"Schlampe" (w/ Peaches)

Recorded LIVE at the Columbia Theater in Berlin with special guest Sudi Green! This episode features the icon, the trailblazer, the legend, THEE Peaches! Bowen and Matt make a live attempt to get into Berghain, discuss the lack of buffalo sauce in Berlin, and debate Usher as the Super Bowl headliner before welcoming Peaches herself to discuss the origin of "Fuck The Pain Away", crowdsurfing while people are holding their damn phones, Tina Turner, paving the way for sexual candor in music, taboo topics in pop music, questioning culture, and what makes a hole forgettable. All this, Barbra Streisand, museum culture, straight men in groups, restaurant acoustics, and so much more! 

Bonus episodes are available early for subscribers to Big Money Players Diamond on Apple Podcasts: https://apple.co/lasculturistas

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
Hey, everybody, this is Matt Rogers, one of the hosts
of the podcast We're about to listen to Last Cultureistas,
and if you're a regular listener, you know I've been
teasing a little project I have coming up. Well, Merry Christmas, literally,
because I'm ready to tell you what it is. My
debut album, Have You Heard Of Christmas is out November
three on Capitol Records, and you can pre order it now,

(00:21):
including on vinyl Wow. Also stream my first single also
It's Christmas Everywhere now, or watch the music video on YouTube.
I'm also going on tour all through December. Tickets are
on sale Friday, October thirteenth, Okay, Spooky at ten am
your local time. I'm in Philly, Boston, DC, Austin, Denver, Toronto, Chicago,

(00:42):
Saint Paul, Seattle, San Francisco, Los Angeles, and New York City.
Also London. I'm coming to you November thirteenth through eighteen.

Speaker 2 (00:52):
At the Soho Theater.

Speaker 1 (00:54):
Check out www dot Matt Rogersofficial dot com for tickets.

Speaker 2 (00:58):
And if you listen this are and.

Speaker 1 (01:00):
It's not yet October thirteenth, here's an early Christmas gift
for you.

Speaker 2 (01:04):
The pre sale code. It's frosty.

Speaker 1 (01:08):
That's the sound of a cold wind.

Speaker 2 (01:10):
All right, here's the podcast. Look mare, oh I see
you and look over there. How is that the culture?

Speaker 1 (01:21):
Yes?

Speaker 2 (01:22):
Wow, loves now how do we say it? Ding dong
last jo Colin, I was German? What dingld on? Wow?

Speaker 3 (01:47):
Okay, we were gonna come out and greet you and
say god. We would have been like don Cushin Schlampen,
but then that would have wait. But then we were
told by Peaches, he'll be on here in justice. But
for pages that like, bitch is not as casual here, right,
it's not. It's not we're getting some headshakes. Well that's

(02:10):
out here, and said dunk a Shlampin. People would have
stormed out, would have left, They would have left. But
that's a you know, we're learning some really key German phrases. Last,
pumpkin spice is feeded.

Speaker 2 (02:25):
I forgot it immediately.

Speaker 1 (02:26):
Poe said to me, He's like, it's important that we
say one thing, pumpkin spice feed because we weren't in
today say it with me Starbucks. And we did see
the announcement that pumpkin spice and it is, But then

(02:49):
you didn't like your pumpkin spice.

Speaker 3 (02:50):
Well, you know what, we wanted, a pumpkin cream cold brew.
We were like, thank God, like a European establishment that
serves ice, major, major, But then they were out of
the pumpkin cream, and so then they put the pumpkin syrup.
We have a drink from.

Speaker 1 (03:05):
At Oh, Hello and dunka dunka shlampa, Hey, Matt Donker
slampin or schlampo shlampe schlampe shlampe and then slampin is plural.

Speaker 2 (03:19):
Schlampin would be all of you bitches. Are we offending
anyone by calling you a shlampa?

Speaker 4 (03:26):
No?

Speaker 2 (03:27):
Okay, thank you. Anyway, Starbucks sort of did bow and dirty.
That's okay.

Speaker 3 (03:32):
I mean that's what I get for going to Starbucks
in Berlin, you know what I mean?

Speaker 2 (03:35):
Yeah? But last night, where do we go?

Speaker 1 (03:39):
No, we're gonna get into the burgheind of it all.
But we went to McDonald's.

Speaker 2 (03:44):
We dig.

Speaker 1 (03:46):
Because Bowen Yang says, he says this every single time
we travel. He says, it's one of my favorite things
to do internationally is go to the different McDonald's.

Speaker 2 (03:57):
Am I alone?

Speaker 5 (03:58):
Am I alone?

Speaker 6 (04:00):
Oh?

Speaker 2 (04:01):
So do you want to review? Yeah?

Speaker 3 (04:03):
God, Germans love their curry sauce, yes, and the curry
worst and all of it.

Speaker 2 (04:08):
I love it.

Speaker 3 (04:09):
I embraced it. I embrace all curry culture. What else
I mean? They did not have buffalo sauce? Who here
is a what do they call it?

Speaker 2 (04:17):
An X plant xpat X pat an x Yes?

Speaker 1 (04:24):
Okay, so x plant X pats? Are you all missing
buffalo sauce?

Speaker 2 (04:28):
Bad? I'm saying the curl.

Speaker 1 (04:32):
And me are locking eyes buffalo pizza? Who doesn't even
who's never even tasted the stuff?

Speaker 2 (04:42):
You're a kidding, you're missing out.

Speaker 1 (04:46):
The dream scenario of this would be we bring out
like plates of buffaloes.

Speaker 3 (04:50):
Oh my god, we would love to open you guys
with buffalo.

Speaker 2 (04:54):
Don't know what you're missing now. Lots going on in
Berlin this weekend. It was a marathon. It was a marathon.
Did anybody run in the middle?

Speaker 6 (05:05):
Oh my god, way.

Speaker 2 (05:07):
Giving up for these people? We sit, stand.

Speaker 7 (05:09):
Up, stand up? Oh my god, you too? You did
stand up?

Speaker 2 (05:20):
You get sand you just ran twenty six.

Speaker 1 (05:24):
It's we're like, we're like, if you ran the marathon today,
stand up. They're like, motherfucker, we've been running all day.

Speaker 3 (05:31):
It's a miracle. That we're even here and not wrapped
in tinfoil.

Speaker 2 (05:35):
Unbelievable.

Speaker 1 (05:36):
Okay, so who did the best?

Speaker 6 (05:38):
You did?

Speaker 2 (05:42):
That's incredible, amazing? No, who doesn't?

Speaker 1 (05:45):
What two hours fifty three minutes? Bye bitch, No, that's amazing.

Speaker 2 (05:54):
Wow. What do you think you stand? That's so good?

Speaker 3 (05:57):
I understand that's so good. Understand that's so good. And
what would you clock in at you think?

Speaker 6 (06:03):
Oh?

Speaker 2 (06:04):
I X runner x X runner.

Speaker 1 (06:06):
Back in the day, I used to do like middle
distance to I was more of a miler. Am I
just saying my mile time? I ran a four thirty
six mile back in the day. It's really good, but
never could run more than like six miles? You know
what I mean to do?

Speaker 2 (06:22):
Twenty six point two miles?

Speaker 3 (06:24):
Stand up again, Stand up again? Stand up all of you?

Speaker 2 (06:30):
Yes? Well, yeah, very good.

Speaker 1 (06:35):
Now did any of you like sort of do it
like it wasn't to get the good time?

Speaker 2 (06:41):
Why are you still staying? I don't know.

Speaker 3 (06:42):
I I missed my window and now it's weird and
now you kid, and now I have to say it.

Speaker 1 (06:49):
Flording over me. Did any of you kind of do
it because you wanted it to be fun?

Speaker 2 (06:53):
You didn't care about the time. No, you all about
the time. It's Germany. It's Germany. Very serious, It's very serious.

Speaker 3 (07:01):
You know what we're gonna say, and we might sound
very stupid and American for this.

Speaker 2 (07:05):
A lot of rules here, a lot of.

Speaker 3 (07:08):
Rules, the crossing of the streets, the crossing of the streets,
the you know. Today we went to a museum and
Matt walked a little too close to the paintings and
the alarm went off, and we got a little tongue lashing.

Speaker 1 (07:22):
The alarm went off, and I said, come on, I
wasn't trying to touch the painting.

Speaker 2 (07:28):
I barely want to look at it.

Speaker 3 (07:31):
This is what Matt basically wanted to say to this man,
like the security guard who came home.

Speaker 2 (07:35):
But he wanted to be like, beats it, beats it.

Speaker 1 (07:45):
I did want to say that you show. But then
there was beautiful paintings on the lower beautiful. What was
the name of the museum?

Speaker 3 (07:50):
We went to the Nous Nationalite National Gallery, the new
National Gallery? Is that Frank Gary? Is that Frank Gary? No,
we don't know, are you guys wooing?

Speaker 1 (07:59):
Because you fuck love that museum because you just know it,
because they know it.

Speaker 2 (08:04):
And they love it. The light's coming up. Amazing, it
was nice, it was great. Current events are happening as
we speak. That's right. Did you guys hear we have
a Super Bowl performer Usher? Usher?

Speaker 6 (08:20):
Wait?

Speaker 2 (08:20):
That was not a positive?

Speaker 3 (08:23):
This is this is an amazing sort of thing that
you can't get on the internet because we need to
do this in a live setting.

Speaker 2 (08:29):
It's a mixed response. I think in the real world
you can't get this on the internet. You really can't
because and this is we were in the car.

Speaker 3 (08:37):
Yeah, it was the two of us and our friend
and you said, we have any super Bowl before?

Speaker 2 (08:41):
I said, and they both turned to me.

Speaker 1 (08:43):
They were so hopeful, and I said, it is Usher,
and then Bowen Yang.

Speaker 2 (08:50):
I'm sorry, I'm gonna do this to you. Hun.

Speaker 3 (08:53):
That's okay, he goes, what because I expecting a woman's name, and.

Speaker 2 (09:04):
But I forget that.

Speaker 3 (09:06):
These people they like to you know, it's to them
genders of binary and they switch every year.

Speaker 2 (09:11):
You know what I'm saying. It's like, we couldn't have
Rihanna and then.

