August 10, 2025 • 50 mins
This week on New Rory & Mal, the guys recap the Nicki Minaj vs Dez Bryant Twitter battle, debate if Will.I.Am. has a point saying that Black Thought is better than Jay-Z, preview the new Bryson Tiller EP, and Offset affirms Mal's take that Drake put the Migos on #volume
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume.
Speaker 2 (00:05):
As I woke up today, Nicki Minaj's versus Dez Bryant happened.
I don't even think they're trying to hide.
Speaker 3 (00:11):
The simulation from us anymore. What has happened?
Speaker 2 (00:14):
The confusion I had in traffic of how this even began.
Speaker 3 (00:17):
Like we are putting so many sentences together these days
that I never thought we would hear putting so many
people together that I thought we would nervous, Like, what
is going on? How's happening? Because y'all, you know, I
get a lot of the news and the current shit
from y'all when I come here. What is happening with
Dez Bryant and Nicki?
Speaker 2 (00:34):
Well, the first thing I saw, I got, like I
was in round six, is when I've realized anything was
even happening. When I saw Nicki offer up her husband
to fight an NFL player. Do you think she consulted
with with her husband before that? Wait, she did what
(00:55):
she said, she would get ten million dollars so that
des Bryant and her husband can fight. And I'm not saying,
you know, Kenny is not who he is, or not
where he's from, or not the past that he has.
I'm just saying des Brian is des Brian, don't offer.
I don't care my wife, my girl, demeris anybody do
(01:18):
never never offer me to fight des Bryan.
Speaker 3 (01:23):
Do not do that. But imagine, imagine you sleep and
your wife is another room doing that, and then you
wake up to seeing that you gotta fight a NFL player.
Wait what happened? Which just happened? But what is all
of the stimming from?
Speaker 4 (01:36):
Is it?
Speaker 3 (01:36):
Like? So I had to go back. I'm like, I'm
completely lost, Like how did we even get to Deaz
and Nikki even having a conversation.
Speaker 2 (01:45):
I thought she was still talking about Dez from frog Nation.
Then I got really confied, like, wait, this is des Bryant.
Speaker 3 (01:52):
It's up for ever for any days? Is you know,
Nikky going at any deaths? But wait, is that part
of it? Like maybe he thought that she says something
by him or so?
Speaker 5 (02:07):
So I went back right before we started recording.
Speaker 2 (02:09):
So initially there was something about Jerry Jones and des
Bryant's contract where Hole negotiated that deal without being like
a licensed NFL agent at the time, so it caused
controversy or whatever.
Speaker 3 (02:24):
So then Dez like just I don't know, commented on it.
Speaker 2 (02:28):
And then Nicki, who has been on her tirade with
rock Nation, saw this and obviously wanted to take advantage
of any Rock Nation slander.
Speaker 5 (02:36):
Okay, she says, does anyone want to play a game?
Speaker 2 (02:38):
And then Des Bryant innocently was like, I love games,
not knowing that this was about to talk about child rape,
offering ten million dollar bounties for fights.
Speaker 3 (02:48):
Like I think he thought it was just going to
be a game.
Speaker 2 (02:52):
Okay, NICKI thought otherwise, and then Des said, get to
ten million in cash.
Speaker 5 (02:57):
I'm ready now, well.
Speaker 3 (02:59):
We know, well it's safe to say that Dez is ready.
Now he's probably still in that. He doesn't play anymore,
does he not? Okay, so he's probably still you know,
he still has a workout regimen.
Speaker 5 (03:08):
I'm sure Jaz Bryant is like up there with Cam Newton.
Speaker 2 (03:13):
It is like one of the most athletic people I've
ever seen in my life. Like, I don't care if
he's never thrown a punch. You're still going to have
trouble with Debro. Absolutely, Yes, that is a fucking monster. Yes,
but this is just so. But how again you explained
everything and I'm still confused?
Speaker 3 (03:29):
Oh no, I didn't say it made sense. I was
just telling you because I'm still like, how did we
get here? Though? Like, what is going on? Why is
everybody like? What is everybody's upset? Everybody's mad, everybody's are like,
what is going on in the world? Like I thought
everybody was supposed to be happy, healthy and just chill.
Speaker 6 (03:48):
How would you think that?
Speaker 3 (03:50):
I mean, because that's just the best way to be
in my room, everybody just mind your business. Yeah, man,
I don't know.
Speaker 2 (03:59):
I don't know, imittedly don't know too much about either cases.
I just don't understand how a Jerry Jones and jay
Z negotiation ten years ago led to me finding out
that des Bryant allegedly beat up his mother, and I
found out even more about the alleged rapist activities of
(04:20):
the Minaje family. You're learning things about Nikki's brother, her dad,
Like why is des Bryant telling me this?
Speaker 3 (04:26):
Yeah, but I don't think. I don't think Dez beat
his mom up. I think he his mom was abusing.
Speaker 2 (04:31):
Him, saying all alleged fans on both sides. I'm admitting
I didn't even want to look.
Speaker 3 (04:34):
Further into him.
Speaker 2 (04:35):
Yeah, I was sitting there wondering why it was even
being talked about when all we were talking about before
was Jerry Jones and Juan making a deal.
Speaker 3 (04:44):
Yeah, I mean, listen, man, I again, nothing surprises me,
but this one is close as close to being surprising
as it gets. Like, I never thought I would come
in here and hear that Nicki Minaj and Desbriant are
negotiating a ten million dollar fight, Like, I just never
thought that would be a part of our talking points.
But I don't know, man, I don't know what's going
on with people. I think everybody just needs to relax,
(05:07):
you know, just just just chill, be happy. Life is beautiful.
We cause a lot of issues that don't need to
be caused, and we don't, you know, need to go
down certain paths, but you know, it is what it is.
Speaker 2 (05:18):
But I feel like they needed to respect the audience
a little bit more in this one, because I was
still trying to figure out how Johnny Manziel and Gilly
were beefing. I wasn't even ready for Nicky Well. I
was still trying to figure out that one.
Speaker 3 (05:30):
Yeah, I didn't understand that either. Johnny just jumped in that.
I think he just was like Yo, I'm gonna slap
the shit out here, just like I was, just like
whoa like Johnny wit it that that just came out
of you came in.
Speaker 2 (05:40):
Hot because the Cam Newton and Gilly, I wouldn't call
it a beef, but they're war of words back and forth.
Speaker 3 (05:47):
That's funny.
Speaker 2 (05:48):
Like I mean, it hasn't gotten, in my opinion, that
serious from what I've seen, It's been kind of playful
slash serious banter back and forth.
Speaker 5 (05:55):
Yeah, I thought Cam's response was hilarious.
Speaker 2 (05:59):
I just then when mister football, fucking mister Ohio just
comes out of left field and it's like y'all slapped
the ship out of Gilly, Like, wait, that has to
be a fake Johnny Manziel count No, that no account
what the fuck is going on in the world.
Speaker 3 (06:11):
I don't know, man, he says, Yo, Gilly the kid,
you may be the biggest fucking lose on the planet
talking like you've fucking done anything on the football field.
If I see you, just know I'm gonna slap the
fuck out of you. Trust shout out to thirty eight Special.
But I don't know if I'm as surprised as that Johnny.
I didn't look up. I thought he really said, shout
out to thirty eight special. No, but he said, mister
(06:32):
thirty eight spress shout but he said, trust you know
that's that's that's thirty eight special Ship. So you know,
shout out the spech. Yeah, this one, this one doesn't
really surprise me because you know, Johnny is a he's
a wild boy man. So I don't you know, he's
sticking up with his his I guess his NFL counterpart
in that regard, right, he's sticking up for Cam Newton,
Like yo, listen, don't disrespect Cam. Cam is a great athlete,
(06:54):
great quarterback. You know, stop trying to talk. Stop talking
shit about him. Stop shit, and you can kind of
see why he can.
Speaker 2 (07:00):
Oh no, no, I get you know that Heisman community,
I'm sure they always look out for you.
Speaker 3 (07:04):
It's a fraternity, you know. Think about that.
Speaker 2 (07:09):
If one of my friend Ross was playfully going back
and forth with somebody, I wouldn't then step in. I'm
sure Cam and Johnny Manziela had maybe three conversations in
their entire life. I'm not stepping in and saying I'm
gonna slap the ship out of you. When you guys
were doing playful banter.
Speaker 3 (07:22):
Well, Gilly responded as Gilly, you know, Gilly ain't gonna
miss a moment to respond to anybody. But Gilly responded
and he had a face full of let's say, substance.
I don't know what it was. He had a face
face full of substance, facetance, he had a face full
of substance, and he just was like, yo, listen. You know, Johnny,
I don't know what you over there doing, but I
can only guess that you must be high tama right
(07:43):
now thinking that you're just gonna slap the shit out
of me, Like, I don't know, man, I just again,
we're putting sentences together, We're saying things, putting names together
that I never thought would happen. This is what the
Internet does, and this is one of those people together
even if we don't ask for it.
Speaker 2 (07:59):
Johnny manzelv Court is an incredible athlete at one one time.
I watched the doc. I don't know if he's stayed
in shape. I've seen Gilly box before. Gilly knows how
to fight. I don't know how this one will go.
And Johnny Maziel, obviously, if you go to the NFL
you're a fucking top tier athlete.
Speaker 3 (08:17):
But they always said he was too small for the NFL.
Speaker 2 (08:19):
Anyways, Yeah, I mean he's not that much bigger than Gilly.
Speaker 3 (08:23):
Is this something that we think we'll see Logan the
Paul brothers get behind what Johnny was on that side.
He said, let's set up the fight, which I after
I thought.
Speaker 2 (08:32):
It was kind of weird when he just butted in
and said I slapped the shatot of you. But once
he said, like, let's actually set the fight up, I
was like, I respect it.
Speaker 3 (08:38):
I mean, you're not just tweeting. I mean, listen for
the for the right, for the right, for the right
pay there. I mean, we know Gilly ain't ducking it, no, Gill,
He'll get in a ring with Johnny Manzil for the
right person. Gill. Yeah, that's what I'm saying, barstool, But
he can't throw his own box in event. Kenny like,
is it like kind of inside trader?
Speaker 2 (08:59):
Literally, every even Mayweather fight was money, money Boy Productions
or whatever the shit was.
Speaker 5 (09:04):
He was paying his opponent.
Speaker 2 (09:05):
That's how that's how Ill Floyd Madewe it was as
a businessman like he was paying his opponent. They got
their check, win or lose, well, all losses because's undfeed
of but from Floyd Mayweather LLC.
Speaker 3 (09:16):
Like I seen when the documentary come out some years,
they'd be like some niggas took the fall for that second.
I'm just saying, you get when you when you are
promoting the fight and paying the fighter, you leave room
for that speculation for them to be like, yo, you
was paying these fighters, like how we know he wasn't
paying them to lose. I'm just saying you leave room
for that speculation.
Speaker 2 (09:36):
We're also some about Floyd probably the best defensive boxer.
Speaker 3 (09:39):
Ever, without a doubt, without a doubt. I'm just saying
it wouldn't surprise me if ten years from never get
a documentary where one of the fighters that he fought
come out and say, yeah, no, you know, they paid
me a little extra to just you know, take it easy.
Speaker 2 (09:51):
The only time Zab almost got him, I thought that
was like one of the only fights he was gonna lose.
Speaker 3 (09:56):
But other than that, Mayweather's won pretty za Zab caught
him with one and Zab caught him calling him, and
Shane Moseley caught him yeah as well. Shane caught him
with one of the cleanup, cleanup punches.
Speaker 2 (10:09):
I think they were and Ricky had in a few
rounds kind of looked like it may go the other way,
but I don't know.
Speaker 3 (10:15):
I many Manny caught him with some clean ones too. Yeah,
he didn't fight Manny when Nanny was Manny No.
Speaker 2 (10:20):
I mean, well, you know that's what Manny had been
laid out on the canvas a docu three times for
the documentary.
Speaker 3 (10:26):
The documentary would wait to see.
Speaker 2 (10:29):
Well, yeah, I'm I can't make any sense of this.
I will be ringsid if Johnny manziel and Gilly fight, though,
I would definitely go to that fight.
Speaker 3 (10:36):
I think that's gonna be funny to watch. That's just
gonna be funny. Yeah, I bet money or Johnny Manziela
and Gilly. I would.
Speaker 5 (10:44):
I would say Gilly.
Speaker 3 (10:47):
Without seeing what Johnny manzil walks in the ring looking like,
like if he's in shape, if he's like how much time?
Two months?
Speaker 2 (10:55):
Oh, I'm taking Gilly Okay, But I mean boxing is
an art, like even if you're if you're a world
class fighter, like, yeah, this is not the the des
Brant Kenneth fight, like in a boxing ring, just you
got to know how to box, or you will get
chipped up, like no matter how strong you are two months, Nah,
(11:16):
Gilly been boxing his whole life as Yeah.
Speaker 3 (11:18):
Yeah, but Johnny is probably bigger than Gilly. We can assume, yes, yeah, yeah,
so it's not you know, he has the advantage there
size strength.
Speaker 5 (11:28):
I don't care how toyo. You've never seen an angle like.
Speaker 3 (11:31):
You know, I get that, but I'm just saying it's size.
Speaker 2 (11:34):
Let Gilly swing his foot one time and give Johnny
an angle he's never seen.
Speaker 3 (11:39):
That's true.
Speaker 2 (11:40):
I mean, I'm going Gilly, I'll watch it though, I'll
definitely tune in for that.
Speaker 3 (11:42):
I will definitely want to see that.
Speaker 2 (11:44):
And like I watched The Doctor, Johnny was getting thrown
out of house parties, just fucking civilians, small limbs, spitting.
Speaker 5 (11:52):
In his face, get the fuck out of our house party.
