Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume.
Speaker 2 (00:05):
No, we don't never talk about like the food. The
nutrition program in our schools in New York. It's some
of the nastiest shit.
Speaker 3 (00:15):
Remember when they started, Oh, Mal was way out of
school by didn't Rory? Were you? Now? Roy was out
of school too, well.
Speaker 4 (00:19):
I started giving us.
Speaker 2 (00:21):
I was in school during the worst time ever probably
for food, the nineties, the worst ever.
Speaker 1 (00:27):
Oh no, Yeah, they was feeding y'all bricks. They started
giving us salads when I got there, like ninth grade.
Speaker 5 (00:31):
When they would have like the pizza day, they would
have just that iceberg, but like just the white lettuce,
not even like there'd be no green lettuce. It would
just be the white hedge and they chop it and
just throw that ship over there, a little bit of front.
Nobody would touch it. No, now when out like spicy chickens,
when I know how my stomach is still.
Speaker 1 (00:48):
When the Obama's I think when Michelle Obama started doing
her health.
Speaker 3 (00:52):
Thing in schools I was out of high school. It
became like a whole second.
Speaker 2 (00:55):
Yeah, that's what I'm saying. Yt y'all don't know school struggle.
Y'all don't know what it is to eat tato tops
for breakfast. Yes, yeah, and wash it down face that
was lunch. Wash it down with chocolate milk.
Speaker 4 (01:05):
You know what I'm saying.
Speaker 2 (01:06):
You know about that struggle, Josh, Yeah, still struggling like that.
Speaker 3 (01:10):
This super I don't know, I don't know.
Speaker 5 (01:12):
He hasn't graduated yet.
Speaker 4 (01:13):
Yes, Josh, juice lunch. He's still eating like in the
ninth grade.
Speaker 2 (01:20):
Up with you, Josh, just crazy, man, Josh John still
eating like a high schooler.
Speaker 4 (01:25):
Man, this is crazy.
Speaker 2 (01:26):
Yeah.
Speaker 5 (01:26):
That was some of the most unhealthy food. There was
no healthy options though, No, it's over here, and knowing
there was nothing.
Speaker 1 (01:32):
The mashed potatoes with the turkey that they used to
serve around Thanksgiving used to the bus and I don't
care what nobody said.
Speaker 4 (01:38):
Hell no, ship was a make.
Speaker 2 (01:40):
With everybody like the turkey look the same. Everybody's turkey
looked the same. Everybody's slice was the exact same.
Speaker 3 (01:47):
Now that ship was like can turkey even slice.
Speaker 5 (01:50):
It was definitely in a can.
Speaker 4 (01:51):
Can't turkey, cant turkey look whatever grade.
Speaker 5 (01:54):
Was, Everything was canned. Which do you think that they
just they was really chopping it up in the back
there there was all parole. They had to get home
before three.
Speaker 2 (02:02):
I went to see a friend of mine. Her nephew
was in the hospital, so I went to go see
him yesterday and he just has like a respiratory infection.
So I was sitting there like this is where I'm
at my life, where I just start observing, like just
hospitals and how they treat patients. I'm like, yo, the
what they just brought them? Like they brought up some
I guess dinner. So like what they give you two
cranberry juices. That's not cranberry juice, just horn high fruit,
(02:24):
those corn syrup and water, the grilled cheese and something else.
I'm like, you have a respiratory infection, literally coughing up flim.
Speaker 4 (02:34):
Why would they give you cheese?
Speaker 5 (02:36):
Because they're investing into their client long term? What do
you think?
Speaker 2 (02:40):
I'm sitting there looking, I'm like, your hospitals are really
this is insane that they're giving this kid grilled cheese.
He can barely breathe, he's on a respirator, coughing up
flim every seven minutes, and his dinner is grilled cheese
with high fruit, those corncert This America is the craziest
place in the world. Bro.
Speaker 5 (02:57):
But the actual cafeterias at hospitals now are actually pretty good.
So like when Kiya gave birth and we stayed for
like those two days, you know, they don't let the
dad be part of like the program, Like you're set,
you're a plus one. You're not in the Pelican package
that she gets. You get a fucking share on the
corner and you have to feed yourself. They get three
meals a day whatever they serve Kiya in her bed
(03:20):
like all I'm gonna go down to the cafeteria and
come back with a real fucking meal. And Kia's looking
at this like all right, fuck Medicaid.
Speaker 3 (03:28):
Medicaid crazy.
Speaker 5 (03:29):
There's like the hospital cafeteria is really good. Yeah, but
it used to be asked, but yeah, but it's I
mean that shit is like.
Speaker 2 (03:35):
Yeah, if you if you're paying for it, yeah, oh yeah,
we got everything if you're paying. But the patience, you're
gonna get this slot and being here extra two weeks
so we can run that insurance up a little bit.
Speaker 5 (03:45):
But what's funny is even having a cafeteria like at
a New York City hospital. It's funny to me. Like
Lamara was born on thirty fourth and tenth, I don't
need a cafeteria. I just walk outside millions of options.
Speaker 4 (03:57):
Yeah that's true if you're in the Midtalitia.
Speaker 2 (03:59):
But I guess it's you know that worked there. They
don't feel like going out, just going downstairs, I guess.
Speaker 5 (04:03):
But like you want to eat, where's sick? People contributing
I liked.
Speaker 2 (04:05):
I like the fact that we can go into the
hospitals and eat, like into the cafeteria.
Speaker 4 (04:09):
I like that.
Speaker 5 (04:10):
Wait, just like somebody off the street. No, I had
a wristband and said, I was good, Yeah you can
go to You cannot just go into the hospital off
the street and go that cafeteria.
Speaker 4 (04:20):
I'm promising you can't.
Speaker 5 (04:22):
They I had to go through a players with my
baby on the way out, like, no.
Speaker 4 (04:27):
You can go.
Speaker 2 (04:27):
I don't.
Speaker 4 (04:27):
I don't know about the hospitals in Manhattan, but do up.
Speaker 5 (04:29):
Tell me you got a wheelchair when she was in
labor and they was like peace. You got to go
through a whole like I had two forms of ID
just to even get through the first floor. Cafeteria was
on like the third there's no way security. Well yeah,
all right, the Bronx.
Speaker 4 (04:44):
That's what I'm talking about.
Speaker 2 (04:45):
It's the only hospitals that can where they served the
school lunches and fittanol.
Speaker 4 (04:51):
Check the checkout person run.
Speaker 5 (04:53):
Out because someone's taking out the back.
Speaker 4 (04:54):
That's a fact.
Speaker 5 (04:56):
And now we know I'm all worked as a nurse.
Speaker 2 (04:58):
I was never a nurse. It was nurse I was.
I worked in food and nutrition, pushing peak. So you
were giving the grilled Jesus.
Speaker 4 (05:05):
Yeah. I used to hand out the food.
Speaker 2 (05:07):
I actuallylivered the food to the rooms and come up,
you know, help them come up with their their menus
for the day.
Speaker 4 (05:14):
It was cool.
Speaker 5 (05:14):
How'd you go about that? What was like your first question?
Speaker 2 (05:17):
I mean it depends like a lot of them was
like mad that they were patients, Like they just had attitudes.
So you got to kind of like just ignore that
and like, yeah, you know what your doctor, this is
what they're You know, your diet is put everything on
the doctor.
Speaker 4 (05:29):
Your diet said.
Speaker 2 (05:29):
Your doctor said, this is all your options, the only
thing you can allowed to eat. But it was, like
I said, it was always a whack when one of
the pacers that you got cool with you go to
work next day and they're dead. It's like because the
diet even put together a meal plate, the hot fruit
to corn syrup, taking them out of here one by
what you could have changed the world, Craig, I know,
I'm just I was just a god delivering the food.
Speaker 4 (05:48):
I couldn't change no part of their diet.
Speaker 5 (05:50):
That could have been a whole movie script that you
like secretly start bringing in veggie.
Speaker 4 (05:55):
Oh yeah, yeah, yeah, that's definitely more.
Speaker 5 (05:56):
You're the martyr where you have to go to court,
but it was for a better reason. But you're breaking
the law like it could have been. Yeah, that's definitely
that's definitely have played you with a different accent.
Speaker 4 (06:04):
Yeah, like what accent? I'm from New York?
Speaker 5 (06:09):
What action will bring back the concussion?
Speaker 4 (06:11):
One?
Speaker 5 (06:11):
Same one?
Speaker 4 (06:14):
Oh man?
Speaker 5 (06:15):
Or just Spanish twenty five percent? Like he could just
play the Puerto Rican sidi.
Speaker 2 (06:19):
A little bit of Spanish, a little bit.
Speaker 5 (06:22):
You was gonna bring coke?
Speaker 4 (06:23):
Appreciate that. Yeah, and Coquito.
Speaker 5 (06:25):
Don't bring Coquito into a hospital.
Speaker 4 (06:27):
Why not for Christmas? It has to be one of
the older You were just.
Speaker 5 (06:31):
Mad at grilled cheeses. Now we're giving cancer patients alcohol.
Speaker 3 (06:35):
That's fine.
Speaker 4 (06:36):
Yeah, I like it better than hot fruital.
Speaker 5 (06:39):
If I'm stage four, give me a cigarette and.
Speaker 2 (06:42):
There you go like you on your way out anyway,
what does it matter my fault? How is your weekend?
Speaker 5 (06:47):
It was cool?
Speaker 4 (06:48):
It was low damars like she was the maris. What's up?
You get to scratching that skull? What you was doing
this weekend.
Speaker 3 (06:53):
In my house?
Speaker 5 (06:53):
Like I still recovering from Wednesday that I ignore.
Speaker 3 (06:56):
Yes, still recovering from Wednesday in my house.
Speaker 5 (06:58):
You said you were ignoring this. We cannot even text you.
Speaker 3 (07:01):
No, I'm saying ignoring Rory's existence.
Speaker 2 (07:04):
Like I'm seeing more and more of this generation, like
and people really enjoying being home.
Speaker 3 (07:08):
Yeah.
Speaker 2 (07:08):
I see a lot of people, like on social media
talking about the weekly like I enjoy being.
Speaker 4 (07:11):
In the house. I'm like, really, okay, I thought.
Speaker 1 (07:13):
That was the rent high as fuck. I'm gonna enjoy
my money's worth.
Speaker 5 (07:17):
I don't know if it's enjoying rather than like really
trying to. It's just like, yeah, there's no way this
is the lounge.
Speaker 3 (07:23):
We have become.
Speaker 5 (07:24):
You know, I got food at home.
Speaker 4 (07:25):
Yeah.
Speaker 2 (07:25):
One we become we are our parents so quick, Like
I laugh at how long I've been my mom? Like
it's a laughing like I think back, I'm like, yo,
I've been my mom but probably at least fifteen years now.
Like the shit I'll be doing at home, I'm just
I just have to laugh.
Speaker 4 (07:39):
I'm like, yo, why am I cleaning this bathroom again?
Speaker 2 (07:42):
It's just me in here, Like how much of a
mess am I making in my bathroom?
Speaker 5 (07:45):
And when you go out, everyone's just talking about what
you're gonna watch when you get home, yeah, or what
food you're gonna eat. And then on top of that,
it's like, I see what you're drinking. I have that
at home for a quarter of the price. We could
all just went to my house.
Speaker 4 (07:55):
That's why I don't understand how people always out every night.
I'm like, Yo, what's wrong? What's wrong at home? Many do?
Speaker 1 (08:00):
A lot of people aren't comfortable being alone. They're not
comfortable with themselves, They're not comfortable with some thought.
Speaker 4 (08:04):
What's them thoughts? What you're doing that? You gonna ask you, yo?
What you'll be doing?
Speaker 5 (08:08):
Man?
Speaker 4 (08:08):
Why you out every night?
Speaker 2 (08:09):
Like why you scared to lay down and just chilling
the crab and let them thoughts just like talk to you.
Speaker 5 (08:14):
Yeah, it's probably fomo one because once you get in
that pattern, are always going out. You think you're gonna
miss something not realizing that if you take a month
off go out once you realize you do miss a
fucking thing.
Speaker 4 (08:23):
But how long does it take to get to that point?
Speaker 5 (08:26):
Like?
Speaker 4 (08:26):
How long?
Speaker 2 (08:26):
Because I see people that's out now all the time.
I'm like, Okay, they haven't hit that point where they
realize it's all the same shit every night.
Speaker 4 (08:33):
How long does it take to get to that?
Speaker 1 (08:34):
But some people really love that though, like there are
something the same shit every night. There are some people
who enjoy the party. They don't want to have kids.
They want to live that life until the day that
they die. That's what they want.
Speaker 2 (08:45):
I mean, I don't have kids, but I'm not partying
every night either though, Like I don't have kids.
Speaker 1 (08:49):
Were you ever really a person that really enjoyed partying,
like really.
Speaker 2 (08:52):
Enjoy Yeah, when partying was partying, like I always say
I was. I'm old enough to see the transition from
you know, when it became by service, like everything was
a table, Yeah, I remember when it wasn't.
Speaker 5 (09:03):
They're still like the younger kids do have their version
of stuff that we liked. Yeah, we're just so far
removed from it. All we see is the club shit
that's on TikTok and fucking the ig. Yeah, I've been
in some ship where nobody had their phone out, people
were dancing. It was like a real cool underground event
like those still happen. We just don't know because we're
not in the mix.
Speaker 1 (09:23):
I know about them, and I don't want to go.
I'm because I'm at the age where I'm not going
somewhere I can't sit down.
Speaker 3 (09:29):
So there are parties that exist.
Speaker 1 (09:31):
You are thirty, I'm a thirty one, but I'm not
going somewhere I.
Speaker 5 (09:34):
Can't sit I kind of felt that way like twenty five.
Speaker 4 (09:37):
I Can'm not going awhere if I can't sit down.
Speaker 5 (09:41):
You just standing and roaming like nah, unless we need
we need an I'm not saying a section thing. We
just need this is where our shit is. Yeah, Like
everyone can roam for a second, but we know where
home is. It's in this corner of the party.
Speaker 1 (09:52):
Unless it's out, unless it's somewhere outside, Like if it's outside,
like the outside parties, like how do say Palusa used
to be in ship like that. When it's outside, then
I have no problem with that. But when we crowded
in and it's people bumping past me and I don't
have nowhere to sit, and I got high ass heels
on and my fucking feet hurt it.
Speaker 3 (10:09):
I've gotten past that age. I can't do that ship.
I need I need somewhere so now, or I won't
be there.
Speaker 4 (10:14):
You know what's next after that? Baby? When you get
to that point. Well, kids, it's true. I'm just saying,
that's just the natural order, like.
Speaker 3 (10:23):
That, always that the natural order. I mean, you've been
there for twenty years.
Speaker 4 (10:26):
Kids. Yeah, but it's different from me.
Speaker 5 (10:27):
He he can pull out you can't. Yeah, see the science.
Speaker 3 (10:32):
I could pull up the plant.
Speaker 4 (10:35):
I can pull up, baby said, I can pull up
a plan.
Speaker 5 (10:39):
I can move to the Blue Factory for sure.
Speaker 4 (10:42):
Baby. The uber eats in the playing b Yeah.
Speaker 5 (10:44):
Me, I know.
Speaker 2 (10:48):
No, we're not gonna We're not gonna let baby outside.
Baby the order to play me while he's still hitting it.
Speaker 4 (10:59):
It's crazy.
Speaker 3 (11:01):
Dinner.
Speaker 4 (11:01):
We had dinner to playing way to the crib.
Speaker 2 (11:03):
Yo, gotta get the whole twenty four out craziness show.
Speaker 5 (11:08):
You know, sometimes drivers like go through your fries and ship.
What if you found your plan? B open open that
what you do give me? But he like sealed it,
so you didn't realize till way later a pissed.
Speaker 2 (11:23):
Is man ordering the Plan B while y'all at dinner
is crazy work or it's just innovation.
Speaker 5 (11:29):
I didn't think because don't you need an I D No,
you can just go to Walgreens and get the Plan B.
Speaker 2 (11:35):
They got that ship next to deodor. It locked up.
Now to everything's locked. Talk about they take thirty minutes.
Speaker 4 (11:43):
But you need ID you got somebody just got to
come open.
Speaker 5 (11:46):
The little host thought you needed to like show some
form a man.
Speaker 3 (11:49):
That's olds only if you're getting it through your insurance.
Speaker 4 (11:52):
Yeah, but if you're paying, if you're paying.
Speaker 5 (11:53):
Cash, if you're waiting on your insurance, that baby's coming.
Speaker 2 (11:56):
Yeah, that's a fact. We ain't waiting on insurance. We
can get this baby out of here tonight, that baby head.
That's a fact. Fuck that insurance.
Speaker 5 (12:07):
Just plan be really fun with your stomach.
Speaker 4 (12:09):
You don't know.
Speaker 5 (12:09):
You never take one.
Speaker 2 (12:10):
But mom never, no, no, not that I said, got
my nerves system crazy.