Speaker 1 (09:16):
Let's say Taylor switch, we gotta have Usher. Yeah, I'm
seeing Usher in Las Vegas. Did I tell you this?

Speaker 2 (09:24):
That's amazing? So our friend, are it is? That wasn't
a joke. I I don't know. That's all I heard it.

Speaker 1 (09:35):
I heard it to the horniest sluttiest show you could see.

Speaker 2 (09:40):
I mean he has to compete with Magic Mike, you know.

Speaker 3 (09:43):
Yeah, like he's gotta like throw sex out there into
your face.

Speaker 1 (09:48):
I don't think it's uncouth or untoward of me to
say this, because it's actually in legal documents. I think
Usher might be one of the most famous people with herpes.

Speaker 2 (10:01):
It's true.

Speaker 3 (10:02):
What about like like George Washington, I feel he can
never be sure if he had herpes because they couldn't
test for it at the time, and he's passed.

Speaker 2 (10:16):
He's passed. The expats are like, fuck, yeah, we know this.

Speaker 3 (10:23):
I didn't. Wasn't this a storyline on girls though? That
like men can't really test for herpes.

Speaker 1 (10:29):
They can't test for V, which also is not true
because I have HPV And how do you know from
a test? My PCP primary care physician said you have
HPV And that's a lot of stick.

Speaker 2 (10:46):
What was that not actually in my cock? In my asshole?

Speaker 1 (10:50):
But thanks for dragging that out of the Yeah, yeah,
I have Rechtel HPV.

Speaker 2 (10:57):
It's true. Can't it travel?

Speaker 1 (10:59):
Oh yeah, I mean I would love for I think
I can speak on behalf of us both. We'd love
for one of you guys to fuck us tonight. Yea, no,
only if you only if you're there's some clapping happening
in the front round.

Speaker 2 (11:20):
I we got it. Why are you so shy? I
don't know. I'm in my fruit era. You're not.

Speaker 1 (11:28):
You're such a slampo slomp bo or shlompo. What did
you say title slompo? That's good?

Speaker 2 (11:38):
Wait? Can we say we both hooked up in London?

Speaker 3 (11:44):
I they love it, but we had different experiences.

Speaker 2 (11:50):
Say yours? Well? Mine?

Speaker 3 (11:52):
Yeah, because my mine's the bit of a it's a
bit of a bummer. And so I'll say mine first
and then we'll on a higher note because I think
Matt had fun.

Speaker 2 (11:59):
But I whatever, it's this guy was so hot. Can
I say what was the club? We were at the
Glory and we Glory in London. Any of you gaze
Dalston gaze in the audience.

Speaker 1 (12:13):
Yeah, okay, So we were at the Glory in London
and this guy he was really hot. He had a mustache,
broad shoulders and Bowen Yang was talking to him with
his arm draped over his shoulder, like this, get up,
I'll show you. So this is this I'm Bowen and
you're this you're the trade. Yeah, it's my move. I

(12:35):
have a limp wress And it was lovely.

Speaker 3 (12:39):
And then and then I realized he was the one
who kind of pointed it out. He was like, I'm sorry,
I keep asking you questions about your career. He kept
being like, what's it like to work at or he
was like, you know, what was fire Island like to shoot?
Wasn't it like you know all these things and like
and like sho.

Speaker 2 (13:00):
Q And it was amazing. He was he and it's
not an issue until like he.

Speaker 3 (13:07):
Is acknowledging that he is kind of he is making
it feel like an interview, right, And I don't know,
there's nothing wrong with it. I was just like I
was a little like worn out and I was like, oh,
I'm not really horny necessarily anymore.

Speaker 1 (13:20):
And I was for you, oh, thank you, because I
wasn't talking another guy, right.

Speaker 2 (13:26):
You know what, though, there.

Speaker 1 (13:28):
Was a moment where my sister and I sort of
met at the bar and he said, what do you think?
And that's my impression of Bowen He's like, let's go,
and I said, I think we should stay and have fun.
And I looked at him in his eyes and I
was like, if you don't fuck this man.

Speaker 3 (13:45):
This is the thing, though, This is this is this
is the moral of Fire Island, the movie is that
you cannot force your friends to fuck people if they
don't want to, you know what I'm saying, if it
hurts them emotionally. And I would have been hurt emotionally
because he would have been like balls deep inside me
asking about Miami nomination, you know.

Speaker 1 (14:08):
What I mean.

Speaker 2 (14:09):
Oh and that wasn't me. No, that wasn't me, Brad.

Speaker 3 (14:12):
No, no, no, no, no, no, no no no, no,
no no no. That was that was just that was
just the first thing that came to mind. Not this
year though, not this year. Hey, that's okay.

Speaker 1 (14:22):
You know you you got bumped by uh jury duty?

Speaker 2 (14:26):
Yeah, James Morgan jury duty? Here agree. It makes a
noise if you got a VP in at home.

Speaker 1 (14:35):
Yeah, who's gonna VP? Who's popping the fuck off with
their VPN? I love every time we talked to you
guys in the house, lights come up. Can we just say,
because I have a deep, dark question because the lights
came up, and I see a lot of excited people,
and I see some people that are like, who thought
they were coming to like a general comedy show. Didn't
know what the fuck it was? None of you so

(14:59):
a lot of you were just kind of disappointed.

Speaker 2 (15:01):
Yeah that's okay.

Speaker 1 (15:04):
So, speaking of Berghein, we sort of want to throw
this to the crowd and keep the lights up.

Speaker 2 (15:11):
I like this, I like this vibe. Should we go okay?
See we're getting a mix. Who thinks we should definitely go? Okay?
So can you come up here? Yeah? Okay, yeah, give
it up. We have an amazing volunteers coming up here.

(15:32):
Is there there's a staircase to her.

Speaker 5 (15:34):
You're dressed for.

Speaker 2 (15:34):
Berghin, you're dressing star a way for you to get
up here? No, you're scared of this? Okay, okay, okay,
so here, take the microphone here.

Speaker 1 (15:41):
And then and then we'll talk to you from what's
so great about it?

Speaker 2 (15:47):
Yeah?

Speaker 1 (15:48):
It's on, it's on that. Sorry, I'm not I'm not
now that boone has two Emmy nominations. We get the
mics turned on what's so great about Burghin?

Speaker 2 (15:58):
And what's your name? I'm Chris Christy.

Speaker 8 (16:02):
I am from from New York. I know that I
might be biased, but I do think it's like the
best club in the world. So that, yeah, like the
hype is there for a reason, so you may as
well try. If you don't get in, it's not the
end of the world. There's a million other clubs. But like,
I don't know, you're here, why not you.

Speaker 2 (16:22):
Think we should just go?

Speaker 6 (16:23):
Why not?

Speaker 2 (16:24):
It's the best club in the world.

Speaker 8 (16:25):
Like the Okay, So it's it's kind of everything. It's like,
the crowd is amazing, the music is amazing. It's thumping
techno in the main room, and then the upstairs bar
is like a house, more like a house. Uh, it's
called Panorama Bar, so you can you can start of switch,
like pick your vibe and like kind of move around.
The music is like best in class, and the sound

(16:47):
system is amazing and you can have a normal conversation
but you can also hear the music. It's like this
whole thing in Berlin, but it's the best there really. Yeah,
I guess that's.

Speaker 2 (16:55):
What I don't like about club culture is you can't
total we can with the people there. That's beautiful.

Speaker 3 (17:02):
And we have a friend who said that one time
he went with the group and one of the girls
brought the card game set.

Speaker 2 (17:09):
Do we know what set is? So it's like a
matching game and it's whatever. It's it's very silly.

Speaker 3 (17:14):
And then out of nowhere, this girl starts to play
set on the floor of Burke.

Speaker 2 (17:20):
Yeah, you could do.

Speaker 3 (17:21):
And then all these like cool she gas burliners were
like gathering around me, like what are they playing?

Speaker 2 (17:27):
And meanwhile in the background there's like the best club
music in the world, but not loud enough.

Speaker 8 (17:32):
So it's no, no, it is really loud, but they
have it like perfectly engineered so that it's not like
you can actually still connect with people. I think that's
the best one of the best things about it.

Speaker 2 (17:42):
You made connections there. Yeah, are you with.

Speaker 8 (17:49):
Christy from New Yorkity? From me, I've been there a
lot of times. I lived down the street. But I
do think, like, if you're in Berlin, you may as well.
But I will say they stopped letting people in four
hours before the last DJ, which that's probably around midnight.

Speaker 2 (18:02):
So if you do go tonight, you gotta go, like
I go, like, after this.

Speaker 3 (18:06):
Guys, the show's over, Yeah, we gotta go. Wait a minute,
you live down the street. Yeah, you live in the
Mercedes Benz Arena.

Speaker 1 (18:14):
No, no, I lived the other way to talk, I can,
I ask, is the Mercedes Benzerena like sort of that
girl here? Yeah, like I saw Taylor's gonna perform there
when she comes. She would never come to Berlin.

Speaker 2 (18:26):
Never come to Berlin.

Speaker 8 (18:27):
It's too small. The Mercedes Benz is only like I
think seventeen thousand and when those like we saw Beyonce
and Hamburg because she didn't come to Berlin because our
biggest stadium isn't big enough. What I don't know how
to explain it, but Hamburg has this giant football stadium,
so a lot of the big people go there.

Speaker 1 (18:46):
Yeah, so Berlin, who's like the biggest artistic come to Berlin?
Like Pink, No, no, no no, because we were walking
by because in order to get to the Starbucks here,
you know, I have to the Mercedes Arena, so everyone
knows in order to get to the Starbucks you have
to walk past Mercedes Benz and and I'm like, this
is like pink.

Speaker 6 (19:07):
Yeah.

Speaker 8 (19:07):
So I saw last week Fred again.

Speaker 2 (19:12):
I love Fred again.

Speaker 8 (19:14):
Yeah, he played last Tuesday at the Mercedes Benz Arena.

Speaker 2 (19:17):
So Pink is going to Hamburg. No, no, she's too big,
Like that would be too big, right, Yeah.

Speaker 8 (19:22):
So I also I also saw.

