean, Like, like I I think it's did you
go for something specific or it was four, So.

Speaker 4 (50:19):
I mean, god, this is such a downer conversation. But
I took a break from acting from twenty three to
twenty five. It was in that period, it was and
I had to get my shit together. It was like,
you know, I'd been a kid actor for so long
that I really needed to like rework some stuff in
terms of getting better. And then when I was twenty five,
I was going back to auditioning again, and the pressure

(50:41):
was too much for my brain because I was like,
you had your career at twenty three, can you get
it back?

Speaker 5 (50:47):
And I didn't know if I could.

Speaker 4 (50:48):
And so I developed this really fun anxiety disorder where
I couldn't speak in public. And so I would go
to speak in auditions and I would actually not be
able to like make it would like stop. My body
would just like take over and I would be so
nervous that I couldn't speak. And so I went for
that so I could and now I walk into auditions

(51:09):
or I walk into like public speaking or the Emmys
presenting at the Emmys, right, I mean when I was
twenty five, that would not have been able to happen,
you know, And it's it's really due to that.

Speaker 2 (51:19):
I think when you think about, like, what what about
it made you nervous? Was it just like the things
I say are going to get me are going to
be listened to and the or is it just like
the idea of being in front of people?

Speaker 5 (51:32):
Yeah, it was.

Speaker 4 (51:33):
It was the idea that I was going to mess
it up, that I was going to mess up, You're
going to mess up, You're gonna mess up, You're going
to mess up, You're going to mess up, And then
I would. But if I just took that voice away,
then I just am present and I'm not thinking that,
but I had to. Yeah, it was work twenty five,
you know what a time?

Speaker 2 (51:49):
Why?

Speaker 3 (51:50):
Yeah, I mean I just I think I think I
said it on the pod like you and Mollin. Was
was the highlight of the Emmys for sure.

Speaker 2 (51:58):
And I cannot believe Eve.

Speaker 3 (52:00):
I was like they found out they were going on
stage to present, like in the middle of the show,
and they didn't know what their copy was until like
ten minutes before they they walked out on stage.

Speaker 4 (52:12):
We wrote that copy, You wrote that copy. Yes, I
am because kills because I couldn't.

Speaker 5 (52:18):
Walk in my dress.

Speaker 2 (52:19):
You kept saying that all that You're like, I can't move.

Speaker 4 (52:21):
I can't move and I couldn't.

Speaker 2 (52:22):
You were standing out of the red carpet.

Speaker 5 (52:24):
It couldn't move, and I I was panicking.

Speaker 2 (52:26):
It was a beautiful day, yes, exactly, gorgeous nic.

Speaker 4 (52:30):
And I was freaking out because I thought it was
going to be fine if I'm just sitting down, you know,
I don't have to walk anywhere. But the minute they
said we're presenting, I was like, I have to walk
in front of all these people and in front of
the dress.

Speaker 5 (52:42):
Yes, in this dress.

Speaker 4 (52:44):
So we get backstage, we have like thirty minutes till
we have to present. There's nothing written. They're giving us,
just sort of boring copy. And I said, Tomal and
I was like, I can't walk in my dress. We
have to make this a bit or else people are
gonna be like, why is she walking so weird? And
so I said, it's going to take a while to
come out. It's gonna take me a while to come out.
I'm coming out. I'm coming out. And she was like, okay, okay,

(53:06):
I get it, Like maybe I could be excited that
you got out, and I'm like, yes, you've been waiting
for me to come out and so and then we
just were like we got it.

Speaker 5 (53:13):
And so that was ten minutes before we walked on there.

Speaker 3 (53:16):
It was such a perfect toander know, this is this
is geeky, Like I like watched it back so many
times just to study your face, acting, your face journey in.

Speaker 4 (53:25):
That because it's really funny, like you're like it's.

Speaker 3 (53:28):
The perfect amount of titillation, like and like Mom's just
like being hot, like standing there and like holding it.

Speaker 5 (53:33):
She can do absolutely nothing and it's hot.

Speaker 2 (53:35):
No both of you. I'm like, God, they're really good.
Like you guys are increased like it truly.

Speaker 3 (53:41):
I watched it back so many times, Like, Brittany, motherfucking snow,
were you already friends?

Speaker 4 (53:47):
We weren't, but we had known of each other, and
she was always somebody that I knew of in terms
of like, oh, she's a cool girl that everyone has
always talked about that we would get along, like people
have said to me, but I've worked with her.

Speaker 2 (54:00):
I worked with her.

Speaker 4 (54:00):
They're like, have you met Amala and Ackerman? Like she
You guys just seem like you would be on the
same page about.

Speaker 2 (54:04):
A lot of things, like the Swedish thing, it's like
that's cool.

Speaker 4 (54:07):
She's just so cool. In terms of when we were
doing naked scenes or any you know, intimate scenes, I'd
be like, oh man, I don't know, like this is
you know, big, and she was like, honey, you're a babe,
like you're beautiful, like let's get it.

Speaker 5 (54:20):
Like and I was like, okay, you know it was.
It was very calming.

Speaker 2 (54:25):
I love just And.

Speaker 3 (54:26):
Also I have to say we had a friend who
kind of stepped in it with Mollon because he was like,
what are you guys gonna do about the wig next season?

Speaker 2 (54:34):
And she's like she was so graceful.

Speaker 3 (54:36):
She was like, you know, I had I had like
this this this hell issue and you know, my hair
was not its best and so we got this wig
out and we just kind of ran with it.

Speaker 2 (54:46):
And I was just like, oh my god, Like Malan
Ackerman was be.

Speaker 3 (54:50):
Making fun of that and it being like an actual thing,
an actual thing, and she was like so and and
I even texted her like after the fact, I was
like hey, and and like they like, thank you so
much for being so graceful in that moment.

Speaker 2 (55:00):
I was like, oh my god, no, what are you
talking about?

Speaker 4 (55:01):
Like she doesn't care.

Speaker 5 (55:02):
She does not give a buck.

Speaker 4 (55:04):
I mean that's the cool thing about like all of
us on this show is like we really are just
having the best time and we just don't care, Like
we're just like we're just excited.

Speaker 5 (55:13):
But people can love it, hate it, read it last.

Speaker 2 (55:15):
I don't like that they did Christy Mets like that
we found her crumpled on the floor. I know, well
we found Chrissy and Christy Mets was crumpled on the ground.
We didn't even get to see I know, shots fired.

