May 8, 2025 • 22 mins
Lil' Mommas! Enjoy this classic Motherf*ckin Mini Episode again, where Langston and David answer a listener’s email about The Matrix and Terminator being created by a Black woman.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Motherfucking mini episode, mini episode, motherfucking mini episode.
Speaker 2 (00:13):
Boot boot beat beat, There, it goes, there, it goes
Welcome to an all new episode of My Mama Told.
Speaker 3 (00:22):
Me, the podcast where we dive deep, deep into the
pockets of black conspiracy theories.
Speaker 2 (00:29):
And we work to prove the theories of you, the listeners,
who quite frankly, have been taking a tone in the
emails lately, and I'm here to say I don't care
for it.
Speaker 4 (00:40):
You guys are speaking to us like little baby sluts
and algy.
Speaker 5 (00:44):
Yeah it's not cool, man, it's a lot of like, oh,
it's this too crazy for.
Speaker 4 (00:49):
You, y you bitch made at you niggas scared to
adjust the real thing out there.
Speaker 2 (00:55):
Listen, I eat dinner in the dark. Nothing's too crazy.
Speaker 4 (01:00):
I watched him eat dinner in the dark. I'm the
craziest that is.
Speaker 2 (01:10):
Yeah, first of all. Second of all, I.
Speaker 4 (01:13):
Do beautifully placed by the you nailed that one.
Speaker 2 (01:19):
I'm getting nice of it. I gotta start practicing the harmonica, yeah.
Speaker 4 (01:22):
No, you gotta warm up. And frankly, I still haven't
practiced my nunchucks. So we should feel.
Speaker 2 (01:29):
Like we should be like we should give it like okay,
because we're gonna get to two thousand subscribers.
Speaker 4 (01:35):
Yeah, we gotta put a deadline on my ship. So
that this this I'm.
Speaker 2 (01:38):
Saying, we plan it for like a future live show,
like and then it's like come out and you can
see the nunchucks and the harmonica.
Speaker 4 (01:49):
You are okay, okay, Yeah, I don't mind. I don't
mind bait and switching the listeners a little bit. I
don't think, Yeah, fuck them, you know what I mean,
you like, fuck them?
Speaker 2 (02:01):
I don't know you ship, Yeah, I don't know you
except for mommy everybody else. So man, mom is a
assorted family members, my little brother.
Speaker 4 (02:14):
This is this is a perfect, I think, a perfect
marrying of our two obligations.
Speaker 2 (02:19):
So that's what I'm saying.
Speaker 4 (02:21):
At two thousand, we will team up and showcase both
skills at once at a live show.
Speaker 2 (02:28):
Once.
Speaker 4 (02:28):
I like that even Yeah, yes, fuck let's fu turn
it into like a little bit of an Obama Springsteen
hook up.
Speaker 3 (02:36):
Yeah, we get somebody, Oh, Olivia, that's what you're doing
at the live show.
Speaker 2 (02:44):
You, Olivia is gonna rap all back you with the
beat and then you gotta I'm gonna be honest, you
probably gotta like you're gonna have to at least get
a headband.
Speaker 4 (02:52):
I want you God damn right, I'll wear a headband
and I want I want Olivia wrapping the words to
fight the power as I nunchuck and you Harmonica.
Speaker 2 (03:03):
Well, this is this is gonna be a problem. You
should get. You should get. You know what you should
get is like one of those Kendrick karate suits.
Speaker 4 (03:13):
You know what I'm saying, Yeah, yeah, yeah, yeah, yeah
yeah yeah. When he became self aware inside of that
nickname and he was like, yeah, this is this is
my outfits now.
Speaker 2 (03:24):
Yeah, that got complicated. The artist journey sometimes, I think
is maybe not for me.
Speaker 4 (03:33):
Yeah, you start making these weird, like almost like cartoonish
choices and we have to be like, I think it's
because he's complicated.
Speaker 2 (03:42):
I think, yeah, Like I think he's just a really
smart guy. Like I'm never gonna get a hat that
crazy that it's gonna make you think I'm smarter than
I am.
Speaker 4 (03:49):
Do you what I'm saying?
Speaker 2 (03:51):
Yeah, yeah, yeah, yeah, Like there has to be a
level where you're saying ship and nobody really knows what's
going on, and I'm just too I'm too grounded for that.
I think.
Speaker 4 (04:01):
Yeah, it seems, especially in the rap world, where they're
like constantly telling us that they're bringing their original friends
along for like this entire journey. It feels like that's
not even possible when you're wearing a karate outfit. Bro,
Like the niggas you grew up with are either they
(04:22):
are not your friends or they have been long gone.
And you know, I live.
Speaker 2 (04:28):
In my city. You think I could just like start
dredging like a fucking gaucho and that's just gonna go.
That's just gonna go. I gotta just like I got
the fucking rdigio grill, and everybody's just gonna be like, oh, yeah,
that's the same day. That's the same guy I saw
me in the alley. It's too many, too many questions
I bought.
Speaker 4 (04:47):
I bought a pair of wide leg jeans and went
to a party and everyone noticed, you know what I mean.
