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October 9, 2025 45 mins

Rory and Mal check in with comedian and actor Frankie Quiñones to talk his new comedy special on Hulu "Damn, That's Crazy", what he thinks of his peers going to Saudi Arabia to perform at the Riyadh Comedy Festival, and if he's worried about ICE showing up to his shows #volume

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Episode Transcript

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Speaker 1 (00:01):
The volume.

Speaker 2 (00:08):
All right, Rory, we are back today. We are joined
by a funny, god funny guest, big fan of his
his first His first special is out now when they're
hearing this right or tomorrow tomorrow tomorrow on Hulu. Damn,
that's crazy, very funny guy from Los Angeles, California. This
might be our first LA guest since DJ Head. Yeah, yeah,

(00:29):
I think so. So it was kind of like a
little bit we broke our rules for this man.

Speaker 3 (00:35):
Rules.

Speaker 2 (00:35):
He wasn't messing with no LA people.

Speaker 4 (00:37):
Very deep the city of Los Angeles right now.

Speaker 2 (00:39):
So yeah, it's totally joking man with funny guy Frankie
key Net.

Speaker 1 (00:44):
How you feeling man, appreciated hang out, Thanks.

Speaker 2 (00:47):
For coming through. I know you're busy looking man. We
don't know if we're going to ever see this guy again.
You know, once these comedians get their first special, they
start acting who looks special? Yeah, so Frankie has a
dope special coming out. How are you feeling about it?

Speaker 1 (01:00):
I feel good?

Speaker 2 (01:00):
Said you was nervous. What are you nervous about?

Speaker 5 (01:02):
Why do you I'm not, I mean more excited than nervous,
hoping that you know it performs.

Speaker 1 (01:06):
Well, We're happy the way it came out.

Speaker 2 (01:08):
Man, your stand up comedians y'all have I mean, we
me and Roy talk about it a lot. It's such
a like a a job that requires a certain level
of just like guts and just like no emotions because
you just don't know what to expect every time you
step out on stage. So what a special coming out

(01:28):
on Hulu? That level of I guess nerves and kind
of like not knowing how it's going to be perceived
has to be on a totally different.

Speaker 5 (01:35):
Level, right right, right, Yeah, I mean, you know, just
laying it down was the most important thing is getting there,
just being proud of it.

Speaker 1 (01:42):
So that's cool. But yeah, you're right, Homan, it's a.

Speaker 5 (01:44):
It's the most probably high pressure thing because it's you,
the mic and the crowd and there's.

Speaker 1 (01:47):
Looking at you like what's up? What do you? Let's go?

Speaker 4 (01:50):
You know?

Speaker 2 (01:51):
So now if you bomb on stage, like how do
what do you pivot to? Like once you feel the
crowd is like they're not fucking with me tonight, like
how do how does Frankie pivot?

Speaker 5 (01:58):
And the se Well, thankfully that'll happen to a little bit.
But on the come up, yeah, you know, it's gonna happen.

Speaker 4 (02:04):
Yeah.

Speaker 5 (02:05):
So yeah, bro, you just try to commit to your
jokes or I try to just go into crowd work
or just you try to just get get yourself out,
you know. But but you know, when you get to
a stage where you get just more comfortable no matter
what happens, you know, you're like, all right, the crowded Bible,
it's all good, you know, chilly, but at the beginning
of it's not going good. You know, you get through
the jokes st yeah, you just get get scary, bro,

(02:28):
But you have to go through that ship.

Speaker 1 (02:29):
You know, through the jurney to get where you're at.

Speaker 4 (02:31):
Yeah, what's the what's the difference between you know, just
going to the comedy store or comedy club versus shooting
a special.

Speaker 5 (02:38):
Uh well, man, you know when you're doing your sets
in town, it's just you know, you're kind of just
working out doing the thing. But uh, but yeah, it's uh,
those places are great. You know, almost paid regular at
the comedy store. That was like a dream come true.

Speaker 4 (02:51):
You know.

Speaker 5 (02:51):
Especially my mom and dad were die hard stand up fans,
so they would go to the comedy store when they
were dating, or to the Hollywood improv. So now they
get to see me at those places. But it's always
an honor to walk through those doors. And yeah, you're
just you're always part of it. There's always showcases, you know,
there's always like six seven comics on the bill, and
when you're working out in those rooms, it's all hitters,
you know. So you're just like amongst the best of
the best, and so you're you kind of elevate your

(03:12):
game to to be able to be on the same
stage as those dudes. You know.

Speaker 1 (03:16):
But but it's cool, man.

Speaker 5 (03:17):
But yeah, recording the special is you know, you got
to have your ship polished up, dialed in and uh,
there's room to play, you know, do a little crowd work,
but you know you're serving them up that she's been
working on for the last whoever how many years.

Speaker 4 (03:27):
Yeah, it is the rumor true that when comedians shoot
a special, they purposely try to put attractive people in
the first three rows and if you're like ugly enough,
they'll actually make you move. Because I've heard a couple of.

Speaker 1 (03:44):
So ugly.

Speaker 5 (03:47):
They do have like casty like audience people you know
that they hire to just kind of I think it's
more to make it feel diverse as possible whatever. But
I'm sure if somebody was ugly as hell, like where,
it's gonna just make the camera man uncomfortable and.

Speaker 2 (04:00):
Like oh yeah, like but that makes great content for
the comedian, know, like you what somebody that's like, look.

Speaker 4 (04:06):
At this ugly exactly like you need tight hour that
you want to do and then you just stop for
fifteen minutes.

Speaker 2 (04:11):
Want to They're having attractive people like in the front
for the special because it's like, you know, it's gonna
be filmed and we're gonna put this on wholo and
things like that. But like as a comedian, you kind
of would want, you know, strange, weird people in the
front because it kind of gives you some type.

Speaker 5 (04:28):
Of material, yeah, to kind of play off of a
little bit. Yeah, yeah, I mean, you know, that's all good.
There's different types of comics obviously, Like there's the ones
that go out and there just looking to the clown
on whoever in the audience. I'm more like performing like
a storyteller voices and stuff like that. Like obviously, if
there's something something that's just calling me out right up front,
you're gonna lean in you.

Speaker 2 (04:47):
Yeah, I gotta how ugly to really, like, what's the
ugly meeting? Like like, oh, no, I have to kill
this person right there, Like this is way too ugly
to be in the front show. Yeah, I don't have
to kill this. I have to get this person.

Speaker 4 (05:02):
Life isn't already hard, right, they just came to laugh
and enjoy themselves.

Speaker 2 (05:09):
I'll probably be extra nice.

Speaker 1 (05:10):
Of that person already going through it, you know, if
they're ugly. Bro, I'm telling you about some level of
ugliness you have.

