Rewind with Karen & Georgia - 59: Live At The Wilbur - My Favorite Murder with Karen Kilgariff and Georgia Hardstark

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
Hello, and welcome to Rewind with Karen and Georgia.

Speaker 2 (00:20):
Rewind.

Speaker 3 (00:21):
Every Wednesday, we recap our old episodes with all new commentary, updates,
and insight.

Speaker 1 (00:27):
Today we're recapping episode fifty nine, which we named shockingly,
we named Live at the Wilburg.

Speaker 2 (00:34):
That's right.

Speaker 3 (00:34):
We recorded this live in Boston and the episode came
out March ninth, twenty seventeen.

Speaker 1 (00:40):
So let's listen to the intro of episode fifty nine's Oh.

Speaker 3 (00:49):
My gosh, yeah, yeah, yeah, yeah, yeah, are you kidding me?

Speaker 1 (01:01):
Do it?

Speaker 2 (01:02):
You have to do it? Oh my god.

Speaker 1 (01:06):
They never there's an orchestra that keeping you guys from us.

Speaker 2 (01:10):
They never let you guys this close. Know we had
on all our other tour stops. Hi, bost in.

Speaker 1 (01:22):
I don't know if anyone's out there, just waving at
the roof.

Speaker 2 (01:27):
No, they're there. I thought you've lipped them off.

Speaker 3 (01:29):
So I just saw someone leave to go to the
bathroom or they couldn't handle it.

Speaker 2 (01:35):
Nope.

Speaker 1 (01:36):
I thought this was get out, so they did.

Speaker 2 (01:41):
So they did.

Speaker 3 (01:43):
Hi. Hi, everybody, This is thank you us too. This
is a lot. This is a lot, and it's fucking
right here. I know.

Speaker 2 (01:54):
I don't know why.

Speaker 3 (01:55):
It's not like we're ballerinas and we're so used to
the orchestra, but it.

Speaker 1 (02:00):
Looks like, yeah, it's exciting. Were you gonna talk?

Speaker 2 (02:04):
Well, first we do outfit ready?

Speaker 1 (02:07):
Right?

Speaker 2 (02:09):
Thank you? Thanks? Yep, just take it around. Don't be
afraid to take it around a side.

Speaker 4 (02:20):
Don't know.

Speaker 2 (02:23):
I uh, I don't have pockets.

Speaker 1 (02:25):
But I had a tissue put in here because I
have allergies earlier and it looked great and then I
lost it.

Speaker 3 (02:30):
Grandma, Yeah, my grandma used to always have four tissues up.

Speaker 2 (02:34):
Really like the worst magician of all time. I need
to do that to dum not always.

Speaker 3 (02:43):
This is the dress that I wore that I got
in Chicago, that I wore on our very first live show, right.
I mean, you don't have to scream for that. But
I went shopping yesterday and I picked out almost the
exact same dress by the same person the whole She's like, this,
leaves were this much shorter, and I was like, I'm
just reallyn wearing that old dress. Yep, I'm wearing a

(03:06):
Jessica Sepson tonight. Thank you. You don't have to be
blonde to like bad fashion.

Speaker 1 (03:14):
I need to stop wearing dresses with any kind of flair,
because then I can't well, in my mind, I can't
rewear them. Oh, because it's you know what I mean,
Like I have fucking I have four hundred dresses.

Speaker 3 (03:23):
Scene.

Speaker 1 (03:24):
Yeah, it's just well you have enough to choose from, though, yeah,
but not black ones. I'm like colors and like I'm
I'm like, what's her name from Three's company? The neighbors see, Oh,
the slutty neighbor, Missus Roper, Oh.

Speaker 2 (03:37):
Missus Fluddy.

Speaker 1 (03:40):
Yeah, Missus Roper, the slutty slut neighbor. I also brought
like my only nice heels that I own that I
wore one time, almost a year ago at my wedding.
Huh that still had like glitter on the upside down
about heel.

Speaker 2 (03:55):
And then I got to I.

Speaker 1 (03:56):
Took them out of the hotel and I was like, oh,
so fucking Lily not, I'm not doing this, So I
have flats on, because what the fuck.

Speaker 3 (04:02):
I'm not a fucking You're basically wearing those socks that
you wear under.

Speaker 1 (04:07):
Slip on shoes, right yeah, and I'm sure they smell and.

Speaker 3 (04:11):
They slip another pair of shoes on top of those shoes.

Speaker 2 (04:14):
If you felt like got it. You just kind of
blew my mind. And now I'm like, oh, well I
could wear them though, because no one would know the differ.

Speaker 3 (04:20):
Is exactly right.

Speaker 2 (04:21):
Fine, it wasn't a slam my life is.

Speaker 3 (04:24):
Especially because coming from this area where just a quick
negative shout out to my sister Laura, who, after seeing
us at the Oakland Show, which was our first stop
on this tour. Yeah, shout out to Oakland, she texted
and said, I thought the show was great, but you
have to get rid of those tights you're wearing.

Speaker 2 (04:43):
So swell their tights.

Speaker 3 (04:46):
This is what it is to have an older sister.
So then I was like, I'm not hanging. Those are
the times I like whatever. And then of course that's
the first thing I bought yesterday. I was like, do
you have any very sheer My sister needs to see
me in a sheer.

Speaker 2 (05:01):
Control top would be great.

Speaker 3 (05:03):
Control top, whatever price, I'll pay whatever price.

Speaker 2 (05:06):
And so then that's what I did.

Speaker 3 (05:07):
Now I look like I look like an orphan child
that's been in the ash bin.

Speaker 2 (05:12):
That's not you know, this isn't the look I do, Nick,
can I This is in my jam at all? No,
So once I saw how sheered the tight store. I
was like, well, I'm not wearing heels now.

Speaker 3 (05:24):
Fuck everything, I'm going to clogg Town. Yeah.

Speaker 1 (05:28):
Right, this tour is now called we Don't give a
Shit about shoes, Right, that's my favorite murder story.

Speaker 3 (05:36):
Is there enough time to get that on the shirts?

Speaker 2 (05:39):
Joe?

Speaker 3 (05:39):
Please?

Speaker 2 (05:40):
Can we get Stephen?

Speaker 3 (05:41):
Can you go ahead?

Speaker 2 (05:41):
And go ahead? Stephen?

Speaker 1 (05:43):
And he's not here, he's not here, been not here.

Speaker 2 (05:51):
We don't bring him with us.

Speaker 3 (05:52):
Sometimes he'll get us it though, and that part will
mean the world to him. Yeah.

Speaker 1 (05:57):
I texted him and I was like, you know, we
were like edits on this and then I was like, hey,
you know, we talk about a shit to you, and
I just want to make sure you know that we're
joking and it's funny because you're the most amazing fucking person.
And well, but we'll dive it back if you like,
if it's like hurting your feelings, he's like.

Speaker 2 (06:13):
No, I love it, or he was like no, it's great.

Speaker 3 (06:17):
I had a really great bit going on the Lost episode,
the Vancouver Lost episode, just for some reason, and the
whole thing was I think it was Vancouver. It was
about how Stephen was hiding underneath the curt of this tablecloth,
mister sitting there with my super nerd.

Speaker 2 (06:35):
There was a random cat under there.

Speaker 3 (06:36):
Yes, there's just a cat he found in the alley
and he's just stroking his mustache, like listening to the
live episode.

Speaker 2 (06:42):
Literally does that?

Speaker 3 (06:43):
Did you have you noticed he does? He's like he's
a bit of a nervous nelly, so he does a
little bit of this, you know, he has a little
bit of this, which is like he's halfway to one
of these like whimsical facial hair.

Speaker 1 (06:55):
Guys. Oh, let's talk about ice cream.

Speaker 2 (06:58):
Okay, I'm a hard left turn. Yeah, Steven, ice cream, kamen.

Speaker 3 (07:03):
A shit on Steven for at least ten minutes. Okay,
ice cream.

Speaker 1 (07:07):
It is we So we got a gift backstage of
ice cream. It says, Hi, Karen and Georgia love the show,
So I made you a flavor at my company. It's
called Elvis Wanna Cookie Bacon banana bacon peanut butter cookie butter. Sorry, Karen,
there's sugar in its sad face.

Speaker 2 (07:24):
Oh that's okay, I'm eating sugar again.

Speaker 4 (07:28):
Yeah, yeah, thanks you guys, stay sexy Jaqueline, and it's
called the Parlor ice Cream.

Speaker 2 (07:35):
You guys, been there, jacculine.

Speaker 3 (07:37):
Fucking good, just really quick banana bacon.

Speaker 2 (07:43):
Oh, I said, peanut.

Speaker 3 (07:44):
Butter, cookie butter. That's what we ate backsteak.

Speaker 2 (07:49):
That's I'm really excited to be here, Sugar.

Speaker 3 (07:52):
It's so good. It's so good.

Speaker 2 (07:54):
It is a cat mans presence.

Speaker 3 (07:57):
If you want us to talk about.

Speaker 1 (07:58):
You, I'm reading the Elizabeth Smart biograph autobiography called my Story.

Speaker 3 (08:07):
A biograph autobiogray you.

Speaker 2 (08:12):
Well, well, here's the thing.

Speaker 3 (08:16):
That's an in the room joke. Nobody at home is
going to get that if they listen to this, you
writing for autobiography.

Speaker 2 (08:26):
Thank you.

Speaker 1 (08:27):
I'm riding in my car and why are they laughing?

Speaker 2 (08:30):
I feel left out now, I'm angry at a podcast.

Speaker 3 (08:34):
I'd better take to social media and tell them exactly
how I feel.

Speaker 1 (08:39):
Gosh, I wish they understood. Sorry, Sorry, No, I don't care.

Speaker 2 (08:46):
Truly.

Speaker 1 (08:48):
Oh yeah, So if you ever want to not if
you ever want to feel bad about feeling bad about
your life, and then just read the Elizabeth Smart story
The girl got kidnapped and you time I lived as
this guy's wife as a kid.

