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September 22, 2025 48 mins

He’s “bringin da noise”! Andy Lawrence returns to Magical Rewind to talk about “The Other Me”, working with Alison Pill and more!

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Speaker 1 (00:14):
Hi, Sabrina.

Speaker 2 (00:16):
Hi.

Speaker 1 (00:17):
We're very excited today, aren't we.

Speaker 3 (00:19):
We are well one.

Speaker 1 (00:20):
Of our faves ever.

Speaker 4 (00:21):
If ever there's anybody who maybe deserves to be knighted
with Sir Jason Dolly, yeah, I think it's our certainly
after the movie today, I think it's it's our guest
joining us today. He's joined us before. He is our
far and away front runner for Best Actor in a
dcom at this point. I mean, we've got some great candidates.

(00:43):
We've got Frankie Munez in what Lane two, Miracle Miracle
on Lane two. We've got Sir Jason Dolly and everything
he's been in just because we love him. But truly
our guest today, no jokesies should have won every award
in the book for his portrayal of the blind wrestler

(01:04):
in Beyond the Mat because.

Speaker 1 (01:06):
It was so good.

Speaker 4 (01:08):
It's like God going to the mat. I always say
beyond the Mat, it's going to the mat.

Speaker 5 (01:11):
Going to the mat. Yes, And it's like the second
he comes on the screen, my number one seas I'm
jumping right do It was just like damn, he is
just he's captivating from the second is on the screen.
It's just unreal, and knowing how young he was during
this time makes it just that much better.

Speaker 4 (01:31):
I can't wait. I can't wait to get the stories.
I want to get all the dish, get the tea,
get the whatever. The other thing the kids are saying
about all the rumors and things that were going on.

Speaker 1 (01:40):
For instance, was there any romance on the set?

Speaker 3 (01:43):
Who knows?

Speaker 1 (01:44):
Probably not.

Speaker 4 (01:45):
I'm saying no, but I wanted to just couch that
because you have never had any idea anyway. Now, I'm
just stalling before we get to the man himself.

Speaker 1 (01:52):
Please help us.

Speaker 4 (01:53):
Welcome back to Magical Rewind, not even welcome to, but
welcome back to Magical Rewind.

Speaker 1 (01:58):
Mister possibly sir Andy Lawrence. Hey, you're you're back.

Speaker 3 (02:11):
I'm back again. We're so excited.

Speaker 1 (02:13):
We're so excited. You have no idea.

Speaker 4 (02:16):
We didn't want to get rid of you. We've been
trying to get you back forever. Yeah, we just said, so,
there's it's only happened with one other actor on the
Disney Channel. But there are people that we like and
respect so much that we find the need to nighte them.
So just letting you know, Sabrina and I have agreed
that moving forward, you are officially sir Andrew Lawrence.

Speaker 5 (02:40):
I appreciate you, Lawrence.

Speaker 4 (02:41):
Yes, you have been officially knighted into the dcom well
at least the magical rewind dcom Hall of Fame.

Speaker 3 (02:47):
Do I get a bus or some sort of tribute to.

Speaker 1 (02:49):
We give you nothing as.

Speaker 4 (02:52):
A month, just to keep calling you, sir Andrew Lawrence.
But thank you for joining us again.

Speaker 3 (03:00):
Gosh, thanks for having me pleasure to be here.

Speaker 1 (03:02):
We are so excited.

Speaker 4 (03:03):
So of course, last time you were here, we talked
about Going to the Mat, which was still arguably our
favorite t com of all time. It was I think
the first and maybe only one that we both give
tens to.

Speaker 1 (03:15):
It was great.

Speaker 4 (03:17):
But this time we well, no, we we didn't know
what to expect and we ended up watching the other me,
which was great.

Speaker 3 (03:27):
It was great. Yeah, yeah, thank you, thank you very much.

Speaker 5 (03:32):
I mean yeah, it's like when these projects come to
you from the channel and like do you remember reading
it and going, wow, this is this is such a
great storyline that absolutely just needs to be done. I mean,
I don't know, it's just it's it's wild to me
that again, you know, going to the Mat, it was

(03:54):
the expectation was high high, you're three, you're three for
three with us, which she's just the same because we
didn't really get to it. We didn't talk to you.

Speaker 3 (04:04):
About the talked to Joe about Horse Sense was pretty good.
Horses Horse Inse.

Speaker 5 (04:09):
Didn't seem like it seemed more like a film for us,
like it was just but so to go to the map,
and so did go on the map exactly. I mean,
it's just it's it's wild that we get to see
so many of the d coms and the ones that
stand out.

Speaker 4 (04:25):
You're in, like, that's amazing, cool man, No, you are
you seriously so funny story. So we when we announced it,
we were going to watch this film. It was on
Disney Plus. Yes, and so we said it's free, everybody
go stream it. It's on Disney Plus. The day we
announced it, Disney Plus pulled it off. I cannot stand

(04:48):
watching things on YouTube because of the quality. So I
spent the four dollars and ninety nine cents to get
it on Amazon Prime and I texted everybody and said,
if this is a bad movie, I'm seeing Andy this
week at a convention and he he's gonna owe me
five bucks. You don't you don't owe me anything. Uh
so can you tell us a little bit? This is

(05:08):
what four years before going.

Speaker 1 (05:10):
To the matches?

Speaker 4 (05:12):
This is one year before Jumping Ship, and one year
after Horse Sense. So you're working all over the place NonStop.
Now you remember when you first got this script what.

Speaker 3 (05:23):
It was like for sure?

Speaker 6 (05:25):
Yeah, I was excited about the opportunity to play two people.
I thought that was really cool. And the technology back
then was so archaic. It really it took a lot
of it was it was a whole science and that
was that was pretty cool. I auditioned for it though
it wasn't like they, you know, Disney never offered me
anything really. I always had to like go in and
audition for everything.

Speaker 5 (05:45):
Just amazing bonkers, absolutely bonkers.

Speaker 1 (05:50):
Was this your first D com?

Speaker 6 (05:53):
I think Horse Sense was, Oh that's right, it's after horse.
I think it was a horse.

Speaker 4 (05:57):
So you do Horse Sense, which is a hit for
the chain. Everybody loves it. And they still make you audition.

Speaker 3 (06:02):
For this role.

Speaker 1 (06:04):
And did you have to prep both characters when you
went in?

Speaker 6 (06:07):
I think yeah, I was really lucky. A big shout
out to a dear friend of mine, Alan Sachs, who
I absolutely.

Speaker 3 (06:14):
Love and adored.

Speaker 6 (06:15):
He was a huge, huge presence in my whole childhood.
He was a producer of this movie, and I met
him in the audition and he gave me the opportunity
to read.

Speaker 3 (06:24):
Both roles at the same time because there was a
scene with like both.