Speaker 2 (05:16):
You have because I read that you are. You have
some of the funniest skits are following on social media.
Your skits are incredible, that man. But I've read that
you were a big live in Living Color fan. Man
and I talk about I talk about the importance of
Living Color a lot.

Speaker 4 (05:32):
To me.

Speaker 2 (05:32):
It's probably the funniest sketch comedy, uh series of old time.
I know a lot of people like sn L Like
I was never a big SNL guy. I was more
Living Color. How did that growing up help you identify
like that's what I want to do?

Speaker 5 (05:47):
Yeah, bro, I mean you know, back in the day
about me and as a family, we were.

Speaker 1 (05:51):
Watching Living Color, like religiously.

Speaker 5 (05:53):
You know what I mean, that's why I always bring
it up because it's like you said, like I like
that the golden era of es and l you know
when it was when the hitters on there.

Speaker 1 (06:01):
Yeah, I really enjoyed that.

Speaker 5 (06:02):
But there was nothing like a living color man just
you know, just seeing Uh. They were just like no
holds bar just doing whatever.

Speaker 6 (06:08):
You know.

Speaker 5 (06:08):
They had Jim Carrey, you know obviously like Wayne's brothers,
and they weren't afraid to go anywhere with it man.
But you know Jamie Fox. Yeah, they were like Lawanda
on there and all that. I love.

Speaker 2 (06:20):
A lot of the clips are going viral from in Livercolor.

Speaker 4 (06:23):
Now.

Speaker 2 (06:24):
I found the Jim Carry, the Johnny Abdul it was
he was the I think he was any of the
Pakistani singer. I was like, this would never fly. But
I love the fact that those clips go viral and
people see it. Like this was a form of comedy
back then, and it was on national television. It was

(06:44):
on like Fox. I believe it wasn't like this. This
was this was on television, but the world was just
a different place as far as like sensitivity and then
things that you could talk about and make fun of
as a comedian. How do you kind of navigate through
like just the status in the current state of society
on the jokes that you write and the things that

(07:05):
you perform on stages. It's something that you keep in
mind or you're like, fucking I'm leaning into the uncomfortable ship.

Speaker 5 (07:10):
Yeah, yeah, yeah, no, no, I'll go I mean, I've
never gone like too crazy anyway, but there was definitely
a period where the whole like people getting canceled and
and when people start going after comedians, I'm like, come on,
first of all, these are all jokes.

Speaker 1 (07:23):
We're not in here running for political offices.

Speaker 2 (07:26):
Unless it's in Saudi Arabia. That's a little it's a
little different.

Speaker 1 (07:32):
But yeah, yeah, it's just like we're just we're just
joking on me.

Speaker 5 (07:34):
But there was a period where like, fuck man, like
that fool got called out for that, and you're kind
of walking on eggshells, and that's not a good feeling
as a comic. It's like, bro, we got the mic, like,
let us do our thing. So yeah, there was a
there was a time when I was like kind of
I wouldn't.

Speaker 1 (07:47):
Say I was holding back.

Speaker 5 (07:48):
I was just like when i'd be writing that, right,
let me not touch that for right now. But now
it's like I feel like we're gotten to a place
where it's kind of balancing out, you know, like you
know what, fuck this ship man, like we got.

Speaker 2 (07:58):
To Comedy is supposed to be offensive to a degree,
supposed to different genres of comedy.

Speaker 5 (08:04):
I love even shot comedy, dark comedy. You know, it's
funny as funny to me. So they should be able
to touch whatever, even if I don't agree with them. What
the motherfucker saying? If he's being funny, that was funny.
Though I'm not gonna be like, oh my god, do
you believe you know? It's just like, come on, bro, So.

Speaker 2 (08:18):
We just saw a whole list of a list of
comedians go to Saudi Raby and put their hands in
the sand and and do that whole thing.

Speaker 1 (08:27):
Is that something you no?

Speaker 2 (08:29):
You know, I don't know what that is. I don't
know what that thing is that they're doing.

Speaker 1 (08:31):
It know what it was?

Speaker 2 (08:32):
Either check when that check clar, I guess you got
to go over there and you gotta do what would
it take for Frankie to go over there and put
his hands in the sand, Like what's the number? Like
you know what you put me on the spot. I'm
just saying the exact numbers because these are these are
the these are the A listers that are over there.
This is this is Kevin Hard, this is Bill Burr,
like these are the guys. So like, what would it

(08:53):
take for Frankie? Yeah, you know what, I'm going over them,
putting my hands in the scend.

Speaker 1 (08:56):
I mean ship bro'.

Speaker 5 (08:57):
You know they those they got paid, you know, I
know the I know the I think the lowest amount
of comment God for going out there was like three
hundred k or something like that, full expenses.

Speaker 1 (09:06):
Play paid everything for one show.

Speaker 5 (09:09):
And it's like, you know, but there was like Gabriel
Gless is a friend of mine, Fluffy, he went out there.

Speaker 1 (09:15):
I was shooting a film with Thompson Gore.

Speaker 5 (09:16):
Right before he left out there, and it was just like,
you know, they were like, man, I'm paying crazy doing
this thing.

Speaker 1 (09:21):
It wasn't like a.

Speaker 5 (09:22):
Heavy issue as far as like what their you know,
requirements were on what to d theres all right, you know,
so they didn't give you're going to do a clean
set here and there or whatever for for TV or
whatever it is.

Speaker 1 (09:35):
But uh, I don't know.

Speaker 5 (09:36):
I think people made a bigger deal out of it
than it should have been. We look at our country,
only our countries fucked up in all kinds of ways,
and we perform here all the time, like we want
to make a big deal out of that, and then
it's just it's just one show. I don't know. I
think people are just leaning leaning into hard and all
of that ship, the political ship. Oh, we have to
have an opinion about these comedians going up Saudi Arabia. Now,
what do you think? What's your side on it. I
don't know if we're going to get there on tour.

(09:57):
They're doing the show, but.

Speaker 2 (09:59):
It's always in because I guess the cultural differences right
from between America and in that part of the world,
Like so to see how comedians going over there to
content the jokes that they're going to be telling, like,
it's just a different space for how comedians to kind
of go into.

Speaker 5 (10:13):
That's yeah, and I get it. I know there's some
fucked up ship out there.

Speaker 2 (10:16):
Yeah.

Speaker 5 (10:16):
Whatever, the way they you know, the way treated the
journalists that they've worked, I guess it's like.

Speaker 1 (10:22):
Some heavy ship, you know.

Speaker 4 (10:23):
But the guys we paid over there for nine to
eleven exactly.

Speaker 1 (10:26):
Yeah, it's crazy, but at least.

