Episode 342 | Cee-Lo Walked, Teddy Swims - New Rory & MAL

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Bands of the space.

Speaker 2 (00:05):
Brand.

Speaker 1 (00:05):
Niggas looking uh the trail, niggas looking a lick up
my nigga. Listen, let go id to start buying on cubans.
These links on me leaving bruises. We're all fantasize. I'm
making bood smoke. Don't tell alive. I told bruises, I
get out of live bies loops.

Speaker 3 (00:21):
I treat him just like the record. This nigga picks
on the selling.

Speaker 1 (00:24):
See this, praying on me on the Predator, praying on
me on the predile, the bands on me more capital time.

Speaker 3 (00:31):
Gotta go pus to my dog. Just went feller.

Speaker 1 (00:35):
Get your life for this gang game ship, pay a
price for this gang game. Sh should want to remain nameless.
Trying to feed instagramd famous knowing damn where the street's painless?
Gotta take a tiny gang game you don't want to
from a paint just gonna drive you insane. I threw
it up aginting this man. I'm a minute, I know
what I did. I'm finished this.

Speaker 3 (00:55):
I got the call, I got the remedy, and.

Speaker 1 (00:58):
I'm doing It's gonna infinitis tame liquor for the p
A dollar soiund on my interview.

Speaker 3 (01:04):
You can come between my embassy and you gotta stay.

Speaker 2 (01:06):
I remember.

Speaker 3 (01:09):
I was standing out and I remember this. It's gonna
hurt my soul.

Speaker 1 (01:15):
Just remember this. You gotta understand what I represent. You
know what I mentioned the gang The fans of the space.

Speaker 4 (01:26):
Read niggas thinking, nah, it is release week. See, that's
that's why you can't even share good news around your
friends because he.

Speaker 3 (01:38):
Is laughing for me.

Speaker 4 (01:38):
That is why so many people don't want to share
the good things going on in their life around people
they claim to be friends. Did you get stank faces
like that hate when I say it's release week? I
have a single coming out from my second album with
Leon Thomas, who Are You Anyway? Available February seventh, and
demarriage just makes a stank face. This is why you
have to keep your achievements to yourself.

Speaker 5 (01:59):
Now listen, listen, I'm first of all, congrats and I'm happy,
thank you finally putting this album out. It's a great album,
great song, great music on the way. I just didn't
know we were doing a commercial at the top of
the show for the single.

Speaker 3 (02:10):
No I Reached Out.

Speaker 4 (02:11):
You're gonna hear your check for it. No, no Janels
to do an add on this.

Speaker 3 (02:15):
I will do Street Team for free. You my guy,
I don't need to be paid. I just didn't know.
But now that we're here, Rory new single, February seventh
feature and Leon Thomas, who are you? Who are you? Anyway?

Speaker 4 (02:28):
That's exactly what it sounds. Leon put on a a
borandvort for record.

Speaker 3 (02:32):
Yeah, great song.

Speaker 4 (02:33):
Would you do Street Team if I paid to wrap
like a Yukon truck? But it has to be a
female uber driver driving you around to do Street Team
promo in the city.

Speaker 3 (02:42):
A female driver, Yeah, that's just gonna take you around.
Just why are you putting me through? Why you want
to put me through that?

Speaker 4 (02:46):
And then a male picks you up and you guys
go get groceries for everyone in the studio.

Speaker 5 (02:51):
That just sounds like a bad nightmare. Man, that's just
that's just a terrible, terrible nightmare. But no Rory, Leon
Thomas This week February seventh, seventh, yesvailable on DSPs. Download
that stream that great song, great music.

Speaker 4 (03:04):
I played it for Patreon, which our episode came out yesterday.
If you're listening to this on Monday. Patreon seemed to
like it and there they could be a tough critic.
A lot of them are like boom Bab type underground
wrap heads. So getting them to like certain R and
B music I always find is like a challenge, and
I'm happy when they like that type of stuff.

Speaker 5 (03:24):
Yeah, it's a great song. It's Undeniable records, so people
gonna people gonna love it.

Speaker 4 (03:28):
I hit Demerius this morning about baby D.

Speaker 3 (03:31):
What's up, baby D? I see you over there, girl?
What's time?

Speaker 5 (03:34):
I see curls popping? You see curls popping? Well, say
Rayne Motman. Diamonds and curls, diamonds for pearls, diamonds for girls.

Speaker 4 (03:43):
Okay, so maybe I shouldn't have just shad Demerits. It's
funny that she was ramming like that. I had her
this morning, like, Yo, could we do like the first
verse challenge on TikTok for my single with Leon Thomas,
You know, like where you sit there and bop your
head and then someone from TikTok.

Speaker 3 (03:58):
Rap so like instrumental, Oh so you leave the song?

Speaker 4 (04:01):
Yeah, so anyone could hop on it, and I figured
Jamarius would be the perfect person to start that challenge
one because we already seen what she did to Derek,
So you know, I thought it'd be cool to shoot
on the set for her to do that. But now
that you, I mean, that was like six prints on
tondras in one. You should you should recorded that in
a little redcord bars.

Speaker 3 (04:17):
That's all you have to do is call me, all right.

Speaker 4 (04:19):
So you guys want to go back and forth or
your own individual ones.

Speaker 6 (04:22):
You want to go kiss the styles, we can go
kiss the styles. We can split the eight now. Yeah,
I'll write it and then you could just recite it.

Speaker 5 (04:29):
WHOA, I don't like that, like she's I'll write it
like you don't trust my bars or something.

Speaker 6 (04:34):
No, I didn't know if you trusted them. I didn't
know if you wanted.

Speaker 3 (04:36):
Of course, I trust my bars. I stand on my bars.

Speaker 4 (04:39):
Horse I trust his bars too. But well, this is
like waiting for the Detox album. We got a deadline.
I've seen Demaricus pen.

Speaker 3 (04:48):
Work quick a deadline, a deadline on a TikTok video.
So I'm me when I wanted to like put it out.

Speaker 4 (04:55):
Like maybe for my fourth album, you could do a
verse challenge if you start writing.

Speaker 3 (04:58):
Start now for the fourth album. Yeah, just sit the
beat it's all good. Would you do it?

Speaker 2 (05:03):
Hell?

Speaker 4 (05:03):
Yeah, that would be funny. Yeahs you go like really
in depth. I mean you know the concept of the song,
which substance.

Speaker 5 (05:08):
You want me to like really go there or you
want me to like you want me to keep them
more topic, you want me to really go there where
you want me to go? Just tell me what your
vision is if you really want me to, like, you know,
paint the story about Brenda's baby and all that.

Speaker 3 (05:19):
I could get into all of that.

Speaker 4 (05:20):
Okay, then let me No, I don't want you to
leave an infant in the trash can on all.

Speaker 3 (05:26):
It's because we can go there, like I get.

Speaker 4 (05:28):
I think that's a very important issue that should be
brought to, like especially in these trying But yeah, do
you guys want to hear the thing I wrote for?
Like I thought it was just the albums on DSPs
that you write like a little blurb about it, But
I guess for singles you do that now too. Yeah,
So I was wondering if I get some feedback, Man,
maybe this gives you guys? Is the official like this

(05:49):
will be in the note description? Yeah, like when you
Apple Music, Spotify, whatever, when you click the single it'll
have this blurb right here. Okay, Now I'm nervous because
I don't think this is gonna be met with any
type of seriousness. The sound is certainly a departure from
the last album, but it is a continuation of how
things tend to differ from our original plans. Who Are

(06:12):
You Anyways? Represents the lack of clarity we have within
ourselves and others when we don't ask the questions that
we know will have uncomfortable answers. Leon Thomas is by
far one of the greatest talents we have an R
and B today. It was humbling and an absolute honor
to work with him and be a part of his
already incredible legacy. I'm not mad at that, Okay, I
wasn't sure like how you guys would have received the

(06:34):
continued The sound is certainly a departure, but it is
a continuation. No, I just writing things tend to things
tend to differ from our original plans because I thought
it'd be different. Was like that was the concept of
a lot of the writing on the first one, and yeah,
this one still has that continuous process at this point.

Speaker 3 (06:55):
In my life.

Speaker 4 (06:55):
Yeah, but yeah, writing that I was like, can we
just like wait for the album? I don't want to
write yeah, it just feels kind of crazy after right that?
So now you see it's not really Brenda got a
baby vibes. So if you want to hid on what
you're gonna write?

Speaker 5 (07:06):
All right, maybe Brenda's pregnant, but she didn't have the
baby yet. Maybe Brenda got an abortion, Like who are
you anyway?

Speaker 3 (07:13):
So like who are you? I could be talking to
the baby in the womb or who she had the baby?
Who are you anyway? She in the hospital looking at
her baby saying who are you anyway? Baby? D? Yeah,
you're not a mother is not gonna look at and
their newborn to say who because.

Speaker 6 (07:27):
You gotta let the child develop their own identity, Like
who are you anyway? I know they say it's only
one gender, but.

Speaker 3 (07:34):
Well no, no, they don't just say this only there's
only one gender. They don't say that in there. I'm sorry,
like who are you?

Speaker 4 (07:41):
Looking at your child and be like who are like
out there gate, who is this pools man?

Speaker 3 (07:47):
What are you thinking about?

Speaker 2 (07:48):
Well?

Speaker 3 (07:48):
That was a thought I had, who are you gonna become?

Speaker 4 (07:50):
Exactly that I didn't go like, well, since I can't
figure it out, I'll throw you in the dumpster. In
the meantime, I think I'm gonna wait this out. Now
what happens, Yeah, I get it, Becausten. After her birthday week,
there were some thoughts and it wasn't throwing the baby
in the trash and throwing my home mother fucking family
in there and locking it on trash day.

Speaker 5 (08:09):
You never realize how crazy your family is until you
have to like do like family events with them.

Speaker 4 (08:14):
Yeah, and you don't want to be mean to your
mom or anyone else because they are there to actually help,
But you can't also then be truthful because for the
whole week, all the way through from Wednesday to Sunday,
all my mom was saying is there anything I can
do to help? Which I appreciate and love that. But
the answer, back to my blurb of the single, is not.

Speaker 3 (08:35):
The answer that you want. It's going to be uncomfortable.

Speaker 4 (08:38):
You could help by leaving, right, just let us lea
we got that, don't be here, like, go somewhere else,
show up when everyone else shows up, eat a fucking
hot dog, smile at Amara, and then go home. The
of course, is just like you're adding your family at
that point is just added children. Now you're just standing

(08:59):
around and making this worse than it actually needs to.

Speaker 6 (09:02):
So you know, you know what I've learned about that
though not just not with kids, obviously I don't have any,
but when it comes to your parents and the way
that they make you know, how like your parents to
say something you feel like they're being so annoying and
they're annoying everyone around you. It's actually no one around
you is paying them any attention. They just annoy you,
like they're actually fine, chilling. Everybody else likes them, and
you just like deep, resently fucking hate your parents and

(09:23):
there annoying and shit.

Speaker 4 (09:24):
Remember I won't say the city because it would give
it away. When you and I went to my friend's
mother's house out there, she cooked for us and everything,
and we left and he was just the whole time,
like so fucking annoying that entire time.

Speaker 3 (09:34):
I can't believe she.

Speaker 2 (09:35):
Was doing all.

Speaker 3 (09:35):
I was like, it was one of the most hospitable
houses I've ever been in.

Speaker 4 (09:39):
Best part of our fus so nice, was great, didn't
lack substance, food was great, Like it was a great check.

Speaker 3 (09:48):
Everyone wakes to go back can't wait to go. We
Dad asks for like damn, like can we come back?
And he fucking hate her and we're like damn yeah.

Speaker 4 (09:54):
But that's I mean, that goes I think for a
lot of people in their families. Shit that irks us
doesn't irk anyone else because they don't spend constant time
with them.

Speaker 5 (10:00):
So you had a mars Amar's second birthday, Yes, happy
birthday tomorrow, A happy birthday to you? Was the day
that happy birthday to Kiya. Kiya gave birthday. Yeah, so
it's her birthday as well.

Speaker 6 (10:09):
It's just two years of being a parent. They didn't
still here after two years a year us?

Speaker 3 (10:15):
Yeah, Yeah, how did everything go?

Speaker 7 (10:17):
Uh?

Speaker 3 (10:17):
It was great. The party was really good.

Speaker 4 (10:19):
I'm glad we actually had the party because I didn't
realize how filthy this fucking office was.

Speaker 3 (10:23):
Yeah, yeah we did.

Speaker 4 (10:26):
We not schedule the cleaners in the new year? Did
that not roll over into twenty I.

Speaker 5 (10:30):
Usually just clean up whenever I leave, like at night.
I try to like take trash out, vacuum and things
like that.

Speaker 4 (10:35):
I will say after after having day twenty six and
they're each one of them had a plus five, so
you can add all that up. Those bathrooms were in
rough shape. Yeah, Like I almost went home after those
first thing I did while Kiya was setting everything up,
I cleaned the bathrooms and I almost went home to

(10:55):
shower before coming back, Like I can't these those bathrooms
are filthy. Yeah, behind it till y'all. Y'all are nasty.
Oh y'all everyone in here, y'all have you used that bathroom?
First of all, you're the one that put me on.
Thank god, you told me the day before, like, hey,
have you checked those bathrooms lately?

Speaker 1 (11:11):
Yeah?

Speaker 6 (11:11):
I was like, we're the cleaning people, Like this is gross. Yeah,
So why you ain't get the bucket in the water, baby,
d this is your space too. You got to keep
your no no no, no, no no. You got slippers
and shit everywhere. You got products everywhere. Office when I
have it, When you have an office, you have pictures
put up and things like that, and comfortable shoes.

Speaker 5 (11:33):
But I ain't you got to keep you no, now
you have the janitor. We ain't saying to put the
cabinets up.

Speaker 4 (11:38):
We saying like you know, I mean, we're saying clean
the entire place.

Speaker 5 (11:40):
If you see something, say something, you know, when you're
on the platform, they see something, say something.

Speaker 6 (11:44):
Now, you've never done now when I suggested when we
first got this office, I suggested that one bathroom be
for me and yolms at the time and one bathroom
be for the men. And y'all fought me on it. No,
there's too many men in this office. We have to
have both of you and a sex.

Speaker 4 (11:57):
Gender equality is what we were focusing on.

Speaker 6 (11:59):
We have to have them both in a sex Because
if it would have just been a female only bathroom,
I would have cleaned it. I would have had no
problem with it. I'm not cleaning up after men coming
in there and using that bathroom. That's not happening.

Speaker 3 (12:08):
But what is what is cleaning up after men are
using the bathroom?

Speaker 6 (12:11):
Like I mean, I would have cleaned like the toil,
like I would have cleaned the bathrooms if it was
only me and y only using that bathroom, or if
it was a woman's only bathroom. It's not so as
far as like, of course I straighten up.

Speaker 4 (12:23):
But getting to it in there on hands and knees,
I found so much ash behind that first toilet, like
wamal after hours being there, you.

Speaker 5 (12:30):
Know, ash behind the toilet with one of his vices.
Do you think I'm smoking behind the toilet?

Speaker 3 (12:35):
IM not.

Speaker 4 (12:35):
I just think ash carries No, there's there's vents and
ship like it just probably blew behind the toilet.

Speaker 3 (12:41):
Don't blame that on meat blood.

Speaker 5 (12:42):
Well that was my work. That's not my work right there.
You should have you should have saved the ash. I
could smell it.

Speaker 4 (12:46):
I just think it's funny people smoke in the bathroom.
That's not my cush It's a smoke friendly environment. You
don't need to smoke in the bathroom like me, just
anyone period.

Speaker 5 (12:54):
Oh well yeah, I mean you could smoke anyway here,
you know, if you're part of the team like that.

Speaker 4 (12:59):
Yeah, But the the party was cool, Mickey Mouse team
Mickey Mouse. Oh, toodles, toodles. She loves Mickey Mouse Clubhouse.

Speaker 3 (13:08):
Peach came through. We crushed some glizzies, crushed crushing beer.
Yo and now y'are both sick.

Speaker 4 (13:13):
I wonder why that was, because if the kids running
around here sneezing everyone's faces.

Speaker 6 (13:17):
Yeah, we're sharing glizzies and that's also yea eating nasty.
Swapping glizzies is nasty.

Speaker 3 (13:23):
Peach, you look like you put like four of them
away easy, bread too. Bread.

Speaker 4 (13:30):
Of course we started on the wating gy without the bread.
It's wrong, Liz, how you just holding it?

Speaker 7 (13:36):
What do you do?

Speaker 3 (13:36):
It's on the plate. You're cutting it, lizly.

Speaker 5 (13:39):
No, that y'all bugging out? Man, I bet not seeing
none of y'all eat no hot dog with no bun. Man,
that's absolutely crazy.

Speaker 3 (13:44):
You never had porking beans with the with the hot dog.
We've got to cut the hot dog up. Yeah, I
ate porking beans when I had no other choice what
I could eat. That's the last time.

Speaker 4 (13:53):
Out of all the poor meals though, that's that's not
like number one, right, pork beans. That's michelan. Porky beans
is slave slot.

Speaker 3 (14:01):
That's not true. Porking beans. Baby, if a nigga you
go to the nigga cquitpm and heat bust and porking
beans in the pot and warm that ship up for you,
well she shouldn't get that house. Speaking. But that's what
I'm saying, porking bean fucking in the trap house. But
I'm saying, out of all the poor food, like, porking
beans is number one, that's the best one, is the best.

Speaker 6 (14:19):
One from poor foods, Like if I had to pick
one of the poor.

Speaker 3 (14:22):
Foods, Like, so, what's the poorest food? Do you like?
What's the apps? No?

Speaker 4 (14:27):
I know rich people who eat those can be expensive,
even pre made. I would say noodles is up there, right, Ramen.

Speaker 3 (14:36):
Fake raymen noodle. Porking beans is the worst shit ever.

Speaker 4 (14:41):
No, you throw some ketchup and mustard in that together.

Speaker 3 (14:43):
I don't care.

Speaker 5 (14:44):
Don't talk to me about the condiment you're putting in
that ship. Porking beans, just the basic porking beans.

Speaker 3 (14:49):
I don't care. Like a bars in there, like is terrible.
That is the worst ship that was.

Speaker 6 (14:55):
That was one of my favorite things to eat when
I was a kid. I think even when we have money,
my mom still made that ship.

Speaker 3 (14:59):
That's a kid.

Speaker 4 (15:00):
You don't know.

Speaker 6 (15:00):
No better you eating whatever was in the cabinet. Chef
boy all that shit terrible man. Chef Bard is awful.
Punking beans is the same ship. Poking beans is just
like you know, that's just like the that was shipping
on Chef boyal D. Chef boy Ard is the worst
ship in the world. You don't feed that to your child, No,
I don't, of course he does.

Speaker 3 (15:19):
That's a lie.

Speaker 4 (15:21):
Caught a line, really you didn't, didn't I would? She
wouldn't eat that ship?

Speaker 3 (15:26):
Oh no, no, I'm not.

Speaker 4 (15:28):
I definitely fucking would without a question.

Speaker 3 (15:30):
She get that, Oh no, that's I don't ever eat that.
Don't eat that, bro I.