Speaker 3 (08:58):
This whole time, I thought you were talking about Elizabeth Short,
the Black doll.

Speaker 2 (09:01):
Yeah, that's why I was making.

Speaker 1 (09:04):
That day the biography.

Speaker 2 (09:05):
Oh, I got it. I thought I was missing something.

Speaker 3 (09:08):
Shit you you were that you were missing about and
I didn't get what you were talking about.

Speaker 1 (09:13):
I thought I said the wrong thing. Were it again
for a thing?

Speaker 2 (09:16):
So I'm like, oh, yeah, but that's not improv my friend.
You laugh at things you don't understand.

Speaker 1 (09:27):
Stephen edited that out, Stephen, that never happened.

Speaker 3 (09:32):
Now do you think it's funny if it's the black
doll you're writing her? Big? I knew that was sunnier
than you were giving it, and you.

Speaker 2 (09:40):
Looked like her. I was totally in the wrong on
not when I'm.

Speaker 3 (09:43):
So sorry I was that clarified who she was.

Speaker 1 (09:49):
She got kidnapped and she's read short her own story
about it, and fuck she is like man, maybe it's
because she's into God and stuff, but she's like so
strong and it makes me he talked to this guy,
It's like gonna make me not sit on my couch
and have anxiety all day about like about the vacuum.
I don't know.

Speaker 3 (10:08):
Well, And don't you think it's like she's got a
little perspective exactly. Yes, it comes those things come hand
in hand a little bit.

Speaker 1 (10:17):
Hi. Plain, ride guys, we have a thing to We
upgraded to first class on the way out here.

Speaker 3 (10:24):
I'm sorry, I'm sorry, Mom.

Speaker 2 (10:28):
I know it's wrong, but no, I flew my dad
coach and I.

Speaker 3 (10:37):
Tell you where to sit.

Speaker 2 (10:38):
Now, it's my money. I can do it. What do
I want with it? I gave her. I got an
extra leg room, you know, the little you know.

Speaker 1 (10:47):
He's fine, fine, Marty had a great time.

Speaker 2 (10:50):
He's not here.

Speaker 3 (10:51):
We, on the other hand, had smoked pair of yogurt
tasters right when we sat down. My god, they give
you food, give you food, and it's so embarrassing because
I so didn't know how to do it that I
was like, I'll have this smoked pear yogurt tasteterirt and
they're like, yeah, everybody gets that.

Speaker 1 (11:07):
Right.

Speaker 3 (11:08):
I'm gonna keep the tending that I know how this
pod works.

Speaker 2 (11:12):
And then I got up to the bathroom. I make
Karen face and then she goes, did you have the sandwich?
The sandwich? Yeah, it was. I'm sorry.

Speaker 3 (11:21):
They did it right though, because it was a biscuit
like breakfast sandwich on a biscuit with right with it
scrambled eggs, some kind of chicken patty sausage, and then
Pomento cheese.

Speaker 2 (11:34):
I know, Aunt Carol, Yes, I'm telling you.

Speaker 3 (11:39):
At first I was like, this is the worst Thanksgiving ever.

Speaker 2 (11:41):
And then I ate it and I was like, your genius.
I like those cheese pub cheese. Yes, oh I would
eat pub cheese.

Speaker 3 (11:47):
It was the rest time.

Speaker 2 (11:48):
So yeah, oh yeah, m testa town. Sure you want
to talk?

Speaker 3 (11:57):
What else do you want to say?

Speaker 2 (11:58):
I feel like there was one other thing, but probably matter.

Speaker 1 (12:02):
Oh oh, I remember when I went and brought you coffee,
went to Starbucks.

Speaker 2 (12:06):
I just I'm not her assistant. I went, I'm just
going to note right now.

Speaker 1 (12:12):
I'm not I'm not Stephen when we travel. I'm just
a good person. And was like, again, he won't mind. Yeah,
He's like, yeah, I get some caught. He brings Careen
the diet coke every week we record. It's the cue,
not even asking. I know he steals it from his work.

Speaker 3 (12:27):
Don't tell them, thanks, Luke Cret just kidding, Steven.

Speaker 2 (12:33):
You can you can edit that out.

Speaker 3 (12:35):
Edit that out, Stephen.

Speaker 1 (12:36):
Don't lose your job, Steven, because we're not paying you
enough yet.

Speaker 2 (12:41):
Uh we will.

Speaker 3 (12:43):
He's gonna don't worry. He'll get some kind of massive
cut in the end. He's gonna guy, he'll inherit the
house or whatever.

Speaker 1 (12:49):
I think we've said a lot of that on the podcast,
like if you don't get anything, or you get everything.

Speaker 2 (12:53):
I don't remember anyway. So I have a good person and.

Speaker 1 (12:55):
Brought you coffee, yes, and you you open the door
and I hand you the coffee and you're like, You're like,
I have to finish my murder. And I was like, okay, bye,
and I was like walking away, and I was like,
I have someone in the fucking hallway heard that.

Speaker 2 (13:11):
I didn't think of that. I can't hear, Like.

Speaker 3 (13:15):
Just some old lady stepping out to go to some
kind of a museum or cemetery or whatever you guys
have here.

Speaker 2 (13:23):
Drudgia, just give me the coffee. I have to finish
this murder. I like, I can't tell people.

Speaker 1 (13:29):
Like the normal, really sweet, normal guy on the plane
next to me was.

Speaker 2 (13:32):
Like, what are you doing in town?

Speaker 1 (13:33):
Which you know, and I was like, I'm here for
a thing, and I couldn't be like.

Speaker 2 (13:37):
I love murder. So it's like, really, normal guy, we
laugh and laugh about murder fours you love it, love it.

Speaker 1 (13:46):
I have to finish my murder. I mean, I mean
kind of wish someone would hear that. Okay, now should
we sit down town?

Speaker 3 (13:57):
All right?

Speaker 2 (13:59):
Yeah, thank you? Sitting is definitely.

Speaker 3 (14:04):
That's better.

Speaker 2 (14:05):
Yeah, I don't know my spanks.

Speaker 1 (14:09):
My spanks are fighting a losing battle.

Speaker 2 (14:12):
There's no like.

Speaker 3 (14:16):
It's very we We asked for specifically this setup and
I don't know why, Like we're like, could you could
you like dangle us on a precipice for an hour
so that we just feel weird.

Speaker 1 (14:31):
I don't want it to be bigger than a quarter
like that. I don't want the table to be bigger
than what's what's the funny.

Speaker 3 (14:36):
Thing than me?

Speaker 1 (14:37):
Yeah? In my ass, I'm on any room to put
things on.

Speaker 3 (14:41):
I need to feel petite, So the table has to
be Barbie sized, please please.

Speaker 2 (14:48):
And then let's get those chairs.

Speaker 3 (14:50):
Like the first time we had these chairs and I
was wearing high heels, I was like, I'm going to
fall off this chair. Yeah, And now that we're five in,
I've gotten okay used to it.

Speaker 2 (15:01):
But we got to think of some of them.

Speaker 1 (15:02):
We gotta think, well, this is our first time with graphics.

Speaker 3 (15:05):
What are they?

Speaker 2 (15:06):
Yeah, check it out. No one said this before. Yeah,
we've never done that. Go ahead, look at it.

Speaker 3 (15:13):
I didn't look at it, but take it in. That's
my name right there, that's my name I did.

Speaker 1 (15:18):
Oh yeah, this is my favorite murder by the way,
Josiah Jojah, I'm not I'm the other one.

Speaker 3 (15:27):
Why did I reach up in a dress like this guy?

Speaker 2 (15:31):
I was walking.

Speaker 1 (15:32):
I was walking down the street and uh, tonight, just tonight, yeah,
just tonight around the corner.

Speaker 2 (15:37):
I really was.

Speaker 1 (15:38):
And then I saw it, like and then I like
saw the corner of my eye, like I recognized the thing,
and I looked up and it was the front of
the thing with the projector on it.

Speaker 3 (15:48):
Loll you yeah me.

Speaker 1 (15:49):
I know. It sold out really big, and so I
went in the street and took a photo of it.

Speaker 2 (15:54):
That's so exciting. Thank you, by the way, thank you
for selling us out. Yeah, that's very nice.

Speaker 1 (15:59):
Thank you.

Speaker 2 (16:02):
Hasn't gotten old yet.

Speaker 3 (16:04):
Imagine if we were here on theater row and everybody
like the Blue Man Group and everybody just pitied us.
They were just like, did you hear they sold fifteen.

Speaker 2 (16:14):
Tickets or just had not sold out? Yep, super available
right down in front.

Speaker 1 (16:24):
Buy one, Get one free, and we're back. We are back,
and we'll be back in Boston very soon, September twentieth,
that's right, September twentieth. We're going to see you Boston.
We're so excited.

Speaker 2 (16:38):
We're so very excited.

Speaker 3 (16:40):
And I have to say, when we did this show originally,
back in twenty seventeen.

Speaker 1 (16:44):
Do you remember anything about it.

Speaker 2 (16:46):
So long ago?

Speaker 3 (16:47):
Well, I asked Alison to print up a picture just
so we could see. Do you remember how beautiful it's this?
The Wilbur's, this gorgeous theater that was very white with
red carpet, red seats with white backs. Yeah, it was
very It looks very European. It looks like you're in
Luxembourg at the Opera.

Speaker 1 (17:06):
It looks like you could spill wine there really easily.

Speaker 3 (17:10):
And it looks like the theater I had a dream
about where what much much prior never been there, standing
on the stage and doing a show in a theater
like that and being really scared in the dream.

Speaker 1 (17:23):
Oh my gosh, And then it came true.

Speaker 2 (17:25):
And then it came true.

Speaker 3 (17:27):
Now I could have said this at a different time
about a different theater, because we do shows in theaters
that look like this kind of lot, like, we're very lucky.