Speaker 5 (10:28):
I think maybe a comedy going out there maybe a
step forward for them, like hey, shit, we need Definitely.

Speaker 4 (10:32):
I mean, even if I have like some disagreements in
working with the Saudist, I feel like if I if
I express that, I'm putting myself in a smaller box
because the ship China damn near owns the NBA. Now,
I was supposed to be mad at somebody that wants
to get drafted to the NBA, because now you're you
have requirements to not say shit about China.

Speaker 2 (10:50):
Right.

Speaker 4 (10:51):
Lebron was the most outsport spoken athlete ever. China got
brought up, he started right back to his book. I'm
cool on talking. So once you have like a full
blown And that's why I think why Bill Berg got
killed so much, because he has been so outspoken towards
like billionaires and.

Speaker 2 (11:06):
I agree with him there.

Speaker 4 (11:07):
But the more you talk, the more you put yourself
in a smaller box and not realize like, yes, I'm
anti Israel, but I still have Verizon. It was one
of the biggest fucking contributors to like, so sometimes I
just shut the fuck up when it comes to that stuff.

Speaker 2 (11:22):
I'd be a hypocrite? What was your what was your uh?
Because you said your your parents were big stand up fans. Yeah, like,
we don't. You don't hear that off the soil you
wanted to be a stand up comedian? Like, how did
you How did that conversation go with your parents? Like
did they let you know you weren't funny since they
were standing up fans? Or did they like say, okay, yeah,
you got something that they encourage you and help you

(11:43):
move into the standard space. Because you don't hear a
lot of parents being stand up comedian fans and then
their children wanting to be stand up comedians and they
support that. So what was that like in your household?

Speaker 1 (11:51):
Yeah?

Speaker 5 (11:52):
I mean you know it was cool. I didn't I
didn't start to I was twenty five. You know, I'm
in my forties now, but you know, them having it
on the house, they they knew that they inspired me to.

Speaker 1 (12:01):
Want to get into it.

Speaker 5 (12:02):
And I was always class clown all that bullshit. But
I got a sprinkler head on my dad's work truck.
I'll do little performances for them, even as a youngster.
But like I said, you know, we watch everybody. Eddie
Murphy Richard pryor George Carl and all these new Paul Adrea.
This first dude looked like me, and Specials were like
a more bigger deal back then, you know, it was
like three HBO Specials. Mom be like cover your ears
on the back, person, and I'm like, he just watching
this shit. So I was like inspired. I was like, damn,

(12:24):
this is incredible. You know, this dude with the mic
just bringing all these ship to life. But uh but yeah,
then it was like I was ha, gonna do stand
up and they were proud and excited. But then you know,
I started, you know, and then I became a starving artist.
I was ten years in sleeping on my boy's couch.
They were just worried, like, yo're thirty five, Yeah, what's up?

Speaker 1 (12:43):
You know, I'm a comedian, you know.

Speaker 5 (12:46):
So they were always supported, but there was definitely a
period where they were like, yo, it was nervous, you know,
And I was, yeah, there's worried about their son and ship.
So I was like but in my heart, I was like,
a man, that's what I'm here for. And thank god,
you know, when I was thirty six is when it
popped for me finally. So now they're just super proud.

Speaker 4 (13:01):
Bro, would they go to your sets before that or
for like years they did, and then once you hit
thirty five, it was like we're not supported.

Speaker 5 (13:08):
Yeah they still were, but they're like, you know, yeah
yeah because it was it was ten years in and
it wasn't you know, but it's just that crying bro.

Speaker 4 (13:16):
You know.

Speaker 1 (13:16):
It's like it's a different path for everybody.

Speaker 5 (13:17):
But people like even when my videos started going viral,
like oh he got lucky, he's overnight success or that
I'd already been doing stand up for ten years, you know.

Speaker 1 (13:24):
Yeah, so so.

Speaker 5 (13:26):
When they finally happened, they were like proud. You know,
they're like, all right, shit, we did it. Motherfucker that.

Speaker 2 (13:30):
Yeah. One of the one of the Mexican communities that
I love that everybody kind of seems to always give
give a lot of shit to is George Lopez?

Speaker 1 (13:38):
Right?

Speaker 2 (13:38):
Is he They get a lot of shit? Yeah, Like
for some reason, George gets shipped on a lot, like
and I don't I don't understand. I love this show
as a kid, I don't understand why people sho on George,
Like what does he mean to you personally? Like what
did he his success and seeing him on television mean
for Frankie.

Speaker 5 (13:53):
Yeah, I mean, he was one of the straight up
He's one of the reasons that started doing stand up.

Speaker 4 (13:58):
You know.

Speaker 1 (13:58):
He came out with a special call Why You Yeah, Bro.

Speaker 5 (14:01):
When I watched that, I was like literally jumping up
and down in my living room like every bit was
exactly how I grew up, nailed every bit and then
when I saw it resonated with other people and other backgrounds,
and I was like, damn, this mother did it, you know.
So it was cool, you know, and he's the homie
now I've been to his cribs and stuff like that,
but yeah, he's you know, he he got caught up

(14:22):
in some shit where he's bad mouth and some people
and then uh, you know, uh young gun coming up
round with Ralth Barbosa, who was hilarious.

Speaker 4 (14:28):
Bro.

Speaker 1 (14:29):
He was just so funny.

Speaker 5 (14:30):
He was on a podcast kind of talking like who
is it? Like he's acting like he's a no name,
like Rob Barbosa is a non name.

Speaker 2 (14:35):
But it helped out.

Speaker 5 (14:36):
Barbosa's like follow me like shoot up, you know so,
and George called him and was like, Yo, man, I
ain't mean nothing, buy it.

Speaker 1 (14:41):
Whoop.

Speaker 5 (14:41):
He won't. But yeah, he's kind of get gets a
bad rap because you've got real political too. You know
that he got really anti Trump and stuff like that.
So you know a lot of there's a lot of
Latinos at her Republicans, you know what I mean, So
like they got that my cheese more like, you know,
that's her guy. So he you know, he got shipped
for that. He kind of just got I caught uphim
something he was, you know whatever. Homie's just always speaking

(15:03):
his mind and doing this thing he.

Speaker 1 (15:04):
Did for me.

Speaker 5 (15:05):
He did it bro already. Yeah, absolutely, he's a legend
no matter what he does. After he did that when
he did.

Speaker 1 (15:10):
You know, so it's like, you know, yeah, he's a legend.

Speaker 2 (15:12):
Now we we just got you know, they just released
the news that Bad Bunny is doing the Super Bowl.
Yeah in the Bay Area.

Speaker 4 (15:19):
He did.

Speaker 2 (15:20):
He did a crazy He did an incredible series of
shows in Puerto Rico this summer.

