“I Feel So WILD!” (w/ Hannah Solow)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Look may oh, I see you my ow and look
over there is that culture.

Speaker 2 (00:06):
Yes, lost culture ding Dong.

Speaker 1 (00:11):
Lost culture is just calling. We're in a different room
today recording because we were booted for Malala. Yeah that's true.
That's too. Malala is upstairs in our regular studio, and yeah,
you gotta respect you gotta respect it. You know if
it's Sometimes in life you're given a choice between Malala

(00:31):
and Matt Rogers and Bowen Yang, and you pick Malala,
and that's actually we're loo couch at number ten.

Speaker 3 (00:35):
Sometimes in life you're giving a choice between Malala and
Matt Roger and you've got If it were like a
fifth grade pe class and people were picking kickball teams,
you would get picked.

Speaker 1 (00:52):
I was gonna say, Malala, you think Malala would better
kickball than Malala grew up in the expanse fields of
her home. You're not thinking about winning the game. You're
thinking about it'd be cool to hang out with Malala
on my team. You're not thinking about who's going to
kick the ball and get around the base as quick
as you.

Speaker 4 (01:12):
I'm saying Malala had like more space growing up just
to run around and be athletic.

Speaker 2 (01:17):
I certainly didn't.

Speaker 1 (01:19):
I don't know.

Speaker 2 (01:20):
I take, well, look at your bigle games.

Speaker 1 (01:22):
I'm always looking at your legs because you're always walking
in front of me at the speed of light.

Speaker 2 (01:26):
We haven't seen Malala's legs, have we should we go
up there? What if Malala was yoked in in the
bottom half like Mamala.

Speaker 1 (01:36):
Upstairs, like looking like Malala from the waist up, but
the legs are like.

Speaker 4 (01:42):
Wow, sinewy, big fat calves like me.

Speaker 1 (01:47):
Yeah, damn thick, thick mom always upstairs, all thick.

Speaker 2 (01:52):
We're down here with our guests.

Speaker 4 (01:57):
I would pick our guests and every situations, especially between
the two of us, especially if.

Speaker 2 (02:03):
We're between her and Malala. No, I picked our guests
over Malala every day of the week.

Speaker 4 (02:09):
Car guest is nominee for best vibe, hands hands down,
Oh my god. Next year her sat Meyers Malala you
sup scy.

Speaker 1 (02:20):
I don't know. I have no idea what Malala's vibe
is like and wonderful. She's only five floors above us,
giving giving whatever that vibe giving shows, Malala's giving giving
thick shows ups there. You shoved to pieces one night
and you're like Malala's giving shows tonight. Yeah, I heard
it's I heard the lineup tonight is is It's Brinda Filter,

(02:41):
is Young Cut, It's is a young Cut? Is Young
Cuts hosting?

Speaker 2 (02:44):
And malalas coming out to do shows.

Speaker 1 (02:46):
She's coming out every fifteen twenty minutes to give what
do they call it? Not a combo.

Speaker 4 (02:51):
Like like like dram egs mix. Yeah, yeah, yeah, the
Malala mix.

Speaker 1 (02:56):
If you could see Malala lipsync to four songs, what
would they be?

Speaker 5 (03:00):
Well?

Speaker 2 (03:00):
Okay, and then we'll bring in the guest. I think it's.

Speaker 4 (03:05):
My own worst enemy. What I wanted to do, like
a fun like ADTs rock moment.

Speaker 1 (03:10):
Yeah, I was. What about this good free.

Speaker 2 (03:15):
God? What are we talking about?

Speaker 1 (03:17):
I don't know.

Speaker 4 (03:18):
I Our guest is one of our dearest friends since college.
She is on the boards as Mary Todd Lincoln on
Oh Mary in Oh Mary, I should say, excuse me,
September thirtieth of October twelve, get the two the Lyceum.

Speaker 1 (03:35):
I'll never forget going to the Lyceum when our guest
got to step onto the boards for the first time
as Mary Todd Lincoln. I'm currently wearing and Bowen is
wearing the Ohannah sweatshirt Ohnaan. So I've known the guests
since we were literally on the same floor freshman year.

Speaker 4 (03:53):
I think our guest today to be I think we
might have been in the same audition for a comedy group.

Speaker 2 (03:58):
Oh damn. And then she's she's giving me the eye,
going well, I think.

Speaker 1 (04:03):
We could give you similar rise because we me and
the guest both didn't make it because of your imperious ways.

Speaker 2 (04:08):
I didn't I wasn't, I wasn't up. It was up
to me.

Speaker 1 (04:11):
You're imperial. You're imperial. Our guest is one of the greats.
You can catch her as Mary Todd Lincoln right now
until the day of twelve October. T said the dates,
all good, all good, Please welcome into your ears. Oh
my gosh, we have a whole We have a whole
crew of people here watching you, the audience, audiens.

Speaker 2 (04:35):
How does it feel to be a Broadway superstar? God,
I feel insane.

Speaker 6 (04:41):
It's actually insane that we're all here together on these couches.

Speaker 2 (04:46):
We're in a spinning chair. That's true, that's true. I
knock the whole mic over.

Speaker 1 (04:50):
Okay, Well, what were your first impressions of the Big
city when you moved to New York.

Speaker 6 (04:57):
That's a really good question. Matt, thank you for asking
learn the subways. Sad to learn the subways.

Speaker 1 (05:02):
So many sounds, the ways of the subs, all the
ways of the sub the ways of the stub But
remember our first remember our freshman year a NYU.

Speaker 4 (05:10):
It was a thing where like you had the little
card map in your wallet, like I have a card
map in my wall.

Speaker 6 (05:15):
This is pre app And you didn't have cell phone
service when you were on the subway, so you'd just
be like, bye, hope we make it there. I'll talk
to you in thirty five minutes.

Speaker 1 (05:23):
Yeah, on Euclid Avenue. Oh god, the when you'd end
up like on the sea, like truly in no man's land.

Speaker 2 (05:29):
Yeah, I was so scary. It's one of the scariest
things you could ever shunted by the memory, just.

Speaker 1 (05:36):
Just to like sort of fall asleep on the subway,
wake up and you could.

Speaker 4 (05:39):
I got very season two finale of Girls very Much.

Speaker 1 (05:44):
Love.

Speaker 6 (05:46):
Listen I one for you, Carrie, Samantha or Marnie. Well,
one time I was walking down the street when we
were in college and a man went.

Speaker 2 (05:55):
Lena Dunham. You're like, yes, I guess.

Speaker 1 (06:02):
Pretty much you felt seen by girls? You know what
I did feel seen by girls at the time, which
part was reflective of.

Speaker 2 (06:12):
You just sort of like blah flopping around in New
York the way those girls one thing in common, they flopped.

Speaker 1 (06:27):
Number fifty, All of those girls.

Speaker 2 (06:29):
Had one thing in common.

Speaker 1 (06:30):
They flopped around New York?

Speaker 2 (06:32):
Am I wrong? Are still doing it?

Speaker 1 (06:35):
Here's a question? Would you rather slip or flop? Oh?

Speaker 2 (06:42):
Flip? Yeah, flip flop? Would you rather flip flop or flup?

Speaker 1 (06:47):
You just wanted to say flop because it rhymes with boop,
and you want to talk about your viral moment.

Speaker 2 (06:51):
You wanted to talk about the viral moment. You were
the one that made the connection between oop and.

Speaker 4 (06:56):
I want to say, third option, fourth option, flap my gums, Yeah, exactly,
this podcast, I love that.

Speaker 2 (07:03):
Also a tap dances Sophune. Sure.

Speaker 1 (07:07):
So you were in top twenty one musical theater, which
means you have to be excellent as singing, dancing, and acting.
Which are the three do you love the most?

Speaker 2 (07:15):
These questions?

Speaker 1 (07:19):
I want to get to know.

Speaker 2 (07:21):
Okay, you're so right, and this is insight into me.
I what was the question.

Speaker 4 (07:27):
Which means you have to be excellent musical theater? So,
which did you love most singing dancing round Okay, this
is really professional?

Speaker 2 (07:33):
Yeah question, I love this. Okay.

Speaker 6 (07:37):
I am not the best dancer, but I love dancing.
I'm the same like it feels so good to dance,
but my brain isn't keeping up with what my body
is doing.

Speaker 2 (07:47):
No, totally.

Speaker 1 (07:48):
All the best dancers are the same way.

Speaker 2 (07:51):
It's true. I don't know anything dancer.

Speaker 1 (07:54):
Jinger Rogers, Score Girl Girl, Twilight out moving into this.
Love for Twila absolutely so.

Speaker 2 (08:05):
I take singing. I love to sing.

Speaker 1 (08:08):
You are one of the great singers.

Speaker 4 (08:10):
Now is the infamous improv group Rumplets are still performing?
Please talk about advertise.

Speaker 2 (08:18):
Thank you.

Speaker 6 (08:19):
I don't really get to perform with them anymore because
of Broadway, the greatest excuse in the world, but they
are still performing.

Speaker 2 (08:27):
Do you want a shirt that says I can't I
have Broadway? Yes? Absolutely.

Speaker 6 (08:32):
I have a blanket in my dressing room that I
got off of Amazon that is theater sayings blanket. It's
all like light's up. It's me like all of the
theater like I can't I have rehearsal.

Speaker 1 (08:49):
Or we'll do it on the day. Oh, I love
the day, and it's best to say it when it's
the same day. So on the day I think he'll
be over here, I mean in two seconds, just to
be a brain teaser when that happens. How do you
stay agile? Infectually?

Speaker 6 (09:06):
I do a lot of crossword puzzle, actually I do.
I'm hoping that that will stave off some sort of dementia.

Speaker 2 (09:11):
Yeah, do you do it? All the way up to
Saturday Sunday. I've been trying to get better. I've started
the new pips. Yeah what they had.

Speaker 6 (09:18):
It's like sort of a domino puzzle. Okay, I'm into it.

Speaker 2 (09:23):
That's wonderful.

Speaker 6 (09:24):
And as long as my memory stays sharp, I'll do anything.
Anything's possible, anything's possible. I gotta be you know, I'm
not going to age into the roles that I'm supposed
to play for another twenty five years, so I gotta
stay sharp.