Speaker 4 (55:30):
I asked her that at the Netflix party, which missed
the show.

Speaker 5 (55:33):
I was like, do you think that they.

Speaker 4 (55:34):
Could you could come back and we could film the
death scene because maybe that could be like in season two. Yeah,
I feel like she deserves that scene.

Speaker 2 (55:42):
I think she deserves a little bit more than what
she got. For sure, at least let's see the showdown
because the whole time we had been waiting for the show,
critiquing the show. But do it that I love.

Speaker 3 (55:53):
We had a good friend college on the on the
show on the pod, and she went out for for
that role and we each have a fun line read
turn and auditioning the Chrissy Mett's line of I love
that y'all better get back out there and find.

Speaker 2 (56:09):
Y'all better get out there, killed my fucking dough. There's
so many ways you can do it. You can be
and you can be angry, you.

Speaker 4 (56:17):
Can be urgent, you could be so the tears will
both of you.

Speaker 2 (56:21):
You better get out there, Finn, my fucking daughter. It's
really good.

Speaker 4 (56:27):
Wait, it's a great line you that part.

Speaker 2 (56:30):
He's amazing. I'm saying I'm pitching us for the show,
but I know, I know because we're definitely cry during
the episode. Oh yeah, I feel like Jamie Ray could.

Speaker 4 (56:37):
Could get us there, She could get anyone there, which
I which.

Speaker 2 (56:43):
Okay, we have to ask you the question. No, don't,
don't apologize. We should apologize. We need to ask you.
Brittany Snow, what is the culture that made you stay?
Culture is for you have a great answer.

Speaker 4 (56:53):
So, when I was a little girl, I strictly watched
Meg Ryan movies on you Loop.

Speaker 5 (57:00):
They were my favorite.

Speaker 4 (57:01):
I've seen all of them, and Meg Ryan, specifically, to
me as a little girl, was like the pinnacle of
an actress that I wanted to be, which was she's
inherently cute. She just looks away that she looks so
you know, there's nothing that she can do about that,
which is adorable. But she never played her roles as
like a ditsy blonde with short hair. She always was

(57:23):
the smartest person in the room. She always had a
point of view. She always was like a really strong
presence in all of her movies. And I love that
dichotomy of like, you don't have to be a ditsy, cutesy,
adorable girl that doesn't know where she's going in the movie.
She knew everything in every movie that she was ever in,
So I aspired to be that. And I just remember

(57:46):
watching as like a you know, eight year old, being like,
if I could only be Meg Ryan.

Speaker 3 (57:50):
Yeah, but this makes so much sense to me that
like you would connect with her on that level and
that I feel like you have you have sort of
like bra that Meg Rian archetype as if you can
call it that into like the present, I feel like
you you have always really occupied that very like sharp
that sharpness in the acting and the technique, but also

(58:12):
in that in this like in the look of like
a blonde person, a gorgeous blond person that belies this
depth like that actually like is has always been there.
I feel like that is what you guys share, you know,
nice but like you know between God like that we
were really eating back then, like between Meg grind and
Julia Roberts, like because they made those movies, because they
made those movie. But I just remember as a kid

(58:33):
watching these movies being like, those are.

Speaker 4 (58:36):
Smartest Sandra Bullock, Julia Roberts, clar Danes, who I just
worked with, I mean just the most elegant.

Speaker 2 (58:44):
Reese would follow right after Rees.

Speaker 4 (58:46):
I mean just also like approachable and smart, and you
weren't watching them like all over themselves and being like
I wonder what's going to happen next?

Speaker 5 (58:54):
You know, they were taking charge of the movies.

Speaker 2 (58:56):
Sure, yeah, they were the heroines. I feel like my
favorite ian.

Speaker 5 (59:00):
Is when I am Sally always.

Speaker 4 (59:02):
It's one of the things.

Speaker 2 (59:03):
It's one of the best movies ever.

Speaker 4 (59:04):
Oh I agree. If Letterbox came to me and was
like the four, yeah, I was in there for that's.

Speaker 2 (59:10):
One I have always forgotten about in that context. But yeah,
it's up there.

Speaker 5 (59:14):
It's competitive, it's a perfect movie.

Speaker 3 (59:15):
And it's being in Wherefron and You've Got Mail. It
is kind of the perfect It's such an elegant thing
of like, okay, it's new, the new way of sort
of like flirting and and sort of the new way
of courtship and like the you know, millennium or late nineties,
but like paired with like the fact that it's like,
oh it's there's a used bookstore and it's like meeting

(59:35):
in the park. It's it's like the perfect tension of
like old and new in that rom com. It it
just feels and like sleeping in Seattle. It's like it's
like there's just she was able to do all these
very innovative things in rom coms. It's like it wasn't
that she like was just thrown into the rom com
genre or that she like helped invent it. It's just
it's just that she like pushed the boundaries of it

(59:57):
in that time when it really blew up as a genre.

Speaker 4 (01:00:00):
And I think she also was I think people forget
how good she was a physical comedy too. She was
she had these mannerisms that I've always I feel like
I sort of like emulated on accident. There's like this
really kind of sort of okay movie called Addicted to
Love with her and Matthew Broderick and she is like
this biker chick with like eyeliner, and.

Speaker 5 (01:00:20):
That's how you know she's a Rebels because she wears eyeliner.

Speaker 4 (01:00:23):
And she just like moves like her body very cool
and spastically. And I just think that it's it's something
that she just really cornered the market of like adorable
all around. Right.

Speaker 1 (01:00:34):
I mean, where was the Oscar nomination for when Harry
met Sally? Because the orgasm scene, the fake orgasm.

Speaker 2 (01:00:40):
Scene' that's the that's the peak physical comedy. It's literally
and also just it's so.

Speaker 1 (01:00:47):
It's so lived in, like it's like you, but you
also believe that because she had established a character that
like would do that, right, you know what I mean?
Because on the page, like obviously incredible script, but that
is a leap on the that it's going to go
that far in that way. But you buy it, especially
in a movie that's been so ground that it had
been so in reality that moment is so kind of

(01:01:09):
wild and crazy, but you do you receive it as
fact when when.

Speaker 2 (01:01:14):
She's doing it.