Speaker 5 (19:25):
Like Lizzo and Sizza.

Speaker 3 (19:27):
At the bench, where do they go? The benine makes sense?
And Fred again play the same side.

Speaker 2 (19:35):
I know it's weird, but huge here, huge here because
you do love to go, like yeah, like y'all have
to go. We lost.

Speaker 6 (19:48):
I was like, I gotta go.

Speaker 2 (19:50):
But it was fun, okay, yeah.

Speaker 8 (19:52):
But yeah, I would say yeah berkhun like And again,
if you don't get in, it's not under the world.
There are a million other clubs, but if you're here,
you may as well.

Speaker 2 (20:00):
Okay, okay, So that's amazing.

Speaker 8 (20:03):
Like low risk, high reward. That's how I always feel
about it. But again I live down the street. So
if I don't get and I'm.

Speaker 2 (20:08):
Like, I see it next week. We live in the
United States, that's high probably, but no.

Speaker 1 (20:14):
I mean not.

Speaker 8 (20:15):
It depends on where you're staying. But if you're you know,
it's working at Hampton.

Speaker 2 (20:20):
That's near it. Which is near it? It's on the
East Side Gallery. Now it's Eastide Gallery.

Speaker 8 (20:24):
Did you walk there on you gotta go?

Speaker 2 (20:26):
I guess I didn't know it was so close.

Speaker 3 (20:28):
It's very close on our side of the wall, you know,
so it's on our side of the wall.

Speaker 2 (20:40):
I was like, I don't know if I know. Are
you going tonight when we see you there?

Speaker 8 (20:44):
No, I actually went out really hard last night.

Speaker 2 (20:46):
I really are last night. Thank you for coming up.

Speaker 1 (20:50):
Yeah, well there's somebody where run the marathon, so yeah,
you know, there's multiple types of Yeah.

Speaker 2 (20:59):
Did you make any connections last night?

Speaker 6 (21:01):
I did not.

Speaker 8 (21:02):
The crowd was like a little too basic, but it
was really fun.

Speaker 2 (21:07):
Look around. Hey, do you want to make connections here tonight?
There's so hot.

Speaker 7 (21:12):
I know.

Speaker 2 (21:12):
I was waiting for my two friends back then. I
was like, wow, yeah, everyone's like good looking. Yeah, all right,
good to know.

Speaker 9 (21:22):
Give me for Christie.

Speaker 1 (21:24):
Give it up for Christie, give it for Christy.

Speaker 2 (21:31):
Okay.

Speaker 3 (21:31):
One last sort of like addendum to the burghind conversation
we want to do is we want to play a
game with our wonderful DJ DJ Alias Error.

Speaker 2 (21:39):
Give it up, Give it up for DJ Alias Air.
Can I say now I like being down here? Okay,
you like being down here? I'll stay up.

Speaker 3 (21:46):
We're gonna give give bubbles yeah, okay, so we're gonna
play a little game where just off of not off
wardrobe off vibes alone, would we get into Berghine if
you were working the door.

Speaker 2 (21:56):
Okay, let's just try this. So let's just like both
like that. We're going together. Let's let's go in together.

Speaker 1 (22:02):
Just for background, we were told a few things. You
can't be loud, you can't just speak English. Those are
the two main things about us.

Speaker 2 (22:16):
And you can't what is it. You literally can't go
up to the person at the door.

Speaker 1 (22:20):
And be like, yeah, all right, so here's us trying
to be cool. Okay, hey, hi shit fuck hi hey hello.

Speaker 2 (22:42):
No, no, okay, well we're gonna go. We're gonna go.
I think I know what we did wrong. Okay, yeah, yeah,
we did what we said we wouldn't do. We said, hey,
we were loud, we spoke English. All right, ready, here's
here it is. We're really trying to get it. Hello,
slamp nine, damn.

Speaker 1 (23:05):
Okay, I think I know what happened there, you straight up? Yeah, okay,
let me take the lead this okay, uh.

Speaker 2 (23:21):
Sy sy sy it's my Ghaki's isn't it. Well? We tried.

Speaker 3 (23:33):
Everyone give it up for dj Alias there. Thank you
for being a good sport about that.

Speaker 2 (23:39):
Do you guys have the Real Housewives here?

Speaker 1 (23:44):
Do you guys know the Real Housewives is TWT Lake City.
Guess who made these pants? Brooks marks?

Speaker 2 (23:54):
They're good? Not for nothing, these are good pants.

Speaker 3 (24:01):
Yeah, I can tell I got a m mine because
I got short, short legs. But that's but that's part
of the style, right. It looks it looks great on you.
You've got great legs for pants.

Speaker 1 (24:15):
Thank you for saying that. You've never said that to
me before, and I've been waiting for it. I've been
waiting my whole life for a mo one to just
tell me one compliment that I have good legs for pants.

Speaker 3 (24:27):
We we've been rewatching the same episode of Salt Lake
City for the past week, which is this week's next episode.
You're embarrassing yourself when you don't anything you do.

Speaker 2 (24:41):
I do own myself married. What do you need to
grow up? You called me pornography? What Heather? What does
she call me?

Speaker 6 (24:52):
Yeah?

Speaker 2 (24:53):
You guys know it. It's you couldn't write that I
am the hostess of this dinner.

Speaker 8 (25:03):
Leave.

Speaker 2 (25:05):
I mean, all of them are operating at a ten.

Speaker 1 (25:07):
It's amazing, you know, Speaking of going over to the service, yes,
and asking them for help. We went to the Soho
House today and we thought we could, you know, sort
of go there and have like an enjoyable meal. But
am I gonna get your membership revoked if I say this?

Speaker 3 (25:28):
No?

Speaker 2 (25:28):
No, no, not at all.

Speaker 3 (25:30):
We did have an enjoyable meal because we made great
friends with our server and we struck up conversation. We
told her we had to show tonight and we invited
her to come. Basically, so everyone, basically.

Speaker 1 (25:42):
Today we didn't have much success with the server, but
we think that by bringing her out tonight it's gonna be.

Speaker 2 (25:48):
A lot better. So everyone give it up for our
server from Soho House. Hey, this is our.

Speaker 8 (26:00):
Man.

Speaker 4 (26:03):
This is her.

Speaker 2 (26:08):
Thanks, Hi, how are you ma'am man? No? Hold, we
wanted to get hold on miscomp We didn't order that.

Speaker 9 (26:19):
That's your fruit.

Speaker 2 (26:20):
Oh we we didn't order the fruit, but thank you.
We haven't ordered yet at all.

Speaker 9 (26:26):
Oh do you guys want to order?

Speaker 3 (26:29):
Yeah, we put it in order for like a limeless
squalkomole like two hours ago.

Speaker 6 (26:35):
Is that okay?

Speaker 4 (26:36):
You ordered the walkam only no lime because the seasoning
you have to pay extra for if you have a
house at Soho House.

Speaker 9 (26:44):
In Germany. We do Mexican food.

Speaker 2 (26:48):
That's fun.

Speaker 9 (26:49):
Oh you guys seem cool. Where are you guys from?

Speaker 2 (26:52):
I have to go Oh.

Speaker 1 (26:55):
No, what.

Speaker 3 (27:04):
Way?

Speaker 5 (27:04):
I was acting?

Speaker 9 (27:07):
Oh my god, I was acting. Did you know it
was me? Even though I was an actress?

Speaker 2 (27:11):
No, no one new.

Speaker 9 (27:12):
I transformed into the park.

Speaker 1 (27:14):
You transformed into the Sudia is here with us on
our Euroad trip. Now I want to know what are
your big impressions of brilinsa farm? Because how many days
have you been here?

Speaker 2 (27:35):
Three?

Speaker 9 (27:36):
Three whole days before you guys showed up. This is
my fourth day.

Speaker 2 (27:39):
I'm an expert roses thorns.

Speaker 4 (27:43):
Okay, my rose is that people will be walking around
with a Heineken like it's a bottle of water. Heinekens
are the Stanley Cups of Berlin. Yeah, I went to
San Souci in potts Dam, had my little because these
they would never go.

Speaker 2 (28:04):
I would, Yeah, you would go, I would? What is it?

Speaker 9 (28:07):
And then also a big palace, right, it's a commute
on a train.

Speaker 2 (28:12):
Okay, it's a palace.

Speaker 9 (28:13):
It's a palace. It's a beautiful palace.

Speaker 1 (28:16):
Anyway, stuff today on the train, when I realized there
was noising there, it was like, so I.

Speaker 9 (28:21):
Guess what was going on?

Speaker 4 (28:22):
Kind of like a regional like commuter rail and there's
just like this mom with a big ass backpack and
she is just like breaks open, not like the normal.

Speaker 9 (28:30):
Beer, but like the big beer. She's just like fuck it.
I was like, this needs to happen more. This is amazing.

Speaker 4 (28:36):
Like you're going home from work, you buy the beer
in the train station and you get a little not
even a buzz, like you take the edge off before
you go home, and you have to make dinner.

Speaker 9 (28:48):
It's a perfect system. So that's my rose and that's
what I'm going to take.

Speaker 5 (28:52):
With me on this trip.

Speaker 2 (28:54):
Is drinking in public Back in the States.

Speaker 4 (28:57):
Is mom's with backpacks getting a little little tipsy on
the train.

Speaker 5 (29:03):
My thorn is.

Speaker 9 (29:06):
Do It's actually not a thorn, it's question do you
have to pay for the train?

Speaker 4 (29:12):
Here?

Speaker 9 (29:15):
I have walked on every train.

Speaker 6 (29:17):
I haven't paid. Of God to.

Speaker 1 (29:20):
Say, we thought it was socialism? Everyone does it all?

Speaker 9 (29:27):
Do you pay?

Speaker 2 (29:29):
When?

Speaker 4 (29:29):
Do you?

Speaker 5 (29:30):
We have answers yes, but they don't do that.

Speaker 9 (29:41):
Wait wait he's saying no. They're saying no, we were
on the ooh ooh, on the underground.

Speaker 2 (29:52):
Something kind of ooh something kind of o so but
then how but then they do this often.

Speaker 1 (30:01):
Okay, what's gonna happen? If we didn't pay, We're gonna
be arrested. Okay, So so who's gonna arrest us you?

