Nick Grant Wants All The Smoke

Episode Transcript
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Speaker 1 (00:01):
The volume.

Speaker 2 (00:08):
All right, Rory, were back.

Speaker 3 (00:09):
Yes, it's hot to fucking hot. It still feels like
do the right thing outside. We had three showers minimum
a day now, Rory, usually it's two. We have elevated
to three. We had a level three. Now level three showers.

Speaker 2 (00:23):
For if you have to run errands you forgot about.

Speaker 3 (00:26):
Yes, absolutely, but you know we were pushing through it.
We're in the studio today, back in the studio.

Speaker 2 (00:31):
Today, we are joined.

Speaker 3 (00:32):
Well first, first, first and foremost worried, responsored by boost Mobile.

Speaker 2 (00:35):
That is a fact that goes without saying. Unlimited, unlimited sayings,
unlimited talk. We have a limited unlimited sponsors unlimited.

Speaker 3 (00:44):
Sponsorships and unlimited talk brought to you by boost Mobile.
But today we are joined. We got family in the
studio today.

Speaker 2 (00:50):
Absolutely.

Speaker 4 (00:51):
Uh.

Speaker 3 (00:52):
This gentleman has just released his latest project, I took
it personal, which to me is definitely so far be
dot update your list. This is to me rap album
of the year so far. And he's in New York
for a couple of days, so we had to have
family drop by the family.

Speaker 4 (01:07):
Yeah, picked a shitty week, but I understand this coming
off the release on Friday Bacon Outside.

Speaker 3 (01:13):
But it's alright, though. We push it through today. We
are joined by Nick Grant.

Speaker 5 (01:16):
What's up?

Speaker 2 (01:17):
What's up? Family? We don't have like a studio audience. Yeah,
my mind.

Speaker 3 (01:23):
It's so good. They're clapping at home. It's so good
that y'are clapping at home.

Speaker 2 (01:28):
Right. It was just in traffic to call the train
wherever clap Nick? They lost Well, Nick told me they
lost his luggage.

Speaker 3 (01:37):
Then you got some content. Then I got some context
to me, and they didn't lose his luggage. He left
his luggage at the at the gate, not even at
the gate. Yeah, at the gate. He left his luggage
at the gate.

Speaker 2 (01:51):
But you know, hopefully they'll still have it, that they'll
have it at the airport form. But we're here today.
How you feeling, man?

Speaker 5 (01:56):
How does motherfucker I'm never coming back here during the summer.

Speaker 3 (01:59):
You listen, some time in New York we talked about
that old time summer time and not that, and we
gotta be we gotta be real.

Speaker 2 (02:05):
Somemmer came in swinging, But no, in New York, it's
gonna be I don't know, forty degrees next week.

Speaker 3 (02:11):
Yeah, I guess we're about to have thunderstorms for the
next six days drop down to seventy degrees, So you know,
we're getting this this this one hundred and two degree
whether out of here in the next couple of days.
But yeah, Nick, Nick came during the start of the summer.
I didn't think the summer was going to get straight
to business the way it did. I thought we gonna
kind of tape it into, you know, taper out of
the spring and getting into the summer gradually. But summer,

(02:34):
first day of summer, I think it was like ninety
four degrees. Officially it was ninety four degrees first day
of summer. But it's all right, though, Man, we hear,
we hear.

Speaker 2 (02:41):
My entire grid lost power last night for real, whole neighborhood. Wow. Yeah.
And they sent me like four text.

Speaker 4 (02:48):
Messages over the last three days saying it could happen.
To the point, I've never seen this in my life.
Text zero if your power goes out.

Speaker 2 (02:54):
Never seen that.

Speaker 3 (02:56):
That's some new ship, man, that's we don't how many
times I hit zero, because I remember.

Speaker 2 (03:03):
We had blackout. I forgot we yet out three oh three.

Speaker 3 (03:07):
We had to blackout and O three and I remember
it was steaming outside and literally we was all in
the block sitting outside until sun came up.

Speaker 2 (03:17):
Like we was like, and then we can't go in
the house. It's dark.

Speaker 3 (03:19):
Young candles lit to just kind of showed your way
through the house flashlights. Everybody in the block was like, man,
let's just sit outside, bring the chairs outside. We had,
you know, the lawn chairs outside, and we had to
plug We had to plug into the into the light.

Speaker 2 (03:33):
Yeah.

Speaker 3 (03:34):
So yeah, the street light so we could get get
some get some power to charge our phones.

Speaker 2 (03:39):
So it was crazy. The blackout of O three was
legendary though. I mean the fact you've even thinking about
charging your phone at that time, it's kind of nuts.

Speaker 3 (03:45):
I mean, we had to find we had to find
a way to do it. We had to generate it.
Somebody brought to generate outside. I was like, you got
to generate it just in your house.

Speaker 2 (03:52):
So the way that in the light pole worked.

Speaker 3 (03:55):
Yeah, so the light poles, I think was it the
light pole something outside we plugged into and everybody kind
of took turns to kind of charge their charge their phone.

Speaker 4 (04:05):
I just mainly remember all small business owners just being terrified.

Speaker 2 (04:09):
That's like my main remembrance. Gates was down.

Speaker 3 (04:13):
Everything, but I do remember it being steaming hot outside.
It was like, not only do we not have power,
but it's just scorching hot outside. And then we found
out that something that happened in Canada. They said a
tree fell on a power grid, being Canada's.

Speaker 2 (04:25):
Tree falls and no one hears that New York.

Speaker 3 (04:28):
Somebody didn't sit in the check they were supposed to send,
and Canada got pissed at us, and this all a
sudden like.

Speaker 2 (04:32):
But well, yeah, I was I was baking.

Speaker 4 (04:35):
Almara took that time to think, oh yeah, just laying
on top of my face would be like I'm cooler
or something.

Speaker 2 (04:42):
Lamar, get off, it's a thousand degrees heer. Yeah, it's hot,
but it's side though. Man.

Speaker 3 (04:47):
We keep it cool today in the studio. So Nick
manmb something. You're in New York for a couple of days. Man, man, man,
I'm done.

Speaker 2 (04:53):
It's out.

Speaker 5 (04:53):
How you feeling, man? I feel amazing.

Speaker 2 (04:55):
Bro.

Speaker 5 (04:55):
I love the reception, the response to it.

Speaker 2 (04:57):
What they're saying, they love it. Yeah, they love that.
They you took it.

Speaker 5 (05:01):
You classics, two classics back to back.

Speaker 2 (05:03):
Well Sunday Dinner. You know how I feel about that album?

Speaker 4 (05:07):
Yeah?

Speaker 3 (05:07):
For me, that that album. Out of all the projects
that you released to me, I think that was the
one that kind of solidified for me your place amongst
the elite rappers and MC's that man appreciate that. But
this album, I took it personal.

Speaker 1 (05:21):
Uh.

Speaker 3 (05:21):
We spoke about it when you was writing and laying
it down, and you said you wanted to experiment with
this one a little bit.

Speaker 1 (05:26):
Yeah, this wasn't even me, Like like I was pulling
back on a lot of these records.