Everyone it's like, bro, are those flares? And I'm like, yeah, well,
you know it was part of this And they were like, no, nigga, no,
not how you did it? No two weeks ago, sir. Yeah,
(05:09):
I respect Andre. I don't know who he had around it.
Let that transformation happen because my nag.
Speaker 2 (05:15):
Would not my mom would be calling me, like you
just started going crazy.
Speaker 4 (05:22):
No, you can't get away with none of that.
Speaker 2 (05:24):
I'm just thinking about getting some of those loafers and
everybody's wearing and I'm like, I don't even know if
I can. I don't even know, Like I can't wear
them to the barber shop.
Speaker 4 (05:33):
Bro, I wore some loafers. I want a show.
Speaker 3 (05:36):
I thought it was cool. Thanks man. But then but
then on the way we we went and got food. Afterwards,
everybody was hanging out and ship and then Sydney noticed
I had on loafers and roasted me to no end talk.
She called me all kinds of of uh. She said
(05:57):
I was wearing Harlem Renaissance fives and she was she
was losing their mind making fun of my shoes.
Speaker 2 (06:06):
She is very but she's a person who can wear
experimental new clothing.
Speaker 4 (06:11):
I don't know.
Speaker 2 (06:12):
I think you had to start like that. Like had
I been pushing the boundaries of fashion early on, I
think it would be allowed now. But I was always
like right in the middle, like I want to throw
back too, and now look at me, I can't wear flares.
Speaker 4 (06:27):
Right, Yeah, you gotta show up with the energy, like, Hey,
my name is David Bori, and I may not be
in this hat tomorrow, you know what I mean? Like
it's gonna be a whole different vest people.
Speaker 2 (06:38):
People don't know how to take me if I show
up not wearing some form of athleisure, Like if I
don't have a Nike Swish anywhere on my person, people
start to get nervous, let alone fair. I wish I
would get a new cut on a pant, haven't. I
haven't had a new cut on a pant. When when
(07:00):
cut stuff.
Speaker 4 (07:05):
I'd be like boot cut? I don't know, man, those
have been what is that two thousand and four or
that we were we were in a deep boot cut.
Speaker 2 (07:13):
That's the last. That's the last new cut for me.
That's the last new cut for me.
Speaker 4 (07:17):
So for so your transitions have really been about like
starching or not starching, yeah.
Speaker 2 (07:23):
Or just like better shirts.
Speaker 4 (07:25):
Yeah you're fashionable, But but the cut, that's the same cut, baby, bro.
Speaker 2 (07:32):
No, there's no different cut. There's no different different I
can't even. I can't even. That's what the world I
live in. Wow, have you ever been to a big call?
Not a lot of cuts?
Speaker 4 (07:43):
It seems freeing to some extent. It's like, nah, I've
figured out the pants that work. I ain't never reassessing
this bad, right.
Speaker 2 (07:52):
I just want to have a crazy summer, though, like
one summer where just I'm pulling up in linens.
Speaker 5 (07:58):
See linen isn't even that. I don't even know what
the exciting fabrics are. I'm gonna I'm gonna tell you this.
You gotta go to You gotta make this international. If
you're gonna pull that off, you gotta, like I think,
you gotta spend the summer in like France or.
Speaker 2 (08:10):
And come back. Yeah, go to Brazil this summer.
Speaker 4 (08:14):
So yeah, okay, that's that's perfect because now you can
truly pick your summer style that fits Brazil and rock
that ship. And then when you come back and you
slowly reintroduce some of those extra pieces into your wardrobe,
it's like, nah, that motherfucker got a little Brazil in
them here. Yeah, that's all that is.
Speaker 2 (08:35):
But the thing is, my mind is not even set
up for this year. Like when I'm in my head,
we're talking about that, and all I'm doing is imagining
myself in like matching short sets. That's not even exhausting. Now,
that ain't it.
Speaker 4 (08:47):
You gotta there's an evolution beyond just like oh this
this has flowers on it.
Speaker 2 (08:54):
Yeah, I just didn't flowers into my ship, you know
how how slowly and like steadily I had to integrate
like flowers, the colored purple like like man, but I
just want to like crazy like a hat with the
feather like the mask.
Speaker 4 (09:12):
That's not it.
Speaker 2 (09:12):
We're in the writer's room. But you understand what I'm saying.
Speaker 4 (09:14):
No, I get it. You gotta you know what it is.
You gotta do it. Just a taste of Harry styles.
You don't got to go all the way Harry styles
he'd be wearing like you know, ship's yeah, he goes crazy,
but but just a taste of Harry styles where it's like, hey,
that's not how that shirt would normally be cut.
Speaker 2 (09:33):
Okay, all right, here we go. Well I think we
I think I need to introduce successories that aren't just
like a watch like you know how sometimes Rocky'll have
like a crazy scarf. I need to start with that
and then kind of like filled from there.
Speaker 4 (09:48):
Yeah, a gaudy fanny pack even like you like, man,
don't be scared of whatever.
Speaker 2 (09:56):
Because here's the thing. I put on a gouty fanny pack.
I'm gonna look like like it's not gonna look like Okay,
you do know what I mean. I get it thick
for a goudy fan like like dazzled.