Speaker 4 (12:17):
I'm nervous, like it was working, yo.
Speaker 1 (12:22):
I think the biggest disrespect is like when a man,
like when you a man asked you like you bought.
Speaker 3 (12:26):
That Plan B.
Speaker 1 (12:27):
I had a nigga asked me like, yo, yah, you
got that plan B right, And I was just like, yo,
I'm not gonna hold you. I would never want to
have your seat. I don't know why on God's green
earth you thought you got to call me to make
sure I got that plan?
Speaker 3 (12:37):
B baby. I promise you I.
Speaker 5 (12:39):
Could be an intentive father following up, making sure everything's
going on.
Speaker 4 (12:43):
You good, ma, sure you know family man.
Speaker 1 (12:46):
To me, I think his head was just a little big,
like nigga, you would be trapping me, not the other
way around.
Speaker 3 (12:51):
I promise you.
Speaker 4 (12:51):
That's crazy.
Speaker 5 (12:52):
I had a girl take a video of her taking
it to prove to me that she did it. I
didn't ask her for that, which I thought. I think
she thought that was a good gesture, but then had
me thinking like what had happened in her past that
she thought she had to show you the video. Nobody
asked to that. Yeah, took a full video selfie video
of taking it. I'm like, I didn't I trusted you
was gonna take it. I didn't think you weren't sending
the video because now I feel like you're.
Speaker 1 (13:13):
Taking a fake one, because why the show, why the production?
Speaker 5 (13:16):
Yeah, it had my mind racing which I think she
thought that'd better ring but had a ring light.
Speaker 4 (13:20):
On when she did it.
Speaker 2 (13:22):
It was content for she probably on someone else's couch
a ring light as funny as fuck.
Speaker 5 (13:30):
Everyone's been asking me about my Plan B routine.
Speaker 4 (13:33):
It part of my morning routine.
Speaker 5 (13:35):
She debscribed to my Plan B routine.
Speaker 4 (13:37):
Oh man, but yeah, well, I don't know.
Speaker 1 (13:39):
I think I think people are just really outside. Is
expensive recession indicator, I think everybody. Also, your timeline is pep.
Probably people older you don't you should be following those
twenty one, twenty two, twenty three year olds.
Speaker 4 (13:48):
Yeah, I don't know how old.
Speaker 2 (13:49):
So man, these people are follow until they post those
balloons in the back and I'm like, whoa unfollowed?
Speaker 4 (13:55):
I thought you were thirty and didn't realize this was
twenty four for you.
Speaker 5 (14:00):
And it goes both ways, because sometimes there'll be twenty
four and I'll be like, oh shit, you're way younger
than I thought. Then sometimes they'll be forty. I'll be like,
I thought you was twenty five.
Speaker 4 (14:08):
It look great. You can't tell no more. This makeup
is crazy. The makeup.
Speaker 2 (14:11):
The makeup now is insane, Like you never know how
old the girl is until like you see the balloons
in the back and some.
Speaker 3 (14:16):
Make up be looking at these making these people look
older than what they are.
Speaker 5 (14:20):
Oh yeah, for sure the surgery does too. You sh
think that face surgery is making them look better, No,
you just look older and weirder.
Speaker 1 (14:25):
Will you take all that faut when they're taking like
the fat out their face and pulling their face back,
that's making them look older.
Speaker 3 (14:30):
Chunky chunkier faces look younger.
Speaker 5 (14:33):
Yeah, how come the plastic surgeons haven't figured out hands yet?
Like even the professional plastic surgery chicks, like the ones
that are millionaires and get that shit done bi monthly.
I can still see your old ass hands.
Speaker 3 (14:46):
Yeah, I can't wait to get mine.
Speaker 4 (14:47):
How old is your hands?
Speaker 1 (14:49):
Yeah?
Speaker 4 (14:49):
What's wrong with your hand?
Speaker 3 (14:50):
I got old lady hands.
Speaker 4 (14:53):
Let me see your hand.
Speaker 3 (14:53):
I'm not on this camera. I'll show you off camera.
I got you, I got like.
Speaker 5 (14:59):
The baby.
Speaker 4 (15:01):
Did you not have old women hands?
Speaker 2 (15:03):
Really? Do know?
Speaker 4 (15:04):
You do?
Speaker 2 (15:04):
Not?
Speaker 4 (15:05):
You turned thirty one to start acting crazy hands? Irin not?
Speaker 5 (15:12):
I met no said that a handful of chicks that
were young, but the old hands.
Speaker 1 (15:16):
Yeah, I work. It's not about looking, it's not about
having rough hands. It's just like you have like more
skin on your hands, so your hands lookrink more wrinkle.
Speaker 5 (15:25):
More defined.
Speaker 4 (15:26):
In certain areas, y'all got to do your spirar fingers
more oft than every morning. You gotta do these.
Speaker 1 (15:30):
It's usually women who have like small hands, because I
have like baby hands like people who have small hands.
When your fingers are longer, it stretches the skin more.
I have really really short fingers.
Speaker 4 (15:39):
Baby, do what were you venom? What is she talking?
She talking about? I'll show you, baby, you do not
have Oh you know you have to show me your hands.
You do not.
Speaker 2 (15:46):
If I feel like if you had old hands, I
would have saw your old hands and made it, made
it a top of the record, and.
Speaker 4 (15:51):
We would have been discussed your old hands. You don't
have old hands.
Speaker 2 (15:54):
Big foreheads, wrinkly hands. You know what they say? No,
I don't know what. I've never heard nobody what they say.
I've never heard nobody say. Everyone says, well, Coachella was
this weekend. Yeah, speaking of old hands, there was a
lot of old hands out.
Speaker 5 (16:06):
There at Coachella, a lot of young ones too.
Speaker 2 (16:08):
I didn't see much of the clips, but I did
see a shout out to t Pain. I did see
the clip of him performing and him talking about how
grateful he was. I didn't realize that was T Pain's
first Coachella.
Speaker 4 (16:18):
Oh that is wild.
Speaker 2 (16:19):
That is crazy, like T Pain like he should have
been at Coachella.
Speaker 5 (16:23):
Yeah, like seven, but he was.
Speaker 2 (16:25):
He was happy that he h he finally got his
chance to touch the Coachella stage.
Speaker 4 (16:29):
And shout out to T pain Man. I think he's
one of the guys that legend.
Speaker 2 (16:33):
Oh man and every sense of the word is lasted
through so many changes in music, through sound, through technology,
through you know, just business changing the music. But he's
somebody who always finds a way to still give us great,
great music.
Speaker 4 (16:45):
So shout out to T pain Man.
Speaker 5 (16:46):
Yeah, and I mean, we're not gonna break down every
single performance because I don't even think that's what our
listeners want to hear. But I mean, you guys watch it. Yeah,
I watched some of the streams. I mean, Maul your
explanation of Missy's performance in Chicago, I mean the Coachella one.
She came out as a fucking transformer.
Speaker 2 (17:02):
Yeah, that's how she came out of Chicago. That's part
of her set. I just think obviously the Coachella stage
is biggest.
Speaker 5 (17:07):
Yeah, that set was incredible. It now I understand, at
least from watching on a stream.
Speaker 2 (17:12):
No, Missy, Missy is She's She's probably due for a
super Bowl. Honestly, like Missy's friends, I can see that
for sure. Yeah, she, Missy and Timmeland, they definitely need
a super Bowl Missy again, I'm glad I caught her
her showing Chicago. That was the first time I ever
saw miss she performed live, and I was absolutely like
just in awe of just to attention to detail and
(17:32):
just the production of her stage. So obviously we know
Missy has always been ahead of the curve when it
comes to vision visually with her videos and things like that,
but to see her live and see her bring all
of that to life was special.
Speaker 5 (17:43):
I'm not backtracking any of my statements. I still do
not think that Tyler is Rihanna, but she had one
of my favorite sets over the weekend as well. Tyler's
performance was crazy, choreography was great, she sounded great. I
loved everything about her performance. I mean, you know, me
and Peach we were on FaceTime watching the Green Day
performance together.
Speaker 4 (18:04):
Oh man, now we give it up.
Speaker 5 (18:05):
That's our childhood Yeah, that's that's that's my ship.
Speaker 4 (18:07):
Green Day.
Speaker 5 (18:07):
Yeah, my dad gave me the Dookie CD for one
of my birthdays. The nimrod Well I think was the
one after that. I loved Green Day and then, you know,
I'm a hipster, so I hated when they went like
pop and punk and started painting there started when they
went emo and started wearing maskara and ship. I'm like,
I like the punk rock green Day, but Legends as well.
It was great, sound amazing. They're still yeah, there's there's
(18:29):
still one of the greatest bands of all time.
Speaker 4 (18:30):
I want to see Green Day lives. I would go.
Speaker 5 (18:32):
I pay for those tickets for ye.
Speaker 4 (18:33):
I want to go to a Green Day show.
Speaker 5 (18:34):
When they announced the lineup, I said that was the
number one reason I would even go to go see
Green Day, especially in that type of setting. Yeah, Glorilla,
sorry to sexualize you, but you know that was the
main clip.
Speaker 4 (18:45):
Sorry to sexualize you, but that's what they That's what
they gave us.
Speaker 2 (18:47):
And them chicken nuggets was moving. Yeah, Glorial had the
cheeks out, a lot of motion.
Speaker 5 (18:53):
Her and Koy. They'd set the internet off with a
little battle Man.
Speaker 1 (19:00):
Glow's gotten really good at at performing. I mean our
earlier this year or last year. I think she did
go on tour with Megan. I'm sure that help, but
she's she's been putting work into her performance. Now, the
rap girls can't just come on there and be cute
and standing there anymore. Like it's over, like you gotta perform.
Speaker 5 (19:17):
I mean I think that, especially yes for the rap girls,
but rappers period.
Speaker 3 (19:21):
Yeah.
Speaker 5 (19:22):
You see, even fifty cent got dancers and shit during
his Get Rich.
Speaker 2 (19:25):
Uh now fifty fifty coming from the ceiling, and then
then they had fifty swinging from the ceiling.
Speaker 3 (19:30):
Well, he was upside down for the super Bowl performance.
Speaker 2 (19:32):
No, we understand that because that was part of the
video back in the day. But fifty don't need to
be coming from the ceiling.
Speaker 5 (19:36):
Man, he do in this day and age people, fifty
don't need to be He has the exact same performance
for twenty years of just this.
Speaker 4 (19:46):
Yeah, but what's been doing for twenty years. Fuck it,
we're gonna keep it having.
Speaker 5 (19:49):
Free But he still does that. But he has production
behind him. You have to do that. You have to
grow up.
Speaker 2 (19:53):
I'm not mad at having production, but I don't want
to see fifty coming from the rafters.
Speaker 4 (19:58):
Man, that's Curtis Jackson. That's man, Like y'all know this
kid was doing it.
Speaker 2 (20:02):
Queen's growing up like nah, man, yeah, we can't have
don't do that, man, don't bring fifty that and I
and knowing fifty He laughs at shit like that in production.
Oh for sure, like y'all want me to come to
the fuck you man, let's do it. Because he know
he ain't supposed to be doing that.
Speaker 5 (20:16):
He was laughing during his Super Bowl performance. Go rewatched that.
Towards the end, he starts to laughing, like, Yo, what
am I doing right now?
Speaker 4 (20:22):
Fucking crazy?
Speaker 5 (20:23):
I'm about three hundred pounds heavier than I was when
I did the End of the Club video. I cannot be
upside down. All the blood is rushing to my head.
Speaker 2 (20:30):
We saw Chris Brown and Cruci had a little exchange
that set the timeline of Frenzy. Chris Brown and Cruci
saw each other at Coachella and had, you know what
seemed like a little friendly, friendly exchange back and forth,
and then that set people off, like you know, uh,
it's only the Internet that tries to cancel Chris Brown.
(20:50):
In real life, people love Chris Brown. Even the women
that y'all think hate him, that he's dated, and that
just sent women into a whole conversation. I ain't gonna
have fun reading some of them comments.
Speaker 5 (20:58):
She probably hated him at one point.
Speaker 4 (21:00):
Yeah, but I mean people.
Speaker 5 (21:01):
Get over things.
Speaker 2 (21:01):
People get over things, and you know, a lot of
things that we hear may may or may not be true.
But it was good to see that clip of him
a crucis still at least in a positive space with
each other.
Speaker 5 (21:12):
I read that headline as two people that know each
other spoke at an event.
Speaker 4 (21:16):
Yeah right, that's right.
Speaker 5 (21:18):
That's how the outrage.
Speaker 4 (21:19):
Yep.
Speaker 2 (21:19):
But you know some people would and if you see
them at event, it wouldn't be as friendly of an exchange,
of course.
Speaker 5 (21:24):
But to me, that was shows just how far removed
both of them are from that situation, even though there
was a lot of from what we know headlines in
the song k which is my favorite toxic R and
B song of all time, where Chris Brown took no
accountability and put the entire thing on Karuci even though
he had a baby with her best friend while he
was in a relationship with her. It was her fault.
So I love Breezy, You saw how he's bringing up
(21:45):
old shit. Ah, that's a classic song. I'm bringing up
I'm bringing up a musical master went out the classics.
Speaker 6 (21:52):
Ok.
Speaker 5 (21:52):
Is one of my favorite Chris Browns.
Speaker 4 (21:53):
I Got You, I Got You.
Speaker 5 (21:55):
That was so fucking long ago, like they're both at
twenty fourteen, maybe before that, twenty thirteen, damn, and I
forgot when they stopped dating. Like it's been so long.
They both have had like ten different relationships. If you
see an ex that you if she really gave a
fuck and was still like involved in that, she wouldn't
have said anything.
Speaker 4 (22:13):
Yeah.
Speaker 5 (22:13):
To me, that's the proof of moving on completely, that
you could see someone and be like.
Speaker 2 (22:18):
What's up, yeah, and just laugh like I mean, I
always say you. I'm glad that I am the type
of guy that any woman I've dated. I think we
are in that space where if we see each other
at any point in life, it's always a friendly hello.
Speaker 4 (22:30):
How you been. It's never no, you know, bad energy,
fuck you, I hate you? It's never that.
Speaker 5 (22:35):
But I'm sure at one point there probably was, Like
when he ran down on was standing like this outside
the club. I'm sure she didn't enjoy that. I'm sure
she was saying nasty things in the sprinter on the
way home. But time tends to heal thing. Yeah, but
I mean, you know, would you think about I spend
the block of Coachella.
Speaker 4 (22:49):
Baby did? Would you think about Chris Brown and Caruci's
little uh.
Speaker 3 (22:52):
Laughing with each other?
Speaker 4 (22:53):
Yeah?
Speaker 3 (22:53):
Oh, every time I see any of my exes, I
show all thirty two teeth.
Speaker 4 (22:56):
So that's regular. Thank you for that, baby, like, thank
you for that insight.
Speaker 1 (23:02):
You know, you say, one little smart little thing, you do,
a little lean in, one little smart little comment or
some ship like that, like.
Speaker 3 (23:07):
Yeah, keep moving.
Speaker 4 (23:10):
What did that usually mean?
Speaker 6 (23:11):
Though?
Speaker 4 (23:13):
What do that usually mean?
Speaker 3 (23:14):
Honestly, it's usually one inocent usual.
Speaker 1 (23:17):
I don't like leaned in and said, you know, when
the paparazzi see this is gonna be hell right, And
she could have laughed at that and boom there we go.
Speaker 3 (23:26):
Like it could have been. It could have been anything.
Speaker 5 (23:28):
You know, you have to get one of those sarcastic
light shots off when you see your ex Yeah, a
little whisper.
Speaker 2 (23:36):
Especially when you're that famous, like you know, cameras is
on you at all times. We had Coachella, cameras is
on Chris Brown anyway, he's at at Coachella, so he knows,
and you know, you gotta kind of give that little
and like, I can't really hug you and embrace you
like I want you because they're gonna blow it out
of proportion.
Speaker 4 (23:51):
But and then once you do that, there you.
Speaker 2 (23:53):
Know the text message like you know, you know, baby,
you know the text message after you see them.
Speaker 4 (23:58):
You know the text.
Speaker 3 (23:59):
Message after you supposed to say, what's what you're doing?
Speaker 4 (24:01):
Big game?
Speaker 5 (24:02):
Glad to see that you did everything you said you
was gonna do. How's your mom?
Speaker 4 (24:07):
Now?
Speaker 6 (24:07):
Baby?
Speaker 5 (24:08):
We should catch up properly outside of a setting like that,
you know, something like that.
Speaker 2 (24:12):
Now, baby, Like you should cut your hair. That's the
type of ship she said. That's that's how flirt after.
You should cut your hair shorter.
Speaker 1 (24:19):
Nah, it's more like I would hate to shut Coachella
down early.
Speaker 3 (24:22):
Keep it cute.
Speaker 5 (24:23):
But what are you saying when both of you guys,
are you shutting Coachella down?
Speaker 4 (24:26):
Because girls was around me saying what's up? Like, oh
you that to see?