Speaker 2 (05:30):
It wasn't even me.

Speaker 1 (05:30):
Like going like Sunday Dinner was like stressful, Like count Rice,
that shit is like you got to have conversations different
different people's perspective on like situations that I saw, and
it just like, what did you feel about when this happened?
Like having conversations with my mom? My mom was like
my mom is like my sister. My mom didn't raise me,

(05:51):
so my grandma raised me, so my mom would all.
My mom always caused me. She leaves these voicemails and
stuff and just say different stuff. So it's like she's
opening the album and all this shit. I'm like, Yo,
this is heavy. This is something I got to like
do a deep dive in and like you know, just
talk about but I got to do it the right way.
So it was me talking to my siblings, me talking
to my mom, me talking to uncle's aunts. So yeah,

(06:15):
but that was like I don't know if you ever
seen this ship where Kobe was like, man, I had
to lock in. Everything had to be basketball for me
to like win the ring. And I think that's what
that album was for me, like just locking all the
way in, getting it together, and it was like, man,
that shit took played a little bit on my mental health.
It was a lot of shit that I didn't like
overcome and lock.

Speaker 4 (06:36):
In, like fuck the rest of my family's feelings. This
is my perspective of what happened.

Speaker 1 (06:41):
I mean I got to get their approval because I
got it to speak about certain shit. Fuck you when
it's time to write it down, you know what I'm saying.
But I gotta get you. I gotta get your approval.
I don't want to do that because it's like certain
things they might not want the world to know.

Speaker 2 (06:54):
Yeah, sure not, you know so.

Speaker 3 (06:55):
As an MC hot, but that has to kind of like,
you know, getting the way of the creative process a
little bit. When you got to take the accountability and
you know, the storytelling when you get into your storytelling bag,
how's my family gonna feel? Has there ever been a
moment where you've you've you've laid something down in the
booth and then you know, whether it be mom or
whoever heard it, And it was like, nah, you can't

(07:17):
say that. And then you got to go back and
kind of like, yeah.

Speaker 1 (07:20):
My mom's a nigga bro, like real black, Yeah, country
lady from the South, deep South.

Speaker 2 (07:27):
Yeah, Yeah, the fuck is you doing nigga with you? Yeah?

Speaker 1 (07:30):
Got us out of your naked going on. I'm like, y'o,
all right, let me change it, let me flip it off.

Speaker 3 (07:36):
Yeah.

Speaker 1 (07:36):
She was like, nah, if you want to say it said,
it's cool. I ain't really tripping, but yeah, nigga, Like,
don't just be laying ship trying to you know what
I'm saying, So it don't it don't really take away
from the process. I remember recording with Ray Murray from
Organized Noise and I was like, man, I don't really

(07:57):
like this sample. I like the sample, but we got
to clear the sample because at this time, the people,
like the management that I had, they always had me
thinking business and clearing samples and all this shit, and
I remember Ray saying like.

Speaker 5 (08:08):
Man, get the fucking idea out. Yep, fuck the sample.

Speaker 1 (08:10):
We'll figure all that shit out later if I got
to change it and play it over. So I took
that approach when it came to, like, you know, telling
certain things about my life. So yeah, I would ask
after I create, create the rectuse Yeah, no.

Speaker 2 (08:24):
It makes sense. So where did the I took it
personal thought? First?

Speaker 4 (08:29):
Cross your head in the process of this, who pisched
you off? Who is this directly about? Or at least
sparked the idea of the album title of industry.

Speaker 2 (08:36):
I took the.

Speaker 3 (08:38):
The business out of it. Yeah, that's something that I
think that a lot of artists. You know, I love
when the artists and Roy you're an artist as well,
you can speak to it when they realized him the
business gets in the way a lot, for sure. Politics,
it's relationships, it's you know, I got to do it,
like I just want to create, put it out. Hopefully

(08:59):
people enjoy it and they accept the art and you know,
they live with it. But it's so many other things
that get in the way that can kind of turn
you off as an artist, Like I don't even want
to do this. If I got to do all of that,
if all of that with it, I don't want.

Speaker 4 (09:11):
To create the four of us or four of us
with Vince Staples sat in the studio and talk about
this entire thing.

Speaker 2 (09:16):
For sure.

Speaker 4 (09:18):
That has to be the top thing on your mind
before you can even create season two.

Speaker 2 (09:22):
Right, Yeah, that's what exactly steps in front of you.

Speaker 4 (09:26):
Because I'm on the side of creating we'll figure it
out later type of thing. But that can only go
so far. At some point, something's going to be a roadblock,
and you have to plan for that.

Speaker 1 (09:35):
On the second for sure, you'll fall in love with
some shit and it's like, no, we can't do.

Speaker 4 (09:40):
That, and then you hear the sample we play and
you're like, I don't even like the song anymore.

Speaker 2 (09:43):
It's like for sure.

Speaker 1 (09:45):
So it's like a lot of mix and matching verses
at that point. So, yeah, that's what this was. But
sometimes I'll just be like, man, catch me if you can,
Like I'm putting this shit out, you know what I mean.
So a lot of that shit is that too. But yeah,
to answer your question, I've been pissed stuff since I
came into business because I'm like I'm seeing everybody get
their motherfucking flowers, and I feel like I'm the coldest rapper,

(10:09):
one of the coldest rappers ever, especially at this time.
I feel like I came out at the weird time.
There's a lot of other shit going on, but yeah,
I just felt like I was the the dopest rapper.
And I felt like if people were considered lyrical, if
they had a certain co sign or a certain thing
going for him, they would push to the forefront, you
know what I'm saying. And you know, I wasn't, you know,

(10:31):
like mad. I was pissed, but I wasn't like, like
really upset. It wasn't like I wanted to hurt anybody
or do anything, but it was like, man, like, come on, Doug.

Speaker 4 (10:40):
Like I've noticed since the blog era, since Twitter, really,
I'll say, when it comes to media, there has been
obviously like the A List and people that are on majors,
but then there's the underground that may not do any
of the numbers that match to what the media says

(11:00):
about them. They become the darling of the Twitter worlds
or the darling of the blog era, and then you
see what they saw and listen I'm not here to.
I'm glad these type of rappers get their shine. Anyone
I'm thinking in my head is dope, but they become
the darling of the blog.

Speaker 2 (11:16):
Type of media for sure. Did you feel left out
of that?

Speaker 5 (11:20):
I think I came after that, you know, I think
I came after that.

Speaker 4 (11:23):
But it even folded over, like I'm not gonna let's
use beat Out as an example, just because beat Out
was there from the blog era to now as far
as still doing lists, and if you go through this list,
which I appreciate, it's not a sales thing per se.
It's supposed to be for talent, but I see a
lot of rappers that aren't in that inner circle of
blog shit. They still not selling nothing, but they're in

(11:43):
the inner circle of media.

Speaker 5 (11:45):
It's weird. I see his list all the time.

Speaker 1 (11:47):
I even told him, like, you out of touch with
a lot of put a lot of this ship, bro,
Like just being honest.

Speaker 3 (11:54):
Yeah, beatt, you hear that you out of touch with
a lot of this ship with it.

