Best of Rory & Mal: Week of 7/21

This week on New Rory & Mal the guys analyze The Clipse and Travis Scott's first week album sales, react to Tyler The Creator's "Don't Tap The Glass", play "This or That" with Grafh, and share secret nicknames saved on their phones #volume

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
I want to give a congratulations first to the clips.
One hundred and twelve k sold first week. That is
incredible numbers.

Speaker 1 (00:15):
I keep saying on hundred twelve hundred eighteen, which one
is it?

Speaker 2 (00:17):
I've seen, but I'm looking, I'm looking at it's a
win man, it's the actual billboard shit here and it's
it's one twelve here fifty four almost fifty five thousand
pure sales, which I think is incredible to independent. Yeah,
which despite what people when they see the rock Nation
thing and here I go kping when I'm really not.

(00:40):
I'm just telling you the truth. Rock Nation's label folded
into a distribution company. So you can sign a rock
Nation and not be on their label. You can just
sign to their distribution company. Yeah, there is a million
artists that y'all think are purely independent. They use Rocks Distribution,
people use tune Core. They're still independent, right, Like it's
just another version of that. But that also means they're

(01:02):
gonna like want to check on their investment too, if
they get a percentage of what you do. Why wouldn't
we try to help.

Speaker 1 (01:08):
Y'all push anything? Right?

Speaker 2 (01:09):
And also what's wrong with that the new fan shape
of trying to kill tde for like giving DOCI a
lot of looks and all this made Oh they got
a maze. That's the point of your label is to
push you. You guys have seen labels be so shitty for
so long that y'all get confused when a label does
their job and say there's something wrong with it. M like,

(01:31):
that's only our face because of the label. Yeah, that's the
fucking point. And I don't know, how do you feel
about this this Clips perspective of their rollout. I think
it was amazing. We came on here says been one
of the better rollouts. But the way it's been turned
into this machine manipulation is absolutely insane to me. What

(01:54):
publication media outlet did the Clips do that not every
single fucking artist has done before.

Speaker 1 (02:00):
I think what the Clips did was was dope. I
mean it felt like an old school rollout. They actually
was out, you know, moving around doing the work. But
on top of the rollout and things like that, you know,
one thing that a lot of people don't understand Roory
is the work that goes on behind the scenes for
these rollouts. This is months in advance that these things
have to be playing, but the bottom line, because you

(02:21):
could have the greatest rollout, but if the music doesn't
stand up to the rollout and doesn't stand up to
all of the things, and us constantly seeing this in
our face, that's when it's a problem. Now with what
the Clips did, the music, it spoke for itself. You know,
they did what they were supposed to do on that
side of it. The rollout helped amplify it and let

(02:43):
people know that the album was coming. I love what
they're doing, from the vinyls, the artwork, the sneakers, you know,
everything that they're doing is intentional. It makes sense. It
seems like it's a well executed plan to back up
a well executed body of work exactly.

Speaker 2 (02:58):
And I'm glad you said intentional because to finish my point, yeah,
the Clips didn't go anywhere that anyone else had. Anytime
they went somewhere, they made it intentional, and it sat
with the audience they spoke about. Even if you disagreed
with it, even if you said, oh, it's clout Chasey
with the push and Travis shit. Every time the Clips
went somewhere, they made something count, whether they were talking
about their parents passing yea, every whether they were just

(03:21):
playing Jada in Fat Joe some of the songs before
on camera and you just said Jada just had the
disgusting that's intentional. That's a great year, taking a platform
that has a lot of numbers, and the audience is
leaving with something that has to do with your project.
So yeah, you could say they had the machine, but
the machine wasn't in the room with them when they

(03:42):
were being interviewed, when they were promoting it. You think
Push and Malice need Rock Nation or even Steven Victor
one of the best managers, or even Stephen to get
the looks that they got. No, because they've been in
this business twenty five years, have their own connections. People
love them. They are legends in their own right, legendary

(04:04):
catalog started with for Real. No, maybe people just like
the Clips and maybe they're very good at what they do,
because I would love to see what look the Clips
got that every A list artist on a major hasn't gotten.

Speaker 1 (04:16):
Yeah, No, I think the Clips what they did was
they just spoke to their fan base. They catered to
their fan base. If you're new to the Clips, I'm
sure that they welcomed that as well, but I think
they focused on their core. They focused on what they do.
They didn't go too far away from the Clips brand
and the things that they would naturally align themselves with. Again,
do I feel like some of it was cloud chasing?

Speaker 3 (04:36):
Yeah?

Speaker 1 (04:37):
I feel like the Travis shit was a little cloud chasing.

Speaker 2 (04:39):
We look up the definition of cloud chasing because we've
talked about it before. Well, look, it's in marketing, cloud chasing.

Speaker 4 (04:44):
Let's look up the definition of clouds.

Speaker 1 (04:49):
Culturally. But yeah, I don't. But even if it is right,
even if I feel like the Travis ship was unnecessary
and it was to you know, kind of amplify things cool,
my thing is the music still stood though. The music
was still good.

Speaker 2 (05:03):
And and before anything Travis related all those interviews, they
were reacting to a song. Yeah, it's not like there
was no music related to because of course, we always
want rappers to rap about how they feel. I always
want to know I push feels, even if it is
that Travis's expense, It's not like he just went on
an interview run talking about it. They were asking about
a verse he had in a song, So you know,

(05:24):
if you're gonna do that, Yeah, it's.

Speaker 1 (05:26):
In the music. Yeah, it's all that. And in the music,
the music was great again. You know, they didn't go
far away from their formula with Pharrell. I mean, and
if you're blessed enough to have Pharrell, you know, in
charge of your music and in the studio producing your music,
I mean, you really just got a lay up at
that point. Like it's like, you know, Pharrell set the screen,

(05:47):
you can go get a bucket. So I mean, I
think the Clips did what they were supposed to do. Man,
this just speaks to keeping true to your formula, keeping
true to your brand, keeping true to it is what
you do, keeping true to your audience, your audience, you know,
in a time like now with a lot of other
things in the space and sounds and things like that,
you know, it takes a certain type of person to

(06:10):
know who they are and know what they've found is
to stay true to it and deliver. And that's what
they did. Man, whether you liked Eclips or not, you
can't there's no doubt that they stayed true to who
they are and execute it.

Speaker 2 (06:20):
And everyone that has been been trying to put like
a negative connotation to their numbers or you know, trying
to focus on everything but the music. I think he
brought up a great point of through their rollout and music,
stayed to their core, and look what happen. It leaked
over to people that weren't their core. They got in
front of everyone, not by having to do. Of course,
the Travis thing was one thing, but they focused. Music

(06:42):
platforms even said we only want to speak to certain
people this shit. Your core is what you focused on,
and it went past your core. That's why focusing on
your core first is always the best route.

Speaker 1 (06:51):
It was the best way.

Speaker 2 (06:54):
I saw a lot of people comparing with Jack Boys
and congrats to Chase Trav everybody two fifty first week
crazy one point eighty one pier sales. They did two
fifty to fifty one. Now that brought that brought up
between why I brought up jack Boys.

Speaker 1 (07:10):
That's surprising. I'm not gonna I didn't see I didn't
see anybody talking about the album.

Speaker 2 (07:14):
Travis went number one with a mixtape that was like
ten years old that he re released with a T shirt.

Speaker 1 (07:18):
Yeah, that's that's what.

Speaker 2 (07:19):
It didn't really shock me. It brought up a lot
of points over the past week with the Clips and
jack Boys, because like you said, clips did a lot
of cool shit with different vinyl covers, different merch pieces.
Push even said I forgot maybe it was with Joe
and Jada that they planned to do more merch collapse
with this album. I'm sure that the record will be

(07:40):
part of it when you purchase the clothes. That's what
jack Boy's done. That's always been something people say about Travis.
Remember when Nikky went on that whole fucking crazy rant,
and then Billboard changed the rules in twenty twenty then
twenty twenty three. I want to say they changed it back.
That's why we're still able to do the bundle thing.
But you have to have the album available for purchase

(08:01):
by itself, and then only one T shirt and album
can be sold together. Okay, that's the only bundles your O.

Speaker 1 (08:08):
So this was connected. This album was connected to some
jack Boys merch a lot of it. Okay, that's why
that changes things.

Speaker 2 (08:16):
I want to make it clear, like pure sales also
comes from buying direct on iTunes, by direct vinyls and everything.
So they accuse the Clips and jack Boys of like
you know, the margins are kind of crazy, but not
too far off for people that do bundles.

Speaker 1 (08:30):
It's about half who cares.

Speaker 2 (08:35):
I understood nicky shit because to a superstar like Nicki
Minaj a lot of perception and number one doesn't matter.

Speaker 1 (08:41):
I get it.

Speaker 2 (08:42):
But the fans that get mad about this shit, I
don't understand. So Billboard, we have no artist union, don't
We can't even regulate how Billboard even counts anything. We
allowed streaming to set the exact price of what our
songs are worth without even a hearing, a trial, nothing.
They said, this is the market value, no matter who
the fuck you are, and this is it. And we said, okay,

(09:04):
here's my music. We're not allowed to go try to
find a loophole so we can make some more money.
Mm hm, you already fucked us by setting a standard
that only really benefits y'all. At the end of the
fucking day, we're not allowed to go outside the lines.
The labels we signed to are in.

Speaker 1 (09:19):
Bed with you.

Speaker 2 (09:21):
So why the fuck would I be mad at Travis
or Malice or Push to find a way to go
direct to their consumers to make more money off their
hard work. The fuck is y'all mad as an artist
for be mad at the that we have to do this,
Because there's no reason that Travis Scott song should be
worth zero point zero zero zero zero zero one of

(09:42):
a penny, right, and you also know how to design clothes,
fucking right, I'm gonna find a loophole. Yeah, I just
I think that, you know, what creators that to do
forever is try to find a loophole out of the
system that y'all create that we can't go outside of.
And now the fans of creatives are going like, oh na,
it's now, how are you doing that?

Speaker 3 (09:58):
Shit?

Speaker 1 (09:59):
That's cheap?

Speaker 2 (10:00):
No, we've been cheated.

Speaker 1 (10:02):
Yeah. I think that's the part of it that that
fans don't really look at and don't really take into,
you know, account is Yes, I understand you know you're saying, oh, well,
the numbers only like that because they have merch with it. Yeah,
But on the artists side, they're looking at it like, well, shit,
we got to find a way to make money. We
got to find a way to you know, capitalize off

(10:24):
of this album. We can't do it purely off of
streaming because of like you said, what they're paying us
for a stream So, I mean, you know, but again,
it's not the it's not the consumers responsibility to one
know that or think about that. The consumers' responsibility is
to consume and decide whether or not they enjoy it

(10:45):
or not. They don't really have to get into the
business side of it, but they you know, when they do,
when they express themselves and they're mad about something, the
information should be available to them. Hey, listen, like you said,
the artist is only getting paid this small percentage only
their music. Is it not fair for the artists to
find a way to kind of capitalize and make money
off of their music in another lane? I think it is,

(11:05):
you know what I'm saying. Whether that affects the sales
and how fans look at the numbers and who's number one,
who's number two? Like I said, some of my favorite albums,
I don't know where they landed on the charge. I
don't know what they sold first week. I have no idea.