Speaker 2 (09:38):
Remember those lyrics, right? If I want to play Dolly
in Hello Dolly, you.

Speaker 4 (09:42):
Know, Oh Hannah, Oh Hannah, that's gonna be That's gonna
be amazing.

Speaker 2 (09:48):
But who cares? I think like I think we should
all just do it. I think so too.

Speaker 1 (09:53):
I want to play fifty now, absolutely, you both could
and we will, Okay. Teva golda, Hello, it's see we're waiting.
You can be like modeled the tailor.

Speaker 2 (10:07):
Never seen Fiddler? You've never seen it? No, no, I'm
so sorry. The vibes are well in the beginning, they're fun,
and at the end it's bad.

Speaker 6 (10:15):
Because what happens to the characters I can't quite remember,
but it's something bad.

Speaker 1 (10:22):
You know what happens to the characters in Fiddler? Does
anyone know?

Speaker 2 (10:26):
No one knows? Yes, thank you.

Speaker 1 (10:32):
There's a diaspora. They have to leave their home.

Speaker 2 (10:34):
Yes, good?

Speaker 1 (10:34):
Okay?

Speaker 2 (10:35):
Good?

Speaker 1 (10:35):
Used so once? Far from the home, Far from the home.

Speaker 2 (10:38):
I love so.

Speaker 1 (10:39):
One of the big narratives on this podcast has been
are we using the word diaspora? Right?

Speaker 3 (10:46):
No?

Speaker 2 (10:47):
One always uses every word right? Good? It was good?

Speaker 1 (10:49):
Well that time you describing Fiddler as it starts. The
vibes start out great, but then they then they then
the vibes end bad. That I think accurately describes a
lot of shows.

Speaker 2 (10:58):
That's true. Wicked, Cabaret, Ye, red Wood, Redwood? Did you
end up getting to go see red did get to
go see it?

Speaker 1 (11:09):
What do you think? I thought you can save it
right now, but your review can bring it back.

Speaker 2 (11:14):
And bring it back why didn't you go we could
see Redwood? Yeah, they said I did have some offers.

Speaker 6 (11:22):
Specifically from Redwood, but there were other offers and people
being like, well you could.

Speaker 1 (11:29):
Being able to go see our show. So basically, for
those who don't know out there, Hannah Solo basically was
the one who said we could go see Boo.

Speaker 2 (11:40):
Can you do it?

Speaker 1 (11:40):
Because I'm doing it wrong.

Speaker 2 (11:42):
I feel like you have the right essence. Well we
could see Boop? Was that what it was like? It
feels like you're the characters right in front of me.
I'm trying to remember. It was, oh, well we could
sleep Boop, we could them and this was this was
t K T Y.

Speaker 6 (12:00):
Yes, I was walking by the red steps because honey,
when you're on Broadway, you're just circling hanting.

Speaker 1 (12:07):
Yeah for a second, right by the steps, right right
next to the right now I remember, and I.

Speaker 6 (12:15):
Heard a man, which then I got a lot of
d MS from people being like, it was me, you
heard me.

Speaker 2 (12:21):
And there was a lot of men, a lot of
men being like, I'm the one who said it.

Speaker 1 (12:25):
It was me. It was me.

Speaker 2 (12:28):
Men be claiming truly, and I was.

Speaker 1 (12:31):
Men be claiming.

Speaker 2 (12:33):
So what what what? Who do you. Did you get
a sense that one was the actual guy.

Speaker 6 (12:38):
The energy that I was feeling was that this man,
he's not on Instagram. Yeah, he's not dming me a Broadway.

Speaker 2 (12:48):
Person. He seemed like a tourist. He seemed like a tourist. Yeah,
he's a Taurus. Yeah, headed for the worst time.

Speaker 1 (12:58):
Your culture number seventeen. Dorris the worst kind because they're
so hard headed about what they want to do, where
they want to go, how they want to do it.

Speaker 2 (13:05):
It's New York.

Speaker 1 (13:06):
You have to be a malleable.

Speaker 2 (13:07):
I'm sorry, No, you're so right.

Speaker 1 (13:09):
You have to go with the flow.

Speaker 4 (13:10):
You have to have a plan in New York City.
Abandon it, throw it out the window, throw it at
the window. So you So there were other approach approaches.

Speaker 6 (13:21):
There were other approaches interesting, and I wish I could
have helped many shows.

Speaker 2 (13:27):
But I don't. I'm not count like I'm not because
you famously kept still there. This is what people were saying,
but I didn't. I didn't see the ledgers.

Speaker 4 (13:40):
I don't know, do you think I and I actually
I'm the one responsible for putting that idea out there
in this conversation because I said, you could have saved
Redwood and you didn't even I did not mean I apologize.

Speaker 2 (13:51):
I thank you for your apologies.

Speaker 1 (13:53):
Need to come out and say if Redwood was going
to be saved, it needed to be during the writing
and development process. Okay, that I that I don't think happened. Religion,
Big Tree religion. It was a full song on the show.
I worship Big Tree Religion.

Speaker 2 (14:11):
Oh okay, I remembering it. I just remember so many screens.

Speaker 1 (14:17):
Yeah, that was actually one of the exciting Jamie Lloyd.

Speaker 6 (14:20):
It was, but it was very I felt a little
bit soreing over California a few while I love.

Speaker 1 (14:26):
Can I tell you That's what I loved about the
show was the park nature of Yeah, that's why. The
fact that I felt like when there was a point
where like Adina was probably singing this note and like
at one point, like everything was moving around her, and
I was like, I feel like I am in the
Avatar flight of Passage ride. And it's to say nothing
against Surin. I just felt like all the trees it

(14:50):
felt like Avatar.

Speaker 2 (14:50):
I love that.

Speaker 1 (14:58):
My thoughts on Adina men's you love her, love the coal? Yeah,
never mat THEWL we saw her.

Speaker 2 (15:05):
In the off Broadway place.

Speaker 1 (15:07):
Skin tight, skin tight, never even heard of it. There
was a staircase in that The Broadway loves staircase. What's
the Dolly, what's the best staircase of theater?

Speaker 6 (15:16):
Well, recently, did you see the Hills of California? Yes,
the staircases. My case says, did you see that?

Speaker 1 (15:25):
Purpose had a great staircase, great staircase that comes her? Obviously, Hello, Dolly, staircase, staircase.

Speaker 2 (15:32):
That's so true. Theaters is just like, let's put a staircase, and.

Speaker 1 (15:35):
You know there's also an uh not oft remembered staircase
from death becomes her. That's the other staircase, which is
the one that Michelle Williams is supposed to be descending.
Now that goes that like like comically goes up the middle.

Speaker 2 (15:48):
Really good. That one had to staircases, which is probably
why it was double the fun on the building. Yeah.

Speaker 1 (15:56):
Anyways, what's your best memory of being an r A
with me at Coral Towers at n y U. You
guys were always together, were together, absolutely, So first answer
this question and then we'll go back in time to
see what you remembered about me from freshman year. And
I remembered about you.

Speaker 2 (16:13):
Okay, I have a memory.

Speaker 6 (16:14):
Well, when we were always together, we were I'd say
we were cool aras.

Speaker 1 (16:20):
We were like, we were always joking in the corner.

Speaker 2 (16:22):
We're joking. Yeah.

Speaker 6 (16:23):
We were like, if we don't hear you or seeing you,
then we're gonna y you do your thing. Yeah, but
if you're in the hallway with your whippets, I'm gonna.

Speaker 2 (16:34):
Write you up.

Speaker 1 (16:35):
What was your most difficult thing to confront as an
Ra and n Yu?

Speaker 2 (16:38):
Well, do you remember that a girl went missing.

Speaker 1 (16:44):
And we.

Speaker 6 (16:46):
Found her and finally found her in my room? Oh well,
her roommates came and were like, she's gone. We checked
her computer.

Speaker 2 (16:56):
She had gone to meet Okay, she had been gone.
So she was a straight woman. I can't assume you
got to watch her sexual identity. She had not gone
to meet the man for sex. Well, she did.

Speaker 6 (17:11):
Because they called her parents and then she came back
and she had been tied up for two days in
a way she enjoyed.

Speaker 2 (17:17):
I believe it was consensual. But can you enjoyed being
tied up for two days?

Speaker 1 (17:27):
She get into one hundred K.

Speaker 2 (17:31):
And this grandro they found her tied up.

Speaker 1 (17:34):
They well, I think she untied herself came back.

Speaker 2 (17:38):
Everyone was like where were you? And her parents were there,
like you've been missing, and she had to be like, sorry,
I was tied up. I'm just gonna ask, like, how
did you save her? Well, I didn't save her at
all when.

Speaker 1 (17:54):
Your shift ended, even though she had been missing. When
your shift ended, you were like, guys, I can't. I
gotta go like my shifts over, my shifts over. She's
the next.

Speaker 2 (18:06):
All right, Literally, that's what it was.

Speaker 6 (18:08):
You turned in the cell phone and you're like, here,
I guess I'll fill out the paper from and I
had to type remember it was like don't use you know.

Speaker 1 (18:15):
I don't remember because I didn't do any of it.
I got fired, Matt was fired, fired, You didn't do
your bulletin board was the Bulletimore like I'm this is
what's happening this week? Like that.

Speaker 6 (18:27):
It was sort of an opportunity to be creative, or
at least I found it, shi Be I had some
fun things on my bulletin board. I feel like you
sort of slapped a paper on there and said like
good luck.

Speaker 1 (18:39):
I'm not good with like visual aids.

Speaker 2 (18:44):
Also, we weren't a freshman dorm. It was an upper class. Yes,
so we were.

Speaker 1 (18:48):
Literally like juniors and everyone in our in our dorm
was like of sophomore junior or a senior, and so
it kind of was.

Speaker 6 (18:55):
Just like no one okay everyone everyone knew we had
to share a sweet way them like other aris got
their own sweets. And so we were living with the
people on our floor that we had to be like, okay,
don't bring wine into my room that we.

Speaker 2 (19:10):
Share, right.

Speaker 4 (19:10):
Can I ask you what the vibe of Coral Towers was,
because it was it was. It was sort of like
a It was kind of like an under It was
kind of like an undersung dorm. And the name Coral
Tower sounds like a Golden Girls spin off. It sounds
so floridious, it sounds so like chic and like I.