Speaker 3 (11:54):
And Johnny just leaving.
Speaker 2 (11:56):
Nah's Gilly from Philly though you couldn't do that with
Tanner in Ohio.
Speaker 3 (12:01):
Yeah. Well back to this, Jalen hurts cam Newton thing. No,
why do people why are people like so upset about that?
Like saying that Jalen like that, Gilly said, Jalen uh
Jalen Hurts is better than Cam. I don't know if
I'm on the side of that. Honestly, I don't know
if Jalen Hurchs is a better quarterback than Cam Newton.
Speaker 2 (12:18):
I don't think it is, But I mean someone said it.
I wouldn't want to slap the.
Speaker 3 (12:21):
Ship out of them now. Now, granted, granted, Jalen Hurts
won a super Bowl, but again that goes to speaks
to a better team. You know that the healthy Cam
got to the super Bowl, didn't win it, But y'all
know I hi for theball. I think Cam Newton is
the greatest college football player ever. In my opinion, I
(12:43):
don't think I've ever seen a college football player better
than Cam Newton. Again, him winning that National championship with
Auburn beating Alabama. I still don't know how he pulled
that off with that team he had versus Alabama. Insane.
He got to the Super Bowl, didn't win it, didn't
you know, didn't leave with the jewelry. But Cam Newton
had a great professional career. He can't. But you know
(13:05):
what I'm saying, I don't just because you want it now,
you get it when you win the Super Bowl as
a quarterback. You get to talk a little, you know,
in the locker room with the other quarterbacks. You talk slick,
you show that jewelry. It's a different it's.
Speaker 2 (13:16):
A different level jewelry, all right. Derek Fisher incredible point guard.
I don't think he's better than Iverson just because he
has rings. Yeah, but that's not a fair said Mario Thomas.
I'm trying to find like that, but a quality point guard.
Speaker 3 (13:32):
But Cam Newton was League MVP. Everson's been that, Yeah,
Jalen Hurts was Was he league MVP as well? Yeah? Yes,
League MVP twice? Right or just once?
Speaker 5 (13:46):
They're both great. I just side with Cam.
Speaker 2 (13:47):
I really honestly wouldn't be mad at either side.
Speaker 3 (13:50):
But I don't think Jalen Hurts is a better quarterback
than Cam Newton. I think that if we have Cam
Newton and Jalen Hurts on the draft board at the
same time, knowing we know right now like who he's taking,
I've just seen Cam Newton do more with less, So
I'm gonna have to go with Cam Newton.
Speaker 2 (14:11):
Okay, who do you think is better? DJ quick Er,
Doctor Dre Black thought, jay Z. This has been a
wild week, Like quiet as kept because we had so
much fun this weekend, we didn't discuss how insane the
internet has been in the last five, six, seven days.
Speaker 3 (14:26):
I will say this in regards to the DJ Quick
Doctor Dre thing, because I did see somebody tweeted the
art of dialogue Pace tweeted DJ Quick reacts and agrees
with a fan who says he's legendary producer everyone thinks
doctor Dre is. So somebody says DJ Quick is actually
who everyone thinks Doctor Dre is, and Quick responded with
(14:47):
finally someone had the balls to say it. I thought
Quick and Dre weren't a good place.
Speaker 1 (14:52):
Now.
Speaker 2 (14:53):
I know there's been some ups and downs, but I
thought everything was all good.
Speaker 3 (14:57):
Now you can still be in a good place. And
just when somebody as something that I think a lot
of the industry, a lot of artists, a lot of
other producers have known to be true.
Speaker 2 (15:06):
But just like on Twitter, yeah, but I felt like, like,
you don't do that unless you like dislike that person.
It wasn't like in an interview where something we were
having a healthy music debaate and Quick was like, yo,
I don't think I get my problem because DJ Quick
is a legend and the reason why the way it sounds, the.
Speaker 3 (15:19):
Way it's incredibly underrated. Yeah, incredibly underrated. So I think
I think that someone has the bass to say it.
Part was kind of like, Okay, so you've been waiting
for somebody to say that, that's what it feels like,
that's what it reads as. Okay, you've been waiting for
somebody to finally say what a lot of people behind
the scenes have been saying for years and have had
(15:42):
conversations about when you say better. Okay, Doctor Dre probably
is credited with more hit records, right, well, more classic albums,
but then you get to the conversation of how much
of that is credited to Dre? Yeah, he actually did.
(16:03):
Versus Quick, I told your funny story Hop always says
about DJ Quick is he's the only guy I've ever
been in the studio with who I've seen touch every
knob on the soundboard, literally touched every single Now yeah, yeah,
you've been in a studio. Do you know how many knobs?
Hop said, Yo, I was in the studio Quick he
(16:24):
touched every knob on the soundboard. Yeah.
Speaker 2 (16:27):
I have been in studios where full orchestras were playing
and every single line nob was attached to every single
instrument and they were.
Speaker 3 (16:34):
Still only using one or two exactly.
Speaker 2 (16:36):
They didn't need the other seventeen above it, Like right,
it made beautiful lights.
Speaker 3 (16:40):
Yeah, but you like but to see somebody, I mean,
I think that quick probably is alluding to. You know,
people say doctor Dre has a lot of ghost producers,
a lot of things he hasn't produced but has his
name on. It's just him having some younger, hungry guys
in the studio and then you know, they just want
to work and get paid for it. They don't care
if they get credited for it. That's been the for
some years.
Speaker 2 (17:00):
I hear him my thing though, Like all right, yes,
doctor Dre has definitely collabsed with other producers for sure,
Still dre Be's one of my favorite Dre beats, but
that's Scott Storch on the piano. But like, I don't
think that's a bad thing. Dre has proven that he
is a legend by himself as well. So I always
find that those types of stats when you're having these
debates kind of weird, Like, so what was Dre's supposed
(17:22):
to do? You shouldn't grow his sound and like work
with other people, Dre has proven to you he can
do this by himself. Yeah, now the rapper conversation, I'm
not even having that one. This is a strictly production.
Speaker 3 (17:31):
Yeah.
Speaker 2 (17:32):
Now, would Dre's sound be the same if DJ Quick
never existed.
Speaker 3 (17:36):
That's a conversation.
Speaker 2 (17:37):
I think, m H that could be had here and
is should be credited to DJ Quick. I don't think
we get the Dre sound without DJ Quick setting the
tone of what the West Coast sound was.
Speaker 5 (17:48):
Yeah at the time, now better.
Speaker 1 (17:53):
Not.
Speaker 2 (17:53):
Dre's just had a longer career with bigger artists like Unfortunately.
Speaker 3 (17:56):
That is also a stat to me as well.
Speaker 2 (17:58):
Absolutely like global fucking music like no, I'm sorry, Drey
is better, But I don't think he's Drey without Quick.
Speaker 3 (18:06):
I think you definitely need DJ Quick in order to
have a doctor Dre. I think you know people who
don't know DJ Quick, don't know his work, don't know
what he's done in the industry. Please go do your
homework on him. You'll probably will be very surprised to
know that some of your favorite songs he produced. Now,
(18:28):
when you say better, I think that's that comes down
to taste. If we go with what you what you
prefer things like that, Like, you know, that's that's for
people to always argue, Like, I can't tell you what
you're supposed to like, But I'm just going from a
you know, just just a producer's standpoint. I do feel
like DJ quick is definitely underrated as a producer. Yeah,
(18:48):
he doesn't get he doesn't get talked about enough. When
we start telling my legendary producers in hip hop and music,
we don't talk about DJ quick enough. So I do understand,
you know why he may feel a way because he
kind of gets overlooked a lot. Not kind of gets
overlooked a lot when it comes to conversations in the
culture about the greatest producers of all time. DJ quick
(19:10):
name needs to be in those conversations a lot more. Yeah,
Like I mean, do I think.
Speaker 2 (19:16):
Premiere would say Marty Moore probably like inspired him.
Speaker 3 (19:20):
Sure, but I think Freame's better.
Speaker 2 (19:22):
Yeah, but Marley is still a legend and having strums
wouldn't sound the same if it wasn't verim.
Speaker 5 (19:26):
Like he he's just like.
Speaker 2 (19:29):
The genesis of the whole thing, so you have to
give him that credit. But I mean, Drake took it
to a way different level from R. And B to
pop to hip hop like it's it's doctor Dre. Yeah, Like,
I don't really know what to tell you now. In
the same breath, will I Am was he promoted?
Speaker 3 (19:49):
What is will I Am doing? I don't know, man,
I just I'm just always laughed whenever people find a
way to mention jay Z's name, like Jabi and this
is how you know, and sometimes you just got to
step back and just look at the common fact. And
a lot of these conversations and debates, there's a reason
why they always go to Jay's name. I think it's
because we all know that, Yes, jay Z is the
(20:12):
greatest rapper of all time. Anytime you start talking about
who's better than who, they're always going to say some
some somebody's better than jay Z because jay Z is
the bar we all think. We all know that, whether
you want to recognize that or not. I mean, jay
Z is the greatest rapper of all time. You can
have your you can have your preference on who you like,
and Black Thought is amazing. But to say, for will
(20:34):
I Am to say that Black Thought is a trillion
times better rapper than jay Z, I mean, come on,
will I Am, Like, I get it. Black Thought as
he's on our Alien list, Incredible MC, incredible rapper. Jays Is,
I'm sure is a huge fan of Black Thought, has
worked with him before, Like, you know, he has respect,
(20:55):
a ton of respect for him. But when you say
a trillion times like that's just you're just you know,
that's when it because you can say I think Black
Thought is a better rapping than jay Z, and I
don't think that that stings as much as he's a
trillion times better. Right, that's like sounding like Jay is
what he's a dog shit rapper.
Speaker 2 (21:11):
I'm like the funniest part of his statement was when
he's like, don't get me wrong, Jay is dope, Like,
oh thanks, thanks, Like we needed.
Speaker 3 (21:19):
That confirmation, Like, Okay, glad you said it. I know
I think jay Z is dope.
Speaker 2 (21:22):
Yeah, but he's trillion times worse than fucking Black Thought, Right,
how do you gage with them? His top five rappers
rock him, Big Daddy, Kane, Karris, one nos, Black Thought,
and I'm mad at this list whatsoever? That's your preference, Jay,
So we're just talkingpperty rap. I still think Jay and
Black Thought are comparable there, but are we adding in
all the other factors to Black Thought does have hits.
Speaker 3 (21:44):
I'm not saying he doesn't. That was callback to I
got it, I got it. I got what you was
doing there. What are we talking about again? Preference and
taste is all you know, That's who you are, and
I'm not you know, where I am is A is
A is A is a legendary musician, artists, you know
what I'm saying. Like, he knows what he likes. He
knows a lot more about music than I probably do.
(22:06):
So I'm not arguing his teach he does. Yeah, I'm
not arguing his taste level. But then anyone in this
room combined, Yeah, I'm not arguing Will I AM's taste level.
It's just the trillion times better then. I'm just like that.
Just you got to understand how that just smells and
feels like disrespect to jay Z.
Speaker 2 (22:26):
And let's not act like all of us haven't held
a bit of resentment towards Will I Am for the
last fifteen years. There was a time he was quietly
ruining music. I think he's a legendary producer. I think
he's an incredible musician. I think he's one of the
ones Lamar generation. But when he started doing that watered
(22:46):
down electronic pop music with Black Eyed Peas. I mean
I resented him the same way I resented Nori for
reggazzon like you were so good, and like now now
I have this that's spilling over into every genre of music.
I don't even think we get to the Ron Brows
era without will I am making pop music sound that
(23:10):
awfully electronic. That was like when they were doing Let's
get retarded in here is when I think music took
a shift, pop music specifically, and had to get saved
around twenty ten.
Speaker 3 (23:22):
It was so fucking bad.
Speaker 2 (23:24):
I'm not saying what the Black Eyed Peas was doing bad,
the results of everyone trying to copy that awful sound.
Speaker 3 (23:29):
Ye oh my god, pop was so fun. I mean,
he gave us one of the greatest New Year songs ever,
though I got a feeling that's a night it's gonna
be good. Not You can't bring in a new year
without turning that over. It's not even a new year
if you don't listen to that.
Speaker 2 (23:44):
I'd probably leave that party, probably through the balcony exit.
Speaker 3 (23:52):
Window, taking the window. If that were to play at midnight,
that would probably be a ry.
Speaker 2 (23:57):
This was my last time yeah, I'll take the window.
I mean, it's gonna sound like hater shit because the
Black Eyed Peas are legendary and they have a great catalog. Yeah,
but you got to cut it when you got Then
he had that song with him and Nikki. It was
just getting to a weird place with Will I Am.
That one the futuristic. Anytime an artist tries to do
(24:18):
their space futuristic phase.
Speaker 3 (24:20):
Is usually when I check out. Yeah, and all.
Speaker 5 (24:24):
Of our favorite producers have probably tried that.
Speaker 3 (24:27):
Will I Am, you can't say that black thoughters a
trillion times better rapping than jay Z. You can't say that.
That's just disrespectful. That's that's definitely that was intended with disrespect.
And he knows that. You can't say a trillion times
you can't, that's just disrespectful. Is there? Do we think
there's something there? Well? Will I Am and jay Z, Yeah,
(24:51):
it seems like it's something there with get something there.
Jay Z has ruined everybody's lives as far as everybody concerned,
Like jay Z is the reason why everybody either doesn't
have a platinum record, either doesn't have a successful relationship,
either doesn't have a successful sports franchise, like jay Z
(25:11):
is the reason behind everyone's failures. So it seems if
you let people tell it, there's got to be something.
Speaker 5 (25:17):
Did he sign Fergie or something?
Speaker 3 (25:20):
No? No, but then again, I don't know. Maybe it
could just be his opinion. No no, but but your opinion.