Speaker 4 (01:01:15):
And I think that surprising element of all her characters
is something that I really love too, is that she
can play someone really really grounded, but also the element
of surprise is always there. She can always do something
like that that's sort of just like out of the
box and you're just you feel for her, you like her,
and yeah.

Speaker 2 (01:01:34):
I like that. What was the standard loop?

Speaker 3 (01:01:37):
Like?

Speaker 2 (01:01:37):
Was there were were like what was the rotation?

Speaker 4 (01:01:39):
Yet?

Speaker 2 (01:01:40):
How did it work?

Speaker 4 (01:01:41):
Did you guys know about this movie called french Kiss
that she did with Kevin Klein?

Speaker 2 (01:01:44):
I heard about french Kiss? Were you like, was it
Joe versus the Volcano? Too?

Speaker 4 (01:01:48):
Versus the Volcano? But french Kiss was really my like
in rotation addicted to love was in there. I mean
top Gun she's in.

Speaker 1 (01:01:58):
Yeah, I was so mad when that and bring her Back.
That was so disrespectful. I know she's disrespectful, I know.

Speaker 4 (01:02:06):
But this movie called french Kiss, it's sort of like
there's this part where she's on the train, she's eating
a bunch of cheese and she realizes that she's lacked
hose and dollars. It's one of those like oreasm moments,
super big, but it's sort of adorable and she's sort
of like dressed like Diane Keaton. The whole movie. It's
sort of that like androgynous wardrobe. That's so great, and

(01:02:28):
I just I ate that shit up. When I was
a kid, I loved it.

Speaker 2 (01:02:32):
She also took some cool risks. At the end of that,
you could tell that she probably got like a little
tired of what was happening with her in the romantic
comedy sphere because she maybe a little type cast. In
the cut is a full Jane Campion movie, Like she's
just bad as giving it to you in that right. See,
it's so funny that I've seen it in the cut,

(01:02:53):
and you know, it's a blind spot of mine. This
is crazy sleepless in Seattle. It's unacceptable, you know what
it might not.

Speaker 4 (01:03:02):
It's just because I feel like I'm I'm older, so
it just makes me feel like that was such a
part of my zegeist of like it was even it
was even old for me, like I was too young
for it.

Speaker 3 (01:03:13):
It was it was a little it was a little
before our times slightly, And it's hard. It's a hard
cell now just because like the leads are never in
the same scene.

Speaker 4 (01:03:21):
So I don't know if you guys have noticed this
about nineties movies, but there's a lot of commonality or
like a common theme is like stalking right, Like there's
all all these people who are like it's so romantic
that they show up say anything.

Speaker 2 (01:03:34):
It's like get out of there. Yeah, yeah, yeah yeah.

Speaker 4 (01:03:36):
Basically stalking this was like oh my gosh, you love me.

Speaker 2 (01:03:40):
Yeah, and it's like you're in trouble. Yes, we call
that love bombing.

Speaker 5 (01:03:45):
Love bombing. There was a lot of in nineties movies
for sure, No.

Speaker 3 (01:03:48):
Totally, but I mean you put it, you put it all,
you put the film gloss on it, and it's great.

Speaker 1 (01:03:54):
You know what the movie you're only beginning of the
love bombing, which is so good, you know what I mean.
So in a in a movie where it ends with
them kissing, they're just manic and you don't see the
next movie, which is like a full crash. But we
don't want to see the crash.

Speaker 4 (01:04:10):
No, no, no, it's we know, we know where it's going.
But also like nineties movies, I didn't care.

Speaker 2 (01:04:16):
Yeah, they didn't care at all, Like How to Lose
a Guy in Ten Days, the fact that they kiss
at the end of that and it's like euphoric. I'm like, wow,
you guys are going to be the worst, and like impatient,
like you you're both had it like it's you both
nuts in a straight jacket.

Speaker 4 (01:04:33):
Yeah, definitely.

Speaker 2 (01:04:35):
Cat Leopold too was like I think the last thing
that's like one of the births of Hugh Jackman.

Speaker 3 (01:04:41):
Yes, yeah, Hugh Jackman's first roles, but it was just
like another like innovation, like well, and then that trend
kind of.

Speaker 4 (01:04:46):
Caught on those types of movies about like, wasn't he
just coming back from isn't he like in the past.

Speaker 2 (01:04:52):
In the past some sort of colonial Yes, no, no,
he's a prince, a prince.

Speaker 4 (01:04:58):
It was colonial colonial. She's old old times.

Speaker 3 (01:05:02):
But I love a time traveling thing because lake House
also did that with Sandra Bullock.

Speaker 2 (01:05:07):
I loved, I loved, I.

Speaker 5 (01:05:09):
Loved everything Sandra Bullock was into. She she's queens and.

Speaker 2 (01:05:12):
She was her like slightly more sarcastic cousin.

Speaker 4 (01:05:16):
That's right, yeah, a little darker. Do you guys ever
seen that movie with Ben Affleck and Sandra Bullock. It
was called like Forces of Nature Forces of Nature, And
she's so hot in that.

Speaker 2 (01:05:25):
She's incredibly hot. I mean when she comes out in
Miss Congeniality after she's through the like was whatever, the like,
it just is so good. She looks unbelievables.

Speaker 4 (01:05:38):
Yeah, and like it's it's the dressed like yeah, it's
like sort of like a blue sort of that stretching
material that is not used for clothes, right Yeah, yeah, yeah,
Like dog toys have that sand material.

Speaker 2 (01:05:53):
Preaky bad, bo break it bad.

Speaker 5 (01:05:57):
There's there's a dog that's strung.

Speaker 2 (01:06:01):
Per Oh.

Speaker 4 (01:06:02):
I love my dog.

Speaker 5 (01:06:03):
Is my everything.

Speaker 4 (01:06:04):
Describe the dog very cute, ugly, like more. Yeah, it's
like she's sort of has eyes that go different directions
and so that makes her really cute. But her personality
is just the best. She's a rescue. She's five pounds.

Speaker 2 (01:06:18):
She's five pounds.

Speaker 4 (01:06:20):
She would sit right here and she'd sit the whole time.
She's just the most chill. We balance each other out.

Speaker 2 (01:06:26):
Is it just the one dog, just the one dog. Yeah,
you can't really have like another dog when the one
dog is that small.