Speaker 1 (15:27):
Yeah, he did.

Speaker 2 (15:28):
It's like his Vegas residency had people come see him.
But one of his things was he didn't want to
do shows in the US in fear of ice being
at his shows and then detaining some some of his
fans that were there or rest of some of his
fans that were there. Is that something that you think
about at your shows? Do you think about Ice outside
and is that like a barameter like I made it

(15:49):
once Ice starts coming to my shows?

Speaker 4 (15:51):
Is that like, yes, I'm lit now because well you
have to reserve, you have to reserve twenty tickets.

Speaker 2 (15:57):
Ice running Ice agents out around and show that first time. Yeah,
we need Ice agents spread around Frankie Show. Like is
that the parameter? Like, yo, if Ice is at my show,
I'm yeah.

Speaker 4 (16:14):
You know the ac CE celebrities of calling the paparazzi
sometimes imagine a Mexican calling Ice and they're.

Speaker 5 (16:20):
Gonna good VIP all access passage just for Ice, just
for Ice.

Speaker 2 (16:24):
Yeah, because I understand what bad Buddy was saying. I
get it, But like, is that something that you know
because that level of success, like when you're worried about that,
it's like, oh, yeah, I'm a whole another So is
that something you aspire to? Like I need Ice agents
outside of Frankie Show.

Speaker 5 (16:43):
But that is funny, that is some fun up. But
they didn't you hear they said, They're like we're gonna
be at the super Bowl, you know.

Speaker 2 (16:50):
But I mean, we know who's gonna be at the
super Bowl. We know the audience that's predominantly white Americans
that are at the super Bowl. Like there'll be volunteer ice.
It's nothing like, I don't think Bad Bunny has anything
to worry about about that show in the bay and
people being arrested like that. The super Bowl audience, no
matter how big the super Bowl gets. We understand the
halftime shows more diverse now and we love that, but

(17:13):
the actual game in the stands, not much has changed
with the audience at the super Bowl, right, It's still
a predominantly white, white event.

Speaker 5 (17:22):
Yeah, I thought it was dope, but he was on
that fidelity was like if you didn't understand what I
just say, you got four months.

Speaker 2 (17:28):
Much lunch finish.

Speaker 5 (17:29):
Yeah.

Speaker 1 (17:30):
Yeah, I was just like he's dope.

Speaker 5 (17:32):
Man.

Speaker 2 (17:33):
No, Bad Bunny, you know, he's incredible. I mean, I
just I don't know how I feel. I still think
there's a lot of you know, with the super Bowl
and Bad Bunny, particularly be in the next artist performing,
I just feel like they're still leaning into the political
things that are going on for sure, Like it's like
because we had Taylor Swift, you know, we were throwing

(17:53):
around some names of who we thought would do it,
especially after Taylor and Travis got engaged. We all thought
Taylor Swift is definitely doing the super Bowl. Like this
is a whole story. We could see the NFL rolling
this whole thing out of the ushering Kansas City back
to the super Bowl, helping them out a little bit.
But then when bad Bunny got it, it was like
he's an incredible, amazing artist, huge international audience, but it

(18:17):
still feels like there's some political things in the background
attached to it.

Speaker 4 (18:22):
For me, I set up to be honest, you're looking
at it from the wrong lens. They could have done
that purposely.

Speaker 2 (18:27):
Ice to the super Bowl. Okay, I didn't think about it.
It's like, you know the d U I stop zon
what we're.

Speaker 5 (18:34):
Going to do here?

Speaker 1 (18:34):
We gotta flying here, we put guy Bunny in the
super Bowl.

Speaker 4 (18:37):
Yeah, I mean you gotta look back the Bay of Pigs,
like all the conspiracy, like all this shit that what's
what's that fake ship that started Vietnam War? Like you
have to understand they've been plotting the cee IA for
a long time.

Speaker 2 (18:49):
They've been waiting for this for years. They've been waiting
for Bad Bunny, and.

Speaker 4 (18:51):
I feel like it should be a safe haven for
the day of the super Bowl. If you're an illegal immigrant,
have the money in a credit card to get a
super Bowl ticket. Knowing Bad Bunny is gonna be there
with Ice, I feel like you should get a pass.

Speaker 2 (19:03):
Yeah, like that's that's a rat, Like that risk is crazy. Yeah,
just let us, let us enjoy the game, let us
have fun. This is just a Bad Bunny show for us.
But I do love the fact that he is doing
the show. I think it's incredible for his audience and
and to have that whole culture tuning in specifically for
his performance. I think it's incredible.

Speaker 4 (19:24):
As a Mexican American man, you feel seen that a
Puerto Rican is doing a halftime?

Speaker 1 (19:28):
Sure? Yeah, for sure, man, just Latino.

Speaker 3 (19:30):
Yeah, I thought asking him all the teams of the song.
So no, that's not what I was saying.

Speaker 2 (19:42):
I was just saying, as far as having Ice or
in fear of Ice showing.

Speaker 4 (19:45):
Up to my show, we had a I'm sorry, Felipe
what's his last name was Sparsa. Yeah, we had him
on the show and Mad Dude. We just did a
show together on Saturday, Mall had asked him what it
was like coming up doing stand up in Mexico.

Speaker 2 (20:01):
That's not what I said, I don't know. He said
was how was the comedy scene in Africa? I don't
know from La But that doesn't mean that because I
didn't know, you know, if they have a comedy scene

(20:21):
in Mexico. I've never been to Mexico enough to know
if they have a comedy scene like we do in
New York with a bunch.

Speaker 5 (20:28):
Of game out here, but it's coming up though out there, yeah,
the scene, But I don't know, you know, I didn't
grow up there.

Speaker 1 (20:34):
But so you do, what do you work?

Speaker 4 (20:37):
You up? Obviously you are are much different than the
character Creeper, and for those that don't know, you do
hilarious sketch series called sol Fit where Creeper is the
main character, like Licensed Trainer.

Speaker 2 (20:52):
Is there anyone in your family that gets a little
bit offended?

Speaker 4 (20:54):
Because that's it's definitely a character like You're nothing like
that guy, but you have to draw inspiration from somewhere
in your inner circle.

Speaker 2 (21:02):
Is anyone ever like all right, man, Yeah, my pasta
is about me. Yeah, yeah, I got cousins and.

Speaker 1 (21:07):
Then my pops is a main one.

Speaker 5 (21:08):
My dad always had, you know, low rider His best
friend was president of a low rider car club for
over thirty years.

Speaker 1 (21:13):
Baptized me.

Speaker 5 (21:13):
That's my my Nino, you know, my godfather, And uh yeah, man,
when they get together, it's funny.

Speaker 1 (21:18):
They're like old school creepers talking about.

