November 6, 2025 • 52 mins
Rory & Mal check in with Ms. Pat to talk her sitcom "The Ms. Pat Show" and BET show "Ms. Pat Settles It", how the LGBTQ community changed Atlanta, and Ms. Pat helps Rory overcome trauma from his childhood #volume
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Speaker 1 (00:01):
The volume. If you need a person, hire her. She doesn't.
Maybe she would not.
Speaker 2 (00:11):
We rolling. If you need a person, get Pam.
Speaker 3 (00:20):
Shut up at the man. Pam was like a dick
to get you on anything.
Speaker 4 (00:24):
No, my issue is that it wasn't my eye, it
was it was our producer.
Speaker 1 (00:27):
Yeah, we didn't meet. Paying Pam wherever you are. It's
something I like to collect.
Speaker 4 (00:35):
I like the collection was paid to the wrong collection
selection agency.
Speaker 1 (00:39):
I spoke to Mitch pat herself and she told me
you were the person to see something.
Speaker 3 (00:43):
Yes, Pam was like a dick boy. I'd be like,
how do you get me on these ship and this stuff? No,
no offense, But I've never I don't watch podcasts.
Speaker 1 (00:52):
I love it. I love the fact that you have
never heard of us.
Speaker 2 (00:55):
You know, when I walked the house, like, okay, two
white guys.
Speaker 3 (00:58):
Here, just the other hosts. Okay yah, she confused me
with Peach, then thought it was me and show, and
then I just thought it was two white boys, one ginger,
one white.
Speaker 4 (01:10):
I'm very happy that you separated us. That makes you
feel better.
Speaker 3 (01:14):
I know about you, Ginger, y'all burn that's one white person.
Speaker 1 (01:20):
You can't leave it. And so that before turn into
a just came that.
Speaker 3 (01:24):
That's the best way that I was burning.
Speaker 1 (01:27):
I know about this. I know I had CD some
good old gun and rear balls selling one week. That
ship is gone. We are enjoying today by the talented,
the funny comedian actress Miss pat Thank you for coming back.
Speaker 4 (01:44):
Welcome, welcome, and I love that you had to run
around the hot a subway and then walk up the
steps and then see this so much.
Speaker 1 (01:50):
They running you around today. They had you on the
subway series. Yes you had to.
Speaker 3 (01:56):
Going down the stairs was gross and nasty, but coming
up you know, I needed that. I needed that rail
and so finally they just some white people just started
helping me up steps.
Speaker 2 (02:05):
My chest was burned. I was like, damn, what the
last time I moved my legs my thighs that much?
Apart who that? I mean, everything was burning my.
Speaker 3 (02:13):
Thighs, my vagina, my chest.
Speaker 1 (02:16):
Because my booted. I ain't sure there was a muscle.
Speaker 3 (02:24):
I was so glad I had on two paints, a
lot of cars. It was catching everything from the back.
Speaker 4 (02:29):
They only helped you up the steps because it's an
election week. That's the only time black vote.
Speaker 3 (02:35):
Yeah, well, I don't live here, So that's gonna work
for me so much.
Speaker 1 (02:38):
Pat, that got you New York working. How's the city
treat you? How you enjoying New York?
Speaker 5 (02:43):
Uh?
Speaker 1 (02:44):
You new York is New York? Because said where you live?
You said Atlanta. I would never live nowhere else, Atlanta
or nowhere?
Speaker 2 (02:50):
This is a you know, New York got great food,
dirty city.
Speaker 1 (02:54):
Too many.
Speaker 3 (02:55):
I mean, y'all bombs be talking to everybody. My bomb stated.
They said, yeah, there's a person, this.
Speaker 1 (03:02):
Lady, Well Atlanta bumps. They live in the house with
you like they usually staying out. Well, that's my kids.
I'm talking about homeless people. This lady walked up and
started talking. I thought she was talking to.
Speaker 3 (03:12):
Me, and me and Pam and Pam were used to
seeing these guys. So what you say, ma'am, She's like,
don't talk to her. She's talking to herselves. A damn
she was talking to.
Speaker 4 (03:21):
You, thought Pam. Butked you with that homeles first year
she went another show.
Speaker 1 (03:25):
Yes, man, Pam. I'm thankful for Pam.
Speaker 3 (03:28):
But when I tell you, if you need a good
p up person, Pam would do it for you. Yes,
I'm sitting here with you, guys. I was like, Pam,
what the fuck is this.
Speaker 1 (03:35):
No listening last week when they told us she was
coming by, I was okay, I said, I get a
chance to meet miss Pat. We've been seeing your clips
all on Instagram, going for very funny, but now we
get to sit here and talk. Shitting person, know the real,
Miss Pat.
Speaker 2 (03:48):
I'm sorry I mistake you for an unginger white man.
Speaker 1 (03:52):
We're helpful when we're not burning in the sun or
burning to you women. Oh god, miss Patt, you have
no That's all he did. I can tell you can
tell what you can get, the shape up the corners
when the white.
Speaker 3 (04:05):
But John hair that don't lay down. This dude got
his shoes clean. White do have the nastiest shoes your
fuck what they wear? This man socks match. Only a
black woman can put that swim in the white. We
clean y'all the funk up. I'm telling you. I could tell,
I said, I said myself dressing that's that black but
(04:28):
John brother because she was like, if you don't take
off them ragged as what she would say. But his
wife just let him come out how any which it's
a different but you don't black women, right. He loved
what he loved them what you love them dress. But
(04:48):
I could just tell. I can tell that he was
into all cultures.
Speaker 4 (04:52):
So you're saying, metaphorically laid laid my my fit out.
You're saying a black woman laid my foot out today. No,
I said, a black woman gave you some puss and gay.
Speaker 1 (05:01):
She knocked the stylon and the polo into me.
Speaker 3 (05:05):
It makes you think when you go in the clause.
He was like, I can't do that. I can't do that.
Speaker 1 (05:09):
Whack ship.
Speaker 3 (05:10):
Yeah, because one thing about white people is they wear
nasty shoes. They don't care Black people. You only way
you're gonna get somebody with some nast shoes, and they black.
They ain't got no money. I mean, you know, they
just homeless.
Speaker 1 (05:21):
But black people.
Speaker 3 (05:22):
You can see a man in a wheelchair handicap being shot.
They can't move his feet, but his shoes is fresh
as heir. And I'm lying, so we keep clean. When
I saw that your shoes were clean, I said, don't
want to be burning everybody.
Speaker 1 (05:39):
He got some black not to be gay, but it
was it was black men.
Speaker 4 (05:44):
When I was a kid, I knew if I walked
out of the house, I wasn't making it to the
end of the blocks were roach.
Speaker 1 (05:50):
You had a black step daddy. I did not.
Speaker 3 (05:56):
To me. I thought he beat the black cauds in you.
I'm sorry to start like I love you too, came
in and started some bullshit.
Speaker 1 (06:07):
I love it. So you grew up in a black neighborhood.
It was mixed. It was like, yeah, you do that ship,
They're gonna wear your ass out.
Speaker 3 (06:13):
Yeah.
Speaker 4 (06:14):
Trying to get to the industry where the black women were,
where I could impress them. But it was mainly not
to get clown the moment I stepped out the fun,
especially when you had something fresh on you thought she
was killing it.
Speaker 1 (06:23):
Let me turn around, did you we fooboo? Of course,
oh she You were more of a South Pole family.
He's deep into the culture. So you know that was
for us. Bout us was subjective, was not suggested. Whatever
the words you just said, it was for us by us.
The hell are you doing with mist we were talking,
(06:46):
you said you don't do you you haven't really focused
on your podcast.
Speaker 3 (06:49):
No, well, I do it every week and but you're
so busy. Now I'm busy getting that money, miss pat Well.
I try to get all the money I do. But
TV came along, and you know, the tours and stuff
picked up, so I just didn't have time. And plus
my co host is are in Indiana, and so I
moved to Atlanta, back to Atlanta where I was from.
So it just it just put a big gapping now
(07:11):
and now it ain't as big as it used to be.
But I do it. I always done it just for
the fans. I want to stop it, but my fans
like it.
Speaker 1 (07:20):
Yeah, but you got your podcast is that could be
like your you know, where you really get your ship off.
I get uh, because I don't know. You talk shit
and I know that. But I'm just saying, like the podcast,
because TV is they kind of got to it's very
a little strict, it's little. They love Miss Pat, but
they got to keep Miss Pat in this thing because
it's like, we can't go too crazy, Miss Pat. We
(07:42):
got to keep it. This is television. The podcast. You
can just I can be free. I guess I can.
Speaker 3 (07:47):
You know, so you get a little pushback on some
of the things I want to do on a Miss
Past show, Miss Past Sealesday. But I'm free on the
podcast and that's why I keep it, and that's why
I still tour. You notice a lot of comedians who
get TV shows, they stop touring, you know, because especially
if you're on network TV. I never stop touring because
I don't ever want to depend on somebody to feed
(08:10):
my family. You can cut the lights off at the
Mispass show or that court show at any time. I
gotta cut the lights off on this tour. I gotta
cut the lights out on the podcast. So it's what
I like, being in control of myself. I don't ever
want to have to go beg anybody to do nothing.
Oh please, don't cancel the show. Cancel the show. It's
your show.
Speaker 1 (08:28):
You know.
Speaker 3 (08:28):
I'm there because you paying me. If you stop paying me,
I ain't gonna come. So and that's why I continue
to tour because I like I just I'm a person
like I don't like to be led.
Speaker 1 (08:38):
I like to lead.
Speaker 4 (08:40):
What's what's some of the wildest bits and premises that
they said no to for the Mispast show. In the
writer's room or execs was like, well, yeah, we did
a race episode about how the younger generation find everything
to be racist offensive and back in the day, you know,
people saying stuff, and it just went on, aboudy your
(09:01):
grandmama and your mom and daddy.
Speaker 3 (09:03):
So the word jap slap BT was you've heard the
word jap slap. Well, I didn't know that was a
racist term until my husband told me because I grew
up with a black mama.
Speaker 1 (09:13):
Every day, I jap slap shit. You know, we didn't know.
Speaker 4 (09:17):
You know what, you know, my dad used to call
pop quizzes a jap testing damn.
Speaker 3 (09:24):
But I didn't know that was a racist term. So
I wanted to put it over in the show. And
they was like no, because at the time people was
attack attacking Asian people. But I wanted to show I
wanted to put that word out there because I wanted
people to know that it was it was a derogatory word.
Speaker 1 (09:40):
What was crazy.
Speaker 3 (09:41):
The younger generation had never heard of the word. I'm like,
we gotta put jap. Stay with the hell this jap slap.
And the people at BT plus at the time was
around my age, and they was like, you can't put
it in, but they let me put it in. When
they let me put in chink, they let me use chink.
Speaker 1 (09:56):
That's worse. And we was trying to tell them it's worse.
Speaker 4 (10:01):
Jacks like yes, they had Shane Gillis on SNL for
twenty four hours and then they went through his podcast
when he used chink and fired him.
Speaker 1 (10:08):
Right, how is that even possible? That's crazy? Let meat
that off it.
Speaker 2 (10:12):
But we didn't use it. We was just trying to say.
Speaker 3 (10:15):
The message we were saying is words that what the
parents used to say, we can't say anymore. And a
lot of times parents don't know. Times have changed. So
you know, you might hear somebody say call somebody, you
know the F word for a gay person. When we
said that back in the day, you can't say that today.
So that's that's what the whole episode was about.
Speaker 1 (10:36):
How much of the writing do you do on the show?
Speaker 3 (10:39):
I don't really I do the ideals, so I do
the stories for my life and Jordani Cooper take it
to the right room and I don't really write. I
go in and tell stories. And then they created. I'm
not a I guess you can say I'm a creator.
I don't really put pee in the paper. I can
stand over your shoulder and tell you what I see,
(11:00):
tell you what's in my head. But I don't spell
good enough to be right, and shit, yeah, I ain't
gonna be right.
Speaker 2 (11:06):
But I tell you a good story. That's what I do.
Speaker 4 (11:09):
Is there a story from Atlanta that you couldn't have
put in the show that you knew out the gate
after the jap slap shit that she was like, you know,
I'm gonna keep the story for myself and I won't.
Speaker 3 (11:21):
Jef what that didn't get in, But like I said,
the other word did get in. No, because they pretty
much the show is based off my real life. So
ninety percent of that show is real, okay, things that
happened to me or things that I know people been through,
So they pretty much let us do anything. I did
an abortion episode where a middle aged woman had an
(11:42):
abortion without her husband consent, because I wanted to tell
the world it was my choice. It's my body. Just
because I'm married to you doesn't mean you have control
over my body, which which you know. I had a
little pushback from the network. They said, well, who do that?
I said, I know my friend did it. She didn't
even tell my husband she was pregnant. Who want to
have a baby at forty years old? And then you
(12:04):
a ninety year old mama. Don't nobody want that?
Speaker 4 (12:08):
I want to see the follow up episode with the
nine year old mother. That's the episode that I want.
