November 9, 2025 • 52 mins
This week on New Rory & Mal, Beyonce was so dominant she made the Grammy's create a new country category, Rory gives his take on the Billboard Hot 100 changing their rules, Demaris gives advice on how to date when everyone gives you the ick, and Ms. Pat stops by to play therapist. #volume
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Episode Transcript
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Speaker 1 (00:01):
The volume.
Speaker 2 (00:04):
Uh well, I saw on Friday that the Grammys were
going to announce all the categories Grammy Shmammys, and then
there was one specific, uh category that was being split.
Grammys will announce nominations next week. Following Beyonce's historic win
as the first black woman to win Best Country Album,
the category has been retired and split into two Best
(00:27):
Contemporary Country Album in parentheses Black Dominated and Best Traditional
Country Album in parentheses. Whem, more segregation. I'm sure the
Grammys didn't put black dominated and white dominated more segregation.
This is from pop fusion.
Speaker 3 (00:42):
H Keep that contemporary country shit over there, y'ah. I
don't even wear wranglers. I don't know nothing about wranglers
in a Ford Bronco. You don't know Brett Favre's volleyball, Yeah,
you don't know.
Speaker 2 (00:53):
I don't know been to a game.
Speaker 3 (00:55):
Keep that contemporary country shit over there. Don't come over
here with Johnny Cash and them. Your niggas ain't Johnny Cash?
Speaker 2 (01:02):
All right? Do we think that Cowboy Carter would have
been in Contemporary Country Album this year if the years
were switched? Of course? What about that is a contemporary I.
Speaker 3 (01:14):
Don't even know that's not country album.
Speaker 2 (01:18):
It's that traditional country traditional. She went out of her
way to make a traditional.
Speaker 3 (01:23):
This is just more like just bullshit with the music industry.
Speaker 2 (01:26):
And yeah, I get like Shaboozi has experimented and I
could see that type of stuff. But I mean, we
know what this is. Of course we do. Black country
artists are smoking, y'all, So we gotta split it up.
Speaker 3 (01:38):
We gotta split it up. It's not gonna be fair here.
We come taking back our sound first of all.
Speaker 2 (01:42):
We gotta get into that. We got it. It's our music.
So you don't find it funny when Maga says we
need to take back our country.
Speaker 3 (01:51):
Yeah, I do find that funny to begin with, very funny. Yeah,
but this is that's that's what this is. It's like,
come on, man, cut the ship bro, like it's t
twenty five. Let's just all be honest, like it's okay,
Like I just think that everybody kind of like it's,
you know, trying to walk on eggshells.
Speaker 2 (02:07):
Just have the conversation.
Speaker 3 (02:08):
Contemporary country album.
Speaker 2 (02:12):
Okay, I do. I know why they did this, and
it's a direct response to what happened with Beyonce. Absolutely
with that set, I do like that they have split
up categories within R and B and other genres, Like
I like that there's a traditional R and B category.
I like that there's a contemporary R and B alternative
(02:32):
art Like I like that they're doing subgenres because it
does give artists that don't make, you know, the highest
form of R and B right now, gives them a
chance to be recognized. Now, I know that's not what
they're doing here, no, but I do like the contemporary
categories in a lot of other genres. Matter of fact,
I think raps should be split up in subgenres. For Grammy,
(02:54):
so I don't think it should have to be Rap
Album of the Year.
Speaker 3 (02:56):
It definitely needs to be.
Speaker 2 (02:58):
Like, I think it's great that, like you know, Gibbs
and Alchemists are nominated Roy Skitz, Like, I think all
that shit is great, But some years it's like the
real what should be a rap album isn't even nominated.
So I do think these subcategories are cool. Like I'm
not mad at I just know what this one is.
This is this is the Lights being upset. Yeah, that's
(03:21):
what that is. If this was if this, if this
happened before Beyonce's album, I'd be I'd be like all right, cool,
like okay, cool.
Speaker 3 (03:29):
They trying to, you know, make sure everybody kind of
gets recognition. They understand that, you know, the sound the
music changes. Artists come in and you know, create a
different type of sound, like okay, we understand it. But
this coming off of the win, Yeah, it's just blatant
in your face, like all right, man, like we get it.
Like in case Beyonce decides to make another country album,
she's gonna dominate again, and then you know, like yeah,
(03:52):
I mean, just to have the conversation, man, like I
don't know how much longer we gotta, you know, try
to sit and act like we don't know what this is,
and it's just like, you know, it's first of what's
unfortunate that we even still have to do or feel
like we have to do shit like this.
Speaker 2 (04:07):
But like I do, they added progressive R and B album,
which I think is cool. Like to me, those categories work,
but you might as well just say urban urban country and.
Speaker 4 (04:22):
Urban country and real country urban country, like just just
say what it is at this point, or add more
subcategories than just two, because country has a bunch of
different like the Ship that wins is usually pop country.
Speaker 2 (04:38):
It's not like country country. Like just because someone talks
about a fucking golden retriever a pickup truck and radio,
that's a pop record.
Speaker 3 (04:47):
Urban country in this country country.
Speaker 2 (04:51):
Country with a K country definitely with a K. Absolutely,
But I'm curious to see what would nomination are looking
like this year for sure. I mean, we'll cover it
next week once they actually come out. But rap should
be really interesting this year. R and B should be
really interesting this year.
Speaker 3 (05:11):
Should it be interesting?
Speaker 2 (05:12):
I think Leon Thomas is going to clean up everything,
but that's just my opinion. Hopefully you had a great album. Yeah,
and I think Mutt will clear up singles as well.
Speaker 5 (05:22):
No man might have to compete, will fold it? Folded
might come through a crush.
Speaker 2 (05:28):
Folded is one of those, and Folding made it in
time right It's ship Yeah, August, I believe the deadline
was August beginning of September. Folded I think made it
right there. Yeah, No, Folded is crazy, Yeah, but the
Folding ain't Mutt though much. Just it came out like
everything came out right after the last Grammy deadline. June
(05:50):
eleven saw a dominance of a full Year of Mutt.
That's why I feel like it's a cleanup.
Speaker 6 (05:56):
June eleventh is one Folded came out?
Speaker 2 (05:58):
Okay, oh yeah, all right? Cool? Well you like that record?
Speaker 5 (06:01):
Folded got so crazy that everybody, you know, how many
people went and just made a remix.
Speaker 6 (06:05):
She didn't ask these.
Speaker 5 (06:06):
Brandy fucking Brandy, Tony Braxton, Tank, Mario, Plies have all
made folded folded remixes. Neo just volunteer was like, I
want to fold a remix. That's how like big that song?
Speaker 1 (06:20):
Who wrote the Dixon roll Folded Fire? I don't quote
really he did? Yeah, I'm Klinie Dixon.
Speaker 5 (06:30):
There's a couple other people, Donovan Knight, Andre Harris, DeWitt Wilson,
Christopher Riddick, Times, Milosh.
Speaker 2 (06:39):
Yeah that record is incredible.
Speaker 6 (06:42):
Milos.
Speaker 2 (06:43):
The guy that did my massage, it's the same guy.
Multi fascinating. He performed on the boat and then rubbed
my hands. I love that though.
Speaker 3 (06:55):
When you go on like a vacation and the guy
that works like at the restaurant is like Mike with
Jackson at.
Speaker 2 (07:00):
Night, that's the best shit. That's my man right there.
That's what I was telling the PR people. I was like, Yo,
the way they do Michael Jackson and Elvis, Like, if
you need me to do Paul Wall, I do Paul Wall.
You just gotta pay for my grill. Oh my, but
all music and Leon Thomas. We left out the Folks
EP album. I don't know whatever it was called that
(07:20):
Leon just put out on October twenty fourth. Did you
listen to Folks? Yeah? Leon has not fucking missed in
three projects straight. That came out last week, right October
twenty fourth. Yeah, my muse incredible. Like I didn't think
he could even top the not Fair record off the
(07:41):
deluxe of mut and listen, Man, I can't say him.
I think he's going to clean up. But Folder deserves
all the credit period.
Speaker 3 (07:48):
Yeah, now I know Dixon wrote that. Yeah, I like
to see that one.
Speaker 2 (07:51):
I think for that that deluxe because Folder was on
the deluxe, right damars of Carolini's album.
Speaker 5 (07:57):
I don't even think of No. I think she just
dropped bold. It was just a single.
Speaker 2 (08:01):
I think it was records on the Delugue as a
feature outside of just producing. Yeah, they've been working for
a while now and everything that Kaylnie and Dixon do together.
Speaker 3 (08:12):
Yeah, I love seeing Kayline get like have this moment though,
but me too, He's been dope for so many years.
Like it's just good to see Kaylannie like finally being
spoken about, like everywhere, like everybody's in tune with everybody's
listening to her.
Speaker 5 (08:24):
When I was at one music fest, Kaylanie performed and
I was, of course like in heaven. But I've been
a Klannie fan. I hate being those people. That's like
I've been a Kiani for so I've been a Kailnnie
fan for over ten years. So when I was she
was performing older songs that I'm screaming to the top
of my lungs and I'm looking around and I have
a video where my drunk ass is like, I'm.
Speaker 2 (08:44):
Like, y'all folded fans.
Speaker 6 (08:45):
These ain't Kailinni fans, these folded fans.
Speaker 5 (08:47):
But at the same time, I'm happy that there are
people that are now they get to discover Kailanie's beautiful catalog.
They he's had for years and they're reading like they're
just they're hearing songs that I love for the first
time and like that's like beautiful. I'm happy she's getting
this moment.
Speaker 2 (09:01):
So as a kay Lonnie fan for ten years as well.
I think we forget that she was like sixteen when
she came out. Yeah, like she's just coming into her
own now as an artist. She came out when she
was a child. Like, we definitely didn't get the best
of her music in the beginning because she was still
she was a kid. Yeah, and we still thought it
was amazing. So I think we'll get better music from
(09:21):
kay Lonnie in the second half of her career that
we did on the first, because everything she's been doing
has been incredible. Yeah. I saw this. The Billboard Hot
one hundred tweaks its rules along with the Grammys. Everything
is scrambling.
Speaker 5 (09:35):
Yeah, we waited to talk about this till you guy
here because we knew you wanted to nerd out.
Speaker 2 (09:41):
I mean, there's not much nerding out that I want
to do on this. I mean, we can give a
quick rundown effective this week. If a song drops below
number five after seventy eight weeks, it's removed. A song
drops below number ten after fifty two weeks, it's removed,
and so on and so forth. I think this, along
with what's going on with Spotify, what's going on with radio,
which guys don't believe me about everyone is scrambling to
(10:02):
change everything because everything is about to change. Spots have
ruined everything, everything needs to switch up, and Billboard labels DSPs.
Everyone is getting ahead of everything changing. We're changing rules, Okay,
changing rules. I'm with Are they changing the way artists
are paid out that going to remain in the same exactly.
Speaker 5 (10:25):
I'm with you on the everybody scrambling. I also think
that Billboard, I think that this makes things a little
bit fair. And I think the reason why Billboard did
this is I don't think that's that big of a conspiracy.
There are some songs that are so well loved that
they will stay on the charts for years if you
and it doesn't make room for other artists to enter
(10:46):
into those smaller spots.
Speaker 2 (10:47):
Especially if an icon dies and your song can't get
an Everyone cool, I'm fine, I'm I get it. I'm
not okay, No, I'm not okay, no. I hear you.
And I think this does make things much more fair.
But I think with all the rules changing that there's
a specific reason for it, this being one of them
(11:09):
that I agree with, like even but again, like I
think Teddy Swims lose control deserved to be on the
Billboard as long as it was, it's an incredible record,
and it kept streaming fairly.
Speaker 5 (11:19):
Like yes, but I mean, but we get it, Like
you know what I'm saying, Like because okay, so if
the Billboard was getting you, if you were being paid
every week for being on Billboard, then that makes sense
because then you're taking food out of the out of
their mouths.
Speaker 6 (11:33):
But if it's just like, Okay, we get it.
Speaker 5 (11:35):
You've been number one for such and such many weeks
after two hundred weeks, Like it's fine, Okay, you were
on the charts for two hundred weeks. Kick him the
fuck off and let somebody else come on, Like it's
that's insane.
Speaker 2 (11:49):
I don't know. I mean to me again, if you're
taking away any and I don't even want to say bots,
because when it was CDs, let's not act like even
you def jam cash money. Everyone is admitted they were
buying hundreds of thousands of CDs to make sure they
got to number one, Like this isn't a new thing,
it's just now it's it's bots because it's tech. Yeah,
(12:11):
I do think if it's fair, why shouldn't the one
that's streaming the most stay there. I don't think that's
a bad thing. Like as much as as annoying as
it was that the Spurs were in the fucking finals
every year, or the Patriots were in the super Bowl
every year, or the Kansas City Chiefs have been there, Like,
(12:31):
we got to do what the NBA did and block
the Chris Paul deal because that's fucked up. Like, if
this is how the system is set up, why what's
wrong with that? They're fairly doing it. I'd be pissed
if they told Tom Brady, yo, you're too good, no
more super Bowls for you, bro. But you're not fucked
up that complete.
Speaker 5 (12:52):
That's completely different because a Super Bowl is such a
huge moment.
Speaker 6 (12:57):
They're not saying the.
Speaker 5 (12:58):
Number one record on Billboard, they're not removing number ones.
That's not the rule. That's not the rule. The rule
is the motherfuckers that's over there, sitting at ninety seven
for five years. They can go, like you see what
I'm saying, Like that's if they're not taking people from
number one or number two, or number three or number
four or number five.