Speaker 4 (15:33):
Mean it's just a step below Hamburger. However, just laman,
But you actually got a like that's like to two
or three steps.

Speaker 3 (15:40):
You guys are irish.

Speaker 4 (15:41):
But Shepherd's five of me is the best peasant meal
that's ever existed.

Speaker 5 (15:44):
Sheppard fi is amazing. I make a crazy shepherd's pie.
By the way, we got have a Shepherd's pile off.
If you want, I'm down we can have it. First
of all, this week, back your potatoes, your massed potatoes.
Don't fuck with myns.

Speaker 3 (15:56):
Let's start it.

Speaker 5 (15:57):
I massed potatoes, my mashed potatoes. You might think it
nigga went and then melted marshmallows. My shit be so fluffy.

Speaker 4 (16:03):
We're talking about two dishes that require animal products to
make good, and you're saying you could beat me.

Speaker 3 (16:07):
What does that mean? Just because I don't eat it,
don't mean I can't.

Speaker 4 (16:09):
Make You can't touch what do you to berry? Hit
the berry in the backyard.

Speaker 3 (16:11):
I don't smoke crack, but I could cook it better
than you. That that is true.

Speaker 4 (16:14):
This is all I'm saying. I've never told talk about it.
Maybe I could be like one of those child prodigies
with crack. I've never tried to cook crack, but like
you know, some people just pick things up likeactly.

Speaker 3 (16:24):
I could be the autistic kid exactly.

Speaker 5 (16:26):
So I know I know the ground beef for the
ground turkey to sauce ratio.

Speaker 3 (16:31):
You know what I'm saying. You're gonna go in there
and get frozen mixed vegetables to put in it. I'm
not doing that. I would never. I'm gonna split that.
I'm gonna really split the peas hey by hand. You
understand what I'm saying. You ain't gonna split no peace.
You ain't never split no piece. So confident this.

Speaker 4 (16:44):
I'll even give you a little gem because I know
you don't use tomato.

Speaker 3 (16:47):
Paste in yours. We don't really go tomato paste.

Speaker 4 (16:50):
If you don't use tomato paste and your ground beef
for shepherds pile.

Speaker 3 (16:53):
You want to speak to you? You don't even know.
I don't you even want to speak?

Speaker 5 (16:56):
You know, got the sauce to make saw nah see
That's what I'm saying. You'll know how to make salt
from scratch, that's your problem now.

Speaker 6 (17:04):
But tomato paste is kind of from scratch. Nah man Nah,
He's used to go like get the tomatoes.

Speaker 3 (17:10):
Exactly, my baby. D You see what crushing in paste?

Speaker 5 (17:14):
You see where I'm going. He trying to bust cans
open and all that. I'm not doing that you wouldn't use.

Speaker 4 (17:19):
It's only tomato paste in the ground beef. You don't
put tomatoes like actual tomatoes and shepherds pots.

Speaker 5 (17:23):
So I know how to make. We're gonna make Shepherd's pod. Bro,
I guarantee you my Shepherd's pop.

Speaker 4 (17:28):
Can we do it at your house?

Speaker 3 (17:29):
No, we can't do that.

Speaker 4 (17:30):
See are we doing money?

Speaker 3 (17:32):
See we can do it.

Speaker 4 (17:34):
He's so funny how it took me in peaged fucking
forty five minutes to cook to figure out how to
cook gizzies here. No, but we gotta get George for
we gotta get we gotta get the you know better,
took our our actual real toaster airfire. I got in
here for Amar's birthday party and found a new toaster
that was old as fuck, did not work. It really

(17:55):
like was baking Thanksgiving dinner to get those glizzies cooked
for everybody.

Speaker 3 (18:00):
That was the struggling Brenda.

Speaker 5 (18:04):
The hot the hot plate because I thought we had
the air fire here. Airfrying hot dogs is crazy.

Speaker 4 (18:11):
Actually not too bad. If you get a low heat,
it's really not that bad. That's not that many people.

Speaker 3 (18:15):
You might as well go to seven eleven and get
the hot dog off. The little metal thing that's missing.

Speaker 4 (18:19):
This says a kid's birthday party with a Mickey Mouse
that was actually a stripper, Like.

Speaker 3 (18:24):
I don't do that. No, you don't know that, young lady.

Speaker 4 (18:27):
She's probably she wasn't a young lady. She was a
very middle aged, old white lady.

Speaker 3 (18:32):
Right, she was great. Did the balloon shit?

Speaker 4 (18:34):
Everything amazing? They accept tips, It even says it. They
say it ten times in the confirmation text messages. You've
paid your deposit. But our character welcome characters love tips.

Speaker 3 (18:45):
So I'm like you should mind.

Speaker 4 (18:49):
You couldn't find my bag where my cash was? So
I asked her as she was leaving, yo, do you
have a cash app?

Speaker 3 (18:54):
So I could do that?

Speaker 4 (18:55):
So she puts it in center the money, and I
get a confirmation that says you paid baby girl one
hundred dollars.

Speaker 3 (19:03):
That's her hash ap named baby girl and spelled in
the hoodway.

Speaker 4 (19:07):
I'm not gonna say it so y'all can find her,
but think of like the worst aim screen name, the
way a thirteen year old girl in the Bronx would
spell baby girl like with x's and threes and shit.
Oh okay, that's it's that seventy year old white woman.

Speaker 3 (19:20):
Where did you? Where did you find this, Mickey Mouset?
Is this like Long Island?

Speaker 7 (19:23):
Oh?

Speaker 3 (19:24):
This sounded like a work release program. She had record
she had. She definitely had to leave before sundown. She
was rushing, she was on she was on probation for sure.
She in a halfway house.

Speaker 4 (19:34):
She got the jay job, and then on top of that,
then I got nervous. This is how tough it is
to actually be like a truthful man. I immediately screenshoted
that and showed it to Kia immediately like, hey, this
is her cash app confirmation I'm not sending strippers money.

Speaker 3 (19:49):
During our daughter's birthday party. Yeah, you had to make
it very clear.

Speaker 4 (19:52):
Click the image, thinking like maybe it's her daughter's and
she don't have cash apps. No, I was that was
her and it was like one of those avi's that
she knew how to angle to make herself.

Speaker 3 (20:00):
It was her she was was she in costume in
the picture of what she like? Was it Mickey? It
wasn't Mickey, Okay, it was her?

Speaker 5 (20:07):
Okay, all right, I mean I respect it. Shut out
the baby girl, thank you for coming for baby and she.

Speaker 4 (20:14):
Was folding up those balloons host the baby Girl ship.
I'm looking at her at a whole different life.

Speaker 3 (20:18):
She's a mule. She used to put it in the
you know, in the balloon.

Speaker 4 (20:23):
She's good like she has put so much heroin in balloon.

Speaker 3 (20:26):
Yeah, that's lady hero life.

Speaker 7 (20:32):
Man.

Speaker 5 (20:32):
Yeah, yeah, I respect it. This we don't judge, man,
we don't. We party and we don't judge. That's what
little ship exactly.

Speaker 4 (20:37):
But Amara was petrified of Mickey in the beginning, and
then most kids usually warmed up to the point that
she threw a tantrum when baby Girl left.

Speaker 5 (20:45):
Okay, when baby Girl left, and when Mickey left, did
she leave as Mickey like she was watching Mickey getting
the elevated could be traumatizing for a kid like let
baby Girl go in the bathroom change hide the costume.

Speaker 4 (20:56):
It was worse because you know, our studio was set up.
We have these doors that go into this party. The
party was on that side, Amara Chaster all the way
through the wooden doors. Like I had to be Mickey's security.
He would have thought she was the Beatles. All the
kids just kept running and I was like, Yo, chill, chill, chill.

Speaker 3 (21:11):
Chill, back up, Yeah Mickey right now, Yeah, yeah, I
get it. Yeah.

Speaker 5 (21:17):
Watch a kid watching Mickey getting elevated and the doors closed.
That has to be traumatizing. Like if I saw Mickey
leave as a kid, It's like, Yo, where you going.
Mickey got an elevated and dipped.

Speaker 3 (21:28):
Yeah, but it was. It was a fun time. But
that's good.

Speaker 7 (21:32):
It was.

Speaker 3 (21:32):
It was just me and Peached dadding it up in
the back. Good man good.

Speaker 5 (21:36):
I was gonna try to pull up, but unfortunately I had.
I had a funeral to go to over the weekend.
A very close friend of mine, one of my best friends,
lost his brother who was like a brother to me.
So rest in peace, Uh to Lance. Prayers and condoless
to the Yates family. Prayers to my brother, my brother
Chad he ate. I love you, man, and you know
we're gonna get through this.

Speaker 3 (21:56):
Together. So that's what I had to do this week,
and unfortunately had to take good bye, good.

Speaker 4 (21:58):
Friend, condolences to you to answer. His family and everyone
that was there definitely understand this. I mean this.

Speaker 3 (22:05):
You didn't miss much, No, I mean miss miss baby
girl this all this time.

Speaker 4 (22:10):
I did not use a playlist that I got from
Carl that ended up having R Kelly on it on
Amar's first birthday. Okay, Carl had this playlist that I'd
used the New Year's even It was like R and
B rap cut. It was like a safe everyone would
like it. I never made it to the sixtieth song. Yeah,
he has a whole R Kelly Senne at the end

(22:32):
of it, and I didn't get to And then everyone
is looking at me like, yo, you're playing R Kelly
at your daughter's first birthday. And I was like crazy
list Pandora crazy. So yes, finally I got the music
down right. I'm getting getting good with his birthday thing.

Speaker 5 (22:45):
Yeah you're getting a hang up. It's your second one,
but you know, by next year it'll be it'll be
time for the.

Speaker 3 (22:48):
Real to real bang.

Speaker 6 (22:50):
Are you guys gonna do one every year? A birthday
for my childhood birthday party.

Speaker 4 (22:55):
Oh, I mean, I don't know. It depends what she
wants when she gets older and she want to do parties.

Speaker 3 (23:01):
That's what I'm saying.

Speaker 6 (23:02):
Like, so eventually, once she hits like seven, she's gonna
want to start doing parties because y'all have friends. So
I'm like, y up until seven, y'all gonna do it,
because then y'all be doing it every single year for
the rest of her life.

Speaker 5 (23:12):
Until she gets her own friends and doesn't want one,
like until she gets like high school and she's like,
oh yeah, party.

Speaker 4 (23:17):
I'm trying to remember, like when I stopped doing like
those family birthday parties.

Speaker 3 (23:23):
Culturally, it's a difference between us and y'all.

Speaker 5 (23:26):
Like, y'all party, I'll celebrate six months, twelve and a
half months, seventeen months.

Speaker 3 (23:33):
We don't do that.

Speaker 5 (23:33):
You're gonna start your birth I don't remember a party
I have. When my mother shows me pictures, I'm like,
I don't remember that.

Speaker 4 (23:38):
Well, a lot of the younger ones were just their
adult parties. You're just celebrating the kids, yeah, like, and
I mean this was for some degree that like there
was this alcohol yeah in music, but there was a ballpit.

Speaker 3 (23:48):
Yeah, good balance. Yeah, you need a good ballpit. Yeah. Well,
this weekend was eventful.

Speaker 5 (23:55):
One of the biggest events of the weekend, obviously, were
the I don't know which Granmy. I was gonna say
something something annual, but we don't even know which was
the sixty seventh Annual.

Speaker 3 (24:04):
I don't know something. Sixty fifth, sixty fifth or sixty
sixth fifth sixty seven sounds about right there. Right, what
year did they start?

Speaker 4 (24:11):
Do we have footage of, like the first Grammys were
their cameras sixty years ago?

Speaker 3 (24:16):
Demarrius, we're not doing that.

Speaker 4 (24:17):
Everyone all said he was alive when when microwaves were invented?

Speaker 2 (24:22):
No, I was.

Speaker 3 (24:23):
Did I say, invented? Odessa, Yes you did.

Speaker 5 (24:25):
You said when they hit Did I say, I remember
when microwaves was weren't the thing like people you clean?

Speaker 3 (24:29):
You cleaned it up?

Speaker 4 (24:29):
But you did say like you were there when they
rolled out the first wave.

Speaker 3 (24:33):
I did not say that. I've never said the first wave.
I've never said that first wave in my life. I've
never said that.

Speaker 4 (24:40):
May fourth, my birthday, nineteen fifty nine.

Speaker 3 (24:43):
First Grammy.

Speaker 5 (24:43):
So this will be the sixty sixth, right, this was
the sixty sixth Grammys. So the sixty sixth Annual Grammy
Awards was last night.

Speaker 4 (24:53):
I mean they for the first one. They did pop
this off pretty well. Frank Sinatra, Samy Davis Junior, Dean Martin.

Speaker 3 (24:58):
Oh, the guys, Yeah, Pact was there. Yeah, the original
pussy Posse. So the Grammys was just originally a party
for the rat Pack. It was a rat Pack party.

Speaker 4 (25:07):
It was like, yeah, we made some great music, let's
celebrate ourselves.

Speaker 5 (25:10):
We'll all get smoked some cigs and get some some
prostitutes and you know, drink some whiskey and have a
good night.

Speaker 6 (25:15):
Who came up with the Academy and they ruined the party?

Speaker 3 (25:18):
The rat Pack, Sammy Dean, Old Blue Eyes, you know,
the gang.

Speaker 4 (25:24):
So and what's funny is they weren't even being serious
that we did Academy Academy.

Speaker 3 (25:28):
It was a joke.

Speaker 5 (25:30):
We had to clean up the rat Pack for branding purposes,
you know, really didn't hit the se o s like
they really wanted them to.

Speaker 3 (25:35):
Called it the Grammys.

Speaker 4 (25:37):
The Grammar Phone Phone Awards was the original name. Yeah,
that's actually really cool.

Speaker 6 (25:41):
Oh that's what the Grammy is, shaped like a GRAMDMA.
I didn't never I got that part at least, I
never even connected what you think.

Speaker 3 (25:48):
I just did the hope.

Speaker 2 (25:49):
My bad.

Speaker 3 (25:49):
I'm sorry.

Speaker 4 (25:50):
See we're not even We're starting too early what I did.
We're starting way too early. Last night, the sixty six
Annual Grammys UH aired. Yes, there was some surprise, there
were some not so much of a surprise. And where
do we start? What do you want to begin? I
like Trevor Noah hosting for the most part.

Speaker 3 (26:10):
He's good.

Speaker 4 (26:11):
Yeah, he definitely makes the show move. I love that
he just kept guilting all of the rich people in
front of him that were drunk, Like, hey, the QR
code is right there. I know how much money you have? Yeah, Like,
come on, look outside, we have not even built a
house yet.

Speaker 3 (26:26):
Yeah, let's do it.

Speaker 4 (26:27):
So I love I love that he kept guilt tripping
everyone in there and ruining their night, like, hey, I
know you guys are here to celebrate the music you
put together, but you're rich and some people don't have homes.
I don't really give a fuck about your single love
all that. So I think Trevor Noah did a good job.
Do we start with the red carpet out the gate?

(26:47):
Maybe I'm not artsy enough man, maybe maybe the older
I've gotten just wearing a house on your head isn't
really my go to? I mean, was he trying to
suggest that his house has become a broken home since
August Alcina entered Boo?

Speaker 3 (27:01):
Yeah?

Speaker 6 (27:03):
Man?

Speaker 5 (27:04):
But did Jayden did he? Did he speak about it?
Obviously interviewed him. Did he speak about the significance of
the house on his head? Is the name of his
new album house on Head of the.

Speaker 3 (27:13):
House the Household now Head of the House.

Speaker 4 (27:16):
And if he was if he was promoting August seeing
his album Head of the Household not.

Speaker 3 (27:20):
Is an album?

Speaker 5 (27:21):
There's a collab, we're waiting for it there. Did he
give any insight into this, any inspiration behind it? Any
you know what was the the artistic reasoning behind it?
I heard what Andrew Tates reasoning behind it?

Speaker 3 (27:34):
Heard it. I'm not going to say what Andrew Tates said,
but I heard. I loved it. I loved But did
Jaden Smith give an official interview saying what he felt
like the uh, the reason of this whole? You know
this look was?

Speaker 4 (27:49):
I did not see anything, But admittedly I was not
like looking for the Jaden Smith interview. I do like
his music, I think he's talented, but I think, uh,
that's the point of art, mall. It's up to your interpretation.
If he then describes what it is, now we're losing
the point of view. It should be how you interpreted.
How did you interpret a house being on?

Speaker 5 (28:07):
Jaden Smith said, well, I mean, I just you know,
I'm not I'm not on the type of algorithm and
frequency that some of these artists are on. But it's
interesting to kind of hear, you know, what's the reasoning
behind it? If he I'm sure somebody asked him. We
can't be the only ones that are asking this question.

Speaker 4 (28:23):
What if he left left the red car was like
fuck or the stupid ass house on my head? No
one even asked me what it was for. Nobody asked
my my neck is killing me right now, and no
one even asked because I thought I was just that
fucking artsy He was with his sister Willow, who looked
incredible on the red carpet, and then here comes fucking
dumb ass house face into the shot to ruin everything.

Speaker 5 (28:44):
Willow has a beautiful uh campaign for Montclair Right now,
I see it at the time I'm coming coming down
the block. I didn't even know it was Willow at first.
Like I looked at it, I was like, wait, that's
that's Willow Smith. That's a beautiful girl, a beautiful campaign,
like the coat and everything they happened is incredible.

Speaker 4 (29:00):
I am just messing around, and I also am not
artsy enough to care about someone wearing a house on
their head. I will say will Smith and his wife
have created two extremely talented kids, all right, both of
them are. Willow's music is incredible, Yeah, Willis Jaden's music
is incredible. They're their top their top five Neippo babies

(29:21):
for sure.

Speaker 5 (29:21):
We spoke about it probably being a bad thing that,
you know, Jaden and Willow's parents are who they are,
because it kind of it hinders them in a.

Speaker 3 (29:31):
Lot of ways.

Speaker 5 (29:32):
I feel like if they were just two kids that
came out of, you know, came from two other parents
that weren't celebrities, I think that more people would be
talking talking about exactly how talented and how dope both
of them are. They're extremely, extremely talented. It's just tough
when your dad and your mom are who they are,
you know what I mean. It's just kind of like, oh,
you support when you're they're supposed to be talented.

Speaker 3 (29:53):
No they're not.

Speaker 4 (29:53):
We know a lot of celebrity kids that they've got mugshots,
all kind of shit AA.

Speaker 3 (29:58):
Programs, all kind of shit going going on. So shout
out to Jayden and Willis.

Speaker 4 (30:02):
Yeah, no, they would be. They would be this dope
with or without their parents. Of course, that was a
big push. Like even like someone like Diggie Simmons, super
talented from rapping to art to design, like that kid
would have been who he was, you know, whe or
without runs house.

Speaker 3 (30:15):
Yeah, his older brother. You know, Oh, I forgot he rapped.
Don't do that. That was one of the best.

Speaker 2 (30:22):
Don't do that.

Speaker 3 (30:24):
Don't forget that he raped.