Speaker 3 (12:13):
To You know, they have a few pushback, but you know,
thank god, this show is based off of me, so
they do a lot, a lot of things, And I
think I've set a tone of the type of comedian
I am. I don't hold back. I like to push
the envelope. I like to go there. I like to
say things other people thinking about saying but too scared
(12:33):
to say it. So, you know, I think when people
come to work with me, they know that they're gonna
get the real, don't I don't. I hate people who
talk like, oh my god, bitch, breed talk to me
like you talk to your creditor. So your creditors, Yes,
you don't talk to your credit as a hold in
your broth.
Speaker 1 (12:53):
Don't talk to me holding here, brother, right, that's the
fact you hold some of your your comedic inspirations for
your style of comedy.
Speaker 3 (13:00):
Who was some of the Richard Prye burning mad Red Fox,
Red Fox.
Speaker 1 (13:06):
Yes, I was a big.
Speaker 3 (13:08):
When I first started doing comedy, everybody was like car
you got stories like Richard Pryor.
Speaker 1 (13:12):
So I didn't know Richard Pribbey.
Speaker 2 (13:13):
Was a comedian. I thought he was just an actor
because I seen him on TV.
Speaker 3 (13:17):
So I started to research him and by his albums
and listen to him. And he told her a lot
of stories about growing up in a brothe and I
grew up in a in a looquer house, a boot
leg house, so we kind of had similar lives and
we saw the same things in those types of houses.
And so I just said, I said, you know what,
I think. I'm a storyteller, so that's what I tell.
(13:39):
I tell a lot of crazy stories on stage.
Speaker 1 (13:42):
But Richard Pryor is one of the greatest. He is
one of the greatest. For me, he's probably the greatest comedian.
Speaker 2 (13:48):
I would say he is the greatest comedian.
Speaker 4 (13:50):
Seeing what you saw in Atlanta growing up, what's the
difference between that Atlanta and this Atlanta right now?
Speaker 1 (13:57):
That Atlanta?
Speaker 2 (13:57):
This Atlanta.
Speaker 3 (13:58):
Yeah, it's a lot of gay people. Yeah, yeah, they
every Well, my daughter, your daughter's gay. It's hell, not
like it's a question.
Speaker 1 (14:08):
She's like all the way gay, Like, yeah, she's but
she's a girl. But is she is she like masculine? No,
she's a girl.
Speaker 3 (14:15):
Okay, she's her girlfriend looked like you okay, yeah, how
did she used to look out for Young and May
when she's in New York type, my daughter loves young
May do May Young.
Speaker 4 (14:26):
Yeah, that girl, she love that girl. Mis lesbian young
in May is like they Brad Pitt tell you. She's like,
that's the final boss.
Speaker 1 (14:39):
I'm just like she. I'm like, she looked like the
rest of you, bitch? Is it because she a rapper?
Speaker 3 (14:48):
I have questions of this, How do you vet like
that your daughter brings that? Yeah, it's like, I mean
masculine lesbian. That's different than.
Speaker 1 (15:02):
What's no masculine presenting? Yeah, okay, he gave what's the
I mean, not you. He got the hand from Pam.
He not get my hairstyles is gay? Josh?
Speaker 5 (15:21):
I thought that my I thought that was my hairstylist.
So I was like, what's that gave?
Speaker 1 (15:39):
I have not give. I'm so sorry Josh on my glasses.
I mean he likes funny man. Alright.
Speaker 4 (15:53):
So when I was growing up and was a masculine,
forward facing lesbian, she would like these ford face because
she was she was facing me forward.
Speaker 1 (16:07):
A face.
Speaker 4 (16:10):
Like that's how you present yourself like as a masculine lesbian.
Is what I always started was. Yeah, So I was
right with the definition. So you're saying that's what your
daughter likes.
Speaker 1 (16:19):
Yeah, my daughter likes.
Speaker 4 (16:21):
So how do you vet? Would you vet that the
same way you would if a man came in the house.
Speaker 1 (16:25):
I don't be vetting them. She don't keep them long enough.
She switching.
Speaker 2 (16:31):
Oh stop, just believe studs.
Speaker 3 (16:42):
The term is study, right, Okay, so you thought it
was derogatory, So how do you do this again?
Speaker 4 (16:48):
So when the stud comes in the house, how do
you vet the studies it the same way that you
would vet maybe a man coming in the house.
Speaker 1 (16:56):
Well, just based off like how they we have rules because.
Speaker 3 (16:59):
At first I was meet the girls and my daughter
was just going through them. So if I don't want
to meet your girl and she got she got to
be in your life at least five years before I
even lock her phone number in my phone. So these
girls just got to the fifth Thanksgiving last year. So
now I talk to her because yeah, because in the
in the in the in the gay community, they.
Speaker 1 (17:20):
Turn over, they turn over.
Speaker 3 (17:22):
They'll turn over a girlfriend, and then that girl will
be with the other girl all I'm going vacation together.
It's the weirdest thing. So I just got tired of
my daughter bringing all these girls around, and I just
I didn't deal with them. Feel the third, you can't
come to my house until you we have a rule.
You cannot meet me until you five years in, or
(17:43):
I won't. I don't want to deal with you until
we five years in. If I see you out, you
can't go on vacation with us, I don't talk to you.
I say, hey, and buy all of that because my
daughter ain't gonna be with them long.
Speaker 1 (17:53):
My daughter treat lesbian lesbian needs them like a buffet.
She's just eating them. It's free, I mean, get my
money's worse. Mss pat Have you ever seen a stud funeral?
Like a stud in the casket? What the hell I
said that? I said that like a year ago. I've
never seen a study in the casket. That's what I'm saying.
(18:14):
I think they turned the stone and even put them
on top of the churches. I don't I've never seen
a stud in the casket. But a friend of mine
told me that as a father owns a funeral home
and most of the time the family will dress them
female presenting in the casket. I think that's that's what
I'm saying. That's what that's That's what I said. I said,
I don't know if they're happy about that, But I've
never seen a stud funeral.
Speaker 3 (18:35):
You know.
Speaker 2 (18:36):
Come to think of it, i ain't never seen no
stud frounery.
Speaker 1 (18:39):
I'm trying to tell you turning.
Speaker 3 (18:40):
Them back against they will, I'm gonna tell my daughters
you better get her wheel together.
Speaker 4 (18:44):
When he got up the stereo, I wanted to argue
with him, but then I started thinking, I've never seen what.
Speaker 1 (18:48):
I've never seen a study in the casket. I've seen
a study getting on in the casket. Have ever seen it?
Gave man in the cast? Yes?
Speaker 2 (18:54):
Do they turn them back or they turn them over?
Speaker 1 (19:04):
They like? Listen, we better not get in trouble. Special
on Netflix. Y'all want to hear something crazy, even though
we are some greaty ship talk to us about doing
a Netflix special. How big was that for you? That
was big?
Speaker 3 (19:24):
That was my first specially I'm getting ready to shoot
my second special on my own in February.
Speaker 2 (19:29):
But yeah, it was really big, and I was I was.
Speaker 3 (19:32):
I was finally happy that, you know, Netflix acknowledged me
to give me a special.
Speaker 1 (19:36):
So I was happy, and it was.
Speaker 2 (19:38):
Meant a lot because I Wonder Site produced it.
Speaker 1 (19:40):
And what's his name?
Speaker 3 (19:43):
The director, Robert Townsend, Director Robert Townsend, O Lord, I
love me some. Robbert twy how directed legendary. Yes, yes,
yes he directed it.
Speaker 1 (19:55):
Shout out to Robert. That's one of the that's one
of the For me, I'm a little older than these guys,
But for me, Rober Towns and Keenan Navy Wayne's those
were the ones that I kind of found like comedy
and television when I was a kid. Those are the
two guys that I looked at all the time and
watch whatever. It was a movie obviously in living color,
to me is one of the greatest sitcom shows you
ever had. But that's that's legendary that Robert Townsend directed.
(20:17):
At a few years ago, another legendary comedian, miss Monique,
She came out and had some things to say about
the pay that female comedians were receiving versus some of
the male comedians when it came to Netflix and things
like that and their stand up specials. How do you
feel about that and how do you throw out the
landscape of like the disparabed the differences between the female
(20:41):
comedians versus some of the male comedians where you may
be funnier than a lot of the male comedians.
Speaker 3 (20:46):
But never equal in this country, no matter what job
you have, it's either gonna be a man make more
than a woman. White people make more than black people,
so it's never gonna be equal.
Speaker 1 (20:57):
You don't play, don't don't you say? You guys found
out about that. Yeah, we showed that always keeping her
a secaret. Why you say that you're in the DEI.
Speaker 3 (21:07):
So, I mean I understood her argument, and in some
places I agree with her, But you know, that was
her fight. That wasn't at the time, that wasn't happening
to me. But I'm glad she spoke up about it,
because this is an industry. If you let it walk
over you, it would truly walk over you. You know,
people telling them on New York you shouldn't be talking
about this. I say, if you feel like you're not
(21:27):
being treated right, then speak up. So if you don't
speak up, you're gonna forever get stepped on. That wasn't
my fight. I haven't experienced that as far as I
can think. Because if you come to me with a price,
I'm gonna come back to you and say, ask for
this and keep asking for this. And I'm at a
position now where and I'm blessed where I can say no,
I don't want to do that.
Speaker 1 (21:47):
It ain't about the money. I don't want to do that.
Speaker 2 (21:50):
And I say that all the time.
Speaker 1 (21:51):
Yeah, I just want to make clear that's not paying, right, No,
that is my thank God.
Speaker 4 (22:00):
Me a second we were saying all that she was
on the phone. She hasn't an answer, and she wanted
to make sure that that wasn't paying for everything that
we just had because I thought she was emailing some
hr company and she was quiet in the course. I
just want to make sure that was not paying. And
we said that behind her back because I know she's
not gonna listen. List what parment is my pr person,
that's my assistant, that guy with miss pat settles it.
(22:24):
That's out now when it's coming right. What was your
favorite case?
Speaker 1 (22:28):
Just like as a.
Speaker 3 (22:29):
Teaser, obviously, don't have to give away everything. What was
your favorite case going into the season. I think did
you even settle it? I think it was my kids.
My kids ended up on there, yes with the stuts. No, no,
it's my gay daughter and my fat son. And so
my gay daughter took my son to the script club,
but he didn't have no money, so she gave him
(22:49):
money to throw at the scriptles and she wanted her
money back, five hundred dollars and he never paid it back.
Speaker 1 (22:53):
What you happened for real?
Speaker 3 (22:55):
And they had been arguing about this money for over
a year and a case fell out and it was like,
do you have a case? And they told him and
they didn't even tell me they was gonna be on
the show. And they walk in and I'm thinking, like,
both of y'all owe me money? Well they hell, I'm
gonna look like give you some money because I had
just paid for my daughter teeth to get done and
she didn't pay me for that. And I'm always helping
my son out. So I just threw the case out.
Speaker 1 (23:16):
That's a good mom right there.
Speaker 4 (23:17):
Yeah, you know I would make the case with the
like all right, you got the daughter, the teeth, give
me some lippo?
Speaker 1 (23:24):
Who need leightpo my fat son? Oh the fat son?
No you don't.
Speaker 3 (23:28):
He need a new joystick for his game. He forty
years old and all he do and play the game.
He said he wanted to be a screamer. I said, sir,
you're forty years old. Nobody wants to look at you.
They gonna scream when they see your big black ass
on this screaming system. He wait till he gets forty
(23:50):
years old. Cocaine or coy sit whatever that little kid name.
Speaker 1 (23:54):
You know man, All the.
Speaker 3 (23:55):
Broke nigroes think they can get rich by streaming. Oh,
he cornered the mark. Y'all it's over. You're gonna have
to go do something else. My son even tried to
get on screaming with his shirt off. And I'm strolling
one now. He had one work. He had two people
looking at him, Me and somebody else got.
Speaker 1 (24:10):
To stand out. Why he ain't posted? Two people like,
why he ain't post my do't post my link?
Speaker 2 (24:17):
I was killing him, right, take your fat ass back.
Speaker 1 (24:20):
You started picked up fast ship.
Speaker 3 (24:22):
I'm all in the comments, right, you ain't got no job,
your big black bitch.
Speaker 1 (24:26):
I'm killing him. He blocked me.
Speaker 4 (24:30):
It's only subscriber, his only Oh what was he streaming?
Speaker 1 (24:37):
He was just playing this.
Speaker 2 (24:37):
He was playing video game with everybody else with you.
Speaker 1 (24:41):
Everybody know him.
Speaker 3 (24:42):
It's my min passing funk out. He got get out
this game. He need to go look for John.
Speaker 1 (24:46):
I know that's your son. Well, the people on the head,
it's only two people.
Speaker 3 (24:52):
The people playing the game knew I was He knew
he was my son. He oh them to tell everybody
their mama.
Speaker 1 (24:57):
Oh my god. How's bt Tree? How how's the business
over there? It's great, you know, it's great.
Speaker 3 (25:03):
I've been over there for five seasons, so it's it's
been really good.
Speaker 1 (25:07):
I don't have any problem.
Speaker 3 (25:08):
But I don't have no problem nowhere I go because
I speak up.
Speaker 1 (25:11):
Yeah, what's what's the difference between the two shows?
Speaker 2 (25:14):
One is a sitcom and one is more like as.
Speaker 1 (25:17):
Far as like the process and how that works. Oh,
it takes me.
Speaker 3 (25:20):
It takes me two weeks to shoot Miss Pat settles it,
and it takes me two to three months to shoot
the Miss Pat show because it's a sitcom in front
of a live studio audience.