Speaker 4 (01:06:31):
She takes she goes everywhere. She's a set dog. She
was the mascot of the Hunting Wives. She was with
us all the time, every day on set. There was
even a scene at the Jed's mansion where she was
like going to be in the background and then she
heard me yelling at one point, and then she started barking,
so we had to throw out of the scene.

Speaker 2 (01:06:49):
Wait, what's her name? Charlie, Charlie it's spelt like Charlie
XCX our regular.

Speaker 4 (01:06:54):
No, Charlie with a E. Yeah, unfortunately, I know we
can't always doesn't have a hot girl summer or like
anything related.

Speaker 2 (01:07:03):
No, it's fine, it's it's okay. She's she's chilling a dog. Yeah, dog,
it's fine. Is Megrien doing it?

Speaker 4 (01:07:09):
Like?

Speaker 2 (01:07:09):
Is she? Because I remember there was a comeback rumor
or something? Is directing directed? She's done some roles, I think. Yeah,
we're friends with Jack Jack her son, Yes, of course,
who has all the star quality of his parents combined.

Speaker 5 (01:07:26):
Yeah, so effortless, really truly great.

Speaker 4 (01:07:30):
Do you know him? I don't.

Speaker 2 (01:07:31):
Actually you should. You should do something together.

Speaker 4 (01:07:33):
Yeah, you get on that. We'll get on that.

Speaker 2 (01:07:36):
Yeah, we'll produce. We're going to be producers. We're gonna
be producers. We're gonna we're gonna produce our way into
Hunting my season two.

Speaker 5 (01:07:43):
You already did, and I love it.

Speaker 2 (01:07:45):
I think it's a good idea.

Speaker 1 (01:07:46):
But now that now that I don't know what, I
kind of did the whole episode in my mind already
that was my anxious thought.

Speaker 2 (01:07:53):
I thought of it and then finished it.

Speaker 5 (01:07:55):
What is Sophie doing during this time?

Speaker 2 (01:07:57):
I think she's not in that one. No, we need
a Sophie scene. You can direct that episode. Do you
have any interest in directing?

Speaker 5 (01:08:05):
I directed a movie a couple of years ago.

Speaker 2 (01:08:08):
What we're so sorry that we just you guys.

Speaker 5 (01:08:11):
Have done enough on the Britney snow world.

Speaker 3 (01:08:14):
No, I mean, like, we're not real snow buddies if
we don't know about your directorial tap.

Speaker 2 (01:08:17):
I went to Gather High school.

Speaker 4 (01:08:19):
That's crazy.

Speaker 2 (01:08:21):
The Wikipedia, that's true.

Speaker 5 (01:08:23):
There's a lot on Wikipedia that's not true.

Speaker 2 (01:08:25):
Well, like me, I am a picy Do you identify
he's a scorpio? Scorpio? This is very good, This is
a very good day. Oh you just leered at me.
You don't know.

Speaker 5 (01:08:34):
I love we love, I love scorpios.

Speaker 4 (01:08:36):
Yeah good, I just didn't realize that you were a
scorpion scorpio.

Speaker 2 (01:08:40):
He doesn't suffer fools.

Speaker 3 (01:08:42):
It's not that you know what I identify most now
recently as a scorpio. And this is gonna sound so
like iye roll because it's like it's about what people
do to me. But it's a lot of people project
stuff on the scorpios, or they think they project things
about me, like the right they do those they'll assume

(01:09:06):
things about me that are just just obviously informed by
like what what what the person is thinking?

Speaker 4 (01:09:10):
Whatever, We don't have to well, that's what people do
for pisces too. They just assume that I'm sensitive and
emotional about to cry.

Speaker 2 (01:09:17):
They're right, literally, March fifth is my birth.

Speaker 5 (01:09:21):
March ninth, do you have a birthday party?

Speaker 3 (01:09:24):
When year?

Speaker 2 (01:09:24):
Maybe we should?

Speaker 1 (01:09:25):
March seventh huge day for us. Yeah, two days after yours.
Just saying, you know who's blowing me up right now
and I don't know why. Jared Frieder you know Jared?

Speaker 4 (01:09:35):
Oh yeah, and that's how Wait because of Liz. Jared
lives are so close. And that was the Muna concert
Someone Great. I was in Someone Great, which is another classic.
And that's how I met you is because of Jen
is because of Jen Jen.

Speaker 2 (01:09:49):
King Robinson and then Liz Everley went to my high school. Yeah,
they went to high school together and was best friends
with his sister Yang. Yeah, isn't that weird?

Speaker 5 (01:09:58):
Wait, that's crazy.

Speaker 2 (01:09:59):
I didn't know.

Speaker 5 (01:09:59):
I didn't know how that all came to be with
That makes sense.

Speaker 1 (01:10:02):
No, yeah, so you're a moonafaan of course, that's kind
of that kind of it's kind of lesbian of you
to being Hunting wives and be a mooning things onto
us the pisces.

Speaker 4 (01:10:15):
Yeah, we're used to it.

Speaker 2 (01:10:16):
Yeah, and they're always right, yeah, they are. Now I
am going to cry.

Speaker 5 (01:10:21):
I'm crying right now.

Speaker 2 (01:10:23):
I almost did during much perform you did? You did?
I saw that and you see he went more to anger.
Of course.

Speaker 4 (01:10:31):
Of course I love that.

Speaker 2 (01:10:33):
It's just kind of it's it's where we go.

Speaker 3 (01:10:37):
No nothing, I'm sighing because speaking of just I'm thinking
Brittany snow crying and and and that makes you cry.

Speaker 2 (01:10:45):
It makes you so good. It makes me I'm filled
with awe.

Speaker 3 (01:10:47):
Because in the previously Unhunting Wives clips, they would always
constantly play the clip of Stovie going like it's we
actually the devist were doing.

Speaker 2 (01:10:57):
We were doing a contest about who could do the best.
She died.

Speaker 5 (01:11:03):
No stopmich what what is that from?

Speaker 2 (01:11:06):
Its from I'll say the story of the first accident,
of the accident.

Speaker 4 (01:11:11):
Oh my god, when I'm in the green dress and
I oh my.

Speaker 2 (01:11:15):
God, when you're at the law other women about the
accident I'm literally like it was just the reason why,
the reason why we were doing it is because they
were showing it in the previously a lot.

Speaker 5 (01:11:28):
Also, I'm not proud of that performance.

Speaker 2 (01:11:31):
Was so good.