Speaker 2 (30:16):
Okay?

Speaker 3 (30:16):
So we had a plan in case someone was gonna
come check our tickets and we would have been link
we we would have been like.

Speaker 1 (30:22):
Oh my gosh, we're so sorry, Oh my god, it's
so sorry. We would have pretended to be so dumb
gay an American, A pretend that's that's check check check.

Speaker 9 (30:40):
I love it here.

Speaker 2 (30:41):
I'm moving here.

Speaker 4 (30:43):
Yeah, I'm gonna move here. I'm going to move here.
Except German will not stick in my hand. I was
playing dual lingo for like a week before I got here,
and I can't remember how to say this is how
I think you say bye.

Speaker 9 (31:03):
Some it's juice.

Speaker 6 (31:05):
It's juice, je jez?

Speaker 2 (31:08):
Does it have to be that high head? Juice? Is
it like tonally chee?

Speaker 9 (31:13):
It's a tonal language. I just won't stick in my head.

Speaker 4 (31:16):
But I think if I really well, this is also
me at every coffee shop where, like you know, I
try and be like.

Speaker 9 (31:22):
A good tourist and I like learn my six words.

Speaker 4 (31:24):
So they're like, she made an effort because I think
people are giving me a grade in every single situation.

Speaker 10 (31:30):
And I really needed to be an a and so
I hope to the people and I'm like hi, or
I go like hello, and then I was like cappuccino, bitta,
and then they say something back to me in German.

Speaker 11 (31:43):
They're like sorry, and then they go in perfect English, Yeah,
we don't have to do this, Yeah, just go or
for here.

Speaker 2 (31:55):
Yeah, this is what I know form de lingo does,
pot does apphoist and schlumper is that I can get.

Speaker 3 (32:08):
I can get like the tongue placement right, but I
can't like the VOGUEA is the toughest part.

Speaker 2 (32:15):
I don't like doing this. We gotta okay, you don't
have to do it. Can I say one thing I
say is beyond many We were we were saying.

Speaker 3 (32:31):
We were saying that, like Matt doesn't know how to
say like welcome in different languages. And then he this
is his attempt at yelmy, at French if they don't
even want to fuck me anymore, that one was so
excited about sucking me before.

Speaker 9 (32:46):
My favorite thing when Matt isn't a country?

Speaker 4 (32:48):
Is that he learns the sounds and then it's just
like strong and wrong, just all the way through extremely
confident sounds.

Speaker 2 (32:57):
I communicate via winks and shoulder shrugs like.

Speaker 9 (33:01):
It's I don't know my words, but I know my
heart international.

Speaker 2 (33:13):
And with that hug, with that hug.

Speaker 1 (33:15):
So this is a really special night. When we thought
about who we'd want to have on the show, like
we couldn't have scored a better guess we really could.

Speaker 2 (33:26):
Not, We really couldn't have It makes complete sense.

Speaker 3 (33:30):
As soon as we knew we could have her on,
it was like, yes, whatever she wants, I will do
whatever it.

Speaker 2 (33:37):
Takes to get this person. But one offer it off
his body and they declined. But god, she's a fucking
legend in every way.

Speaker 3 (33:50):
We saw her live this summer and then me and
Josh Sharp, friend of the pod, Josh Sharp, we said.

Speaker 2 (33:56):
Peaches invented everything. Peaches invented everything.

Speaker 3 (34:00):
Like literally, like all these fucking girlies thinking about their
pussy and tits right now, have herd a thing, you
know what I mean?

Speaker 2 (34:07):
So we're so excited to have her. She's a fucking icon.
Everyone give it up for.

Speaker 6 (34:37):
I give it.

Speaker 2 (34:47):
It's a good night. It is how you doing?

Speaker 6 (34:52):
Hi?

Speaker 2 (34:52):
This one is a moment of time and you changed
into this. Look Oh my god, char Trus. Yeah, are
we calling it chartreuse? Oh?

Speaker 5 (35:03):
Is that the color?

Speaker 2 (35:04):
Yeah? I'm coloring?

Speaker 6 (35:05):
Yeah?

Speaker 3 (35:05):
No, I like that?

Speaker 6 (35:06):
Yeah?

Speaker 2 (35:07):
Am I color blind? Church Trus? Does that feel accurate?

Speaker 4 (35:11):
Is it?

Speaker 2 (35:13):
We're incure about color?

Speaker 3 (35:15):
Everybody? I don't know what's going on. I'm being insecure
about color. Oh my god, I'm like not confident about color.

Speaker 5 (35:25):
I see that.

Speaker 9 (35:25):
Ah, Like, isn't this another thing for burk kind It's.

Speaker 2 (35:30):
Like you cannot dress like that? Well, yeah you could. No.

Speaker 12 (35:35):
I showed up at Bert Kine once I went to
the door and they said, oh, are you still alive?

Speaker 2 (35:43):
And then what did you say?

Speaker 5 (35:45):
Yes, I'm right in front of your goddamn face.

Speaker 2 (35:50):
I mean we're still on the fence about going today.

Speaker 5 (35:52):
Well I'll tell you why not to go. Okay, because
you can't go to the bathroom there?

Speaker 2 (35:56):
Wait? Really true, Christie.

Speaker 12 (36:00):
I'm sorry, I'm gonna tell you way too much information.
I've paid, I've feed in many garbage.

Speaker 2 (36:05):
Cans there perfect, No, you can't get in.

Speaker 12 (36:08):
People are doing drugs and having sex, which is fine,
but you can't go to the bathroom there because people
are doing drugs, having sex and there.

Speaker 1 (36:16):
But there should be I feel like at a club
situation where you know there's gonna be a situation where
like many of the stalls are occupied by drugs and sex.
It's like, let's have like, first of all, burn it
all down, no male female restarooms have This is the binary.
Instead one bathroom is for drugs and fucking one bathroom
is for pissing.

Speaker 5 (36:36):
And you know what, you know what would happen?

Speaker 12 (36:42):
What everybody would be doing drugs and having sex. Yeah,
like great, another place to do drugs and have sex.

Speaker 2 (36:51):
Yeah, because the line will get real long for the
drugs and sex. One. That's what it is.

Speaker 3 (36:56):
And as soon as you designate a place to do
drugs and have sex, people aren't gonna want to do
this thing, right exactly.

Speaker 5 (37:01):
Bring your own porta potty, that's it.

Speaker 2 (37:03):
Bring your own diaper life.

Speaker 5 (37:06):
Diaper life could be a good moment for diaper life.

Speaker 2 (37:11):
Where we go if we showed up to the line
and a diaper, I think we would get in. What
do you think I mean?

Speaker 4 (37:20):
I once went to Burkhein and then left off to
half an hour because I needed to use the toilet and.

Speaker 3 (37:26):
Wow, after waiting in line for hours, and that's real
priority sort of setting.

Speaker 2 (37:32):
I think, Yeah, like I'm going to piss and shit,
thanks very much.

Speaker 3 (37:36):
Yeah, I don't care that you know Lakitu is here
or Fred again is here. I'm going to piss and
shit at my home. Ultimately it becomes your home. Yeah, listen.

Speaker 1 (37:51):
One of my biggest questions for you, based on what
many would consider your biggest song, can you fuck the
pain away?

Speaker 5 (37:58):
That is very personal? How dare you ask me that?

Speaker 2 (38:03):
Because I'm wondering myself.

Speaker 5 (38:05):
You can keep trying? Yeah, just keep trying, Yeah, trying?

Speaker 1 (38:09):
Yeah, I mean not Ultimately, I guess you would die
trying if you kept trying to fuck the pain away.
I feel like when I'm sad and I try to
fuck the pain away, I become more sad.

Speaker 2 (38:25):
How are you feeling now? When the heat really is cute?

Speaker 5 (38:27):
Right the second seed, He's like it's me, He's like
they're talking about me.

Speaker 2 (38:36):
But I mean, like, where did the song come from?

Speaker 12 (38:38):
Literally it came literally Actually it's it's I was thinking
about Pat Benattar, not in a sexual way, but I
was thinking about you're a real tough cookie with a
long history of breaking little hearts like you wanted me,
which is the wrong lyrics actually, which is breaking little

(38:59):
hots like the one it But anyway, I was like
breaking little hearts like you want, sucking on my titties
like you. I don't know what, it's just tail, and
it just started going. I really don't know where fuck
the pain away. I was in a sad place, but
I didn't want to be in a sad place, so
it was like, I'm not gonna be in that sad place.

Speaker 2 (39:15):
Fuck the pain away? Got it?

Speaker 8 (39:17):
Yeah?

Speaker 3 (39:18):
I mean I don't think there is a sort of
phrasing that just flows off the tongue more easily than
sucking on my titties like you wanted me?

Speaker 2 (39:28):
Calling me all it just comes out, It.

Speaker 12 (39:31):
Flows wait all the time, like check out mine my
blonde deep Chrissy was gonna play here.

Speaker 2 (39:41):
The Pretenders are playing here in two days. That's what
we were saying.

Speaker 5 (39:44):
We're the only ones who came.

Speaker 2 (39:48):
I'm so sorry. I feel like I stepped peaches up backstage.
I was like, oh my god, Christy are the Pretenders?

Speaker 5 (39:53):
And then she's amazing.

Speaker 2 (39:55):
She's amazing, But anyway.

Speaker 3 (39:57):
I feel like the pain Away and is one of
those songs that just the second you hear, it's staying
with you for life, you know what I mean?

Speaker 2 (40:04):
Like herpies, I've stained you all. Yeah, and thank you
for the staining.

Speaker 3 (40:09):
Glitter in the club, Glitter forever, forever, forever. We talk
about the downsides of glitter. Actually, that's come up on
the podcast several times, the downsides of glitter?

Speaker 2 (40:20):
Does glitter happen at Berghein? No?

Speaker 3 (40:23):
Okay, did he play the movie at Berghin? Do they
play glitter the film there? Because that would be fun?

Speaker 8 (40:29):
No?

Speaker 5 (40:30):
That schmootz.

Speaker 2 (40:36):
Wait, what is that?

Speaker 11 (40:37):
What is this?