Speaker 2 (11:16):
And on top of that, and I'm not like taking
a shot at Billboard anything. It's really because we have
a no artist union that can regulate it. We don't
even know how the fuck Billboard counts anything, right, there's
no checks or balances of like, all right, can I
audit billboards? Like? You can't do that? So artists just
have to do what is better for them, and we
talked about back to like the nicky thing. I do

(11:37):
understand that some major label artists, especially at that level,
have stipulation in their contract, like if you get a
number one album, certain budget gets open, like accolades do matter,
It matters with Grammy's. Perception is a thing in artistry.
So okay, if you set the standard that I have
to have a number one album, I'm a creative. I'm
not going to find a way to do it. I

(11:58):
have to manipulate the system that you want change, So
I'll also do that. I'll also sell a T shirt
and not even put an extra nine to ninety nine
on it, but you're still getting a digital download. I'll
even take the hit financially to do the perception thing,
because you have created a contract where I need to
be in the top ten to matter at your label,
or to open a certain budget or have any leverage
when I renegotiate, I can't get this Grammy because oh,

(12:21):
if you look at Billboard, it doesn't match our Grammy standards.
Like yeah, artists are just doing what's best for them.
That doesn't affect affect the fans whatsoever.

Speaker 1 (12:30):
Artists got a pivot man. Artists gotta find a way
to still capitalize off their art if it means, you know,
attaching it too a fire piece of merch and things
like that, that's just the game that has to be played.

Speaker 2 (12:41):
When the Khalid Travis Travis Tyler thing happened, remember whether
they're fight for number one and that whole corny situation
on you know, Khalid's behalf. We all have corny moments.
I'm not shitting on Kalid. His shit when he didn't
beat Tyler Tyler was pure. I'm sure he did a
merch bundle somewhere in there, but he tied that to
an energy He was selling cases of energy drinks and

(13:02):
we didn't even know that was tied to I was
at seven eleven, didn't know. I just bought a Kalid.

Speaker 1 (13:09):
Yeah, you know.

Speaker 2 (13:10):
Now, And here's the thing, I know, number one matters
a lot to Kalid. It's part of it's part of
his brand and his perception, which I get.

Speaker 1 (13:16):
I totally get that. Yeah, I also.

Speaker 2 (13:19):
Didn't care, like if that's how Kalid can make money
on the back end and has a deal with the
energy company, to me, that's good business. Yeah, Like I mean,
unless they're like harming people overseas to create this energy drink.

Speaker 3 (13:32):
I don't like.

Speaker 2 (13:33):
Why is a fan? Would I be fucking mad at that?

Speaker 1 (13:35):
Yeah? Only time, only time. The only time I look
at it a weird way is when the music is
trash and you tell me that's number one. That's when
I'm like, yo, cut the ship man, like that album
is fucking terrible. But if the music is fired, album
is dope. I don't care if it's a hoodie or
some sneakers or energy drink tied to that set, I

(13:56):
don't care as long as the music is good. When
the music is not good and y'all try to tell
me this is the number one album, that's when I'm
looking at you like, man, get out of there. That's
not the number one album.

Speaker 2 (14:06):
I literally, to this day, I feel like the first
Patriot Act, Big Brother looking over you was you two
in all Apple products. You two has been part of
my life, whether I like it or not. So we're
supposed to get mad. When Hove does a deal with
Samsung and it's a million copies before the album even

(14:26):
comes out, I don't care. It's Magna Carta goods. Why
the fuck would that bother you.

Speaker 1 (14:32):
Yeah, I get it.

Speaker 3 (14:33):
I get it.

Speaker 1 (14:34):
But as fans, you know, they support who they support
man and they want to see they people at number one.
And if somebody has a hoodie that's dope and the
album is not, and now that album is number one.
I get that part of it. So I get why
people said.

Speaker 2 (14:45):
I think a lot of fans, myself included, sometimes which.

Speaker 1 (14:49):
Your merch can't be better than the album. Let's put
that out there. Your merch can't be better than that album.
But here's that's when the problem.

Speaker 2 (14:57):
Here's the thing. I you know, as a moral fan
of music, do have an issue with people that are
not artists, that are just here for a lick. But
if your music is trash and your actual talent is
to create merch and you're using your shitty YouTube type
beat shit to get eyes in front of your actual talent,
I don't care.

Speaker 1 (15:18):
I don't. But you're speaking from a creative and I
understand it, and I get it. I get it understanding.

Speaker 2 (15:24):
Creative, but a creative that also realizes that integrity doesn't
pay the mortgage sometimes. And I'm not saying go do
some shit against your integrity or against your moral value.
But if you can capitalize and get ten dollars instead
of five dollars out of your core fan base, and
your fan base can't wait to do that because your
product is also good, what the fuck is the problem?

Speaker 3 (15:44):
Yeah?

Speaker 1 (15:44):
I get it. I understand that.

Speaker 2 (15:46):
I want to ask these fans like to break down,
what would you do in this situation? That needs to
be an app anyone that does a tweet that's that's
like really criticizing someone's business move that doesn't again like
hurt anyone. It should give you the scenario of like,
what what did you do in this Yes or no?
Would you take this advance? Would you take that?

Speaker 1 (16:04):
All? Right?

Speaker 2 (16:04):
If Cos came you to do all your artwork and
then wants to do five different vinyls as limited edition,
charge this much money, yes or no?

Speaker 1 (16:12):
Right, you know get it? Of course you do that. Yeah,
it makes sense as long as Taler the create it
don't have the number one album next week? I'm cool.

Speaker 2 (16:25):
Why that shit is trash? It's it's been three hours.

Speaker 1 (16:29):
It's been three hours of trash. Really, that shit is
not it? And I love it, you know how I
know you love Tyler? That album is not it? Bro? Really,
I don't like it.

Speaker 2 (16:38):
Rory, it's been one listen because again we're recording on Monday.
It came out six am on Monday, which I want
to say, I loved that. Tyler's last two albums, he's
done this morning on Monday. You could live with it
throughout the week. I like that the weekend. I like
dropping on Monday. You know, Friday said, Yeah, people have
shit to do. Sometimes it's tough to live with it
out but I like Monday morning. Fuck the numbers, fuck playlisting.

(16:58):
But not every artist can do that. Tyler Tyler, So.

Speaker 1 (17:00):
Yeah, he's do that. Yeah, he loves that.

Speaker 2 (17:03):
I missed Tuesday releases like I like this, so I
haven't had much time. I loved it off the first listen.

Speaker 1 (17:10):
Loved it. Yeah, no fucking way, I'll takete. Levels are
not that.

Speaker 2 (17:14):
Different, bro, It's a fun project.

Speaker 1 (17:17):
You could have, Yes, it is. It's a fun project.

Speaker 2 (17:21):
That's Oh so you're gonna get really pissed at my comparison,
then what are you doing? It's what twenty one minutes?
Oh yeah, straight to the point album. I am not
comparing them sonically or lyrically. I'm saying to me, this
is like his King Disease Magic type series. It's straight,
it's good beats, some bars. Nothing's overthought, it's just music.

(17:48):
It's just straight to the fucking point of here's a
great beat and here's some raps.

Speaker 1 (17:52):
Listen. I'll listen to.

Speaker 2 (17:53):
It's that version of The King's Disease shit in Magic,
the way Nas and Hippoy did. Listen like, we're not
overthinking this. This is just great beats.

Speaker 1 (17:59):
And that's cool and sometimes not overthinking it is great.
This is one time with not overthinking it didn't land
on the side of great to me. I love Tyler
to create it. I think he's dope. I love everything
he does visually, I love his whole aesthetic, his brand.
I fuck with him this project. I'm not going to
go back and listen to this much, if at all. Really,

(18:22):
it just didn't. I listened to him twice, maybe two
and a half turn it off when I got here
on the third listen. It's just not what.

Speaker 2 (18:30):
Don't you like about?

Speaker 1 (18:33):
It's just I get it. You taking a chance sonically, musically,
you're doing something different, trying to sound different. Here's the thing.

Speaker 2 (18:39):
I think.

Speaker 1 (18:39):
I don't think there's like a risk here.

Speaker 2 (18:41):
I think it's just kind of straight to the point,
like this is a mashup of all the sounds Tyler
has had over the last fifteen years.

Speaker 1 (18:47):
And ye had a match.

Speaker 2 (18:49):
I don't think there's a I don't think there's any risk.
I think it's this is Tyler in a true form
of him not wanting to do three years in between
albums like he used to and just coming back with
twenty one minutes instead of letting shit sit on a
hard drive. I did it here you go.

Speaker 1 (19:03):
He could have kept this twenty one minute though. We
ain't need that really.

Speaker 2 (19:07):
Nah, you don't think it's one of those that maybe
you need to like give it a chance outside of
an uber in FDR traffic.

Speaker 1 (19:13):
I listened to it in the crib. Okay. I turned
it on this morning as soon as it drop, so
it dropped. I was like, oh shit, okay, getting dressed, Okay,
turn it on. And that's how I like to listen.
I don't like to really like focus on the music.
I like to just let it play in the background,
say nothing really grab me and was like, okay, this
is hard. Like I didn't. It just was like, oh,
it's you know music, It's like all right, he's rapping
a little bit, got a few bars, but it's not

(19:36):
nothing where I'm like, ya, I gotta bring that back.
I gotta hit that again. Like nothing said bring that back.

Speaker 2 (19:40):
I liked the ones that stood out again one listen
in between having a flat tire, sucker free. I loved
Ring Ring Rings cool, stop playing with me? Don't you work?
The last three? I love eight through ten I think
are great. I have to go back to Don't tap
the Glass. Yeah, this is a cool joint. Do I
think it compares our first listen to like egor No,

(20:03):
But it's or Card and.

Speaker 1 (20:05):
I'm not even I'm not even comparing it to his
other his other shit. I listened to it for exactly
what it is. This is what he put out this morning.
This is what I'm listening to. I'm not thinking about it,
what ego is and all of that shit. I'm just
listening to new talent music. None of it grabbed me,
none of it helped me. I didn't bring back any
of the songs like yo, let me hear that again,
Like it just didn't. It wasn't it for me. Man,

(20:26):
Maybe I don't know, Maybe you know it might change
thought the week. Yeah, but as of right now, two
and a half listens. Well. Also, oh, I go back
to what I was listening to. I was, I was
still listening to the clips. Yeah, I mean, I'll go
back to that, like I turned I turned that off
and went back to the clips, like I just I
don't know, I just didn't. It didn't really, it didn't

(20:47):
really grab me this this this project again. Maybe he
just wanted, like you said, get these songs out the
hard drive, put it out there, cool visual. I guess,
you know whatever, But I just to me, it's just
it's fine.