Speaker 4 (01:11:33):
Sorry, it's just it's just because I at that moment,
I didn't realize that. It cuts to Katie and she's like,
oh my god. You know, like I could have like
done so many different things, but you're right.

Speaker 5 (01:11:44):
I was like, no, no, but you're right.

Speaker 2 (01:11:49):
I feel like you can't watch play that.

Speaker 5 (01:11:52):
No, I can't.

Speaker 4 (01:11:52):
But also like I get what you're saying.

Speaker 5 (01:11:56):
It was like a strange. It was like a strange
thing to have constant like go.

Speaker 1 (01:12:00):
Back and we don't remember what I loved the previous.
Previously is one of my favorite parts of a whole episode.

Speaker 4 (01:12:06):
Yeah, sometimes when I when I think to when I
wasn't working and I was thinking to myself, like one
day I'll be on a TV show, and I would
say to myself like previously, yeah.

Speaker 5 (01:12:15):
You know, it's like so cool to say did you
have to do it?

Speaker 4 (01:12:18):
Yeah? Yes, you're like, wow, I'm really on a TV show.

Speaker 2 (01:12:22):
Now it's been on a thing that has a preview. Now.
I've never said previously previous you will you can.

Speaker 3 (01:12:29):
I did get to say in a secret deodoran commercial
Wicked for Good in theaters, remember twenty first?

Speaker 2 (01:12:34):
That felt cool?

Speaker 3 (01:12:35):
Yeah, I'm sorry, that's that just sounds like a brag.
I'm sorry, no, but Wicked for It is in theater
is in theaters twenty first.

Speaker 5 (01:12:43):
Oh don't you know?

Speaker 2 (01:12:43):
I know it? Yes?

Speaker 3 (01:12:45):
Wait, I need to ask because you alluded to this earlier.
So you you think you could have done this, she
died seen better, but you you had other moments you said,
there were other moments throughout the season where you were like,
I could have done that better. Would you like to
put those out there now?

Speaker 5 (01:12:59):
I think I always think I can do better.

Speaker 4 (01:13:01):
It really it bothers me because I'm pretty hard on myself,
and I always watch when I watch things back, I'm like,
I could have done better, or you're like, I did.

Speaker 2 (01:13:10):
It better and that wasn't the take. Literally always always,
And that's why I don't use that one.

Speaker 1 (01:13:16):
I know I always think that, but then but then
I just keep reminding myself like it's because it was better.

Speaker 2 (01:13:21):
Holistically, I have to trust the experts here. Also, maybe
the one I'm thinking wasn't the one maybe it would
have looked odd after her line, you know what I'm saying,
Like it's but I have the same thing where I'm
on the track.

Speaker 4 (01:13:33):
Well, to go back to the fact that I have
directed before, I directed my own movie that I wrote,
and I have been on that side where I had
to edit, and I was in the editing room for
four months, and I do know that that thought which
does come into play when I watch myself of like
I've been on the other side where the best take
isn't always the one you're going to be able to

(01:13:53):
use because her hair was on the wrong side. There
was something that we couldn't get out of the frame
or whatever it is, you know, a lighting thing or
or just.

Speaker 5 (01:14:01):
Little minute things that you're not thinking of. And so
I do take that into consideration, although it does.

Speaker 1 (01:14:05):
Sound yeah, of course, yeah, whenever you up, is that
a pisces thing we're not really controlling.

Speaker 2 (01:14:12):
But that's not even a control thing. Ye, I want
people to think I did this scene really good.

Speaker 4 (01:14:18):
Yeah, And maybe that's the controlling of it, is that
I know that I can do better, and so there's
this sort of like sensitivity to to I guess that's controlling.

Speaker 2 (01:14:28):
Yeah no, it's it's a sensitivity to to just emotion.

Speaker 4 (01:14:30):
Yeah yeah, you can.

Speaker 3 (01:14:33):
You can like you're getting a read on like these
micro moments or sensitivity based.

Speaker 2 (01:14:38):
On emotional portrayal. Lots of ices there. Creative. You know
what's creative and we are.

Speaker 1 (01:14:51):
In control of I don't think so, honeys. So this
is our sixty second second where we take just exactly
that amount of time. You guys have been think rip
something in culture apart.

Speaker 2 (01:15:03):
You have been thinking about it. So we heard your two.
We told you, we weighed in. We said we think
one is the one. We're gonna go first, and you
can ruminate on it. Okay, I have one. I've been
moving apartments in LA and I have one. Okay, this
is Matt Rogers. I don't think so many of his
time starts now, I.

Speaker 1 (01:15:23):
Don't think so, honey, dust. I just found out you're
mostly my own skin. I don't think so, honey. Almost
fifty percent of all that in the corner, bitch, that's
your own skin. Those are your dead cells. I'll say
it again, dead cells all up in the dust. When
you go to a corner, it's horrible. Any room you're in, right,

(01:15:43):
now go to the corner.

Speaker 2 (01:15:44):
It's terrible. I'm telling you you need to call the cleaner.
Please let this be. Let this be not just that.
I don't think so, honey.

Speaker 1 (01:15:50):
It's a reminder you need to clean or call the cleaner,
get someone or you yourself, get the supplies.

Speaker 2 (01:15:58):
The dust is you you are about. It's like soilent
green up in here. I'm telling you it's really bad.
And bitch, I have to tell you about your air filter.
It's so bad, so bad. Get the dust out of there.
You're gonna die. If you suck in this dust. You're
gonna die, I'm telling you. Then talk about dust mites.
Don't try to give it a cute name, you bitch.
I don't think so honey.

Speaker 4 (01:16:17):
This.

Speaker 1 (01:16:18):
You are not gonna call it a dust mite, a
dust bunny. It's an insult to bunnies. I don't think so, honey.
It's my own skin. It's not a bunny which I
want to pet. It's my skin, which I either want
to keep or never see again. I don't think so hard.

Speaker 2 (01:16:30):
And that's one minute. The only bunnies we want, No bunnies.

Speaker 5 (01:16:36):
I am terrified.

Speaker 2 (01:16:38):
Why because that was so great?

Speaker 4 (01:16:40):
Yes, and also you like, I'm going home to immediately
start dusting.

Speaker 2 (01:16:44):
You got it, you got I'm telling your half.

Speaker 4 (01:16:46):
No, but I bought an old house and it's really dusty,
I know.

