March 13, 2025 • 30 mins
Langston and David unpack a listener's voicemail about bad strip clubs in conservative areas are C.I.A psyops. Plus, an unfortunate realization: they might be Uncs.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Motherfucking mini yourself mini episode. Motherfucking mini yourself.
Speaker 2 (00:13):
She said, take your time. What's the rush, baby, I'm
a dog, I'm a muddy. There it is.
Speaker 3 (00:20):
There it is.
Speaker 2 (00:21):
Ladies and gentlemen, Welcome to another phenomenal episode of My
Mama Told.
Speaker 3 (00:25):
Me, the podcast where we dive deep into the pockets
of black conspiracy theories.
Speaker 2 (00:32):
And we finally worked to prove the silly shit that
you got cooking at home.
Speaker 3 (00:35):
It's a motherfucking mini episode.
Speaker 2 (00:37):
Hell yeah, oh thank you. Yeah, it's a new song.
I feel cool when I when I can squeeze a
new song in.
Speaker 3 (00:46):
Yeah. I tried to do it with the LaMelo or
the LiAngelo Paul song. I thought it was okay, yeah, yeah,
and I thought it was great. Been that corner.
Speaker 2 (00:55):
Whoa, whoa, you really had a great he had a
great Like three weeks I would say, yeah.
Speaker 3 (01:08):
Yeah, yeah, you got Lil Wayne on the remix like
he really he did it.
Speaker 2 (01:12):
No, I don't believe in him in any way, shape
or forms, So I just don't expect that. We'll keep
hearing uh stuff that we like. But but for now, yeah,
you did.
Speaker 3 (01:25):
It, man. Yeah, you can get one. You can get
one like I feel like everybody has one hit rap
song in though.
Speaker 2 (01:33):
I can see that, but yeah, because it doesn't have
to be good to hit once. If you dedicated the
time and the resources so that like you could make
something quality every time you attempted, I bet you could
land on something like oh shit. That doesn't mean it pops,
(01:55):
and that doesn't mean that like that like you become
famous off the ship because and everybody would be, but
it does mean like everybody secretly has like one jam
in their in their pocket.
Speaker 3 (02:07):
I think so. I think everybody could have a year
like baby Boy to Prince, remember that guy. Mm hm
mm hmm hmmm, The Way I Live? Yeah, I don't
know any other singles, but that was that was a
fun song. Yeah.
Speaker 2 (02:22):
Young Berg was such a one song ass nigga that
he has to change his name now.
Speaker 3 (02:29):
Yeah, what's his name now? I didn't even know yet.
Fuck what is it? Very good? That's exactly no.
Speaker 2 (02:35):
But he's like he's like he's an introducer now, but
he wasn't when he was Young Bird.
Speaker 3 (02:41):
Hit maker. That's what it is. He's hit maker. Yeah, but.
Speaker 2 (02:46):
He was young Berg before and we laughed at him,
you know what I mean, Like we we mocked it. Yeah,
I'm being young Bird. What was his song? I don't
even remember what his song was?
Speaker 3 (02:56):
Some young Bird as ship, I don't know. Yeah, I
feel like it was bad, you know what I mean?
Hey should out all the one hit wonder rappers still
getting some That's cool. That's cool that y'all do. Yeah,
it's not a bad life.
Speaker 1 (03:12):
Yeah.
Speaker 3 (03:13):
Anyways, we're not here to talk about young.
Speaker 2 (03:15):
Bird or a hit making. We keep both. Yeah, we
can keep your dead name out out of our mouths.
Hit making now yeah, we no, no, no, I acknowledge
your new name.
Speaker 3 (03:28):
We have a voicemail.
Speaker 2 (03:30):
We have a fun I guess fun, I don't know.
We haven't listened to it. Or voicemail that that bay
is going to play for us and we'll laugh and
and or and or thinks seriously about the subject or cry.
Speaker 3 (03:44):
I'm trying to be more open to it. WHOA you
think you can cry on this podcast? No, not on here.
I'm not.
Speaker 4 (03:52):
I'm not crying on the internet. But like your life,
I'm proud I got you. Yeah, yeah, not me. I
think I'm I'm ready to shut it all down.
Speaker 3 (04:08):
You had some you had some big ones early though.
I feel like Yeah, I'm ready for the go ahead.
Shut at the door doors factory.
Speaker 2 (04:16):
We we we got all the water out we need.
Speaker 3 (04:20):
I get that. I mean, do you feel safe crying?
Is there anywhere that you feel safe crying?
Speaker 2 (04:25):
I think I'm I feel safe in as safe as
I can feel with with my partner.
Speaker 3 (04:33):
Do you know what I mean?
Speaker 1 (04:34):
That?
Speaker 2 (04:34):
Like that is not in any way a judgment of
her or the quality of love that we share. But
but I got some shit in me that makes safety
with crying still uh, sort of a looser.
Speaker 3 (04:51):
Exchange than I would like. I would like for it to.
Speaker 2 (04:55):
Yeah, I'd like for it to be a simple change
of just true feelings.
Speaker 3 (05:01):
And I can't say that that's true. You were talking
to like white guys and they're like they cry at
commercials and you ship and you're like, fuck you.
Speaker 2 (05:09):
Yeah, you know what my problem is. There's that lives
in me where I do be wanting to cry. It like, no,
I know a show and our commercial or whatever it is,
and then I feel like, no, you can't, you can't.
It's like that's stop. Yeah, stop man. Just the duck
(05:33):
with the oil on it made you sad. It's okay
if you just want to like let that out.
Speaker 3 (05:39):
If I I got really good at if I even
feel it in my throat, I could just be like no, no,
and then immediately I'll like, I'll like think of why
I actually hate that thing instead that that made me
elicit that emotion.
Speaker 2 (05:54):
You know, what's what's wild for me is when other
people cry, I cry like it it triggers for me.
Where like if you're if you started crying, I would
start crying just off of like fuck I but it's
it's not and this is fucked up. It's not even
always I think fully just empathy. I think some of
(06:15):
it is that, like I'm I'm sad that you reach
this level of vulnerability.
Speaker 3 (06:22):
I'm sad that would help me.
Speaker 2 (06:24):
Whatever your feeling was so extreme for you that you broke,
and that makes me sad.
Speaker 3 (06:32):
And I get it. That's nasty.
Speaker 2 (06:35):
That's some nasty you know patriarchy that I'm never gonna
unpack from my brain.
Speaker 3 (06:40):
Nah, listen, we could do, we could We could do
what we could do. You know what I'm saying.
Speaker 2 (06:45):
I think we we we give all we got, You
give it all you got.
Speaker 3 (06:51):
You love on the people you can love on.
