Checking In With Lola Brooke

Rory & Mal check in with Lola Brooke and talk to difference between "ratchet" and "ghetto", rank the men from each New York City borough, and promote her new EP "iight bet" #volume

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Episode Transcript

Speaker 1 (00:01):
The volume.

Speaker 2 (00:07):
All right, So before we was we thought we were rolling,
but we weren't. So now that we are rolling open,
I want to know we were arguing at the No,
we weren't arguing, but I made an argument. I know
I made a statement. I was saying, you know something
about I don't think Lola. I look at that she's
not one of the ghetto female sees.

Speaker 3 (00:27):
You came up with it.

Speaker 4 (00:28):
Yeah, you're one of the I think she's one of
the good ones.

Speaker 2 (00:31):
Carucci. Carucci said that she channeled you for her role
on on on a Lifetime show. So I was saying, okay,
I got to see it, because if she's acting ghetto,
then what is she trying to say about Lola?

Speaker 3 (00:43):
And what I said.

Speaker 2 (00:45):
You said, so you think do I think that you're ghetto?
And I said no, I don't. I said, I don't
think you're ghetto.

Speaker 4 (00:50):
She was like, think that that's what she would channel.

Speaker 2 (00:53):
I didn't think it was. I said, if that's what
I said, if he's acting channel so then Lola says,
you're not You said you're not ghetto, you're ratchet.

Speaker 3 (01:01):
No, I said, I'm not ratchet, You're not ratchet.

Speaker 2 (01:03):
Okay, So what's the difference between ratchet and ghetto.

Speaker 3 (01:05):
Ratchet is just it's over the top. Is just tasteless.

Speaker 1 (01:10):
Ratchet is tasteless, okay, Ghetto is I'm from the hood
house spoken. Yeah, it's like I'm very much outspoken, and
I might say something that translate into being aggressive, but
I don't mean no harm. I'm just from the trenches.
So my environment may make me come off a little

(01:34):
bold when you.

Speaker 2 (01:35):
Say you're from the trenches, like when Raper City from
the bottom. I like to tell to your parents and
see what.

Speaker 1 (01:39):
They from the trenches what you mean because I come
from the shelter. I'm from the trenches, live in the shelter. Yeah, okay,
so that's the trenches. Yeah, I come from the gym
when you gotta share a shower with the whole floor.

Speaker 2 (01:52):
Yeah, that's what I'm.

Speaker 4 (01:53):
From the trenches, which I'm sure they turn into like
a luxury condominium in Bedstar.

Speaker 3 (02:01):
To go to the my mom's had us in the show.

Speaker 1 (02:04):
We have to go to the Bronx too, Like my
moms had to take the train from Brooklyn to the
Bronx and come back almost every single day.

Speaker 3 (02:11):
So you were born in Brooklyn, Yeah, and raids. Okay,
you but for how to get an apartment.

Speaker 1 (02:18):
She was in the shelter, and you know most of
the shelters, they it's a lot of them in the.

Speaker 2 (02:23):
Yeah, for sure, I wanted to live as a shelter
not too far from Yankee Stadium.

Speaker 1 (02:27):
That's exactly. Yeah, that's what I think. It was something cool.
What she told me was it's some stadium. It's something.

Speaker 2 (02:33):
Yeah it is.

Speaker 3 (02:33):
So it's funny because family shelter.

Speaker 2 (02:35):
So years ago. They used to have like the big
baseball on the on the front. So as a kid,
I didn't know it was a shelter. So every time
I used to drive past that bill nice to my mom.
I want to live there.

Speaker 3 (02:49):
As a kid.

Speaker 2 (02:49):
You see a big baseball on the building, you like,
it looks like they're having fun in there, like you know,
you see a baseball, like they're playing baseball in there.
But so close to Yankee Stadium.

Speaker 3 (02:58):
I didn't know.

Speaker 1 (02:58):
I was a baby when I was in the You
know what I'm saying. I guess that's why Jack the
Bronx too, So.

Speaker 2 (03:04):
You're fucking with the Bronx. I like Lolo with the Bronx.

Speaker 4 (03:08):
I do think it's funny in like the next fifteen years,
the kids that are going to be screaming from no
Strom though, like it's.

Speaker 2 (03:14):
A whole new wave.

Speaker 3 (03:15):
It's gonna be.

Speaker 2 (03:15):
It's a whole new wave coming in. We are joined
today by rapper Brooklyn Night lower up brook. Yes, Lola
walked ahead with her leather on, channeling Aliyah with the
band Joe.

Speaker 4 (03:31):
Yeah, right there, But that's what the You know, the
Kardashians gonna jack as the ghetto ship probably by next week.

Speaker 2 (03:38):
The same they look at they.

Speaker 1 (03:40):
Call that ghetto. Lifetime would call that ghetto. No there
they were jack that ghetto and ghetto fabulous, right.

Speaker 2 (03:47):
You see the bedazzle, Yeah, the bedazzle makes it fabulous.
But if that was just like no bedazzle, Yeah, yes.

Speaker 4 (03:57):
I don't know some of these young kids. I think
they made like but dazzle their crip bandanas. At this point,
it's a whole new scary generation.

Speaker 2 (04:04):
Yeah.

Speaker 4 (04:04):
I don't think that's taken away from anything gang related.

Speaker 2 (04:07):
You played your new song for us paying album out
this Friday. What's the name of the album?

Speaker 4 (04:13):
I bet, I bet what inspired? Who is the person
that says something to you that then you had to
reply with I bet, and you said, you know what?

Speaker 3 (04:22):
Everything I say it so much?

Speaker 1 (04:25):
Okay, it's to the point where my team is calling
me to get things done and.

Speaker 3 (04:31):
I be irritated.

Speaker 1 (04:32):
It's a lot, and I'm like, I bet, like I bet,
I got it, I got it, I got it. I
always be like I got it, so they'd be like,
you said that you got it.

Speaker 3 (04:41):
I bet? I bet? I mean I bet.

Speaker 2 (04:44):
It's like your last is that the last level of like,
don't ask me again? Because if it's like I got
it and they keep asking, like I bet, what's after
I bet? Is it a fight?

Speaker 1 (04:54):
But it's not just that I bet could mean a
lot of things. It's like it's like I bet, I'm
on that.

Speaker 4 (05:00):
It's the tone because I feel like you good.

Speaker 3 (05:03):
Yes. The tone can depend on what's.

Speaker 4 (05:05):
Gonna happen after you good?

Speaker 3 (05:08):
Yes?

Speaker 4 (05:10):
Can you give us the five different tones of I bet,
and we could guess what happens after that?

Speaker 3 (05:15):
I bet?

Speaker 1 (05:16):
See that's now as channeling my New York lingo and
off the top of my dome.

Speaker 3 (05:21):
I don't know.

Speaker 4 (05:22):
I don't like.

Speaker 3 (05:24):
You. MA called you ghetto. I bet, I rock with you.

Speaker 4 (05:32):
I guess that's like you say one more thing and
then it's like a bet.

Speaker 1 (05:35):
Now I'd be like, now if you'd be like, it's
gonna site my see why, I bet.

Speaker 2 (05:39):
That's different, different tone. I'm expecting physical confrontation.

Speaker 3 (05:43):
Yes.

Speaker 2 (05:44):
So now if you say you see the guy you're
dating and he's he's liking too many pictures of a
girl that you kind of know he likes, Like, what
level I bet.

Speaker 1 (05:55):
Is that, I bet don't come back home to what
we're doing. I bet, yeah, it's not the I bet
that scares me.

Speaker 4 (06:09):
It's oh, this is what we're doing because to me,
her get back is going to be way worse than
anything that I just did.

Speaker 3 (06:16):
We're liking photos somebody else.

Speaker 2 (06:18):
Yeah, but I don't like that because see that, I
bet is like now I'm about to do some bullshit
that you thought I was doing before, but now I'm
about to do now the bullshit.

Speaker 4 (06:27):
Every accusation you put on me. I bet we don't
do that now, you see. I don't like that.

Speaker 5 (06:31):
I bet with the herd you it's heard you heard you, yeah,
but heard you get you choked though, Yo, I'm just
saying I've seen it.

Speaker 2 (06:41):
I'm not going to.

Speaker 3 (06:42):
Of course not it's cool, but it is what it is. No,
what we do is what we're doing. We can't have y'all.

Speaker 4 (06:53):
Jacket the problem I bet from the liking pictures of
how you get the record pain, it.

Speaker 3 (06:59):
Might opinion get there. It's like, yeah, I bet, no
more pain. Did that?

Speaker 4 (07:03):
Did that bullet have a name? Or that was just
overall experiences from I bet? Or pain pain pain?

Speaker 1 (07:11):
Yeah?

Speaker 4 (07:11):
I think you said I bet and then you wrote pain.

Speaker 3 (07:13):
Pain is. It could mean multiple things.

Speaker 1 (07:16):
It could be relationships, or it could be you saying
no more drama, like you know, moving forward, you know
what I'm saying. So everybody got to go through it,
get through it to understand it, and that's what pain is.

Speaker 3 (07:29):
It's like, I'm not I'm not scared to go through
a little You could pinch me, I'm gonna pinch you back.

Speaker 2 (07:36):
Yeah, but your pinch is a little different though I
pitched a little different. Yeah, whenever women decided to pinch back,
it's it's just different.