Speaker 2 (17:35):
These places that we get to.

Speaker 1 (17:36):
Do, We're very lucky. They're like these perfect gorgeous theaters.
I mean haunted, usually haunted, haunted.

Speaker 3 (17:45):
There's a kind of a Mozart vibe that we're like, hey,
we're here too, Mozart.

Speaker 2 (17:51):
Also us.

Speaker 1 (17:53):
Yeah, oh, I talked about reading the Elizabeth Smart autobiography. Yeah,
my story. It was on the New York Times bestseller list.
It's very good. I cover that story in episode four
eighty four, recently called Cops of Trees, Cops of Trees,
Cops of Trees. So check that out if you're interested.
I mean, what an amazing woman.

Speaker 2 (18:11):
Well, also, and there's that update.

Speaker 1 (18:13):
Yeah. So in May twenty twenty five, just recently, Wanda Barzey,
Elizabeth Smart's former abductor, was arrested for violating her parole
by visiting to Salt Lake City Parks, claiming that the
lord had commanded her to go. Elizabeth Smart publicly responded
by saying Barzie's religious extremism was exactly what she feared

(18:33):
when protesting her release in twenty eighteen, and Smart thanked
law enforcement and reiterated that she considers Barzie a continued
danger to the community. It's like, can we please listen
to this woman that's like Elizabeth smart about what she rows.

Speaker 3 (18:48):
Also Wanda Barzee, who clearly is like, Oh, I'm on Parlo,
I'm going to go break the law exactly how I'm
not supposed to.

Speaker 2 (18:53):
So let's listen to her too.

Speaker 3 (18:55):
She's basically like, don't have me, Yeah, don't have me
out here if this is what I'm going to be totally.

Speaker 1 (19:00):
Barzi was released the same day by judicial order and
has since been on monitored pre trial release, spacing charges
up to Class A misdemeanors for protected area violations.

Speaker 2 (19:10):
So, yeah, she's going to where kids are. That's not good.
That's not good.

Speaker 1 (19:14):
No, the saga continues.

Speaker 3 (19:15):
So we actually also made a joke in the intro
of this show about we were afraid we weren't going
to sell out and that Blue Man Group was going
to make fun of us, which is a very funny
and enjoyable thing.

Speaker 2 (19:27):
Here's what's crazy.

Speaker 3 (19:29):
The long standing residency of the Boston Blue Man Group
at the Charles Playhouse officially ended July sixth, twenty twenty five,
after a thirty year run that began in nineteen ninety five.

Speaker 1 (19:42):
The Blue Man Group's been around for thirty years.

Speaker 3 (19:45):
Thirty fucking years. Made extra famous on Arrested Development. They
gave more than thirteen thousand performances. They were seen by
over four point five million people, and they just wrapped
it up.

Speaker 1 (19:58):
And look at us going back road.

Speaker 3 (20:01):
Look at us not taking the hint and going back
on the road.

Speaker 1 (20:05):
That was really exciting. Also, that was the Boston Show
was the first place we started using graphics where we
realized like we could, like, I don't think we understood
what we were. We didn't know we could like turn
in photos and have them. It's like you could do
that in a third grade classroom, but we didn't realize
you could do that.

Speaker 3 (20:22):
No one understands how much we just were two gals
sitting in someone's front room chatting and we just all
was a build.

Speaker 1 (20:30):
You don't know what you don't know, and we did
not know, nor did anyone really know a lot about
live podcasting.

Speaker 2 (20:36):
No, that's right.

Speaker 3 (20:37):
I think there was a that was and every time
you guys hear a live show that we are going
to talk about or just on your own, it is
really funny. It felt like we had to teach the
audience how to be an audience quickly, because truly, some
of these and let's just say it, women showed up
and were like, you know what, I'm going to run

(20:57):
this show where it's like, no, you're fucking not.

Speaker 1 (21:00):
I've been talking back to you this whole time, and
so now I'm going to do it from the audience
out loud. And we had to be like, you talking
to us in your car does not sound the same
well as when everyone is talking to us.

Speaker 3 (21:14):
That's right, except for and I have to say this,
there are audience members that know how funny they are,
so they save it and they wait, and then they
do one that actually screaming I know, I.

Speaker 2 (21:25):
Know, I shouldn't. It shouldn't occurred.

Speaker 3 (21:27):
Okay, well we might as well just get into it.

Speaker 1 (21:29):
Okay, this is a story I just think about all
the time. I forgot I covered it live. I mean, yeah,
I'm excited to hear it again.

Speaker 3 (21:38):
Yeah, let's get into Georgia's story about the murder of
Molly bish.

Speaker 2 (21:50):
So this is the point. Normally, what where we asked
who goes first?

Speaker 3 (21:56):
Right?

Speaker 2 (21:57):
Normally? Right, that's right.

Speaker 1 (22:02):
Well I'm going first anyways, because because of this, because
graphics have to be because Steven.

Speaker 2 (22:09):
Needed to know. Also, some people might be off count
This is the dumbest thing in the world.

Speaker 3 (22:14):
Mar Your responsibility has become like a fun game for people,
or like our like total lack of really almost interest
in our own project. But also when we were on
the road, we switched it up one night and I
swear to god, where were we? I think that made
min Seattle people were not happy where They're like, it's
Georgia's turn. We're like, okay, alrighty, I mean everybody.

Speaker 1 (22:39):
Show like we don't know. It's nobody's turn. It's nobody's turn.

Speaker 3 (22:42):
Think about it.

Speaker 1 (22:43):
It's everyone's churn. It doesn't exist, fuck all of it.

Speaker 2 (22:48):
Okay, I'll go first. This is the my favorite murder.

Speaker 3 (22:54):
Sorry sorry, sorry, sorry sorry sorry sorry sorry sorry.

Speaker 1 (22:59):
No good, that's Karen. I'm George, all right. This is
the murder of molly bish oh s fucked up. Half
of people are upset, half of them are excited.

Speaker 2 (23:17):
No one's excited excited.

Speaker 3 (23:18):
I just like, it's the same feeling I have where
I go. I fucking seen this one four times, So
tell me about uh oh, I bet I know I
remember this part.

Speaker 1 (23:26):
Yes, all right, Well, well I did some digging and
I came up with some I didn't come I compiled
some suspect.

Speaker 3 (23:32):
You saw the case. I saw the case.

Speaker 1 (23:36):
Okay, summer of two thousand, Molly bish is working as
a lifeguard at Commons Pond and Warren who's from there?

Speaker 2 (23:45):
Nobody?

Speaker 1 (23:46):
Uh is Warren Shitty?

Speaker 2 (23:50):
Everyone's like, wow, that's what she.

Speaker 1 (23:54):
Okay, So her mom is dropping her off at a
shift for her lifeguard duty. And again she's sixteen years
old and she's the mom sees a mustached man in
a white sedan in the parking lot of Oh my god,
no hackling, but that.

Speaker 2 (24:12):
Was really good.

Speaker 3 (24:13):
We usually don't let somebody down in the orchestra pit
was like, Stephen, Well, when.

Speaker 1 (24:18):
You see the composite, it might be Stephen.

Speaker 3 (24:22):
He really is shaping up to be a real sexual offender.

Speaker 2 (24:28):
Can we edit that actional hair?

Speaker 1 (24:30):
Stephen gets it, please, the loveliest person in the world.

Speaker 3 (24:33):
But facial hair wise, very suspicious.

Speaker 1 (24:36):
What a baby.

Speaker 3 (24:37):
He can never sit in a sedan ever again, Like you.

Speaker 2 (24:40):
Know how he loves sitting in sadan He too loves
to go park in a parking lot.

Speaker 1 (24:45):
Yeah, you can't do it, says it relaxes him. Okay,
all right, the moms he's a mustachioed man in a
white sedan and the parking lot of the beach area
where Molly's post was located, and the mom was like,
what the fuck, the guy's shady. But and so she
waits till the guy drives away, and then the next day,

(25:06):
you know, she hadn't thought of it. The next day
she goes to drop her off and she kind of
get does a little check and he's not there. So
she's like great and leaves her. And we know that
Molly made it to her lifeguard stand because a witness
saw her at ten oh seven am, but by the
time the first group of swimmers got to the beach
around ten fifteen, Molly was already gone missing. Hours later,

(25:29):
police contacted Mary's Molly's mom, informing her that no life
could have been on duty all day, which has to
be a fucking awful call, and that Molly's belongings had
been left unattended at her station. The only clue, like,
her flip flops are there and everything. The only clue
was at the first aid kit that was by the
chair was open and it made police speculate that someone
had Someone asked Molly for assistance and was like, do

(25:52):
you have a thing? And she went to look for it,
and then, you know, Ted bundystyle, like, oh my arm
is broken?

Speaker 2 (25:58):
Do you can you help me? First day can totally.

Speaker 1 (26:02):
So the mom was like, this fucking creepy man was
here yesterday and made me creep creeped out. And so
Maggie the mom tells someone what she looked, what he
looks like, and they draw a composite sketch of him,
and uh, they said, the man is the best lead.
And witnesses came forward and said that they saw a
similar white car in the parking lot moments before Molly

(26:24):
and the mom arrived the day Molly disappeared, and so
police produced a composite sketch.

Speaker 2 (26:32):
Hello you guys like that?

Speaker 3 (26:34):
Oh, I didn't know.

Speaker 2 (26:35):
It's I'm new with this, suck Stephen. It's Stephen Ray Moore. Seen.

Speaker 4 (26:47):
I got.

Speaker 1 (26:47):
People were freaked out by the word composite sketch.

Speaker 2 (26:50):
I know they like the way you pronounced it. Yeah wrong,
Uh creepy.

Speaker 4 (26:55):
Oh.

Speaker 3 (26:55):
I don't want to see that guy anywhere, And I
don't want to. I don't want to see that guy anywhere.
I know that's malice in the eyes.