Speaker 2 (06:53):
You pay your taxes as you said, and come on, uh,
and you just hope for the best.
Speaker 3 (06:59):
You're so be able to cry, hopefully, or his son,
I hope.
Speaker 2 (07:02):
So that's what I want for him, and that's what
I want, frankly for me, for you. I'm not. I'm
not in a position where I'm fully given up. So
maybe there's a world where I can find myself, you know,
crying with my boy one day.
Speaker 3 (07:17):
I'm just not all the way. But there is a
level this sounds terrible, There is a level of not
trusting a man who cries. M m m mmmmm.
Speaker 2 (07:26):
I don't like that, I say, And I'm not. I'm
not a man who who doesn't cry, you know what
I mean?
Speaker 3 (07:33):
Like I cry.
Speaker 2 (07:34):
It's just the weird self hate I can't quite escape.
Speaker 3 (07:39):
I mean, I in life, NIGGI, I had this guy.
I had a neighbor who used to cry all the time,
blew up my apartment. True story, WHOA make it? But
t ain't extracted hash oil fuck yeah and yeah, how
do you connect? How do you connect those feelings? So
this is a crazy story. So he moved in right
(08:01):
and it was a crazy scenario. It was this dude,
this oh, he was like my age so it's probably
like twenty four at a time, this old ugly woman
that was his girlfriend, This old ugly, ugly white woman
and her son, they moved in next door to us, right,
and we would hear.
Speaker 2 (08:19):
Them, never a great combination. We would hear them arguing
with adult adult son with young boyfriend that's fucked up,
not adult like thirteen. Oh even I'm telling you this.
Speaker 3 (08:33):
She gets it gets worse. So we would hear them
arguing all the all the time, right, And one night
I heard them arguing because it's like it's like a
slum in Serance in English side. But like one night
I hear him arguing and he's like, I got this
apartment for us, Jennifer, so you don't have to hook
no more, so you can have your kid here. And
(08:53):
I'm like, damn, this shit bad. This is fuck this
is bad.
Speaker 2 (08:56):
But like, uh, that was like a soaplo. That's the
that's the way it's written on the WB.
Speaker 3 (09:05):
It gets so much worse. So I'm like, this is
already fucked up. But this is probably like twenty eleven.
So I don't know if you're familiar with hash oil
and how it's evolved, but twenty eleven was early on
hash oil, early, early, early, so I didn't even know
what this was. He would come over with a dab
(09:26):
rig in hash oil that he made and he would
get me and my roommate high on hash oil and
we were like, this is I never, this is like crazy,
and it was free. We didn't even know where to
get it at the time, and it was free. But
he would get us all high on hash oil and
then he would start crying about his life, like literal tears, right,
(09:46):
like crying, telling us about his hooker girlfriend. Now his
mom don't love him and that's not his kid, and
YadA YadA, and the girlfriend, by the way, huge bitch,
huge bitch, such a mean lady. And one day I'm
taking the trash out and I see him and they
have this thing like a long cylinder and it's got
cheesecloth on the bottom and they're running, uh, they're running
(10:11):
but tane through it. And they have a trash bag
full of shake weed because I guess her dad was
a grower or something, so they had trash bags full
of shake and they're making but tane extracted house oil
and they're making it on the side of the house
and I'm like, damn, that's crazy. And our other neighbor,
this dude named Roy from Mississippi one tooth, moved to
San Francisco to smoke weed. Great guy, Great guy Roy
(10:32):
by that guy, he was like yeah, he was like,
that's gonna blow us up. And we were liked, no man.
And then uh, I was at the punchline opening opening
for somebody and my roommate calls me. He's like, fu
fu fuck the apartment. The apartment blew up. They were
making that ship in the house and one of the
(10:54):
Kansas buttane exploded and fucking it was like in the
kitchen and it was like a concussion. I don't know
what you call the blast, but it like knocked out
the bathroom wall in our house, burned their whole ship up.
Firefighters had to come. Little boys face gets burned up.
They gotta take they had to get injuries and ship right. Yeah,
(11:19):
they had to take skin from the ass to put
it on a little boy's face. And the mom and
the boyfriend ran off and then they both now he
now he's a tip drill. Yeah. But anyways, after that,
I was like, hey, don't let me that little boy
is a tip drill. He's like, it must be your
(11:46):
ass because chin'ge your face. You know, I don't mean
to know.
Speaker 2 (11:55):
I'm sorry that happened to you, but you are by
by Leeland Tip true a young tip True.
Speaker 3 (12:03):
But but anyways, ever said that guy was crying all
the time, and I knew I didn't trust him because
of that, and then boom exploded my ship.
Speaker 2 (12:10):
So so crying for you does feel too, too vulnerable
to the point that it's it's untrustworthy.
Speaker 3 (12:19):
Yeah, if I don't know you well all front of me, Yeah,
that's rue.
Speaker 2 (12:26):
There is there is a level of it is similar
to what we were talking about of like detachment, where
it does feel like, wait a minute, you you don't
understand social cues in a way that I don't.
Speaker 3 (12:38):
Love either, like manipulator, unhealthy? Yeah, yeah, are you manipulating me?
Because he wasn't pulling that ship when he wouldn't come
over sober because we didn't want to hear that ship.
He get us high on a new kind of drugs.
Speaker 2 (12:52):
Right, Give you a little give you a little taste
of whatever is going to make this uh an easy
comp station instead of one where he actually has to
reflect on what he's saying exactly damn. Anyways, we got
a voicemail. We got a voicemail. Uh that you can
(13:13):
play the voicemail. Well, let's see what happens.
Speaker 3 (13:15):
Heynks.
Speaker 5 (13:17):
I'm a negros who lives in the Roska and a
former veteranian.
Speaker 3 (13:22):
Pause right there. Did she calls up? Damn? That's devastating.
Did she sayunks? Can we go back? I'm pretty sure
she called us unks this one more time, one more time?
Speaker 2 (13:39):
Fuck, heynks, Damn, damn.
Speaker 6 (13:56):
Oh no, what the fuck? I'm young, I'm young. No,
that's obviously we are.
Speaker 3 (14:15):
No, we're never even advocated for that kind of behavior,
not at all. Also, if you are listening to this
in the position where you think we're unks and you're
listening for some type of like life wisdom, is not
a good plan for you.
Speaker 2 (14:31):
No, no, no, no, no, not in this house.
Speaker 3 (14:35):
No, you are mistaken. That's not what we're aiming for.
Speaker 2 (14:39):
And I know it's strending now where young niggas will
be like I can't wait to be an unk.
Speaker 3 (14:43):
I'm not that.