Speaker 1 (11:58):
So it's like Sunday Dinner came out that year. I
heard that and I didn't see it on the list, like.

Speaker 2 (12:03):
Which I thought was crazy.

Speaker 3 (12:04):
No, no, but you say what because you had a
conversation with be doubt about it. What was his response
to not having Sunday dinner on on on the list man.

Speaker 1 (12:12):
You got to get active outside of the albums, which
I respect, but niggaive album still came out, Like the
album is out. I just dropped the album and saw
you right after that, like, which is cool. I get like,
you gotta stay active and do all this stuff. But
I was also active. I was still putting out other ship,
putting out freestyles and doing other stuff.

Speaker 5 (12:30):
But I you know me personally, I just felt like
it was an excuse.

Speaker 2 (12:33):
Yeah, you know, what's the definition of getting your flowers? Though?

Speaker 4 (12:36):
Because I feel you it's a thing.

Speaker 2 (12:41):
He gets it because when you who decided to know.

Speaker 1 (12:43):
At that time at that time, I get him now
like I get him now from like the music business
and different people, different people in the business. And you've
been on tour with nas Yeah, for sure in Lauren Hill,
you've one hundred three thousand personally came to one of.

Speaker 2 (12:57):
Your shows, for sure pulled up.

Speaker 3 (12:59):
So you know, when you you things like that, those
type of names, when they recognize you and they give
you your flowers, and think that you're dope and take you
on the roll. I mean, I understand getting your flowers,
but sometimes it's like, what, don't leave me giving you
the flower only?

Speaker 5 (13:13):
Yeah, don't leave me.

Speaker 1 (13:14):
Off none of these lists because I'm not on none
of the list, which I don't really I don't really care,
but it's like, but that's what that.

Speaker 2 (13:19):
Makes me feel. Yeah, it makes me feel.

Speaker 1 (13:21):
Like it's about something else, Okay, because I'm a nigga
from somewhere else, So I be feeling like.

Speaker 2 (13:25):
Yeah, you don't really fuck with me like that was
going on.

Speaker 1 (13:27):
Yeah, yeah, you got a problem, right, you know what
I'm saying, because clearly I should I should be mentioning
up there.

Speaker 2 (13:33):
Absolutely. Yeah.

Speaker 4 (13:34):
I mean I've had countless conversations with Walle for example,
on Mike and off Mike about this very thing. And
that's not a secret that Wile is very vocal when
he feels like he's being slighted or blackballed or like
there's there has to be a real reason why you're
leaving me off this because my art does not match
what you guys are putting up on this market.

Speaker 2 (13:53):
My aunt warrants me, it warrants me to be on these.

Speaker 4 (13:55):
Lists, and you know, everyone's response to l A is like,
look at all your number ones, look at your career
and all that, Like, yeah, that's cool, and I think
that's a dream that you could be on tour with
Nas and Lauren Hill and probably the three greatest rappers
have co signed you. Yeah, that doesn't feed your kid
like a co sign is like like yeah, all right,

(14:17):
And not to say that the list really validates that,
but if you're not in the inner circle of the
media of constantly being on list or thrown into the
casual fans face, you're gonna start to feel away, like
did I do something to y'all right? Why am I
not in this certain mix? And then you have the
real rat fans like nah, but NAS think you ill,
and it's like dog Nas is.

Speaker 2 (14:36):
Fine, Yeah, that's a great point. Yeah. Yeah.

Speaker 4 (14:42):
So that's where I feel like while A where he
gets misunderstood, I understand. I get it, even even with
like the complex list stuff, with podcast stuff, even with
my album I felt away. When I was looking through
the top fifty, I was like, ain't no fucking way.

Speaker 2 (14:56):
I can nate.

Speaker 4 (14:57):
I can name twenty five albums that are way worse
than my fucking album on this ship and start because
it does. It does add an accolade. Like even with
the Grammy ship, No, Grammys can never validate an artist,
never will.

Speaker 2 (15:12):
I don't want artists to think that way.

Speaker 4 (15:13):
But don't act like you don't get more opportunities when
a published publicist is sending out a bio that says
Grammy nominated, Grammy Award winner, like, you get more ship
and if you're signed to a label, that could be
a point to them renegotiate. Like there's so much into
that with media that I don't even want to be
the hip hop nerd purist.

Speaker 2 (15:32):
That's like, man, if Lauren thinks you dope, then just
be fine, like no fucks coming around, like Laura will
think I'm.

Speaker 4 (15:43):
Fine, Like yeah, that's a different that's a different level
that we aspire to as kids, but as adults like yeah,
sh it is cool.

Speaker 1 (15:57):
Yeah, because we manage just as artists. Man, we just
sacrifice so much. We sacrifice time for my family, sacrifice
just you know, just not being in the right hand
space sometimes with people that we love, you know what
I'm saying, Just because we so focused and if you
want to be great at this ship this ship is
like very tedious, is very takes a lot of hard work,
so you know when we get slighted, that's like a

(16:19):
big deal. It's like, you know, we have we have
some of the biggest egos in the world, so it's
kind of like you know, and.

Speaker 4 (16:25):
On top of that, like you even see albums that
you think are dope, then you're gonna sound like a.

Speaker 2 (16:30):
Hater if you're like, that's what I'm saying, like I can't.

Speaker 4 (16:34):
And that's where that's where I feel for Walle when
that shit got leaked with Complex, when he was like,
you're about to tell me my album's not better than
Juicy J. And after that, while he looked like a
hater obviously while he loves Juicy J.

Speaker 2 (16:44):
For sure, but you fall into that space.

Speaker 3 (16:49):
And it's like, I'm not hating it, but y'all gotta
look me in my face tell me that y'all feel
like Juicy J, Juicy Jay's album was better.

Speaker 2 (16:56):
Than mine, Like.

Speaker 3 (16:58):
Damn with Juicy J, good to you, and it's like, no,
he didn't do anything to me. He put out a
good album, but y'all gonna tell me that my album
is not good. It's not at least as good as
So it's a weird space that I think artists fall in,
and not that you're looking for validation from anybody.

Speaker 5 (17:18):
It's just it's just I just feel like underlying ship.

Speaker 2 (17:20):
Yes, that's all. Yeah, I guess the theme was that
entire thing was.

Speaker 1 (17:23):
I don't like flowers. Yeah, I don't like my ass kids,
But yeah, is it? Is it about something else? It's
not that it's like proven work for sure. It's not
even validated. The work is validated right once I put
it out, it was validated. Everyone knows what this is.
But we can't all work in the same business and
not acknowledge what this entire thing is. So yeah, I

(17:43):
guess my question, which I can't answer, is what.

Speaker 5 (17:45):
Is flowers and what is flowers?

Speaker 3 (17:48):
Flowers is just to me, like I think flowers is.
Uh is you know, recognition, appreciation even just words like
you know, sometimes just letting the artists know, like yo, fire,
I see artists that in passing.

Speaker 2 (18:05):
We was in LA for BT weekend.

Speaker 3 (18:07):
A couple of guys I've seen and I was just like, yo,
I like it, see what you're doing, Like.