You can't say a trillion times better people exactly. That's yeah,
but that's disrespect. You can't you can't do that when
it comes to jay Z as the rapper. You can't
disrespect Jay like that.
Speaker 2 (25:35):
We've all been podcasting and doing media long enough to
know when somebody says something, there's something that we don't
know that's attached to it. Yeah, Like you don't just
say that, there's got to be some history show there's
something that nobody knows, maybe only them to know. Maybe
j passed on a record that there has to be something. Yeah,
he said he was going to do a feature, didn't
(25:57):
do it. There's there's always something, I promise.
Speaker 3 (26:00):
There's always something behind the words that people say.
Speaker 2 (26:04):
And I totally get why people always say, I'm sure
everything always has to do with a woman.
Speaker 3 (26:09):
That's usually why men beef.
Speaker 2 (26:10):
You're not wrong, but there are also fragile male ego
shit like you said he was going to do a
feature for me, and then you didn't, And I didn't
even look into what was going on in your life,
Like maybe he had a death in the family, but
you just holding on a resentment because you just think
this person played you.
Speaker 3 (26:24):
Yeah, I could see that either way. I mean, I
like Black Dought well, I love Black Daughter as a
rap in the MC one of my favorites for sure,
But obviously to me and to many others, I think
it is clear that jay Z is the greatest rap
of all time. Yet, Bryson Tiler The Vices is out.
(26:48):
I'm looking forward to this anytime. I think Bryson Tilla
is one of the artists that his discography is incredible.
I don't think Bryson Till has ever put out a
terrible project for the most part. All of his projects
are dope. Bunch of you there, And it's always good
to see artists that we like, that we've listened to
over the years still be relevant, still be able to
put out good work. I'm looking forward to devices.
Speaker 2 (27:08):
Also gunna announce the last one that is out as
well right now, A very quick announcement. Did that not
throw you all off a little bit. I mean, gun
has been putting a crazy numbers since he's been home. Like,
I didn't expect him to just throw something out. I
feel like that would have been a longer rollout of
how important you know, Gunna is to the label music
(27:30):
period right now? Yeah, because he's doing numbers, numbers since
he got out to just throw some shit out.
Speaker 3 (27:36):
Gunn has been through a lot, man, He's been through
a lot of ups. Like you know, had his moment
where it looked like he was being exiled from the culture,
nobody was fucking with him, came home, put out a
dope project, hit the gym, got in shape, and back
with another album, sold out shows, had Baby d crying
(27:57):
at the Barclays shout out the Gunner Man. He was
able to overcome that that moment.
Speaker 2 (28:03):
Okay, they's got a whiz Kid Burning Boy. Do we
think it's gonna be a different type of sound?
Speaker 3 (28:10):
Are we gonna shake ass whiz Kid and Burning Boy
his features? Yeah?
Speaker 2 (28:15):
Yeah, I can see this being an ass shaken album
for sure. But that's a lot of drops tomorrow.
Speaker 3 (28:23):
This is a Gunner Bryce Until which.
Speaker 2 (28:26):
One are you listening to first? At midnight tonight, We're
recording this on August seventh.
Speaker 3 (28:30):
At midnight, I gotta go Bryson too late to hear rap.
I'm trying to settle down for the night.
Speaker 4 (28:38):
More don't like rap at night. More don't like rap
like running Mall, don't like rap.
Speaker 3 (28:42):
Rap rap like real rap, like JID is rap. I'm
definitely gonna listen to JID, but I don't know if
I'm listening to JID at midnight.
Speaker 6 (28:49):
So in between the hours of two PM and like
commute PM.
Speaker 3 (28:53):
Commute like around like twelve one, two three, the hours
up until like ten and then after that we're going
we're gonna we're gonna mellow down, We're gonna R and
b it after ten pm.
Speaker 2 (29:03):
All right, More you're saying that, But there was the rumor,
which I think is confirmed now that the Vices disc
one that comes out tomorrow is a full rap album.
He's putting out too, and the first one comes out tomorrow,
and that's supposed to be a full rap album. Boss
Man Dilo, Rick Ross t paying Plows Bumbee, Uh Baby
(29:23):
Drill like this. I think I think it's gonna be
more of a rap album than JIDS is gonna be.
Speaker 3 (29:29):
By by your Midnight standards. All right, is it just
up to it's rap on it and Tiller has the
hook maybe a bridge? Or is it like Bryson rapping?
Speaker 2 (29:40):
This is how I know, y'all, not by Bryson rapped
on so much of trap, so he's very good too.
Like Rambo, he's rapping rap like he rapped on a
lot of trap.
Speaker 3 (29:52):
So nobody. I'm not saying Bryce until it can't rap.
But just when you tell me he has a disc,
he's dropping a double disc in one distance him all rapping. Yeah,
with rappers, I'm a little concerned now if it's just
him and it's on the record, it's an up tempo
and he's you know, and it's melodic rap. Ship. Oh
we know that that's his that's his fade away, we
know that. But is it that or is he like
(30:16):
trying to give us bars like Bryson on He ain't
trying to metaphor you and bar you down. He got flows,
he got melodies. But if he on there trying to
stand toe to toe with Rick Ross, I'm gonna be
a little disappointed.
Speaker 4 (30:30):
I mean, but what if he does a good job.
I don't I don't doubt, doubt that Bryson can do that.
Speaker 3 (30:36):
If it's the melodic Bryson where it's like that.
Speaker 4 (30:39):
It's like, why do you think that he can't rap rap?
That's gonna ask you.
Speaker 3 (30:42):
I'm not saying I don't. I just don't want that
from Bryson Tiller. Give us what give us goat, don't
go away from the mid range.
Speaker 6 (30:50):
He's gonna do a second disc though.
Speaker 2 (30:52):
But and also, wouldn't you say, like even where Gunna
has even gone, it's like full melodic rapping. That's kind
of everybody now. So for somebody as a pen like Bryson, yeah,
I wouldn't mind him leaning more into the rap shit,
no melodic, just straight bar Like everything for the most
part now is melodic outside of the legacy.
Speaker 3 (31:12):
That's what I'm saying. If he's doing that, great, I'm saying.
If he's on it rapping like how Ross rap Ross
ton't wrap with no melodies, he giving you straight bars.
If Bryson is doing that, I'm just a you know,
it's just kind of like I'm going into a little
apprehensiveness like.
Speaker 2 (31:28):
Did you hear his feature on Keano Today's album Gone?
Speaker 3 (31:33):
How long ago? Was that? It's something that feels like two.
Speaker 2 (31:35):
Years ago, two years ago, one of the best verses
of the year. He's rapping on that. But yes, it
is very much melodic. I want to use as that
as an example. If it's if he's saying there's going
to be a rap album, I think it'll be even
more rap than what that feature was. That was very melodic.
But he's skilled as bars. But scared, No, I'm not.
Speaker 6 (31:54):
I'm not scared.
Speaker 3 (31:54):
Actually, if it's if it's if it's melodic, he in
his bag, that's his that's his bread butter. But if
it's just Bryson on there and he's trying to bar
you down, like like kiss, I'm gonna.
Speaker 4 (32:06):
Be like, I can't hear him be melodic with boss
Man di Loo why not?
Speaker 2 (32:12):
Absolutely, I can't hear it. I mean with bum Beeh
to me?
Speaker 3 (32:19):
Was melodic? Be's melodic to me? No, But you know
the melodic I'm talking about. I know what PIMC was. Yeah,
but I don't know. I'm a little I thought this
was Bryce until it going back to you know, giving
us that that R and B that that that bad.
But I mean, listen, man, it's gonna double double dust.
This is just the first one.
Speaker 1 (32:39):
Thing.
Speaker 3 (32:39):
I will say Bryson is gained my trust as an artist.
I trust him as an artist.
Speaker 2 (32:43):
Yeah, I actually think Bryson is very much underrated with
his desography.
Speaker 5 (32:48):
He got a lot of slack for his follow up.
I think after.
Speaker 2 (32:51):
Trap Soul and mixed reviews on one after that, I
think everything is put out is great.
Speaker 3 (32:56):
The last album was crazy.
Speaker 2 (32:57):
I really fucked with Bryson, and I don't know where
the disconnect has been at least I only speak to
the social media world, like where people have started to
doubt Bryson was it because Trapsoul was just like the
biggest thing ever that year, and the only way you
can go from there is down Like no, I've never
understood why people keep overlooking the quality music that Bryson
(33:17):
keeps putting on.
Speaker 4 (33:18):
Well, I think at this point now, maybe after his
second album, but I'm talking about at this point now.
I don't think it's that it was because of Trap Soul.
I think that the people who are really pushing music
or paying attention to music right now barely remember Trap
Soul like they were younger. Like, I don't think the
young kids he doesn't mean as much to them an.
Speaker 2 (33:36):
Yeh, but even like the build up of him being
the next guy, going from trap soul to then the
Kalid and Rihanna record, which I was a timeless record
like that could play now, it'd be fine. Yeah, But
there was a he was set well, he was setting
up to be the guy, and then he took a break.
Speaker 3 (33:54):
I mean, didn't he get married or.
Speaker 2 (33:55):
Something something happened where he took a break when I
think when the Mayor was going on, and then he
put out an album that just didn't have a single
that works. But I thought it was a dope album.
You gotta d on there with Drake that's fire that
I just for some reason. I don't know if it
was if it was the label not working it, but
I don't know. I'm excited for this, this price and shit,
and I love that it's a double disc.
Speaker 3 (34:18):
Do you think he's mad that having plows t pain?
Speaker 2 (34:22):
Is he going the route the nostalgia route that Metro
just went with features like that hope from the same era,
like we're all the same age like that. That's when
I see those two combined. To me, that feels like
you're trying to do a two thousands thing. If you
have plows and he paining together on yourself.
Speaker 3 (34:41):
Why you keep saying plows or you don't know something? Yeah? Maybe?
Speaker 6 (34:44):
Okay, did you got speaking of Metro's album, did you
guys like it?
Speaker 2 (34:51):
No?
Speaker 6 (34:52):
Is that a loyalty or like actual? Ada lady like?
Speaker 3 (34:54):
They played like four records in here and Peach told
me the whole album sounds like that, and I was like,
I can't listen to that. I understand what he's doing though.
They say he wants music to go back regional and
keep things like if you're from Atlanta, your music will
sound like I.
Speaker 2 (35:07):
Respect that, but that sound wasn't. Well, yes it was regional,
don't get me wrong. That's in Atlanta all day, but
it went everywhere.
Speaker 3 (35:17):
Yeah, no, and I get that that's cool, but I
just listen, man, I'm everything is just not for me.
I can't hear that. I don't I will. I don't
even know where to play that. Definitely not playing that
in the crib, not playing that on the drive, like,
I'm not where am I playing at at? Somebody? That's
for somebody. Somebody's gonna love that and play that somewhere
(35:37):
at a day party something like you know they gonna
they're gonna have fun with it. I'm just saying me personally,
I think Metro is dope. But I'm just saying that
album I can't that music is not is not for me.
Speaker 2 (35:49):
I mean it was. I haven't gotten through the entire thing.
And without getting through the entire thing, my point is,
did it need to be a double disc?
Speaker 1 (36:00):
Like?
Speaker 3 (36:00):
Again, I get it, you're doing the nostalgia shit.
Speaker 2 (36:02):
This is what I was listening to in high school
into freshman year college. Like I love Roscoe Dash, I
love Travis Porter. Here in Gushi they want to have fun,
Like I like that record a lot.
Speaker 3 (36:15):
Do we need what is this?
Speaker 5 (36:17):
Twenty twenty five records of this sound?
Speaker 4 (36:22):
Like?
Speaker 2 (36:22):
This could have been a really because you know, Metro
does really good EPs, whether it be Sean Quabo, like
he just throws out his high volume like he puts
out a lot of shit.
Speaker 3 (36:32):
Do we need this much of this sound?
Speaker 2 (36:34):
Like?
Speaker 3 (36:34):
Could it be anything?
Speaker 2 (36:36):
I would really appreciate an EP of this type of
shit based off my age and the era that this
music came out, I can really appreciate it.
Speaker 3 (36:44):
It's nostalgic to me.
Speaker 2 (36:45):
Love Waka, Like all this shit is great, But why
twenty five fucking songs.
Speaker 3 (36:49):
Of this Yes, like so much, it's too much. It's
just such thing as too much for me. Again, if
somebody's gonna love it, somebody's gonna be excited to hear
that sound again and go back to to that time.
You know, I'm more on the side of you know,
give me something more current, give me something that we
probably didn't get, you know what I mean, change the
sound a little bit, like I'm on that side of it.
(37:11):
Like I respect what he did, and I think it
makes sense to try to get music back to a
place where it's more regional, you represent where you're from
more instead of you know, everybody being on social media
and try to chase what the wave is. Just like, no,
stay in your corner, stay in your pocket, do what
you do. I respect that. I'm just saying, not to
this extent. Twenty five tracks of that sound from was
(37:34):
that like five yeah, six, so four maybe around there
four to six, Yeah, don't take me twenty years back.
Don't do that, like, give me something that we didn't get.
It was LIKEO, this is crazy, this is innovative. This
is you know what I'm saying, Give me that before
you take me back. Twenty five tracks of a sound
from twenty years ago.
Speaker 2 (37:53):
He put it it's spent on it a little bit
like I liked that it was hosted by DJ Too
that went back to that era.
Speaker 3 (37:58):
Yeah, I get it. Install This is my theory. I
can't prove this.
Speaker 2 (38:02):
Why this is twenty five records is because I think
and there's no disrespect to that era, because I love
that era. So I got pussy for the first time
in that era, like I hold a special place, sure place,
special place in my fucking heart. This was this sound
was high school dances part like that was our shit.