Speaker 2 (14:44):
No, I'm too close to it on a technical sense
to still be like playing charming games where I can't
wait to wear a big old pair of shorts with
some leather sandals. No, I'm not that. Ain't mean that's
You're exactly right, you know what. Manuel can get away
with it because he's eleven years old.
Speaker 3 (15:11):
That is a boy cos.
Speaker 2 (15:16):
He is dressing up as his favorite cartoon character, which
happens to be unk.
Speaker 3 (15:24):
I got a mortgage. Ain't cute to me? Yeah, I
got I got a problem. I needn't feel good. I
don't want to be nah, I keep that ship.
Speaker 5 (15:44):
Hey uh, I'm a negress who lives in the Rasca
and a former veteran you know, dancer, but not like
a ballerina, like in like a Joscelyn and like kind
of way, you know, miss Hernandez.
Speaker 3 (15:59):
But I pause one more time. Is she saying that
she's a veteran of dancing or of the United States Military?
Speaker 2 (16:07):
The vibe I got was both that that she she's
a veteran of the United States military and then became
a stripper.
Speaker 3 (16:18):
If I'm understanding. Oh, so she's like a she's like
a soldier stripper. I guess that's like a warrior poet.
Speaker 2 (16:31):
I've never heard of that combo, but maybe I haven't.
Speaker 3 (16:34):
I just didn't realize it. You know what I mean.
Speaker 2 (16:36):
Maybe that's a more common combo than I than I realized.
Speaker 3 (16:39):
Yeah, maybe she just wanted the discipline or like the structure.
She's like, stripping's fun. But I gotta get it together.
I can't do this forever.
Speaker 2 (16:47):
I gotta go get yelled at.
Speaker 3 (16:51):
Yeah, go live on a boat with a hundred dudes. Yeah,
keep going.
Speaker 5 (16:57):
I've noticed that clubs in small towns with like bad
regulations don't like don't really have a lot of business
or good business, but they seem to have a lot
of money and wealthy owners that do nothing else but
out a bad club and so and they don't.
Speaker 3 (17:17):
So I was wondering.
Speaker 5 (17:18):
I was like, how do they make the money? They
have more dancers and no customers. I realize a lot
of them are government plans. I think bad strip clubs
in conservative areas in the US is my consperratyve theora.
I think bad strip clubs and conservative areas of the
US are syoups ran by the government.
Speaker 3 (17:39):
Oh the government, honor. Yeah that's that. Tony's a print
now ending that Uh oh no.
Speaker 2 (17:45):
More, no more, okay, just cia at the end. Okay, yeah,
m what do you think?
Speaker 3 (17:54):
Interesting? Have you ever have you ever been to a
bad strip club in a conservative area?
Speaker 2 (17:58):
The first strip club I ever went to was in
a place called Brooklyn, Illinois, which all of Illinois is
very very red outside of Chicago.
Speaker 3 (18:10):
You know what I mean.
Speaker 2 (18:11):
So it's no fucking way was that a progressive area?
And it was a night nightmare of a strip club.
It's called the Pink Slip, Pink Slipper and did uh
it shouldn't exist and it shouldn't have been my first foray?
Speaker 3 (18:29):
Yeah, how was that?
Speaker 1 (18:30):
Was that?
Speaker 3 (18:30):
Like a college? How was it your first?
Speaker 2 (18:34):
No on tour with Jack? First tour I had ever done,
and we had performed in Saint Louis that evening in
Saint Louis. Back to I think we were performing in
Chicago the night after. He was like, oh man, we
should go hit the strip club before we do this
(18:55):
drive or take you know whatever it was the next
day and Jack, yeah, So I was like, all right, yeah,
it's just me and you and Frankly, we've been on
this tour long enough that we've run out of conversation,
so uh.
Speaker 3 (19:14):
Me, we covered it.
Speaker 2 (19:16):
We were too broke to even get our own rooms,
so we're spending long days together, you know what I mean,
Like this, Yeah, it's one of them tours where you
are together type ship and uh yeah. After that you
start being like, no, we got to find new ways
to bond. So strip club, even if it's the saddest one.
Speaker 3 (19:37):
How many dancers, how many stages? Uh? The one?
Speaker 2 (19:41):
So, if I'm not mistaken, the Pink Slipper was like
the the Kream de la Krem of the Brooklyn, Illinois
has like the strip of strip clubs, and the Pink
Slipper is like their their best one. We went to
the Pink Slipper and then Jack was like, ain't no
bad bitches in here, and he was like, we should
(20:02):
go next door, right, and the Pink Slipper they probably
have two stages and two cash machines, you know what
I mean, Like this is the This is them living
sort of the elite life. Then we go to the
place next door, which I can't remember the name of.
It might have been the Pink Slipper and I can't
remember the first one.
Speaker 3 (20:22):
Either way.
Speaker 2 (20:22):
We went next door and there was a man outside
with a cane and an eyepatch, and then we went
through the doors and truly there were four men in
the entire club, and it was an empty stage at first,
and then finally they clearly forced one of the girls
to come out because Jack and I had shown up.
Speaker 3 (20:44):
Yeah, there's money in the house.
Speaker 2 (20:47):
Yeah, And one lady came out very reluctantly and danced
as lazily as she could. And at one point we
were throwing money, and then I like stopped long enough
to like look for where my other money was. And
she stopped and she said, if y'all ain't gonna keep throwing,
I'm not gonna keep dancing. And I said, my bad,
(21:11):
baby girl, Yeah, I got you.
Speaker 3 (21:13):
Let me tell you that is That's so, That's what
happens at bad strip clubs is reluctant strippers. They do
not want to make any money in the bad ones.
She ain't gonna pretend to be your friend. She don't
want in the back. I went to one in South Carolina,
was like that were there. They're clearly like in the
back arguing about who had to go, yeah, and I
(21:36):
was like trying to throw some money. I say all
that to say so I've been to a bunch of
bad strip clubs. I do always wonder about the economics
of it, right, because it never seems it outside of
like a major area. It doesn't seem like it's something
(21:57):
they can get see if they're making cover money or
bar it. Just it always feels like a front, is
what I'm saying. I don't know about CIA. I don't
think the government has their hands in it, but it
definitely feels like some way to wash money. I think
they're certainly.
Speaker 2 (22:19):
A logical progression to someone washing money via a strip club. Literally,
the Sopranos laid it out for us and pretty yeah,
pretty clear detail. That said, I think that that sometimes
we presume that everything goes all the way to the top,
(22:40):
when in fact, just being able to like keep certain
business owners afloat is how the top supports itself.
Speaker 3 (22:49):
Do you know what I mean that? Like? You don't.
Speaker 2 (22:51):
Part of how I, a politician, a person in power,
remain in power is to keep allies at every tier
of the evolutionary chart, you know what I mean? Like,
I can't just have allies at the top with me.
