May 27, 2025 • 55 mins
Are autonomous machines actually operated by African children? Langston and David sit down with the multi-talented comedian, DJ, actor, Zack Fox (Abbott Elementary) to discuss this conspiracy theory. We lift the veil and see the nasty truth: work exploitation. Tricking kids into thinking it's a video game in order to save a couple of bucks. Plus, the guys take a trip down memory lane to discuss all middle school sex connotations.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
I feel like the left needs to get in on
this weapons merchandise. I don't disagree with that. That's like
kind of whack right. We don't have any I not once.
I didn't see no Kamala bear mace. I didn't see
those knuckle knives.
Speaker 2 (00:15):
I mean, I mean, the money is so there to
be made with, especially with the kamap That girl is
an AKA.
Speaker 3 (00:23):
You can have pink and green pepper spray.
Speaker 4 (00:28):
Because the AKA.
Speaker 2 (00:30):
Let's be real, y'all, like that they was gonna be
the proud boys.
Speaker 3 (00:35):
Yeah for common book, AKA stand back, stand down exactly.
If the.
Speaker 4 (00:44):
New War crowds out here.
Speaker 1 (00:50):
Press conference, that's a AKA ski.
Speaker 4 (00:54):
Week, that's a sele depending.
Speaker 3 (00:56):
On what you look like. Now, like we would have
seen a bunch of light skinned women hopping out of
a u OL truck.
Speaker 4 (01:05):
Talking about pull up.
Speaker 3 (01:06):
Yeah, it would have gotten nasty with pearl Yeah, you know.
Speaker 5 (01:21):
Chips in yours are racists. Money stuff.
Speaker 1 (01:35):
Y'all can't tell me.
Speaker 3 (01:38):
Cruising on down Main Street, feeling right, relaxing, good, what's
the words?
Speaker 4 (01:44):
The next thing that you know.
Speaker 3 (01:46):
You see an OCCU puts in the neighborhood there it
is ladies and gentlemen little Mamas and gentiles alike. Welcome
to another phenomenal episode of My Mama Told Me.
Speaker 1 (01:55):
Surfing on the sound waves, Singing through the Stars. Take
a left to the testing, Take the second ride on Mars.
Speaker 4 (02:03):
I got you, Thank you here on the Magic School.
Speaker 3 (02:05):
But there it is, seatbelt.
Speaker 4 (02:09):
I hope this is a normal field trip with the
friz No.
Speaker 3 (02:12):
Way, Yeah, absolutely, you know a little Richard did that song.
Speaker 1 (02:20):
Yeah, there was a time we talked about it. There
was a time he was very.
Speaker 3 (02:23):
Available every sitcom.
Speaker 1 (02:27):
And he would just be a little Richard, like like
which episode of Martin where he was like he started
out as like the exterminator and then he just ends
up playing the piano.
Speaker 3 (02:36):
That's right. He was always he would always show up
like a menial laborer. But but going shut up whatever
was like saying something.
Speaker 2 (02:47):
And then somehow his sister sister, I feel like we
never really talked about that. That like they stole it,
and he was right there the whole time.
Speaker 1 (03:08):
That's crazy, the hold that's so they're stealing and he's
like hello, he's screaming.
Speaker 4 (03:18):
Yeah, he's literally on the He's literally man, it's so.
Speaker 3 (03:28):
Because what they're doing is being like paying him back
sort of like he's kind of the only person who
ever got reparations where they were just like, look, we
stole so violently from you that we have to put
you on full house.
Speaker 4 (03:41):
We just got to give.
Speaker 1 (03:43):
You, like reparations. You got to be on the standing.
Speaker 3 (03:45):
You got it, dude, bro. I don't know that they
have the ability to to offer anything else. I think
they're just like, hey man, you'll get to meet them,
low them little twins. Ain't that nice for you?
Speaker 2 (03:58):
And you can have all the white women you want?
Oh you don't want, you don't we can't give you.
Speaker 3 (04:06):
Yeah, that's weird.
Speaker 4 (04:08):
We don't like that.
Speaker 3 (04:11):
Do we know?
Speaker 1 (04:12):
If he liked do you think you like black man?
Speaker 3 (04:15):
No? No, no talent.
Speaker 1 (04:19):
Man, that should hurt my feelings really.
Speaker 3 (04:31):
Really speak of all of them, I know all of them.
Speaker 2 (04:35):
I don't have to name them. No, they be in
that White Boy but and that's maybe that's good. But
maybe you find the inspiration that's you.
Speaker 3 (04:44):
Maybe maybe it's good. But I don't know, I don't know.
I can't speak to that. I don't know.
Speaker 1 (04:51):
But if all the butts that seem like the most
off limits.
Speaker 3 (04:55):
The Spotify playlist, that white Boy but has curious black music.
Speaker 1 (05:02):
Oh boy, we sort of got to give it up
to white but white, but yeah, we sort of got
to give white buddies too.
Speaker 2 (05:09):
Yeah, that's like vibranium for black male musicians, that are.
Speaker 3 (05:16):
That's the creative vibranium. Yeah, damn, that's the crabby Patty
recipe right there. Man, trying to get that white but like,
how can I get the chum bucket? That's it's the
white bud that's it. But man, this is this is
(05:37):
a heavy episode and we haven't even we haven't even
covered anything. Man, this is really good. Started talking about
little Richard, our guest today, a dear friend of phenomenal,
a phenomenal comedian, a phenomenal writer, a phenomenal rapper, of
phenomenal all man of every trade that I can think of.
Uh dj, He's just he's this ship man. You know
(06:00):
him from goddamn everything. Give it up for Zach Fox,
ladies and gentlemen. And then she said in my ear,
go deeper, stay with me now.
Speaker 1 (06:10):
And what hurt me is.
Speaker 4 (06:12):
I was already all the way in.
Speaker 3 (06:16):
Stay with me now. Tacking that on. Man, I will say,
for a while we were treating Shannon Sharp like he
was the star of that that duo. I think Oo
really is the stronger person in the Shannon Sharp Yeah, definitely, definitely.
(06:39):
I think is the idea man. Yeah, Shannon just has
funny reaction. His voice is very funny.
Speaker 1 (06:46):
Yeah, Ojo, and he has good catchphrases.
Speaker 3 (06:50):
Great catch ain't a lady, that's a favorite.
Speaker 2 (06:55):
He named himself Ocho. He is the comedy engine, that's right. Yeah,
he named him so when it wasn't funny to do.
Speaker 3 (07:03):
No, nobody thought that was cute. No, he hated that
he was crazy. Yeah, he was in Cincinnati. Yeah, nobody
was going to be like, yo, you're you're going crazy
right now.
Speaker 1 (07:20):
Even we don't even speak Spanish over here.
Speaker 4 (07:24):
He wasn't in l a or.
Speaker 3 (07:27):
On spaghetti. That's what we do.
Speaker 4 (07:29):
You know, we were speaking Spanish.
Speaker 1 (07:31):
The fuck are you talking about?
Speaker 3 (07:34):
Better go over the rhine with that ship. Here's what
I'll ask you. How long when he did name himself
Ocho Cinco? How long did you actually believe that he
was going to carry that name? Because what year was that,
Oh like three or four? Yeah it was I was
still in high school for sure, so it had to
(07:55):
be before oh five. M How long did I think
he was going to keep it? Yeah.
Speaker 2 (08:00):
Originally I thought he was doing it as like a oh,
he's just a quick year, yeah, you know.
Speaker 3 (08:06):
I thought it'd be a fun bit. Yeah. Yeah.
Speaker 2 (08:10):
And then I think that like Crank that Soldier boy
comes out m m and you're like, oh, we getting weird. Yeah, yeah,
to get freaky as a as a people, I can
stick with it.
Speaker 1 (08:23):
There's the extension of Crank that it's like it really
can't be like we give him his flowers, but I
don't think he's ever gonna it's ever gonna We're gonna
know what that did for.
Speaker 3 (08:38):
No, he reached such a level of fame that we
started to create more about the Superman, you know what
I mean. Like people genuinely were arguing that this song
had a bigger meaning of like coming on a lady's
back and then slapping the sheet, and it was like
this weird sort of like mind trick that he was
(08:59):
playing on us. And here's the thing that while those
were correct, Oh you believe that, yeah, because all those
Cranked That songs, some of them had like sexual like origins.
Whoa conspiracy as well?
Speaker 1 (09:17):
Well?
Speaker 2 (09:17):
Like yeah, like it's like how like you do, like
the what's the old two thousands, like Super Edged Lord,
like the Red Dragon.
Speaker 3 (09:26):
The Dirty sand Chest, Dirty sand Chest. Everybody was trying
to do that exactly.
Speaker 2 (09:32):
Mind you. The crank that era was started by like
middle school high school kids in Atlanta. Boys you had
had sex yet, you would not had any vagina on
their body yet, but are imagining what it would be like.
And so you got cranked that Roosevelt, which was an
act of bucking the knees out that turned into a
(09:56):
dance when somebody not sucking.
Speaker 1 (10:00):
I don't understand what you do it with your hands,
the Roosevelt. I don't understand what you're saying.
Speaker 3 (10:04):
Okay, so they all right, I gotta get up this girl, Roosevelt,
the Roosevelt. The whole move is just this right here.
Oh I know this one.
Speaker 1 (10:12):
Oh okay yeah, because she's not sucking.
Speaker 3 (10:14):
Correct, So it's just.
Speaker 4 (10:19):
A little tap yeah, hey bitch.
Speaker 2 (10:22):
Yeah, it's like a cricket like it's a hydromic move.
It's a she's sucking your dick. Yeah, it's a it's
a you're oppressing me with Now. Now that is that
is a thirteen year old.
Speaker 3 (10:37):
Spurt on this. Now, why Roosevelt. Why is it called
the crank that Roosevelt. It was the high school. I
believe that it came from Okay, because they're sucking dick
like bad over there. They're doing it really terrible. But
this is just a group who was like, well, we're
never gonna make it beyond our community. Yeah, so we'll
just name the song for everybody at our school. Then
(10:58):
it becomes which is the beauty?
Speaker 1 (11:00):
Which is the beauty of music?
Speaker 3 (11:03):
Regional bro. All of the all of that stuff was
was just sex and violence that middle schoolers was doing
to each other. Crank Crank that spider Man cranked the Heisman,
I do remember Heisman. What fine breasts us to commit
(11:23):
to is the line?
Speaker 2 (11:27):
Right, what rico? Okay, yeah what Rico? We don't even
know where that boy is at, but he got jumped
so bad. Yeah, that they had to make an entire dance. Yeah,
that one.
Speaker 3 (11:41):
That's like. That one really bummed me out when I
found because because this is how crazy music used to be.
You didn't always have access to that information when the
dance showed up to your community, right, like in Chicago,
we didn't know that that had an origin story. There
was trying we were just like, no, that's a funny
(12:02):
way to name a dance a song. Yeah you know
what I mean, Like, yeah, great, all right, whoop rico?
And then you find out, no, that's one boy, Ye
who really got.
Speaker 2 (12:13):
And that's why you know, I don't like I was
saying earlier, Black people being seated in power can go
some nasty ways. Because man if Kamala the president right now,
(12:33):
Nigga ice would be a dance, you know. Drone strikes
is a dance because anything bad we do to each other,
we make it into a.
Speaker 4 (12:42):
Dance like that.
Speaker 3 (12:46):
They was doing a stab of dance in New York.
I do like that better. At least there's some levity
around these very heavy things. I think, if nothing else,
black people have always found the quickest path to levity, right.
I think every community he finds it for themselves and
like one hundred percent will eventually learn to laugh at
what they do. But black people we be at it quick. Yeah,
(13:09):
real time, Yeah, it's real time. And I think that's
what upsets white people the most in terms of like
the way that we interact with each other, is that
we find the levity so fast for ourselves, and they
want to be able to have that levity for themselves
but can't find it as quickly. But they do see
what they think about us, which is why the office
(13:29):
to that Pam. So that's the first one o the gate.
I'm assuming Crank that Pam something sexual is happening. She
got beat up and episode she was kind of a bitch.
(13:52):
I will say that in a rewatch. Pam is not
the hero of the story. They wanted her to be.