Speaker 2 (24:30):
Nah? Babyd that type she's trying to get Coachella shut down,
Like I'm just Chris Brown out here.
Speaker 3 (24:36):
Actually shut down though, But.
Speaker 5 (24:37):
You almost got polluted shut down or something like that.
Speaker 4 (24:39):
You cool, huh almost getting polls shut out?
Speaker 2 (24:42):
Cool?
Speaker 4 (24:45):
Baby, I remember that one. I remember seeing baby d.
Speaker 5 (24:48):
I think it's funny that, like, at the height of
the beef, Kanye and Drake saw each other. Coachella didn't
shut it down, but demeris if she saw her ex
of Coachella shut down whole Ferris, we were going away, but.
Speaker 3 (24:57):
You actually don't actually shut it down.
Speaker 1 (24:59):
But you said that test like, don't don't test me,
and just that just so he could be like he
ain't get going ship like that, and they keep it moving.
Speaker 5 (25:07):
Even in that situation. I feel for them because you
kind of can't win for losing. Let's say, Caruci hypothetically
still doesn't fuck with Chris Brown, and you guys end
up in the same place because that's where they fucking
put celebrities. If you have a stank face or like, yo,
get the fuck off me, you're like, then it's gonna
be even crazy. You just got to smile and just
keep it moving.
Speaker 2 (25:25):
You see the difference when they sat Quavo next to
Christ and when they sat.
Speaker 4 (25:28):
Karuchi next to Christ. You see the difference.
Speaker 5 (25:31):
No, no, I wasn't. What would you say?
Speaker 4 (25:35):
The difference was not just the energy was a little different.
Speaker 5 (25:37):
So as two famous people, how do you have small
talk when you see your ex when everything you do
is documented? So what have you been up to? Nah?
Because they I'm sure and I'm sure you saw my
tour was now.
Speaker 4 (25:48):
Yeah, I'm sure they both knew.
Speaker 2 (25:50):
That they were going to be there, and you know,
they probably probably didn't.
Speaker 4 (25:54):
I can't. I don't know. Maybe maybe maybe they didn't.
Speaker 2 (25:58):
But I think that if Caruci is somewhere and Chris
is on his way, somebody's gonna let me know Chris
is on his way here, like he's going to be
right here, like you you know where you're sitting the section,
because I've been places and they'd be like, yo, so
and so is on their way in and I'm nobody,
Like I'm just like hey whatever.
Speaker 5 (26:14):
Also, event producers that will know that and tell everyone else,
don't tell them that this person's coming. We want clicks.
Speaker 1 (26:21):
Ah.
Speaker 4 (26:22):
Yeah. But Chris and Cruci is different.
Speaker 1 (26:24):
I'm sure they run into each other before they're both
in the LA scene like that.
Speaker 2 (26:28):
It ain't I think they still communicate. Yeah, and I
think it's on some level. I think they're still cool.
I think they still communicate. But that was what a
lot of women in the commons were saying. You know,
like y'all be thinking that, you know, women be hating
the exes, and you know a lot of women do
have healthy relationships with the exes even though things may
have happened when they able together that was toxic.
Speaker 4 (26:48):
People grow, people get over things, and you know, things
like that.
Speaker 2 (26:51):
So, I mean, I just thought it was cool to
see them, you know, both publicly where people can record
a video and see them both smiling and having some
positive lagies.
Speaker 4 (27:00):
That was cool.
Speaker 5 (27:01):
I'm only in my own little bubble with this review,
but it seemed like more of the people I knew
went to Coachella this year than the year prior. Last year,
I think I came on here and was like, damn,
no nobody I know went to Coachella. It felt like
a kind of an off year our bubble.
Speaker 4 (27:14):
Well, you know why no, because you can financial tickets
this year.
Speaker 2 (27:19):
I don't know if you could last year, but this
year more people took advantage of.
Speaker 5 (27:22):
Most of my friends that would go to Coachella were
not buying tickets like I mean, just people with my
bad I see to say you like my bad? You
mean the people I follow on Instagram it's free to follow,
you just follow. You could see them too.
Speaker 3 (27:38):
Shit crazy.
Speaker 5 (27:39):
I don't subscribe to their exclusive stories or whatever you
can do on ig now.
Speaker 1 (27:43):
But when I when I said you was you wasn't
regular on Patreon? He was like, I am a regular guy.
I am a regular guy.
Speaker 5 (27:47):
Everyone can follow the exact same people that I follow.
Speaker 4 (27:50):
On Instagram, that is true, but they can't follow back.
Speaker 5 (27:53):
Well, I mean that has to be consensual. Force follows
like yeah, and the times we're in now, it's a
very sense of thing.
Speaker 4 (28:00):
Yeah.
Speaker 5 (28:01):
But with that said, the craziest headline that I did see,
Maul was what you just said. Sixty percent of Coachella
attendees finance their tickets to attend the festival. Taking out
a loan against the festival that you're buying a ticket
from is fucking insane.
Speaker 3 (28:16):
People finance everything these days now, guys.
Speaker 2 (28:19):
Yeah, but I'm just on the side of if you
need to finance Coachella, you should. You should watch the
stream next to everybody else on the couch.
Speaker 4 (28:26):
No, not exactly.
Speaker 3 (28:27):
Some people.
Speaker 1 (28:28):
It's the same way people finance vacations and stuff like that.
Sometimes you can't afford to spend all that money up front.
Speaker 5 (28:33):
So I understand that if you're wanting to make here,
you're budgeting your year out. I'm all the way with that.
We financed things, I get it. But taking a loan
out where the payment plan starts as low as fifty
dollars and some of these tickets are over one thousand
dollars plus all the housing. You haven't paying it shit
off for years, but.
Speaker 2 (28:51):
It's not You can be paying it ontil the next
Coachella where you want to finance those.
Speaker 1 (28:56):
Listen that Beyonce paying for just hit my account too. Listen,
I wasn't paying seven hundred dollars upront. Y'all gonna have
to get it for me a month. People do that
shit with everything.
Speaker 5 (29:05):
Can we look up to see what Coachella? What the
interest rate is if you if you finance.
Speaker 2 (29:10):
I think it depends on you financed like season tickets
to a game like the team, Yeah, you.
Speaker 1 (29:15):
Can finance them there everything now with Klarna, Affirm, PayPal,
pay later.
Speaker 5 (29:21):
You just get hit over the head with fees and
the interest rates. Everyone.
Speaker 1 (29:25):
Every once in a while, I think I paid a
total of ten dollars on my Beyonce tickets and they
were seven hundred.
Speaker 5 (29:30):
Oh. I think that's a great finance plan. Though.
Speaker 2 (29:32):
Yeah, that's been so you're still paying that off ten
dollars a month?
Speaker 1 (29:37):
No, it's no, no, the interest My total interest is
ten dollars.
Speaker 3 (29:42):
My payments are two hundred and twenty.
Speaker 2 (29:44):
Oh, so you're done with that. If it was seven hundred.
That shit was almost a year ago to concert.
Speaker 3 (29:48):
No the new one.
Speaker 4 (29:50):
Oh cowboy Carter, cowboy Carter. Oh okay, okay, got you.
Speaker 1 (29:56):
He did, But I also bought my own tickets. I
wasn't gonna take that chance.
Speaker 4 (30:00):
M game whine e would get flaking back out on you.
Speaker 1 (30:03):
A flat fee of forty one dollars is charged fes
of the payment plan.
Speaker 4 (30:05):
That ain't nothing.
Speaker 3 (30:07):
That's an eight percent interest rate.
Speaker 5 (30:10):
All right, interest rate calculating we're all stupid, So everyone
in the comments relaxed, we're just having fun. How long
would it take with an eight eight percent interest rate
for one thousand dollars? It would take nine years and
double the two thousand dollars based off what Coachella was offering.
If you want to go the route of the lowest
version you could take nine years to pay off two
thousand dollars.
Speaker 3 (30:31):
We have it right here. Was they only charged you
forty one dollars to use the payment plan.
Speaker 5 (30:34):
That was yeah, but plus eight percent on what?
Speaker 3 (30:36):
No, this fee is equivalent to roughly eight percent of the.
Speaker 5 (30:40):
Ticket's all right?
Speaker 3 (30:41):
Cool? So yeah, forty one dollars flatfee.
Speaker 5 (30:44):
I'm not mad at that. Then I supposed but then
you're also putting on your credit card.
Speaker 3 (30:51):
Sometimes sometimes people put it on debt. No, actually, you
can't do them. Pay laters.
Speaker 1 (30:55):
You can't put on a credit card. It has to
be on a debit card or a back account.
Speaker 5 (30:58):
Okay, well, more power everyone there.
Speaker 4 (31:01):
I want to finance some season tickets. You can't do
that if they don't make the playoffs. Fuck that. I'm
not paying that shit.
Speaker 1 (31:06):
No, it don't, baby, it don't work like that.
Speaker 4 (31:09):
That wasn't me. I'm disputing.
Speaker 2 (31:11):
Don't worry, baby, still got to pay fuck them tickets.
Speaker 5 (31:15):
Man, I'm trying to think if there's anything else that
I saw Coachella related. She looked like a good time
Austin Mills performs. Thought that was great man. Yeah, when
emotional artists did it two years ago he was on
someone else's set, so it's really cool to se him
on the stage, but to be on the lineup this year,
I think that's amazing.
Speaker 4 (31:32):
So shout out to Saint John. He performed as well.
Some of his set.
Speaker 5 (31:36):
Crazy, especially the cross and ship like this. His set
design is fired.
Speaker 4 (31:40):
To shout out the Saint Man. I'm just good to
see him on that.
Speaker 1 (31:43):
I'm here to say Meg had the best performance. I
stayed up all night last night and watched it. Meg
went crazy for an hour and still left like three
number one hits on the table. She didn't even have
time to form. Meg went absolutely fucking insane, entertaining, dancing, choreography,
non stop outfit changes, set changes, brought out Queen Latifa
(32:04):
to perform you and I t Y, brought out Sierra
to perform a mashup of goodies in the song that
that interpolates it, and brought out Victoria Money and had
Victoria Monet sit her ass on her knee and Meg
grabbed her ass. So yeah, best performance. That went absolutely
and she.
Speaker 3 (32:21):
Should have been in that life.
Speaker 5 (32:22):
I didn't see that clip.
Speaker 3 (32:23):
Yeah, now y'all missed that. Y'all should go back and
watch that.
Speaker 5 (32:26):
If y'all can Did you guys see any clips of
Vibes's cartel at the Barclay Center.
Speaker 2 (32:31):
World Boss, Yeah, hell yeah, I think that shut out
the Vibe Hotel, shutting down Brooklyn.
Speaker 4 (32:36):
How many nights did he do?
Speaker 5 (32:37):
I could be wrong. I thought it was just one.
Speaker 4 (32:39):
Hell no, I mean he could do.
Speaker 5 (32:41):
He could do three weeks. I'm just saying I think
he did too too, Okay, I mean as much as
I would have want to go to that, back to
our conversation of maybe staying in the house, Yeah, that
latout would have been a little too much for me. Yeah,
I just said downtown Brooklyn would have been a lot,
I want to say, a good way. Just maybe it
a little too much for me.
Speaker 2 (32:58):
I would have had to get into a whole different
different mindset to going to the bar case for that man.
Speaker 5 (33:03):
That shit would be juve next half.
Speaker 2 (33:05):
Yeah, it was dope to see Vibes on the stage.
It looked like an incredible show. Shout out the Vibes man.
You know where he was last year, where he is now.
It's just incredible to see him shut down, shut down.
The ball plays like that.
Speaker 5 (33:18):
And even you know, of course it was trending on
the timeline because Vibes is Vibes. But I saw a
lot of people just admitting, which is fine, that they
had no idea the impact that Vibes Cartel like had
on the world. He's fucking Hove to a lot of
people at Yeah, absolutely, he's Michael Jackson to a lot
of people, like Vibes is the definition of fucking dancehole.
So it was great. Great to see that he was
(33:38):
getting his flowers there.
Speaker 2 (33:39):
Great to see Vibes shut it down. But I was really,
you know, only looking at all this shouldn't see eclipse. Sorry,
I mean, I love Vibes man, but shout out to
shouldn't see.
Speaker 4 (33:49):
It like she? You know, she just looked great.
Speaker 5 (33:51):
Did you cry like Safari watching Vibes the way you
were watching her?
Speaker 4 (33:55):
No, I cried like Safari you're watching Sinceia.
Speaker 5 (33:57):
Yeah, can we pull up a Safari crying real quick?
Shouts Safari man friends crying nothing you cried at Gunna.
A Jamaican man can't cry Vibes. That makes way more.
Speaker 3 (34:07):
Sense, that's what he was crying at.
Speaker 4 (34:09):
Yeah, it was just I.
Speaker 3 (34:10):
Didn't cry like that at GNNA, crying like.
Speaker 4 (34:13):
That over Vib's card telling the flash.
Speaker 5 (34:15):
He was going to be in prison for the rest
of his life.
Speaker 4 (34:17):
Crying crazy vibes.
Speaker 2 (34:20):
Should be crying like that, the fact that he's freeing
in Brooklyn in that Safari don't need to be crying
like that.
Speaker 4 (34:25):
Why not? Come on, man, straight, No, I don't what
he said. Yeah, but don't say that to me.
Speaker 5 (34:31):
No, that's what Safaris.
Speaker 2 (34:32):
I know, that's what he said. I'm telling you, don't
say that to me is what I'm asking you to do.
Speaker 5 (34:36):
But look how happy he is, man.
Speaker 4 (34:37):
No, shout out to Safari. Man, he had a good time.
Speaker 5 (34:39):
I saw Cardi was in there too. Cardi was moving
around the bar place, cheeks all the way up.
Speaker 4 (34:46):
Never mind, I'm listening man, I'm just see the music, that's.
Speaker 5 (34:49):
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percent off your subscription. Over the weekend, after I was
watching the Coachella clips stream Vibe shit, I did go
back to our Twitter poll when we were discussing swinging.
(36:23):
Was that on our regular episode or that was.
Speaker 3 (36:24):
On Patreon regular.
Speaker 5 (36:25):
It was on regular. We had a voicemail someone called
in and we completely turned from giving advice to asking
if you want to see your partner with someone else?
And Maul, I hate to tell you, nine point six
percent of our listeners would like to watch their partner
with someone else.
Speaker 4 (36:38):
Why would you hate to tell me that?
Speaker 5 (36:40):
Because I mean you said it's a mental illness.
Speaker 2 (36:42):
Well, nine point six percent of our listeners have a
mental illness. That's all those sounds about, right, right, P
It's just about that's that's about the numbers, right number two. Yeah,
about a nine percent of people out there with mental
illnesses that are undiagnosed.
Speaker 5 (36:54):
I kind of just love how the social team typed
it out. Yeah I'm into that or absolutely not?
Speaker 4 (37:00):
Absolutely not.
Speaker 3 (37:01):
Yeah, they could have put a maybe in there. I
don't know.
Speaker 5 (37:04):
Yeah, still thinking about it. Yeah, No, I need to
bring it up one Valentine's there or something.
Speaker 4 (37:09):
You heard what the marriage just said, keep it cute, right,
you heard what you heard what the.
Speaker 2 (37:12):
Marriage just said. So imagine now walking in watching your
partner with somebody else. It's not happening, man, nobody's into that.
Speaker 5 (37:18):
Ship like that for real nine point six percent mental illness.
We talked about this last but this is how stupid
poles are, because like, this is how this is how
the news like really reports information that we deem like
law like, no, this is from a pole. This is mathematics.
They'll pull one hundred people on a topic and then
take that number and then all of a sudden, that
represents America. So we like a new station would take
(37:41):
this that for years. What you mean number one show
in America? Yeah, are they wrong, No, they're not. They're
not go to their top rappers. When Steve did that one,
Oh my god.
Speaker 4 (37:52):
That was crazy. That was number one. I want to say, Snoop,
I think we.
Speaker 5 (37:57):
Definitely cover that whole thing, but I didn't store that
my memory.
Speaker 4 (38:00):
Thank god.
Speaker 5 (38:02):
That was That was one of those topics we talked
about and I completely forgot about.
Speaker 3 (38:04):
Afterwards on purpose. Purpose forgot.
Speaker 5 (38:07):
But we could come out and just report that nine
point six percent of people want to watch their partner
with someone else, just because we have that poll.
Speaker 4 (38:15):
Yeah, Snoop is number more, but.
Speaker 5 (38:17):
That makes sense. Snoop is the most popular rapper hole. Yeah,
the list is kind of nuts.
Speaker 3 (38:22):
Yeah, Snoop, Yeah, that makes sense.
Speaker 5 (38:25):
Also, we caught another one of being fake viral. This
time it wasn't about soda shamming. It was more about mixtapes.
Did our mixtape mount Rushmore which had a lot of
the timeline going back and forth, not even on our posts.
I just saw it across the board with different blogs.