Speaker 1 (07:43):
But see, I'm not a maker. I don't I'm not spiteful,
Like I don't do spiteful things. Like my pinch is different.
I'm just like I'm not gonna I don't get back
my get back is moving on?

Speaker 4 (07:55):
I feel like people say that I don't know if.

Speaker 1 (07:57):
I believe it, though, No, I'm living proof that you said,
prof I move the fu.

Speaker 4 (08:06):
There's nobody in your past that could say that they
did something foul and then you you double down with
that energy.

Speaker 1 (08:12):
They would be like yo, and if and if I
don't like one hundred percent move on, I'm not the
same person. Like you know, it's like, all right, cool
because I forgive, I forgive.

Speaker 2 (08:23):
But the relationship will never be the same.

Speaker 3 (08:25):
It won't be the same.

Speaker 4 (08:26):
I mean, men, our ego is so weird that like,
if I had a girl write a record like pain
about me, I would be like, she still like me?

Speaker 2 (08:34):
Oh yeah, of course.

Speaker 4 (08:35):
That's why I think things get fucked up with women
writers that write amazing records about men, because we take
it as, oh, she's still thinking about it.

Speaker 3 (08:42):
See that's the thing.

Speaker 1 (08:43):
Y'all feel like women are so emotional that everything is
about y'all. Yeah, Like, no, I just know how to
go back into tom and relive that emotion to make
music because I'm an artist.

Speaker 3 (08:56):
But I'm not in that moment no more.

Speaker 2 (08:59):
Like, at what point did you realize that you wanted
to like make music and start rapping. Like, how old
were you?

Speaker 3 (09:07):
Seven? Eight?

Speaker 2 (09:08):
Really? What's your first your earliest memories of hip hop?

Speaker 3 (09:14):
Fifty music video?

Speaker 2 (09:20):
Damn, I'm old.

Speaker 4 (09:21):
I mean I was. I was eleven ten. When did
that come out? Oh one, I was eleven. Now my
actually was before that. I mean you know, yeah, you're
you're gonna a little.

Speaker 2 (09:32):
When they start saying wangster. That's like I told you
one time I was listening to the Radar. There is like, yo,
you're about to play a throwback, and then they played Biggie.
I was like, well, yeah, this was a thrower.

Speaker 3 (09:40):
That's year.

Speaker 2 (09:42):
I mean, yeah, this is thirty years ago.

Speaker 1 (09:43):
I was like, damn, but what would that be for
me though? Because your throwbacks?

Speaker 3 (09:49):
Yeah oh yeah you was seven years old.

Speaker 1 (09:52):
No to what I'm saying, what I call a biggie record,
it's not a like what would that be for me?

Speaker 2 (09:56):
Oh? That's like that's that's like when they invented five.
It's like, yeah, yeah, that's that's what they invented. The
will for you ninety four. Yeah, that's like yeah.

Speaker 4 (10:05):
I mean, I know, we keep going back to pain,
but how did like the Mary influence? Because yeah, if
you were seven years old and oh two, like Mary
was something you had to go back to, back to.

Speaker 3 (10:16):
Not true. I was in elementary school.

Speaker 1 (10:18):
My mom's was playing new Mary, Mary been putting it drama.

Speaker 4 (10:22):
Was probably when he was in middle school, right, I'm
not too sure. I would guess around that time.

Speaker 3 (10:29):
Yeah, how old are you, Lolo? Thirty one? Okay, so
yeah middle school? Probably around fifth grade?

Speaker 4 (10:35):
Okay, so itxth grade. So with with the Mary sample,
was that something you had already set up and then
reached out to Mary to get that cleared or.

Speaker 1 (10:44):
Well, the sample was the sample and a production. The
beat was already made. It was brought to me, like
do you rock with it? Derek Malano brought it to
me and I was like, love, Derek, I could rock
with it, and I did it. But it's like Mary
is a staple in a black household. So my mom's
cooking to it, cleaning the Merry records, taking me school

(11:07):
with Mary records, playing in the car. So Mary is
part of our life, you know what I'm saying, Like
that's how my moms get through her pain, and it rubbed.

Speaker 3 (11:17):
Off on me.

Speaker 4 (11:19):
How's everything?

Speaker 3 (11:20):
Sense?

Speaker 4 (11:21):
Don't play with it? Just navigating off the success of that,
because sometimes there's like a catch twenty two when you
when you catch up a big about twenty one came
twenty twenty one, and yeah, that's a blessing and the
record is timeless, an incredible and a staple in New York.
But did that kind of put our identity on you
in some way to make it a little difficult to

(11:42):
move outside of that record.

Speaker 2 (11:46):
As far as the sound.

Speaker 4 (11:48):
Yeah, you compare records are successful than what your brand
was at the time, So it makes it tough to
not be looked at as just that one song.

Speaker 3 (11:58):
See what, don't play with it?

Speaker 1 (11:59):
Don't play with it was me one hundred percent, Like
I made that song off my energy, So don't play
with it is my brand and to move on from it.
I can't move on from don't play with It until
I stamp it. Yeah, and now I'm finally stamping that
girl today And it's been what the past two years?

Speaker 2 (12:23):
Yeah?

Speaker 4 (12:23):
So what happened in that two years that you feel
like now you're finally stamping it?

Speaker 3 (12:28):
Yo.

Speaker 1 (12:28):
Being in this business, the music business, you will lose yourself.
Like real talk, you will. They don't talk about that.
You lose yourself. You start overthinking. You don't know what
to do when it's right in front of your face.
It's you, it's who you are, and that's it. So
I didn't channel it. I started overthinking. I started doubting
myself because it took me so long to get here

(12:51):
that I still was in disbelief that.

Speaker 4 (12:53):
I made it. What was the moment though that changed that.
What was the moment in that two years that you
finally realized that though this isn't that long, by the way,
it takes some artists ten years to realize.

Speaker 3 (13:04):
Yeah, I felt like two years was long.

Speaker 1 (13:07):
I was just thinking God that I'm still here today
to catch up where I left off at, you know,
but probably like the last eight nine years, I mean
I mean eight to nine months. I really start living
in my moment because I start to sit back. I
put out a body of work. It was called Dennis Daughter,
and I just sat back and looked on what was

(13:31):
the process. And I started being more grateful, not saying
that I wasn't, but I started celebrating myself more. I'm like, dang,
like you was here, you was there, you put this out,
you work with this person like this, this is a
great moment.

Speaker 3 (13:46):
For you, you should live in it more.

Speaker 2 (13:48):
What was your biggest outside of like realizing that you
can lose yourself in this industry, what was like the
one thing that you learned and was like, oh shit, okay,
I had no idea that this was part of.

Speaker 1 (13:59):
It happened to mask it because nobody cared? Mmm, like
nobody care?

Speaker 2 (14:07):
Yeah, when you said, but when you say nobody cares,
what do you mean nobody cares about what about you?

Speaker 1 (14:12):
Or Yeah, like the world in general, like, of course
you got people that love you, you know what I'm saying.
Of course, of course, But in all reality, no, nobody,
nobody really care because everybody got their own responsibilities.

Speaker 3 (14:25):
Anybody got their own problems.

Speaker 1 (14:26):
So it's not saying that they don't care because they
don't care about you, but they don't have the time
to care enough.

Speaker 4 (14:34):
Nobody's here to save you.

Speaker 3 (14:35):
Nobody's here to save you.

Speaker 4 (14:37):
Care when it matters to them, which they don't owe
you anything to begin They don't owe it to you.

Speaker 3 (14:41):
You know what I'm saying.

Speaker 1 (14:42):
They owe it to themselves as well as you owe
it to yourself. So you got to figure it out.

Speaker 2 (14:47):
Did you have any uh because of me and Roory
talk about it a lot personally. Do you have anybody
that you couldn't wait to meet in the industry and
then you met them and it was just like it
just changed perception about them. It doesn't have to be
so bad.

Speaker 1 (15:05):
I'm somebody that bring energy. So I've been around people
that don't really vib out with a lot of people
and I make them laugh, like like, for an example, Bryson.
Bryson is very much to himself, but I don't caught
good conversations with you know what I'm saying, Like, he
don't open up to a lot of people, and he
gave me advice on things. So I feel like some

(15:28):
people may have a bad experience with a certain artist,
but you probably just wasn't they cup of tea?

Speaker 4 (15:33):
Yeah?

Speaker 3 (15:33):
Yeah, you know what I'm saying.

Speaker 2 (15:35):
A lot of people don't look at it like that.
Maybe it was me, Like maybe my personality is just.

Speaker 3 (15:39):
Too much like you know what I'm saying, Maybe you
ain't doing enough.

Speaker 4 (15:42):
Yeah, I mean, we had Bryson up here a few
weeks ago, and you know, he was definitely talking about
his experience in the music industry. What was that type
of advice or conversation you have with him?

Speaker 3 (15:51):
That was helpful, he said to me. I never figured.

Speaker 1 (15:54):
He brought me out at Rolling Loud in La and
he just was like, the moment you stop being yourself
is over. And I was like, it just stuck with me.
I was like, because right now I'm not feeling like myself.
And that's when I was like, oh, it's non one one. Yeah,
like I gotta, oh, I gotta, I gotta knock.

Speaker 2 (16:14):
Out of it.

Speaker 4 (16:15):
What about it didn't feel like yourself? Did you feel
like you were trying to play the role of whatever?

Speaker 3 (16:22):
Yeah, just.

