Best of Rory & Mal: Week of 7/14

This week on New Rory & Mal, "Let God Sort Em Out" lives up to the hype, Drake says the UK would wash the USA in a rap battle, and an intense debate over the rules of "Uno". Plus, 85 South joins the show to explain why they had a problem with Rick Ross walking off their show, and Rory and Mal react to Nicki Minaj crashing out on Twitter. #volume

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Episode Transcript

Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
This Weekend of music, which was one of the better
fridays of the entire years.

Speaker 3 (00:08):
Want to start with that great weekend for music.

Speaker 2 (00:10):
The Clips being I would say a legacy act. Both
of those gentlemen will push his what forty eight forty nine,
Malis is in his fifties.

Speaker 3 (00:19):
These are two older.

Speaker 2 (00:20):
Gentlemen where I feel like this album is not going
to go away in three days. I think they had
one of the better rollouts. It was a rollout that
took a month and a half, which we haven't seen
in quite some time. And I know we're only at
Monday the fourteenth, and it came out Friday. But I
don't think this album is going away next week. I
think this will be a staple of the remainder of

(00:40):
the year. As far as constantly talked.

Speaker 4 (00:43):
About it'll sound even better in the fall.

Speaker 2 (00:45):
Yeah, I don't think it's just going anywhere.

Speaker 5 (00:47):
I think that well. First of all, congrats on the
Clips to the Clips were putting.

Speaker 2 (00:51):
Out a incredible Oh I miscraped so fucking much.

Speaker 3 (00:56):
Congrats to the Clips on that.

Speaker 2 (00:58):
Finally we can use the word refreshing and actually mean it.

Speaker 5 (01:00):
It's good to see them apply old school moves to
the new generations. Like their rollout is such a you know,
you could tell that they came up in a different time.

Speaker 3 (01:10):
Yeah, so it's good to see that.

Speaker 5 (01:13):
It's good to see people react to the album the
way they did into the music.

Speaker 2 (01:18):
The promotion has to do with actually touching the people. Yeah,
and going on a promo run for real, remember that
word promo run, Like you actually have to used to
go to different cities and do different publications and actually
be there.

Speaker 3 (01:29):
Yeah. Work, you had to work. Yeah, they did that,
and it's good to see.

Speaker 5 (01:33):
You know, people always give me shit when I say,
you know, and alltist needs to lock in with one producer, Like,
but this is the this is what happens when you
lock in with one producer for your fucking entire career.
You're able to always go back to that fade away
move that nobody can't stop. Yeah, and this is what
the clips in phar Real have done. You know, somebody
like me a little older than everybody else in the room.

(01:53):
But I came up in a time where you know,
the clips was you know, I was I spent some
time going down ninety five South, the King's Dominion for
Black College week and so you know, the clips to
me is a different it's a it's a certain space
that they hold in my in my you know, my
taste for rapping hip hop.

Speaker 3 (02:12):
But this album I liked it. I like that. I don't.

Speaker 6 (02:14):
I don't.

Speaker 5 (02:14):
The only thing I didn't like was I didn't like
them opening the album was such an emotional record. Why
I had didn't go right into changing whips like nig
I'm still crying.

Speaker 3 (02:24):
I can't hear changing whips like you can't.

Speaker 5 (02:26):
Don't don't give me changing whips after saying you found
your mom, dad and your father dead, like, don't give
me that. I'm still in there trying to pull my
shit together, like you know what I'm saying.

Speaker 2 (02:34):
Like I text Ameris at maybe like one thirty am
on Thursday, going into Friday, and I said, did birds
don't Sing.

Speaker 3 (02:41):
Make you cry?

Speaker 6 (02:42):
Yet?

Speaker 2 (02:42):
Like? Because I couldn't get past the record even though
we had talked about it prior, like that.

Speaker 3 (02:46):
Song they did when they walked on one of the
LV shows.

Speaker 2 (02:48):
So I've been listening to it, but when you hear
it like in full cd Q version, like yeah, like
you can't.

Speaker 3 (02:54):
It was tough.

Speaker 2 (02:54):
It was tough to get past that in a great way.

Speaker 6 (02:57):
Yeah, like I.

Speaker 5 (02:57):
Can't you can't take me from that to change and
whips like I just I just think the Secret Sin
was just a little like you know that that that
much of an emotional record should be for later on
And now I see.

Speaker 2 (03:08):
That's why I kind of liked the move because yes,
it feels like an outro or it feels like maybe
a break in the middle for a.

Speaker 3 (03:14):
Switch up end.

Speaker 2 (03:16):
I don't know, like not to get like two corning.
But it was nice to remember that they were brothers,
Like starting this.

Speaker 3 (03:24):
Guy forgot I Push Your Malice with brothers.

Speaker 2 (03:27):
Of course, yes we know they are brothers, but we
know them to be brothers and they like so coked together.
I'm not saying they haven't like did deep dives into
their personal lives in clips albums or push it T
solo shit, But this was like a reminder going into
this project that how many times have we ever seen
two actual blood brothers from the same parents be a

(03:50):
legendary duo in hip hop? Like that was a crazy
thing that I don't think we've seen. And starting the
record out with Push talking about Moms Malice talking about
pop like how We've never even seen that. I've never
seen that music. No, you name any any genre in music.
We're just saying, it's absolutely correct. It was beautiful to
start like these guys.

Speaker 6 (04:10):
Don't start me like that.

Speaker 3 (04:12):
Don't start me like that.

Speaker 6 (04:14):
That's all I'm saying. Don't do that.

Speaker 7 (04:15):
I appreciated it too, because I was really listening to
it again today. I appreciate the make me cry, make
me emotional, and then we right onto the bullshit and
we on bullshit for the rest of the album.

Speaker 4 (04:27):
Like you know what I'm saying, Like I like that, Like.

Speaker 3 (04:29):
You're crazy, y'all, psychopath. Yeah, I want to fry and
then get into bullshit.

Speaker 5 (04:33):
Yeah, it's noah, I want to get into bullshit and
cry after the bullshit is over.

Speaker 2 (04:36):
It's ways my tears right when that bullshit come in.

Speaker 7 (04:39):
It's way too good of a record to be at
the end of theum. Yeah, it's an amazing record. It
needed it is, I just don't.

Speaker 5 (04:45):
I just feel like opening the album with that, I
was just like, damn, man like because it goes right
into a whole different type of energy with changing whips.
So I'm just like, damn Like. Emotionally, I'm just everywhere
right now. But you know that's just me nitpicking that,
you know, just just preference.

Speaker 2 (05:01):
But I think it was a very interesting and cool
way to start an album where no other duo or
rapper whatever I.

Speaker 5 (05:09):
Got, I gotta, I gotta express my my disdain. Stove
God deserves a fucking verse. Man, I'm sorry, bro, Like
you can't. You can't give Stove God a hook on
a record like that, Like you gotta let him talk
his shit, Like I.

Speaker 6 (05:25):
Don't know if.

Speaker 5 (05:27):
I just I mean that that song, the music, the hook,
the lyric, everything is perfect, and it just feels like
it was room for Stove to get off, like it.

Speaker 3 (05:38):
So like the song is like not even probably not
even three minutes, is it?

Speaker 2 (05:42):
It's three twenty two. But I didn't feel like the
song was already too crowded. I feel like, yes, there
could have been a Stove verse and it would have
felt fine.

Speaker 3 (05:50):
It would have felt fine. And that's so that's my
That was it.

Speaker 5 (05:54):
It was just like, we need a Stove God verse
on that red y'all can't be talking greasy like that.

Speaker 3 (05:58):
Stove coming in with the.

Speaker 5 (06:00):
The only other person that could have done that hook
that way is for real yeah, like he's the only
other one. I feel like vocally, you know, that would
have sounded like good on that record, But to have
Stove on it, I love that. Just giving Stove that look.
But still I didn't let him get his balls off.

Speaker 2 (06:18):
The way we obviously you know, have said Stove is
by far one of our favorite new rappers, especially in
this subgenre of hip hop. He has become like the
hook guy in a weird way, like because west Side
has done that with Stove for the past two albums.
Like there's times I felt Stove should have got a
verse and he'll just do the hook on west Side.

Speaker 3 (06:36):
He is great.

Speaker 2 (06:37):
He is like a coke nate dog in a weird
way through this genre. Like I know it sounds nuts,
but if you go through Western's catalog, Stove has the
best harmonies on every fucking west Side you know.

Speaker 3 (06:47):
What else he has on west Side Versus versus.

Speaker 2 (06:50):
I'm not disagreeing with you.

Speaker 5 (06:51):
Yeah, that's all I'm saying. Just let Stove cook, let
him get his shit off. That's just the perfect record.
I know Stove has something for that. I know he
wrote to that, like I know he got bought somewhere.

Speaker 6 (07:03):
So yeah, that was. That was it.

Speaker 5 (07:04):
But other other than that, it's the rollout was impeccable.
The tiny desk, you know, all the interviews, you know,
just seeing the clips, you know, stay true to a
formula that they've Obviously, when they came up in the industry,
it was a different time, you know, as far as
you did people doing their rollouts, it was it was
a little different. But to see them still doing that
be very intentional, you know, to still kind of attach

(07:27):
high level art to hip hop, which is.

Speaker 3 (07:29):
High level art.

Speaker 5 (07:30):
As far as I'm concerned, to see them kind of
you know, keep that essence and and and you know,
keep those things around the album.

Speaker 3 (07:37):
It was dope to see that. Man.