Speaker 4 (10:08):
Yeah. I wasn't thinking you would put it fanny pack style.
I think cross cross strap type. Yeah, with the titties
and all that split.
Speaker 2 (10:18):
That's the class.
Speaker 4 (10:19):
Oh yeah, the titties split. Yes, yes, you gotta. You
want your fanny back to titty fuck you a little
bit and yeah, a little bit, that's the style.
Speaker 2 (10:29):
Put your hand on my throat.
Speaker 4 (10:35):
Yeah, did we get to the emails? Yeah, we can
do it. You can do it.
Speaker 2 (10:44):
I think this was a good I think this was
I think this was helpful for probably a lot of
people listening who are scared to like break out of.
Speaker 4 (10:51):
Like, yeah, don't be scared of it, y'all. You you
can do it. Also, we don't give either way. Yeah,
I truly don't give it. I don't care what you're
hearing when you're listening. We just want your ears. Baby,
I'm most of you listening mostly naked, and baby, he
ain't mad at it. Come on, come on, man.
Speaker 2 (11:12):
How is my man supposed to shmeet his meat with
this ship?
Speaker 4 (11:15):
Bro, what the but you're killing today?
Speaker 2 (11:18):
You're killing it today? O, good one. I woke up. Man,
you're going crazy. We have micro it's this the whole thing.
Speaker 4 (11:27):
We have a an email from a person who goes
by the name of Nisha. Nisha sent us an email
and she said, to the hosts of one of my
favorite podcasts, I don't like one of just say your
favorite Nietzsche what the fun?
Speaker 2 (11:43):
Yeah, I don't give a ship. If you listen to
the Dollar Yeah or whatever.
Speaker 4 (11:50):
Oh you love us and the Joe Rogan Experience, we
get it.
Speaker 2 (11:55):
Yeah, it's us and my favorite murder. I sorry, true cry, We're.
Speaker 4 (12:00):
Just true, all right, So, she says, I was listening
to the last episode where y'all were saying that the
Matrix wasn't good after the first one. I strongly believe
it's because they stole the idea from a black woman
and couldn't improve upon it well enough to make sequels.
This might be just like obviously true, but I want
(12:23):
us to talk about I want us to talk about
this more. The same woman also created the Terminator and
talks about how they related a little bit here, and
then she links and she says best Nietzsche. Now, it
is worth mentioning before we fully jump into this, that
we have addressed this a little bit on the show,
(12:44):
that the matrix and terminator were both created by the
same black woman. There are countless YouTube videos of this
woman explaining her position on the whole thing, and some
people have become very adamant that this is true. I
will note that in our previous addressing of this, I
personally do not believe it to be true. For a second. Hey,
(13:10):
I don't I'm not buying this shiit one minute ever,
kind of.
Speaker 2 (13:15):
What Okay, let's okay, let's start let's start here.
Speaker 4 (13:19):
Wow, what.
Speaker 2 (13:25):
Is it that makes you feel like this is in
no way true?
Speaker 4 (13:29):
Okay, here's what I'll say. Uh, woman, this black woman,
I don't know her fucking name because she's nuts, because
she's a goddamn nutty, cuckoo crazy, she's out of her
fucking mind. I've never memorized her name. But but if
you look up black woman. Okay, Sophia Stuart is her name.
(13:52):
Olivia is sending us a vital information as we're talking
this guy. Sophia's Stuart is this woman's name, and she
claims that she originally submitted the script for a Terminator
I believe to writing competition that basically there was a
magazine that had like a an open submission from I
(14:16):
believe the Watchowski's. Isn't that their name that that made
the Matrix? The Oh but you're saying terminator like James Cameron, right,
big dog. I am telling you what her claim is.
I am not necessarily even suggesting that it makes sense.
But she submits a writing competition for the the siblings, Yes,
(14:38):
that made the Matrix, and then somehow those scripts were
usurped by them to then make Terminator Terminator two and
then subsequently the Matrix.
Speaker 2 (14:54):
They have been like children.
Speaker 4 (14:56):
Again. It doesn't make sense, but that's her argument.
Speaker 2 (15:03):
Yeah, this isn't good because I thought it was gonna be.
You know, there's that movie that was just like the Matrix.
They came out like a year before without the budget,
perfect dark or whatever where they said all the the
which I thought that movie is pretty great by the
way I saw it, It's it's actually pretty good.
Speaker 4 (15:24):
Yeah. And that's darkness is that it's a that's a
Vin Diesel uh where he's blind. Yeah, I think Perfect
Dark was was was maybe the original of it, and
then Riddick was like their spin.
Speaker 2 (15:38):
Off from trans Americans. A lot of people don't know
that about the chronicles are ridden. No, that's insane, but yeah,
it's it's real weird ship man. And I'll go on
(15:58):
to say that the argument is, and this is one
of the things that people try to use to support
somehow her being because those movies are so far apart,
right that they're far apart a decade of distance between
I think the original and the in the Matrix. And
one of the arguments that she makes is that it's
(16:21):
the same universe that the Matrix is. The sort of
like I guess the future fallout of our world also
living inside of the sky net takeoff, eventually it turns
into the Matrix.