Speaker 2 (21:01):
I hope how quick he turned it around coming off
the last project. I hope he's getting into it.

Speaker 1 (21:07):
Everyone. I'm not comparing him in NAS to.

Speaker 2 (21:09):
That part of the second half of his career where
it's a vib like keep putting music out like quicker.

Speaker 1 (21:14):
Like.

Speaker 2 (21:14):
I love that he waits to do these masterpieces, takes
three years towards But everybody, I think, great Again, I'm
not calling talent get very fucking clear.

Speaker 1 (21:22):
No, no, but some people don't need to put out music
at that volume. Though.

Speaker 2 (21:26):
I think Tyler, for the type of producer and writer
he is, is one of those that I would trust
at a high clip to do that, I really do.
I was gonna come in here and say, is there
a single artist in the new generation that you could
compare to Tyler? I don't think even out the Big three,

(21:47):
they don't. I think all three of them have you know,
maybe better catalogs, which I think could even be argued
to some degree, is anyone like even when when Kanye
came out, there was still people that we could compare
him to. As far as we know, qut Sit produce

(22:08):
raps like that was a thing for so long, and yeah,
I think was like the last probably big A list
rapper that we knew was producing. And if you say
you didn't write some of the stuff, mix back. But
Tyler's the only one of his generation that is that
to me, So I think there's like a different connection
when somebody is really producing it as like you are

(22:28):
putting this entire piece together and I looking at his
catalog of nine solo joints outside of the odd future shit,
this desography can.

Speaker 1 (22:41):
Be argued in hip hop history.

Speaker 2 (22:46):
No, at this point in twenty twenty five, Yeah, no,
whatever you think about this last project, it came out
fucking three hours ago.

Speaker 1 (22:51):
We know that about Tyler though this.

Speaker 2 (22:53):
Is a classic desography, which I don't know if his
peers have this nine right here?

Speaker 1 (22:58):
No, we know, and that's all shit. I fuck with
Tyler just this last offering. It didn't do nothing for
me and I and I think Tyler is incredible, Like
I've spoken about that for years. I think he's incredible
to some extent. I even think he's underrated.

Speaker 3 (23:13):
To some extent.

Speaker 1 (23:14):
I hear what you're saying, but just just don't tap
the glass. I just don't you know it again, I
listened to it. It just didn't. Nothing really grab me.
But nothing really was like this is incredible, Like I
just didn't. I didn't get that.

Speaker 2 (23:30):
All right, Can I challenge you for Friday that we
revisit this or.

Speaker 1 (23:35):
Maybe next Tuesday and we could do a Friday, we
can revisit it. That's enough days for me to like,
listen to the project again.

Speaker 2 (23:40):
I liked it off the first listen. I'm also of
the belief that there's projects I've loved off the first listen,
and by the third one, I was like, maybe I
just like the hype. No, it happened so I could
come in here on Thursday and say I.

Speaker 1 (23:50):
Don't like it.

Speaker 2 (23:51):
But you know, we did also say in the group chat,
like it just came out. There's not even no listen,
don't judge us for any real you just going off
of the natural.

Speaker 1 (23:59):
Like when I listened to an album, it's just something
that something grabs me, something holds my attention, something like
this one. I didn't feel that. I didn't feel that
with this project.

Speaker 2 (24:11):
What I did grasp from this one and probably the
last three four Tyler projects, which maybe because I had
the wedding on my mind. If Tyler sat down, I
would ask him if he ever thinks he'll find love? Oh,
it's been four it's been four foul.

Speaker 1 (24:30):
The dumbest question you could have asked, Tom, why create it?
Do you ever feel like you would find I think
Tyler would answer that in such a fucking great because
he's hilarious.

Speaker 2 (24:39):
But I'm saying, if you really pay attention to the
themes and writing of the last four projects, Scott, probably
he sucks it love, man, I get it. That's why
identify with that shit like he and he does it
in a great way as an artist. Because there's fun stuff,
substance stuff, there's accountability on stuff, there's shit what's still

(25:01):
like a fifteen minute joint on a call I you
could get lost his name after a street why I'm
a blanket where everyone thought he was like talking about
slang or some shit, which was like a complete lie.
When you eat de fucked his man's girl, oh uh, Wilshire,
there was accountability on that of how like shitty he
was but not caring. That would be my first question
of Tyler's careator he's awesome. Like the last four albums

(25:24):
have had a theme of the love below of like
this is never going to work out for me, yeah,
and knowing how vulnerable Tyler has been even when it's
got him in trouble, but not really selles that arenas
nothing's changed.

Speaker 1 (25:42):
This guy sucks at love.

Speaker 2 (25:46):
I mean, but I'm not judging him because I was
just in the stripper row at the wedding. Like this
is an attack at his character, It's more of an
identity thing. I can't think of an artist where the
last four projects all have been like it's not gonna
work out. Usually they'll even lie and say there's like
some redemption, Like they'll get in a situationship and be
like this is the one and make an album about it.

(26:09):
He has failed four albums straight with just trying to
find a fucking girlfriend.

Speaker 1 (26:14):
I mean, maybe he need a boyfriend.

Speaker 2 (26:17):
He's nobody talks about that too, so that's what.

Speaker 1 (26:18):
Maybe he just don't he's confused, he don't.

Speaker 2 (26:20):
Know what and sorry, which was on the deluxe of
Call Me Gets Lost, which was like one of my
favorite records of that year. He said he apologized to
all the girls that he was lying to that he
was bisexual and fucking dudes, and then apologize to the
guys from misleading them like I'm just gay to fuck,
I wasn't trying to date you, was.

Speaker 1 (26:39):
Like on your answer, he Tyler, don't know what he wants.
That's the theme too in the Yeah, he doesn't know
what he wants. Man, he gotta be real and honest
with himself first before you talk about finding love like
he he don't even know where to look for love at.

Speaker 2 (26:53):
But then even if you look at like the deluxe
of Call Me Get Lost, the record Heaven when they
flipped the John Legend shit, the whole second verse is
just like dying to be forty years old and married
with kid yeah, and like setting his mom up and
nows and all that, Like he's actively talking about that,
but then only talks about how he sucks.

Speaker 1 (27:12):
Up every relationship. Yeah, I think he's just you know,
I mean, he'll find it one day. I just don't
think right now Tyler is honest with his with hisself personally.
I don't even know. Musically, I think he's he's tapped
in there, but maybe personally he just still you know
he does, he's still finding himself and figuring out what
he really likes.

Speaker 2 (27:32):
Yeah, I wish he would come on the pod. I
would talk about everything but music and piss off his
whole core. I was just like, want to talk about
personal things. I would corner him worse than old boy dude.

Speaker 1 (27:43):
Eh No, that was crazy. That was That was I
still can't believe that was real.

Speaker 2 (27:49):
We glossed over that too quick.

Speaker 1 (27:51):
Yeah, I don't.

Speaker 2 (27:51):
I still can't believe that came and went and it
shouldn't have.

Speaker 1 (27:55):
That was absolutely crazy. I still think that was a skit.
I don't think that was real.

Speaker 2 (28:00):
I don't know, man, I thought it was a skit
for a while. The more people I talked to it
wasn't like at all.

Speaker 1 (28:06):
Yeah, are they still cool? I think? I don't know.
But I could.

Speaker 2 (28:12):
I don't like to follow us like his getty images
to see like who he walks.

Speaker 1 (28:16):
Out of the club with.

Speaker 2 (28:18):
This message applies to ninety nine percent of you listening
right now, because that's how many of you can be
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(28:41):
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Speaker 1 (28:59):
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(29:22):
and activation on sixty dollars. Plant taxis extra five G
speeds not available in all areas. I don't know, but
I'll listen to the Don't Tap the Glass again. I'll
give it a couple more listens, but off the first
two and a half. I'm not really I don't It's
just not for me. What do you think? Respectfully?

Speaker 4 (29:38):
I was gonna say, it's just not for you. It's
just not for me, and that's okay.

Speaker 1 (29:40):
What do you think that the title means of the album?
Don't tap the glass? Usually see that when there's animals
that you don't want to agitate, you know, that type
of thing. So maybe may this isn't Maybe he has

(30:01):
a sea world appearance coming up? Yeah, all right, larious,
Maybe he has a SeaWorld, But I don't know. He
can't tap the glass. You don't want to disturb orca,
you know what I'm saying. So yeah, I mean listen.

Speaker 2 (30:15):
I don't know if i've again my white Face should
be the one. I think it's a brilliant title, and
I almost don't want to give my opinion because if
I'm wrong, boys.

Speaker 1 (30:23):
That gonna be awkward. No, what was your opinion? Please?

Speaker 2 (30:27):
I think I think based off it again first listening,
maybe he explains it more and I just didn't catch
everything just off the title alone, based off you know,
some of his recent comments about the Ian Guy. Yeah,
I think Tyler realizes that how big hip hop has become.
There's a lot of people that aren't culture vultures per se,

(30:49):
but they're just passing visitors and have had a higher
opinion than they've ever had before, and they're viewing it
the way I used to talk about The Wire, How
white people love the Wire because it feels like they
could see the hood in a safe place, and they're like,
white people are obsessed with the Wire. I think obviously

(31:10):
it goes without saying that's happened with hip hop and
how much it's grown, so telling y'all view us like
this entertainment shit is a zoo, Like we are just
dancing for you, So don't tap the glass, just watch,
shut the fuck up, pay your fee and watch. If
you view it this.

Speaker 1 (31:28):
Way, do not even really just pay your fee? I
see it, do not tap. Don't you're treating us like animals.

Speaker 2 (31:35):
It's like it like you're just sitting there going like this,
and you know, you know, I'm not even in your
habitat like, but boy, I hope I'm fucking wrong or.

Speaker 1 (31:45):
Right, because if I'm wrong, it's gonna be weird.

Speaker 2 (31:47):
No.

Speaker 1 (31:48):
I mean, I'm not mad at that. I'm not mad
at that. You know you're seeing it that way. That
makes sense that I don't know if Tyler it's you know,
if he thought that deep into it.

Speaker 2 (31:55):
But again, it just sparked. And I'm not saying solely
this is like an E and dis because I don't
even like listen to in or know about them. But
that was the first time I heard Tyler speak up
about that topic specifically and put a name on it.
So yeah, I feel like Tyler's very intentional with his
words and interviews and what he said about Ian to me,
don't have the glass spark in my head right away,

(32:16):
Like this guy over here cosplaying Gucci in Future and
wearing fucking khakis and a polo like that shit from
Future and Gucci sounds that way because of pain.