Speaker 4 (30:25):
Jojo had some some bars every now and then. Jojo
wasn't terrible, man, He wasn't digging.

Speaker 3 (30:30):
No, no, listen, listen.

Speaker 5 (30:31):
We in February twenty twenty five. I'm not letting this
go any further to the year. We're gonna stop doing that.

Speaker 4 (30:35):
Come on, you don't say you was you definitely a team.
Don't say you can't say.

Speaker 5 (30:39):
Yo, somebody has good bars every now and then, Like,
don't do that, don't know to just say he trash,
It's okay. To say, y'all gonna paint me as this
hater once again this year, because I don't sit up
here and say shit like yo, they bars is dope
every now and then?

Speaker 3 (30:54):
What the fuck is that? If I say it and say, yo, Rover,
you put out a good album every now and then?
That's hope said about nos On takeover Exactly, my boy, Exactly,
my boy. That's that's a shot. You not that one
every ten year average? So Jojo Simmons is what not
that good? There you go?

Speaker 4 (31:11):
You could say empathy because I was a big fan
of Runs House and remember they had the home studio
and him and Team Blackout, like you got all his
friends from Queens to like give him validation.

Speaker 3 (31:21):
In there you go, that's the connection Queens bad. So
I knew it was okay. They had their ship like
it was Team Blackout. I think you you was Team Blackout.

Speaker 7 (31:30):
I was not.

Speaker 4 (31:32):
They wouldn't have me, you know, I was a black team.
He was the manager for Team black I was twelve,
it was eleven. Jojo had that whole ship. Sisters was
doing the modeling thing. We thought Jojo like, all right,
he young, maybe they'll develop And then Diggy dropped and
made you look freestyle and was like, nah, you.

Speaker 3 (31:52):
Should manage him. Yeah, he's the one.

Speaker 1 (31:54):
Never man.

Speaker 4 (31:56):
Do you remember when Diggy made you look freestyle came out?

Speaker 3 (31:59):
Yeah, that sh it was Damn. You was twelve when first.

Speaker 4 (32:03):
I was probably fourteen fifteen, okay, that was what four
or five look at Broun's house somewhere around there. It
was that I wasn't old enough to manage Team Blackout.

Speaker 3 (32:11):
I'll tell you that. Okay. That Oh did she go?

Speaker 6 (32:14):
She's the one he was not to know why I
was out side.

Speaker 4 (32:18):
That was Jay Cole's first beef. We're not going don't
We're not going there. You went there, though. I did
like his bar on Breakfast Club when he said generation
before me had pocking Biggie. Now I just got Diggy.
I thought that was pretty funny. I thought I thought
cold kind of.

Speaker 3 (32:36):
Hate with that one, yo, And now I just got
Diggy is funny.

Speaker 4 (32:40):
Yeah, oh five, I was fifteen, okay, So yeah, damn
twenty years ago.

Speaker 3 (32:46):
That's please I'm about to throw up. Please. Sh that
shit is crazy. Damn how do we even get oh?
Neppo babies? All right? Cool?

Speaker 4 (32:53):
Back to the Grammys, Back to the Red carpet back,
I would have felt a way as Will Smith that
my son had a whole house on top of his head,
and didn't my song with Big Sean when you had
the house on your head.

Speaker 3 (33:02):
I would have felt the way about my son wearing
a house on his head.

Speaker 5 (33:05):
Two until I saw a woman completely naked, and then
I would have felt like I did a great job
as a dath as a parent.

Speaker 4 (33:12):
Because that chentlemen are covering up whoever, whoever her father.
Trust me, he's having a fucking he's blowing a gasket
right now his daughter's naked on the red carpet at
the Grammys.

Speaker 3 (33:24):
I mean, God, damn, you failed as a father.

Speaker 4 (33:27):
I well, I agree, I'm not as conservative as as
far as the naked body goes, But at this point
it's starting to look like a weird kink cutshit that
I just want to be left out of. Like, I
don't think shaming naked bodies for art purposes should be
a thing at all. This at this point feels like
they get off on it. And I don't want to
be a part of your sex club, Kanye West and
your wife.

Speaker 3 (33:48):
Yeah, I just it's just at this point, what are
we doing. You know, we were on one hand.

Speaker 5 (33:54):
You know, we can go back and watch an episode
with him and his former wife where he was mad
at the way she was dressing, and we've never seen
her in the red carpet looking like that. And here
we are years later with his new wife and we
haven't seen her dressed at all ever in life.

Speaker 4 (34:06):
I've never seen never seen her clothes but never since
fall they fall to the Lord, we all get back up. Yeah,
but really he was just screaming and shaming his ex
wife about showing a nipple.

Speaker 3 (34:16):
Yea, now it's this is what this is.

Speaker 4 (34:18):
Jesus is king, Let's just do this.

Speaker 3 (34:19):
Yeah, this is not This is not I don't care
about how you try to spend it. It's art.

Speaker 5 (34:23):
It's just that this is this is classless, this is
low class. This is not fly, This is not cool,
this is not this is not artistic, this is not
with whatever dress that was. This is very uncomfortable, you know.
It's it's uncomfortable to look at. It's uncomfortable if you're
there in the room, if you're there in the vicinity,
it's like, what are we doing?

Speaker 3 (34:42):
This is the Grammy's were supposed to be.

Speaker 5 (34:44):
You know, showcasing, you know, our talent as far as
artists and things like that, and celebrating each other, celebrating
our peers. We don't need to see anybody's wife completely naked.

Speaker 4 (34:53):
And even though I am the conspiracy guide, I do
think a lot of that, like humiliation, ritual YouTube world
is completely off the rocker. Like I'm not a flat
Earth conspiracy theorist. I do draw the line somewhere, and
a lot of the ritual stuff I draw a line
as well. You guys are just giving them all the
ammo at this point. They might be right, yeah, no,
this is right, this.

Speaker 3 (35:11):
Is like, but this is this point.

Speaker 4 (35:13):
Kanye did used to do a lot of shit with
art as the drive driving factor for a lot of
nudity and a lot of stuff which I can appreciate
and respect. This is just just but ass naked taking
a photo the only thing crazy. It's like when they
take the ig chicks and put them in a parking garage.
Naked was not even tasteful.

Speaker 3 (35:29):
They didn't let them in, right, they didn't let them in.

Speaker 5 (35:31):
Well, they weren't invited. Kanye was wasn't invited to the Grammys.

Speaker 3 (35:37):
I think we know why.

Speaker 5 (35:38):
But obviously he took the still as an opportunity because
he knew that the picture would go viral. He recreated
the album cover. I think this was the album artwork
at one point right his album. I think she was
wearing the same thing in.

Speaker 4 (35:50):
The Vultures well similar, she actually had more clothes on
in the Vultures covers.

Speaker 5 (35:55):
So this was I think he uses as a moment
to kind of like get that photo op off. He
knew obviously it would be the talk of the night,
which it was. Everybody was talking about that. Uh but again,
you know, I just I don't like things like this
because we know what happens if and when, you know,
they divorce and separate. Then we get Beyonca somewhere sitting
down with Katie Couric or fucking Barbara Walters saying that

(36:16):
she was, you know, drugged and she was in a trance.
We've never seen this young. We've never seen her smiling.
She doesn't look happy, she's just like she's there as
a fucking.

Speaker 4 (36:25):
That's the aesthetic, though, so you don't understand it, Yeah.

Speaker 3 (36:27):
But the aesthetic.

Speaker 5 (36:28):
Keep the esthetic to yourself when the relationship is over, Like,
don't sit down on the couch fully closed with a
mock neck on and then say, oh, you know, no,
show the titties now, definitely gonna have a Bob show
the titties now, don't cover the titties on with Barbara Walters.
Show the titties because you did it when it was
the Bully album was coming out, you did it. Then
you did it then when when the Sneakers was.

Speaker 3 (36:48):
Gready to drop.

Speaker 4 (36:48):
See you all see that's why you're not a real
Kanye West fan.

Speaker 3 (36:51):
The shit just goes. I am a Kanye Yes, I'm
not a Kanye West. Stand that's supposed to come out
in June.

Speaker 4 (36:57):
He's showing that the results of bullying, like he's bullying
his wife and like this is how far you can
take it. You don't understand art in the concept of right.
I don't understand anything Kanye does. It's for the deepest
reason ever. He's not sometimes just to bipolar schizophrenic every now,
everything he does has a purpose. And if you don't

(37:19):
understand that, you don't understand hip hop. You don't understand
are you don't understand Walt Disney what other other names?

Speaker 3 (37:25):
And Ron? He don't understand that? Yo? Are y'all cool,
my bad, pege, you can just blur that out. I'm sorry, No,
just leave it. You didn't say anything bad. I didn't. Yeah.

Speaker 4 (37:40):
Kanye West has been on Alex Jones saying, you know,
I like.

Speaker 3 (37:43):
Hitler, Yeah whoa yeah, yeah, yeah, I just don't. I
thought that Hennessy with am Rose was crazy. Yeah, no,
this is It just wasn't. It was just it wasn't.

Speaker 5 (37:51):
It wasn't tasteful, it wasn't flying. You know, Kanye is
somebody that I deemed to have a little more class
and a little more taste than this. But you know,
having your wife out there just completely naked like that
is uh again, I'm not I'm not in that circle.
I'm not on that frequency. I don't understand the art
behind it. I don't get it. Maybe there's some deep
tie in somewhere that Kanye could connect. I don't know,

(38:13):
but just looking at it and in the crib, I'm uncomfortable.
I'm like, you know, second embarrassment almost. It's like that
feeling you see somebody's wife, you like, yo, come on,
I don't want to look over there and say, what's
up to Kanye at this point?

Speaker 3 (38:24):
Like your wife is naked?

Speaker 2 (38:26):
Bro?

Speaker 3 (38:26):
Pussy lip hanging out. Yeah, that's just not it's not fly.
There's nothing fly about that. I didn't even think about
that angle.

Speaker 4 (38:32):
But like you just on the red carpet, like, let
me go, say what's up to my man?

Speaker 3 (38:35):
It's like I'm not you can't. I'm going right here, like.

Speaker 4 (38:41):
Like no, it's just give you a salute from a distance,
like to start the convo like no, I'm yo.

Speaker 2 (38:47):
Yeah.

Speaker 4 (38:48):
And I defend Kanye probably more than I should I do,
you know, for my age grew up on him of
a deeper connection with that entire thing.

Speaker 3 (38:56):
This was, come on, what the fuck are we doing?

Speaker 4 (38:58):
There's other ways weird. I love that he put his
commercial there, there's other ways to guard attention, in my opinion,
but hey, whatever, if you and your wife want to
do some cutshit, y'all get off on that. Just leave
us out of it. That's really all.

Speaker 3 (39:08):
I think that that was the second most.

Speaker 4 (39:10):
Disrespectful thing that happened on that red carpet because interrupting
Babyface speaking.

Speaker 5 (39:16):
For Chapel Roone, y'all wasn't feeling that y'a was a
jack in at man, get the fucking reason to give
all these I don't understand behind got to talk to
Chapel Rome before. You know, Babyface doesn't have any you know,
he's not trending, he's not viral right now, you know
what I mean?

Speaker 3 (39:32):
Like this is baby It was.

Speaker 6 (39:34):
First of all as a the level of just being
shitty at being a journalist, that's number one. Number Two,
it was just rude period, even if you even somebody
who's never done that job before would know better than
to do that. Number Three, you're not there with team Volgue.
You're there with fucking the associated press.

Speaker 3 (39:50):
Like he doesn't.

Speaker 4 (39:52):
Apologize for shit, and it's been apologizing for the last
twenty four hours non stop.

Speaker 5 (39:55):
Yeah, because they've seen the backlash online. This is this
is this is big, This is use me Kenneth Babyface edding. Hello,
this is you know, songwriter, extraordinary producer, extraordinary legendary artists,
legendary you know in every sense of the word.

Speaker 3 (40:12):
This is an icon. This is somebody who can very
well have their own tribute at the Grammys.

Speaker 4 (40:19):
That this icon would be honored at.

Speaker 5 (40:22):
Has has written I don't know how many songs he's
written that have received Grammys like this, but this is
like Grammy royalty that you're talking to and because you
know Chapel Roone, is that Chapels that he said, Chapel
Roone whatever, Because she knows she's you know, and she's talented.

Speaker 3 (40:40):
We're not gonna.

Speaker 5 (40:40):
I don't want to make it seem like she's she's talented.
She's very talented artist.

Speaker 3 (40:45):
She's brave.

Speaker 4 (40:47):
I mean, that's the word they like to throw in it,
brave after a performance, they're blown away.

Speaker 3 (40:51):
But do you got us? I said, wait, hold up,
she ain't got the complexion for the do you got us? Labels?
We got you, But do you got us? We'll get
you a white lady. Of course they got you. This
is America. You gonna be all right. Well, l now,
I'm okay. I'm like, do you got us?

Speaker 1 (41:12):
Like?

Speaker 3 (41:12):
Do you think that you're gonna have any problem getting
healthcare in this country?

Speaker 4 (41:16):
I mean, I think she brought up some great points there.

Speaker 3 (41:19):
I get it.

Speaker 4 (41:20):
I understand where she was going. But it's like, I mean,
I wasn't mad at the rant happening there. It's just
I don't know.

Speaker 3 (41:26):
I get the messaging.

Speaker 4 (41:27):
I get the messages one of those social justice warrior
things where like why are you telling me this? The
man that can do that is sitting in the front row, like,
have that convo with him.

Speaker 3 (41:37):
Yeah.

Speaker 4 (41:38):
But either way, those two women, well one of them
at least tried to talk to Babyface, which is a
crazy sentence in itself. Try the other one. She'll never
work again. And this is kind of everyone's giving Elliott
shit when he was up here. This does go into
his point though, And I'm not saying he said this
about Kai, but this is why you can't have I'm

(42:00):
just happy to be here. I always just wanted to
be on camera at the Grammys type people doing these interviews.
This woman is talking to babies. I don't care if
you are not well versed in everyone you talk to.
That's the gig. The gig is to be able to
move a conversation with anyone that comes in front of
you on the red carpet. That's your job. Your job
is not just I'm happy to be here on camera, mom,

(42:21):
I'm doing the Grammy shit. You have a job to do.
Sometimes the job is not what you want to do.
So if you don't know Babyface, whatever, I don't care
where she's from, how she grew up. Maybe she never
heard a Babyface song in her fucking life. But her
job here is to talk to everyone that is on
that red carpet, especially the icons. So at least a
minimum show some fucking respect.

Speaker 3 (42:40):
I mean, it's just simple things.

Speaker 4 (42:42):
And screaming in the middle of that shit. You looking elsewhere?

Speaker 3 (42:44):
She looked high.

Speaker 4 (42:44):
She looks like she's on a fucking edible. This is
what Elliott was talking about. This, I'm happy to be here.

Speaker 2 (42:49):
Shit.

Speaker 4 (42:50):
A real journalist gets to talk to babyface and then
talks to chaperone. That is who we really need to
have in these positions. Somebody that can talk to both
and get a real conversation out of both, even if
they don't have the tools or history of their entire career.

Speaker 6 (43:06):
So so the only and this is not bail. But
what I will say is I think the reason what
she did was completely unprofessional. She should at her job.
She needs to never work again, right. But the reason,
you know, when it's red carpets, she has to catch
chapel while chapels running by.

Speaker 4 (43:20):
But you should have just you take that l that's
your producer's role. Your role right now is to talk
to this person. You have an entire team around you
that is doing that shit.

Speaker 5 (43:31):
Listen, man, this is Babyface were talking about, like I
get Chapel Roan is you know hot right now? And
you know she's performing tonight, and when you're on the
red carpet usually you want to talk to somebody that
is performing.

Speaker 6 (43:44):
There's usually a list of that they want you to
get the baby Face.

Speaker 3 (43:47):
Was baby Face a part of the Quincy Jones tribute? No,
he wasn't.

Speaker 4 (43:50):
Herbie Hancock, Stevie Wonder, Janello, Nay and Will Smith. I
mean maybe Babyface had something to do with ranging everything,
but I didn't see him.

Speaker 3 (43:59):
Well, I understand that.

Speaker 5 (44:00):
You know, again, the Red Carpet and the Grammys you
do as a you know, ap or whatever other outlet
you do want to get a chance to talk to
some of the performers. And obviously chaperone was performing. She's nominated,
she won, so I understand that part. But again, it
just it's just a way of doing those things. You

(44:20):
could have had chaperone come up introduce her to Babyface.
Maybe she never met Babyface. That would have been you know,
it would have just had a little more class then,
aside from just taking the mic from Babyface and you know,
basically like shunning him. Away and saying no, we need
to get chaperone on MIC. I just think there was
a way you could have had both of them there together.
Maybe you know, maybe Babyface, you know, wants to work

(44:44):
with her, or she wants to She might have wanted
to work with Babyface, who knows. But the bottom line
is there's a there was a certain level of disrespect
shown to a legend that was absolutely absolutely just uncalled
for and something that I'm glad people on the internet
immediately responded to, and you know, ap put out an apology.

(45:05):
I believe the two the two hosts, they apologize as well.

Speaker 3 (45:09):
Which was really just the one, but.

Speaker 5 (45:11):
The one, yeah, the one. I mean it looks bad
for both of them, but the one. But yes, you know,
it just was all around just disrespectful to a legend.
But I'm pretty sure baby Face wasn't really Oh he
handled it great.

Speaker 4 (45:23):
Yeah, Like I'm baby Face wanted to talk to them either, Like,
but but this is baby Face were.

Speaker 3 (45:27):
Talking about he the coolest dude in the room. He
don't he not tripping.

Speaker 5 (45:30):
It's like, man, I'm gonna go home and write a
song about y'all and I'll be back here next year.

Speaker 3 (45:34):
Withn't the Grammy before? It's all good, don't trip.

Speaker 4 (45:36):
I have an apology as well to my people, to
the whites, Benson Boone, I wasn't familiar with your game.
I apologize. I just did not know that you could
hit notes like that while doing backflips. I'm so sorry. Well, like,
why didn't any of my white friends tell me how
good this guy is? Am I that out of the

(45:56):
loop with pop music? Are you guys familiar with this?
He smoked? His performance het a great job. He did
a ten eighty mctwist off the piano. Yeah, after two
women ripped his tuxedo off. Yeah, he went crazy, did.

Speaker 5 (46:13):
A great job, sounded good, good performance. I mean he's
on a Grammy's obviously he's a star.

Speaker 3 (46:19):
Yeah.

Speaker 4 (46:20):
But that is why I do like the Grammys sometimes,
because I I feel like we're just so focused on
the music that we like, you do.

Speaker 3 (46:26):
Miss some hop culture talented people.

Speaker 4 (46:29):
Yet that is so big, but you don't even see
it because you don't shop at Zara that much.

Speaker 3 (46:34):
Yeah.

Speaker 4 (46:35):
So I'm like, I'm gonna go through his whole catalog now.

Speaker 5 (46:39):
I mean that's usually what happens. You perform, your all,
your numbers, your streams go up. You know, you know
how that shit goes. You've been around long enough to
know how this how this thing works.

Speaker 7 (46:46):
But he did.