Speaker 5 (07:39):
So you know, I'm I like the album. That's I
haven't listened to any other album this weekend. I didn't
get into Justin Bieber's album yet.

Speaker 2 (07:46):
I'll get to that in in one second. I do
want to run through some of the records that are here.
Chains and Whips. Obviously we had heard the Kendrick leak
before that. I still think it's an incredible verse sounding
way different coming on the album again, I think that's
a perfect way to go after crying like let's just
get right to the shits POV. I think Malice may
have verse of the year on POV as of right now.

(08:09):
And if there's a better rat verse, I know you
think it's eminem on Animal, but I think Malice is
the best verse of the year so far on POV,
explaining why he left and why he's better than everyone.

Speaker 6 (08:20):
Else, so be it.

Speaker 2 (08:22):
I was a little sad to see that it was
a different version, but I know they couldn't clear the sample,
so they had to go that route, the run from
seven to ten MTBT.

Speaker 3 (08:35):
That's the only thing I can't like too many.

Speaker 4 (08:38):
Mike Tyson blow to the face.

Speaker 2 (08:39):
I know what it, but like just call it that please,
because I have to see you know, you know stupid.

Speaker 3 (08:44):
I am to Marison now like I have to type,
all right, Mike tast blows. All right, you could have
just they could have just goed to Mike Tyson.

Speaker 2 (08:49):
But that run from Mike Tyson blow to the face
down to inglorious bastards like that four. I don't know
if anyone's competing with this year. That's an insane run.
And I was telling rock Nation on Friday, what's the
eb I t DA, which one is that Saan Ford
Demaricson's you Want Our Spelling Bee?

Speaker 4 (09:10):
I don't I actually don't know for that one, I
can't remember.

Speaker 2 (09:14):
I hope they make that the next single. Can you
guys just let the drug dealers have some fun sometimes,
Like I know so Far Ahead was a big favorite
for a next single, But let the drug dealers have fun. Man,
that's a summer record. I feel like Malice smiled when
he was recording that. I feel like they had a
growl on their face recording every verse.

Speaker 6 (09:34):
But that shit.

Speaker 5 (09:35):
You know, I'm terrible with titles, Like you're naming these
titles and I don't know what the what song that is?
Sit back?

Speaker 4 (09:41):
And then for the Bidope Pies toroids?

Speaker 2 (09:44):
Okay, Yeah, like a fun record. I feel like coke dealers,
especially if they're free, should be able to smile sometimes
and have fun like that can be a single. Yeah,
it doesn't always have to be you know, so be it,
so be it. Let's all you know, you guys are
buying Virginia Beach. It's gorgeous.

Speaker 5 (10:01):
It's a good album. It's a good album. I like
it a lot, man, I was I'm very pleased with
what they did. Pharrell is still sharp, and it's just
good to you know, see these guys still working, still
in shape, I know, and hip hop we'd like to say,
you know, it's a young guys sport or young young
young lady sport. These older gentlemen are out rapping, making

(10:23):
better songs, making better albums than ninety percent of you
in this fucking industry. So I'm happy for that.

Speaker 3 (10:30):
Man.

Speaker 5 (10:30):
I'm just happy to see guys from a different era
still putting out dope shit, still looking good, still sounding good,
still being intentional, because it's you know, when when when
the landscape changes and the business around you know, the
music and the genre that you love changes, it's easy
to fall into like a different you know space mentally

(10:51):
and just emotionally when it comes to create music.

Speaker 3 (10:53):
But especially clips.

Speaker 5 (10:54):
Yeah, they've been through a lot exact def jam, so
to still still see them be so intentional and you know,
and have this this body of work that they put together.

Speaker 6 (11:05):
And the one thing I really liked that they did
that I.

Speaker 5 (11:08):
Don't think nobody's talking about, is this such a short project. Yeah,
to the point, that's what I love the most. Thirteen tracks,
forty minutes. That's a don't give me twenty seven twenty
eight like cause then it's like it's just you asking
too much of me, Like I gotta really be attached
to twenty eight tracks. Thirty tracks, that's a lot when
you go thirteen, get right to it. Here's the music,

(11:30):
here's the bars, here's the It's like, Okay, I me, personally,
I received that differently than if you look at our
first when my anxiety starts going crazy when I see
thirty tracks, I'm like, all right, man, Like you can't.

Speaker 3 (11:43):
Like thirty I'm gonna need the weekend. Yeah, Like, it's
just like keep it.

Speaker 6 (11:46):
I like this.

Speaker 5 (11:46):
Everything about this feels like a different time, like when
albums worth thirteen tracks, twelve tracks, right to it, you
know what I'm saying. Like, I just I like everything
the Clips did with this, with this project.

Speaker 2 (11:58):
Since you brought up, you know, the industry shit they've
they've been through. Do we think it's a blessing that
they got off deaf Jam? And I'm speculation here, of course,
the Clips were obviously heavily involved in how this was
rolled out, and I'm sure a lot of the ideas
came from them. Do we think it would have been
executed the same way with dev Jam.

Speaker 5 (12:14):
No, I think so. I think I think they control
what they do as far as rollout and things like that.
I don't think that def JAM would have gotten the
way and said, hey, we're not doing that or we're
not we don't want you guys to do I don't
think they would do well.

Speaker 2 (12:26):
I mean even putting some money behind what that rollout
looks like? Do we think def JAM would even believe
in that style of rollouts to this that?

Speaker 5 (12:35):
I don't know, I would assume so it is def JAM.
I don't know who's there anymore, who's like running the
label now? Yeah, so much has changed that def JAM
over the years.

Speaker 2 (12:44):
Or would have the staff that would be able to
facilitate a lot of that.

Speaker 5 (12:48):
Now that's the whole you know Again, I don't know,
or maybe maybe they just you know, let people do
to them. Yeah, but I understand why you asked that,
because that's a real question, you know. Do sometimes the
label doesn't understand it or they say, oh, we don't
need y'all don't need to do all of that worthy.
I just think the CLIPS is a different act. It's
a different thing. I think that the CLIPS is obviously
a legacy act at this point. They've been around so long,

(13:11):
so I don't I don't see def Jam getting in
the way of that. But listen, man, the fact that
they left def Jam on their terms and wanted to
get away from that, and I mean, they definitely didn't
miss any steps. They didn't drop the ball at all.
So I mean, I'm guessing the Clips are very pleased
with how things landed, how people received it. I've seen

(13:31):
nothing but people saying nothing but good things online about it.
People personally, I know, have been saying great things about
the album, and I like it. I listened to it,
you know a few times, and you know, the music
against Pharrell's. Once you say Pharrell is in charge of
the music and he's executive producing something, the music is
always going to be a certain level. And the Clips
in Pharrell, to me, they didn't miss on this project

(13:53):
at all.

Speaker 4 (13:53):
Would you rate it out of five?

Speaker 2 (13:56):
Out of five?

Speaker 4 (13:57):
Out of ten?

Speaker 3 (14:00):
Five is always so.

Speaker 5 (14:01):
So far, I met Listen, Stove, don't have a verse.
I take one off a point off for that.

Speaker 2 (14:06):
Can I give you my one critique since you're saying
your critique. I feel like the NAS verse felt a
little forced. I was great to say the nod and
who the fuck am I to say that if nas
wants to be on your album, let's force it.

Speaker 3 (14:20):
Let's do it.

Speaker 2 (14:21):
But that's literally my only of course I would like
a Stove verse, but I love this hook, so it
is what it is. That was the only time track
twelve I was like, okay.

Speaker 6 (14:30):
Yeah I did. I wasn't.

Speaker 2 (14:31):
I didn't because I was really anticipating nads with the
clip clips and you would see that just like but see,
it was the same thing for me.

Speaker 3 (14:39):
You know, it's not bad, it's it's a nods ver.

Speaker 6 (14:41):
See. It was the same thing for me.

Speaker 5 (14:42):
When you tell me Stove God, yeah has a joint
with the clips, I'm like, oh, these niggas, you're looking
somebody's exodus, somebody's getting indicted.

Speaker 8 (14:50):
You know.

Speaker 5 (14:52):
That's the feeling I had when his track was first dropping.

Speaker 3 (14:54):
Like oh my god.

Speaker 5 (14:55):
But for him only have the hook, It's like, okay,
great hook, he sounds good.

Speaker 3 (14:59):
He talked crazy.

Speaker 5 (15:00):
You know, you had to bag in one eye closed
and all that shouts the fetti wip you know, I mean,
I get it, but you gotta let him get off.
So at the point off for that. I don't like
opening the album. I love the song, but I don't
like opening album just that emotion. It's just like dog
like you gotta let me.

Speaker 3 (15:15):
I'd be tight if it was the outro. Not it
didn't necessarily have to be the outro.

Speaker 5 (15:19):
I'm not saying they had to be the last song
on the album, but it shouldn't have been the first
one on the album, like don't give me, Like come on, man,
that's just too much to unpack.

Speaker 2 (15:30):
You guys had your super Bowl this weekend as well.
Take it away man.

Speaker 5 (15:34):
Wireless Why shout out? Shout out weekend, shout out Wireless Fest.
Wireless Fest I was this weekend in London. Shout out
to Drake. Three nights, three different set lists, three different vibes.
I think the only other person the headline wireless three
different nights was Prince That's crazy. So I think there
was some that was a little wink, a little wink wink, Okay,

(15:57):
the whole little you know, I mean, but it was
it was dope to see all the videos people was there.
I was mad I missed at him, you know, Lauryn Hill,
Uh give on, Bryce un Tailor, Bobby V. Mario Dave
Central Cy, Jay huss skept the Vibes cartel a lot
of sex he read.