Speaker 1 (25:30):
Okay, Oh, we have to get for the next season.
We got to be in a live studio.
Speaker 5 (25:33):
Yah.
Speaker 1 (25:33):
We got to pull up to pull up. You know what.
Speaker 3 (25:35):
It's like a backyard celebration. Have so much fun we have,
I mean, and the episodes will be writing as you
know that some emotional, some is hilarious.
Speaker 1 (25:46):
We try to touch on all kinds of stuff. This season.
We had an episode.
Speaker 3 (25:49):
About immigration, which was very touching, and so you know,
we had all kinds of things going on this year.
So make sure y'all tune in when I give y'all
a data when Miss Pat's show is dropping. How did
y'all take the immigration angle? I don't want to give
it away. Absolutely, I'm not your baby mama, you ain't slip.
Speaker 4 (26:18):
I'm saying that the Gaze infiltrated Atlanta. That was the immigration,
the Gaze. They came from Atlanta.
Speaker 1 (26:23):
They run around.
Speaker 2 (26:25):
You can't do nothing alone without the Gaze.
Speaker 1 (26:28):
I love the game.
Speaker 3 (26:29):
You know what I love about a gay man because
they do they make up better than women do they do?
They do everything or woman supposed to do, but they
do it perfect.
Speaker 1 (26:39):
Why do you think that is? I guess they have
more time to practice.
Speaker 3 (26:42):
I don't know, but you go to those drag shows,
you'd be like, damn that nigga look good. They have
be laid, they lashes, they know everything. They the ones
started the whole corsets thing. Bring your waist in. You
don't lift your boobs up high. They know pull, you know,
take the tape and pull your eyes back so you
can look twenty years younger. All of that came from
that community. I just I love gay me who is
(27:05):
into makeup? Came nobody beat your face like a gay.
Speaker 1 (27:08):
Man, Maul.
Speaker 4 (27:13):
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Speaker 4 (27:40):
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New Jersey, Ohio, Tennessee, and Virginia. You circumcide, yes, I circumcised.
I'm circumcised. Okay, you circumcide. He's Irish. I think that's
(29:31):
part Irish Catholic.
Speaker 6 (29:32):
Oh yeah, they yeah, they comet forse get off and
then they touch it pretty much Irish Catholics.
Speaker 1 (29:43):
Do you see they bite you? Remember that man? You
remember that priest.
Speaker 2 (29:53):
I'm I'm lying.
Speaker 1 (29:54):
He was.
Speaker 3 (29:54):
He was circumcizing the people one and he were putting
his mouth on them kids.
Speaker 1 (29:57):
You remember that? What's on you too? It was on
YouTube he was putting his mouthphone. Yeah, there was that one.
Uh ship.
Speaker 4 (30:04):
He was like Filipino. It was like a Buddhist free
style that was grabbing the kids. Tongues and ship don't know.
Speaker 1 (30:10):
He said, Oh no, that was the that was the dolly,
that was the dolly Lama.
Speaker 3 (30:13):
Yeah, he was grabbing the kid's tongue, but one of
them was like biting on them.
Speaker 1 (30:17):
Oh yeah, I didn't see that. Yeah, I mean that
wasn't in my past. You Irish, right, I mean you Catholic,
Irish was raised Irish Catholic. Yeah, they do some weird.
Speaker 2 (30:25):
Things over at that church. See, it ain't like the
Black Church.
Speaker 3 (30:29):
Somebody testified in the middle of the pastor they're back
here fucking with these kids. That's what happened at the
Black Church. You you might get touched one or two times,
but somebody gonna tell on his ass.
Speaker 1 (30:43):
They're gonna let it go on.
Speaker 3 (30:44):
But then you gotta be on all that medications because
you know they don't put black kids on all that medication.
We cret that ship right there and there. Yeah, that's
why you keep blinking your eye. Who touches you? Don't
listen to the show. I know, listen to the show.
Speaker 1 (30:58):
You've been touched?
Speaker 3 (30:59):
Yeah, why is it every time we get a comedian
on here? I knew because I knew because he was
blinking out you know that's a that's help. That's a
y'all don't know, that's a sign that he needs some help.
Speaker 4 (31:15):
I thought it was because I had a nice eyelashes.
Speaker 3 (31:17):
No, but they be blinking like that. That means somebody,
somebody messed up his equal liberty, his take off.
Speaker 1 (31:25):
Not that ship, right you? I mean they're dead. Now.
Who touched you? You want to tell his government name? No?
Who was her government name? It was her. It was
a man and a woman. It was a wild day
at the same time.
Speaker 3 (31:38):
No, it's different at the church. No, it was never
at the church. But they was affiliated for sure. Was
the black and white? They was white both.
Speaker 1 (31:48):
Was he a priest? No, they weren't like part of
the church.
Speaker 2 (31:51):
They was in your neighborhood.
Speaker 1 (31:52):
Yeah. Did you tell anybody years later? No? No, Now
we talked about on the Podel's. It's like a running joke.
They just closed.
Speaker 3 (32:00):
Was uh six and it is gonna not be a
joke at six and nine?
Speaker 1 (32:06):
I want to say six and nine. Yeah, okay, it
could be wrong. Did you tell how long? Did it
go on for a while?
Speaker 3 (32:10):
No?
Speaker 4 (32:11):
I was just it was one and done. I wasn't
that good, So you had to sucker, dick. No, I
didn't do that, thank you. Okay, thank god I held out.
He may have batted my ship around. I'm just trying
to get to the bottom up. I'm trying to see
why he'd be blinking. Miss Pat is genuinely concerned. She's
(32:31):
not letting him so she just had another question.
Speaker 3 (32:37):
Because I could tell he got child unless stationized.
Speaker 1 (32:41):
Finally, everyone thinks this is me, Miss Pat. Finally I'm
being seen.
Speaker 3 (32:46):
I appreciate you because at one point when I couldn't
talk about I bet too so so so they just so.
Speaker 1 (32:52):
What they do? He just I mean, I'm not gonna
like getting the full details.
Speaker 4 (32:57):
I will say, though, once I started talking about on
the show, felt better.
Speaker 1 (33:00):
Yeah, for sure.
Speaker 4 (33:02):
I picked my pops up in Staten Island, New York,
and he had caught up on some episodes.
Speaker 1 (33:08):
He was like, he was touched. Look, so did the
lady trying to tell you this? Did the lady make
you suck a titty? Because she did too.
Speaker 4 (33:22):
Yeah, and I thought it was cool, but I felt uncomfortable.
Speaker 3 (33:25):
Oh my god, you didn't need it.
Speaker 1 (33:29):
I didn't. I'm sorry you might have to bleek. Sorry,
I'm fine keeping on by the way, this is.
Speaker 4 (33:38):
This is better than when I went to therapy. This
is better. She's genuinely no, I know she cared, but
I was touched. So I'm just asking.
Speaker 3 (33:48):
I mean, and you know the great part about when,
no matter what you've been through in life, when you
can laugh about it, that means you have control of it.
And I'm not trying to be a mean person, but
I could tell something had happened to him. But because
he don't have no controls of here, I lead. So
I'm like, what is going on with him? No, you
don't understand.
Speaker 4 (34:07):
I've been the years three this is the best I felt. Yes,
So she was like, oh all right, said yeah, because
I was like, I think he's been molisted.
Speaker 3 (34:16):
That's what I said to myself, and that's why.
Speaker 1 (34:20):
I asked you, you know, But yeah, I mean, you
over it now?
Speaker 3 (34:23):
I'm over Oh yeah, I mean my my mama barfriend
molisted me. I can't ride in El Caminos. Thank god,
they don't make him no more. I went to, you're
so fucking stupid laughing at everything. No, but this is
what they do to me. We have I g clips
of him laughing at me being touched.
Speaker 1 (34:41):
Like the fact that you just add to make him
laughing more laughing together. Yes, I can't write.
Speaker 3 (34:49):
It fucking co spoking to me? You ever been molested
in the one seaton that been taking out of one seat?
We can't go nowhere?
Speaker 1 (35:06):
That I should have had no choice. Yeah, most kids.
Speaker 3 (35:18):
Get me a lesson and a pick up trunk or
two seats one sees. But I'm glad you're talking about it.
Oh yeah, somebody happened to you. Yeah, I'm glad you
didn't turn the other way.
Speaker 4 (35:30):
I've been talking about it for years and I ended
up just a few years ago and going into couples therapy,
and you know, in therapy, that's like the first fucking
question who was touched?
Speaker 3 (35:39):
I was like, I'm trying to talk about this crazy bitch.
I'm oping that, Like I don't care about what happened?
Then can we please talk about what's going on now?
So No, I'm happy I can laugh about it.
Speaker 1 (35:51):
That affect your relationships? Yeah? Probably?
Speaker 3 (35:53):
Do you ever do do you have in a sexual
move and then somehow that older lady titty popping your
head and you can't finish sunk.
Speaker 1 (36:00):
In the TV? Uh?
Speaker 4 (36:03):
Maybe it wasn't an attractive titty for the flashes that
I have during the entire thing.
Speaker 1 (36:08):
It was a lot of the ship. Was it a
lone titty? They were?
Speaker 5 (36:14):
Oh?
Speaker 1 (36:14):
Was she?
Speaker 3 (36:16):
I was like nine, I would guess if he alone,
she had to be in her forties.
Speaker 2 (36:22):
Forties for sure, Yeah, because thirty two is still hold up.
Speaker 4 (36:25):
I mean then there was one time with a babysitter,
but like I was an active artist. It would be
technically molestation, but I was fine with the babysitters white.
Speaker 1 (36:37):
Yes, she was white.
Speaker 4 (36:38):
Family member too, but not like a director your cousin. No,
I'm not fucked a cousin. You said it was a
family member, but like you know, like family, neighborhood family,
like my blood friend of the family from Queens.
Speaker 3 (36:52):
Oh, I didn't know they get down like that up here.
Oh for sure, that's not like some Alabama shit too.
I'm sorry. Maybe I thought it was Alabama because you're white.
I had no idea it was. She think Rory is like.
Speaker 1 (37:09):
Red white Nias from New York. He's from the hood, like.
Speaker 3 (37:15):
You know, he told my cousins and long titties and
fast you know.
Speaker 1 (37:20):
Yeah, not long titties and family friends. I'm just saying
I just it sounded like the South Ship.
Speaker 4 (37:27):
No, not at all, but somebody would considered like family
friend type shit.
Speaker 1 (37:30):
But she she was. Have you seen her? No, I
haven't seen her in a long long time. Okay.
Speaker 4 (37:36):
I didn't even consider that me losing my virginity because
I didn't say to me losing my virginity when I
was fourteen, because I was probably who.
Speaker 3 (37:42):
You lost it with. Uh, No, wonder you like black pussy.
It's so much white pussy they took. You know, I've
never even gone down that path. Now, yeah, well they
all forced it on you, so it turned you off.
Speaker 4 (37:53):
And now that I think about it, like when I
was growing up, the nicest people to me were black women.
He's actually more therapy than I think I've ever gotten.
I've never even and put those two. You can write
me a check, keep.
Speaker 3 (38:07):
You.
Speaker 1 (38:08):
I never even put and two together.
Speaker 3 (38:09):
Then. Yeah, So that's probably why you attracted to black
people and black women because every time.
Speaker 4 (38:15):
There was black people around when I was, I mean,
you didn't tell them about you, but they but black
people didn't last you know, I was never I think
mentally say a crazy sentence to say I'm person.
Speaker 3 (38:34):
So that's why you that's why you like black women
because white women threw it on you. So you were
like you took Yeah, they took your dick, so you
don't want no part of them.
Speaker 1 (38:46):
Hmm yeah, I never even put it's funny. But she
makes a good point.
Speaker 4 (38:50):
Yeah, I'm not even joking around. That might be the
most fair point.
Speaker 1 (38:55):
I never thought about it. Maybe they was right. I
do have a fetish, maybe a fetish with what that's
always gonna Uh we're Joe twa women, which I don't.
They say that he fetish ots black women.
Speaker 4 (39:04):
But every time I brought up, like how black women
took care of me as a kid, like it's always
it's never been a.
Speaker 1 (39:10):
Sexual that they care you. You have a nanny.
Speaker 4 (39:13):
No, I've lived with a Jamaican family when I was
fucking homeless.
Speaker 3 (39:16):
Like oh okay, oh you oh you oh you want
them eminems?
Speaker 2 (39:27):
You ain't no baron Trump, you are eminem.
Speaker 1 (39:30):
For my ship got battered around. I had to get
out the house. I had to run away. Bless your
little I'm glad you're doing good. Really, I'm glad you're
doing good.
Speaker 4 (39:44):
My eyes are still bad, not off I am. It's
slowed down since we got that out. Yeah, I feel
better than I feel like I've been since slowed down.
Speaker 3 (39:53):
Yeah, I thought he had Touret's earlier. I said, fuck
wrong with eyes, but I could tell that was trauma
behind is it's priul?
Speaker 1 (40:04):
Yeah? Is fucking crazy? You were You weren't one of
the lucky ones? Oh my god, what you mean lucky ones?
Speaker 3 (40:12):
That mean he's the only one of the couch that
has been a lesson. Yes, you haven't got a lesson
to the top.