I also have to have a bot of being owner,
A pink slipper owner whatever the fuck it is, sort
(23:13):
of happy and satiated so that he feels like paying
his boss who then pays me and keeps the party going.
Speaker 3 (23:22):
Yeah, I'm with that. I think people forget how low
level crime can be, even crimes like washing money, you
know what I mean. So I think that it's like
because I don't think it's the money making business outside
of the big ones. I just don't. I just the
margins are too thin, especially like in a small town
where it's like you got the same dancer. I mean,
(23:42):
don't get me wrong, I know dudes are sad and
we'll be regulars, but I can't imagine how you're getting
any money. But I don't think the CIA or the
FBI has anything to do with it.
Speaker 2 (23:52):
I think that CIA and FBI have something to do
with it if they are called upon to step in
and help out. I don't think that they have something
to do with it, and that they built the structures
in the first place, right, you.
Speaker 3 (24:06):
Know what I mean?
Speaker 2 (24:06):
Like I think if a powerful enough person makes a
phone call and says, look, you know the I know
the pink slip didn't pay their taxes this year, we're
gonna overlook that, and the irs goes okay, And you
know what I mean, you don't know why that person
needs that business to stay open. But they do, and
(24:27):
they're watching a lot of money through it, and and
that maybe does eventually find its way into government officials hands.
But I don't think the CIA was like, we'll hide
all our money in shitty strip club, Like that's.
Speaker 3 (24:41):
Not the exactly exactly the stripper's damn sure don't know
about it. No, they're not saying a dime. Yeah, all
that being said, I saw it. I would be a
fun proprietor of a strip club, okay, like like like
like a player's club. We get you in a real
funny DJ. I think, I think, I think, I think
(25:01):
I wouldn't be on those sleazy ship. I just I
think it would be fun.
Speaker 2 (25:05):
When you say fun, are you seeing yourself as like
an active character or are you just a a dude
who hangs out who everybody is excited to see.
Speaker 3 (25:16):
Well, in this scenario, it's probably a college town and
I am a small town college football star who stayed
around and via some booster money, got a business loan
and started to So they're like, hey, I remember I
remember you in the Cuddy Start ball back in ninety eight. Yeah,
(25:38):
and I'm shaking hands. We got food, good food, good
enough food. I mean, nobody's getting hit or not letting anybody.
No pimps are coming around like it's I run a
clean establishment. Yeah yeah, yeah, much to do in town. Anyways.
Speaker 2 (25:54):
You are not an immoral person. You are a man
who found a way after inevitably what breaks a lot
of men, right Like you finish football and you have nothing,
and and it turns you into a psychopath, and you're like, no,
I'm gonna I'm gonna be something, and I'm gonna use
what I had to be something that can actually benefit
(26:16):
myself in my community.
Speaker 3 (26:18):
Exactly, I'm gonna use this cupcake degree. What do they get,
like a mass calm degree or some ship usually some
shit like that, And I'm gonna put it into the
I don't have a name yet.
Speaker 2 (26:28):
But I was thought that would be a life I
would be okay with. Mm hmm, that's nice. I don't
I never imagined it for myself, But I don't hate it.
I don't hate the premise of it. It doesn't sound
like a bad life to me.
Speaker 3 (26:41):
Nah, I think it'd be okay. Go fishing a lot,
I bet. But anyways, uh yeah, I'm out there all
the time. Yeah, yeah, you got other stuff going on,
and then eventually I give it to my son, who
sells it.
Speaker 2 (26:57):
Okay, that's what I was about to worry about, is
once you start giving it to your son, he's gonna
be a piece of shit.
Speaker 3 (27:03):
Yeah, that's the what he didn't grow up there. You
didn't grow up in the strip club with me. I'll
be honest with you. There's no way you take over
your father's strip club in Brooklyn, Illinois and don't turn
into a piece of shit. Yeah that's true. Maybe it's
(27:24):
just a one generation thing. You know what I could do?
Maybe I run it, But then I'm also an upstanding
like I'm in the church. I'm an upstanding member of
the community. I run it, get enough money to put
my kids on, let them go to s I U
or whatever is the good school around, and then once
they finish college, I shut it down. I retire. That's smart. Yeah,
(27:45):
I think that's nice. I think you're right. It shouldn't be.
You don't want a generational strip club in your No.
Speaker 2 (27:50):
You you you give them, you sell it, and you
put it in a trust for them. You You do
not make that who they become, because that no survivors.
Speaker 7 (28:01):
Sooner or later, it's going to corrupt one of them. Yeah, yeah,
well I think we did it. I knew, I do.
I agree with you. I think that despite being called
that nasty name that we were called, I think I
think we certainly addressed the issue at hand. Yeah, you
(28:21):
want to tell the people where they can find you
what cool shit you got going on?
Speaker 3 (28:25):
Who had jokes eighty seven on Instagram, Patreon, dot com,
backslash David Bori to buy my special. I'm going to
be in Dayton, Kentucky, which is basically Cincinnati, Ohio, March
fourteenth at the Comedy Commonwealth, And March fifteenth, I'm going
to be in Minneapolis at the Comedy Corner Underground. Come
(28:48):
see those our buy our merch t shirts and stuff.
I want to say too. I know Mandl's a girl. Man.
It was just the funniest the idea of that man
with that voice as an eleven year old. No, I
don't think anybody took you seriously. We're big. We could
not be bigger Mando fans on this side of town anyways. Yeah,
(29:09):
where are you gonna be?
Speaker 2 (29:10):
As always, you can follow me at at Langston Kerrman
on all social media platforms.
Speaker 3 (29:16):
You can come see me live. I'm want to be
in Vermont Comedy Club in March.
Speaker 2 (29:20):
I'm going to be at Wise Guys Utah, Salt Lake
City in April as well as Wise Guys Las Vegas.
You can buy our merch. You can follow us at
at at my Mama Pod H told me Pod, I
don't know what it is on Instagram, but follow our
Instagram like subscribe, rate review, send us your own drops,
(29:41):
your own conspiracies, theories, Uh, send us your your young
I guess we gotta where either uns were. We can't
keep rejecting everything. They call us so little friggies. I
guess I'd rather be a little friggy than the unk.
So send us alternatives to little friggies, I guess at
my mama potage email dot com give us a call
(30:01):
at eight four four, little Moms. The voicemails can now
be three minutes long, which is very exciting and by
the merch. Okay, bye, bitch, Let's.
Speaker 3 (30:11):
Get to come outside.