Speaker 1 (32:26):
That's not like the ship you're.

Speaker 2 (32:28):
Doing in your voice. That's you don't understand what that
comes from.

Speaker 1 (32:32):
Yeah, okay, I see it.

Speaker 2 (32:33):
This ain't you. I see it like it's fine with
people that are influenced as long as they're authentic to
them self.

Speaker 1 (32:38):
But this ain't you. Don't even talk that way. I
could see it. I'm mad at that. Yeah, all right,
well I'll give it. I'll give it a couple more
list since you love it and I think that I'll
taste level I think that I'll taste levels of line
on a lot of things. So the fact that I'm
on the other side of the love, I'll give it
a couple more.

Speaker 2 (32:55):
Little. I know what the fans are going to accuse
you of. I do believe you because I don't think
you lie about music opinions. But I know the comment
is going to be like mal hates this because Brown
and Clips were in the video.

Speaker 1 (33:04):
I know.

Speaker 2 (33:05):
I just know the Internet. I just know what I'm
not saying.

Speaker 1 (33:06):
It's Trew. I just sat in said I love the
Clips album.

Speaker 4 (33:10):
We know the Internet.

Speaker 2 (33:11):
We know you know that you don't. Okay, see you
don't because you don't tap the glass enough. You don't
realize that this is all dedicated to Drake. And because
Tyler was at the pop out, they all got in
a group chat and then Lebron went into the video
and then the Clips obviously we know their relationship for
years with Tyler just became a Clips fan because because

(33:33):
he hates Drake and this album is coded, coded, and
honestly never mind. Yeah, you know, see you don't even
don't tap the glass the glass more.

Speaker 1 (33:44):
And then Iceman is coming the ice glass. I see
where it's going.

Speaker 2 (33:48):
Tyler is one of the Iceman.

Speaker 1 (33:50):
I see where it's going.

Speaker 2 (33:51):
Because we know Tyler's never been original, He's always trying
to be somebody else.

Speaker 1 (33:57):
I get it now, I get it.

Speaker 5 (33:58):
Okay, they won't even catch that, sarcast I'm they're about
to clip you and put that as a fucking clip.

Speaker 2 (34:02):
Oh god, yeah, they they'll they'll miss the last twenty
minutes and just just clip that. Yeah, and I'll be
the Tyler hater.

Speaker 1 (34:10):
But I don't know.

Speaker 2 (34:10):
I mean, I liked that video. And back to my
app idea of hey, what would you do in this
situation if Lebron James and the Clips and mav wanted
to be in my video, I'd say yes, did I
think it's odd sometimes of just like somebody sitting there
like this on a green screen. Sure, but I'd never
say no. If Lebron James wanted to be in.

Speaker 1 (34:28):
My video, as you should, you should, you should welcome
Lebron to your video. I don't think.

Speaker 2 (34:37):
I really don't think that had anything to do with
Drake whatsoever. Pete said, hmm, okay, the clips thing obviously not.
But what would Tyler have against Drake?

Speaker 1 (34:51):
He was at the pop out? Okay, but jo Bro
went to pop out with them, but been dick riding
gangs his headlines. I thought that was more about like
Damar and Brown. I mean Tyler too. Tyler's been an
open Drake fan.

Speaker 2 (35:08):
But the Lebron thing I understood because they were fans
like friends friends for real?

Speaker 1 (35:14):
Are Tyler and Drake got close? Did he owe him
anything that? I don't think he did? But you know
he was at the pop up. Oh.

Speaker 2 (35:20):
I don't think Drake likes anyone that went there. I
just don't think Tyler is going out of his place.

Speaker 1 (35:24):
I don't like the niggas that worked in concessions than
he got all of the he got all the union workers,
he got all of the IDs. He knows everybody that
sold popcorn date that night.

Speaker 2 (35:34):
Fuck oh yeah, that's hilarious. The only thing I found
weird was forget Drake out of it. Anytime Tyler has freestyled,
even in the verse he has with Game, all he's
done is this Lebron James hairline for the last twenty years.
Anytime he's asked to rap, if I'm Bron, I'm a
fuck to Drake cy I'm not going like we have

(35:54):
to have a hairline conversation, sir. Yeah.

Speaker 1 (35:57):
Oh, I gotta watch the video again though, to see
if this is little.

Speaker 4 (36:00):
You know what did I miss? Sorry?

Speaker 1 (36:06):
The newspaper's flying around. Headlines in the newspaper.

Speaker 2 (36:11):
Okay, all right, see I didn't think that headlines shit
was about Tyler, but when it headlines come out, twenty.

Speaker 1 (36:20):
Thirty fourteen sounds about right. Sounds about right, maybe thirteen
either way, you know.

Speaker 2 (36:30):
Okay, Actually I thought it was about Bron, but him
and Bron have been friends. Was before that that was
like he what's the joint with Kanye, Wayne Eminem and Drake.
That was for Bron's movie. Yeah, if they've been friends
for what Maybe it was about Tyler and May. Yeah
the newspapers. Okay, I take it back.

Speaker 4 (36:46):
Headlines was on take Care right yeah, twenty twelve.

Speaker 1 (36:52):
Okay, then all right, yeah maybe it was. I don't know,
I'm just talking.

Speaker 2 (36:57):
Yeah, we just made no but usually all that deep
dive ship with certain stuff like that. But the newspapers,
I mean that does make sense now that you bring
up the headline ship. Yeah, I get it.

Speaker 1 (37:07):
I'm just talking ship.

Speaker 4 (37:08):
Yeah, look at us start stirring up narratives. I love that.
Everybody else do We did the narrative cast.

Speaker 1 (37:14):
No, we just the cast. We just that's it, bro.
Everybody else start up narratives.

Speaker 4 (37:19):
And ship like well, we stir up narratives, they tend
to grow legs and start to working.

Speaker 1 (37:23):
So I mean, I'm just you know, I'm just talking shit.
I don't think that Tyler was throwing any shots at
at Drake. I don't think so cares like that, to
be honest. Yeah, and I also don't really care.

Speaker 2 (37:37):
No, speaking of fifty uh, we have like this segment
was JD two weeks ago. Last week two weeks ago,
we started like this this or that type segment.

Speaker 1 (37:52):
We did with JD.

Speaker 2 (37:53):
And we want to do the Queen's Edition today with
you where you have to you have to decide some
things here one can stay and one has to be
going forever. It was written nas or the War Report
components Forever one has to go forever.

Speaker 1 (38:08):
You can only keep one.

Speaker 3 (38:09):
Now we can't do that, go the next one. It
was written was was a part of reason I even
started rapping. NOAs is my favorite rapper ever, so I
would have to go with that, just based on the
fact that I wouldn't even on his couch without allmatic
and it was written that ass. Like when I first

(38:31):
it was written, I pulled over my car, like, what
is this ship? I heard the message.

Speaker 1 (38:34):
I was like, the fuck is this ship? I pulled over.
I was driving down Jamaica Avenue at night going to
my crib. I pulled over.

Speaker 3 (38:41):
It was like, this ship is amazing. So that's the
impact that music had on me, and it made me
want to keep to pursue rapping the real way. I
was going to school to be like a doctor, I'm sure,
trying to my mother proud. And then I started getting
to this hip hop gangster ship and I was like, all.

Speaker 1 (38:52):
Right, it was written, ruined your life, ruined me?

Speaker 2 (38:56):
Sorry, Mom, Well I guess the answer is, uh, he's
component noy, so we can't.

Speaker 1 (39:01):
We can't do that.

Speaker 2 (39:04):
I feel like the War Report could get you in
some more trouble than it was written.

Speaker 3 (39:08):
Yeah, but that that's so yeah, yeah, but it's just
it's just that had an impact on me too, just
not like what NAS did.

Speaker 1 (39:14):
But now we can't.

Speaker 3 (39:14):
We need both of those.

Speaker 1 (39:15):
Can't do that. Yeah, we definitely need both of those.

Speaker 3 (39:16):
We can't do that.

Speaker 1 (39:17):
Yeah, these questions just take a phone away fast, moll
swift your.

Speaker 2 (39:21):
Next single, and again, keep keep in mind that time
does not really exist in this whole theory of this
or that. All right, this has to be your next single. Prodigy,
keep it thorough or Simon says, fair much.

Speaker 1 (39:34):
Mm hmm. That's a good one. Damn well.

Speaker 3 (39:38):
See Prodigy is in my top five, which have a
top six prodigies in there. Keep it throws one of
my favorite records ever, and fucking that fron mind shit
is retarded.

Speaker 1 (39:46):
Those are your next single.

Speaker 3 (39:50):
I'm gonna have to go with Prodigy, keep it thorough.
That's just I'm a queen's nigga. That's just that's just.

Speaker 1 (39:57):
Probably that's rough, rough game. But I'll go with keep
It throws you next thing.

Speaker 3 (40:04):
That's my that's my favorite. That's one of my favorite records.
I wrapped on a beat ninety billion times. I think
every rapper has probably wrapped on that. That's one of
my favorite records ever. You so you're doing this unfair shit, man.

Speaker 2 (40:15):
I mean this man has to be so, this is Queens,
this man has to be so.

Speaker 5 (40:18):
Yeah.

Speaker 2 (40:18):
I think I'm gonna go with Simon says, though, because
I feel like parah Mant is probably still eating off
sinks with. Simon says, it's so commercials like I'm doing
this so nuh taking the back.

Speaker 3 (40:28):
Roy Simon said, yeah, yeah, I don't, but I'm just
going off like I ain't gonna lie.

Speaker 1 (40:34):
Keep It Throws one of my favorite records.

Speaker 2 (40:36):
Yeah, yeah, it's probably, Simon says, Top five Alchemists be
two Yeah throw.

Speaker 1 (40:41):
Yeah, it's like it's it's like one of my favorite
records ever. Bro. When I first heard that ship, I
was like, my nigger, what does he be thinking about?

Speaker 3 (40:48):
What are you smoking?

Speaker 1 (40:49):
You?

Speaker 3 (40:50):
I was so one of my dope hit by moments.
Not to throw you off one of my dope hit
by moments as simple as it sounds. I did a
freestyle on.

Speaker 1 (40:59):
What's It?

Speaker 3 (41:00):
I think it was Hell on Earth?

Speaker 2 (41:01):
No? No?

Speaker 3 (41:01):
Or was it a shook once?

Speaker 1 (41:02):
One of them?

Speaker 3 (41:03):
One of them classic mob deep beats. I did a
long freestyle on the ship and I was like yo.
I called p I was like, I just want you
to make a cameo in the video. I was just
shooting a freestyle dolo. He's like, I had that where
you at. I was in a park in Queens. He
pulled up Dolo. It was just me and him on
a park bench, just chillingceive a video. I thought I

(41:23):
was the most amazing ship ever. I was like, this
is me and Prodigy on a park bench in Queens
in the hood. I got a bear or some ship.