Jim's wag I mean, and Dwight, well, you got the
same job, bro, You're not. You're just tall and you
know he has an I EP. Don't do that. Yeah,
you know what I mean. Like, that's already a person
that needed you to relax.
Speaker 1 (14:11):
And Dwight is interesting. Jim is not an interesting person.
There's nothing interesting about that.
Speaker 3 (14:17):
No, he's just connecting with us the whole time, you
know what I mean.
Speaker 1 (14:23):
But he didn't feel like my audience proxy. That's the
issue I have watching television. Who's your proxy? I think
it's probably Dwight or Creator the people that I feel
like the most when I watch that show. But I
always it's been a constant issue with television for me
is that I never the person who's supposed to be
the audience proxy.
Speaker 2 (14:42):
You don't connect with that ever, ever, ever, So you
watch a SpongeBob like man, where the fuck's Pearl?
Speaker 3 (14:48):
That SpongeBob is weirder.
Speaker 1 (14:52):
So it's okay, okay, but I mean I think a
lot of like traditional shit, like I wasn't watching Fresh
Prints like Will is me.
Speaker 3 (15:00):
But I will say I'm much more of a Patrick
than I am a SpongeBob. Okay, okay, you know what
I mean, Like I would much rather connect with a
Patrick episode than than a SpongeBob. I was rocking with Sandy. Sandy,
Sandy's pretty cool. Everything she got going on is what
the fuck is going on? Why the fuck are you
down here?
Speaker 1 (15:18):
Yeah, you're clearly Yeah, you're hyper intelligent like something something
to do karate and you're in the service, right or
some Yeah, so something crazy happened, like Sandy's existence in
SpongeBob is evidence of like the show being post apocalyptic.
(15:39):
Oh interesting, right, Like she's a refugee from the from
the surface.
Speaker 2 (15:44):
Yeah, that she was probably genetically engineered, you know, to
be like able to do space travel, and she's she.
Speaker 3 (15:53):
Might be supposed to be our way out. She might
be an early experiment that just never made it back
to the surface.
Speaker 2 (15:59):
And I think something happened on the surface that eradicated
humans but left Sandy and other genetic experiments untouched.
Speaker 3 (16:08):
Interesting.
Speaker 2 (16:09):
But they had already bio engineered her to live under
water or build ship or just you.
Speaker 3 (16:16):
Know, or have even just interact self awareness that then
makes her allows her the choice to go do something
that you look in the mirror and be like, I
got titties, I need a bikini, and I want to
hang out with a sponge and yeah.
Speaker 1 (16:27):
The rest said yeah, And I don't think it's a
comedian thing. I think it's just truly they weren't really
making it for anything.
Speaker 3 (16:37):
Then cut it for you down that you it feels
insane to introduce this now, But you came to us
with the conspiracy that that I've never heard before. Okay, frankly,
I don't think anybody's mother has ever ever said this
to them once.
Speaker 1 (16:54):
As soon as I read it, though, I was very excited.
Speaker 3 (16:57):
Okay, yeah, do not take my mom as me not
being a fan of it.
Speaker 4 (17:03):
I just want to lay the groundwork for everybody at home.
Speaker 3 (17:06):
Nobody's mom has said that this is new to Mama's Yeah,
certainly we're hoping they'll pick my would be open to it, Okay,
I will say that, like if I if I call
her after, I think she would you think she would
hear this out? Yeah, I like that.
Speaker 1 (17:19):
She's she's she's pretty okay with conspiracy.
Speaker 3 (17:23):
Okay, Well, David's Mama in the future is going to
tell us there are no autonomous vehicles. They are actually
operated by the enslaved African children. Yeah, enders game South Africa.
That's the first thing that I thought.
Speaker 1 (17:41):
Boom bully ship ye Boom South Africa or or like
d r C or some shit. Yeah, yeah, of course, Yep.
They think they're playing a video game, they're really delivering Yep.
Speaker 2 (17:53):
Pope's exactly, holy exactly my theoryt that's like right there. Yeah,
it's two plus Holy fuck, it's two plus two equals.
It's terrence man. Yeah, it's tereology.
Speaker 3 (18:06):
We got ninety eight patents.
Speaker 2 (18:07):
Come on, you know how it's a patent and you
know how one though, Yeah, that them is Africans driving
them way modes driving them.
Speaker 3 (18:23):
Watch out.
Speaker 2 (18:26):
Like you're gonna get nasty. I'm not about to get nasty.
It's actually a crazy compliment. You ever looked at a
You ever just watched the video of African traffic.
Speaker 3 (18:34):
It's crazy, it's crazy, But what is not happening crashes?
They're really avoiding each other.
Speaker 2 (18:44):
The only person you could get globally to drive a
car autonomously through l A traffic and not touch nothing, ever,
is an African.
Speaker 1 (18:56):
WHOA.
Speaker 3 (18:57):
You're saying, we got an extra muscle in our eye.
Speaker 4 (19:00):
Absolutely, it wasn't.
Speaker 3 (19:03):
It wasn't in our leg this whole time, that's been
in our eyes, and we have the ability to drive
better than any human being on.
Speaker 2 (19:12):
Earth, especially folks in Central Africa. You know what I'm saying, Sudan,
even like I watched videos of trafficking and Ethiopia, that's
what you watch, Yeah, all the time. I like that.
Speaker 3 (19:28):
I will say that this is nice for me because
you are amongst two of the most fucked up algorithms
that I Yeah, I'm really I'm really happy to Yours,
I would say, is one of the most violent I've
ever experienced. I'm getting dead people. It's bad. Yours is insane.
Speaker 4 (19:48):
Yours.
Speaker 3 (19:49):
Yours jarred me in a way that I've I repeat
often to people because of the guys the handicapped guys
fighting each other. No, that wasn't the one that bumped
me out the most. There there, and I I've told
you this before. I once went to his house and
pulled up he pulled up YouTube and then we watched
a video of a white man hand feeding Africans sour
(20:12):
patch kids. That was dark. That's light for the first
like going over there, going to a like a community
that has not experienced candy, like a neolithic like stone tool,
and then walking up to them and offering them sour
patch kids and taping their reactions and they're just like
(20:33):
crack addicted. It felt like that, Yeah, it's like who
It felt so much worse than crack.
Speaker 1 (20:40):
My relationship with computers, I found that they're only there
to excite me sexually or enrage me physically, for sure.
And that's sort of what my algorithm feeds me.
Speaker 2 (20:51):
And you know what's crazy about your algorithm feeding you
that stuff and me this crazy stuff in Langston whatever
stuff he's getting, is that my theory isn't even a
jump from what the reality is. It's not even actually
a jump. Like all you would have to do in
these warehouses is add the ender's game element that you're
(21:13):
talking about it, just make them, make them think that
they're game by it, but also make it very punishable.
The mistakes in Boom you have like instant control, but
this already exists, so like like AI is already mostly
powered by African child slave wage labor. Because like the
(21:37):
AI is, like if I just if we just took
out David's brain and just gave him the Internet as
a brain, the things he'd start to say upon requestive
answers from us would almost instantly be pornographic racists.
Speaker 3 (21:55):
Because those are the data points, because that's what's on
the Internet.
Speaker 2 (21:58):
So you have to build an entirely new like Brita
filter AI system to attach to David's brain, but that
Brita filter has to be taught by human eyes. The
difference between an apple and a prolapse anus, the difference
between you know, the Wikipedia about Batman that's just the
(22:20):
canon events or this sexual fan fiction where Robin fucks
them in the butt.
Speaker 3 (22:26):
You're saying that that ultimately there's just too much information
that just offering the machines information is not a solution.
That it has to be curated in a way that
makes that information strategic that's why they have to make programs.
And this is a huge issue.
Speaker 2 (22:42):
It's a huge issue amongst the AI giants, Like they're
constantly like trying to figure out how to do this
because the text based models. You literally have to get
an African, put crazy text in front of their face
and make them identify the negative parts. And if they
take too long identifying that stuff, they can lose their
(23:05):
job that was giving them like a dollar a day.
Speaker 6 (23:07):
It's crazy because absolutely.
Speaker 3 (23:10):
Without to lose their job.
Speaker 1 (23:11):
I'm doing that for free anyways, because they described me
right at airport, right, there's a lot of them, Like
there's some Americans. Oh that's kind of cool. Yeah, always
rapping about eating raccoons or whatever I'm looking.
Speaker 3 (23:22):
At, which is probably why the reports, like reporting things
is encouraged in the first place. It's like another layer
of curation.
Speaker 1 (23:32):
Oh yeah, that's all that shit is. Like that's why
it's like show a picture of you in the eighth grade,
like they just need to see.
Speaker 3 (23:37):
But even like if I'm offended by a video me
going and like telling the program like, hey, this offensive
is them just decide that like Okay, this is what
humans can handle, and this is what they can't. Yeah. Yeah.
Speaker 2 (23:50):
Fuck So it's like literally, like content moderators in like
third world countries are leaving work every day and having
to go like eat spaghetti with the family after watching
David's algorithm involuntarily in order to like identify it and
make sure that it doesn't pop up on Langston's daughter's
(24:13):
YouTube algorithm while she's watching you know, cocoa melon, you.
Speaker 1 (24:17):
Know, and that ruins the family dynamic. What'd you see today?
Another big ass titty right before breastfeedom.
Speaker 3 (24:23):
Yeah, it's it's it's it's unfortunate when you really gotta
face down what you've looked at and then look at
your children in the eye. Damn. Yeah that felt real. Yeah,
there's sometimes.
Speaker 4 (24:38):
There's a couple of times where I've like.
Speaker 3 (24:39):
Looked at look at some kind of video and I
was like, oh man, but I gotta look them in
the eye. Yeah, I gotta throw because it's not even
like I'm like gaining pleasure from it. It's it's like
you get uncomfortable with how comfortable you are in receiving
certain things, right, you know what I mean, Where you're
just like this didn't bump me at all, and then
(25:01):
you look at a person who you hope won't reflect
any of the feel like that should have.
Speaker 1 (25:06):
Yeah, you don't want any of that to touch them,
but you're inundated.
Speaker 3 (25:11):
But I'm letting touch me.
Speaker 1 (25:13):
Yeah, you worried that there is some some sort of see.
Speaker 3 (25:16):
Bitch, Yeah, it's gotta be right, of course. Yeah, you
know what I mean. Like, there's how many of these
videos can I watch before my daughter talks like Orlando Brown?
That actually sounds kind of fun.
Speaker 2 (25:35):
I don't have kids, but if I do, please please
let the sperm, the Orlando Brown sperm, so win the race.
Speaker 4 (25:48):
I don't give a fuck who says, oh crap, yeah.
Speaker 3 (25:54):
She said some ship like that to me. I can't
And there's a part of me that will be worried
that I did that you, And that's that's what the
I'm the transference of this this sickness.
Speaker 1 (26:05):
I worry about it. Not I don't have a dog,
just interpersonally. I worry that whatever this smut that I'm
looking at is going to come out. I do worry
about that. Yeah, I think we're all worried about that.
And that's like a big fear.
Speaker 3 (26:17):
Like people knowing or like just like come out in
your behavior, Yeah.
Speaker 1 (26:22):
Just like or that it will affect me in a
way because I watch it and I pretend it is
if I'm detached, I don't like watch it and I'm like, man,
this is really what's going on in the world. But
I worry that it'll affect my opinions or my conversations
or or mostly what I really truly worry about is
that what it will reflect within my art, Like I
don't want to start putting out the type of art
(26:42):
that lets you know that I am looking at African
women with impossibly sized.
Speaker 3 (26:49):
Breasts right right, you know what I'm saying.
Speaker 1 (26:52):
It's like like like that's that is that that is
what begins to be the way.
Speaker 2 (26:56):
I feel like that's a little bit of and I
don't think that images and media and don't transfer things
like I'm not like naive to that that like propaganda
and like encoding images with things like it's very real,
I think. But I do think we have a bit
of like Christian guilt in us from our parents telling
(27:17):
us that like watching Harry Potter or watching something that
like depicted something demonic, it's going to transfer spirits. My
mom literally won't watch Sinners because it's like it's like
a documentary, sir. She thinks it's like Planet Earth, it's sinners.