Speaker 2 (01:16:49):
Especially, And that's also the thing about the unfortunate drawback
to like, oh, this house gets great light, it's gonna
get amazing dust. Get two air purifiers.

Speaker 5 (01:16:57):
Yeah, oh no, I've got to one upstairs down to.

Speaker 2 (01:17:01):
Yes.

Speaker 4 (01:17:02):
The dust bunnies are, you know, not a part of
the club. And they're everywhere everywhere.

Speaker 1 (01:17:08):
And I'm telling you the one great thing. I'm so
happy to be leaving my apartment in LA and going
somewhere else. It got so much dust like two days after.
I don't know, it's something about it, but it's horible
and like I I found it, a lot of it
hiding in one place, and I just couldn't believe how
big the ball was.

Speaker 2 (01:17:27):
This is really nice. Well, can you take a picture.
I didn't. I didn't because Melissa was freaking out. She
was like, stop dodging that. We were like kind of
playing with the dust. We were high. It's the dryness.
It's the dryness. Yeah, it was. It was not good.
But anyways, we're happy moving to Studio City. Whoa to
be closer to Jared? Actually my bestie?

Speaker 5 (01:17:50):
Oh my god, I didn't know that.

Speaker 2 (01:17:51):
Oh yeah, we dated for a year. Hot, very cute
at the time, very much.

Speaker 4 (01:17:57):
So.

Speaker 2 (01:17:57):
Yeah, better as friends.

Speaker 4 (01:17:58):
Though, I get that.

Speaker 5 (01:18:00):
Yeah, not because of him, just because, like I've been
in that situation.

Speaker 2 (01:18:03):
Yeah, sometimes you're just better as friends. All right, what
do you think I have something?

Speaker 3 (01:18:09):
Okay, it's also and it's also another like house thing,
but I think it's really important work.

Speaker 2 (01:18:14):
Okay, So this is Bowen Yang's I don't think so, honey.
His time starts now.

Speaker 3 (01:18:18):
I don't think so, honey. Light switches you have to press.
Give me an actual rocking mechanism. I don't care if
it's the little nub, I don't care if it's.

Speaker 2 (01:18:29):
The full want to flick.

Speaker 3 (01:18:31):
I want to flick because guess what these dimmers do.
They go slow, They take their time, and sometimes I
need it to be lights out like that. And sometime
and most of the time, with these pressed light switches,
you go to a hotel.

Speaker 2 (01:18:47):
Oh it is in this night.

Speaker 3 (01:18:49):
Wait a minute, the light switches are nonsensical. I'm pressing
a button and I gotta, I gotta, I gotta count
ten walk ticks for this to fully go black fifteen seconds.

Speaker 2 (01:19:04):
I'm I'm trying to go to bed.

Speaker 3 (01:19:06):
Meanwhile, I'm standing at the threshold between the closet and
the bathroom waiting for the light to go down seconds.

Speaker 2 (01:19:14):
So that I before I can tuck myself in. Honey,
there's no time. I'm busy.

Speaker 1 (01:19:19):
That's one minute, you know, I've done one very similar
about when you go to a hotel, Like if you
ever spring on like a nice hotel, you can't use
one thing it's impossible to use.

Speaker 2 (01:19:28):
You want to turn on the TV, you can't. You can't.

Speaker 1 (01:19:30):
You can't because the remotes something from out of space.
You want to do You want to turn on the
light in your bathroom, you can't.

Speaker 3 (01:19:36):
And my classic thing hotel trash cans. That chance, that chance.
It's tiny, it's a little canister. They're getting worse soon.

Speaker 1 (01:19:43):
It's gonna be a button all the way over there
to open the trash can over here. Don't even talk
to me about a button that says all go there.

Speaker 4 (01:19:53):
I hate that. Why don't you like? I press all
and everything goes black. I can never find the button again.

Speaker 2 (01:19:57):
Everything You have to run to the bed. You have
to run, definitely going to You'll be killed.

Speaker 4 (01:20:04):
Definitely. I have killed by all like you will, I'm
telling you.

Speaker 2 (01:20:08):
But they make it so difficult. Like my parents are
in Greece right now. Oh my god.

Speaker 1 (01:20:12):
Now that they're in Greece, it's their second time ever
leaving the country, and I was like, I wanted them
to go into like have a nice trip and go
in nice hotels. And then after I sent them, I
was like, oh, no, are they gonna know how to
like turn on the coffee thing because it's fucking rubikscue, like.

Speaker 2 (01:20:28):
It is crazy to turn on the light.

Speaker 1 (01:20:30):
Toilets, you know, they have those fancy bidets, like in
the toilet You'll be there for forty five minutes.

Speaker 2 (01:20:36):
Trying to figure it out, and then when you do,
you'll never leave. But sometimes I get to them some
of those days and I'm like, I'm not leaving. Oh no, no, no,
I'm getting a blood clot. I'm staying. Oh my Britney. Okay, okay,
are you ready?

Speaker 5 (01:20:55):
I think so?

Speaker 2 (01:20:57):
This is what a sentence. Oh my god, thank you
so much for coming.

Speaker 5 (01:21:01):
I am having the best time.

Speaker 2 (01:21:02):
Me too.

Speaker 4 (01:21:03):
I don't want to Okay, this is.

Speaker 2 (01:21:08):
With the other blonde. Oh this is Britney snows. I
don't think so. Money and her time starts.

Speaker 4 (01:21:12):
Now, I don't think so, honey.

Speaker 5 (01:21:15):
Okay, hospital shows. Let me tell you something.

Speaker 4 (01:21:19):
People. I know some people that it is their comfort
to after long day. You're working traffic, you're a person
that's got kids, you're taking care of old people, and
then you go home at the end of the night
and you want to curl up with a nice glass
of tea and a blanket, and you're going to put
on the most high stakes drama of people dying. You
actually really die in real life. These are real stories

(01:21:40):
that happen. And then now your comfort show, Gray's Anatomy
the Pit. Also Norm Wiley call me, I will do
season three You Love Him? Also No Wiley's side note
is a doctor. If I was on a plane and
there was somebody that if I was going down and
there was like is there a doctor in the plane,
and there was another doctor and then there was no Wiley,
I would pick a little.

Speaker 5 (01:22:00):
He knows everything.