Speaker 1 (40:16):
Oh okay, but I did read your story about it.
Ain't fun? Well no, I mean you know we're laughing
about it, and that's that's great that we can't. But no,
it's nothing fun about that. But that is the greatest
read I think Rory has ever gotten in his life.
I don't know how you figured all of that out
just by blinking his eyes. But I'm a black mama.
We know ship.
Speaker 3 (40:37):
You know how you bring a Walmer home with your MoMA, Like, hey,
let me tell you that's a whole red down at
my house. A black mama can that got an STD
We can tell you right out that, We can tell
you read out the fucking map.
Speaker 1 (40:48):
You ain't gotten it red there? Yeah, I think I
think that is something that I think protecting me growing
up is that having a strong black mom. Yeah, definitely
what I'm saying because my mother was white.
Speaker 4 (40:58):
That's why I'm like, you've great woman trying to well.
Speaker 2 (41:06):
Let me say this. We're culturally different.
Speaker 3 (41:08):
Soa when you're white, I think it's more free, you know,
like you don't have to have that talk. Nobody told you,
don't you go out there more for the door. When
you go out that door, you make Black kids go
out the door, and they say, make sure your drawers
are clean in case you get hit by a car.
We always were told that, I don't know why clean underway,
it's important. If a nigga don't draw you thirty miles
down the street, my leg is shattered.
Speaker 1 (41:29):
But with black.
Speaker 3 (41:35):
Black parents always had to have a conversation with their
child and white parents have never had to have those
conversations with the police with don't do this, don't do this,
look over your shoulder, pay attention. So it's just different.
It doesn't make your mama weak. It's just the things
that you that that y'all had to endure, that we
had to endure that y'all didn't have to endure, so
(41:56):
your life was a little more like a flower.
Speaker 1 (41:59):
Do what I want to do.
Speaker 3 (42:00):
Where he was with his mother. So let me talk
to you, little little john. You take your ass out
of the No, you look both way. Did anybody touch
your drawers? You tell me, because I'm gonna killer nigga
for sucking on you. So that's what a black parents
tell me. Anybody touch you, I kill him. And when
I first got married to my husband, used to tell
my daughter because that says not his daddy. I said,
let me tell you something. If this man ever touched you,
I want you to know that I would love I
love y'all way more than I love him. I kill
(42:22):
his ass because I had been molessed, and every day
I gave my kids a child molestation story on the
way to school, I said, if he touched you, I
would kill him. To Finally, my daughter's in the eighth grade,
she said, Mama, the man ain't gonna touch me. It
been five years and I stopped asking, but I had
to let her know. You know, anybody touch you, especially
(42:42):
out of move his man into moved up to the
house with this man. I know him, but you don't
really never know a person. So That's the talk I
had to have with my kids and my son, mean,
because people digging booties, so I had to make sure
nobody was gonna be digging in my sons.
Speaker 1 (42:57):
Yeah, that is something that I like getting older, having
talks with women like I never realized how many women
actually experienced that in their home.
Speaker 4 (43:05):
Yes, and I don't think that's a racial thing at all.
Speaker 3 (43:09):
But you know what I'm saying is I think I
think with black families we have the conversations more where
you know, we used to sit the kids down and
say whatever where you know a lot of times with
white people, yeah, like it don't.
Speaker 1 (43:22):
Exist to it exists.
Speaker 4 (43:24):
Yeah, I mean I can only speak from my family.
The more I learned, once I started having those conversations
with my mom and what she went through, I was like,
we allowed him around, Yes, so I see what you said.
I'm not gonna I'm not speaking for all whites, but
I can speak from my family that regard. Once I
learned more, I was like, why you let him? Well,
see he was there every holiday and he did that.
Speaker 3 (43:42):
But the thing with Okay, so when you have a
child and lester in the family, and your uncle is
a child and less. They say, so the black fellow
will tell you, look, hire your uncle be touching kids.
So don't go over that fucking with that nigga. Okay,
stay away from Uncle John or uncle whatever.
Speaker 1 (43:55):
We tell.
Speaker 3 (43:56):
We told that before we go to the barbecue. Can't
he come to the barbecue. Yes, but everybody gonna be
watching his head. Everybody know what he do and we're
gonna tell them, kid, if he touched you, we're gonna
kill him.
Speaker 1 (44:06):
So all the kids know him.
Speaker 2 (44:08):
Child mo Leicester, Chester, Chester molested Chester molester.
Speaker 1 (44:11):
So we stayed away from.
Speaker 4 (44:12):
We put that on a house on our block. I
have no idea to this day. He never touched anybody
in the nigga. It was just a house that was
everyone would say Chester molester lives there.
Speaker 1 (44:21):
Yeah, I don't know.
Speaker 4 (44:21):
It was just like a kid thing. Where is Chester
the molester? I didn't know that was a universal thing.
Speaker 3 (44:26):
Yes, So that that I think that's the culture different
is that African black people say it out loud.
Speaker 1 (44:32):
And other everybody get touched.
Speaker 4 (44:34):
So I think I don't know if every I think
every molestation is.
Speaker 1 (44:40):
In there every race.
Speaker 3 (44:41):
Like I was just talking about that movie on what's
the name of that movie, adding in plain sight.
Speaker 1 (44:46):
You've seen that.
Speaker 3 (44:48):
That was the craziest ship That man slept with the
whole family kept kidnapping the daughter. You couldn't have that
chance in no black household. He'd have been fucked as
soon as he sucked the daddy penis. Everybody would have
killed him. You don't get those kind of chances. Yeah,
that was the crazy.
Speaker 4 (45:04):
Outside of that being the sickest part of the entire premise,
the fact that Homie got on that camera and was like,
he sucked my dick too. That was like the last episode.
I'm like, you've been on this whole series. It was like, listen,
I was sitting there watching that. Good on me too,
(45:31):
I said, how I still didn't resist?
Speaker 1 (45:34):
Is that about this.
Speaker 2 (45:34):
Stupid and rural towns.
Speaker 3 (45:36):
It's gotta be the craziest shiit ever. But those are
the things that even though those neighbors knew it, or
some of the neighbors suspected it, nobody saying it out loud.
Nobody went over there and had a talk with that family.
In all neighborhoods, they would have knocked on the door
and had a talk with mom. Hey he be touching key,
Oh he been the privilege, and I think it's now.
(45:57):
I think it's more prominent now in all communities because
they have that that that predator watch you know you have.
You know, when I was living in playing for Indiana,
every time somebody moved into a neighborhood that had been
the jail for molestation.
Speaker 1 (46:13):
Of rates, Yeah, you had to raise.
Speaker 3 (46:15):
So you would get an email a child unlesson just
moved three days, three those down. But back in those
days you didn't have it, so people didn't talk about it,
but the black community always talked about it.
Speaker 4 (46:25):
I downloaded that app right when Omar was born. Remember
we were in the studio and that shit. I was like,
there's one walking down the street right now. Yeah, you
know he's in route.
Speaker 3 (46:35):
That ship will suck you up with the amount that
are around you this building right now. But I will
say this, I think in some of all, back in
some of all days, like all grandparents look the other way.
But you know, if if she had, for instance, they
had a man that was taking care of them and
they didn't want they world to be rocked, I would
say in the black community, some people looked the way.
(46:55):
When I was born in seventy two, I think people
started to speak out a little bit more.
Speaker 1 (47:00):
Yeah, but yeah, how much of that? How much of
your trauma do you turn into? All of it? All
of it. I talk about any and everything that ever
happened to me.
Speaker 3 (47:10):
If I can remember it, I try to talk about it,
because you know, if it comes up, it always come
up as pain. And my way of controlling it is
to find the funny in it, because if I don't,
I could be somewhere sitting and crying about it. So
I just told myself a long time ago, I can't
change what people done to me. I can't change the
family that I was born into. You know, I can't
(47:33):
change I can't change anything.
Speaker 1 (47:35):
The past is the past.
Speaker 3 (47:37):
But what I can do is I can learn how
to take control of my life. So anything comes up
that I can remember, I talk about it. And I've
had my husband be like, why the hell do you
tell these stories? They're horrific, And I say they're funny.
Speaker 1 (47:50):
To me, and they are. How long it took you
a while to get to that place.
Speaker 3 (47:55):
Though, yes, because you know, one of the biggest things
I was embarrassed about I was a teenage mom. I
had two kids by a married man fourteen and fifteen,
and he was in his twenties and he was married,
and so I didn't really realize that didn't happen. I
thought it happened to everybody, you know, because I'm from
the inner city of Atlanta.
Speaker 1 (48:15):
I didn't really realize I had a.
Speaker 3 (48:17):
Messed up life until I started doing comedy and I
realized all black people wasn't raised like me. Because I
would be telling these stories, they'd be like, who the
fuck raised you? And I'm looking they got my skin
coulor I'm like, y'all, y'all.
Speaker 1 (48:30):
Didn't go there.
Speaker 3 (48:30):
Hell no, I went to college what I dropped out
in eighth grade. So you know, I had to learn
just to accept, you know, the hand I was dealt,
and not cry about it, because you know, I can
tell these stories, and I can tell them in the
way we all be here crying, and then I can
turn around and tell them in the way we all laughing,
(48:53):
and I just chose to laugh with mine. Now, my
sister been on Crag for over thirty years, and she's
never got over some of the things that we've been through.
So everybody deal with their pain the way they want.
Speaker 1 (49:03):
To deal with it. I just chose to laugh.
Speaker 3 (49:05):
You know, when I say I can't, my mama boyfriend
will literally will molest me and my sister at the
same time.
Speaker 1 (49:11):
And his hell comino.
Speaker 2 (49:13):
And she never talks about it.
Speaker 1 (49:16):
I do.
Speaker 3 (49:17):
And sometimes memories will come up and I have to
call my sister because she'll be in that memory. And
I said, Maypop, do you remember this? And to make
sure she because she's a big liar, to make sure
I'm just not making up things, I let her tell
the story and see if the same story is in
my head. That's how I know it's really happened to me.
(49:37):
Because when you've been traumatizing, hurt a lot of times,
your brain will lock will lock stuff out, you know,
to keep.
Speaker 1 (49:45):
You, to allow you to live.
Speaker 3 (49:47):
I believe, and I think when it don't lock stuff out,
that's how people go crazy. So a lot of this
stuff that happened to me is locked up in my head.
And as I get older and things happen to me
or sense, my brain will.
Speaker 1 (50:01):
Unlock them and you start to I start to remember.
Speaker 3 (50:05):
And so I called somebody if if I got a
family member in their thought, I say, hey, did this
happen or tell tell me what you know about this,
and I let them tell the story to make sure
I'm not making up stuff.
Speaker 1 (50:18):
Right. Well, I mean, I'm glad that you know, that's you.
You were able to get past that and turn that
into you know, a way that we can all kind
of laugh and you know, even though it's just some
very traumatic, very serious situations. But like you said, you
choose how you want to heal and get over it
and move on to live the rest of your life.
Speaker 3 (50:36):
I just want people to realize you can't change the past.
So don't sit there and cry about it. You know,
we all winners.
Speaker 1 (50:42):
All you gotta do is just get up and do
something about it and start with laughter.
Speaker 3 (50:46):
You know, just because you was an abuse relationship or
you've been molested, whatever it might be, don't let those
things hold you down.
Speaker 5 (50:53):
Right.
Speaker 1 (50:55):
He never gave me that speech. He just keeps making
it just I just I mean, that's that's my boy, yo.
Speaker 4 (51:00):
The fact I got hyper sexualized in my twenties, I
try to be telling like real facts and ship.
Speaker 3 (51:05):
Well, how do you get hyper sexualizing your twenty What
is that?
Speaker 4 (51:08):
I think that was a I was just trying to
fuck a bunch of bitches, and I think that was
I think that came from being molested.
Speaker 3 (51:13):
M M.
Speaker 4 (51:14):
I think I was hyper sexualized as a kid that.
Oh you just want to have a lot of sex.
Speaker 1 (51:17):
Yeah, I think that was part of it.
Speaker 4 (51:19):
You packing like that, I'm burning like that. That's how
that episode started.
Speaker 1 (51:25):
Miss Patt telling them what they can find you at.
Miss Pat. I ain't never seen the white boy. Just
slang dig I'm sorry me, I ain't never seen the
white boy yet.
Speaker 3 (51:34):
Be slanging things because you'll produce over that body to
go crazy with all these bad words.
Speaker 1 (51:39):
Oh no, no, it was just.
Speaker 3 (51:42):
He over that sweat you got. You go to misspac
Comedy dot com and catch me on any and everything.
Make sure you watch Miss Pack Sellers. It come on
b E T now and Miss Past. Miss Pat the
Miss Past show will be out, so y'all, So just hey,
go join me on Instagram, Facebook and every.
Speaker 1 (52:04):
Streaming Miss Pat all month, that's what we're doing. Please
stream it. I want to hear something crazy out on
Netflix now. Yes, it's already out. Go stream that. And
because our good friend Vince Stables this new show season
two is great to start that, it's very important that
we hit the like button at the end of it. Yes,
at the end of your special, make sure you hit
the like button on y'all want to hear something crazy,
(52:25):
Miss Pat, thank you for coming through. Thank y'all for
some pleasure me and you. You are fucking crazy, but
I love it. I love it. We talked to y'all soon.