Speaker 3 (46:47):
He did do a great job.

Speaker 5 (46:47):
I remember watching his performance and I was even like, damn, like,
he's up there killing that ship.

Speaker 4 (46:51):
My second apology, well not an apology, because I don't
take anything I said back with our Bruno and Sexy
Red conversation. But I am not here to fight baby
d Today, rut On Mars and Lady Gaga sounded fucking amazing.
They sounded so good during their performance. I absolutely love
that Teddy Swims sounding crazy like they just kind of

(47:13):
went crazy with performances this year. Doci went. I mean
I put that in the last five six years. That's
up there, Teddy Swims because Selow Green walked. That's all
I'm gonna say. I've seen this, I've seen this play before.

(47:34):
I'm a Gnase Barkley fan too. I was waiting for
like the The The Action Action Bronzing and Danger Mouse
put Somebody Together.

Speaker 3 (47:44):
I love Teddy Swims. No, he's he's incredible, incredible artists.
Glad you were saying, No.

Speaker 6 (47:49):
I was saying, I was waiting for after Mal said
Teddy swims or whatever he says, Sea low Green walks
or so Teddy whatever. But I was waiting for the verb.
I was waiting for the verb, but the verb was swim.
It took me a second to catch that, but I
got baby d I'm telling you, when I started doing this,
You're gonna have a long night. That's all I'm telling you.
I'm getting you out of here.

Speaker 4 (48:09):
I know we're jumping around a lot, and we'll get
to the main shit in a second. But the intro
when they put together their super band for the La Fires,
when they put John Legend on piano, I almost FaceTime
mall and all John Legend did they they captain?

Speaker 3 (48:25):
They put him to the curb.

Speaker 4 (48:26):
All he could yell was like we agree or whatever
the funk would whatever they were saying in.

Speaker 3 (48:30):
That don't play with matches stop. Yeah I was not
the time, guys.

Speaker 7 (48:40):
I was.

Speaker 3 (48:43):
That nigga, y'all Legend. They was like, don't play with matches.
He was the fire bear. Yeah, yo, I don't know.
To make sure the tender is wet before you leave, yo.

Speaker 5 (49:00):
Listen, John Legend is obviously talented. We know that, man,
But I'm just it's just like, I'm just tired of
looking at this gap commercial. Man, I ain't gonna live, man,
I gotta turn off the gap.

Speaker 4 (49:09):
They kept on the piano. He just did the ad
libs whenever the call response was. I thought they were
gonna let him do the outro and he was about to.

Speaker 3 (49:15):
Croon us all the way in I'm cool.

Speaker 4 (49:17):
But oh man, that was fucking when they when they
brought up, it was like Cheryl Crow is a super band,
and then it was like in John Legend on Keys.
I was like, all right, man, yeah, the firefighters requests again,
they didn't requested the first time.

Speaker 5 (49:33):
Those are prisoners. They didn't have a choice. They so
y'all getting to go outside today? You know, as a prisoner,
you don't give a fuck were going out?

Speaker 3 (49:40):
Bet oh man, don't play with matches. Don't play with matches.

Speaker 4 (49:46):
Uh well, yes, let's let's get focused, all right. Joji congratulations.
She won Rap Album of the Year. Had an incredible performance.
Shout out to DJ Miss Milan as well. She killed
the perfemance. I loved Dochi's entire set.

Speaker 5 (50:03):
Dochi is amazing, man, Doci is She's a She's like
a mix of a lot of female artists that I like,
I really enjoy.

Speaker 4 (50:10):
Yeah, you can see her influences, yeah, yeah, you can
see it in their own way.

Speaker 5 (50:13):
Yeah, you can see the Lokale forty seven influence. You
can see the Azelia influence for sure, but definitely mixed
with you know, a little bit of Nikki in there
as well. But but Doci style, you know, Tampa Florida.
But congrats to Doci. She did an amazing job. We
talked about how when it came out one of your
favorite albums of the year, definitely was. I didn't think
she would win the album. I don't think when we

(50:35):
went through our predictions, I think we always like we
don't see them giving it to Doci. I think she
was one of them where we was like, I just
don't see that. But happy she got it.

Speaker 4 (50:42):
Well, it started once again, like we needed this topic
again on the fucking timeline. It only happens when people
are doing great shit. It started the industry planting conversation again.

Speaker 3 (50:52):
Well let's just be honest, listen. I don't give a
fuck what happened.

Speaker 5 (50:55):
Doci got an award, her price goes up, her fucking
you know, everything go her streams go up. Everything is
up after this. So I'm happy for Doci, happy for
a team. You know, it's beautiful to see her and
her mom up there on stage together. One of her
old tweets from five years ago went viral again last night.
She said, I'm so glad they fired me. It was
like her sitting in the room somewhere they found that

(51:16):
post and it's just a testament of you know what,
when one door closes, it could be a blessing on
the other behind the other door. So I'm happy for
her in every sense of the word. Really happy for Doci.
But when Carti came out.

Speaker 3 (51:27):
To present the award, I knew what was getting ready
to happen. I did too.

Speaker 4 (51:30):
Once Cardy came, I said.

Speaker 3 (51:31):
I'm just like this, if you don't know all of
this is scripted moment, I'm not mad at it. I'm
happy for Doci having that moment.

Speaker 5 (51:40):
I'm just saying, as soon as Cardi came out to
present Best Rap Album, I knew right then and there
that Doci was getting ready to win Best Rap Album.

Speaker 3 (51:49):
That's all I'm saying. We've had this conversation.

Speaker 4 (51:53):
I think it was last year after the Grammys where
It's less that I'm ever mad at the Grammys. I
just can't figure them out because they're not consistent in
everything that they do, like Maclamore beating Kendrick that time
that checked out, Like I get it, but then never
stayed consistent. We can't predict it because why you said
that checked out?

Speaker 3 (52:13):
Like yeah that the Grammys.

Speaker 4 (52:15):
No, but the Grammy's given it to Maclamore over Kendrick Drake.
I think hope, Like that list was crazy that year
that checked out, but then things switch and it's like,
finally they got it right. Because I do agree that
DOCI deserves Rap Album of the Year, but I also
see this side with that. Yes, with my personal taste. Yeah,

(52:39):
it's all subjective, completely my opinion. Now you take my
opinion away. If I'm future a metro boomin, you're telling
me that a mixtape that sold eleven thousand copies in
the first week just beat me for Rap Album of
the Year at the Grammys.

Speaker 3 (52:52):
Yeah, how do you.

Speaker 4 (52:54):
Guys judge this? That's my issue? How the fuck do
you guys judge this? Because I personally, I think Dochi
deserves it out of every album that's on here, that
is my favorite album.

Speaker 3 (53:04):
Out of this list at six.

Speaker 4 (53:06):
So happy it happened shows integrity, shows that real music
can actually win awards, people that even though she does
have a machine that is TD.

Speaker 3 (53:14):
Can we pull up the list of the best Rap
album category? Yeah?

Speaker 4 (53:17):
J Coole might delete later, Common and Pete rock Eminem
Future Metro Woman, Now I get it. But if I'm
Future in Metro, I'm looking at y'all the same way
Weekend tweeted the Grammys, how do you guys gauge this?

Speaker 3 (53:31):
Yeah? The amount of.

Speaker 4 (53:33):
Records Future in Metro sold that first week and the
impact that they had clearly to I mean they the
entire year shifted because of that album, which we'll get
to as well with Kendrick, but hip hop completely shifted
the day that that album came out.

Speaker 3 (53:50):
Why would that not be Rap Album of the Year?
If y'all are going off if yes, it's like if.

Speaker 4 (53:56):
You're doing if you're checking every single box? Yes, Why
why is Future Metro Boman? We don't trust you the
easiest win out of all of these? But then I'm
sitting here the same way I was like checks out
with Maclamore, But did you not hear a good kid
Mad City? I would feel the same way here with
Alligator Bits never here. I think it's an incredible album.
I think it's new, I think it's original. I think

(54:18):
it's something that hip hop desperately fucking needs. So I'm
happy they got it right. I just don't know why
they got it right. Why didy get it right?

Speaker 3 (54:23):
To stop? Yeah, this is why they decide to get
it right. This is not about DOCI.

Speaker 5 (54:27):
This is about just the Academy and the thirteen thousand
voters that are part of the Academy that vote on
these categories.

Speaker 3 (54:36):
How are they what are they basing their voting on? Like,
what are they?

Speaker 5 (54:40):
What are they looking for? What are they looking at?
Because again, we don't trust you. I thought the Common
and Pete rock album was incredible as well, great. I
even thought did J Cole might delete later it was
a good project, short with seven tracks. Well he deleted
one later, but however many.

Speaker 3 (54:58):
That was Kanye you see it.

Speaker 5 (55:00):
Docie did put out a good album. I didn't think
she would win. But you know, here we are so
happy for DOCI. But again, back to the Academy, how
are they and we don't We've talked about it. We
really don't care about the Grammys. We've long many years ago,
I stopped caring about the Grammys and.

Speaker 4 (55:16):
Who won February sid with my first single comes out,
I'd love your consideration.

Speaker 5 (55:19):
Well, yes you would, and I hope you win, but
don't really care about the Grammys. I'm happy for an
artist like Doci because again, it's a young a young
woman that put out a very good project, and you know,
I'm happy for her and happy for anything that she
receives as a blessing of her art.

Speaker 3 (55:39):
But what is the Grammy?

Speaker 5 (55:40):
What are they How are they coming up with these
these winners, How are they voting? What are they voting
based on? That's the only thing I look at and
I'm confused about. But you know, when you see people
like Cardi b come out to present and other people
come out and neighbors in when j Lo came out,
I think Shakiro was gonna win.

Speaker 3 (55:56):
They did the Super Bowl together.

Speaker 5 (55:57):
Like you start to see little things where it's like, okay,
I could see the script behind yeah, the show. You
can kind of see glimpses of the script like Okay,
this is this is written, this is already but that.

Speaker 6 (56:10):
Also sorry and I'll cut you off. That also does not.
I don't want to have that be I don't want
people to mistake you saying that it's written as it's
like it's rigged, because it is written, it is produced.
So yes, the people who are putting on the Grammys
know who the winners are when they're picking the presenters.
But that doesn't mean that the people who are nominated

(56:31):
didn't have a fair shot. So yes, Cardi B brought
Doughci's album out. Obviously that's very well produced. It doesn't
mean that she was always gonna win that. It doesn't
mean that she doesn't win the votes. It just means
that the producer did a hell of a job picking
the presenters for each award.

Speaker 3 (56:46):
Just wanted to clarify.

Speaker 4 (56:47):
Yeah, And I think, and I don't want to word
this as if Future in Metro Women's album doesn't get
the credibility of the snobs, Like I actually think it's
a really really solid project. Someone that's not the biggest
Future fan, I fucking love that album. The Grammys does
do things every other year just to keep their credibility, yep,

(57:09):
for the snobs, like just to keep the NPR crowd
and certain people, those snobby fans at Bay to continue
to watch. So that's gonna happen, and I guess it
balances out because sometimes Kendrick gets fucked and Maclamore wins,
and then other times Future and Metro get fucked and

(57:29):
then DOCI wins. Because if you are a music snob,
that album is fantastic and it fits that crowd rather
than Future in Metro doesn't fit the uh I don't
know ill roots dot com crowd if you will, so,
I think they do a lot of this, and rightfully so.

(57:49):
I think DOCI deserves it. But I think the Grammy
board sits there and says we need to give them,
give them one.

Speaker 6 (57:56):
I think they do it with the blacks too. I
think they say we got to give the black swan happened.

Speaker 3 (58:02):
Don't get a twisted These was the d I Awards.
We're not gonna do that. Let's just keep it. That's
gonna keep it. The talk in the rap category, in
the Academy, in the Academy category.

Speaker 6 (58:13):
So when you say these was the d e I Awards,
what do you mean by that? Because before you jump
off the deep end, I want to make sure you
know what you're saying.

Speaker 3 (58:20):
So well, then didn't who was the gentleman that came out.
Was he the president of the academy.

Speaker 5 (58:25):
Yeah, when he when he presented, when he uh had
the academy, he was head of the Academy when he
brought out the Weekend, right, he was like the Weekend
years ago expressed his you know, his feelings and behind
the Academy and the awards, the show we listen. You know,
they love to say we listened, you know, we learned,
and now we're here to make it right and please

(58:46):
welcome to the stage.

Speaker 3 (58:47):
The Weekend.

Speaker 5 (58:47):
It's like you think Weekend was d I no, I'm
just I'm not as jokes, bro, I'm just saying I just.

Speaker 4 (58:54):
Want this is and I'm happy. I thought you were
gonna go a different route with White Chappelle with her
entire thing with like the gayness.

Speaker 3 (59:03):
I mean, you know, and then gag I came up
there and said, you know, trans since I was in
fucking exactly, but now more than ever it probably it
hits a little bit.

Speaker 4 (59:15):
That's authentic to go guy, that she was ahead of
the curve and being someone that fought for trans rights.

Speaker 6 (59:24):
Yeah, like they've been, that's been a that's been what
you say.

Speaker 4 (59:28):
Was at the Village Underground on Sunday nights in the
mid two thousands saying yo, I fuck with trans.

Speaker 3 (59:33):
People, Like, yeah, Madonna bended all of that.

Speaker 4 (59:36):
Of course, I'm not saying go go I was the
start of that, but she's consistent just because the rest
of the world caught up to it. I think the
authenticity others and what.

Speaker 5 (59:43):
She said cool, We get that, we understand. I'm just
saying the timing around it. It's just, you know, we
understand that what it means now to say that at
an award show. Yeah, with you know, laws that just
wanted to place last week and things like that, Like,
we know what that is. We know, we understand the moment.
We gotta you know, remember what the moment is.

Speaker 4 (01:00:00):
And I mean, I guess to your d I joke,
which I know is just just a joke. And this
is an awful transition into Beyonce winning for Album of
the Year with Cowboy Carter d I.

Speaker 3 (01:00:12):
Not d I.

Speaker 4 (01:00:13):
We owed you one the same way Leo won with
that bar.

Speaker 3 (01:00:16):
Yeah, we owed Ja Reparations forty acres and the Mule equality. Yeah,
but it's the same shit.

Speaker 4 (01:00:22):
What the people that you watch on TV think de
I is it means that they're not qualified. Beyonce has
deserved Album of the Year god knows how many years,
and has been robbed of it before. Leo deserved an
award his whole fucking career, and then he did a
Bear movie that some of us saw and he finally
got his award. NAS they owed him one. Even though
I loved that project, you didn't give it to him

(01:00:45):
when it was written like they are old in that.
So I see the outrage with Cowboy Carter, even though
I think it's a phenomenal album. You owe Beyonce, So
I don't give a fuck say also awful comparison. I
don't know what's going on in that puff case, but
I see a video and the fact that he's in jail,
I don't care.

Speaker 3 (01:01:02):
He was old that.

Speaker 4 (01:01:03):
I don't care if he's anything on this other shit
he did that.

Speaker 3 (01:01:05):
I saw that. Sit the fuck down.

Speaker 4 (01:01:07):
Some people are just old shit, and sometimes the Grammys
realize they have gotten it fucking wrong. Beyonce deserves this,
even if it's not on this project. Leo deserved that
even if we didn't care for the Bear movie.

Speaker 3 (01:01:17):
Yeah.

Speaker 5 (01:01:17):
But the reason why I don't like that is because
now Beyonce puts out her new album this year, right,
possibly could we could? We could assume that it'd be
another amazing project, because was Beyonce next year?

Speaker 3 (01:01:27):
She's nominated and they don't give it to her? Did
they get it wrong? Again?

Speaker 4 (01:01:32):
They're always gonna get it wrong. And I actually have empathy,
even though I'm usually the loud person that fucking hates
the award, ship label whatever, I have empathy with that.
You know, hardness to get this ship right across all genres,
you're going to offend a whole group of people, like
no matter what thirteen thousand voters.

Speaker 6 (01:01:49):
Let's also we are talking about that Beyonce was old one.
But I know I don't want to talk that down
and compare that to the fucking bear movie that Leonardo did,
because ky Carter is a phenomenal album and is better
than which I've heard almost every album on this list.
None of these albums have had the impact of Cowberhard.

Speaker 4 (01:02:08):
By the way, I wasn't saying in that regard. That's
why I said it's a bad comparison. I think it
deserves it regardless, But there should have been no question
because we have owed this woman for quite some time
we fucked her over on projects that were far better.

Speaker 3 (01:02:20):
Than the winner that we gave it to.

Speaker 4 (01:02:21):
Yeah, so I mean, and she gave us one of
the greatest memes of of the New Era. It's been
a while since we.

Speaker 6 (01:02:29):
Got seen Beyonce be surprised in a very long time.

Speaker 4 (01:02:32):
She was shocked, especially with every like the backlash he's
gotten from the country community, her getting snubbed with the
CMAS like this was a controversial project quote unquote for her.
I don't think she thought the Academy was gonna be like, yeah,
that album that offended a bunch of country people that
don't really know what they're talking about.

Speaker 3 (01:02:51):
Album like, yeah, here you go.

Speaker 4 (01:02:53):
They're gonna they're gonna now, like really isolate a large
group of people from the Academy now because I'm sure people,
as they've been vocal about it, were upset that Beyonce
just entered this genre.

Speaker 3 (01:03:05):
Yeah, even though we know different.

Speaker 4 (01:03:07):
Those country people in their mind think they're protecting their genre,
not realizing what they're saying.

Speaker 6 (01:03:12):
And she doesn't go and they say she doesn't go
on you know, rubbed shoulders down in Nashville, Like y'all
aren't racist as shit, but whatever, Atlanta child. But another thing,
I'm not surprised that she won Album of the Year,
and I don't think that she was surprised she won
Album of the year. Country album of the Year is

(01:03:32):
what gave her that meme and what caused that surprise.
And that's where I think she really was like, whoa,
y'all are od because that's kind of disrespectful to or
it can be looked at disrespectful to the CMAS because
they completely snubbed her, And then you would and gave
her Country Album of the Year.

Speaker 5 (01:03:48):
Well, they gave a country almedy year, you almost have
to get album of the year. Well if Beyonce, if
she would have okay, so if she wouldn't have won
Country ALBM of the Year, it would have almost didn't
make wouldn't make no sense to give an album of
the year. You can't have album of the year and
then the category in which the album is in not
win that category. That makes no Then we gotta really
start questioning, all right, how are y'all, How are y'all

(01:04:10):
doing this?

Speaker 4 (01:04:10):
I feel like that's probably happened before. Yeah, of course
it has, But that's what I'm saying. Once she won that.

Speaker 5 (01:04:15):
It was like, oh, she they have to give an
Album of the Year now, like one of his speeches. Yeah,
that was two years ago when he won. I forgot
what the name of that award they gave Doctor. They
were supposed to go to Puff that year, I think,
but then all of that shit happened last minute. Then
they gave it to Jay.

Speaker 4 (01:04:29):
Well, I mean either way, it was it was good
to see the carters that uh at the Grammys for
a change. Yeah, and I mean I mean talk about
two stand groups coming together at once. Taylor Swift giving
Beyonce an award. Okay, I can't believe I still have
wi fi. Like I thought the world would actually shut
the fuck down at that point.