Speaker 3 (40:39):
Shoots Shoots Shoots, shoots shoots Shootz.

Speaker 5 (40:50):
You had that d bat Shmootz. It's the big gay club,
the big queer gay.

Speaker 2 (40:56):
Club within Burghine.

Speaker 5 (40:58):
No, by gig, I'm saying glitter will happen at shoot.

Speaker 2 (41:04):
I we're so stupid.

Speaker 1 (41:06):
So you're saying it's like and and forgive me, but
you're saying Schootz is more like the faggy gay club
where the gay guys are gonna get glitter play.

Speaker 9 (41:14):
You're gonna get in, you're gonna get into.

Speaker 5 (41:17):
Yeah, but this is a true story.

Speaker 12 (41:23):
And my boyfriend can back me up because he used
to do a party there called Doing the Most.

Speaker 5 (41:30):
So I was like, I'm gonna go visit my boyfriend's
party and I rock up. I'm like kind of peaches.
They didn't know. They're like who It's like literally the
iconic gay club, and they didn't know who I was.

Speaker 2 (41:42):
They were like, you're not Carly Mino.

Speaker 4 (41:45):
No.

Speaker 3 (41:49):
We saw you this summer at Ladyland, which is this
big gay party in Brooklyn during Pride, and god, you
had such an amazing set. You came out dressed to
what like, you know, your backup dances were like hairy pussies. Yeah,
and then you came out in this gorgeous like neutral,
like kind of.

Speaker 5 (42:06):
Yetty hairy six tits.

Speaker 2 (42:09):
Yeah.

Speaker 5 (42:09):
There was a lot of sagina. Tit yeah, vagina, Yeah,
tit vagina was it?

Speaker 2 (42:15):
Yeah?

Speaker 5 (42:16):
Tit vagina vagina.

Speaker 2 (42:17):
Yeah.

Speaker 5 (42:18):
It was like a little titmerkin.

Speaker 2 (42:20):
Titmkin.

Speaker 4 (42:21):
Oh.

Speaker 2 (42:22):
I love that, yeah, tit Mrkin.

Speaker 5 (42:24):
And it was great because it's very you know, like
it's functional. Of course, it's functional and performative.

Speaker 12 (42:32):
You know, you can take off hairy parts, leave parts
of boobies, on very.

Speaker 9 (42:38):
Function of the mercan beyond esthetic or is it just art?

Speaker 12 (42:42):
It was it backing when mercans in the I don't
even know when. Was it the Victorian when they.

Speaker 2 (42:49):
Couldn't let's say it was the Victoria.

Speaker 12 (42:51):
Yeah, back in the Victorian age when I don't really
know what it was, but you know they they would
shave the hair because they couldn't.

Speaker 5 (43:01):
Like bathe, They couldn't bathe, and then they put merkans
on top. Right, Am I making of history? Or is
this this is really what it was?

Speaker 9 (43:09):
But we all know what American is, right, is a
wig for your pussy.

Speaker 5 (43:16):
I used to have them as I used to have merch, merch, merch.

Speaker 9 (43:24):
It was merch. And it's like, you know, if you're
pussy bald or not bald, and it's sits. We're going
to demonstrate for you. It's it's right there so you
can have the fantasy.

Speaker 2 (43:40):
I love this. We all found the rhythm so bad.

Speaker 1 (43:43):
Yeah wait, I'm actually I just disassociated and started to
really enjoy this.

Speaker 9 (43:52):
And when you do that, do you feel like you
have a vagina? Yeah?

Speaker 2 (43:58):
No, I wouldn't.

Speaker 1 (43:59):
I wouldn't no, But in terms of American I would
imagine some it's gotta be a little.

Speaker 2 (44:03):
Bit for warmth. I don't.

Speaker 5 (44:06):
I don't know it as a warmth item, but that
makes sense.

Speaker 3 (44:11):
Well, I don't think anyone's ever with the vagina has
ever been like God, I wish it were warmer down there.

Speaker 9 (44:16):
Literally, you check the words out of my mouth.

Speaker 2 (44:19):
And I'm proud of you, thank you, thank you, proud
of you.

Speaker 9 (44:21):
Because it's not. I've never thought my pussy is cold.

Speaker 4 (44:25):
I thought, oh, my nips are cold, and my pussy
could cook an egg. Yeah, and it probably is, and
that's why I should freeze them.

Speaker 2 (44:38):
We talked WGA, you know w g A.

Speaker 4 (44:41):
Okay, this is why we strike all right, this is
a fun fact. The Writer's Guild of America will pay
for your egg freezing in the United States of America.

Speaker 2 (44:50):
Move back. If you just think they're okay, they're good.

Speaker 4 (44:58):
If you check the there a box that says that
you're infertile, which they don't, and I have some good
authority they don't follow up on. And they will give
you a debit card with thirty thousand dollars on it,
and you show up to the hospital and.

Speaker 9 (45:12):
You just swipe it like every step of the way
and you tap it.

Speaker 6 (45:17):
This is why we strike.

Speaker 2 (45:18):
This is why we strike.

Speaker 3 (45:20):
Give it up babies for all, or you can live
in Berlin and get free healthcare.

Speaker 2 (45:28):
Oh so that no, no, sort of sort of speaking
of health endangerment.

Speaker 1 (45:35):
So another thing that was happening at your show at
Brooklyn Pride where we saw you was you begin to
CrowdSurf and we were all very excited. But then the
harsh reality of crowdsurfing sort of came in, which is
that you I walk.

Speaker 5 (45:46):
On teethle you walk on people, wat crowd, a crowd
walk on them.

Speaker 1 (45:52):
But you sort of like so, for example, if I
were to sort of just like walk off the stage
right now, I'd have to trust you guy I've been
for with sort of all night.

Speaker 5 (46:01):
He was ready, he was gonna catch you, I know.

Speaker 1 (46:03):
But also like what happened to you when you tried
you couldn't trust your own fans.

Speaker 12 (46:09):
I mean, I do it every night, and what did
you have to say to the well every night I
have to say, like hello, I'm in front of your face,
put down your phone, yeah, because they're like, you can't
be taking pictures of me crowd walking if you don't
use your hands they help me crowd walk, because then
I won't be walking, I'll be on the ground, and
then they would have killed Peaches, yes, or embarrassed. Yeah right,

(46:29):
I embarrassed New York. If you're doing this every night,
every night, then this is a huge thing for you
to like just trust complete strangers.

Speaker 2 (46:40):
I feel, yes, is it not?

Speaker 12 (46:43):
It is, especially when you're at festivals and it's like
the European burning Man thing where they don't announce who's playing,
so people don't really know you and they're high off
their asses and they have no.

Speaker 5 (46:53):
Idea that your foot's a foot and they're just.

Speaker 6 (46:56):
Like, whoa.

Speaker 2 (47:01):
I'm very surreal because I got kind of like turned on.
I will say when you in Brooklyn, you were like,
if you.

Speaker 1 (47:07):
Don't doubt your fucking phone, I'm gonna fall and die.

Speaker 3 (47:10):
And it was like so it was like so raw,
and it was like, yeah, I like anger in general,
but I'll take anger. Oh yeah, yeah, I love you
angry love me? Yeah?

Speaker 2 (47:25):
Really thick?

Speaker 6 (47:26):
Okay, Peaches and are about.

Speaker 2 (47:37):
Canadians, so it's like, this is the outlet. Do we
have any Canadians here? Wow? Quite a few.

Speaker 5 (47:45):
How's it going?

Speaker 4 (47:46):
Eh?

Speaker 2 (47:47):
How's it going? He did you go to Marine Land
as a kid?

Speaker 12 (47:50):
No, but I can sing the theme song marine Niagara,
Niagara Falls, Ontario. Wonderful play for you to go Marineland Niagara.

Speaker 1 (48:06):
There are people who are really reacting. Wait, because who
else knew it? There was someone over there that was like.

Speaker 2 (48:12):
Your shook.

Speaker 5 (48:13):
Listen, I'm a million years old.

Speaker 12 (48:15):
Nobody knows that version. They're like, I know about like
from the eighties. I know it from like nineteen twenty.

Speaker 1 (48:21):
Jingles like that back again though Marineland, Like see I
want that.

Speaker 2 (48:26):
Yeah, that's right, I confess that I don't know that version.
But this is the marine jingle that I know at
Niagara Falls on Terrio. Marineland is the place to go?

Speaker 7 (48:38):
Was fred esteem and did them everyone marine Land?

Speaker 4 (48:46):
No?

Speaker 9 (48:48):
Wait, you were sticking really good.

Speaker 3 (48:49):
No not, I didn't stick the landing at the end, Bowen,
that's a sort It was a very difficult key you chose.

Speaker 2 (48:56):
And you nailed it.

Speaker 6 (48:58):
You did you?

Speaker 2 (49:00):
So I did it. I prove I crowd gorgeous voice,
thank you.

Speaker 3 (49:06):
But then at the end of your set you sang
a cover of Private Dancer by Tina Turner, and it
was it was truly incredible because like we we thought
this that was over. So people started to leave and
then you started singing Private Dancer and everyone froze and
they were like, what the fuck is she doing?

Speaker 2 (49:24):
Is she Oh my god? And it was I mean
we were all in tears. It was incredible.

Speaker 1 (49:28):
It was amazing, and your voice on Private Dancer was
so incredible too.

Speaker 2 (49:34):
I mean it was just like, Tina is the legend.

Speaker 1 (49:38):
I mean, yeah, yeah, give it up for Tina europe
Zone for the last years of her life.

Speaker 2 (49:45):
What's it, I said, europe own for the last years
of her life.

Speaker 5 (49:48):
I went to see Tina the Musical. Have you seen
Tina the Musical?

Speaker 2 (49:51):
You know what's funny?

Speaker 1 (49:52):
The three of us were actually supposed to see it
for my birthday on March eighth, and right it was
but it was like right when.

Speaker 2 (50:01):
The pandemic hit, but the three of us were gonna
go and then we never got to go. Was good?

Speaker 5 (50:05):
I went in London, yeah, like, yeah, it was amazing.

Speaker 6 (50:09):
It was so good.

Speaker 2 (50:10):
It was so so good.