I'm that nigga. He's just jinging. That's Miss Pat, that
nigga and Ginger
The volume. If you need a person, hire her. She doesn't.
Maybe she would not.
Speaker 2 (00:11):
We rolling. If you need a person, get Pam.
Speaker 3 (00:20):
Shut up at the man. Pam was like a dick
to get you on anything.
Speaker 4 (00:24):
No, my issue is that it wasn't my eye, it
was it was our producer.
Speaker 1 (00:27):
Yeah, we didn't meet. Paying Pam wherever you are. It's
something I like to collect.
Speaker 4 (00:35):
I like the collection was paid to the wrong collection
selection agency.
Speaker 1 (00:39):
I spoke to Mitch pat herself and she told me
you were the person to see something.
Speaker 3 (00:43):
Yes, Pam was like a dick boy. I'd be like,
how do you get me on these ship and this stuff? No,
no offense, But I've never I don't watch podcasts.
Speaker 1 (00:52):
I love it. I love the fact that you have
never heard of us.
Speaker 2 (00:55):
You know, when I walked the house, like, okay, two
white guys.
Speaker 3 (00:58):
Here, just the other hosts. Okay yah, she confused me
with Peach, then thought it was me and show, and
then I just thought it was two white boys, one ginger,
one white.
Speaker 4 (01:10):
I'm very happy that you separated us. That makes you
feel better.
Speaker 3 (01:14):
I know about you, Ginger, y'all burn that's one white person.
Speaker 1 (01:20):
You can't leave it. And so that before turn into
a just came that.
Speaker 3 (01:24):
That's the best way that I was burning.
Speaker 1 (01:27):
I know about this. I know I had CD some
good old gun and rear balls selling one week. That
ship is gone. We are enjoying today by the talented,
the funny comedian actress Miss pat Thank you for coming back.
Speaker 4 (01:44):
Welcome, welcome, and I love that you had to run
around the hot a subway and then walk up the
steps and then see this so much.
Speaker 1 (01:50):
They running you around today. They had you on the
subway series. Yes you had to.
Speaker 3 (01:56):
Going down the stairs was gross and nasty, but coming
up you know, I needed that. I needed that rail
and so finally they just some white people just started
helping me up steps.
Speaker 2 (02:05):
My chest was burned. I was like, damn, what the
last time I moved my legs my thighs that much?
Apart who that? I mean, everything was burning my.
Speaker 3 (02:13):
Thighs, my vagina, my chest.
Speaker 1 (02:16):
Because my booted. I ain't sure there was a muscle.
Speaker 3 (02:24):
I was so glad I had on two paints, a
lot of cars. It was catching everything from the back.
Speaker 4 (02:29):
They only helped you up the steps because it's an
election week. That's the only time black vote.
Speaker 3 (02:35):
Yeah, well, I don't live here, So that's gonna work
for me so much.
Speaker 1 (02:38):
Pat, that got you New York working. How's the city
treat you? How you enjoying New York?
Speaker 5 (02:43):
Uh?
Speaker 1 (02:44):
You new York is New York? Because said where you live?
You said Atlanta. I would never live nowhere else, Atlanta
or nowhere?
Speaker 2 (02:50):
This is a you know, New York got great food,
dirty city.
Speaker 1 (02:54):
Too many.
Speaker 3 (02:55):
I mean, y'all bombs be talking to everybody. My bomb stated.
They said, yeah, there's a person, this.
Speaker 1 (03:02):
Lady, Well Atlanta bumps. They live in the house with
you like they usually staying out. Well, that's my kids.
I'm talking about homeless people. This lady walked up and
started talking. I thought she was talking to.
Speaker 3 (03:12):
Me, and me and Pam and Pam were used to
seeing these guys. So what you say, ma'am, She's like,
don't talk to her. She's talking to herselves. A damn
she was talking to.
Speaker 4 (03:21):
You, thought Pam. Butked you with that homeles first year
she went another show.
Speaker 1 (03:25):
Yes, man, Pam. I'm thankful for Pam.
Speaker 3 (03:28):
But when I tell you, if you need a good
p up person, Pam would do it for you. Yes,
I'm sitting here with you, guys. I was like, Pam,
what the fuck is this.
Speaker 1 (03:35):
No listening last week when they told us she was
coming by, I was okay, I said, I get a
chance to meet miss Pat. We've been seeing your clips
all on Instagram, going for very funny, but now we
get to sit here and talk. Shitting person, know the real,
Miss Pat.
Speaker 2 (03:48):
I'm sorry I mistake you for an unginger white man.
Speaker 1 (03:52):
We're helpful when we're not burning in the sun or
burning to you women. Oh god, miss Patt, you have
no That's all he did. I can tell you can
tell what you can get, the shape up the corners
when the white.
Speaker 3 (04:05):
But John hair that don't lay down. This dude got
his shoes clean. White do have the nastiest shoes your
fuck what they wear? This man socks match. Only a
black woman can put that swim in the white. We
clean y'all the funk up. I'm telling you. I could tell,
I said, I said myself dressing that's that black but
(04:28):
John brother because she was like, if you don't take
off them ragged as what she would say. But his
wife just let him come out how any which it's
a different but you don't black women, right. He loved
what he loved them what you love them dress. But
(04:48):
I could just tell. I can tell that he was
into all cultures.
Speaker 4 (04:52):
So you're saying, metaphorically laid laid my my fit out.
You're saying a black woman laid my foot out today. No,
I said, a black woman gave you some puss and gay.
Speaker 1 (05:01):
She knocked the stylon and the polo into me.
Speaker 3 (05:05):
It makes you think when you go in the clause.
He was like, I can't do that. I can't do that.
Speaker 1 (05:09):
Whack ship.
Speaker 3 (05:10):
Yeah, because one thing about white people is they wear
nasty shoes. They don't care Black people. You only way
you're gonna get somebody with some nast shoes, and they black.
They ain't got no money. I mean, you know, they
just homeless.
Speaker 1 (05:21):
But black people.
Speaker 3 (05:22):
You can see a man in a wheelchair handicap being shot.
They can't move his feet, but his shoes is fresh
as heir. And I'm lying, so we keep clean. When
I saw that your shoes were clean, I said, don't
want to be burning everybody.
Speaker 1 (05:39):
He got some black not to be gay, but it
was it was black men.
Speaker 4 (05:44):
When I was a kid, I knew if I walked
out of the house, I wasn't making it to the
end of the blocks were roach.
Speaker 1 (05:50):
You had a black step daddy. I did not.
Speaker 3 (05:56):
To me. I thought he beat the black cauds in you.
I'm sorry to start like I love you too, came
in and started some bullshit.
Speaker 1 (06:07):
I love it. So you grew up in a black neighborhood.
It was mixed. It was like, yeah, you do that ship,
They're gonna wear your ass out.
Speaker 3 (06:13):
Yeah.
Speaker 4 (06:14):
Trying to get to the industry where the black women were,
where I could impress them. But it was mainly not
to get clown the moment I stepped out the fun,
especially when you had something fresh on you thought she
was killing it.
Speaker 1 (06:23):
Let me turn around, did you we fooboo? Of course,
oh she You were more of a South Pole family.
He's deep into the culture. So you know that was
for us. Bout us was subjective, was not suggested. Whatever
the words you just said, it was for us by us.
The hell are you doing with mist we were talking,
(06:46):
you said you don't do you you haven't really focused
on your podcast.
Speaker 3 (06:49):
No, well, I do it every week and but you're
so busy. Now I'm busy getting that money, miss pat Well.
I try to get all the money I do. But
TV came along, and you know, the tours and stuff
picked up, so I just didn't have time. And plus
my co host is are in Indiana, and so I
moved to Atlanta, back to Atlanta where I was from.
So it just it just put a big gapping now
(07:11):
and now it ain't as big as it used to be.
But I do it. I always done it just for
the fans. I want to stop it, but my fans
like it.
Speaker 1 (07:20):
Yeah, but you got your podcast is that could be
like your you know, where you really get your ship off.
I get uh, because I don't know. You talk shit
and I know that. But I'm just saying, like the podcast,
because TV is they kind of got to it's very
a little strict, it's little. They love Miss Pat, but
they got to keep Miss Pat in this thing because
it's like, we can't go too crazy, Miss Pat. We
(07:42):
got to keep it. This is television. The podcast. You
can just I can be free. I guess I can.
Speaker 3 (07:47):
You know, so you get a little pushback on some
of the things I want to do on a Miss
Past show, Miss Past Sealesday. But I'm free on the
podcast and that's why I keep it, and that's why
I still tour. You notice a lot of comedians who
get TV shows, they stop touring, you know, because especially
if you're on network TV. I never stop touring because
I don't ever want to depend on somebody to feed
(08:10):
my family. You can cut the lights off at the
Mispass show or that court show at any time. I
gotta cut the lights off on this tour. I gotta
cut the lights out on the podcast. So it's what
I like, being in control of myself. I don't ever
want to have to go beg anybody to do nothing.
Oh please, don't cancel the show. Cancel the show. It's
your show.
Speaker 1 (08:28):
You know.
Speaker 3 (08:28):
I'm there because you paying me. If you stop paying me,
I ain't gonna come. So and that's why I continue
to tour because I like I just I'm a person
like I don't like to be led.
Speaker 1 (08:38):
I like to lead.
Speaker 4 (08:40):
What's what's some of the wildest bits and premises that
they said no to for the Mispast show. In the
writer's room or execs was like, well, yeah, we did
a race episode about how the younger generation find everything
to be racist offensive and back in the day, you know,
people saying stuff, and it just went on, aboudy your
(09:01):
grandmama and your mom and daddy.
Speaker 3 (09:03):
So the word jap slap BT was you've heard the
word jap slap. Well, I didn't know that was a
racist term until my husband told me because I grew
up with a black mama.
Speaker 1 (09:13):
Every day, I jap slap shit. You know, we didn't know.
Speaker 4 (09:17):
You know what, you know, my dad used to call
pop quizzes a jap testing damn.
Speaker 3 (09:24):
But I didn't know that was a racist term. So
I wanted to put it over in the show. And
they was like no, because at the time people was
attack attacking Asian people. But I wanted to show I
wanted to put that word out there because I wanted
people to know that it was it was a derogatory word.
Speaker 1 (09:40):
What was crazy.
Speaker 3 (09:41):
The younger generation had never heard of the word. I'm like,
we gotta put jap. Stay with the hell this jap slap.
And the people at BT plus at the time was
around my age, and they was like, you can't put
it in, but they let me put it in. When
they let me put in chink, they let me use chink.
Speaker 1 (09:56):
That's worse. And we was trying to tell them it's worse.
Speaker 4 (10:01):
Jacks like yes, they had Shane Gillis on SNL for
twenty four hours and then they went through his podcast
when he used chink and fired him.
Speaker 1 (10:08):
Right, how is that even possible? That's crazy? Let meat
that off it.
Speaker 2 (10:12):
But we didn't use it. We was just trying to say.
Speaker 3 (10:15):
The message we were saying is words that what the
parents used to say, we can't say anymore. And a
lot of times parents don't know. Times have changed. So
you know, you might hear somebody say call somebody, you
know the F word for a gay person. When we
said that back in the day, you can't say that today.
So that's that's what the whole episode was about.
Speaker 1 (10:36):
How much of the writing do you do on the show?
Speaker 3 (10:39):
I don't really I do the ideals, so I do
the stories for my life and Jordani Cooper take it
to the right room and I don't really write. I
go in and tell stories. And then they created. I'm
not a I guess you can say I'm a creator.
I don't really put pee in the paper. I can
stand over your shoulder and tell you what I see,
(11:00):
tell you what's in my head. But I don't spell
good enough to be right, and shit, yeah, I ain't
gonna be right.
Speaker 2 (11:06):
But I tell you a good story. That's what I do.
Speaker 4 (11:09):
Is there a story from Atlanta that you couldn't have
put in the show that you knew out the gate
after the jap slap shit that she was like, you know,
I'm gonna keep the story for myself and I won't.
Speaker 3 (11:21):
Jef what that didn't get in, But like I said,
the other word did get in. No, because they pretty
much the show is based off my real life. So
ninety percent of that show is real, okay, things that
happened to me or things that I know people been through,
So they pretty much let us do anything. I did
an abortion episode where a middle aged woman had an
(11:42):
abortion without her husband consent, because I wanted to tell
the world it was my choice. It's my body. Just
because I'm married to you doesn't mean you have control
over my body, which which you know. I had a
little pushback from the network. They said, well, who do that?
I said, I know my friend did it. She didn't
even tell my husband she was pregnant. Who want to
have a baby at forty years old? And then you
(12:04):
a ninety year old mama. Don't nobody want that?
Speaker 4 (12:08):
I want to see the follow up episode with the
nine year old mother. That's the episode that I want.
Speaker 3 (12:13):
To You know, they have a few pushback, but you know,
thank god, this show is based off of me, so
they do a lot, a lot of things, And I
think I've set a tone of the type of comedian
I am. I don't hold back. I like to push
the envelope. I like to go there. I like to
say things other people thinking about saying but too scared
(12:33):
to say it. So, you know, I think when people
come to work with me, they know that they're gonna
get the real, don't I don't. I hate people who
talk like, oh my god, bitch, breed talk to me
like you talk to your creditor. So your creditors, Yes,
you don't talk to your credit as a hold in
your broth.