Speaker 6 (06:27):
Like my two characters, and I was able to do that,
And I think that's what kind of one media audition was.
Shockingly enough, I think I was one of the few
people that went in and asked to do that and
like kind of pulled it off where there was a
bit of a distinction between the two characters, and the
timing just worked even when I was reading with myself.

Speaker 5 (06:44):
Yeah, so you so to like be completely like transparent.
You literally went line to line switchinge for characters.

Speaker 3 (06:53):
Yeah. I would talk like this and then I would
like this. Yeah.

Speaker 5 (06:59):
How how young were you at this time?

Speaker 3 (07:01):
Like I think eleven or twelve?

Speaker 5 (07:03):
Okay, jeez, that's shoot.

Speaker 1 (07:06):
The presence eleven or twelve year old actor to do
that is pretty outstanding.

Speaker 5 (07:10):
I mean you had to have blown their their socks
off and it was like, okay, next, let's move on
to the next characters. Let's just move on.

Speaker 3 (07:16):
I appreciate it.

Speaker 6 (07:18):
I mean, I did well enough, Alan went too bad
for me and I got I got the role, so
that's you know, it worked out.

Speaker 3 (07:23):
It worked out.

Speaker 4 (07:24):
So you shoot, you said you were talking about the
how are like ourcane the technology is at the time.
So as you're shooting, are you doing one whole side
as one character and then you come back and you
do the rest as the other character?

Speaker 3 (07:37):
Boom? Yeah.

Speaker 6 (07:38):
They would have to like rewind the film and pause it,
and then you have to go change off like camera
in a quick change room that they built basically with
douviutine and flags, because I didn't have more than a
few minutes to put on that outfit and jump back
in and do the second side of the scene and
h yeah. And then they would use audio playback and.

Speaker 5 (08:01):
Tennis ball of where your eye line should be.

Speaker 3 (08:04):
Yeah. Yeah.

Speaker 1 (08:06):
They didn't have a Canadian Andy Lawrence.

Speaker 3 (08:08):
Do you have a Canadian? No, they didn't.

Speaker 6 (08:10):
They did have a really cool double that was a
very nice dude that helped with like over the shoulders
and stuff. Okay, but again, the cadence of the scenes
just worked better. When I run with myself, I don't
know what, and.

Speaker 5 (08:22):
It doesn't sound like they extended the amount of time
that you guys had for production. It was like, no,
we just got to do this like ultra quick, like
for Go, Go, Go Go.

Speaker 3 (08:33):
Yeah, yeah, it was definitely go Go Go.

Speaker 6 (08:34):
I mean obviously it was back we were we still
got schedules back then to shoot movies rather than now,
which is sometimes you hear people making movies in like
you know, eight ten days or like how is that
that doesn't make anything?

Speaker 1 (08:44):
You're hearing about people making movies? Where are you hearing
about this?

Speaker 6 (08:51):
But yeah, so we still had a decent schedule. I
think we had like four weeks or six weeks to
shoot the movie. But again, the technology, I think it
was okay. So specifically the two shots where they they
split the screen and had both characters on screen at
the same time that those scenes were the tricky ones.
Those are where we had to do the quick changes
really quick and get me back in because I don't
know why, but the technology was was difficult back then

(09:12):
to splice the footage together.

Speaker 4 (09:15):
Yeah. Well yeah, I mean there's a scene where you're
literally sharing binoculars with yourself.

Speaker 3 (09:19):
Yeah.

Speaker 5 (09:19):
Yeah, I loved that. I loved that one. That was
so fun.

Speaker 3 (09:23):
It was well done.

Speaker 4 (09:24):
Yeah, this was definitely becoming a trope in films in
the early two thousands, So you had like Multiplicity and
Trap and things like that. Do you think that, I mean,
had you seen those movies going in that was?

Speaker 1 (09:37):
Was that something you used?

Speaker 4 (09:38):
Going?

Speaker 1 (09:39):
Yes?

Speaker 3 (09:39):
Will Multiplicity honestly is I think like one of the
most underrated.

Speaker 1 (09:43):
Michael couldn't agree with you more?

Speaker 3 (09:45):
That is so good and take on all those different versions.

Speaker 6 (09:51):
I mean we could go on and on and on
and on, but I think the pizza Steve is in
that movie, and I think in the other me, I
like pizza, and I think that was completely lifted from Multiplicity.

Speaker 3 (10:00):
Like, yeah, totally absolutely.

Speaker 5 (10:03):
When was the last time you've actually watched this movie?
Do you do you remember? Have you checked it out
at all?

Speaker 3 (10:11):
It's been a long time.

Speaker 6 (10:12):
It's definitely been a long time, but I remember, I
mean I remembered quite well. It was pretty impact. I
remember it was the first time and I think I
did something kind of like as a teenager on my
own without like my my family and my brothers and stuff,
and so that was kind of a cool experience for
me to kind of have all the weight I guess
on my shoulders and not have any insulation. Although now

(10:33):
I absolutely prefer the installation. I'll take installation time too
much as I could possibly get.

Speaker 1 (10:38):
Surrounding with my friends while I'm doing something, for.

Speaker 6 (10:42):
Sure, But then it was it was a cool experience
to kind of go out there on my own and experience.

Speaker 5 (10:47):
You know. What's so cool because now we've gotten a
chance to interview all three of you separately, and all
three of you guys, you.

Speaker 1 (10:55):
Only have to apologize for Matt.

Speaker 5 (10:59):
What's awesome. There's so many people, especially with these movies
because they are filmed pretty quickly, that kind of are like,
oh yeah, and they start to remember things as they
start talking about it. But every single one of you guys,
you're remembering, like people's names that you're working with. You
remember so many stories. Like you guys were so present
when you were working, even though you were all so young.
I think that is remarkable because I mean, you asked

(11:21):
me about anything the first movie. I'm like, uh uh,
you know, I'm not I'm kidding. But you guys just
seem like your memories like you just were really in it,
Like this was something that you guys just really absorbed
as you were going and I think that's so awesome
be able to look back and remember everyone you were around,
remember these great stories and these great times that you

(11:42):
guys had both together. And then now for this one,
you were there on your own. Did your brothers did
they come at all and like visit on set at all?

Speaker 3 (11:49):
Or I don't think so. No, I don't know what.

Speaker 4 (11:53):
No.

Speaker 6 (11:53):
I was there obviously with my mom. My mom was
was heading the ship, captain of the ship. So we
had a lot of fun. She would take me to
comic book stores on the weekend and let me splurge
on these awesome like G I.

Speaker 3 (12:04):
Joe's and comics and stuff. So it was, it was,
it was fun. It was a good time, all right.

Speaker 4 (12:09):
So now, since you just said that the entire rest
of the podcast is going to be about G I Joe,
I'm sorry.