Speaker 2 (19:25):
Would have done a really good bulletin board for that. Yeah, gorgeous. Well,
I don't think I ever set foot in Coral Towers.
I don't think you did either, because there would be
no reason.

Speaker 1 (19:33):
Right right, like we were. It was on the corner.
It is.

Speaker 2 (19:39):
Above the Dwayne Read.

Speaker 1 (19:40):
You can still go there to see it's a it's
a Hannah Sola one Mette Rogers and Sudie Green. Honestly Landmark,
uh huh, they lived there, they should there's a bit
of a plaque.

Speaker 2 (19:51):
And so like it was just like it was. It
was bad. I mean when we when we got the
assignment that we were there, we were like, oh he
didn't get one of the good ones. Oh man.

Speaker 1 (20:02):
And I also wasn't alternate to be the RA.

Speaker 2 (20:04):
I think I have been too.

Speaker 1 (20:06):
I think maybe we were because they would very rarely
put people as ras who were in Tish because they
knew that historically Tish kids get busy, like they want
to do shows, they want to do whatever it is
they have like a community outside of the residence hall,
because the residence hall thing, it was so much more
of being an RA was build community in these past

(20:28):
with I couldn't do that. I had pizza Knight for
the oscars. I think once one year they made me
cook a turkey.

Speaker 2 (20:36):
Me, what does that mean?

Speaker 1 (20:38):
It means kids are getting sick, That's what it means.
It means it means, I, you know, take the bird
out the oven and go, well, case, rah, case, let
me let me put this meat therough mometer in there.
Seventy five degrees seventy five degrees. Sounds like a good
temperature to me?

Speaker 2 (20:55):
Is that a warm sixty four? What's sixty nine is optimal? Okay?
One sixty nine? Remember that depends on Suddenly, suddenly the
whole room is activated. Martha Stewart. No, we usually don't
get the audit. We don't. We don't get the girls
in in in the studio with us. We're kind of sequested.

Speaker 1 (21:18):
I was fired from being an ra because I forgot
to pick up that.

Speaker 2 (21:22):
You were too.

Speaker 1 (21:23):
You were fired, You said so, you said same, you said,
say it, say it.

Speaker 2 (21:28):
I was not fired. How could you ever? No, you
were a great employee and lovely to being around. You
know what we fired?

Speaker 1 (21:35):
Well, I don't think our boss liked my sense of humor. Okay,
more of a keep it here's more of a keep
it guy would prefer. I was Lewis Fertell no, don't
you don't you remember that like our our residents, like director,
didn't let my sense of humor. Well, there was a.

Speaker 2 (21:55):
Change over in leadership. Oh that's tough. Well that we
don't we all know. Don't you understand?

Speaker 1 (22:00):
That is really tough. When there's a changeover in leadership,
everything changes.

Speaker 2 (22:03):
The jokes just weren't hitting the same.

Speaker 1 (22:05):
We had a woman named Danaris the first year. Of course,
I'll never forget dragon like literally but a kind person
who loved my humor. And then she at the day
said I have some news I'll never forget. She said,
I have news, and then she told us I will
be leaving, and we were like Denaris, And then she
left and this other guy came in is I won't

(22:27):
say his name, but he was not having it, not
the way Denaris was.

Speaker 2 (22:31):
And they asked where the residents directors also students.

Speaker 6 (22:34):
No, they were adults who lived in the building with this,
So then these were adult people that had to like
sign in their guests and like dates.

Speaker 2 (22:44):
It must be so strange to do that. I feel
for him in that way, Yeah, yeah, it must be.

Speaker 4 (22:49):
Must maybe he doesn't love the fact that he's living
with him into the twenty year.

Speaker 2 (22:53):
Olds, right right, And we were annoying. I think you're
looking back.

Speaker 1 (22:56):
There's a high probability I was annoying because I did
think that my role in the residence hall community was
to sort of provide vibes. Yeah, and it was because
I wasn't doing the bulletin board. I wasn't picking up
the phone. But I do think I provided vibes and laughs,
and then he didn't He didn't really want that, but
we thank you for the vibes that laughs.

Speaker 2 (23:17):
We had fun. We had so much fun. How many
how many people did you guys write up? Like, oh god,
I never did that.

Speaker 4 (23:23):
What would that involved? Like, well, Stacy was smoking crack,
and I guess' track. I walked in and Stacy was
smoking crack.

Speaker 1 (23:33):
Because you're smoking crack in the residence halls and we're
very clear that happens out on the streets, no crack
in the resid whack, and that you have to write
up a little report.

Speaker 6 (23:45):
But they had no emotions, so it had to be
just factual. I walked in, Stacy was smoking crack. I
grabbed the crack. I said no more, I said, Mark,
I'm angry with you about the cracks.

Speaker 2 (23:58):
No emotion. I'm just quote. I'm just quoting what I
said in the room. I walked out. I took the
crack in a bag. I don't really know it's crack loose,
I can. I think crack can be all sorts of forms. Yeah,
that's beautiful. Number seventy nine.

Speaker 1 (24:17):
I think all sorts of forms and that's beautiful.

Speaker 2 (24:21):
What is your favorite part of playing Mary?

Speaker 6 (24:23):
Oh, my gosh, I'd say my favorite part of playing
Mary is the moment before the doors open hmm, and
just bursting.

Speaker 2 (24:33):
Myself up and bursting through those doors. I can't wait
to see. I still not had the joy and pleasure
of seeing. Oh my gosh, I think you'll like it.
I think so you don't you know? You know I
love a Hannah solo moment.

Speaker 4 (24:45):
I would go to the musical Improv show back in
the day and there was my My favorite feature of
a Hannah solo performance is anytime And is it fair
toest please deny this if it's not wait to hear
what you're gonna say.

Speaker 2 (24:59):
There, there's there's a there's a phrase.

Speaker 4 (25:00):
I'm not saying you're a catchphrase comedian, but there's a
phrase that I think I've heard you say at.

Speaker 1 (25:04):
Least twice and it always destroys me. Ready, Okay, I feel.

Speaker 2 (25:10):
So wild, but I kind of I was like, it's
gonna being a horny teeth.

Speaker 1 (25:18):
But I feel so wild or bumped from Malala, bummed
from sort of both, and they're related.

Speaker 4 (25:26):
What do you make of that wild? Is there something
wild within you. That must that you're subconsciously sort of
like masking.

Speaker 6 (25:32):
I think it's it really is this thing of like
the music stunts, and I just feel something in sacks.

Speaker 1 (25:40):
Are you saying it now?

Speaker 2 (25:42):
Okay? Immediately I'm thinking a snake. I love iguana?

Speaker 3 (25:53):
You do?

Speaker 1 (25:54):
Yes, you were darre in Miami when one fell out
of the tree when I was tying my shoe and
almost hit me in the head.

Speaker 2 (25:59):
You wouldn't like him so much? And then what it
hits you in the head of what happens? Excuse me?

Speaker 1 (26:04):
You know that you know the upwards of fifty pounds
at least the way this one hit the tits around
with a thud. Did you know they were in trees?

Speaker 2 (26:11):
I did not know. To Miami. They're climbing.

Speaker 1 (26:14):
Get to Miami, honey, Get to the Lyceum first Sami
and then Miami.

Speaker 2 (26:19):
Oh that would be an amazing vacation.

Speaker 1 (26:21):
Oh my god. Well, we're going we're spending a week.
We're going to do three days at the Lyceum. Then
we're going to head down to Miami.

Speaker 4 (26:27):
We're gonnao at the urinals at the Lyceum, fill the
pictures of coal, and then we're gonna go down.

Speaker 2 (26:32):
Is it like knowing that you'll fill the shoes of coal?

Speaker 6 (26:37):
It's really sorting so many talents before you, so many
talents before the best don't don't well, okay, so unfair.

Speaker 2 (26:46):
It's so unfair when a friend comes on the show,
it's like we're so unkind to that. It's true. Why
haven't even really kind? I mean a wild.

Speaker 1 (26:56):
I love doing the play. I'm honored to follow in
Cole's footsteps.

Speaker 6 (27:03):
And technically I was the first person to do it
after Cool, which was truly scary, of course, but it happened.

Speaker 2 (27:11):
It went well even was that the night we were
all there?

Speaker 6 (27:15):
Yes, that was very nice the very first time, and
I think everyone was a little bit like.

Speaker 2 (27:20):
What if the play doesn't work? About Cool? Oh God,
but the play is so good.

Speaker 1 (27:25):
Yeah, that's the genius of the play is that anyone
can do it. Yes, exactly, Well, that is really nice
to hear. It's the best play in the world, honestly.
Like you, we were talking about with Jinks last week,
the Great Day Monologue, and you actually have one of
my favorite performances of that, and that was such a
it's such a beautiful, important monologue and obviously such a

(27:47):
you know, like zany like hysterical show. But it's this
moment where you, I think, really understand Mary's anxieties. Like
Jinx was talking about how the way that she was
playing Mary was as if it was someone with ADHD,
like in a way where it's like obviously it's it's
oh Mary, and you're going out there and you're going

(28:09):
for the joke, but in a grounded way for you, like,
how are you thinking about her?

Speaker 2 (28:13):
I think I really am not going for the jokes.

Speaker 6 (28:16):
I'm really thinking of her as like this woman who
has big dreams and there's just everyone in her life
is trying to stop her from doing them and is
telling her she sucks and is annoying and all she
wants to do is sing, which like I really understand that, Yeah,
and people are.

Speaker 2 (28:36):
Like, no, you can't, You're annoying.

Speaker 1 (28:39):
Yeah.

Speaker 2 (28:40):
It's like action action action, and everyone is wrong and
they don't know it.

Speaker 6 (28:43):
Yeah, that's really I feel like the trap of the
show is to like look to the audience and be
like but that's when you like actually ultimately ruin what
is so beautiful about the show That everyone does have
heart and like these characters have really.

Speaker 2 (29:00):
Big wants and it's just the highest stakes of these wants.

Speaker 1 (29:04):
Yeah, I wonder too, like when you're doing that monologue
and you're obviously having a moment like where you know that,
like as an understudy, you're there all the time and
you might get the chance to do it, but my
job likely not. And then finally it's there and you
know that like so many people are coming out to
support you, and then you have to do this monologue
about having a great day like that probably was really emotional.