Speaker 5 (38:19):
I think Metro found out how fucking easy.
Speaker 2 (38:22):
It was to make those type of beats, and that's
why we have twenty five of them.
Speaker 5 (38:26):
I think he made every one of these beats.
Speaker 2 (38:28):
He said, oh my god, with this stuff, that technology
we have now, I could make this beat in five seconds. Yeah,
that's what I think happened because Metro, if you go
back to his last album and the one with Future
as well, like how intricate Metro's beats are are incredible.
Metro can do this shit when he's taking a shit
(38:49):
on the toilet. That's why I think there's so much here,
because he found out that sound is extremely easy to
make in this era, like Able to they was doing
that shit on fruity loops everything like that.
Speaker 3 (39:00):
It took some time.
Speaker 2 (39:01):
Listen, you could do it in five minutes, Lable. I'm
i saying it's bad. Yeah, and quick doesn't mean bad.
But that's why I think Metro had an idea and
just kept pumping out like ten bts a day with
this sound because it's so easy to fucking make it. Yeah.
Speaker 3 (39:15):
I'm cool though, but respect to him, you know what
I'm saying. He's obviously one of the most talented producers
we have and things like that. But this is this
project is just not for me, that's all. I had
another bit of a viral moment last year when we
were talking about uh Drake in regards to you know,
(39:36):
people calling him a culture vulture and things like that,
and in one of my rants, I said, if it
wasn't for Drake, we might not have never even known
who the migos was. That was in regards to me
saying when Drake remixed was it Vasaces?
Speaker 1 (39:53):
Yeah, I thought, my buddy, nigga, that's my mans what
he stapped niggas and put it in And but just
do that, do that though.
Speaker 3 (40:03):
He's niggas right, right, But people didn't understand what I
was saying. They were saying like I was trying to
give Drake oli, but it was like no, but one
of the biggest artists remixed a record from a group
that was making noise and was known in Atlanta and
and kind of bubbling around the country a little bit
in different pockets.
Speaker 1 (40:21):
That's it's sound a different type of way. So I'm
the artist that's.
Speaker 3 (40:25):
Coming from that was coming from off set. It stamped
the migos. So y'all can stop killing me every time
that clip goes viral and say, I don't know what
the fuck I'm talking about.
Speaker 1 (40:34):
Saying, because they've be trying to say like they're gonna
say like we're gonna be great regard, we will be
great regardless.
Speaker 5 (40:38):
But you can't skip this down. Yeahh No. That definitely
changed the Versace record for sure.
Speaker 3 (40:43):
She was going and you know, and then I saw
Coach k On he was doing an interview somewhere where
he basically reiterated that, like nah, when Drake did that,
he just did that on the love like he fucked
with the record, and it was just like yeah.
Speaker 1 (40:57):
It wasn't even know if all like give me all
the record behind the scene, like I own everything because
I'm doing it. No, but every start, I know, we
went from doing the type show to the Type show
changed she changed up.
Speaker 3 (41:08):
I don't know what that was.
Speaker 2 (41:10):
What twenty fourteen, fifteen, fourteen fourteen, what what was that? Like?
Speaker 1 (41:15):
Thirteen it was Bando, that was Atlanta Ship. Yeah, that
was bubbling.
Speaker 2 (41:19):
Yeah, I mean Bando made it up to New York
a little bit, a little bit right towards the thirteen.
Speaker 3 (41:24):
I think then when that then drivers then we did
Birthday I'm in jail by the way, did Birthday bash.
Speaker 1 (41:31):
And then when Buddy got on it and motherfucker.
Speaker 3 (41:33):
Went to the moon.
Speaker 1 (41:34):
Yeah, and after that it was it.
Speaker 3 (41:36):
Was like what was that called? Like when you got vocals?
I was in a bad situation, I was I heard
it like that the word heard it?
Speaker 1 (41:45):
Yeah, whenever fucking came out like over the phone, damn
you locked up and you hear that verse? Yes, sir, Oh.
Speaker 3 (41:54):
Them walls got smaller. Man. You couldn't wait to get
out that what wait? Got that?
Speaker 2 (41:59):
I was like that was like yoo, and get Rich
dropped like wait, hold on you the biggest I gotta get.
Speaker 3 (42:03):
The outre we going crazy right now?
Speaker 1 (42:06):
I heard that's one now.
Speaker 3 (42:08):
We and Rory went to the Scorpion Show when y'all
won tour with Drake, and I remember telling Rory when
we left, I said, I always knew that Migos had
records and they was dope and you know all of that.
But seeing y'all perform that set list on the Scorpion Tour,
for me, it gained a different level of respect for
y'all because I was like, Yo, they was doing back
(42:28):
to back to back to back hit records the entire set.
There wasn't no opening fifteen minute, no no, no, no,
no no. They could have easily headlined a tour like that.
But is that a testament to just y'all always knowing that, Yo,
we dope, We're gonna be who we are and when
the time comes, everybody to catch on.
Speaker 1 (42:49):
Yeah, that's been the story of that shit since the
beginning of time. I always caught catch I'd be liking
this shit, ookkay. I feel like the ship that hit
fast go fast.
Speaker 3 (43:00):
Oh yeah, it phades quick, especially now, Yeah, they get
over it super quick, super quick.
Speaker 1 (43:05):
Like I rather a record I'd rather start from twenty
five on board and clown in No More. I didn't
go no More and then next week come ninety eight.
I rather do that be cause that mean the record
ain't sticking. Yeah, it's just some hype, right, the type
should be down on.
Speaker 3 (43:19):
Yeah, now that's working the record as one of the
more fashionable guys in the culture. Yeah, being from Atlanta. Now,
Yachty had some things to say about New York and
it's fashion sense a few months ago, and then they
kind of killed him. You spend a lot of time
in New York. You do a lot of shopping in
New York. Being from Atlanta, where do you feel like
which city has more sense of fashion and style and
(43:42):
taste between New York and Atlanta.
Speaker 1 (43:45):
I'm gonna say it like this, you can't never play
with New York. Okay, ever, it's just it's a it's
a it's just it's the brain.
Speaker 3 (43:53):
So the semester it's the mecca.
Speaker 1 (43:55):
That it's the mecca.
Speaker 3 (43:57):
Now we got house and like how we do it,
how we carry it.
Speaker 1 (44:05):
Yeah, I feel like if I want to shot, I'm
gonna come to New York for sure. Ain't no planing,
But I'm not gonna copy high in New York and
get dressed though.
Speaker 3 (44:14):
Okay, you ain't gonna put it on, you ain't gonna
put it. Put it together the same way I'm gonna
put together the same way. Okay, got you, I'm gonna
respect it now. I would never say what was the question?
Was what they asked him, and then he said, he said,
got exactly what yacht he said, but it was like
who's flyer?
Speaker 2 (44:29):
And then they pulled up a million photos of him
dressing just like DMX, and it was just like, I
mean that, you can't say New York doesn't dress better
than Atlanta and all these photos you just taken influence
from New York fashion. Yeah, but I mean I get
Atlanta's put their their sauce on.
Speaker 3 (44:50):
So then we're having sauce man. But it's a cheat
coote now. And I always say this with social media
because before social media, if you was flying your city,
it was because you really went and looked for pieces.
You can put pieces together. Now with social media, I
could just follow off set and be like, Yo, what
hoodie off set got on? I'm gonna go get that, Yo,
what shorts off set got on? I'm gonna go get
(45:11):
that yo. How he did his socks with the with
the lacers. It's easy.
Speaker 2 (45:15):
That doesn't mean ship fashion me is also like Colonne,
it's gonna smell different on everybody. Like you could copy
somebody's whole fit. You could look nothing.
Speaker 3 (45:24):
Absolutely you see we see the mannequins that got the
whole bill, Like you, bro, you want to tell you that?
Finally one person.
Speaker 1 (45:33):
Like, yeah, I don't like that.
Speaker 3 (45:35):
I don't like niggas to go print crazy too. Yeah,
grab some pieces in there and then like you said, sauce,
how you throw it together?
Speaker 1 (45:42):
How you throw it together?
Speaker 3 (45:43):
Yeah? Because it ain't no rules and this ship right,
So it's it's a free book.
Speaker 1 (45:47):
Some niggas. I hate man calling niggas man.
Speaker 3 (45:51):
It's funny. I just said that about yes, nigg straight
Louis every time that Lois Louis sock short pants. Bet
that's now before we let you get out of here.
Speaker 2 (46:06):
We do have fans and listeners that call in and
ask for advice, tell us stories. We want to do
one quick voicemail with you, so we give a fan advice.
Speaker 7 (46:15):
You have got mail, how it's going game? Fuck with
the pod? Uhy to come down to Louisiana for a
live show year. I'm a beat up, but uh, the
reason I was hitting your love man is because the
nigga needs some advice.
Speaker 4 (46:30):
You know.
Speaker 7 (46:31):
Nah, I haven't been around the block a few times.
Speaker 3 (46:33):
You know, I'm not new to this.
Speaker 7 (46:35):
Still, I still like to hear different perspectives. So that
shorty I'm talking to you know, I love I love
my life type ship like you know, our interests a line,
our morals a line. Everything like were good and every
everything good, everything pure, everything great except one problem.
Speaker 3 (46:52):
Trust the shoes.
Speaker 7 (46:53):
She got trusted shoes and they are bad now I
know where they stem from. Like she ain't had the best,
Like you know what I'm saying. She's been through a lot,
and one of the things I love about it is
her perseverance, Like how she how she's still such a
great person after dinner with all the stuff that she's
been through in life. But that caused this issue is
you know, and she needs therapy. But that's a whole
nother conversation. We ain't about to have no time, but
(47:17):
I'll be killing bro. I don't be doing nothing wrong
like a nigga, don't. I don't text noll the bitches.
I don't fucking all the bitches, like you know what
I'm saying, I ain't. I'm not on that, like I'm
off there. I wanna I want a real relationship or whatever,
you know. So basically like how would y'all deal with
that without I don't want to break up with her,
like she'd be trying to go through a nigga phone,
Like she went through my phone. She don't find nothing,
but it's still oh, you must be hiding something, must
(47:39):
delete messages, like it's all kind of bullshit and not
just I don't want to break up with her, but
nigga kind of.
Speaker 3 (47:45):
Tired of it, Yo, maw leave. Yeah, I feel like
it sounds like she's already like just way too insecure
and it's not gonna get no better. If she going
through your phone and she don't find nothing and she
still feel like you hiding something. She got to do
the work. Get out of that man, Get up out
of there, he said, he got.
Speaker 2 (48:04):
You know, she has she she has, she passed, has those,
so she'd be.
Speaker 3 (48:10):
Going through his phone, Yeah, going through a ship. He's
gonna be doing nothing, he said, he's chilling.
Speaker 1 (48:14):
No holes, I'm saying though he had to do it,
like is it like a past.
Speaker 3 (48:22):
Well her previous relationships, she's been through some ship before
now that day. Sometimes people do that to the oh yeah,
what she doing, what she got going on? Check her phone?
That's that's y'all check phones. But I'm just saying, like
she keep pressing, she checking him? See it too, like
he heard about that ship, like he in love with her.
(48:45):
He'saying like he want to be with her, but he
like she making it all like damn, I'm not fucking around.
Why you keep pressing me about this?
Speaker 1 (48:51):
They don't want my advice.
Speaker 3 (48:53):
He wants to trust me. He didn't want said like, hell, yeah,
I'm going I'm rolling with that. So what does all said?
Tell a gentleman like that.
Speaker 1 (49:05):
What you're telling? She too? Like maybe maybe maybe you
got you make it feel a little bit more secure
than maybe okay, maybe you maybe you the trauma, look
at the trauma she's been through and try to do
the opposite of that. Yeah, maybe that can help, but
I don't know.
Speaker 2 (49:23):
I hear that, but I'm not changing my whole life
for you to look through my phone like I'm on
fucking parole every night because you went through some ship
before me, like, I'm just not really.
Speaker 3 (49:32):
I can't pay for his the other guy likes.
Speaker 2 (49:35):
To me, that's odd because I'm not going to go
through your phone. To me, that's if she don't work
on that ship by herself, I would leave because that's
only going to get word. You can't cure that ship
just by showing your phone every fucking night.
Speaker 3 (49:48):
Right, What I didn't do anything? Is that one of
your things? Though? Never never go through a woman's phone,
even if you feel like there may be some shit
going on, like you just never like, I'm never doing it.
I ain't gonna say I have done it. But did
you find what you was looking for? That shit hurt you?
Speaker 1 (50:05):
Just no, actually don't find nothing. That's what hers When you.
Speaker 3 (50:10):
Don't find nothing, explain that when you hurted as a man,
like that's the lame ash like after you okay, s
just when you when you you do some shit that
as you're like, what the fuck? Why would I playing
myself go in the phone.
Speaker 1 (50:21):
Ain't nothing in there? Yeah damn I'm laming. Then you
just sitting there laying head going through the girl phone.
Speaker 3 (50:27):
All right, now, do you tie them went through it
and you didn't find nothing, or you just just tuck
that and be like, damn, that's fucking corny. I just
some corny ship.
Speaker 1 (50:33):
It's so corny you gotta took that.
Speaker 2 (50:37):
There's no winning going through far. You're gonna find something
you don't like it. If you don't find something you
don't like, you don't think she deleted something. So now
you're just walking around the house pacing like.
Speaker 3 (50:44):
Don't get in the phone, stay away from from the phone.
Don't go through no phones. I don't recommend going through
no phones. Either you're gonna find a reason to leave
or find a reason to stay. Either way, don't do it. No,
my ego can handle it. That's why I've never went
through a phone.
The volume.
Speaker 2 (00:05):
As I woke up today, Nicki Minaj's versus Dez Bryant happened.