Speaker 5 (50:12):
I didn't want to see it in Germany because I
don't want to see it in German.

Speaker 3 (50:16):
Right, So is this a thing that happens in Europe
where if it's outside of let's say the UK, they
will do it in the regional language.

Speaker 12 (50:24):
Yes, got it, And it's not what I want to see.
I don't want I want to see Tina Turner in English. Yeah,
they'll probably sing all the songs in English, but all
the dialogue will be in German.

Speaker 2 (50:36):
And then I see, I see it's private answer your
favorite Tina, I would imagine.

Speaker 5 (50:41):
I know I have so many favorites. Yeah, I mean
we don't need any Oh wow, so good and come
on all the children say.

Speaker 9 (50:58):
Never, yes, okay.

Speaker 1 (51:08):
Honestly, that is beyond Thunderdome. Oh my god, have you
guys ever seen that Tina is the villain? Do yourself
a favor? Because like Tina was serving acting. She was
one of those like artists that like could literally do everything,
but was like nah, she was like, she didn't give
you as much acting as she was capable of.

Speaker 2 (51:29):
She was just Tina. Yeah.

Speaker 1 (51:30):
She was like, I'm gonna give you a taste of
my star quality in all these areas and then dip
and then in the last twenty years of her life
she was like I'm here like hanging out, yeah, because
I'm finally happy.

Speaker 2 (51:41):
In the documentary, Yeah, she was a Buddhist, right.

Speaker 12 (51:44):
Yeah, yeah, but she you know, Mick Jagger got everything
from Tina Turner, right, you know, yeah, like an asshole.

Speaker 1 (51:52):
No no, but like she's one of those artists like
every modern artist has taken from Tina.

Speaker 3 (51:59):
Yeah, okay, Hey, does this claim that I made before
you came on to the stage ring true to you
at all?

Speaker 2 (52:05):
I do feel like there is so much o to
you and you're you don't have to like claim this.

Speaker 3 (52:10):
As like a debt or anything, but it's like, I
feel like you broke open this thing for so many
artists right where it's like it's about it's they're not
singing about their body parts in this lude way, they're
singing about like gender, they're singing about like the politics
of gender.

Speaker 2 (52:23):
They're saying about all these different things.

Speaker 3 (52:26):
And I feel like you really works someone who like
innovated on that, like you were the first person I feel.

Speaker 2 (52:31):
And do you know what?

Speaker 5 (52:32):
This weekend is twenty years of Fatherfucker my.

Speaker 2 (52:35):
Second album, Wow Fucker, congrats amazing.

Speaker 5 (52:42):
Yeah, ugh, it's called Fatherfucker.

Speaker 2 (52:45):
Yeah. Why why don't we say that? Why don't we
say that? As a culture? I say it, I just
don't say it. In public.

Speaker 5 (52:51):
Oh well, yeah, better start now.

Speaker 1 (52:54):
I'm about the word I wish, uh not my own father, Daddy's.
I have been really into daddy porn lately.

Speaker 2 (53:02):
Is this a good segue? Yeah?

Speaker 1 (53:03):
Anyway, what do you think of like the like because
it really feels like in the past ten years or
so like sexual frankness and like mainstream pop music and
like I'll never forget like obviously, like Janet was doing
it in the nineties, you know, Madonna has always been
there doing it, like but then I feel like Beyonce's

(53:26):
self titled album, that's when she was talking about like
you know, turn the cherry out and everything, like it
just feels like now it's like a really fixed part
of pop music. Even these girls who are like you know,
relatively young, are talking about themselves and like getting off
in a way that feels like really powerful and emboldened.
But I wonder like if you do feel some responsibility

(53:51):
for it. But like you know what I mean, like
like some like are you proud of these girls?

Speaker 5 (53:55):
I am all for it. I'm there for it. I'm
so excited.

Speaker 2 (53:59):
Yeah, yeah, get off girls, I'm into it. Yes, yes,
I love it.

Speaker 9 (54:03):
Do you think that there is any like taboos left
in music or do you think that we've now just
have to it's weird.

Speaker 5 (54:14):
It depends where you are.

Speaker 12 (54:16):
It's still contextual, or like, yeah, it's weird. It's still
taboo in a way even though it's pop. It's it's
so strange that it's like both does that make.

Speaker 9 (54:28):
It tax It depends on the audience.

Speaker 2 (54:30):
Yeah.

Speaker 9 (54:30):
Completely.

Speaker 1 (54:31):
It feels like it's become more political now, Like it's
almost like sexuality in music is like an accepted thing,
like candor in that way is just like, yeah, that's
what we talk about whatever. And now it's like people
would get more up in arms and more like have
their pearls clushed if like you made some sort of
like political message that like fuck people up.

Speaker 12 (54:50):
Right, like to be more just straight out directly political, right,
or would people just shut off? Like that's almost why
I did what I did, you know, to give human
to it, to give fun to give.

Speaker 2 (55:02):
Like don't.

Speaker 3 (55:05):
It really is this thing where it might not have
taken off in this way for other people if you
hadn't been so funny about it. Because I think my
favorite couplet, like in like any genre I think about
this always is I think it's didn't rub where you go.

Speaker 2 (55:21):
I'm feeling good on an edible. I'm out.

Speaker 3 (55:23):
If the hole is forgettable. I'm out if the whole
is that's a rule of culture. That's rule of culture.
What's a hole?

Speaker 1 (55:37):
I'm feeling good on an edible. I'm out If the
whole is forgettable, period.

Speaker 3 (55:45):
So good, that's poetry. I am out if the hole
is forgettable, because it's hard for a hole to be
A whole is like the mac and Cheese of body parts.
It's it's hard to fuck it up.

Speaker 2 (56:03):
Does that make sense? I think, Oh, I think a
whole is incredibly easy to fuck up. I'm saying.

Speaker 9 (56:11):
You're saying a hole is a whole.

Speaker 3 (56:14):
A hole is like everyone's excited for a hole, and
if your hole is forgettable, then it has to be
pretty bad.

Speaker 1 (56:22):
Yeah. There is that thing of like when you're like
psyched up for sex and you're just like, it's the
hole and it really doesn't matter what the condition of
the hole is.

Speaker 2 (56:30):
It's kind of just like I'm cross eyed gooning, you
know what I mean.

Speaker 1 (56:36):
So you'd have to be really kind of like I'm
not really liking this for the hole to ruin it up.
But you're out of the holes forgettable.

Speaker 5 (56:43):
I'm just thinking about mac and cheese. Oh really I am.
I love mac and had.

Speaker 2 (56:51):
Mac and cheese the other day at Soha House London.

Speaker 12 (56:53):
You did.

Speaker 2 (56:55):
You did?

Speaker 5 (56:56):
Do you just go to Soho House?

Speaker 2 (56:57):
From Soho House like it's the hard rock Calf teaches, Yes,
it does. It's awful. But wait, what would make a
whole forgettable for you? Purl taste?

Speaker 12 (57:11):
It rhymes with edible Okay, okay, okay, but it's.

Speaker 2 (57:15):
A perfect rhyme. It's a perfect thank you. Yeah.

Speaker 5 (57:19):
I'm not cited a lot, so I appreciate it.

Speaker 3 (57:22):
Oh, I've never forgotten it. We have the bibliography, yeah,
the whole lyrics. We asked this question all of our guests. Yes,
so Peaches, this is the question that is the lost
culturalist's question. It is what is the culture that made
you say culture is for me? This is like the
formative pop cultural thing.

Speaker 2 (57:41):
It can be like the culture of.

Speaker 3 (57:43):
Your community or like anything and your upbringing that moved
you into this sort of cultural direction that main Peaches Peaches,
I think it was more.

Speaker 5 (57:51):
Just questioning things like.

Speaker 12 (57:54):
Looking at cultural mainstream and saying why is that mainstream?

Speaker 5 (58:00):
I don't relate to it.

Speaker 12 (58:01):
Yeah, so it was like, I don't understand why am
I singing along with these certain lyrics? Why am I
watching this movie from this point of view that I
don't feel is my point of view?

Speaker 5 (58:13):
But I like the movie, I like this song. How
can I switch it around so that I feel that
I am included?

Speaker 1 (58:21):
Huh?

Speaker 2 (58:22):
That is like the queer way of looking at anything.

Speaker 4 (58:24):
Right, That's like a movie or a song that comes
to mind that you're like home that what about a
hole that you were like?

Speaker 12 (58:34):
Yeah, yeah, well I always like to use the Rod
stupid like I remember I was born in like.

Speaker 5 (58:39):
Eighteen forty two, so.

Speaker 12 (58:43):
Yeah, well it's just like a Rod Stewart song where
it's like, don't say a word, my virgin child, spread
your wings and let me come inside you like just
stuff like that. Why you know, like why I used
to sing along with that? Or you know big leg

(59:06):
a woman ain't got no soul?

Speaker 4 (59:08):
What?

Speaker 5 (59:08):
Just like, think, what am I singing along?

Speaker 3 (59:12):
We don't question that? Usually most people don't question that.
I certainly have stopped.

Speaker 2 (59:18):
I'll sing along.

Speaker 12 (59:19):
To anything I love, Like I'm like a karaoke junkie,
you know, and I'll sing along to that stuff.

Speaker 5 (59:25):
But also I was really, wait, why am I what
is this?

Speaker 2 (59:29):
Yeah?

Speaker 3 (59:30):
I think I watched an interview of you saying that
your first like moment of performing was singing.

Speaker 2 (59:38):
Can I say this?

Speaker 9 (59:39):
I think it's no, it's perfect.

Speaker 2 (59:42):
It was like you were at someone's like butt mits versus.

Speaker 12 (59:45):
It was Michael Besson's Barmits Run, New York, where most
of my family lives.

Speaker 3 (59:49):
You go and like there was a band on stage,
and then you were like, oh, that's cool, I want
to go up there. And then your mom was like,
but can you sing? You were like yeah, and then
you went up there and you sang Barber streisand is
the way we were?

Speaker 6 (01:00:06):
Wow?

Speaker 2 (01:00:09):
Yeah, like the corners of.

Speaker 8 (01:00:15):
Mister.