Speaker 2 (13:15):
Okay, but I'm saying too all right, let me let
me not say, but.
Speaker 3 (13:18):
Do you want to be the artist that enters the
Billboard because they remove somebody that was just like stagnant,
like oh I got in because they took HOI off.
Speaker 5 (13:26):
Yeah, music, I'm no no, because it's because no, no,
it's not about you making bad music has nothing to
do with that, because we all know when Taylor Swift
releases a fucking album, she knocks like ten people off
because her entire album is going to go to slots
number one through ten. That doesn't and it's gonna stay
there for a while. So the people who are inchin
(13:47):
in it engine in you said.
Speaker 2 (13:49):
What it's good music? No, I know, I hear what
you're saying as fucked up. And I won't use the
Tom Brady thing because again it's not the number one,
but like, okay, that'd be like Mike Rabel, you can't
go to the super Bowl this year, like you're not
the best player, but you're in five super Bowls and
you play really well. Robert Rory can't get a ring
and just stay at number seventy eight on the Billboard charts.
Like if I'm there for a one hundred weeks, yeh,
(14:09):
that's a stat for me. That's cool that I stayed
in the Billboard Hot one hundred. That's a stat for
an artist. But do you just because you're not number one?
The hot one hundred is like a thing for an artist, Ysluly.
Speaker 5 (14:20):
But it's not like he hit the hot one hundred,
like oh my god, it's not like he's climbing right
Like for example, we just spoke about Folded. Shoutouts of Folded.
It just hit number seven on the Billboard charts. Right,
Folded is climbing. It's been there for a little while,
but it's climbing.
Speaker 3 (14:35):
The record's no number one.
Speaker 6 (14:36):
No, it didn't go number one.
Speaker 5 (14:37):
I think y'all like misunders, like records don't be going
number one.
Speaker 6 (14:40):
I feel like me and you have this issue.
Speaker 5 (14:42):
A lot record, a lot of the records that we
love don't go number one.
Speaker 2 (14:45):
Teddy Swims Losing Control just left the top ten, and
I believe that came out two years ago.
Speaker 7 (14:50):
Wow, through the Taylor Swift thing, through everything I thought
Folded with number one, No no.
Speaker 2 (14:59):
And I mean I get it. You have to adjust
because of streaming because that can keep things weekly outside
of album sales, and like there wasn't so.
Speaker 5 (15:09):
We all know the bigger the artists, and the bigger
the label and the more money that is behind them,
you can get playlisted. If playlisted is going to keep
you on the Billboard charts longer, that doesn't mean that
you have a better song, or it means that you
have access to more money and more funding. So it's
not make better music, it's they're gonna make sure that
Taylor Swift or is Taylor Swift or Drake or Kendrick
(15:31):
or all of these people are on all of these
fucking playlists. So yes, their songs are going to stay
longer because people who are discovering them or listening to
them sometimes against their will.
Speaker 6 (15:43):
Are you seeing what I'm saying?
Speaker 5 (15:44):
Whereas you might have a small artist that's right there,
right there, it's okay to take Taylor's song off, that's
been on that bitch for one hundred. It's been okay
to take Teddy Swims off or Benson Boons, it's okay.
Speaker 2 (15:54):
It's a socialism.
Speaker 6 (15:55):
They hit.
Speaker 5 (15:55):
No, it's not because you hit number one or you
hit where you were gonna hit.
Speaker 6 (15:58):
You hit your peak, un dropped down.
Speaker 5 (16:01):
You'd done drop down, and now it's time for other
people to get the chance.
Speaker 6 (16:04):
You have the accolade.
Speaker 5 (16:05):
Nobody's taking that accolae from you, No nothing, they sign
up for seventy eight weeks, Brod, y'all fucking long, seventy
eight weeks is.
Speaker 2 (16:12):
If it's fair, it's fine with me. Again, I think
they're scrambling to change the rules and everything, because I'm
not saying anything specific to Kendrick or Drake as far
as bots, but I think the bot thing has gotten
so far out of control for every single artist signed
to a major that everyone is changing the rules in
the midst of them being caught doing it. Yeah, this
(16:33):
is cool, but it's not like it's an asterisk on
Roger merrisit in sixty one home runs because he had
an extra few games, Like we're putting at so Taylor
still gets the accolade, but someone else's name gets to
be put there, Like this is a participation trophy to me,
Like this is the real world. If it's fair, she
should stay there.
Speaker 5 (16:50):
If it's fair, it's never gonna be fair, so why
are we talking about If it's never gonna be.
Speaker 2 (16:53):
They're trying to make it fair now. It's going to
take a while. Of course, the face.
Speaker 5 (16:57):
Artists on major and with money will always have access
to more resources.
Speaker 6 (17:00):
It's never going to be completely fair.
Speaker 5 (17:02):
The music industry will never be fair, but this makes
it a little bit more fair.
Speaker 3 (17:06):
They're trying to make it look like they trying to
make it fair. Okay, let's make it fair. But I
don't think much is going to change as a result
of this. I don't honestly, Yeah, I don't think much
is going to change. Just being honest with I.
Speaker 6 (17:19):
Think we'll see. We'll see.
Speaker 5 (17:21):
Maybe you know a couple of new songs hit that
that top one hundred that deserve to be there, but
they might not have access.
Speaker 2 (17:26):
But I mean, listen, if you have, If you're in
the top ten for a year, that's crazy. That's why
I was saying after Teddy Swims was there for almost
two years, like, yeah, if you dropped to number eleven
after a year, cool, we should be removed. But like,
I don't know, that's still fucked up. Like if my
shit is streaming fairly that way, why are you taking
me off my Yeah, yeah, this is capitalism versus socialism.
Speaker 6 (17:49):
I don't even think that, honestly. I don't even think
the people who I think.
Speaker 5 (17:52):
Once you've been on Spotify for it, I mean, you've
been on the Billboard charts for a year. I don't
even think them artists is really like, hey, you took
me down, like I really wanted it to be a
year in three months, Like, I don't think they give
a fuck.
Speaker 6 (18:00):
I was on there for a year. I had that
talking point.
Speaker 3 (18:04):
I mean, if you any and if you like me,
I don't give a fuck where they at on the charts.
That I don't even check for that type of ship.
If the music is good, I'm listening.
Speaker 6 (18:11):
Well, the artist cares because the artists and the money.
Speaker 3 (18:14):
Yeah, like the artists obviously care, but I mean fans,
I mean I don't. We don't give a fuck about it. Well,
let me say I don't give a fuck about any
of this ship.
Speaker 2 (18:21):
Okay, then what does that do to the Billboard Awards?
You watched that? No, I've always said it was one
of the most pointless award shows because you can just
go on the internet and see who wins. Like it's
not like I can literally just check every week and
who's gonna win. But also I think, yeah, this only
really affects artists and stand accounts that are doing ship,
(18:44):
like who is on Vogue for the first time, like
this is all kind of weird to me because it's
not and.
Speaker 3 (18:50):
This this is effective as of right now. Yeah, all right,
well pay close attention in the next year and see
see if we notice any change.
Speaker 2 (19:00):
I caught the less tailor. I caught the meltdown to
some degree over the last week. I'm not sure if
you guys touched fully upon it of the no rap
songs or in the top forty billboard top one hundred
for the first time since nineteen ninety, but there is
one in the top fifty.
Speaker 3 (19:16):
They just think, you know, they cut it at forty
just because it reads better. Okay, there's a rap song
number fifty. I think we should be removed. I think
it's big extra plug. I think he's number fifty.
Speaker 2 (19:26):
How long has it been there, because I think it
should gt the fuck out of there.
Speaker 3 (19:29):
Well, I don't know. I don't know how many weeks
he's been here, but I think he is number fifty.
Speaker 2 (19:32):
I don't know. I don't have like the same meltdown
that I saw all of our media appeers have, Like
I don't think this matters that much.
Speaker 3 (19:40):
Oh no, it matters to the artist, it matters to us.
We didn't we don't give a fuck. So the artist
to rappers just definitely matters one.
Speaker 2 (19:51):
But you're saying on like the superstar side or or
what like, Yeah, yeah, labels are not.
Speaker 3 (20:00):
They're not because this is all just labels not putting
money behind rap songs.
Speaker 2 (20:06):
That's all it is.
Speaker 3 (20:06):
It's not like people then put out good rap songs.
The labels they're not putting the money behind these rap
songs that they once were. So what does that mean
for rappers? What does that mean between them and their labels?
Are labels willing to put money behind them but still
or at all? How much are they putting behind it?
Speaker 2 (20:22):
Like?
Speaker 3 (20:23):
So, yeah, the rappers care one thousand percent because this
is directly affects them in their business.
Speaker 2 (20:28):
With the labels, and they should care if they're getting
removed after.
Speaker 3 (20:33):
No, that's they do. The artists care, and us the fans,
we don't care. We don't look at this show.
Speaker 2 (20:37):
NBA.
Speaker 5 (20:37):
Young Boy is number forty three with shot Calling and
he's been on the charts for six weeks, So.
Speaker 3 (20:44):
Good for young Big X the Plugs not on it.
Speaker 6 (20:45):
Big X the Plug is number fifty okay with Hell
at Night.
Speaker 2 (20:50):
Okay, I mean I don't know I just think rap
is in like a good place.
Speaker 3 (20:55):
Oh the music, yeah, yeah, just about the business of it.
Speaker 2 (20:58):
Like there's been years since nineteen ninety where it felt
really fucking bad and they were still in the top four.
Speaker 3 (21:03):
Oh no, for sure, for sure.
Speaker 2 (21:04):
But I mean, I guess, does that just proved that
Billboard doesn't mean much if the point is their labels
aren't putting money behind those records, which the money that
the label puts behind the artists is just gonna have
to owe back anyways. It's not like the labels giving
them a good gesture push. The money they'd have to
put up to get on Billboard, they have to o back,
They have to pay it way. So it's like, I
(21:24):
just I didn't look at this like it wasn't over
for hip hop.
Speaker 3 (21:28):
No, no, no, it's definitely not.
Speaker 2 (21:30):
A Well I understand a few years ago it was
the highest stream genre, which was a big w for
hip hop, But I don't know. It goes back to
the superstar thing for me too. Yes, labels are not
investing as much in rap, but there's also no superstars.
And I'm not saying that a label putting a bunch
of money into an artist is going to make them superstar. No,
it just isn't superstars. But like if Travis drops tomorrow, yeah,
(21:55):
top twenty will be a whole Travis album scattered throughout
the top twenty on on Billboard. So no one's dropping,
Like yeah, that's of that stature. But I mean, I
think shout out to a big X, the plug and
a young boy that they're up there. I think that
whole uh just drop singles thing is kind of backfired
on the labels a bit because we see what the
(22:16):
albums do for the charts that matter to the labels
and the artists. Like that's why they're changing the rules
because Taylor's fucking there do the whole thing. When Drake
dropped for all the Dogs, wasn't at fucking every record.
When gn X came out, every fucking record was in
the top ten. Like, I think the labels kind of
played themselves a bit of like, Yo, we shouldn't do
(22:36):
this fucking album thing. Let's just CARDI just do one song,
like you know, like the Mike Karen strategy. No dispect
to Mike Karen, Like I just think that strategy they're
seeing the result of it. It didn't work in Billboard
and streaming the way you guys thought it would. When
it comes to charts, if you care about the charts,
they could not care. I don't know. But albums are
(22:57):
the ones that are sticking to the point. They got
to change the fucking rules.
Speaker 3 (23:00):
Just continue to make good music. Fuck the charge for
all that. I mean, I understand that it's important to
their business, but like good, good music, great music that
always pierces through that, that's what stands to test the time.
I don't know what some of my favorite songs and
favorite albums landed on the charge. I know that I
love this fucking album, so I mean.
Speaker 5 (23:20):
Yeah, and I want to clarify. I'm sorry Folded is
at fourteen, not number seven.
Speaker 6 (23:24):
That was my mistake.
Speaker 2 (23:25):
Fourteen is still yeah crazy, that's its peak so far.
Speaker 3 (23:28):
Thank you for that, baby, dude. They would have killed
you for that. You know, they would have got you.
Speaker 2 (23:31):
Yeah, the would kill me.
Speaker 1 (23:31):
So I just don't want them to kill to do
my research produce her journalist.
Speaker 6 (23:44):
You have voice, most Josh.
Speaker 3 (23:46):
You've got mail sponsored by boost Mobile, unlimited talk texts,
and that five dollars that month.
Speaker 8 (23:53):
You have to stop, guys. So also, I really appreciate
the past I feel like you guys should add Amsterdam
on your tour.
Speaker 3 (24:04):
Dates have to appreciate that.
Speaker 8 (24:07):
I'll bring a few of my homies that also listen
to you. So you're welcome more than welcome.
Speaker 2 (24:15):
Thank you, Joseph.
Speaker 8 (24:17):
So this is kind of more towards the mirrors. I
would like to hear the view of the guys as well,
but you know, I feel like the Maras probably has
some experience in this as well. So I've been single
for three years. I did some healing after the relationship,
which was needed, and now I'm putting myself out there
(24:40):
again since I think a year, which is good. But
I just cannot get over the fact that there's so
many losers in the world and everybody just makes me
cringe so much, and I don't know what to do
about it. It's just it's just crazy. I've been on
many dates and I just see the flaws all the
(25:01):
time and I'm just like, oh, just make me itchy.
So I don't know what to do about it. I
would like to know if you have tip for me
or it's just why are there so many losers out here?
Find a sign man who was like cool, I'm not
so cringing, help me, Okay, thank you.