Speaker 1 (16:24):
Like just people pleasing with any and everything, just people pleasing.
I've never been that artist. Like when people tell me like,
why are you so aggressive?

Speaker 3 (16:33):
I never kid? Why are kid?

Speaker 4 (16:34):
Now are you saying behind the scenes or creatively as well?

Speaker 1 (16:39):
In general life in general? Because for me, music is
I write music that relates to my lifestyle. So I'm
sometimes people be like, oh, some days you shinee and
some days Ula Brook. No, I'm legit both of those people.
Every single day, I just turn it off and on
throughout the day.

Speaker 3 (17:00):
You know what I'm saying.

Speaker 2 (17:00):
So how has how has now you know, being such
a face that people know when they see you. How
has that affected your your dating life? Whether it was
good for good or bad?

Speaker 1 (17:12):
I was I was kind of cool with it because
it didn't. I mean, it's it's a little bit more hacktic.

Speaker 2 (17:19):
But if your dating life is hectic day in life.

Speaker 3 (17:23):
Me, for why would I have Why would it be
hectic for me?

Speaker 2 (17:26):
You know That's what I'm saying, Like, how has it?
How is it affected your ghetto? I don't think Lola
is ghetto. I'm saying, how has you know, being on
TV and everybody knows Lola Brook when you're out moving around,
how has that affected your dating life? If it has?

Speaker 3 (17:40):
Oh, you say, my dating life though you're so well
in general know your dating life, Oh, my dating life
not don't change for me?

Speaker 1 (17:47):
I mean, of course you get you be paranoid like you.

Speaker 3 (17:51):
Who sent you? Like, yes, you know what I'm.

Speaker 2 (17:54):
Saying, meeting the niggas crazy.

Speaker 1 (17:57):
For real because people have bad intentions here? Oh yeah, no,
for sure, you know what.

Speaker 3 (18:01):
I'm saying, Like, you got to wait it out.

Speaker 1 (18:04):
But I found some success in in that in that space, So.

Speaker 2 (18:08):
I like that I found some success, And that's what
I'm gonna start leaves it over and then of the year.
I found some success in the Dayton space. You know
what I'm saying when women ask my status, I found
some success.

Speaker 3 (18:17):
I found suss. I like that.

Speaker 4 (18:19):
I mean, I want to stay on dating too too long.
But Demarius has always said that guys from Queens is
the fucking worst, which I resent. But then she has terrible,
terrible experience in Brooklyn. As far as the boroughs go,
how would how would we rank ranked men as far
as the five boroughs go, starting with staten Island at five?

Speaker 3 (18:38):
Okay, stantone, she's never been on the ferry. Yeah, I've
been on the ferry. You've been the Statue of Liberty?

Speaker 2 (18:46):
How many times have you been?

Speaker 3 (18:47):
Because we don't go. I like that. Now I'm the
one that does. I have family that moved there.

Speaker 1 (18:53):
But I think he moved there because he was in
a relationship with a girl, So I think that's how.

Speaker 3 (18:57):
I don't know, I think that's that. I think I
was confuse, like how did this go down?

Speaker 4 (19:02):
Niggas don't Mariana staten Island, No built the bridge.

Speaker 3 (19:06):
He lives in Brooklyn, that don't. But no, it wasn't.

Speaker 1 (19:10):
I wasn't out there like I've probably been out there
I could count on one. Hen I've been out to
Staten Island. I ain't gonn front.

Speaker 2 (19:15):
I've been to Staten Island twice in my life. I've been.
I've been to London morning. I've been to Stand Island,
which yeah.

Speaker 3 (19:20):
Yeah, I've been. I've been a stat In Island.

Speaker 2 (19:22):
Pray like three to yeah, that's the I feel like
that's right there, that's the max. Like for New Yorkers.
Two to three is the max if you don't live there.

Speaker 3 (19:30):
But I've been on the ferry probably once or twice.

Speaker 2 (19:33):
But you don't go to Stand Island. We don't know stand.

Speaker 4 (19:35):
No.

Speaker 3 (19:36):
I was a kid, I'm not.

Speaker 2 (19:38):
It was against your will, yeah, as an adult choice,
I'm no.

Speaker 3 (19:42):
As an adult, I've never I haven't been.

Speaker 4 (19:44):
So we have Staten Island a number five, but no
disrespect to Staten Island.

Speaker 3 (19:48):
Mares.

Speaker 4 (19:48):
I know you got Staaten Island at five because you've
never been there once. Number four though, where we landing
the Marris, I'm looking at you first.

Speaker 3 (19:55):
I'm not goinga front. I don't.

Speaker 1 (19:57):
The Bronx is kind of crazy. Niggas is horrible are
we doing? It's horrible water, But let me say this,
I feel like it might be good men in Staten Island,
but New York be treating them so crat like. I
don't know why they be treating them like that. It's
probably good men in there, and the girls don't know.

Speaker 4 (20:14):
No, there's there's there's great people in Staten Island period,
when you know past the red state part of it,
once you get past the Italian community, like, it's a
really great place.

Speaker 3 (20:23):
They probably don't know.

Speaker 2 (20:24):
Man, don't know thing about that. If you took my
phone and put me in Staten Island, I would not
know how to get back to Man.

Speaker 4 (20:32):
That's true. All the girls love method man Staten Island,
they do. But that's there could be a bunch of
myths out there.

Speaker 2 (20:39):
We don't know, a bunch of h it's a bunch
of methods that Now, all right, so you got the
Bronx whatever number four.

Speaker 4 (20:48):
I mean that makes sense because you're from there where
the Bronx. Yeah, so like for I get that, but
fuck you.

Speaker 3 (20:56):
Listen, I don't know the order. But what I do
know is Brooklyn is number one. So I don't know.
Somebody somebody overstep.

Speaker 1 (21:10):
I just want to clarify that you were saying that
Brooklyn has the best men. You're saying that, yeah, because
my daddy is from Brooklyn.

Speaker 6 (21:18):
And we can't argue with that, you know, how do
we argue.

Speaker 3 (21:26):
My love? But he was.

Speaker 1 (21:29):
But I'm saying I got my uncle. My uncles are
good men, and they're from Brooklyn. My uncles are real
good men, for sure. They take they take care of
their family. Or my uncles I don't have. I don't
got not one uncle that don't take care of his kids.

Speaker 2 (21:42):
That's honorable.

Speaker 1 (21:43):
How many and my grandfathers and my uncle's got a
lot of kids.

Speaker 3 (21:46):
I know how many different baby mama's don't come on
village the whole park.

Speaker 1 (21:56):
It's only one of my uncles that got more than
one baby mother, but all my other uncles won.

Speaker 2 (22:02):
Where's your family from originally? Like, what's your ethnicity? Are
y'all Caribbean?

Speaker 3 (22:07):
I'm I'm a Yankee man.

Speaker 2 (22:09):
Okay, but your family, your family is from New York
as well? You give me.

Speaker 3 (22:13):
Treny like because I'm from Brooklyn.

Speaker 1 (22:16):
Like I was eating salt fish and baked callou and
porridge and for breakfast on it was that's regular for me.

Speaker 2 (22:23):
Yeah, I think it's the head is the bandana too, though,
that's that's that's that's definitely called.

Speaker 4 (22:29):
Man stop playing Like how's Brooklyn changed musically? Obviously gentrification
we speak, but but music wise based off when you
popped to I don't know, you know two thousand and
one was was a crazy difference in how the music changed.

Speaker 1 (22:49):
For me, Yeah, I don't feel like it changed. I
just feel like the.

Speaker 3 (22:56):
The it's been. Make sure I see this right.

Speaker 2 (23:00):
Make sure you say right, because they're gonna kill you
if you know.

Speaker 1 (23:03):
I don't feel like it changed, but I feel like
we don't get as knowledge. We don't get as knowledge
as we I don't get acknowledged Brooklyn once we used to,
I mean better when it comes to New York as
opposed to what because I feel like because I don't
feel like it's in Brooklyn really period right now, I
don't feel like it changed, like I feel like the

(23:27):
music is. I feel like music in general is changing.
So New York's sound is trying to manage what but
which isn't our sound? Which isn't our sound, but that
would be the.

Speaker 4 (23:42):
New York sound. That's what brought New York back was
the drill soundically in Bronx and Brooklyn.

Speaker 3 (23:47):
That's true, damn hold on, and you were part of
that too.

Speaker 4 (23:49):
I mean not to say all your stuff is drilled
per se, but but see.

Speaker 3 (23:53):
I don't make drill music, but my energy, real tempo. Yes,
say some of.

Speaker 4 (23:58):
Your stuff has that that drill knock or some of
that same Yeah, yeah, it's the pocket.

Speaker 3 (24:05):
Yeah.

Speaker 1 (24:06):
I feel like one of the reasons why I'm meet personally,
I like Lola's music when it comes to comparing the
rest of rap is that Lola allows herself to be
energetic like Lola, Like I can drink Hennessy and hang
out the window and listen to Lola's music, while the
rest of this music is like I got high on you. Listen,
the rest of this music is like I gotta be
high on drugs. It's mad slow, it's mad like there's

(24:26):
no energy. Energy hasn't like been the thing, Like everybody
just wants to sound like they have a sleep when
it comes to rap, and I think that that's a
that's the South's influenza thing up here.

Speaker 3 (24:37):
I don't like that.