I don't even think they're trying to hide.
Speaker 3 (00:11):
The simulation from us anymore. What has happened?
Speaker 2 (00:14):
The confusion I had in traffic of how this even began.
Speaker 3 (00:17):
Like we are putting so many sentences together these days
that I never thought we would hear putting so many
people together that I thought we would nervous, Like, what
is going on? How's happening? Because y'all, you know, I
get a lot of the news and the current shit
from y'all when I come here. What is happening with
Dez Bryant and Nicki?
Speaker 2 (00:34):
Well, the first thing I saw, I got, like I
was in round six, is when I've realized anything was
even happening. When I saw Nicki offer up her husband
to fight an NFL player. Do you think she consulted
with with her husband before that? Wait, she did what
(00:55):
she said, she would get ten million dollars so that
des Bryant and her husband can fight. And I'm not saying,
you know, Kenny is not who he is, or not
where he's from, or not the past that he has.
I'm just saying des Brian is des Brian, don't offer.
I don't care my wife, my girl, demeris anybody do
(01:18):
never never offer me to fight des Bryan.
Speaker 3 (01:23):
Do not do that. But imagine, imagine you sleep and
your wife is another room doing that, and then you
wake up to seeing that you gotta fight a NFL player.
Wait what happened? Which just happened? But what is all
of the stimming from?
Speaker 4 (01:36):
Is it?
Speaker 3 (01:36):
Like? So I had to go back. I'm like, I'm
completely lost, Like how did we even get to Deaz
and Nikki even having a conversation.
Speaker 2 (01:45):
I thought she was still talking about Dez from frog Nation.
Then I got really confied, like, wait, this is des Bryant.
Speaker 3 (01:52):
It's up for ever for any days? Is you know,
Nikky going at any deaths? But wait, is that part
of it? Like maybe he thought that she says something
by him or so?
Speaker 5 (02:07):
So I went back right before we started recording.
Speaker 2 (02:09):
So initially there was something about Jerry Jones and des
Bryant's contract where Hole negotiated that deal without being like
a licensed NFL agent at the time, so it caused
controversy or whatever.
Speaker 3 (02:24):
So then Dez like just I don't know, commented on it.
Speaker 2 (02:28):
And then Nicki, who has been on her tirade with
rock Nation, saw this and obviously wanted to take advantage
of any Rock Nation slander.
Speaker 5 (02:36):
Okay, she says, does anyone want to play a game?
Speaker 2 (02:38):
And then Des Bryant innocently was like, I love games,
not knowing that this was about to talk about child rape,
offering ten million dollar bounties for fights.
Speaker 3 (02:48):
Like I think he thought it was just going to
be a game.
Speaker 2 (02:52):
Okay, NICKI thought otherwise, and then Des said, get to
ten million in cash.
Speaker 5 (02:57):
I'm ready now, well.
Speaker 3 (02:59):
We know, well it's safe to say that Dez is ready.
Now he's probably still in that. He doesn't play anymore,
does he not? Okay, so he's probably still you know,
he still has a workout regimen.
Speaker 5 (03:08):
I'm sure Jaz Bryant is like up there with Cam Newton.
Speaker 2 (03:13):
It is like one of the most athletic people I've
ever seen in my life. Like, I don't care if
he's never thrown a punch. You're still going to have
trouble with Debro. Absolutely, Yes, that is a fucking monster. Yes,
but this is just so. But how again you explained
everything and I'm still confused?
Speaker 3 (03:29):
Oh no, I didn't say it made sense. I was
just telling you because I'm still like, how did we
get here? Though? Like, what is going on? Why is
everybody like? What is everybody's upset? Everybody's mad, everybody's are like,
what is going on in the world? Like I thought
everybody was supposed to be happy, healthy and just chill.
Speaker 6 (03:48):
How would you think that?
Speaker 3 (03:50):
I mean, because that's just the best way to be
in my room, everybody just mind your business. Yeah, man,
I don't know.
Speaker 2 (03:59):
I don't know, imittedly don't know too much about either cases.
I just don't understand how a Jerry Jones and jay
Z negotiation ten years ago led to me finding out
that des Bryant allegedly beat up his mother, and I
found out even more about the alleged rapist activities of
(04:20):
the Minaje family. You're learning things about Nikki's brother, her dad,
Like why is des Bryant telling me this?
Speaker 3 (04:26):
Yeah, but I don't think. I don't think Dez beat
his mom up. I think he his mom was abusing.
Speaker 2 (04:31):
Him, saying all alleged fans on both sides. I'm admitting
I didn't even want to look.
Speaker 3 (04:34):
Further into him.
Speaker 2 (04:35):
Yeah, I was sitting there wondering why it was even
being talked about when all we were talking about before
was Jerry Jones and Juan making a deal.
Speaker 3 (04:44):
Yeah, I mean, listen, man, I again, nothing surprises me,
but this one is close as close to being surprising
as it gets. Like, I never thought I would come
in here and hear that Nicki Minaj and Desbriant are
negotiating a ten million dollar fight, Like, I just never
thought that would be a part of our talking points.
But I don't know, man, I don't know what's going
on with people. I think everybody just needs to relax,
(05:07):
you know, just just just chill, be happy. Life is beautiful.
We cause a lot of issues that don't need to
be caused, and we don't, you know, need to go
down certain paths, but you know, it is what it is.
Speaker 2 (05:18):
But I feel like they needed to respect the audience
a little bit more in this one, because I was
still trying to figure out how Johnny Manziel and Gilly
were beefing. I wasn't even ready for Nicky Well. I
was still trying to figure out that one.
Speaker 3 (05:30):
Yeah, I didn't understand that either. Johnny just jumped in that.
I think he just was like Yo, I'm gonna slap
the shit out here, just like I was, just like
whoa like Johnny wit it that that just came out
of you came in.
Speaker 2 (05:40):
Hot because the Cam Newton and Gilly, I wouldn't call
it a beef, but they're war of words back and forth.
Speaker 3 (05:47):
That's funny.
Speaker 2 (05:48):
Like I mean, it hasn't gotten, in my opinion, that
serious from what I've seen, It's been kind of playful
slash serious banter back and forth.
Speaker 5 (05:55):
Yeah, I thought Cam's response was hilarious.
Speaker 2 (05:59):
I just then when mister football, fucking mister Ohio just
comes out of left field and it's like y'all slapped
the ship out of Gilly, Like, wait, that has to
be a fake Johnny Manziel count No, that no account
what the fuck is going on in the world.
Speaker 3 (06:11):
I don't know, man, he says, Yo, Gilly the kid,
you may be the biggest fucking lose on the planet
talking like you've fucking done anything on the football field.
If I see you, just know I'm gonna slap the
fuck out of you. Trust shout out to thirty eight Special.
But I don't know if I'm as surprised as that Johnny.
I didn't look up. I thought he really said, shout
out to thirty eight special. No, but he said, mister
(06:32):
thirty eight spress shout but he said, trust you know
that's that's that's thirty eight special Ship. So you know,
shout out the spech. Yeah, this one, this one doesn't
really surprise me because you know, Johnny is a he's
a wild boy man. So I don't you know, he's
sticking up with his his I guess his NFL counterpart
in that regard, right, he's sticking up for Cam Newton,
Like yo, listen, don't disrespect Cam. Cam is a great athlete,
(06:54):
great quarterback. You know, stop trying to talk. Stop talking
shit about him. Stop shit, and you can kind of
see why he can.
Speaker 2 (07:00):
Oh no, no, I get you know that Heisman community,
I'm sure they always look out for you.
Speaker 3 (07:04):
It's a fraternity, you know. Think about that.
Speaker 2 (07:09):
If one of my friend Ross was playfully going back
and forth with somebody, I wouldn't then step in. I'm
sure Cam and Johnny Manziela had maybe three conversations in
their entire life. I'm not stepping in and saying I'm
gonna slap the ship out of you. When you guys
were doing playful banter.
Speaker 3 (07:22):
Well, Gilly responded as Gilly, you know, Gilly ain't gonna
miss a moment to respond to anybody. But Gilly responded
and he had a face full of let's say, substance.
I don't know what it was. He had a face
face full of substance, facetance, he had a face full
of substance, and he just was like, yo, listen. You know, Johnny,
I don't know what you over there doing, but I
can only guess that you must be high tama right
(07:43):
now thinking that you're just gonna slap the shit out
of me, Like, I don't know, man, I just again,
we're putting sentences together, We're saying things, putting names together
that I never thought would happen. This is what the
Internet does, and this is one of those people together
even if we don't ask for it.
Speaker 2 (07:59):
Johnny manzelv Court is an incredible athlete at one one time.
I watched the doc. I don't know if he's stayed
in shape. I've seen Gilly box before. Gilly knows how
to fight. I don't know how this one will go.
And Johnny Maziel, obviously, if you go to the NFL
you're a fucking top tier athlete.
Speaker 3 (08:17):
But they always said he was too small for the NFL.
Speaker 2 (08:19):
Anyways, Yeah, I mean he's not that much bigger than Gilly.
Speaker 3 (08:23):
Is this something that we think we'll see Logan the
Paul brothers get behind what Johnny was on that side.
He said, let's set up the fight, which I after
I thought.
Speaker 2 (08:32):
It was kind of weird when he just butted in
and said I slapped the shatot of you. But once
he said, like, let's actually set the fight up, I
was like, I respect it.
Speaker 3 (08:38):
I mean, you're not just tweeting. I mean, listen for
the for the right, for the right, for the right
pay there. I mean, we know Gilly ain't ducking it, no, Gill,
He'll get in a ring with Johnny Manzil for the
right person. Gill. Yeah, that's what I'm saying, barstool, But
he can't throw his own box in event. Kenny like,
is it like kind of inside trader?
Speaker 2 (08:59):
Literally, every even Mayweather fight was money, money Boy Productions
or whatever the shit was.
Speaker 5 (09:04):
He was paying his opponent.
Speaker 2 (09:05):
That's how that's how Ill Floyd Madewe it was as
a businessman like he was paying his opponent. They got
their check, win or lose, well, all losses because's undfeed
of but from Floyd Mayweather LLC.
Speaker 3 (09:16):
Like I seen when the documentary come out some years,
they'd be like some niggas took the fall for that second.
I'm just saying, you get when you when you are
promoting the fight and paying the fighter, you leave room
for that speculation for them to be like, yo, you
was paying these fighters, like how we know he wasn't
paying them to lose. I'm just saying you leave room
for that speculation.
Speaker 2 (09:36):
We're also some about Floyd probably the best defensive boxer.
Speaker 3 (09:39):
Ever, without a doubt, without a doubt. I'm just saying
it wouldn't surprise me if ten years from never get
a documentary where one of the fighters that he fought
come out and say, yeah, no, you know, they paid
me a little extra to just you know, take it easy.
Speaker 2 (09:51):
The only time Zab almost got him, I thought that
was like one of the only fights he was gonna lose.
Speaker 3 (09:56):
But other than that, Mayweather's won pretty za Zab caught
him with one and Zab caught him calling him, and
Shane Moseley caught him yeah as well. Shane caught him
with one of the cleanup, cleanup punches.
Speaker 2 (10:09):
I think they were and Ricky had in a few
rounds kind of looked like it may go the other way,
but I don't know.
Speaker 3 (10:15):
I many Manny caught him with some clean ones too. Yeah,
he didn't fight Manny when Nanny was Manny No.
Speaker 2 (10:20):
I mean, well, you know that's what Manny had been
laid out on the canvas a docu three times for
the documentary.
Speaker 3 (10:26):
The documentary would wait to see.
Speaker 2 (10:29):
Well, yeah, I'm I can't make any sense of this.
I will be ringsid if Johnny manziel and Gilly fight, though,
I would definitely go to that fight.
Speaker 3 (10:36):
I think that's gonna be funny to watch. That's just
gonna be funny. Yeah, I bet money or Johnny Manziela
and Gilly. I would.
Speaker 5 (10:44):
I would say Gilly.
Speaker 3 (10:47):
Without seeing what Johnny manzil walks in the ring looking like,
like if he's in shape, if he's like how much time?
Two months?
Speaker 2 (10:55):
Oh, I'm taking Gilly Okay, But I mean boxing is
an art, like even if you're if you're a world
class fighter, like, yeah, this is not the the des
Brant Kenneth fight, like in a boxing ring, just you
got to know how to box, or you will get
chipped up, like no matter how strong you are two months, Nah,
(11:16):
Gilly been boxing his whole life as Yeah.
Speaker 3 (11:18):
Yeah, but Johnny is probably bigger than Gilly. We can assume, yes, yeah, yeah,
so it's not you know, he has the advantage there
size strength.
Speaker 5 (11:28):
I don't care how toyo. You've never seen an angle like.
Speaker 3 (11:31):
You know, I get that, but I'm just saying it's size.
Speaker 2 (11:34):
Let Gilly swing his foot one time and give Johnny
an angle he's never seen.
Speaker 3 (11:39):
That's true.
Speaker 2 (11:40):
I mean, I'm going Gilly, I'll watch it though, I'll
definitely tune in for that.
Speaker 3 (11:42):
I will definitely want to see that.
Speaker 2 (11:44):
And like I watched The Doctor, Johnny was getting thrown
out of house parties, just fucking civilians, small limbs, spitting.
Speaker 5 (11:52):
In his face, get the fuck out of our house party.
Speaker 3 (11:54):
And Johnny just leaving.
Speaker 2 (11:56):
Nah's Gilly from Philly though you couldn't do that with
Tanner in Ohio.
Speaker 3 (12:01):
Yeah. Well back to this, Jalen hurts cam Newton thing. No,
why do people why are people like so upset about that?