(27:38):
It's like, no, I understand the recreation. Yeah yeah, but
this is based on a very real thing. I know
the source material. I don't like it.
Speaker 4 (27:46):
I'm aware of Michael B. Jordan, but I'm also aware.
Speaker 3 (27:49):
That he's making something yeah really bad. Right.
Speaker 1 (27:52):
Do you think though, that there is also a level
of like there is that remnant of guilt, but there's
also the things we're watching are far more extreme, sure,
Like it's actually things that are you just said dead bodies. Yeah,
like that's like an actual word, you know what I mean.
Harry Potter is for fun and it's hufflepuffs and whatever,
but like you know, we see people.
Speaker 3 (28:13):
Get killed on that yeah.
Speaker 1 (28:15):
Or it's just like that AI where like something comes
out of a butt hole and then it turns into
a bowling ball.
Speaker 3 (28:20):
Yeah yeah, yeah, Yeah. Those things are fucked up. Those
things are fucked up.
Speaker 2 (28:25):
Those are and those ones I do under I do
agree with what you're saying, because like when you keep
a straight face through one of those and you're like,
all right, next, yeah.
Speaker 1 (28:35):
Should have stopped And it's not even my ship. Yeah,
just shy. That's just what I'm doing when I'm shitting it.
Speaker 3 (28:43):
There's I'm like not even triggered by stuff anymore, And
in that way that's terrifying. Yeah, that's bad. We're like, oh,
I'm so desensitized. There's no way I'm not going to
say some wild ship and the people around me because
of this, and then that will carry over and now
all of a sudden, my daughter's like stupid, and I
(29:07):
gotta be like, I did I did that my daughter.
Speaker 1 (29:12):
That's also the art thing of it all, though, because
being an artist truly does come from a place of
being sensitive and like in experiencing the world in the
sensitive lens, and if you cut that down, then you
are diminishing your life or whatever, you know what I mean.
Like it's like, I don't know, man, I think I
would probably even be able to create a lot better
(29:32):
ship if I hadn't seen so many teens fight each
other or whatever.
Speaker 3 (29:36):
But then I would say, like, on the flip side,
that is what makes so much of like the this
this white boy renaissance ship in comedy at least so
uh unbearable for me, is that detachment from the more role, right.
Speaker 1 (29:53):
That's what But that's what I'm saying is like I
don't want to get anywhere near them.
Speaker 3 (29:56):
Yeah. That really it really makes you feel like, fuck,
that's not even we're not even doing an art anymore.
Speaker 2 (30:03):
I mean it's a pretty like natural pipeline too, like
from like I mean, it goes way back further than anything.
Like it's like way pre media of the idea of
like human plus technology and civilization equals negativity. Yeah, like
(30:26):
that idea permeates everything around us, you know what I mean,
because it's like it's a flawed and very incomplete way
to look at the world. But like I think about
that old clip of Joe Rogan back in like two
thousand and nine or something, maybe a little bit later,
where he was just starting the podcast and he's like, Dude,
you ever look at a video of la from a
(30:48):
helicopter and.
Speaker 3 (30:49):
It just looks like a virus. It just looks like
a scab, It looks like a.
Speaker 2 (30:52):
Scourge, And like describing humanity as like a virus. And
it's like, once you believe that about humanity, then everything
else after that is really easy to the progress pathologize. Yeah,
so that whole right wing movement is like super like.
I don't even look at as like racism aside, I
just look as anti human.
Speaker 3 (31:13):
They're like, yeah, yeah, we're bad.
Speaker 1 (31:15):
It's like, yeah, like individual it's rugged individuals.
Speaker 3 (31:19):
Yeah. I don't think they even can begin to see
themselves as racist because they they don't value any person
enough and they don't.
Speaker 1 (31:27):
Yeah, and they don't feel a connection to what the
whole of this is like, whether it be white people
or men or whatever. They they're like truly on an island. Yeah, yeah,
it's like whatever, it's all.
Speaker 3 (31:38):
It's you.
Speaker 2 (31:40):
We're on a fucking rock going fucking a million miles
in space, dude.
Speaker 1 (31:44):
So who cares if I say slur bro real dude, had.
Speaker 2 (31:51):
Kill yourself? Dude, nothing beat your wife, dude. Like watch
fucking open butthole porn. Dude, eat cereal out of someone's ass.
Whole dude, nothing's real.
Speaker 3 (32:08):
You say open butthole porn.
Speaker 4 (32:13):
They were like.
Speaker 3 (32:15):
Heard it, it's rare.
Speaker 1 (32:16):
I had come across the new genre.
Speaker 3 (32:18):
One out of five doctors don't disagree. Nah, I like regulars. Regular.
It looks like found footage. All right, we're gonna take
a break. When we come back, we'll talk more about
the conspiracy more, Zach Fox More. My mama told me yeah,
(32:46):
and we're back.
Speaker 7 (32:48):
But we're gonna do this respectfully, otherwise we'll end in
a duel, and I mean a duo, real life duel
where only one person walks away. We can meet with guns, bottles, knives,
or books and equations, but we're going to do this
like men.
Speaker 1 (33:05):
So get ready and we're just a bunch of men
about to get into a book fight. Nigga, I got
all about love.
Speaker 3 (33:22):
Nigga shows up with a kindle.
Speaker 8 (33:24):
You're like, right, switch on? Whoa, what the fuck that laser?
Speaker 3 (33:41):
Zach. We're still talking about the possibility that that the
the autonomous robots we see on the streets are in
fact being manned by African children who are enslaved. My question, why,
or or rather how are they incentivizing the kids not
(34:02):
fucking up at the cost of their their lives of
white lives. I guess it's my point. Okay, Okay, two things,
two things, yep, two things.
Speaker 1 (34:13):
Getting beat up? Okay, okay, getting beat up. They're already
doing that in school over there.
Speaker 3 (34:17):
Right, getting beat up, having family beat up? Yep. Two.
I know you wonder well one of these kids would
just come out and say that they do this.
Speaker 2 (34:27):
Who's gonna believe you? Mm hmmm, my brother who in
Sudan is going to be that you pilot vehicles in
Los Angeles that are holding hamburgers?
Speaker 3 (34:45):
Right, Yeah, you just said four things I don't know about.
Speaker 1 (34:51):
And that it sounds made up to me. And I'm
in Los Angeles and now you're a witch, and then
your family's gonna get beat.
Speaker 2 (34:59):
Up exactly, So I think, right, I think the social
consequences of it are like different over there, because even
if you did lay it out truly what it is,
that's witchcrap.
Speaker 3 (35:12):
It's the devil's work for sure. Either way, robots with
hamburgers in them? Is it is evil?
Speaker 1 (35:19):
Because in my heart I feel that way. Yeah, Like
it does make me feel I haven't a version of
technology like naturally in a way that makes me. I
react to technology the way Africans react to witches.
Speaker 3 (35:32):
I do like I'm very like anti. I'm at that
stage yea too. No, none of this is none of
this is good. Technology is evil. But I know both
of y'all, y'all sweethearts, so I know both of y'all
experienced seeing one of them chicken nugget robots passed by
you and you feel that little thing in your heart
(35:54):
from Wally, Yeah, where you empathize with it a little bit.
You get out of the way, and man, I don't
want to kick it.
Speaker 1 (36:02):
Zach Fox, You've cut me to my core. You cut
me open. I stand here bleeding. That's my worry is
that I will love the robots too much. Yeah, that's
why I'm so against.
Speaker 3 (36:11):
We have a an autonomous robot on the show named
Samo on Everybody's Live. He has a name. And I
will say that when this was originally pitched, this was
not my pitch. This pitch belongs to a dude named
Alex Cordellis, who's very funny guy. But he pitched that
that John should have like a pet robot that just
(36:33):
hangs out at the show and delivers fucking cans and shit.
And I was like, we're connecting the dots here. I
was like, that ship makes me uncomfortable. We're connecting the dots.
I don't like this as a bit. Yeah, and and
I'm not into that. And then now, damn near what
we're sixteen episodes into this show. I really like that
(36:55):
fucking robot.
Speaker 2 (36:55):
Your friend yeah, writing jokes, So you would, so you would,
you would conclude that this robot is autonomously piloted by
an African.
Speaker 3 (37:10):
Well see, here's the thing.
Speaker 4 (37:11):
Here's here's the thing.
Speaker 3 (37:15):
He is, not, in fact piloted by an African. Okay,
but he is. He is piloted by two people who
we employ to be on staff when he's there, you understand,
which means that like somebody's roboting him at all times,
leading me to start to go whilst somebody's probably roboting
(37:37):
all of them at some time. And who are the
people that are doing that? That's the big question. And
this is where I'm sorry, but this is where it
gets even scarier, is that last year before we got
same O, we went out to other companies that were potential,
like Robot Options, and the other company that we talked
to had to pilot their robot via a person in Colombia.
(38:01):
Come just to demonstrate this time we had to call
a Colombian man and be like, hey, we're ready, and
then they had to like hit switches all the way
in fucking Colombia to robot a little fella in Los Angeles.
Speaker 1 (38:17):
One is calling a Colombian man on the phone for
a favor ever a good sign.
Speaker 3 (38:21):
It don't sound good, bros. That's it. Listen, man, that's
what I'm gonna say.
Speaker 2 (38:27):
If all three people in this room for the next
five hundred years, now.
Speaker 3 (38:36):
Wait a minute, it's triggering some shit at me, but
I'm listening. I'm listening for five hundred years. I don't
care who it is.
Speaker 2 (38:46):
Fill in the blank little people, right, for the next
five hundred years, we made free, uninterrupted trillions off of
little people whoa uninterrupted golden age of our friendship. We're
building castles, we're making states, we're building bridges, We're doing
(39:08):
all the things, but the actual engine, the actual farm tool,
the resource is little people. For five hundred years, like
we build a whole new economic system off of it.
Speaker 3 (39:20):
We're thriving, thriving worlds.
Speaker 1 (39:23):
Life's easier for everyone else than it ever has.
Speaker 3 (39:26):
Oh my god, David's got David's on the moon, Langston's
under the ocean like Sandy Cheeks. You know what I'm saying.
I'm riding a komodo, dragging down Portland Avenue.
Speaker 2 (39:36):
And Atlanta whatever your desires, right, beautiful, And then one
day the little people uprise and say enough we go
to war with each other.
Speaker 3 (39:48):
Over I say, what's even more fucked up is somebody
who I helped ride a komodo dragon decides they don't
agree with and then we gotta stops and we got
then we start beefing, even though I helped get you
that komodo dragon. Yes first, so me, you David getting
a fight, mall each other to death. Almost all of
us die over it. And now little people are a
(40:12):
part of the podcast. They're part of My mama told
me they can't take it to be at the table.
Speaker 1 (40:15):
Now they're just dropping in, dropping in, spaming the drops.
Speaker 2 (40:26):
But it was like our children, your two children, our
theoretical children, and our children's children and our children's children's children.
We would look at them every single day, generations and
generations and say, no matter what you do in this life,
(40:49):
I don't care what it is. Figure out how to
get us back to uninterrupted trillions off of these little people.
Speaker 3 (40:58):
And I don't care who you got to add to
the equation.
Speaker 2 (41:01):
Big people, wide people, middler people get it going.
Speaker 3 (41:06):
The way you're talking, there's no way I wouldn't say
the N word, you know what I mean. I would
call them that to their faces. Right, and I would
be like, I don't give a fuck, right because I
know what you used to be. So this whole talk of.
Speaker 2 (41:19):
The AI is gonna the robots are gonna rise up,
and it's all I always fill it in with black people.
Speaker 3 (41:28):
Yes, every single time.
Speaker 2 (41:30):
I'm like, you're projecting your fear of us doing that
to you because you knew, you know what you get,
so you're projecting it on the robots. But at the
same time, you're not even doing anything different from regular slavery.
You're just leaving the Africans where they're at. We don't
got to enslave them over here. We already got We
already did that. Keep them over there and then let
(41:53):
them be the give them facades.
Speaker 3 (41:56):
You're saying this is this makes it full present tense.
We don't have the trick the black people around us
into slavery again. We just need to go somewhere where
we ain't get to really get our big scoop of
ice cream yet.