Speaker 2 (18:12):
That's flowers for sure? You know what I'm saying.

Speaker 3 (18:14):
It's like, all right, cool like guys that you feel
like have a certain taste level and and and you know,
have a certain level of what they expect from mcason
rappers when they recognize you, even if it's just adapt
in passing, like, Yo, I like what you're doing.

Speaker 2 (18:27):
You sound good like to me.

Speaker 3 (18:29):
That's what it is, just just to let let let
me know that I'm yah. Y'all hear me, and y'all
see me exactly, so you ain't even if you don't
put me on the list, but when you see me,
not put me on the list.

Speaker 1 (18:40):
Yeah, yeah, put me on your list because you heard
it and you you know, you felt some kind of
way when you heard it. Yeah, don't tell me I
ain't on the list, but the album is dope. Yeah,
like I yeah, put me on the list for that.

Speaker 4 (18:53):
Then the catch twenty two on that is I've talked
to plenty of artists that get all the lists and
add that they don't get the sales that artists that
aren't on the list are getting.

Speaker 2 (19:02):
They can't sell out of show a party.

Speaker 4 (19:03):
They can't sell out a show the way an artist
that has never made a fucking list period, Like you know,
I always quote Fonte on Everything Record I loved on
their second album, I almost retired because I had more
press than sound Skin. I was the most revered on
every blog on earth, but nobody was buying my shit, Like, yeah,
stop stop revering me on the internet, like somebody buy

(19:26):
a fucking album, Doug.

Speaker 3 (19:26):
But what that is, though, is that is like, what's
the disconnect and an artist being super dope, putting out
a great project, and then when it comes to these
quote unquote lists or these block these blogs or whatever
it may be, being left off of those, Like, what
is the disconnect?

Speaker 2 (19:45):
It has to be personal relationships.

Speaker 3 (19:48):
Sure, it has to be politics, it has to be
you know, because now it feels like then the people
that's creating these lists, whether they be you know, complex
or whatever, it's like, oh, because I don't know nobody
up there, I don't have a relationship with somebody up there.
They left me off this list, like because you're not
going to tell me these ten albums that you have
on this list are better than my album. So it

(20:09):
starts to feel like it's more politics, and it's more
shoulder rubbing and things like that, Like I got to
have a personal relationship with these people in these spaces.
But when did that become like something that stop giving
recognition to dope albums.

Speaker 4 (20:25):
Here's the thing, like, you know, I'm always creative first
artist side of everything, but you could say that about
literally every business in the United States, Like it is
politics no matter what on everything, whether no matter what
job you work, politics is going to somehow be involved.

Speaker 2 (20:42):
In your rise and fall in what you're doing. Shit.

Speaker 4 (20:45):
I think we are a very objective podcast, but there's
guests that will make priority over somebody else, Like now
we got people that we we fuck with personally. That's
just a human nature type of thing. And that's where
I feel for artists though, because that's where you need
a great manager like Hovain Rest in peace. I watched
Hovain's whole rise. I watched Hovain when I was working

(21:07):
from building the building. Hovein would be in every fucking building.
He would get to know every exec, everybody in market
and everybody is socials like he made sure even though
Troy did his own thing on the street team side.

Speaker 2 (21:19):
Hovain was working.

Speaker 4 (21:22):
He was rubbing shoulders and not in like a you know,
bowing down type of way, but he was networking in
a great way, and that's what helped Troy so much.
That's why Hoven ended up being so big and cinematic
music and everything. Like, artists do need that person because
that's no matter what we could pretend in fucking some
utopia that artists, if you make good music, it'll get

(21:44):
out there.

Speaker 2 (21:45):
That's not the case.

Speaker 1 (21:46):
Like, It's just I think in my story, like too,
I'm not easily swayed, and I always ask questions, and
I think in this business too, that pisses a lot
of people off. So like if you can't like manipulate
me or like get me to do something I don't
want to do, like nah, fuck nigga, I ain't doing it.
I don't want to do that. So I mean, I
feel like that causes conflict or that that causes somebody

(22:07):
to keep distancing a way. Yeah, so yeah, I think
in my story that may be the case because it's like, nah,
you need to be like this. You had a lot
of people. I had a lot of people on my journey,
journey telling me I need to be like this, you
gotta be this big personality or you gotta do That's
not who I am.

Speaker 5 (22:24):
I don't come from that.

Speaker 3 (22:25):
That was part of the That was part of the
conversation that we had when we was in LA in
the studio events, and Vince was saying like, Man, don't
let them tell you you gotta do this and do that.

Speaker 2 (22:35):
No, you don't.

Speaker 3 (22:36):
Vince was like, I don't do none of that ship right,
you know what I'm saying. He was like, I don't
do none of that. And I'm still, you know, selling
this and ticket sales here for a live show. Like
he was like, so, don't let them tell you got
to do that, because you know you.

Speaker 2 (22:48):
Don't, do You remember what I said to Vince, though,
no everybody not you.

Speaker 3 (22:53):
Well, yeah, everybody's not Vince, everybody, but but Vince. He
built hisself to that. But he's always been kind of like,
I don't really fuck with all of that. That's always
been Vince's demeanor and his thing from day one was
like I'm not really into all that extra shit. Yeah,
and it works for him. It's like, Yo, you know
this is who I am. Either you love Ramona Park

(23:13):
broke my heart or you don't. You know what I'm saying, Like,
it is what it is. Either way, it's still available,
still out, and I think and I think it's dope.
So I think there is a space of politicking, relationship
building things like that. Those are those are important, but
those should never outweigh somebody's decision to hear a project
and be like, damn, that's fire just because I don't.

Speaker 4 (23:33):
Notice artist personally. Oh, I mean, you know, I've never
been on that that. I'm the opposite of that. I
just don't think the rest of the media, the rest
of the world really works that way.

Speaker 1 (23:40):
To be quite honest, I did not like you, and
I agree with you all the time and still think
your shit is like crazy for sure, you know.

Speaker 3 (23:46):
Sure, that's why when people like, oh you hate and
I laugh, I'm like, bro, I don't even know these
dudes personally, so I can't hate anybody person Like when
we was going through the whole me and Nick was
laughing about the whole shit last year, Rory.

Speaker 2 (23:58):
You know, with the whole Drake Ken shit, Like Nigga
was one of.

Speaker 3 (24:01):
The guys that would call me every day like, Yo,
these niggas think you the most hating ass nigga and
they don't really know, like deep down the side, you
don't give a fuck about none of these niggas and
it's real, like yoa I love the music, I don't
notice artist personally. Yeah, so it's never personal for me.
It's like, yo, I just I didn't like that. Oh
I do like this, but it has nothing to do

(24:21):
with the fact of yo, I know that person person,
which is why I don't understand these lists.

Speaker 2 (24:26):
It's like, yo, do you like the album or not.

Speaker 4 (24:28):
But we have the freedom that our opinions on this
podcast are ours and yeah, I'll speak not for all podcasters,
but podcasting. That's kind of been the allure of the
entire thing. It felt like, Okay, finally we get in
some real takes from people that don't really have an
agenda or have anybody to you know, have to say
something for.