Speaker 4 (16:37):
Exactly that like you know, the world, it's the same
way in the actual Matrix the world is destroyed. They're
saying that those are terminators walking around on the Earth
that that are then traveling back. It's all simultaneous essentially.
Speaker 2 (16:52):
I Mean, here's the thing I does Thinklake sometimes I
feel like science fiction it's like rap. There's just a
lot of genre stuff that is who knows whose idea
wasn't for the first mobile suit in anime.
Speaker 4 (17:08):
You know what I'm saying.
Speaker 2 (17:09):
I think there's a lot of like I don't think
the idea of like we're all living in a simulation.
I don't think the Wachowski's invented that as a science
fiction theme. No, I don't think so either. And I
think that that's that. Or the idea of AI becoming
sentient and taking over. I don't think that the Terminator
invented that.
Speaker 4 (17:28):
And I think I think she isn't crazy in that
she didn't come up with an idea that crossed over
to some of these things. Right. She might have had
a little little bit of something on her fingers and
it was like, holy shit, that idea is like my idea.
But that, come on, well, that that ain't people stealing
(17:49):
from you. That's just that's something else.
Speaker 2 (17:51):
Listen, I'm gonna tell you something that happened to me
this week, and this is gonna fuck you up. I
wrote a joke about why I love big titties and
then basically had an interview with will Yati where he
said he relates to women with big titties for a
far more selfish but similar reason. Yeah, it's just because
great minds Me and Zy you know you and Drizzy
(18:12):
Drake Man. I you that.
Speaker 4 (18:16):
When my when my Comedy Central half hour came out,
I had a joke on it. This was like, obviously
it's sort of in the heart of the Trump era, right,
And and in the joke, I talk about how white
people they they played a trick on us because we
all thought we were on the same page. That like
(18:36):
they did a little bit of a magic trick where
they pretended we were all reasonable, and then this motherfucker
popped up and it turned out they were that we
hadn't agreed on at least that and and it that
same year, Kat Williams came out with a joke that
it's nearly identical to the phrasing that I have in
a in in punchline, Like the punchline is exactly the same.
(19:00):
Everything else around it is a different take, But that
punchline is so identical that I continue to be accused
of stealing a joke that I recorded nine months before
his special Even Touch the Earth, you know what I mean.
Speaker 2 (19:16):
No, I mean, there's like, and that's the problem with
arth though, there's always this cross of like, you know,
because original thought, how much everybody's thinking something, somebody's stopped belfore,
it's just whether you're the first woe to synthesize it
and put it into that specific medium. Like because I
thought this was gonna be like a living single kind
of thing.
Speaker 4 (19:35):
No, yeah, it is not a living single thing. We
nobody has seen any versions of these transcripts to you know,
that's never cited at least when it all comes to it, right,
nobody's like, yo, word for word, bar for bar, he
stole my whole. Yeah, I ain't the soulcial.
Speaker 2 (19:51):
Boy shit it is yea.
Speaker 4 (19:53):
Truly just like yo, that lady says she wrote it.
Why y'all steal that?
Speaker 2 (19:59):
Yeah, that's too much. And because I don't know, as
far as what I can tell from people who are
actually great, lightning really doesn't often only strike once, So like,
where are her other fantastic like ideas?
Speaker 4 (20:15):
Yeah, apparently they were both the matrix and terminator, which
is like, okay, well why'd you submit both?
Speaker 1 (20:21):
Then?
Speaker 4 (20:22):
You know what I mean? Just why you just go
with one?
Speaker 2 (20:25):
Yeah? Yeah that's not a good Damn. I really wanted
this one to be true.
Speaker 4 (20:29):
No, she's a silly billy, I'm sorry to break it
to you. And and what an inspiring story black women
can be. Silly Billy's too, y'all.
Speaker 2 (20:39):
I do like equal opportunity fuckery. I don't, Yeah, I
really don't. I really don't.
Speaker 4 (20:47):
Yeah, it's this lady and that lady who pretended to
no sign language for that that murder.
Speaker 2 (20:53):
Case like just that was that was that was super
Bowl like that was. That was one of the better
things I've ever seen. We should have her on.
Speaker 4 (21:05):
Hell yeah, we gotta get her on. The lady everting
the nose tign language, she gotta she gotta believe some.
Speaker 2 (21:11):
Shit for real, for real.
Speaker 4 (21:13):
All right, we gotta wrap this up. Can you tell
the people where they can find you and what cool
shit you have going on?
Speaker 2 (21:19):
Ah, watch me on Instagram at Cool Guy Jokes eighty seven.
Speaker 4 (21:24):
And you can follow me at Langston Herman. As always,
and if you want to send us drops your own
conspiracy theories. If you want to suggest that black women
created Pretty Woman, uh, go ahead and send those theories
to my Mama pod at gmail dot com. We would
love to hear from you. Follow the YouTube page, go
(21:45):
watch the videos. Accuse us of being coons and sellouts.
Oh we love you all right by Bitch and.
Speaker 1 (21:57):
MoU Mini episode All the Fucking Mini Ever so well,
the fucking mini episode. Mini episode All the fucking Mini Ever.