Speaker 1 (12:53):
Don't talk to me holding here, brother, right, that's the
fact you hold some of your your comedic inspirations for
your style of comedy.
Speaker 3 (13:00):
Who was some of the Richard Prye burning mad Red Fox,
Red Fox.
Speaker 1 (13:06):
Yes, I was a big.
Speaker 3 (13:08):
When I first started doing comedy, everybody was like car
you got stories like Richard Pryor.
Speaker 1 (13:12):
So I didn't know Richard Pribbey.
Speaker 2 (13:13):
Was a comedian. I thought he was just an actor
because I seen him on TV.
Speaker 3 (13:17):
So I started to research him and by his albums
and listen to him. And he told her a lot
of stories about growing up in a brothe and I
grew up in a in a looquer house, a boot
leg house, so we kind of had similar lives and
we saw the same things in those types of houses.
And so I just said, I said, you know what,
I think. I'm a storyteller, so that's what I tell.
(13:39):
I tell a lot of crazy stories on stage.
Speaker 1 (13:42):
But Richard Pryor is one of the greatest. He is
one of the greatest. For me, he's probably the greatest comedian.
Speaker 2 (13:48):
I would say he is the greatest comedian.
Speaker 4 (13:50):
Seeing what you saw in Atlanta growing up, what's the
difference between that Atlanta and this Atlanta right now?
Speaker 1 (13:57):
That Atlanta?
Speaker 2 (13:57):
This Atlanta.
Speaker 3 (13:58):
Yeah, it's a lot of gay people. Yeah, yeah, they
every Well, my daughter, your daughter's gay. It's hell, not
like it's a question.
Speaker 1 (14:08):
She's like all the way gay, Like, yeah, she's but
she's a girl. But is she is she like masculine? No,
she's a girl.
Speaker 3 (14:15):
Okay, she's her girlfriend looked like you okay, yeah, how
did she used to look out for Young and May
when she's in New York type, my daughter loves young
May do May Young.
Speaker 4 (14:26):
Yeah, that girl, she love that girl. Mis lesbian young
in May is like they Brad Pitt tell you. She's like,
that's the final boss.
Speaker 1 (14:39):
I'm just like she. I'm like, she looked like the
rest of you, bitch? Is it because she a rapper?
Speaker 3 (14:48):
I have questions of this, How do you vet like
that your daughter brings that? Yeah, it's like, I mean
masculine lesbian. That's different than.
Speaker 1 (15:02):
What's no masculine presenting? Yeah, okay, he gave what's the
I mean, not you. He got the hand from Pam.
He not get my hairstyles is gay? Josh?
Speaker 5 (15:21):
I thought that my I thought that was my hairstylist.
So I was like, what's that gave?
Speaker 1 (15:39):
I have not give. I'm so sorry Josh on my glasses.
I mean he likes funny man. Alright.
Speaker 4 (15:53):
So when I was growing up and was a masculine,
forward facing lesbian, she would like these ford face because
she was she was facing me forward.
Speaker 1 (16:07):
A face.
Speaker 4 (16:10):
Like that's how you present yourself like as a masculine lesbian.
Is what I always started was. Yeah, So I was
right with the definition. So you're saying that's what your
daughter likes.
Speaker 1 (16:19):
Yeah, my daughter likes.
Speaker 4 (16:21):
So how do you vet? Would you vet that the
same way you would if a man came in the house.
Speaker 1 (16:25):
I don't be vetting them. She don't keep them long enough.
She switching.
Speaker 2 (16:31):
Oh stop, just believe studs.
Speaker 3 (16:42):
The term is study, right, Okay, so you thought it
was derogatory, So how do you do this again?
Speaker 4 (16:48):
So when the stud comes in the house, how do
you vet the studies it the same way that you
would vet maybe a man coming in the house.
Speaker 1 (16:56):
Well, just based off like how they we have rules because.
Speaker 3 (16:59):
At first I was meet the girls and my daughter
was just going through them. So if I don't want
to meet your girl and she got she got to
be in your life at least five years before I
even lock her phone number in my phone. So these
girls just got to the fifth Thanksgiving last year. So
now I talk to her because yeah, because in the
in the in the in the gay community, they.
Speaker 1 (17:20):
Turn over, they turn over.
Speaker 3 (17:22):
They'll turn over a girlfriend, and then that girl will
be with the other girl all I'm going vacation together.
It's the weirdest thing. So I just got tired of
my daughter bringing all these girls around, and I just
I didn't deal with them. Feel the third, you can't
come to my house until you we have a rule.
You cannot meet me until you five years in, or
(17:43):
I won't. I don't want to deal with you until
we five years in. If I see you out, you
can't go on vacation with us, I don't talk to you.
I say, hey, and buy all of that because my
daughter ain't gonna be with them long.
Speaker 1 (17:53):
My daughter treat lesbian lesbian needs them like a buffet.
She's just eating them. It's free, I mean, get my
money's worse. Mss pat Have you ever seen a stud funeral?
Like a stud in the casket? What the hell I
said that? I said that like a year ago. I've
never seen a study in the casket. That's what I'm saying.
(18:14):
I think they turned the stone and even put them
on top of the churches. I don't I've never seen
a stud in the casket. But a friend of mine
told me that as a father owns a funeral home
and most of the time the family will dress them
female presenting in the casket. I think that's that's what
I'm saying. That's what that's That's what I said. I said,
I don't know if they're happy about that, But I've
never seen a stud funeral.
Speaker 3 (18:35):
You know.
Speaker 2 (18:36):
Come to think of it, i ain't never seen no
stud frounery.
Speaker 1 (18:39):
I'm trying to tell you turning.
Speaker 3 (18:40):
Them back against they will, I'm gonna tell my daughters
you better get her wheel together.
Speaker 4 (18:44):
When he got up the stereo, I wanted to argue
with him, but then I started thinking, I've never seen what.
Speaker 1 (18:48):
I've never seen a study in the casket. I've seen
a study getting on in the casket. Have ever seen it?
Gave man in the cast? Yes?
Speaker 2 (18:54):
Do they turn them back or they turn them over?
Speaker 1 (19:04):
They like? Listen, we better not get in trouble. Special
on Netflix. Y'all want to hear something crazy, even though
we are some greaty ship talk to us about doing
a Netflix special. How big was that for you? That
was big?
Speaker 3 (19:24):
That was my first specially I'm getting ready to shoot
my second special on my own in February.
Speaker 2 (19:29):
But yeah, it was really big, and I was I was.
Speaker 3 (19:32):
I was finally happy that, you know, Netflix acknowledged me
to give me a special.
Speaker 1 (19:36):
So I was happy, and it was.
Speaker 2 (19:38):
Meant a lot because I Wonder Site produced it.
Speaker 1 (19:40):
And what's his name?
Speaker 3 (19:43):
The director, Robert Townsend, Director Robert Townsend, O Lord, I
love me some. Robbert twy how directed legendary. Yes, yes,
yes he directed it.
Speaker 1 (19:55):
Shout out to Robert. That's one of the that's one
of the For me, I'm a little older than these guys,
But for me, Rober Towns and Keenan Navy Wayne's those
were the ones that I kind of found like comedy
and television when I was a kid. Those are the
two guys that I looked at all the time and
watch whatever. It was a movie obviously in living color,
to me is one of the greatest sitcom shows you
ever had. But that's that's legendary that Robert Townsend directed.
(20:17):
At a few years ago, another legendary comedian, miss Monique,
She came out and had some things to say about
the pay that female comedians were receiving versus some of
the male comedians when it came to Netflix and things
like that and their stand up specials. How do you
feel about that and how do you throw out the
landscape of like the disparabed the differences between the female
(20:41):
comedians versus some of the male comedians where you may
be funnier than a lot of the male comedians.
Speaker 3 (20:46):
But never equal in this country, no matter what job
you have, it's either gonna be a man make more
than a woman. White people make more than black people,
so it's never gonna be equal.
Speaker 1 (20:57):
You don't play, don't don't you say? You guys found
out about that. Yeah, we showed that always keeping her
a secaret. Why you say that you're in the DEI.
Speaker 3 (21:07):
So, I mean I understood her argument, and in some
places I agree with her, But you know, that was
her fight. That wasn't at the time, that wasn't happening
to me. But I'm glad she spoke up about it,
because this is an industry. If you let it walk
over you, it would truly walk over you. You know,
people telling them on New York you shouldn't be talking
about this. I say, if you feel like you're not
(21:27):
being treated right, then speak up. So if you don't
speak up, you're gonna forever get stepped on. That wasn't
my fight. I haven't experienced that as far as I
can think. Because if you come to me with a price,
I'm gonna come back to you and say, ask for
this and keep asking for this. And I'm at a
position now where and I'm blessed where I can say no,
I don't want to do that.
Speaker 1 (21:47):
It ain't about the money. I don't want to do that.
Speaker 2 (21:50):
And I say that all the time.
Speaker 1 (21:51):
Yeah, I just want to make clear that's not paying, right, No,
that is my thank God.
Speaker 4 (22:00):
Me a second we were saying all that she was
on the phone. She hasn't an answer, and she wanted
to make sure that that wasn't paying for everything that
we just had because I thought she was emailing some
hr company and she was quiet in the course. I
just want to make sure that was not paying. And
we said that behind her back because I know she's
not gonna listen. List what parment is my pr person,
that's my assistant, that guy with miss pat settles it.
(22:24):
That's out now when it's coming right. What was your
favorite case?
Speaker 1 (22:28):
Just like as a.
Speaker 3 (22:29):
Teaser, obviously, don't have to give away everything. What was
your favorite case going into the season. I think did
you even settle it? I think it was my kids.
My kids ended up on there, yes with the stuts. No, no,
it's my gay daughter and my fat son. And so
my gay daughter took my son to the script club,
but he didn't have no money, so she gave him
(22:49):
money to throw at the scriptles and she wanted her
money back, five hundred dollars and he never paid it back.
Speaker 1 (22:53):
What you happened for real?
Speaker 3 (22:55):
And they had been arguing about this money for over
a year and a case fell out and it was like,
do you have a case? And they told him and
they didn't even tell me they was gonna be on
the show. And they walk in and I'm thinking, like,
both of y'all owe me money? Well they hell, I'm
gonna look like give you some money because I had
just paid for my daughter teeth to get done and
she didn't pay me for that. And I'm always helping
my son out. So I just threw the case out.
Speaker 1 (23:16):
That's a good mom right there.
Speaker 4 (23:17):
Yeah, you know I would make the case with the
like all right, you got the daughter, the teeth, give
me some lippo?
Speaker 1 (23:24):
Who need leightpo my fat son? Oh the fat son?
No you don't.
Speaker 3 (23:28):
He need a new joystick for his game. He forty
years old and all he do and play the game.
He said he wanted to be a screamer. I said, sir,
you're forty years old. Nobody wants to look at you.
They gonna scream when they see your big black ass
on this screaming system. He wait till he gets forty
(23:50):
years old. Cocaine or coy sit whatever that little kid name.
Speaker 1 (23:54):
You know man, All the.
Speaker 3 (23:55):
Broke nigroes think they can get rich by streaming. Oh,
he cornered the mark. Y'all it's over. You're gonna have
to go do something else. My son even tried to
get on screaming with his shirt off. And I'm strolling
one now. He had one work. He had two people
looking at him, Me and somebody else got.
Speaker 1 (24:10):
To stand out. Why he ain't posted? Two people like,
why he ain't post my do't post my link?
Speaker 2 (24:17):
I was killing him, right, take your fat ass back.
Speaker 1 (24:20):
You started picked up fast ship.
Speaker 3 (24:22):
I'm all in the comments, right, you ain't got no job,
your big black bitch.
Speaker 1 (24:26):
I'm killing him. He blocked me.
Speaker 4 (24:30):
It's only subscriber, his only Oh what was he streaming?
Speaker 1 (24:37):
He was just playing this.
Speaker 2 (24:37):
He was playing video game with everybody else with you.
Speaker 1 (24:41):
Everybody know him.
Speaker 3 (24:42):
It's my min passing funk out. He got get out
this game. He need to go look for John.
Speaker 1 (24:46):
I know that's your son. Well, the people on the head,
it's only two people.
Speaker 3 (24:52):
The people playing the game knew I was He knew
he was my son. He oh them to tell everybody
their mama.
Speaker 1 (24:57):
Oh my god. How's bt Tree? How how's the business
over there? It's great, you know, it's great.
Speaker 3 (25:03):
I've been over there for five seasons, so it's it's
been really good.
Speaker 1 (25:07):
I don't have any problem.
Speaker 3 (25:08):
But I don't have no problem nowhere I go because
I speak up.
Speaker 1 (25:11):
Yeah, what's what's the difference between the two shows?
Speaker 2 (25:14):
One is a sitcom and one is more like as.
Speaker 1 (25:17):
Far as like the process and how that works. Oh,
it takes me.
Speaker 3 (25:20):
It takes me two weeks to shoot Miss Pat settles it,
and it takes me two to three months to shoot
the Miss Pat show because it's a sitcom in front
of a live studio audience.
Speaker 1 (25:30):
Okay, Oh, we have to get for the next season.
We got to be in a live studio.
Speaker 5 (25:33):
Yah.