Speaker 1 (42:08):
Yeah, they need to go to the source.
Speaker 3 (42:10):
Damn get big. They outsourced it, get it right.
Speaker 1 (42:14):
Yeah, Like it's like, Okay, we needed rice farmers or
whatever right over here, but now that you just got
a whole continent of people to drive robots.
Speaker 2 (42:22):
Damn make them, make them slave avatars, right because you can.
You can keep a smiley face on a robot in perpetuity,
even if there's a child in Sudan.
Speaker 6 (42:33):
Dying because it didn't hit that left turn. You know
where this gets nasty for me.
Speaker 3 (42:47):
James Cameron is the type of rich where he would
know that this is happening, and especially if he's creating
new AI technology for like replacing faces and shit, He's
tapped into that ship, and that then makes me feel
like Avatar is just like an artist being like silly
(43:09):
about some dark ship. He knows this pipeline. He's like, no,
I'm watching it happen. So yeah, the Nave, yeah, big
old yeah, they got long tails. There's such a musical people. Yeah,
they fuck with their hair.
Speaker 1 (43:24):
WHOA remember when he came out, first thing he did
was play basketball? No, Bro, that's crazy.
Speaker 3 (43:36):
Yeah fuck.
Speaker 4 (43:39):
Yo, dang fuck.
Speaker 3 (43:43):
That hurts my feeling. Whoa man, God, damn it. Listen, bro,
I'm telling you, so, we got to get more guns.
Speaker 1 (43:53):
I don't know what to do.
Speaker 3 (43:54):
Tell me what to do today. A bunch of years, bro,
five hundred years. Give me one of those akades five
hundred years. You had the red, you had the Staples,
easy button.
Speaker 4 (44:09):
You know what I'm saying.
Speaker 3 (44:11):
This is it now? Yeah, get back to uninterrupted free.
Speaker 1 (44:17):
They need the because they hit the greatest slick of
all time. Yeah, that's that's the high they're searching, right, Yeah,
they the greatest slick of all time. Like they just
got Iowa. They just came here and.
Speaker 3 (44:28):
Got that ship.
Speaker 4 (44:29):
Like even the other.
Speaker 1 (44:31):
Nothing else, nothing else has ever compared to that.
Speaker 3 (44:33):
Even the other times in history where people have been
slavers and held over other people, they've never gotten paid
the way that these one fuers. That was it.
Speaker 2 (44:44):
That was ball in the peach basket. Yeah, yeah, early
Arab slave trade.
Speaker 3 (44:49):
Yes, there was a lot of Africans in that African
slave and Europeans enslave in other Europeans. Yeah, that was
ball in the peach basket. Yeah. What white folks did
was the Harlem globe.
Speaker 1 (45:01):
Yeah you slept, you know what I mean, Like you're
still sleeping on the on the ground.
Speaker 3 (45:10):
You got to do, like you got to graduate from
being a slave, like Arab slave trade and like that.
Like they would be like do you funk with.
Speaker 1 (45:19):
Like ironworks you're like a trader, trade worker.
Speaker 2 (45:23):
I feel I see something men and you like you
you hockey show, hang out with us.
Speaker 4 (45:29):
Man, you could draw.
Speaker 2 (45:33):
To hear the Pharaoh about to die. Man, that ship
come on man, yo, wife was hard. They always try
to do that like it was all slavery.
Speaker 1 (45:42):
No, no, no, they did. They did did in the game,
bouncing off each other.
Speaker 4 (45:51):
You was all the professor.
Speaker 9 (45:53):
Yeah and you were bouncing. That's what I ain't got
no face on because he wasn't a man.
Speaker 3 (46:06):
That's man. They try to hide it.
Speaker 4 (46:08):
It is like a strong jawed white man. Yeah, and
they keep trying to pretend like like Nigga's supposed to
connect to it, but it's not. It's a chad, it's
a giga chat.
Speaker 3 (46:17):
It's crazy.
Speaker 1 (46:18):
He's saying ship like driving.
Speaker 4 (46:23):
This is the last stop.
Speaker 3 (46:29):
More pizza rules. You know that one man wasn't black, bro,
he was not Where was your fitt at? He was
not no lineup. That's really nuts. You know that is
(46:49):
really crazy. And you know you know, I know he
wasn't black. No facial hair, boom ball man, no facial hair.
Play basketball every day. You ain't grow a little go
tee nothing. It's a weird mustache. Black man, black man,
gonna keep that keep something on it, Bro, something to less,
you know, Bro, My chain ain't seen the sun since
(47:12):
before the towers fell. Yeah, ship covered up.
Speaker 4 (47:22):
The first plane here.
Speaker 3 (47:22):
He just became a man. I'm ready to vote. It
was loud like woo Maine every time, but I have
to do it.
Speaker 1 (47:37):
Also, if you cut that ship off, it comes right back.
Speaker 9 (47:40):
Yeah.
Speaker 3 (47:41):
Damn well, this is a great episode. I think we
figured it out. I don't think anybody's in disagreement about
this list.
Speaker 2 (47:50):
I dare someone to present a rebuttal to this theory
because I'm sticking by it like it's fat tough.
Speaker 1 (47:57):
Because when I saw it, I was like, this is hilarious.
It would be so fun to talk to Zach about
this and we'll have such a good time. And then
now I'm walking away like I need some you need
some thinking time? Yeah, I need some stuff to prepare
my I need more weapons, is what I feel like. Oh,
I yeah, I don't know.
Speaker 3 (48:14):
What's a darker future? Yeah, I do this break. I'm
gonna break yall. What's a darker future that y'all can imagine?
Y'all thought the future? Oh, race war race war.
Speaker 2 (48:25):
Now they're gonna set it up. Black folks, Latinos, poor whites,
y'all gotta go to war with the.
Speaker 3 (48:33):
Robots who are what strong and African? Fuck? Fuck fuck.
Speaker 1 (48:44):
It's like a new fear on Locke. But you know
when you see some shit you weren't even didn't even
think to be scared of.
Speaker 3 (48:53):
I didn't even know that I wanted or know how
to navigate them as my enemy. Yeah yeah, and now
they are both. They are both not only my enemy,
but my greatest fear activated.
Speaker 2 (49:04):
And then you don't even got to tell the Africans
what they're doing over there because they're just playing a
video game.
Speaker 3 (49:09):
Hey, man, get the funk out of the studio. I
can take this. It's gonna be cool like that. We
invited you.
Speaker 4 (49:19):
We're like, Zach's a friend. We should have them on
our podcast every podcast like this.
Speaker 1 (49:24):
You should.
Speaker 3 (49:24):
You should stand by your ideas like this, Yeah, because
that makes that makes you.
Speaker 4 (49:28):
Yeah, you're saying something crazy. Pull it out of man
with this idea.
Speaker 3 (49:33):
You like a baseball man.
Speaker 1 (49:37):
Choke the morning.
Speaker 3 (49:41):
What you saying, Zach? Tell Tell the people where they
can find you. What cool ship you got going on?
My name is Zack Fox.
Speaker 2 (49:48):
You can follow me on I g zack Fox Twitter
or x Zack Fox YouTube channel.
Speaker 3 (49:57):
Watch me some Zack Fox. Okay, okay uh. I'm on
tour right now. I'm gonna be doing Portola Festival in
San Francisco. I'm gonna be doing a movement festival in Detroit.
I'm gonna be doing not announce yet, but another crazy
festival in Florida coming up. And I got tours and
stuff and I'm gonna be hitting the road a little bit.
Speaker 2 (50:17):
So on my website zach Fox dot com, it's an
Excel spreadsheet with all of my dates on it.
Speaker 3 (50:24):
Me and my manager worked very hard on that Google sheet.
So buy the tickets and hey.
Speaker 4 (50:30):
Change some dates if you want to.
Speaker 3 (50:32):
It's like it's open access. It's free for anybody. Hit
the If you have the link, you can edit. So
bory what you got.
Speaker 1 (50:45):
June fourteenth, I'm gonna be in Sacramento at the Secret
Show June thirteenth. I'm gonna be in Hayward June twelfth.
I'm gonna be in Petaluma. In June fifteenth, I'm gonna
be at Littlefield in Brooklyn. We should sell it out
because I need the validation. I just want to feel
(51:06):
good about the stand up that I'm doing, and I
think it's very great.
Speaker 3 (51:10):
Struck my man's ego. Come on out and as always,
you can follow me at Langston Kerrman. I ain't got
no dates coming up and may never will again. After
this one drops, this might be the end of old
lak uh.
Speaker 1 (51:27):
That said.
Speaker 3 (51:28):
You can follow me on all social media platforms. If
you want to send us your own drops, your own
conspiracy theories. If you represent one of these autonomous companies
and want to hold us accountable for the things that
were said today, send it all to my mama pod
at gmail dot com. We would love to hear from you.
I'm willing to defend my opinions in a court of law.
I like that.
Speaker 1 (51:48):
And He's an autonomous country, so you can do that.
Speaker 3 (51:51):
I'm an autonomous African.
Speaker 1 (51:55):
Working on myself.
Speaker 3 (51:56):
Yeah, I see you me someday. Hell get there by
the merch like subscribe, review, do all the ship follow
the leave comments schools. But how good you are in sex.
(52:21):
We've had a lot of people responding to videos in
strange ways lately, where it's them like getting in arguments.
We had a video where we were arguing, not arguing,
but just talking about the fact that like, white boys
really ain't scared of black people no more. I did
see this, uh, and the amount of like vile white
people that have now entered that conversation are like truly
(52:44):
going crazy, calling us cowards and saying we were never strong,
no one's ever been afraid of.
Speaker 1 (52:54):
You behind faces and it's like, truly, you monkeys don't
scare us.
Speaker 4 (53:03):
It's like crazy exclamation, it's nothing, and we're not responding
to nothing. It's like it's them.
Speaker 3 (53:17):
They are literally like eating each other to bite the
fuck out of us.
Speaker 1 (53:22):
What I learned is like the biggest losers on the
internet are people who talk about how good they can fight,
the people who talk about how good they are at
sex in comments, those are the biggest losers on the internet.
Speaker 3 (53:34):
Like you what are you? What are you doing?
Speaker 4 (53:36):
Oh no, that's the other thing.
Speaker 3 (53:41):
It's not just white boys. Shit, it's not people coming
in and being like these niggas ain't like us, Yeah,
cowards need to.
Speaker 4 (53:49):
It's like whoa, it's really wild man, you don't understand
what we're doing over here.
Speaker 7 (53:54):
Bro.
Speaker 1 (53:55):
It got to a side of the internet that's not
even we're not even potentially getting fans anymore.
Speaker 2 (54:00):
Yeah, it's just an arena. Yeah, it's just like the
World Wars. The zombie had climb over it.
Speaker 1 (54:07):
Dude.
Speaker 3 (54:07):
It's like there's niggas gone trade me the only and
we're just sitting there playing dead the whole time, hoping
the zombies don't notice.
Speaker 2 (54:18):
And it's so funny because like these people, like the
dude saying that definitely lives in a town that just.
Speaker 3 (54:26):
Got a ross one hundred percent. Yeah, like nothing's going
down over there. Man, it's not coming to you. Okay,
y'all will miss the apocalypse by years. They're gonna skip
this town for a while for sure. You'll be like
those guys who didn't know slavery was over and celebration
of the zombie apocalypse.
Speaker 1 (54:46):
Yeah yeah, we would have been done fighting robot Africans.
Speaker 3 (54:49):
Yeah, zombie apocalypse, you know.
Speaker 1 (54:54):
And they're talking about trumping birthright citizenship and you're like, bro,
this ship twenty.
Speaker 3 (54:58):
Eight days later when was I showed, Oh all right,
we did it, my bitch, put your mouth right over
that hole. Put your mouth there, my mama told me.
Is a production of Will Ferrell's Big Money Players Network
(55:21):
and iHeart Podcasts.
Speaker 1 (55:23):
Greeted and hosted by Langston Krek, co hosted by David Bori.
Executive produced by Will Ferrell, Hansani.