Speaker 6 (01:04:48):
Yeah, but I know we talk about it every year
and I don't want to be the person to bring
it up. But man, the Taylor Swift, I'm happy for everybody.
She I'm y'all, ain't tired of it.

Speaker 3 (01:05:06):
I know, y'all, skirr. I know she's a happy person.
She's just happy. She's like mister Rogers, that's a beautiful.

Speaker 6 (01:05:14):
Jay wouldn't be stop stop it. I know you need
some good pr I know you need some good pr
because that Blake Lively and Justin Baldoni, shit is going
on but toasting Jay.

Speaker 3 (01:05:27):
But they were standing right next to each other.

Speaker 6 (01:05:29):
They were not standing right next to each other. She
walked over to them.

Speaker 5 (01:05:33):
Tables is right there. I mean it's you know, it's
kind of like that's Taylor. She knows that's Beyonce's husband.

Speaker 3 (01:05:38):
You know, Okay, she knows, she knows.

Speaker 4 (01:05:43):
I just no one holds tailor's feet to the fire.
If there was some podcast, Grammys and Maul and I
didn't show up together, you guys would have some questions.
Why is Ice Spice still not your plus one?

Speaker 3 (01:05:54):
I just don't understand.

Speaker 4 (01:05:56):
You brought her everywhere for six months. Now she can't
come to the table with you.

Speaker 3 (01:06:00):
You know, she probably has an answer to texting about.

Speaker 4 (01:06:02):
Thought that was your best friend and like you.

Speaker 3 (01:06:04):
Think you think artist, you think Ice Spice would be
at this uh super bowler, this ship.

Speaker 4 (01:06:08):
Of course, I would assume, writ in the box, I
thought it was gonna be if she's not.

Speaker 3 (01:06:11):
If she's not, can we say that they're not friends?

Speaker 7 (01:06:13):
No more?

Speaker 3 (01:06:14):
They were never friends? What they said?

Speaker 1 (01:06:16):
No?

Speaker 4 (01:06:16):
And when they released the song, she wrote like a
blurb saying she was like the next future artist.

Speaker 3 (01:06:21):
She was the greatest she's ever heard a record in
a video, Ice Spice and.

Speaker 4 (01:06:25):
Said, not only such a phenomenal talented musician, she was
a really good person and that's why she wanted to
do it, because they were actually friends. So by that standard,
I'm sure Ice Spice was just busy. She probably she
was at the after party at Taylor's plates class or
something on Sunday, though I assumed to see Travis's mom
Ice Spice, Taylor.

Speaker 3 (01:06:45):
Sandwich right there.

Speaker 5 (01:06:47):
Ice Spice better be in New Orleans. If she's not,
we're not listening to Tailor's I.

Speaker 4 (01:06:51):
Heard she's flipping the coin.

Speaker 3 (01:06:54):
You heard that? Who told you that? Nobody? I heard?
I heard it.

Speaker 4 (01:06:59):
I heard just quickly. Maul complete side topic. I did
on Sunday night put together a list of, in no
particular order, top ten biggest scams in world history.

Speaker 3 (01:07:12):
You'd like to hear them.

Speaker 4 (01:07:14):
Number one the Federal Reserve out the gate, Number two,
en Ron, Number three the Pentagon losing two point three
trillion dollars the day before nine to eleven, Halliburton Bernie
made off, the Leon Brothers, Leeham, whatever the fuck they were.
They scammed us the Gulf of Tonkin.

Speaker 3 (01:07:34):
Wake up now, Oh my god, remember those people?

Speaker 4 (01:07:38):
Are they still out here? The beef one camera right now?
Cutco knives? Okay, and then number ten, the most important
Playboy Cardi.

Speaker 3 (01:07:49):
You hating, I'm hating. I'm impressed.

Speaker 4 (01:07:55):
Okay, I'm hating, yes, but I'm impressed that Playboy Cardi
has been able to get this scam off for the
last however many years. I understand that he builds a
huge Colt fan base, put the work in, put the
music out, then he disappeared. Then he charged a million
dollars to go on stream, didn't even show up. I
don't even care if that was fake. Still scamming us
to even go on that guy's stream. He then performs

(01:08:16):
with Weekend, who has an album out the same fucking
Weekend ironically, and has his backtracking playing like he's an
opening act at SOB's. Do you know how the fucking Grammys?
He didn't rap, But do you not understand why?

Speaker 3 (01:08:32):
I don't. I'm aware that that's ai. It's not he
didn't write it, he didn't perform it. That's not it.

Speaker 4 (01:08:37):
I get it, But I still feel like every rapper,
no matter what, even if somebody writes something for you
in AI's the voice, you should be able to perform
your version of the AI. They end up backtracking. They
had to do a wide shot. I've never even seen
camera work like that at the Grammys in my life.
I know they were doing the wide shots so you
could see all the cool hands that the Weekend was doing.
The lighting incredible, they were pushing the lights.

Speaker 3 (01:08:58):
Loved it, but he didn't get no.

Speaker 4 (01:09:00):
They did the why because Playboy Cardi. They just they
plugged in an iPod and hit play.

Speaker 3 (01:09:05):
Yeah.

Speaker 5 (01:09:06):
I don't think. I don't think Cardy knows the song.
I'm de Serres. I'm not even trying to be funny.
I don't think he knows that song. I don't think
he cares to perform it. He's gonna if they want
him to perform it, he's gonna perform it just in
the exact way he performed it at the Grammys. He's
gonna give some ads here and there, and he's gonna
dance around.

Speaker 3 (01:09:23):
Let it, let the track play. You know, the whole
mystique thing of is that even really Playboy Cardi on stage?

Speaker 5 (01:09:28):
Is it this doppel ganger? You know, the whole MF
Doom route with the mask. You know, it's it's that
type of ship.

Speaker 3 (01:09:35):
It is what it is. But at some point we
got to look into the role that mental health plays
in a cult following.

Speaker 4 (01:09:44):
So because I'm hating it, I'm so jealous of Playboy
Cardi that he's able to get this shit off and
still still be in a Big three conversation of the
young generation. I went to the scariest place you could
ever go on Earth, a Reddit stand page. I wanted
to see what the Playboy Cardi community. I have watched
the Drake community, the Kendrick community, the Cole community, all

(01:10:05):
ride for their guys, no matter what you were dedicated.
I had to see because they Playboy Carty has been
keeasing that he's been fucking with his core fan base
for quite some time, like playing in their faces. Even
his own fans are starting to get a little pissed off,
like this is it the Grammys you played backtrap, Like, yeah,
I take back everything I've ever said about Ice, Spice Sexi,

(01:10:27):
or anyone that performed at Rolling Loud with the music
in the background that we gave shit.

Speaker 3 (01:10:30):
I apologize. I'm so sorry.

Speaker 4 (01:10:32):
Playboy Carti, one of the biggest artists in hip hop period,
whether you like it or not, showed up to the
Grammys with the Weekend arguably one of the biggest pop
stars of our generation and just hit play on his verse. Yeah,
and that was okay, that was fine. You know how
much money the Grammys had to pay Weekend and Playboy

(01:10:52):
Carti to do that.

Speaker 3 (01:10:53):
What was his The Reddit stampede saying they're sick of it?

Speaker 4 (01:10:58):
Okay, yeah, I was expecting he has. I'm with you,
there's a mental health ship with that fan base. They're
going to attack us regardless, but I don't care. They're
starting to get sick.

Speaker 3 (01:11:07):
Of that shit.

Speaker 5 (01:11:08):
I think that any any any cult following. You know,
when an artist or whoever has a cult following, there's
absolutely undeniably a talian of mental health that plays a
part in that ship.

Speaker 4 (01:11:19):
With that said, then say something nice about Kendrick Lamar
sweeping up in the Grammys.

Speaker 3 (01:11:22):
Say something nice about it.

Speaker 4 (01:11:23):
Yeah.

Speaker 3 (01:11:28):
I think Drake did a good job last night. Yeah,
I think he did an amazing job. He's all the
way in Australia's in Australia and he's doing karaoke in.

Speaker 5 (01:11:36):
Australia and happened to be in La last night as well.
Isn't it amazing? He's all over the place. That kid
is working. But he's the hardest working.

Speaker 3 (01:11:43):
He's working. He's working, man, He's working.

Speaker 4 (01:11:46):
Congratulations to Kendrick Lamar sweeping up what was it five
Grammys for Not Like Us?

Speaker 6 (01:11:49):
Congratulations congratulations to Drake. I'll but.

Speaker 3 (01:11:58):
What no with that said, who are we talking about?

Speaker 4 (01:12:02):
I have never seen a victory lap this in my
entire fucking life. When Kendrick Lamar won Record of the Year,
I've never seen the Grammys when someone wins not play
the hook. When they get up for Record of the Year.
They always go to the hook.

Speaker 3 (01:12:15):
Shazam anything.

Speaker 4 (01:12:16):
If you if you want to put music on your
ig video, AI will take you right to the hook.
They played the middle of his second verse just to
get that pedophile ship on. This is the greatest victory
lap I've ever seen. He will be at the super Bowl.
I have no doubt my mind now that he is.
He's gonna perform Not Like Us. This is the greatest

(01:12:36):
victory lap I've ever in my entire life. This is
this is insane. This put the stable. If we didn't
need to say it before. This is the biggest win
in Rap Battle history. And it's not even fucking close.

Speaker 3 (01:12:50):
Do you wanna? Are there any of these awards?

Speaker 6 (01:12:52):
He won for Record of the Year, a Song of
the Year, Best Music Video, Best raps, that's best rap performance.

Speaker 3 (01:12:58):
Good video.

Speaker 4 (01:13:00):
I don't. I don't think it was the best music video,
but it was.

Speaker 3 (01:13:02):
You don't. I don't.

Speaker 4 (01:13:03):
That's just say it. You do not think you did.
I didn't say you did. It said you don't think
that that's best video.

Speaker 6 (01:13:11):
Let's pull the category up for best music Video.

Speaker 3 (01:13:13):
And you saw a Rocky tweeted?

Speaker 4 (01:13:14):
Who else was what Rocky tweet?

Speaker 3 (01:13:17):
I guess next time?

Speaker 4 (01:13:18):
Oh well, whatever, Rocky was nominated for the last two
videos video put out, We're fucking incredible.

Speaker 3 (01:13:23):
Tailor Swift.

Speaker 5 (01:13:24):
That Tailor Swift video is a way better video than
not like us. I don't give with none of y'all.

Speaker 4 (01:13:28):
A talking, I'd be lying if I said I watched
the Tailor Swift post alone Fortnite video.

Speaker 3 (01:13:31):
Yeah that's something. No, No, don't Tailor Swift song. Ain't
that rocky video?

Speaker 4 (01:13:35):
Oh I'm sorry, I was looking at Taylor Swift. No, no, no,
Rocky video was the best video of the Year. I
agree with cut this ship. I completely agree with this,
not like us bullshit. I get it.

Speaker 3 (01:13:46):
Cut the bullshit. That's some bullshit.

Speaker 4 (01:13:47):
No, I mean it is no, they got it right right,
they didn't get oh I know yeah. But the other
four I'm waiting to see y'all move like dice, cool ship,
like some dice nigga. You are take it, you are correct.
One out of five.

Speaker 3 (01:14:03):
I do not agree.

Speaker 4 (01:14:04):
He should not have gotten Best Music Video the Year
if we're going off actual talent indirecting exception of one.
The other fucking four Record of the Year, Song of
the Year, Best Rap Song, Best Rap Performance.

Speaker 3 (01:14:14):
We're not question.

Speaker 6 (01:14:17):
I'm here to I'm here to argue with you on
Song of the Year.

Speaker 3 (01:14:20):
Mmm, baby, did got an argument? Yeah? You ain't feeling that.
So that's two awards we don't agree with. Yeah, I'm
gonna let you talk, all right. I am that's two m.

Speaker 6 (01:14:31):
I am happy for Kendrick and whenever black people win anything, listen,
I'm cheering for you.

Speaker 3 (01:14:36):
What I will say is that's not true. Not doing that.

Speaker 5 (01:14:38):
Don't do that because you've booed at black people winning
before when you didn't agree with it, So don't do that.

Speaker 6 (01:14:42):
I've never booed at black people win in unless somebody
shop it on Beyonce, I mooed a black people went in.
What I will say is as far as Song of
the Year and Record of the Year, which we've talked about.
You know the difference between the two. For example, with
Record of the Year, all of the producers and people
who any songs that were interpolated or sampled on that

(01:15:03):
song for Record of the Year, they also get awards
for a Song of the Year. Only the people with
songwriting credits get an award for that because it's more
of a songwriter's award. I personally think that Birds of
a Feather was a better written song than Not Like Us.

Speaker 3 (01:15:20):
Nah, Billy Ali, she ain't give you wa wah, she
ain't give you.

Speaker 6 (01:15:23):
That I purpose, And I feel like that's not being
written not like Us. That's not shade to Kendrick for
Not Like Us. Like I said, I agree that it
should have won Record of the Year and Best Rap
Performance on all of those, I do not agree with
Song of the Year. I think that Billy should have
taken that home.

Speaker 4 (01:15:38):
Well, okay, you know what, out cave a little bit
because you guys are making sense. I would say six sixteen,
Meet the Grams, Euphoria are all better written songs than
Not Like Us. Yes, I yes, but again back to impact.
I don't know how they judge the shit. All I
know is one of the most impactful popular records period
across genres this year or last year.

Speaker 3 (01:15:59):
Roud was not like us.

Speaker 6 (01:16:00):
If we're if we're doing impact, then Birds of a Feather.

Speaker 3 (01:16:05):
Still it didn't.

Speaker 6 (01:16:05):
It didn't have quite the impact of not Like Us,
But damn sure close, way better written. And if we're
going with sales, then shaboozie a bar song, tipsy?

Speaker 3 (01:16:16):
Yeah, what what are we doing?

Speaker 6 (01:16:17):
But I mean again, like I just said, that's what.

Speaker 4 (01:16:19):
I'm gladmeing because I wanted Jay Kwan to get get
an award, like if you're not getting given.

Speaker 6 (01:16:25):
He wouldn't have gotten it for Song of the Year.
He would he a Record of the.

Speaker 4 (01:16:27):
Year, which, by the way, sample though was off the
written though, wasn't off the music interprelation, Like he wrote,
everybody in the bar getting tipsy, So shouldn't he get
oh yeah, he should get one if.

Speaker 3 (01:16:38):
Oh yeah, yeah, he might have. If he might have
got for a Record of a Year, give my guys
An Awards.

Speaker 6 (01:16:43):
But yeah, I just me personally, I think that that
Birds of a Feather deserve that. But you know, congrats
to the Kendrick. I'm not mad at the rest of.

Speaker 4 (01:16:51):
His We we knew when we saw these nominations that
not like us had entered the chat.

Speaker 3 (01:16:56):
We knew what this was gonna be.

Speaker 4 (01:16:57):
Yeah, I said, go back to whatever episode. I said,
We're going to get that Lauren Hill photo of Kendrick
and you can pull it up now. He's sitting right
there with all of them. We knew this was gonna happen.
And while I agree with you guys on music Video
and you can definitely make a case for Song of
the Year, it deserves the awards that it dominated twenty
twenty four, I don't really know there's really an argument.

Speaker 6 (01:17:17):
Yeah, what I will say is in our predictions, we
did say that we didn't think he was gonna win
Song of the Year and Record of the Year.

Speaker 3 (01:17:24):
We thought he would win ward one or the other,
so he won both.

Speaker 6 (01:17:30):
Yeah, I'm not when MA said the DEI Awards, I'm
not mad at that when it came to Kendrick winning
every single one of those awards, because I don't think
he deserved every single one, but congrats to him, and
I am happy for her, all right, And this is.

Speaker 4 (01:17:45):
I don't want to get mall started by giving him
some credit. You can see the play, though Taylor Swift
did a toast, Beyonce was rapping every word. They started
in the middle of the second verse, so everyone in
the crowd could say a minor at the time.

Speaker 3 (01:17:58):
When he got on the stage. When he got on stage,
it was eight minor time.

Speaker 4 (01:18:01):
What did Drake do to y'all? I've never even seen
Lucian hit a two step like that. He might have
quit walked.

Speaker 6 (01:18:10):
Do we think we would have gotten a Kendrick performance
if he wasn't doing the Super Bowl?

Speaker 3 (01:18:15):
Yeah, I definitely do.

Speaker 4 (01:18:17):
Yeah, if the super wasn't happening, we would have gotten
a full, full set. But at that point you can
only kind of do not like us because gn X
is for the next Grammy cycle, he wouldn't perform those records,
I feel like so that would have been odd. But
either way, how I could think about certain politics in
the music industry, This is still like a cleanup in
a victory lap.

Speaker 3 (01:18:36):
This is a crazy top of the year. Yeah, yeah,
I agree.

Speaker 4 (01:18:42):
But grass to Kendrick, Congrats to Drake, Grats to Drake.
Is Well announced his collab album Party next Door for
Valentine's Day, which I think is a perfect time for that.
They put out a teaser on Monday, February third. It
sounded a bit REDULTI like, I liked it, but I've

(01:19:02):
heard that Party and Drake song before. It's just a teaser,
so I'm not gonna harshly judge it. I'm really excited
for this project. I just hope it's less like the
teaser because I've heard that song.

Speaker 3 (01:19:13):
Like a lot.

Speaker 4 (01:19:16):
TD did get a lawsuit over the weekend from two women,
just a weird case. It definitely is accusing members of
their staff of sexual harassment, sexual assault, amongst other things.
This is still very much in its early phases where

(01:19:36):
I don't know if we have much to really debate
at this point about what this is. Td' lawyer came
out and staid, it's just a shakedown. It has no
grounds for anything. I would be a liar to say
that there has not been rumors about certain people within
that crew.

Speaker 5 (01:19:55):
You can go ahead and say it. We've known about
these rumblings for some time now.

Speaker 3 (01:19:58):
Yes, and out of respect for victims.

Speaker 4 (01:20:04):
Yes, people have been quiet about it because we don't
expect no, it's just maul. Why I was scared to
even cover this was kind of back to we're having
a conversation about the stand culture and the weird cruise
because the internet I saw over the weekend.

Speaker 3 (01:20:20):
We're not the people to do it.

Speaker 4 (01:20:21):
Our credibility on both sides has getting top killed, has
has been doing weird shit, which I hate. The The
TDE twitter community is now saying this is all just
baseless ship because of Drake and the battle, and then
the Drake side saying, look, they have a weird case too,
Like you guys are taking real serious fucking issues and
making it about a rat battle. And because because I

(01:20:44):
value perception even if it is untrue, I know how
people view this podcast and I don't want to start
having a conversation about these allegations towards TDE where people
will think it's a spiteful situation when it's quite the opposite.

Speaker 5 (01:21:01):
I yeah, but I speaking to you speaking to something
you can't control though even if you don't speak on.

Speaker 3 (01:21:07):
It, of course.