Speaker 1 (24:37):
I like sound and hype. I want to sound hype.
I want to listen to Lola, I want to listen
to me. I want to like yell at niggas, like
niggas not making yell at nigga anymore.

Speaker 2 (24:45):
You want to yell at me, I do.

Speaker 1 (24:47):
But I like that and I like yeah, like I
like energy in my rap like and I feel like
that used to be New York's thing, but because the
sleepy shit became the thing now everybody's trying to imitate drugs.

Speaker 4 (25:00):
That's the beauty of New York that they could still
take perks and still yell. I never understood that with
half the drills.

Speaker 1 (25:06):
New York could get, somebody from New York could wake
up and be on hots or from a hot shower,
no coffee, straight hot shower on they on hots. I'm up,
like I had to wake up today and get busy
and I'm mad.

Speaker 4 (25:24):
And I'm mad because you was on the train to
go to work. Because I understand where the shit comes.

Speaker 3 (25:29):
You get what I'm saying.

Speaker 1 (25:30):
So we just the energy is just naturally in us
because we have to fight with so many different energies
when we get outside.

Speaker 4 (25:38):
I mean, do you think Brooklyn has been divided musically
the past five years? Like post COVID, do you feel
like Brooklyn has not been what it used to because
I even feel like when New York was the Golden
Era and all that. Of course it was divided because
the Burrows, but Brooklyn was kind of the most unified
if you got down to it.

Speaker 3 (25:59):
With your peers, you feel I feel like my peer
has been like.

Speaker 4 (26:04):
From COVID through post Yeah, post COVID, i'mauld said twenty
twenty to twenty twenty five.

Speaker 3 (26:09):
I mean, can you blame it? We have to be six.

Speaker 1 (26:11):
Control us to be we couldn't collab, couldn't collab. We
have to be six feet from everything.

Speaker 2 (26:17):
Yeah, and your record popped in that in that time,
like in that moment, yeah, day, so like, so did
you you feel like that kind of.

Speaker 3 (26:25):
But see, they had me in the house for too long.

Speaker 1 (26:30):
So when twenty twenty one came, he was ready because
in the video they came at the end saying, yo,
y'all gotta wrap this up because it was curfew I
think at the time when I did the video. Yeah,
so it was just the rush of feeling like I
gotta get back outside.

Speaker 3 (26:47):
I miss outside. So that's where that energy came from.

Speaker 4 (26:50):
Do you think like Lotto and Young Miami with the
Right in retrospect, the Right remix to that based off
it being such a New York record.

Speaker 3 (27:00):
Well, let's just say this. I reached out to New
York artists for that record. It just didn't happen.

Speaker 1 (27:06):
You don't have to name names, but it was not
It's not it was and it was not like most
of the stories is not bad or anything like that.
But I want people to know that I've reached out
for a New York artist to be on that record.

Speaker 2 (27:18):
But why didn't it happen? Because the record was the
record was hot.

Speaker 1 (27:22):
I mean, I feel like those artists when they when
they feel like they want to tell their story on
why they tell y'all.

Speaker 3 (27:27):
But I don't feel like that's my place to tell it.

Speaker 2 (27:29):
Yeah, but it's your record. Yeah, but I want to
know who turned that down, Like who turned down a
chance to jump on that record and.

Speaker 3 (27:35):
Turned it down. Some people didn't turn it down.

Speaker 1 (27:37):
One of the people they I should put more blast,
but I ain't gonna do that.

Speaker 3 (27:40):
Ain't messy.

Speaker 1 (27:41):
But one one of the other artists they didn't turn
it down because they didn't want to. They just it
just didn't happen. It just didn't happen. Okay, things get taught.
The people know people got other things they got to
do to or whatever, and I say that they don't
want to be a part of it.

Speaker 3 (27:55):
But sometimes it just don't happen.

Speaker 2 (27:58):
Anybody that you wanted to really work with and it
fell through, like it didn't happen.

Speaker 3 (28:04):
I didn't.

Speaker 1 (28:04):
I wasn't really tripping about the remix anyways.

Speaker 2 (28:08):
In general, I'm saying, is there any artist in general
that yeah, that you ever wanted to work but was like, damn,
I gotta get a record with this person. And it
looked like it was going to happen, and then for
whatever reason, it just it fell through. It didn't happen.

Speaker 3 (28:20):
No, it went it fell through.

Speaker 4 (28:21):
It was me Oh you wanted that Meek feature. Yeah,
Meek would have made a lot of sense on that.

Speaker 1 (28:25):
You talking about foot you but you took about you
took about side of anything, not the record.

Speaker 3 (28:31):
Don't play with.

Speaker 4 (28:32):
I think Meek would have been crazy on that, but crazy. Yeah,
you don't think that could still happen though with me?
For in general?

Speaker 3 (28:41):
Yeah, we got like three songs in right now?

Speaker 1 (28:43):
Oh right, bet okay. I mean I feel like we're
gonna get back in or whatever. But we've worked.

Speaker 4 (28:49):
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Speaker 3 (31:03):
To get off that.

Speaker 4 (31:03):
Don't play with this stuff. What is your relationship now
with Billy b and everything that happened there? I don't
even know the full backstory, but I know that was
a thing when the remix happened and and everything. Where
Where is that relationship right now?

Speaker 3 (31:14):
There's no relationship?

Speaker 2 (31:15):
Okay, fair enough.

Speaker 3 (31:25):
Relationship, you know what I'm.

Speaker 4 (31:26):
Saying, Like, yeah, okay, speaking of Philly on I bet
you have New York l A, Gilly's daughter, who I
think is going to be a fucking superstar.

Speaker 3 (31:35):
She is. The people just don't know yet, but they.

Speaker 4 (31:38):
It's gonna happen. How did that relationship start because she's
the only feature on there right yep?

Speaker 3 (31:45):
Okay, So.

Speaker 1 (31:47):
I was bumping into uh New York l A in
the spots like anybody's just outside vibing I don't remember
exactly what we was doing while he was outside, but
the energy we just kept. We kept connecting outside of music.
So once one day she was in New York City

(32:08):
and they asked, like, Yo, you want to get in
when New York LA And I'm like facts and we
made a record from scratch.

Speaker 2 (32:17):
Okay.

Speaker 4 (32:17):
She produced on it as well, what do you mean
like I want to be Yeah, I mean I.

Speaker 1 (32:23):
Mean well, we did say what we like, what we disliked.
When the producers was working. It was as started refers,
So we were saying like we like this vibe, we
don't like this.

Speaker 3 (32:32):
Or she free styling.

Speaker 1 (32:34):
She trying to get a hook together and then I'm
free styling, trying to get a verse to see what
would sound good and what was the subject matter?

Speaker 4 (32:41):
Yeah, how do you how do you feel artists have
to market these days? Because that used to fall on
the label and I feel like that doesn't The labels
has stepped out and they call themselves a just distribution
at this point, they're a bank. What's the type of
pressure when you're putting out an album, EP single that
that's in the back of your mind now where maybe
that wasn't a thing artists had to think about in

(33:03):
the beginning.

Speaker 1 (33:04):
I don't know if there's something that an artist didn't
have to think about in the beginning. But for me,
I can't make music that I can't sell, Like if
it don't fit for my brand, I'm not trying to
fit in. If a song don't fit me is not
for me, Like, I can't produce it in there, And
he's saying, oh, I think you should talk about.

Speaker 3 (33:29):
Telling a telling a nigga take you shopping every day?
I'm like, I don't. That's not my bob. Like I
like to shop, but I don't, kid, it's just not
a marketing plan. That's not marketing plan.

Speaker 2 (33:41):
Lolago shopping all over New York City.

Speaker 4 (33:44):
I mean shit, the easiest one, now, I guess would
just be posed to Kendrick Drake Beef. Just find somebody
to say something bad about it.

Speaker 1 (33:50):
But see, that's another thing too start a discording.

Speaker 3 (33:53):
This is not my bop, like you know what I'm saying.

Speaker 1 (33:55):
So when you ask me that question about if I
still had a relationship with this person, It's like, nah,
I don't feed into stuff like that like that, that
don't feed me.

Speaker 3 (34:06):
You know what I'm saying.

Speaker 1 (34:06):
And I feel like my energy is very big and
I have to protect it like that, not come good
with that. Like, of course, this is a competitive sport,
you know what I'm saying, But social media makes things
so small that I don't feel like it's a friendly
competitive sport no more.

Speaker 3 (34:27):
It gets personal, so I stay away from me.

Speaker 4 (34:31):
Yeah, I mean, but at this point, outside of that situation,
if somebody did put a record out, not some social
media back and forth bullshit, but the actual record, do
you feel like that would make you get in the
booth or you still want to just chill?

Speaker 1 (34:46):
It depends if it's if I feel like it depends.

Speaker 3 (34:49):
Sometimes I'd be like, why would I respond to that? Yeah?

Speaker 2 (34:51):
I get that.

Speaker 3 (34:52):
Yeah, have they thrown shots at you? I don't.

Speaker 2 (34:54):
I feel like I don't. I feel like I would
have quative one of them through some shots at Lola.

Speaker 3 (34:59):
That's what I'm saying. And they probably did, but it
ain't hit. You can shoot as.

Speaker 1 (35:08):
Much as you want if I don't get grades the
fuck I'm shooting back.

Speaker 3 (35:10):
For right, Like, I probably't even hear them shots.

Speaker 2 (35:14):
I don't think I've heard of any any any girls
throw shots a lolo though, Noah, like you do a
good job a staying away from.