Speaker 2 (25:22):
I think this is a great question for Demerius because
she was somebody on the block forever and now is
in a happy relationship with a new person. Teach us
how you get back out there when it's icky out there.
Speaker 5 (25:37):
I just feel like outside of my relationship, I've always
just felt like this. I feel like everything happens when
it's supposed to do. That's with jobs, that's what relationships,
that's with friends, that's with life. If something isn't coming
to you, it's just not either you aren't mentally ready
for it, it's not the time and your life for it,
and higher powers want you to focus on something else.
Speaker 2 (25:57):
That's the worst advice to give someone when like BRO
can't find a job, like yo, just the time will come,
Like I need the higher power, but you you saying
I need it, and I agree with you. I can't
always a bad advice to someone that's going through something.
Speaker 5 (26:10):
But it's not bad advice because it's the truth. It's
just not what you want to hear. Nobody ever wants
to hear good advice. They want to hear a magical
solution to their problem.
Speaker 2 (26:17):
Well, maybe a different approach that you took that made
the timing right when you met the person you're with now,
I don't want to talk about that, Okay, fair enough. Yeah.
I think getting back out there, unfortunately, is a volume game.
I think you have to go out and date and
see the X and just see what's out there. If
(26:38):
you go on two dates and it's like it's gross,
you're not going to really solve anything unless you keep
getting back out there.
Speaker 6 (26:44):
Also, don't the aches.
Speaker 2 (26:46):
Sometimes.
Speaker 5 (26:47):
I feel like sometimes we overthink aches, Like sometimes we're
just you got to have a little bit more patience
or some things.
Speaker 3 (26:55):
There's a little bit now.
Speaker 5 (26:56):
If something really makes you feel uncomfortable inside, body has
a better fourth quarter than baby, I'm sorry not enjoy it.
Speaker 2 (27:05):
I'm sorry.
Speaker 5 (27:05):
There's gonna be some things that make you feel If
something makes you feel uncomfortable inside, get the fuck out
of there, right Like listen to listen to your body
and your intuition telling you things. But sometimes people are
just doing things that you aren't used to, or they
might live a different lifestyle than you're used to, or
they might have a different lingo that you're not used to.
If you really really want to find love, I'm never
saying settle, but.
Speaker 6 (27:26):
Just be a little bit more open.
Speaker 5 (27:29):
Be strict with your boundaries, but when it comes to
their personality, be a little bit more open and willing
to try new things. Same thing with food, with jobs,
with anything. Like, you can't keep doing or dating the
same thing that you always have because that obviously hasn't
worked out for you, right that mixed with Also, sometimes
the timing is just not right.
Speaker 1 (27:47):
You gotta be patient. Yeah, which somebody wants to hear that,
but that's true. Sometimes you have the wrong mix. You
should have some mix with the last guy that you
think you like.
Speaker 2 (27:55):
Why do you think the word settle gets such a
negative connotation? Like why why do you think that word settle?
Speaker 6 (28:01):
They usually aren't happy?
Speaker 2 (28:03):
But is that the is that the actual definition of
that word or we made it that? Like, sometimes you
have to settle on certain things to be in a
happy relationship, Like you're not going you're not going to
love everything about somebody.
Speaker 5 (28:14):
You have to settle on that compromising. Settling and compromising
are two totally different things.
Speaker 3 (28:20):
Yeah, settling is more like all right, well, I guess
this is it. Imagine you with your girl and you
come home with she was like, well, guess this is it?
What like we don't have to do this, like we
can go out separate ways. If that's the energy. If
it's like, oh well this.
Speaker 2 (28:36):
Is can you settle for something you love? Like I'll
settle for this because I love this and what this
is over going back outside and trying to find something.
Speaker 3 (28:46):
That's unproven, not settle. I choose this, Okay. Settler is like,
but if there's something else that comes along that I
feel like is better than this, I'm out. That's the
that's the energy that's settling has like yeah, and I'll
take this for now that that isn't sure, like yeah,
like you wouldn't you wouldn't prefer this and and is.
Speaker 2 (29:06):
Not what I would usually be doing like you would.
Speaker 3 (29:08):
This isn't what you As soon as something that comes
along that you deemed to be what you you know,
think is your ideal situation person whatever, you're out of it,
like you're you're you're out of that situation that you
were currently in and it happens.
Speaker 2 (29:20):
And then settle in again. This is just the Western dictionary.
Speaker 3 (29:24):
It never hits you out like months after you stop
dating somebody that they lied to you and your fad
told you some ship like you will never that you
don't ever just hit you randomly for sure, you being
talk like that bitch was lying some.
Speaker 2 (29:34):
Ship that you never even thought was lied, like the
way deja hit you. Sometimes it's something in your brain
like wait, hold on, that didn't you're not even thinking
about it. Didn't even make sense.
Speaker 5 (29:45):
What was add in life where that worked? Like what
he told me because you had to. I feel like
that might be a man thing because women. But I'll
be thinking you lying from the jump, so I don't
I never have that come to Jesus moment because I
was thinking that from the very beginning.
Speaker 3 (29:59):
It be at the most random I think I was
on like ordering some shit on fucking Prime or something
like that.
Speaker 2 (30:06):
Is that the checkout? And I was like, well, hold up.
She told me what sparked it.
Speaker 3 (30:13):
I have no idea, but it just hit me, and
I was just like I had to laugh, like that's.
Speaker 2 (30:17):
Crazy that that worked on me.
Speaker 3 (30:18):
Like, but.
Speaker 2 (30:20):
Resolve or reach an agreement about an argument or problem,
I guess not there a place to stay. Hey, Sometimes
you gotta say hey, something squatting, something settling.
Speaker 3 (30:32):
Sometimes you gotta settle, like listen, man, some snaps ain't hitting,
he treats me.
Speaker 2 (30:37):
I I'm just gonna settle here.
Speaker 7 (30:39):
So in that and that way, settle is a positive thing. Yeah,
it can be settle for shelter. That's I choose shelter
over the park, bitch at night. I choose this man's
warm home instead of the subway.
Speaker 2 (30:53):
Yeah. And then the third definition, which ironically for this month,
makes a lot of sense, colonize. Mmm, no, getting somewhere.
You see, we we were the settler. Yeah, that's it,
that's what we gotta Just that first word is very
the conquers, rapist, slave on it. We came here and
settled to settle, brought the ships to the dock, and
sun settled. Settle down. Everybody settled down. Everyone settled down.
(31:16):
Take this blanket, yeah, settle in. Yeah.
Speaker 3 (31:19):
Yeah, that's all that's all you gotta do. Hopefully, Josephine,
we helped you with that.
Speaker 2 (31:22):
I don't think we did. Baby, Get get back out there.
I do think volume game. Even if you've had some
bad dates, that doesn't mean the next person you meet
is going to be as bad. You have to get
back out there, even if it sucks, like sit through
a fucking Caesar salad and then just don't speak to them.
Speaker 5 (31:36):
Just go out with their friends, have fun, find something
that's a hobby and meet. Be open to meeting people
in this space that they're at. If something falls in
your lap, something falls in your lap, you can date,
but like, don't don't the volume game.
Speaker 2 (31:51):
Doesn't. Not like saying serial date, like swipe right and
go on a date every fucking night. I'm saying be
open after having bad dates to still dating. Yeah what
I'm saying. That's all I'm saying. I'm not saying date
every night. Do we have another one?
Speaker 3 (32:04):
Or all?
Speaker 2 (32:06):
Right? Well this was fun? Yes, this was great. This
was a great post election day.
Speaker 3 (32:11):
I'm in the Patreon great post election day?
Speaker 2 (32:14):
Mall?
Speaker 6 (32:15):
Did I mean Rory? Did you watch our ship?
Speaker 2 (32:17):
Mal?
Speaker 6 (32:17):
Did you watch our log?
Speaker 2 (32:19):
No?
Speaker 3 (32:20):
But I'm man good things about it.
Speaker 2 (32:22):
I haven't watched it yet. No, I do want to
watch it.
Speaker 5 (32:25):
You know, whenever I work hard on some ship, I
need by an office to watch it because I edited.
Speaker 2 (32:30):
No, I'm really it's one way to do to watch.
Speaker 6 (32:32):
Everybody watch it?
Speaker 2 (32:34):
Oh you edited it?
Speaker 3 (32:35):
Yeah, I'm not watching that ship. It's gonna be probably mad.
Jump cuts that's off now.
Speaker 2 (32:40):
The first one she did, he got closed captions on
the fucking closed captions. I'll just play.
Speaker 3 (32:48):
I'm gonna check it out though, because I being good things.
People seem to like it, and somebody was telling them, yo,
we need to do that more.
Speaker 2 (32:53):
That ship. Shut up. No, it's like good. The listeners
tell you what good. I respect that, Y'a'm gonna watch
it though. We have fun though. We gotta do one now.
You're not gonna do what I want. We gotta on
the wall for just you and Peach for a blog.
Speaker 3 (33:10):
Oh like, maybe that's it. He's not gonna make their
waves me and Peach. You don't want me and Peach
to go somewhere and just kick it over a beer. No,
like you let me and Pach go kick it over beers.
And it's not gonna make this. It's not volunteer.
Speaker 2 (33:24):
It's not gonna leave the editing floor. It's not gonna leave. Man.
Let's even like Trump. Let's suck there we go. You
gotta sit down and talk.
Speaker 3 (33:32):
You don't like somebody sit right here and let's figure
out why we don't like it.
Speaker 5 (33:36):
They did some cancel little ship in our one vlog,
I thought about cutting it out.
Speaker 6 (33:39):
I'm like, I can't.
Speaker 2 (33:40):
For me and Peach, I'm gonna come. Wait, that's canceling.
Speaker 5 (33:46):
Because we were president, they were I said they. Peach
asked me would rather be blind or deaf? And I
was like deaf. I need to see. And then I said, oh,
but damn if death can't talk me through it, so.
Speaker 2 (33:57):
That then gloom. Oh I get I get the joke now,
mosy croom, I not get it. I get the joke now.
All right. I'm sorry, baby, you're offending Josh. I'm sorry
defending Josh stopping josson snapping right.
Speaker 3 (34:16):
Is fucking teething over there? Teething ceething, not teething, say
TV seething ceething? Why do I say teether? What's TeV?
Speaker 2 (34:23):
Baby? Josh? I got some frozen freezing for you from
from Amar the two toys, you know, the toys with
the little bums.
Speaker 3 (34:34):
On it because of the gums, the gums it so
you gotta get it.
Speaker 2 (34:38):
Oh my god, oh my democrats are teething.
Speaker 9 (34:45):
Be safely blessed that nigga. He's just gender. My my,
I'm not gender. I'm just a gender. I said gender
or ginger. Oh well he is gender. We don't know
his gender. We don't know Josson's gender. No, you circumside, yes,
I circumsized. I'm circumcised.
Speaker 2 (35:07):
Okay, you certain side. He's Irish. I think that's Irish Catholic.
Oh yeah, yeah. They colored horsek it off and then
they touch it. Irish Catholics. You see you remember that man.
(35:31):
You remember that priest and I'm lying he was he.
Speaker 1 (35:34):
Was circumcizing the people one and he was putting his
mouth on them kids.
Speaker 2 (35:37):
You remember that. It's on you too. It was on
you too. He was putting his mouth on Yeah, there
was that one. Uh ship. He was like Filipino. It
was like a Buddhist priestyle that was grabbing the kids
tongues and ship.
Speaker 3 (35:49):
You know.
Speaker 1 (35:49):
He said, oh no that was the that was the dolly,
that was the dolly Lama. Yeah, he was grabbing the
kids tomb but one on was like biting on them.
Speaker 3 (35:56):
Oh yeah, I didn't see that.
Speaker 2 (35:57):
Yeah, I mean that wasn't in my parent You Irish, right,
I mean you're Catholic, Irish was raised Irish Catholic. Yeah,
they do some weird things over at that church. See,
it ain't like the black church, somebody testified in the
middle of the pastor they're back here fucking with these kids.
Speaker 1 (36:15):
That's what happened at the black church. You you might
get touched one or two times, but somebody gonna tell.
Speaker 2 (36:21):
On his asad. Wait, they a't gonna let it go on.
Speaker 1 (36:23):
But then you gotta be on all that medications because
you know they don't put black kids on all that medication.
Speaker 2 (36:29):
We curt that ship right there and there. Yeah, that's
why you keep blinking your eye. Who touches you? Don't
listen to the show. I don't listen to the show.
You've been touched? Yeah, why is it every time we
get a comedian on here there? I knew because eye.
I knew because he was blinking out you know. That's
(36:51):
a that's help. That's a y'all don't know. That's a
sign that he needs some help. I thought I had
a nice eyelashes.
Speaker 1 (36:57):
No, but they be blinking like that. That means somebody
somebody messed up his equal liberty.
Speaker 2 (37:03):
Take off. Knock that ship right, I mean they're dead now.
Who touched you? You want to tell his government name? No,
who was her government name? It was her. It was
a man and a woman, it was a wild dick
at the same time. No, it's different at the church. No,
I was never at the church, but they was affiliated
for sure. Was the black and white? They was white both.
(37:27):
Was he a priest? No, they weren't like part of
the church. They was in your neighborhood. Yeah. Did you
tell anybody years later?
Speaker 9 (37:36):
No?
Speaker 2 (37:37):
No, Now we talked about on the podel. It's all
it's like a running joke. They just climbed, uh six,
and it is gonna not be a joke at six
and nine. I want to say six and nine. Yeah, okay,
it could be wrong. Did you tell how long? Did
it go on for a while?