Speaker 4 (01:21:08):
But I also because this is such a sensitive situation
that I take very seriously. I want to watch my
words because I know how it will look if we
start coming on here saying you guys got weird cases
all this other shit, when I just want any victim
to have their actual day in court and justice to happen,

(01:21:30):
and my prayers which sounds I know, open ended to
any women that have experienced this in the music industry,
because it's thousands get their just due and the people
that did it to them see their day, whether if
it can't be criminal, whether it is civil. Somehow, there
needs to be justice. And I'm not just pointing to
TDE in this situation. I hate that they just put

(01:21:51):
Punch's fucking face on the picture of this when Punch
isn't even part of the case. Like this is why
I hate this entire thing, because Punch is the outspoken
one on Twitter with TD stuff and the battle Hunch
isn't in this case, so why is his face up there?
That's why I just want to.

Speaker 3 (01:22:08):
Leave, like you didn't But you didn't do that, so
that doesn't matter. Why are you even that's not your work?

Speaker 4 (01:22:12):
Because I deal with people listening to this podcast and
create narratives and perceptions, and that is something, even if
we disagree with it, is the reality of the world
we are in. The podcasting is perception. What have you
known podcasting for the most part to ever be fucking
facts of how people view any podcaster.

Speaker 3 (01:22:30):
It's not just us.

Speaker 5 (01:22:31):
Yeah, but Rory, I think the part you missing is
no matter what you do or say, people are going
to draw their own narratives. People are gonna enjoy their
own conclusions. If if this case goes to trial or
whatever happens with this case, and these individuals are found
to be guilty, with all the evidence and everything that
come out, there's still gonna be people that's going to
somehow try to tie this to Drake, somehow, some with

(01:22:55):
That's the way. This is what I'm trying to Dad
and all this other week out you having to say anything.
You just have to understand the type of world with
like this has you. You can sit here and say
there's a case somebody is that they have they have
filed the case of lawsuit, right. You want the victims

(01:23:18):
to have their day, Yeah, have their justice.

Speaker 4 (01:23:21):
Always want the truth to come out.

Speaker 3 (01:23:22):
I always want the truth, truth to come out. That's all.

Speaker 5 (01:23:25):
You don't have to walk on eggshells. I don't want
to talk about that. No no, no, no no no
no no, no, no no no, that's just it's.

Speaker 4 (01:23:30):
Just being because if it's where in the reality that
we are in now where I don't even want to
be part of a perception that looks like we are
pushing something because of a rap battle when we know
this has the fact this has nothing to.

Speaker 5 (01:23:45):
Do with all right, so that's what we speak to.
This has nothing to do with out there, This has
nothing to do with a rap battle. These are women
that are.

Speaker 4 (01:23:54):
Accusing employees employees of TDE of sexual harassed, miss sexual misconduct,
sexual assault, and they want their day in court.

Speaker 3 (01:24:06):
Of course. The lawyer's responded said this is just a shakedown. Yeah,
we understand that.

Speaker 6 (01:24:10):
And one of the victims responded on her story. Her
name is Linda Luna. Huh say her name Linda Luna.
She's one of the women involved, and she uploaded a
couple of posts The News has gotten a hold of
them now where she basically was showing screenshots of pictures
of her working with the sons of Top Dog, who

(01:24:31):
she's accusing of the sexual assault when they said they
said they were never employees of td E. If you're
a ten ninety nine contractor, they'll pull that out as
so you were never employees of TD or if you
never got a check, you were never an employee of TD.
But I worked for TD just because you didn't pay
me or whatever they have going on with that doesn't matter.
She showed screenshots of her working with other TDE employees

(01:24:55):
that weren't involved in the suit. Linda was actually in
charge of Reasons roll Out.

Speaker 3 (01:25:01):
She put it up up.

Speaker 6 (01:25:01):
She posted a screenshot of that for one of his projects.
So it's about to get nasty from what I'm seeing
in the news. It's about to get nasty. And I
just I hope any victim really finds justice because this
is not okay.

Speaker 5 (01:25:16):
Yes, any victim of sexual assault, sexual abuse. We hope
that they harassed justice and they get justice because that's
something that nobody should ever have to experience or go through.
So yeah, prayers to the victims and hopefully they you know.

Speaker 6 (01:25:32):
And also there were one of the things that came
out and a bunch of the news articles, and we
all know that people pay for news articles to come out.
I'm not accusing TDD of that, but sometimes things happen
where rumors get started from people behind the scenes. They
said that they asked for forty eight million dollars, so
she said. So Linda came out and said, my legal
team nor I have ever asked for forty eight million,

(01:25:52):
neither nor any other dollar amount. This is why it's
hard for women to come forward. But we will let
this play play out in court with the evidence.

Speaker 3 (01:26:00):
Let it play out on court with the evidence.

Speaker 2 (01:26:04):
I like that, Yeah, I like that.

Speaker 3 (01:26:06):
Forty eight million is such a random number. That's why.

Speaker 6 (01:26:08):
Yeah, when I heard that, whenever like, yes, they're soone
for forty eight million, I was like, that's a really
like wow.

Speaker 3 (01:26:13):
And I mean I know.

Speaker 4 (01:26:14):
Lawyers and their teams come up with specific numbers that
they add up based off you know, specific charges, and
like that's valued at this but yeah, forty eight million.
When I saw that, I was like, that's that's odd.
It's a weird thing.

Speaker 3 (01:26:28):
Again.

Speaker 4 (01:26:28):
Prayers to all victims, you know, especially over Grammy weekend
when we're highlighting the music industry because it is very prominent,
the same way it is in any other industry that
we are in that that tends to happen unfortunately, but
we can get into a little bit more lighthearted stuff.

Speaker 5 (01:26:47):
Situcy claimed that he started the trend of when Nike
texts in America. Situency, you put out a really good album.
I was really surprised at how much I enjoyed the album.
But let me promise you one thing, my brother, You
did not influence anybody in brooks for wearing a Nike Tech.
Nobody in Harlem, nobody in the Bronx, nobody in Queen's,
nobody in La You had did not inspire Well, let

(01:27:10):
me not say you didn't inspire noybody because maybe this
new younger way.

Speaker 3 (01:27:14):
They did see you wearing it first.

Speaker 4 (01:27:15):
Yeah, but but even then, I don't think the young
kids were even because of central C. Yeah.

Speaker 3 (01:27:22):
No, I can promise you.

Speaker 5 (01:27:23):
Before you started wearing tech suits, dudes were scamming in
Brooklyn with Tex suits.

Speaker 4 (01:27:29):
Every day, and that was like, it was the scamming uniform.
Before we even knew who central Cy was.

Speaker 5 (01:27:34):
Central Cy might have been nine ten years old when
dudes was scamming in Brooklyn wearing Tex suits, going in
the banks, busting them checks.

Speaker 3 (01:27:43):
I posted a.

Speaker 4 (01:27:43):
Photo from twenty thirteen of me in a Nike Tech
which I think central Cy might have been eleven years
old at that time. Yeah, and I mean as much
as I'm sure he may have been a prominent figure
in his seventh grade classroom before he got to primary school,
but I didn't.

Speaker 3 (01:27:58):
I was not influenced by him.

Speaker 4 (01:27:59):
Yet.

Speaker 5 (01:28:00):
You see how words could just make a whole thing,
because if he said he started the trend of wining
Nike tech's in the UK, nobody argues that.

Speaker 3 (01:28:08):
But he didn't do that either. You think, no, I
can't speak to do that, can't speak to that. You'd
have had enough to know that.

Speaker 4 (01:28:15):
My man Josh Kissey, who you know, amazing photographer, also
has consulted with Nike and Adidas since he was seventeen
years old, was up with Rocky in them like he's
staple from the Bronx. As far as fashion art everything.
He did a whole lesson over the weekend of London
and how they have influenced wearing track suits and leisure

(01:28:36):
wear as formal wear. That London was always on that shit.
Even though I go back to run DMC cool, I'm
not taking away that London has not had an influence
on our They was wearing tampered ship way before we
was even if you think Kanye and that whole crew
ended up really influencing all the kids to do, it
still came from London. I respect it now, Nike Tech,
you did not fucking do that in twenty thirteen, Like,

(01:28:58):
no way did that ever have?

Speaker 2 (01:29:00):
No?

Speaker 5 (01:29:00):
I mean, he may have inspired a different younger wave
in the UK. That's what I'm saying. If he if
he says he started the trend in the UK, I
wouldn't say. It would be hard for me to target.

Speaker 4 (01:29:11):
I think where he may have misspoke is saying that
America London has.

Speaker 3 (01:29:15):
That's what he misspoke. He said he started the trend
in America. That's in America. If it's the United Kingdom,
nobody pulls up think pieces and nothing about what Citrusy said.
It's like, bro, you got it. You know what I'm saying.
You probably did. We can't speak to that, but I
forgot to say I can promise you that they may have.
They may not have been wearing Nike text in front

(01:29:37):
of Harrods in London, but in front of fucking Bloomingdale's
in Manhattan. Oh, We've been wearing Nike texts for at
least the last fifteen years.

Speaker 4 (01:29:48):
I think I'm giving him the grace of a younger
gentleman that misspoke and was maybe trying to speak to
London's influence on fashion and made it sound like he
was influencing the kids in America to where yeah, which
is absolutely fucking insane.

Speaker 3 (01:30:03):
Man, I did it?

Speaker 2 (01:30:03):
Fuck it?

Speaker 3 (01:30:04):
Man, good album, good tweet? What was that a tweeted interview?
He said, it's an interview?

Speaker 5 (01:30:07):
Oh so yeah, good, I'm good interview. Viral interview, viral
clip from an interview.

Speaker 3 (01:30:12):
I like it. I just put I get it.

Speaker 4 (01:30:14):
I've said dumb shit. Listen when I was young up
thinking that we did this. Bro, You've been doing that
so much longer than even I like it.

Speaker 3 (01:30:21):
Fuck it. Sometimes you just gotta say shit, even if
it has no merit to it. Just say it. Who
gives a fuck? Say it?

Speaker 4 (01:30:26):
But then I didn't like the internet pulling up all
his photos as a kid. He had the with the
steptum rings. That's your cold, Oh how that's awful. He
had that with like a bun, and they was like, yo,
this this was the day that Nike Tech came out.
This was the kid that was influencing all what I'm saying.

Speaker 3 (01:30:40):
You know, what fuck it. It's interesting to get your
ship off. Say what the fuck you want to say? Man,
you like the album? Really good album.

Speaker 4 (01:30:47):
You didn't start Nike tech, no believe it at that.

Speaker 1 (01:30:50):
Uh.

Speaker 4 (01:30:51):
Anyways, Jello back in the news, him and Cameron going
back and forth. Who you have in the battle? He
sat with our guy Speedy.

Speaker 3 (01:30:57):
He said that he.

Speaker 4 (01:30:59):
Raps better than Cameron. He said he is the obviously
the better basketball player, which I agree with him, even
though Cam caball not gonna argue that. But he's also
suggesting he beats him in the rap category as well.

Speaker 3 (01:31:12):
This is your fault, you damaris, all of y'all to
sit here, yo, that song is him money? Beat him money?
Whoa that GBT Hot boys should get that ship out here?
How did you make that ship? Boot do op?

Speaker 4 (01:31:25):
Niggas sounds firey when he make it.

Speaker 3 (01:31:29):
It's the same ship. Why would he drop dripping like
it's the same fucking record? And that niggas from California?
Why break the wheel? If that bitch still turning? You
feel me?

Speaker 6 (01:31:39):
So?

Speaker 4 (01:31:39):
You so you don't think he's better than Cameron? And
Cam will rap when can win Friday? He puts his
raps out We can't put in his next free style out.

Speaker 3 (01:31:46):
Kim got one of my things versus all time.

Speaker 4 (01:31:48):
I think all rappers should feel like they're the best,
but sometimes you should be like, no, I'm cool. He
said he got shit in the tank that that could kill.
Come home with me, like Jello, he's sitting on ten classics.

Speaker 3 (01:32:01):
Hey, Jelo, let me tell you something. You don't want
to do it.

Speaker 5 (01:32:03):
You don't want to rap with Camron bro This may
be your way of I don't know. You know it's
weird times now you do this and then you end
up getting a feature from Cameron. Maybe that's your angle here.
I don't know, you cannot rap better than him.

Speaker 3 (01:32:15):
I'll go a step further.

Speaker 4 (01:32:16):
If Cam grew up in Chino Hills with the opportunity
and pops that you had, I Thinkim would have been
a better basketball player.

Speaker 5 (01:32:25):
That's subjective. I don't know about that. We gotta deal
with what we know. We know that he don't rap
better than Cam that we know, but he can who
he might, he can who? You know what I'm saying.
I'm not gonna take nothing away from there. You could
obviously play basketball, but you.

Speaker 3 (01:32:39):
Don't rap better than No Camera. But again, I understand
the optics.

Speaker 5 (01:32:42):
Now you go on one platform say you better than
this person, and then two weeks later, you niggas are
dropping teasers on your Instagrams with a video together.

Speaker 3 (01:32:49):
I get it. I know how this thing works.

Speaker 4 (01:32:51):
Oh, he'll definitely be on CAM and makes the show
for sure, that's happening.

Speaker 3 (01:32:54):
That was set up for it.

Speaker 4 (01:32:55):
I get the marketing. But we could have had that
moment if you weren't so mean to him. You weren't
such a bully.

Speaker 3 (01:33:00):
Did Cam? Did Camp say his song with truge.

Speaker 4 (01:33:01):
Jamaricana raps Camp say the song Trusge? No, I don't
think so, he didn't say.

Speaker 3 (01:33:05):
With No Cam liked it.

Speaker 6 (01:33:06):
Cam Cam was on the cam Treasure and Mas round
their dancing to it.

Speaker 7 (01:33:11):
They like it.

Speaker 3 (01:33:13):
Cam was dancing to that.

Speaker 6 (01:33:14):
Well, he was listening to Treasure, was playing it and
he was like, I like that ship. That shit is
fired like he shouted it out on the same one
where Elliot Wilson didn't stand in our business that same episode.

Speaker 3 (01:33:23):
That was a shot at Elliott. That's crazy, Ellen, don't
stand in our business man.

Speaker 6 (01:33:26):
We was talking about the red car, but we ain't
bring up him not staying in our business with Kai.

Speaker 3 (01:33:29):
He's staying our business with Kim. It looked like a superheter.
But you can't.

Speaker 4 (01:33:33):
But this is the thing.

Speaker 6 (01:33:33):
If you're gonna hate, commit to the hate. You can't
just don't be committed to nothing. You commit to hate.
Niggas hate to get recognition, to go viral.

Speaker 5 (01:33:43):
And then when niggas call a phone, Yo, you could
shoot tomorrow, could pull up nigga.

Speaker 3 (01:33:47):
What you did all of that to go sit down
and do an interview.

Speaker 4 (01:33:52):
Well, Elliot wasn't supposed to say something to Kay when
because Kai had a live stream during the.

Speaker 3 (01:33:55):
Ground I'm not saying he wasn't. I'm not saying. I'm
just saying, and I know why he did. Now it
all makes sense, like, oh, that's why.

Speaker 4 (01:34:04):
Elliott didn't know that he was going to run into
Kai at a live stream on the Grammy's Red carpet.

Speaker 3 (01:34:08):
He did not know that.

Speaker 4 (01:34:09):
I say, I think Elliott actually had that hate in
his heart.

Speaker 3 (01:34:12):
No he didn't.

Speaker 4 (01:34:13):
Yes, I think he felt, which is crazy out loud,
is how much he didn't have.

Speaker 5 (01:34:19):
No, he didn't have no hate in his heart. He
was mad that he wasn't getting that recognition in that spotlight.

Speaker 3 (01:34:26):
He wasn't. He didn't journalism that much. He didn't hate Kai.
He didn't hate I think the system. He hated the
fact that Kai.

Speaker 5 (01:34:32):
Is getting all of the notoriety, all of the attention,
all of the headlines.

Speaker 3 (01:34:37):
That's what he hated. So come on, man, like, all right,
I get it. You you mad?

Speaker 5 (01:34:42):
The young boy was hot. Yeah, but now don't be
on the carpet. Tol my yo, blessed king yo.

Speaker 2 (01:34:47):
What.

Speaker 3 (01:34:48):
I was kind of shocked, Well, what not?

Speaker 4 (01:34:49):
He's an elder statesman. You gotta be nice to the kids.

Speaker 3 (01:34:52):
So be nice from the beginning. B nice from the beginning.
Hates Elliott.

Speaker 6 (01:34:56):
We love Elliot. Elliott's a friend, and fuck that.

Speaker 3 (01:34:58):
It's up with Elliott now. Yeah, I'm on my ship Elliott.

Speaker 5 (01:35:03):
Yeah, I'm on my ship now. Fuck Elliot Wilson. Yeah, yeah,
it's up, it's off.

Speaker 4 (01:35:09):
Yeah you have that hate in your heart?

Speaker 3 (01:35:11):
Yeah yeah, I got heartburn hating these motherfuckers out here
right now.

Speaker 2 (01:35:15):
Yeah.

Speaker 5 (01:35:16):
I can't wait to see a few of you. Motherfucker
Elliott do man, fuck Elliott? Yeah, fucking Elliott?

Speaker 3 (01:35:26):
You playing?

Speaker 5 (01:35:28):
I play spades, baby, I don't play when I say
fuck somebody, fuck that nigga.

Speaker 3 (01:35:32):
Fuck him all right? When I was asked what happened? Yeah,
he was just up I know you was just jiming, man,
cause you you playing, you up here acting like you
don't like this person, you hate this person, journalists in
this and then you at the red carpet piece, King,
blessed King.

Speaker 6 (01:35:46):
Yo.

Speaker 3 (01:35:46):
Now you five percent of all of a sudden? What
is sometimes we misspeaking, correct our mistakes. No, I'm joking.
I fuck with Elliott. You are convincing.

Speaker 4 (01:35:56):
I was a little concerned of like, how we're gonna
cut that out?

Speaker 3 (01:35:58):
No, no, no, I fuck with Elliot.

Speaker 6 (01:35:59):
I'm joking, yeah, but no, but I and I am
partially like playing. But now Elliott stopped saying shit. If
you're not gonna stand on your hate because you hate
with all your heart, he'd be hating with all his
heart and didn't want to walk it back.

Speaker 3 (01:36:11):
You can't do that. That's what niggas due. Though, Why
are you acting like this is new baby d I.

Speaker 6 (01:36:16):
Don't know when I hate, I stand on my shit.
What you're gonna die with the hate?

Speaker 4 (01:36:19):
No, you don't who I hate to night? You stay
have my a nigga pussy? Why you hated him? You
hated you was giving you had hate sex. I mean
he was like, yo, I ain't want to deal with
the pain of the hate. So I just was like, yo, huh, hey,
take this pussy kind kind of corners you on that one.
I was trying to defend your head. Couldn't I got
nothing else.

Speaker 3 (01:36:36):
You gave a nigga hate sex. Hate sex is the
word when it bit say huh here like it's like
what I don't want?

Speaker 1 (01:36:42):
That?

Speaker 3 (01:36:43):
Is you cool? Like you said this? You're on air?
Are you attacking me?