I'm here to say that all the things that the
(38:46):
South claims we do with our New York bias, the
South does ten times worse than us, way worse. It's
not even close. Like I'm here to say that New
York bias shit, You'll be saying, you guys have it
ten times worse than we would ever have a bias.
They was trying to They was trying to tell me
that fifty never even did a mixtape that people listen to.
(39:06):
He was never on radio or was even heard until
Get Richard. I trying like he didn't do the first
ever mixtape tour called No Fear, like his entire existence
started for mixtape. First time he was on the radio
was remixing records that were other people's records. Wangster was
not the first time he was on there. He's remixing
l O Cool J records that was on the radio.
He did the first mixtape tour, and then they were
(39:28):
telling me that now that never happened.
Speaker 2 (39:30):
No, fifty definitely has one of the best mixtape catalogs.
Definitely is one of the ambassadors of exactly how much
a mixtape can propel you into mainstream and you know,
become a superstar. I think he probably is the poster
boy for that. But the comment, you know, there was
a lot of people throwing people in there. Somebody said,
(39:52):
I think Wis has a strong case for the best
mixtape cattalg cushion. OJ.
Speaker 4 (39:56):
I think obviously he's legendary.
Speaker 5 (39:58):
Now I'm never mad we were going off Rushmore, so
I kind of want to make that clear of what
I think, at least the mount Rushmore means. It means
like the creators and forefathers, right, Yeah, not necessarily like
the greatest, because I'm never met at If someone says
they think Whiz is the best mixtape catalog, yeah, I
don't personally think that, but he deserves to be in
the conversation absolutely objectively, no matter what. So y'all giving
(40:20):
fifty way too much credit in the mixtape world. Squad
Up series was already a thing before fifty star putting tapes.
So I'm not saying a mixtape did not exist before
fifty cent. I'm saying the style and structure in which
he did it as a solo artist and how that
created his career. He was the first to do that.
He laid the blueprint that everyone on that Mount Rushmore
used afterwards.
Speaker 2 (40:41):
Right, And you know what the thing about this, I'm
not debating this with nobody that ever did never use
the landline. Like, if you ain't using landline for I'm
not debating with you about anything. That's just my thing
in life now. Like I got to start asking have
you ever used a landline phone?
Speaker 4 (40:58):
Yes or no? If you have, haven't you got it? Bro,
whatever you feel, because your world.
Speaker 2 (41:04):
You will never understand my world. So I totally listen, man,
you got it. I'm not arguing with nobody that never
used the landline phone. I'm not doing it.
Speaker 5 (41:11):
What else we have for comments was that that was
the last one you had. Josh Afu Wile mixtapes desography
against all there is fight me. I mean, you guys
already know what type of Wile a fan I am.
Speaker 4 (41:20):
I always underrated.
Speaker 5 (41:21):
If we went with favorites, I would while it would
probably be in my top top three to five mixtapes, mixtapes, desographies,
my personal favorites. Yes, okay, but then again it's also
not fair. That's why I think the Mount Rushmore needs
to be established, as these are the forefathers of it.
Once Wile came around, mixtapes were so established that it
(41:43):
was necessary that in between albums you were pumping out
two mixtapes. Like He's from the blog era where that
was so necessary. That's why Wayne has thirty mixtapes and
fifty only has three. Things were different. You use that
to get on and then you did your albums. But
then again, fifty pushed that to Juniet Radio, which there's
like seventy five of those in between albums, Elephant the Sand, Like,
(42:05):
I just think it's kind of an unfair situation when
we're talking about the older artists, because I mean Big
Sean's catalog mixtapes are my favorite. All that artists in
that generation, mixtapes are my favorite. I saw Dream though
they were going around asking everyone j Coole favorite project
outside of Forest Will Dry Friday Night Lights. Everyone kept
(42:26):
saying it's a MIXTI it'snim an album, right, It's a
different time.
Speaker 2 (42:29):
Well, like in you know, true fashion, true true white
people fashion. Worry you had to make y'all white rapper?
Speaker 5 (42:36):
Yeah, Mount Rushman, what about what about us guys?
Speaker 2 (42:38):
I'm like, naturally, we can't talk about rap what I
was talking about the white rappers, So they made.
Speaker 5 (42:44):
White and grange or a bunch of faceless redacted's.
Speaker 4 (42:53):
All right?
Speaker 2 (42:53):
So this is mount Rushmore obviously, Eminem recipes Mac Miller
is that Paul Will It appears to beall and Russ.
Speaker 5 (43:03):
I feel bad for the guy that had to sculpted
Russ's hair.
Speaker 4 (43:05):
That would it just like it was.
Speaker 2 (43:07):
A he had leaving conditioner in his hair, right, this,
that's a that's a good leaving. I don't know if
Paul wall is on the white rapper Mount Rushmore.
Speaker 5 (43:18):
Again established what Mount Rushmore's.
Speaker 2 (43:22):
Well, the ones that kind of, you know, laid the
foundation for the the foundations for the white rappers.
Speaker 1 (43:29):
So you would take Paul wall Off before Russ if
we're talking about laying foundations.
Speaker 4 (43:34):
Yeah, I mean I wouldn't say I'm not.
Speaker 2 (43:36):
I didn't say I wouldn't ta Russ off either, But
just looking at that, I mean, macus still too young.
Speaker 5 (43:44):
The only case I would make for Mac was defining
the generation of the new white rapper, like where it
went outside of Eminem. It was kind of corny for
a it was mc search and Beatie Boys, which was cool,
They're basing shit and it was like corny for a while.
Then it was just Eminem and then Mac action like
(44:06):
that whole time came and I think Mac defines that era.
So I think it's a forefather of the new white rapper.
Speaker 4 (44:13):
Maybe maybe changing forefathers.
Speaker 5 (44:15):
Yeah, I mean a lot of white rappers that are
like really established and have credibility, because if we're just
going forefather ship, it's got to be m mc search.
We can't put I guess all the Beastie Boys. And
this is gonna sound crazy, and I'm not trolling Vanilla Ice.
Speaker 4 (44:36):
I'm dead Hmmm. Yeah, I don't know about Vanilla Ice.
Speaker 5 (44:41):
Why how is he not one of the forefathers of
white rap. You could say it's corny, you can hate it,
you would say it was bad for hip hop, But no,
how is that not a forefather.
Speaker 2 (44:49):
Of You're right, forefather, You're right. You would have to
you would have to have Vanilla Ice? Did you would
have to?
Speaker 5 (44:55):
I think you could put LP up there, even from
like the label side rapper side, like help you to
find underground?
Speaker 4 (45:01):
This is this is this is a I don't know.
Speaker 2 (45:03):
I might be swinging for the fence here, but Marky
Mark and the Funky Bunch.
Speaker 4 (45:08):
You gotta put Markey Mark up there. Man.
Speaker 2 (45:10):
I'm sorry, his brother more popular. I mean, he was
in one of the biggest groups ever. But I mean
we're not gonna act like Markey Mark didn't have some
I mean it was a house of Pain.
Speaker 5 (45:22):
Oh, house of Pain definitely has to be a Yeah,
it was a lot of groups.
Speaker 3 (45:25):
Wait, Marky Mark is Mark Wahlberg.
Speaker 4 (45:29):
Yes, No, he's Markie Martin.
Speaker 1 (45:31):
I knew, no, listen, I knew listen, did you ever
use a land used an? I knew that Mark Wahlberg
used to be a rapper. I also had heard of
Marky Mark and the Funky Bunch. I never put together
that that was the same Mark.
Speaker 2 (45:46):
Yeah, it's Mark Wahlberg, the legend, that's the legendary Mark Wahlberg.
Speaker 3 (45:52):
The funny shit.
Speaker 1 (45:53):
Is I'm looking at like the Marky Mark and the
Funky Bunch Bunch like I'm looking at the wild Side
tape or whatever it is, and I was about to say,
this man is in white, he mixed, and then our
look and it's Mark.
Speaker 4 (46:02):
Wom Mark the legend.
Speaker 3 (46:06):
Absolutely, that is actually fucking hilarious.
Speaker 5 (46:08):
Name in your group the Funky Bunch, After you were
just arrested for racial slurs in Boston, Massachusetts. Where do
you get the balls to call yourself to have the
word funk in anything that you do?
Speaker 2 (46:20):
Kid Rock Ki, I was gonna say, if we're just
going off facts and not feelings, do you have a
case kid Rock might need to be up there. He
might need to be on the mount rushmore of white rappers.
Speaker 5 (46:32):
I completely forgot about House of Pain. That was a
great pick, but again, these are all groups, like just
put them like small as one.
Speaker 4 (46:41):
Of the heads. Yeah, you gotta just pick you know
who you know.
Speaker 5 (46:44):
But it was just like us as whites to change
the rules and put fifteen of us up there.
Speaker 2 (46:48):
Yeah, the new Mountain, Yeah, you get a new mountains,
more mountains.
Speaker 5 (46:58):
Outside of that, I don't know. It was white rappers
were weird up until recently. It wasn't really a thing.
Speaker 3 (47:05):
They're not still weird. There ain't gonna be white rappers
out here.
Speaker 4 (47:09):
There's a lot of white rappers now active. Now, yeah,
who's acting?
Speaker 5 (47:15):
Jack Carlow had the biggest year of any.
Speaker 3 (47:16):
Rolling jack Yeah, Jack Russ.
Speaker 4 (47:19):
Yeah.
Speaker 5 (47:19):
McLamore had a great time, whether he liked it or not.
Speaker 3 (47:22):
Yeah, but they have like a little two year, three
year run.
Speaker 5 (47:24):
Action Bronson yellow Wolf at a time, MGK, I mean
a post Malone doesn't consider himself a rapper unless it's convenient.
Speaker 3 (47:33):
So oh oh god.
Speaker 1 (47:34):
So I happened to click on because he came on
after Meg last night. But I was like going to sleep,
but i just happened to click on it, and I'm like,
who is this bare my ass country ass man on
my this post legend?
Speaker 3 (47:46):
Okay, he came out with a beer. I had some
tightly vis. I said, okay, I get to it.
Speaker 4 (47:52):
Let's get right to it. We're gonna get right in
to the set.
Speaker 5 (47:56):
Oh I forgot our guy off. Any pass that you
said I don't listen.
Speaker 4 (47:59):
To You don't listen to Vinnie Pass. You don't know
nothing about Vinie Pass. But is Logic up there?
Speaker 5 (48:06):
No, after his new sound, he's gonna.
Speaker 4 (48:07):
Be up there? Wait, well wat is Logic not on
the Mount Rushmore?
Speaker 2 (48:11):
Well?
Speaker 1 (48:12):
Who would you take out to put logic there as
far as rap just rapping, you're gonna take You're gonna
take Paul Wall out to put logic there. The South
gonna shoot. The South might actually come find you.
Speaker 5 (48:23):
I might actually shoot you. We just don't mind the
internet going. That's the people shamp right there.
Speaker 4 (48:28):
What I'm saying, we just don't about rap though.
Speaker 3 (48:30):
What that mean?
Speaker 2 (48:31):
Logic could rap better than a lot of these dudes
on his Mount Rushmore is you know what I'm saying.
Speaker 5 (48:34):
I would take any Paul Hey, but logic even if
you walked in there and just started the freestyle.
Speaker 4 (48:44):
It's hard to take poor Wall off the Mount Rushmore though.
It's hard.
Speaker 5 (48:47):
He again in that transition, I guess where's Bubba Sparks
at though?
Speaker 3 (48:52):
College Park?
Speaker 4 (48:54):
We gotta give Bubba Sparks.
Speaker 5 (48:56):
Where's my Where's my white ID? My actual idea. I
had to turn that over. We gotta give Family's finest
Bubba Sparks Deliverance, one of the greatest records ever, one
of the greatest videos.
Speaker 4 (49:09):
Who we got to give Bubba Sparks some love?
Speaker 5 (49:11):
Man, make me every character from the Bubba Sparks Ugly video.
Speaker 2 (49:14):
Come on, man, Bubba Sparks legend. Yeah, Nouba Sparks rap legend. Man,
come on, we can't do that. We gotta give Bubba
Sparks his flowers. Man, we can't do that.
Speaker 5 (49:23):
Yeah, with you there, I'm definitely with you.
Speaker 2 (49:25):
There.
Speaker 5 (49:26):
Are we allowed to play a snippet of the new
Logic is on?
Speaker 4 (49:29):
We can't play shit.
Speaker 1 (49:30):
We can't play none. We already got we got another
copyright strike since of our email.
Speaker 5 (49:33):
Well, you guys know, I think Logic is in the
front of the show. I actually think he's a good guy.
I've enjoyed speaking to him. I enjoyed speaking to him afterwards.
I've said to his face, and his music is not
for me. Doesn't mean you can't like someone as a
person if you're not just there for all their music.
This is my first time actually being upset at Logic. Well,
I wish we could play the snippet he's in his
Playboy CARDI Travis Scott era now and I just don't.
(49:57):
I just don't think the streets need that. I mean,
if it makes you happy, do it makes you happy.
But I'm not here to stop you with your musical dreams.
You're independent, Do whatever the fuck you want to do.
You're rich, you're a parent, The world is your oyster.
I didn't hear it, but oh my god, I think
he's trolling. He has to be this has to be
a joke, all right. So we just came back in
because I wanted Mall to hear the snippet so he
(50:17):
could react to it properly. It slaps, but I just
don't need it from Logic.
Speaker 2 (50:22):
Well, first things first, The last time I remember Logic
saying he was retiring from Megan Music.
Speaker 5 (50:26):
Yeah, but very rapper says that he's put out three
albums since.
Speaker 4 (50:29):
Yeah, okay, so let's start there.
Speaker 2 (50:33):
Yeah, I don't again, we're just going off a snippet
twelve seconds. You think the began has changed some boom back. No,
I want to hear is gonna come in. I want
to hear what he's rapping like.
Speaker 5 (50:46):
I assume it's going to be in that flow for
the remainder of the song. But I don't know. Maybe he's getting.
Speaker 4 (50:50):
Barlow because you could get balls off on that.
Speaker 5 (50:53):
Or could this be like some logic conspiracy way to
show how easy making that type of music is.
Speaker 4 (50:59):
Now I can see Logic doing that as well. That's
why he's one head.
Speaker 2 (51:02):
When he's one of those guys, he'll definitely show you
how it is.
Speaker 5 (51:05):
To me, he tricked the Wu Tang to get back together.
Anything is possible.
Speaker 4 (51:08):
Yeah, I don't know, man.
Speaker 2 (51:10):
I just think Logic is just one of those guys
that's just so musically inclined and talented that you know
he's gonna try things, and you know sometimes it's gonna
land sometimes or not. But I do want to hear
that record, like I want to hear if he's actually rapping.
Speaker 4 (51:22):
Okay, going on that record.
Speaker 5 (51:23):
I see what you're saying, because I also it's going
to piss all of our listeners off. I agree Logic
is extremely talented, even if it's not for you. You
cannot say that that person right there is not talented. Absolutely,
Why are talented people regurgitating other bullshit? You're talented, you
don't need to do that. If you weren't talented, I
get it ride a wave. Why would a talented person
need to do that?
Speaker 4 (51:44):
Talented?
Speaker 5 (51:45):
That would be my issue with Logic and this, So
that's my issue, and I'm not comparing Kanye in Logic
at all. But when Kanye's with YEA was just riding
the wave of the sound that was going. Now like
you're a genius, why are you doing this? That's that's
where I think it's kind of weird, But I don't
know true people show show how easy it is to
make that.
Speaker 2 (52:02):
See Logic doing that though, to make a point in
just showing how easy it is to mimic that sound
and try to recreate it in.
Speaker 4 (52:08):
His own way. But listen, I want to hear I
want to hear a song. I can't. I can't off
a snippet.
Speaker 2 (52:12):
I can't kill Logic and say yo, he's he tryn't
sound like Playboy, Card and all these guys.
Speaker 4 (52:17):
I gotta hit a record and.
Speaker 5 (52:19):
We can get off this. But they did a trap
mount Rushmore as well, which at Gucci, T I, g
Z and Yogatti, and initially everyone's was upset about future
not being there.
Speaker 3 (52:30):
I don't think about future, and I think trap. But again,
I'm not for the soft so I'm not the right
person to talk about.
Speaker 5 (52:36):
I mean, he's in that category, but I feel you
he's like right after I think the trap ship, but
he definitely has trap elements for sure. If you called
him a trap rabber, I wouldn't be like no, but
I mean yeah. As far as the forefather Ship, I mean, yeah,
it's kind of I think they kind of nailed it.
Speaker 4 (52:54):
I'm not mad at that. I'm not mad at Gucci,
t I, g Z and Yogatti.
Speaker 2 (52:57):
If you if you are going to take somebody off
and add at a future then it would probably Yogatti. Yeah,
but I'm not mad at I'm not mad at this
quart though. As far as Trap Rushmore, no, I'm not
mad at that.
Speaker 5 (53:10):
Yeah, that one didn't have as much like outrage because
everyone from the South was like, yeah, this is perfect,
We're amazing.