Speaker 6 (16:17):
I mean, I don't know.

Speaker 3 (16:19):
Many Vanessa Carlton. I was waiting for you to get
to like the number.

Speaker 5 (16:24):
One Vanessa Carlton, Like, I don't listen, there's not many
artists that could bring you know, have say, uh, first
of all, it's not many of us that can get
Laurence Hill anywhere. But they didn't get Lauren Hill somewhere
on time.

Speaker 3 (16:37):
Six hours ahead of her usual time, six hours ahead
of her usual time.

Speaker 2 (16:41):
She already in London.

Speaker 3 (16:44):
I'm assume, so I assume she was over There were
a lot of these artists already there. Well, yeah, they
knew they was going to touch the stage for Wireless.

Speaker 2 (16:51):
I just wasn't sure like how much Drake planned ahead
with you know, popcin Vibes, all these people. If he
was behind bringing everyone this specific list outside of obviously
like Dave in Central C and C people that live
out there are Yeah, did he fly all these people there?

Speaker 3 (17:08):
Like he probably did. I mean I love that.

Speaker 2 (17:10):
I think that's amazing for three days that you want
to put these specific artists up there. But that takes
a lot of planning again. Whoever was the stage manager
for the last three days, Like, can we get his name?

Speaker 3 (17:20):
And I hope Drake buys him a Rolex instead of
some streamer he's never met.

Speaker 2 (17:25):
To get all these acts on stage on time three
days straight is one of the craziest stage handlers of
all time.

Speaker 3 (17:31):
Yeah, that's got to be insane.

Speaker 5 (17:32):
Yeah, the lineup was crazy. It was good to see
you know, Mario and Bobby v and guys of Vanessa Carlton.
I'm still that's like, that's almost like this can't be
happening for real, Like who sees Vanessa Carlton those stage?

Speaker 3 (17:44):
Like when do you see that? So it was dope
to see all those people go out.

Speaker 5 (17:48):
Shout out to Drake for doing something I think, you know,
not many other artists can do, Like as far as
three different nights, three different vibes, three different set lists.
That's incredible to have that much music in your cattle
and be able to remember that much that many bars
and that's yeah, that's a lot, Like you know, you know,
because you've obviously been a part of shows and things
like that, but for an artist to do that, that

(18:10):
takes a lot. It's a lot of moving pieces behind
the scenes, a lot of things that have to go right.
From what I know, everything went perfect, was no mishaps
anything like that. So shout out to the UK, shout
out to London, and shout out to Drake for an
incredible wireless weekend.

Speaker 2 (18:25):
I really like the central scene Drake snippet that they played.
I think it was like day two he played it,
or maybe it was day three. Put your hands on
the DJ move. That shit was hard, like. Of course,
I saw some people killing it online, but that's just
what happens these days. If you just don't look at
the comments and listen to a snippet and just judge
for your fucking self, I think you'll enjoy music a

(18:45):
little bit more.

Speaker 3 (18:45):
I think you enjoy life a little bit. You told
my music just like that record is hard.

Speaker 2 (18:50):
I like the first part and then when the beat
actually switches and drops for real, it's a joint Like.
I hope we get that song sooner than later.

Speaker 3 (18:58):
If he played it, it's definitely dropping soon.

Speaker 2 (19:00):
That record was as hard as fuck.

Speaker 6 (19:02):
Yeah.

Speaker 2 (19:03):
The only thing I did hate on the internet during
this entire thing was not Drake's opinion, because he's entitled
to that as far as London rappers versus US rappers,
it was more at UK Rap Daily with their headline
Drake ends the UK versus US debate.

Speaker 3 (19:20):
Nah, he didn't end it. It ended.

Speaker 2 (19:24):
It ended before it started. And Drake saying London rappers
are the best lyricists in the world. Cool, and I'm
never taken away from the ability of London rappers and
lyricism and that Drake is in London those as guys,
this and that. But like we got to stop with
some of these fantasy debates just for the fuck of it.
We're still cleaning up London just because Drake, just because
a Canadian rapper was like, nah, nah, it's it's them.

Speaker 3 (19:46):
Nah. I mean, listen, man, you.

Speaker 5 (19:51):
Don't say listen no man, what I'm saying skeptic shot
he shot, we wait for joining to joining post. This
video was like I bet he gave us to Cam Newton.
I bet And we know what Cam and did after
he said I bet so.

Speaker 6 (20:02):
I mean, I mean, it.

Speaker 2 (20:03):
Was just one of the craziest sports clips of all time.

Speaker 6 (20:05):
Oh my god, that's like legendary.

Speaker 5 (20:07):
When Cam Newton was like he looked at the scoreboard
and was like all right, like that like, I got
this and then went out and won the game. Like, so,
I mean, we're still waiting on Joiner, but I like,
I like this type of shit.

Speaker 8 (20:18):
Man.

Speaker 5 (20:18):
I like the fact that Skeptic jumped out there. You know,
he threw some balls at Joiner.

Speaker 2 (20:22):
Keep it wrapped. You see who I'm standing with Harvard.
Skeptic said, you rapped like you went to Harvard. I'm
wearing my Harvard alumni shirt. You didn't go to Harvard though,
I know, neither the Joiner, but we standing with him. Listen, man,
I bleed red, white and blue. Yeah, joining, I'm your
sol I wore this today for you while you rap
like he studied at Harvard. That's not going to get

(20:43):
it done, Skepta, and I love a skeptic. That's not
getting it done. Listen, we joining Lucas. No, he was
going to He is going to adopt an entire British
accent and wrap from your perspective, and you are going
to be cooked. Somebody you thought family Matters was bad.

Speaker 5 (20:57):
Somebody said Joiner's gonna wrap from the perspective of a crumpet.
I was like, all right, man, like guy, she you.

Speaker 7 (21:04):
Know he got to rap like how Drake did, like
with the Kendrick beef, like you gotta rap as the
Queen Ai.

Speaker 3 (21:11):
The Queen rap is the Queen of London.

Speaker 5 (21:13):
That's crazy. If Joy to do that, I might be
done with rap. I'm gonna be honest with you.

Speaker 3 (21:18):
If he wraps the Queen of London, that might be
like what if he wraps?

Speaker 2 (21:21):
From Prince Harry's perspective and Megan mark I'm done.

Speaker 5 (21:24):
I'm done. It's just it's just too much. It's like
we're just doing anything and wrapping.

Speaker 2 (21:29):
Then gets flow Mill to do.

Speaker 3 (21:30):
Like Megan Markle's part, we know one thing. Joining could
rappers as.

Speaker 2 (21:36):
Fat and he's gonna take this very seriously.

Speaker 3 (21:39):
Oh no, he's does because this thing for this type
of shit. Listen, this has the potent.

Speaker 5 (21:43):
The reason why I love this, the reason why I
love this whole thing is because this has the potential to,
you know, be one of the biggest crossovers that we
probably been trying to figure out with you know, the
UK rap scene. Gods from that, you know, across the pond,
as they say, over to American Central see obviously had
some success.

Speaker 3 (22:03):
Hell yeah, yeah over here, Dave, Dave, Dave.

Speaker 5 (22:05):
You know what I'm saying, there's been some guys that
have crossed over, but there's a lot of games and
the Skeptic we're probably the first. Yeah, but there's a
lot of guys this, you know, Chip Jay Huss Yeah,
it's guys over there gets you know what I'm saying.
It's guys over there that could really get into that
bag and really rap. But I think that, you know,
US Americans sometimes the accent kind of divises us and

(22:26):
we don't really want to, you know, listen to it.
But there's guys over here that can really really rap
and push they pins. So I'm excited just for this
moment and this energy to kind of, you know what
I mean, serve as a as a bridge, if you will,
of guys crossing over to the US, and you know,
just just being aware of other guys around the world
that are actually a part of hip hop that actually rapping.

Speaker 6 (22:45):
Yeah.

Speaker 2 (22:45):
I mean, even when we saw with the Joey Badass
versus everybody that whole week everyone's focused on bars for
a change, I think that'd be great for a bunch
of Americans to actually have to sit and focus on
UK bars. Yeah, because again, the accent can deter certain people.
It's just kind of is what it is. So I
hope this does turn into like an actual great back
and forth.

Speaker 3 (23:06):
I want to see it.

Speaker 5 (23:07):
Yeah, we're don't clean them up, but it's still listen.
I mean, you know, I just want to hear good music.

Speaker 1 (23:12):
Man.

Speaker 3 (23:12):
I want to hear rappers rap.

Speaker 5 (23:14):
Like I said, we said earlier this year, I'd rather
rap is rapp than to be on ig Live dissing
each other.

Speaker 6 (23:18):
Man.

Speaker 5 (23:19):
So if you told my rappers getting back in the
booth and you know, sending shots at each other all
of the sport like nothing nothing, you know, spilling over
into no real beefing in the streets, because that's corny shit.

Speaker 3 (23:31):
If gods want to keep it rapped, this fucking rap.

Speaker 2 (23:34):
Yeah, did you ever see Central Sea's Leakers freestyle a
couple of years ago when he did like his version
of UK Big l Bonyx that I thought was a
great idea because it made Americans looking at an American
platform like try to understand and get past the accent
are saying, So how it does that times ten with
this and skeptic is no slouch.

Speaker 3 (23:56):
I am joking around, but I just don't think joiners
don't want to play with.