Like saying that Jalen like that, Gilly said, Jalen uh
Jalen Hurts is better than Cam. I don't know if
I'm on the side of that. Honestly, I don't know
if Jalen Hurchs is a better quarterback than Cam Newton.
Speaker 2 (12:18):
I don't think it is, But I mean someone said it.
I wouldn't want to slap the.
Speaker 3 (12:21):
Ship out of them now. Now, granted, granted, Jalen Hurts
won a super Bowl, but again that goes to speaks
to a better team. You know that the healthy Cam
got to the super Bowl, didn't win it, But y'all
know I hi for theball. I think Cam Newton is
the greatest college football player ever. In my opinion, I
(12:43):
don't think I've ever seen a college football player better
than Cam Newton. Again, him winning that National championship with
Auburn beating Alabama. I still don't know how he pulled
that off with that team he had versus Alabama. Insane.
He got to the Super Bowl, didn't win it, didn't
you know, didn't leave with the jewelry. But Cam Newton
had a great professional career. He can't. But you know
(13:05):
what I'm saying, I don't just because you want it now,
you get it when you win the Super Bowl as
a quarterback. You get to talk a little, you know,
in the locker room with the other quarterbacks. You talk slick,
you show that jewelry. It's a different it's.
Speaker 2 (13:16):
A different level jewelry, all right. Derek Fisher incredible point guard.
I don't think he's better than Iverson just because he
has rings. Yeah, but that's not a fair said Mario Thomas.
I'm trying to find like that, but a quality point guard.
Speaker 3 (13:32):
But Cam Newton was League MVP. Everson's been that, Yeah,
Jalen Hurts was Was he league MVP as well? Yeah? Yes,
League MVP twice? Right or just once?
Speaker 5 (13:46):
They're both great. I just side with Cam.
Speaker 2 (13:47):
I really honestly wouldn't be mad at either side.
Speaker 3 (13:50):
But I don't think Jalen Hurts is a better quarterback
than Cam Newton. I think that if we have Cam
Newton and Jalen Hurts on the draft board at the
same time, knowing we know right now like who he's taking,
I've just seen Cam Newton do more with less, So
I'm gonna have to go with Cam Newton.
Speaker 2 (14:11):
Okay, who do you think is better? DJ quick Er,
Doctor Dre Black thought, jay Z. This has been a
wild week, Like quiet as kept because we had so
much fun this weekend, we didn't discuss how insane the
internet has been in the last five, six, seven days.
Speaker 3 (14:26):
I will say this in regards to the DJ Quick
Doctor Dre thing, because I did see somebody tweeted the
art of dialogue Pace tweeted DJ Quick reacts and agrees
with a fan who says he's legendary producer everyone thinks
doctor Dre is. So somebody says DJ Quick is actually
who everyone thinks Doctor Dre is, and Quick responded with
(14:47):
finally someone had the balls to say it. I thought
Quick and Dre weren't a good place.
Speaker 1 (14:52):
Now.
Speaker 2 (14:53):
I know there's been some ups and downs, but I
thought everything was all good.
Speaker 3 (14:57):
Now you can still be in a good place. And
just when somebody as something that I think a lot
of the industry, a lot of artists, a lot of
other producers have known to be true.
Speaker 2 (15:06):
But just like on Twitter, yeah, but I felt like, like,
you don't do that unless you like dislike that person.
It wasn't like in an interview where something we were
having a healthy music debaate and Quick was like, yo,
I don't think I get my problem because DJ Quick
is a legend and the reason why the way it sounds, the.
Speaker 3 (15:19):
Way it's incredibly underrated. Yeah, incredibly underrated. So I think
I think that someone has the bass to say it.
Part was kind of like, Okay, so you've been waiting
for somebody to say that, that's what it feels like,
that's what it reads as. Okay, you've been waiting for
somebody to finally say what a lot of people behind
the scenes have been saying for years and have had
(15:42):
conversations about when you say better. Okay, Doctor Dre probably
is credited with more hit records, right, well, more classic albums,
but then you get to the conversation of how much
of that is credited to Dre? Yeah, he actually did.
(16:03):
Versus Quick, I told your funny story Hop always says
about DJ Quick is he's the only guy I've ever
been in the studio with who I've seen touch every
knob on the soundboard, literally touched every single Now yeah, yeah,
you've been in a studio. Do you know how many knobs?
Hop said, Yo, I was in the studio Quick he
(16:24):
touched every knob on the soundboard. Yeah.
Speaker 2 (16:27):
I have been in studios where full orchestras were playing
and every single line nob was attached to every single
instrument and they were.
Speaker 3 (16:34):
Still only using one or two exactly.
Speaker 2 (16:36):
They didn't need the other seventeen above it, Like right,
it made beautiful lights.
Speaker 3 (16:40):
Yeah, but you like but to see somebody, I mean,
I think that quick probably is alluding to. You know,
people say doctor Dre has a lot of ghost producers,
a lot of things he hasn't produced but has his
name on. It's just him having some younger, hungry guys
in the studio and then you know, they just want
to work and get paid for it. They don't care
if they get credited for it. That's been the for
some years.
Speaker 2 (17:00):
I hear him my thing though, Like all right, yes,
doctor Dre has definitely collabsed with other producers for sure,
Still dre Be's one of my favorite Dre beats, but
that's Scott Storch on the piano. But like, I don't
think that's a bad thing. Dre has proven that he
is a legend by himself as well. So I always
find that those types of stats when you're having these
debates kind of weird, Like, so what was Dre's supposed
(17:22):
to do? You shouldn't grow his sound and like work
with other people, Dre has proven to you he can
do this by himself. Yeah, now the rapper conversation, I'm
not even having that one. This is a strictly production.
Speaker 3 (17:31):
Yeah.
Speaker 2 (17:32):
Now, would Dre's sound be the same if DJ Quick
never existed.
Speaker 3 (17:36):
That's a conversation.
Speaker 2 (17:37):
I think, m H that could be had here and
is should be credited to DJ Quick. I don't think
we get the Dre sound without DJ Quick setting the
tone of what the West Coast sound was.
Speaker 5 (17:48):
Yeah at the time, now better.
Speaker 1 (17:53):
Not.
Speaker 2 (17:53):
Dre's just had a longer career with bigger artists like Unfortunately.
Speaker 3 (17:56):
That is also a stat to me as well.
Speaker 2 (17:58):
Absolutely like global fucking music like no, I'm sorry, Drey
is better, But I don't think he's Drey without Quick.
Speaker 3 (18:06):
I think you definitely need DJ Quick in order to
have a doctor Dre. I think you know people who
don't know DJ Quick, don't know his work, don't know
what he's done in the industry. Please go do your
homework on him. You'll probably will be very surprised to
know that some of your favorite songs he produced. Now,
(18:28):
when you say better, I think that's that comes down
to taste. If we go with what you what you
prefer things like that, Like, you know, that's that's for
people to always argue, Like, I can't tell you what
you're supposed to like, But I'm just going from a
you know, just just a producer's standpoint. I do feel
like DJ quick is definitely underrated as a producer. Yeah,
(18:48):
he doesn't get he doesn't get talked about enough. When
we start telling my legendary producers in hip hop and music,
we don't talk about DJ quick enough. So I do understand,
you know why he may feel a way because he
kind of gets overlooked a lot. Not kind of gets
overlooked a lot when it comes to conversations in the
culture about the greatest producers of all time. DJ quick
(19:10):
name needs to be in those conversations a lot more. Yeah,
Like I mean, do I think.
Speaker 2 (19:16):
Premiere would say Marty Moore probably like inspired him.
Speaker 3 (19:20):
Sure, but I think Freame's better.
Speaker 2 (19:22):
Yeah, but Marley is still a legend and having strums
wouldn't sound the same if it wasn't verim.
Speaker 5 (19:26):
Like he he's just like.
Speaker 2 (19:29):
The genesis of the whole thing, so you have to
give him that credit. But I mean, Drake took it
to a way different level from R. And B to
pop to hip hop like it's it's doctor Dre. Yeah, Like,
I don't really know what to tell you now. In
the same breath, will I Am was he promoted?
Speaker 3 (19:49):
What is will I Am doing? I don't know, man,
I just I'm just always laughed whenever people find a
way to mention jay Z's name, like Jabi and this
is how you know, and sometimes you just got to
step back and just look at the common fact. And
a lot of these conversations and debates, there's a reason
why they always go to Jay's name. I think it's
because we all know that, Yes, jay Z is the
(20:12):
greatest rapper of all time. Anytime you start talking about
who's better than who, they're always going to say some
some somebody's better than jay Z because jay Z is
the bar we all think. We all know that, whether
you want to recognize that or not. I mean, jay
Z is the greatest rapper of all time. You can
have your you can have your preference on who you like,
and Black Thought is amazing. But to say, for will
(20:34):
I Am to say that Black Thought is a trillion
times better rapper than jay Z, I mean, come on,
will I Am, Like, I get it. Black Thought as
he's on our Alien list, Incredible MC, incredible rapper. Jays Is,
I'm sure is a huge fan of Black Thought, has
worked with him before, Like, you know, he has respect,
(20:55):
a ton of respect for him. But when you say
a trillion times like that's just you're just you know,
that's when it because you can say I think Black
Thought is a better rapping than jay Z, and I
don't think that that stings as much as he's a
trillion times better. Right, that's like sounding like Jay is
what he's a dog shit rapper.
Speaker 2 (21:11):
I'm like the funniest part of his statement was when
he's like, don't get me wrong, Jay is dope, Like,
oh thanks, thanks, Like we needed.
Speaker 3 (21:19):
That confirmation, Like, Okay, glad you said it. I know
I think jay Z is dope.
Speaker 2 (21:22):
Yeah, but he's trillion times worse than fucking Black Thought, Right,
how do you gage with them? His top five rappers
rock him, Big Daddy, Kane, Karris, one nos, Black Thought,
and I'm mad at this list whatsoever? That's your preference, Jay,
So we're just talkingpperty rap. I still think Jay and
Black Thought are comparable there, but are we adding in
all the other factors to Black Thought does have hits.
Speaker 3 (21:44):
I'm not saying he doesn't. That was callback to I
got it, I got it. I got what you was
doing there. What are we talking about again? Preference and
taste is all you know, That's who you are, and
I'm not you know, where I am is A is
A is A is a legendary musician, artists, you know
what I'm saying. Like, he knows what he likes. He
knows a lot more about music than I probably do.
(22:06):
So I'm not arguing his teach he does. Yeah, I'm
not arguing his taste level. But then anyone in this
room combined, Yeah, I'm not arguing Will I AM's taste level.
It's just the trillion times better then. I'm just like that.
Just you got to understand how that just smells and
feels like disrespect to jay Z.
Speaker 2 (22:26):
And let's not act like all of us haven't held
a bit of resentment towards Will I Am for the
last fifteen years. There was a time he was quietly
ruining music. I think he's a legendary producer. I think
he's an incredible musician. I think he's one of the
ones Lamar generation. But when he started doing that watered
(22:46):
down electronic pop music with Black Eyed Peas. I mean
I resented him the same way I resented Nori for
reggazzon like you were so good, and like now now
I have this that's spilling over into every genre of music.
I don't even think we get to the Ron Brows
era without will I am making pop music sound that
(23:10):
awfully electronic. That was like when they were doing Let's
get retarded in here is when I think music took
a shift, pop music specifically, and had to get saved
around twenty ten.
Speaker 3 (23:22):
It was so fucking bad.
Speaker 2 (23:24):
I'm not saying what the Black Eyed Peas was doing bad,
the results of everyone trying to copy that awful sound.
Speaker 3 (23:29):
Ye oh my god, pop was so fun. I mean,
he gave us one of the greatest New Year songs ever,
though I got a feeling that's a night it's gonna
be good. Not You can't bring in a new year
without turning that over. It's not even a new year
if you don't listen to that.
Speaker 2 (23:44):
I'd probably leave that party, probably through the balcony exit.
Speaker 3 (23:52):
Window, taking the window. If that were to play at midnight,
that would probably be a ry.
Speaker 2 (23:57):
This was my last time yeah, I'll take the window.
I mean, it's gonna sound like hater shit because the
Black Eyed Peas are legendary and they have a great catalog. Yeah,
but you got to cut it when you got Then
he had that song with him and Nikki. It was
just getting to a weird place with Will I Am.
That one the futuristic. Anytime an artist tries to do
(24:18):
their space futuristic phase.
Speaker 3 (24:20):
Is usually when I check out. Yeah, and all.
Speaker 5 (24:24):
Of our favorite producers have probably tried that.
Speaker 3 (24:27):
Will I Am, you can't say that black thoughters a
trillion times better rapping than jay Z. You can't say that.
That's just disrespectful. That's that's definitely that was intended with disrespect.
And he knows that. You can't say a trillion times
you can't, that's just disrespectful. Is there? Do we think
there's something there? Well? Will I Am and jay Z, Yeah,
(24:51):
it seems like it's something there with get something there.
Jay Z has ruined everybody's lives as far as everybody concerned,
Like jay Z is the reason why everybody either doesn't
have a platinum record, either doesn't have a successful relationship,
either doesn't have a successful sports franchise, like jay Z
(25:11):
is the reason behind everyone's failures. So it seems if
you let people tell it, there's got to be something.
Speaker 5 (25:17):
Did he sign Fergie or something?
Speaker 3 (25:20):
No? No, but then again, I don't know. Maybe it
could just be his opinion. No no, but but your opinion.
You can't say a trillion times better people exactly. That's yeah,
but that's disrespect. You can't you can't do that when
it comes to jay Z as the rapper. You can't
disrespect Jay like that.