Speaker 4 (53:18):
Yeah, this is perfect.
Speaker 5 (53:21):
We've never made a mistake or had a bad music
opinion in our entire.
Speaker 2 (53:23):
Honorable mention for Trapped Rushmore, Uh titty boy to change, Yeah,
have him on there.
Speaker 5 (53:29):
I'm with you. Yeah, I'm definitely with you, And I
mean new generation Doug has to be there too, absolutely,
but I again, not my Rushmore. He would be for
the next generation for sure.
Speaker 3 (53:38):
Doug said, I'm gonna pull up, eat on that pussy.
Speaker 4 (53:41):
And dip you love you felt that that niggas.
Speaker 3 (53:43):
Is a genius.
Speaker 4 (53:45):
All right, man, all right baby, what you're going through? Right,
what you're going through? Like we here for you were
listen to your had a.
Speaker 5 (53:56):
Little food setting left?
Speaker 2 (53:57):
Yo, Like what's up baby? Like, Yo, he's a genius.
What because he got that off and just left and
he did it in a minor.
Speaker 4 (54:07):
This it's a lot there. I got my brain and
that's how it happened.
Speaker 5 (54:13):
My brain was not even and that's way more layer
than I thought exactly. And that's how hell he did
not into an right right.
Speaker 4 (54:20):
I got you.
Speaker 5 (54:20):
I was.
Speaker 4 (54:21):
I got you. I know what she was saying, but
I got you.
Speaker 5 (54:24):
Yeah, And this is why I understand when Kerry Hilson
comes out and says she regrets some of the things
that she said and done.
Speaker 4 (54:31):
I saw Carry.
Speaker 5 (54:32):
I understand I regret making that statement about the It's okay,
it was it was b sharp.
Speaker 4 (54:38):
I saw Kerry Hilson on Breakfast Club saying, yeah, man,
Carry is all right.
Speaker 5 (54:47):
Listen, we're all be high. But we can't appreciate someone
years later coming out and admitting what they did was wrong.
We should embrace her.
Speaker 3 (54:56):
I was.
Speaker 4 (54:57):
I was still, she looked.
Speaker 5 (54:58):
I was.
Speaker 3 (54:59):
That's asking you, guys, what did she say?
Speaker 6 (55:01):
So?
Speaker 5 (55:01):
Yeah, Cary Elsen was on the Breakfast Club, and of
course they brought up the infamous Carry Hilson Beyonce just
but that's been like kind of a myth that's never
really been addressed for over a decade. I feel like
now the turning me on remix where Carry Hilson had
the bars, because you're turning me off your vision cloudy.
If you think that you're the best, you can dance,
(55:22):
you can sing what you need to move. It's to
the left, to the left coincidence, right, I think so?
Speaker 3 (55:30):
I think the fuck not you trick ass.
Speaker 1 (55:32):
I think they were that's how you feel about Carrie. No,
that's a that's a meme. Sorry, I think the funk
not you trick as wich is a meme not Carrie.
Speaker 5 (55:40):
Sorry, but carry Elson said it's a regret.
Speaker 4 (55:44):
Oh is it? Carrie? Do you regret that?
Speaker 5 (55:47):
I'm not gonna let y'all do that, because yes, that
was a big pivot in her career.
Speaker 2 (55:51):
I love, I thought it was. I thought, I mean, naturally,
you know, I understand how fan base is turned and
you know, you go to anybody going at you know, Beyonce,
this is how it probably would turn out for you,
especially if you're an artist.
Speaker 5 (56:04):
Well, you couldn't really clock fan bases at that time
it was and everything was on the internet, so the
myth really became that like Beyonce had some like New
Orleans creole voodoo that just stopped her career at that time.
That's what the fans think. But I'm sure there was
some stuff behind the scenes, like, let's not act like.
Artists don't do that when they have power, just shut
certain shit down.
Speaker 4 (56:24):
I can promise you Beyonce didn't have anything shut down
for Carrie.
Speaker 2 (56:27):
Oh.
Speaker 5 (56:27):
I don't think Beyonce did either, But I'm not saying
people close to Beyonce didn't.
Speaker 4 (56:32):
I mean, I don't know, man, I think people put
too much into that.
Speaker 5 (56:35):
Publicists used to have a lot of power. Let's not
act like back in the day, publicists were not right
next to the fucking CEO of the label as far
as who could push what button? I could see a
publicist doing that shit, all right, you want to play.
Speaker 1 (56:49):
As far as that's with anything, though, when you have
when you're as successful as Beyonce was in O nine,
and I would have to Josh, can you look up
what if Beyonce's was out during nine? If you say, oh,
if you if the team goes oh, if you work
with this person. I won't work with this person when
it comes to I mean, we won't work with you anymore,
whether it comes to producers, songwriters, anybody, like yeah, the.
Speaker 5 (57:11):
Stars, A lot of the reference tracks and all those
ideas you were being sent in the fucking boatload of CDs.
Slows up.
Speaker 4 (57:16):
Oh that was single.
Speaker 3 (57:17):
Lady's time clipped, hang it up, flat screen.
Speaker 5 (57:23):
Let's not act like Kerry Jilson was not at least
a big factor at that time.
Speaker 3 (57:28):
No Curios was here.
Speaker 5 (57:29):
And first of all, that record did work outside of
the disc record like.
Speaker 1 (57:33):
The remix didn't even work, like nobody really paid and
remix though the turn of Me on regular Song was
the big.
Speaker 5 (57:38):
One and everyone was remixing it. That was one of
the remixes that I think stood out. And let's not
act like Kry wasn't with poll the Don at the time,
who was one of the biggest producers in R and
B and pop, who I do not think gets his flowers.
He needs to be up there. I wish he did
a verses so people like could realize what his catalog
is like. Bouladan was one of the best of that era.
So she went on to say, but that's not the
(58:00):
way people would think because that's a song I actually
didn't write. Those are not my words. If you weren't
around for that era. Esther Dean, who's one of the
greatest writers of our generation, was writing a lot of
the hits at that time, especially with Polo, and she
wrote a lot of stuff for Carrie, So she was
suggesting everyone was mad at me, but I didn't write it, Gerry,
if it worked, would you be saying this like that
(58:23):
kind of be my it's not only issue with carry here.
If that would have worked.
Speaker 4 (58:26):
And like Carrie became bigger as a result of I rd, Yeah.
Speaker 5 (58:29):
If it worked the way we saw a fifty disc
Jah and it was like it went crazy, would fifty
come be like? Not even right, Wangster, that was someone else. No,
it didn't work, So now you're going back to a
regular thing within pop music. Esther was writing for everyone
at that time. You recorded it, Yeah, probably a bunch
of takes found the one you liked the best with
(58:50):
the pitcher. I understand that you were being pressured by
the producer and your team and all that, but you
have the final say. Even with the pressure, which I get,
you still have the final say. I appreciate that you're
coming back and saying, yo, I regret that. I'm fine
with you saying you had pressure from your team, But
don't be like, oh, it wasn't even me. I didn't
even write it.
Speaker 4 (59:07):
Yeah, I mean I was saying it.
Speaker 2 (59:08):
Yeah, But again, I like, you know, the way you're
posing question, if it worked, would she be saying is
she wouldn't need to be saying it if it worked.
Speaker 5 (59:16):
If someone brought that up. Let's say in this hypothetical,
we're not even going to go with that it destroyed
Beyonce's career, because that's a joke even in hypothetical. But
let's say it made carry bigger and she was doing
her legacy tour. Shit, sat with Charlemagne and he was like, yo,
that time when you dis Beyonce, that was kind of
like launched you to the next level. Do you think
she would have went it was crazy cause I didn't
(59:37):
even write that. No, she'd be like, yeah, that time
was nuts. I was a little nervous, like we were
dissing someone that was so big. She would have went
that route.
Speaker 1 (59:44):
Of course, she would have still said she regretted it, though,
because whether it worked for her or destroyed her career.
Speaker 3 (59:49):
It was lean because Beyonce hadn't did anything to her.
Speaker 4 (59:51):
Yeah, it was a woman grow.
Speaker 2 (59:54):
Yeah, as a person, you grow and you mature, you older,
you look back at a lot of shit like that
was so unnecessary. Like yes, I mean, I'm not saying
she would have said, you know, I didn't write it
and all of that, but I'm sure she would have still,
you know what, fifteen years later, sixteen years later, I'm
like that, I don't think she would still be standing
on that bar, like yeah, I said it.
Speaker 4 (01:00:14):
Like no, that would just be absolutely crazy for how
to do that.
Speaker 5 (01:00:16):
Yeah, And I mean a lot of stuff she put
on Polo, like I don't know if this is true.
My album wasn't. Now, yes, it was like you're not
coming out if you didn't do this. I made that mistake,
which again maybe this did happen behind closed doors. But
I also don't think a producer like Poles, the don
that it already had so much results was like you
have to disb Beyonce or we're not putting you out.
That someone had the talent of Kerry Hilson and had
wrecked Like I find that a little odd too. But
(01:00:39):
then Esserdine had came out, went on ig and said,
you know, I'm not going to read the entire thing,
but more or less that she didn't feel great about
it either, because you know, it's not against women empowerment
sticking together. But she said she wrote like four or
five verses to that submitted, all of them wasn't even there,
and that's the one they picked. So like, what do
you want from me? I gave you a bunch of
(01:00:59):
different versions that the one you picked. Then, Carrie Hilson
replied and said, don't say co wrote everything on there
except for three lines that weren't even part of the
disc I wrote. You wrote the entire thing, So what
is ester Dan's supposed to It's still co written. Yeah,
but I've never seen someone publishing away from themselves, Carrie.
Speaker 2 (01:01:18):
Yeah, but all of this is like, I get people
still talking about that it's Beyonce.
Speaker 4 (01:01:23):
I get it.
Speaker 2 (01:01:24):
But it's been fifteen sixty years, man, Like, do people
even really care about this shit still?
Speaker 3 (01:01:30):
Carrie cares?
Speaker 5 (01:01:31):
It's it's still brought up in the niche community of
of music lovers.
Speaker 1 (01:01:36):
Every time Carrie Wilson opens her mouth. Carrie Wilson carry
Hill said who carry I'm thinking about see her. I'm sorry.
Anytime Carrie Hilson opens her mouth, people are reminded, like
damn that voodoo really worked.
Speaker 3 (01:01:49):
Every single time.
Speaker 1 (01:01:50):
It's always brought up every single time she's in any interview,
comments everything, so she knows, she knows it's a big thing.
Speaker 3 (01:01:56):
It sucks because it would have nice.
Speaker 1 (01:01:57):
It would have been nice to see her have a
career like a she had a career, but to have
like a longer career. But then again, who's to say
if she didn't this Beyonce that she wouldn't have went
away anyway? We always say oh, yeah, like people even
when people and this is not no, I don't even
actually I'm not even gonna say that, but there are
people that have died that people are like, oh, she
would have been the biggest thing.
Speaker 3 (01:02:17):
And it's like, you don't know that. We've had so
many pop girls that were huge and then we never
heard from them again.
Speaker 2 (01:02:22):
Yeah, people love doing that. Though Yo, sol So didn't die.
This person went to blue. It's like, fim, that's a
lot of dudes that still allow from the era.
Speaker 4 (01:02:30):
That ain't shit, ain't shit.
Speaker 3 (01:02:31):
And there was that guy.
Speaker 4 (01:02:32):
A lot of trash music, trash albums, trash.
Speaker 2 (01:02:35):
It's like, so we're not gonna just make it seem
like that person would have been on top or it's
just like I hate when people do that. That's just
like a talk because you can't prove because the persons
no longer here unfortunately.
Speaker 5 (01:02:45):
But I mean Carrie had knock you down with Neil
and Kanye, like I thought that record was no. She
has Carryelson has some pretty girl rock, was fire, she
had some records. Yeah, but one could make the case
that it just was never the same after that.
Speaker 4 (01:02:57):
Yeah, I get it. I understand.
Speaker 5 (01:02:59):
I think it's cool that you're owning up to it
and regretting it. I think that type of talk.
Speaker 1 (01:03:03):
Is fun, do you think so as far as the
ester Dan, because Carrie's thing is like this is sixteen years,
like this has been a long time. Why like you
could have been came out and say, oh, Carrie wrote that,
right that I wrote it. But I mean, I guess
the owner still falls on Kirie because you knew what
that was about when you went into the studio and
you laid that track down, whether you wrote it or not.
Speaker 5 (01:03:23):
So and I feel like, and again, no disrespect to
carry Hilson, I think Esther Dean is, like, that's the
record you're talking about, Like, look at my catalog. You
think I even think about that remix? It all when
I have dropped Low, Super Base, Love, Suicide, Another.
Speaker 4 (01:03:42):
Life, nor Kerry Wilson have records.
Speaker 5 (01:03:44):
Now I'm saying from Esther Dean's side, like, do you
think Esther Dean is thinking about that fucking remix? No,
but you's Diamond Records.
Speaker 4 (01:03:49):
Yeah, Ester Dean.
Speaker 2 (01:03:50):
I mean, if you know, you know, a lot of
people don't know who Ester Dean is, and you know,
like I said, a lot of new people outside and
you know they don't know.
Speaker 4 (01:03:57):
But if you know Ester Dean, you know she has hits.
Speaker 2 (01:04:03):
She's written some of the biggest records that we have
that we've heard. So, I mean, I just don't I
just don't like people bringing up like because I know
Carrie obviously she doesn't do a lot of interviews and
doing Breakfast Club like you kind of figure they are
going to bring that up. But I know she wants
to get past that, like she has to be tied
of that just hanging over her oh for sure. Like
(01:04:24):
you know what I'm saying, It's just like, yeah, she
said it, and you know whatever. You know, maybe she
wanted to back and well she probably didn't want to
back and forth with Beyonce.
Speaker 4 (01:04:32):
What that would have been probably worse.
Speaker 5 (01:04:35):
Yeah, And also if you're submitting three different ideas, like
Esther was probably just trying shit in the boost and
sent it to Polo. Yeah, like all right, if you
want to go this route is that's not her fault.
If you're submitting a bunch of stuff and you guys
decided to pick the this one. Like, there's a bunch
of different ideas. And as the road rude boy that year,
I don't think she was gave a fuck yo at all.
(01:04:55):
Facts wrote sex Therapy.
Speaker 3 (01:04:57):
And back to the Crib. Remember y'all don't remember Back.
Speaker 5 (01:04:59):
To the Crib one of the rapist hooks of all time. Yeah,
I know, yeah, that's what Esther should be coming to
the podium for. This is Beyonce. She don't even know
that we going back to the Crib.
Speaker 4 (01:05:09):
It was wild time, man, you know what.
Speaker 3 (01:05:11):
She wrote sex Therapy.
Speaker 1 (01:05:12):
That's one of my favorite songs in the world, like
top fifty favorite songs in the world. She wrote sex
Therapy by Robin Think Oh that's a classic.
Speaker 2 (01:05:20):
Yes, the ded is not tripping about nothing. She's good,
she's comfortable.
Speaker 5 (01:05:25):
Yeah, and I mean shit. Some of the biggest Chris
Brown records ever. That was the one two punch was
Hurt and Chris.
Speaker 3 (01:05:31):
But damn invented head by Chris Brown.
Speaker 4 (01:05:33):
Y'all.
Speaker 1 (01:05:33):
Wasn't there, back back in them days invented head to marriage?
Speaker 2 (01:05:38):
You was?
Speaker 4 (01:05:38):
You was fourteen years old.
Speaker 1 (01:05:40):
When invented had came out. I think I was around fourteen. Actually, yeah,
all the ninth grade.
Speaker 2 (01:05:45):
Fourteen years old. You ain't know nothing about No. Sit
at the head of the class. That's what you do
and do your goddamn homework.
Speaker 1 (01:05:51):
No, Carrie Hilson Trey songs and Usher, I'm about to
reinvent sex.
Speaker 3 (01:05:55):
Carrie got him like, what's next?
Speaker 6 (01:05:57):
What?
Speaker 1 (01:05:58):
You were thirty and I'm gonna make it my duty
to have you so woozy? You think I invented X?
Speaker 3 (01:06:02):
Please? Y'all wasn't outside.
Speaker 4 (01:06:05):
You wasn't outside. You was nine years old. It was
a definition of talking about who wasn't that you were
not outside.
Speaker 1 (01:06:14):
I was on Facebook tweeting the lyrics because that was
back before your parents was on Facebook. Your parents wasn't
on Facebook. So my old Facebook statuses are insane.
Speaker 2 (01:06:23):
Talking crazy you you would have been one of them
girls that was on ig lib and they father come
in the room with the belt start tearing ass up.
You would have definitely been one of them little girls.
I can see the mag ass beat on ig Live.
Speaker 5 (01:06:35):
I can see it saying you invented sex when your
parents are it's impossible. No, they invented you with sex.
You don't think I invented sex. Kids, Shut off your
fucking face, trying to get poked. Kids trying to get poked.