Speaker 5 (21:19):
My dad was always Chuck Tator's, Dicky's creasee white tea
mom comb. You know you got the palm comb with
the three three flowers that slick the hair bag. Ye
used to have a sixty five and pollow with the
little chained theory wheel and uh yeah. But one of
the most positive people I know, man, just wrapping the
steelo though, driving me little ly practicing shit like hey
we you know work card troop people respect right now,

(21:40):
that's what's up, you know. But so my dad is
real positive, but he's not a fitness instructor. But ye,
creeper is just an extension of that, you know what
I'm saying. And just yeah, doing this thing on me.

Speaker 2 (21:49):
What type of music were you listening to? And l
A growing up?

Speaker 5 (21:53):
I don't see My mom and dad are like die
hard old school funk fans, you know, they listen to
everything though. Music was always big in the house. But yeah, yeah, man,
they Uh, my sister's name is Tina Marie. They went
to Rick James's funeral. I talk about it in my spact.

Speaker 2 (22:05):
Wow, that's crazy.

Speaker 1 (22:07):
Yeah, they're like about it, bro, and.

Speaker 5 (22:09):
My my mom says, all my Ricky Rick, My, Ricky Rick,
And then I'm like, we're talking about all Rick James.

Speaker 1 (22:13):
It would go.

Speaker 5 (22:14):
It was the Stone City Band, you know, Rick James
and the Stone City Band, and they were all about it, bro.
So it's mostly all that, you know, just like Rick James,
James Brown was go funk. You know, a lot of
Mariachi saw all that stuff too, but but mostly funk.

Speaker 2 (22:26):
Yeah.

Speaker 4 (22:26):
Yeah. And then I mean when you you being younger,
was I mean, LA rap scene was kind of crazy
at that point.

Speaker 5 (22:33):
Oh yeah, that was when the whole gangster rap thing started.
I was uh in the nineties, broo. It was a
wild time, but uh, crazy time for music too.

Speaker 1 (22:41):
Yeah. Yeah, that's when everything started popping, you know in
n w A. It was in the news all the time.
It was just, yeah, these motherfuckers are crazy. Brother police
were just like that. It was just sick, you know.

Speaker 2 (22:51):
Yeah, like you wanted to scream fuck the police too,
but you kind of had to do it on the logo.

Speaker 4 (22:55):
Yeah. Yeah, but well we were we were just like
bump of that shit though. Yeah, there was I forgot
what comedian was telling a story on a podcast of
when I Guess good Night and Doctor Dre used to
go to the comedy store all the time.

Speaker 2 (23:09):
Yeah, and there was I forgot the fucking comedian was
just clowning on.

Speaker 4 (23:13):
The room was dark, so he was just clowning on
a group of black people in the corner and then
he popped.

Speaker 2 (23:18):
It became a huge comedian.

Speaker 4 (23:20):
And Doctor Dre had told him, like, Yo, you know
that was us you were talking about, And I had
to stop people from killing you that night.

Speaker 1 (23:27):
Oh.

Speaker 2 (23:27):
Like It's like they was waiting out.

Speaker 4 (23:28):
They was waiting outside the comedy store, like for the
second show, just waiting on you outside, damn bro.

Speaker 2 (23:34):
Yeah, I forgot who it was, but yeah, man, that
was That was a wild time. Maul.

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Speaker 4 (25:34):
I mean as far as other ventures, I know you
have the show with Hulu as well. Is that now
like just the hub for everything creative for you? What's
what's it like being with Hulu because they made a change,
they're trying, they're trying to compete with Netflix.

Speaker 1 (25:44):
It feels like, yeah, it comes to the little slate
standard special. So you know I did that. We did
a show with them called This four. We did two
seasons of it.

Speaker 5 (25:52):
It was me and one of my best friends, Chris Strada,
and then Micro Perioli, who you know from The Sopranos.

Speaker 2 (25:57):
It was us three.

Speaker 5 (25:58):
And that was a cool experience, man, because I was
still I was still my acting chops were still growing,
and Michael Prioli was just about it, bro. He was
about running lines of me go out to eat together,
just like giving me notes. It really helped me elevate
my game as an actor, you know, So that was
that was cool to do that we did. We worked
on that show for three years.

Speaker 4 (26:17):
You know.

Speaker 1 (26:17):
It's a good time. It took like four years to
get it going though.

Speaker 5 (26:20):
But then but yeah, and then all of a sudden,
me and Ali Wang, who's a good friend of mine,
we had started loosely talking about her directing or producing
my first one hour special, and she had producer and
directed her first one was the homie Shang Waing who
did one called Sweet and Juicy on Netflix. And then
I started doing some opening sets for her because she
runs a two man show. You do half an hour,

(26:41):
you bring her up. And then we started workshopping. She
started looking at my ship, and then yeah, we started
working on it, bro, and then it was kind of
perfect timing because Hulu was like, Yo, we're gonna do
this slate of stand up specials, and so, you know,
we brought it to Netflix and then brought to Hulu.
Hulu came hard at it, so we went with them,
and it kind of makes sense to it, kind of
maybe have a built in audience there because I already
have a show there. But but yeah, so yeah, then

(27:04):
we taped the two shows in one night up in
Portland at this place called Revolution Hall.

Speaker 2 (27:08):
Gray City is a great city, great yeah Gray sik.

Speaker 5 (27:10):
Everybody, why did you do it in Partland? I'm like, bro,
they're hungry for comedy out there. I've always done well there.
Ticket sales have always been good there. And then so
I was like, I held out for a year and
then taped the special there. Ali Wong directed it and
then we tightened it up and posts and got into
a good spot.

Speaker 1 (27:25):
So yeah, we're pumped on it home.

Speaker 2 (27:26):
Twenty tickets far and TIFA in Portland. It's a little different.

Speaker 4 (27:29):
Little good night, A little different crowd is on that stop.
What's the process like with with pitching specials two different networks.
I hear a lot of comedians always talk about like
hey went to Amazon and went Hulu went to Netflix.
But I've never really heard the process of what that's like.
Are you just walking in with a copy and everyone
just like awkwardly sits there and watches it and they

(27:50):
decide how does that work? Not?

Speaker 1 (27:51):
Usually you go like ahead of time, you at the
bare minimum.

Speaker 5 (27:55):
I think you want like an audio of at least
forty minutes of it, and then you could send that
out two different things. I mean everybody has, you know,
different processes, but it's already hipped you and into you.
Then then you know, it's a little easier that way,
and then some comments just produce it on their own,
you know. I think that probably the cheapest you can
get it done for it probably on a hundred racks
to get like a decent special, but it's gonna usually

(28:16):
cost a little more than that to get it like
real tight. If you want like a five camera set up,
the crane shot, cool shot, that's gonna cost some money,
you know. But then you could produce it yourself and
then you go try to sell it after that. It's
another angle. But yeah, Hulu is already you know, they
already been working with him for a while. So and
then you know, once Ali Wong was attached, like you know,
she she doesn't fuck around and she's about her business home,

(28:36):
so she she Uh, it was kind of like, you know,
a little easier to sell. They had forty five minutes
of audio that they're listening to, and then they came
and saw a live set of mind did and they
were like.