Speaker 5 (23:59):
No no, no joint. That's very clear joint. And Lucas can
rap his asshole. You know, so we we never we
never questioned and joined this ability to rap. But it's
you know, it's gonna be interesting just to see this
whole exchanges back and forth, and just to see here,
to hear the bars and the music that you know
these guys create. That's all I'm looking forward to.

Speaker 7 (24:21):
All right, So worry before I before you go to
Vegas with me trying to play. Oh no, I need
to know. Can you put a draw four on top
of a draw to and make it draw six?

Speaker 3 (24:32):
Yeah? Draw everything? You can't?

Speaker 2 (24:39):
This is why Vegas, because I'm gonna get to that
table and you guys won't play by the right rules
and I'm gonna throw a fit in their security.

Speaker 5 (24:45):
Why do you think that? Because it's a whole different card.
It's a draw card. But you can put a draw
to on top of a draw too.

Speaker 4 (24:50):
We all know that.

Speaker 3 (24:51):
So how could you put a drawer for on top
of a draw.

Speaker 4 (24:54):
Because it's a wild?

Speaker 6 (24:55):
Yeah?

Speaker 2 (24:55):
That that card is the trump card of everything.

Speaker 4 (24:57):
It's a wild like everything.

Speaker 7 (24:59):
And once I put the that down, you can't go
and try to put a draw to on top of
that draw.

Speaker 4 (25:03):
No, you can't do that.

Speaker 5 (25:04):
And one that would do that, you can put the
draw on top of the draw to.

Speaker 4 (25:07):
You, that makes wild. It's a wild and it's a
higher number.

Speaker 3 (25:13):
Yes, and this is.

Speaker 7 (25:15):
Why they may do it, all right, So so you
you follow the rules that laid down for you.

Speaker 5 (25:20):
I mean not all of them, but that rule definitely
you can't put no draw on top. No, So you
just follow the constitution. Can whatever they say goes?

Speaker 4 (25:29):
Can I take all the twos out my hand and
put them down at one time?

Speaker 6 (25:34):
Can you do what?

Speaker 3 (25:35):
Absolutely?

Speaker 2 (25:35):
If I have you just have to do it one time.

Speaker 7 (25:37):
If I have five tools in my hand, draw to
no regular tools.

Speaker 2 (25:41):
And yeah, that's that's that's the what's that's what's sitting
right there? You said, what what is sitting on the
pile at that point?

Speaker 4 (25:49):
Okay, it's okay, there's a green four down right, you.

Speaker 6 (25:52):
Can put it.

Speaker 4 (25:54):
I want the rest of my toos on.

Speaker 3 (25:55):
Yeah, absolutely, yeah, absolutely, yeah, hell I'm with that that.

Speaker 6 (25:59):
I agree with.

Speaker 3 (26:00):
A drawer full top of a drawer too is absolutely.

Speaker 4 (26:02):
Criaty y'all believe in when they say swapians.

Speaker 2 (26:05):
No, yeah, that new ship that I don't play that.

Speaker 6 (26:08):
Yeah, we take that off the day.

Speaker 2 (26:08):
All right, let's let's really separate it. If I put
down two reverses, is it's still my turn?

Speaker 3 (26:14):
Yep?

Speaker 6 (26:15):
All right?

Speaker 2 (26:15):
Cool, trying to make sure we're all saying here. No,
if the double reverse down, it's my turn again.

Speaker 7 (26:20):
If there's only if there's two of us playing, yes,
if there's more than two of.

Speaker 2 (26:25):
Us playing playing Uno with two people as nuts.

Speaker 4 (26:27):
People do that all the time. If you put two reverse.

Speaker 5 (26:32):
So long, I have no No, I'm busy getting pussy.
I'm busy fucking.

Speaker 6 (26:42):
We ain't playing.

Speaker 2 (26:43):
Okay, we're playing in this circle now you peach Josh
me mare. If I put down a double reverse in
this circle, it's my turn again.

Speaker 7 (26:51):
No, stupid, no, because if you put down if you
put down one reverse, if it's going clockwise, it goes
to the mall. If you put down one reverse, that means
it switches to Josh's turn.

Speaker 2 (27:00):
No, what do you mean reversed?

Speaker 6 (27:03):
All right?

Speaker 2 (27:03):
If we're going this way, I put down reverse, it
should go to Josh. Right. If we're going this way,
but I put down two reverses, comes back from Josh, it.

Speaker 3 (27:11):
Goes right back to me. That's that's that's how a
circle works.

Speaker 4 (27:14):
Now. Agree, it don't work like that. It just means
that it's now more.

Speaker 2 (27:17):
You know, trying to reinvent the wheel is crazy. If
you're in a circle.

Speaker 5 (27:19):
And I do I agree to certain rules that draw
for on top of a draw to no double reverse
is my turn again?

Speaker 8 (27:26):
No?

Speaker 2 (27:26):
If I put down three reverses, then it's back to
them all.

Speaker 7 (27:29):
Because technically it was never Josh's turn, because if it
was really Josh's turn, then it would Josh would be going.
But since you took Josh's turn away from him by
putting two cards down, it's not Josh's turn. Change the direction.
It's Mall's turn. You just changed the direction that it
got turned to go again. Okay, that's how That's how
I'll play.

Speaker 4 (27:47):
Well, that's why I don't play with certain niggas.

Speaker 2 (27:49):
Okay, if you guys don't have anything, sit.

Speaker 5 (27:51):
There and playing one hand for seven hours, then baby,
that's fine.

Speaker 3 (27:54):
That's what you're gonna be doing seven hours one hand.

Speaker 2 (27:57):
And Josh is pulling up the rules. Josh and form
you who know doesn't know their own rules. So despite
what they say, I don't. That's why I'm scared about Vegas.
Are you guys a pluck to you have to play
type of person or just the one?

Speaker 4 (28:10):
I'm not plucking to like to what we can play?

Speaker 2 (28:12):
If you if your urnment, join the projects you got,
you gotta pluck until you guys.

Speaker 4 (28:16):
Says your turn missed? What are you talking about?

Speaker 7 (28:18):
You say that against So basically what he's saying is
if I don't have any if there's if it's a
green four down and I don't have any wiles, any
greens or any fours, he's saying, I need to pick
from the pile until I have a green of.

Speaker 6 (28:32):
Four or a while. I've seen people play like that,
but don't. I don't like that. You pick one, pick
one if you ain't got it, the next one.

Speaker 7 (28:38):
If we're playing with five people, that means I'm about
to be shuffling this fucking little ass.

Speaker 4 (28:41):
Yeah fifteen, I'm not doing that. Bro. You can't go.
You can't go.

Speaker 3 (28:45):
Yeah, you pick one if you ain't got nothing, just
the next person. Go pluck till you play.

Speaker 4 (28:51):
And I'm never playing with you. Yeah, you don't gonta worry.

Speaker 3 (28:54):
About it, all right? What happens when Vegas makes that
the rule.

Speaker 4 (28:59):
Vegas is going to adhere to the rules that Uno.

Speaker 3 (29:03):
But Uno doesn't even know their own rules.

Speaker 2 (29:05):
I think Uno thinks you can't even put like any
green card on a red like if the number matches.

Speaker 3 (29:12):
You can't even do that?

Speaker 4 (29:13):
Nah, you can't. You can.

Speaker 2 (29:17):
Do you can a popular house rules to draw into
a player as a card, Tora, This.

Speaker 4 (29:21):
Is not the official rule. Read the full sentence.

Speaker 2 (29:24):
Nothing about Uno is the official rules. They don't know
their own rules.

Speaker 3 (29:27):
How many times you have to say that?

Speaker 4 (29:29):
All right?

Speaker 5 (29:29):
Anyway, but this is not the official rule. Yeah, gotta
play by the rules, man.

Speaker 4 (29:35):
I hate the way Rory play.

Speaker 2 (29:37):
Okay, are you guys on the side of teaming up
with other people in the circle when someone has Uno?
Yes to ask all right, which was like, let's make
sure we get them and then in the same time,
then wait, what scheme against them? Like you betray them

(29:58):
once they get Uno?

Speaker 5 (30:00):
What type of shit is that? First of all, is
one Uno meaning you're supposed to be nigga? How you
teaming up with somebody? I know it's like one yeah,
but so.

Speaker 6 (30:09):
How you like?

Speaker 1 (30:10):
Yo? Nah?

Speaker 3 (30:10):
He got one call left?

Speaker 7 (30:11):
Yo?

Speaker 3 (30:11):
Let's let's kill this nigga right now?

Speaker 2 (30:13):
What type of Let's say. Let's say I just played.
Then you you said Uno before we could say anything,
and I look at the Maris and be like, Yo,
you're good, you got him?

Speaker 6 (30:21):
What is that?

Speaker 3 (30:22):
That's nasty? You can't do that?

Speaker 4 (30:24):
Yes you can.

Speaker 6 (30:24):
Where have y'all done that?

Speaker 4 (30:26):
So I don't go all the way like Rory asking Yo,
what do you got?

Speaker 2 (30:29):
I'm just saying to look, just a look.

Speaker 7 (30:32):
But it's like, if I know I got this wild,
I might not want to use this wild on him.

Speaker 3 (30:36):
But but we got to keep the game.

Speaker 6 (30:37):
But we got to keep the game going. But that
goes without saying.

Speaker 2 (30:40):
But that's why I like you could pluck to you play,
because if somebody next to me has Uno and I
could potentially get them out the paint, I'm I may
just pluck until I get something to make sure they
don't win.

Speaker 4 (30:51):
And that's but you can't.