Speaker 1 (12:14):
I could do it all day long. I could do
it all the day long.

Speaker 6 (12:17):
We started reaching side the sidebar because I have I
still have my whole collection.

Speaker 3 (12:21):
I do too, dude.

Speaker 6 (12:21):
I made huge dioramas and I would spend hours and
hours and I put flickering lights and explosions, and then
my brothers would come.

Speaker 3 (12:28):
Matt specifically and completely.

Speaker 6 (12:30):
Ruin it and in compromising position, it would make it
just the most horrific.

Speaker 3 (12:36):
I mean it was awful. Completely screw them up and
he got.

Speaker 4 (12:42):
Still to this day, the best Christmas I've ever had
is when I got my my USS Defiant, I got
the Space Shuttle.

Speaker 1 (12:48):
I still have it.

Speaker 4 (12:48):
Coolt still have three feet tall. It was the greatest
thing in the world. We'll talk to g I Joe later.
So as you're doing the film, when you went into
audition and you're playing both roles, did you do you
already have the characters for both roles kind of sussed
out or did you know what you wanted to do
with them?

Speaker 6 (13:06):
Yeah, for sure. I remember, Like for the for I
think it was Will the normal guy. I was going
to lean into the teenage angst of of of of
the character, which would be pretty simple, maybe a little
more aggressive and a little more frowny, and obviously the
clone uh twey would just be really innocent, that dough.
I sort of captivating that that you know, innocence is bliss.

Speaker 3 (13:27):
You know it's simple, but.

Speaker 1 (13:29):
Yeah, it's simple that.

Speaker 6 (13:33):
It's exactly what it is, but uh, it's it's It
was a great script and a good project, and it's
kind of screamed.

Speaker 3 (13:40):
It's it screamed what it what it needed, you know,
So yeah, it was it was a pleasure.

Speaker 5 (13:44):
For I got a little bit of the comedy aspect
of like Encino man, you know who, like when he
was I got a little bit of that comedy aspect
from You, which I loved because I love that movie.
But just kind of really taking everything in and then
just oh, there was just so so many moments like
that that I was like, oh, so good, such a
good choice.

Speaker 1 (14:02):
Well I got that was.

Speaker 4 (14:03):
Camp Buy Me Love, because one of the biggest scenes
in the film is you dancing. Yeah, but it's it's
will no, sorry, it's two weey Actually first who's dancing
on the on the tabletops where then it's supposed to
be a ridiculous dance, but then everybody in the school
gets gets pulled in, just like in Camp Buy Me Love.
But the thing that we've noticed is, and through our

(14:24):
awesome producer researchers, obviously they were not able to license
the music because the first when when it was actually
originally on there was an early and sync song which
had never really been done in a Disney Channel original movie.

Speaker 1 (14:37):
And there was an early.

Speaker 4 (14:40):
Aaron Carter song yep, and both of those when you
go and you watch it streaming now, are both gone correct.

Speaker 1 (14:46):
They had to pull it.

Speaker 4 (14:47):
So were they playing the music for you over like
giant loudspeakers as you're doing the entire dance thing.

Speaker 3 (14:54):
Totally?

Speaker 6 (14:54):
They were all about I was so into music. I
just always was really into music and scores and stuff.
So one of the things when I got the role
that I was, I was I was just I love soundtracks.
I'm so pro soundtrack for everything. And uh yeah, they
had it all. They had all the licensing and everything.
And I remember my brother Joe almost had a song
on the soundtrack too, but they gave it to it.
I think they gave it to him Sync, and it

(15:16):
was kind of a bummer because I actually liked his
song more. However, in Sync's a pretty big band, so
that they needed to that and we were it was great.
But yeah, they then they lost all the rights, and
then they replaced it, and then they lost the rights.

Speaker 3 (15:28):
It was a book, you know.

Speaker 6 (15:29):
I think the optioned it from a book option, and
that's why it's probably not on Disney Plus anymore, because
they they lost the option they lost.

Speaker 4 (15:36):
It's so interesting because Matt and I were obviously we're
talking about the film that we did together.

Speaker 1 (15:41):
H Double Hi.

Speaker 3 (15:42):
Where is that?

Speaker 1 (15:43):
You can't It's nowhere. You can find it on YouTube.

Speaker 4 (15:46):
Hi Double A lot of the Wonderful World of Disney's
because that's what I did. Everybody else did d coms.
I did the Wonderful Worlds all those. It seems like
the music couldn't be licensed and they lost the licensing
to it, so you can't find any of them on Disney.

Speaker 5 (15:57):
Plus, it was watched it on YouTube and it was
right under this movie while I was watching it, like
it was you know how the next the next movie
for me was at Double hoppy.

Speaker 1 (16:09):
Yeah, they just keep Yeah, it's very strange.

Speaker 5 (16:12):
Well, that's interesting that they had an in sync song
in there. And what I would have assumed would have
helped them keep it on is if they actually used
in sync for the little video that you're watching.

Speaker 1 (16:24):
Was that a real band? I didn't recognize them a band,
boy band?

Speaker 5 (16:31):
I mean, there were so many back then like they were,
you know, and I think it was where did they
have a lot of music groups coming from? Was it Sweden?

Speaker 3 (16:39):
Probably?

Speaker 5 (16:40):
Yeah, I think they were just like cranking them, like
crazy cranking them because that's where a lot of the
music producers back then we were making, Like even Britney
Spears and Nstinc a lot of those were from that
area over there.

Speaker 4 (16:58):
Okay, to get off of the film just a little bit,
but to get onto something that you were just talking about,
because I'm always I'm so I don't have this talent,
even even partially, so when I get to talk to
the people that do, I'm always so fascinated. So you
talk about music and your love of music, and you
and your family are obviously extraordinarily musical.

Speaker 1 (17:15):
You're getting Bird Songbird.

Speaker 4 (17:16):
You are all three of you, and the harmonies work
great together, and you guys sing together, and you're right now.
You you your podcast is on the road and you're
doing different shows different places, and I know we do
pod Mets World goes Live. And Danielle was on your
first show and she came out She's like, man, does
their show make ours look like crap?

Speaker 1 (17:35):
She's just talking about how you're also talented.

Speaker 4 (17:38):
We can't get up there and sing and play and
dance and do everything else, which you guys all do.
So very interesting question for you, because I know you've
done it and not many people can.

Speaker 1 (17:49):
How does one write a song?

Speaker 3 (17:52):
Interesting? Well, nowadays I'm here and it's pretty easy. You
could probably just.

Speaker 6 (17:55):
Go on shattygte diet and you're good to get something.

Speaker 1 (18:01):
How do you actually have talent?

Speaker 3 (18:02):
Do you write? I don't you know.