Speaker 1 (27:01):
Yeah, that's what she said. He looked, he looked cocky.
She said, right, okay.

Speaker 3 (27:07):
Sorry, hold on, I think the visual aids are really
adding a huge.

Speaker 2 (27:10):
Yeah, why didn't Whose idea was that you?

Speaker 1 (27:15):
I think it was Joe, our tour manager in Stephen,
Joe and Stephen producing the shit out of the show.
We're like, all we need is a tiny table and
some uncomfortable chairs.

Speaker 3 (27:24):
Were fine, Well, maybe.

Speaker 2 (27:27):
People want to see things.

Speaker 3 (27:28):
We just need you to whittle down a normal size
table and then get us really high cocktail chairs. All
take care of the bad nylons. Whatever else do you
feel like doing. You can go ahead and.

Speaker 2 (27:40):
Great, great, Okay.

Speaker 1 (27:44):
Then began what became the largest and most expensive search
for a missing person ever undertaken in Massachusetts, but no
clues were ever found. Tell late fall of two thousand
and two, a hunter her is in the woods and
he sees a blue bathing suit on Whiskey Hill in Palmer.

Speaker 2 (28:06):
Anyone, anyone, No, cool, you can't here if.

Speaker 1 (28:12):
You just recognize it, that's not They're like, yeah, someone
probably lives there.

Speaker 2 (28:16):
I've seen Palmer.

Speaker 1 (28:18):
Yeah, Emerson Lake and I love him.

Speaker 2 (28:23):
The guy rolled your eyes at your own ends.

Speaker 3 (28:26):
Do that, Jesus, that just came out of my mind.

Speaker 2 (28:29):
That girl is something else.

Speaker 1 (28:31):
So the dude doesn't think anything of it, but he
mentions it to his friend and the friend is like,
I'm like really smart, and I make the connection.

Speaker 2 (28:38):
He does it. His name is Tim mcgew. Nope, his
name is His name is Tim, and he makes the connection.

Speaker 3 (28:47):
We call him Tim Mickey, Tim Mickey, Mickey, Mickey g
Tim McGee, the old sharp eye Mick Timmy.

Speaker 1 (28:54):
Yeah, that's what we call him, the old every time
brainy brain investigator. He contacts police, whatever his name is,
he contacts police. Then on June ninth, two thousand and three,
day after my birthday, who gives a shit put.

Speaker 2 (29:11):
It in your calendar.

Speaker 1 (29:12):
Yeah, so it's two years after disappearing, Molly's body is
found five miles from her family home. Yeah, so he
had seen the blue bathing suit. And then fuck, there
are three main suspects that I could find and I'm
going to list them in maybe they did it.

Speaker 3 (29:31):
So yeah, they totally did it.

Speaker 1 (29:32):
Order.

Speaker 2 (29:35):
Yeah.

Speaker 1 (29:36):
So in two thousand and seven, a man named Robert Burno.

Speaker 2 (29:40):
His fifty four is charged with an Oh.

Speaker 1 (29:43):
My god, you guys I.

Speaker 5 (29:47):
Came.

Speaker 2 (29:48):
I thought it. It was like that guy ran for
Senate and he was a Trump guy. I just thought
I said it wrong. Ago, that's what happened. That happened
us in Seattle.

Speaker 3 (29:58):
I fucking mentioned the detective that was investigating the Green
River killer that Ted Bundy helped.

Speaker 2 (30:04):
I say the guy's name. The audience goes fucking berserk,
booing us, and I was like, well, that was a
fun run.

Speaker 3 (30:10):
I guess we're not doing this anymore. Here's some lunatic
Republican whatever.

Speaker 2 (30:16):
Yeah, Marius, I like that.

Speaker 3 (30:21):
We're standing up like Victorian gentleman for every fucking criminal
that comes up.

Speaker 1 (30:30):
So Robert Burno, he's fifty four. He looks like the
sketch kind of right.

Speaker 3 (30:36):
He well, he's got those eyes Jesus Christ.

Speaker 2 (30:39):
And a mustache.

Speaker 1 (30:41):
And this is when he's older too, so it could
be very different. So he had been charged with annoying.
He's charged with annoying and accosting a person of the
opposite sex. She's like, dude, and assault with a dangerous
weapon a car.

Speaker 3 (31:00):
I see, like just pulling up and tapping her with
the bumpers over and hey, hey, Hey, what's going on?

Speaker 2 (31:06):
Actually? Yeah, but.

Speaker 1 (31:11):
His check is this young woman is running on Broomfield's
a little alum road, and he keeps trying to pin
his pin her against the guard rail, which is a car. Yeah,
you can't pepper spray a car.

Speaker 2 (31:25):
I mean, what do you fucking do? But she got
away like a badass.

Speaker 3 (31:32):
That's I feel like, that's really unfair. I know, right
to try to pin someone with your car when they're
just a just a jogger. Yeah, that's when you have
the least amount of clothes on.

Speaker 1 (31:44):
Yeah, like a least Yeah, anyway, at least get near
enough that I could maybe pepper spray.

Speaker 3 (31:50):
She got away.

Speaker 2 (31:50):
She got away, she got Hey.

Speaker 1 (31:52):
So the only connection that is known of is that
Berno's brother lives about three point two miles from where
Molly was found and he's fucking assaulting a woman he
had lived in the town of Agawam.

Speaker 3 (32:13):
I knew how to say it again, I'm sorry.

Speaker 1 (32:14):
I go so you fucking know that one.

Speaker 3 (32:18):
The other ones are easy to fucking say.

Speaker 2 (32:20):
That's cool, Wooster, thank you, thank you.

Speaker 1 (32:35):
I'm truly embarrassed about that one.

Speaker 3 (32:37):
Please, I mean, there's so many things to choose from
why pick that.

Speaker 2 (32:43):
Please?

Speaker 1 (32:44):
I am I am from southern California, so hard.

Speaker 2 (32:49):
There's just no way I find that.

Speaker 3 (32:51):
What helps with the Boston accent is if you put
your shoulders up.

Speaker 2 (32:54):
And squint your eyes like Wooster.

Speaker 1 (32:58):
Yeah.

Speaker 2 (32:58):
I don't know why. I say too that.

Speaker 1 (33:02):
Like two of the nicest people on the street helped
me with something that in La they would have yelled
at me for I like dropped something and like.

Speaker 2 (33:10):
Two people were like, hey, like ran me down and.

Speaker 1 (33:12):
We're so and I was being a fucking idiot, like
looking at my phone like a dick, like I was
totally meeving. Anyways, they were really nice, So thanks Bustin.

Speaker 3 (33:21):
That was just a sidebar anecdote about something that happened.

Speaker 2 (33:24):
I just want to say I'm nice.

Speaker 1 (33:25):
Everyone's even nice scream names at me.

Speaker 3 (33:29):
I thought you were going to be like how they
came up to you with their accents.

Speaker 2 (33:32):
Or something they had.

Speaker 1 (33:33):
They had like the best accents too, do it. No,
come on, I'm not gonna offund them again.

Speaker 2 (33:39):
They don't care. They love it.

Speaker 3 (33:42):
You because you dropped your books. My moreless saw you
drew up your books something like that. Uh, theater school
years and years of theater.

Speaker 1 (33:52):
Maybe later, maybe later, I'm sweating da three point two.
My house from Marmalia is found. He had lived in
the town of aga Agaam.

Speaker 2 (34:10):
Pretended to sing along. HeiG god it it's a it's
a colin repeat.

Speaker 1 (34:17):
Where twenty four year Lisa Zygart was fuck man.

Speaker 2 (34:25):
Ziegert.

Speaker 3 (34:27):
I just wish you, guys, I'll come to my house
and I'll yell fucking names at you.

Speaker 2 (34:32):
It's killed Gariff with an a sorry dark fuck Georgia.

Speaker 3 (34:39):
No, it's no Georgia. Karen, it's really easy.

Speaker 2 (34:42):
You didn't get it wrong. I can't yellow you about that, Okay.

Speaker 1 (34:47):
So Lisa was abducted from her part time job at
a card shop on April fifteenth, nineteen ninety two, and
A gawam.

Speaker 3 (34:57):
She's doing it.

Speaker 2 (34:57):
I'm careas she's doing it for a time. I am.

Speaker 1 (35:03):
It's about thirty miles from Warren and it's barren.

Speaker 3 (35:13):
Sorry Lisa, let's let her tell the story.

Speaker 2 (35:15):
Really wish she wouldn't.

Speaker 1 (35:17):
Lisa's body was discovered in a wooded area four days
after she was abducted, and she'd been stabbed to death.

Speaker 2 (35:23):
Her baby.

Speaker 1 (35:24):
I know Little Alum Road where Bruno attempted to accost.
The jogger is about five miles from Commons Pond where
Molly was abducted.

Speaker 3 (35:35):
Yeah. And also you're getting one of those things like
it was a procedural. There would be like a pin
with a piece of thread, no, and then someone making
a circle with it.

Speaker 1 (35:45):
If I were a professional, there'd be a fucking map
right here.

Speaker 3 (35:47):
I mean, could you imagine a map with circles on it?

Speaker 2 (35:51):
Red and green?

Speaker 3 (35:52):
Whatnot?

Speaker 1 (35:52):
I was gonna, I really thought about it.

Speaker 3 (35:55):
Are you serious, like designing some kind of a map circle?

Speaker 2 (35:58):
Yeah, but you know you have to curl that hair.
You know, this hair doesn't curl itself. Girl stuff.

Speaker 1 (36:09):
And then oh and also his mugshot resembles the person
the mother saw, and she said that the similarities between
them are frightening.

Speaker 3 (36:19):
Quote all right, suspect number two and.

Speaker 1 (36:23):
November twenty eleven, Gerald Bassett TONI Gerald Gerald.

Speaker 2 (36:30):
I was so proud of myself. We're getting right. I'm sorry,
you're round. That's well, you're.

Speaker 3 (36:37):
All freaked out now, I am.