Speaker 6 (29:27):
Oh my gosh, I cry like every time because it
really is like I'm gonna cry thinking about it, Like
I am like living my dream and saying like these
lines about how, oh my gosh, like I've wanted to
have this great day for so long, and then I'm
like in the midst of the great day as.

Speaker 2 (29:45):
It's ending, which is also what the monologue is the best, right,
you don't want it to be.

Speaker 6 (29:48):
Over right exactly, And because I am an understudy, it
is like this is in the moment. I don't know
when I'm gonna do it again. Is this gonna be
the last last time I do the show? Or is
this am I gonna wait a few months, So it
really does feel like this moment of like so in
sync with the show.

Speaker 4 (30:06):
I mean, I want you to give a primary account.
I know that this is like widely known, especially like
through like the like stages out of COVID, but like
talk about like I just really want us to give
like a moment for this, like understudies like talk about
that give us like like it's the hardest thing I could.

(30:29):
Every time I see a show on Broadway, I'm like
thinking about like two of these fucking people on stage
or back backstage, no, like four of these parts left right,
and know all these tracks.

Speaker 2 (30:38):
That's crazy. It's crazy.

Speaker 6 (30:40):
When I saw Stranger Things, I was the whole time
I was only thinking about, like how in the world
are you an understudy? Being like, well, okay, I guess
I'm gonna go out there and hopefully the thing works
and I fly across the room right.

Speaker 1 (30:53):
Right, Because if they added a harness and flying to
a much harder yes, yeah, I have asked if they
could they have a lot of fly space up there
that were not utilizing. You're like, I want to go
more vertical, more vertical, exactly, you should always go more vertical.

Speaker 2 (31:10):
How high do you think you can jump if you
had the harness. I've heard the wire on you. Why
am I hon a trampoline? Or is this jumping out?

Speaker 1 (31:18):
Certainly not? Certainly we can't afford it, and then you
can't ensure it. I can't jump high at all? Well, shit,
is that going to be a big problem for the vertical? O?

Speaker 2 (31:27):
Mary?

Speaker 1 (31:28):
But in a real way, like you know both of
these bars, you know, not just Mary butlers, yes, and
your back you're backstage with other people knowing the same thing.

Speaker 2 (31:35):
Like, that's that's a lot to learn. It's a lot
to learn.

Speaker 6 (31:39):
It's I like to say, it's almost like seventy five
percent mental. Actually is what I've learned, is like the
learning of the lines and where to go and all
the blocking and stuff is actually not as hard as
I thought it was going to be. But for me,
it's really the mental work of being like, Okay, I'm

(32:02):
going to go out there and it's okay, and I'm
having to psyke myself up and having to understudy being
fortunate enough to understudy these big, big names that you know,
people are of course disappointed when the person that they
came to see isn't in so really just like giving
myself the mental headspace of.

Speaker 2 (32:20):
Like, you're good, you can do this, You're fine, go
out there and just do the show.

Speaker 1 (32:26):
Yeah, don't pick up on any nasty energy from like
whoever the fuck is in the sixth throw being like.

Speaker 5 (32:36):
That's how they talk, that's what they were like. And
then they're like, I love she was pretty good.

Speaker 2 (32:54):
I can really like hear people.

Speaker 1 (32:56):
This is the thing people don't you can we can
hear you from the stage, and I have heard people
like Seed three be like, Okay, she's good fun audience. Yes,
we are so close to the audience. I'm like, I
can see you, I can hear you. You are not
being quiet?

Speaker 2 (33:15):
Can I ask please? Coughing?

Speaker 1 (33:19):
He has a real sensitivity thing. Look, I'm not like
out here saying like fuck you if you're coughing in
the theater, But there is a point where it starts
to on a collective level, it's it's it's panoramic coughs,
and then starts to affect the show, certainly on an

(33:42):
audience level, I'm sorry, and I'm sure on a performer level.

Speaker 6 (33:47):
Well, the coughing thing is like if you have a
wet cough and you're going to the theater. You knew
you had the cough when you came. Bring a ricola,
bring something with you. Why are you letting this lose?

Speaker 2 (34:00):
I don't know. I don't have a I don't have
a solution. I think you gotta go.

Speaker 1 (34:04):
I think honestly, like if you're if you're start having
a coughing attack, you know when it's the kind of
thing that's not going to stop. Unfortunately, you gotta go.
It's like it's walking out. It's like a crying baby. Yeah,
what would you do with a crying baby.

Speaker 6 (34:17):
You wouldn't let the baby cry during Mama Mia, Super Trooper,
you live.

Speaker 2 (34:27):
And during a play, it's like you can't get away
from it. We went to go see Purpose. It was
the worst.

Speaker 1 (34:30):
People were dying all around us. It was costs and
phones going on. That's that's why I got to me.
I was like, wait, everything is out of control. Well,
we were in the West End seeing Titsanik and we
were in I think I believe the fourth throw and
like you are so aware that they can see you, like,
and this woman next to us was double fisting wine

(34:52):
with her phone out in front of her, with a
spread sheet on the phone. She was doing Google sheets.
She had Google sheets that she was like, and she
like doing this, and Bowen just over me goes to her,
you're at live theater. I said, you're at it. I said,
you're at the theater.

Speaker 2 (35:07):
Good for you. I don't care. I don't care.

Speaker 6 (35:11):
Disrespectful when people leave right before bows start.

Speaker 2 (35:16):
Oh honey, and the lights are up, but we can
see you.

Speaker 1 (35:20):
You got to get to the.

Speaker 2 (35:20):
Parking garage, please pleez. It's so crazy to me. People
are just like the fourth wall. Yeah no, no, it's glass, honey.
We can see you.

Speaker 1 (35:37):
Speaking of engaging with patrons of the arts in odd places.
This sort of connects us to your culture. So, Hannah Sola,
what was the culture that made you say culture was
for you?

Speaker 6 (35:50):
The culture that made me say culture was for me
was dinner theater, let's go. When I was a kid
doing it, I was too afraid to go to sleep
away camp, and so my parents put me in a
thank you.

Speaker 2 (36:03):
I was in a day camp called swing Kids.

Speaker 1 (36:06):
Oh my swing kids, kids preparing to swing, this generation
ready to be swings.

Speaker 2 (36:15):
And I learned. So this was the thing.

Speaker 6 (36:17):
It was a cabaret space connected to a cocos which
all cocos. It was like a California like sort of
diner type bakery. This old pie, great chicken tenders.

Speaker 2 (36:30):
So they would do like.

Speaker 6 (36:31):
Medleys of like old timey songs. But before the shows
we would be the waiters.

Speaker 1 (36:38):
So we would take cross families orders, which I fucking loved.

Speaker 2 (36:42):
I was full, like what do you want? Okay, going
back to.

Speaker 1 (36:45):
The kitchen, like I need two chicken tenders, and then.

Speaker 2 (36:48):
You delivered too. She's just saying two orders, Matt.

Speaker 1 (36:57):
In a while a string, we deliver the food, and
then I'd be like, be right back hop.

Speaker 2 (37:04):
On stage, singing like I'm going back some day.

Speaker 3 (37:10):
It was.

Speaker 1 (37:13):
I didn't know honestly that pull know where it means
you probably did sing by that one.

Speaker 2 (37:24):
It was so powerful. I loved it, and I was like,
this is the life, This is the life.

Speaker 1 (37:30):
So many things about this are perfect well. Difference between
panoramic coughs and phones versus clink clink like all that.
You know like that, but that's an agreed upon premise.
We've agreed upon this. There's sort of a base level
of chewing, clank.

Speaker 2 (37:49):
And accept and you'll be eating on stage, yes, a
mutual agreement to eat. I mean what it was. What
was the thing that was like, what was the thing
that prepared you the most? You think, like, what did
you like? Did you think you like got you had
a better experience than than sleepway Camp? I bet you did.

Speaker 6 (38:11):
I feel like I did. I mean I was so
scared to go to sleep away Camp. I wouldn't have
been able to really be present. Yeah, I mean I
think I was like nine or ten.

Speaker 2 (38:20):
Were you anxious or no? I was anxious, Like I
was like, they're going to drop me off and my
parents are going to die?

Speaker 1 (38:28):
No? Really, Yeah, So it was it was having to
do not exactly with being at the camp. It was
just like being as a separation thing.

Speaker 2 (38:36):
Yes, yes, but I'm okay now.

Speaker 1 (38:38):
Swing Kids is the perfect name. It's like as if
you made it up right. And also the woman who
was in charge of it was called Darla Dryer where
she I don't know Darla if you're listening service.

Speaker 2 (38:54):
She ran it.

Speaker 1 (38:55):
She ran It's so beautiful, dry I run. Swing Kids
has been incredible. She's really fast on the floor and
her blue Bayou, the way she slides up to that
last note, it's always clean and resident. We love her.
Great with the fingers.

Speaker 2 (39:12):
They never hit.

Speaker 1 (39:12):
The kids were always dropping the fingers, poppy hands great,
not me, they're dropping on the floor. It up on stage,
but not Hannah.

Speaker 2 (39:22):
Not your daughter happy you didn't send her a camp.
The reviews is the reviewser and your daughter's sleigh. How
many kids was it?

Speaker 3 (39:29):
Oh? My god?

Speaker 6 (39:30):
It was just like a ragtag group of ten kids,
you know, selective, selective, Okay, it's like all ages, you
know where it's just like.

Speaker 2 (39:40):
A little tiny kid who's scared to go on stage.

Speaker 1 (39:44):
Did y'all ever sing hard knock life?

Speaker 2 (39:47):
I'm not sure. Great number for a bunch of kids.
I feel like Darla was.

Speaker 6 (39:52):
Really looking for interesting. I remember singing Johnny Angel Rock
and Robin was a real hit. I think about the
residence also of kids. Just wow, resident kid, resident, that's

(40:13):
all theater true.

Speaker 1 (40:16):
You know. One of my favorite compliments I ever received
was you when we were twenty, saying that I had residence.

Speaker 2 (40:22):
You really do?

Speaker 3 (40:23):
You do?