The Breakfast Club was reigniting so many beefs over the
past week. They had Jo Rule on The Breakfast Club,
(01:06:57):
which I encourage everyone to listen to that entire interview.
It was a really good, just like breakdown of jazz history,
and they did a great job of that interview. But
of course, the only clip that came from a well researched,
well designed to interview with some messy shit. Yeah, while
joh Rule was actually being very mature about the entire thing,
of course, fifty cent got brought up. And I'll summarize
(01:07:17):
what I took from Jo's quote. He was like, well,
we're both rich, both the families, like, we've all moved on.
We're never going to be cool. Everyone just let it go.
Speaker 2 (01:07:26):
Yeah, I think a lot of it was for you know,
the words that fifty had when Earth passed. Job was
speaking to some of that, and you know, naturally Joe
would be upset about some of the things that fifty
was saying, and you know, Charlemagne doing his job, you know, well,
can't you understand why fifty would feel the way he
feel and you know his job was like we had
nothing to do with.
Speaker 4 (01:07:45):
That, Like you know what I mean.
Speaker 2 (01:07:46):
So again, this is all shit that you know, these
guys have. They've probably been in beef longer than half
of their lives at this point. You know, at some
point it's just like what are we doing?
Speaker 4 (01:07:58):
Man?
Speaker 2 (01:07:58):
We all approaching fifty years old, if not already fifty
years old. At some point we got to just move
on past shit. Fifty in job will never be cool,
we know that.
Speaker 5 (01:08:07):
I don't think everybody's see reunion, Nobody.
Speaker 2 (01:08:09):
I don't think anybody asked about it. Yeah, like I
don't think anybody's asking fifty in job to be cool.
Old gentleman can exist. Obviously, Joe's still doing this thing,
Fifty is doing his thing, and you know, just leave
it there. Man, I don't think we just need to
be rehashing old things and you know, bringing up conversations
and names and things like that, throwing it into the mix.
At this point in both of these gentlemen's lives, like,
(01:08:32):
it's at some point we got to move past all
of this shit.
Speaker 5 (01:08:35):
I mean once I was listening, and I mean Joe
did say his initial reaction when he saw what fifty
had said about IRV, which was anyone grieving a friend
would feel the same way. Absolutely, what the fuck I
felt Jock for the first time took a very mature route.
But the whole time I'm listening, I'm like, Joe, you
think this is the mature route. You think that matters
to Curtis Jackson. Right, you could say, fifty, you're the greatest,
(01:08:56):
you kill my career, You're amazing, And fifty is going
to clown you off that statement. He's not be like, Yo,
it's cool, it's done, is done. We can't know that
no matter what the statement is.
Speaker 4 (01:09:07):
Yeah, that's not his nature.
Speaker 5 (01:09:08):
So you know, John can't win for losing in that case.
But yeah, they went back and forth on Twitter of
the whole weekend, which I thought on both sides, like
I get it, but why why are we doing this?
Speaker 2 (01:09:19):
Yeah, it's just it's over. It's not even that it's over.
It's just like, bro, it's a whole wave of people
outside now that just were like probably eight years old
when all of this ship don't right like what I'm saying, Yeah,
Like it's just like.
Speaker 4 (01:09:32):
Come on, man, like we got to get past this ship.
We get it.
Speaker 2 (01:09:36):
I understand that they'll never be peace and love between
John fifty. I'm not even I don't think I'm asking
for that. I just don't want to see, you know,
anything happen like that would be super corny at this point.
Speaker 4 (01:09:47):
So no, it's let that ship be what it is.
Speaker 5 (01:09:49):
That's what Job was even saying to He just had
he had feelings of that, like anyone would. Yeah, you know,
what are we going to do in this We're old? Yeah,
like this is dumb. I'll get it, but it'll never die.
I just thought maybe they could take us out of
the group chat like everyone else.
Speaker 2 (01:10:02):
Nah, fifty, take us out of group chat. No way,
we in this group chat for the life.
Speaker 5 (01:10:06):
I don't even know if I want to cover the
game in Kanye Twitter fiasco over the weekend because I'm
just not trying to cover Kanye's tweets but another person, Kanye,
you thought Game was just gonna read the tweets and
be like, I'll take the high rop.
Speaker 4 (01:10:19):
Yeah that doesn't happen.
Speaker 5 (01:10:22):
Like attention Kanye, you picked the right person.
Speaker 4 (01:10:25):
Yeah, let this go here.
Speaker 2 (01:10:27):
And I felt game though, It's like I ain't ask
you for those two calls, like you throwing that out
there like I'm coming like, bro, I didn't ask you
for those two cars. In fact, when you get handed
me the keys, I was like, yo, nah, I don't
want this, and you insisted, like so you can't, you
can't do that, and then be like, yeah, well you're
liking a picture of somebody that threught my life, Like yeah, like,
I guess I'm not executive producing this, and you know
(01:10:49):
I gave you two calls. It's like, you don't throw
that in the pot because I didn't ask you for
those two cars.
Speaker 5 (01:10:53):
It makes I mean, not that we need anything to
make Kanye West look corny at this point, but now
you're making yourself look corny and that you're giving gifts.
Speaker 2 (01:11:01):
With loyalty, like like what type from men? Like it's like,
come on with this shiit man, Like, that's what I'm saying.
And he's supposed to be the ogs. Well I'm just saying,
he's supposed to be the ones that the you know,
the new generation is looking up to for you know,
guys and how to move and how to act and
things like that. And then this is the ship that's happened.
It's like, you know, I mean, I understand what Kanye
is trying to do to an extent. She's trying to
(01:11:23):
push the envelope of you know, y'all push this type
of message, you know, push this message that I'm pushing
in if y'all want to push black death and this
that I understand it.
Speaker 5 (01:11:31):
Out like one hundred tweets, he'll catch one where I'll
be like, well he's making a point, you know, and
we understand that ninety nine that kind of trump absolutely yeah.
Speaker 2 (01:11:39):
It's just like, bro, what do we what is this about?
And now you mad that game like the picture and
it's just like come on, man, like this shit is
is again too old. He's too old for this type
of shit.
Speaker 5 (01:11:52):
When did this happen on Friday Thursday. It's now April fourteenth.
I am so shocked we have not gotten a ten
minute disc from Game. I've been refreshing my Twitter because
I can't wait for you.
Speaker 4 (01:12:03):
This is my.
Speaker 5 (01:12:03):
Favorite type of game. Yeah, man, because Game is gonna
say some ship that's over the line, and we already
know the history that they have, and yeah, this could
get messy. I mean in like a lyrical way, not
in yeah. I don't think Kanye is realizing what he's
signing up for when it comes to Game. No, this
could be very, very messy, especially with the people in
(01:12:23):
your family that Game has met the family. That's all
I'll say. Yeah, that is gonna be called sister, sister,
look at you. You can beleeve it.
Speaker 4 (01:12:44):
All right.
Speaker 5 (01:12:44):
Staying in the mid two thousands and arguing about writing
credits this.
Speaker 2 (01:12:50):
The entire week felt like my child.
Speaker 4 (01:12:53):
People.
Speaker 5 (01:12:54):
It was such a good era and everyone's copying from it.
But well, you remember, I don't know, maybe like six
months ago, we were discussing the Ali interview with Vlad
Ali from the Sat Lunatics that had said that he
wrote the whole song Country Grammar plus like sixty seventy
percent of the album country grammar that a lot of
those songs were Saint lunatic songs that Nelly went and
(01:13:16):
shopped as a solo artist and got signed based off
his work. I encourage everyone to check out that Vlad interview.
It was kind of nuts, and Ali did not come
off as a liar whatsoever in that. So he sues
Nelly after that entire thing because all the comments were like,
all right, we get it, but why the fuck did
you not sue in this regard? So we went and
sued him. It was thrown out yesterday, fifty million dollars
(01:13:39):
lawsuit against Nelly. The court said there's not enough here.
You're just going to force Nelly to go have to
pay for a lawyer and go through litigations in this
expensive trial for months for no reason because you have
no evidence.
Speaker 4 (01:13:50):
Damn.
Speaker 5 (01:13:51):
But there's also in this article says no one has
commented on if there was a settlement outside of court.
Speaker 4 (01:13:59):
I mean, Nellie probably was like, yo, listen, let's.
Speaker 5 (01:14:01):
Just because Ali did mention in that Vlad interview like
they had stayed cool, like he even up until you
know before that interview, was like, yeah, it was just
working out. He was saying he was gonna get me
thirty K or he was gonna make good on this
song with sixty K or seventy K. He was saying,
like specific records that him and Nelly were discussing. Maybe
that Vlad interview put pressure on Nelly like pr wise,
(01:14:23):
and he settled with I can see that.
Speaker 2 (01:14:25):
I mean, we gotta get to we gotta get to
the point where we just are honest about why people
don't work with friends enough or more because you go
through things like this and people up to say all
the music industry is fucked up. No, the people in
the music industry are fucked up. It's the people that
(01:14:46):
make the industry. So this is another case of you know,
got it out the mud together childhood friends. You obviously
got a breakout star. So fuck it, We're gonna push
everything behind you because the objective is for us to
just not you know, be in the same position, living
in the same conditions that we want a better life
and if we could come together as a collective and
get there. But you're the face, You're the star. You know,
(01:15:09):
it takes a lot for somebody to humble themselves and like, yo.
Speaker 4 (01:15:12):
My homeboy is a star.
Speaker 2 (01:15:14):
I had dreams asperses at one point doesn't look like
it was gonna pan out, let him go. But then
you're supposed to be the guy that says, listen, you know,
this was my team. These are the guys that I
was writing with. These are the guys writing a lot
of my stuff. I have to take care of them.
It's my responsibility to take care of my team and
my circle, my people.
Speaker 4 (01:15:33):
Like but more times than none.
Speaker 2 (01:15:34):
We see things down with you know, friends, old friends,
got to go to court and got to sue and
bring people involved, and then it's legal matters. And when
do we get to the point where it's like that
doesn't happen.
Speaker 4 (01:15:46):
You don't see you ever.
Speaker 5 (01:15:47):
Take the human aspect out of the entire thing.
Speaker 4 (01:15:50):
Because that's ego.
Speaker 2 (01:15:51):
But there are people that have people that they create,
they ones and it, but they do good business with
each other.
Speaker 5 (01:15:59):
Yeah, of course, example person we.
Speaker 2 (01:16:01):
See more examples of it not being that way. But
we do see examples of people doing right by their
people behind them, the people that work with them, the
people they came in with, they grew up with their circle.
Like we see people do right by their team.
Speaker 5 (01:16:14):
It's just you know, well, sometimes the case is everyone
doesn't have the information going into a situation like the
music business. They weren't taught when they were growing up
how to enter the business, and sometimes labels take advantage
of the guy they think is a star and they
don't even know the paperwork going on. It's fucking over
their whole crew and don't even have the power to
change it at that point once they figured it out.
(01:16:35):
This situation based off that vladd interview doesn't sound like
the case because Ali said they all in agreement that
no one was going to go out to do the
solo thing. Ali said he had gotten offers as a
solo artist with some of those records already. He said, no,
it's the crew. Nelly went and linked up with Mace's
manager and started shopping those records around, and Vlad brought
up the point that you were saying, like, oh, he
(01:16:56):
brought the crew with him, and Ali was like, no, no,
that wasn't the case. Was because all of those records
from Country Grammar, we had wrote those for him. He
couldn't take us off like he wasn't like, yo, come on, friends.
The records he had were ours, So that's why they
were on the album. It wasn't like off some sheer friendship.
He was doing some grimy back door shit and then
(01:17:18):
took all the pub Yeah, it's just and again I
don't know that to be true. That was just what
Ali said in the interview.
Speaker 4 (01:17:23):
That's just what those are.
Speaker 2 (01:17:25):
Some hit records, like there's not a skip on that,
life change in music, life changing records, life changing sales.
Speaker 5 (01:17:34):
Like gonna sound like a Nuts nuts comparison. But during
that first Nelly album, like with the batter Up shit
and a bunch of the Saint Lunatics, even the version
of rock the Mic that we love from nelly Ville,
there was Wu Tang comparisons. Not that they were Wu Tang,
but Dan, we've never seen eight rappers with a star
like this, Like Nelly had hits with seven people on it.
(01:17:55):
That was rare at that time for radio. Yeah, batter Up,
they fielded the entire field. They had a centerfield of
right fielder like the whole crew. Everyone at a Verse.
Speaker 4 (01:18:04):
Just don't ever compare that to Wu Tang.
Speaker 5 (01:18:06):
I'm saying you were outside at that time. There was
no one saying like, damn, we haven't seen this since
Wu Tang. I'm not saying they were wu tang right,
But when did you see a rap crew of that
many members have a hit. The third single was batter
up Right and everybody getting off? Yes, you know Murphy
(01:18:26):
Lee coming like that. It started to feel like, oh,
all right, it's Nelly, then it's gonna be Murphy Lee.
And these guys are already on hits from his first record.
It's just a matter of time for each of these
guys to get a solo project or this to become
a brand of the same lunatics. That was the thing.
Even the dude with the mask was was like old
dirty bastards at that time, Who's that?
Speaker 2 (01:18:45):
It's crazy to start power with a Nelly. I remember
the first time I saw that video was.
Speaker 4 (01:18:52):
What was it? Downtown Baby Country Ground.
Speaker 2 (01:18:55):
The first time I saw that, The first time I
heard that song is when I saw the video and
I'm looking at the video, I remember it.
Speaker 4 (01:19:02):
I'm like, who is this?
Speaker 5 (01:19:04):
We were legitimately sit at the radio just waiting for
that to be Like.
Speaker 2 (01:19:07):
I knew the first time Nelly that video came on
on BT, I knew he was a star. Never heard
nothing like it, never saw nothing like like his style
and everything. Anyone talk like that Saint Louis. I was like,
I didn't even know they wrapped in Saint Louis. This
is the early two thousands, Like I was like, what,
like never, It's just amazing to see him go from
(01:19:28):
that to where his career took him. And you know,
he tried, he did tried the country thing, he did that,
but bona fire superstar. But it is fucked up for
him to you know, if what you know Ali and
the rest of these guys are a legend is true,
it is fucked up to see Nelly do his people
like that.
Speaker 4 (01:19:44):
That's like, that's.
Speaker 2 (01:19:45):
Totally like, come on, man, like you you really from
you know, the struggle in the city. You know what
I'm saying, Like, you're really from a place where it's
tough and it's rough, so you knew what it was
for all of y'all coming up and for you to
make it. And you know all of this money that
you know you made and all these records you sold,
and if you know your team, your guys wrote a
lot of these songs.
Speaker 4 (01:20:05):
You got to take care of the team, bro, you
have to.
Speaker 5 (01:20:07):
And I mean to Ali's story, he found all of them.
He was the He's the oldest in the crew and
put all them together, taught everyone how to wrap. That's
why he was writing everyone's verses in the beginning. So yeah,
you got to do right by that. Hopefully they started
outside of the court gay because again, if they didn't,
I feel for Ali because it would be tough. You're
not documenting anything at that time, really have evidence.
Speaker 4 (01:20:30):
Like we don't need, we don't need. That's why I
love that.
Speaker 2 (01:20:33):
I love that Quincy Jones directed piece of the legendary
Quincy Jones love his documentary. How he talked about how
him and Frank Sinatra did business, never had a contract,
never shook look at each other in the eyes, shook hands,
and never had a problem. You know from that, from
from the first day they worked together. Like, it's just
fucked up that friends, quote unquote family, you know, go
(01:20:54):
through sh like this.
Speaker 5 (01:20:55):
Yeah, but if you see who was behind Frank and
who's behind Quincy, it would have been a war. Neither
of them could. They were killing president.
Speaker 4 (01:21:06):
There would be no vegas. They were killing presidents.
Speaker 2 (01:21:11):
Like you did.
Speaker 5 (01:21:11):
We're talking about a verse.
Speaker 2 (01:21:13):
Yeah, fuck that practice, Fuck that verse, man, We're killing
president tomorrow.
Speaker 4 (01:21:18):
Fucking with us.
Speaker 5 (01:21:19):
Do we have voicemails.
Speaker 4 (01:21:21):
You've got mail.
Speaker 6 (01:21:23):
It was a pod, big fan of the show. Much
loved baby d Maul Rory calling because I just broke
up with my girl. We're together for four and a
half years, up and downs, you know, recently single and
I'm kind of in the rug. I want to take
a trip this summer. It's gonna be a solo trip,
(01:21:44):
and I don't know where to go. So I wonder
if you guys were taking a trip this summer by yourselves,
anywhere in the where we'll go? Uh? And then, Maul,
there's that story with your suitcase and the bad wheel.
I'm taking the trip this summer. As I mentioned earlier,
(01:22:05):
my suitcases are the miscellaneous suitcases you're leaving in your garage.
Put me on game. Let me know what some some
good brands to look for. Appreciate it.
Speaker 2 (01:22:15):
Oh yeah, he got the he got the he got
the suitcase in the garage. Yeah, you gotta get some
new make.