Speaker 4 (01:22:01):
But that's not the point. The point is I don't
think that these shows are good things to watch because
they don't give anybody comfort. I don't want to go
to hospital. Does anybody like going to the hospital? Why
am I willingly going to the hospital?

Speaker 2 (01:22:11):
I'm sorry, keep going, but do you like going to
the hospital.

Speaker 4 (01:22:14):
I'm visiting people in the hospital. I want to get
the fuck out of there. And then now we are
willingly putting ourselves into the hospital and it's like dramatic.

Speaker 5 (01:22:22):
I don't think so, honey.

Speaker 2 (01:22:23):
That's a minute that was perfect, Oh my god, really good.

Speaker 1 (01:22:27):
And also this is speaking to something in the culture
that needs to be addressed, which is why do we
like these things? It's just it's literal pain, blood and more.
And I will say something, what what is the thing
with like people being like, wow, now I really know

(01:22:47):
what that experience is like.

Speaker 2 (01:22:49):
It's like, it's like, why did anyone need to know
what they go through? I get it personally for me,
I get it being in a hospital, working in like
an emergency room. It sounds awful.

Speaker 4 (01:23:01):
Not for entertainment, but let me just say, to play
the Devil's Advocate to my own I don't think so, honey.
I do think that it's highlighting people in those roles
that have the most horrible art. Absolutely, I don't give
one fuck about actors who are like Oh my god,
I'm so tired.

Speaker 5 (01:23:16):
I hate my job.

Speaker 4 (01:23:17):
It's like, no, you go to a hospital and those
people are allowed to complain about being hired because they're
saving lives. But then also, yes, we're highlighting those jobs.
But at the same time, I don't want to have
any enjoyment in that or comfort in the fact that
you just saved a child from like their arm getting
cut off or whatever like that to me is not

(01:23:37):
something that I find to make me like ready for
bed now.

Speaker 2 (01:23:40):
Ye right. I love the pit and we are loaded.

Speaker 1 (01:23:43):
Craze anatomy stands, but I don't even know if I
could rewatch it because now as an adult, I'm super
sensitive to pain.

Speaker 2 (01:23:49):
To pain like humanity. Did you ever do? Did you
ever do a hospital show?

Speaker 5 (01:23:53):
No one has ever thought that I could play a doctor,
do you.

Speaker 3 (01:23:57):
No?

Speaker 2 (01:23:58):
Why am I creating that you were like a patient
on anime?

Speaker 4 (01:24:02):
I was a bipolar girl who killed someone.

Speaker 2 (01:24:06):
On SVU That's why? Yeah?

Speaker 3 (01:24:09):
Pretty that which which which is the exchange rate? Is
you were you were a doctor and grace on a
hospital procedural? Yeah?

Speaker 5 (01:24:16):
No, I can't do those The language like the worrying
of No.

Speaker 1 (01:24:20):
I actually wrote a Gray's anatomy specscript in college and
I it's just all the hospital jargon. I was just
going to put in the dialogue like in parentheses, like
hospital jargon. Here's the doctor was like I know, but
my teacher was like, no, just write it. And it's like,
I tenC is a penicillin.

Speaker 2 (01:24:37):
It's like, what's that?

Speaker 3 (01:24:38):
But the writer, the actual writers on Grays just go
just go medical medical, medical, medical, medical.

Speaker 5 (01:24:44):
So legally act that is my nightmare.

Speaker 4 (01:24:48):
Like the reccurring nightmare that I have is that I
show up to do Gray's anatomy or whatever and they're like,
you got the medical jargon right, they know it just
came in last night, and You're like, what medical jargon?
And they're like the paragraph of medical jargon that you
don't know is an actual nightmare that I have on.

Speaker 2 (01:25:01):
The regular amazing specific actors specific so specific to just actors,
is like what if I show up to graze anatomy
and I don't know the medical jargon humiliate, amiliating, then
I'm nude.

Speaker 3 (01:25:14):
I'm agreeing with everything you're saying, Brittany, when you asked
who likes going to the hospital, this is, this is,
this is I'm going to say a Canadian thing, which
is when you have socialized medicine, especially if you're a
kid growing up in Canada like like like like I was,
I broke my arm twice growing up in Montreal.

Speaker 2 (01:25:33):
Going to the children's hospital was the funnest time because
he broke his arm twice.

Speaker 5 (01:25:37):
Talking about a different Yeah, medical systems.

Speaker 3 (01:25:39):
But like the children's hospital Montreal was a happy place,
happy place. The walls were colorful, but there's play places.

Speaker 5 (01:25:45):
But they were fixing your arms.

Speaker 3 (01:25:47):
And they were fixing the arm and the doctors were
so nice and so happy. There there was a Nois pediatrician.
I mean, come on, I think I think the I
think the the appeal of the Pit is you're watching
Noahiley maybe no a while and there's nothing better.

Speaker 2 (01:26:01):
Oh my god.

Speaker 3 (01:26:02):
And he just I mean, did you see him at
the party during the Emmys. He and his wife the
mis quorterous couples, and I love that. For this, it
was the Pit and hunting.

Speaker 5 (01:26:13):
Wives, two vastly different because.

Speaker 4 (01:26:19):
Cross like five hundred c cs.

Speaker 2 (01:26:24):
Maybe let me get that scalpel.

Speaker 4 (01:26:28):
Do that. I don't know, something happens, Wait, this is
this is.

Speaker 2 (01:26:31):
This is my Moulin. Ready offer me a tampon.

Speaker 4 (01:26:35):
I don't know.

Speaker 5 (01:26:35):
I I think I have a tampon.

Speaker 2 (01:26:38):
Oh I can't use that. Oh I can't use.

Speaker 4 (01:26:45):
Wait, Okay, before we go, you guys both told me
that you had like questions about the show because you
were like if this person does that, and that person
is that, and that guy?

Speaker 5 (01:26:55):
It was, yeah, what are the questions?

Speaker 2 (01:26:57):
Okay? My question is, how is Sophie wrecking with what
she's done? How will she get out of this one?

Speaker 4 (01:27:05):
I have theories that are completely not based in any facts,
But let's hear him.

Speaker 5 (01:27:11):
Because I don't know.

Speaker 4 (01:27:12):
I don't know this to be true at all. But
I do think that this puts them on an even
playing field. And I do think that she's smarter than
people think she is. And I would like to see
her having done stuff already to like lay the groundwork
for Like she's got some shit on Margo that she
could drop, you know, at the drop of a hat
and turn everything around if Margot figures out that she

(01:27:35):
killed Kyle. But I think no one's going to figure
out about Kyle for a long time. Wow, I think
she took that phone for a reason. I think she
took the phone for a reason.