Speaker 1 (28:46):
All right, cool, let's do it.

Speaker 2 (28:47):
That would be awkward if they went to the live
one and then we're like, let's.

Speaker 4 (28:51):
Let reconsider it well, or they're the ugly person that
got kicked back, yeah, the president. Because in the in
the music business, we have this thing called playbacks, which
are the most awkward thing in the world where, whether

(29:11):
it be like Apple, Spotify, Amazon, a bunch of people
that you've never met before, you all get on zoom
and then you play your music for just a wall
of strangers that have different Internet connection and speakers and
everyone's head is beating at a different beat, and then
you just stop and they go. Some people have their
MIC's on, some don't like that's cool. And then you're like,

(29:33):
all right, well this is the next one, and then
you hit play. Okay, here we go the next one. Yeah,
the most awkward things. I wasn't sure if it was
like comedians like would have to walk into an office
and they're like give us five minutes.

Speaker 1 (29:46):
Ah fuck yeah yeah bro, because yeah yeah.

Speaker 4 (29:50):
The whole creative to business pitching thing, to me is
one of the hardest.

Speaker 5 (29:54):
Whole other skill you gotta get yet is going into
a pitch meeting and being like, all right, you know
you got to have your whatever showed, a little tight
set polished up to try to sell your shit.

Speaker 4 (30:04):
Yeah, dude, Michael app here, only give you any like
Sopranos stories or anything.

Speaker 7 (30:10):
Yeah.

Speaker 2 (30:10):
When he was on the set, what was some of
the funniest stuff he talked about?

Speaker 1 (30:12):
Oh?

Speaker 5 (30:13):
Man, I mean he probably won't mind me saying too much,
but you know, I can't can't say hear it, dud.

Speaker 2 (30:17):
But it was like he's a podcast and it was fine,
just so yeah, I know, all right, yeah, but.

Speaker 5 (30:21):
Uh yeah, I would think I'll say it was just like, man,
all those ward shows everything, I don't remember none of it.
They were just like they were living that life, bro,
just parting it up being it was cool for me
to hear those stories or they just be up all night,
all of them going back to the set those sleep
in the makeup department, be like, all right, they've been
out again. We gotta work our magic and you know,
da da dah. But but yeah, it was uh, I

(30:41):
don't know, man. He was like, yeah, just it happened
so fast, and it was crazy because it was over
ten years they were working on it.

Speaker 4 (30:47):
You know.

Speaker 5 (30:47):
He's like, but he's like, I just I learned so much.
And then hearing how he even got the role after
the audition, he was like, I didn't think I got it,
and he went well, at all right, it was like
all right, if I've moved to the next thing whatever,
And then all of a sudden, a couple of days later,
he gets a call.

Speaker 4 (30:59):
They're like you and he's like legendary iconic characters and
TV history and then you just started.

Speaker 1 (31:05):
He's all, yeah, then I just got dialed in.

Speaker 5 (31:07):
He's like, but yeah, he learned a lot from the
OG's on there, and then it was just like he's like, man,
it was He's I can't believe it was over a
decade working on showing it went back like that. He
was like, yeah, it was kind of blurry though too,
because those motherfuckers are were getting after it.

Speaker 2 (31:18):
Yeah, show. Yeah, they were winning every award anyway, so
need to remember that.

Speaker 1 (31:23):
Everybody keep it going.

Speaker 2 (31:24):
Which part of which part of entertainment do you enjoy more?
Do you enjoy doing your sketch like series on or
do you enjoy like the stand up part of it?

Speaker 1 (31:35):
Yeah? Well, you know, stand up's my first love.

Speaker 5 (31:37):
You know, there's something it's like you we were talking about,
you know, the high pressure Thingcause I got homies that
are DJs and band ship like that. They have a
little something, not like I don't want to say hide behind,
but they have something else they could director ship to
with you and even the micas you get that immedia
feedback to media. It's kind of dope to be able
to especially get hired in your career and you get
to be a regular at these clubs. You could be
working on something that day, Like, man, it's just shit funny.

(31:58):
It's exciting to go and see if it works in
front of the paid audience, you know, and then just
I like that roller coaster of it and just like
you know, you know what's gonna happen. The Star's gonna
line the night or not. I don't know, man, Let's
just give it our best shot and do it. But
but yeah, then through that, through acting though, I fell
in love with acting too. Man, I just fucking I
love that ship.

Speaker 4 (32:16):
You know.

Speaker 5 (32:16):
It's it's long days and early mornings, but it's it's dope, man.
I just I just love figuring out the facial expressions
of timing you know what I'm saying, and just there's
so many moving parts.

Speaker 1 (32:27):
It looks easier than it is.

Speaker 2 (32:29):
You know, if you have if you have a joke
that bombs, do you completely get rid of it or
do you try it in different rooms? Like is that
something that you do? Yeah?

Speaker 5 (32:38):
Well if I if I believe in it, I'll give
it another shot. But like you know, it's also funny
just to be on stage, be live. I was a
new and that shit didn't work people, you know, it didn't,
you know, just but like you know, it's like because sometimes, man,
you're right, I'll write some ship, bro, and I'll be
like that, this ship is fucking funny. I'm laughing out

(32:58):
loud to myself. Then I'll go and it's just crickets
like that. It's not how I pictured it, you know,
But but usually that's few and far between. That as
the years go on, you know, you get better at knowing, like, Okay,
this is Frankie.

Speaker 2 (33:10):
I don't ball stories.

Speaker 1 (33:14):
Yeah I've seen I've seen the best of the best
bomb before.

Speaker 2 (33:17):
So who's your who is your your one comedian idol
or comic idol that you haven't met.

Speaker 5 (33:24):
Yet that I haven't met Eddie Murphy. Yeah, I've been
in the same billy with him, but I never to
shake his hand and say what's up. But yeah, I've
been fortunate enough. I've met a lot of them, most
of them. But yeah, I know, Eddie's really not in
the circuit anymore. So yeah, you don't see him out
there like that, but god, damn bro raw and delirious,
just like he was just on fire, just on fire.

Speaker 1 (33:45):
It's just another level. You never see anything like it,
you know.