Speaker 7 (30:52):
She is cheating, and it's not you're supposed to pluck
until First of all, that fucking rule is stupid.

Speaker 2 (30:57):
But just you don't even know what I have, So
how do you know I'm cheating?

Speaker 4 (31:00):
It doesn't just be hmmm, that explains a lot.

Speaker 2 (31:06):
Just get personal, like I'm the first person until I
make sure somebody didn't know.

Speaker 3 (31:10):
But you know you can't do that. Oh Mike, you
can't do that.

Speaker 2 (31:13):
That's cheating. That's they don't know. People that hide cars
in their pocket, Like, what are we talking about?

Speaker 4 (31:17):
Okay, cheating, that's cheating.

Speaker 2 (31:19):
It's you know what I'm saying. The honorable way of
that is you don't know my hand. So if I
say I don't got it, no one's the wiser people.

Speaker 7 (31:28):
If you count cars, and if we're waiting for you
to get a green card or for anything like that,
and then after you put down that wild card, draw
forward your next hand.

Speaker 4 (31:37):
Suddenly you got four fucking fours in your hand. We're
gonna know. Oh you were fucking How do you know that?

Speaker 2 (31:41):
If I have now twenty cars in my hand, you
don't know what I plucked you. Welcome to strategy. If
you didn't just because you didn't win and I had strategy.

Speaker 6 (31:48):
That's my partner, strategy. Welcome to strategy. Yo. That was
the white that's the white shit I ever heard you say?

Speaker 7 (31:56):
You hear the colonization even in the oo like strategy.

Speaker 5 (32:00):
A lot of people told me that welcome to you
wanted to say, Niggas taught you that rule is so bad.

Speaker 6 (32:04):
I know you would say, Niggas told me that.

Speaker 2 (32:10):
Now the movie twenty one with Patrick Slazy, it was
the one that didn't.

Speaker 5 (32:14):
Oh man, I've never played with with y'all. The easiest
thing I've ever done is be myself and I don't
care what's happening.

Speaker 6 (32:26):
Bro, I don't.

Speaker 5 (32:26):
That's which why I never joined the game. I never
got into drugs. I grew up in one of the
most treacherous parts of the Bronx.

Speaker 9 (32:32):
Bro grew up in Harlem, treachers back and you, my friends,
had to have been a decepticon.

Speaker 6 (32:38):
I ain't got to.

Speaker 5 (32:48):
Like you know when you, when you and when you
and those neighborhoods where we all come from. It's easier
fall in the bullshit if you don't know who you
are for sure, for I think that we all have to.
If you're mentally healthy enough, you know when you're doing
something that is wrong, your nervous system would be like, yo,
that ain't for you.

Speaker 9 (33:03):
I'm gonna ask you this question though, because I asked
a lot of people coming up from that environment. I
always had those type of dialogues as I come up
and as you know, growing up in DC, in the
streets and all.

Speaker 6 (33:12):
That, and was active.

Speaker 9 (33:13):
But I also understand that a lot of what I
didn't have to go through was because of nepotism, because
of who my people were.

Speaker 6 (33:19):
You with you the beneficiary of that as well of nepotism.

Speaker 3 (33:22):
No, I stayed away from.

Speaker 9 (33:23):
In the streets, not not you know what I mean
as far as like the actual definition of it. But
you know, your brother being he is and your people
being who they are, that benefits you at all, and
being able to stay away from a lot of the
things you were able to stay away from.

Speaker 5 (33:37):
It benefited me in the sense that my brothers, you know,
when they was in the streets, I was still very young,
but they never glorified that to understand, Like they didn't
like my brother might have punched me in my face
if he knew some of the shit I was doing
away from him that type. Like, they never wanted me
to even think about going that right exactly. It was

(33:57):
the dangers of it, you know what I'm saying. And
then when they started Rockefeller, Rory knows it's to this day.

Speaker 3 (34:03):
He was like, yo, your crack I.

Speaker 5 (34:04):
Never worked at Rockefeller, I never was in a video
like I stayed excuse me. I stayed as far away
from that shit as I possibly could because I felt
like I.

Speaker 3 (34:12):
Wanted to carve my own lane.

Speaker 6 (34:13):
Yeah, but still people saw you and knew Yeah, but
they respected it.

Speaker 5 (34:17):
More because they knew that I wasn't trying to get
in like you said on somebody else's name, my brother's name.
I wanted to go somewhere as mall, like I'm going
in as me. If you fuck with me, you fuck
with me, not because you know my brothers are who
they are, not because you know, if jay Z see
me right now, he's gonna hop out the call like,
come on, a nigga, we out.

Speaker 6 (34:34):
Like.

Speaker 3 (34:35):
I stayed away from that.

Speaker 5 (34:36):
I tried to keep that as far left as possible
because I just felt like niggas might just start asking
me for shit, yo, my men.

Speaker 3 (34:44):
Rather, I didn't want to deal with none of that shit.

Speaker 1 (34:46):
Bro.

Speaker 3 (34:46):
I got my homies.

Speaker 6 (34:48):
We do what we do.

Speaker 5 (34:49):
Some shit I did I wasn't supposed to do. But again,
I'm young. I'm trying to find my way. My brothers
found they way, and I'm like, cool, that's dope. But
I felt it was hard for me to be in
a studio with jay Z all day and then get
on the train and go back uptown of the hood
and be like, all right, well I was in Bentley's
last night with jay Z. I'm on the fucking d
train to night. That wasn't my reality. Now I can

(35:11):
go be a part of that if I want to be. Oh,
I can create my own reality. So I chose to
create my own reality.

Speaker 6 (35:17):
I got you. I mean, that makes sense, but manmendible.

Speaker 9 (35:20):
But still you got to give gredence to the fact
that when you were able to look at those people
in the environment that you come from and be like, man,
I ain't with none of that y'all got going on.
They knew that, you know, if we do something to him,
we it's some other dudes.

Speaker 6 (35:33):
We got sure that.

Speaker 3 (35:34):
That's part of it.

Speaker 5 (35:35):
Yeah, you know, you definitely protected me and kept you know,
they knew I had brothers behind me and people that
was gonna.

Speaker 6 (35:41):
Pull up if anything happened.

Speaker 5 (35:43):
Anything right, But I also wasn't a knucklehead just outside
stock That's like I wasn't.

Speaker 6 (35:48):
I wasn't. Sometimes you don't know what's going on.

Speaker 9 (35:51):
It wasn't one of the that was like, you know,
utilizing that. To my that's like yeah, because I know it, but.

Speaker 5 (35:56):
That's like but that's like, but that's like if the
one thing I don't like is when niggas get on
and make their homeboy head of security. Now, if something
happened to some pop off, if you want your man
to be the nigga that might get shot or get killed,
I never understand. I'm talking about now, if your man
is trying and he has, you know, a background, and
you know security does, but no, just take your man

(36:18):
off the block and like, yo, you security now, yeah wow,
because if it pop off, you want your man to
jump in front of this bullet. It ain't that, it's
just shit. I'd rather have you with me versus another that.
It ain't even nothing. It's just like I'm not gonna
be in nothing. I'd rather you.

Speaker 1 (36:33):
I don't security you my security on my you know
what I'm saying, my security eyes, my eyes and ears.

Speaker 6 (36:38):
I don't want to go hire nobody and then you're
still on the block.

Speaker 5 (36:41):
Yeah, but I never I was never like because I've
watched people walk their man into.

Speaker 1 (36:46):
Some bullshit because they mean they ain't bullshit exactly, and
I was never that.

Speaker 5 (36:50):
I was never a knucklehead, like whenever niggasy we gonna
do something like nah, I'm killing me.

Speaker 3 (36:54):
I'm a bro for sure.

Speaker 6 (36:56):
Always.

Speaker 5 (36:56):
I've always had discernment the type of people I was around,
only because I knew the dangers.

Speaker 3 (37:01):
I've seen it.

Speaker 5 (37:01):
Like I said, one of my closest friends, he's down
for murder right now. But we had lost you know,
in the early two thousands, mid two thousands, we kind
of split ways.

Speaker 3 (37:10):
He fell into some whole other lifestyle and I'm over here.

Speaker 5 (37:12):
Then when I heard about him, I'm like, wait, he
doing what we used to play Souper Nintendo.

Speaker 3 (37:17):
The game was cool coolet snigg on the block. Now
he down for a body drugs. I'm like, you can't.

Speaker 5 (37:23):
It's easy to make that left right right when life
hits you like damn, I got these bills, baby moms
tripping fucking I'm gonna get the shisty and go run
down on these niggas. It's easy to do that, seeing
to get up every morning at seven thirty.

Speaker 1 (37:36):
And get you for show for sure, and for the record.
You know, you know how folks like you know we
control them there, man, we rock with everybody, Kindred, everybody, everybody.

Speaker 6 (37:47):
Whatever, anybody, everybody.

Speaker 3 (37:48):
I forgot talking about.

Speaker 1 (37:49):
That, but you know, like hell nah man, hey man,
we rocked with everybody.

Speaker 3 (37:56):
With out it.

Speaker 5 (37:56):
That's one thing I problem myself. I don't got beef
for nobody for show for show. A nigga at issue
with me.

Speaker 3 (38:00):
I don't even know that's good.

Speaker 6 (38:02):
That's like, if.

Speaker 1 (38:03):
A nigga don't like me, I'm like, but you know,
when I was coming up, I always thought that was
weird to me. When I was like nah, because I
used to be like naive to the fact, like you
don't like me?