Speaker 2 (36:39):
You're so sweaty.

Speaker 1 (36:47):
Let's get this strike clean. Take it out of my
okaypy dudes, look this evil in an area like it
doesn't but it does like, look at those eyes, those eyes,
at that power, like the grimace.

Speaker 2 (37:05):
Yeah's him. That's what a ham haul.

Speaker 3 (37:06):
So those are the same eyes of every like fifty
eight year old woman in Beverly Hills.

Speaker 2 (37:12):
That's what it looks like when you get plastic surgery.

Speaker 3 (37:15):
Nobody ever believes you're younger.

Speaker 2 (37:17):
That's some bloat right there. You just look like a
potential murderer.

Speaker 1 (37:21):
That's a fucking that's some hard coordnatty light bloat.

Speaker 2 (37:24):
Half an hour, you know.

Speaker 3 (37:27):
Oh yeah, I think it's him.

Speaker 1 (37:28):
Look at them, look at look at them in the
middle of his eyes, the brow for real.

Speaker 3 (37:33):
Yeah, dude, if I could do anything with computers, what
I would do right now is an animated gift that
draws on that mustache on that oh yeah, kind of
real sketch.

Speaker 1 (37:44):
I love when they take the two the real picture
in the sketch.

Speaker 2 (37:48):
And the go sup and you're like, oh my god, but.

Speaker 1 (37:50):
It's not him even it's just you can get convinced
him anything.

Speaker 3 (37:52):
Yeah, you're just like the pictures blended and it makes
him guilty. Uh.

Speaker 2 (37:59):
Gerald, his name is Gerald, it's Gerald's Yeah.

Speaker 1 (38:02):
He was a confidential informant for the Eastern Hampton County
Narcotic Tasks.

Speaker 3 (38:08):
Force, which he's a narc.

Speaker 1 (38:10):
Like, that doesn't mean he's like a good guy. Like
he was like a fucking got arrested and was like,
I'll tell you everything.

Speaker 3 (38:15):
He's a fucking he was a stam pigeon. So now
I'm doing New York. It doesn't I've lost my I've
been there tomorrow.

Speaker 2 (38:22):
We'll be there tomorrow. Up up where did I go?

Speaker 3 (38:26):
Okay?

Speaker 1 (38:27):
So he's a jerk, and he he's named as a
suspect by a private detective, and he's served a prison
sentence for repeatedly raping a teenaged.

Speaker 2 (38:38):
Girl in the nineteen nineties. I know who.

Speaker 1 (38:41):
I think it was his girlfriend's best friend's daughter.

Speaker 3 (38:46):
He's a fucking creepy piece of shit.

Speaker 1 (38:49):
Okay, So he had a criminal record dating back to
nineteen eighty and he had been in the area where
Molly Bush's body was found and resembles the sketch. And
then who doesn't I mean he spit my photo up there?

Speaker 3 (39:04):
Steve.

Speaker 1 (39:05):
He attempted suicide in prison by slitting his own throat
after a newspaper articles identified him as a potential suspect. Wait, guilty,
fun but he's already in jail, in jail for something unrelated.
It comes out in the.

Speaker 3 (39:20):
Paper and they're like, and now he's a shame.

Speaker 1 (39:23):
Yeah, I think he's there for the No. Now he's like,
oh shit, I absolutely did it.

Speaker 3 (39:28):
Goodbye, you know what I mean?

Speaker 1 (39:30):
Yeah, and you also don't. I don't think he likes
slit your own throat, like, that's not a chill, Like
I'm going to make it look like I want to die,
Like that's not a no.

Speaker 2 (39:37):
You're you're out, You're out of there. You're giving it
your best shot. Yeah.

Speaker 1 (39:43):
So, but unrelated to the suicide. He died in November
twenty fourteen.

Speaker 2 (39:48):
So you're saying he did it. Oh, that's number two.
That's number two.

Speaker 1 (39:52):
And then finally, don't like, don't make me decide yet. Okay,
this is like the dating the worst data game.

Speaker 3 (40:02):
Ever. Do you want the weasel eyed bachelor number one?

Speaker 1 (40:07):
Now you can take this the sketch guy, take this
the guy was sketched out.

Speaker 3 (40:12):
Then he'll kill you.

Speaker 2 (40:13):
All right.

Speaker 1 (40:14):
So in two thousand and nine, last suspect a woman
named Crystal Morrison who's fifty.

Speaker 3 (40:19):
She's a former.

Speaker 2 (40:21):
Warren local who's now living in Florida.

Speaker 1 (40:23):
She makes a series of really weird calls to her
sister Bonnie, and in the calls, Crystal is whispering and
would bring up the topic of murder and repeatedly ask
the name of Bonnie's bird, which was Mollie, like in
a really weird like, oh, what's your bird's name?

Speaker 2 (40:38):
Oh, like to make her keep saying it, trying to
give her some kind of signal. Yeah.

Speaker 1 (40:41):
And the sisters found the Crystals sound dead, and Bonnie,
the sister who was on the phone, was like tells
Massachusetts authorities about her sister's boyfriend, who ends up getting
convicted for the murder of Crystal.

Speaker 2 (40:54):
Bonnie tells him that the that Rodney, Where did I
put his name? Rodney?

Speaker 1 (41:00):
He had lived in This guy had lived in Southbridge, Massachusetts,
a few miles.

Speaker 3 (41:04):
Fuck.

Speaker 2 (41:05):
I keep getting freaked out.

Speaker 3 (41:06):
No, it's that guy, Someone's like, I live. It's got
to be this guy.

Speaker 2 (41:13):
He'll lash that guy.

Speaker 1 (41:15):
I don't know.

Speaker 2 (41:16):
I think the other will. Yeah, yeah, it's this guy.

Speaker 1 (41:21):
I wish we could see his photo, like this is
two thousand and nine.

Speaker 2 (41:24):
I think I wish we could see him.

Speaker 3 (41:26):
And I wish he I wish he would put a
bunch of walnuts in his cheeks, so he would match
that guy.

Speaker 2 (41:32):
Then we'd know.

Speaker 3 (41:34):
That's how let's get him.

Speaker 1 (41:35):
A facelift in jail. You guys will all fan together
start a Kickstarter.

Speaker 3 (41:43):
I'm sorry, but this is our new show where we
just are like, look at pictures where.

Speaker 2 (41:48):
People gassed at us.

Speaker 1 (41:49):
We freak out, and then we all turn and look
at the photos.

Speaker 2 (41:52):
We forget over and over, over and over all. Right,
So this psychopath.

Speaker 1 (42:00):
So he he lived in the area a few miles
from the town of Warren where Molly disappeared for more
than twenty years, and moved to Florida a year after
Molly was murdered Red Flag.

Speaker 3 (42:12):
Yeah.

Speaker 1 (42:13):
He was known to have access to a white car
similar to the one seen the day before Molly's disappearance,
and was known to fish in Commons Pond and hunt
in the woods where Molly's body had been found near
the area near the fucking area. Yeah, multiple areas, And
it wasn't until twenty thirteen. A further connection between them

(42:35):
between Molly and Rodney appeared weeks before her disappearance in Southbridge.

Speaker 2 (42:40):
Mollie, who lives in Warren.

Speaker 1 (42:42):
She actually took the classes for the certification for her
lifeguard certificate. Oh his name is Rodney Stranger by the way,
like a stranger, like making a murderer.

Speaker 3 (42:53):
Just in the l away. Oh oh, what was your thing?

Speaker 1 (42:58):
Sorry, she's taking her certification for lifeguarding and it's in
Southbridge where he lives.

Speaker 2 (43:05):
And so his house is.

Speaker 1 (43:07):
Just three tenths of a mile from the place where
she takes her classes, which I think is the Yoca.
So like he probably goes things out there too, And
then it's speculated that the two maybe met. There's a
local coffee shop where everyone hangs out and she's really
friendly and outgoing, her parents said, and so if he
was like chatting her up and they were talking and
he's like, so, what are you doing in town? And
she's like, oh, I'm going to be a lifeguard.

Speaker 2 (43:28):
Oh when are you going to go? Where are you? Oh?
I go to comments pond.

Speaker 1 (43:31):
I fished that, you know what I mean. Maybe I'll
come visit, you know. And then she's and then he
comes up to her lifeguard stand. He's like, hey, remember me,
I need a band aid and she's like okay, because
she fucking trusts he.

Speaker 3 (43:39):
Oh, it's my good friend from the cafe with the
huge mustache and the worst eyes I've ever seen.

Speaker 2 (43:45):
I better help.

Speaker 1 (43:46):
Him, yeah man, yeah, yeah, So she maybe told him
that then in September of last year, So just September
twenty sixteen, oh, enhance DNA testing quote became available in
September for like the DNA that they had, so detectives

(44:09):
wanted to test it. Twenty four pieces of evidence collected
during the investigation, additional evidence that had never been tested.
It hasn't been tested yet, and the sister said she
had not been told which items will be tested. But
it came from the pond where Molly was last seen.
So here's Molly Bush a photo of her.

Speaker 2 (44:30):
I know I had that flannel. I think.

Speaker 3 (44:36):
I know all those pictures have heard you just know
that girl. I know. It's just that like you went
to high school.

Speaker 1 (44:41):
With lecture or choker. She has a necklace like a
Hemp necklace.

Speaker 2 (44:44):
Wait, is this nineteen ninety seven, two.

Speaker 1 (44:47):
Thousand the same thing when you're in Massachusetts? Right?

Speaker 2 (44:52):
No, you have to deal with it. We have microphones.
Car mout.

Speaker 3 (45:01):
That's my new laugh you Karen, That's so charming, isn't
it neat?

Speaker 1 (45:08):
Yeah, So hopefully they'll test that DNA and we'll get
an update on this case. And then Rodney Stranger, who's
clearly the fucking killer.

Speaker 3 (45:16):
Should we make a friendly wager on it? I bet
you two thousand dollars.