Speaker 8 (37:50):
No?
Speaker 2 (37:50):
I was just it was one and done. I wasn't
that good. So were you had a sucker dick?
Speaker 4 (37:54):
No?
Speaker 2 (37:55):
I didn't do that, thank you. Okay, thank god I
held out. But he may have batted my ship around.
I'm just trying to get to the bottom up. I'm
trying to see why he'd be blinking. Miss Patter is
genuinely concerned. She's not letting him so she just had
another question because I could tell he got child less stationized.
(38:20):
Finally something everyone thinks this is me, Miss pat Finally
I'm being seen.
Speaker 1 (38:25):
I appreciate you because at one point when I couldn't
talk about I'm beat too.
Speaker 2 (38:29):
So so so they just so what they do? You
just suck. I mean, I'm not gonna like getting the
full details. I will say though, once I started talking
about on the show felt bad. Yeah, for sure. I
picked my my pops up in Stadding Island, New York,
and he had caught up on some episodes. He was like,
he was touched. Look at so did the lady trying
(38:55):
to tell you this? Did the lady make you suck
a teendy because she did too? Yeah, and I thought
it was cool, but I felt uncomfortable. Oh my god,
you didn't need it. I didn't. I'm sorry you might
have to blee. Sorry, I'm fine, keeping on. By the way,
(39:17):
this is This is better than when I went to therapy.
This is better. She's genuinely no. I know she cared,
but I was touched. So I'm just asking.
Speaker 1 (39:27):
I mean, and you know the great part about when,
no matter what you've been through in life, when you
can laugh about it, that means you have control of it.
And I'm not trying to be a mean person, but
I could tell something had happened to him because he
don't have no controls of it.
Speaker 8 (39:41):
I lead.
Speaker 2 (39:42):
So I'm like, what is going on with him? You
don't understand. I've been the years, thy, this is the
best I felt. Yes, So she was like, oh all right,
I said it, yeah, because I was like, I think
he's been molisted. That's what I said to myself, and
that's why ask you, you know, But yeah, I mean,
you over it now?
Speaker 1 (40:02):
I'm over Oh yeah, I mean my my mama. Barfriend
melissed me. I can't ride in el caminos. Thank god,
they don't make them no more. I went to, you're
so fucking stupid laughing at everything.
Speaker 2 (40:16):
No, but this is what they do to me. We
have I g clips of him laughing and me being touched,
like the fact that you just add to make.
Speaker 1 (40:23):
Him laughing laughing together. Yes, I can't ride it. I'm
fucking spooky to me. You ever been molested in the
one seed? That been taking out of one seat? We
(40:43):
can't go nowhere? God lay that I should have known.
Speaker 2 (40:47):
I had no choice.
Speaker 1 (40:56):
Yeah, most kids getting molested in a pick up drunk
or two seats Jesus, But I'm glad you're talking about it.
Speaker 2 (41:04):
Oh, yeah, happened to you. Yeah, I'm glad you didn't
turn the other way. I've been talking about it for
years and I ended up just a few years ago
and going into couples therapy, and you know, in therapy,
that's like the first fucking question who was touched? I
was like, I'm trying to talk about this crazy bitch.
I'm oping that, Like I don't care about what happened,
(41:25):
then can we please talk about what's going on now?
So No, I'm happy I can laugh about it. Do
that affect your relationships? Yeah? Do you ever do?
Speaker 1 (41:34):
Do you ever in a sexual move and then somehow
that older lady titty popping your head and you can't
finish sunking the TV?
Speaker 2 (41:42):
Uh? Maybe it wasn't an attractive titty. For the flashes
that I have during the entire thing was a lot
of this was it a loan titty? They were?
Speaker 1 (41:54):
Oh?
Speaker 3 (41:54):
Was she?
Speaker 2 (41:56):
I was like nine.
Speaker 1 (41:57):
I would guess if a titty was she had to
be in her forties. Forties for sure, Yeah, because thirty
two is still hold up.
Speaker 2 (42:04):
I mean then there was one time with a babysitter,
but like I was an active artistan it would be
technically molestation. H but I was fine with the babysitter
was white. Yes she was white. Yeah, family member too,
but not like a director. You fuck your cousin. No,
I'm not fucked your cousin. You said it was a
family member, but like you know, like family, neighborhood family,
(42:28):
my blood friend of the family from Queen's. Oh, I
didn't know they get down like that up here. Oh
for sure, that's not like some Alabama shit. To get it.
I'm sorry. Maybe I thought it was Alabama because you're white.
I had no idea it was. She think Rory is
(42:48):
like red white niggas from New York, from the hood, like.
Speaker 1 (42:55):
You know, he told my cousins and loan titties and
you know, yeah that long titties and family friends.
Speaker 2 (43:02):
No, I'm just saying, I just it sounded like the
South Ship. No, not at all, but somebody would considered
like family friend type shit. But she she was. Have
you seen her? No, I haven't seen her in a
long long time. Okay. I didn't even consider that me
losing my virginity because I didn't say to me losing
my virginity when I was fourteen, because I was probably
who you lost it with Uh, no, wonder you like
(43:25):
black pussy. It's so much white pussy they took, you know,
I've never even gone down that pass. Now, yeah, well
they all forced it on you, so it turned you off.
And now that I think about it, like when I
was growing up, the nicest people to me were black women.
He's actually more therapies than I think I've ever gotten.
I've never even put those two and you can write
me a check, you keep you. I never even put
(43:48):
too and two together.
Speaker 1 (43:49):
Then, yeah, so that's probably why you attracted to black
people and black women because every time.
Speaker 2 (43:55):
There was black people around when I was, I mean,
you didn't tell them about it was like, yo, you
know what the what they but black people didn't last
you know, I was, I think mentally sentence to say
it's a crazy sentence to say, I'm just.
Speaker 1 (44:14):
So that's why you were That's why you like black
women because white women threw it on you. So you
were like you took Yeah, they took your dick, so
you don't want no part of them. Hmm, yeah, I
never even put it's funny, but she makes a good point. Yeah,
I'm not even joking around. That might be the most
fair point.
Speaker 2 (44:33):
Yeah, I never thought about it. Maybe they was right.
Speaker 3 (44:35):
I do have a fetish, maybe a fetish with what
that's always been that weird jokes women, which I don't.
They say that he fetish off as black women.
Speaker 2 (44:44):
But every time I brought up, like how black women
took care of me as a kid, like it's always
it's never been a sexual that they took care of you.
You had a nanny. No, I've lived with a Jamaican
family when I was fucking homeless.
Speaker 1 (44:56):
Like oh okay, oh you oh you, oh you want
them eminems. You ain't no Baron Trump, you are imminean
for my.
Speaker 2 (45:10):
Ship got battered around. I had to get out the house.
I had to run away. Bless you. I'm glad you're
doing good. Really, I'm glad you're doing good. My eyes
are still bad, not off, I am. It's slowed down
since we got that out. Yeah, I feel better than
I feel like I've been since I slowed down. Yeah,
(45:34):
I thought he had to rex earlier.
Speaker 1 (45:36):
I said fuck from with his eyes, but I could
tell that was traumble behind is it's.
Speaker 2 (45:42):
Prupal yeahs fucking crazy. You weren't you weren't one of
the lucky ones.
Speaker 3 (45:48):
Oh my god, what you mean lucky ones? That means
the only one of the couch that has been a lesson. Yes,
you haven't got to the top. Oh okay, but I
did read your story about it ain't fun? Well no,
I mean, you know, we're laughing about it, and that's
that's great that we but no, it's nothing fun about that.
But that is the greatest read I think Rory has
(46:09):
ever gotten in his life. I don't know how you
figured all of that out just by blinking his eyes.
Speaker 2 (46:14):
But I'm a black mama. We know ship.
Speaker 1 (46:16):
You know how you bring a Walmer home with your MoMA, Like, hey,
let me tell you that's a whole red dw out
my house a black mama. Can that bitch got an
STD We can tell you right out that, we can
tell you read out the fucking map.
Speaker 2 (46:28):
You ain't gotten it red there.
Speaker 3 (46:29):
Yeah, I think I think that is something that I
think protecting me growing up is that having a strong
black mom. Yeah, definitely what I'm.
Speaker 2 (46:37):
Saying, because my mother was white. That's why I like,
you've never loved a great woman.
Speaker 1 (46:45):
Not trying to Well, let me say this, we're culturally different,
so in a way, when you're white, I think it's
more free, you know, like you don't have to have
that talk.
Speaker 2 (46:53):
Nobody told you, don't you go out there more fucking door.
When you go out that door, you make black black kids.
Speaker 1 (46:58):
Go out the door, and they say, make sure your
draws clean in case you get hit by a car.
He always was told that, I don't know why clean underway,
it's important if a nigga don't to.
Speaker 2 (47:05):
Draw you thirty miles down the street, my leg is shotted.
But yeah, so.
Speaker 1 (47:13):
With black parents always had to have a conversation with
their child, and white parents have never had to have
those conversations with the police with don't do this, don't
do this, look over your shoulder, pay attention. So it's
just different. It doesn't make your mama weak. It's just
the things that you that that y'all had to endure,
that we had to endure that y'all didn't have to endure.
Speaker 2 (47:35):
So your life was a little more like a flyer,
do what I want to do. Where he was with
his mother.
Speaker 1 (47:40):
So let me talk to you, little little john. You
take your ass out of the know you look both way.
Did anybody touch your drawers? You tell me because I'm
gonna killer nigga for sucking on you. So that's what
a black parents tell me. Anybody touch you, I kill them.
And I when I first got married to my husband,
used to tell my daughter because that's it's not his daddy.
I said, let me tell you something. If this man
ever touched you, I want you all to know that
I would love I love of y'all way more than
(48:00):
I love him. I kill his ass because I had
been molessed, and every day I gave my kids a
child molest station story on the way to school. I said,
if he touched you, I would kill him. To finally,
my daughters in the eighth grade, she said, Mama, the
man ain't gonna touch me.
Speaker 2 (48:15):
It's been five years.
Speaker 1 (48:16):
And I stopped asking, but I had to let her know,
you know, anybody touch you, especially out of moved his
man into moved up to the house with this man.
I know him, but you don't really never know a person.
So that's the talk I had to have with my
kids and my son. Mean, because people digging buddhies, so
I had to make sure nobody was gonna be digging
in my sons.
Speaker 3 (48:36):
Yeah, that is something that I like getting older having
talks with women like I never realized how many women
actually experienced that in their home.
Speaker 2 (48:45):
Yes, and I don't think that's at all.
Speaker 1 (48:48):
Well, you know what I'm saying is I think I
think with black families we have the conversations more where
you know, we used to set the kids down and
say whatever where you know a lot of time with
white people.
Speaker 2 (49:01):
Yeah, I ain't like it don't exist, to it exist? Yeah,
I mean I can only speak from my family. The
more I learned, once I started having those conversations with
my mom and what she went through, I was like,
we allowed him around. Yes, so I see what you said.
I'm not gonna I'm not speaking for all whites, but
I can speak from my family that regard. Once I
learned more, I was like, why you let him? Well,
see he was there every holiday and we did that.
Speaker 1 (49:21):
But the thing was, Okay, so when you have a
child mo leicster in the family and your uncle is
a child and lesser, they say, so the black fello
will tell you look him. Your uncle be touching kids.
So don't go over that fucking with that nigga. Okay,
stay away from Uncle John or uncle whatever we tell
We told that before we go to the barbecue. Can't
he come to the barbecue? Yes, but everybody gonna be
watching his head. Everybody know what he do and we
(49:43):
gonna tell them, kid, if he touched you, we're gonna
kill him. So all the kids know him child mo Leicester,
Chester Chester molest Chester molester. So we stayed away from
We put that on a house on our block.
Speaker 2 (49:54):
I have no idea to this day. He never touched
anybody in the nigga. It was just a house that
was everyone will say chess to Molesta lives there. Yeah,
I don't know. It was just like a kid thing.
Where is Chester the molester? I didn't know that was
a universal thing.
Speaker 1 (50:05):
Yeah, yes, So that that I think that's the culture
different is that African black people say it out loud
and other.
Speaker 2 (50:13):
Everybody's getting touched. So I mean, I think I don't
know if every.
Speaker 1 (50:17):
I think everytation is in there, every race. Like I
was just talking about that movie on what's the name
of that movie aduted in plain Sight. You've seen that
that was the craziest ship. That man slept with the
whole family kept kidnapping the daughter. You couldn't have that
chance in no black household. It'd have been fucked as
soon as he sucked the daddy pinions. Everybody would have
(50:38):
killed him. You don't get those kind of chances.
Speaker 2 (50:42):
Yeah, that was the crazy Outside of that being the
sickest part of the entire premise, the fact that Homie
got on that camera and was like, he sucked my
dick too. That was like the last episode. I was
like you on this whole whole series. It was like, listen,
(51:03):
I was sitting there watching that on me too. I said,
how I couldn't resist.
Speaker 1 (51:13):
It's about this stupid in rural towns, it's gotta be
the craziest shit ever. But those are the things that
even though those neighbors knew it or they or some
of the neighbors suspected it, nobody saying it out loud.
Nobody went over there and had a talk with that family.
In all neighborhoods, they would have knocked on the door
and had a talk with the mom.
Speaker 2 (51:32):
Hey he be touching key or he been the privilege.
Speaker 1 (51:35):
And I think it's now, I think it's more prominent
now in all communities because they have that that that
predator watch you know you have you know, when I
was living in playing for Indiana, every time somebody moved
into a neighborhood that had been the jail for molestation
of rape, you had the race, so you would get
(51:55):
an email a child unlesson just moved three D three
those down. But back in those days you didn't have it,
so people didn't talk about it, but the black community
always talked about it.