Speaker 7 (01:36:48):
No?

Speaker 4 (01:36:48):
No, no, no, I'm not attacking you. I'm saying you
you don't stand on hate. It's all I'm saying because
you was hating homie when you wasn't.

Speaker 3 (01:36:54):
You was mad and I was going through your thing.

Speaker 6 (01:36:56):
But if I see Homie, it's never gonna be old whatever,
it's still gonna be oh.

Speaker 3 (01:36:59):
Fuck like, I'm standing on the fuck you no literally literally,
and he's literally fuck you right now. You're standing on
fuck you? You want her?

Speaker 1 (01:37:08):
You?

Speaker 3 (01:37:08):
Actually you know what? Baby?

Speaker 4 (01:37:09):
Did you?

Speaker 7 (01:37:09):
Right?

Speaker 3 (01:37:09):
You standing on fuck you? Don't say you standing on
hate though, because you're not staying times you don't even
ask me.

Speaker 4 (01:37:14):
I definitely fun people. I don't like so yeah, I
get it. Yeah, I just can't say you hate them
if you still gonna give us some some sex, I
don't know.

Speaker 3 (01:37:23):
You don't hate nobody. You don't hate nobody. You haven't.
And if you do really hate somebody you having sex,
I definitely you need to like a new therapist because
the one you got ain't working. If you have sex
with somebody you hate, hate, it's crazy.

Speaker 4 (01:37:36):
Hate is a stronger. I've never someone that I hated. Okay,
now we have a different conversationally, disliked a woman, like where.

Speaker 3 (01:37:42):
That's different in them? You're mad, you could be mad,
you're upset. Yeah, but hate, that's what I said. Baby,
you don't stand on. I didn't. I didn't know. I
didn't hate stuttering baby, sounds like we got ad libs going.
I don't know what's happening right now? What world do
we in?

Speaker 4 (01:37:58):
I mean, no, homo, I don't know if I've ever
hated a girl before. I've hated men. I don't know
if I've ever hated a woman before.

Speaker 5 (01:38:06):
See then you look at me when I say that,
like I'm crazy. When I said I never had an
argument with a woman, I never had a fight with
a woman.

Speaker 3 (01:38:12):
Argument and hate are like very like hate a woman.
I don't know if I've ever heard that's ever happened. Yeah,
I don't. I mean I've had conversations and debates with women.

Speaker 6 (01:38:22):
You have you disliked a woman before?

Speaker 3 (01:38:24):
Dislike? You don't like anybody I dislike? Huh, you don't
be liking people? No, I like some people. I like
some people I'm dislike. It depends on like. I like
some people, but I disliked. I've disliked the.

Speaker 5 (01:38:35):
Woman for something she may have said or done, but like,
I don't dislike her entire existence, Like I don't you
know what I'm saying.

Speaker 3 (01:38:44):
When I see her, I don't feel like throwing up.
It's not like that type of thing.

Speaker 4 (01:38:47):
Yeah, I've definitely even checks that I've disliked and still
fucked and like shit. Yeah, but and yeah, I can't
really be around you anymore. But I hate It's like
a there's men I hate women.

Speaker 3 (01:39:00):
This man. I just this man I hate, like I
bet not ever see nothing.

Speaker 4 (01:39:05):
I don't know if I say it on business, maybe
I still fuck how she look like if I'm running
into her.

Speaker 3 (01:39:10):
You never hated an ugly girl? You know you ain't
never hated the ugly girl.

Speaker 4 (01:39:13):
I just liked and gotten away from very pretty women.
But but again, I've never hated.

Speaker 3 (01:39:18):
It's hard to hate a woman. Would have to do
something like real diabolical. To hate a woman, you gotta
do something your dog. Yeah, they gotta be something.

Speaker 5 (01:39:28):
Like extreme like that, or like you had to kind
of like I got win that you might have tried
to set me up or something like. That's when it's like,
that's hate. Yeah, oh I hate that. That's when it's hate.
But other than that, when it was like I hate,
I'm like what she do yo?

Speaker 3 (01:39:40):
Because she came over here she I'm like hate, like
you hate up behind that because she didn't call you back.

Speaker 4 (01:39:46):
I strung her along for months and never wiped her
and I was fucking other bitches. Then she went to
fuck someone else.

Speaker 3 (01:39:50):
Yo, I hate us.

Speaker 6 (01:39:52):
You hate that younger God that whenever I hear a
man say hate, I be like, oh, okay, she slept
with somebody, got more money.

Speaker 3 (01:40:00):
Oh I thought you about to say he gave.

Speaker 4 (01:40:01):
That wouldn't be hate. It would just be all right,
well that sucks, then you just move on.

Speaker 1 (01:40:05):
Ye.

Speaker 3 (01:40:06):
I hate would be insane thing like I hate you.
I hate that bitch. But oh shit, you hurt you
hate me? Girl? You don't know that movie baby baby boy.
Oh she was like, I hate you. Oh I remember that,
I hate me. You see what they was doing ten
minutes later.

Speaker 4 (01:40:24):
Yeah, but that's not so I don't that's something we
should promote.

Speaker 3 (01:40:26):
Yeah, that's what I really don't.

Speaker 4 (01:40:28):
Like after you, after you physically assault a woman, eating
her pussy should not be the solution.

Speaker 3 (01:40:33):
Maul, Where were you when the A.

Speaker 4 (01:40:35):
D and Luca trade was brought to your your phone,
your front door. Maybe it was it the Uber eats
guy that lets you know when he knocked on your
door of when had happened.

Speaker 7 (01:40:47):
I was.

Speaker 3 (01:40:50):
Sitting down. I think it was the grains right.

Speaker 4 (01:40:51):
That was yesterday, right, No, the night before Saturday, Saturday night,
super late. Actually it was almost right before midnight on
Saturday night.

Speaker 3 (01:40:58):
Oh Saturday night. Yes, I was. I was in bed,
I was laying down.

Speaker 7 (01:41:02):
I was.

Speaker 3 (01:41:02):
I was on my phone looking at some clip. It
was porn, know what it was?

Speaker 5 (01:41:07):
It wasn't It wasn't porn, mcclassy guy, I don't want
porn after our shower, before a shower, fair, So I
was watching something and then I saw my homeboy text me.
It was like is this real? So you know, whenever
you see that in a text, I'm like, all right,
man's what's happening? And I clicked on it and it
was the Luca has been traded. The Dallas Maverage trade

(01:41:29):
Luca Donchez to the l A Lakers for Anthony Davis.
And I immediately read it and was like, yeah right.
I was like, there's no fucking way Luca for a
d No, this this is not real.

Speaker 4 (01:41:41):
And I was out with some of my frid brothers
and someone said that this is after Mars birthday party
and everyone shamed him and cursed him out for like saying,
some dumb so you didn't even.

Speaker 3 (01:41:50):
Watch sports the funk up? Yeah, and then which they
treated him that way, and then I text, oh, that's
what I was doing. I think it was the uh
I think the fight had just ended.

Speaker 5 (01:41:59):
Benevidez fight had I think just ended when that happened,
and I text my boy, uh Lake a legend, Trevor reason.

Speaker 3 (01:42:09):
I hit him.

Speaker 5 (01:42:09):
I was like I always go to him to see
if things are really and especially when it comes to legas,
and before he could respond, I hit him back and said, no,
it's confirmed, and he was like, oh wow, like he
couldn't even believe that. And I think that was something
that was resonated around the league. I don't think any player,
any GM, any president, any owner could have predicted that
the Dallas Mavericks would trade away easily top three player

(01:42:34):
in the league right now. And you know, nobody saw
it coming. It wasn't It wasn't even any rumors of
this happening.

Speaker 3 (01:42:42):
Like, it wasn't been a rumor.

Speaker 5 (01:42:44):
It wasn't anything like yo, the Lagas is talking about
moving a d it was. There was no talk about it.
Luca has been hurt, he hasn't been playing. Kyrie has
been holding it down for the MAVs. So this literally
came out of nowhere. Now that we, you know, have
more information, the GM for the Mavericks said that, you know,
they had to him and Rob Plinka. It was just

(01:43:05):
conversations between them. They couldn't even tell nobody. The coach,
Jason Kidd, he didn't even know anything about it, which
I think is absolutely fucking crazy that the head coach
doesn't know that you're about to trade away the franchise player,
his starting point guard, and then there was a reason,
because then I got into the well, why did they
trade him? There had to be something that Luca told

(01:43:28):
them about maybe not signing an extension. They were talks
about Luca had had had gone up to about two
hundred and seventy plus pounds since he hasn't been playing,
that he gained a lot of weight, talks about him
being a liability on defense, and they felt like they
could never really win and get over the hump with
Luca being the defensive liability.

Speaker 3 (01:43:50):
I don't care what the talks is. Trading away Luka
Doncic for Anthony Jermaine Davis. I don't even know.

Speaker 4 (01:43:59):
His middle name is absolute fucking blast. For me, now,
I will as a Laker fan.

Speaker 3 (01:44:04):
How do you feel though I'm.

Speaker 5 (01:44:05):
Still as a Laker fan? I'm I'm you know, I'm
not mad at it. I got Luca, but it's like
it's still not the roster as it stands today while
we're recording this. It's still not enough to have any success.

Speaker 4 (01:44:20):
And you know, you don't feel like the chemistright between
him and Brownie will be good.

Speaker 3 (01:44:23):
It's not enough. You have two ball dominant players. Brownie.

Speaker 5 (01:44:26):
I don't see no Lebron. I don't see Luca and
Lebron compliment each other. Well, even though Lebron is a
willing passer, he's a but then he needs the ball
in his hands to pass.

Speaker 3 (01:44:38):
Luca needs the ball in his hands to score. Pass.
Whatever he wants decide to do, it has to run
through Luca.

Speaker 4 (01:44:44):
Well, Kyrie, even being a point guard, it's still ball dominant.
But yeah, but Kyrie's a different type of Kyrie doesn't
care about scoring twenty points. Yeah, he doesn't care about that.
Kyrie can go and get twenty twenty five points if
he wants to.

Speaker 5 (01:45:00):
But I think Kyrie's he's that type of guy as
we know, where he's okay with talking his ego away
a little bit. He doesn't have much of an ego
when it cause he knows he's one of the best
players in the league.

Speaker 3 (01:45:11):
But he doesn't.

Speaker 5 (01:45:12):
Kyrie is a different type of complimentary player. Whatever you
need Kyrie to do, he's gonna do it. Lebron is
one of the greatest players ever. He's at the point
in his career where obviously he wants to try to
win again, so maybe he will be willing to come
off the ball a little bit and you know, be
less of a facilitator and a ball dominant guy. I

(01:45:35):
just don't see these two style of play complimenting each
other that well.

Speaker 3 (01:45:39):
I think that the.

Speaker 5 (01:45:40):
Lakers obviously still need to address their center position. I
think they need another guy off the bench that they
can rely on night and night out to kind of
pick up the scoring slack whenever Luca or Lebron you know,
aren't scoring the ball as well. There's a lot of
gaps that the Lakers still need to address. But let's

(01:46:01):
keep everything in perspective. This is a great rebuilding point.
If Luca does decide that he wants to sign a
long term deal with.

Speaker 3 (01:46:11):
The Lakers, Bronz he's the new faith. Yeah, but we
don't we don't know what the statue. Yeah, but we
don't know what Luca wants. Luca.

Speaker 5 (01:46:18):
Luca may not be looking for the spotlight of Hollywood.
That may not mean anything, Luka Doncic. He might he
was cool in Dallas, you know what I mean, Like
he doesn't. I don't think that he's like, you know,
dying to be under the light. He's a player that
no matter, he could be playing in Alabama and the
lights are going to be bright whenever Luca's on the court,
So he doesn't need the Hollywood A lord, he doesn't
need that.

Speaker 4 (01:46:37):
In no way am I comparing Lakers Nicks, even the
Bulls for that matter, to what the Dallas Mavericks market
is like. But let's not pretend Mark Cuban didn't put
together a franchise that is in the limelight all the time,
like Luca's still very much. It's not La of course, yeah,
but that's I mean, Luca is somewhat used to that.

(01:46:58):
Dallas maybe the biggest B market. Mark Keban made that
shit limelight.

Speaker 3 (01:47:02):
Oh no, for sure.

Speaker 5 (01:47:03):
But Luca's been He's been a star since he was
seventeen years old, Like this is not you know, him
being the star is not new to him. I just again,
they gonna be at Highlight rom No, no, he won't
be there. But I just think that the with a
course light Nah, he's Luca's not that type of guy.
I just think that they got to address the rest
of the roster. Though this is a great start. This
is a great obviously a focal point, centerpiece, but they

(01:47:25):
need to kind of dress up the rest of the
table before they decide to have things giving dinner.

Speaker 4 (01:47:30):
Yeah, before we get to voicemails on Thursday evening, probably
around eleven pm. Ees T, I'll put out I peach,
put a fly together. Whatever, Gonna go on YouTube live,
do a little live stream before the single comes out,
cut it off at midnight so everyone can actually go
listen to it and get my streams up in stream
farm it rather than listen to it with me.

Speaker 3 (01:47:50):
So you're gonna have a listening party for the song
that isn't out yet until the song drops.

Speaker 4 (01:47:53):
Yeah, but I'm gonna play it like it's already. I
can play it on YouTube so they can hear it
before then.

Speaker 3 (01:47:58):
How much trouble are you in at the label? Like
how much?

Speaker 4 (01:48:03):
Because you should see the back in the n I
just want to push the record, see if Leon's available.

Speaker 3 (01:48:09):
Yeah, maybe you could call in you know, No, no,
I definitely call it, but I just I want to know, like,
all right, what's what we're doing it? Like saber chat me.
You're not gonna send twenty dollars? No, No, I'll super
chat you.

Speaker 4 (01:48:17):
But I'm just saying, like, I just want to make
sure the labeling, Like, yo, fan, you gotta the label's
not telling you to do this No, okay, this is
this is all you. The label is me as odd
and Brick, but A and Brick could have been on
you like yo oh. I mean if they would have
said that, I would agree with him.

Speaker 3 (01:48:31):
Oka it was Yeah.

Speaker 4 (01:48:31):
I just figured it'd be a cool no no live
because we used to uh, Thursday night around like eleven
pm Eastern.

Speaker 3 (01:48:39):
We used to do Instagram live. But you know we
can't do that sh it no more. Yeah. Yeah, they
took a lot of fun away from that. Yeah, that's
on YouTube. Do some super chat.

Speaker 5 (01:48:47):
Let's do a spaces. You want to do spaces maybe
the next day. I'll be a social media hall for
the night. Fuck it, I'll go everywhere with you, hop
around the.

Speaker 4 (01:48:53):
Spaces doesn't care about music, they care about drama.

Speaker 6 (01:48:57):
Can we bar hop and go and like ask them
like requests, like yo, I got something for you. I
feel like that would be cool content.

Speaker 3 (01:49:02):
Are you trying to do street team ship? You'll play
the record?

Speaker 6 (01:49:04):
You should we bar hopping like y'o play this? That'd
be fun.

Speaker 3 (01:49:07):
No, they gonna hear ory with the name of the song.
Who are you who like exactly play the song?

Speaker 4 (01:49:15):
And fine, I'm with the first choice that little sister
that night, be like, Yo, here's the virus. It's going
crazy like these one of these are cdj's in too.

Speaker 5 (01:49:21):
No, it's going crazy. I need a song because I'm
actually I'm actually doing the R and B playlist. Uh,
that's dropping after your song come out. Somebody had that
song tomorrow.

Speaker 7 (01:49:30):
Nice.

Speaker 3 (01:49:30):
I appreciate it. I sent it to radio. I sent
the clean version. Leol's talking crazy on it. He curses once.

Speaker 5 (01:49:37):
Oh, they played Pedophile the Grammys. We say fuck though,
this ship is stupid anyway, Sorry, baby. Do do we
have voicemails?

Speaker 3 (01:49:47):
Yeah? We do.

Speaker 2 (01:49:48):
You've got mail everybody.

Speaker 7 (01:49:52):
I'm calling because I need to make a major life
changing decision.

Speaker 3 (01:49:57):
Why are you calling us?

Speaker 7 (01:49:57):
A few months and I like a second or third opinion? So,
long story short. I'm twenty nine years old. I'm from Florida,
and I used to be married for five years, but
I'm currently going through a divorce. I need to decide
if I want to move to a different city, move
to another state, or move out of the country. Ex

(01:50:24):
she lives here, she has a career here, and I
don't see her moving anytime soon, so I want to
get away from her, like as fast as possible. Back
when I was in the military, I lived in Germany
for three years, and honestly, Europe was like the best
time of my life. A lot of my friends got
out of the military and they still lived there, and

(01:50:46):
they told me that, like, they're never coming back to
America and staying in Europe was the best decision that
they could have made. So I'm heavily thinking about moving
back to Europe.

Speaker 2 (01:50:57):
Yes.

Speaker 7 (01:50:58):
Only problem is I come from a huge family and
we've got come property and my uncle is pretty much
making it my responsibility to take care of it. So
I don't know if I want to be selfish and
move or if I want to take care of the
family business.

Speaker 2 (01:51:17):
My lease ends in August.

Speaker 4 (01:51:19):
My grandmother's body wasn't even cold before my pop sold
that fucking house.

Speaker 3 (01:51:24):
Sell it? Oh, is you cool? I respect that fuck
family lit sell that shit. Well.

Speaker 5 (01:51:35):
I was laughing because I knew where he was leading
with that question of should he moved to another city state.
I knew he was literally trying to completely get away
from his ex wife. He don't even want to maybe
bump into her anywhere in the city.

Speaker 4 (01:51:47):
That's a crazy divorce where you're like Yeah, you know,
I'm thinking about maybe another town or maybe another kind
of country.

Speaker 3 (01:51:53):
Yeah, another country.

Speaker 5 (01:51:55):
I wish you would have told us if the family
property or businesses in the city he's currently in. Yeah,
because then I would say, well, just move to that
city and run the family business. You kind of kill
two birds with one stone.

Speaker 3 (01:52:08):
That he lives in.

Speaker 5 (01:52:09):
Yeah, okay, so maybe move somewhere close, like if you
live in Dallas, move to Austin.

Speaker 3 (01:52:17):
One of those type of things.

Speaker 7 (01:52:18):
Man.

Speaker 4 (01:52:19):
I can hear the tone in his voice. Fuck everybody
over there. Go back to Europe. Go to Germany where
where you felt alive, where you felt free.

Speaker 3 (01:52:27):
Yeah. To go to London when you knew yourself moved
to Paris, or move to London. Yeah, just enjoy your life.

Speaker 5 (01:52:34):
You can still come back and visit and you know,
spend a week in the town where your family business
is at and get you know, your business affairs.

Speaker 3 (01:52:41):
In order, and then go back to go back to
London or go back to Paris.

Speaker 5 (01:52:44):
Like I say, if your heart is in you know,
living overseas, because you enjoyed your time when you and
the military and you live there and you're already have
a village there, friends and support system over there. I say,
go for it, man, whatever makes you happy. But I
think that there's still a way where he could still
come back and forth and make sure that the family
businesses yeah, is doing all right.