Speaker 2 (40:24):
I often describe you as someone who has residents. That
is kind. He's a very playful, generous person.

Speaker 1 (40:30):
He's very.

Speaker 5 (40:33):
Well.

Speaker 2 (40:34):
Now, were there all races in this? Was it a
melting pot? Melting color? In my memory? It was you
can say no, it.

Speaker 6 (40:43):
Was all I honestly don't quite remember, but maybe that's
because I was very focused on myself.

Speaker 1 (40:48):
And my performance didn't and you didn't see race exactly right.
I saw a sort of vocal part and I don't
see race only voice title. And then you're incredibly discriminatory
based on.

Speaker 4 (41:04):
Those Yeah, like you don't even see basses all all
contraltos go to jail ja jail.

Speaker 1 (41:12):
What you're always saying, Well, that's kind of my catch
rais as a catch raise comedian. Thank you about wild
I feel you can kind of combine the two.

Speaker 2 (41:20):
It's wait, I did not mean to say you were
a catch track comedian.

Speaker 6 (41:24):
I just heard I feel why when you said that,
I was like, Wow, Bowen really sees me because the
amount of times that I have played a.

Speaker 2 (41:32):
Cheen discuffering herself.

Speaker 1 (41:34):
Are you kidding? We all have our tip. I'm not
saying that's even your type. I have my type bitch bitch, bitch,
bitch bitch. My type is also a bitch bitch.

Speaker 2 (41:46):
You're competing s me in anything. I'm a bitch Bitch'm
literally like, hey, like you know what I mean? Like
you can count on me to come in and deliver
a bitchy line rate. Hey wait, I finished the Hunting Wives.
Oh my god, just in time.

Speaker 6 (42:02):
I want to say that Matt threatened me and said,
if you don't finish, we will walk out on air.

Speaker 1 (42:10):
Like this.

Speaker 2 (42:12):
This is what I this is what I would have experienced.
But thank goodness, I watch resonance. Didn't even need the mind,
didn't even need the mic. I'm not even warmed up.
I'd drinking a coke zero and huff and crack. You
can huff it too, It's loose.

Speaker 7 (42:31):
Now.

Speaker 2 (42:31):
What did you think of Hunting Wives? Well?

Speaker 6 (42:33):
I did sort of have a thought because I was
watching it backstage and everyone was like, what are you
watching him there?

Speaker 1 (42:41):
And it was like it's poorn, Yeah, you're like, I'm
watching as erected nipple gets stucked by Britney Snow.

Speaker 2 (42:48):
The door was closed and everyone was just hearing and
the gunshot.

Speaker 1 (42:58):
Are you so happy?

Speaker 2 (43:01):
Wow? The twists and turns, they're not even turn their
horns twist. I did audition to play Christy Mets's part.
Oh wow? Was her name Darla Dryer? She kind of
had the Darla Dryer energy?

Speaker 1 (43:21):
What was her name? Can you show your tape.

Speaker 2 (43:24):
I could show it to you. Actually I watched it.
I sent it to Melissa, and I was like, this
is pretty good. Being like, y'all need to get back
in there and find who killed my daughter?

Speaker 1 (43:37):
Holy ship?

Speaker 2 (43:39):
Could have been? What could have been? Rebecca Cutter daughter. Okay,
you go do one more time. Y'all need to get
back in there and find my fucking daughter. Te here
we go. Y'all need to get back.

Speaker 1 (43:55):
In there and fucking.

Speaker 2 (43:59):
Order order. I have chills.

Speaker 1 (44:01):
Yeah, I mean, Hannah. It just goes to show that
it can be done four different ways. Chrissy, Bowen, Matt
or Hannah anybody like the Girls Girls Bowen Yang or
a Hannah solo at home.

Speaker 2 (44:18):
Make sure you.

Speaker 1 (44:19):
Comment in the comments.

Speaker 2 (44:21):
Hey, make sure you comment in the comments which one
of us you are?

Speaker 1 (44:24):
Are you Team Bowen, Team Chrissy, mets team Matt or
team Hannah? Hashtag drag race? Now? Which is what that show?
And which is what that show is?

Speaker 3 (44:35):
Now?

Speaker 6 (44:35):
How long did you do swing kids to bring it back?
I think I did it like multiple summers, and then.

Speaker 1 (44:43):
They invited you back.

Speaker 2 (44:44):
I was invited back.

Speaker 1 (44:46):
I was a good performer, organized on top of my line,
and good on the floor.

Speaker 2 (44:50):
Great on the floor. Now when you think about waiting tables,
how did it change you? Listen, I think everyone should
wait tables. You have that opinion, like it should be
like everyone has to do two years in restaurant. Yeah,
I think so.

Speaker 6 (45:06):
I feel like you can always tell when someone has
never worked in a restaurant when they go out to
dinner because they're being an absolute bitch.

Speaker 2 (45:13):
Why were you looking at me? I never worked in
a restaurant. I worked service.

Speaker 1 (45:18):
That counts I worked at. My first job was at
an ice cream store. Okay, I dealt with people. You
deal with people?

Speaker 2 (45:25):
Yes, yes, Wait correct.

Speaker 1 (45:26):
Me if I'm wrong. You didn't work with your sister
that up. You worked with a female friend? Sure, another girl,
a girl worked there, a girl at least one girl,
one woman, one girl and one woman. Maggie MOUs creamery.

Speaker 2 (45:44):
Wait, where is that dard dryer?

Speaker 1 (45:47):
Maggie Moos was kind of there, the more kid friendly
version of cold Stone.

Speaker 2 (45:53):
But so the mascot is this county cow.

Speaker 1 (45:59):
Dave her picturing her Maggie, and she wears like a
poke dot cow print dress and she is stunning.

Speaker 2 (46:07):
Are you going to Maggie?

Speaker 1 (46:10):
It's me?

Speaker 2 (46:13):
You take off your wig to reveal the hunting wife's wig.

Speaker 1 (46:16):
You take off your hair to reveal Mallin's. Yeah, and
it's She's like, it's me, Maggie, Maggie, mag I love Margo.

Speaker 2 (46:30):
Stopping bring it in. Show us, Jaggie, show us the
picture of Melssa.

Speaker 1 (46:38):
I know.

Speaker 2 (46:39):
My mind, God, it's you today. It's you today. I'm
actually it's you. Are you getting next? Get to get
it's me? That was my first job. Does she ever
come in?

Speaker 1 (46:53):
She?

Speaker 4 (46:54):
I don't think I ever had to. I was the
only player who did not have to get in the costume.
I don't think I had the pleasure.

Speaker 6 (47:01):
Did you say you didn't want to or they were
like you don't have to. They're like, you don't have
to because you were so good at serving ice cream.

Speaker 4 (47:06):
I was really good at serving ice cream. And we
had the very first cotton candy flavored ice cream.

Speaker 1 (47:11):
That changed my life. Yeah, I love cotton candy. I
don't think so many people who shout on yeah, it's chemicals.
So is everything?

Speaker 2 (47:20):
Everything is chemical?

Speaker 3 (47:22):
Yeah?

Speaker 1 (47:22):
I don't understand what you think you're eating when you
eat Vanilla's chemical chemicals emical. So restaurants taught you patience, servitude,
servitude focus.

Speaker 2 (47:34):
I did work in a restaurant after, and I was
bad at it. Do you think city, Yeah, does it
still exist? I don't think so.

Speaker 6 (47:42):
Brother Jimmy's thank you so much. That's an honor. But no,
I didn't work at Brother Jimmies, that's true. I worked
at another one that someone else got me a job at,
and it was a disaster.

Speaker 1 (47:57):
Oh no.

Speaker 6 (47:58):
They would have put like one person it on shift
and it'd be like brunch and then they'd be like, Hannah,
can you bartend?

Speaker 1 (48:04):
And I'd be like no, Remember when, remember when we
used to think Max Brenner's was a normal restaurant.

Speaker 2 (48:11):
I thought it was the fanciest restaurant.

Speaker 1 (48:15):
By the bald man.

Speaker 2 (48:21):
Why why Why? And that little like.

Speaker 1 (48:29):
Drawing.

Speaker 2 (48:30):
I made my parents take me there because I was like,
you're coming to New York. I'm going to show you.

Speaker 1 (48:36):
Drastic to get you know how many dates I went
on there? What did you bleeped us out? I went
on my first date there with What's Married? And that
he was at the medieval concert.

Speaker 2 (48:54):
It, Oh my god. He and I went to Max Brenner's,
went across the street and saw the film nine.

Speaker 1 (49:00):
Oh my god.

Speaker 2 (49:02):
Can you imagine a gayer date in the year of
our Lord? But was at twenty nine? That's a gay
Union Square date.

Speaker 4 (49:10):
That's hitting up square to be gay. Yeah, I's Union Square.
It used to be fun Now I don't know not anymore.

Speaker 2 (49:18):
Cozy is gone hozy?

Speaker 1 (49:21):
You know what else has gone? Va piano terrrible. That
papiano is a very special place for me and my sister.
It's where we had lunch.

Speaker 2 (49:31):
Of course, the postess election is where we had lunch
in where I said to bone Yang he can't go
back to Denver, he has to stay.

Speaker 4 (49:38):
Is actually such an important place like it was a
life changing place for me. That lunch change the course
of my stay in New York. What do you think
it is now? I picture the horse outside, which is great.

Speaker 2 (49:53):
You guysn't want to say that because hey, I wasn't
any thinking about that. I don't see.

Speaker 1 (49:59):
We love your voice type?

Speaker 3 (50:02):
What is that?

Speaker 1 (50:05):
Despite the fact, despite your cries you are a Can
you just settle this for us once? And should we
get the keyboard out? Do you bring it? I got it?

Speaker 2 (50:17):
You know, you know the vocal type.

Speaker 1 (50:20):
I'm I'm like a baritone bass one speaking.

Speaker 2 (50:27):
No singing.

Speaker 1 (50:28):
I've never heard higher singing.

Speaker 2 (50:30):
What what Melissa?