The volume.
Speaker 2 (00:04):
Uh well, I saw on Friday that the Grammys were
going to announce all the categories Grammy Shmammys, and then
there was one specific, uh category that was being split.
Grammys will announce nominations next week. Following Beyonce's historic win
as the first black woman to win Best Country Album,
the category has been retired and split into two Best
(00:27):
Contemporary Country Album in parentheses Black Dominated and Best Traditional
Country Album in parentheses. Whem, more segregation. I'm sure the
Grammys didn't put black dominated and white dominated more segregation.
This is from pop fusion.
Speaker 3 (00:42):
H Keep that contemporary country shit over there, y'ah. I
don't even wear wranglers. I don't know nothing about wranglers
in a Ford Bronco. You don't know Brett Favre's volleyball, Yeah,
you don't know.
Speaker 2 (00:53):
I don't know been to a game.
Speaker 3 (00:55):
Keep that contemporary country shit over there. Don't come over
here with Johnny Cash and them. Your niggas ain't Johnny Cash?
Speaker 2 (01:02):
All right? Do we think that Cowboy Carter would have
been in Contemporary Country Album this year if the years
were switched? Of course? What about that is a contemporary I.
Speaker 3 (01:14):
Don't even know that's not country album.
Speaker 2 (01:18):
It's that traditional country traditional. She went out of her
way to make a traditional.
Speaker 3 (01:23):
This is just more like just bullshit with the music industry.
Speaker 2 (01:26):
And yeah, I get like Shaboozi has experimented and I
could see that type of stuff. But I mean, we
know what this is. Of course we do. Black country
artists are smoking, y'all, So we gotta split it up.
Speaker 3 (01:38):
We gotta split it up. It's not gonna be fair here.
We come taking back our sound first of all.
Speaker 2 (01:42):
We gotta get into that. We got it. It's our music.
So you don't find it funny when Maga says we
need to take back our country.
Speaker 3 (01:51):
Yeah, I do find that funny to begin with, very funny. Yeah,
but this is that's that's what this is. It's like,
come on, man, cut the ship bro, like it's t
twenty five. Let's just all be honest, like it's okay,
Like I just think that everybody kind of like it's,
you know, trying to walk on eggshells.
Speaker 2 (02:07):
Just have the conversation.
Speaker 3 (02:08):
Contemporary country album.
Speaker 2 (02:12):
Okay, I do. I know why they did this, and
it's a direct response to what happened with Beyonce. Absolutely
with that set, I do like that they have split
up categories within R and B and other genres, Like
I like that there's a traditional R and B category.
I like that there's a contemporary R and B alternative
(02:32):
art Like I like that they're doing subgenres because it
does give artists that don't make, you know, the highest
form of R and B right now, gives them a
chance to be recognized. Now, I know that's not what
they're doing here, no, but I do like the contemporary
categories in a lot of other genres. Matter of fact,
I think raps should be split up in subgenres. For Grammy,
(02:54):
so I don't think it should have to be Rap
Album of the Year.
Speaker 3 (02:56):
It definitely needs to be.
Speaker 2 (02:58):
Like, I think it's great that, like you know, Gibbs
and Alchemists are nominated Roy Skitz, Like, I think all
that shit is great, But some years it's like the
real what should be a rap album isn't even nominated.
So I do think these subcategories are cool. Like I'm
not mad at I just know what this one is.
This is this is the Lights being upset. Yeah, that's
(03:21):
what that is. If this was if this, if this
happened before Beyonce's album, I'd be I'd be like all right, cool,
like okay, cool.
Speaker 3 (03:29):
They trying to, you know, make sure everybody kind of
gets recognition. They understand that, you know, the sound the
music changes. Artists come in and you know, create a
different type of sound, like okay, we understand it. But
this coming off of the win, Yeah, it's just blatant
in your face, like all right, man, like we get it.
Like in case Beyonce decides to make another country album,
she's gonna dominate again, and then you know, like yeah,
(03:52):
I mean, just to have the conversation, man, like I
don't know how much longer we gotta, you know, try
to sit and act like we don't know what this is,
and it's just like, you know, it's first of what's
unfortunate that we even still have to do or feel
like we have to do shit like this.
Speaker 2 (04:07):
But like I do, they added progressive R and B album,
which I think is cool. Like to me, those categories work,
but you might as well just say urban urban country and.
Speaker 4 (04:22):
Urban country and real country urban country, like just just
say what it is at this point, or add more
subcategories than just two, because country has a bunch of
different like the Ship that wins is usually pop country.
Speaker 2 (04:38):
It's not like country country. Like just because someone talks
about a fucking golden retriever a pickup truck and radio,
that's a pop record.
Speaker 3 (04:47):
Urban country in this country country.
Speaker 2 (04:51):
Country with a K country definitely with a K. Absolutely,
But I'm curious to see what would nomination are looking
like this year for sure. I mean, we'll cover it
next week once they actually come out. But rap should
be really interesting this year. R and B should be
really interesting this year.
Speaker 3 (05:11):
Should it be interesting?
Speaker 2 (05:12):
I think Leon Thomas is going to clean up everything,
but that's just my opinion. Hopefully you had a great album. Yeah,
and I think Mutt will clear up singles as well.
Speaker 5 (05:22):
No man might have to compete, will fold it? Folded
might come through a crush.
Speaker 2 (05:28):
Folded is one of those, and Folding made it in
time right It's ship Yeah, August, I believe the deadline
was August beginning of September. Folded I think made it
right there. Yeah, No, Folded is crazy, Yeah, but the
Folding ain't Mutt though much. Just it came out like
everything came out right after the last Grammy deadline. June
(05:50):
eleven saw a dominance of a full Year of Mutt.
That's why I feel like it's a cleanup.
Speaker 6 (05:56):
June eleventh is one Folded came out?
Speaker 2 (05:58):
Okay, oh yeah, all right? Cool? Well you like that record?
Speaker 5 (06:01):
Folded got so crazy that everybody, you know, how many
people went and just made a remix.
Speaker 6 (06:05):
She didn't ask these.
Speaker 5 (06:06):
Brandy fucking Brandy, Tony Braxton, Tank, Mario, Plies have all
made folded folded remixes. Neo just volunteer was like, I
want to fold a remix. That's how like big that song?
Speaker 1 (06:20):
Who wrote the Dixon roll Folded Fire? I don't quote
really he did? Yeah, I'm Klinie Dixon.
Speaker 5 (06:30):
There's a couple other people, Donovan Knight, Andre Harris, DeWitt Wilson,
Christopher Riddick, Times, Milosh.
Speaker 2 (06:39):
Yeah that record is incredible.
Speaker 6 (06:42):
Milos.
Speaker 2 (06:43):
The guy that did my massage, it's the same guy.
Multi fascinating. He performed on the boat and then rubbed
my hands. I love that though.
Speaker 3 (06:55):
When you go on like a vacation and the guy
that works like at the restaurant is like Mike with
Jackson at.
Speaker 2 (07:00):
Night, that's the best shit. That's my man right there.
That's what I was telling the PR people. I was like, Yo,
the way they do Michael Jackson and Elvis, Like, if
you need me to do Paul Wall, I do Paul Wall.
You just gotta pay for my grill. Oh my, but
all music and Leon Thomas. We left out the Folks
EP album. I don't know whatever it was called that
(07:20):
Leon just put out on October twenty fourth. Did you
listen to Folks? Yeah? Leon has not fucking missed in
three projects straight. That came out last week, right October
twenty fourth. Yeah, my muse incredible. Like I didn't think
he could even top the not Fair record off the
(07:41):
deluxe of mut and listen, Man, I can't say him.
I think he's going to clean up. But Folder deserves
all the credit period.
Speaker 3 (07:48):
Yeah, now I know Dixon wrote that. Yeah, I like
to see that one.
Speaker 2 (07:51):
I think for that that deluxe because Folder was on
the deluxe, right damars of Carolini's album.
Speaker 5 (07:57):
I don't even think of No. I think she just
dropped bold. It was just a single.
Speaker 2 (08:01):
I think it was records on the Delugue as a
feature outside of just producing. Yeah, they've been working for
a while now and everything that Kaylnie and Dixon do together.
Speaker 3 (08:12):
Yeah, I love seeing Kayline get like have this moment though,
but me too, He's been dope for so many years.
Like it's just good to see Kaylannie like finally being
spoken about, like everywhere, like everybody's in tune with everybody's
listening to her.
Speaker 5 (08:24):
When I was at one music fest, Kaylanie performed and
I was, of course like in heaven. But I've been
a Klannie fan. I hate being those people. That's like
I've been a Kiani for so I've been a Kailnnie
fan for over ten years. So when I was she
was performing older songs that I'm screaming to the top
of my lungs and I'm looking around and I have
a video where my drunk ass is like, I'm.
Speaker 2 (08:44):
Like, y'all folded fans.
Speaker 6 (08:45):
These ain't Kailinni fans, these folded fans.
Speaker 5 (08:47):
But at the same time, I'm happy that there are
people that are now they get to discover Kailanie's beautiful catalog.
They he's had for years and they're reading like they're
just they're hearing songs that I love for the first
time and like that's like beautiful. I'm happy she's getting
this moment.
Speaker 2 (09:01):
So as a kay Lonnie fan for ten years as well.
I think we forget that she was like sixteen when
she came out. Yeah, like she's just coming into her
own now as an artist. She came out when she
was a child. Like, we definitely didn't get the best
of her music in the beginning because she was still
she was a kid. Yeah, and we still thought it
was amazing. So I think we'll get better music from
(09:21):
kay Lonnie in the second half of her career that
we did on the first, because everything she's been doing
has been incredible. Yeah. I saw this. The Billboard Hot
one hundred tweaks its rules along with the Grammys. Everything
is scrambling.
Speaker 5 (09:35):
Yeah, we waited to talk about this till you guy
here because we knew you wanted to nerd out.
Speaker 2 (09:41):
I mean, there's not much nerding out that I want
to do on this. I mean, we can give a
quick rundown effective this week. If a song drops below
number five after seventy eight weeks, it's removed. A song
drops below number ten after fifty two weeks, it's removed,
and so on and so forth. I think this, along
with what's going on with Spotify, what's going on with radio,
which guys don't believe me about everyone is scrambling to
(10:02):
change everything because everything is about to change. Spots have
ruined everything, everything needs to switch up, and Billboard labels DSPs.
Everyone is getting ahead of everything changing. We're changing rules, Okay,
changing rules. I'm with Are they changing the way artists
are paid out that going to remain in the same exactly.
Speaker 5 (10:25):
I'm with you on the everybody scrambling. I also think
that Billboard, I think that this makes things a little
bit fair. And I think the reason why Billboard did
this is I don't think that's that big of a conspiracy.
There are some songs that are so well loved that
they will stay on the charts for years if you
and it doesn't make room for other artists to enter
(10:46):
into those smaller spots.
Speaker 2 (10:47):
Especially if an icon dies and your song can't get
an Everyone cool, I'm fine, I'm I get it. I'm
not okay, No, I'm not okay, no. I hear you.
And I think this does make things much more fair.
But I think with all the rules changing that there's
a specific reason for it, this being one of them
(11:09):
that I agree with, like even but again, like I
think Teddy Swims lose control deserved to be on the
Billboard as long as it was, it's an incredible record,
and it kept streaming fairly.
Speaker 5 (11:19):
Like yes, but I mean, but we get it, Like
you know what I'm saying, Like because okay, so if
the Billboard was getting you, if you were being paid
every week for being on Billboard, then that makes sense
because then you're taking food out of the out of
their mouths.
Speaker 6 (11:33):
But if it's just like, Okay, we get it.
Speaker 5 (11:35):
You've been number one for such and such many weeks
after two hundred weeks, Like it's fine, Okay, you were
on the charts for two hundred weeks. Kick him the
fuck off and let somebody else come on, Like it's
that's insane.
Speaker 2 (11:49):
I don't know. I mean to me again, if you're
taking away any and I don't even want to say bots,
because when it was CDs, let's not act like even
you def jam cash money. Everyone is admitted they were
buying hundreds of thousands of CDs to make sure they
got to number one, Like this isn't a new thing,
it's just now it's it's bots because it's tech. Yeah,
(12:11):
I do think if it's fair, why shouldn't the one
that's streaming the most stay there. I don't think that's
a bad thing. Like as much as as annoying as
it was that the Spurs were in the fucking finals
every year, or the Patriots were in the super Bowl
every year, or the Kansas City Chiefs have been there, Like,
(12:31):
we got to do what the NBA did and block
the Chris Paul deal because that's fucked up. Like, if
this is how the system is set up, why what's
wrong with that? They're fairly doing it. I'd be pissed
if they told Tom Brady, yo, you're too good, no
more super Bowls for you, bro. But you're not fucked
up that complete.
Speaker 5 (12:52):
That's completely different because a Super Bowl is such a
huge moment.
Speaker 6 (12:57):
They're not saying the.
Speaker 5 (12:58):
Number one record on Billboard, they're not removing number ones.
That's not the rule. That's not the rule. The rule
is the motherfuckers that's over there, sitting at ninety seven
for five years. They can go, like you see what
I'm saying, Like that's if they're not taking people from
number one or number two, or number three or number
four or number five.
Speaker 2 (13:15):
Okay, but I'm saying too all right, let me let
me not say, but.
Speaker 3 (13:18):
Do you want to be the artist that enters the
Billboard because they remove somebody that was just like stagnant,
like oh I got in because they took HOI off.