Speaker 6 (18:04):
I think everybody has their own process. There's no method
to the madness. It can start with an idea or
a lyric, melody or just you know, something you hear
in your head, and then you try to bring it
to life however you feel most comfortable. For me, it's guitar,
so I'll youodle with an acoustic guitar, you know, and
then it goes from there.

Speaker 5 (18:23):
So that's where you usually do. You like pull your
guitar out, you start like kind of just putting notes
together with some kind of melody that you have somewhat
in your head.

Speaker 3 (18:31):
So that's the Yeah, that would be the that's like
the classic way of doing it.

Speaker 6 (18:34):
Now, I do a little cheat code because I have
I have my own studio and I'm pretty comfortable in
it now after decades of teaching myself how to just
tweak and.

Speaker 3 (18:41):
Work with gear.

Speaker 6 (18:42):
So I'll have like, I'll go into my studio and
I'll boot it up, but I'll have an electric guitar
because it's just cleaner and easier, and then I'll write
some sort of beat or rhythmic, some sort of something
to keep me on time, and then it'll it'll expand
from there.

Speaker 5 (18:56):
Cool. I love that.

Speaker 1 (18:58):
I love that.

Speaker 4 (18:58):
Again, It's just it's so such a foreign language to
me that people that speak it fluently. I'm always just
so intrigued about how it can happen, because I just
I just don't get it.

Speaker 5 (19:07):
So were you a kid that like journaled a lot
and or kind of wrote poems?

Speaker 3 (19:12):
Do you have?

Speaker 5 (19:13):
Are you one of those people that has like those
book like just diary type ideas of just lyrics after
lyrics so you just throw out while you're thinking about them.

Speaker 3 (19:22):
Most definitely, Yes, I was extremely emo, now, I mean
because you grew up I was working a lot, so
I was.

Speaker 6 (19:28):
It took a while for me to find my stride
as in civilian life, which is not on a set,
you know, in school and stuff, which I totally was
blessed and did and meant a bunch of really good
dudes that are still friends of mine today.

Speaker 3 (19:40):
Which is really rare.

Speaker 6 (19:41):
I think because some of these guys I went to
pre I mean my one friend I went to preschool
with them were still bud till this day, which is awesome.
But nevertheless, it still took a moment to kind of
find that footing. So I leaned on.

Speaker 3 (19:53):
Guitar heavily as just an outlet for everything pretty much.

Speaker 4 (19:58):
Wow, when you were growing up, I mean you're eleven
or twelve, obviously you see your brothers. I think we
touched on this a little bit in the last interview.
You see your brothers as actors. Did you feel the
need to become an actor? Would you have preferred to
be a musician, or would you have preferred to not
be in the industry at all?

Speaker 6 (20:12):
I mean, I think I love the industry with all
of it it's ups and downs and all of its
peaks and valleys. I do have a found respect for
just storytelling, you know. So I feel so blessed that
the hand that I've been dealt has has brought me
into a median where storytelling is can you know, be

(20:37):
a life? So I appreciate I really appreciate it, and
I just feel lucky to have any place.

Speaker 3 (20:44):
Within the industry, you know, wherever that may be.

Speaker 6 (20:49):
So I just again, it's it's just such a pleasure
to be able to be a part of dictating emotions
and contributing to, you know, hopefully inspiring stories that that
people like.

Speaker 5 (21:01):
I mean, you guys have really jumped into your space
with your your podcast. It's funny, it's hilarious. I always
wonder within the three of you because I know you
guys each have your like own thing that you bring
to the table, and you guys do a lot of
funny videos like the one well, I don't know if
you've seen it at all, that they they really reenacted
Andy's on the Table dance like.

Speaker 4 (21:26):
Media.

Speaker 5 (21:27):
Yeah, it was well again, I watched it on YouTube
and it was right there, like all of the sudden,
I was like, oh, I just like click. I was
just like watching everything at that point. And who is
there one out of the three of you that maybe
brings these like because there are a lot of them are
are comedy driven stuff that you guys are doing. Is
there one that their ideas sort of kind of get

(21:49):
smashed down because you're like, no, we're not doing that,
that's ridiculous, Or is there like one person that always
brings like just the you know, for me, I'm like,
I'll do it, but if it's too extreme, I might
shut it down. Is there one person that always brings
the ridiculous ideas?

Speaker 3 (22:04):
Yeah? Most definitely.

Speaker 5 (22:06):
Who is it? Who is it?

Speaker 6 (22:08):
I think we all definitely take turns being being the
seeds of inspiration. But for a while there, honestly Matt
was doing was bringing a lot of a lot of
the ideas to the table, and then I kind of
took over, and then Joe definitely has contributed, but his
ideas are always met and they're always a bit skeptic.

Speaker 5 (22:31):
Wait when I asked that question, did you have an
idea for Oh?

Speaker 1 (22:34):
I knew exactly who I knew. I knew it for
some reason. Well, it's also, in.

Speaker 4 (22:38):
All fairness, Matt and I had a conversation about it
because he was like, you know, this is you know,
it's one of those things where as we talk and
we joke about what the industry is going through, but
this industry has no idea what it is right now.
It is absolutely trying to find itself. It's drowning in quicksand,
and even the quicksand isn't funny anymore.

Speaker 1 (22:53):
So nobody knows what the hell is going on.

Speaker 4 (22:55):
Films aren't being made, TV is different. Everything is now
social media. So we had this long talk about how
it's this is this is the future. I mean social
media and YouTube.

Speaker 1 (23:05):
Good or bad bad.

Speaker 4 (23:07):
Is unfortunately the future of the industry. And Matt was like,
and so this is part of it. You've got to
TikTok and Instagram. This is It's no longer, Hey, do
you want to do this? This is just another kind
of structural poll to your career. This is now a
massive part of a career is social media. Again, That's
one of the reasons why I've taken a step back

(23:27):
is because I hate social media, but it's it's important.
And so yeah, Matt was like, we just keep throwing
out these ideas and doing it and so I think,
you know, also, you and Matt still live together, so
I think you get the creative juices of somebody you're
with all the time is going to be different than
somebody like Joe who's still there all the time but
is not there all the time. So you kind of

(23:50):
you hook up with a partner and you're just kind
of going and throwing stuff out there.

Speaker 1 (23:54):
So yeah, I knew, I knew the dynamics kind of
going in, but.

Speaker 4 (23:58):
Yeah, it's it's so, I mean, I get you've been
doing this your whole life. Your brothers have been doing
this their whole life. Where do you think the industry
is headed? Where do you think we're going with all
this stuff?

Speaker 6 (24:11):
I mean, I think it'll it's gonna just there's going
to be a sh Morgas board of entertainment that's going
to be accessible.

Speaker 3 (24:20):
Right here.