Speaker 2 (45:20):
It's not No, I'm just kidding.

Speaker 1 (45:23):
I was like, that's a lot of first class, but
it's one that's one that's one way. Let's all go
to the jail cell where he's in right now, fucking
beat it out of him.

Speaker 2 (45:35):
What we're not allowed to say?

Speaker 1 (45:36):
No, no, oh, because then they're like, she's.

Speaker 2 (45:40):
Incited people to Oh, there's Toad. No, there's not, Stephen.
Don't let me get arrested.

Speaker 3 (45:51):
I edit out any arrest or problem that I call.

Speaker 2 (45:56):
By the rest of my life.

Speaker 3 (45:58):
Yeah, I saw, I saw that. Want her mom is
on one special. That's heartbreaking because her mom, you know,
you know, worked so hard to find her and was
so active, and it's very sad. There's also one of
the it's like the worst funny thing of all time.

Speaker 2 (46:19):
Do you guys know what I'm.

Speaker 3 (46:20):
Gonna be about. It's a news it's a local news
report and they are talking about this case.

Speaker 2 (46:27):
But when they go to put up.

Speaker 3 (46:28):
That guy's picture, Stranger, it's a picture of a hamster.

Speaker 5 (46:33):
Instead, I was not expecting that it is so funny terrible,
like because the reporter it's very sad and serious.

Speaker 2 (46:44):
It's well into the case.

Speaker 3 (46:46):
Who did that?

Speaker 2 (46:48):
Some fuck up in.

Speaker 3 (46:49):
Like the graphics department was like, then we do the
hamster story.

Speaker 1 (46:53):
And it's like no, no, no, no, audible, don't have that.

Speaker 2 (46:58):
Yeah, it's a fucking bottom.

Speaker 1 (47:00):
I thought you were going to say it was like
it was the like vacations photos from the newscaster.

Speaker 3 (47:05):
No, that's worm. You have to look it up because
it's it's hilarious terrible.

Speaker 2 (47:10):
But also here's ho I'm you know my early murder.

Speaker 3 (47:14):
You know, the first time somebody showed me that, it
was like in a writer's room, and instead of laughing
at the hamster, I was.

Speaker 2 (47:19):
Like, I know, the molly bish case.

Speaker 3 (47:21):
And then that's what I wanted to talk about. It's
just like, that's actually a bit incredibly sad case, because
I know.

Speaker 1 (47:27):
I hate when people like casually bring something up that
has that they don't even care about murder, and then
you're like, oh, do you know that it's crazy about
that case?

Speaker 3 (47:34):
Is that this happened?

Speaker 1 (47:34):
And then and then they're like okay, okay.

Speaker 2 (47:38):
Like, don't start it if you don't want to hear it.

Speaker 1 (47:40):
This what's trying to help me find like a murder
for New York. And then I know I was like, oh,
that case is cool because and then he was just like,
I'm just giving you names.

Speaker 2 (47:50):
Okay, we're back. Are there updates for this case?

Speaker 1 (47:53):
Yeah? I have updates. I feel like this is one
of those cases that a lot more people know about
now and is one of those cold cases is that
everyone kind of talks about. Yes, And so twenty five
years have now passed since Molly Bish was murdered, her
case remains unsolved. In twenty twenty one, investigators announced a
new person of interest, a man who died in twenty

(48:13):
sixteen but was a known sex offender with an extensive
criminal history. The police haven't publicly stated how this man
relates to Molly's case, but he remains a person of
interest to this day. So today, Molly's loved ones advocate
for child and family safety through the Molly Bish Foundation.
In an interview this year of twenty twenty five, her
mother Maggie said, we feel very optimistic that someday this

(48:35):
case will be solved. There's newer ideas, new DNA, new
people on the case, and I do think they're so
so close to figuring this one out well.

Speaker 3 (48:46):
And also what a beautiful thing, hopefully that her mother knows.
There are these things called citizen sleuths who really have
been there with this case since it began, since we
all saw it on Cold Case Files or on Forensic
five or whatever you know ID channel show that we
saw it on and kind of grew up with it.
And it's like knowing that this is one of those

(49:07):
ones that's just sitting out there, people really do care
and are paying attention and just want that answer and
want to try to help with that answer.

Speaker 1 (49:15):
For sure. And it's not a thing you can like calculate, obviously,
but I bet her story being out there and their
advocacy work has saved women in girls' lives. Absolutely no
way to know, of course, for sure, but knowing that
story has made women and girls be a little more
cautious and I'm sure saved lives. So yeah, you know,

(49:35):
all right, let's get into your story. This one is
the story of the Giggler, all.

Speaker 2 (49:47):
Right, You ready for this one?

Speaker 3 (49:48):
Yeah, yeah, you guys.

Speaker 2 (49:55):
I got all of this.

Speaker 3 (49:57):
Off of a blog called I Did It for Jody.
Have you read that? I've never seen it before. And uh,
it's a person that told this story really well. So
this is fucking straight up plagiarism.

Speaker 2 (50:15):
But it's a really good true crime blog.

Speaker 3 (50:17):
Yeah, you should have reached a lot of other stuff
on it, so shout out and full apologies.

Speaker 2 (50:23):
Don't assume me I changed every fourth word.

Speaker 3 (50:25):
Okay, this is the case Boston's notorious case of the Giggler.
Do you know the giggler? Giggler in California we call
him the giggler?

Speaker 1 (50:38):
All right, nobody like they made that up for people
who so they can tell they're not from around here.
That's right, it's a test. We're like, there's there's actually
no gigler.

Speaker 3 (50:51):
At one thirty in the morning on June thirteenth, nineteen
sixty nine, a call came through to the Boston p
D switchboard, and the voice on the other line said,
my dea at the corner of Washington.

Speaker 2 (51:01):
That's the only I can't really do it.

Speaker 3 (51:03):
Boston is really is truly the hardest accent.

Speaker 2 (51:06):
Yeah you can tell.

Speaker 3 (51:09):
Yes, you should be very proud of that. High fives
all around. There's nothing worse than when a movie is
set in Boston and there are people who are bad
actors in that movie.

Speaker 1 (51:22):
We can tell, thank you, Boston, we don't worry. We
don't think they're fucking any of these people.

Speaker 2 (51:29):
Sound like that.

Speaker 3 (51:30):
Well, also, it's just like, get fucking Matt Damon. If
you can't get somebody that can do the end.

Speaker 2 (51:35):
I'm sure they have actors in Boston.

Speaker 3 (51:38):
There's so many afflecks that want to be in this business.

Speaker 2 (51:41):
Pull him in, get him in there.

Speaker 3 (51:45):
No, I know, right, we all have opinions, everybody. So
the guy on the other line at the Boston PD
switchboard says, my da, at the corner of Washington, I'm
not trying to be in a movie right now, Washington
and kneland streets in a construction site, there'll be a
man down in the water dead. Then he identified himself

(52:07):
as the Giggler, cackled like a maniac, and hung him.

Speaker 1 (52:11):
Oh can you imagine like having to go home that
night after taking that.

Speaker 2 (52:15):
Call and be like, I talked to the biggest nerd
in Boston. Time, you're not gonna fucking name yourself. Yes,
he must have.

Speaker 3 (52:25):
Like loved Batman or something. I'd be like, I want
to kill good people. But I'm also super nerdy. You
just heard from the giggler. It's so hard to fake
laugh anyway, it's hard.

Speaker 2 (52:39):
A giggle.

Speaker 3 (52:41):
May also you're a man.

Speaker 2 (52:43):
Yeah, how would you do it? That sounds right.

Speaker 3 (52:48):
I bet she was like, not so much like scared
as she was so so sad for him. So when
the police arrived at that location, which is in the
uh is a square in the middle of a place
called these guys know what, I don't know, Georgia. If
you know it, it's called the combat zone. So it's a dirty, dirty,

(53:08):
dirty place hair in Boston.

Speaker 2 (53:11):
I bet it's not anymore. We're in it. We're in
it right now.

Speaker 3 (53:17):
We're in the fucking combat zone. And then it just
fucking turns into a strip show.

Speaker 2 (53:25):
Uh, Stephen, take it.

Speaker 3 (53:34):
Stephen crawls out in a gold lemmone bikini bottom.

Speaker 2 (53:38):
Go go, no touching, no touching. I don't know why
we're struggling all the side of the fuck. We're in
the combat zone, dude, got it, all right?

Speaker 3 (53:51):
That changes my whole experience. Uh So, somewhere nearby here
they find a dead man who is submerged with his
skull crushed in a water filled ditch. So this man,

(54:12):
his name was Joe Breen, and according to his friends,
he had spent his last night on Earth drinking at
a bar called the Novelty.

Speaker 1 (54:20):
I doubt this place is in it. It's all go
there after the show, I.

Speaker 3 (54:30):
Would, because what he did on this last night on
Earth was drink beer and play shuffle board.

Speaker 2 (54:38):
That's all I name.

Speaker 4 (54:38):
All right, Uh, I told you not to come here,
thank you.

Speaker 2 (54:52):
That's what tour us apart. That was a lot.

Speaker 3 (54:54):
That's insanely rude. But we're in the combat zone.

Speaker 2 (54:59):
Baby.

Speaker 3 (55:00):
It's rough, well it's.

Speaker 2 (55:01):
Rough in hair one side. It compliments and shit.

Speaker 3 (55:07):
Okay, So his friends say that at the Novelty is
where Joe brain met a chubby, dark haired stranger who
he continued to play shuffle board with after his friends
were like, no, let's go across the street to that
other bar u.

Speaker 2 (55:22):
And then when the.

Speaker 3 (55:22):
Bars closed, Joe's friends came back to the Novelty to
get him, but found that neither he nor his new
friend were there anymore. And one of the guys that
were in Joe's group of friends was a cop, and
so after the Joe's body was found, this guy went

(55:44):
back to the novelty for like night after night for
like a month to see if he could see the
guy again. But the guy never showed up. Yeah. So
six months later, on December twenty sixth, nine year old
Kenneth Martin is reported missing.