Speaker 2 (24:46):
Now, you got to think about the list. Shit, let's
use complex.

Speaker 4 (24:50):
What they used to do was have a whole boardroom,
fucking thirty writers all there trying to put one hundred
Albums of the Year list together. Every last person in
there has rent to pay, has bills to pay, Yeah,
has family shit going on in their life. So while
yes they are there for the period of music as
a as a young kid, they probably thought, you know,

(25:10):
I got my complex job.

Speaker 2 (25:12):
All I did was love music my whole life. I
finally made it.

Speaker 4 (25:15):
Yeah, she is a little different when you know there
may be agenda in the building and something that you
bring up may have a certain level of an exact
staff look at you and say you not on the
same time. We on you're suggesting. Now you're just suggesting bullshit.
You not on the same page. We on you can't
come in this building and suggest that. I've worked corporate

(25:36):
before you. Many times I was quiet in certain times
where I was like I could say something that would
make a lot of fucking sense, but I know it
would fucking my job for sure, and my ass stag
dead quiet in that seat and was just like.

Speaker 2 (25:47):
See, I got it. I gotta grow it up.

Speaker 1 (25:51):
Because I'm gonna say something. Yeah, I don't like this ship, bro,
what you niggas in here doing?

Speaker 2 (25:56):
But that I mean, you just gotta think. You gotta
think of.

Speaker 4 (25:58):
The twenty two year old that this ship. The same
way you said and was like, you want to be
a rap. I want to get out of my situation
the best way possible. This is my dream job. I
can't wait to work at ninety seven. I can't wait
to work at death jam I can't wait to work
a complex and you.

Speaker 2 (26:11):
Get that job.

Speaker 4 (26:13):
Not everything is like the end of a movie script
where it's like, nah, fuck that real hip hop and
then they go out and start their new label. Right,
some people need that sixty five thousand dollars a year
and they're not about to compromise it over some rapper
they they don't even know and just like their music.

Speaker 1 (26:29):
Right, So sometimes it's not real hip hop though. Sometimes
it's just some underlying bullshit the mof fuckages. It's corporate,
I get it, but it's like, man, what about integrity?

Speaker 5 (26:39):
What about you know what?

Speaker 1 (26:41):
I mean?

Speaker 2 (26:41):
They don't care about that? No, no, they don't.

Speaker 1 (26:43):
I mean I'm learning learned, I've learned that now they
don't care about it.

Speaker 2 (26:47):
But it's like, yeah, I got to care about mine?

Speaker 3 (26:50):
What's that? Because you know I'm gonna ask you were
kicking it? We're just talking, but I already know a
lot of the answers to this ship.

Speaker 2 (26:56):
But what is that like for you? Though?

Speaker 3 (27:00):
Because I know how that's how we kind of aligned
and click was like we are moral compasses is kind
of in the same space, but as a as a
as an MC and as a rapper, like how do
you deal with that battle of being in those rooms
and knowing if you know, I part with my integrity
or if I kind of shift my moral compass a
little bit right here, this may further me in my career.

(27:22):
Like how do you fight that battle of doing that
versus like, Nah, I gotta be nick at the end
of the day.

Speaker 1 (27:29):
I only do stuff that I want to do if
I feel comfortable doing it.

Speaker 2 (27:32):
You know, I'm all in.

Speaker 1 (27:34):
But if my spirit don't agree with it, even even
a little bit, we can talk about it. We have
a conversation about it always, But if my spirit don't
agree with it a hundred percent, I'm not going. Yeah,
I just can't do it. Yeah, I can't, no matter
how much money. I always been like this.

Speaker 4 (27:49):
Like as there been examples, I mean, you have to
get in like super details to expose any specific people
or anything.

Speaker 2 (27:57):
I mean, if you want family. So no, I prefer.

Speaker 4 (28:05):
Some examples throughout your career because you've been in so
many different situations, so many different management teams and yeah
around you, what are some examples of that?

Speaker 5 (28:14):
Some examples of that would be.

Speaker 2 (28:23):
All right.

Speaker 5 (28:23):
So I had I had I had a situation where.

Speaker 1 (28:28):
Somebody knew like my people, and they like, this is
my hometown okay, and I'm like, yo, like this was
this was one of the things that made me like
not want to work with this person anymore. So they
like took them to my hood, took them everywhere, you know,
and this my whole Like in mind you, my city

(28:50):
is very small, so it's like everybody in the business
that you met, you know, it's from my city. And
they said something like yeah, stupid motherfuckers, like from people
from here. And I'm like, huh, the only people you
met was my family.

Speaker 2 (29:08):
M hm.

Speaker 1 (29:09):
You know what I'm saying, Like, how the fuck can
you say that to me? So once I heard that,
I was like, yeah I can't. Yeah, yeah, you know.

Speaker 2 (29:19):
I was about to go another way, win, lose a draw.

Speaker 4 (29:23):
It was that a situation where it would have probably
behooved you to rock with them on the industry side
or career wise.

Speaker 1 (29:31):
I mean, the people that really know me, it's people
that would they don't really know. The people that don't
really know me said like, nah, man, it's not that,
it's not that deep, it's not that bad. And I'm like,
you're not really for me because I'm not that kind
of guy. If you say something about this and I've
opened my doors to you, like I opened the door
to my family. You know what I'm saying. Everybody don't

(29:52):
know my mom. Everybody ain't met my mom, my sisters,
my brothers. You know what I'm saying, My cousins. You
met everybody. You're the only person that's really met everybody.
So when that happened, I was just like, Nah, cool, Yeah,
No matter how much money he's on the table, give
a fuck about how much money I can make.

Speaker 3 (30:10):
Nigga got mighty. I don't give a fuck. What is
it like for a young Nick Grant or artist to
be on tour with like a Nas and Laura Hill? Like,
what are those conversations with Nas? Like the MC conversation
like or just life?

Speaker 2 (30:25):
Like, what is it? What are some of those conversations
you had with Nas while on the road with him? Man?

Speaker 1 (30:30):
When I think I told this story with your last time,
when he shock was like, yeah, NAS is gonna pull up.
And NAS actually pulled up with the Hennessy and we
just talked about bullshit all day long.

Speaker 2 (30:46):
Who was dope? Who was whack? You know who you
said was whack? Though?

Speaker 3 (30:51):
Because I know you, because that's sometimes I'll be talking
to Nick. I'm like, yo, I like this little nigga,
Nick like Na, he whack. I'd be like, so, who
are you telling Nas? Like he was telling me. He
was telling me who whack? So I can't really yeah,
you know what I'm saying. I was just listening because
I ain't really know him like that, so I'm like,
I don't want to say too much to throw him off. Yeah,

(31:12):
but when he was talking to me, it was like
everybody he thought was was whack. Did he say somebody
was whacked that you thought was nice? Because that's the
thing like when one of your favorite MC's thinks somebody
is whack and you think they're nice, it's like damn.

Speaker 1 (31:26):
Like all right, Nah, we shared the same sentiment. Okay,
I thought he was I thought I thought the dude
was whack too.