Speaker 6 (24:21):
That's going to be this, and then it's going to
change aspect ratios, and then it'll be in glasses and
then in contacts and then god knows what, so you know, and.

Speaker 4 (24:29):
In thirty second clips because nobody has any attention span anymore.

Speaker 6 (24:33):
Yeah, I mean, yeah, there'll be there'll be thirty second
clips that that that leave you, you know, with with
like a with a with a cliffhanger, and hopefully people
are going to have to subscribe to some sort of
behind the paywall to see the rest of it type
of thing. And it'll be vertical until aspect ratio changes
and it's no longer vertical, and then it'll be something
else and something else.

Speaker 3 (24:51):
And you know the Yeah, I don't know. It's it's odd.

Speaker 6 (24:54):
The thing that won't change is that they'll always be
ad dollars and and content and how those use is
ever evolving.

Speaker 3 (25:02):
But it's that's kind of the how I mean, it's
the same principles. It's so weird.

Speaker 6 (25:07):
We got rid of commercials and ads and stuff, which
and then a few years later now everything is back
to commercials. And whether it's an emblem that's just on
the screen, or whether it's branded entertainment incorporated in the
content itself, or whether it's an actual ad break, it's
all the same stuff.

Speaker 3 (25:24):
It's all the same philosophy.

Speaker 6 (25:25):
It's just you know, Monday and content and using it
and putting it out there.

Speaker 3 (25:30):
But for the creators it's it's obviously the wild West,
which is scary.

Speaker 4 (25:33):
Yeah, I mean, do you think there's any chance we've
had this talk as well, do you think there's any
chance that traditional like sitcom will ever come back?

Speaker 3 (25:41):
Most definitely, But whether you're watching it on a.

Speaker 6 (25:44):
Vertical or absolutely totally.

Speaker 3 (25:48):
Yeah, I think all of it will.

Speaker 6 (25:49):
And I think there'll be like a real resurgence of
I almost want to call them like a renaissance of
human boutique sort of content like sitcom, where you know,
a team of actual people will will come together and
make something that's really funny, and and people when they
see it won't They won't know why, but they'll they

(26:10):
won't be able to get enough of it. And then
we'll start to see, you know, one hundred vertical sitcoms.

Speaker 4 (26:16):
I don't hope something well, I mean it's it's one
of those things though, where because of all the new
content I mean by definition being new, there's no nostalgia
attached to anything that's out there nowadays. So the the
thing when people do look for nostalgia, there is something
about the sitcom itself, the true classic, well for camera
sitcom in front of an audience.

Speaker 3 (26:36):
Yeah.

Speaker 6 (26:36):
I was just gonna say, because sitcom somewhere in like
the two thousands, the office became a city.

Speaker 3 (26:40):
You're like, this is a single camera comedy. This is
not a sitcom.

Speaker 6 (26:43):
But so it's true that that the true form gets
lost in translation.

Speaker 3 (26:48):
But yeah, uh, And and.

Speaker 6 (26:50):
That will be tougher because the live audience thing, which
is such a crucial piece obviously, is going to be
interesting to see how that navigates back to you fruition.

Speaker 5 (27:02):
It's almost like, I can't even imagine being in a
live audience with other people. Like it was such a
big thing. There was so many opportunity, especially if you
lived here in la or in New York, Like, there
were so many opportunities to go to live tapings. And
now it's like, would the audience, especially this next generation,
even know what to do if they were sitting there

(27:23):
watching alive like a live stacom it would be so
actual audience.

Speaker 3 (27:30):
Yeah, I mean, you know, I don't know.

Speaker 6 (27:33):
One of the things that I loved about the live
podcast was that there was an audience. I mean, that's
one of the coolest things to feed off. That energy
was just so such a such a treat.

Speaker 4 (27:42):
And when you get that energy from the audience, you
realize that people want to be in an audience, but
you want to see things we've we've done.

Speaker 1 (27:49):
You know, we just went to Backstreet Boys at Sphere.

Speaker 5 (27:51):
And yeah, and look at the Jonas brothers right now.

Speaker 1 (27:54):
A huge people want that feeling. There's a camaraderie of
being there.

Speaker 4 (27:58):
There's a sense of longing that we're all there to
watch the same thing, to be entertained by the same characters.

Speaker 1 (28:04):
There's something so kind of wonderful about that.

Speaker 4 (28:06):
And you do you when you do a live show
for a podcast or that has something based on something
you've done when you've grown up, whether it's you know,
all the work that you and your brothers did or
point me to were older, any of this kind of stuff.

Speaker 1 (28:16):
That camaraderie comes back.

Speaker 4 (28:17):
It's all these people with the shared experience, and I think,
I don't know, But then I talk to people in
the industry that are like, Nope, sitcomes dead, never coming back,
never going to have a whole family sit around the
TV and watch the same thing ever again.

Speaker 1 (28:27):
Kids are on their fat and it just crushes my soul.

Speaker 6 (28:30):
I mean, it's up to us, guys. You know, it's notice,
it's up to us. It's it's up to us to
understand the beauty and what that feeling is and and
knowing that that feeling is worth it, it's worth it
to work hard to bring that into fruition and give
it to give it to a family, because I guarantee
you that there's there are families out there that are
not being catered to. I mean, it's wildly under it's

(28:53):
wild it's it's a massive, massive void in the entertainment
industry right now. It's family entertainment, good quality, the family entertainment.

Speaker 5 (29:01):
Aren't you guys aren't aren't you guys working on something?

Speaker 3 (29:06):
Yeah, family entertainment.

Speaker 6 (29:07):
It's no, it is, It totally is, But it's a
I don't know.

Speaker 3 (29:15):
I mean, I don't know if it's gonna be as
feel good as like classic sitcom.

Speaker 6 (29:18):
It's not gonna it's a single camera or modern take
on on it. So it's very funny and it's super
enjoyable and it's comfort food for sure, but it's I
you know, I don't think it's gonna It's not gonna.

Speaker 3 (29:31):
Be like a a friend, right, It's not gonna be something.

Speaker 5 (29:34):
But you guys still enjoy creating like that. That's awesome.

Speaker 3 (29:37):
Yeah.

Speaker 6 (29:37):
Yeah, it's it's more of like a behind the scenes
of how crazy it is for for you know, once
was sitcom actors to now the new breed of content
creator entertainers. Because it's really just such a strange, strange world.

Speaker 1 (29:57):
Can't we just go back to our g I Joe's
go back to Joe.

Speaker 5 (30:02):
It's like neither one of you really loved it.

Speaker 4 (30:05):
I don't sound like you ever loved it, Yojo Yojo forever.

Speaker 1 (30:08):
You can't you can't ever leave g I Joe.