Speaker 3 (35:21):
See that's the thing.

Speaker 1 (35:22):
But I'm like, I'm pretty sure it's been thrown. But I,
like I said all jokes is I'm living proof I
do not pay attention to bullshit like I respect.

Speaker 4 (35:34):
Do we think they'll ever be the male rapper verse
female rapper? And I'm not saying like the Guardian Meg
situation because they dated. I'm talking about just a straight
up man versus women.

Speaker 1 (35:43):
See, I ain't going front, like I'm not quick to
go neck to neck with a female artist. Yeah, I
feel like it's like, come on, we already outnumbered. Bro,
Like it don't it don't even make sense before a
male artist.

Speaker 3 (35:57):
Oh, I might clip them.

Speaker 2 (36:00):
So if I hear you listen, I like you. If
I hear you throwing shots at one of these, I
ain't gonna.

Speaker 3 (36:06):
I'm just saying if I if a shot thrown at me,
I might I might. Who wouldnt even do that?

Speaker 2 (36:11):
Though?

Speaker 3 (36:11):
Like what would be on the mic?

Speaker 4 (36:14):
And that's why it's like, that's why I dream door
smoke toy lanes. But again that came from like back
dating history. I want to see the one outside of
like you that was reason outside of that I would
just like to see the non dating past male versus
female rapper.

Speaker 2 (36:30):
But like what male MC is going to be like?
You know what, I don't like.

Speaker 3 (36:37):
You so confident.

Speaker 1 (36:38):
People will want to come at you because you're just
so confident, and it might happen.

Speaker 3 (36:43):
I pray it don't.

Speaker 1 (36:43):
Because you know, I love the Brooklyn way. I really
don't want to enjoy that the Brooklyn Way spread or
any all love. I get tough love too, that's the
Brooklyn way too.

Speaker 3 (36:56):
I guess.

Speaker 2 (36:56):
I guess when I was younger, maybe those dudes did
love me to chased me out of Brooklyn, maybe just
trying to catch me to somebody.

Speaker 4 (37:01):
Had to hide in a hardware story one time to
not get jumped in Brooklyn. There was nothing lovely about him. Yeah,
I got they showed no love.

Speaker 1 (37:07):
But the.

Speaker 3 (37:10):
Women. Yeah, I was like, they got rights to you
know what I'm saying. You got if I'm coming to
see a girl. I don't know these niggas they got
rights man, rights to what like her body?

Speaker 2 (37:23):
A girl? I was going to see a girl dude
just standing outside Now they little.

Speaker 1 (37:29):
Sister man, they probably tripping that a big one, but
they like not over here it's.

Speaker 4 (37:34):
Loss and don't do that because if one of Lola's
homeboys came up to Grand Concourse to see your sister,
I don't think you'd be sitting there like, yeah, come
on in, sir.

Speaker 3 (37:44):
That's what I'm saying.

Speaker 2 (37:45):
That's the fact.

Speaker 3 (37:46):
Gotta protect the foot.

Speaker 2 (37:47):
No, yeah, we don't look at it like that. We're
just going to see a girl. But yeah, them niggas
definitely chased me all way back to the train. Good
times though, good times.

Speaker 1 (37:54):
I talk to us about the new album, Lola, I
bet whatever you need I got. It's one of those
what are you right now? How you want to feel?
I want to hear I want to hear Lola rap
about the guy that got away, The guy that got away, Yeah,
I get away.

Speaker 2 (38:15):
See that's a problem why you're acting like y'all don't
never date guys that like good guys. He's a great guy.
You may have been, you was in limbo, you still
was fucking with this. Ain't shit, nigga, that you was
in love.

Speaker 1 (38:27):
That's why girls like me need to be in the
forefront too, because y'all really think women the only women
out here that exist is ain't ship women.

Speaker 3 (38:35):
No, no, no, no, No, I'm not saying ain't yeh no,
but that's what I'm saying. But you can you can
let it.

Speaker 2 (38:41):
You can lose a guy like.

Speaker 3 (38:42):
From from yeah, from me being an ain't ship person,
but you get away.

Speaker 2 (38:48):
Because say you in a situation right, like you're dating somebody.
It's not the best situation, but you are in a relationship.
You just happen to meet a guy. He's great, he's cool,
but you don't really can't give him the energy that
you know, because it's like I got a situation, I
got somebody, but you know this guy is good for you,
Like he's the type of the dude you with. He

(39:09):
ain't shit you know what I'm saying. Not saying he
cheating any nothing like that, but it's just like he
got a lot of wiz shit going on, not shit
that's progressive in your life. Could be kind of toxic.
This guy is you know, he's all of the things.
He's but it's just that you're not single. That could
be the guy that got away, like he got away
from me.

Speaker 1 (39:27):
Listen or would you just straight up lead I'm not happy,
I am leaving. I've been and hold on, hold on,
let me finish it again. I've been in relationships where
I wasn't happy and I was still there because I
felt that it had some I had some fight in me.

Speaker 3 (39:47):
You know what I'm saying, I give it a chance.

Speaker 1 (39:49):
Things are not perfect, So just because you're not happy
at that moment, don't mean that you can't be happy
in the future with this person. It's just y'all might
not be seeing out of ours. So I give it
a chance, you know what I'm saying. So, Yes, a
good God might come around when I'm trying to fight
for my relationship, but that don't mean that he got away.
He probably was good, but not good for me. Because

(40:09):
if something is for me, it's gonna be there for sure.
So even if I leave this man the next year
and the other that the last man was trying to
get me last year or whatever.

Speaker 3 (40:20):
Duran, he gonna be there.

Speaker 2 (40:23):
Ship.

Speaker 4 (40:24):
He's got to wait around, right, and.

Speaker 3 (40:27):
Then it's all right. I'm not folding. I'm good. God
got me man, God got me like I sure do.
God got me like what's for me will never miss me.

Speaker 1 (40:39):
Yes, you got to learn as a woman to learn
how to be alone. That means I need time for
my with that that I agree with. I think women
do need to learn how to be alone.

Speaker 3 (40:48):
Your people need to learn people.

Speaker 2 (40:50):
But women too, though y'all can't. I know how to
be alone women, women, women. You know, women, people, I'm saying,
but women don't. Women don't know how to be alone.
Women love being alone.

Speaker 1 (41:00):
It be niggas that don't know how to y'all know
how to not be in relationships, but y'all do not
know how to be alone.

Speaker 3 (41:06):
Thank you. It's two different things. It's always a bit
in that phone at all times.

Speaker 1 (41:10):
Women are those stints where there's like they really just
like I eat, pray, love like women do like that.

Speaker 3 (41:15):
Women are not practice celibacy, Yes we do. Not, No,
you're not.

Speaker 4 (41:22):
What's the what's the exact day on celibacy.

Speaker 3 (41:27):
Without sex? You want to know the book I practiced?

Speaker 1 (41:30):
No?

Speaker 3 (41:31):
Not? You understand the number?

Speaker 2 (41:32):
Like what if a god like y'all ain't had sex
and you sell?

Speaker 3 (41:37):
What's is a choice? It don't matter the number as
long as you practicing it, it don't matter. But I'm
gonna I need to know.

Speaker 1 (41:43):
Like good, if you could go thirty days? It's like
does you you discipline yourself?

Speaker 3 (41:49):
Yeah? But did you choose it.

Speaker 1 (41:51):
Celibacy means you chose that path, not just damn I
read across no Pussy in thirty eight.

Speaker 3 (41:55):
Yeah, it's like I am choosing to not not get
sex for thirty days. I think.

Speaker 2 (42:00):
I think it's all a choice because if I wanted
to have sex, even if I don't have I can
go buy sex.

Speaker 4 (42:07):
He's not wrong. And even with a phone, it's something
I practiced. You don't even need to buy sex. You
could just find sex on your phone. Okay, Well, whatever
thirty days is. I think in this era, anything days.

Speaker 1 (42:18):
Anything, That's what I'm saying, Like, you know, so thirty
days is like, okay, I could applaud to it, because
I don't know how it's not for me.

Speaker 3 (42:26):
It's a thirty day. That's one day for me.

Speaker 2 (42:30):
The longest time, what was it? I think I went
almost a year one time.

Speaker 3 (42:33):
You keep telling us that and the number just keep
growing six months a year. It was almost a year.

Speaker 4 (42:38):
I went to you hare two years no sex for sure,
fourteen for me?

Speaker 2 (42:42):
Ship two years no sex in the free world.

Speaker 3 (42:45):
Get in the free world. You weren't locked up.

Speaker 2 (42:48):
If I didn't even jail two years is woo? That's
a long time.

Speaker 4 (42:51):
I mean, but you still don't feel like there's ever
been a fumble, not off your person, just based off
I don't know, maybe your work schedule, Uh, your world
going on a one to eighty after everything popped, Like
I could see that being a difficult thing, no matter
even if you saw it on somebody before. Yeah, in general,
I've dealt with it.

Speaker 3 (43:10):
That's how I still got my person.

Speaker 4 (43:12):
Now, Okay, we work through it.

Speaker 3 (43:14):
That's what I'm saying. When it's for you, it's gonna
beat it like you work through it.

Speaker 2 (43:20):
Do you think it's important to find somebody that kind
of like understands your lifestyle because they're in the entertainment
and help.