Speaker 1 (41:31):
I was like, this is amazing. I have a great life.

Speaker 2 (41:34):
Yeah, imagine you just mind your business going to park,
play ball or whatever.

Speaker 6 (41:40):
Bro it was.

Speaker 1 (41:41):
I'm like this, I'm just looking at him, like yo
you really yeah, just Queens. If you was ever blessed
to just meet him and kick it with him, that's
that's him all the way. I'm telling you.

Speaker 3 (41:50):
He pulled up dolar literally dolo on a park bench
in the hood in Queens just one camera man.

Speaker 1 (41:56):
The two dogs even get the right amount of light
in walking amazing. Life is great.

Speaker 2 (42:04):
Did you read his book?

Speaker 1 (42:06):
Nah, but I need to you read it.

Speaker 2 (42:08):
Yeah, I read it, and I would actually suggest doing
the audiobook because p is is it's his voice.

Speaker 1 (42:13):
So yeah, it just makes the ship way better.

Speaker 3 (42:15):
But that's fine.

Speaker 1 (42:16):
Book. I might have to check that out. It's one
of the best reads ever.

Speaker 3 (42:19):
That's amazing. I did not even notice.

Speaker 2 (42:21):
But it's funny bringing up because in the book there's
like a whole chapter of just having like begging Pete
to stop hanging out in the hood, like birds stop it,
Like you go there every day, we have money, Stop
leaving our cribin Long Island to go to Queens.

Speaker 3 (42:33):
Birds like bro he pulled, he pulled. I was in
the hood, he pulled. Loves what you are I told
him was that he pulled up wheat in the hood
on a park bench. That's park bench with p I
was like, that's crazy. That was amazing, But I mean
his whole family's Queen's royalty. Yeah, but I just I
just enjoyed that moment so much. I was like, Wow,
I'm should be released Bird.

Speaker 2 (42:53):
Making an album produced by Havoc or Q two.

Speaker 3 (42:58):
So yeah, yeah yeah, picking my face again. This is hard,
this is this is this is crazy.

Speaker 1 (43:02):
Ship.

Speaker 3 (43:03):
I gotta go with half because of influenced, but Q
tip is gonna give me the bag with TODs Havel though,
but for what I became and my influences is gonna
be half for that.

Speaker 1 (43:15):
I had another stipulation of this.

Speaker 2 (43:18):
They also can feature as rappers on this joint project.

Speaker 1 (43:20):
Q Tip will take me around the world. This guy's
not fair. He has to be stopped. He has to
be stopped. Will have you in the day party any
visa and it's like ship have my two though, don't
get a twisted he might find one and I remember
throw something on you like yo, what is my main records?

Speaker 3 (43:40):
Would have have is on the project that I did
with with I released a collaborative project with Benny BSF
and my company Team Ban Dope Gang. Of course stop
calling our content. Have is on that joint and have
his on the last project can Drive. He produced a
record on this. I already know what I'm gonnaive him half.
It's gonna be great. I never worked with Q tip before,
but I know I'm probably gonna be on the Coach

(44:01):
of Spain somewhere.

Speaker 1 (44:01):
After he's on these records.

Speaker 2 (44:03):
Yeah, and the album may never come out because Q
tip is gonna work on you for the next thirty years.
But when it does have a bounce and sh like yeah, yeah, yeah,
that's how IOUs.

Speaker 1 (44:14):
But based on my influence, is probably gonna be half
I keep it a buck.

Speaker 2 (44:17):
Yeah. Word, you can put a verse on DJ Clue
the professional album or who give fifty centers the Future?

Speaker 3 (44:26):
That's a good one too.

Speaker 1 (44:27):
Damn hhmm what was the question?

Speaker 2 (44:31):
Graft can put a verse on the professional DJ clue
first actual album or who kid fifty centers the Future?
There's a graph feature on one of them.

Speaker 1 (44:42):
It's gonna be thinking I would have never thought of them.

Speaker 3 (44:44):
Shit like that.

Speaker 1 (44:46):
Uh, ship balls, that's a tough one too.

Speaker 3 (44:53):
A professional with the Rockefeller Project project.

Speaker 2 (44:55):
Right, Yeah, that's just like the thirty times platinum.

Speaker 1 (44:57):
Now I think I might, I might.

Speaker 3 (44:59):
I might just go with that so I could just
continue to this rock and fellow ship that got going on.

Speaker 1 (45:03):
Yeah it in, yeah, it ties in.

Speaker 3 (45:05):
Butkay. That that's that's the whole. That's that's my side
of queens too. That's the whole yea that shady bill
all the way to the south side. That's the whole ship.
That's the whole side off south of Yeah, Jesus twisted
my arm here, buddy. But I'll probably go with the
clue because of the because of what the fun I created. Yeah,

(45:27):
that's the only reason. Yeah, the kid is shout out. Okay,
I just seen a nigga recently too.

Speaker 2 (45:33):
It's the start of your career. You can sign a
Steve Stout or IRV Gotti.

Speaker 3 (45:38):
Shout out to earth Man recipes. Absolutely, I did three
records of earth in my career. Man shout out to
earth Word. I never worked with Steve Stole before. That's
not ship mm hmm.

Speaker 2 (45:50):
And I mean probably the best brand partnership.

Speaker 3 (45:53):
Yeah, I'm gonna get I'm gonna have Hole behind me,
I have PEPSI, I'm gonna have the brand Punish is
gonna be out there as ship camera word like I'm
gonna get like this might gonna be sponsored by like
Steve's out.

Speaker 1 (46:07):
Damn.

Speaker 3 (46:08):
I might have to go with Steve for the for
that ship that I haven't even tapped into yet career wise.
And I never had an opportunity to work with Steve
before I worked my nigga. That's when I worked to Earth,
so I already know I'm gonna get bangers. Irv Is
is amazing way. I learned a lie from Earth too
in a little bit of time I worked him. That asked,
So I've experienced that. So I'm gonna go with Steve

(46:28):
because I never get inside of shit.

Speaker 1 (46:30):
Yeah that makes sense.

Speaker 2 (46:31):
Yeah, this is a random question just for the room
in particular. Again, remember time does not exist in this
whole world. Would you rather see fifty cent signed to
death Row in nineteen ninety six, but like twenty five
year old fifty, like right when it's.

Speaker 1 (46:46):
Rising by six and all that?

Speaker 2 (46:48):
Wo that fifty signed to death Row ninety six Or
Nikki signs to Murder Inc.

Speaker 3 (46:55):
In two thousand and one. Oh shit, now I'll go
with the fifty. With that one, Nicki a Murder Inc.

Speaker 2 (47:02):
You got Nicki Minaj and Jah rules to have some
shanty like Yo Nikki in O one because they were
making more softer records.

Speaker 1 (47:12):
She was still doing hard ship then, but I mean.

Speaker 2 (47:16):
They were the singles were that way, but they were
still there.

Speaker 3 (47:20):
They were still making hardship too. Me think, but you're
putting fifty. Fifty already came out of the West Coast ship.
He already came out with that type of energy. To
be honest, that's a part of his legacy too. He
already went with that.

Speaker 1 (47:33):
But less chaos with him with him with po Actually,
like with Pop, Yeah, I don't what the mentality. I
don't think we've ever seen pocked the hood. Yeah cool.

Speaker 2 (47:45):
What I meant was queens all the time with stretched Yeah,
p would have brought fifty to queens you've never been over.
I just think them made him. That wouldn't imagine fifty
cent and shook.

Speaker 3 (48:03):
That'd have been nothing. That would have been crazy. That
would have been that'd have been crazy with his mentality
then that, yeah, I would have been. They would have
been the industry. Have they fucked up? NICKI would murder inc.
I never even had that thought in my life that
she even had records with them shoting and all of
that now right.

Speaker 2 (48:18):
She can't wait din life. I'm just thinking of Nikki.
I think that would there'd be a whole different story
to murder inc. And did you like fifty is not
getting murder in clean out of here that easy? If
you have Nikki carrying the flag in the midst of
that entire thing. True, But then Nicky wouldn't making different records.

Speaker 3 (48:39):
I'm trying to talking about what she trying to think, Yeah,
because er been doing up you have a shanty have
job role. I'm like, I'm trying to picture in my
head now, I don't know. I can't even I'm thinking
about the records they made and then putting Nicki on it,
and I'm like, I don't know if I wanted to
hear that. Yeah, I don't know what you think I

(48:59):
would want to. I could hear fifty and POC though,
Oh did definitely because the alignment is there.

Speaker 1 (49:05):
Yeah, But I just I think that NICKI would IRV and.

Speaker 3 (49:09):
That would have been crazy because then nick IRV would
have catered to NICKI so to be able to created
some shit that I can't even imagine keeping doing it.

Speaker 1 (49:14):
I'm just going off what exists already. Yeah, you talk
about the energy with Poking fifty.

Speaker 3 (49:19):
That's what I'm thinking about the energy that they would
have brought pock fifty and show would have been some
other shit and should have been fucked up, like locked
the doors, you.

Speaker 1 (49:26):
Know what I mean.

Speaker 3 (49:27):
But I'm trying to think about what sound they would
have created that Murder inc with Nikki. I don't know.
I can't. I guess I can't imagine it clearly.

Speaker 2 (49:34):
I mean I feel like even a lot of the
Young Money it would.

Speaker 1 (49:36):
Have been a different sound. It doesn't exist. It would
have been different.

Speaker 3 (49:38):
Yeah, it would have been because the Young Money sound
and the Earth sound is different the regularly hopped with.
But I don't think because it's should have been a
different artist by now, I think would have been something else.

Speaker 2 (49:46):
I don't even think Young Money sounds the same way
without Murder Ink, though of course it's completely different sounds.
But that A lot of shit that Drake, Nikki and
Wayne All did was the proof came from IRV true
like you could have hard raps.

Speaker 3 (50:02):
I feel like everybody got that formal, including fifty from Urban.
They invented that ship. Joe was doing the quick four
bar bridges. John was the first artist I haven't seen
that I was doing bridges. In the middle of his
verses like that, I was like, what the fuck is this?
He was doing quick four bar bridges in the beginning.
In the middle he was like he had vamp outs
that were like structure like R and B Records, but.

Speaker 1 (50:20):
Because of him and IRV.

Speaker 3 (50:21):
Yeah, so Nicki would had all those elements too, Dan,
That's a good question, ship Alls, and.

Speaker 1 (50:26):
I think I think artists for just for the art
of it. In the music, I would want to hear Nikki.

Speaker 3 (50:30):
Yeah, yeah, I guess so I would have been signing
so we can go with Nicki with that, Yeah, yeah,
because that would have been she would have been. Yeah,
it would have been some whole ubic shit that I
can't even imagine that all right, fuck it, I took
Nikki do that.