Speaker 5 (13:26):
Yeah, music, I'm no no, because it's because no, no,
it's not about you making bad music has nothing to
do with that, because we all know when Taylor Swift
releases a fucking album, she knocks like ten people off
because her entire album is going to go to slots
number one through ten. That doesn't and it's gonna stay
there for a while. So the people who are inchin
(13:47):
in it engine in you said.
Speaker 2 (13:49):
What it's good music? No, I know, I hear what
you're saying as fucked up. And I won't use the
Tom Brady thing because again it's not the number one,
but like, okay, that'd be like Mike Rabel, you can't
go to the super Bowl this year, like you're not
the best player, but you're in five super Bowls and
you play really well. Robert Rory can't get a ring
and just stay at number seventy eight on the Billboard charts.
Like if I'm there for a one hundred weeks, yeh,
(14:09):
that's a stat for me. That's cool that I stayed
in the Billboard Hot one hundred. That's a stat for
an artist. But do you just because you're not number one?
The hot one hundred is like a thing for an artist, Ysluly.
Speaker 5 (14:20):
But it's not like he hit the hot one hundred,
like oh my god, it's not like he's climbing right
Like for example, we just spoke about Folded. Shoutouts of Folded.
It just hit number seven on the Billboard charts. Right,
Folded is climbing. It's been there for a little while,
but it's climbing.
Speaker 3 (14:35):
The record's no number one.
Speaker 6 (14:36):
No, it didn't go number one.
Speaker 5 (14:37):
I think y'all like misunders, like records don't be going
number one.
Speaker 6 (14:40):
I feel like me and you have this issue.
Speaker 5 (14:42):
A lot record, a lot of the records that we
love don't go number one.
Speaker 2 (14:45):
Teddy Swims Losing Control just left the top ten, and
I believe that came out two years ago.
Speaker 7 (14:50):
Wow, through the Taylor Swift thing, through everything I thought
Folded with number one, No no.
Speaker 2 (14:59):
And I mean I get it. You have to adjust
because of streaming because that can keep things weekly outside
of album sales, and like there wasn't so.
Speaker 5 (15:09):
We all know the bigger the artists, and the bigger
the label and the more money that is behind them,
you can get playlisted. If playlisted is going to keep
you on the Billboard charts longer, that doesn't mean that
you have a better song, or it means that you
have access to more money and more funding. So it's
not make better music, it's they're gonna make sure that
Taylor Swift or is Taylor Swift or Drake or Kendrick
(15:31):
or all of these people are on all of these
fucking playlists. So yes, their songs are going to stay
longer because people who are discovering them or listening to
them sometimes against their will.
Speaker 6 (15:43):
Are you seeing what I'm saying?
Speaker 5 (15:44):
Whereas you might have a small artist that's right there,
right there, it's okay to take Taylor's song off, that's
been on that bitch for one hundred. It's been okay
to take Teddy Swims off or Benson Boons, it's okay.
Speaker 2 (15:54):
It's a socialism.
Speaker 6 (15:55):
They hit.
Speaker 5 (15:55):
No, it's not because you hit number one or you
hit where you were gonna hit.
Speaker 6 (15:58):
You hit your peak, un dropped down.
Speaker 5 (16:01):
You'd done drop down, and now it's time for other
people to get the chance.
Speaker 6 (16:04):
You have the accolade.
Speaker 5 (16:05):
Nobody's taking that accolae from you, No nothing, they sign
up for seventy eight weeks, Brod, y'all fucking long, seventy
eight weeks is.
Speaker 2 (16:12):
If it's fair, it's fine with me. Again, I think
they're scrambling to change the rules and everything, because I'm
not saying anything specific to Kendrick or Drake as far
as bots, but I think the bot thing has gotten
so far out of control for every single artist signed
to a major that everyone is changing the rules in
the midst of them being caught doing it. Yeah, this
(16:33):
is cool, but it's not like it's an asterisk on
Roger merrisit in sixty one home runs because he had
an extra few games, Like we're putting at so Taylor
still gets the accolade, but someone else's name gets to
be put there, Like this is a participation trophy to me,
Like this is the real world. If it's fair, she
should stay there.
Speaker 5 (16:50):
If it's fair, it's never gonna be fair, so why
are we talking about If it's never gonna be.
Speaker 2 (16:53):
They're trying to make it fair now. It's going to
take a while. Of course, the face.
Speaker 5 (16:57):
Artists on major and with money will always have access
to more resources.
Speaker 6 (17:00):
It's never going to be completely fair.
Speaker 5 (17:02):
The music industry will never be fair, but this makes
it a little bit more fair.
Speaker 3 (17:06):
They're trying to make it look like they trying to
make it fair. Okay, let's make it fair. But I
don't think much is going to change as a result
of this. I don't honestly, Yeah, I don't think much
is going to change. Just being honest with I.
Speaker 6 (17:19):
Think we'll see. We'll see.
Speaker 5 (17:21):
Maybe you know a couple of new songs hit that
that top one hundred that deserve to be there, but
they might not have access.
Speaker 2 (17:26):
But I mean, listen, if you have, If you're in
the top ten for a year, that's crazy. That's why
I was saying after Teddy Swims was there for almost
two years, like, yeah, if you dropped to number eleven
after a year, cool, we should be removed. But like,
I don't know, that's still fucked up. Like if my
shit is streaming fairly that way, why are you taking
me off my Yeah, yeah, this is capitalism versus socialism.
Speaker 6 (17:49):
I don't even think that, honestly. I don't even think
the people who I think.
Speaker 5 (17:52):
Once you've been on Spotify for it, I mean, you've
been on the Billboard charts for a year. I don't
even think them artists is really like, hey, you took
me down, like I really wanted it to be a
year in three months, Like, I don't think they give
a fuck.
Speaker 6 (18:00):
I was on there for a year. I had that
talking point.
Speaker 3 (18:04):
I mean, if you any and if you like me,
I don't give a fuck where they at on the charts.
That I don't even check for that type of ship.
If the music is good, I'm listening.
Speaker 6 (18:11):
Well, the artist cares because the artists and the money.
Speaker 3 (18:14):
Yeah, like the artists obviously care, but I mean fans,
I mean I don't. We don't give a fuck about it. Well,
let me say I don't give a fuck about any
of this ship.
Speaker 2 (18:21):
Okay, then what does that do to the Billboard Awards?
You watched that? No, I've always said it was one
of the most pointless award shows because you can just
go on the internet and see who wins. Like it's
not like I can literally just check every week and
who's gonna win. But also I think, yeah, this only
really affects artists and stand accounts that are doing ship,
(18:44):
like who is on Vogue for the first time, like
this is all kind of weird to me because it's
not and.
Speaker 3 (18:50):
This this is effective as of right now. Yeah, all right,
well pay close attention in the next year and see
see if we notice any change.
Speaker 2 (19:00):
I caught the less tailor. I caught the meltdown to
some degree over the last week. I'm not sure if
you guys touched fully upon it of the no rap
songs or in the top forty billboard top one hundred
for the first time since nineteen ninety, but there is
one in the top fifty.
Speaker 3 (19:16):
They just think, you know, they cut it at forty
just because it reads better. Okay, there's a rap song
number fifty. I think we should be removed. I think
it's big extra plug. I think he's number fifty.
Speaker 2 (19:26):
How long has it been there, because I think it
should gt the fuck out of there.
Speaker 3 (19:29):
Well, I don't know. I don't know how many weeks
he's been here, but I think he is number fifty.
Speaker 2 (19:32):
I don't know. I don't have like the same meltdown
that I saw all of our media appeers have, Like
I don't think this matters that much.
Speaker 3 (19:40):
Oh no, it matters to the artist, it matters to us.
We didn't we don't give a fuck. So the artist
to rappers just definitely matters one.
Speaker 2 (19:51):
But you're saying on like the superstar side or or
what like, Yeah, yeah, labels are not.
Speaker 3 (20:00):
They're not because this is all just labels not putting
money behind rap songs.
Speaker 2 (20:06):
That's all it is.
Speaker 3 (20:06):
It's not like people then put out good rap songs.
The labels they're not putting the money behind these rap
songs that they once were. So what does that mean
for rappers? What does that mean between them and their labels?
Are labels willing to put money behind them but still
or at all? How much are they putting behind it?
Speaker 2 (20:22):
Like?
Speaker 3 (20:23):
So, yeah, the rappers care one thousand percent because this
is directly affects them in their business.
Speaker 2 (20:28):
With the labels, and they should care if they're getting
removed after.
Speaker 3 (20:33):
No, that's they do. The artists care, and us the fans,
we don't care. We don't look at this show.
Speaker 2 (20:37):
NBA.
Speaker 5 (20:37):
Young Boy is number forty three with shot Calling and
he's been on the charts for six weeks, So.
Speaker 3 (20:44):
Good for young Big X the Plugs not on it.
Speaker 6 (20:45):
Big X the Plug is number fifty okay with Hell
at Night.
Speaker 2 (20:50):
Okay, I mean I don't know I just think rap
is in like a good place.
Speaker 3 (20:55):
Oh the music, yeah, yeah, just about the business of it.
Speaker 2 (20:58):
Like there's been years since nineteen ninety where it felt
really fucking bad and they were still in the top four.
Speaker 3 (21:03):
Oh no, for sure, for sure.
Speaker 2 (21:04):
But I mean, I guess, does that just proved that
Billboard doesn't mean much if the point is their labels
aren't putting money behind those records, which the money that
the label puts behind the artists is just gonna have
to owe back anyways. It's not like the labels giving
them a good gesture push. The money they'd have to
put up to get on Billboard, they have to o back,
They have to pay it way. So it's like, I
(21:24):
just I didn't look at this like it wasn't over
for hip hop.
Speaker 3 (21:28):
No, no, no, it's definitely not.
Speaker 2 (21:30):
A Well I understand a few years ago it was
the highest stream genre, which was a big w for
hip hop, But I don't know. It goes back to
the superstar thing for me too. Yes, labels are not
investing as much in rap, but there's also no superstars.
And I'm not saying that a label putting a bunch
of money into an artist is going to make them superstar. No,
it just isn't superstars. But like if Travis drops tomorrow, yeah,
(21:55):
top twenty will be a whole Travis album scattered throughout
the top twenty on on Billboard. So no one's dropping,
Like yeah, that's of that stature. But I mean, I
think shout out to a big X, the plug and
a young boy that they're up there. I think that
whole uh just drop singles thing is kind of backfired
on the labels a bit because we see what the
(22:16):
albums do for the charts that matter to the labels
and the artists. Like that's why they're changing the rules
because Taylor's fucking there do the whole thing. When Drake
dropped for all the Dogs, wasn't at fucking every record.
When gn X came out, every fucking record was in
the top ten. Like, I think the labels kind of
played themselves a bit of like, Yo, we shouldn't do
(22:36):
this fucking album thing. Let's just CARDI just do one song,
like you know, like the Mike Karen strategy. No dispect
to Mike Karen, Like I just think that strategy they're
seeing the result of it. It didn't work in Billboard
and streaming the way you guys thought it would. When
it comes to charts, if you care about the charts,
they could not care. I don't know. But albums are
(22:57):
the ones that are sticking to the point. They got
to change the fucking rules.
Speaker 3 (23:00):
Just continue to make good music. Fuck the charge for
all that. I mean, I understand that it's important to
their business, but like good, good music, great music that
always pierces through that, that's what stands to test the time.
I don't know what some of my favorite songs and
favorite albums landed on the charge. I know that I
love this fucking album, so I mean.
Speaker 5 (23:20):
Yeah, and I want to clarify. I'm sorry Folded is
at fourteen, not number seven.
Speaker 6 (23:24):
That was my mistake.
Speaker 2 (23:25):
Fourteen is still yeah crazy, that's its peak so far.
Speaker 3 (23:28):
Thank you for that, baby, dude. They would have killed
you for that. You know, they would have got you.
Speaker 2 (23:31):
Yeah, the would kill me.
Speaker 1 (23:31):
So I just don't want them to kill to do
my research produce her journalist.
Speaker 6 (23:44):
You have voice, most Josh.
Speaker 3 (23:46):
You've got mail sponsored by boost Mobile, unlimited talk texts,
and that five dollars that month.
Speaker 8 (23:53):
You have to stop, guys. So also, I really appreciate
the past I feel like you guys should add Amsterdam
on your tour.
Speaker 3 (24:04):
Dates have to appreciate that.
Speaker 8 (24:07):
I'll bring a few of my homies that also listen
to you. So you're welcome more than welcome.
Speaker 2 (24:15):
Thank you, Joseph.
Speaker 8 (24:17):
So this is kind of more towards the mirrors. I
would like to hear the view of the guys as well,
but you know, I feel like the Maras probably has
some experience in this as well. So I've been single
for three years. I did some healing after the relationship,
which was needed, and now I'm putting myself out there
(24:40):
again since I think a year, which is good. But
I just cannot get over the fact that there's so
many losers in the world and everybody just makes me
cringe so much, and I don't know what to do
about it. It's just it's just crazy. I've been on
many dates and I just see the flaws all the
(25:01):
time and I'm just like, oh, just make me itchy.
So I don't know what to do about it. I
would like to know if you have tip for me
or it's just why are there so many losers out here?
Find a sign man who was like cool, I'm not
so cringing, help me, Okay, thank you.
Speaker 2 (25:22):
I think this is a great question for Demerius because
she was somebody on the block forever and now is
in a happy relationship with a new person. Teach us
how you get back out there when it's icky out there.