Speaker 2 (01:27:45):
You don't think that Molly knew it was her on
at the end. I don't think so.

Speaker 4 (01:27:51):
I'm not sure. Okay, we've played it both ways. It's
funny how when in the show. But they did tell
me to take the phone for a reason.

Speaker 2 (01:27:59):
Yeah, there are so many ways to interpret the show.
Absolutely as as I'm an example of, I'm telling you
like it.

Speaker 1 (01:28:09):
We we were in pee Town, like ostensibly a lot
of fun things to do there, No, all we wanted
to do was be in the house watching the show.
It was the highlight of every moment of the trip
was watching the show. And the Dude Store was good, good,
but we didn't really go out.

Speaker 2 (01:28:25):
I liked that one. I liked the Red End too,
cocktails there, But other than that, it was the Hunting Wives. You.

Speaker 5 (01:28:31):
I am just so honored by that, truly.

Speaker 2 (01:28:35):
Thank you for that was my one week off the
entire summer. Thank you for really, no, thank you.

Speaker 5 (01:28:41):
I'm glad I spent we did all together.

Speaker 2 (01:28:44):
Yes, we scaped and you have two shows coming up.

Speaker 5 (01:28:47):
I do two shows.

Speaker 4 (01:28:49):
One on Hulu that's called Murdoch Death in the Family,
and I play Mandy Mattney, who is the real reporter
that the podcast Murdoch murders her character. She she's the
person that sort of like spearheaded the whole fight to
get this guy Alec Murdoch behind bars and figure out
what was happening with that story.

Speaker 5 (01:29:09):
So she is about us.

Speaker 2 (01:29:11):
So she comes in and is like, we have to
get the truth. We have to get the truth.

Speaker 4 (01:29:14):
Yeah, And she was the first person to actually kind
of sense that this was a bigger story at play,
that it wasn't just this guy who was up to
no good. There was something that was way, way more
insidious with the story. And she just followed that lead,
and nobody took it seriously. And so as it was happening,
she was the one that was sort of the person
that knew before anyone else and was really sort of

(01:29:36):
this gnat in their family in terms of like making
sure that the story is broke, that somebody was always
watching them, that the story was actually getting told.

Speaker 5 (01:29:43):
And so yeah, I was up to her that this
all happened.

Speaker 2 (01:29:47):
And hospital shows are too gruesome for you. Yeah, I meanwhile,
you're out here with all this murder. Well, I know,
the murder is so much murder in all your shows.

Speaker 5 (01:29:54):
I know, I've been really murdering. I'm sorry you.

Speaker 2 (01:30:00):
The kids love you. There every murder show on television.

Speaker 4 (01:30:03):
I will be more.

Speaker 2 (01:30:04):
Also, well, here that kid, that's the second show. A
murder show. It is there you go.

Speaker 4 (01:30:10):
It's called the Beast in Me.

Speaker 2 (01:30:11):
It's called the Beast in Me. You have kids, the
kids out there.

Speaker 4 (01:30:19):
Not everything I do is for the children.

Speaker 2 (01:30:22):
Most in the children.

Speaker 4 (01:30:26):
Yes, gay guys, gay guys speak, thank you.

Speaker 2 (01:30:29):
Yeah, it's really good when you feed the children. That's good.
I figured Beast in Me.

Speaker 4 (01:30:36):
Beast in Me is there are no children in the
Beast in Me But it is about also murder. My
my husband is being murdered. No, no, he might have.

Speaker 5 (01:30:48):
Murdered his ex wife and I am the new wife.

Speaker 4 (01:30:52):
But it's sort of like the Jinx in the way
of like he's sort of this tycoon and billionaire and
you don't really know what's going on in terms of
his or her past because he's he might not have
murdered her at all. Not everyone in the show is
as they seem. Because Claire Danes, she plays this writer
that's doing a book on Matthew Reese my husband.

Speaker 2 (01:31:11):
I know. Oh wait, Matthew Reese and Claire Danes so
it's going to be a phenomenon.

Speaker 5 (01:31:16):
It is the same people who did Homeland.

Speaker 2 (01:31:18):
Oh, so it is, We're familiar. Claire Danes is going
back with Homeland people.

Speaker 4 (01:31:22):
Yeah, oh this is too much and I'm there too.
They I know, who would have thought this is crazed.
It's going to be very cool.

Speaker 3 (01:31:29):
We met her at SNL fifty. She is, she said,
she listens to the pod somehow, I don't. That's that
was too much.

Speaker 2 (01:31:35):
It was too much. She's so fucking she is the coolest,
best actor ever.

Speaker 4 (01:31:39):
She's the best actor, She's the best person. Her and
Matthew Reese are truly. I mean, I loved working on
that show every day because of how they conducted themselves
on set, and then we all became friends and I
was just like, I love when people are that good
at what they do and they're also that good in
real life as people. Claire just wanted to hang out.
She just wanted to know.

Speaker 5 (01:31:57):
Things about me, and she really listens.

Speaker 4 (01:31:59):
She just rat that's the best rat.

Speaker 2 (01:32:02):
This was so fun. We love you, love you have
to hang out with you. When when when they said
that they spend so much time with you at the Emmys,
like you and all my friends. I was just like,
I have to be there. But now we're going to
do something.

Speaker 5 (01:32:15):
We're doing it. We're gonna hang out. We're gonna be
like real, real friends.

Speaker 2 (01:32:19):
Catch us in the.

Speaker 3 (01:32:20):
Streets, in the streets, all right, okay, ready, yeah, we
have every episode but the song.

Speaker 2 (01:32:26):
I'm trying to think, what's the song? The New Girl
in Town? I wish I knew the words I can hear.
If you want to hear that and more, listen to
the Hairspray original past Southey Last.

Speaker 3 (01:33:00):
Culturastis is the production by Will Ferreld's Big Money Players
In and iHeartRadio podcasts.

Speaker 1 (01:33:04):
Created and hosted by Matt Rodgers and Bowen Yet executive
produced by Anajas Bier and produced by.

Speaker 2 (01:33:09):
Becker Ramos, edited a mixed by Doug Bain and our
music is by Henry Komerski

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