Speaker 6 (38:13):
What you mean like because I had to do something
wrong for you to like me.

Speaker 1 (38:17):
You know, I don't like that nigga, I don't like this,
But I won't raised to not like nobody.

Speaker 6 (38:23):
You know what I'm saying.

Speaker 3 (38:23):
I'm like, why right?

Speaker 6 (38:25):
What do I do to make you?

Speaker 3 (38:27):
Somebody?

Speaker 5 (38:28):
You don't like what I said? You heard I said something,
I said something on my show. You didn't like it?
But do you not like what I said? Or do
you not like me?

Speaker 10 (38:38):
Some people don't like you because other people love you.

Speaker 6 (38:41):
It's weird. Yeah, I had to hear that, though I
an't understand that for years. It's like I've grown up
like older in high school.

Speaker 9 (38:48):
It's always been it's never something I did to him,
it's something I didn't do for him.

Speaker 6 (38:52):
That'll make a mother.

Speaker 3 (38:53):
How do y'all deal with that?

Speaker 4 (38:54):
Now?

Speaker 3 (38:54):
With your successful I don't give a fuck.

Speaker 9 (38:57):
You got it at this point, you know what I mean.
You didn't been through it. So like for all of us,
like we from different places, but all of our backgrounds
are very similar being and we were all somebody prior
to becoming somebody in the public eye, so we were
dealing with a lot of the things that come with
celebrity before there was any real celebrity. So you kind
of get a build up a tolerance to the bullshit

(39:18):
getting talked about because it's always been. I can say
for all three of us, before any of us were famous,
more people knew who we were than we knew. So
that comes with a certain level of, you know, you
having to deal with people talking about you, people having
an opinion about you, people wanted to do something to
you because people love you, all of that type of stuff.

Speaker 6 (39:35):
So once you actually get into the fame of it and.

Speaker 9 (39:38):
You realize it doesn't do anything but elevate if you
already got those you know, that skill set, build up
and make it a little bit easy. It doesn't stop
the bullshit that comes with it, because it's certain people
that's going to hurt you if they fuck you over,
no matter what you got going on. It's just certain
people that had that type of credence.

Speaker 6 (39:53):
In your life.

Speaker 9 (39:53):
But as far as I know, for us, as I've
watched all three of us deal with adversity and just
you know, been proud of the fact that, like man,
these niggas as warriors, these dudes are beyond strong to
be able to deal with all of the ship that
the world has. And then the things that the people
that we are assigned to do as well.

Speaker 6 (40:11):
You know what I'm saying.

Speaker 10 (40:12):
The people who don't fuck with us just talk ship,
but they can't talk most ship than us, right, you
give it ain't even it's not even real. We were
talking about that ship earlier.

Speaker 6 (40:23):
Bro.

Speaker 2 (40:23):
I mean, I get white people dislike us, but dislike y'all.
I could never understand who.

Speaker 6 (40:27):
The fuck do y'all?

Speaker 2 (40:28):
Bother people hate left people, people up and and fan
bases split and weird internet ship. I understand why people
could dislike Mau and I for no reason, but I
get why they dislike it because they have allegiance other
ship people.

Speaker 1 (40:46):
Y'all don't bother nobody. No people get married because you
are who they're trying.

Speaker 6 (40:49):
To achieve to be. Mm hmmm, damn, I want to be.
How is he getting what out? Yeah? I don't even
know what teaching. Yeah, yeah, I don't even know. I
didn't know what was in competiation.

Speaker 9 (41:06):
Yeah that that happens all the time. But you got
to kind you got to block that out. You know
what I'm saying. You can't pay attention to that because
the reality of what people come up to us and
tell us, like, it's just I look at it. I
call it the rule of one hundred. Like if you
got one hundred people in the line and ninety nine
of them got one hundred dollars handed out for you
to grab, most people will go to the last person
that got their hands down and argue with them about

(41:27):
why they ain't got nothing for him, and you passed
by one hundred motherfuckers who got love and gifts and
admiration for you to go to the one person that
has something negative to say. And that's really the mentality
that we when we out and people.

Speaker 6 (41:41):
See us, it's love. So we see all that time.

Speaker 10 (41:44):
Bro, motherfuckers who don't like me, those are the same
kind of people that dig in their ass and smell it.

Speaker 6 (41:55):
Motherfuckers. Yeah, even people don't want to be as.

Speaker 3 (42:01):
Skin with anyway.

Speaker 2 (42:02):
They take a shower and then take a ship.

Speaker 6 (42:04):
I'm talking about people who watch their ass fress then
their face.

Speaker 3 (42:08):
I don't want to be friends with them.

Speaker 6 (42:11):
Brother. These are people out there and put dicks in
the mouth.

Speaker 11 (42:16):
Do you think I give a fuck what they say
out of that mouth added dick in it?

Speaker 6 (42:21):
I don't care, Bro, You enjoy ship that I can
never over.

Speaker 3 (42:29):
We are not the same.

Speaker 6 (42:30):
Yeah, we're You're not supposed to like him. Get why
you don't like me. You can find somebody else you
can fuck with. That's gonna be all right.

Speaker 1 (42:39):
With the ship that you be Doing's dig in his mouth.

Speaker 10 (42:47):
He don't even have a right mouth to say something
good about this nigga like me.

Speaker 6 (42:51):
That's a mouth. This nigga is crazy.

Speaker 3 (43:00):
This is crazy.

Speaker 6 (43:03):
Ship like the man.

Speaker 11 (43:12):
People, yo, man talking about these me this You have
a pull up at the light and it be a
motherfuck and you know that flicking the book out the
people who don't like.

Speaker 3 (43:20):
Yeah, yeah, yeah, now that's a fact though.

Speaker 6 (43:22):
He right, he's right, Yeah, that's crazy.

Speaker 3 (43:30):
This gotta be you from.

Speaker 1 (43:35):
Oh my god, man, I'm waiting to get that off people.

Speaker 3 (43:40):
You holding that in like people like me? I mean
this smelling you know, do that in real life? Oh yeah,
we mother fuck man?

Speaker 2 (44:02):
Let me see what you know what it smells like? Ship?
Oh my, I have done that with some pushy that
was finger.

Speaker 5 (44:15):
That's different, man, that's what That's what I mean about
what we do.

Speaker 8 (44:25):
Like this happens all the time. People think this ship
like like this happens. We make each other laugh like
this all the time.

Speaker 9 (44:35):
Man, like when nobody's watching, when nobody's around.

Speaker 6 (44:39):
When it happened when the cameras was off. It's just imagine.

Speaker 1 (44:42):
Imagine the producers saying you can't say yeah exactly, and
the nigga like, man, fuck that just so I can
see it.

Speaker 3 (44:52):
Have you had a chance to know we talked to
d C last you can about it. Have you had
a chance to talk to Ross since since he walked off.

Speaker 9 (44:59):
And we was just talking to Angie my teenagers about
that yesterday.

Speaker 6 (45:04):
It's not to talk about that. This some new cookies
out right, some protein cookies.

Speaker 11 (45:08):
He just mailed me a drunk cookies. Oh yeah, to
the studio. Okay, we've me in DZ didn't rented were
in Atlanta, so we running to him all the time.
The ain't never been.

Speaker 6 (45:19):
No hard feeling.

Speaker 1 (45:20):
I don't want to say no hard feeling now, d
was hurt feeling because Okay, I'm gonna say, first of all,
I don't give a fuck. Yeah, but I give a
fuck because you.

Speaker 6 (45:36):
As a purse.

Speaker 3 (45:37):
Yeah, yeah, you see what I'm.

Speaker 1 (45:38):
Saying before Okay, let's just say before all that happened, right,
let's just say before all that happened, Brom. Listening to you, Ross,
I feel like you want to Hey, shut the fuck up.

Speaker 6 (45:50):
I'm listening to you, Ross.

Speaker 1 (45:51):
I feel like you you probably one of the best
lyricists from the South that we got you.

Speaker 6 (45:55):
Do you know what I'm saying? Like you're poetic, Bro.

Speaker 1 (45:56):
When I listen to your music, I think he put
a lot of time effort into this ship. If I'm
listening to your ship and all of that, niggas fuck
with everything you do. Nigga, if you fuck with wings.

Speaker 6 (46:05):
Stop. I'm a fucking wing.

Speaker 1 (46:09):
We're gonna gonna buy this promo marketing like your PR
team came, brought all this ship. This was we was
this ship was set up so you can see was
rocking with you.

Speaker 6 (46:21):
You see what I'm saying now, do you? AWE's an explanation.

Speaker 1 (46:23):
No, But as niggas who fuck with you, I think
it's just something to say, hey man, just a little
respect to be like, hey man, this is what I
gotta go, this is what I got.

Speaker 6 (46:34):
Let me I can respect that. That's cool. This is
when it gets insulting.

Speaker 1 (46:39):
This is when it gets insulting because we the type
of people that will never bring up nothing that we
feel like that can be diminished to your career.

Speaker 6 (46:47):
Anything, nigga, We some real niggas.

Speaker 1 (46:50):
The moment you lead our show, you went and did
a podcast, a white podcast.

Speaker 6 (46:58):
You shut your ass.

Speaker 1 (46:59):
Right there, m Almo two hours, didn't leave and you
talk and the white folk asked, yo, ask was you
a fucking correctional officer?

Speaker 6 (47:09):
Yeah, we would have never asked you. No ship like that, nigga.