Speaker 3 (55:30):
And Olivia Akilo. Co produced by Bee Wayne, edited and
engineered by Justin Komon, music by Nick Chambers, artwork by
Dogon Kriega. You can now watch episodes of My Mama
Told Me on YouTube. Follow at My Mama Told Me
and subscribe to our channel
I feel like the left needs to get in on
this weapons merchandise. I don't disagree with that. That's like
kind of whack right. We don't have any I not once.
I didn't see no Kamala bear mace. I didn't see
those knuckle knives.
Speaker 2 (00:15):
I mean, I mean, the money is so there to
be made with, especially with the kamap That girl is
an AKA.
Speaker 3 (00:23):
You can have pink and green pepper spray.
Speaker 4 (00:28):
Because the AKA.
Speaker 2 (00:30):
Let's be real, y'all, like that they was gonna be
the proud boys.
Speaker 3 (00:35):
Yeah for common book, AKA stand back, stand down exactly.
If the.
Speaker 4 (00:44):
New War crowds out here.
Speaker 1 (00:50):
Press conference, that's a AKA ski.
Speaker 4 (00:54):
Week, that's a sele depending.
Speaker 3 (00:56):
On what you look like. Now, like we would have
seen a bunch of light skinned women hopping out of
a u OL truck.
Speaker 4 (01:05):
Talking about pull up.
Speaker 3 (01:06):
Yeah, it would have gotten nasty with pearl Yeah, you know.
Speaker 5 (01:21):
Chips in yours are racists. Money stuff.
Speaker 1 (01:35):
Y'all can't tell me.
Speaker 3 (01:38):
Cruising on down Main Street, feeling right, relaxing, good, what's
the words?
Speaker 4 (01:44):
The next thing that you know.
Speaker 3 (01:46):
You see an OCCU puts in the neighborhood there it
is ladies and gentlemen little Mamas and gentiles alike. Welcome
to another phenomenal episode of My Mama Told Me.
Speaker 1 (01:55):
Surfing on the sound waves, Singing through the Stars. Take
a left to the testing, Take the second ride on Mars.
Speaker 4 (02:03):
I got you, Thank you here on the Magic School.
Speaker 3 (02:05):
But there it is, seatbelt.
Speaker 4 (02:09):
I hope this is a normal field trip with the
friz No.
Speaker 3 (02:12):
Way, Yeah, absolutely, you know a little Richard did that song.
Speaker 1 (02:20):
Yeah, there was a time we talked about it. There
was a time he was very.
Speaker 3 (02:23):
Available every sitcom.
Speaker 1 (02:27):
And he would just be a little Richard, like like
which episode of Martin where he was like he started
out as like the exterminator and then he just ends
up playing the piano.
Speaker 3 (02:36):
That's right. He was always he would always show up
like a menial laborer. But but going shut up whatever
was like saying something.
Speaker 2 (02:47):
And then somehow his sister sister, I feel like we
never really talked about that. That like they stole it,
and he was right there the whole time.
Speaker 1 (03:08):
That's crazy, the hold that's so they're stealing and he's
like hello, he's screaming.
Speaker 4 (03:18):
Yeah, he's literally on the He's literally man, it's so.
Speaker 3 (03:28):
Because what they're doing is being like paying him back
sort of like he's kind of the only person who
ever got reparations where they were just like, look, we
stole so violently from you that we have to put
you on full house.
Speaker 4 (03:41):
We just got to give.
Speaker 1 (03:43):
You, like reparations. You got to be on the standing.
Speaker 3 (03:45):
You got it, dude, bro. I don't know that they
have the ability to to offer anything else. I think
they're just like, hey man, you'll get to meet them,
low them little twins. Ain't that nice for you?
Speaker 2 (03:58):
And you can have all the white women you want?
Oh you don't want, you don't we can't give you.
Speaker 3 (04:06):
Yeah, that's weird.
Speaker 4 (04:08):
We don't like that.
Speaker 3 (04:11):
Do we know?
Speaker 1 (04:12):
If he liked do you think you like black man?
Speaker 3 (04:15):
No? No, no talent.
Speaker 1 (04:19):
Man, that should hurt my feelings really.
Speaker 3 (04:31):
Really speak of all of them, I know all of them.
Speaker 2 (04:35):
I don't have to name them. No, they be in
that White Boy but and that's maybe that's good. But
maybe you find the inspiration that's you.
Speaker 3 (04:44):
Maybe maybe it's good. But I don't know, I don't know.
I can't speak to that. I don't know.
Speaker 1 (04:51):
But if all the butts that seem like the most
off limits.
Speaker 3 (04:55):
The Spotify playlist, that white Boy but has curious black music.
Speaker 1 (05:02):
Oh boy, we sort of got to give it up
to white but white, but yeah, we sort of got
to give white buddies too.
Speaker 2 (05:09):
Yeah, that's like vibranium for black male musicians, that are.
Speaker 3 (05:16):
That's the creative vibranium. Yeah, damn, that's the crabby Patty
recipe right there. Man, trying to get that white but like,
how can I get the chum bucket? That's it's the
white bud that's it. But man, this is this is
(05:37):
a heavy episode and we haven't even we haven't even
covered anything. Man, this is really good. Started talking about
little Richard, our guest today, a dear friend of phenomenal,
a phenomenal comedian, a phenomenal writer, a phenomenal rapper, of
phenomenal all man of every trade that I can think of.
Uh dj, He's just he's this ship man. You know
(06:00):
him from goddamn everything. Give it up for Zach Fox,
ladies and gentlemen. And then she said in my ear,
go deeper, stay with me now.
Speaker 1 (06:10):
And what hurt me is.
Speaker 4 (06:12):
I was already all the way in.
Speaker 3 (06:16):
Stay with me now. Tacking that on. Man, I will say,
for a while we were treating Shannon Sharp like he
was the star of that that duo. I think Oo
really is the stronger person in the Shannon Sharp Yeah, definitely, definitely.
(06:39):
I think is the idea man. Yeah, Shannon just has
funny reaction. His voice is very funny.
Speaker 1 (06:46):
Yeah, Ojo, and he has good catchphrases.
Speaker 3 (06:50):
Great catch ain't a lady, that's a favorite.
Speaker 2 (06:55):
He named himself Ocho. He is the comedy engine, that's right. Yeah,
he named him so when it wasn't funny to do.
Speaker 3 (07:03):
No, nobody thought that was cute. No, he hated that
he was crazy. Yeah, he was in Cincinnati. Yeah, nobody
was going to be like, yo, you're you're going crazy
right now.
Speaker 1 (07:20):
Even we don't even speak Spanish over here.
Speaker 4 (07:24):
He wasn't in l a or.
Speaker 3 (07:27):
On spaghetti. That's what we do.
Speaker 4 (07:29):
You know, we were speaking Spanish.
Speaker 1 (07:31):
The fuck are you talking about?
Speaker 3 (07:34):
Better go over the rhine with that ship. Here's what
I'll ask you. How long when he did name himself
Ocho Cinco? How long did you actually believe that he
was going to carry that name? Because what year was that,
Oh like three or four? Yeah it was I was
still in high school for sure, so it had to
(07:55):
be before oh five. M How long did I think
he was going to keep it? Yeah.
Speaker 2 (08:00):
Originally I thought he was doing it as like a oh,
he's just a quick year, yeah, you know.
Speaker 3 (08:06):
I thought it'd be a fun bit. Yeah. Yeah.
Speaker 2 (08:10):
And then I think that like Crank that Soldier boy
comes out m m and you're like, oh, we getting weird. Yeah, yeah,
to get freaky as a as a people, I can
stick with it.
Speaker 1 (08:23):
There's the extension of Crank that it's like it really
can't be like we give him his flowers, but I
don't think he's ever gonna it's ever gonna We're gonna
know what that did for.
Speaker 3 (08:38):
No, he reached such a level of fame that we
started to create more about the Superman, you know what
I mean. Like people genuinely were arguing that this song
had a bigger meaning of like coming on a lady's
back and then slapping the sheet, and it was like
this weird sort of like mind trick that he was
(08:59):
playing on us. And here's the thing that while those
were correct, Oh you believe that, yeah, because all those
Cranked That songs, some of them had like sexual like origins.
Whoa conspiracy as well?
Speaker 1 (09:17):
Well?
Speaker 2 (09:17):
Like yeah, like it's like how like you do, like
the what's the old two thousands, like Super Edged Lord,
like the Red Dragon.
Speaker 3 (09:26):
The Dirty sand Chest, Dirty sand Chest. Everybody was trying
to do that exactly.
Speaker 2 (09:32):
Mind you. The crank that era was started by like
middle school high school kids in Atlanta. Boys you had
had sex yet, you would not had any vagina on
their body yet, but are imagining what it would be like.
And so you got cranked that Roosevelt, which was an
act of bucking the knees out that turned into a
(09:56):
dance when somebody not sucking.
Speaker 1 (10:00):
I don't understand what you do it with your hands,
the Roosevelt. I don't understand what you're saying.
Speaker 3 (10:04):
Okay, so they all right, I gotta get up this girl, Roosevelt,
the Roosevelt. The whole move is just this right here.
Oh I know this one.
Speaker 1 (10:12):
Oh okay yeah, because she's not sucking.
Speaker 3 (10:14):
Correct, So it's just.
Speaker 4 (10:19):
A little tap yeah, hey bitch.
Speaker 2 (10:22):
Yeah, it's like a cricket like it's a hydromic move.
It's a she's sucking your dick. Yeah, it's a it's
a you're oppressing me with Now. Now that is that
is a thirteen year old.
Speaker 3 (10:37):
Spurt on this. Now, why Roosevelt. Why is it called
the crank that Roosevelt. It was the high school. I
believe that it came from Okay, because they're sucking dick
like bad over there. They're doing it really terrible. But
this is just a group who was like, well, we're
never gonna make it beyond our community. Yeah, so we'll
just name the song for everybody at our school. Then
(10:58):
it becomes which is the beauty?
Speaker 1 (11:00):
Which is the beauty of music?
Speaker 3 (11:03):
Regional bro. All of the all of that stuff was
was just sex and violence that middle schoolers was doing
to each other. Crank Crank that spider Man cranked the Heisman,
I do remember Heisman. What fine breasts us to commit
(11:23):
to is the line?
Speaker 2 (11:27):
Right, what rico? Okay, yeah what Rico? We don't even
know where that boy is at, but he got jumped
so bad. Yeah, that they had to make an entire dance. Yeah,
that one.
Speaker 3 (11:41):
That's like. That one really bummed me out when I
found because because this is how crazy music used to be.
You didn't always have access to that information when the
dance showed up to your community, right, like in Chicago,
we didn't know that that had an origin story. There
was trying we were just like, no, that's a funny
(12:02):
way to name a dance a song. Yeah you know
what I mean, Like, yeah, great, all right, whoop rico?
And then you find out, no, that's one boy, Ye
who really got.
Speaker 2 (12:13):
And that's why you know, I don't like I was
saying earlier, Black people being seated in power can go
some nasty ways. Because man if Kamala the president right now,
(12:33):
Nigga ice would be a dance, you know. Drone strikes
is a dance because anything bad we do to each other,
we make it into a.
Speaker 4 (12:42):
Dance like that.
Speaker 3 (12:46):
They was doing a stab of dance in New York.
I do like that better. At least there's some levity
around these very heavy things. I think, if nothing else,
black people have always found the quickest path to levity, right.
I think every community he finds it for themselves and
like one hundred percent will eventually learn to laugh at
what they do. But black people we be at it quick. Yeah,
(13:09):
real time, Yeah, it's real time. And I think that's
what upsets white people the most in terms of like
the way that we interact with each other, is that
we find the levity so fast for ourselves, and they
want to be able to have that levity for themselves
but can't find it as quickly. But they do see
what they think about us, which is why the office
(13:29):
to that Pam. So that's the first one o the gate.
I'm assuming Crank that Pam something sexual is happening. She
got beat up and episode she was kind of a bitch.
(13:52):
I will say that in a rewatch. Pam is not
the hero of the story. They wanted her to be.
Jim's wag I mean, and Dwight, well, you got the
same job, bro, You're not. You're just tall and you
know he has an I EP. Don't do that. Yeah,
you know what I mean. Like, that's already a person
that needed you to relax.
Speaker 1 (14:11):
And Dwight is interesting. Jim is not an interesting person.