Speaker 3 (30:10):
It's just the way that I actually this is not
a g I Joe, But this is funny. This is
I got it. I got a Joey doll. Nice.

Speaker 6 (30:20):
Yeah, that I really give my brother because even I'm
not gonna do it. But my mom made people, uh
made them put underwear on him, like these ken dolls
are one mold, you know, And she used to not
have underwear put on No way.

Speaker 1 (30:35):
I love that.

Speaker 5 (30:36):
I love her for that. That's amazing.

Speaker 1 (30:39):
That seems like a pretty normal problem for a mom.

Speaker 4 (30:43):
Like, hey, my son's doll that you know, we got
to make sure it has underwear.

Speaker 1 (30:47):
It seems like a pretty normal mom.

Speaker 5 (30:49):
That's a you know, it's just always always a topic,
all right.

Speaker 4 (30:53):
So to get to get back into the other meat
very very quickly. Yes, there's kind of a bat crazy
storyline in the film that we want to talk to
you about. Not even monkeys, it's not even that. It's
Grandpa Mordecai. Okay, so you've got a grandpa who's essentially

(31:18):
in like a coma, watching a TV. But then when
Touey shows up and touches his face, he kind of says,
he wakes.

Speaker 5 (31:27):
Up, he healed, He's healed, He's healed from like as
soon He's like, dementia was something cut?

Speaker 1 (31:33):
Can you explain? Kind of?

Speaker 3 (31:39):
I think what was? I think what they were going
for and they did a really good job of this.
I want to say it was James Franco and god
who who is the brilliant actor that played Uh? It
was the Planet of the Apes?

Speaker 6 (31:52):
I think, wasn't it Planet of the Apes where there
was a dementia moment? I think in that Oh.

Speaker 1 (31:58):
Yes with his dad Piano. Yes, I can't remember who
you're talking about, but yes, I know.

Speaker 3 (32:02):
And they did it really well.

Speaker 6 (32:04):
Basically, there was like a superpowered thing or something happens
where Tui was supposed to have this power that was
able to heal people.

Speaker 3 (32:11):
And I don't think that maybe.

Speaker 2 (32:12):
Translating because he only one person, you know, and I
felt bad for him, Like, yeah, like.

Speaker 5 (32:25):
I go and see this guy every week, and now
you come in and like you to once she cares
way more about you, and you're not even like a
real person. You're a clone. Like this is kind of garbage.

Speaker 3 (32:35):
That's that's how oh man?

Speaker 4 (32:38):
What was what was the cast like, because there's some
pretty pretty great actors. First of all, the thing that
we love is, do you realize that the mom and
dad are literally only credited as mom and dad. They're
not given any names. Really, it is mom and dad.
You're the sister of Lana has a name obviously.

Speaker 3 (32:54):
I mean, yeah, isn't that Alison Bill?

Speaker 1 (32:55):
That's Alison Pill. So do you remember what it was
like working with her?

Speaker 3 (32:59):
Great?

Speaker 6 (33:00):
Everybody was awesome. Everybody was like, I mean, it was
a you know, it was a wonderful, great time.

Speaker 5 (33:05):
Was there there was there a big age gap between
the two of you and Allison? Was there a big
age gap?

Speaker 1 (33:10):
Yeah? I was gonna say it seemed like there was.

Speaker 5 (33:12):
It seemed like it was, but I couldn't remember if
because I feel like you also had the ability to
play younger, so I didn't know if that was.

Speaker 3 (33:19):
I think she was sixteen, sixteen or seventeen that was.

Speaker 4 (33:22):
So that was like, that's a big time, two different
species at the at that time for Man And Yeah,
we also love Mark.

Speaker 1 (33:29):
We're big Mark Lawrence Taylor fans here. He played dad.

Speaker 5 (33:33):
Dad, which is crazy because I mean I think at
that time too, he was in a lot of stuff.
I mean, I don't like I mean, he was in
a ton of stuff. To just be credited as Dad.

Speaker 4 (33:45):
Well, it seemed like that's just what they do with
the characters, just Mom, Dad and Alana.

Speaker 3 (33:49):
Yeah. I don't know why. That's really odd. I don't
I have no explanation.

Speaker 4 (34:02):
So if you had the opportunity, would you ever play
two characters in a film?

Speaker 1 (34:05):
Again?

Speaker 3 (34:06):
Oh for sure, if I have any opportunity. I mean,
you're kidding me.

Speaker 4 (34:09):
That's sign me up there, No, I mean yeah, they're
just talking about how the industry is.

Speaker 6 (34:14):
Yeah, the movie you get to be two people, and yeah,
sign me up.

Speaker 4 (34:19):
Oh man, So you talked a little bit about the
show that you're doing with your brothers. What else do
you guys have on the on the horizon because you're
always doing ten thousand things.

Speaker 3 (34:27):
Yeah, there's a lot we have. We have a graphic novel,
will yea all that we're very excited about.

Speaker 6 (34:33):
I'm excited that we partnered up with Z two and
the wonderful Berkowitz brothers and the Sean von Gorman of comics.
He's a wonderful artist and uh, it's gonna be a
lot of fun.

Speaker 3 (34:42):
We suckered will into it somehow. I appreciate you.

Speaker 4 (34:44):
Uh, I can't wait for it, suckered me. Yeah, Hey,
you want to be in a graphic novel.

Speaker 3 (34:47):
Yep, it's gonna be a good time.

Speaker 6 (34:49):
It's gonna be a good time. We're actually very excited
about that. And obviously we're flirting with the future of
it and animation. I'm such a big anime anyway, so obviously, sir, Yeah, loyalty, animies,
worlds right here, man, uh so, royalty, royalty, that's the
word I'm looking for.

Speaker 3 (35:05):
That's the word I'm looking for. And we have the
show music, live pods. Yeah, that's of stuff. Keep an
eye Where where are you?

Speaker 1 (35:13):
Do you have more live shows planned?

Speaker 3 (35:14):
Are you guys scheduling?

Speaker 5 (35:15):
Yeah?

Speaker 3 (35:15):
Yeah, we got more.

Speaker 6 (35:16):
We have a live pod at Mystic Lake Casino November eighth.
It's in Minnesota, and then we're in we have another
one I think in Daytona at that convention.

Speaker 3 (35:27):
Okay, yeah, there's a there's a decade Day's convention.

Speaker 6 (35:31):
I think that we're doing a live pod at not
to be sure, that might be totally falls information.

Speaker 1 (35:36):
And then were you just were you just in Connecticut?

Speaker 3 (35:38):
We were just in Connecticut.

Speaker 1 (35:39):
It's right, you're just in my hometown at Foxwoods. Yeah,
great play.

Speaker 3 (35:43):
Yeah, we should have drugg you out there. Man, we
needed we needed a guess.