Speaker 3 (22:15):
Sh
Motherfucking mini episode, mini episode, motherfucking mini episode.
Speaker 2 (00:13):
Boot boot beat beat, There, it goes, there, it goes
Welcome to an all new episode of My Mama Told.
Speaker 3 (00:22):
Me, the podcast where we dive deep, deep into the
pockets of black conspiracy theories.
Speaker 2 (00:29):
And we work to prove the theories of you, the listeners,
who quite frankly, have been taking a tone in the
emails lately, and I'm here to say I don't care
for it.
Speaker 4 (00:40):
You guys are speaking to us like little baby sluts
and algy.
Speaker 5 (00:44):
Yeah it's not cool, man, it's a lot of like, oh,
it's this too crazy for.
Speaker 4 (00:49):
You, y you bitch made at you niggas scared to
adjust the real thing out there.
Speaker 2 (00:55):
Listen, I eat dinner in the dark. Nothing's too crazy.
Speaker 4 (01:00):
I watched him eat dinner in the dark. I'm the
craziest that is.
Speaker 2 (01:10):
Yeah, first of all. Second of all, I.
Speaker 4 (01:13):
Do beautifully placed by the you nailed that one.
Speaker 2 (01:19):
I'm getting nice of it. I gotta start practicing the harmonica, yeah.
Speaker 4 (01:22):
No, you gotta warm up. And frankly, I still haven't
practiced my nunchucks. So we should feel.
Speaker 2 (01:29):
Like we should be like we should give it like okay,
because we're gonna get to two thousand subscribers.
Speaker 4 (01:35):
Yeah, we gotta put a deadline on my ship. So
that this this I'm.
Speaker 2 (01:38):
Saying, we plan it for like a future live show,
like and then it's like come out and you can
see the nunchucks and the harmonica.
Speaker 4 (01:49):
You are okay, okay, Yeah, I don't mind. I don't
mind bait and switching the listeners a little bit. I
don't think, Yeah, fuck them, you know what I mean,
you like, fuck them?
Speaker 2 (02:01):
I don't know you ship, Yeah, I don't know you
except for mommy everybody else. So man, mom is a
assorted family members, my little brother.
Speaker 4 (02:14):
This is this is a perfect, I think, a perfect
marrying of our two obligations.
Speaker 2 (02:19):
So that's what I'm saying.
Speaker 4 (02:21):
At two thousand, we will team up and showcase both
skills at once at a live show.
Speaker 2 (02:28):
Once.
Speaker 4 (02:28):
I like that even Yeah, yes, fuck let's fu turn
it into like a little bit of an Obama Springsteen
hook up.
Speaker 3 (02:36):
Yeah, we get somebody, Oh, Olivia, that's what you're doing
at the live show.
Speaker 2 (02:44):
You, Olivia is gonna rap all back you with the
beat and then you gotta I'm gonna be honest, you
probably gotta like you're gonna have to at least get
a headband.
Speaker 4 (02:52):
I want you God damn right, I'll wear a headband
and I want I want Olivia wrapping the words to
fight the power as I nunchuck and you Harmonica.
Speaker 2 (03:03):
Well, this is this is gonna be a problem. You
should get. You should get. You know what you should
get is like one of those Kendrick karate suits.
Speaker 4 (03:13):
You know what I'm saying, Yeah, yeah, yeah, yeah, yeah
yeah yeah. When he became self aware inside of that
nickname and he was like, yeah, this is this is
my outfits now.
Speaker 2 (03:24):
Yeah, that got complicated. The artist journey sometimes, I think
is maybe not for me.
Speaker 4 (03:33):
Yeah, you start making these weird, like almost like cartoonish
choices and we have to be like, I think it's
because he's complicated.
Speaker 2 (03:42):
I think, yeah, Like I think he's just a really
smart guy. Like I'm never gonna get a hat that
crazy that it's gonna make you think I'm smarter than
I am.
Speaker 4 (03:49):
Do you what I'm saying?
Speaker 2 (03:51):
Yeah, yeah, yeah, yeah, Like there has to be a
level where you're saying ship and nobody really knows what's
going on, and I'm just too I'm too grounded for that.
I think.
Speaker 4 (04:01):
Yeah, it seems, especially in the rap world, where they're
like constantly telling us that they're bringing their original friends
along for like this entire journey. It feels like that's
not even possible when you're wearing a karate outfit. Bro,
Like the niggas you grew up with are either they
(04:22):
are not your friends or they have been long gone.
And you know, I live.
Speaker 2 (04:28):
In my city. You think I could just like start
dredging like a fucking gaucho and that's just gonna go.
That's just gonna go. I gotta just like I got
the fucking rdigio grill, and everybody's just gonna be like, oh, yeah,
that's the same day. That's the same guy I saw
me in the alley. It's too many, too many questions
I bought.
Speaker 4 (04:47):
I bought a pair of wide leg jeans and went
to a party and everyone noticed, you know what I mean.
Everyone it's like, bro, are those flares? And I'm like, yeah, well,
you know it was part of this And they were like, no, nigga, no,
not how you did it? No two weeks ago, sir. Yeah,
(05:09):
I respect Andre. I don't know who he had around it.