Speaker 2 (31:32):
Okay. It broke my heart when Nas got on the
radio and this Nori. I was like, I love Nor.

Speaker 4 (31:41):
And on top of that, I loved all the Angie
Martinez songs that were out remember that.

Speaker 2 (31:46):
Power, Yeah, absolutely absolutely. I was like, damn, my favorite rapper, Angie.
I like your songs.

Speaker 4 (31:53):
Yeah, he said Noorri, step your rap game up Hot
ninety seven, stop having your host rap. I was like, oh,
because at that point, I don't think we had heard
like a rapper going a rant like that before outside
of park maybe right, but I was too young for that.
That was my first time, like, oh, rappers do this
for real?

Speaker 3 (32:10):
Yeah?

Speaker 2 (32:11):
Yeah, did you ever have?

Speaker 3 (32:13):
So now the whole Joey badass versus I want it end?

Speaker 2 (32:19):
Yeah, Like so what is that? What is that like
for you?

Speaker 3 (32:21):
Like sitting back watching as an MG, like, I mean
you in l A, I have I'm but I'm not
from l A.

Speaker 2 (32:27):
I ain't.

Speaker 5 (32:27):
I ain't have a dog in a fight.

Speaker 3 (32:29):
But yeah, I was watching like push your motherfucker? Would
you know what I'm saying, Like, so I'm watching the
whole ship. But man, I thought that. I thought that
was a great moment. That's like it made it exciting.

Speaker 2 (32:44):
I did too.

Speaker 1 (32:45):
I thought what I'm saying, I thought that was I
thought that was a dope moment. I thought everybody that
put out records are like dope artists. So yeah, I
was like hyped about that. So hype.

Speaker 5 (32:55):
I was like, yeah, I got it.

Speaker 2 (32:57):
He was ready to go.

Speaker 5 (32:58):
Yeah, I want to get in just for it.

Speaker 1 (33:00):
I don't even know none of these niggas for real,
but yeah, but nah, I thought it was I thought
it was a dope moment.

Speaker 3 (33:04):
Now, you spend some time around the TD camp, like
a lot of people probably don't know that was.

Speaker 2 (33:09):
What was that time?

Speaker 3 (33:09):
Like, like what was some of those writing sessions about
who were you the most surprised by? Like when you
heard them later there verses down, like what were some
of those those sessions?

Speaker 1 (33:21):
Like, man, the person that I knew like the most
was like Punch. So I would be with Punch every
day and Punch was just hanging out every day. That's
my man, that's my man. To this day, I got
so much love for Punch, Like Punch was one of them.
He's another person that's like knows my people, like my family,
Like when they come to l A, I'm like, yeah,

(33:41):
we're going to punch outs.

Speaker 5 (33:42):
So he like super cool opened his doors to me.

Speaker 1 (33:45):
Like and I'm a person that's like fuck music, this
is my guy, you know, and you my guy for
life after that, no matter what what happened. So yeah,
So he was the person and I think the first
person to reach out after I dropped the project was
like Kendrick and I just always respected his pan. I
always got love for k Doc even for that because

(34:05):
most people run from this, not even hyping myself up
like I'm the greatest motherfucker in the world, but most
people run from me. So when he was talking to me,
he was talking to me crazy, like, Yo, when we
do a record, I ain't holding no punches.

Speaker 5 (34:17):
I'm gonna kick your ass, you know.

Speaker 1 (34:19):
So I'm like, Okay, it's gonna be the fighter your
motherfucking life right right.

Speaker 5 (34:24):
But that's how MC's talked.

Speaker 1 (34:25):
But I always always had love and respect for him
since since day one. That's one of the greatest to
ever do.

Speaker 2 (34:32):
It for sure.

Speaker 4 (34:33):
Uh, do you feel like that would have helped, maybe
like earlier in your career, not to where where you're
at now, because I think you found peace in your
lane and what you're trying to do. But having that
click of a bunch of MC's that you grew up
with that were together on the same label, the way
TDE came up with ab J Rock school Boy eventually

(34:55):
and Kendrick, you think that would have helped.

Speaker 1 (34:57):
Hell, yeah, you know, just that that claw of just
elite rappers. I think if it was, if it was
done the way that I perceived it, it would have been,
it would have it would have been great for me
and and and growing.

Speaker 2 (35:10):
And you know, why didn't you sign with TV?

Speaker 1 (35:14):
I think it was going away from the agenda that
I was trying to that I that I had for myself,
the plan that I have for myself. Punch Punch had
a he got a group, got a group now called
Room full of Mirrors, and you know, I shout out
to them, to real dope, cruel artists, but it was like,
you know, I was just artist that already had like
LPs out and I was like trying to stay on

(35:34):
the path of that.

Speaker 5 (35:36):
And I found myself like focusing.

Speaker 1 (35:38):
More on on that then, you know, and people not
not people knowing me more for this. But it was
like so such a big, such a big break in
between putting out my own material, and I felt like
I was losing maybe it maybe it was my own insecurities,
but I felt like I was like losing a grip
on the thing that I was trying to push and
push forward.

Speaker 4 (35:59):
So would you ever entertain another deal in that capacity?

Speaker 1 (36:07):
No, I'm extremely happy right now, Like I just like
the way my life is set up. I like my
I never had a routine in life. I get up
and jog and I kind of just do do what
I want every day. You know, I'm with my kid
every day. So I'm like, go in the room, put
them to sleep, right the rhyms. It's less headache, it's

(36:27):
less like you know, it's less stress for me right now.
So I'm like, that's the best way to create. That's
the best way to put out material.

Speaker 2 (36:35):
Yo.

Speaker 3 (36:35):
And Nick's son, whenever he says d m X, he starts, no, it's.

Speaker 2 (36:41):
The crazy.

Speaker 3 (36:43):
Cameras, it's this ship, Nix said DMX. I'm like, did
he get that? I'm gonna tell you about it. I
didn't even teach him that. Yeah, so that had the
crazy ship with your kids. You don't teach him a
single thing. Was like, where the you learned that?

Speaker 1 (36:59):
I said that ship? I was like DMX and he growled.
I was like, Yo, what the fun because we have like,
you know, music videos playing in the crib and this
was the nigga that he gravitated towards. Yeah, why do
you like this? And then I thought about who I
was and I was like, oh, I see what it
makes so.

Speaker 2 (37:17):
I mean, you wrote a letter to your son, which
which I tweeted. I didn't. I mean I didn't. I
didn't cry. Somebody was cutting onions and was this something
to say, something to say? Yeah, yeah, off of I
took it personal. You know. I listen, man, keep being
the crib cutting onions and ship. I get it. Just
it's just I was like, you stop doing that. I'm

(37:37):
trying to listen to music. It wasn't you cried. I
was matter of fact.

Speaker 4 (37:51):
The first the night before we all got in with Vince.
I was with Child the night before and we were
working on them. I'm trying to go down that path
of the the record to tomorrow.

Speaker 2 (38:03):
I got like two bars. I'm like, I'm cool, Like yeah,
I was like yo, and yeah.