Speaker 5 (01:22:19):
It to Charlotte.
Speaker 2 (01:22:19):
Yeah, you gott get some new wheels, fam go get
you a good you know, I don't know. He might
need to go to he might need to go to Target.
Speaker 4 (01:22:28):
Go to Target.
Speaker 2 (01:22:28):
He sounds like he you know, he ain't traveling much.
Go get some cheap luggage. Man, go to Target. But
as a single, a newly single guy going on a
vacation this summer, there's only two options.
Speaker 4 (01:22:37):
D R Columbia. No, do not do not go.
Speaker 5 (01:22:42):
If you're going for that purpose, save your money and
just go to document and get what you were gonna.
Speaker 2 (01:22:45):
No, no, no, no, no, you're not understand you're not understanding.
You not understand this. See this is this what you're
talking about, Dight. No, that's New York.
Speaker 4 (01:22:52):
We got you.
Speaker 2 (01:22:53):
Gotta go to the third world countries where they appreciate
fifty dollars. You know what I'm saying, You go there anything,
Oh my God, get us and go to d R
or Colombia. Bring a bunch of condoms, you know what
I'm saying, Bring some bring some change, as much change
as you can three hundred dollars. Go a long way
in Colombia. Man, just have you some fun. But you
(01:23:14):
enjoy yourself. Man, go somewhere where you could just you know,
be around some women. You know, some sun, some some water.
Ain't newly single. Just enjoy yourself.
Speaker 5 (01:23:21):
Man, you shouldn't go to like I don't know, South
America for an ayahuasca to find himself and like get
over his issue.
Speaker 2 (01:23:27):
Not yet, not yet, do that after Columbia with the Iahwa,
so you can, you can strip yourself of all of
those memories that go to.
Speaker 4 (01:23:35):
Colombia, go crazy. Yeah, go to Colombia.
Speaker 2 (01:23:39):
I said, bring a lot of condoms, protect yourself, but
go have fun, man, And then if you want to,
you know, get rid of wasth those demons away, Then
you go to Touloum or somewhere Costa Rica next year,
take an ayahuasca ceremony.
Speaker 5 (01:23:50):
They're in Costa Rica too.
Speaker 4 (01:23:52):
Oh yeah, but I mean, you know you want to
get rid of the Colombia and d R.
Speaker 5 (01:23:55):
Let's not just put that on dr and Columbia. Yes,
you can fuck prostitutes there at a premium rate. There's
also other things to do.
Speaker 4 (01:24:02):
Oh no, it's great food, like great.
Speaker 5 (01:24:04):
I mean, I've never been in Columbia, but I guarantee
there's a lot of stuff that show absolutely sight seeing.
Speaker 4 (01:24:08):
You can get your teeth done, you can get all
kinds of ship man. You can. Yeah, man, go go
to Columbia, have fun. Man.
Speaker 2 (01:24:14):
Thousand dollars you live like a fucking king than that
new smile to your ex Yeah, thousand dollars. You come back,
you a whole new person after Columbia. Man, we'll have fun.
Speaker 5 (01:24:24):
What's the number one on your your travel lists or
bucket list?
Speaker 2 (01:24:27):
So for solo travel, solo travel to Bali. I'm stuck
in bout remember real flights coming as still stuck in Bali.
Speaker 5 (01:24:40):
I went to flight tracker dot com right that was like,
there's six flights leaving today.
Speaker 4 (01:24:44):
You can catch this one right now, russ I don't want.
Speaker 5 (01:24:48):
To go to Bali by your own choice?
Speaker 2 (01:24:51):
Me.
Speaker 5 (01:24:51):
Yeah, like you weren't forced out?
Speaker 2 (01:24:52):
No, yeah, no, I'm not being forced any No. But
Bali is one of the places I want to I
want to.
Speaker 5 (01:24:57):
Visit Fiji Islands. I definitely want to go. Yeah, solo trip.
I don't know if I want to do that. I
feel like Fiji I like to experience with somebody.
Speaker 2 (01:25:04):
Definitely want to do Japan. Yeah, gotta see Japan. Man,
that shit is like a video game. I gotta see.
Speaker 5 (01:25:11):
You know, if that was racist or not.
Speaker 3 (01:25:13):
They have they have a lot of I know exactly.
Speaker 2 (01:25:15):
It's like very clean, it's very It's like it's like Boa.
This is like a real place in the world like
got to see Japan. Definitely want to see Japan. My
solo trips Japan. Bali Japan. I would love for a
solo trip. I get a lot done by myself moving
around out there. I can be weird and nobody won't
know me like I can just you just stick out.
I mean I would, but I mean they don't know me.
Speaker 5 (01:25:35):
You might clean up out there too.
Speaker 4 (01:25:37):
I'm not going there for that.
Speaker 2 (01:25:39):
By yourself, going there just to enjoy, just enjoyed the
experience of Japan. But Japan Bali definitely on the top
of my in Africa, Africa absolutely, I definitely want to
go to Egypt. I want to go to South Africa
as well, just to experience, you know, different parts of Africa.
Speaker 5 (01:25:57):
That's what kind of sucks, like with how long life
is and how big the world is and how much
money costs on its own, like to be able to
do yeah, because I can think of a thousand places
that I want to go.
Speaker 2 (01:26:07):
But yeah, who is the tone. It's just got to
work till you die, exactly, heart attack, just work until
we die, man.
Speaker 5 (01:26:14):
Because yeah, I'd love to take a month to just
go to Australia. That sounds amazing.
Speaker 4 (01:26:18):
Oh yeah, Australia. Yeah, that's definitely one of those.
Speaker 5 (01:26:20):
Try to make great memories, you know, things I could
take into my casket, loving life. But why would I
do that. I'd rather just sit here and.
Speaker 4 (01:26:27):
Work and pay taxes and die.
Speaker 5 (01:26:28):
Yeah that's what you're here exactly.
Speaker 1 (01:26:31):
I would do costa Rica solo trip. And I actually
want to go to Arizona. Funny enough, I want to
go to Aras to Phoenix, and I want to go
to one of those like they have so many like resort,
like just like retreats down in Arizona.
Speaker 2 (01:26:47):
Like there's a great like men's resort in uh Arizona
Men's Resort. It's like you go, it's like a health result,
Like you go there, you get a full physical spas.
Speaker 5 (01:26:57):
The physical they make you cough, am you man freaked out?
His resort sounds like I thought he was talking about
like Coorehouse.
Speaker 2 (01:27:04):
You know, it's a real health like go there, you
get a full physical exam. Yeah, like you relaxed, a
bunch of spas, you know, things like that.
Speaker 4 (01:27:14):
But yea Arizona's Yeah, you can go to Arizona any weekend.
You can go to Arizona.
Speaker 5 (01:27:18):
Yeah, Arizona's really nice. Flag Stafs doope? What is the
Santa Fe Scottsdale? Scottsdale's great? What's what's that like? Lake
that's between Nevada and Arizona. It's in both. The IG
Chicks just found out about it, so I need to
get there soon. Lake Powell is very beautiful. It's Arizona, Utah,
and it may touch like a side of oh not
(01:27:41):
just Utah on Arizona. I've been trying to get that
ship is beautiful and like a quick domestic trip, like
you could do a long weekend in there and have fun.
Speaker 2 (01:27:50):
I've been trying to book a trip at uh I'm
on Jerry in Utah Canyon Point. That ship has always
sold out. Every time I see I g and do
a photo shoot there, I'm like, how are y'all booking these?
I can't find a date that matches my schedule to
book that shit for nothing, like damn if. I'm been
trying for like a year and a half. Like it's
(01:28:10):
just tough to book there, but it looks beautiful. I'm
gonna get there though.
Speaker 5 (01:28:13):
I Mean, I was thinking about a solo trip for
my birthday, but it's less than three weeks away. I
don't think I'm able to do it.
Speaker 4 (01:28:20):
You can go somewhere somewhere.
Speaker 1 (01:28:22):
Yeah, And we have the week off, so I mean
we have the whole weekend day off. Yeah, but we
have also but it flows into the weekend. You have
four days off in a row.
Speaker 5 (01:28:30):
Actually Monday, oh yeah, because Tuesday are Yeah, I guess
that would be five days. Yeah, he could do something
man that like powership might be kind of fun.
Speaker 4 (01:28:39):
How are you turning this year?
Speaker 5 (01:28:40):
Thirty five?
Speaker 3 (01:28:41):
Damn?
Speaker 2 (01:28:42):
Sorry bad, I didn't say that. You don't want to
know how old I'm turning this year.
Speaker 5 (01:28:47):
You're supposed to age.
Speaker 4 (01:28:49):
That's the fact. It's a beautiful thing. It's a blessing. Yeah,
it's a blessing.
Speaker 5 (01:28:52):
You'll be there soon though, right.
Speaker 2 (01:28:54):
Though she did already she don't want to go out.
She don't want to stand up for more than twelve minutes.
Speaker 3 (01:28:58):
And I'm about to freeze my eggs.
Speaker 4 (01:29:00):
He abouts to do?
Speaker 3 (01:29:00):
What freeze my eggs?
Speaker 4 (01:29:02):
Maybe?
Speaker 3 (01:29:03):
Maybe what you I have to I'm a woman that
wants to have kids of.
Speaker 4 (01:29:06):
This thirty two weeks unto thirty one.
Speaker 1 (01:29:09):
Years old, but that's still your eggs start dying at
twenty five. Yeah, that's something you don't your eggs davy period. Yes,
you lose them and I'm not getting anymore. So yeah,
I have to start thinking about that. Freezing my eggs.
Anything can happen to.
Speaker 5 (01:29:24):
They tell me how, like how many you have?
Speaker 3 (01:29:25):
Every No, you have to I would have to go
get that checked out.
Speaker 1 (01:29:28):
And I'm really not really for them to gotch go
up in there yet, but yeah, we can probably get
them frozen.
Speaker 4 (01:29:33):
Do you think you know the person you're gonna have
kids with? Like you met?
Speaker 3 (01:29:35):
I used to think so, but no, not anymore.
Speaker 4 (01:29:37):
Okay, what about you?
Speaker 5 (01:29:40):
Yeah, freeze your spark?
Speaker 3 (01:29:42):
Well, when do y'all fertilize my egg? Sorry? So that
did the last longer when you fertile?
Speaker 1 (01:29:47):
So when I go to freeze my eggs, fertilized eggs
tend to last longer and do better.
Speaker 3 (01:29:52):
So like with whe of y'all fertilized, like half of them?
Speaker 5 (01:29:54):
When you like put it back in, Would we be
the father?
Speaker 2 (01:29:57):
Yes, you think that I would give you maybe then
you think that I would let you take my sperm
and fertilize your egg.
Speaker 1 (01:30:05):
First of all, you got like five more years left
before like you start giving your kids at risk of.
Speaker 3 (01:30:11):
Autism and stuff like you have to freeze that sack.
Speaker 1 (01:30:12):
Brother, Yeah, like you, the older men are the less healthy,
the kids are likely to be.
Speaker 3 (01:30:17):
I'm just saying, so, come on, we can have.
Speaker 5 (01:30:20):
A kid, little pot baby.
Speaker 4 (01:30:24):
That just sounds like a terrible idea.
Speaker 5 (01:30:25):
It's a black mirror episode.
Speaker 4 (01:30:28):
That is a.
Speaker 3 (01:30:29):
Terrible That is definitely a black mirror episode.
Speaker 4 (01:30:31):
Oh my god, imagine that.
Speaker 2 (01:30:33):
You imagine the headlines if I donate my sperm the
baby's eggs, Like can you imagine that?
Speaker 5 (01:30:40):
First of Reddit would go crazy, first of them, a
whole different reddit just for that, your peach bleak first
of them all kind of like I didn't we didn't
even have sex.
Speaker 2 (01:30:48):
You just gave us sperm. That's like the president, Like,
what type of shit is that? Then you have a
kid like nah.
Speaker 5 (01:30:56):
Yeah, I know some people that have like packs with
her friends, like platonic friends.
Speaker 2 (01:31:02):
Yeah, I had one before that. She wouldn't have a baby.
You broke the pack.
Speaker 5 (01:31:08):
Wait, what was the age for the pack? Like if
we're both this if.
Speaker 2 (01:31:12):
Because she's I think like four years younger than me,
so at the time she was like when she was
thirty five, which or thirty and I was I would
have been turning thirty four to thirty five. She's like,
would you have a kid? I was like yeah, And
then like two years later she had a kid.
Speaker 4 (01:31:30):
Broke the pack.
Speaker 3 (01:31:31):
She thought about that shit a little long.
Speaker 5 (01:31:33):
How long are you going to give her too? So
she turned thirty five, That's what she was saying, ohkay, gotcha.
Speaker 2 (01:31:37):
She had introduced the idea of it, and I was like, yeah,
we like super cool.
Speaker 4 (01:31:42):
Like I was like, yeah, why not?
Speaker 2 (01:31:43):
What?
Speaker 5 (01:31:45):
Oh? This is where I wish we had another mic.
Maybe Peage or Josh could just yell what traits do
you think the baby would take from each of these?
Do you think this would be a well meshed baby
as far as how they act.
Speaker 2 (01:31:58):
If I was to donates from baby, yeah, oh no,
that baby would be lit.
Speaker 5 (01:32:03):
I think you guys would balance each other out well
for the child.
Speaker 4 (01:32:05):
Yeh yeah, no, baby, that's ray. I'm not I'm gonna
be a like absent father.
Speaker 5 (01:32:08):
She's no, for sure, No.
Speaker 2 (01:32:10):
No, I'm gonna be an absent mother. No, no, no, no,
we both can't be absent baby d somebody has to
be You're not a big family. That's what I thought about.
You do too, like, Rory, you got a big family.
Speaker 4 (01:32:22):
You do too, you go with one of your sisters
every day.
Speaker 1 (01:32:25):
I don't know what you got four hundred of the
Moe fuckers though true, And your nephew is so well raised,
he's amazing.
Speaker 4 (01:32:31):
Like, but what that gotta do with you taking this kid?
Speaker 7 (01:32:34):
Nah?
Speaker 3 (01:32:34):
I ain't doing that. What nah?
Speaker 1 (01:32:36):
I'm not the primary parent? You the primary parent? How
you the one that's carrying baby?
Speaker 3 (01:32:41):
Yeah, for nine months and then for eighteen years.
Speaker 4 (01:32:43):
It's not you.
Speaker 5 (01:32:44):
Hell no, that that's how it works.
Speaker 4 (01:32:46):
Yes, that's crazy American. You're gonna carry the seed for
not much and then be like, yo, I'm cool.
Speaker 5 (01:32:53):
But what's so funny about the scenario is you guys
are planning to abandon your child. Not that not that
I understand that people people abandon their kids, but when
shit happens, you'll be like, all right, he didn't want
that baby.
Speaker 2 (01:33:04):
The should happened, so he going to science. But look
how a child to be abandoned. But look how it starts.
I am donating. I am the donort.
Speaker 5 (01:33:13):
That's a personal donation though yeah it's.
Speaker 2 (01:33:15):
Yeah, so's I am depositing into Babyd's account, Yes, of
her egg, right, she then carries.
Speaker 4 (01:33:23):
Yeah, she carries the egg. She can't just leave the
egg once it has.
Speaker 3 (01:33:27):
You make more money than me.
Speaker 1 (01:33:28):
Like if a child you gotta do or I would
lose because you make more money than me.
Speaker 4 (01:33:31):
No, we know, we don't got to go there.
Speaker 5 (01:33:33):
I don't imagine if a woman went to a sperm
bank with the intention to abandon her child.
Speaker 4 (01:33:38):
I want to have it, but I want to I
just want to have it, but I don't want it.
They're gonna be like, no, it's just.
Speaker 5 (01:33:44):
Like, are you a surrogate for a surrogate for a surrogate.
Speaker 1 (01:33:47):
There's a difference between being you don't abandon but not
the primary parent, like when it comes to like when
the kid wants something that it needs to go to
daddy first.
Speaker 2 (01:33:57):
All right, so here, here's here's what we do. If
it's a girl, you have to keep it because I can't.
I can't raise a woman.
Speaker 3 (01:34:04):
I would not want my daughter raised by you, So agree.
Speaker 4 (01:34:06):
Wait, Wait what that means?
Speaker 3 (01:34:09):
You just said you can't raise a girl because.
Speaker 2 (01:34:10):
I would have to kill one of these little y
ns out here. I don't want to do that. That's
the only reason.
Speaker 5 (01:34:15):
So you want to raise one a waiiannh.
Speaker 4 (01:34:17):
Yeah, yeah, yeah, yeah, yeah, you're definitely raising a y
in for sure. But if it's a boy, I'll take it.
I'll raise them.
Speaker 5 (01:34:23):
What's funny is I think he'd get all his violence
from Demeras I'd be more scared of his mother's side
in a situation like to make an irrational impulse decision
to murder me. I'm definitely going with Demerius acidey.