Let that transformation happen because my nag.
Speaker 2 (05:15):
Would not my mom would be calling me, like you
just started going crazy.
Speaker 4 (05:22):
No, you can't get away with none of that.
Speaker 2 (05:24):
I'm just thinking about getting some of those loafers and
everybody's wearing and I'm like, I don't even know if
I can. I don't even know, Like I can't wear
them to the barber shop.
Speaker 4 (05:33):
Bro, I wore some loafers. I want a show.
Speaker 3 (05:36):
I thought it was cool. Thanks man. But then but
then on the way we we went and got food. Afterwards,
everybody was hanging out and ship and then Sydney noticed
I had on loafers and roasted me to no end talk.
She called me all kinds of of uh. She said
(05:57):
I was wearing Harlem Renaissance fives and she was she
was losing their mind making fun of my shoes.
Speaker 2 (06:06):
She is very but she's a person who can wear
experimental new clothing.
Speaker 4 (06:11):
I don't know.
Speaker 2 (06:12):
I think you had to start like that. Like had
I been pushing the boundaries of fashion early on, I
think it would be allowed now. But I was always
like right in the middle, like I want to throw
back too, and now look at me, I can't wear flares.
Speaker 4 (06:27):
Right, Yeah, you gotta show up with the energy, like, Hey,
my name is David Bori, and I may not be
in this hat tomorrow, you know what I mean? Like
it's gonna be a whole different vest people.
Speaker 2 (06:38):
People don't know how to take me if I show
up not wearing some form of athleisure, Like if I
don't have a Nike Swish anywhere on my person, people
start to get nervous, let alone fair. I wish I
would get a new cut on a pant, haven't. I
haven't had a new cut on a pant. When when
(07:00):
cut stuff.
Speaker 4 (07:05):
I'd be like boot cut? I don't know, man, those
have been what is that two thousand and four or
that we were we were in a deep boot cut.
Speaker 2 (07:13):
That's the last. That's the last new cut for me.
That's the last new cut for me.
Speaker 4 (07:17):
So for so your transitions have really been about like
starching or not starching, yeah.
Speaker 2 (07:23):
Or just like better shirts.
Speaker 4 (07:25):
Yeah you're fashionable, But but the cut, that's the same cut, baby, bro.
Speaker 2 (07:32):
No, there's no different cut. There's no different different I
can't even. I can't even. That's what the world I
live in. Wow, have you ever been to a big call?
Not a lot of cuts?
Speaker 4 (07:43):
It seems freeing to some extent. It's like, nah, I've
figured out the pants that work. I ain't never reassessing
this bad, right.
Speaker 2 (07:52):
I just want to have a crazy summer, though, like
one summer where just I'm pulling up in linens.
Speaker 5 (07:58):
See linen isn't even that. I don't even know what
the exciting fabrics are. I'm gonna I'm gonna tell you this.
You gotta go to You gotta make this international. If
you're gonna pull that off, you gotta, like I think,
you gotta spend the summer in like France or.
Speaker 2 (08:10):
And come back. Yeah, go to Brazil this summer.
Speaker 4 (08:14):
So yeah, okay, that's that's perfect because now you can
truly pick your summer style that fits Brazil and rock
that ship. And then when you come back and you
slowly reintroduce some of those extra pieces into your wardrobe,
it's like, nah, that motherfucker got a little Brazil in
them here. Yeah, that's all that is.
Speaker 2 (08:35):
But the thing is, my mind is not even set
up for this year. Like when I'm in my head,
we're talking about that, and all I'm doing is imagining
myself in like matching short sets. That's not even exhausting. Now,
that ain't it.
Speaker 4 (08:47):
You gotta there's an evolution beyond just like oh this
this has flowers on it.
Speaker 2 (08:54):
Yeah, I just didn't flowers into my ship, you know
how how slowly and like steadily I had to integrate
like flowers, the colored purple like like man, but I
just want to like crazy like a hat with the
feather like the mask.
Speaker 4 (09:12):
That's not it.
Speaker 2 (09:12):
We're in the writer's room. But you understand what I'm saying.
Speaker 4 (09:14):
No, I get it. You gotta you know what it is.
You gotta do it. Just a taste of Harry styles.
You don't got to go all the way Harry styles
he'd be wearing like you know, ship's yeah, he goes crazy,
but but just a taste of Harry styles where it's like, hey,
that's not how that shirt would normally be cut.
Speaker 2 (09:33):
Okay, all right, here we go. Well I think we
I think I need to introduce successories that aren't just
like a watch like you know how sometimes Rocky'll have
like a crazy scarf. I need to start with that
and then kind of like filled from there.
Speaker 4 (09:48):
Yeah, a gaudy fanny pack even like you like, man,
don't be scared of whatever.
Speaker 2 (09:56):
Because here's the thing. I put on a gouty fanny pack.
I'm gonna look like like it's not gonna look like Okay,
you do know what I mean. I get it thick
for a goudy fan like like dazzled.
Speaker 4 (10:08):
Yeah. I wasn't thinking you would put it fanny pack style.