Speaker 2 (56:00):
Uh huh. He was last seen near South Station.

Speaker 3 (56:05):
Oh is that good? He'd be like, ooh, that's Tony.
He must have been rich. South Station's bad. Okay, well
that's appropriate because terrible things happened there, and I'm going
to tell you what they are. On January sixth, an
anonymous tipster calls and says that Kenneth Martin's body can

(56:28):
be found in one of the tunnels beneath South Station.
But he didn't announce himself or laugh this time. I
bet he felt stupid about the first time. So and
he's like, I'm not doing that anymore. It's stuck anyway.

Speaker 2 (56:42):
So the police went down there.

Speaker 3 (56:45):
It took two days to locate Kenneth's body, and he
was lying under a canvas tarp. He had been strangled
to death and the twine was still around his neck,
but there were no signs of sexual assault. It turns
out that Kenneth Martin had worked at the South Station
Bowling Alley.

Speaker 2 (57:02):
Is that still there? Don't you think it should be?

Speaker 1 (57:08):
I think it's one of those, like the old fashion
ones had the small, small little balls and that put
the pens. Yes, it was right ya.

Speaker 2 (57:16):
Candlepin, candlepit, candlepin Southern California, doesn't it. We've got the
biggest pins in home.

Speaker 3 (57:24):
Well, it was one of those because he, Kenneth's job
was to reset those pins. He made a little money
resetting the pins at this shitty stationed bowling alley.

Speaker 2 (57:37):
Maam.

Speaker 3 (57:38):
But the good part about that was because he worked there,
everybody else that worked there knew him, and so they
saw him when he uh, they basically saw the last
person that was with him, and that was Kenneth Harrison,
thirty one, an unemployed cook who.

Speaker 2 (57:57):
Fuck I knew somehow. Oh he don't look chill. Yeah.

Speaker 3 (58:04):
So so this guy basically sleeps in unoccupied like offices
and spaces in South Station, which I hear is great.
It's an up and coming area. Now those offices go
for thirty five lofts now, so.

Speaker 2 (58:25):
That's my blace.

Speaker 3 (58:28):
Can't believe A Hann wrote this. I know, this is
such a bad idea. This looks like fucking quills. Like
it's like I'm a lunatic inside of an asylum.

Speaker 2 (58:38):
Like and then the man took the child.

Speaker 3 (58:41):
Jesus Christ, what is my life?

Speaker 2 (58:44):
Okay? First class?

Speaker 3 (58:46):
Uh oh, I wrote That's why I was so lost,
because I just randomly wrote, good eye Bowling Alley, Dude,
don't stop it. Karen Okay said he'd been at the
bowling Alley long enough to know that if you see
a thirty one year old cook and a nine year
old boy palling around together and you're not at a

(59:07):
Magic the Gathering gathering, then why don't you go ahead
and call the police.

Speaker 2 (59:13):
And that's what they did.

Speaker 3 (59:14):
Ooh, whatever it takes.

Speaker 1 (59:17):
I know.

Speaker 3 (59:17):
They're like, there's no way she's attacking Magic the Gathering.

Speaker 2 (59:21):
She threw it down and she doesn't give a fus.
She's more of a world.

Speaker 1 (59:24):
Of warcraft of I don't know if those aren't even
close to each other.

Speaker 3 (59:30):
Uh. Turns out when the cops went to talk to
Kenneth Harrison, he had the day before jumped on a
train to Providence, Rhode Island.

Speaker 2 (59:40):
Is that a fun train trip? It's yeah, it's close.

Speaker 1 (59:47):
Because never mind what I met some nice murderingos And
when I was having lunch earlier and they told me
where Rhode Island? And it's like, oh, so, did you
guys come in for the day and or like fly
in And they're like it's like an hour.

Speaker 2 (01:00:03):
Would you take a boat or a train?

Speaker 1 (01:00:09):
Very nice about it, though where we live it takes
seven hours to get anywhere else, like in the city,
in the same city, in that one city. Don't come
in here to Los Angeles and Boston are so different,
thank you.

Speaker 2 (01:00:21):
Oh no, you're getting one.

Speaker 1 (01:00:22):
Well, it's from the probably the ladies at the bar
who're wines.

Speaker 3 (01:00:25):
Oh, I see him. They they're the ones who talk
to about Providence, Rhode Island.

Speaker 2 (01:00:30):
I like to picture that. It's like a soap diish
thing where you're.

Speaker 3 (01:00:32):
Going up to people being like, where's Providence, Rhode Island?

Speaker 2 (01:00:36):
Do you listen to podcasts? Like it's clearly a girl
that's coming to the show.

Speaker 3 (01:00:41):
You can just tell you, yeah, well you see your shirt.

Speaker 2 (01:00:43):
Yeah you have pens on. I know you're coming, all right.

Speaker 3 (01:00:46):
So the police bring and he's gone. The police bring
Kenneth Harrison back to Boston and they interrogate him, and
Kenneth tells police that he was uh, he was sitting
in an office and he was suddenly struck with the
urge to kill and that's when Kenneth Uh rolled on by.

(01:01:11):
And he has no memory of it because he was
blackout drunk. He claims that he woke up down in
the tunnels next to.

Speaker 2 (01:01:20):
The dead body.

Speaker 3 (01:01:21):
He covered it with the canvas and left because he
he said, uh uh oh he uh he called it
in and then he left because he fell back, and
then the cops were like, oh, really.

Speaker 2 (01:01:34):
Is that your story?

Speaker 3 (01:01:35):
And then uh, Kenneth Harrison said, well, as long as
I'm here, I might as well tell you about a
few more.

Speaker 2 (01:01:41):
Who is I'm the gig?

Speaker 3 (01:01:47):
Laugh?

Speaker 2 (01:01:50):
So huh. Two and a half years earlier, while he was.

Speaker 3 (01:01:54):
This is fucked up.

Speaker 2 (01:01:56):
We've we've been having a.

Speaker 3 (01:01:57):
Nice time so far. It's about to get really not
that great. Well, uh, he was working as a cab driver.
He saw six year old Lucy palmern She's gonna come
up in a second.

Speaker 2 (01:02:10):
Well, I mean.

Speaker 3 (01:02:10):
Yeah, So he sees her walking. This is the thing too,
She's six years old walking to the store to get candy.
Six six years old. Because it's the sixties, she's this
big easy, get out of here.

Speaker 2 (01:02:24):
I don't want to see you till the sun goes down.

Speaker 3 (01:02:26):
Lucy, go go play fucking go walk around the south
side of Boston.

Speaker 2 (01:02:33):
Yeah, world of Warcraft isn't invented yet.

Speaker 3 (01:02:35):
Go play.

Speaker 2 (01:02:36):
Just go.

Speaker 3 (01:02:38):
So he is in his cab. He offers her a
ride and she gets in. He's friendly enough, he gets
she gets in willingly. They drive around the neighborhood for
a bit, and then he parks the cab on a
bridge overlooking four point Channel God, which is the site
of the Boston Tea Party. Georgia, you'll be tested later
on that.

Speaker 1 (01:02:59):
It's that I just didn't even notice.

Speaker 2 (01:03:02):
Again it everyone's so pissed. I know what it is.
It's hard. It's hard to be vulnerable.

Speaker 3 (01:03:17):
So so they get out of the cab and he
encourages her to get on his back because he's going
to give her a piggyback ride. And uh then he
tells the police he was again struck with that urge
to kill, and so instead of putting her like up
on his shoulders, which is not a piggyback ride, but

(01:03:37):
it's how the.

Speaker 2 (01:03:38):
Thing was written.

Speaker 3 (01:03:39):
So I just have to copy and paste as I
see it. He instead of lifting her to put her
on his shoulders, he just throws her off a bitch,
fuck yeah, get out. So five weeks later later, Lucy's

(01:04:01):
body is found on May twenty fourth, but since there
was no one witnessed it was the middle of the day,
nobody witnessed it happening. Her death had been was ruled accidental.

Speaker 2 (01:04:10):
And then on.

Speaker 3 (01:04:11):
November twenty sixth, nineteen sixty eight, while walking across that
same bridge, he spots seventy five year old Clover Parker,
an old lady who had been slipping on the ice
and had a cane clover and he yeah, yeah. He
walked over to help her and was again struck with

(01:04:32):
the urge to kill, and so he punched her in
the face a couple of times and then threw her
off the bridge again in broad daylight. Where what is
the situation with this bridge? Is there a bunch of
trees nearby?

Speaker 2 (01:04:48):
Why am I asking? Why am I asking?

Speaker 1 (01:04:50):
Do you think anyone's on their first date right now?
And one person was like, what do you want to do?
And she's like, I don't know this thing you want
to comment?

Speaker 2 (01:04:56):
I really want you to like try, and I like yeah,
and they're like, this state's over.

Speaker 3 (01:05:01):
Yeah. The one person's all, after this, we're going to
go back and we're gonna have some drinks. And the
other person's like already texting their friend, like you have
to fucking come get me at the wilbur right now.

Speaker 2 (01:05:13):
Why did you set me up with her? What the fuck?

Speaker 3 (01:05:15):
What? Who is this?

Speaker 2 (01:05:16):
Yeah, that's fine.

Speaker 3 (01:05:24):
The bruising on her face, the beating was mistaken for
post mortem injuries, and so again it was rolled in
accidental death.

Speaker 4 (01:05:32):
No.

Speaker 2 (01:05:33):
Then seven months later.

Speaker 3 (01:05:35):
Is when he met up with Joe Breen and beat
him to death with the rock.

Speaker 2 (01:05:38):
He had hit him in the head with a rock.

Speaker 3 (01:05:43):
But then in his confession he wasn't done because then
he rolled it all the way back to January twenty eighth,
nineteen sixty six, which was the date of the Paramount
Hotel fire that was a well known hobo hotel here
in the combat zone.