Speaker 4 (38:12):
I took something that she was doing on the DJ
ship that I have already, like I sampled her for
it and her voice and Joannie put some ship together
that was insane, and we started to write.

Speaker 2 (38:21):
I was like yo, no, no, no, yo. Know. We
been like clean, let's get out of here, let's do
something else. Get I get it. What was that like?
You know, because we that's the most week talk about that.

Speaker 5 (38:35):
You and I we talk about his kids, like new
dad ship. Yeah, we're the experts. The experts wouldn't really
being the experts, right.

Speaker 1 (38:43):
It's niggas that I call him, but it's my guy
when it comes hey man, hey, yeah yeah.

Speaker 2 (38:48):
So what was that? That process like finishing that record?

Speaker 1 (38:51):
Man, that ship was tough, bro, because I started thinking about,
like my daddy, you know what I'm saying. So just
thinking about stuff that he we did, and we used
to hang out. My dad wasn't the best dad. He
was always in and out. But my dad was wow,
wow hood nigga. Man, you know what I'm saying. He
had me out with the MD twenty twenty. I said

(39:12):
that in the wrap with the MD twenty twenty, drinking
MD twenty twenty.

Speaker 2 (39:16):
Dad, you want to mix Mad Dog twenty twenty and
Wild Irish.

Speaker 5 (39:19):
Rose together together trying to make a bomb.

Speaker 4 (39:23):
No, When you said the MD twenty to I was
like yo, I felt somethings like yo, other people drink
mad Yeah for sure, so Boone's farm.

Speaker 2 (39:32):
My mom would give me a little that.

Speaker 1 (39:33):
Oh yeah, that's the ship. Now you give you that
ship to me in the cup. I'm passed out thirty minutes.
You know what I'm saying, take me home. So like,
as I'm pinning this shit, I'm thinking, like, because I
should be hard on him as I.

Speaker 5 (39:45):
Got, Oh, the motherfucker you ain't.

Speaker 2 (39:47):
Yeah, you know.

Speaker 1 (39:48):
So now once I have my kid, I'm like, man,
he got he had his own ship going, he had
his own issues, he had his own problem. So once
you start looking at him like a human. You know
what I'm saying, its as opposed to this person that's
supposed to do everything for Yeah, you know what I'm saying,
superhero type shit. I learned how to like look at

(40:10):
it from a different perspective through my son. So it
became like, you know, closed chapter because I did it.
I did it on the last album, but I felt
like it wasn't enough because I had more shit to
get out. That's why it's like, yeah, I'm gonna put
this on this album to I'm gonna give him something.
But yeah, man, you know, just learning a lot about
me and my dad's relationship through me and my son's relationship,

(40:32):
So it was like it's like closure for me.

Speaker 4 (40:35):
Yeah, where are you at? I want to word this correctly,
but I don't really give a fuck how they interpreted.

Speaker 2 (40:44):
Where are you on.

Speaker 4 (40:46):
Raising your sons the most healthy, the most healthy way possible,
and where that may deter his ambition in life.

Speaker 5 (40:57):
Man, that's a great question because.

Speaker 4 (41:00):
I know we have to raise our kids in the
best environment possible, no matter what, make sure every last
thing they do is amazing, take care of every last bit.

Speaker 5 (41:10):
I think.

Speaker 1 (41:10):
I think for me, it started with myself and like
just cleansing all of my insecurities and all my trauma.
Try my best to do it. I still I'm not perfect,
but just trying my best to do that. Ship and
you know, and whatever I'm learning about myself what to
do or not to do, I'm applying that and how

(41:31):
we how we live day to day. Yeah, and whatever
he gravitates towards, I support him.

Speaker 5 (41:37):
But you know, his mom is like.

Speaker 1 (41:40):
She different. We come from different two different you know,
spectrums of life. So it's like a whole different thing.
And I'm learning stuff through her too. So on with him,
I think it's dope. Every morning he like prioritizes a book,
Like he'll get up and drag the book and then
he'll get up and I read the book to me. Yeah,

(42:00):
even if I'm like I got you just give me
a second.

Speaker 2 (42:03):
Yeah, let me get up and wake up and then.

Speaker 1 (42:04):
Flip these pages. He'll flip the pages for you. So yeah,
so I think that was dope. So I was like
it kind of got me in a routine for him,
like through his mom doing certain shit and you know,
I'm gonna do what I'm gonna do. I'm gonna make
it easier for him day to day, like a come on,
watch this, come on, let's do this, let's do this,
let's have the fun. But that's cool. But it's like

(42:26):
structure is the most important thing, and you know she
was raised a certain a different way than me. If
she's applying that and I'm watching that too, and I'm like, Okay,
this is really how it's supposed to be done. Yeah,
you know what I'm saying.

Speaker 3 (42:38):
But I mean that's dope though, to kind of like
have that moment through having a kid and you know,
having a great mom for sure, great mom and her
instill in that structure and things like this, things you
probably didn't have growing up. But then it's like, okay,
like you're watching her as a mom, Like I like
the fact that she's given my son that like every
morning he grabs a book first man, and he wants

(42:58):
to read and the like you need those moments of okay,
Like you know what I'm saying, Like we gotta I'm
a sprinkle some of mins in them, Like Mom's definitely
some of my ship too.

Speaker 2 (43:10):
Just think you should burn off books and not feed
your child.

Speaker 4 (43:12):
I'm suggesting that I want to give my daughter everything
in the world, but is that going to hinder her
progress when she gets older?

Speaker 2 (43:21):
Yeah, that's where.

Speaker 4 (43:23):
I'm really getting out with the entire thing, Like got
you if I make it too fucking easy and you
get everything you want, like put up like one of
the Hilton.

Speaker 1 (43:31):
Sisters, Like yeah, for sure. I mean it's a balance
with me. I'm like, I'm like tough love. I'm like,
all right, we can read this book, but I ain't
picking you up. Wh ain't doing none of that. Yeah,
we're gonna we're gonna swing this baseball. You like doing
this ship. We're gonna do it longer than you want
to do it, you know what I'm saying, Like like
I'm tough love, Like I pick this toy up, put
it over here, like cleaning ship up. You know what

(43:53):
I'm saying. And he's only two to September, so, you know,
just little stuff like that, Like I'm tough. I'm not
too tough on him because he's a baby. Yeah yeah,
but I'm like more like as.

Speaker 2 (44:04):
A ship man. He got little man got nick wrapped
around his fingers.

Speaker 4 (44:09):
They go to, I have no tough love. That's what
I'm sitting there like little girl up because I'm so nice.

Speaker 2 (44:20):
I got a little bit. I got a little bit.

Speaker 5 (44:22):
I got a little bit in shop.

Speaker 2 (44:23):
You should you should spoil your kids a little bit.
I think that's no.

Speaker 3 (44:26):
I think that's something that we all. You know what
I'm saying, you should do at some point, spoil your kids.
The objective is to make sure they had it easier
than without a question for sure.

Speaker 2 (44:36):
You know. I'm just giving him back of my mind
as the years go, like all.

Speaker 3 (44:40):
Right, just start taping it over as they get older,
like all right, were not just giving you everything you want?