Speaker 1 (30:17):
Motherfucking Mini ever S Mini Episo, motherfucking Minie ever Sow,
motherfucking Mini ever So Mini Episode, motherfucking Mini ever S
Motherfucking mini yourself mini episode. Motherfucking mini yourself.
Speaker 2 (00:13):
She said, take your time. What's the rush, baby, I'm
a dog, I'm a muddy. There it is.
Speaker 3 (00:20):
There it is.
Speaker 2 (00:21):
Ladies and gentlemen, Welcome to another phenomenal episode of My
Mama Told.
Speaker 3 (00:25):
Me, the podcast where we dive deep into the pockets
of black conspiracy theories.
Speaker 2 (00:32):
And we finally worked to prove the silly shit that
you got cooking at home.
Speaker 3 (00:35):
It's a motherfucking mini episode.
Speaker 2 (00:37):
Hell yeah, oh thank you. Yeah, it's a new song.
I feel cool when I when I can squeeze a
new song in.
Speaker 3 (00:46):
Yeah. I tried to do it with the LaMelo or
the LiAngelo Paul song. I thought it was okay, yeah, yeah,
and I thought it was great. Been that corner.
Speaker 2 (00:55):
Whoa, whoa, you really had a great he had a
great Like three weeks I would say, yeah.
Speaker 3 (01:08):
Yeah, yeah, you got Lil Wayne on the remix like
he really he did it.
Speaker 2 (01:12):
No, I don't believe in him in any way, shape
or forms, So I just don't expect that. We'll keep
hearing uh stuff that we like. But but for now, yeah,
you did.
Speaker 3 (01:25):
It, man. Yeah, you can get one. You can get
one like I feel like everybody has one hit rap
song in though.
Speaker 2 (01:33):
I can see that, but yeah, because it doesn't have
to be good to hit once. If you dedicated the
time and the resources so that like you could make
something quality every time you attempted, I bet you could
land on something like oh shit. That doesn't mean it pops,
(01:55):
and that doesn't mean that like that like you become
famous off the ship because and everybody would be, but
it does mean like everybody secretly has like one jam
in their in their pocket.
Speaker 3 (02:07):
I think so. I think everybody could have a year
like baby Boy to Prince, remember that guy. Mm hm
mm hmm hmmm, The Way I Live? Yeah, I don't
know any other singles, but that was that was a
fun song. Yeah.
Speaker 2 (02:22):
Young Berg was such a one song ass nigga that
he has to change his name now.
Speaker 3 (02:29):
Yeah, what's his name now? I didn't even know yet.
Fuck what is it? Very good? That's exactly no.
Speaker 2 (02:35):
But he's like he's like he's an introducer now, but
he wasn't when he was Young Bird.
Speaker 3 (02:41):
Hit maker. That's what it is. He's hit maker. Yeah, but.
Speaker 2 (02:46):
He was young Berg before and we laughed at him,
you know what I mean, Like we we mocked it. Yeah,
I'm being young Bird. What was his song? I don't
even remember what his song was?
Speaker 3 (02:56):
Some young Bird as ship, I don't know. Yeah, I
feel like it was bad, you know what I mean?
Hey should out all the one hit wonder rappers still
getting some That's cool. That's cool that y'all do. Yeah,
it's not a bad life.
Speaker 1 (03:12):
Yeah.
Speaker 3 (03:13):
Anyways, we're not here to talk about young.
Speaker 2 (03:15):
Bird or a hit making. We keep both. Yeah, we
can keep your dead name out out of our mouths.
Hit making now yeah, we no, no, no, I acknowledge
your new name.
Speaker 3 (03:28):
We have a voicemail.
Speaker 2 (03:30):
We have a fun I guess fun, I don't know.
We haven't listened to it. Or voicemail that that bay
is going to play for us and we'll laugh and
and or and or thinks seriously about the subject or cry.
Speaker 3 (03:44):
I'm trying to be more open to it. WHOA you
think you can cry on this podcast? No, not on here.
I'm not.
Speaker 4 (03:52):
I'm not crying on the internet. But like your life,
I'm proud I got you. Yeah, yeah, not me. I
think I'm I'm ready to shut it all down.
Speaker 3 (04:08):
You had some you had some big ones early though.
I feel like Yeah, I'm ready for the go ahead.
Shut at the door doors factory.
Speaker 2 (04:16):
We we we got all the water out we need.
Speaker 3 (04:20):
I get that. I mean, do you feel safe crying?
Is there anywhere that you feel safe crying?
Speaker 2 (04:25):
I think I'm I feel safe in as safe as
I can feel with with my partner.
Speaker 3 (04:33):
Do you know what I mean?
Speaker 1 (04:34):
That?
Speaker 2 (04:34):
Like that is not in any way a judgment of
her or the quality of love that we share. But
but I got some shit in me that makes safety
with crying still uh, sort of a looser.
Speaker 3 (04:51):
Exchange than I would like. I would like for it to.
Speaker 2 (04:55):
Yeah, I'd like for it to be a simple change
of just true feelings.
Speaker 3 (05:01):
And I can't say that that's true. You were talking
to like white guys and they're like they cry at
commercials and you ship and you're like, fuck you.
Speaker 2 (05:09):
Yeah, you know what my problem is. There's that lives
in me where I do be wanting to cry. It like, no,
I know a show and our commercial or whatever it is,
and then I feel like, no, you can't, you can't.
It's like that's stop. Yeah, stop man. Just the duck
(05:33):
with the oil on it made you sad. It's okay
if you just want to like let that out.
Speaker 3 (05:39):
If I I got really good at if I even
feel it in my throat, I could just be like no, no,
and then immediately I'll like, I'll like think of why
I actually hate that thing instead that that made me
elicit that emotion.
Speaker 2 (05:54):
You know, what's what's wild for me is when other
people cry, I cry like it it triggers for me.
Where like if you're if you started crying, I would
start crying just off of like fuck I but it's
it's not and this is fucked up. It's not even
always I think fully just empathy. I think some of
(06:15):
it is that, like I'm I'm sad that you reach
this level of vulnerability.
Speaker 3 (06:22):
I'm sad that would help me.
Speaker 2 (06:24):
Whatever your feeling was so extreme for you that you broke,
and that makes me sad.
Speaker 3 (06:32):
And I get it. That's nasty.
Speaker 2 (06:35):
That's some nasty you know patriarchy that I'm never gonna
unpack from my brain.
Speaker 3 (06:40):
Nah, listen, we could do, we could We could do
what we could do. You know what I'm saying.
Speaker 2 (06:45):
I think we we we give all we got, You
give it all you got.
Speaker 3 (06:51):
You love on the people you can love on.
Speaker 2 (06:53):
You pay your taxes as you said, and come on, uh,
and you just hope for the best.