Speaker 1 (47:12):
Respect for you, and you sat right there and you
answered that question so eloquentlyloquently you dig what I'm saying
like it wasn't even disrespectful. And then I get to
sit back and watch that ship and be like, damn,
what's the difference between them and us?

Speaker 3 (47:30):
Now?

Speaker 1 (47:31):
I feel disrespected? You feel what I'm saying because you're like, damn, man,
Nigga is a man, My nigga, Come on, don't say
money we got it, you got it, but nigga, we
fucked with you.

Speaker 6 (47:44):
Bro.

Speaker 1 (47:45):
Don't do us like that and it's still love, but nigga,
don't do us like respect.

Speaker 6 (47:52):
That respect.

Speaker 9 (47:52):
That was when when he did say something about it
that that kind of struck me the wrong way. Was
when it was like the little homies and you know
we're gonna die, you know the salute to to me,
I'm gonna do this for the well. If you really
feel like we the little homies and we your little
homies like that, is that.

Speaker 6 (48:08):
How you do your little homies, my nigga.

Speaker 9 (48:10):
Because when you left, we ain't take none of that
shit off the table still there. We kept it right
there and kept doing what we was doing. So it
was never no respect on our part. And we've had
many guests come through that you know, we protect, we
protect our people. We protect our people. So it wasn't
a situation where we felt like it was something that

(48:33):
we thought was gonna go to where it went. We
just got a product that we love, and we love
each other first, so we're not gonna let us look
bad for nobody if we can help it.

Speaker 6 (48:44):
So that was the reason why it even went the
way it went.

Speaker 9 (48:46):
But as far as like now getting the explanation or feeling,
it ain't even about that. But it's just about the
you know, like you said, the respect and the love
of just saying, hey man, you know what I mean,
if nothing else, come tell us why you left.

Speaker 6 (49:00):
You know what I'm saying, Come sit down and let
us know.

Speaker 9 (49:02):
And even if you don't want to tell you, if
that's another thing that we can't ask you about, at
least come back and.

Speaker 6 (49:07):
Let us clown on the fact. Let us as you
come back.

Speaker 9 (49:09):
And get up and leave on you and leave you
sit on the couch just for fun, you know what
I'm saying.

Speaker 5 (49:14):
We have we got something similar like that to somebody
that I really funck with as a as an artist.
We were supposed to have two chains on right that's home.
He was coming to the studio and maybe like two
hours or hours before he supposed to pull up his
people here, was like, Yo, you got a family emergency.
He got to get back to Atlanta. We're gonna double back,

(49:34):
you know next time.

Speaker 2 (49:35):
Wasn't the studio who set up in Jersey with the
whole set up and we're gonna shoot with him?

Speaker 5 (49:41):
And what you say, go take here of the family, bro,
This ain't This ain't more important than facts. But we
can't tune into the game at seven point thirty and
see you caught side of the Hawks game.

Speaker 6 (49:53):
That's a family emergency. But see y'all don't know what.
Y'all don't know what before Hawks, Yeah emergency, you think
about it.

Speaker 5 (50:03):
I'm just saying my first reaction was I feel away.

Speaker 6 (50:05):
I'm like, but I get back. I handle the family emergency.

Speaker 9 (50:09):
Say that job, motherfuckers that made me fly the way
back here and now I got to go to the
game to be able to make myself be at ease
for what I just had to come.

Speaker 6 (50:17):
Home with, you know what I'm saying. So that's the way, because.

Speaker 10 (50:20):
I think they don't understand like the dynamic of the
side of having a platform. People reach out to us
all the time, you know what I'm saying, But it's
not to the point where we're going to move sh
it around and cancel ship just to accommodate you. So
when we do make accommodations for you, a lot of times,
when it's not respected, then it feel.

Speaker 6 (50:42):
Crazy, you know what I'm saying.

Speaker 1 (50:43):
And the crazy part about it it don't don't. He
did not stop me from listening to his music. Do
I be a little angry as I'm listening here? Yeah,
when you come on, yeah, I mean, look, man, but.

Speaker 10 (51:04):
It's not to play schematics. But you know something, when
you get people who maybe you got somebody who's the
biggest start and then they stay two hours and they
show love and make you wonder like what the fuck
really going on?

Speaker 6 (51:17):
You know what I'm saying, mother, You're not the biggest
at all at all.

Speaker 1 (51:22):
How you look at us when it comes to our platform, right,
That's why that's why I was saying, like.

Speaker 6 (51:29):
I don't know these niggas and they ain't even us, nigga.

Speaker 3 (51:32):
We're gonna protect you, like he said, We're gonna protect you.

Speaker 6 (51:35):
We're gonna protect.

Speaker 1 (51:36):
Everything you stand for, everything you live for. Even if
we heard some ship. We ain't even type of nigga
to bring. We want to talk about good ship. You
left us when it sat down and let them folk
spill whatever being they want to spill. They be like, Bro,
we would have never did no ship like that.

Speaker 6 (51:52):
And you said that and were cool.

Speaker 3 (51:53):
Yeah, what different with us?

Speaker 6 (51:55):
Right? I heard nigga and we in this game with integrity.

Speaker 10 (51:58):
Bro's people out here trying their best to get on
podcasts and big platforms like you know, and they wanted, Man,
how much is it? No, it ain't the money thing,
you know what I'm saying. That's the part that they
be missing.

Speaker 6 (52:12):
That's the part of like, if we're not angry, it's
the intew much to get on that. Bro, it don't work.

Speaker 9 (52:17):
People say that to me all the time. What I
got to do to get on the show. Whatever it
is you do, keep doing that and we'll notice that.

Speaker 3 (52:23):
Would be a dollar.

Speaker 6 (52:25):
Never too. We don't home. He pulled up? Can we
fun with him? Rightder? Even if your.

Speaker 1 (52:40):
PR team and all the rellect, hey, man, pull up
a figure out of date, don't send us nothing. We
pull them up on our own time, and we're gonna
do it cause we rock with the folks, We ain't
for that.

Speaker 2 (52:51):
And even with the change thing, like you know, I'm
not putting this on serious. They were our partner at
the time, but that it was facilitated through that. So
I don't even know if chains had a family and
urgency it goes through three to six reps in between
what he's doing. Change could have been like, Yo, I'm exhausted,
I want to go home.

Speaker 6 (53:08):
Respect to cool, and.

Speaker 2 (53:09):
I would have been like the amount of times I've
had to do interviews and like, yo, I can't. He
could have said that, and they trying to keep relationships
on whatever universal and serious is and just made up
some ship like family emergency change. We have not even
known that was said.

Speaker 1 (53:25):
To us in between the ages and all that. Sometimes
people don't respect the relationship you and the artist guy. Yeah,
so some might have been said they may think it
ain't serious, and you're like, oh, wait a minute, time
I like my folk and they're like, oh, I ain't.

Speaker 6 (53:41):
No, Like no, don't push them to the people, don't
give them the Hollywood bullshit them my folk.

Speaker 1 (53:48):
Yeah, I called them personally. I wanted to sit there
there that want no pr thing.

Speaker 5 (53:53):
So let's talk about the people. Y'all have science social
poor minds. Yeah, shout out to Dre and Lex. That's
that's our family. What was the what was the monster?

Speaker 3 (54:01):
Bindy?

Speaker 6 (54:01):
I just wanted to bring some.

Speaker 5 (54:02):
Ladies on and say, listen, we need to have some
ladies representing this thing.

Speaker 10 (54:06):
Yeah, that basically, and they had a joint that they
were doing out the crib. They invited me on, and
I was like, y'all got some good chemistry. Y'all know
how to keep a float going, and y'all, y'all appealing.
People will look at y'all and y'all talking about something
for sure. It's like, we got the platform. Let's see
how we can build a relationship. Because whether it's us

(54:28):
that fuck with y'all or not, y'all, if y'all stay
consistent and keep doing this, somebody gonna notice all these
things that I'm noticing.

Speaker 3 (54:38):
Niggas don't triple on time, y'all, don't tweet on.

Speaker 2 (54:42):
Y' you know, doesn't tweet on Nicki Minaj. That is
straight straight. I've ever seen metaphor insight.

Speaker 5 (54:53):
If I've ever seen a straight tweeter. You don't have
to get Nikki Minaj. I just want to call Nikki, like, Yo,
what happened?

Speaker 6 (55:02):
What is going?

Speaker 2 (55:03):
You don't need to call her, It's all laid out there.

Speaker 6 (55:06):
Yo, Nikki, you know I love you.

Speaker 3 (55:08):
What is happening?

Speaker 6 (55:09):
Yo?

Speaker 2 (55:10):
She somebody tried to screenshot like a long ass tweet
and because of the regular screenshot on Twitter, it looked
like a CVS receipt how long it was, and somebody
was like not reading it, God bless or whatever, and
everyone under that was Nicki Minaj fans saying, Okay, so
you never wrote an essay in high school, Like you've
never written a five paragraph I say before Yeah, but.

Speaker 3 (55:32):
Not on Twitter though you X you don't write essay?

Speaker 5 (55:34):
But no, seriously, all jokes aside, what what is this
stemming from?

Speaker 3 (55:38):
With her?

Speaker 5 (55:39):
And says with Nikki and says, what is this? What's
the beginning of this thing?

Speaker 4 (55:43):
What I know? H TDEs what's the result?

Speaker 6 (55:48):
Punch?

Speaker 7 (55:49):
Yes, he tweeted a song that had Barbie in it,
and she took it as a broken Broken Barbie, which
is a song that's coming out.