Speaker 5 (01:00:20):
Yes we were. But I was seven and I'm singing
about divorce.

Speaker 2 (01:00:31):
It's like you've never taken a picture for seven. I
mean that Scattered Pictures. That's one of the greatest towns
of all time.

Speaker 5 (01:00:37):
We're doing that as a duet.

Speaker 2 (01:00:38):
Yes, I'll pay to see that. It's funny you mentioned karaoke.
I used to sing.

Speaker 4 (01:00:43):
Then.

Speaker 1 (01:00:44):
Back in the day, we used to go to the
Duplex in New York. My ex boyfriend would play the
piano and I would sing the way we were to
four people.

Speaker 4 (01:00:53):
Nothing is funnier than a child singing a song with
like yeah, no understanding of the meaning, but like all
of the SaaS, like does anybody remember like my favorite
thing is when like there's a little girl on like
this American not this American life on America.

Speaker 2 (01:01:09):
America's not talent, Yeah.

Speaker 9 (01:01:11):
On America's next, America's got next, guy.

Speaker 2 (01:01:15):
Get it out America.

Speaker 4 (01:01:17):
She's on an America singing show and then she goes
out there and they're like, what's your name? She's like cheer,
They're like how old are You's like I seven and
they're like what will you be saying?

Speaker 6 (01:01:26):
If?

Speaker 4 (01:01:32):
Yeah?

Speaker 2 (01:01:33):
You know what you know what it was?

Speaker 1 (01:01:35):
It was X factor. Okay, so this is what it was.
There was an X factor in America. And there was
a little girl named Rachel Crow. She was ten and
I remember one time, do you actually know this? Are
you not in because you know this is insane, this
is a pull from the past. But she sang Eda
James and it was, oh my god, I'd rather go blind.

(01:01:57):
And she was ten and she was like something tall
me and it was like she was giving it like.

Speaker 2 (01:02:06):
Four hundred years of history.

Speaker 9 (01:02:09):
She was giving it the pain of a woman who knows.

Speaker 4 (01:02:13):
And it was this also this time where we were
like kind of obsessed with her and kept watching her
over this ten year old girl who then had an
album come out when she was like a teenager, and
there were like some bops on.

Speaker 2 (01:02:24):
Yeah, you were obsessed with her, you must stream.

Speaker 1 (01:02:26):
But what you need to know is she sang I'd
rather go blind and gave it literally more gravitas than
I've seen any woman in her forties ever give it,
and like was eliminated, just like you gotta go, little girl,
And I was like, no, that song. She sang that
song and was promptly kicked off.

Speaker 2 (01:02:49):
She gave it.

Speaker 1 (01:02:49):
The whole thing was she gave it like rasp in
the voice. She was giving it like all of it
was wild. But she was ten, so maybe it freaked
America out. Remember they were like, I don't know, like
I don't want to see a ten year old divorcee.

Speaker 2 (01:03:06):
But Peges did it with the way we were and I.

Speaker 5 (01:03:10):
Kind of I was with my family.

Speaker 9 (01:03:14):
Family, but it was like.

Speaker 3 (01:03:16):
A mixed crowd of people of all ages and then
it mess. It must have gone over well enough that
you kept doing it right.

Speaker 12 (01:03:21):
I had to do it at every bar Mitzvah butt
miss Vah wedding up until I was like fifteen.

Speaker 9 (01:03:28):
Always that song, always Barbara, you sing Barbara.

Speaker 12 (01:03:33):
And then I was like, I'm gonna do Janice Jocqulin
now had me the electric guitar, and then I was
like yeah, and then everyone stopped asking.

Speaker 1 (01:03:40):
Me, also asking for Barbara's songs at the time, but
it's like there's such downers, you know.

Speaker 2 (01:03:47):
She hadn't even gotten to.

Speaker 9 (01:03:48):
Like up in the Isn't that No?

Speaker 5 (01:03:51):
That was that was happening. And that's another duet that
we would kill.

Speaker 2 (01:03:55):
We would crush it. Are you Donna or are you
know you're Barbara?

Speaker 5 (01:03:59):
I can be whoever you. I like both fines bet
whatever part you want to do it, I will talk, okay.

Speaker 4 (01:04:04):
And I saw Barbara in Brooklyn, Yes we did, and
it was Barbara in Brooklyn. Yeah, and it was well,
Barbara's my number one and she's like my my absolute
number one diva and Matt and I were like singing.

Speaker 9 (01:04:18):
We were living for enough is Enough.

Speaker 4 (01:04:20):
She had one of her incredible backup dance backup singers
come to the front and they sang it together and
then everybody was.

Speaker 9 (01:04:26):
Like freaking out for this amazing backup singer.

Speaker 1 (01:04:29):
She couldn't help herself and started to pop off about politics,
and one woman in the crowd, like in the back,
was like shut down, and we were like, well, you
came to Barbara Streisdan in the year twenty nineteen. This
is about to go down, like honey, you know it
was like twenty fifteen.

Speaker 4 (01:04:46):
It was twenty fifteen because she sang on what a
Beautiful World and she was like also because it was
her ten Barbara's.

Speaker 9 (01:04:53):
Ten number one albums. Yeah, so it was amazing.

Speaker 4 (01:04:57):
And she put up like the album art for every
single home Woman, then sang songs from the album, and she.

Speaker 9 (01:05:02):
Told a lot of stories and all the stories were
like when.

Speaker 4 (01:05:05):
I wanted to do this thing, they told me I
couldn't do it, and then I yelled at them until
I could do it, and then I did it.

Speaker 9 (01:05:10):
And it's a number one album.

Speaker 6 (01:05:11):
Yeap.

Speaker 2 (01:05:13):
That is literally every story you know. This album art.

Speaker 1 (01:05:16):
They said they don't like it because you can't see
my face, and I said, We're gonna do it.

Speaker 2 (01:05:20):
I don't care what you say. And then it won
Best Album Marth the Grammys. It was never even a
category until then.

Speaker 9 (01:05:26):
So she's singing, what.

Speaker 4 (01:05:27):
A beautiful world, and then she says, and I sang
this for this president, and I sang it for Jimmy Cotter,
and I sang it for Bill Clinton, and I'm gonna
sing it for the next president, Hillary Clinton.

Speaker 13 (01:05:38):
Yeah.

Speaker 6 (01:05:41):
Yeah.

Speaker 9 (01:05:43):
And then I told her. I told her, I was like,
you shut up, you went to barber you know what
she thinks.

Speaker 2 (01:05:50):
And that woman was Lauren Bubbera. Wowow a risk with
the Lauren Bobert reference Germany.

Speaker 5 (01:06:01):
She was getting fingered and yeah, she was like getting.

Speaker 1 (01:06:04):
Felt her tits all felt up. I came to I
came to Europe one time and I was like, so
do you guys know, like are like joke political figures?
And then everyone knew all of our like horrible politicians.

Speaker 5 (01:06:17):
They probably know them from you.

Speaker 2 (01:06:19):
Yeah, I guess.

Speaker 3 (01:06:19):
Maybe give them the platform. We don't get the platform.
We just talk about them.

Speaker 2 (01:06:26):
Ted Cruz sends it the fruit basket. Hey, thanks for
getting my name out there. Oh god, terrible.

Speaker 13 (01:06:32):
Wait, I just haven't you ever heard about this Barbara
myth where she has so much stuff, the mall, the
mall that they like set up her stuff in the
mall and she rebuys her own thing.

Speaker 5 (01:06:46):
They take her around.

Speaker 6 (01:06:47):
You've heard this.

Speaker 1 (01:06:48):
It's so there's a mall under her home which is
all her ship and all the things that she has
like ever sold, created, producer. And also because she just
accumulates over time, there is in this state and then
under it it's like Disney World. It's like there's another
world underneath it. And also the clone dogs are a

(01:07:10):
real thing. And I knew a girl who was the
dog's groomersh.

Speaker 4 (01:07:15):
So everyready knows she has cloned her dogs because she
loved her dogs so much that she'd cloned them. And
I just want to recontextualize the mall under Barbara's house, okay,
because I do work.

Speaker 9 (01:07:27):
For her, which is that it actually started because she.

Speaker 4 (01:07:31):
Got a lot of her old costumes. So she had
her costumes from like Hello Dolly and like you know
What's Up? Doc, and all these great movies that she
had been and she wanted to display them. So she
was like, why don't I build a Victorian mall? It
really is like Disney because it's from that like era.

Speaker 9 (01:07:48):
A Victorian mall in my basement to display my costumes.

Speaker 5 (01:07:53):
This is interesting to only me, I'm reasoning.

Speaker 4 (01:07:59):
And then she was It's like, wow, we can make
the movie theater an old timey movie theater and have
an old timey candy shop in front of the movie theater.
And then I also have all this memoripilia myself.

Speaker 9 (01:08:09):
So it's really an extremely innovative and creative way.

Speaker 4 (01:08:14):
To display your archive to people who would visit your
home and may be interested. Me.

Speaker 1 (01:08:23):
You know, one day if she passes if no no,
If I say if, that would be horrible, but like
they probably should open it up.

Speaker 4 (01:08:36):
Well she You know, what's interesting about Barbara is that
she is like I think Tina did a similar thing
where she's reaching a certain age and so she's very
much like curating and really putting the stamp on her legacy.
She just had like a center open up that has
her name on it. She does tons of philanthropic work
and has anybody heard the.

Speaker 9 (01:08:55):
Album of Barbara at the Carlisle. You must go by
this album. Okay, great line, you must go buy this album.

Speaker 2 (01:09:07):
Okay.

Speaker 4 (01:09:07):
So when Barbara was truly like eighteen and trying to
be a recording artist, she never wanted to be on Broadway.
She's only on Broadway so that she become a recording artist.

Speaker 9 (01:09:19):
So, yeah, that's the way to do it.

Speaker 4 (01:09:22):
So she recorded this album live in the Carlisle, which
is a club in New York that still exists today,
and it was like a very intimate kind of cabaret recording.

Speaker 9 (01:09:33):
People are walking out, it's okay.

Speaker 2 (01:09:35):
And.

Speaker 9 (01:09:37):
She so it's like her at like nineteen, singing all
these standards. And she found it in storage. She thought
it was lost.