Speaker 1 (50:33):
You guys are projecting down the way you're saying those
high harmonies, and I don't want to miss a thing
a base in my falsetto. That doesn't that doesn't mean
that it's not well. You say, well, I feel like,
however you want to identify, you're allowed to know what.
You're a tenor Yeah, i'd say, I think also a

(50:54):
little joke ten two and ten or two? Sure, tenor
one is super is very high? No, maybe I used
to be. I think you're a tenor one. Maybe I
used to be back the years. Well, I think it
sounds like we're gonna sound great together.

Speaker 2 (51:12):
It does? I agree our chorus, I would say, I
metzso soprano with belt.

Speaker 1 (51:21):
Yeah. What did you sing at Pop Rock Night for
CAP twenty one, which was the big show at Musical
Theater CAP twenty one where each and every person got
to sing a pop rock song? What did you sing?

Speaker 2 (51:33):
Do you know?

Speaker 1 (51:34):
Does anyone remember?

Speaker 2 (51:35):
I probably blocked it out? Apple. That feels kind of
right for me. I'm sure that I was.

Speaker 1 (51:41):
I know what you sang?

Speaker 2 (51:41):
River by Joni Mitchell? Wait, how did you know that?

Speaker 1 (51:45):
I know a lot of things about you guys. I
did because I because you know that back back in
the day when we weren't doing performance, really, I was
just a fan of you guys.

Speaker 2 (51:54):
Oh that's crazy.

Speaker 1 (51:56):
It was so fun for me to be on all
of your floor freshman year because you guys were always singing,
and everyone was always like, I hate being around the
cab kids because they're always singing.

Speaker 2 (52:05):
And I was like, I think it's great and so challenged.

Speaker 1 (52:08):
I was like, I always just wanted to go sit
in the room because you were down the hall from me,
and I remember like it was like it was a
whole corner of musical theater girls.

Speaker 2 (52:17):
Yes, yeah, we're always singing.

Speaker 6 (52:19):
Always singing. Well, you asked earlier, what my one of
my first memories of you was of me. Yeah, we
slept out to wait for tickets for us and l
yes we did. And I believe at the time you
were straight mm hm.

Speaker 1 (52:34):
And I just have a memory of you talking about titties,
Like I just remember being like, he's really talking about
titties a lot. Matt Rogers is a boob gay like me.
I'm really processing this, taking in that one of your
first memories of me. Was this a straight guy talking

(52:55):
about tit.

Speaker 2 (52:57):
Not even.

Speaker 1 (52:59):
Outside of that word, and you were turned off? You
didn't like it.

Speaker 2 (53:05):
I was like, what an interesting character you wrote in
your journal. Later, that's the most interesting.

Speaker 1 (53:13):
Characters to clearly gay guy sitting outside of us and
I'm talking about titties. Airmark later.

Speaker 2 (53:20):
We'll come back to this. We returned to this thought.
We didn't get tickets.

Speaker 1 (53:26):
I did. You did? That's what I thought you were
going to say. Because we all waited and they were
gonna let one of our group in, and something took
over inside me and I turned to everyone because it
was my number. It was thirty nine, because they were
taking thirty nine people, it was I was number thirty nine.
And then you guys were all behind me, and I thought,
I can go with my floor back to the dorms

(53:47):
and do whatever, or I can go in. And I
felt very compelled to go in, and thank god I did,
because that ended up being a turning point for me
to decide to come out of literally come out of
the closet, stop talking about titties, and take a UCB
class and then try to audition for the groups.

Speaker 2 (54:01):
But that was like a featful night for me. Holy shit,
you witnessed him on the precipice.

Speaker 6 (54:09):
This is actually crazy because also my memory of it
was that we all went in and then the cast
of Gossip Girl got into the elevator before us, and
they went, it's full.

Speaker 1 (54:22):
Yeah, they let they let one person in, and it
was me. They said, okay, we can take one more.

Speaker 2 (54:27):
There's one more seat, but the universe said it needs
to be you.

Speaker 1 (54:30):
I remember I looked around at you guys, and I
was like, I think I want to go, and they
were like and a couple people were like go yeah,
and I and then and then a couple people were
like mmmm.

Speaker 2 (54:39):
And I was just like, I'm gonna go. And I
walked in and the elevator doors closed, and I was like,
I can't believe I just did that.

Speaker 1 (54:45):
Wow. Okay, So were you in the elevator with like
Layton Mester And I don't remember the Gossip Girl cast.
I do remember sitting two or three seats away from
Emma Stone and her partner at the time, Teddy Geiger.

Speaker 2 (55:00):
Wow. Sure, just for it to be very two thousand
and eight. Oh yeah, first memories of me.

Speaker 6 (55:08):
Yeah, Well, as we said before, we all auditioned for
the same improv team together and Bowen did get in.

Speaker 1 (55:16):
You made it pretty far though in the audition.

Speaker 2 (55:18):
I believe I made it to the finals with you. Yeah, yes,
you did. You beat me out.

Speaker 1 (55:25):
Vicious when it comes to final rounds. Oh, you don't
want to see me.

Speaker 2 (55:31):
You were so funny. I remember. I remember thinking you
or so, I was like, this girl is fucking funny.

Speaker 1 (55:37):
That's probably probably would have been the best idea for
you guys to just go off and create your own group.

Speaker 2 (55:41):
We're own queer group. Too late, too little, too late.
I guess you guys had investments in traditions, you know
what I mean. It feels like you guys were putting
all your yeah in institutions instead.

Speaker 7 (55:54):
Of creating your own since learned, yes, you have to
create your own work. You have to create your own
work exactly. I remember being shot, Oh my god, they
were kind of shy. Freshman year, Yeah, I was.

Speaker 6 (56:08):
I was like so overwhelmed. I think, yeah, oh my gosh.
Freshman year, it was like what is going on? And
also I wasn't like a big star at my high school,
so I didn't come in being like, oh my god,
like I'm the most talented person here. I was a
little bit like, they're gonna find out that I snuck
in and be like you have to leave.

Speaker 1 (56:29):
Fuck if that's sort of an info in my mental state, No,
I get similar feeling to like being hypothetically being dropped
off at sleep away camp.

Speaker 6 (56:40):
Yes, exactly. I was just like, what am I doing here?
Where did everyone go yeap oh that you're so tough?
My roommate was this girl that was like pledging a
sorority and we weren't sure, but we were pretty certain
that they had given her a chicken that.

Speaker 2 (56:58):
She had to take care of.

Speaker 1 (57:00):
How did you not know? Because we were like, it's
in her bag, in the bag, she made the chicken
around it never once clock, never once saw the chicken.
But she was really wild. Yeah.

Speaker 2 (57:14):
Who do you look up to? That's a really great
questioned Matt. Who do I look up to? Really answering
him for me? Seriously?

Speaker 1 (57:35):
Do I look up to?

Speaker 2 (57:36):
Who's your hero? Who's my hero?

Speaker 1 (57:38):
Is that a different question?

Speaker 2 (57:39):
I feel like it is sort of a different question.

Speaker 6 (57:41):
I mean, you know, I've had the opportunity to work
with so many amazing people at all Mary and like
Cole is of course one of my heroes.

Speaker 2 (57:51):
Kind of boring. We talk about Cole a lot well,
shut the fuck up then just saying it could be boring.

Speaker 6 (57:58):
Okay, changing my answer someone no one's ever said before,
Jane Goodall.

Speaker 2 (58:06):
Do you look up to her?

Speaker 1 (58:06):
I actually, when I was a kid, I loved Jane
Goodall iconic. I was like, I should help save the monkeys?

Speaker 2 (58:14):
Is that what she does? Or the gorillas?

Speaker 1 (58:17):
Whatever?

Speaker 3 (58:18):
The all?

Speaker 2 (58:21):
Have you ever seen gorillas in the mist? That doesn't
end us happy? Okay, that's why we kind of yeah,
well girls in the Mists about Diane Fosse, Oh she
was killed by poachers. Please watch the movie and I
will and I will that my assignment for tonight. Gorilla's

(58:46):
in the myss. I'm done with the hunting wives. Time
to walk or we walk. I'll come back and I
have watched Gorillas in the miss. Okay, and you'll be
better for it, and I will, I'll know what it's about.

(59:06):
What's next for you?

Speaker 6 (59:08):
Well, right now, I'm really just trying to hunker down
and do these weeks on Broadway.

Speaker 4 (59:17):
That is going to be like a fully different feeling
for you, just to like go on stage and not
hear the have to hear the fucking guy be like,
Oh she's.

Speaker 2 (59:25):
Good, truly.

Speaker 6 (59:26):
I'm like, I don't know what's gonna happen, and I've
never done it more than five times in a row.

Speaker 2 (59:30):
Yes, I guess it's going to be Tea and honey
for you. Tea and honey. Nobody talk to me.

Speaker 6 (59:35):
Vocal rest Broadways of Prison. You do get that, you too,
Like it's a beautiful and a wonderful prison. I'm so
grateful to be a part of.

Speaker 2 (59:45):
But it's so hard.

Speaker 6 (59:46):
Did you read that Megan Hilty New York Times diary
where she was like, I don't eat after four pm.
I don't speak to anyone after the show. She's just
like going to physical therapy, going to the show. It's
it's so hard.

Speaker 2 (01:00:01):
She's a fucking queen. Absolutely. I met her after.

Speaker 4 (01:00:05):
Death becomes Her and I was like, God, you're the coolest,
most beautiful, chilliest motherfucker on the planet.

Speaker 2 (01:00:12):
So cool. But yeah, like the discipline, but she's she's
used to it.

Speaker 4 (01:00:16):
But then this is what you want to like, I
don't know, Like we're not complaining obviously about our lives,
like we're obviously so grateful, but it is like the
thing that they don't like tell you about. There's no
way to extrapolate how you are going to be feeling
and living as like a thirty forty fifty something sixty something,
however long you want to work to balance like your
actual life with like, oh god, I gotta like do

(01:00:37):
eight shows a week and and suck on brother's past
deals all day.

Speaker 2 (01:00:42):
I sucking on, I sucking on.

Speaker 1 (01:00:45):
And what's weird too, is like to have a job
that isolates the area of your life that is like
six to ten pm.

Speaker 2 (01:00:52):
Yeah, it's just just such a bizarre part of your
day to be when you work and.

Speaker 6 (01:00:58):
I meet around two pm, I'm like, anybody free, anybody
out here, and everyone's anybody two.