Speaker 3 (06:59):
You're so be able to cry, hopefully, or his son,
I hope.
Speaker 2 (07:02):
So that's what I want for him, and that's what
I want, frankly for me, for you. I'm not. I'm
not in a position where I'm fully given up. So
maybe there's a world where I can find myself, you know,
crying with my boy one day.
Speaker 3 (07:17):
I'm just not all the way. But there is a
level this sounds terrible, There is a level of not
trusting a man who cries. M m m mmmmm.
Speaker 2 (07:26):
I don't like that, I say, And I'm not. I'm
not a man who who doesn't cry, you know what
I mean?
Speaker 3 (07:33):
Like I cry.
Speaker 2 (07:34):
It's just the weird self hate I can't quite escape.
Speaker 3 (07:39):
I mean, I in life, NIGGI, I had this guy.
I had a neighbor who used to cry all the time,
blew up my apartment. True story, WHOA make it? But
t ain't extracted hash oil fuck yeah and yeah, how
do you connect? How do you connect those feelings? So
this is a crazy story. So he moved in right
(08:01):
and it was a crazy scenario. It was this dude,
this oh, he was like my age so it's probably
like twenty four at a time, this old ugly woman
that was his girlfriend, This old ugly, ugly white woman
and her son, they moved in next door to us, right,
and we would hear.
Speaker 2 (08:19):
Them, never a great combination. We would hear them arguing
with adult adult son with young boyfriend that's fucked up,
not adult like thirteen. Oh even I'm telling you this.
Speaker 3 (08:33):
She gets it gets worse. So we would hear them
arguing all the all the time, right, And one night
I heard them arguing because it's like it's like a
slum in Serance in English side. But like one night
I hear him arguing and he's like, I got this
apartment for us, Jennifer, so you don't have to hook
no more, so you can have your kid here. And
(08:53):
I'm like, damn, this shit bad. This is fuck this
is bad.
Speaker 2 (08:56):
But like, uh, that was like a soaplo. That's the
that's the way it's written on the WB.
Speaker 3 (09:05):
It gets so much worse. So I'm like, this is
already fucked up. But this is probably like twenty eleven.
So I don't know if you're familiar with hash oil
and how it's evolved, but twenty eleven was early on
hash oil, early, early, early, so I didn't even know
what this was. He would come over with a dab
(09:26):
rig in hash oil that he made and he would
get me and my roommate high on hash oil and
we were like, this is I never, this is like crazy,
and it was free. We didn't even know where to
get it at the time, and it was free. But
he would get us all high on hash oil and
then he would start crying about his life, like literal tears, right,
(09:46):
like crying, telling us about his hooker girlfriend. Now his
mom don't love him and that's not his kid, and
YadA YadA, and the girlfriend, by the way, huge bitch,
huge bitch, such a mean lady. And one day I'm
taking the trash out and I see him and they
have this thing like a long cylinder and it's got
cheesecloth on the bottom and they're running, uh, they're running
(10:11):
but tane through it. And they have a trash bag
full of shake weed because I guess her dad was
a grower or something, so they had trash bags full
of shake and they're making but tane extracted house oil
and they're making it on the side of the house
and I'm like, damn, that's crazy. And our other neighbor,
this dude named Roy from Mississippi one tooth, moved to
San Francisco to smoke weed. Great guy, Great guy Roy
(10:32):
by that guy, he was like yeah, he was like,
that's gonna blow us up. And we were liked, no man.
And then uh, I was at the punchline opening opening
for somebody and my roommate calls me. He's like, fu
fu fuck the apartment. The apartment blew up. They were
making that ship in the house and one of the
(10:54):
Kansas buttane exploded and fucking it was like in the
kitchen and it was like a concussion. I don't know
what you call the blast, but it like knocked out
the bathroom wall in our house, burned their whole ship up.
Firefighters had to come. Little boys face gets burned up.
They gotta take they had to get injuries and ship right. Yeah,
(11:19):
they had to take skin from the ass to put
it on a little boy's face. And the mom and
the boyfriend ran off and then they both now he
now he's a tip drill. Yeah. But anyways, after that,
I was like, hey, don't let me that little boy
is a tip drill. He's like, it must be your
(11:46):
ass because chin'ge your face. You know, I don't mean
to know.
Speaker 2 (11:55):
I'm sorry that happened to you, but you are by
by Leeland Tip true a young tip True.
Speaker 3 (12:03):
But but anyways, ever said that guy was crying all
the time, and I knew I didn't trust him because
of that, and then boom exploded my ship.
Speaker 2 (12:10):
So so crying for you does feel too, too vulnerable
to the point that it's it's untrustworthy.
Speaker 3 (12:19):
Yeah, if I don't know you well all front of me, Yeah,
that's rue.
Speaker 2 (12:26):
There is there is a level of it is similar
to what we were talking about of like detachment, where
it does feel like, wait a minute, you you don't
understand social cues in a way that I don't.
Speaker 3 (12:38):
Love either, like manipulator, unhealthy? Yeah, yeah, are you manipulating me?
Because he wasn't pulling that ship when he wouldn't come
over sober because we didn't want to hear that ship.
He get us high on a new kind of drugs.
Speaker 2 (12:52):
Right, Give you a little give you a little taste
of whatever is going to make this uh an easy
comp station instead of one where he actually has to
reflect on what he's saying exactly damn. Anyways, we got
a voicemail. We got a voicemail. Uh that you can
(13:13):
play the voicemail. Well, let's see what happens.
Speaker 3 (13:15):
Heynks.
Speaker 5 (13:17):
I'm a negros who lives in the Roska and a
former veteranian.
Speaker 3 (13:22):
Pause right there. Did she calls up? Damn? That's devastating.
Did she sayunks? Can we go back? I'm pretty sure
she called us unks this one more time, one more time?
Speaker 2 (13:39):
Fuck, heynks, Damn, damn.
Speaker 6 (13:56):
Oh no, what the fuck? I'm young, I'm young. No,
that's obviously we are.
Speaker 3 (14:15):
No, we're never even advocated for that kind of behavior,
not at all. Also, if you are listening to this
in the position where you think we're unks and you're
listening for some type of like life wisdom, is not
a good plan for you.
Speaker 2 (14:31):
No, no, no, no, no, not in this house.
Speaker 3 (14:35):
No, you are mistaken. That's not what we're aiming for.
Speaker 2 (14:39):
And I know it's strending now where young niggas will
be like I can't wait to be an unk.
Speaker 3 (14:43):
I'm not that.
Speaker 2 (14:44):
No, I'm too close to it on a technical sense
to still be like playing charming games where I can't
wait to wear a big old pair of shorts with
some leather sandals. No, I'm not that. Ain't mean that's
You're exactly right, you know what. Manuel can get away
with it because he's eleven years old.