Speaker 4 (01:09:45):
She found it in storage a while ago, and she
was like, I'm gonna save this one. I'm gonna save
this one for when they really want it. And then
she saved it forever and then she like just released
it a year ago and it's like a perfect time
for I'm gonna stop talking.

Speaker 2 (01:09:58):
No, no, that was That was the Barbera segment of
this show. Give it up, the lights come up, they're
all still here.

Speaker 9 (01:10:09):
Look, and that's for Barbara.

Speaker 2 (01:10:15):
Barbara the best of all times. She would say, I
think it might be time for I don't think I
think it's time for I don't think so.

Speaker 1 (01:10:31):
So this is the sixty second segment of our show
where we take sixty seconds to rail against something in
pop culture that needs a railing, not unlike us, say,
he goes, hey, I'm so shy.

Speaker 2 (01:10:48):
No, and I think I actually have something based on
an experience that we had today. Great, so I don't
have a phone. Would you like me to time you?

Speaker 1 (01:10:56):
Yes, I'll give you mine. Okay, sister, they share poonds
with each Sure, okay, great, this is Matt Rogers. I
don't think so money. His time starts now.

Speaker 2 (01:11:07):
I don't think so many museums. Sorry, bitch.

Speaker 1 (01:11:12):
If I go into your step and and there's nothing
I can like ride on a roller coaster, or there's
no cocktails I can drink, I don't give a fuck.
You know what happens when you go into a museum
you look at a bunch of fucking tubes. It's like, oh, yes,
someone like blue Glass.

Speaker 2 (01:11:25):
Great?

Speaker 1 (01:11:26):
Honestly, honestly, honestly, what is so good about some of
these pictures?

Speaker 2 (01:11:32):
Outside of the texture?

Speaker 1 (01:11:34):
I got the textures, the ones we saw today, ms
Mama that she wrote the ones. I'm telling you, museums
you have to be so quiet. You can't walk up
to the paintings there. The alarm goes off and then
they come over to you and they're like, hey, you
can't come close to the painting, and I'm Lifetean said,
what the fuck? I wasn't gonna touch it. Oh so

(01:11:54):
if you did have some things you could touch, maybe
it will be more fun in here. I would love
to for this to be more of a petting zoo,
I said every museum. I would love for this to
be more of a petting zoo. My no, for Berlin,
better petting zoo. And that's one minute, and and you

(01:12:17):
all feel the same. Not one of you actually likes museums.
The reason why you go to a museum is because
you have your two friends that say they like it.

Speaker 2 (01:12:26):
And they're lying too. I'm not lying, I'm not lying.

Speaker 9 (01:12:29):
I wept in a museum the other day.

Speaker 2 (01:12:32):
She's wept at the climpse exhibit the climp. Yeah, what's
the climp?

Speaker 5 (01:12:36):
Okay, the climpt made it for climped Yes.

Speaker 2 (01:12:42):
Oh, bingo, bingo. You enjoyed the museum, not today's.

Speaker 3 (01:12:47):
But I have enjoyed museums a great deal. You agree
they'd be better if it was a petting zoo.

Speaker 2 (01:12:55):
If yeah, if they were.

Speaker 3 (01:12:56):
More like a petting zoo, sure, yes, But I museums
are best when your solo, because then you can go
at your own pace, and you can read the placards
on your own pace, and you can listen to the
audio got at your own pace.

Speaker 2 (01:13:07):
And that's the way I have to be honest.

Speaker 1 (01:13:09):
There was a point in the museum today where I
literally went into the next room because I know Bowen
and Study were gonna come around the corner and see me.
And I literally sat on like a couch and looked
at a painting because I thought, I want them to
see me doing this.

Speaker 4 (01:13:23):
Oh my god, that's so many because I did see
you do that, and I.

Speaker 9 (01:13:25):
Go, he's moved. He found it.

Speaker 4 (01:13:30):
And then I didn't really like the painting you were
staring at, but I wanted you to feel like, oh,
I'm having the experience.

Speaker 9 (01:13:36):
So I said about the painting, I said, it really
is beautiful. And then I said the texture.

Speaker 2 (01:13:44):
And that's why I just pointed you durhmam.

Speaker 1 (01:13:46):
And on this one, I said the texture in that one,
because actually it was the only piece of mark that
I really looked at all day.

Speaker 2 (01:13:52):
Wow.

Speaker 1 (01:13:52):
But can I say something when I sat down to
do this bit of Bowen and Study are going to
answer in the corner and see we're looking at the.

Speaker 2 (01:13:59):
Pain I actually was moved by the painting. Wow.

Speaker 1 (01:14:04):
So maybe this is a reminder for all of us
out there to just stop, take a second, enjoy the view.

Speaker 4 (01:14:13):
This.

Speaker 2 (01:14:14):
Wait a minute, Wait a minute, Wait a minute.

Speaker 3 (01:14:15):
So we did this in London where oh I had
a prepared I don't think so, honey, and Matt did not.
So Matt took something from the audience. I'm drawing such
a blink right now.

Speaker 1 (01:14:25):
So we do this thing called the troll bowl, where
an old fans of Lost Coach will know. The troll
bowl is where you reach into a bowl of topics.
Usually they're popular topics that it would be very difficult
to go negative on.

Speaker 2 (01:14:39):
And Julie Andrews is a great example. I mean, just
the other night in London, I did Princess Diana. It's
really hard, really hard.

Speaker 1 (01:14:47):
So I guess Bowen is gonna do a troll ball.
Whatever you guys want, I will try and do. I mean,
some suggestions of things that will be difficult to go
negative on. Go chapelone, guacamole, guacam only, Jimmy Carter, what

(01:15:07):
what the morning show?

Speaker 6 (01:15:09):
These are?

Speaker 2 (01:15:09):
These are all very good, These are all very good.
These are all very good. Michaels, you should, I guess.

Speaker 3 (01:15:18):
Okay, yeah, okay, okay, okay, go oh no, okay, all right,
all right, all right, all right, all right, all right.

Speaker 2 (01:15:26):
Yeah you'd be careful. Yeah yeah, yeah. Wait, this might
not go this podcast. I don't think so honey in
Berlin because time starts now. I don't think so honey,
Lord my goals.

Speaker 1 (01:15:43):
That's one minute. Okay, okay, Sudie Green, do you have
I don't think so honey. You want to tear up? Okay, okay, perfect, rise.
This is Sudie Green's I don't think so honey, and
her time starts now.

Speaker 9 (01:16:00):
I don't think so honey. Straight Men in groups.

Speaker 8 (01:16:06):
Terrify.

Speaker 14 (01:16:08):
Terrifys the shut of lightning that goes from my cerebral
cortex to my butthole.

Speaker 9 (01:16:13):
When I see a group of straight men on the street,
I am crossing the street.

Speaker 4 (01:16:18):
If they are drinking, if they are smoking, if they
are laughing, I'm.

Speaker 9 (01:16:22):
Going the other way. Okay, I'm European men. You're still
into skinny jeans and smarting cigarettes. I think that's ultimately queer.
But like the whole group thing, it's scary. Okay. When
you see that red blossom on your cheek. I'm sorry,
it's our vibes. I don't want to see it on

(01:16:44):
my vacations.

Speaker 2 (01:16:46):
I don't want to see you having fun.

Speaker 14 (01:16:47):
I don't trust it. I don't want to go to
any place where there's a lot of you. I don't
think so, honey, men's groups.

Speaker 9 (01:16:55):
You should be in groups of three.

Speaker 4 (01:16:56):
And that is it.

Speaker 2 (01:17:01):
Sudy Green, Sudie Green, so scared.

Speaker 9 (01:17:08):
It's so scared.

Speaker 2 (01:17:10):
Look, and there's a lot of them.

Speaker 3 (01:17:14):
I don't know.

Speaker 2 (01:17:16):
I mean, that's what the marathon was. Yeah, it was
a lot of them, all running in a row. Are
there any straight men even here?

Speaker 3 (01:17:26):
WHOA, you're spread out but not together?

Speaker 2 (01:17:30):
Not together? What straight man is here with their straight
male friend? None?

Speaker 4 (01:17:36):
None?

Speaker 2 (01:17:39):
Thank you, thank you very much.

Speaker 3 (01:17:42):
It's very tough to be brought and you all got brought,
and I thank you for that, sir apla.

Speaker 1 (01:17:49):
No, what straight man here was like, I'm going to
lost coach you you incredible, incredible peaches.

Speaker 2 (01:18:01):
We talk you backstage.

Speaker 5 (01:18:02):
Yeah, I am terrified to do this. No, I am
not a comedian, so just laugh for me, okay, or
scream it's.

Speaker 2 (01:18:13):
So, I don't think so any Your time starts now.

Speaker 5 (01:18:17):
I don't think so, honey. Bad acoustics in restaurants, What
the fuck?

Speaker 12 (01:18:21):
I don't carry I've been, I've been to Michelin Star restaurants.
Your presentation, it's a sensory thing, presentation, taste, smell.

Speaker 5 (01:18:32):
You can't hear a fucking thing. You can't hear the
person beside you. People are screaming.

Speaker 3 (01:18:36):
I like that.

Speaker 6 (01:18:37):
What am I eating? When am I?

Speaker 5 (01:18:38):
I want to harder that they're yelling at each other.

Speaker 15 (01:18:41):
My throat hurts. My throat hurts so much I can't
swallow properly and then feel or taste anything anymore. It
doesn't make any sense. The music is loud, everybody's yelling.

Speaker 16 (01:18:51):
Why can't you If you can invest in like land
outside of you know, Berlin, to grow your own vegetables
and tell us about I want to hear about them,
and then you can.

Speaker 5 (01:19:05):
Invest in acoustic treatment.

Speaker 2 (01:19:09):
And it's not it's not just seconds.

Speaker 5 (01:19:11):
It's not just that I'm a musician. We all feel
that way.

Speaker 2 (01:19:18):
It's not just because I'm listeners and we all feel
that way. And then Mike was.

Speaker 5 (01:19:23):
Grop We all feel that way.

Speaker 2 (01:19:25):
Give it up for Peter, everybody. You have a sad
but it's my friend,