Speaker 4 (01:53:04):
Or stay in the town and do some spiteful shit,
make sure that that company thrives. You buy more property
off your uncle's lot, and keep going till you run
your X side of town. If she's gonna buy property
or do anything within the town, she has to go
through you.

Speaker 2 (01:53:18):
I like that.

Speaker 4 (01:53:19):
I like, either commit all the way to it, or
go back to where you felt alive when you were
in the military in Germany. Fucking them weird white women
that you know there's a little bit of stubble under
their armpits, but enough that you'd.

Speaker 3 (01:53:29):
Still be wherever you feel alive.

Speaker 4 (01:53:31):
Bro, Just go do that, because I could tell, like,
even when he started talking about the military in Germany,
you could say his voice got a little higher. That
was the last time he looked in the mirror and
saw himself.

Speaker 3 (01:53:40):
He felt alive.

Speaker 4 (01:53:41):
Yes, he smiled with the frankfurts and all that shit.

Speaker 3 (01:53:44):
I like giving man and given toxic advice. My toxic
advice would be date her sister.

Speaker 6 (01:53:53):
Yeah, that was his wife, Maul, not his just a
random chickens and that's onless his wife.

Speaker 3 (01:53:58):
He clearly doesn't like her anymore. Hates her. Yeah, he
hates her. He was talking earlier about hate. He hates that.

Speaker 5 (01:54:04):
He's thinking about moving out of the country to not
run into that moment.

Speaker 3 (01:54:08):
So data's sister, bro, she's held you back. Give us,
sister a little pickle tickle, you know, just hit it.

Speaker 4 (01:54:13):
A couple of times, he had dreams he wanted to
he wanted to get a house on the country side
in Germany, right outside a concentration camp. That's what's his dream.
And she took that away.

Speaker 3 (01:54:24):
Listen, man, do what you gotta do.

Speaker 5 (01:54:26):
But you know, I know the family business is kind
of on the back of his mind as he as
he said, I would say, either move to another city
close to it the family businesses and so that you
still have distance in between you and your ex wife,
or completely abandoned the family business for a while, or
your family and to go back to Europe, come back

(01:54:46):
and forth, you know, a couple of times out of
the year.

Speaker 3 (01:54:49):
I mean, it's doable.

Speaker 5 (01:54:50):
But you know, whatever makes you happy, if if you
know overseas and Europe is calling you.

Speaker 3 (01:54:55):
Go back to Europe, man, Go go make your own beer.

Speaker 4 (01:54:58):
Go dress like the Great twenty finally went to Huvil
and that get up dressed that way.

Speaker 3 (01:55:03):
Do what you want to do, man, Yeah, man, got
to make yourself happy. You good baby.

Speaker 6 (01:55:07):
D I don't think he should be running from his
ex wife, but that's just me. I don't know what happened.

Speaker 4 (01:55:11):
Don't stay ten toes in town and make yourself more
miserable to prove a point.

Speaker 3 (01:55:15):
That's what men.

Speaker 4 (01:55:16):
We die inside because we always have to prove a point,
and that point's going to make us more miserable. When
we could just let that shit go and move to Australia,
like we could just be happy, but we have to
stay right here to make sure everyone else is miserable,
just to prove that point.

Speaker 3 (01:55:30):
Nah, just leave.

Speaker 4 (01:55:32):
Yeah, go to Greenland for five thousand dollars for a week.
You can go to Antarctica on a cruise five grand.

Speaker 3 (01:55:40):
Easy.

Speaker 4 (01:55:41):
You can go see the twenty four hours.

Speaker 3 (01:55:43):
So yeah, I like that.

Speaker 5 (01:55:47):
Hopefully he gave you some good advice. Don't listen to us,
but hopefully we gave you some good advice.

Speaker 4 (01:55:52):
What would you do what would be the first thing
you do off a terrible fresh divorce. Let's say ten years.
She took your youth, your money, she took your your livelihood.
She just she took every bit of being that you had. Yeah,
and then you hit the lotto. Let's add that in
a scenario. So you hit the lot, I have some
money to play with.

Speaker 3 (01:56:10):
You can do something immediately. I hit the lotto before
we got divorced.

Speaker 4 (01:56:14):
You left the courthouse, and then you saw the powerball
numbers and it was her birthday.

Speaker 5 (01:56:19):
Oh god, man, I gotta move wherever she lived. I
gotta move across the street.

Speaker 3 (01:56:25):
This is what I'm saying.

Speaker 4 (01:56:26):
Men just want to make themselves miserable to prove a point.

Speaker 3 (01:56:28):
No, I would be happy.

Speaker 5 (01:56:30):
She's gonna be the miserable one, though, when she see
that that party bus pulling up every night with strippers.

Speaker 3 (01:56:35):
Yeah, she gonna be. But you're gonna start to feel
empty inside after a while.

Speaker 5 (01:56:38):
For me, it was her fault, though, baby did If
you think I hit the powerboy and I'm gonna feel
empty inside up hitting the power.

Speaker 6 (01:56:44):
Boy, strippers from the strippers, having strippers at your house
every night.

Speaker 3 (01:56:47):
Oh, it's just a party. You don't say, but just
just have a party, just you know, every night.

Speaker 6 (01:56:52):
Ma, I can't even imagine. I can't imagine party one.

Speaker 5 (01:56:56):
None of you niggas. I don't want to see none
of you hoes. You will never you will never be
able to find me. The only way you will find
me is if you happen to go to vacation on
the island I live on and just bumping too me
on the beach because I'm wearing I'm not cutting my hair.
I'm wearing the same shit every day. I hit the
poblem out of here. Y'all will never see me again.

(01:57:16):
Fuck this podcast, fuck all this shit.

Speaker 3 (01:57:18):
I'm out. But you can do that now, say fuck
this podcast.

Speaker 6 (01:57:22):
And yeah, but you could go live somewhere on an island. Now,
like living on an island isn't that expensive?

Speaker 3 (01:57:29):
I can't. I have to be hit. But we are
on island. But you know, I've been to Long Island.
It's expensive too. Long Island is the most expensive island.
So that's it. You just moved to another island. And yeah,
not cut your hair.

Speaker 5 (01:57:46):
Yeah, completely off the grid. I don't need a party.
I don't need a bunch of people around me. I
don't need that ship. I don't need that. I have
a couple, you know, a couple of lady friends that
read books to me and things like that. I mean,
that's what you pay them for to just like read
you tell me what you read this month, and you know,
give me like the breakdown of the book and kind
of like be like my my in my real life

(01:58:09):
audio book, like kind of like just give me the story.

Speaker 4 (01:58:12):
This is a great episode. Everyone has a wonderful week.
We will be back.

Speaker 3 (01:58:17):
We will be black.

Speaker 6 (01:58:18):
Wait now, hold on, because I have a we have
our first voicemail submission for the Valentine's Day.

Speaker 4 (01:58:24):
Really, oh, we're starting out the gate. I thought I
thought we're gonna play them all on Valentine's dayhol we
give a little just a little tease for people to
still submit.

Speaker 3 (01:58:30):
To play them all on Valentine's Day.

Speaker 4 (01:58:32):
Well, no, we could tease this one because like.

Speaker 3 (01:58:36):
Really good and like like we're just gonna not like
consider it for like.

Speaker 4 (01:58:40):
No, it could set the tone that everyone that comes
after this is trash. Okay, I like this could set
the tone on now you're using yourself and this could
be a promo.

Speaker 3 (01:58:48):
I'm with that for the first one.

Speaker 4 (01:58:50):
But you guys do still have ship two weeks almost
yeah to submit.

Speaker 6 (01:58:55):
No, it ends you have until February eleventh.

Speaker 4 (01:58:58):
Yeah, okay, so you have some time. You man have
a weekend to rite.

Speaker 3 (01:59:01):
You have a week? Yeah, got a week.

Speaker 6 (01:59:03):
I gotta write my freestyle. Y'all can write. Y'all ship
to take me in mall out.

Speaker 3 (01:59:08):
They were upset.

Speaker 6 (01:59:09):
I wrote. One of the rules that we came up
with is that you know, you can't try to there's
only one submission per person, So you can't try to
shoot at me and shoot at mall like the buys.
They can't try to give.

Speaker 3 (01:59:19):
Both of us. Yeah, you have to pick pick a gender. Yeah,
I said, pick a struggle. Pick a struggle date and
me and day and mall pick a struggle back. Yeah,
that'd be a rough one. Wait, wait, what y'all trying
to say right now? Why would that be a rough one?

Speaker 4 (01:59:32):
That's someone that was dating you and baby D at
the same time.

Speaker 6 (01:59:34):
I think we can all say that that's a thirteenth
and fourteenth for reason. But we're gonna roll the voicemail
and listen to this young man's submission. I haven't heard
it yet. I just heard him say that he was submitting,
so I'm excited.

Speaker 3 (01:59:45):
Okay, the Low crew.

Speaker 2 (01:59:47):
My name is Sarah Crumble from Kansas City.

Speaker 3 (01:59:50):
Did he sing a chocolate ring?

Speaker 2 (01:59:54):
Watch you guys up? They were listen to you guys
as well.

Speaker 3 (01:59:59):
He got the voice up.

Speaker 2 (02:00:00):
You're phenomenal.

Speaker 3 (02:00:03):
This?

Speaker 7 (02:00:03):
Uh?

Speaker 2 (02:00:05):
Is it Valentine's message for my favorite past?

Speaker 4 (02:00:10):
For a second?

Speaker 3 (02:00:10):
A man bird?

Speaker 4 (02:00:12):
Is that? This must be one of those forty year
olds that was in your TikTok dms. For sure, don't
do that, I don't think so. You recorded this on
a bluetooth in his ear.

Speaker 2 (02:00:20):
I heard.

Speaker 3 (02:00:21):
I was like, oh, his voice is pretty deep. This
is the bone Collector. I saw that movie you're talking about.
I should bring a gun when I drive it, Like,
are you fucking kidding me? He drives a taxi fucking
kills his victims.

Speaker 2 (02:00:30):
Go ahead, marriage. I'm quite a connoisseur of wine. My
favorite the serial A nice wirlw okay? And this is
the poem entitled Merlow for baby d okay? Is it me?

(02:00:53):
Or is it the place where we missed? Field of
plumbing out ring texture bends with agility as you dance.
Supply I spin you watching earnestly you say, supply late
except low from origin, finishing that eternity, your bouquets fragrance,

(02:01:19):
and the anticipation of your taste moves men's palaced that
there's eager to draw your full body closer to me.
He said, he was eager ride my tongue. Sweetness.

Speaker 3 (02:01:34):
He went left.

Speaker 7 (02:01:38):
I am.

Speaker 3 (02:01:41):
Yeah. The cops just railing his house. Maw, they kicked
the door in, Maw.

Speaker 4 (02:01:51):
You wasn't feeling his wine tasting Demaris is the vineyard
in that you ain't catch the little my bouquets fragrance.

Speaker 3 (02:02:00):
Come on now, yo, man, Oh my god, baby was great.
I will never let baby d go anywhere with that man.

Speaker 6 (02:02:06):
You kid, stop no, because I do want people to
send in good poems.

Speaker 4 (02:02:10):
Baby, I don't want people to send good poems too.
That wasn't a good poem.

Speaker 3 (02:02:15):
It was a good pone. It was the delivery made me.
What was good about that bone? He had? He had
some tendres. But let me check my.

Speaker 4 (02:02:25):
My pedophile app that I what's his name and address?
Because he's definitely on that ship.

Speaker 3 (02:02:30):
No, I don't think so. I mean I was, you know,
the thunder Wise, the riding of the tongue.

Speaker 6 (02:02:36):
At the end, I think he jumped off the bridge
a little bit, but I think.

Speaker 3 (02:02:39):
Before that had dream but he was awake, so he noted,
ride my tongue, eighth peach clip that ride my tongue, sweetness?

Speaker 4 (02:02:55):
Is this bubba from Forrest Gump?

Speaker 3 (02:02:57):
Ride my tongue sweetness? Sounds like junks. Know, it's some
sick niggas in the world.

Speaker 6 (02:03:07):
Man telling you you can't make fun of the people
aren't gonna want to submit.

Speaker 3 (02:03:11):
All right, I'm sorry, Yo, that was amazing.

Speaker 2 (02:03:12):
Dog.

Speaker 3 (02:03:13):
You gotta send like.

Speaker 4 (02:03:14):
If you if we genius that and like get the lyrics.
He was talking some ship. He was just how he
presented it was a little creepy, all.

Speaker 3 (02:03:22):
Right, So that's what I'm like. It was creepy he
called void. That is how you end up on the
ten o'clock news because you don't think this ship is creepy.
Well we how, No, this is what I'm saying. You're
gonna walk right into it. Okay, what time you want
to pick me up right upside your glad fucking garbage bag.

Speaker 6 (02:03:39):
Well, he's not what I'm saying is it wasn't like
it was uninvited. We told him to write a poem. Yeah,
some risks with some riz if you want to take
me out. He called the number and did what we
asked him to do.

Speaker 3 (02:03:50):
Yeah, but we aren't actually gonna put that filter on there.
That's ride, my sweetness. That is that ship ride my tongue, sweetness.
He sounds like it's Adam's Apple big and that's a
good sign. She gonna end up in the trunk. I'm
killing you.

Speaker 4 (02:04:06):
This is what happened for baby t Look at what
she's interested. He's driving us around. He gonna hit up
in the trunk as soon as I go pick this
with Nigga. Both in the truck told me how we
gonna get out of here?

Speaker 2 (02:04:20):
Yeah?

Speaker 4 (02:04:20):
Both, you set her a poem? I could just you
want the keys. I would never do that.

Speaker 3 (02:04:26):
I'll bring my gun.

Speaker 6 (02:04:28):
Yo.

Speaker 3 (02:04:29):
That dude is he's from with Peeves bro Kidsas City.

Speaker 4 (02:04:34):
So is he gonna fly if he wins?

Speaker 6 (02:04:36):
Like?

Speaker 4 (02:04:36):
Is he gonna because I'm down to drive and pay
for the meal, But.

Speaker 3 (02:04:39):
I ain't gonna fly Kansas City. People who are.

Speaker 6 (02:04:44):
Who are in the Tri state area or like immediately
close to us will give them a prize.

Speaker 3 (02:04:49):
It won't be the date, but okay, yo, that is
funny as fun. I think that was a good way
to pop it off.

Speaker 7 (02:04:56):
You.

Speaker 5 (02:04:56):
No, he set the he sets that, he set the
he said, he ain't he not bullsh somebody got who's
gonna be ride my tongue?

Speaker 3 (02:05:03):
Who's gonna beat that? He like he had time and
he got straight to it.

Speaker 4 (02:05:07):
And if you've been to a winery, there was there
was some wordplay there. He went said, plumbing oak, plumbing oak.
You know what I think this is. I think this
is hate. That's not because I don't think i've I've
went through the voicemails. Is there any from all?

Speaker 7 (02:05:20):
Yet?

Speaker 3 (02:05:20):
They're all for Baby D? Not any from all?

Speaker 7 (02:05:22):
Yet?

Speaker 4 (02:05:23):
You can't even get these chicks to run.

Speaker 3 (02:05:24):
Yo, Thank y'all appreciation, appreciate it.

Speaker 4 (02:05:29):
Yeah, you can't even get the fellows to run for you.

Speaker 3 (02:05:31):
I'm cool. Thank you? Is America?

Speaker 4 (02:05:34):
Will you listen to any of the poems that the
fellas send for you?

Speaker 3 (02:05:37):
Though for the merch and don't got to be a date,
but for the.

Speaker 5 (02:05:41):
Gift Baby D? One thing, Uncle promise, is any niggas
sitting a poem in here for me? We are not
listening to?

Speaker 3 (02:05:49):
Okay?

Speaker 4 (02:05:51):
Being Demerius will listen to it live on air when
ma all goes to the bathroom.

Speaker 3 (02:05:54):
Oh yeah, I won't. I won't sit here.

Speaker 5 (02:05:57):
I'm not listening to that ship because if a dude
call and tell me to ride is, We're gonna have
a problem.

Speaker 4 (02:06:02):
But y'all want contin what's the issue want? It's for
our purposes. Back to Kanye is white and everything.

Speaker 3 (02:06:10):
I get it.

Speaker 4 (02:06:11):
So I was thinking for art work. If if page
makes you Kanye and me, that girl would be tight.

Speaker 3 (02:06:17):
Damn he already had. He was already over here working
on it.

Speaker 4 (02:06:20):
You know, No, pet have my hu haa right on
the red carpet. Can't have it.

Speaker 3 (02:06:25):
No, I know what we could do. We could do.

Speaker 5 (02:06:28):
Roy could be Chappelle Rome, what's her name, Chapel Chapel Rome,
and I could be Babyface.

Speaker 4 (02:06:36):
Yeah no, that works out great for me. I love
the balance. Yeah, it feels it feels very fair.

Speaker 3 (02:06:42):
Feel see do you feel? See?

Speaker 4 (02:06:46):
I couldn't be a homie that's doing backflips off the piano, right,
I gotta be Chapel Rome, Vincient boom. You know how
many amazing white men did ship last night?

Speaker 3 (02:06:56):
That was fire.

Speaker 4 (02:06:57):
Now I'm Chappelle Rome, chapel. Oh shit, fucking ride my ponies.

Speaker 3 (02:07:02):
Oh man, ride my tongue. Shit, you ain't ever talk
about ride your tongue? O mine? Yeah, I see you.
Look at you, you just you know, mean, she don't
even know. Look at the screen. You don't even know.
We don't do that at the top.

Speaker 4 (02:07:16):
This was a fun episode. Shout out to everyone that
won a Grammy Award. Shout out to everyone that was
nominated and did not win. That's still an amazing accomplishment.
And shout out to everyone that released incredible music and
did not get nominated or win an award. You are
still great as well.

Speaker 3 (02:07:31):
Shout out to the Weekend.

Speaker 5 (02:07:32):
I hate the fact that he didn't make that song
Opening Night a little longer.

Speaker 3 (02:07:35):
That shit is crazy one album.

Speaker 4 (02:07:37):
Yeah, I need some more time to live with the album,
but I did like it all first listen. It's like
an hour and a half yea, his birthday party yesterday.

Speaker 3 (02:07:43):
Tough to like.

Speaker 4 (02:07:44):
You can't that's not set up music. Yeah, it's just
Mickey MoU's clubhouse. But we will talk next episode more
about the Weekend album. I did like it off the
first listen, and this was fun. I am sick as
fuck I need to leave.

Speaker 3 (02:07:56):
Yeah, man, I got you. Did you take your ginger shot?

Speaker 2 (02:07:58):
I did? Yes?

Speaker 3 (02:07:58):
All right, shout, go.

Speaker 5 (02:08:00):
Home, take a shower, sleep with your sweatsuit on. Yep,
sweat that shit out. We'll kick it with you in
a couple of days.

Speaker 3 (02:08:06):
Everybody, Be safe, be blessed, be healthy. I'm that nigga.
He drank some ginger. Peace, no wr en

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Episode 342 | Cee-Lo Walked, Teddy Swims

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 342 | Cee-Lo Walked, Teddy Swims