Speaker 4 (35:47):
That was the that's my Connecticut, that's my that's myrtun.

Speaker 3 (35:50):
That's right.

Speaker 6 (35:50):
Because when we were in Hartford, you were you were
going to visit your family of course.

Speaker 4 (35:54):
Yeah, so that's it's There's nothing like doing the live
pods though, is there.

Speaker 1 (35:57):
It's just so much fun.

Speaker 6 (35:58):
I'm more addicted. We've done We've done two now and
we're like, it's we just have such an appetite for it.

Speaker 3 (36:04):
We love it.

Speaker 6 (36:04):
It gives me an excuse to play music. Yeah, I really,
it's such a joy. It's such a pleasure.

Speaker 1 (36:10):
Well, I haven't had a.

Speaker 4 (36:11):
Chance to see one yet, but I got reported back
from Danielle who said they are just She literally came back.

Speaker 1 (36:15):
She's like, man, they make ours just look.

Speaker 4 (36:19):
Sets look amazing, and you're playing music and we walk
out there. We have a couch if we're lucky, great
and we talk and that's how it goes.

Speaker 6 (36:26):
This was a Vegas thing, you know, that was a
specific event, but normally there's a couch and you know,
sometimes we bring our band. Sometimes we bring an acoustic guitar.
Depends on the venues and what what we can what
we can put together, but well, definitely we would. I
want to get both of you guys to come out
to a live pod and again we come on, come
on and hang out and see it.

Speaker 4 (36:47):
Yeah, for sure, we'll make a deal if you then
come back for when we do Jumping Ship or the
other nineteen are we are?

Speaker 3 (36:56):
You're almost done? How many?

Speaker 1 (36:58):
How many did you do total?

Speaker 3 (36:59):
I think or five? Probably?

Speaker 1 (37:01):
I was going to say, okay, so and this is three, so.

Speaker 5 (37:03):
Three for us that we haven't done Jumping Ship, but
I feel like there was another.

Speaker 4 (37:08):
One four since Jumping Ship. The other me going to
the mat, going to the mats.

Speaker 6 (37:15):
I think those were all the Disney ones. No, yeah,
I think I did some ABC stuff and like other TV.

Speaker 4 (37:21):
Well then we're gonna have to find those because we
can't not have and Lawrence on our screens. Keep coming
because I'm telling you, man, every time there's you know
how rare it is, especially in a dcom to where
if I put it on and you're.

Speaker 1 (37:33):
In it, I know it's going to be good.

Speaker 3 (37:35):
It's true.

Speaker 5 (37:38):
We really we talked about with Whorse Sense too. How
awesome it was, because that's where the first time I
think what we've seen since we watched three. During that one,
you're with an all adult cast and you are holding
your own I mean, it's like, you know, and and
that's a big difference when you're working with only adults,

(38:01):
even including your brother, you know what I mean, It's
like you were the only kid on that that set.
It seemed like ever I don't think there was any
I can't think of even another character.

Speaker 1 (38:10):
I'm sorry.

Speaker 4 (38:11):
But it's also it's the range, because you get something
like horse Sense, which could have been in a movie
theater was absolutely just a film, and then you get
something like yeah, I amazing, talk about him all the time.
It's amazing, phenomenal. But then you get something like this
like The Other Meat, which is about especially for two

(38:31):
thousand as Disney Channel, a Disney Channel movie as you
can Disney Channel, and it's still great.

Speaker 1 (38:38):
So it's like you're hitting You're running the full gamut.

Speaker 4 (38:41):
So seriously we are we are big, Sir Andrew Lawrence,
which stream of like.

Speaker 5 (38:48):
All the hard work you did with you know, learning
about that sport and getting yourself you know ready, I
mean you know, working, yeah, working the portraying somebody who
I mean.

Speaker 4 (39:01):
You make the rest of us child actors look like,
thank you, thank you.

Speaker 1 (39:05):
Sir Andrew.

Speaker 4 (39:08):
Well again, we're gonna hold you to coming back and
talking to us. We're gonna find other Andrew Lawrence movies
because we want to see them all and have you
come back, and don't forget everybody not only to check
out the podcast, but the live shows because they are
so worth it from what I hear. I can't wait
to go to one myself. So check out the next
one we think is going to be in Minnesota, Minnesota, Minnesota,

(39:28):
November eight. Okay, there, mystic, you guys.

Speaker 5 (39:31):
Get a couple more under your belt. I'm gonna grill
you about some funny story stories from the tours, because
I'm sure those ladies that come out whichever whichever Lawrence
bro is their favorite, at.

Speaker 6 (39:43):
Least we know Joey's wearing underwear stories, they get all
the attention.

Speaker 3 (39:49):
I'm left to pack up.

Speaker 5 (39:53):
Yeah, with your guitar.

Speaker 4 (39:56):
Okay, before we before we go, one last question, are
you still with the same jiu jitsu.

Speaker 3 (40:01):
Guy, Rocky? Yeah, dude, so no, I stopped, but I
heard that you might be training with him.

Speaker 1 (40:07):
I heard you might go back, and if you go,
I might go again. Yeah, I might start.

Speaker 6 (40:11):
I was like, I can't let Will turn into a
lethal weapon and I'm just gonna be like so far.

Speaker 3 (40:17):
Behind Will was going. I was like, dude, I'll go,
like I would absolutely go.

Speaker 1 (40:22):
Okay, he's a good guy, right he is.

Speaker 6 (40:24):
He is a gem of a human being, one of
the honestly, like one of the most purest, gold hearted
human beings I've heard in it. This guy is amazing,
like an absolute amazing human being and lethal.

Speaker 3 (40:36):
Dude, Like I don't know, I've known my whole life.

Speaker 1 (40:38):
He was my statute. That's what he said.

Speaker 6 (40:40):
That's what he was telling me all entire life. And
he was the reason I got through high school and
got a degree. Honestly, like I would amazing drop down
and been a mess Like this guy was awesome and
he's a lethal weapon. So I can't speak highly enough
of Okay, Well, obviously my parents and my brother's helped,
of course. Of course, of course, Bud Rocky was a huge, huge,
huge staple and impact in my life and and beacon

(41:01):
beacon of like just the bar.

Speaker 3 (41:02):
So let's go.

Speaker 4 (41:04):
Man, Thank you so much again for joining us. We
cannot thank you enough again. You're it's amazing.

Speaker 3 (41:11):
We're four so good, you know, we we're.

Speaker 1 (41:13):
Three for three. We haven't done jumping ship yet, but
we're three for three with you so far.

Speaker 6 (41:16):
I mean, I'm gonna be honest with you. Jumping it's
a little a little goofy. It gets a little goofy.
Weget to say it.

Speaker 4 (41:21):
Anytime you throw Matt into it. It just it takes
it down a little bit, takes down.