Speaker 2 (50:43):
Mall has had this segment came up with the same night,
same city. I don't know if you had some in mine.
I have a few written down for your same night,
same city segment. Essentially, this is these shows are happening
the exact same night in the exact same city, and
you have to choose which one that.

Speaker 1 (50:59):
You go with me, No, grab somehow he would make
it to both. Somehow, this guy would be at both
of the shows. He'd be like, Yo, how how was
this out?

Speaker 2 (51:10):
Okay, then I'll rework this one to who do you
think is gonna have a better show?

Speaker 1 (51:15):
The same night, same city?

Speaker 3 (51:17):
All right?

Speaker 2 (51:18):
Queensbridge reunion show or a south Side reunion show?

Speaker 1 (51:22):
Cold on, man, what's wrong with this guy? What are
we doing?

Speaker 2 (51:26):
Mal?

Speaker 1 (51:26):
How are we gonna stop him? Then have a that's tough.
Oh man, I mean me my first, my knee jerk
answer is Queensbridge. Yeah right, because you got nads, you
got that's gonna be.

Speaker 2 (51:41):
Yeah March Yeah, you still get CNN.

Speaker 1 (51:44):
Like I'm going still ann.

Speaker 3 (51:47):
Show is fifty you got lost boys, you got onyx
onyx should I'm gonna be there, fuck yeah, cheek cold
that because IM gonna being that motherfucker leg You know
you would be.

Speaker 1 (52:01):
At both you the way both shows start at nine pm,
sharp crafts go be at both shows and performing at
both performing How did he get here? But I just
saw him the south Side? Yeah but not me twenty
minute drive. I'm gonna do it, skirt me being you.

Speaker 2 (52:16):
Know which one would you rather do?

Speaker 1 (52:17):
Security?

Speaker 3 (52:18):
Yet?

Speaker 1 (52:19):
Oh man, give me?

Speaker 3 (52:20):
They both let me be wow they both be wold.
But wanted to say that I saw one probably gonna
be wild.

Speaker 1 (52:25):
Let up other thing. Yeah, queez, Rizz is a little.
I feel like as head of security, I feel like
I could get the nods. I'm like yo, come on, man,
like calm the fellas down the South Side the south
Side show you not getting to nobody to.

Speaker 2 (52:37):
My com forgetting when all of Queen's Ridge went to
Central Park and ruined that notch shut shut Central Park down.

Speaker 1 (52:44):
Yeah, but that's because I didn't get the nods first
to be like, yo, fam, come on, talk to the guys.

Speaker 4 (52:48):
Man.

Speaker 3 (52:49):
That's a good question, though. I don't have to be
biased to go to the South Side show man. That's
just me being biased, though, keep it on it because
I want to see both, and I'm gona make it
to both as twenty minute ride and I'm gonna make
it the both. That's a fact. I got to join
out right now with Buster called Juice shout out the bus.
Though he made some high energy legend fucking drill. UK

(53:12):
sounds like some UK Jamaican drills. We just invented some
shit that doesn't exist. And it's out now and we're
shooting the video Friday. Yeah, I gonna get that, you
know what I'm saying. Busted my brother men shout out
to the bus. He's like my buses, Like legit, my
big brother man, I know buses. I was like seventeen
eighteen years old. Man. When I first met bus, I
didn't know nothing about the fucking industry, fresh out the hood,

(53:32):
and I started working with him. Actually then met dropped
out of college to tour with him and work with him,
and we ended up having a fucking fist fight back
then you were, Yeah, I was like eighteen nineteen years old.
I popped into the studio and like, without telling him,
he was talking to me crazy. I was like, step outside,
fuck it, and he stepped outside. We got it on.

Speaker 1 (53:50):
Wait wait wait, yeah, so too quick of a story.
Have you got mad at something?

Speaker 3 (53:59):
Buster said, yeah, I thought he was talking to me
because I popped up. He got mad that it showed up.

Speaker 1 (54:04):
Oh you just popped up at his session.

Speaker 3 (54:05):
Yeah, but he said because I didn't understand the industry
rules and shock eighteen nineteen, I don't know about nine.

Speaker 1 (54:10):
Yeah. He said, you can call me whenever. I like bad,
So I did that. He didn't pick up. I was like,
I ain't pick up. I'm just going to show up,
and he was.

Speaker 3 (54:15):
Like, what are you doing here? I was like, well, nigga,
you said I can pull up. He's like, yeah, but
I didn't pick up. I said, I said that's why
I showed up. He was like, I didn't pick up.
That means not today. And I didn't understand that. I'm like, yeah, nigga,
you ain't pick up.

Speaker 1 (54:26):
So yeah, because I didn't understand the industry ship at all.

Speaker 3 (54:29):
I'm yeah, straight in the hood, moving about nothing. He
was talking to me away. I ain't like it, and
I said, fuck the step outside and he's like, all right,
and we went outside and things were I left, I swung,
he swung.

Speaker 1 (54:43):
I tried to stab with a knife for all this
crazy shit. It was crazy.

Speaker 2 (54:46):
Wait more elements.

Speaker 1 (54:48):
He broke a bottle, he broke about busted rock. He
broke a bottle.

Speaker 6 (54:54):
It's available, man, yo, nigga, he said, yeah, touched that bus.

Speaker 1 (55:02):
The song available now right now. I flicked the knife.
He broke a bottles like a Jamaican fucking we side
story went left?

Speaker 6 (55:09):
Jamaican?

Speaker 1 (55:10):
What went left? Yo? Grab the most random I'm telling you,
I'm telling you. Where was the Big Brother?

Speaker 2 (55:21):
Now?

Speaker 1 (55:21):
Where was the studio at? This was in the city.
This is like, what's the soundtracks one of the studios?

Speaker 2 (55:26):
All right, So y'all walked out to a Manhattan block
or yeah, let's get it. Okay, first he came back.
This first he came he sort he talked me off
the left. He was talking sensibly to me. I didn't
I couldn't register young, and I was young. I couldn't
understand he.

Speaker 1 (55:41):
Like, yo, he said.

Speaker 3 (55:42):
The first thing he said was, you came in here
on some street ship. I'm trying to teach you some
business ship. And for some reason that sounded dependsive to me.
I was like, you can't teach me sh He was like,
I was just young aerant, like nigga, you came here
the street ship. I'm trying to teach you how to
be a businessman. You're coming with the wrong energy. And
for some reason I kept taking it like just hearing
it wrong. It just on the defensive.

Speaker 1 (56:01):
You can't teach me nothing outside He was like, fide
went there once outside? Yeah, yeah, yeah, yeah.

Speaker 2 (56:11):
A square up? Or how did the physical altercation?

Speaker 1 (56:14):
It was like a square up? It was a square up?

Speaker 2 (56:16):
Or did somebody just storm something. I pushed him first,
and he swung, then I swung, and then when any
of those lens you're going too fast? Did any of
those lengths the first shovel a real and but when
he swung. I kind of like stucked it and slipped.
He thought he caught me, and then I got mad.
He thought he called me then the Knights. Yeah, we
don't talk about that. We don't talk about somebody feel
like they caught you and dropped you.

Speaker 1 (56:37):
That's all another to this knife.

Speaker 6 (56:43):
Time to go to the knife. He's like, you got
a knife. The bottle was like, I know how it
didn't go left? After that, nobody died, he said, the
songs available. Now we live welled, We lived through this, We.

Speaker 1 (56:55):
Made it all about it.

Speaker 2 (56:56):
So once the bottle was broken and the night's out,
how did this situation in diffused?

Speaker 1 (57:00):
I don't remember that part. I just know nobody got stabbed,
which is great, that's amazing. Yeah, I'm so glad. I'm
so glad graphing Buster didn't stab each other up on
the mat and block.

Speaker 2 (57:11):
It works out and something tells me Buster called you
the next day and forgot any of that even happened.

Speaker 1 (57:15):
No, no, no, we used to be for years after that.

Speaker 6 (57:17):
Yeah.

Speaker 1 (57:17):
Yeah, yeah, because he.

Speaker 3 (57:18):
Was like he wanted to sign me, and he was
like this niggas a liability I had you got Yeah.

Speaker 1 (57:22):
Yeah, but that's how fashion happens, but I'm learning. See.

Speaker 3 (57:25):
I went from that to like realizing certain battles don't
need to be in because I don't got.

Speaker 1 (57:29):
To tell controls her nigga. Yeah, yeah, my battles lovely.

Speaker 2 (57:32):
Now I get it and Bust team.

Speaker 1 (57:34):
You know, we want to sign graphic.

Speaker 2 (57:36):
He tried to stab.

Speaker 3 (57:39):
He tells the story and be like this nigga, back
to night for men, like, Nigga, you broke a bottle too, Yeah,
he broke a bottle after it's not gotta stab.

Speaker 1 (57:45):
I put out a knife and he was like, oh,
ship that nigga.

Speaker 2 (57:47):
Ran for.

Speaker 1 (57:51):
Trying to stab me back and only Buster could break
a bottle perfectly and then perfectly perfect amount of spike.
You ever tried that? You ever tried to break him
the whole ship break? Like, I don't have nothing to
staff nobody with. How do you break it so perfectly?
It's like it's a point that got making. It worked out.

Speaker 2 (58:06):
Yo.

Speaker 1 (58:06):
That is fucking song available now, song available now, video video,
Shoot this Friday. That's a fact, yo. Listen man, life
is It's wonderful, life is beautiful.

Speaker 2 (58:15):
I guess we have to ask the same question we
ask everyone that has a relationship with Buster. Where where
do you rate him in the top five dappers of
all time?

Speaker 1 (58:22):
A bunch of shit? Buster shake hand, He'll break your
fucking hands. Shoulder el ball, Yeah, Bust to give you
that that real with the mad diamond ring. Yes, got
you gotta Yeah, you got to be prepared to shake
Buster the hand. Buster actually in my top five.

Speaker 3 (58:38):
I mean I need to have a top seven because
I got a lot of my headens and flows and
delivery from Bust. The way I construct records. A lot
of that came from Bus. I took a lot of
what I do from the way he constructs records a
lot of it.

Speaker 2 (58:48):
Or you said product you was in your top six,
I mean seven.

Speaker 3 (58:54):
Top seven, fuck it because it's I got nas Jay
Royce and Jadie Kiss, Prodigy and Buster, all the niggas.
So my top five is the top seven. That's a
very interesting tope word. And most niggs don't got Royce
in the top five. Royce is in my top five,
then niggas amazing. I got Royce and m in my
top they both with all the people influenced what I do,

(59:15):
I can see that I could kind of see all
the hair flow. Yeah, all the niggas is put them
in a pot and on loadst them. It's like bams
graph is here. All their influences is in the music.
I can hear the word Prodigy. Prodigy lines are recorded
in my songs to the current day. You could play
anyone to be like, oh that's a Prodigy line all
in the music current day.

Speaker 1 (59:34):
Still Prodigy is just the guy.