Speaker 2 (55:57):
Well, no, it's it's out from one of their new artists.
The video it came out, it's called Broken Barbies.

Speaker 7 (56:02):
And then she went and she started going off thinking
it was about her. Then Sissa tweeted Mercury retrograde, don't
take the bait, lol, silly goose, and Nikki just went
off said go draw your freckles back on Bookie. She's
still like fighting with Desiree and it's literally.

Speaker 2 (56:18):
Still going on in desert right now. It is July seventeenth,
three or four pm. You could hit refresh on Nicki's
page and it's still going Yeah, and this is from
three or four days ago, yeah, maybe five days ago.

Speaker 4 (56:29):
She keeps telling Sissa.

Speaker 7 (56:30):
She then Sissa has said something like you need to
get it together, and she was like, Sissy, you think
you're more famous than me or you think you're more
successful than me, and says it's like, I don't get fuckedout,
noe that where shit you popping?

Speaker 4 (56:42):
Like it's just going back.

Speaker 7 (56:43):
Sissa and Nicki Minaj going back and forth for Twitter
is something I never thought I would see, but I'm
not surprised.

Speaker 2 (56:48):
And all right, So I thought it was based off
what Punch was tweeting that had to do with the
new song he's promoting, But then Nicki had retweeted someone
bringing that up, and she was like, imagine if I
ever went off like this because of what Punch tweeted,
it has nothing to do with that. So now I
am completely fucking lost. I thought maybe she just misunderstood

(57:09):
what Punch was saying, and she's claiming it has absolutely
nothing to do with that. She didn't even see that,
So I am completely lost. I'm sorry.

Speaker 3 (57:17):
I don't have any journalistic things to bring you here.

Speaker 2 (57:20):
I know the desiree jay Z rock Nation thing goes
back to the title shit goes back to them managing
Meghan and Meghan and Nikki having a back and forth
and funding Meghan saying nasty things about Nicki. According to her,
which we covered two episodes ago.

Speaker 5 (57:38):
I was trying to like follow it and read everything,
but I just, you know, sometimes I just be like this.

Speaker 3 (57:43):
Same for me when the girls are fighting, I'm just like,
let me go at it.

Speaker 2 (57:47):
It's like when you see Chris Brown put out sixty
songs on one album and You're like, I can't keep
up with all this. Yeah, I'll listen to the first
five and that's as far as I've gotten in the
Nicky says the thing, all.

Speaker 5 (57:57):
Right, so do we think that, you know? Because you know,
I'm always music bars coming.

Speaker 7 (58:04):
No, Sis, it's not taking since it's not going to
the studio to diss Nicki Minaj on rap.

Speaker 5 (58:09):
No, it ain't gotta be dissing it. But it could
be a It could be a bar in between some
good melodies. That's the record at Nikki.

Speaker 2 (58:15):
I don't know, but all right, sos the intro on
the Champagne Poetry beat, SIS was getting bars off. Let's
not act like Sizza hasn't halfway rapped before and is
a great run.

Speaker 3 (58:27):
Well, I definitely believe Nikki is gonna have some balls
with scissors. Here's my thing.

Speaker 2 (58:30):
When Bigfoot came out, I said that if Megan doesn't reply,
it's an L to Meghan, and I still stand by that.
I think she should have replied to that, even though
I didn't think it was the greatest dis record. You're
not about to diss me like that so directly after
I sent you subs and then just be quiet. So
I think personally Meg did take an L with Nikki
in that back and forth, because Nikki showed up to

(58:52):
rap and did it. Even though I didn't think it
was a good diss record, you still gotta reply. I
don't think Sissa is gonna do the same route if
Nicki comes out with a record tomorrow towards Sissa, I
think Sissa during tour is going to reply.

Speaker 6 (59:06):
I don't.

Speaker 4 (59:08):
I do not.

Speaker 7 (59:10):
I think Sissa's enjoying her stadium tour, like don't. I
don't think she's going to I think maybe a couple
of years ago, but I don't think. I think that
Nicki's rants the barber are gonna kill me whatever.

Speaker 4 (59:22):
I don't give fuck.

Speaker 7 (59:24):
I think that Nicki's rants have taken her from that
beloved everything she has and everything that she's earned. When
it comes to her career, she's earned it, like she's
stamped as the greatest fear my rapper of all time,
but her beyond say ish level of like the way
people looked up to her, she's taken out away with

(59:45):
the constant rants. People don't pay attention to her rants
anymore because there's been so many of them, you know
what I'm saying, Like if when jay Z went on
his one long rant on Twitter, it was the biggest
thing on Twitter, you know what I'm saying, because he
never does that.

Speaker 3 (59:58):
This as everybody up, well, yeah, but.

Speaker 7 (01:00:01):
This is so regular now it's become so regular that
people just kind of brush it off.

Speaker 4 (01:00:06):
Now it's not an important thing. This just like Nicki
rinting it.

Speaker 2 (01:00:09):
This feels like an extra crashout, even for Nicki. We're
going on four days right now of the same shit
over and over too. It's like it's new information.

Speaker 5 (01:00:17):
The energy behind these tweets that I'm reading from Niki.
It definitely feels like she's been a lot of This
is shit that's been building up, and shit that she's
been holding in for some time, and she just finally
found the moment to just like really go off. But
it's definitely a different energy behind this. Seems more like
I've been waiting for this, for this moment because like

(01:00:39):
you know, yeah, like you know, I don't rock with you.
I think you phony. You've been mad phony for years.
Like it feels like that, like like I tried to
have respect for you because you know whatever, But like
I don't like the funny moves you've been making throughout
the years, Like you always move funny and I don't
like it.

Speaker 2 (01:00:55):
I think, according to Scissor, the funny moves where Nikki
requested two feet and she didn't do them, m is
that funny moves?

Speaker 10 (01:01:04):
Some people.

Speaker 5 (01:01:05):
Yeah, if you don't do I mean, listen, if Nicki
Minaj hits you for and I don't know if this
is factual.

Speaker 3 (01:01:10):
Now we're just going off for what we're seeing.

Speaker 2 (01:01:11):
No, no, it's factual because sisup posted it and Nicki
did co sign that that happened down to her saying
NICKI your question mark who nick or But of course
it was.

Speaker 3 (01:01:21):
It was that. So yeah, so that's valid.

Speaker 6 (01:01:23):
Yeah.

Speaker 2 (01:01:24):
I think artists crashing out like this to me is
not realent because somebody was to give you.

Speaker 5 (01:01:30):
No, no, no, no, I'm not saying that's all. I'm not
saying that's the sole reason I'm saying.

Speaker 6 (01:01:34):
I think that.

Speaker 5 (01:01:37):
Do your features not coming back and not responding to
the features or doing it whatever.

Speaker 3 (01:01:41):
I think that that may add to.

Speaker 5 (01:01:43):
It, like like you're gonna keep like you ain't gonna
do a feature with me, like like I'm some struggling
up and coming artist or something like that. Like like
who who doesn't do a Nicki Minaj feature? Now that's
not something you see like often you don't you know,
you don't hear that If Nicki Minaj reach out to
somebody for a feature, nine times out of ten that

(01:02:03):
features coming back, especially when you're not. At the time,
I don't think Scissor was as big as she is now,
So at that time, I'm sure Nicki probably was like
I just think you dope, like you not to the
level where you could just like not respond or just
not send a record back, like or if you don't
want to do it, just say that, but to not
have no like back and forth, you know, on why

(01:02:26):
the record, why you don't.

Speaker 3 (01:02:26):
Want to do it.

Speaker 5 (01:02:27):
I could see Nikki feeling away, like like, yo, who
is it? Like word shorty just curved my my feature
on request.

Speaker 2 (01:02:34):
Like that's crazy, which I didn't even see the bars
put this one together because I want to be fair
and objective. Here I see your point. And she did
a Cardi feature. She's on Cardi's first album.

Speaker 3 (01:02:45):
So here we go.

Speaker 2 (01:02:46):
So now we're getting in the train of Nikki. Even
if I don't agree, I'm like, Okay, maybe she's looking
at it like I've tried.

Speaker 3 (01:02:52):
To do features with you.

Speaker 2 (01:02:53):
You didn't, but then you did a whole fucking duet
with Cardi B who is my enemy, and felt like
the entire industry was well too against. But I still
think this is corny and weird too. You can also
think two things are true.

Speaker 7 (01:03:06):
I think this is a Cardi feature came before Nicki
requested this is a I think the Nicky saiss A
feature was for Nicki's latest album, Pink Friends two, which
was like what last year, a year and a half ago,
where the Carti won was like six years.

Speaker 2 (01:03:19):
Ago, yeah, for sure. But also when Nicki was saying
that she doesn't even know Siss's music and this was like,
all right, well you use my bars on fieling myself
with Beyonce, and so to me, I feel like there
has been talks six seven years ago of Nicki and
Scissor working together.

Speaker 1 (01:03:39):
Hm.

Speaker 2 (01:03:39):
I don't think it was just for the last album,
because they did say it was two different times. M
So yes, I think there was a time early that
Nicky was maybe not even just a feature, just to
work together, which is fine, Like shit, Rihanna was seeking
out siss A.

Speaker 3 (01:03:54):
As a writer to work together. Sis is a great writer.

Speaker 2 (01:03:57):
I can see around that time, when Invasion of Privacy
was happening that Nikki would have been.

Speaker 3 (01:04:04):
Like, oh that girl's dope, she's a great writers, let's
work together. I can see that that happening not just
with the last album. But I don't know, I just
mayge it was some music. Fuck it, don't tweet