Speaker 2 (25:35):
We've all been podcasting and doing media long enough to
know when somebody says something, there's something that we don't
know that's attached to it. Yeah, Like you don't just
say that, there's got to be some history show there's
something that nobody knows, maybe only them to know. Maybe
j passed on a record that there has to be something. Yeah,
he said he was going to do a feature, didn't
(25:57):
do it. There's there's always something, I promise.
Speaker 3 (26:00):
There's always something behind the words that people say.
Speaker 2 (26:04):
And I totally get why people always say, I'm sure
everything always has to do with a woman.
Speaker 3 (26:09):
That's usually why men beef.
Speaker 2 (26:10):
You're not wrong, but there are also fragile male ego
shit like you said he was going to do a
feature for me, and then you didn't, And I didn't
even look into what was going on in your life,
Like maybe he had a death in the family, but
you just holding on a resentment because you just think
this person played you.
Speaker 3 (26:24):
Yeah, I could see that either way. I mean, I
like Black Dought well, I love Black Daughter as a
rap in the MC one of my favorites for sure,
But obviously to me and to many others, I think
it is clear that jay Z is the greatest rap
of all time. Yet, Bryson Tiler The Vices is out.
(26:48):
I'm looking forward to this anytime. I think Bryson Tilla
is one of the artists that his discography is incredible.
I don't think Bryson Till has ever put out a
terrible project for the most part. All of his projects
are dope. Bunch of you there, And it's always good
to see artists that we like, that we've listened to
over the years still be relevant, still be able to
put out good work. I'm looking forward to devices.
Speaker 2 (27:08):
Also gunna announce the last one that is out as
well right now, A very quick announcement. Did that not
throw you all off a little bit. I mean, gun
has been putting a crazy numbers since he's been home. Like,
I didn't expect him to just throw something out. I
feel like that would have been a longer rollout of
how important you know, Gunna is to the label music
(27:30):
period right now? Yeah, because he's doing numbers, numbers since
he got out to just throw some shit out.
Speaker 3 (27:36):
Gunn has been through a lot, man, He's been through
a lot of ups. Like you know, had his moment
where it looked like he was being exiled from the culture,
nobody was fucking with him, came home, put out a
dope project, hit the gym, got in shape, and back
with another album, sold out shows, had Baby d crying
(27:57):
at the Barclays shout out the Gunner Man. He was
able to overcome that that moment.
Speaker 2 (28:03):
Okay, they's got a whiz Kid Burning Boy. Do we
think it's gonna be a different type of sound?
Speaker 3 (28:10):
Are we gonna shake ass whiz Kid and Burning Boy
his features? Yeah?
Speaker 2 (28:15):
Yeah, I can see this being an ass shaken album
for sure. But that's a lot of drops tomorrow.
Speaker 3 (28:23):
This is a Gunner Bryce Until which.
Speaker 2 (28:26):
One are you listening to first? At midnight tonight, We're
recording this on August seventh.
Speaker 3 (28:30):
At midnight, I gotta go Bryson too late to hear rap.
I'm trying to settle down for the night.
Speaker 4 (28:38):
More don't like rap at night. More don't like rap
like running Mall, don't like rap.
Speaker 3 (28:42):
Rap rap like real rap, like JID is rap. I'm
definitely gonna listen to JID, but I don't know if
I'm listening to JID at midnight.
Speaker 6 (28:49):
So in between the hours of two PM and like
commute PM.
Speaker 3 (28:53):
Commute like around like twelve one, two three, the hours
up until like ten and then after that we're going
we're gonna we're gonna mellow down, We're gonna R and
b it after ten pm.
Speaker 2 (29:03):
All right, More you're saying that, But there was the rumor,
which I think is confirmed now that the Vices disc
one that comes out tomorrow is a full rap album.
He's putting out too, and the first one comes out tomorrow,
and that's supposed to be a full rap album. Boss
Man Dilo, Rick Ross t paying Plows Bumbee, Uh Baby
(29:23):
Drill like this. I think I think it's gonna be
more of a rap album than JIDS is gonna be.
Speaker 3 (29:29):
By by your Midnight standards. All right, is it just
up to it's rap on it and Tiller has the
hook maybe a bridge? Or is it like Bryson rapping?
Speaker 2 (29:40):
This is how I know, y'all, not by Bryson rapped
on so much of trap, so he's very good too.
Like Rambo, he's rapping rap like he rapped on a
lot of trap.
Speaker 3 (29:52):
So nobody. I'm not saying Bryce until it can't rap.
But just when you tell me he has a disc,
he's dropping a double disc in one distance him all rapping. Yeah,
with rappers, I'm a little concerned now if it's just
him and it's on the record, it's an up tempo
and he's you know, and it's melodic rap. Ship. Oh
we know that that's his that's his fade away, we
know that. But is it that or is he like
(30:16):
trying to give us bars like Bryson on He ain't
trying to metaphor you and bar you down. He got flows,
he got melodies. But if he on there trying to
stand toe to toe with Rick Ross, I'm gonna be
a little disappointed.
Speaker 4 (30:30):
I mean, but what if he does a good job.
I don't I don't doubt, doubt that Bryson can do that.
Speaker 3 (30:36):
If it's the melodic Bryson where it's like that.
Speaker 4 (30:39):
It's like, why do you think that he can't rap rap?
That's gonna ask you.
Speaker 3 (30:42):
I'm not saying I don't. I just don't want that
from Bryson Tiller. Give us what give us goat, don't
go away from the mid range.
Speaker 6 (30:50):
He's gonna do a second disc though.
Speaker 2 (30:52):
But and also, wouldn't you say, like even where Gunna
has even gone, it's like full melodic rapping. That's kind
of everybody now. So for somebody as a pen like Bryson, yeah,
I wouldn't mind him leaning more into the rap shit,
no melodic, just straight bar Like everything for the most
part now is melodic outside of the legacy.
Speaker 3 (31:12):
That's what I'm saying. If he's doing that, great, I'm saying.
If he's on it rapping like how Ross rap Ross
ton't wrap with no melodies, he giving you straight bars.
If Bryson is doing that, I'm just a you know,
it's just kind of like I'm going into a little
apprehensiveness like.
Speaker 2 (31:28):
Did you hear his feature on Keano Today's album Gone?
Speaker 3 (31:33):
How long ago? Was that? It's something that feels like two.
Speaker 2 (31:35):
Years ago, two years ago, one of the best verses
of the year. He's rapping on that. But yes, it
is very much melodic. I want to use as that
as an example. If it's if he's saying there's going
to be a rap album, I think it'll be even
more rap than what that feature was. That was very melodic.
But he's skilled as bars. But scared, No, I'm not.
Speaker 6 (31:54):
I'm not scared.
Speaker 3 (31:54):
Actually, if it's if it's if it's melodic, he in
his bag, that's his that's his bread butter. But if
it's just Bryson on there and he's trying to bar
you down, like like kiss, I'm gonna.
Speaker 4 (32:06):
Be like, I can't hear him be melodic with boss
Man di Loo why not?
Speaker 2 (32:12):
Absolutely, I can't hear it. I mean with bum Beeh
to me?
Speaker 3 (32:19):
Was melodic? Be's melodic to me? No, But you know
the melodic I'm talking about. I know what PIMC was. Yeah,
but I don't know. I'm a little I thought this
was Bryce until it going back to you know, giving
us that that R and B that that that bad.
But I mean, listen, man, it's gonna double double dust.
This is just the first one.
Speaker 1 (32:39):
Thing.
Speaker 3 (32:39):
I will say Bryson is gained my trust as an artist.
I trust him as an artist.
Speaker 2 (32:43):
Yeah, I actually think Bryson is very much underrated with
his desography.
Speaker 5 (32:48):
He got a lot of slack for his follow up.
I think after.
Speaker 2 (32:51):
Trap Soul and mixed reviews on one after that, I
think everything is put out is great.
Speaker 3 (32:56):
The last album was crazy.
Speaker 2 (32:57):
I really fucked with Bryson, and I don't know where
the disconnect has been at least I only speak to
the social media world, like where people have started to
doubt Bryson was it because Trapsoul was just like the
biggest thing ever that year, and the only way you
can go from there is down Like no, I've never
understood why people keep overlooking the quality music that Bryson
(33:17):
keeps putting on.
Speaker 4 (33:18):
Well, I think at this point now, maybe after his
second album, but I'm talking about at this point now.
I don't think it's that it was because of Trap Soul.
I think that the people who are really pushing music
or paying attention to music right now barely remember Trap
Soul like they were younger. Like, I don't think the
young kids he doesn't mean as much to them an.
Speaker 2 (33:36):
Yeh, but even like the build up of him being
the next guy, going from trap soul to then the
Kalid and Rihanna record, which I was a timeless record
like that could play now, it'd be fine. Yeah, But
there was a he was set well, he was setting
up to be the guy, and then he took a break.
Speaker 3 (33:54):
I mean, didn't he get married or.
Speaker 2 (33:55):
Something something happened where he took a break when I
think when the Mayor was going on, and then he
put out an album that just didn't have a single
that works. But I thought it was a dope album.
You gotta d on there with Drake that's fire that
I just for some reason. I don't know if it
was if it was the label not working it, but
I don't know. I'm excited for this, this price and shit,
and I love that it's a double disc.
Speaker 3 (34:18):
Do you think he's mad that having plows t pain?
Speaker 2 (34:22):
Is he going the route the nostalgia route that Metro
just went with features like that hope from the same era,
like we're all the same age like that. That's when
I see those two combined. To me, that feels like
you're trying to do a two thousands thing. If you
have plows and he paining together on yourself.
Speaker 3 (34:41):
Why you keep saying plows or you don't know something? Yeah? Maybe?
Speaker 6 (34:44):
Okay, did you got speaking of Metro's album, did you
guys like it?
Speaker 2 (34:51):
No?
Speaker 6 (34:52):
Is that a loyalty or like actual? Ada lady like?
Speaker 3 (34:54):
They played like four records in here and Peach told
me the whole album sounds like that, and I was like,
I can't listen to that. I understand what he's doing though.
They say he wants music to go back regional and
keep things like if you're from Atlanta, your music will
sound like I.
Speaker 2 (35:07):
Respect that, but that sound wasn't. Well, yes it was regional,
don't get me wrong. That's in Atlanta all day, but
it went everywhere.
Speaker 3 (35:17):
Yeah, no, and I get that that's cool, but I
just listen, man, I'm everything is just not for me.
I can't hear that. I don't I will. I don't
even know where to play that. Definitely not playing that
in the crib, not playing that on the drive, like,
I'm not where am I playing at at? Somebody? That's
for somebody. Somebody's gonna love that and play that somewhere
(35:37):
at a day party something like you know they gonna
they're gonna have fun with it. I'm just saying me personally,
I think Metro is dope. But I'm just saying that
album I can't that music is not is not for me.
Speaker 2 (35:49):
I mean it was. I haven't gotten through the entire thing.
And without getting through the entire thing, my point is,
did it need to be a double disc?
Speaker 1 (36:00):
Like?
Speaker 3 (36:00):
Again, I get it, you're doing the nostalgia shit.
Speaker 2 (36:02):
This is what I was listening to in high school
into freshman year college. Like I love Roscoe Dash, I
love Travis Porter. Here in Gushi they want to have fun,
Like I like that record a lot.
Speaker 3 (36:15):
Do we need what is this?
Speaker 5 (36:17):
Twenty twenty five records of this sound?
Speaker 4 (36:22):
Like?
Speaker 2 (36:22):
This could have been a really because you know, Metro
does really good EPs, whether it be Sean Quabo, like
he just throws out his high volume like he puts
out a lot of shit.
Speaker 3 (36:32):
Do we need this much of this sound?
Speaker 2 (36:34):
Like?
Speaker 3 (36:34):
Could it be anything?
Speaker 2 (36:36):
I would really appreciate an EP of this type of
shit based off my age and the era that this
music came out, I can really appreciate it.
Speaker 3 (36:44):
It's nostalgic to me.
Speaker 2 (36:45):
Love Waka, Like all this shit is great, But why
twenty five fucking songs.
Speaker 3 (36:49):
Of this Yes, like so much, it's too much. It's
just such thing as too much for me. Again, if
somebody's gonna love it, somebody's gonna be excited to hear
that sound again and go back to to that time.
You know, I'm more on the side of you know,
give me something more current, give me something that we
probably didn't get, you know what I mean, change the
sound a little bit, like I'm on that side of it.
(37:11):
Like I respect what he did, and I think it
makes sense to try to get music back to a
place where it's more regional, you represent where you're from
more instead of you know, everybody being on social media
and try to chase what the wave is. Just like, no,
stay in your corner, stay in your pocket, do what
you do. I respect that. I'm just saying, not to
this extent. Twenty five tracks of that sound from was
(37:34):
that like five yeah, six, so four maybe around there
four to six, Yeah, don't take me twenty years back.
Don't do that, like, give me something that we didn't get.
It was LIKEO, this is crazy, this is innovative. This
is you know what I'm saying, Give me that before
you take me back. Twenty five tracks of a sound
from twenty years ago.
Speaker 2 (37:53):
He put it it's spent on it a little bit
like I liked that it was hosted by DJ Too
that went back to that era.
Speaker 3 (37:58):
Yeah, I get it. Install This is my theory. I
can't prove this.
Speaker 2 (38:02):
Why this is twenty five records is because I think
and there's no disrespect to that era, because I love
that era. So I got pussy for the first time
in that era, like I hold a special place, sure place,
special place in my fucking heart. This was this sound
was high school dances part like that was our shit.
Speaker 5 (38:19):
I think Metro found out how fucking easy.
Speaker 2 (38:22):
It was to make those type of beats, and that's
why we have twenty five of them.
Speaker 5 (38:26):
I think he made every one of these beats.
Speaker 2 (38:28):
He said, oh my god, with this stuff, that technology
we have now, I could make this beat in five seconds. Yeah,
that's what I think happened because Metro, if you go
back to his last album and the one with Future
as well, like how intricate Metro's beats are are incredible.