Speaker 1 (25:33):
We got to pull up to pull up. You know what.
Speaker 3 (25:35):
It's like a backyard celebration. Have so much fun we have,
I mean, and the episodes will be writing as you
know that some emotional, some is hilarious.
Speaker 1 (25:46):
We try to touch on all kinds of stuff. This season.
We had an episode.
Speaker 3 (25:49):
About immigration, which was very touching, and so you know,
we had all kinds of things going on this year.
So make sure y'all tune in when I give y'all
a data when Miss Pat's show is dropping. How did
y'all take the immigration angle? I don't want to give
it away. Absolutely, I'm not your baby mama, you ain't slip.
Speaker 4 (26:18):
I'm saying that the Gaze infiltrated Atlanta. That was the immigration,
the Gaze. They came from Atlanta.
Speaker 1 (26:23):
They run around.
Speaker 2 (26:25):
You can't do nothing alone without the Gaze.
Speaker 1 (26:28):
I love the game.
Speaker 3 (26:29):
You know what I love about a gay man because
they do they make up better than women do they do?
They do everything or woman supposed to do, but they
do it perfect.
Speaker 1 (26:39):
Why do you think that is? I guess they have
more time to practice.
Speaker 3 (26:42):
I don't know, but you go to those drag shows,
you'd be like, damn that nigga look good. They have
be laid, they lashes, they know everything. They the ones
started the whole corsets thing. Bring your waist in. You
don't lift your boobs up high. They know pull, you know,
take the tape and pull your eyes back so you
can look twenty years younger. All of that came from
that community. I just I love gay me who is
(27:05):
into makeup? Came nobody beat your face like a gay.
Speaker 1 (27:08):
Man, Maul.
Speaker 4 (27:13):
So, I know you're thinking about upgrading to the all
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Speaker 4 (27:40):
Today's show is brought to you by our new presenting sponsor,
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(29:08):
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New Jersey, Ohio, Tennessee, and Virginia. You circumcide, yes, I circumcised.
I'm circumcised. Okay, you circumcide. He's Irish. I think that's
(29:31):
part Irish Catholic.
Speaker 6 (29:32):
Oh yeah, they yeah, they comet forse get off and
then they touch it pretty much Irish Catholics.
Speaker 1 (29:43):
Do you see they bite you? Remember that man? You
remember that priest.
Speaker 2 (29:53):
I'm I'm lying.
Speaker 1 (29:54):
He was.
Speaker 3 (29:54):
He was circumcizing the people one and he were putting
his mouth on them kids.
Speaker 1 (29:57):
You remember that? What's on you too? It was on
YouTube he was putting his mouthphone. Yeah, there was that one.
Uh ship.
Speaker 4 (30:04):
He was like Filipino. It was like a Buddhist free
style that was grabbing the kids. Tongues and ship don't know.
Speaker 1 (30:10):
He said, Oh no, that was the that was the dolly,
that was the dolly Lama.
Speaker 3 (30:13):
Yeah, he was grabbing the kid's tongue, but one of
them was like biting on them.
Speaker 1 (30:17):
Oh yeah, I didn't see that. Yeah, I mean that
wasn't in my past. You Irish, right, I mean you Catholic,
Irish was raised Irish Catholic. Yeah, they do some weird.
Speaker 2 (30:25):
Things over at that church. See, it ain't like the
Black Church.
Speaker 3 (30:29):
Somebody testified in the middle of the pastor they're back
here fucking with these kids. That's what happened at the
Black Church. You you might get touched one or two times,
but somebody gonna tell on his ass.
Speaker 1 (30:43):
They're gonna let it go on.
Speaker 3 (30:44):
But then you gotta be on all that medications because
you know they don't put black kids on all that medication.
We cret that ship right there and there. Yeah, that's
why you keep blinking your eye. Who touches you? Don't
listen to the show. I know, listen to the show.
Speaker 1 (30:58):
You've been touched?
Speaker 3 (30:59):
Yeah, why is it every time we get a comedian
on here? I knew because I knew because he was
blinking out you know that's a that's help. That's a
y'all don't know, that's a sign that he needs some help.
Speaker 4 (31:15):
I thought it was because I had a nice eyelashes.
Speaker 3 (31:17):
No, but they be blinking like that. That means somebody,
somebody messed up his equal liberty, his take off.
Speaker 1 (31:25):
Not that ship, right you? I mean they're dead. Now.
Who touched you? You want to tell his government name? No?
Who was her government name? It was her. It was
a man and a woman. It was a wild day
at the same time.
Speaker 3 (31:38):
No, it's different at the church. No, it was never
at the church. But they was affiliated for sure. Was
the black and white? They was white both.
Speaker 1 (31:48):
Was he a priest? No, they weren't like part of
the church.
Speaker 2 (31:51):
They was in your neighborhood.
Speaker 1 (31:52):
Yeah. Did you tell anybody years later? No? No, Now
we talked about on the Podel's. It's like a running joke.
They just closed.
Speaker 3 (32:00):
Was uh six and it is gonna not be a
joke at six and nine?
Speaker 1 (32:06):
I want to say six and nine. Yeah, okay, it
could be wrong. Did you tell how long? Did it
go on for a while?
Speaker 3 (32:10):
No?
Speaker 4 (32:11):
I was just it was one and done. I wasn't
that good, So you had to sucker, dick. No, I
didn't do that, thank you. Okay, thank god I held out.
He may have batted my ship around. I'm just trying
to get to the bottom up. I'm trying to see
why he'd be blinking. Miss Pat is genuinely concerned. She's
(32:31):
not letting him so she just had another question.
Speaker 3 (32:37):
Because I could tell he got child unless stationized.
Speaker 1 (32:41):
Finally, everyone thinks this is me, Miss Pat. Finally I'm
being seen.
Speaker 3 (32:46):
I appreciate you because at one point when I couldn't
talk about I bet too so so so they just so.
Speaker 1 (32:52):
What they do? He just I mean, I'm not gonna
like getting the full details.
Speaker 4 (32:57):
I will say, though, once I started talking about on
the show, felt better.
Speaker 1 (33:00):
Yeah, for sure.
Speaker 4 (33:02):
I picked my pops up in Staten Island, New York,
and he had caught up on some episodes.
Speaker 1 (33:08):
He was like, he was touched. Look, so did the
lady trying to tell you this? Did the lady make
you suck a titty? Because she did too.
Speaker 4 (33:22):
Yeah, and I thought it was cool, but I felt uncomfortable.
Speaker 3 (33:25):
Oh my god, you didn't need it.
Speaker 1 (33:29):
I didn't. I'm sorry you might have to bleek. Sorry,
I'm fine keeping on by the way, this is.
Speaker 4 (33:38):
This is better than when I went to therapy. This
is better. She's genuinely no, I know she cared, but
I was touched. So I'm just asking.
Speaker 3 (33:48):
I mean, and you know the great part about when,
no matter what you've been through in life, when you
can laugh about it, that means you have control of it.
And I'm not trying to be a mean person, but
I could tell something had happened to him. But because
he don't have no controls of here, I lead. So
I'm like, what is going on with him? No, you
don't understand.
Speaker 4 (34:07):
I've been the years three this is the best I felt. Yes,
So she was like, oh all right, said yeah, because
I was like, I think he's been molisted.
Speaker 3 (34:16):
That's what I said to myself, and that's why.
Speaker 1 (34:20):
I asked you, you know, But yeah, I mean, you
over it now?
Speaker 3 (34:23):
I'm over Oh yeah, I mean my my mama barfriend
molisted me. I can't ride in El Caminos. Thank god,
they don't make him no more. I went to, you're
so fucking stupid laughing at everything. No, but this is
what they do to me. We have I g clips
of him laughing at me being touched.
Speaker 1 (34:41):
Like the fact that you just add to make him
laughing more laughing together. Yes, I can't write.
Speaker 3 (34:49):
It fucking co spoking to me? You ever been molested
in the one seaton that been taking out of one seat?
We can't go nowhere?
Speaker 1 (35:06):
That I should have had no choice. Yeah, most kids.
Speaker 3 (35:18):
Get me a lesson and a pick up trunk or
two seats one sees. But I'm glad you're talking about it.
Oh yeah, somebody happened to you. Yeah, I'm glad you
didn't turn the other way.
Speaker 4 (35:30):
I've been talking about it for years and I ended
up just a few years ago and going into couples therapy,
and you know, in therapy, that's like the first fucking
question who was touched?
Speaker 3 (35:39):
I was like, I'm trying to talk about this crazy bitch.
I'm oping that, Like I don't care about what happened?
Then can we please talk about what's going on now?
So No, I'm happy I can laugh about it.
Speaker 1 (35:51):
That affect your relationships? Yeah? Probably?
Speaker 3 (35:53):
Do you ever do do you have in a sexual
move and then somehow that older lady titty popping your
head and you can't finish sunk.
Speaker 1 (36:00):
In the TV? Uh?
Speaker 4 (36:03):
Maybe it wasn't an attractive titty for the flashes that
I have during the entire thing.
Speaker 1 (36:08):
It was a lot of the ship. Was it a
lone titty? They were?
Speaker 5 (36:14):
Oh?
Speaker 1 (36:14):
Was she?
Speaker 3 (36:16):
I was like nine, I would guess if he alone,
she had to be in her forties.
Speaker 2 (36:22):
Forties for sure, Yeah, because thirty two is still hold up.
Speaker 4 (36:25):
I mean then there was one time with a babysitter,
but like I was an active artist. It would be
technically molestation, but I was fine with the babysitters white.
Speaker 1 (36:37):
Yes, she was white.
Speaker 4 (36:38):
Family member too, but not like a director your cousin. No,
I'm not fucked a cousin. You said it was a
family member, but like you know, like family, neighborhood family,
like my blood friend of the family from Queens.
Speaker 3 (36:52):
Oh, I didn't know they get down like that up here.
Oh for sure, that's not like some Alabama shit too.
I'm sorry. Maybe I thought it was Alabama because you're white.
I had no idea it was. She think Rory is like.
Speaker 1 (37:09):
Red white Nias from New York. He's from the hood, like.
Speaker 3 (37:15):
You know, he told my cousins and long titties and
fast you know.
Speaker 1 (37:20):
Yeah, not long titties and family friends. I'm just saying
I just it sounded like the South Ship.
Speaker 4 (37:27):
No, not at all, but somebody would considered like family
friend type shit.
Speaker 1 (37:30):
But she she was. Have you seen her? No, I
haven't seen her in a long long time. Okay.
Speaker 4 (37:36):
I didn't even consider that me losing my virginity because
I didn't say to me losing my virginity when I
was fourteen, because I was probably who.
Speaker 3 (37:42):
You lost it with. Uh, No, wonder you like black pussy.
It's so much white pussy they took. You know, I've
never even gone down that path. Now, yeah, well they
all forced it on you, so it turned you off.
Speaker 4 (37:53):
And now that I think about it, like when I
was growing up, the nicest people to me were black women.
He's actually more therapy than I think I've ever gotten.
I've never even and put those two. You can write
me a check, keep.
Speaker 3 (38:07):
You.
Speaker 1 (38:08):
I never even put and two together.
Speaker 3 (38:09):
Then. Yeah, So that's probably why you attracted to black
people and black women because every time.
Speaker 4 (38:15):
There was black people around when I was, I mean,
you didn't tell them about you, but they but black
people didn't last you know, I was never I think
mentally say a crazy sentence to say I'm person.
Speaker 3 (38:34):
So that's why you that's why you like black women
because white women threw it on you. So you were
like you took Yeah, they took your dick, so you
don't want no part of them.
Speaker 1 (38:46):
Hmm yeah, I never even put it's funny. But she
makes a good point.
Speaker 4 (38:50):
Yeah, I'm not even joking around. That might be the
most fair point.
Speaker 1 (38:55):
I never thought about it. Maybe they was right. I
do have a fetish, maybe a fetish with what that's
always gonna Uh we're Joe twa women, which I don't.
They say that he fetish ots black women.
Speaker 4 (39:04):
But every time I brought up, like how black women
took care of me as a kid, like it's always
it's never been a.
Speaker 1 (39:10):
Sexual that they care you. You have a nanny.
Speaker 4 (39:13):
No, I've lived with a Jamaican family when I was
fucking homeless.
Speaker 3 (39:16):
Like oh okay, oh you oh you oh you want
them eminems?
Speaker 2 (39:27):
You ain't no baron Trump, you are eminem.
Speaker 1 (39:30):
For my ship got battered around. I had to get
out the house. I had to run away. Bless your
little I'm glad you're doing good. Really, I'm glad you're
doing good.
Speaker 4 (39:44):
My eyes are still bad, not off I am. It's
slowed down since we got that out. Yeah, I feel
better than I feel like I've been since slowed down.
Speaker 3 (39:53):
Yeah, I thought he had Touret's earlier. I said, fuck
wrong with eyes, but I could tell that was trauma
behind is it's priul?
Speaker 1 (40:04):
Yeah? Is fucking crazy? You were You weren't one of
the lucky ones? Oh my god, what you mean lucky ones?
Speaker 3 (40:12):
That mean he's the only one of the couch that
has been a lesson. Yes, you haven't got a lesson
to the top.
Speaker 1 (40:16):
Oh okay, but I did read your story about it.