There's nothing interesting about that.
Speaker 3 (14:17):
No, he's just connecting with us the whole time, you
know what I mean.
Speaker 1 (14:23):
But he didn't feel like my audience proxy. That's the
issue I have watching television. Who's your proxy? I think
it's probably Dwight or Creator the people that I feel
like the most when I watch that show. But I
always it's been a constant issue with television for me
is that I never the person who's supposed to be
the audience proxy.
Speaker 2 (14:42):
You don't connect with that ever, ever, ever, So you
watch a SpongeBob like man, where the fuck's Pearl?
Speaker 3 (14:48):
That SpongeBob is weirder.
Speaker 1 (14:52):
So it's okay, okay, but I mean I think a
lot of like traditional shit, like I wasn't watching Fresh
Prints like Will is me.
Speaker 3 (15:00):
But I will say I'm much more of a Patrick
than I am a SpongeBob. Okay, okay, you know what
I mean, Like I would much rather connect with a
Patrick episode than than a SpongeBob. I was rocking with Sandy. Sandy,
Sandy's pretty cool. Everything she got going on is what
the fuck is going on? Why the fuck are you
down here?
Speaker 1 (15:18):
Yeah, you're clearly Yeah, you're hyper intelligent like something something
to do karate and you're in the service, right or
some Yeah, so something crazy happened, like Sandy's existence in
SpongeBob is evidence of like the show being post apocalyptic.
(15:39):
Oh interesting, right, Like she's a refugee from the from
the surface.
Speaker 2 (15:44):
Yeah, that she was probably genetically engineered, you know, to
be like able to do space travel, and she's she.
Speaker 3 (15:53):
Might be supposed to be our way out. She might
be an early experiment that just never made it back
to the surface.
Speaker 2 (15:59):
And I think something happened on the surface that eradicated
humans but left Sandy and other genetic experiments untouched.
Speaker 3 (16:08):
Interesting.
Speaker 2 (16:09):
But they had already bio engineered her to live under
water or build ship or just you.
Speaker 3 (16:16):
Know, or have even just interact self awareness that then
makes her allows her the choice to go do something
that you look in the mirror and be like, I
got titties, I need a bikini, and I want to
hang out with a sponge and yeah.
Speaker 1 (16:27):
The rest said yeah, And I don't think it's a
comedian thing. I think it's just truly they weren't really
making it for anything.
Speaker 3 (16:37):
Then cut it for you down that you it feels
insane to introduce this now, But you came to us
with the conspiracy that that I've never heard before. Okay, frankly,
I don't think anybody's mother has ever ever said this
to them once.
Speaker 1 (16:54):
As soon as I read it, though, I was very excited.
Speaker 3 (16:57):
Okay, yeah, do not take my mom as me not
being a fan of it.
Speaker 4 (17:03):
I just want to lay the groundwork for everybody at home.
Speaker 3 (17:06):
Nobody's mom has said that this is new to Mama's Yeah,
certainly we're hoping they'll pick my would be open to it, Okay,
I will say that, like if I if I call
her after, I think she would you think she would
hear this out? Yeah, I like that.
Speaker 1 (17:19):
She's she's she's pretty okay with conspiracy.
Speaker 3 (17:23):
Okay, Well, David's Mama in the future is going to
tell us there are no autonomous vehicles. They are actually
operated by the enslaved African children. Yeah, enders game South Africa.
That's the first thing that I thought.
Speaker 1 (17:41):
Boom bully ship ye Boom South Africa or or like
d r C or some shit. Yeah, yeah, of course, Yep.
They think they're playing a video game, they're really delivering Yep.
Speaker 2 (17:53):
Pope's exactly, holy exactly my theoryt that's like right there. Yeah,
it's two plus Holy fuck, it's two plus two equals.
It's terrence man. Yeah, it's tereology.
Speaker 3 (18:06):
We got ninety eight patents.
Speaker 2 (18:07):
Come on, you know how it's a patent and you
know how one though, Yeah, that them is Africans driving
them way modes driving them.
Speaker 3 (18:23):
Watch out.
Speaker 2 (18:26):
Like you're gonna get nasty. I'm not about to get nasty.
It's actually a crazy compliment. You ever looked at a
You ever just watched the video of African traffic.
Speaker 3 (18:34):
It's crazy, it's crazy, But what is not happening crashes?
They're really avoiding each other.
Speaker 2 (18:44):
The only person you could get globally to drive a
car autonomously through l A traffic and not touch nothing, ever,
is an African.
Speaker 1 (18:56):
WHOA.
Speaker 3 (18:57):
You're saying, we got an extra muscle in our eye.
Speaker 4 (19:00):
Absolutely, it wasn't.
Speaker 3 (19:03):
It wasn't in our leg this whole time, that's been
in our eyes, and we have the ability to drive
better than any human being on.
Speaker 2 (19:12):
Earth, especially folks in Central Africa. You know what I'm saying, Sudan,
even like I watched videos of trafficking and Ethiopia, that's
what you watch, Yeah, all the time. I like that.
Speaker 3 (19:28):
I will say that this is nice for me because
you are amongst two of the most fucked up algorithms
that I Yeah, I'm really I'm really happy to Yours,
I would say, is one of the most violent I've
ever experienced. I'm getting dead people. It's bad. Yours is insane.
Speaker 4 (19:48):
Yours.
Speaker 3 (19:49):
Yours jarred me in a way that I've I repeat
often to people because of the guys the handicapped guys
fighting each other. No, that wasn't the one that bumped
me out the most. There there, and I I've told
you this before. I once went to his house and
pulled up he pulled up YouTube and then we watched
a video of a white man hand feeding Africans sour
(20:12):
patch kids. That was dark. That's light for the first
like going over there, going to a like a community
that has not experienced candy, like a neolithic like stone tool,
and then walking up to them and offering them sour
patch kids and taping their reactions and they're just like
(20:33):
crack addicted. It felt like that, Yeah, it's like who
It felt so much worse than crack.
Speaker 1 (20:40):
My relationship with computers, I found that they're only there
to excite me sexually or enrage me physically, for sure.
And that's sort of what my algorithm feeds me.
Speaker 2 (20:51):
And you know what's crazy about your algorithm feeding you
that stuff and me this crazy stuff in Langston whatever
stuff he's getting, is that my theory isn't even a
jump from what the reality is. It's not even actually
a jump. Like all you would have to do in
these warehouses is add the ender's game element that you're
(21:13):
talking about it, just make them, make them think that
they're game by it, but also make it very punishable.
The mistakes in Boom you have like instant control, but
this already exists, so like like AI is already mostly
powered by African child slave wage labor. Because like the
(21:37):
AI is, like if I just if we just took
out David's brain and just gave him the Internet as
a brain, the things he'd start to say upon requestive
answers from us would almost instantly be pornographic racists.
Speaker 3 (21:55):
Because those are the data points, because that's what's on
the Internet.
Speaker 2 (21:58):
So you have to build an entirely new like Brita
filter AI system to attach to David's brain, but that
Brita filter has to be taught by human eyes. The
difference between an apple and a prolapse anus, the difference
between you know, the Wikipedia about Batman that's just the
(22:20):
canon events or this sexual fan fiction where Robin fucks
them in the butt.
Speaker 3 (22:26):
You're saying that that ultimately there's just too much information
that just offering the machines information is not a solution.
That it has to be curated in a way that
makes that information strategic that's why they have to make programs.
And this is a huge issue.
Speaker 2 (22:42):
It's a huge issue amongst the AI giants, Like they're
constantly like trying to figure out how to do this
because the text based models. You literally have to get
an African, put crazy text in front of their face
and make them identify the negative parts. And if they
take too long identifying that stuff, they can lose their
(23:05):
job that was giving them like a dollar a day.
Speaker 6 (23:07):
It's crazy because absolutely.
Speaker 3 (23:10):
Without to lose their job.
Speaker 1 (23:11):
I'm doing that for free anyways, because they described me
right at airport, right, there's a lot of them, Like
there's some Americans. Oh that's kind of cool. Yeah, always
rapping about eating raccoons or whatever I'm looking.
Speaker 3 (23:22):
At, which is probably why the reports, like reporting things
is encouraged in the first place. It's like another layer
of curation.
Speaker 1 (23:32):
Oh yeah, that's all that shit is. Like that's why
it's like show a picture of you in the eighth grade,
like they just need to see.
Speaker 3 (23:37):
But even like if I'm offended by a video me
going and like telling the program like, hey, this offensive
is them just decide that like Okay, this is what
humans can handle, and this is what they can't. Yeah. Yeah.
Speaker 2 (23:50):
Fuck So it's like literally, like content moderators in like
third world countries are leaving work every day and having
to go like eat spaghetti with the family after watching
David's algorithm involuntarily in order to like identify it and
make sure that it doesn't pop up on Langston's daughter's
(24:13):
YouTube algorithm while she's watching you know, cocoa melon, you.
Speaker 1 (24:17):
Know, and that ruins the family dynamic. What'd you see today?
Another big ass titty right before breastfeedom.
Speaker 3 (24:23):
Yeah, it's it's it's it's unfortunate when you really gotta
face down what you've looked at and then look at
your children in the eye. Damn. Yeah that felt real. Yeah,
there's sometimes.
Speaker 4 (24:38):
There's a couple of times where I've like.
Speaker 3 (24:39):
Looked at look at some kind of video and I
was like, oh man, but I gotta look them in
the eye. Yeah, I gotta throw because it's not even
like I'm like gaining pleasure from it. It's it's like
you get uncomfortable with how comfortable you are in receiving
certain things, right, you know what I mean, Where you're
just like this didn't bump me at all, and then
(25:01):
you look at a person who you hope won't reflect
any of the feel like that should have.
Speaker 1 (25:06):
Yeah, you don't want any of that to touch them,
but you're inundated.
Speaker 3 (25:11):
But I'm letting touch me.
Speaker 1 (25:13):
Yeah, you worried that there is some some sort of see.
Speaker 3 (25:16):
Bitch, Yeah, it's gotta be right, of course. Yeah, you
know what I mean. Like, there's how many of these
videos can I watch before my daughter talks like Orlando Brown?
That actually sounds kind of fun.
Speaker 2 (25:35):
I don't have kids, but if I do, please please
let the sperm, the Orlando Brown sperm, so win the race.
Speaker 4 (25:48):
I don't give a fuck who says, oh crap, yeah.
Speaker 3 (25:54):
She said some ship like that to me. I can't
And there's a part of me that will be worried
that I did that you, And that's that's what the
I'm the transference of this this sickness.
Speaker 1 (26:05):
I worry about it. Not I don't have a dog,
just interpersonally. I worry that whatever this smut that I'm
looking at is going to come out. I do worry
about that. Yeah, I think we're all worried about that.
And that's like a big fear.
Speaker 3 (26:17):
Like people knowing or like just like come out in
your behavior, Yeah.
Speaker 1 (26:22):
Just like or that it will affect me in a
way because I watch it and I pretend it is
if I'm detached, I don't like watch it and I'm like, man,
this is really what's going on in the world. But
I worry that it'll affect my opinions or my conversations
or or mostly what I really truly worry about is
that what it will reflect within my art, Like I
don't want to start putting out the type of art
(26:42):
that lets you know that I am looking at African
women with impossibly sized.
Speaker 3 (26:49):
Breasts right right, you know what I'm saying.
Speaker 1 (26:52):
It's like like like that's that is that that is
what begins to be the way.
Speaker 2 (26:56):
I feel like that's a little bit of and I
don't think that images and media and don't transfer things
like I'm not like naive to that that like propaganda
and like encoding images with things like it's very real,
I think. But I do think we have a bit
of like Christian guilt in us from our parents telling
(27:17):
us that like watching Harry Potter or watching something that
like depicted something demonic, it's going to transfer spirits. My
mom literally won't watch Sinners because it's like it's like
a documentary, sir. She thinks it's like Planet Earth, it's sinners.
(27:38):
It's like, no, I understand the recreation. Yeah yeah, but
this is based on a very real thing. I know
the source material. I don't like it.
Speaker 4 (27:46):
I'm aware of Michael B. Jordan, but I'm also aware.