Speaker 2 (33:48):
And the one thing about that, people you know, really
don't realize about when Eddie did that was how young
he was. Nineteen. I think that, yeah, first one, Yeah,
that's yeah, that's insane when you think about crazy bro
just like like that young to have still that iconic
of a stand up that every comedian after always points to,

(34:09):
Like that was like yeah, and he was, like he said,
nineteen that doesn't make any sense, Like how did you
do that?

Speaker 1 (34:16):
Yeah, that's what I'm saying, because he was out there
for a low while.

Speaker 5 (34:18):
He got back on the cigaret for a little bit
and he was gonna be People are saying he's working
on another special and then he just stopped, and I'm like,
I understand why.

Speaker 1 (34:25):
You know, it's like he's probably like, man, I already
did that.

Speaker 2 (34:27):
Like she wants you get to get into that Hollywood money.

Speaker 5 (34:30):
Man, it's crazy money. But like, yeah, Chapo met a
handful of times. He's always been really down to earth
and cool to me, man, and he just a master
of his craft. You know, he just keeps He's never
going to stop. He's gonna do it till the wills
fall off.

Speaker 2 (34:42):
You know, if you stand outside long enough, you'll see
Chris Rock today.

Speaker 1 (34:44):
Like he's he just just.

Speaker 2 (34:46):
Walks around, just walks around.

Speaker 4 (34:50):
Yeah.

Speaker 1 (34:51):
I mean he's actually really good friends with the Ali one.
So yeah, another cool dude. Man. It's motivating to me.
Dudes like that and they're just like cool.

Speaker 2 (35:00):
You know, just regular, not all that.

Speaker 1 (35:03):
I don't know you what's up man?

Speaker 4 (35:05):
Not a negative way, but what what was the first
comedian that you met that maybe you had a preconceived
notion about that was drastically different or wrong, like you
thought he thought he was going to be somebody that
and he ends.

Speaker 2 (35:15):
Up being like a really good person.

Speaker 1 (35:17):
Oh man, I would say Bill Burr is one of them.

Speaker 2 (35:20):
Joey Diaz.

Speaker 1 (35:21):
I don't know if you know. Joey is.

Speaker 2 (35:25):
Cox sunk Away, Jersey, York.

Speaker 4 (35:30):
You want something Jersey, it's not an asshole, that's a
that's a kind man from New Jersey.

Speaker 2 (35:36):
That's what that is.

Speaker 4 (35:37):
Absolutely Yeah, Bill Burr's just just just an angry guy
from Austin who are nice people as well, it's just
their their overall personality. Who wrote the scene where you
gave exhibit A corn dog maker?

Speaker 5 (35:49):
Oh yeah, yeah, yeah, being a being a couple of
friends of Beyaomi, Rob Bartman, Kevin commya my Filipino homie Tom.

Speaker 1 (36:00):
We had the right script way back when, but yeah,
mostly mostly wrote it.

Speaker 4 (36:04):
What drew that inspiration. But you know what I'm gonna
give exhibit A corn doge.

Speaker 2 (36:09):
You know what jod to pin my rod Da Dad
had to come from pim My Ride.

Speaker 4 (36:12):
Like that idea of just giving people useless things to
put in their their.

Speaker 2 (36:16):
House there never gonna It was funny too.

Speaker 5 (36:20):
We shot that sketch we were the hood actually, and
I was like, fuck, we're probably cool coming here. I
thinking he's gonna come with you know, his entoroager come
low pro it's full showed up solo and this Ferrari
and ship.

Speaker 2 (36:31):
Ship solo.

Speaker 4 (36:34):
People.

Speaker 2 (36:34):
He was trying to be seen at all. When he
shows up at.

Speaker 1 (36:36):
Ferrari, We're like, hey, we put this in the videos,
Like yeah, it's all good, you know.

Speaker 4 (36:43):
So we have this segment on our podcast where we
do voicemails where our listeners will just call in whether
they have a story, they want advice, I want to
say some nonsense.

Speaker 2 (36:53):
It's it.

Speaker 4 (36:53):
It goes off the rails a lot because our listeners
are more psychotic than us, which is weird. But Josh,
do we have do we have one today? I think
it'd be fun to add it in with right here.

Speaker 1 (37:04):
Okay, my name is seven. I live in Philly.

Speaker 7 (37:08):
I'm writing in about a situation that happened over this
past weekend. I took a group trip to Vegas with
my closest friend, my closest guy friend, my closest girlfriend,
and then my guy friend brought one of his friends
who I had never met before. Me and this friend

(37:29):
ended up like hitting it off, being literally booed up
the whole weekend, like.

Speaker 2 (37:36):
In the club, cuffed, like.

Speaker 6 (37:42):
At brunch, cuffed at the day party, cuff, like you know,
spending the night together, and uh we got we had
an airbnb but like staying in each other's rooms.

Speaker 7 (37:55):
It was two days and this was my first time
happening like a vacation boom.

Speaker 2 (38:02):
But I like him for real.

Speaker 7 (38:05):
I don't know.

Speaker 2 (38:06):
I felt like he liked me.

Speaker 7 (38:08):
But is this something that just needed to stay on
vacation or I guess, Like I don't know. Now that
we're back from vacation, I'm writing this message on Friday.
We left each other this past Monday, and we really
haven't talked except on social media. Like should I just
assume that it should have been left on vacation.

Speaker 5 (38:30):
I don't know.

Speaker 2 (38:33):
Yeah, seven, why she left out the most support, did y'all?

Speaker 1 (38:36):
Fuck? Yeah? Well, you know they did.

Speaker 4 (38:39):
Within the first probably few hours if a weekend trip,
you're already at the club, day party, brunch. She gave
the whole itinerary the role like you have to fuck
with the first few hours to get to the rest
of that itinerary where you're holding somebody's hand, right, and
it was just the Vegas weekend trip, right.

Speaker 2 (38:56):
Yeah, So she's trying to figure out if it's just
to leave it that where it was on.

Speaker 4 (39:04):
She's doing that thing that a lot of us do.
We asked for advice of the answer we already know. Yeah,
like it's Friday, you.

Speaker 1 (39:10):
Know, she's in denial. Yeah, homie probably got a lady
back and wherever they're from.

Speaker 4 (39:16):
Yeah, that was gonna be the other thing I was
gonna say, Like, it may not that he doesn't like you.
He may just have a wife and kids.

Speaker 2 (39:23):
Got a family to go back to his. But we
had a great time. We had a great time, and
you know the slogan, what happens in Vegas stays in Vegas.
So that that whole thing, we're gonna leave that there.
But I understand why she's like damn, because she she
sounds like she likes him, Like damn, I thought he
was school. We really had a good time.

Speaker 4 (39:41):
Like is that it?

Speaker 2 (39:42):
And like you said, she knows the answer, she knows
that's it. She knows it's not.