Speaker 3 (43:28):
It helps. It helps. I'm not gonna lie with my situation.
It is helping, Like we understand I get it, he
get it, and we cool.

Speaker 2 (43:38):
Yeah.

Speaker 4 (43:39):
Yeah, I've had both sides of that, and I think
they they have the same challenges in different ways because
I appreciate the person that is in the same space
I'm in and understands that part. But that can get
a little too fucking messy and weird. And yeah, it's
a little overlap on certain things.

Speaker 2 (43:56):
People.

Speaker 4 (43:56):
And then I've had the relationship that she had no
idea who the fuck I was, are what I do?

Speaker 3 (44:01):
I thought that was.

Speaker 4 (44:01):
Great, But then you get to those points where it's
like I have to record four episodes, we got to
go do this, this, this, like and they don't understand
I have.

Speaker 3 (44:07):
No idea what that means. Like, wait, this is work.

Speaker 4 (44:09):
I'm like, yeah, this is actual work. It depends on
the partis and therapy. When she said he was working,
I was like, I was working. I was, it was
really working.

Speaker 1 (44:18):
See when I see your person, they are willing to
sit there and take the time to figure it out.

Speaker 3 (44:26):
You know what I'm saying. Trust is a big thing too.
I Trust is nothing.

Speaker 4 (44:31):
We don't have to get in the two details of
like who they are, but are they from at least
the Try State area? Because may so that's that's my thing.

Speaker 3 (44:39):
So it'd be like that, listen, time, what's going on
right now? It sometimes you gotta go out of town.
Sometimes you got go every time.

Speaker 4 (44:56):
Every time I do that, I come right back home. Though,
like all my long some relationships is women from the
Five Borough.

Speaker 3 (45:02):
That's because New York women are the best women exactly.

Speaker 4 (45:05):
That goes what I'm saying I don't know about I've won.
I went ot for it, and yeah it's cool for
a little while, but they're just not.

Speaker 3 (45:12):
From But I went somewhere maybe kind of crazy.

Speaker 4 (45:16):
I mean Cleveland with it, Cleveland ship, damn busy bone shit.

Speaker 2 (45:20):
Lebron left Cleveland.

Speaker 3 (45:23):
He took his talent.

Speaker 1 (45:25):
Lebron left Cleveland to Lil Jacket, of course. But I'm
just saying, like I went out out of town with it.
But I'm a female where when I was growing up,
I had a boyfriend in high school and we did
not go to the same school.

Speaker 4 (45:39):
Okay, but like he went to boys and Girls High
and you went to Brooklyn Tech.

Speaker 3 (45:43):
I was going to boys. I was going to boys
and girls.

Speaker 2 (45:45):
That was a guest.

Speaker 4 (45:46):
I was nailed that mom, okay, And we got to
talk about like, I mean, I loved the high school.
But like you're saying, it's not that hard to be so,
but like how far was the distance? It was, that
difference between New York and Cleveland, Like.

Speaker 3 (46:06):
What you oh? I mean, I was I'm a kid man.

Speaker 2 (46:10):
That's fall Like, no, that's a real thing though, because
I remember once I had a crush on the girl
and then she transferred schools and it broke my heart.
And then when I got old, I realized she just
moved to Queens. I could have still saw that girl.
Bronx the Queen's the longest relationship, But Brooklyn is not.
Unless you're in like sheep said, Bay, like you're not.
That's not a long distance relationship, depending on where you're
on Brooklyn. That side to Fort Green.

Speaker 3 (46:32):
Is not along.

Speaker 2 (46:33):
No, that's not a long relationship. But but the Bronx
and Queens, that's long distance. Did you I gotta take
three trains to see Shorty. I'm on fan what we doing?
And them niggas don't like us. So I'm going through
Max like a video game. I gotta go through Mad.
I gotta pick up food on the way. I got mad.

Speaker 3 (46:50):
I feel you man, you and you a kid man.
You don't got you on feet, You don't got money
for the fav for real?

Speaker 5 (46:59):
You like you?

Speaker 3 (47:02):
Like you Sometimes you just want to walk across the
street or go next door or something. Yeah, I agree
with It was definitely easier.

Speaker 4 (47:08):
Wearing Queens what she was it then to dollar cab
or dollar van.

Speaker 2 (47:12):
No, I just took the the f train the Parsons.
I remember that was the stop Parsons reminiscent.

Speaker 3 (47:20):
Yeah she was. She was in Jamaica state.

Speaker 4 (47:22):
She had a little little money.

Speaker 2 (47:23):
No, no, no, she wasn't. She was on the hill. Yeah,
she was on the block. It was shit going on
outside her building. For sure.

Speaker 3 (47:31):
Definitely, But yeah, you don't like it's like will you ship?
You don't sleep at it? Right?

Speaker 4 (47:39):
Yeah, I mean yeah that sounds good in theory, but yeah.

Speaker 3 (47:43):
No, I definitely definitely That's how I look at it.
Like listen, when I'm home, I'm focused on trying to
get to it. You know what I'm saying.

Speaker 1 (47:53):
I'm a hustler when I'm home, and then I need
when I want to step away.

Speaker 3 (47:59):
It's a whole new world for me. I want to
step away.

Speaker 2 (48:02):
What's the biggest misconception about you that you've heard, like
people say or think about you.

Speaker 1 (48:08):
Like people be thinking that I purposely want to be
aggressive or I want to be gangster something like that,
Like like if that lifestyle for me is something that
I crave, Like I grew up in Brooklyn, New York.
I had yet but to be tough like this, and

(48:29):
I'm small with no siblings.

Speaker 2 (48:32):
What you oh, you're the only child.

Speaker 3 (48:35):
Yes, oh, you had to fight fight, you know what
I'm saying.

Speaker 1 (48:39):
So I had to go out there and be like,
yeah this bro right here right, and they got me good,
you know, But me, my I was straight, like I
ain't really have no no crazy problems.

Speaker 3 (48:50):
But I'm out there fight. I lost.

Speaker 4 (48:53):
I'm glad that you prospered.

Speaker 3 (48:54):
I didn't, you know what I'm saying.

Speaker 1 (48:57):
If anything, people wanted to protect me because I was
so small. I was down on earth. I ain't take
no ship from nobody. But it was like, I ain't
have no choice but to be this person, especially when
especially when you small, like people play with you more.

Speaker 3 (49:13):
They play with you.

Speaker 1 (49:14):
From a young age, you learn that, like you have
to project out a little bit. People prob Napoleon.

Speaker 3 (49:19):
Syndrome or whatever, like no, like I'm gonna be heard,
You're not gonna.

Speaker 2 (49:22):
Play with me.

Speaker 3 (49:22):
I don't care how small I am.

Speaker 2 (49:23):
Don't play.

Speaker 3 (49:26):
Short women.

Speaker 1 (49:27):
I'm like, don't play with it, Like, don't judge your
book by its cover. I'm not saying that I'm trying
to be on that, but if I got to be
on that, then it is what it is.

Speaker 3 (49:36):
You know what I'm saying.

Speaker 2 (49:37):
Have you met because obviously you get the comparisons a lot,
and we've obviously talked about it, just the tone of Fox.
Have you met Fox yet?

Speaker 3 (49:43):
Have you had a chance to person? But we we
don't text and stuff like that.

Speaker 2 (49:48):
Yeah, how much of a because obviously being from Brooklyn,
how much of an influence was Foxy for you?

Speaker 1 (49:54):
Though?

Speaker 3 (49:55):
Fox and Kim It's like, you gotta know those two
women in rap, like you have to know. I'm from the.

Speaker 1 (50:02):
Star as well as THEMB too, So it was like
right in your face. And then I feel like those
are two women in the game that are very much Brooklyn.
They see when people used to be like, oh why
you sow this and why you sow that you're aggressive
or whatever the case may be. I start looking at them.
It's saying, well, I'm a Brooklyn girl just like them,

(50:26):
So why I'm getting punched on?

Speaker 2 (50:29):
Kim had her aggressive moment in her music too, you
know what I'm saying a lot of people forget about
a little Kim, but she had she had aggressive, aggressive
energy and a lot of her music.

Speaker 1 (50:37):
Yeah, so it's like, why why I'm getting punched on?
Like I thought women in Brooklyn was rale That's what
I am ra but when you go to so other
parts of the country aren't used to New York women.
New York niggas are used to New York women, but
other people on the other side, like they're not used
to that. But like, why you say aggressive, that's like

(50:57):
that's where you're not aggressive?

Speaker 4 (50:58):
That is there a New York female rapper that's not Yes,
there's there's a couple of of course, I'm talking about
like more on the legendary said, Nikki is aggressive, Remy
is aggressive.

Speaker 2 (51:11):
Well, Nikki Nikki, Nikki, she had she had songs.

Speaker 3 (51:14):
Nikki has her pop show.

Speaker 4 (51:16):
The tone tone is Nikki gets like Nikki started out
aggressive on the DVDs.

Speaker 3 (51:21):
Nikki was aggressive.

Speaker 2 (51:22):
That definitely, that's what she has the moments with. Then
Nikki also ushered in the whole doll thing.

Speaker 3 (51:29):
Feminine.

Speaker 4 (51:31):
To your point, Kim had her aggressive time, but Kim
was feminine, super feminine.

Speaker 3 (51:35):
Box was feminine.

Speaker 2 (51:36):
Fox's tone was just so different.

Speaker 3 (51:38):
The tone was aggressive.