Speaker 3 (27:49):
That he's making something yeah really bad. Right.
Speaker 1 (27:52):
Do you think though, that there is also a level
of like there is that remnant of guilt, but there's
also the things we're watching are far more extreme, sure,
Like it's actually things that are you just said dead bodies. Yeah,
like that's like an actual word, you know what I mean.
Harry Potter is for fun and it's hufflepuffs and whatever,
but like you know, we see people.
Speaker 3 (28:13):
Get killed on that yeah.
Speaker 1 (28:15):
Or it's just like that AI where like something comes
out of a butt hole and then it turns into
a bowling ball.
Speaker 3 (28:20):
Yeah yeah, yeah, Yeah. Those things are fucked up. Those
things are fucked up.
Speaker 2 (28:25):
Those are and those ones I do under I do
agree with what you're saying, because like when you keep
a straight face through one of those and you're like,
all right, next, yeah.
Speaker 1 (28:35):
Should have stopped And it's not even my ship. Yeah,
just shy. That's just what I'm doing when I'm shitting it.
Speaker 3 (28:43):
There's I'm like not even triggered by stuff anymore, And
in that way that's terrifying. Yeah, that's bad. We're like, oh,
I'm so desensitized. There's no way I'm not going to
say some wild ship and the people around me because
of this, and then that will carry over and now
all of a sudden, my daughter's like stupid, and I
(29:07):
gotta be like, I did I did that my daughter.
Speaker 1 (29:12):
That's also the art thing of it all, though, because
being an artist truly does come from a place of
being sensitive and like in experiencing the world in the
sensitive lens, and if you cut that down, then you
are diminishing your life or whatever, you know what I mean.
Like it's like, I don't know, man, I think I
would probably even be able to create a lot better
(29:32):
ship if I hadn't seen so many teens fight each
other or whatever.
Speaker 3 (29:36):
But then I would say, like, on the flip side,
that is what makes so much of like the this
this white boy renaissance ship in comedy at least so
uh unbearable for me, is that detachment from the more role, right.
Speaker 1 (29:53):
That's what But that's what I'm saying is like I
don't want to get anywhere near them.
Speaker 3 (29:56):
Yeah. That really it really makes you feel like, fuck,
that's not even we're not even doing an art anymore.
Speaker 2 (30:03):
I mean it's a pretty like natural pipeline too, like
from like I mean, it goes way back further than anything.
Like it's like way pre media of the idea of
like human plus technology and civilization equals negativity. Yeah, like
(30:26):
that idea permeates everything around us, you know what I mean,
because it's like it's a flawed and very incomplete way
to look at the world. But like I think about
that old clip of Joe Rogan back in like two
thousand and nine or something, maybe a little bit later,
where he was just starting the podcast and he's like, Dude,
you ever look at a video of la from a
(30:48):
helicopter and.
Speaker 3 (30:49):
It just looks like a virus. It just looks like
a scab, It looks like a.
Speaker 2 (30:52):
Scourge, And like describing humanity as like a virus. And
it's like, once you believe that about humanity, then everything
else after that is really easy to the progress pathologize. Yeah,
so that whole right wing movement is like super like.
I don't even look at as like racism aside, I
just look as anti human.
Speaker 3 (31:13):
They're like, yeah, yeah, we're bad.
Speaker 1 (31:15):
It's like, yeah, like individual it's rugged individuals.
Speaker 3 (31:19):
Yeah. I don't think they even can begin to see
themselves as racist because they they don't value any person
enough and they don't.
Speaker 1 (31:27):
Yeah, and they don't feel a connection to what the
whole of this is like, whether it be white people
or men or whatever. They they're like truly on an island. Yeah, yeah,
it's like whatever, it's all.
Speaker 3 (31:38):
It's you.
Speaker 2 (31:40):
We're on a fucking rock going fucking a million miles
in space, dude.
Speaker 1 (31:44):
So who cares if I say slur bro real dude, had.
Speaker 2 (31:51):
Kill yourself? Dude, nothing beat your wife, dude. Like watch
fucking open butthole porn. Dude, eat cereal out of someone's ass.
Whole dude, nothing's real.
Speaker 3 (32:08):
You say open butthole porn.
Speaker 4 (32:13):
They were like.
Speaker 3 (32:15):
Heard it, it's rare.
Speaker 1 (32:16):
I had come across the new genre.
Speaker 3 (32:18):
One out of five doctors don't disagree. Nah, I like regulars. Regular.
It looks like found footage. All right, we're gonna take
a break. When we come back, we'll talk more about
the conspiracy more, Zach Fox More. My mama told me yeah,
(32:46):
and we're back.
Speaker 7 (32:48):
But we're gonna do this respectfully, otherwise we'll end in
a duel, and I mean a duo, real life duel
where only one person walks away. We can meet with guns, bottles, knives,
or books and equations, but we're going to do this
like men.
Speaker 1 (33:05):
So get ready and we're just a bunch of men
about to get into a book fight. Nigga, I got
all about love.
Speaker 3 (33:22):
Nigga shows up with a kindle.
Speaker 8 (33:24):
You're like, right, switch on? Whoa, what the fuck that laser?
Speaker 3 (33:41):
Zach. We're still talking about the possibility that that the
the autonomous robots we see on the streets are in
fact being manned by African children who are enslaved. My question, why,
or or rather how are they incentivizing the kids not
(34:02):
fucking up at the cost of their their lives of
white lives. I guess it's my point. Okay, Okay, two things,
two things, yep, two things.
Speaker 1 (34:13):
Getting beat up? Okay, okay, getting beat up. They're already
doing that in school over there.
Speaker 3 (34:17):
Right, getting beat up, having family beat up? Yep. Two.
I know you wonder well one of these kids would
just come out and say that they do this.
Speaker 2 (34:27):
Who's gonna believe you? Mm hmmm, my brother who in
Sudan is going to be that you pilot vehicles in
Los Angeles that are holding hamburgers?
Speaker 3 (34:45):
Right, Yeah, you just said four things I don't know about.
Speaker 1 (34:51):
And that it sounds made up to me. And I'm
in Los Angeles and now you're a witch, and then
your family's gonna get beat.
Speaker 2 (34:59):
Up exactly, So I think, right, I think the social
consequences of it are like different over there, because even
if you did lay it out truly what it is,
that's witchcrap.
Speaker 3 (35:12):
It's the devil's work for sure. Either way, robots with
hamburgers in them? Is it is evil?
Speaker 1 (35:19):
Because in my heart I feel that way. Yeah, Like
it does make me feel I haven't a version of
technology like naturally in a way that makes me. I
react to technology the way Africans react to witches.
Speaker 3 (35:32):
I do like I'm very like anti. I'm at that
stage yea too. No, none of this is none of
this is good. Technology is evil. But I know both
of y'all, y'all sweethearts, so I know both of y'all
experienced seeing one of them chicken nugget robots passed by
you and you feel that little thing in your heart
(35:54):
from Wally, Yeah, where you empathize with it a little bit.
You get out of the way, and man, I don't
want to kick it.
Speaker 1 (36:02):
Zach Fox, You've cut me to my core. You cut
me open. I stand here bleeding. That's my worry is
that I will love the robots too much. Yeah, that's
why I'm so against.
Speaker 3 (36:11):
We have a an autonomous robot on the show named
Samo on Everybody's Live. He has a name. And I
will say that when this was originally pitched, this was
not my pitch. This pitch belongs to a dude named
Alex Cordellis, who's very funny guy. But he pitched that
that John should have like a pet robot that just
(36:33):
hangs out at the show and delivers fucking cans and shit.
And I was like, we're connecting the dots here. I
was like, that ship makes me uncomfortable. We're connecting the dots.
I don't like this as a bit. Yeah, and and
I'm not into that. And then now, damn near what
we're sixteen episodes into this show. I really like that
(36:55):
fucking robot.
Speaker 2 (36:55):
Your friend yeah, writing jokes, So you would, so you would,
you would conclude that this robot is autonomously piloted by
an African.
Speaker 3 (37:10):
Well see, here's the thing.
Speaker 4 (37:11):
Here's here's the thing.
Speaker 3 (37:15):
He is, not, in fact piloted by an African. Okay,
but he is. He is piloted by two people who
we employ to be on staff when he's there, you understand,
which means that like somebody's roboting him at all times,
leading me to start to go whilst somebody's probably roboting
(37:37):
all of them at some time. And who are the
people that are doing that? That's the big question. And
this is where I'm sorry, but this is where it
gets even scarier, is that last year before we got
same O, we went out to other companies that were potential,
like Robot Options, and the other company that we talked
to had to pilot their robot via a person in Colombia.
(38:01):
Come just to demonstrate this time we had to call
a Colombian man and be like, hey, we're ready, and
then they had to like hit switches all the way
in fucking Colombia to robot a little fella in Los Angeles.
Speaker 1 (38:17):
One is calling a Colombian man on the phone for
a favor ever a good sign.
Speaker 3 (38:21):
It don't sound good, bros. That's it. Listen, man, that's
what I'm gonna say.
Speaker 2 (38:27):
If all three people in this room for the next
five hundred years, now.
Speaker 3 (38:36):
Wait a minute, it's triggering some shit at me, but
I'm listening. I'm listening for five hundred years. I don't
care who it is.
Speaker 2 (38:46):
Fill in the blank little people, right, for the next
five hundred years, we made free, uninterrupted trillions off of
little people whoa uninterrupted golden age of our friendship. We're
building castles, we're making states, we're building bridges, We're doing
(39:08):
all the things, but the actual engine, the actual farm tool,
the resource is little people. For five hundred years, like
we build a whole new economic system off of it.
Speaker 3 (39:20):
We're thriving, thriving worlds.
Speaker 1 (39:23):
Life's easier for everyone else than it ever has.
Speaker 3 (39:26):
Oh my god, David's got David's on the moon, Langston's
under the ocean like Sandy Cheeks. You know what I'm saying.
I'm riding a komodo, dragging down Portland Avenue.
Speaker 2 (39:36):
And Atlanta whatever your desires, right, beautiful, And then one
day the little people uprise and say enough we go
to war with each other.
Speaker 3 (39:48):
Over I say, what's even more fucked up is somebody
who I helped ride a komodo dragon decides they don't
agree with and then we gotta stops and we got
then we start beefing, even though I helped get you
that komodo dragon. Yes first, so me, you David getting
a fight, mall each other to death. Almost all of
us die over it. And now little people are a
(40:12):
part of the podcast. They're part of My mama told
me they can't take it to be at the table.
Speaker 1 (40:15):
Now they're just dropping in, dropping in, spaming the drops.
Speaker 2 (40:26):
But it was like our children, your two children, our
theoretical children, and our children's children and our children's children's children.
We would look at them every single day, generations and
generations and say, no matter what you do in this life,
(40:49):
I don't care what it is. Figure out how to
get us back to uninterrupted trillions off of these little people.
Speaker 3 (40:58):
And I don't care who you got to add to
the equation.
Speaker 2 (41:01):
Big people, wide people, middler people get it going.
Speaker 3 (41:06):
The way you're talking, there's no way I wouldn't say
the N word, you know what I mean. I would
call them that to their faces. Right, and I would
be like, I don't give a fuck, right because I
know what you used to be. So this whole talk of.
Speaker 2 (41:19):
The AI is gonna the robots are gonna rise up,
and it's all I always fill it in with black people.
Speaker 3 (41:28):
Yes, every single time.
Speaker 2 (41:30):
I'm like, you're projecting your fear of us doing that
to you because you knew, you know what you get,
so you're projecting it on the robots. But at the
same time, you're not even doing anything different from regular slavery.
You're just leaving the Africans where they're at. We don't
got to enslave them over here. We already got We
already did that. Keep them over there and then let
(41:53):
them be the give them facades.
Speaker 3 (41:56):
You're saying this is this makes it full present tense.
We don't have the trick the black people around us
into slavery again. We just need to go somewhere where
we ain't get to really get our big scoop of
ice cream yet.
Speaker 1 (42:08):
Yeah, they need to go to the source.
Speaker 3 (42:10):
Damn get big. They outsourced it, get it right.
Speaker 1 (42:14):
Yeah, Like it's like, Okay, we needed rice farmers or
whatever right over here, but now that you just got
a whole continent of people to drive robots.