Metro can do this shit when he's taking a shit
(38:49):
on the toilet. That's why I think there's so much here,
because he found out that sound is extremely easy to
make in this era, like Able to they was doing
that shit on fruity loops everything like that.
Speaker 3 (39:00):
It took some time.
Speaker 2 (39:01):
Listen, you could do it in five minutes, Lable. I'm
i saying it's bad. Yeah, and quick doesn't mean bad.
But that's why I think Metro had an idea and
just kept pumping out like ten bts a day with
this sound because it's so easy to fucking make it. Yeah.
Speaker 3 (39:15):
I'm cool though, but respect to him, you know what
I'm saying. He's obviously one of the most talented producers
we have and things like that. But this is this
project is just not for me, that's all. I had
another bit of a viral moment last year when we
were talking about uh Drake in regards to you know,
(39:36):
people calling him a culture vulture and things like that,
and in one of my rants, I said, if it
wasn't for Drake, we might not have never even known
who the migos was. That was in regards to me
saying when Drake remixed was it Vasaces?
Speaker 1 (39:53):
Yeah, I thought, my buddy, nigga, that's my mans what
he stapped niggas and put it in And but just
do that, do that though.
Speaker 3 (40:03):
He's niggas right, right, But people didn't understand what I
was saying. They were saying like I was trying to
give Drake oli, but it was like no, but one
of the biggest artists remixed a record from a group
that was making noise and was known in Atlanta and
and kind of bubbling around the country a little bit
in different pockets.
Speaker 1 (40:21):
That's it's sound a different type of way. So I'm
the artist that's.
Speaker 3 (40:25):
Coming from that was coming from off set. It stamped
the migos. So y'all can stop killing me every time
that clip goes viral and say, I don't know what
the fuck I'm talking about.
Speaker 1 (40:34):
Saying, because they've be trying to say like they're gonna
say like we're gonna be great regard, we will be
great regardless.
Speaker 5 (40:38):
But you can't skip this down. Yeahh No. That definitely
changed the Versace record for sure.
Speaker 3 (40:43):
She was going and you know, and then I saw
Coach k On he was doing an interview somewhere where
he basically reiterated that, like nah, when Drake did that,
he just did that on the love like he fucked
with the record, and it was just like yeah.
Speaker 1 (40:57):
It wasn't even know if all like give me all
the record behind the scene, like I own everything because
I'm doing it. No, but every start, I know, we
went from doing the type show to the Type show
changed she changed up.
Speaker 3 (41:08):
I don't know what that was.
Speaker 2 (41:10):
What twenty fourteen, fifteen, fourteen fourteen, what what was that? Like?
Speaker 1 (41:15):
Thirteen it was Bando, that was Atlanta Ship. Yeah, that
was bubbling.
Speaker 2 (41:19):
Yeah, I mean Bando made it up to New York
a little bit, a little bit right towards the thirteen.
Speaker 3 (41:24):
I think then when that then drivers then we did
Birthday I'm in jail by the way, did Birthday bash.
Speaker 1 (41:31):
And then when Buddy got on it and motherfucker.
Speaker 3 (41:33):
Went to the moon.
Speaker 1 (41:34):
Yeah, and after that it was it.
Speaker 3 (41:36):
Was like what was that called? Like when you got vocals?
I was in a bad situation, I was I heard
it like that the word heard it?
Speaker 1 (41:45):
Yeah, whenever fucking came out like over the phone, damn
you locked up and you hear that verse? Yes, sir, Oh.
Speaker 3 (41:54):
Them walls got smaller. Man. You couldn't wait to get
out that what wait? Got that?
Speaker 2 (41:59):
I was like that was like yoo, and get Rich
dropped like wait, hold on you the biggest I gotta get.
Speaker 3 (42:03):
The outre we going crazy right now?
Speaker 1 (42:06):
I heard that's one now.
Speaker 3 (42:08):
We and Rory went to the Scorpion Show when y'all
won tour with Drake, and I remember telling Rory when
we left, I said, I always knew that Migos had
records and they was dope and you know all of that.
But seeing y'all perform that set list on the Scorpion Tour,
for me, it gained a different level of respect for
y'all because I was like, Yo, they was doing back
(42:28):
to back to back to back hit records the entire set.
There wasn't no opening fifteen minute, no no, no, no,
no no. They could have easily headlined a tour like that.
But is that a testament to just y'all always knowing that, Yo,
we dope, We're gonna be who we are and when
the time comes, everybody to catch on.
Speaker 1 (42:49):
Yeah, that's been the story of that shit since the
beginning of time. I always caught catch I'd be liking
this shit, ookkay. I feel like the ship that hit
fast go fast.
Speaker 3 (43:00):
Oh yeah, it phades quick, especially now, Yeah, they get
over it super quick, super quick.
Speaker 1 (43:05):
Like I rather a record I'd rather start from twenty
five on board and clown in No More. I didn't
go no More and then next week come ninety eight.
I rather do that be cause that mean the record
ain't sticking. Yeah, it's just some hype, right, the type
should be down on.
Speaker 3 (43:19):
Yeah, now that's working the record as one of the
more fashionable guys in the culture. Yeah, being from Atlanta. Now,
Yachty had some things to say about New York and
it's fashion sense a few months ago, and then they
kind of killed him. You spend a lot of time
in New York. You do a lot of shopping in
New York. Being from Atlanta, where do you feel like
which city has more sense of fashion and style and
(43:42):
taste between New York and Atlanta.
Speaker 1 (43:45):
I'm gonna say it like this, you can't never play
with New York. Okay, ever, it's just it's a it's
a it's just it's the brain.
Speaker 3 (43:53):
So the semester it's the mecca.
Speaker 1 (43:55):
That it's the mecca.
Speaker 3 (43:57):
Now we got house and like how we do it,
how we carry it.
Speaker 1 (44:05):
Yeah, I feel like if I want to shot, I'm
gonna come to New York for sure. Ain't no planing,
But I'm not gonna copy high in New York and
get dressed though.
Speaker 3 (44:14):
Okay, you ain't gonna put it on, you ain't gonna
put it. Put it together the same way I'm gonna
put together the same way. Okay, got you, I'm gonna
respect it now. I would never say what was the question?
Was what they asked him, and then he said, he said,
got exactly what yacht he said, but it was like
who's flyer?
Speaker 2 (44:29):
And then they pulled up a million photos of him
dressing just like DMX, and it was just like, I
mean that, you can't say New York doesn't dress better
than Atlanta and all these photos you just taken influence
from New York fashion. Yeah, but I mean I get
Atlanta's put their their sauce on.
Speaker 3 (44:50):
So then we're having sauce man. But it's a cheat
coote now. And I always say this with social media
because before social media, if you was flying your city,
it was because you really went and looked for pieces.
You can put pieces together. Now with social media, I
could just follow off set and be like, Yo, what
hoodie off set got on? I'm gonna go get that, Yo,
what shorts off set got on? I'm gonna go get
(45:11):
that yo. How he did his socks with the with
the lacers. It's easy.
Speaker 2 (45:15):
That doesn't mean ship fashion me is also like Colonne,
it's gonna smell different on everybody. Like you could copy
somebody's whole fit. You could look nothing.
Speaker 3 (45:24):
Absolutely you see we see the mannequins that got the
whole bill, Like you, bro, you want to tell you that?
Finally one person.
Speaker 1 (45:33):
Like, yeah, I don't like that.
Speaker 3 (45:35):
I don't like niggas to go print crazy too. Yeah,
grab some pieces in there and then like you said, sauce,
how you throw it together?
Speaker 1 (45:42):
How you throw it together?
Speaker 3 (45:43):
Yeah? Because it ain't no rules and this ship right,
So it's it's a free book.
Speaker 1 (45:47):
Some niggas. I hate man calling niggas man.
Speaker 3 (45:51):
It's funny. I just said that about yes, nigg straight
Louis every time that Lois Louis sock short pants. Bet
that's now before we let you get out of here.
Speaker 2 (46:06):
We do have fans and listeners that call in and
ask for advice, tell us stories. We want to do
one quick voicemail with you, so we give a fan advice.
Speaker 7 (46:15):
You have got mail, how it's going game? Fuck with
the pod? Uhy to come down to Louisiana for a
live show year. I'm a beat up, but uh, the
reason I was hitting your love man is because the
nigga needs some advice.
Speaker 4 (46:30):
You know.
Speaker 7 (46:31):
Nah, I haven't been around the block a few times.
Speaker 3 (46:33):
You know, I'm not new to this.
Speaker 7 (46:35):
Still, I still like to hear different perspectives. So that
shorty I'm talking to you know, I love I love
my life type ship like you know, our interests a line,
our morals a line. Everything like were good and every
everything good, everything pure, everything great except one problem.
Speaker 3 (46:52):
Trust the shoes.
Speaker 7 (46:53):
She got trusted shoes and they are bad now I
know where they stem from. Like she ain't had the best,
Like you know what I'm saying. She's been through a lot,
and one of the things I love about it is
her perseverance, Like how she how she's still such a
great person after dinner with all the stuff that she's
been through in life. But that caused this issue is
you know, and she needs therapy. But that's a whole
nother conversation. We ain't about to have no time, but
(47:17):
I'll be killing bro. I don't be doing nothing wrong
like a nigga, don't. I don't text noll the bitches.
I don't fucking all the bitches, like you know what
I'm saying, I ain't. I'm not on that, like I'm
off there. I wanna I want a real relationship or whatever,
you know. So basically like how would y'all deal with
that without I don't want to break up with her,
like she'd be trying to go through a nigga phone,
Like she went through my phone. She don't find nothing,
but it's still oh, you must be hiding something, must
(47:39):
delete messages, like it's all kind of bullshit and not
just I don't want to break up with her, but
nigga kind of.
Speaker 3 (47:45):
Tired of it, Yo, maw leave. Yeah, I feel like
it sounds like she's already like just way too insecure
and it's not gonna get no better. If she going
through your phone and she don't find nothing and she
still feel like you hiding something. She got to do
the work. Get out of that man, Get up out
of there, he said, he got.
Speaker 2 (48:04):
You know, she has she she has, she passed, has those,
so she'd be.
Speaker 3 (48:10):
Going through his phone, Yeah, going through a ship. He's
gonna be doing nothing, he said, he's chilling.
Speaker 1 (48:14):
No holes, I'm saying though he had to do it,
like is it like a past.
Speaker 3 (48:22):
Well her previous relationships, she's been through some ship before
now that day. Sometimes people do that to the oh yeah,
what she doing, what she got going on? Check her phone?
That's that's y'all check phones. But I'm just saying, like
she keep pressing, she checking him? See it too, like
he heard about that ship, like he in love with her.
(48:45):
He'saying like he want to be with her, but he
like she making it all like damn, I'm not fucking around.
Why you keep pressing me about this?
Speaker 1 (48:51):
They don't want my advice.
Speaker 3 (48:53):
He wants to trust me. He didn't want said like, hell, yeah,
I'm going I'm rolling with that. So what does all said?
Tell a gentleman like that.
Speaker 1 (49:05):
What you're telling? She too? Like maybe maybe maybe you
got you make it feel a little bit more secure
than maybe okay, maybe you maybe you the trauma, look
at the trauma she's been through and try to do
the opposite of that. Yeah, maybe that can help, but
I don't know.
Speaker 2 (49:23):
I hear that, but I'm not changing my whole life
for you to look through my phone like I'm on
fucking parole every night because you went through some ship
before me, like, I'm just not really.
Speaker 3 (49:32):
I can't pay for his the other guy likes.
Speaker 2 (49:35):
To me, that's odd because I'm not going to go
through your phone. To me, that's if she don't work
on that ship by herself, I would leave because that's
only going to get word. You can't cure that ship
just by showing your phone every fucking night.
Speaker 3 (49:48):
Right, What I didn't do anything? Is that one of
your things? Though? Never never go through a woman's phone,
even if you feel like there may be some shit
going on, like you just never like, I'm never doing it.
I ain't gonna say I have done it. But did
you find what you was looking for? That shit hurt you?
Speaker 1 (50:05):
Just no, actually don't find nothing. That's what hers When you.
Speaker 3 (50:10):
Don't find nothing, explain that when you hurted as a man,
like that's the lame ash like after you okay, s
just when you when you you do some shit that
as you're like, what the fuck? Why would I playing
myself go in the phone.
Speaker 1 (50:21):
Ain't nothing in there? Yeah damn I'm laming. Then you
just sitting there laying head going through the girl phone.
Speaker 3 (50:27):
All right, now, do you tie them went through it
and you didn't find nothing, or you just just tuck
that and be like, damn, that's fucking corny. I just
some corny ship.
Speaker 1 (50:33):
It's so corny you gotta took that.
Speaker 2 (50:37):
There's no winning going through far. You're gonna find something
you don't like it. If you don't find something you
don't like, you don't think she deleted something. So now
you're just walking around the house pacing like.
Speaker 3 (50:44):
Don't get in the phone, stay away from from the phone.
Don't go through no phones. I don't recommend going through
no phones. Either you're gonna find a reason to leave
or find a reason to stay. Either way, don't do it. No,
my ego can handle it. That's why I've never went
through a phone.
Popular Podcasts
Fudd Around And Find Out
UConn basketball star Azzi Fudd brings her championship swag to iHeart Women’s Sports with Fudd Around and Find Out, a weekly podcast that takes fans along for the ride as Azzi spends her final year of college trying to reclaim the National Championship and prepare to be a first round WNBA draft pick. Ever wonder what it’s like to be a world-class athlete in the public spotlight while still managing schoolwork, friendships and family time? It’s time to Fudd Around and Find Out!
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.