Speaker 3 (15:11):
That is a boy cos.
Speaker 2 (15:16):
He is dressing up as his favorite cartoon character, which
happens to be unk.
Speaker 3 (15:24):
I got a mortgage. Ain't cute to me? Yeah, I
got I got a problem. I needn't feel good. I
don't want to be nah, I keep that ship.
Speaker 5 (15:44):
Hey uh, I'm a negress who lives in the Rasca
and a former veteran you know, dancer, but not like
a ballerina, like in like a Joscelyn and like kind
of way, you know, miss Hernandez.
Speaker 3 (15:59):
But I pause one more time. Is she saying that
she's a veteran of dancing or of the United States Military?
Speaker 2 (16:07):
The vibe I got was both that that she she's
a veteran of the United States military and then became
a stripper.
Speaker 3 (16:18):
If I'm understanding. Oh, so she's like a she's like
a soldier stripper. I guess that's like a warrior poet.
Speaker 2 (16:31):
I've never heard of that combo, but maybe I haven't.
Speaker 3 (16:34):
I just didn't realize it. You know what I mean.
Speaker 2 (16:36):
Maybe that's a more common combo than I than I realized.
Speaker 3 (16:39):
Yeah, maybe she just wanted the discipline or like the structure.
She's like, stripping's fun. But I gotta get it together.
I can't do this forever.
Speaker 2 (16:47):
I gotta go get yelled at.
Speaker 3 (16:51):
Yeah, go live on a boat with a hundred dudes. Yeah,
keep going.
Speaker 5 (16:57):
I've noticed that clubs in small towns with like bad
regulations don't like don't really have a lot of business
or good business, but they seem to have a lot
of money and wealthy owners that do nothing else but
out a bad club and so and they don't.
Speaker 3 (17:17):
So I was wondering.
Speaker 5 (17:18):
I was like, how do they make the money? They
have more dancers and no customers. I realize a lot
of them are government plans. I think bad strip clubs
in conservative areas in the US is my consperratyve theora.
I think bad strip clubs and conservative areas of the
US are syoups ran by the government.
Speaker 3 (17:39):
Oh the government, honor. Yeah that's that. Tony's a print
now ending that Uh oh no.
Speaker 2 (17:45):
More, no more, okay, just cia at the end. Okay, yeah,
m what do you think?
Speaker 3 (17:54):
Interesting? Have you ever have you ever been to a
bad strip club in a conservative area?
Speaker 2 (17:58):
The first strip club I ever went to was in
a place called Brooklyn, Illinois, which all of Illinois is
very very red outside of Chicago.
Speaker 3 (18:10):
You know what I mean.
Speaker 2 (18:11):
So it's no fucking way was that a progressive area?
And it was a night nightmare of a strip club.
It's called the Pink Slip, Pink Slipper and did uh
it shouldn't exist and it shouldn't have been my first foray?
Speaker 3 (18:29):
Yeah, how was that?
Speaker 1 (18:30):
Was that?
Speaker 3 (18:30):
Like a college? How was it your first?
Speaker 2 (18:34):
No on tour with Jack? First tour I had ever done,
and we had performed in Saint Louis that evening in
Saint Louis. Back to I think we were performing in
Chicago the night after. He was like, oh man, we
should go hit the strip club before we do this
(18:55):
drive or take you know whatever it was the next
day and Jack, yeah, So I was like, all right, yeah,
it's just me and you and Frankly, we've been on
this tour long enough that we've run out of conversation,
so uh.
Speaker 3 (19:14):
Me, we covered it.
Speaker 2 (19:16):
We were too broke to even get our own rooms,
so we're spending long days together, you know what I mean,
Like this, Yeah, it's one of them tours where you
are together type ship and uh yeah. After that you
start being like, no, we got to find new ways
to bond. So strip club, even if it's the saddest one.
Speaker 3 (19:37):
How many dancers, how many stages? Uh? The one?
Speaker 2 (19:41):
So, if I'm not mistaken, the Pink Slipper was like
the the Kream de la Krem of the Brooklyn, Illinois
has like the strip of strip clubs, and the Pink
Slipper is like their their best one. We went to
the Pink Slipper and then Jack was like, ain't no
bad bitches in here, and he was like, we should
(20:02):
go next door, right, and the Pink Slipper they probably
have two stages and two cash machines, you know what
I mean, Like this is the This is them living
sort of the elite life. Then we go to the
place next door, which I can't remember the name of.
It might have been the Pink Slipper and I can't
remember the first one.
Speaker 3 (20:22):
Either way.
Speaker 2 (20:22):
We went next door and there was a man outside
with a cane and an eyepatch, and then we went
through the doors and truly there were four men in
the entire club, and it was an empty stage at first,
and then finally they clearly forced one of the girls
to come out because Jack and I had shown up.
Speaker 3 (20:44):
Yeah, there's money in the house.
Speaker 2 (20:47):
Yeah, And one lady came out very reluctantly and danced
as lazily as she could. And at one point we
were throwing money, and then I like stopped long enough
to like look for where my other money was. And
she stopped and she said, if y'all ain't gonna keep throwing,
I'm not gonna keep dancing. And I said, my bad,
(21:11):
baby girl, Yeah, I got you.
Speaker 3 (21:13):
Let me tell you that is That's so, That's what
happens at bad strip clubs is reluctant strippers. They do
not want to make any money in the bad ones.
She ain't gonna pretend to be your friend. She don't
want in the back. I went to one in South Carolina,
was like that were there. They're clearly like in the
back arguing about who had to go, yeah, and I
(21:36):
was like trying to throw some money. I say all
that to say so I've been to a bunch of
bad strip clubs. I do always wonder about the economics
of it, right, because it never seems it outside of
like a major area. It doesn't seem like it's something
(21:57):
they can get see if they're making cover money or
bar it. Just it always feels like a front, is
what I'm saying. I don't know about CIA. I don't
think the government has their hands in it, but it
definitely feels like some way to wash money. I think
they're certainly.
Speaker 2 (22:19):
A logical progression to someone washing money via a strip club. Literally,
the Sopranos laid it out for us and pretty yeah,
pretty clear detail. That said, I think that that sometimes
we presume that everything goes all the way to the top,
(22:40):
when in fact, just being able to like keep certain
business owners afloat is how the top supports itself.
Speaker 3 (22:49):
Do you know what I mean that? Like? You don't.
Speaker 2 (22:51):
Part of how I, a politician, a person in power,
remain in power is to keep allies at every tier
of the evolutionary chart, you know what I mean? Like,
I can't just have allies at the top with me.