Speaker 5 (25:37):
I just feel like outside of my relationship, I've always
just felt like this. I feel like everything happens when
it's supposed to do. That's with jobs, that's what relationships,
that's with friends, that's with life. If something isn't coming
to you, it's just not either you aren't mentally ready
for it, it's not the time and your life for it,
and higher powers want you to focus on something else.
Speaker 2 (25:57):
That's the worst advice to give someone when like BRO
can't find a job, like yo, just the time will come,
Like I need the higher power, but you you saying
I need it, and I agree with you. I can't
always a bad advice to someone that's going through something.
Speaker 5 (26:10):
But it's not bad advice because it's the truth. It's
just not what you want to hear. Nobody ever wants
to hear good advice. They want to hear a magical
solution to their problem.
Speaker 2 (26:17):
Well, maybe a different approach that you took that made
the timing right when you met the person you're with now,
I don't want to talk about that, Okay, fair enough. Yeah.
I think getting back out there, unfortunately, is a volume game.
I think you have to go out and date and
see the X and just see what's out there. If
(26:38):
you go on two dates and it's like it's gross,
you're not going to really solve anything unless you keep
getting back out there.
Speaker 6 (26:44):
Also, don't the aches.
Speaker 2 (26:46):
Sometimes.
Speaker 5 (26:47):
I feel like sometimes we overthink aches, Like sometimes we're
just you got to have a little bit more patience
or some things.
Speaker 3 (26:55):
There's a little bit now.
Speaker 5 (26:56):
If something really makes you feel uncomfortable inside, body has
a better fourth quarter than baby, I'm sorry not enjoy it.
Speaker 2 (27:05):
I'm sorry.
Speaker 5 (27:05):
There's gonna be some things that make you feel If
something makes you feel uncomfortable inside, get the fuck out
of there, right Like listen to listen to your body
and your intuition telling you things. But sometimes people are
just doing things that you aren't used to, or they
might live a different lifestyle than you're used to, or
they might have a different lingo that you're not used to.
If you really really want to find love, I'm never
saying settle, but.
Speaker 6 (27:26):
Just be a little bit more open.
Speaker 5 (27:29):
Be strict with your boundaries, but when it comes to
their personality, be a little bit more open and willing
to try new things. Same thing with food, with jobs,
with anything. Like, you can't keep doing or dating the
same thing that you always have because that obviously hasn't
worked out for you, right that mixed with Also, sometimes
the timing is just not right.
Speaker 1 (27:47):
You gotta be patient. Yeah, which somebody wants to hear that,
but that's true. Sometimes you have the wrong mix. You
should have some mix with the last guy that you
think you like.
Speaker 2 (27:55):
Why do you think the word settle gets such a
negative connotation? Like why why do you think that word settle?
Speaker 6 (28:01):
They usually aren't happy?
Speaker 2 (28:03):
But is that the is that the actual definition of
that word or we made it that? Like, sometimes you
have to settle on certain things to be in a
happy relationship, Like you're not going you're not going to
love everything about somebody.
Speaker 5 (28:14):
You have to settle on that compromising. Settling and compromising
are two totally different things.
Speaker 3 (28:20):
Yeah, settling is more like all right, well, I guess
this is it. Imagine you with your girl and you
come home with she was like, well, guess this is it?
What like we don't have to do this, like we
can go out separate ways. If that's the energy. If
it's like, oh well this.
Speaker 2 (28:36):
Is can you settle for something you love? Like I'll
settle for this because I love this and what this
is over going back outside and trying to find something.
Speaker 3 (28:46):
That's unproven, not settle. I choose this, Okay. Settler is like,
but if there's something else that comes along that I
feel like is better than this, I'm out. That's the
that's the energy that's settling has like yeah, and I'll
take this for now that that isn't sure, like yeah,
like you wouldn't you wouldn't prefer this and and is.
Speaker 2 (29:06):
Not what I would usually be doing like you would.
Speaker 3 (29:08):
This isn't what you As soon as something that comes
along that you deemed to be what you you know,
think is your ideal situation person whatever, you're out of it,
like you're you're you're out of that situation that you
were currently in and it happens.
Speaker 2 (29:20):
And then settle in again. This is just the Western dictionary.
Speaker 3 (29:24):
It never hits you out like months after you stop
dating somebody that they lied to you and your fad
told you some ship like you will never that you
don't ever just hit you randomly for sure, you being
talk like that bitch was lying some.
Speaker 2 (29:34):
Ship that you never even thought was lied, like the
way deja hit you. Sometimes it's something in your brain
like wait, hold on, that didn't you're not even thinking
about it. Didn't even make sense.
Speaker 5 (29:45):
What was add in life where that worked? Like what
he told me because you had to. I feel like
that might be a man thing because women. But I'll
be thinking you lying from the jump, so I don't
I never have that come to Jesus moment because I
was thinking that from the very beginning.
Speaker 3 (29:59):
It be at the most random I think I was
on like ordering some shit on fucking Prime or something
like that.
Speaker 2 (30:06):
Is that the checkout? And I was like, well, hold up.
She told me what sparked it.
Speaker 3 (30:13):
I have no idea, but it just hit me, and
I was just like I had to laugh, like that's.
Speaker 2 (30:17):
Crazy that that worked on me.
Speaker 3 (30:18):
Like, but.
Speaker 2 (30:20):
Resolve or reach an agreement about an argument or problem,
I guess not there a place to stay. Hey, Sometimes
you gotta say hey, something squatting, something settling.
Speaker 3 (30:32):
Sometimes you gotta settle, like listen, man, some snaps ain't hitting,
he treats me.
Speaker 2 (30:37):
I I'm just gonna settle here.
Speaker 7 (30:39):
So in that and that way, settle is a positive thing. Yeah,
it can be settle for shelter. That's I choose shelter
over the park, bitch at night. I choose this man's
warm home instead of the subway.
Speaker 2 (30:53):
Yeah. And then the third definition, which ironically for this month,
makes a lot of sense, colonize. Mmm, no, getting somewhere.
You see, we we were the settler. Yeah, that's it,
that's what we gotta Just that first word is very
the conquers, rapist, slave on it. We came here and
settled to settle, brought the ships to the dock, and
sun settled. Settle down. Everybody settled down. Everyone settled down.
(31:16):
Take this blanket, yeah, settle in. Yeah.
Speaker 3 (31:19):
Yeah, that's all that's all you gotta do. Hopefully, Josephine,
we helped you with that.
Speaker 2 (31:22):
I don't think we did. Baby, Get get back out there.
I do think volume game. Even if you've had some
bad dates, that doesn't mean the next person you meet
is going to be as bad. You have to get
back out there, even if it sucks, like sit through
a fucking Caesar salad and then just don't speak to them.
Speaker 5 (31:36):
Just go out with their friends, have fun, find something
that's a hobby and meet. Be open to meeting people
in this space that they're at. If something falls in
your lap, something falls in your lap, you can date,
but like, don't don't the volume game.
Speaker 2 (31:51):
Doesn't. Not like saying serial date, like swipe right and
go on a date every fucking night. I'm saying be
open after having bad dates to still dating. Yeah what
I'm saying. That's all I'm saying. I'm not saying date
every night. Do we have another one?
Speaker 3 (32:04):
Or all?
Speaker 2 (32:06):
Right? Well this was fun? Yes, this was great. This
was a great post election day.
Speaker 3 (32:11):
I'm in the Patreon great post election day?
Speaker 2 (32:14):
Mall?
Speaker 6 (32:15):
Did I mean Rory? Did you watch our ship?
Speaker 2 (32:17):
Mal?
Speaker 6 (32:17):
Did you watch our log?
Speaker 2 (32:19):
No?
Speaker 3 (32:20):
But I'm man good things about it.
Speaker 2 (32:22):
I haven't watched it yet. No, I do want to
watch it.
Speaker 5 (32:25):
You know, whenever I work hard on some ship, I
need by an office to watch it because I edited.
Speaker 2 (32:30):
No, I'm really it's one way to do to watch.
Speaker 6 (32:32):
Everybody watch it?
Speaker 2 (32:34):
Oh you edited it?
Speaker 3 (32:35):
Yeah, I'm not watching that ship. It's gonna be probably mad.
Jump cuts that's off now.
Speaker 2 (32:40):
The first one she did, he got closed captions on
the fucking closed captions. I'll just play.
Speaker 3 (32:48):
I'm gonna check it out though, because I being good things.
People seem to like it, and somebody was telling them, yo,
we need to do that more.
Speaker 2 (32:53):
That ship. Shut up. No, it's like good. The listeners
tell you what good. I respect that, Y'a'm gonna watch
it though. We have fun though. We gotta do one now.
You're not gonna do what I want. We gotta on
the wall for just you and Peach for a blog.
Speaker 3 (33:10):
Oh like, maybe that's it. He's not gonna make their
waves me and Peach. You don't want me and Peach
to go somewhere and just kick it over a beer. No,
like you let me and Pach go kick it over beers.
And it's not gonna make this. It's not volunteer.
Speaker 2 (33:24):
It's not gonna leave the editing floor. It's not gonna leave. Man.
Let's even like Trump. Let's suck there we go. You
gotta sit down and talk.
Speaker 3 (33:32):
You don't like somebody sit right here and let's figure
out why we don't like it.
Speaker 5 (33:36):
They did some cancel little ship in our one vlog,
I thought about cutting it out.
Speaker 6 (33:39):
I'm like, I can't.
Speaker 2 (33:40):
For me and Peach, I'm gonna come. Wait, that's canceling.
Speaker 5 (33:46):
Because we were president, they were I said they. Peach
asked me would rather be blind or deaf? And I
was like deaf. I need to see. And then I said, oh,
but damn if death can't talk me through it, so.
Speaker 2 (33:57):
That then gloom. Oh I get I get the joke now,
mosy croom, I not get it. I get the joke now.
All right. I'm sorry, baby, you're offending Josh. I'm sorry
defending Josh stopping josson snapping right.
Speaker 3 (34:16):
Is fucking teething over there? Teething ceething, not teething, say
TV seething ceething? Why do I say teether? What's TeV?
Speaker 2 (34:23):
Baby? Josh? I got some frozen freezing for you from
from Amar the two toys, you know, the toys with
the little bums.
Speaker 3 (34:34):
On it because of the gums, the gums it so
you gotta get it.
Speaker 2 (34:38):
Oh my god, oh my democrats are teething.
Speaker 9 (34:45):
Be safely blessed that nigga. He's just gender. My my,
I'm not gender. I'm just a gender. I said gender
or ginger. Oh well he is gender. We don't know
his gender. We don't know Josson's gender. No, you circumside, yes,
I circumsized. I'm circumcised.
Speaker 2 (35:07):
Okay, you certain side. He's Irish. I think that's Irish Catholic.
Oh yeah, yeah. They colored horsek it off and then
they touch it. Irish Catholics. You see you remember that man.
(35:31):
You remember that priest and I'm lying he was he.
Speaker 1 (35:34):
Was circumcizing the people one and he was putting his
mouth on them kids.
Speaker 2 (35:37):
You remember that. It's on you too. It was on
you too. He was putting his mouth on Yeah, there
was that one. Uh ship. He was like Filipino. It
was like a Buddhist priestyle that was grabbing the kids
tongues and ship.
Speaker 3 (35:49):
You know.
Speaker 1 (35:49):
He said, oh no that was the that was the dolly,
that was the dolly Lama. Yeah, he was grabbing the
kids tomb but one on was like biting on them.
Speaker 3 (35:56):
Oh yeah, I didn't see that.
Speaker 2 (35:57):
Yeah, I mean that wasn't in my parent You Irish, right,
I mean you're Catholic, Irish was raised Irish Catholic. Yeah,
they do some weird things over at that church. See,
it ain't like the black church, somebody testified in the
middle of the pastor they're back here fucking with these kids.
Speaker 1 (36:15):
That's what happened at the black church. You you might
get touched one or two times, but somebody gonna tell.
Speaker 2 (36:21):
On his asad. Wait, they a't gonna let it go on.
Speaker 1 (36:23):
But then you gotta be on all that medications because
you know they don't put black kids on all that medication.
Speaker 2 (36:29):
We curt that ship right there and there. Yeah, that's
why you keep blinking your eye. Who touches you? Don't
listen to the show. I don't listen to the show.
You've been touched? Yeah, why is it every time we
get a comedian on here there? I knew because eye.
I knew because he was blinking out you know. That's
(36:51):
a that's help. That's a y'all don't know. That's a
sign that he needs some help. I thought I had
a nice eyelashes.
Speaker 1 (36:57):
No, but they be blinking like that. That means somebody
somebody messed up his equal liberty.
Speaker 2 (37:03):
Take off. Knock that ship right, I mean they're dead now.
Who touched you? You want to tell his government name? No,
who was her government name? It was her. It was
a man and a woman, it was a wild dick
at the same time. No, it's different at the church. No,
I was never at the church, but they was affiliated
for sure. Was the black and white? They was white both.
(37:27):
Was he a priest? No, they weren't like part of
the church. They was in your neighborhood. Yeah. Did you
tell anybody years later?
Speaker 9 (37:36):
No?
Speaker 2 (37:37):
No, Now we talked about on the podel. It's all
it's like a running joke. They just climbed, uh six,
and it is gonna not be a joke at six
and nine. I want to say six and nine. Yeah, okay,
it could be wrong. Did you tell how long? Did
it go on for a while?
Speaker 8 (37:50):
No?
Speaker 2 (37:50):
I was just it was one and done. I wasn't
that good. So were you had a sucker dick?