Speaker 2 (51:40):
What she was saying was very feminine.

Speaker 3 (51:42):
You know what I'm saying.

Speaker 1 (51:43):
But see me, I was a tomboy, So when I
get aggressive, I'm like one of the bros I ain't
gonna from I'm like a lieu of DMX inside of
me is some but you know what I'm saying.

Speaker 3 (51:57):
But it's like as I get old, dude, I will
become the woman that I need to be.

Speaker 1 (52:04):
This is the process, like y'all looking at an artist
that's starting from the very beginning. Yeah, I don't think
you know, social media like today's world, social media, you
get to see everything in detail that I want to
look for it, you know what I'm saying. And I
feel like people just didn't know that when the Brooklyn
Girls start off for this is her first stop.

Speaker 2 (52:27):
Yeah, you said something earlier about when Don't Play with
It came out and then they're taking off the success
of it, and that you kind of had to like
get in that mode of like, you know, basically being
able to handle the success of the record taking off
and you wasn't you say you weren't ready for that?

Speaker 3 (52:44):
What is it?

Speaker 2 (52:45):
What do you mean by that? Like you weren't expecting
it to be as big as it was. And then
that obviously you're not home, you're on the road, you're
doing shows, you're doing you know, all of these things.
Do you think that that was something that helped you
now with this I'm with this project coming out now,
is that something that you're in the back of my mind? Like, Okay,
I gotta be ready for anything, because at any point

(53:06):
of time, shuit click and I got I gotta be
on the road for however many days out of the year.

Speaker 3 (53:13):
Yeah. But see, I'm a hard worker. That's that's the thing.

Speaker 1 (53:16):
Like I come from a hard working mom too, So
I'm not staying up the work. Shout out to my moms.
I like, my the work is not the part for me.
I work hard. It's learning how to work smart. It's
learning how to work and still be yourself. And when
you got to tell somebody no, you know how to
say it without just saying yes all the time because

(53:38):
you're gonna lose yourself. So now with the success going
as it's going, I couldn't feel it because I was
living in a moment for everybody else and not me.

Speaker 3 (53:50):
But now I look back and I could see it.
Like that's like my.

Speaker 1 (53:54):
Mom's Like if I'm having an interview, my moms could
look and say, well, something was bothering you, right, Like
I could see it. So now I look back on
the work that I put out and I could see
it I'm like, oh, I was lost, so I fixed up.

Speaker 4 (54:10):
Yeah. I mean that's good that you could recognize it though,
because most people it again takes some years Steven recognize
that type of shit.

Speaker 1 (54:17):
Yeah, you just go through some hard times, man, like
when you buy yourself dealing with problems by yourself.

Speaker 4 (54:23):
Hey, only child vibes, I'm with you.

Speaker 2 (54:25):
You wouldn't.

Speaker 4 (54:27):
Yeah, he is seventeen siblings and they're all famous. Seventeen
it's my service eleven.

Speaker 2 (54:37):
Who's counting after ten?

Speaker 3 (54:40):
Joshua voicemails.

Speaker 4 (54:41):
So on our show, we have our fans calling, they
tell us stories, they ask for advice. It's just just
a voicemail segment which we want to include you in.

Speaker 2 (54:51):
Yeah, got mail.

Speaker 3 (54:54):
What's up, guys.

Speaker 7 (54:55):
I hope that you're all having a blessing when.

Speaker 2 (54:59):
You you're coold, wet, whatever.

Speaker 4 (55:03):
Day.

Speaker 7 (55:04):
But I have I have a predicament that I think
you guys would be the best people to help me
get through. I had my my soul stolen by a
woman from the box. I need y'all to let me
know how I'm supposed.

Speaker 4 (55:22):
To get it back.

Speaker 7 (55:23):
And now I know when I say I have it,
may it may paint paint an image that I'm talking to.
You know that God gog whatever not that that's not
what I'm talking about. What I mean is I show
from the Bronx and she like, like ever since I
fucked with her and then you know, if I felt
through she curbed me whatever.

Speaker 3 (55:44):
I just I can't like no bitches no more.

Speaker 7 (55:49):
Like I don't not apologize I'm mean to call. I
ain't mean to say bitches.

Speaker 2 (55:52):
They're not bitches.

Speaker 4 (55:53):
I ain't say that.

Speaker 7 (55:54):
I ain't calling bitches.

Speaker 2 (55:55):
But I just can't like bitches no more.

Speaker 7 (55:59):
And I'm like, how do you?

Speaker 5 (56:02):
How do you?

Speaker 2 (56:02):
How do you get your soul?

Speaker 7 (56:03):
Like like I feel, I feel like with her left
a piece of myself, you know what I mean?

Speaker 3 (56:09):
Like I just can't.

Speaker 7 (56:12):
Like I need I need? I need you guys, assistant,
How do I recover from this? How do I get
back to the met that existed before I fucked the
woman for the box?

Speaker 3 (56:22):
Just say you gay?

Speaker 2 (56:24):
Well wait, hold on?

Speaker 3 (56:25):
Did he did they hook up?

Speaker 4 (56:27):
Like?

Speaker 2 (56:27):
Did was they fucking with each other? I think so?

Speaker 4 (56:29):
It seems like he at least syd she curved him
and something like yeah, no, I think I think he
got the top and she left, But it was the
greatest that he ever had, and now he can't even
see fucking colors the same way. Yeah, he had a
prime eater and she went crazy on him.

Speaker 2 (56:45):
She gave him that you know when you go to
the car wash and they asked you if you want
your undercarriage.

Speaker 3 (56:48):
And yeah, they paint the tires.

Speaker 5 (56:50):
Ship.

Speaker 2 (56:51):
She gave him all of that and then curved him.
That'll fuck you up, that'll throw you off because now
now you wondering each other like what happened?

Speaker 3 (56:58):
Like you need some closure?

Speaker 2 (57:00):
Yeah, he want closure. He well, he wants he wants.
You want her, he wants, he want but he but
he wanted to know why like she curved him. I
don't he didn't say why she curved him, but that's probably.

Speaker 1 (57:11):
What it was.

Speaker 4 (57:11):
He doesn't care why it happened. He just wants that
neck again. It was never He just needs to move.

Speaker 3 (57:17):
Nah, he want to. He like her. He don't want
nobody else to have about her. He'd be like that.
It'd be like that. He don't want nobody else.

Speaker 4 (57:26):
To have he Yeah, but why do you think that
because she was a great listener or he.

Speaker 3 (57:31):
Could just like her personality.

Speaker 4 (57:32):
Rory, No, I'm on that type of side. But that's
not what I heard in that voice.

Speaker 3 (57:36):
Man.

Speaker 2 (57:36):
Yeah, I don't get that from this.

Speaker 3 (57:37):
That's not the vibe.

Speaker 6 (57:38):
I don't know.

Speaker 2 (57:39):
I was so in love with her person.

Speaker 4 (57:40):
Maybe the windshield whippers fucked you up.

Speaker 3 (57:43):
It's a rainy day.

Speaker 4 (57:44):
He gonna it's raining into a podcast when it's raining
on double.

Speaker 2 (57:50):
Answering the phone. Yeah, he going through it.

Speaker 3 (57:52):
So what is you guys? Advice for him to get
over her?

Speaker 4 (57:55):
Oh you got to block that number, block the high
g and she'll find something else. I'm never going to
get that back.

Speaker 3 (57:59):
Yeah, you gotta just to get something better. But he
said he don't. He can't.

Speaker 1 (58:03):
He can't like other women. So that's the problem that's
get over is the theme. I feel like she's bad.
She the baddies.

Speaker 3 (58:10):
Yeah, and now he comparing everybody to her, So now
he don't like nobody.

Speaker 4 (58:13):
I feel like he hasn't gone out there to see
that though. I think he has been holding back because
he thinks she's that he's putting her up on a pedestal,
that maybe she doesn't like belong on, and he should
go out there and go find another woman. Yeah, he's
from the.

Speaker 1 (58:31):
Because he's sleeping on the woman in the brox he's
shying to like he he came through, like.

Speaker 3 (58:36):
Yeah, I'm him, and then she said, wang.

Speaker 2 (58:42):
In the back. She threw it back and looked at him.

Speaker 3 (58:44):
She threw it.

Speaker 5 (58:45):
They do that.

Speaker 2 (58:46):
I'm sorry, baby, my bad. I had a flat. I'm sorry.

Speaker 3 (58:48):
Respect I'm so sorry to be respectful. I'm sorry.

Speaker 2 (58:50):
I'm just saying I know.

Speaker 3 (58:51):
I thought he's being really respectful. It's a really respectable I.

Speaker 2 (58:55):
Know what he's going through. Like she turned him out.
She turned him out. That the SEXU was great.

Speaker 4 (59:00):
Do we think that he was parked outside her apartment
when your wife is going like that?

Speaker 3 (59:05):
Part of me felt like he recorded that voicemail outside.

Speaker 2 (59:08):
Her cre he outside the building for sure standing him,
That's definitely.

Speaker 3 (59:16):
What he was.

Speaker 2 (59:17):
He was definitely right up the block, right by the train.
You know what trains you take. He was right by
the steps. You know, you come down the steps.

Speaker 4 (59:23):
He's like, oh, I didn't even know this was the
time he was walking outside, But I'll drive you.

Speaker 2 (59:30):
Yeah, you just got to get back out there. Man,
you're gonna meet somebody else, and then you know that
girl's gonna.