Speaker 5 (41:27):
You guys doing just mine.

Speaker 1 (41:32):
You know.

Speaker 3 (41:32):
I love you.

Speaker 1 (41:34):
Thank you so much, man, and I'll see you in
a couple of days.

Speaker 3 (41:37):
All right, Brina will thank you both so much. Bye bye.

Speaker 5 (41:44):
I bet you just the live pods with them are incredible,
but also like can you just imagine, I mean, all
three of them, we're like heartthrobs for so many and
men too. I'm sure, I'm sure, yes, of course.

Speaker 4 (42:03):
They're all just so talented that it's it's a kind
of annoying, you know what I mean, Because you're, like,
you're three good looking dudes who are all also really nice.

Speaker 1 (42:14):
They're all also really smart.

Speaker 4 (42:17):
They all you know, it's like education was hugely important
in their family and their mom especially was like keeping
them on the straight and narrow.

Speaker 1 (42:24):
So it's like the nicest people you.

Speaker 4 (42:26):
Can meet, who are highly educated, who are uber talented,
and it's like eventually you just go all right, dude,
you gotta do something for the rest of us serious.

Speaker 5 (42:35):
And have done what feels like everything. Remember we were
talking to Joe and he was like, oh, you know,
just all of his stories that he reached out and
just started talking about everyone he worked with, everyone he's
stared at stage with. I mean, these guys have gone
they basically have touched everywhere on the map of what
the industry is. Yeah, and did it freaking awesomely.

Speaker 4 (42:57):
Like I feel like Andy's like the silent Assassin because
it's like Joe is obviously Joe, I mean especially for
for people are he was. He was the ik idol
going there. Then you had Matt who came in, who
came on Boy Mets World, he was coming off of
other things. They did brotherly love together all that stuff.
But then there was kind of Andy who was always
like the younger brother. And then you go back and

(43:17):
you actually watch the work that Andy did, like he's
so good.

Speaker 5 (43:22):
Yes, he didn't he certainly wasn't in any sense riding
on the coattails of two older brothers in any sense
like to.

Speaker 1 (43:31):
Audition for this.

Speaker 5 (43:32):
Yes, and he rightfully booked these roles and then killed
it like just I mean just yeah, wow.

Speaker 4 (43:42):
After his performance and horse sense, they still made him
audition for this.

Speaker 5 (43:46):
That unreal. Never but again I want to argue with him,
but I was like, I don't believe you.

Speaker 1 (43:51):
Yeah, he's just so good. He really is. He's the
silent assassin and now forever. Yes, Sir Andrew Lawrence.

Speaker 5 (43:58):
And and when we were watching Going to the Matt
him showcasing his acoustic guitars, and like and and was
it was he doing the guitar? Was he doing the drums?
He was doing the drums in the movie.

Speaker 1 (44:13):
Do you play guitar too? I can't remember. He was
playing the drums. Yes. So it was like, I mean, no,
it's just uber talented.

Speaker 5 (44:21):
It's great.

Speaker 1 (44:22):
And they're all down to earth and nice people.

Speaker 4 (44:24):
I hate having to sit here and and talk about
how awesome the Lawrence brothers are, but they are. They're
all just super nice, talented people that you want to
spend time with.

Speaker 5 (44:33):
It's so annoying and truly have not from what I've seen,
and I've you know, kind of fallen follow followed them
and kind of sort of caught up, catched up you know,
here and there of what they're doing, whether it's on
Instagram or whatever. And it's like, it doesn't seem like
they've ever not worked. They've always been working on something,
whether it's you know, their own stuff or you know, creating,

(44:57):
you know, I mean, just and they're hilarious. And I
knew that he was going to say that. It was
Joe that came' the most ridiculous ideas. No, it's one
of those other things We're not going to do that.

Speaker 4 (45:07):
It's one of those things that you just they're the
quintessential example when anybody always asked me, they're like.

Speaker 1 (45:13):
How do you know, how do you know you want
to be an actor? Or what you want to be
an entertainer?

Speaker 4 (45:17):
It's when you literally can't do anything else, when you
can't not entertain. And I know people love a double negative,
but when you can't not entertain, and that's the lawrences,
you can't. Are they all incredibly well educated and smart
enough to go off and be doctors and lawyers whatever
the hell they want you. Yeah, they could pick whatever
career they want and they would go and they would

(45:37):
kill it. They can't not be entertainers and that's exactly
why they're still here and they're still working and people
still love them because that's why they're here.

Speaker 5 (45:46):
So shout out to to the mom, their mom. Yeah,
I mean she just seems like, oh, they like where
the bar should be set. When you've got good kids
like that, that that's how you get that you want to.

Speaker 4 (46:00):
Set you want to sell a dolla My teenage heart
throb Son put him in underwear, that's all.

Speaker 1 (46:05):
Yes, right, likes to.

Speaker 5 (46:06):
Just advocated for them.

Speaker 3 (46:08):
Oh yeah, no pleasure. They're great.

Speaker 4 (46:10):
So thank you once again, Sir Andrew officially from this
moment on for joining us on Magic where we're so
excited that you were able to join us. And by
the way, go back and listen to all of our
other interviews, not just with sir Andrew, but we've got
sir Jason, and we've got other Jason who hasn't been nominate,
hasn't been knighted yet, and so many different people and
I and we've also got Bark Johnson show out there, yes,

(46:33):
so please check that out if.

Speaker 5 (46:35):
You have not checked it out in the game. People
are going crazy over all of the deats you get
in that that podcast on High School Musical.

Speaker 1 (46:46):
I'm telling you so, thank you so much for joining us.

Speaker 4 (46:49):
And don't forget to join us over there on our
other feed where we are I think the next time
watching a super secret.

Speaker 1 (46:55):
This was like mythical.

Speaker 4 (46:57):
We needed a special link to get it because none
of us believed producer Tara that it actually existed, but
apparently it did.

Speaker 5 (47:04):
She did not take no for an answer, didn't.

Speaker 4 (47:08):
And she called the Ocean's eleven team and broke into
the National Bank of Whatever and found Model Behavior, one
of Justin Timberlake's earliest movies ever. So yes, join us
next time, given, she writes to us, given the people
what they want. Oh, yes, it is Maggie Lawson, and yes,

(47:30):
I'm happy to tell you that Justin Timberlake himself does
not even know this podcast exists and will not be
coming on anytime soon.

Speaker 1 (47:38):
But I had you there for a second, didn't I.

Speaker 5 (47:41):
Oh you don't know that.

Speaker 1 (47:43):
Yeah you know that sometimes you do.

Speaker 4 (47:47):
So thank you everybody so much for joining us, and
we will see you next time.

Speaker 1 (47:51):
Bye.

Speaker 3 (48:02):
Used
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