Speaker 1 (01:01:06):
I'm thinking about having pasta.

Speaker 6 (01:01:08):
Spaghetti, but no so that I'm eating a full meal
at eleven.

Speaker 1 (01:01:14):
Pm, but sleeping until till when you must be sleeping.

Speaker 6 (01:01:19):
In these days, Well, recently I've been unable to sleep in,
which is concerning what.

Speaker 2 (01:01:24):
I don't know.

Speaker 6 (01:01:24):
My body just says it's nine fifty five, which I
know isn't super early.

Speaker 2 (01:01:29):
Yeah no, but when your schedule is shifted later, it's
I do.

Speaker 4 (01:01:33):
Yeah, when you're going to bed at like two or three,
nine five, You're like, okay, but I could have used.

Speaker 2 (01:01:38):
A little bit more. Let me have a little bit more.

Speaker 1 (01:01:42):
Later. It up at nights smoking weed share jacket off.
You have like smoking weed jacket off off. Gambling Well,
I got to get into my gambling fixed and my horses.
Which one's going to win Lucky seven, Big Blue?

Speaker 2 (01:01:58):
I got ten on Big Blue?

Speaker 1 (01:02:00):
Me too.

Speaker 2 (01:02:02):
I hope we win.

Speaker 1 (01:02:05):
We win. Can we talk about Aaron Jackson?

Speaker 2 (01:02:10):
Wait?

Speaker 1 (01:02:11):
I wanted to bring erin up too, because because you
guys are a kindred spirits talk about because the vibe
is like we are Devil may Care in a way.
You guys are like yeah whatever, it's just but it's
it flows out of you like magic.

Speaker 2 (01:02:26):
The humor, humor you guys have the same. I'm really
honored dialing you have. You have a very similar styling. Well,
I learned a lot from Aaron.

Speaker 6 (01:02:37):
When I started Rumple Teaser, it was like Aaron and
Josh Sharp and Jeff Hiller, And for like months, I
was so panicked, like on the back wall, being like
just just walk out and just do the scene. They're
gonna be fine. But I learned so much by like
literally performing with them weekly for years, so you.

Speaker 2 (01:02:55):
Were on stage with Hiller all the time.

Speaker 6 (01:02:56):
Yeah, we did a show the night after Trump was
elected for the first time, and I'll never forget it,
Like Jeff led us like a song about how like
gender is a river something like all of us were crying.
I mean the things that we have said and done.

(01:03:18):
Aaron and I have played sisters.

Speaker 2 (01:03:21):
Who've fucked, probably multiple times.

Speaker 1 (01:03:25):
Can I say that, sis, But don't say brothers who
fuck because that's not through the male gaze. We can
talk about sisters who fucked because the men. This is
the Manosphere podcast, so the men that listen to us
can see two women fucking and they get it. But
if you talk about two gay guys, that's discussing whoa
So just to maintain our Manisphere presence, Okay, I got you. Sisters,

(01:03:48):
We're fucking just sisters.

Speaker 2 (01:03:51):
But yeah, I really feel the spirit of Aaron lives
within me of just like that is Aaron.

Speaker 1 (01:03:59):
What did you ill when Hiller won the Emmy?

Speaker 2 (01:04:01):
Oh my gosh, I truly wept. I wept. I mean,
obviously you are a star and I would have loved
if you won as well. Not true, no, untrue. Okay,
for us.

Speaker 6 (01:04:13):
No, but I mean, like, wow, I had seen Jeff
like a week prior and he was like, I'm not
gonna win.

Speaker 2 (01:04:21):
I know I'm not gonna win. It's just so beautiful.

Speaker 1 (01:04:26):
He's so beautiful on that shot. The euphoria that I felt,
Oh my god, and this is.

Speaker 6 (01:04:31):
Someone who like to see hundreds of people on Instagram
being like this is the kindest person. They work so hard,
Like I was just so moved by the amount of
people that felt like, oh, this was a win for us,
you know, yeah.

Speaker 2 (01:04:46):
So huge, Like when does that happen? No, no, no,
please no.

Speaker 6 (01:04:50):
I was just gonna say I feel that way too,
like just with me being in the show sometimes where
I'm like, it's not just me like making it to Broadway,
it's like all of our friends and like the people
that we came up with.

Speaker 2 (01:05:02):
I'm like, yeah, we're doing it. We did this.

Speaker 1 (01:05:04):
Yeah. It did feel like that. Like I will say,
like earnest moment, it was like so overwhelming and so emotional,
and it felt so good for it to be you
that we were all going to see because I feel
like you're one of the people that, like, universally everyone
that's in your life like loves you and roots for
you and knows that you deserve it because you are

(01:05:25):
so special, and so the fact that you're going to
get this like hunk of time to do it. I'm
so happy they gave it to you because you deserve
it and be it's gonna be fucking phenomenal because you're
so good at it, and especially the mad Cat medley,
which is when I feel you can be the most.

Speaker 2 (01:05:41):
Wildest, fucked up most I feel so wild. You get
to feel so wild. The last time I did the show,
I was like, I need to stop sticking my tongue out. No,
that's your take.

Speaker 1 (01:05:52):
My take is tongue out. Yes, it's like, you know,
like a sexy little devil, Like, uh, what do you
call it? Like, uh, what about cutey dolls devil? Just
like I love someone who thinks that their cute face
that they're making as an aside is.

Speaker 2 (01:06:09):
Like someone who's who's little thing is me? Who is
the worst face they can make? Sometimes you do want
to do that, you do.

Speaker 1 (01:06:23):
You have to let it out, and you have to
let it out on stage exactly my medium.

Speaker 4 (01:06:28):
You should throw. I know, like Mary is in distress
for most of the show. But I think in one
of the scenes you should be like during the Great
Day monolog should go at.

Speaker 1 (01:06:35):
Some point direct like to an audience. Well find out
if she does it, maybe you'll be the person.

Speaker 2 (01:06:57):
We're gonna move into. I don't think so, honey.

Speaker 1 (01:06:59):
Whoa, this is our sixty second segment where we take
exactly that amount of time, okay, to rant, rail and
rage and not retreat, the opposite of virtuctually tear apart
something in culture. It gets to us and I have something.

Speaker 4 (01:07:16):
Okay, okay, yeah, this is Matt Rogers is I don't
think so many and it's time starts now.

Speaker 1 (01:07:21):
I don't think so, honey. Still using a towel that
has a brown stain even if it's clean, okay, so
who is to One thing that happens is like you
wash towels, they come out of the dryer, they're clean,
but they still have a brown stain on it, and
people are like, well, it's just the stain from what
was there, it's not currently soiled. I don't think so, honey.

(01:07:43):
I think once a towel has a brown stain. Look,
we're in entertainment. It could be makeup, it could be poop.
I don't know.

Speaker 2 (01:07:50):
It's because it could be poop.

Speaker 1 (01:07:52):
I don't think so, honey. Any and poop touches so
many more things that I think we could even understand.
But the fact that this is a towel a thing
Wrestley used to, you know, comfort oneself after a shower,
comfort meaning dry Like to me, it's just like if
if it could be poop for me, it is because
especially because the towel is in the bathroom as well.

(01:08:14):
Sometimes what happens is you get a towel, it's a
little bit fucked up. I don't think so, honey, rolling
the dice, throw it away, get a new towel. I
don't think so, honey.

Speaker 2 (01:08:23):
And that's one minute it could be poop. I'm just saying,
like today, I'm sorry, I'm sorry you had to tell you.

Speaker 1 (01:08:35):
There was a towel, and I sort of saw the
towel and there was like a little bit of a
stain on it, and I'm like, I should just get
rid of this. And then I thought, okay, I did
use that towel when I took makeup off my face,
and only entertainment, by the way, I mean, boys very

(01:08:55):
binary today apparently. Anyway, I just think if your towel
is covered in stays, you gotta Okay, I support this,
I support I think we're all in agreement. All right, Well,
I'm glad I said it.

Speaker 2 (01:09:08):
What do you what's the peanut gallery saying, iwers.

Speaker 1 (01:09:20):
Please stop at one. I'm gone. Do you have something
to say?

Speaker 2 (01:09:32):
I have something. It's I'm gonna. I'm gonna go for it.

Speaker 4 (01:09:36):
Okay, okay, And and it's it's an important part of
the community. But there's something about it that is fundamentally
really devastating too to what we do and our and
our in our time.

Speaker 2 (01:09:49):
And I have to call this out. And I love
this place dearly, and this is I don't think so honey,
as time starts now.

Speaker 4 (01:09:56):
I don't think so honey that there are not one,
not two, but three locations of Ripley Greer studios that
I spent at least forty five minutes trying to get
to the right one, because it was not specified clearly
to me which one I was supposed to be at
this morning. And so of course I had a lovely

(01:10:17):
time in a yellow cab because that's what was available
on Eighth Avenue in thirty six. But I went to
the thirty sixth Street location, didn't see anything on the
board thirty to thirty eighth Street location, realized I was
at the wrong one, then had to go all the
way up eighth Avenue.

Speaker 2 (01:10:31):
To the fifty fifth Street location. And you, guys, I
think we.

Speaker 4 (01:10:35):
Have to figure out a naming convention so that it's
SEO friendly, so that if I type it in Google Maps,
I am at the right place, so you can have
a shorthand say I'm at Ripley fifty fifth, I'm at
Greer fifty thirty eight.

Speaker 2 (01:10:49):
I'm being very calm.

Speaker 1 (01:10:49):
About this because I say this with love, but I
think it would be it would eliminate so much consternation
strife in the theater and dance and performer community are rehearsing,
and that's when min I it well, I'm so, I'm
so sorry I did. I did fuck up my day
a little bit. I think it needs to be raised
to the ground and rebuilt, or that it's not it's
not ethical. Specifically, it's unethical. The way it's laid out

(01:11:17):
is unethical. I'm not saying that without ethics. I'm not
and I obviously love everybody who works there, and as
as a decades long patron of that place. I say
this with love, but this is not the first time
I've been to the wrong Ripley m hmm.

Speaker 2 (01:11:32):
Do you know what you need to do once you
get into one of those studios.

Speaker 1 (01:11:40):
Well, it's always like so thick and sweat sweaty. It's
it's it's it's d m V lighting, it's it's, it's
you know.