Speaker 1 (01:06:01):
Say hobo anymore, you can't say it. No, hobo's bad.

Speaker 2 (01:06:06):
How was bad? It's a train worker?

Speaker 3 (01:06:11):
So he Basically fifty people were injured, eleven people died
in this fire, and it was it was decided that
it was because of a gas leak until Kenneth Harrison
explained that he set that hotel on fire because he
wanted to watch it burn.

Speaker 1 (01:06:28):
What.

Speaker 3 (01:06:30):
So he was tried for Kenneth Martin's murder first, and
he was sentenced to life in prison without the possibility
of parole, and then just to get it all taken
care of all together, his lawyers struck a deal so
that in exchange for him pleading guilty to second dream
murder in each case, each of the other cases he
was given three life sentences with the possibility of parole

(01:06:53):
to run concurrently with the one where there was no
fucking way it was getting out. So it's all just
kind of like do you want this Kenneth.

Speaker 1 (01:07:01):
Okay, can you imagine? Like that's his best bet? Yeah,
Like they're not talking around.

Speaker 3 (01:07:07):
Yeah, He's like, could you could I also have stickers? Nope,
certain stickers are only for the good boys, all right.

Speaker 2 (01:07:19):
So then he was sendenced to.

Speaker 3 (01:07:20):
Hard labor at Walpole State Prison.

Speaker 2 (01:07:27):
You guys, summer there.

Speaker 3 (01:07:30):
There's just a rowe of dudes in like orange jumpsuits,
chained together.

Speaker 2 (01:07:33):
They're just like, yeah, that's what I came here for.

Speaker 3 (01:07:37):
Finally, So I mean, instead of going to Walpole, they
send them to Bridgewater State Hospital for the mentally, for
the criminally insane. Now I have to tell you in
our next show, we're doing different murders tonight.

Speaker 2 (01:07:52):
And I know, right, uh, And.

Speaker 3 (01:07:56):
I don't know what the problem is, but it's just
we're changing its variety.

Speaker 2 (01:08:01):
But you're not as good.

Speaker 3 (01:08:03):
Bridgewater State Hospital plays into so many here. It's they
send everybody there terrible, it's terrible. Luck in there, get
in there?

Speaker 2 (01:08:14):
Well, you can't.

Speaker 3 (01:08:14):
There's a there's a really upsetting documentary called the Titty
Cut Follies and it's about it's hard to find. They
pulled it because it was an infringement of people's privacy.
But this guy went in and made a documentary about
life inside this this state prison.

Speaker 2 (01:08:31):
Went to that. No, that was the one that was
the Staten Island. But similar I bet you that probably
gave all of.

Speaker 3 (01:08:37):
The idea because it was this thing where they went
in of like, oh, this is every year they do
a talent show at uh, it's Bridgewater, right at Bridgewater
State Prison they do a talent show.

Speaker 2 (01:08:47):
And so they were like, we're going to go film that.

Speaker 3 (01:08:48):
But of course what they were really filming is this
fucking the way people are treated, and it's how awful
it was and dehumanizing and everything. So I just thought,
I throw that movie recommend day now for you if
you have a you know, phone weekend, plan to throw
that one in there, just to see man's in humanity
to man.

Speaker 2 (01:09:09):
So Kenneth Harrison stayed at Bridgewater.

Speaker 3 (01:09:12):
For twenty years and then in April of nineteen eighty nine,
they told him that he was scheduled to beach finally
be transferred. They gave him a nice twenty year holding
period and then they said you're going to get transferred
to the state prison. So he oweded on his antidepressants.

Speaker 1 (01:09:30):
Okay, we're back. What a creepy story, Karen. Do you
have any updates?

Speaker 3 (01:09:35):
Well, there's no updates about the case. But I did
mention that I sourced this story entirely from a website
called I Did It for Jody. That again a quick reminder,
It's twenty seventeen Georgia and I are doing our own
research in our hotel rooms, hours before these live shows
go on the air. Yeah, it's real catches catch can
So when I would find a website like this of

(01:09:57):
like a person who's like dedicating their time, I'd be like,
thank god, someone's doing this whatever, so they looked it up.
This website is no longer active, but it was a
reputable anonymous true crime website from twenty eleven to twenty
twenty one, and then it just disappeared between June and
July of.

Speaker 2 (01:10:14):
Twenty twenty one.

Speaker 3 (01:10:16):
However, somebody else went and created archives, so if you
go to the wayback Machine you can read old posts
on I Did It for Jody. Basically another fan of
that work and that writing wanted to ensure that the
anonymous author of I Did It for Jody's deep dive
work remains accessible to true crime fans and readers.

Speaker 1 (01:10:38):
That's just a reminder of everyone that nothing is ever
actually deleted from the Internet. Don't forget that when you
write something stupid at three in the morning.

Speaker 3 (01:10:47):
And don't forget that when you record something stupid and.

Speaker 2 (01:10:50):
Talking about.

Speaker 1 (01:10:54):
Oh, it's too late for us.

Speaker 2 (01:10:56):
I mean, it's we're long gone.

Speaker 3 (01:10:58):
But if you want to, you can go read I
Did It for Jody at I Did It for Jody
archive dot WordPress dot com.

Speaker 1 (01:11:04):
And Jody is Jodie just one? All right? Is that? Everything?

Speaker 3 (01:11:10):
Also in my story the moment we're in the story
I'm explaining, and this took place in the combat zone,
and the audience goes crazy and I had no idea
what was going on. It was so confusing where we're like, oh,
is this what it's going to be, where they're just
going to yell at us randomly or whatever, and then
it's like, you're in the combat zone.

Speaker 1 (01:11:29):
What a weird thing to name it neighborhood the combat zone.

Speaker 3 (01:11:33):
I guess it was pretty bad at certain time. But
also I'm pretty sure that this was the show where
when we were done, you and I alone on the
road together, went out to dinner. We walked two blocks
up the street and you couldn't go too far because
you had your little raincoat on and it was twenty
degrees in Boston, and we went into that like bar
restaurant and we're sitting there talking and then I'm.

Speaker 2 (01:11:54):
Like, I think people are looking at us, and like,
basically we walked right into people dinner.

Speaker 1 (01:12:00):
After the show, that was like, that was the time
we realized we have to go either get room service
or go to the other side of town after the
show unless we.

Speaker 3 (01:12:11):
Want to say hi to unless we want to unless
we want to force other people to have like a
reception for us at a public place, which isn't really
our style, like.

Speaker 1 (01:12:20):
We've seen you already, we've gotten enough of you.

Speaker 2 (01:12:23):
Yes, it was lovely though.

Speaker 3 (01:12:24):
I remember how fun and funny those people were, because
from what I remember, it was like a group of
men and women that were.

Speaker 2 (01:12:33):
Like, hey, we were just at your show, and it
was really it was very weird.

Speaker 3 (01:12:37):
Of course for us, it was very new and very touching.
How like fun and friendly they were.

Speaker 1 (01:12:41):
Yeah, it was very casual, thanks guys. Cool.

Speaker 2 (01:12:44):
Yeah, so that's it.

Speaker 3 (01:12:46):
I mean, this is this episode and we named it
Live at the wilbur How do you be to name
that perfect?

Speaker 1 (01:12:52):
It's very beautiful, but we got to try. We always
have to try. Yes, maybe we'd call this episode worst
Magician of all Time. I am yeah, your grundma keeping
tissues up personally.

Speaker 3 (01:13:05):
Like the worst Magician of all times. There's also hard
Left Turn, which is basically it was just a joke
subject change. We really relied on Stephen in these early
live shows of making Steven jokes.

Speaker 2 (01:13:18):
And references he did.

Speaker 1 (01:13:19):
He was very important.

Speaker 3 (01:13:21):
Oh you did one of your great Here's another suggestion
for a title, which is one of your great best
pronunciations kind of new word inventions on stage? What is it?

Speaker 1 (01:13:29):
What do I say? Agawam?

Speaker 3 (01:13:30):
Yeah, it's you say it agawam and the audience's yells
at you agawam.

Speaker 1 (01:13:37):
That makes sense? And you know what I think? That's
how far we've come, and how far I've come? Is
I kind of know now that that would be agawam?
You know what I mean? Like, I've learned how to
say words so much better since twenty seventeen.

Speaker 3 (01:13:49):
Not perfect, no, but and also we learned to like, hey,
why don't you try to look up a local newscast
where they would pronounce it perfectly for you do a
lot of stuff like that.

Speaker 1 (01:13:59):
But again, trick tricks of the trade didn't have time.
I was writing that story in that hotel room.

Speaker 2 (01:14:04):
That's right, we're ordering room surveys.

Speaker 1 (01:14:07):
Okay, Boston, we will see you so soon.

Speaker 2 (01:14:10):
So if you've got tickets, we'll see you September twentieth.

Speaker 1 (01:14:13):
All right, let's let us from twenty seventeen say goodbye
in the theater.

Speaker 2 (01:14:17):
Perfect that is, do we have time for a do
we have to the people?

Speaker 3 (01:14:28):
One guy's like, no, this day clos do we have
can you look over there and see if they can't
do enough.

Speaker 1 (01:14:34):
Oh they're saying no, no, sorry. I guess I should
have looked before I asked.

Speaker 2 (01:14:42):
We should have looked first. That's that's our lesson.

Speaker 3 (01:14:45):
No a guy yelling yo, well yo yo yo. Weight
isn't going to work out here at this show, my friend.

Speaker 2 (01:14:51):
That's simply not happening.

Speaker 3 (01:14:53):
We'd love for you to stay sexy and junk.

Speaker 2 (01:14:57):
Thank you, boss day, thank you,

All Episodes

Rewind with Karen & Georgia - 59: Live At The Wilbur

Episode Transcript

Hosts And Creators

Georgia Hardstark

Karen Kilgariff

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