Speaker 2 (42:22):
Damn make them, make them slave avatars, right because you can.
You can keep a smiley face on a robot in perpetuity,
even if there's a child in Sudan.
Speaker 6 (42:33):
Dying because it didn't hit that left turn. You know
where this gets nasty for me.
Speaker 3 (42:47):
James Cameron is the type of rich where he would
know that this is happening, and especially if he's creating
new AI technology for like replacing faces and shit, He's
tapped into that ship, and that then makes me feel
like Avatar is just like an artist being like silly
(43:09):
about some dark ship. He knows this pipeline. He's like, no,
I'm watching it happen. So yeah, the Nave, yeah, big
old yeah, they got long tails. There's such a musical people. Yeah,
they fuck with their hair.
Speaker 1 (43:24):
WHOA remember when he came out, first thing he did
was play basketball? No, Bro, that's crazy.
Speaker 3 (43:36):
Yeah fuck.
Speaker 4 (43:39):
Yo, dang fuck.
Speaker 3 (43:43):
That hurts my feeling. Whoa man, God, damn it. Listen, bro,
I'm telling you, so, we got to get more guns.
Speaker 1 (43:53):
I don't know what to do.
Speaker 3 (43:54):
Tell me what to do today. A bunch of years, bro,
five hundred years. Give me one of those akades five
hundred years. You had the red, you had the Staples,
easy button.
Speaker 4 (44:09):
You know what I'm saying.
Speaker 3 (44:11):
This is it now? Yeah, get back to uninterrupted free.
Speaker 1 (44:17):
They need the because they hit the greatest slick of
all time. Yeah, that's that's the high they're searching, right, Yeah,
they the greatest slick of all time. Like they just
got Iowa. They just came here and.
Speaker 3 (44:28):
Got that ship.
Speaker 4 (44:29):
Like even the other.
Speaker 1 (44:31):
Nothing else, nothing else has ever compared to that.
Speaker 3 (44:33):
Even the other times in history where people have been
slavers and held over other people, they've never gotten paid
the way that these one fuers. That was it.
Speaker 2 (44:44):
That was ball in the peach basket. Yeah, yeah, early
Arab slave trade.
Speaker 3 (44:49):
Yes, there was a lot of Africans in that African
slave and Europeans enslave in other Europeans. Yeah, that was
ball in the peach basket. Yeah. What white folks did
was the Harlem globe.
Speaker 1 (45:01):
Yeah you slept, you know what I mean, Like you're
still sleeping on the on the ground.
Speaker 3 (45:10):
You got to do, like you got to graduate from
being a slave, like Arab slave trade and like that.
Like they would be like do you funk with.
Speaker 1 (45:19):
Like ironworks you're like a trader, trade worker.
Speaker 2 (45:23):
I feel I see something men and you like you
you hockey show, hang out with us.
Speaker 4 (45:29):
Man, you could draw.
Speaker 2 (45:33):
To hear the Pharaoh about to die. Man, that ship
come on man, yo, wife was hard. They always try
to do that like it was all slavery.
Speaker 1 (45:42):
No, no, no, they did. They did did in the game,
bouncing off each other.
Speaker 4 (45:51):
You was all the professor.
Speaker 9 (45:53):
Yeah and you were bouncing. That's what I ain't got
no face on because he wasn't a man.
Speaker 3 (46:06):
That's man. They try to hide it.
Speaker 4 (46:08):
It is like a strong jawed white man. Yeah, and
they keep trying to pretend like like Nigga's supposed to
connect to it, but it's not. It's a chad, it's
a giga chat.
Speaker 3 (46:17):
It's crazy.
Speaker 1 (46:18):
He's saying ship like driving.
Speaker 4 (46:23):
This is the last stop.
Speaker 3 (46:29):
More pizza rules. You know that one man wasn't black, bro,
he was not Where was your fitt at? He was
not no lineup. That's really nuts. You know that is
(46:49):
really crazy. And you know you know, I know he
wasn't black. No facial hair, boom ball man, no facial hair.
Play basketball every day. You ain't grow a little go
tee nothing. It's a weird mustache. Black man, black man,
gonna keep that keep something on it, Bro, something to less,
you know, Bro, My chain ain't seen the sun since
(47:12):
before the towers fell. Yeah, ship covered up.
Speaker 4 (47:22):
The first plane here.
Speaker 3 (47:22):
He just became a man. I'm ready to vote. It
was loud like woo Maine every time, but I have
to do it.
Speaker 1 (47:37):
Also, if you cut that ship off, it comes right back.
Speaker 9 (47:40):
Yeah.
Speaker 3 (47:41):
Damn well, this is a great episode. I think we
figured it out. I don't think anybody's in disagreement about
this list.
Speaker 2 (47:50):
I dare someone to present a rebuttal to this theory
because I'm sticking by it like it's fat tough.
Speaker 1 (47:57):
Because when I saw it, I was like, this is hilarious.
It would be so fun to talk to Zach about
this and we'll have such a good time. And then
now I'm walking away like I need some you need
some thinking time? Yeah, I need some stuff to prepare
my I need more weapons, is what I feel like. Oh,
I yeah, I don't know.
Speaker 3 (48:14):
What's a darker future? Yeah, I do this break. I'm
gonna break yall. What's a darker future that y'all can imagine?
Y'all thought the future? Oh, race war race war.
Speaker 2 (48:25):
Now they're gonna set it up. Black folks, Latinos, poor whites,
y'all gotta go to war with the.
Speaker 3 (48:33):
Robots who are what strong and African? Fuck? Fuck fuck.
Speaker 1 (48:44):
It's like a new fear on Locke. But you know
when you see some shit you weren't even didn't even
think to be scared of.
Speaker 3 (48:53):
I didn't even know that I wanted or know how
to navigate them as my enemy. Yeah yeah, and now
they are both. They are both not only my enemy,
but my greatest fear activated.
Speaker 2 (49:04):
And then you don't even got to tell the Africans
what they're doing over there because they're just playing a
video game.
Speaker 3 (49:09):
Hey, man, get the funk out of the studio. I
can take this. It's gonna be cool like that. We
invited you.
Speaker 4 (49:19):
We're like, Zach's a friend. We should have them on
our podcast every podcast like this.
Speaker 1 (49:24):
You should.
Speaker 3 (49:24):
You should stand by your ideas like this, Yeah, because
that makes that makes you.
Speaker 4 (49:28):
Yeah, you're saying something crazy. Pull it out of man
with this idea.
Speaker 3 (49:33):
You like a baseball man.
Speaker 1 (49:37):
Choke the morning.
Speaker 3 (49:41):
What you saying, Zach? Tell Tell the people where they
can find you. What cool ship you got going on?
My name is Zack Fox.
Speaker 2 (49:48):
You can follow me on I g zack Fox Twitter
or x Zack Fox YouTube channel.
Speaker 3 (49:57):
Watch me some Zack Fox. Okay, okay uh. I'm on
tour right now. I'm gonna be doing Portola Festival in
San Francisco. I'm gonna be doing a movement festival in Detroit.
I'm gonna be doing not announce yet, but another crazy
festival in Florida coming up. And I got tours and
stuff and I'm gonna be hitting the road a little bit.
Speaker 2 (50:17):
So on my website zach Fox dot com, it's an
Excel spreadsheet with all of my dates on it.
Speaker 3 (50:24):
Me and my manager worked very hard on that Google sheet.
So buy the tickets and hey.
Speaker 4 (50:30):
Change some dates if you want to.
Speaker 3 (50:32):
It's like it's open access. It's free for anybody. Hit
the If you have the link, you can edit. So
bory what you got.
Speaker 1 (50:45):
June fourteenth, I'm gonna be in Sacramento at the Secret
Show June thirteenth. I'm gonna be in Hayward June twelfth.
I'm gonna be in Petaluma. In June fifteenth, I'm gonna
be at Littlefield in Brooklyn. We should sell it out
because I need the validation. I just want to feel
(51:06):
good about the stand up that I'm doing, and I
think it's very great.
Speaker 3 (51:10):
Struck my man's ego. Come on out and as always,
you can follow me at Langston Kerrman. I ain't got
no dates coming up and may never will again. After
this one drops, this might be the end of old
lak uh.
Speaker 1 (51:27):
That said.
Speaker 3 (51:28):
You can follow me on all social media platforms. If
you want to send us your own drops, your own
conspiracy theories. If you represent one of these autonomous companies
and want to hold us accountable for the things that
were said today, send it all to my mama pod
at gmail dot com. We would love to hear from you.
I'm willing to defend my opinions in a court of law.
I like that.
Speaker 1 (51:48):
And He's an autonomous country, so you can do that.
Speaker 3 (51:51):
I'm an autonomous African.
Speaker 1 (51:55):
Working on myself.
Speaker 3 (51:56):
Yeah, I see you me someday. Hell get there by
the merch like subscribe, review, do all the ship follow
the leave comments schools. But how good you are in sex.
(52:21):
We've had a lot of people responding to videos in
strange ways lately, where it's them like getting in arguments.
We had a video where we were arguing, not arguing,
but just talking about the fact that like, white boys
really ain't scared of black people no more. I did
see this, uh, and the amount of like vile white
people that have now entered that conversation are like truly
(52:44):
going crazy, calling us cowards and saying we were never strong,
no one's ever been afraid of.
Speaker 1 (52:54):
You behind faces and it's like, truly, you monkeys don't
scare us.
Speaker 4 (53:03):
It's like crazy exclamation, it's nothing, and we're not responding
to nothing. It's like it's them.
Speaker 3 (53:17):
They are literally like eating each other to bite the
fuck out of us.
Speaker 1 (53:22):
What I learned is like the biggest losers on the
internet are people who talk about how good they can fight,
the people who talk about how good they are at
sex in comments, those are the biggest losers on the internet.
Speaker 3 (53:34):
Like you what are you? What are you doing?
Speaker 4 (53:36):
Oh no, that's the other thing.
Speaker 3 (53:41):
It's not just white boys. Shit, it's not people coming
in and being like these niggas ain't like us, Yeah,
cowards need to.
Speaker 4 (53:49):
It's like whoa, it's really wild man, you don't understand
what we're doing over here.
Speaker 7 (53:54):
Bro.
Speaker 1 (53:55):
It got to a side of the internet that's not
even we're not even potentially getting fans anymore.
Speaker 2 (54:00):
Yeah, it's just an arena. Yeah, it's just like the
World Wars. The zombie had climb over it.
Speaker 1 (54:07):
Dude.
Speaker 3 (54:07):
It's like there's niggas gone trade me the only and
we're just sitting there playing dead the whole time, hoping
the zombies don't notice.
Speaker 2 (54:18):
And it's so funny because like these people, like the
dude saying that definitely lives in a town that just.
Speaker 3 (54:26):
Got a ross one hundred percent. Yeah, like nothing's going
down over there. Man, it's not coming to you. Okay,
y'all will miss the apocalypse by years. They're gonna skip
this town for a while for sure. You'll be like
those guys who didn't know slavery was over and celebration
of the zombie apocalypse.
Speaker 1 (54:46):
Yeah yeah, we would have been done fighting robot Africans.
Speaker 3 (54:49):
Yeah, zombie apocalypse, you know.
Speaker 1 (54:54):
And they're talking about trumping birthright citizenship and you're like, bro,
this ship twenty.
Speaker 3 (54:58):
Eight days later when was I showed, Oh all right,
we did it, my bitch, put your mouth right over
that hole. Put your mouth there, my mama told me.
Is a production of Will Ferrell's Big Money Players Network
(55:21):
and iHeart Podcasts.
Speaker 1 (55:23):
Greeted and hosted by Langston Krek, co hosted by David Bori.
Executive produced by Will Ferrell, Hansani.
Speaker 3 (55:30):
And Olivia Akilo. Co produced by Bee Wayne, edited and
engineered by Justin Komon, music by Nick Chambers, artwork by
Dogon Kriega. You can now watch episodes of My Mama
Told Me on YouTube. Follow at My Mama Told Me
and subscribe to our channel
Hosts And Creators
Langston Kerman
David Gborie
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Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
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The latest news in 4 minutes updated every hour, every day.