Speaker 5 (39:45):
It was probably the brunch holding hands at brunch. That's
a big like, that's a commitment.

Speaker 2 (39:50):
We're a little bit like we're in public holding hands yeah,
I mean yeah, now we're back home. We don't speak
at all.

Speaker 4 (39:57):
Hold holding hands next to eggs is saying something like
if you're a little drunk at the day party pool
party ship, like all right, cool, whatever. But if you're
so like you haven't even had him momosa yet and
we're eating like fruit, now that's that's that's your boyfriend
for the day. But I've been in this situation with uh.

Speaker 2 (40:15):
I was about to say, I kind of had a
similar situation like that. I've been on both sides of
this before.

Speaker 4 (40:20):
I didn't realize how problematic it could be until I
was on the other side of it when a friend
of ours started fucking around with one of my friends,
and then I ended up in the middle of the
entire thing because he had a girl, which I even
said it from the rip, do what you want. I
won't judge you, but you're my friend. I'd be I'd
be a bad friend if I didn't tell you what
the situation was. And she went and was like, I

(40:44):
find fucking I'll do it, and it backfired and then
I got, I got yelled at, yeah, the fuck and
then he hit me like yo, she good, She's not
gonna say nothing right, I'm like, leave me the fuck
your girl called me, I've never met you before. Like that.

Speaker 2 (40:59):
Shit gets messy, but it's fucked up because again, you know,
if you meet somebody on vacation and y'all have a
good time and you know, y'all hit it off, it's like,
I can't understand why. Now she's kind of like confused
because it was like, damn, that energy was so we
really had a good time, a good few days with you.

Speaker 4 (41:14):
But vacation is escaping from reality. You can just go
be something else for a few days just to get away.
And yeah that that also requires full blown relationships for
forty eight hours.

Speaker 2 (41:25):
Yeah, surety, it might be a wrap, full blow relation.

Speaker 4 (41:28):
There's nothing like there's nothing more fun than like the
three month talking to but you really like that person,
like full blown. We right into it right away, last
or three months, and then it breaks off. That time's
one hundred with the two day relationships. Oh they're beautiful.

Speaker 1 (41:42):
He's probably like, yeah, you're cool man. We had a
good time.

Speaker 5 (41:44):
Yeah, but that was it.

Speaker 1 (41:46):
She's definitely got another lady. Yeah, he's.

Speaker 2 (41:51):
You know, he's only hit her on Instagram. That's the
sick part. Your life is so crazy. He just gotta
he gotta.

Speaker 4 (41:59):
Give her some closure and just say if this was
in a different lifetime, right right, Nah, you can't say
that maybe in a different lifetime.

Speaker 2 (42:07):
Lifetime is fucking crazy. If the situation wasn't what it
was for a lifetime. Man can't tell somebody in a
different a different lifetime we would have been something like
I wish I wish we.

Speaker 1 (42:18):
Would have met.

Speaker 2 (42:21):
Had a girl texting you on a different lifetime. You know,
we could have been. We would have been alight together, like,
oh shit, O after we just had probably some great sex.
We had a great time.

Speaker 4 (42:29):
My mind is so warped. That make me like her more. Well,
it's a bitch, is poetic. I have to change the
lifetime now. But nah, you've definitely had a chick with Dan.
Whish we would have met five years earlier.

Speaker 2 (42:44):
I mean, timing is important. I don't know if I
said exactly know if we would have met, But you know,
if I have a situation going on and I meet
somebody and we hit it off, we have a good time.
It's definitely a conversation off. Damn, Like, but I can't
leave mine. I'm not leaving my girl all right time.

Speaker 5 (43:00):
I mean I've had dates or nights like the weekends
like that were like, man, this is but I always
feel like there's an understanding on both sides, like we
know what this is.

Speaker 1 (43:08):
This is just for enjoy this.

Speaker 5 (43:10):
Yeah, we haven't fun, but I've been on the other
side too. I was like, oh shit, you start liking
the girl, so yeah, yeah, they don't hit me back.

Speaker 4 (43:17):
That's cool though, as a chick ever told you like,
all right, if my relationship doesn't work out, like I'll
let you know, or if it's not, I don't tell
me when no, no, no no, because when girl said that,
you know, when a girl said that to me, I'm like,
all right, we might as well fun now because you
just cheated. If your man, if you read a text
message where your girl told another guy, if my relationship

(43:37):
doesn't work out, oh.

Speaker 2 (43:38):
Yeah, yeah, yeah, that's it's not working out.

Speaker 4 (43:41):
Go ahead, Like you might as well fuck somebody if
you say that to them, because that that's an insane thing.

Speaker 2 (43:49):
That's like you're just hoping that's putting the pussy on
hold like on ice, Like that's like a sexual prenup
to your relationship. Absolutely, this doesn't work out, but yes,
and that ain't it. Yeah, seven, it's over. Just let
that man be with his family. You had, you had
a great time in Vegas.

Speaker 4 (44:08):
But yeah, we've all been there, and seven, I'd like
to follow up. I'd like to know what you asked
your friend that introduced you. Oh yeah, because you know
she has been harassing him for the whole week with
you now.

Speaker 2 (44:23):
Replying not replying, I don't know. Yeah, I got to
deal with that. He's had a fucking between he's at
a parent teacher conference. I don't fucking know.

Speaker 4 (44:32):
But anyways, this was great, man, Thank thank you so
much for stopping by. The special is available right now
in Hulu. Damn, that's crazy, which I feel like you
may owe mall some royalties on because Maul did invent
the phrase.

Speaker 2 (44:44):
That's crazy that.

Speaker 4 (44:44):
It's been his trademark for ten years. But you know,
I'm happy you guys could collab on something. But where
can they find you anything else that you want to plug?
You know, we really really appreciate you. I appreciate you
all having me man for real, man, it's cool be here. Yeah,
but uh damn, that's crazy on Hulu, October tenth, directed
by the Homegirl Ali Wong.

Speaker 1 (45:04):
And then if you check out a Creeper's crib Life from.

Speaker 5 (45:06):
My Grandpa's garage just on YouTube right now, and so yeah,
little creeper got his own little thing going.

Speaker 1 (45:12):
But yeah, that's about it.

Speaker 5 (45:13):
And then Frankie dot com for any upcoming dates in
your city hopefully.

Speaker 1 (45:17):
Thank you all for having me.

Speaker 2 (45:18):
Man, damn, that's crazy on Hulu, October tenth. Frankiekes We
thank you, brother. We appreciate you for coming through.

Speaker 1 (45:25):
I appreciate your time.

Speaker 2 (45:26):
I'm that nigga. He's just juging. That's frankiekes

Speaker 4 (45:32):
Wi
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