I also have to have a bot of being owner,
A pink slipper owner whatever the fuck it is, sort
(23:13):
of happy and satiated so that he feels like paying
his boss who then pays me and keeps the party going.
Speaker 3 (23:22):
Yeah, I'm with that. I think people forget how low
level crime can be, even crimes like washing money, you
know what I mean. So I think that it's like
because I don't think it's the money making business outside
of the big ones. I just don't. I just the
margins are too thin, especially like in a small town
where it's like you got the same dancer. I mean,
(23:42):
don't get me wrong, I know dudes are sad and
we'll be regulars, but I can't imagine how you're getting
any money. But I don't think the CIA or the
FBI has anything to do with it.
Speaker 2 (23:52):
I think that CIA and FBI have something to do
with it if they are called upon to step in
and help out. I don't think that they have something
to do with it, and that they built the structures
in the first place, right, you.
Speaker 3 (24:06):
Know what I mean?
Speaker 2 (24:06):
Like I think if a powerful enough person makes a
phone call and says, look, you know the I know
the pink slip didn't pay their taxes this year, we're
gonna overlook that, and the irs goes okay, And you
know what I mean, you don't know why that person
needs that business to stay open. But they do, and
(24:27):
they're watching a lot of money through it, and and
that maybe does eventually find its way into government officials hands.
But I don't think the CIA was like, we'll hide
all our money in shitty strip club, Like that's.
Speaker 3 (24:41):
Not the exactly exactly the stripper's damn sure don't know
about it. No, they're not saying a dime. Yeah, all
that being said, I saw it. I would be a
fun proprietor of a strip club, okay, like like like
like a player's club. We get you in a real
funny DJ. I think, I think, I think, I think
(25:01):
I wouldn't be on those sleazy ship. I just I
think it would be fun.
Speaker 2 (25:05):
When you say fun, are you seeing yourself as like
an active character or are you just a a dude
who hangs out who everybody is excited to see.
Speaker 3 (25:16):
Well, in this scenario, it's probably a college town and
I am a small town college football star who stayed
around and via some booster money, got a business loan
and started to So they're like, hey, I remember I
remember you in the Cuddy Start ball back in ninety eight. Yeah,
(25:38):
and I'm shaking hands. We got food, good food, good
enough food. I mean, nobody's getting hit or not letting anybody.
No pimps are coming around like it's I run a
clean establishment. Yeah yeah, yeah, much to do in town. Anyways.
Speaker 2 (25:54):
You are not an immoral person. You are a man
who found a way after inevitably what breaks a lot
of men, right Like you finish football and you have nothing,
and and it turns you into a psychopath, and you're like, no,
I'm gonna I'm gonna be something, and I'm gonna use
what I had to be something that can actually benefit
(26:16):
myself in my community.
Speaker 3 (26:18):
Exactly, I'm gonna use this cupcake degree. What do they get,
like a mass calm degree or some ship usually some
shit like that, And I'm gonna put it into the
I don't have a name yet.
Speaker 2 (26:28):
But I was thought that would be a life I
would be okay with. Mm hmm, that's nice. I don't
I never imagined it for myself, But I don't hate it.
I don't hate the premise of it. It doesn't sound
like a bad life to me.
Speaker 3 (26:41):
Nah, I think it'd be okay. Go fishing a lot,
I bet. But anyways, uh yeah, I'm out there all
the time. Yeah, yeah, you got other stuff going on,
and then eventually I give it to my son, who
sells it.
Speaker 2 (26:57):
Okay, that's what I was about to worry about, is
once you start giving it to your son, he's gonna
be a piece of shit.
Speaker 3 (27:03):
Yeah, that's the what he didn't grow up there. You
didn't grow up in the strip club with me. I'll
be honest with you. There's no way you take over
your father's strip club in Brooklyn, Illinois and don't turn
into a piece of shit. Yeah that's true. Maybe it's
(27:24):
just a one generation thing. You know what I could do?
Maybe I run it, But then I'm also an upstanding
like I'm in the church. I'm an upstanding member of
the community. I run it, get enough money to put
my kids on, let them go to s I U
or whatever is the good school around, and then once
they finish college, I shut it down. I retire. That's smart. Yeah,
(27:45):
I think that's nice. I think you're right. It shouldn't be.
You don't want a generational strip club in your No.
Speaker 2 (27:50):
You you you give them, you sell it, and you
put it in a trust for them. You You do
not make that who they become, because that no survivors.
Speaker 7 (28:01):
Sooner or later, it's going to corrupt one of them. Yeah, yeah,
well I think we did it. I knew, I do.
I agree with you. I think that despite being called
that nasty name that we were called, I think I
think we certainly addressed the issue at hand. Yeah, you
(28:21):
want to tell the people where they can find you
what cool shit you got going on?
Speaker 3 (28:25):
Who had jokes eighty seven on Instagram, Patreon, dot com,
backslash David Bori to buy my special. I'm going to
be in Dayton, Kentucky, which is basically Cincinnati, Ohio, March
fourteenth at the Comedy Commonwealth, And March fifteenth, I'm going
to be in Minneapolis at the Comedy Corner Underground. Come
(28:48):
see those our buy our merch t shirts and stuff.
I want to say too. I know Mandl's a girl. Man.
It was just the funniest the idea of that man
with that voice as an eleven year old. No, I
don't think anybody took you seriously. We're big. We could
not be bigger Mando fans on this side of town anyways. Yeah,
(29:09):
where are you gonna be?
Speaker 2 (29:10):
As always, you can follow me at at Langston Kerrman
on all social media platforms.
Speaker 3 (29:16):
You can come see me live. I'm want to be
in Vermont Comedy Club in March.
Speaker 2 (29:20):
I'm going to be at Wise Guys Utah, Salt Lake
City in April as well as Wise Guys Las Vegas.
You can buy our merch. You can follow us at
at at my Mama Pod H told me Pod, I
don't know what it is on Instagram, but follow our
Instagram like subscribe, rate review, send us your own drops,
(29:41):
your own conspiracies, theories, Uh, send us your your young
I guess we gotta where either uns were. We can't
keep rejecting everything. They call us so little friggies. I
guess I'd rather be a little friggy than the unk.
So send us alternatives to little friggies, I guess at
my mama potage email dot com give us a call
(30:01):
at eight four four, little Moms. The voicemails can now
be three minutes long, which is very exciting and by
the merch. Okay, bye, bitch, Let's.
Speaker 3 (30:11):
Get to come outside.
Speaker 1 (30:17):
Motherfucking Mini ever S Mini Episo, motherfucking Minie ever Sow,
motherfucking Mini ever So Mini Episode, motherfucking Mini ever S
Hosts And Creators
Langston Kerman
David Gborie
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