Ain't fun? Well no, I mean you know we're laughing
about it, and that's that's great that we can't. But no,
it's nothing fun about that. But that is the greatest
read I think Rory has ever gotten in his life.
I don't know how you figured all of that out
just by blinking his eyes. But I'm a black mama.
We know ship.
Speaker 3 (40:37):
You know how you bring a Walmer home with your MoMA, Like, hey,
let me tell you that's a whole red down at
my house. A black mama can that got an STD
We can tell you right out that, We can tell
you read out the fucking map.
Speaker 1 (40:48):
You ain't gotten it red there? Yeah, I think I
think that is something that I think protecting me growing
up is that having a strong black mom. Yeah, definitely
what I'm saying because my mother was white.
Speaker 4 (40:58):
That's why I'm like, you've great woman trying to well.
Speaker 2 (41:06):
Let me say this. We're culturally different.
Speaker 3 (41:08):
Soa when you're white, I think it's more free, you know,
like you don't have to have that talk. Nobody told you,
don't you go out there more for the door. When
you go out that door, you make Black kids go
out the door, and they say, make sure your drawers
are clean in case you get hit by a car.
We always were told that, I don't know why clean underway,
it's important. If a nigga don't draw you thirty miles
down the street, my leg is shattered.
Speaker 1 (41:29):
But with black.
Speaker 3 (41:35):
Black parents always had to have a conversation with their
child and white parents have never had to have those
conversations with the police with don't do this, don't do this,
look over your shoulder, pay attention. So it's just different.
It doesn't make your mama weak. It's just the things
that you that that y'all had to endure, that we
had to endure that y'all didn't have to endure, so
(41:56):
your life was a little more like a flower.
Speaker 1 (41:59):
Do what I want to do.
Speaker 3 (42:00):
Where he was with his mother. So let me talk
to you, little little john. You take your ass out
of the No, you look both way. Did anybody touch
your drawers? You tell me, because I'm gonna killer nigga
for sucking on you. So that's what a black parents
tell me. Anybody touch you, I kill him. And when
I first got married to my husband, used to tell
my daughter because that says not his daddy. I said,
let me tell you something. If this man ever touched you,
I want you to know that I would love I
love y'all way more than I love him. I kill
(42:22):
his ass because I had been molessed, and every day
I gave my kids a child molestation story on the
way to school, I said, if he touched you, I
would kill him. To Finally, my daughter's in the eighth grade,
she said, Mama, the man ain't gonna touch me. It
been five years and I stopped asking, but I had
to let her know. You know, anybody touch you, especially
(42:42):
out of move his man into moved up to the
house with this man. I know him, but you don't
really never know a person. So That's the talk I
had to have with my kids and my son, mean,
because people digging booties, so I had to make sure
nobody was gonna be digging in my sons.
Speaker 1 (42:57):
Yeah, that is something that I like getting older, having
talks with women like I never realized how many women
actually experienced that in their home.
Speaker 4 (43:05):
Yes, and I don't think that's a racial thing at all.
Speaker 3 (43:09):
But you know what I'm saying is I think I
think with black families we have the conversations more where
you know, we used to sit the kids down and
say whatever where you know a lot of times with
white people, yeah, like it don't.
Speaker 1 (43:22):
Exist to it exists.
Speaker 4 (43:24):
Yeah, I mean I can only speak from my family.
The more I learned, once I started having those conversations
with my mom and what she went through, I was like,
we allowed him around, Yes, so I see what you said.
I'm not gonna I'm not speaking for all whites, but
I can speak from my family that regard. Once I
learned more, I was like, why you let him? Well,
see he was there every holiday and he did that.
Speaker 3 (43:42):
But the thing with Okay, so when you have a
child and lester in the family, and your uncle is
a child and less. They say, so the black fellow
will tell you, look, hire your uncle be touching kids.
So don't go over that fucking with that nigga. Okay,
stay away from Uncle John or uncle whatever.
Speaker 1 (43:55):
We tell.
Speaker 3 (43:56):
We told that before we go to the barbecue. Can't
he come to the barbecue. Yes, but everybody gonna be
watching his head. Everybody know what he do and we're
gonna tell them, kid, if he touched you, we're gonna
kill him.
Speaker 1 (44:06):
So all the kids know him.
Speaker 2 (44:08):
Child mo Leicester, Chester, Chester molested Chester molester.
Speaker 1 (44:11):
So we stayed away from.
Speaker 4 (44:12):
We put that on a house on our block. I
have no idea to this day. He never touched anybody
in the nigga. It was just a house that was
everyone would say Chester molester lives there.
Speaker 1 (44:21):
Yeah, I don't know.
Speaker 4 (44:21):
It was just like a kid thing. Where is Chester
the molester? I didn't know that was a universal thing.
Speaker 3 (44:26):
Yes, So that that I think that's the culture different
is that African black people say it out loud.
Speaker 1 (44:32):
And other everybody get touched.
Speaker 4 (44:34):
So I think I don't know if every I think
every molestation is.
Speaker 1 (44:40):
In there every race.
Speaker 3 (44:41):
Like I was just talking about that movie on what's
the name of that movie, adding in plain sight.
Speaker 1 (44:46):
You've seen that.
Speaker 3 (44:48):
That was the craziest ship That man slept with the
whole family kept kidnapping the daughter. You couldn't have that
chance in no black household. He'd have been fucked as
soon as he sucked the daddy penis. Everybody would have
killed him. You don't get those kind of chances. Yeah,
that was the crazy.
Speaker 4 (45:04):
Outside of that being the sickest part of the entire premise,
the fact that Homie got on that camera and was like,
he sucked my dick too. That was like the last episode.
I'm like, you've been on this whole series. It was like, listen,
I was sitting there watching that. Good on me too,
(45:31):
I said, how I still didn't resist?
Speaker 1 (45:34):
Is that about this.
Speaker 2 (45:34):
Stupid and rural towns.
Speaker 3 (45:36):
It's gotta be the craziest shiit ever. But those are
the things that even though those neighbors knew it, or
some of the neighbors suspected it, nobody saying it out loud.
Nobody went over there and had a talk with that family.
In all neighborhoods, they would have knocked on the door
and had a talk with mom. Hey he be touching key,
Oh he been the privilege, and I think it's now.
(45:57):
I think it's more prominent now in all communities because
they have that that that predator watch you know you have.
You know, when I was living in playing for Indiana,
every time somebody moved into a neighborhood that had been
the jail for molestation.
Speaker 1 (46:13):
Of rates, Yeah, you had to raise.
Speaker 3 (46:15):
So you would get an email a child unlesson just
moved three days, three those down. But back in those
days you didn't have it, so people didn't talk about it,
but the black community always talked about it.
Speaker 4 (46:25):
I downloaded that app right when Omar was born. Remember
we were in the studio and that shit. I was like,
there's one walking down the street right now. Yeah, you
know he's in route.
Speaker 3 (46:35):
That ship will suck you up with the amount that
are around you this building right now. But I will
say this, I think in some of all, back in
some of all days, like all grandparents look the other way.
But you know, if if she had, for instance, they
had a man that was taking care of them and
they didn't want they world to be rocked, I would
say in the black community, some people looked the way.
(46:55):
When I was born in seventy two, I think people
started to speak out a little bit more.
Speaker 1 (47:00):
Yeah, but yeah, how much of that? How much of
your trauma do you turn into? All of it? All
of it. I talk about any and everything that ever
happened to me.
Speaker 3 (47:10):
If I can remember it, I try to talk about it,
because you know, if it comes up, it always come
up as pain. And my way of controlling it is
to find the funny in it, because if I don't,
I could be somewhere sitting and crying about it. So
I just told myself a long time ago, I can't
change what people done to me. I can't change the
family that I was born into. You know, I can't
(47:33):
change I can't change anything.
Speaker 1 (47:35):
The past is the past.
Speaker 3 (47:37):
But what I can do is I can learn how
to take control of my life. So anything comes up
that I can remember, I talk about it. And I've
had my husband be like, why the hell do you
tell these stories? They're horrific, And I say they're funny.
Speaker 1 (47:50):
To me, and they are. How long it took you
a while to get to that place.
Speaker 3 (47:55):
Though, yes, because you know, one of the biggest things
I was embarrassed about I was a teenage mom. I
had two kids by a married man fourteen and fifteen,
and he was in his twenties and he was married,
and so I didn't really realize that didn't happen. I
thought it happened to everybody, you know, because I'm from
the inner city of Atlanta.
Speaker 1 (48:15):
I didn't really realize I had a.
Speaker 3 (48:17):
Messed up life until I started doing comedy and I
realized all black people wasn't raised like me. Because I
would be telling these stories, they'd be like, who the
fuck raised you? And I'm looking they got my skin
coulor I'm like, y'all, y'all.
Speaker 1 (48:30):
Didn't go there.
Speaker 3 (48:30):
Hell no, I went to college what I dropped out
in eighth grade. So you know, I had to learn
just to accept, you know, the hand I was dealt,
and not cry about it, because you know, I can
tell these stories, and I can tell them in the
way we all be here crying, and then I can
turn around and tell them in the way we all laughing,
(48:53):
and I just chose to laugh with mine. Now, my
sister been on Crag for over thirty years, and she's
never got over some of the things that we've been through.
So everybody deal with their pain the way they want.
Speaker 1 (49:03):
To deal with it. I just chose to laugh.
Speaker 3 (49:05):
You know, when I say I can't, my mama boyfriend
will literally will molest me and my sister at the
same time.
Speaker 1 (49:11):
And his hell comino.
Speaker 2 (49:13):
And she never talks about it.
Speaker 1 (49:16):
I do.
Speaker 3 (49:17):
And sometimes memories will come up and I have to
call my sister because she'll be in that memory. And
I said, Maypop, do you remember this? And to make
sure she because she's a big liar, to make sure
I'm just not making up things, I let her tell
the story and see if the same story is in
my head. That's how I know it's really happened to me.
(49:37):
Because when you've been traumatizing, hurt a lot of times,
your brain will lock will lock stuff out, you know,
to keep.
Speaker 1 (49:45):
You, to allow you to live.
Speaker 3 (49:47):
I believe, and I think when it don't lock stuff out,
that's how people go crazy. So a lot of this
stuff that happened to me is locked up in my head.
And as I get older and things happen to me
or sense, my brain will.
Speaker 1 (50:01):
Unlock them and you start to I start to remember.
Speaker 3 (50:05):
And so I called somebody if if I got a
family member in their thought, I say, hey, did this
happen or tell tell me what you know about this,
and I let them tell the story to make sure
I'm not making up stuff.
Speaker 1 (50:18):
Right. Well, I mean, I'm glad that you know, that's you.
You were able to get past that and turn that
into you know, a way that we can all kind
of laugh and you know, even though it's just some
very traumatic, very serious situations. But like you said, you
choose how you want to heal and get over it
and move on to live the rest of your life.
Speaker 3 (50:36):
I just want people to realize you can't change the past.
So don't sit there and cry about it. You know,
we all winners.
Speaker 1 (50:42):
All you gotta do is just get up and do
something about it and start with laughter.
Speaker 3 (50:46):
You know, just because you was an abuse relationship or
you've been molested, whatever it might be, don't let those
things hold you down.
Speaker 5 (50:53):
Right.
Speaker 1 (50:55):
He never gave me that speech. He just keeps making
it just I just I mean, that's that's my boy, yo.
Speaker 4 (51:00):
The fact I got hyper sexualized in my twenties, I
try to be telling like real facts and ship.
Speaker 3 (51:05):
Well, how do you get hyper sexualizing your twenty What
is that?
Speaker 4 (51:08):
I think that was a I was just trying to
fuck a bunch of bitches, and I think that was
I think that came from being molested.
Speaker 3 (51:13):
M M.
Speaker 4 (51:14):
I think I was hyper sexualized as a kid that.
Oh you just want to have a lot of sex.
Speaker 1 (51:17):
Yeah, I think that was part of it.
Speaker 4 (51:19):
You packing like that, I'm burning like that. That's how
that episode started.
Speaker 1 (51:25):
Miss Patt telling them what they can find you at.
Miss Pat. I ain't never seen the white boy. Just
slang dig I'm sorry me, I ain't never seen the
white boy yet.
Speaker 3 (51:34):
Be slanging things because you'll produce over that body to
go crazy with all these bad words.
Speaker 1 (51:39):
Oh no, no, it was just.
Speaker 3 (51:42):
He over that sweat you got. You go to misspac
Comedy dot com and catch me on any and everything.
Make sure you watch Miss Pack Sellers. It come on
b E T now and Miss Past. Miss Pat the
Miss Past show will be out, so y'all, So just hey,
go join me on Instagram, Facebook and every.
Speaker 1 (52:04):
Streaming Miss Pat all month, that's what we're doing. Please
stream it. I want to hear something crazy out on
Netflix now. Yes, it's already out. Go stream that. And
because our good friend Vince Stables this new show season
two is great to start that, it's very important that
we hit the like button at the end of it. Yes,
at the end of your special, make sure you hit
the like button on y'all want to hear something crazy,
(52:25):
Miss Pat, thank you for coming through. Thank y'all for
some pleasure me and you. You are fucking crazy, but
I love it. I love it. We talked to y'all soon.
I'm that nigga. He's just jinging. That's Miss Pat, that
nigga and Ginger
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