I think cross cross strap type. Yeah, with the titties
and all that split.
Speaker 2 (10:18):
That's the class.
Speaker 4 (10:19):
Oh yeah, the titties split. Yes, yes, you gotta. You
want your fanny back to titty fuck you a little
bit and yeah, a little bit, that's the style.
Speaker 2 (10:29):
Put your hand on my throat.
Speaker 4 (10:35):
Yeah, did we get to the emails? Yeah, we can
do it. You can do it.
Speaker 2 (10:44):
I think this was a good I think this was
I think this was helpful for probably a lot of
people listening who are scared to like break out of.
Speaker 4 (10:51):
Like, yeah, don't be scared of it, y'all. You you
can do it. Also, we don't give either way. Yeah,
I truly don't give it. I don't care what you're
hearing when you're listening. We just want your ears. Baby,
I'm most of you listening mostly naked, and baby, he
ain't mad at it. Come on, come on, man.
Speaker 2 (11:12):
How is my man supposed to shmeet his meat with
this ship?
Speaker 4 (11:15):
Bro, what the but you're killing today?
Speaker 2 (11:18):
You're killing it today? O, good one. I woke up. Man,
you're going crazy. We have micro it's this the whole thing.
Speaker 4 (11:27):
We have a an email from a person who goes
by the name of Nisha. Nisha sent us an email
and she said, to the hosts of one of my
favorite podcasts, I don't like one of just say your
favorite Nietzsche what the fun?
Speaker 2 (11:43):
Yeah, I don't give a ship. If you listen to
the Dollar Yeah or whatever.
Speaker 4 (11:50):
Oh you love us and the Joe Rogan Experience, we
get it.
Speaker 2 (11:55):
Yeah, it's us and my favorite murder. I sorry, true cry, We're.
Speaker 4 (12:00):
Just true, all right, So, she says, I was listening
to the last episode where y'all were saying that the
Matrix wasn't good after the first one. I strongly believe
it's because they stole the idea from a black woman
and couldn't improve upon it well enough to make sequels.
This might be just like obviously true, but I want
(12:23):
us to talk about I want us to talk about
this more. The same woman also created the Terminator and
talks about how they related a little bit here, and
then she links and she says best Nietzsche. Now, it
is worth mentioning before we fully jump into this, that
we have addressed this a little bit on the show,
(12:44):
that the matrix and terminator were both created by the
same black woman. There are countless YouTube videos of this
woman explaining her position on the whole thing, and some
people have become very adamant that this is true. I
will note that in our previous addressing of this, I
personally do not believe it to be true. For a second. Hey,
(13:10):
I don't I'm not buying this shiit one minute ever,
kind of.
Speaker 2 (13:15):
What Okay, let's okay, let's start let's start here.
Speaker 4 (13:19):
Wow, what.
Speaker 2 (13:25):
Is it that makes you feel like this is in
no way true?
Speaker 4 (13:29):
Okay, here's what I'll say. Uh, woman, this black woman,
I don't know her fucking name because she's nuts, because
she's a goddamn nutty, cuckoo crazy, she's out of her
fucking mind. I've never memorized her name. But but if
you look up black woman. Okay, Sophia Stuart is her name.
(13:52):
Olivia is sending us a vital information as we're talking
this guy. Sophia's Stuart is this woman's name, and she
claims that she originally submitted the script for a Terminator
I believe to writing competition that basically there was a
magazine that had like a an open submission from I
(14:16):
believe the Watchowski's. Isn't that their name that that made
the Matrix? The Oh but you're saying terminator like James Cameron, right,
big dog. I am telling you what her claim is.
I am not necessarily even suggesting that it makes sense.
But she submits a writing competition for the the siblings, Yes,
(14:38):
that made the Matrix, and then somehow those scripts were
usurped by them to then make Terminator Terminator two and
then subsequently the Matrix.
Speaker 2 (14:54):
They have been like children.
Speaker 4 (14:56):
Again. It doesn't make sense, but that's her argument.
Speaker 2 (15:03):
Yeah, this isn't good because I thought it was gonna be.
You know, there's that movie that was just like the Matrix.
They came out like a year before without the budget,
perfect dark or whatever where they said all the the
which I thought that movie is pretty great by the
way I saw it, It's it's actually pretty good.
Speaker 4 (15:24):
Yeah. And that's darkness is that it's a that's a
Vin Diesel uh where he's blind. Yeah, I think Perfect
Dark was was was maybe the original of it, and
then Riddick was like their spin.
Speaker 2 (15:38):
Off from trans Americans. A lot of people don't know
that about the chronicles are ridden. No, that's insane, but yeah,
it's it's real weird ship man. And I'll go on
(15:58):
to say that the argument is, and this is one
of the things that people try to use to support
somehow her being because those movies are so far apart,
right that they're far apart a decade of distance between
I think the original and the in the Matrix. And
one of the arguments that she makes is that it's
(16:21):
the same universe that the Matrix is. The sort of
like I guess the future fallout of our world also
living inside of the sky net takeoff, eventually it turns
into the Matrix.