Speaker 3 (59:35):
He was that guy. Absolutely.

Speaker 2 (59:36):
When was the last time you talked to slaff right
before we get out here?

Speaker 1 (59:40):
A couple months ago? Yeah, how's he doing?

Speaker 3 (59:42):
I don't know.

Speaker 1 (59:43):
I love that guys ago. I don't know how I
love that guy. He be with the smoke. Yeah, I
think about say with it he raps, so you get busy.

Speaker 2 (59:51):
We've seen, but we've heard it. We've heard.

Speaker 3 (59:54):
As a matter of fact, did you hear this song?
I did call thirty six Chambers. I called him to
do the treatment. He wrote a crazy treatment for that record.
I was like, that's how I ran in my mind.
I was like, what this video like a Shylah buff
directed it. Yeah, and he wrote a crazy treatment. He
had a crazy he was just too busy to do it.
Nuts nuts, he's nuts.

Speaker 1 (01:00:13):
He typed it all out could do this almost Buster
Rhymes and he has a treatment for a song from
Shilah buff This nigga is the most random dude, the
most necessary dude in city. I'm telling you, Graft, thank
you for coming through my brother, long overdue, over the dude.
Always good to see you, my guy. Juice, what is it? Juice?

(01:00:35):
Juice available now? Preaturre and Buster Rhymes and bust the
chimney that game.

Speaker 2 (01:00:40):
I think I just react to that scene for the
video like you want me to write a treatment. Just
told us the treatment for what the video should be.

Speaker 1 (01:00:49):
You'll step outside.

Speaker 2 (01:00:51):
Side everything that I was breaking random ship graph. Speaking
of love Sponge, heches a segway god on the Speaking
of love Sponge, Matt Lioner did a was it a

(01:01:12):
podcast or interview and said he fumbled Rihanna.

Speaker 1 (01:01:15):
Because he had a little herp on his mouth. He
said that he said he had a lip blister like.

Speaker 2 (01:01:23):
A sun blister when they went out on a date
and she was just like, now, I'm cool, got some
shit on your lip, that.

Speaker 1 (01:01:29):
Ship on your lip, that on your lip, got some
ship on your list? Damn that's yo. He talking about
bad time and you got a date where Rihanna, And
then you get a fucking blister.

Speaker 2 (01:01:42):
Oh, I'm killing a grandparent something. Something's happening for me
to losch that date. God, somebody's dying in my story.

Speaker 5 (01:01:48):
You gotta cut the lip. Cut the blister off the lip,
Cut the blister off. You had to put a lighter
to a knife and cut the blister off the lip.

Speaker 4 (01:01:57):
Bro, you got to just go to mandate. You gotta go.

Speaker 2 (01:02:00):
But that's like some bold shit. And even people have
had liplessens. Doesn't mean it's her pies is like anything
like that. But to go on a date with that
shit on your lip is the boldest thing I've ever seen.
Imagine sitting across from somebody, like before we talk, you
have something on your lip, Like.

Speaker 1 (01:02:17):
Can we just dress this before we talk? Yeah, before this.

Speaker 2 (01:02:20):
Starts working out and then we get to know each other, Like,
what is what's going on there? I think it's a
fair question to ask somebody on a date.

Speaker 1 (01:02:26):
Yeah, but not Rihanna.

Speaker 4 (01:02:29):
Nah, dog, you had to cancel. You gotta cancel you.

Speaker 1 (01:02:33):
There's no way you can let Rihanna see you like that.
I'm canceling that. That's crazy.

Speaker 2 (01:02:38):
I might fake kill my own mother.

Speaker 1 (01:02:39):
In that story, but the bigger hold on, but before
we get to the shit on your lip, Matt I
wasn't familiar with his game. How did he even get
to the point where he had a date with Rihanna.

Speaker 2 (01:02:51):
Let's not act like Matt Liner is not Matt Leiner
like and if this no especially.

Speaker 1 (01:02:55):
Listen Matt, that line can exactly tell me perfect I'm
a girl and I'm like, but that's perfect though.

Speaker 2 (01:03:01):
You just have one of the most eligible bachelors from
USC at one time in all of Los Angeles.

Speaker 1 (01:03:06):
Okay, yeah, he was a big deal.

Speaker 2 (01:03:10):
Holes was moving Reggie Bush out the way to get down.

Speaker 4 (01:03:12):
Okay, what does he look like, Josh ke pull him up? Please?

Speaker 2 (01:03:15):
Gorgeous?

Speaker 1 (01:03:15):
Man.

Speaker 2 (01:03:18):
He is a unit too, He's not quite Brady unit.

Speaker 1 (01:03:21):
But I don't act.

Speaker 2 (01:03:23):
Don't act like you ain't think number eleven was getting o's.

Speaker 1 (01:03:27):
Oh no, man was out there in US. He was
in USC taking him down for the show, m M
for show and.

Speaker 2 (01:03:33):
Got that contract. Because I mean that was probably around
the time Rihanna came out, right, Uh, that was.

Speaker 1 (01:03:40):
Like oh two three, early two thousands for sure. Yeah, yeah,
you don't think the replay is not going on a
date with that. That's just now I'm saying that type
of fumble is legend. That's the that's the biggest fumble
in history right there, that might be that might be
the biggest fumble in the history. I mean because you

(01:04:01):
had a blister on your lip, like, oh, it can't
be any It doesn't get worse than that.

Speaker 2 (01:04:07):
And you know, Rihanna said something to me that's so
that's so big of a fumble.

Speaker 1 (01:04:11):
If he if he said that, like in conversation like
right here, I wouldn't even believe him. You're not just
saying anything. That's how big that FuMB was, Like that
did not happen. The universe doesn't hate you that much.
Like the day you have a date where Rihanna, you
wake up and it's a blister on your lip? Wow?
Is there?

Speaker 2 (01:04:30):
I mean, do they have like lip makeup or something?

Speaker 1 (01:04:34):
You just can't go, Bro, you can't go. You gotta
just fumble. Just hope that it's it's dimly lit. And
do you tell Rihanna why you gotta cancel? Nah?

Speaker 4 (01:04:43):
You make up something?

Speaker 1 (01:04:44):
Yeah, just like.

Speaker 4 (01:04:47):
You got a bad hole, you know.

Speaker 1 (01:04:49):
Bad cold that ain't gonna that ain't gonna cancel the date.
With rihan over though bad hole. I'm gonna show up coughing.

Speaker 2 (01:04:54):
Yeah, sneazing at the table.

Speaker 1 (01:04:56):
Yeah, I'm showing up coughing, headache, all of that. I'm
not canceling a date where on him? Because I got
a cold. I'm a fucking football player. You kidding me?

Speaker 5 (01:05:03):
Like a cold a stomach virus. I rather Rihanna think
I was shitting on myself than I.

Speaker 1 (01:05:09):
You heard what silly said, Nothing but death could keep
me from it.

Speaker 3 (01:05:12):
Yep.

Speaker 1 (01:05:13):
The only way I'm funk. I died. That's the only
reason I didn't go to day we'reand I'm dead. I
woke up dead.

Speaker 4 (01:05:18):
You can't wake up dead.

Speaker 1 (01:05:20):
I woke up dead. Not canceling no date with Rihanna,
you couldn't for cold fuck no bump on your lips
because it's no what are we going to do? We
can't not talk about this bump on your lip? And
then what do you tell Rihanna? Like, YO, was kissing
some girl last night? Shit got crazy because that bump
on your list? Shit, we don't talk about that, Like

(01:05:40):
what is that? Ma, I'm just saying what I've never
had that mall?

Speaker 3 (01:05:45):
All right?

Speaker 1 (01:05:46):
Never mind?

Speaker 3 (01:05:46):
Thank you?

Speaker 1 (01:05:48):
You bit your tongue. I bit this ship out my
tongue in my sleep. My shit still hurt, and your
sleep I don't like you know, it's one of those
things you just jump in your sleep. I bit the
ship up my My tongue is still numb on the
left side.

Speaker 4 (01:06:03):
Did it bleed?

Speaker 1 (01:06:03):
Hell yeah, I take the that sh I didn't get
up though. It woke me about my sleep, and I
was like, fuck it. I just went back to sleep
like tongue throbbing, tongue felt like I had a pulse,
a heartbeat on my tongue.

Speaker 2 (01:06:15):
You ever about to eat some pussy and have to
ask a girl? That's that's an ingrowing right, yo? What's
the only one?

Speaker 1 (01:06:25):
Right?

Speaker 2 (01:06:26):
Everyone quiet like I'm the only one.

Speaker 1 (01:06:28):
What you're going through? Many cause you ain't right?

Speaker 5 (01:06:31):
No, you ain't ask her, y'all lying like ship because
I know you ain't asked her that.

Speaker 1 (01:06:35):
He just put his thumb on it.

Speaker 3 (01:06:36):
And just.

Speaker 2 (01:06:38):
I just won't look in that area.

Speaker 1 (01:06:42):
For yourself. Is insane. Put a stumb on it, you
nasty ass white boy. He was put your thumb warder
and kept licking.

Speaker 2 (01:06:52):
Listen, man, no blitters on the lipt.

Speaker 1 (01:06:56):
Woke up, good, woke up good. I'm still good. Yeah,
Hey Matt, that's the biggest form in the history though,
and he might have a big end game fumble, but
it still was. This is the biggest bubble ever. This
is crazy. I had a bump on my lips so
I couldn't go on a date with Rihanna Burst alone.

Speaker 4 (01:07:14):
You know what will piss me off about being famous?

Speaker 5 (01:07:17):
It's like niggas getting on podcasts and talking about the
fact that they had a chance with me when I
was fucking a teenager, Like you know, when I was
a teenager. That will really piss me off, Like why,
because I don't like why why you bring it? I'm like,
I'm damn near married now I got two kids.

Speaker 1 (01:07:33):
Like what but if somebody asked, all right, but if
somebody asked, yo, what's the biggest fumble in your life?

Speaker 4 (01:07:39):
You could have left my name out. You would left
my name out. You could said that.

Speaker 1 (01:07:42):
But if that ain't the biggest fumble, when you say
the name, that's the fumble, Like who are you from? Yols?

Speaker 4 (01:07:49):
I don't blame him.

Speaker 1 (01:07:50):
Huge artists, huge artists, Like at the time, you know
we were talking, she wanted to go on a date.
She's a huge artist like that. Don't land the same
when you say, yo, Rihanna wanted to go on to
date niggas is like what you fumbled, Rihann That's that's
the fumble, Rihanna. I get it.

Speaker 5 (01:08:04):
I'm not he didn't do anything wrong. I'm not saying
he you know, he did anything wrong. I'm just like, bro,
that would annoy the fuck out of me about being famous.
Oh well yeah, because I don't even want nobody knowing
that you have my phone like chill, like even still,
like just sometimes, like women, we just look back like
what was I doing? Like it doesn't you saying matt
ain't No, that doesn't matter. It's just sometimes you just

(01:08:25):
don't want to be reminded of who the fuck you
that gave your phone number to her?