Speaker 2 (01:11:47):
But we can put up with that. I can put
up with that.

Speaker 4 (01:11:49):
I cannot put up with multiple locations and being very
hard to specify which one.

Speaker 2 (01:11:55):
You know you're you're probably pretty late.

Speaker 1 (01:12:00):
You're already in a I can't I have rehearsal mentality,
and you're also already a little stressed out because you
know you're going to go dance exactly like. I've never
once gone to Ripley Greer or really any rehearsal studio
like that and been like I'm excited to be here.
It's always I'm going to do something that's I'm going
to be bad at at it first and scary, yeah,
and then be lost.

Speaker 2 (01:12:20):
You have to show your ID the panic of getting to.

Speaker 1 (01:12:23):
The elevator, the police State, the Ladies Stay of five
eighth Avenue, it's a police state.

Speaker 2 (01:12:31):
Hannah, you don't have your idea.

Speaker 1 (01:12:34):
Good luck, good luck, you're not getting into rehearsal. Okay,
Christine Nome, I guess this is fucking.

Speaker 2 (01:12:40):
At the gate.

Speaker 1 (01:12:42):
By the way, I did go to the airport and
so all those Christine home videos like it was fucking,
you know, a pre show for a Disney ride. I
was like, this is crazy. It's she's she's Beady Wong
at the Jurassic Park ride. She really thinks she's bead Won.
She's deeply mistaken. I haven't seen these videos at the airport. Okay,
get on the plane on a flight tonight. After this hurry, I'm.

Speaker 2 (01:13:02):
Going to Florida call back, that's improv.

Speaker 1 (01:13:09):
To Florida for an improv callback. I'm doing three days
at the Lyceum. Then I'm going to Florida for my callback.
Head tonight for my improv callback. By saying Christy on
the screen, I want me to be one of the
one of the fountains, the voice of a fountain. I
sit in a small room that's too hot. I have
a little microphone and a tiny, tiny screen. I can

(01:13:32):
see who walks up to a fountain and I play
a fountain that talks. Okay, what's your fountain voices? This
one that's good comforting, kind of similar to that.

Speaker 2 (01:13:44):
I'm a fountain. We can't stop acquainting me.

Speaker 1 (01:13:50):
Make a.

Speaker 2 (01:13:52):
This is a good character, Wow, old fountain.

Speaker 1 (01:13:56):
Hold on, I'll be right there, just kidding. I can't move.
I'm a big hole in the ground.

Speaker 2 (01:14:01):
Go have five. It's someone writing this down, all right.
We have producers for this. Are you writing down what
I'm saying for?

Speaker 1 (01:14:09):
I found a bit okay, okay, yeah, this is important.
You've done this before.

Speaker 2 (01:14:23):
I have done it before, sir.

Speaker 1 (01:14:24):
I don't think so, honey.

Speaker 2 (01:14:25):
Live I believe I was at the first ever won
with the hat you have the culture hats?

Speaker 1 (01:14:31):
Oh my god, remember those used to be culture crusaders.
Didn't really fit with the hat. I don't think most
of the things.

Speaker 2 (01:14:39):
We've done have like fit in with the hat. But
it was a gorgeous hat. It was pirates pirate ass
You ready? Okay?

Speaker 1 (01:14:47):
Okay, do you have a topic. Yeah, this is Hannah Solo's.
I don't think so, honey. Her time starts now, I.

Speaker 2 (01:14:52):
Don't think so, honey. Cooking a meal for yourself and
then it turns out back.

Speaker 6 (01:14:56):
Oh no, I just meant twenty six whole ass dollars
and three hours of my one, wild and precious life.

Speaker 2 (01:15:04):
Crap a goddamn shoe, and.

Speaker 6 (01:15:07):
Now I'm either gonna throw it in the garbage or
eat it for the next two weeks because I don't.

Speaker 2 (01:15:13):
Want to waste it.

Speaker 6 (01:15:15):
Scallions gone, parents, gone can, tomatoes gone urning, and people
are you're trying to put new ingredients in to fix it.

Speaker 2 (01:15:24):
I don't think so mony, you can't fix it.

Speaker 1 (01:15:26):
She is who she is.

Speaker 2 (01:15:27):
Walk away and you're thinking, well, oh, you made this stew.
It's your fault. I don't think, TONI, it's this jewic's fault. Yeah,
blame the stew. And I should have just maybe ordered
delivery like I wanted to in the first place, and.

Speaker 6 (01:15:42):
It would have spent fifty two dollars and eighty six
a single chicken wrap.

Speaker 2 (01:15:48):
But now I'm having toast for dinner again. Toast dinner.
I don't think somebody is toast dinner. Look, you can't
be a hero in the kitchen.

Speaker 1 (01:15:59):
No me crying over a bowl that I worked on
so hard it tastes horrible.

Speaker 2 (01:16:05):
Oh my god, dagging it down and ask what happened, Steve,
I don't know.

Speaker 1 (01:16:12):
And you buy all these ingredients where you have to
use us single teas.

Speaker 2 (01:16:19):
You buy all the ingredients and then you get home
and they're like a dash of it. I spent thirty
dollars on this oil.

Speaker 4 (01:16:25):
Now I got seven cinnamon sticks sitting in my pantry
for the next eight years.

Speaker 2 (01:16:31):
And you're googling what can I do with cinnamon stuff?

Speaker 1 (01:16:35):
And you can make a winter saying grea next time
you actually see the thing is this is why you
text your friends in your community. Had you done that,
you would have been able to hear from me what
to do with the cinnamon sticks.

Speaker 6 (01:16:48):
Okay, well, now I know I was in full shame mode.
You know when you go I have to just be
by myself eating this.

Speaker 1 (01:16:55):
Boo, right, but it's it is just tough to go
do I throw it at out exactly because that sucks.
Toast dinner again, such a hard image for me. I
think you.

Speaker 2 (01:17:07):
Saying, I'm meaning a toast dinner. Dinners just like you.

Speaker 1 (01:17:14):
It's like eleven thirty pm. You didn't get to go
on because no one was sick. That sucks. You get home,
you're fucking flopping it in the kitchen. I guess I
gotta pop that Ryan hit Hit heavy.

Speaker 2 (01:17:27):
And I burn it every time. I burn it on heavy,
toast you every time, and a toaster.

Speaker 1 (01:17:35):
I don't have a microwave. Oh well, I'm just out
here in this world lost. I hope with the money
you make from being Ohannah, ye bye.

Speaker 2 (01:17:46):
That's our biggest lap of the episode. You're hilarious.

Speaker 1 (01:17:52):
You're hilarious.

Speaker 2 (01:17:53):
That's rich me A swing sounds similar to the fountain.

Speaker 1 (01:18:00):
These are all really different.

Speaker 2 (01:18:02):
I'm sorry, I'm actually excuse you, excuse you. It's been
like that since the beginning. To excuse you, that's really
been the vibe. Excuse you coming here.

Speaker 1 (01:18:12):
I'm gonna walk out now, No, don't walk We're all
gonna walk out together, Darling Dry.

Speaker 2 (01:18:26):
The cats up hunting my season two lucky because they're
all dead. They're all they're all dead, so many of them.
Monday kept happening. I was astounded. You could tell they
were writing with abandon you, you're dead, You're dead.

Speaker 6 (01:18:47):
I really thought that redheaded callie yeah, icon, yes, I
was her husband.

Speaker 4 (01:18:55):
Yes, and then starts the news shown and now she's
like she has her own Nancy Grace show take get
the real Nancy Grace.

Speaker 2 (01:19:02):
Nancy Grace flying in to guest star and be like,
you need a future, you need to really think about
what's next. She had a great day on set, No
she did. You can tell everyone's like, Nancy, thanks so
much much for.

Speaker 1 (01:19:17):
Doing Now if I'm if I'm to be cripped, if
I'm looking at what I'm looking at, it looks like
a lot of people are dying in your town.

Speaker 2 (01:19:26):
What's happening in this happening in this sum Do you
think she improvised? I thinink.

Speaker 1 (01:19:31):
She was like, I have some ideas for the script.
Let me just let me just do a fun one.
I bet Nancy Grace knows what a fun run is.

Speaker 2 (01:19:40):
Yeah, now what about one for me? I gotta do
a tight one for me. For me, y'all, let me
just let me just do one for me. I'll be quaiting.
I got a pitch. I got pitch. Meanwhile, she goes.

Speaker 1 (01:19:54):
It tears everyone Everyone's like dying, moved, crying, laughing in suspense,
sort of like watching you do.

Speaker 2 (01:20:05):
Oh Mary, Oh you have to September thirtieth of October twelfth.
I cannot wait. It will be a grand old time.

Speaker 1 (01:20:14):
I am proud of you. Please, I'm such a star.

Speaker 2 (01:20:18):
I've always known you just rock and we're so happy
that you're here. I'm so proud of you both, and
truly it really means so much to be here with
you both. Love you do you?

Speaker 1 (01:20:29):
Are you?

Speaker 2 (01:20:29):
Grateful to Malala that we actually got to have a
great time in this room. I feel like I'm loving
the vibes of this room up now better than I
did coming in. That's true. You came in with a
different energy, and now it's sort of our room. Malala.
I don't know what's going on up there.

Speaker 1 (01:20:47):
She's crushing, she's tearing it up. She's got really good material. Well,
we end every episode with the song, and I know
it was a perfect one. It's coming on Christmas.

Speaker 2 (01:20:58):
Second Trees put in the Brains.

Speaker 1 (01:21:03):
And some piece I wish I had to read I
could skate with. Wow, you guys, the voices are lower
the voices.

Speaker 2 (01:21:30):
I skied. Listen to that song stream Blue by Joni.

Speaker 1 (01:21:37):
Mitchell or so many albums everyone's covering that.

Speaker 2 (01:21:42):
Gender is a river.

Speaker 1 (01:21:47):
Last Culture Reactis is the production by Will Ferrell's Big
Money Players in the Heart radio podcasts, created and hosted
by Matt Rogers and bowen Yeg executive produced by Ana
Hasby and produced by Decor Ramos, Edited and mixed by
Duck Bain and Our Sick Is by Henrik Firsky. Yeah.

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Bowen Yang

Matt Rogers

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