Speaker 4 (37:54):
No?
Speaker 2 (37:55):
I didn't do that, thank you. Okay, thank god I
held out. But he may have batted my ship around.
I'm just trying to get to the bottom up. I'm
trying to see why he'd be blinking. Miss Patter is
genuinely concerned. She's not letting him so she just had
another question because I could tell he got child less stationized.
(38:20):
Finally something everyone thinks this is me, Miss pat Finally
I'm being seen.
Speaker 1 (38:25):
I appreciate you because at one point when I couldn't
talk about I'm beat too.
Speaker 2 (38:29):
So so so they just so what they do? You
just suck. I mean, I'm not gonna like getting the
full details. I will say though, once I started talking
about on the show felt bad. Yeah, for sure. I
picked my my pops up in Stadding Island, New York,
and he had caught up on some episodes. He was like,
he was touched. Look at so did the lady trying
(38:55):
to tell you this? Did the lady make you suck
a teendy because she did too? Yeah, and I thought
it was cool, but I felt uncomfortable. Oh my god,
you didn't need it. I didn't. I'm sorry you might
have to blee. Sorry, I'm fine, keeping on. By the way,
(39:17):
this is This is better than when I went to therapy.
This is better. She's genuinely no. I know she cared,
but I was touched. So I'm just asking.
Speaker 1 (39:27):
I mean, and you know the great part about when,
no matter what you've been through in life, when you
can laugh about it, that means you have control of it.
And I'm not trying to be a mean person, but
I could tell something had happened to him because he
don't have no controls of it.
Speaker 8 (39:41):
I lead.
Speaker 2 (39:42):
So I'm like, what is going on with him? You
don't understand. I've been the years, thy, this is the
best I felt. Yes, So she was like, oh all right,
I said it, yeah, because I was like, I think
he's been molisted. That's what I said to myself, and
that's why ask you, you know, But yeah, I mean,
you over it now?
Speaker 1 (40:02):
I'm over Oh yeah, I mean my my mama. Barfriend
melissed me. I can't ride in el caminos. Thank god,
they don't make them no more. I went to, you're
so fucking stupid laughing at everything.
Speaker 2 (40:16):
No, but this is what they do to me. We
have I g clips of him laughing and me being touched,
like the fact that you just add to make.
Speaker 1 (40:23):
Him laughing laughing together. Yes, I can't ride it. I'm
fucking spooky to me. You ever been molested in the
one seed? That been taking out of one seat? We
(40:43):
can't go nowhere? God lay that I should have known.
Speaker 2 (40:47):
I had no choice.
Speaker 1 (40:56):
Yeah, most kids getting molested in a pick up drunk
or two seats Jesus, But I'm glad you're talking about it.
Speaker 2 (41:04):
Oh, yeah, happened to you. Yeah, I'm glad you didn't
turn the other way. I've been talking about it for
years and I ended up just a few years ago
and going into couples therapy, and you know, in therapy,
that's like the first fucking question who was touched? I
was like, I'm trying to talk about this crazy bitch.
I'm oping that, Like I don't care about what happened,
(41:25):
then can we please talk about what's going on now?
So No, I'm happy I can laugh about it. Do
that affect your relationships? Yeah? Do you ever do?
Speaker 1 (41:34):
Do you ever in a sexual move and then somehow
that older lady titty popping your head and you can't
finish sunking the TV?
Speaker 2 (41:42):
Uh? Maybe it wasn't an attractive titty. For the flashes
that I have during the entire thing was a lot
of this was it a loan titty? They were?
Speaker 1 (41:54):
Oh?
Speaker 3 (41:54):
Was she?
Speaker 2 (41:56):
I was like nine.
Speaker 1 (41:57):
I would guess if a titty was she had to
be in her forties. Forties for sure, Yeah, because thirty
two is still hold up.
Speaker 2 (42:04):
I mean then there was one time with a babysitter,
but like I was an active artistan it would be
technically molestation. H but I was fine with the babysitter
was white. Yes she was white. Yeah, family member too,
but not like a director. You fuck your cousin. No,
I'm not fucked your cousin. You said it was a
family member, but like you know, like family, neighborhood family,
(42:28):
my blood friend of the family from Queen's. Oh, I
didn't know they get down like that up here. Oh
for sure, that's not like some Alabama shit. To get it.
I'm sorry. Maybe I thought it was Alabama because you're white.
I had no idea it was. She think Rory is
(42:48):
like red white niggas from New York, from the hood, like.
Speaker 1 (42:55):
You know, he told my cousins and loan titties and
you know, yeah that long titties and family friends.
Speaker 2 (43:02):
No, I'm just saying, I just it sounded like the
South Ship. No, not at all, but somebody would considered
like family friend type shit. But she she was. Have
you seen her? No, I haven't seen her in a
long long time. Okay. I didn't even consider that me
losing my virginity because I didn't say to me losing
my virginity when I was fourteen, because I was probably
who you lost it with Uh, no, wonder you like
(43:25):
black pussy. It's so much white pussy they took, you know,
I've never even gone down that pass. Now, yeah, well
they all forced it on you, so it turned you off.
And now that I think about it, like when I
was growing up, the nicest people to me were black women.
He's actually more therapies than I think I've ever gotten.
I've never even put those two and you can write
me a check, you keep you. I never even put
(43:48):
too and two together.
Speaker 1 (43:49):
Then, yeah, so that's probably why you attracted to black
people and black women because every time.
Speaker 2 (43:55):
There was black people around when I was, I mean,
you didn't tell them about it was like, yo, you
know what the what they but black people didn't last
you know, I was, I think mentally sentence to say
it's a crazy sentence to say, I'm just.
Speaker 1 (44:14):
So that's why you were That's why you like black
women because white women threw it on you. So you
were like you took Yeah, they took your dick, so
you don't want no part of them. Hmm, yeah, I
never even put it's funny, but she makes a good point. Yeah,
I'm not even joking around. That might be the most
fair point.
Speaker 2 (44:33):
Yeah, I never thought about it. Maybe they was right.
Speaker 3 (44:35):
I do have a fetish, maybe a fetish with what
that's always been that weird jokes women, which I don't.
They say that he fetish off as black women.
Speaker 2 (44:44):
But every time I brought up, like how black women
took care of me as a kid, like it's always
it's never been a sexual that they took care of you.
You had a nanny. No, I've lived with a Jamaican
family when I was fucking homeless.
Speaker 1 (44:56):
Like oh okay, oh you oh you, oh you want
them eminems. You ain't no Baron Trump, you are imminean
for my.
Speaker 2 (45:10):
Ship got battered around. I had to get out the house.
I had to run away. Bless you. I'm glad you're
doing good. Really, I'm glad you're doing good. My eyes
are still bad, not off, I am. It's slowed down
since we got that out. Yeah, I feel better than
I feel like I've been since I slowed down. Yeah,
(45:34):
I thought he had to rex earlier.
Speaker 1 (45:36):
I said fuck from with his eyes, but I could
tell that was traumble behind is it's.
Speaker 2 (45:42):
Prupal yeahs fucking crazy. You weren't you weren't one of
the lucky ones.
Speaker 3 (45:48):
Oh my god, what you mean lucky ones? That means
the only one of the couch that has been a lesson. Yes,
you haven't got to the top. Oh okay, but I
did read your story about it ain't fun? Well no,
I mean, you know, we're laughing about it, and that's
that's great that we but no, it's nothing fun about that.
But that is the greatest read I think Rory has
(46:09):
ever gotten in his life. I don't know how you
figured all of that out just by blinking his eyes.
Speaker 2 (46:14):
But I'm a black mama. We know ship.
Speaker 1 (46:16):
You know how you bring a Walmer home with your MoMA, Like, hey,
let me tell you that's a whole red dw out
my house a black mama. Can that bitch got an
STD We can tell you right out that, we can
tell you read out the fucking map.
Speaker 2 (46:28):
You ain't gotten it red there.
Speaker 3 (46:29):
Yeah, I think I think that is something that I
think protecting me growing up is that having a strong
black mom. Yeah, definitely what I'm.
Speaker 2 (46:37):
Saying, because my mother was white. That's why I like,
you've never loved a great woman.
Speaker 1 (46:45):
Not trying to Well, let me say this, we're culturally different,
so in a way, when you're white, I think it's
more free, you know, like you don't have to have
that talk.
Speaker 2 (46:53):
Nobody told you, don't you go out there more fucking door.
When you go out that door, you make black black kids.
Speaker 1 (46:58):
Go out the door, and they say, make sure your
draws clean in case you get hit by a car.
He always was told that, I don't know why clean underway,
it's important if a nigga don't to.
Speaker 2 (47:05):
Draw you thirty miles down the street, my leg is shotted.
But yeah, so.
Speaker 1 (47:13):
With black parents always had to have a conversation with
their child, and white parents have never had to have
those conversations with the police with don't do this, don't
do this, look over your shoulder, pay attention. So it's
just different. It doesn't make your mama weak. It's just
the things that you that that y'all had to endure,
that we had to endure that y'all didn't have to endure.
Speaker 2 (47:35):
So your life was a little more like a flyer,
do what I want to do. Where he was with
his mother.
Speaker 1 (47:40):
So let me talk to you, little little john. You
take your ass out of the know you look both way.
Did anybody touch your drawers? You tell me because I'm
gonna killer nigga for sucking on you. So that's what
a black parents tell me. Anybody touch you, I kill them.
And I when I first got married to my husband,
used to tell my daughter because that's it's not his daddy.
I said, let me tell you something. If this man
ever touched you, I want you all to know that
I would love I love of y'all way more than
(48:00):
I love him. I kill his ass because I had
been molessed, and every day I gave my kids a
child molest station story on the way to school. I said,
if he touched you, I would kill him. To finally,
my daughters in the eighth grade, she said, Mama, the
man ain't gonna touch me.
Speaker 2 (48:15):
It's been five years.
Speaker 1 (48:16):
And I stopped asking, but I had to let her know,
you know, anybody touch you, especially out of moved his
man into moved up to the house with this man.
I know him, but you don't really never know a person.
So that's the talk I had to have with my
kids and my son. Mean, because people digging buddhies, so
I had to make sure nobody was gonna be digging
in my sons.
Speaker 3 (48:36):
Yeah, that is something that I like getting older having
talks with women like I never realized how many women
actually experienced that in their home.
Speaker 2 (48:45):
Yes, and I don't think that's at all.
Speaker 1 (48:48):
Well, you know what I'm saying is I think I
think with black families we have the conversations more where
you know, we used to set the kids down and
say whatever where you know a lot of time with
white people.
Speaker 2 (49:01):
Yeah, I ain't like it don't exist, to it exist? Yeah,
I mean I can only speak from my family. The
more I learned, once I started having those conversations with
my mom and what she went through, I was like,
we allowed him around. Yes, so I see what you said.
I'm not gonna I'm not speaking for all whites, but
I can speak from my family that regard. Once I
learned more, I was like, why you let him? Well,
see he was there every holiday and we did that.
Speaker 1 (49:21):
But the thing was, Okay, so when you have a
child mo leicster in the family and your uncle is
a child and lesser, they say, so the black fello
will tell you look him. Your uncle be touching kids.
So don't go over that fucking with that nigga. Okay,
stay away from Uncle John or uncle whatever we tell
We told that before we go to the barbecue. Can't
he come to the barbecue? Yes, but everybody gonna be
watching his head. Everybody know what he do and we
(49:43):
gonna tell them, kid, if he touched you, we're gonna
kill him. So all the kids know him child mo Leicester,
Chester Chester molest Chester molester. So we stayed away from
We put that on a house on our block.
Speaker 2 (49:54):
I have no idea to this day. He never touched
anybody in the nigga. It was just a house that
was everyone will say chess to Molesta lives there. Yeah,
I don't know. It was just like a kid thing.
Where is Chester the molester? I didn't know that was
a universal thing.
Speaker 1 (50:05):
Yeah, yes, So that that I think that's the culture
different is that African black people say it out loud
and other.
Speaker 2 (50:13):
Everybody's getting touched. So I mean, I think I don't
know if every.
Speaker 1 (50:17):
I think everytation is in there, every race. Like I
was just talking about that movie on what's the name
of that movie aduted in plain Sight. You've seen that
that was the craziest ship. That man slept with the
whole family kept kidnapping the daughter. You couldn't have that
chance in no black household. It'd have been fucked as
soon as he sucked the daddy pinions. Everybody would have
(50:38):
killed him. You don't get those kind of chances.
Speaker 2 (50:42):
Yeah, that was the crazy Outside of that being the
sickest part of the entire premise, the fact that Homie
got on that camera and was like, he sucked my
dick too. That was like the last episode. I was
like you on this whole whole series. It was like, listen,
(51:03):
I was sitting there watching that on me too. I said,
how I couldn't resist.
Speaker 1 (51:13):
It's about this stupid in rural towns, it's gotta be
the craziest shit ever. But those are the things that
even though those neighbors knew it or they or some
of the neighbors suspected it, nobody saying it out loud.
Nobody went over there and had a talk with that family.
In all neighborhoods, they would have knocked on the door
and had a talk with the mom.
Speaker 2 (51:32):
Hey he be touching key or he been the privilege.
Speaker 1 (51:35):
And I think it's now, I think it's more prominent
now in all communities because they have that that that
predator watch you know you have you know, when I
was living in playing for Indiana, every time somebody moved
into a neighborhood that had been the jail for molestation
of rape, you had the race, so you would get
(51:55):
an email a child unlesson just moved three D three
those down. But back in those days you didn't have it,
so people didn't talk about it, but the black community
always talked about it.
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