Speaker 4 (01:08:27):
Who he was about to go out.

Speaker 2 (01:08:28):
Honestly, I'm sure Rihanna's probably hitting her group chat, like
finally I can talk about this publicly because you know,
she told all her friends that's probably been a running
jill for the last fifteen years.

Speaker 1 (01:08:38):
Yeah, that is crazy.

Speaker 2 (01:08:39):
Bumpy Johnson he has like, oh my.

Speaker 1 (01:08:42):
God, you and Rihanna's group chat is Bumpy Johnson. Oh
just kill yourself. Matt damn yo, this ship we name
niggas in our group chats Man, big jeans, big.

Speaker 4 (01:08:54):
Oh baggy condom, cargo condom.

Speaker 1 (01:09:01):
Nah, cargo condom is craziness.

Speaker 2 (01:09:04):
Niggas manims say that as a joke. That's about somebody
specific for sure.

Speaker 1 (01:09:11):
Hargo condom is crazy. That is the craziest ship. Cargo condom.

Speaker 5 (01:09:16):
This one nigga used to insist on wearing fucking magnums
and couldn't fit them.

Speaker 1 (01:09:22):
Dick was in the sleeping bag yo. That is Oh
my god, bro yo that I got second embarrassment for
this person. I don't even know what this is. It's
being cargo condom in a girl's farm. I'd rather just die,
like honestly, that's probably rather, that's not.

Speaker 4 (01:09:44):
That's just put a lifestyle on. Like why you want
to Oh, I got the magnum.

Speaker 1 (01:09:47):
You don't need that. It's mad rooming in it's mad room.
It's a mad room in.

Speaker 4 (01:09:53):
There, a whole nother dick cooking in there with.

Speaker 2 (01:09:58):
Shoot man, shoot me.

Speaker 1 (01:10:01):
Now what damn dog.

Speaker 2 (01:10:06):
I want to say. Hell, the gentleman is still alive,
but he's probably killed himself.

Speaker 4 (01:10:10):
Oh my, now he's still alive and kicking.

Speaker 2 (01:10:14):
Baggy condom and all, yeah, you could have saved saved
some money three NYC condom.

Speaker 1 (01:10:21):
Finding out a girl has you saving her phone as
cargo condom. I think.

Speaker 2 (01:10:27):
Still beat, though, to me, is the response to everything.
I don't even think still beat those works as a
comeback to that.

Speaker 1 (01:10:33):
Now, still still beat it is still the greatest response
to any of that, because it's like you let him
stuff that fail.

Speaker 2 (01:10:40):
Like, look look how you beat them.

Speaker 4 (01:10:42):
Nah, but my homegirl she told him to put in
her ass.

Speaker 2 (01:10:44):
He was.

Speaker 5 (01:10:44):
She was the first person he ever did an't nowhere
because it's like it's like a thumb, like if you're
gonna try anal, you should try with a little dick nigga.

Speaker 4 (01:10:51):
So she just told him to like do ain't nowhere, Yo.

Speaker 1 (01:10:53):
Let me splay something to y'all right now, doogins something
to y'all. Right now, if I ever found out a
girl told me to do anal because I'm killing her entire, man,
that's so casually that didn't make it times worse. I'm
killing her entire. Her cousin's gotta die, her dog. Everybody

(01:11:14):
gotta die, not the dog. You'll put it in my
butt because your dick little.

Speaker 2 (01:11:20):
She imagine getting that call like she want to have
anal sex. She's like that can't wait. Then you get
there and find out you were only selected because you
meet small.

Speaker 5 (01:11:29):
I don't think she said that to him. She didn't
tell him because his meat was small. But that's why
she told us.

Speaker 1 (01:11:34):
That's why, Yo, women, y'all are evil. What y'all y'all know?
Not y'all even got to please though, but y'all, y'all
are evil.

Speaker 2 (01:11:44):
Man also wanting to do anal that bad? It is hilarious.
You'll put it in my butt because it's I'm gonna
go find a candidate with a little dick because I
want to do anal so bad.

Speaker 3 (01:11:58):
It was like that.

Speaker 5 (01:11:59):
I think she just came into contact with him and
was like, well, I don't feel nothing in my.

Speaker 4 (01:12:03):
Vagina, so she just was like, just put it in
my butt.

Speaker 1 (01:12:06):
Is crazy.

Speaker 2 (01:12:07):
That's a crazy conference.

Speaker 1 (01:12:08):
That audible is that's the sickest audible. Oklahoma, Yo girl
cool Oklahoma's spreading her butt open to my people. He went,
because you have to shit too little, I'm crazy.

Speaker 2 (01:12:28):
Imagine you go to get the louver and she's like,
not necessary that they don't fit right in Yo.

Speaker 1 (01:12:37):
You gotta kill yourself, man being man, kill yourself the facts.

Speaker 4 (01:12:41):
Well, obviously he wouldn't.

Speaker 1 (01:12:44):
He doesn't know.

Speaker 5 (01:12:44):
I'm assuming he doesn't know any of this, Like, but
this is a ship that goes on in the group chats.
But most people ship like we have people like liver
Cleans and that's just like a nigga eyes mad yellow
because he drank too much.

Speaker 2 (01:12:55):
Oh, I know what she's talked about to Jordan. She
called him that in front of me once, and I
was like, y'all are mean. Y'all means she actually said that,
like I was part of the group chatter in the joke.
I was like, well, damn, that was mean.

Speaker 1 (01:13:08):
But did you know why she called him living? Yeah? Wait,
she called him Liver Clinton in front of him, No,
in front of me.

Speaker 2 (01:13:13):
Oh okay, talking about him though, And I was like,
that's fucked up.

Speaker 1 (01:13:17):
About Say, if I hear a girl, it's a god
shiting at the table to master like your mom's liver cleins.
I'm gonna have mad questions like why you just introduced
me as delivering.

Speaker 2 (01:13:25):
I'm gonna say, at least I can fit a condo.

Speaker 1 (01:13:28):
Listen, what's the worst name you got in your phone
for guy or had in your phone for gud.

Speaker 4 (01:13:34):
I feel like do not answer is the worst you
can have your phone?

Speaker 1 (01:13:38):
Nah, that state that ain't worse than that, ain't worse
than cargo condam. I'm sorry.

Speaker 5 (01:13:43):
Yeah, no, cargo condam. What I wasn't in my phone?
That's probably the worst one I've heard. But yeah, Lucifer
sending in my phone, Nam Lucifer.

Speaker 1 (01:13:53):
But because he's just the devil. Okay, that ain't too bad.

Speaker 3 (01:13:57):
I ain't.

Speaker 1 (01:13:57):
I'd rather be Lucifer. Yeah, of course, you rather be
looser for than cargo condom any day called me the devil.
This is the funniest when I have on my phone?

Speaker 4 (01:14:06):
What is it?

Speaker 2 (01:14:07):
Oh hell?

Speaker 1 (01:14:07):
No?

Speaker 2 (01:14:12):
You know, because you know sometimes if you don't save
a number, and they'll calls like I think I recognize
you answer like I wish I had answer the ship
that happened to me twice to save myself. I put
this ship as Oh hell.

Speaker 5 (01:14:24):
I never understood why people don't save people. Everybody that
calls my phone Uber eats T Mobile. I saved their
number because I hate unknown numbers. I hate accidentally answering
the phone and somebody ill want to talk to I
saved everybody's number.

Speaker 1 (01:14:38):
But I got I got got. I got friends that
they changed their number every three months. I'm not saving
I get that.

Speaker 5 (01:14:44):
But like people like bitches you fuck with like niggas,
be like, nah, she wasn't important enough to get her
number saved.

Speaker 4 (01:14:48):
I'm like, so then when you want to know that
this person like is calling and.

Speaker 2 (01:14:52):
That's why you save numbers, that's oh hell no, So
you know not to answer that.

Speaker 1 (01:14:56):
Did you beat?

Speaker 4 (01:14:57):
Is that's why you beat before? How was it?

Speaker 1 (01:14:59):
Oh?

Speaker 2 (01:14:59):
You only get to Oh hell you think it's just
a civilian and we'll get to that.

Speaker 1 (01:15:02):
Just going to dinner. Like you don't get the hell
no from a dinner, you get that out of y'all.
Was sexually active?

Speaker 4 (01:15:07):
Yeah, heang she put it on you?

Speaker 2 (01:15:11):
Oh hell no, quite the opposite. She had on a
baggy condom. I'm never fucking this girl.

Speaker 4 (01:15:19):
A cat.

Speaker 1 (01:15:24):
Yo.

Speaker 4 (01:15:26):
Oh I get it. It took me a while.

Speaker 1 (01:15:30):
You just got it. Welcome to the party to mar
could come on in and get comfortable to that. I
just got it.

Speaker 4 (01:15:37):
Mall my phone as thick thighs.

Speaker 2 (01:15:40):
That's crazy. If that's the case, Nah, I kind of want.

Speaker 1 (01:15:44):
You to that's I'm not even listening to the marriage.
Though you got niceties, you got them out today.

Speaker 4 (01:15:49):
You got a nice style.

Speaker 1 (01:15:51):
First of all, my thighs are not out.

Speaker 4 (01:15:52):
I can see him through that.

Speaker 5 (01:15:53):
I can see you know when the pit when it
shorts bagging, And if I can see right through there,
I see meat too.

Speaker 1 (01:15:57):
You don't see. No, the mars I got underwheel. Don't
let niggas think on my heels. Shorts and we're not
playing that game though, we not never play. It's more
lifestyle or be thinking anything. Yeah, hey, I'm never wearing
shorts to get in that seat. No, we look on

(01:16:19):
faster security center. See look how faster security setting. I
win shorts more. I'm sorry, I like wearing shorts. I'm
looking at my legs. I mean they're gorgeous. Thank you.

Speaker 2 (01:16:29):
I'm too insecure. I wish I could wear shorts on
this pod. I would never want to blind.

Speaker 1 (01:16:34):
He would have to do too much color code.

Speaker 4 (01:16:36):
Yeah, warp in the list.

Speaker 1 (01:16:38):
That's why I sitting here.

Speaker 4 (01:16:38):
Ands on your legs, don't you.

Speaker 1 (01:16:40):
Yeah, they're cute.

Speaker 2 (01:16:42):
I don't have I don't have bad legs. They're just white.
And I wouldn't want to do that. The lights already
make me white, and I already am These doys don't
see the sun. Look out white my faces and my
faces in the sun every day. Can you imagine these babies?

Speaker 1 (01:16:56):
Oh my god, that is fucking funny.

Speaker 4 (01:16:58):
Yeah, I play too much for real.

Speaker 2 (01:17:00):
Hey,