Speaker 4 (16:37):
Exactly that like you know, the world, it's the same
way in the actual Matrix the world is destroyed. They're
saying that those are terminators walking around on the Earth
that that are then traveling back. It's all simultaneous essentially.
Speaker 2 (16:52):
I Mean, here's the thing I does Thinklake sometimes I
feel like science fiction it's like rap. There's just a
lot of genre stuff that is who knows whose idea
wasn't for the first mobile suit in anime.
Speaker 4 (17:08):
You know what I'm saying.
Speaker 2 (17:09):
I think there's a lot of like I don't think
the idea of like we're all living in a simulation.
I don't think the Wachowski's invented that as a science
fiction theme. No, I don't think so either. And I
think that that's that. Or the idea of AI becoming
sentient and taking over. I don't think that the Terminator
invented that.
Speaker 4 (17:28):
And I think I think she isn't crazy in that
she didn't come up with an idea that crossed over
to some of these things. Right. She might have had
a little little bit of something on her fingers and
it was like, holy shit, that idea is like my idea.
But that, come on, well, that that ain't people stealing
(17:49):
from you. That's just that's something else.
Speaker 2 (17:51):
Listen, I'm gonna tell you something that happened to me
this week, and this is gonna fuck you up. I
wrote a joke about why I love big titties and
then basically had an interview with will Yati where he
said he relates to women with big titties for a
far more selfish but similar reason. Yeah, it's just because
great minds Me and Zy you know you and Drizzy
(18:12):
Drake Man. I you that.
Speaker 4 (18:16):
When my when my Comedy Central half hour came out,
I had a joke on it. This was like, obviously
it's sort of in the heart of the Trump era, right,
And and in the joke, I talk about how white
people they they played a trick on us because we
all thought we were on the same page. That like
(18:36):
they did a little bit of a magic trick where
they pretended we were all reasonable, and then this motherfucker
popped up and it turned out they were that we
hadn't agreed on at least that and and it that
same year, Kat Williams came out with a joke that
it's nearly identical to the phrasing that I have in
a in in punchline, Like the punchline is exactly the same.
(19:00):
Everything else around it is a different take, But that
punchline is so identical that I continue to be accused
of stealing a joke that I recorded nine months before
his special Even Touch the Earth, you know what I mean.
Speaker 2 (19:16):
No, I mean, there's like, and that's the problem with
arth though, there's always this cross of like, you know,
because original thought, how much everybody's thinking something, somebody's stopped belfore,
it's just whether you're the first woe to synthesize it
and put it into that specific medium. Like because I
thought this was gonna be like a living single kind
of thing.
Speaker 4 (19:35):
No, yeah, it is not a living single thing. We
nobody has seen any versions of these transcripts to you know,
that's never cited at least when it all comes to it, right,
nobody's like, yo, word for word, bar for bar, he
stole my whole. Yeah, I ain't the soulcial.
Speaker 2 (19:51):
Boy shit it is yea.
Speaker 4 (19:53):
Truly just like yo, that lady says she wrote it.
Why y'all steal that?
Speaker 2 (19:59):
Yeah, that's too much. And because I don't know, as
far as what I can tell from people who are
actually great, lightning really doesn't often only strike once, So like,
where are her other fantastic like ideas?
Speaker 4 (20:15):
Yeah, apparently they were both the matrix and terminator, which
is like, okay, well why'd you submit both?
Speaker 1 (20:21):
Then?
Speaker 4 (20:22):
You know what I mean? Just why you just go
with one?
Speaker 2 (20:25):
Yeah? Yeah that's not a good Damn. I really wanted
this one to be true.
Speaker 4 (20:29):
No, she's a silly billy, I'm sorry to break it
to you. And and what an inspiring story black women
can be. Silly Billy's too, y'all.
Speaker 2 (20:39):
I do like equal opportunity fuckery. I don't, Yeah, I
really don't. I really don't.
Speaker 4 (20:47):
Yeah, it's this lady and that lady who pretended to
no sign language for that that murder.
Speaker 2 (20:53):
Case like just that was that was that was super
Bowl like that was. That was one of the better
things I've ever seen. We should have her on.
Speaker 4 (21:05):
Hell yeah, we gotta get her on. The lady everting
the nose tign language, she gotta she gotta believe some.
Speaker 2 (21:11):
Shit for real, for real.
Speaker 4 (21:13):
All right, we gotta wrap this up. Can you tell
the people where they can find you and what cool
shit you have going on?
Speaker 2 (21:19):
Ah, watch me on Instagram at Cool Guy Jokes eighty seven.
Speaker 4 (21:24):
And you can follow me at Langston Herman. As always,
and if you want to send us drops your own
conspiracy theories. If you want to suggest that black women
created Pretty Woman, uh, go ahead and send those theories
to my Mama pod at gmail dot com. We would
love to hear from you. Follow the YouTube page, go
(21:45):
watch the videos. Accuse us of being coons and sellouts.
Oh we love you all right by Bitch and.
Speaker 1 (21:57):
MoU Mini episode All the Fucking Mini Ever so well,
the fucking mini episode. Mini episode All the fucking Mini Ever.
Speaker 3 (22:15):
Sh
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