Speaker 3 (59:34):
Be You always love the next person more than you
love the last.

Speaker 2 (59:37):
That's all.

Speaker 3 (59:39):
Men don't feel that way women do.

Speaker 2 (59:42):
Y'all always love the next.

Speaker 1 (59:43):
We love the next nigga more. We'll be like, that's
what's wrong, broken, And then the next one we'll be like,
oh my god, I love you, wait more than I
loved him.

Speaker 3 (59:49):
Because you don't know his ship, because y'all don't know
anything about that I love.

Speaker 1 (59:55):
I was like, oh my god, I've never loved I
love you way more than the last three nigg But
y'all don't feel like that.

Speaker 3 (01:00:01):
You leave him and spin the block back.

Speaker 1 (01:00:03):
The bitch that broke your heart at twenty eight, y'all
be down bad about her for the rest of your lives.

Speaker 2 (01:00:07):
Me, I don't even remember what I dated at twenty eight.

Speaker 1 (01:00:09):
Well you forty eight, So well, I hope my man
ain't talking about some shit exactly.

Speaker 3 (01:00:16):
See, so I hope that ain't true. It's definitely not.
I'm gonna make a call after this. Oh let me
see home happy. I'm sucking it up, I man, this
one call.

Speaker 2 (01:00:25):
You don't even know what's going, Like, what I'm killing?

Speaker 3 (01:00:27):
What you're talking who when he was twenty eight? What?
I don't know. I don't know I remember that.

Speaker 4 (01:00:31):
I'm never I've never even been twenty eight. Yeah, it
was twenty seven and twenty nine and I went to
twenty nine like I didn't even exist. Man, all right,
little money though, if he was Dan Lola and you
pissed her off and she like literally put on, don't
play with it in the crib like you to you
in the bathroom, you just hear that basis shit.

Speaker 3 (01:00:50):
Ye I should knew that ship.

Speaker 4 (01:00:53):
Yeah, your day, because I'd be scared of my girl
through that record on if I fucked up. Imagine if
you had the real artist to wrap that to you.

Speaker 2 (01:01:00):
You're dating a raper got to be crazy, like for god,
because if you like think about it, if we going
with me and my girl going through something, she's she's
a rapper. She bar you up?

Speaker 3 (01:01:09):
Yeah, like how you even deal with that? I've done
it with R and B.

Speaker 4 (01:01:13):
I made sure those records didn't make the album.

Speaker 2 (01:01:15):
Though R and B is different. I'm talking about a
woman that writes robs you. That's your girl, y'all going
through it.

Speaker 6 (01:01:21):
And you know what's about you because she mentioned your
hairline here a balling. She put out a crazy record
and you gotta like live in that record. Everywhere you go,
they playing that ship you go to the spot, and
then when they.

Speaker 2 (01:01:33):
Get to the park that everybody love the whole The
DJ dropped the bat and.

Speaker 3 (01:01:40):
But y'all good.

Speaker 2 (01:01:41):
Now though that was like six months ago, y'all was
going through that. Now y'all good. But you gotta keep
living that moment because it made for great music. Then
that's wow. Man, I ain't gonna lie. That's crazy. Shout
out to you.

Speaker 4 (01:01:53):
Or if that just triggers everything when you guys are
good and you're sitting there like, I'm sorry for playing,
so we just gonna be bad rapping.

Speaker 2 (01:01:58):
I guess, lola, we're not doing that. If you and
your nigga.

Speaker 4 (01:02:02):
Start battle rapping up, that's not a couple of skill.

Speaker 3 (01:02:07):
We want to hear that.

Speaker 1 (01:02:09):
It's got to make brupts together now. But see, I'm
not with that like we I see when I argue,
it sound like I'm rapping. So I already got it out.
If we if we're going back and forth, I already
got it out. You ain't going here it tonight on
the road.

Speaker 2 (01:02:21):
See, that would be a problem for me if my
girl could rap and we arguing it and she says
some shipping. It sounds like a barg Yeah, we got
another problem that we all.

Speaker 4 (01:02:30):
The artist rain, I pull out the voice no recorder
when we're arguing, just so we could use it later.
You do that, I've done it before. Wow, taurs.

Speaker 3 (01:02:43):
What's your sign? Lolo queries?

Speaker 2 (01:02:46):
I don't know what any of that means.

Speaker 3 (01:02:47):
What's you a libra? I'm oh, fuck with libras. My
mom's a libro.

Speaker 2 (01:02:52):
October second, come on with September twenty six.

Speaker 3 (01:02:56):
I don't know about y'all.

Speaker 2 (01:02:57):
Yeah, I'm a libra. No, I'm not still in the game.
I'm not ganging being my mom. Thank gang game. I
don't want them September.

Speaker 3 (01:03:05):
But yeah, we're cool, all right, Lola. So I bet out.

Speaker 1 (01:03:09):
I bet coming out Friday, Yes, Friday, no Fortune dream
that support that Yes?

Speaker 3 (01:03:16):
Yes, Brooklyn, New York City.

Speaker 4 (01:03:18):
Oh.

Speaker 1 (01:03:18):
I like how you said Brooklyn Son, this is Brooklyn
Now you said you said it better last time.

Speaker 3 (01:03:22):
But we're gonna get.

Speaker 2 (01:03:24):
Okay. I love I love I love Brooklyn out the Brooklyn.

Speaker 4 (01:03:28):
Are we gonna get a hometown show with the release?

Speaker 3 (01:03:32):
Mmmm?

Speaker 1 (01:03:33):
He about to make me say something? Hold on, hold on,
if you cut the cameras and I'll let you know
what's going on. But I'm gonna make I'm gonna make
it happen. Though, I gotta show love to the town.

Speaker 3 (01:03:42):
So crazy.

Speaker 2 (01:03:43):
So no, I've never seen you perform live. I gotta go,
we gotta go. Yes, you know what, I gotta catch you.

Speaker 3 (01:03:49):
I bet we're going to go to see I think no,
Actually I think I was.

Speaker 1 (01:03:52):
No.

Speaker 2 (01:03:53):
I think you came out on somebody.

Speaker 3 (01:03:55):
Did you come out? I want to chem sets before?
Yeahways right?

Speaker 7 (01:04:00):
Oh?

Speaker 4 (01:04:00):
No, which time you did Barclays?

Speaker 3 (01:04:03):
That was? That was future I was.

Speaker 1 (01:04:05):
I was at the Barclays and Boogie brought me out
at the bar League and I've been brought out the Barleys.

Speaker 3 (01:04:10):
As you should, you as you should?

Speaker 2 (01:04:11):
Yeah, exactly, Yeah, I think no.

Speaker 4 (01:04:15):
I think it was the a Boogie one. I definitely
saw you perform.

Speaker 2 (01:04:17):
Yeah, I saw you somewhere. It wasn't Barclays, though, I
forgot whose show.

Speaker 3 (01:04:21):
I've been Madison Square two yo. One thing about Boogie
whe Boogie come out.

Speaker 1 (01:04:29):
It's gonna be Boogie in France and if anybody come
to New York, they bring Boogie out every time.

Speaker 3 (01:04:33):
As they should any stadium too. No, I see fifty.

Speaker 2 (01:04:40):
Yeah, I.

Speaker 3 (01:04:44):
Saw.

Speaker 4 (01:04:44):
That was a great day. That was one of my
favorite shows ever period. It was the five fifty shit
at Yankee Stadium. That was crazy. Yeah, it was a
really fun time.

Speaker 2 (01:04:52):
It might have been l A. It might have been
in l A. I saw you. I can't remember who
it was.

Speaker 3 (01:04:57):
Well, we're gonna check you out when the next time
you perform here. You don't got to say I'm Mike
when it's gonna be. But we'll be there.

Speaker 2 (01:05:02):
Okay, yeah, Lo, I'm pulling up. I need to see
a full Lola brook Set. I need to see what
you do with the stage.

Speaker 3 (01:05:10):
Yeah, I got job, man.

Speaker 4 (01:05:11):
Even if it's Brooklyn Tabernacle on a Friday night, we
out there Brooklyn. He wasn't outside. You don't remember them nights.

Speaker 2 (01:05:19):
I don't know.

Speaker 3 (01:05:19):
I don't think that. What's that?

Speaker 4 (01:05:21):
It's a church? Yeah, oh oh yeah, they turned church
into a club on Friday nights. Brooklyn Tabernacle. You Brooker,
it's really good. When I was finding myself, I went
there a lot on Friday.

Speaker 3 (01:05:32):
Yes, where is that?

Speaker 4 (01:05:32):
Like it's like a sort of downtown is wow?

Speaker 3 (01:05:37):
Did that? Yeah? Brooklyn is wow?

Speaker 2 (01:05:41):
Brooklyn b K.

Speaker 3 (01:05:44):
I didn't like I didn't like that cause I didn't
like that one.

Speaker 2 (01:05:48):
Sorry, Lola, we appreciate you for pulling up. I bet
available November fourteenth, stream that support that. This is New
York City, this is Brooklyn, Lola. We'll see you soon.

Speaker 3 (01:05:58):
I see how soon. I'm that nigga. He's just ginger.
That's Lola brook Oh he did, oh Dad, Now that
was not nice. He said, just I'm that nigga.

Speaker 2 (01:06:11):
He's meaning like

Speaker 3 (01:06:13):
He's just so with am On, Carmel, you will be yes,
okay no,