Speaker 2 (01:34:35):
Yeah, so you have to raise it if it's a girl, cool,
I think that should be a thing anyway. No girls
need their fathers absolutely, But I'm saying, like if y'all,
if the parents break up, split, like you know, we
get separate households, we don't live together. I think that
if it's a daughter, she should still have a bond
(01:34:56):
and a life with the father, but primary residence who
raises her I think should be the mother. And if
it's a boy, I think he should live under his
dad's roof.
Speaker 1 (01:35:06):
Girls the age twelve through a seventeen need to be
with their fathers twelve every day to be with the Yes.
Speaker 3 (01:35:13):
They need to be with their fathers.
Speaker 5 (01:35:15):
Damn like parenting.
Speaker 4 (01:35:17):
Yeah, why what do you mean?
Speaker 3 (01:35:20):
Why?
Speaker 1 (01:35:20):
That's when they need you all the most. That's when
they need you all the most. That's when they need
to be reassured the most. That male attention they need
the most.
Speaker 2 (01:35:27):
No, but you still, I'm not saying like the father
is completely I'm saying, as far as live in the house.
Speaker 1 (01:35:32):
You ever seen a thirteen year old girl argue with
her mother? That should have shaped the shake the neighborhood.
Speaker 2 (01:35:37):
You've got to have a twin sister. You think I've
never seen the thirteen exactly exactly the house, are you?
Speaker 6 (01:35:43):
Yeah?
Speaker 4 (01:35:43):
You had to grow up fast.
Speaker 1 (01:35:45):
Like if your daddy would have been off that stuff,
your sister would have left and went with him immediately.
Speaker 3 (01:35:50):
I'm telling you she would have asked her she'd been gone.
Speaker 4 (01:35:54):
Yeah, it did. Is a point where mothers and daughter's clash.
Speaker 3 (01:35:57):
Yeah, the teenage years is tough.
Speaker 4 (01:36:00):
When was your first period?
Speaker 6 (01:36:01):
Soon?
Speaker 2 (01:36:02):
Was that first period happen? That's it, it's over now.
It's like two women fighting for like.
Speaker 1 (01:36:08):
I've seen it telles who got who got the smarter mouth,
who got a bigger attitude?
Speaker 4 (01:36:13):
Who have a last that last last, that last last word.
Speaker 2 (01:36:18):
Yo, you don't want to know how many times my
house shook up and down for the last one.
Speaker 4 (01:36:22):
I'm like, why don't y'all both just shut the fuck up?
Speaker 7 (01:36:25):
Just both of y'all shut the fucking I'm fourteen, Like
both of y'all shut the fuck up, Like just let it,
let it go, Like, yeah, that's crazy, that's that's a
real thing.
Speaker 1 (01:36:37):
I don't know what it is about teenage. It's like
we just become monsters. My mother's thing used to be
the mayor, Like okay, okay, she's like the Maris. I
would have got say, okay, one more.
Speaker 4 (01:36:46):
Mother, Yeah, y'all want that last last?
Speaker 2 (01:36:49):
You know how many battles I've seen over the last
I'm like, yo, we talking about a box of cereal.
This started at a box of cereal and now all
the way here, Like.
Speaker 5 (01:36:59):
What do we then? Raising a teenage boy, you have
to think factoring all the towels that you've been cracking half.
By the end of the week, it's gonna be fucking
seeing everywhere. That was like you want a quiet house
with dirty towels or a loud one with you know,
a tampon or two.
Speaker 2 (01:37:14):
Now, me and my mom used to always like our
thing was always like just me, like coming in the
house late after a while, like that was moment, like
I was just started hanging out.
Speaker 4 (01:37:23):
In the streets like you've been a whore. No, But
it wasn't even that.
Speaker 2 (01:37:26):
It was like literally just being outside like with the
with the hombies, Like we going to Brooklyn, were going
to Queens and were taking the train. It's two in
the morning. My Mom's like, Yo, what are you How
you think you're coming here three? Four in the morning?
Like what's it's like? Yo, we would do I'm not
saying nothing wrong with it, but looking back, I understand
why my mother was. So it's crazy, you know what
it is to be on the train at three in
(01:37:47):
the morning as a sixteen year old black kid.
Speaker 3 (01:37:49):
Like yeah, and she can't sleep, Like as a parent,
you can't sleep.
Speaker 2 (01:37:52):
Yeah, that was my thing. That was my And then
the girls, you know, come bringing the girls to the house.
Speaker 4 (01:37:57):
That was a thing.
Speaker 2 (01:37:58):
But my mom think was and bringing the boys at
the house. So you know what I'm saying. I was
just like, yes, it was just that part.
Speaker 5 (01:38:03):
So we've decided what we're gonna do, depending on if
it's a boy or girl. With that agreement. Let's say
we get to fifteen and a transition wants to happen.
Does the household?
Speaker 3 (01:38:17):
You can't help yourself, can't you?
Speaker 4 (01:38:19):
You can't help like transitions from boy to girl.
Speaker 5 (01:38:25):
I knew we were gonna take that out anyways, keep
it on me. Okay, do you guys back of it?
I got it?
Speaker 2 (01:38:33):
Why?
Speaker 3 (01:38:33):
Because why?
Speaker 5 (01:38:34):
Because he was sitting right there? Okay? Do we have
names that we can agree on? We already know where
the boy or the girl is staying. Do you have
boy names?
Speaker 4 (01:38:44):
Yeah? I got boy names. What's your boy names? I
think I want a junior.
Speaker 3 (01:38:52):
Not naming my kids Jamaal, but it's spelled Jamil.
Speaker 4 (01:38:54):
I'm not doing why he's Muslim?
Speaker 5 (01:38:57):
You take a ship Jesus piece on?
Speaker 4 (01:38:59):
Yeah, taking shahaa. Yeah, raise a Muslim baby. Yeah, I
could see that. I can see you turning Muslim.
Speaker 5 (01:39:06):
She needs one month with Kevin Gates.
Speaker 4 (01:39:08):
Get it right, Kevin. Kevin got Britney Drape.
Speaker 1 (01:39:11):
I might be the only person I might be the
only person ever stressed Kevin Gates. Kevin wouldn't trust me
out I was stress Kevin.
Speaker 5 (01:39:16):
He seems like your type. I don't mean that in
a bad way. I'm serious.
Speaker 4 (01:39:20):
He's a challenge.
Speaker 3 (01:39:21):
I love a challenge.
Speaker 4 (01:39:22):
Yeah, yeah, I.
Speaker 5 (01:39:24):
Would argue all fucking death.
Speaker 4 (01:39:26):
Yeah, Kevin Gates and Damarus. Yeah, that's an argument. Waiting.
Speaker 5 (01:39:29):
Do you have girl names?
Speaker 3 (01:39:31):
Uh?
Speaker 1 (01:39:32):
She gave us girl names before Alexandra or Anastasias.
Speaker 5 (01:39:43):
No, you don't know, you do not like I could
still be a junior jamis.
Speaker 4 (01:39:47):
Junr and it's like girl like the Unix name.
Speaker 5 (01:39:52):
We saw the Smith do it. Look how I turned
out creative.
Speaker 4 (01:39:55):
Kids to creative kids.
Speaker 3 (01:39:56):
Absolutely, we're gonna have a kid that talks too much.
Speaker 1 (01:39:58):
Two podcasters can't have a kid kid won't shut the
fuck up.
Speaker 2 (01:40:02):
Funny because it's funny, because I mean, Rory knows I
only talk here.
Speaker 5 (01:40:06):
Yeah, I only talk here.
Speaker 2 (01:40:08):
I don't talk to nobody outside of the ship. I
talked to the same four people every day, probably outside
of these.
Speaker 5 (01:40:13):
Walls, because I have a word count, like a Twitter
word count, and it usually ends here. Yeah, go home
and be quiet.
Speaker 4 (01:40:18):
Yeah.
Speaker 2 (01:40:18):
I talked to my nephew like he's one of the
four people TO speak to every day, and he's.
Speaker 4 (01:40:24):
Five nine nine.
Speaker 2 (01:40:28):
Damn, he's one of the few people I talked every day.
A nine year old told to nobody funck y'all right
and by proxy just to godfather is just how Yeah.
Speaker 1 (01:40:42):
Absolutely, nah, because if he go broke, you go broke too.
I need somebody that's not connected.
Speaker 4 (01:40:46):
What you mean, I need.
Speaker 1 (01:40:48):
Somebody who we can't all have the same No, no,
because if we get canceled because Rory can't stop mentioning
the goddamn didn't know the Godfather.
Speaker 5 (01:40:56):
I've never referred to him as that, neither one.
Speaker 2 (01:40:58):
God damn goddam keep coming up here buying up all
the good right Christians?
Speaker 4 (01:41:03):
Man, Yo, Jamaris is fucking crazy.
Speaker 3 (01:41:10):
Just bleep, bleep it off. I'm sorry, but yeah, did
what was the voicemail?
Speaker 2 (01:41:15):
No, we got him right. I told him to go
to Columbia d R. You know what I mean, go
to just get you some bullshit luggage, man, don't worry
about it.
Speaker 4 (01:41:21):
Go to uh Target or go to what's the other
not Target? Uh Walmart, uh TJ.
Speaker 5 (01:41:29):
Max, TJ Max Targets probably have some expensive luggage, though,
I mean, just get you some you know, just black,
something durable. This is not an ad, but tell volume
the OS one away luggage is affordable and great.
Speaker 4 (01:41:40):
Yeah.
Speaker 5 (01:41:41):
Absolutely, I've ran my away luggage into the ground over
the last five years. Away a w A y Yeah,
create code. Just for the fun of it.
Speaker 4 (01:41:50):
Yeah, just for the critic code.
Speaker 5 (01:41:52):
These are these are the ads that work when you say, we'll.
Speaker 3 (01:41:54):
Leave an Amazon link in our description.
Speaker 4 (01:41:57):
Yeah, man, just go do that. Go to Columbia d R.
Speaker 2 (01:41:59):
Take you about you know, a thousand dollars spending cash
if you have, if not, five hundred dollars a duo.
Speaker 4 (01:42:05):
Just have fun for like moour days.
Speaker 5 (01:42:06):
Just journal out there.
Speaker 2 (01:42:08):
Yeah, just get your mind right, you know what I'm saying.
Make sure you know, like I said, keep yourself protected
and have fun. Man, enjoy yourself.
Speaker 4 (01:42:15):
All right, all right, Well, it's been good talking to
you guys. Now it time for me to shut up
for the rest of the evening.
Speaker 5 (01:42:21):
P Is there like an AI program that we can
see what the baby would look like between Mare and America?
Because I mean, to me, that's that's pee.
Speaker 4 (01:42:28):
I was thinking that. Yeah, I was thinking, yes, that
what you were thinking.
Speaker 2 (01:42:30):
Peach over there in your little layer the chairing me
and mall looking like see that's racist, that is racist.
Speaker 1 (01:42:37):
When my face was chunky or they said me, I
look like a female, Mall. We don't look like I'm
like Ma literally has a twin. I look nothing like her.
Speaker 4 (01:42:44):
Yeah, we don't. We don't look like that's just them
being racist. But it's all good, all.
Speaker 5 (01:42:47):
Right, Well, Peach have me cutting me in biblical cord.
Speaker 4 (01:42:50):
Yeah, that'll work. That's the god that don't work. That's
the Godfather duties right there.
Speaker 3 (01:42:54):
No, it's not.
Speaker 4 (01:42:55):
It is pch.
Speaker 2 (01:42:56):
I'm gonna check that movie out. I don't know if
I go today, probably tomorrow. Check that movie out. Need
a good movie. There's another good movie out that I
saw the trailer of The Amateur.
Speaker 5 (01:43:06):
What's that about?
Speaker 2 (01:43:07):
Yeah, there was a guy who's whose girlfriend was killed
by some people, and he's like a nerdy tech guy
and then he wants to become a killer to get revenge.
Speaker 4 (01:43:16):
And oh yeah, this guy I like this guy, Lawne
Fishburn's in it. Who else is in it?
Speaker 2 (01:43:22):
What's my guy's name that's in the accountant? His brother
Ben Affleck's brother Casey, No, not his real brother. The
guy in the account that's Ben Affleck's brother in the accountant,
he's in it. And it was somebody else that was
in the trailer that I saw Lawnge fish Burn him
and somebody else, And I was like, damn, that's a
lot of big name, big name actors, but.
Speaker 4 (01:43:44):
I had never heard of it.
Speaker 2 (01:43:44):
I was just looking at trying to go to the
to the movies. I'm like, damn it, I haven't been
to the movies in a minute. Didn't know what was out.
I'm waiting for Michael B. Jordan's Center.
Speaker 3 (01:43:53):
It comes out Thursday. You guys want to go after.
Speaker 4 (01:43:55):
Work to see Center? Yeah?
Speaker 3 (01:43:58):
As a group?
Speaker 4 (01:44:02):
Yeah, he gonna find her?
Speaker 5 (01:44:03):
No no, no, no, too soon to find a way
to cancel. No, no, no, no now because I.
Speaker 2 (01:44:08):
Know I have to do some Thursday, No for real,
because four twenty is this weekend, so it's a lot
of like going on.
Speaker 4 (01:44:14):
No seriously, best for seventeen though it's the weekend, Eastern weekend.
Speaker 2 (01:44:22):
No serious, y'all. Y'all making jokes and I'm dead serious.
But and it's another movie, the Center, and something else
that I was.
Speaker 4 (01:44:28):
Trying, King of Kings. No, not that drop. No, no,
it was the Counting two account two is coming out.
Speaker 5 (01:44:36):
Okay. I binged the entire Black Mirror over the weekend.
How was that good? I liked better than the last season.
Speaker 3 (01:44:43):
Yeah, how was Lisa's episode?
Speaker 5 (01:44:45):
It was really really good? Yeah, East of smoked that
lesbian scenes, It's great.
Speaker 4 (01:44:50):
Yeah, I gotta check it out. I watched.
Speaker 5 (01:44:52):
I watched the whole thing making out with a chick
for forty five minutes.
Speaker 2 (01:44:56):
What is the documentary about the social influencer kids and
the mother d up being like a pedal?
Speaker 5 (01:45:01):
Oh that's on my my cue that I can't spell.
It's like influence babies, influencers, like inflababy some ship.
Speaker 4 (01:45:08):
In Flux of Babies. I don't know what that ship
was called. But I watched that. It's it's three, it's
three episodes. I watch that. It was pretty interesting. I
think the mom is obviously a pedal on a piece
of ship. But whatever.
Speaker 2 (01:45:20):
And I also watch whatever whatever. I watched the Baddies
Reunion Part one came out.
Speaker 5 (01:45:26):
Oh, I see that's what I'm watching tonight.
Speaker 2 (01:45:28):
Oh my god, you gotta watch. You gotta watch. Shout
out to Tinker. Tinker is pregnant. Congrats the Tinker, of course,
Come on, Tink. We've been waiting, Yeah, we've we've been
waiting for ticket.
Speaker 4 (01:45:43):
We have to do a watch part. We've been waiting.
Who's been waiting for ticket? Pregnant? Wait?
Speaker 1 (01:45:48):
When is the next Baddies re You in? Because I
think I am going to set up a watch party
for y'all to watch that.
Speaker 4 (01:45:53):
Figure out how to do that next Sunday.
Speaker 3 (01:45:55):
It's next Sunday.
Speaker 4 (01:45:56):
Okay, it's every Sunday. I think it's gonna be three parts.
But part one came out this past weekend. And watch that.
Speaker 1 (01:46:02):
One of our tech Nerd listeners d m me so
that we can figure out how to do that, because
I think that that would to advertise that with you
guys would be a big thing.
Speaker 5 (01:46:10):
We've done it for the Grammys on Discord, but because
Zeus is subscription based, I'm not sure we'd have to
figure out.
Speaker 4 (01:46:17):
Yeah, yeah, but any way.
Speaker 5 (01:46:19):
I'm more than down.
Speaker 4 (01:46:19):
Oh no, you gotta you gotta you gotta watch part one?
Catch up?
Speaker 5 (01:46:22):
Oh no, I'm watching slacking. I'm watching tonight. I'll be
ready for part two.
Speaker 4 (01:46:26):
No worry, All right, cool, get ready?
Speaker 5 (01:46:27):
Now upgraded to the good Zeus too.
Speaker 4 (01:46:29):
Yeah, got to you got to.
Speaker 3 (01:46:30):
So I'm going to see Centers alone on Thursday, April seventeenth.
Speaker 5 (01:46:35):
See you, I'll say yes, and then you'll flick it's
the eighteenth through seventeenth.
Speaker 3 (01:46:40):
No, we can see it as early as Thursday the seventeenth.
Speaker 4 (01:46:43):
Oh okay, yeah, I gotta.
Speaker 5 (01:46:47):
Crazy right that day slam schedule slammed, slammed.
Speaker 4 (01:46:55):
All right, well, we'll talk to you on a couple
of days. Be safe, be blessed. I'm that sinner, he's
just ginger. Peace true.
Speaker 3 (01:47:03):
Lo Willian Mound