Speaker 2 (44:47):
Like my nephew met people that had that, Yeah, they're
not good human being.

Speaker 3 (44:52):
Yeah, my nephew when he found out that I could
send him money to his phone, he found when he
unlocked up.

Speaker 4 (44:58):
Already, when my sister gave me better, better, blessed me,
he was He was on FaceTime with his son and
said Apple pay.

Speaker 2 (45:06):
I was like, you guys are already there? Yeah? Is there?
Like in these games they making it easy Minecraft? Who
invent the Minecraft?

Speaker 3 (45:14):
I'm gonna beat the shit up he Minecraft, Me and
the nigga that got beat and created Minecraft.

Speaker 2 (45:19):
Gonna fade when I get.

Speaker 1 (45:20):
How much you gotta spend in those games, like you
need another fifty dollars, crazy, you gotta buy some more ship.

Speaker 3 (45:27):
Like and when I bought Super Mario, that was it.
I didn't need to pay for nothing to get to
the war zone world and all that. I had to
figure it out once.

Speaker 4 (45:35):
I was just blewing the cartridge when it didn't work. Yeah,
Like this ship wasn't an upgrade.

Speaker 2 (45:38):
It wasn't even mine.

Speaker 4 (45:42):
Yeah.

Speaker 3 (45:49):
So now with all ThReD three thousand, I know because
you spent a lot of time in Atlanta, so I
know personally with three thousand means to you with some
of the conversations, like with three thousand and when is
he giving you your verse?

Speaker 1 (46:03):
Man, that's a great question. That motherfucker don't give a
fuck about nothing. Yeah, he don't care about nothing, dog.
He and I love that, Like even just learning that
and watching how he moved and how he created. He's
just limitless. Yeah, you know what I'm saying. Yeah, I
met him through Uh, I met him through Jason Jeter.
Remember Jason calling me to the studio. Yeah, I'm gonna

(46:23):
tell this story again because it's like like related Jason
Jeter to Derek Knows.

Speaker 2 (46:29):
I've never met y'all met Jeters before, so rare. Yeah, yeah,
it's a rare name. So yeah. Yeah.

Speaker 1 (46:36):
No, he was managing me at the time, and he
was like, yo, three thousand wants you to come to
the studio. This was the first first time we ever met.
He was like, yeah, just play me some stuff. Man.

Speaker 5 (46:48):
He was super cool. First day I met him, he
was cool.

Speaker 2 (46:51):
Yeah.

Speaker 5 (46:52):
Second day I met him, motherfucker it's just nick Yeah.

Speaker 2 (46:55):
Yeah, you know what I'm saying.

Speaker 5 (46:56):
So super cool man.

Speaker 1 (46:58):
Just those conversations are like super creative, super like you
kind of understand like why he is who he is
just from speaking to him, even the seeing the motherfucker
walk nigga walk different, talk different. Yeah, but yeah, I
learned so much from him in front of him, how
he created. You know, I learned a lot of intention

(47:20):
from him. You know what I'm saying, so what do
you mean by that? Just how he like approaches music,
like I see this, I see this motherfucker making the
beat with the producer. I never had that like until like, yeah,
I'm like, damn making beef stude, Like, motherfucker, can't make
your music without you, you know what I'm saying. So

(47:41):
I was like I always carried that with me, but yeah,
one of my heroes. And you gotta think too, like
this was somebody that's like I grew up in South Carolina,
but I moved to Atlanta when I was seven years old,
and when I moved to Atlanta, I moved to his
neck of the woods. So that's all they played, you
know what I'm saying. And it was at Alliens, it
was Southern playeristic h motherfucker Quemini. All this shit was

(48:05):
like the soundtrack to my life at that point. And
if you know anything about Old National in nineteen ninety five,
it was like the hub for like culture, especially Atlantic
culture of course. But yeah, he was like so to
meet him, all this stuff plays into my mom like
how I lived and the stuff that I was going through,

(48:26):
and it's like, motherfucker drop almost dropped a tear in there.
So the second time I meet him, he's like bowing, like, man,
I wouldn't write it. I couldn't write a verse.

Speaker 2 (48:36):
You know.

Speaker 1 (48:36):
I write a bet you'll force me to write a
better verse. And I'm like me, that's crazy. Yeah, like
a right, they start getting my I feel like I
helped hard over.

Speaker 2 (48:50):
Yeah, I'm like, yo, this is crazy.

Speaker 1 (48:54):
But yeah, like all of the all of the older guys,
like they respect me in that way because I'm you know,
I'm just a product of everything that Dave put out.

Speaker 5 (49:03):
You know what I'm saying.

Speaker 2 (49:04):
I studied all of these guys. You know, I put
I always put me.

Speaker 1 (49:09):
I always put money to the back and put music
and study in first because I always was always was
told that you know, the money comes when you just focus. Yeah,
and it's almost been ten years for me and I'm
still well. You know they say they say that's the year.

Speaker 2 (49:26):
Ten years at it, ten years doing something for it
to really take off. You know, you look at it.

Speaker 3 (49:32):
My brother hip Hop, he has this song what I
call a hip hop Bible. Yeah, and he's he's he
broke down literally every rapper. It's I was telling worry
about this. It's the crazy shit I've ever seen. He
took every rapper, every MC ever and he has it
from the year that they were born the year they

(49:53):
dropped their first i think single or album.

Speaker 2 (49:56):
It's crazy and.

Speaker 3 (49:58):
It literally is like you can see the ten years
like from when it took off, Like you can see
it like, yo, this is when this out did this
single drop. That's when his career took off. And it's
like I'm looking at it. And the one person who
has probably the most unique timeline is Jay because Jay
was introduced with Caine in eighty eight. Wow, so he

(50:24):
has it like Jay was really supposed to take off,
you know, sooner than he took off.

Speaker 2 (50:29):
If you look at it, the ten year thing.

Speaker 3 (50:30):
And it's like, I'm glad you said that Jay lived.
So Jay literally his ten thousand hours like it's happening
like in real time, like he's supposed to have been
took off. So it was so interestant seeing that and
I'm like, damn. But so it's a real thing when
you say ten years, like say ten years, ten years,
and that's you know, all creatives need to understand that,
like you gotta put that time in, you got put

(50:52):
the energy because the greats just because when you saw
them take off, don't mean that they ain't been doing
this for ten twelve. Yeah, Like you know what I'm saying,
They've been doing this shit so and even before that,
before we even doing before.

Speaker 2 (51:05):
That, you know what I'm saying.

Speaker 3 (51:06):
So you know, with you, Nick, I remember hearing you,
you know, years ago, and then seeing you on all
the radio stations, whether it was in Atlanta it was
SAHA and Gez, you know what I'm saying, or whether
it's would sway like you've always been. Anytime I would
see you online, I would say, all right, let me

(51:28):
hear what Nick doing, and I would click it and
you can hear the progression. You can hear the bars
getting better, you could hear the flow change, and you
can hear the content changing. Where you are now, Sunday
dinner to me bona fide classic. I think if anybody
found you during Sunday dinner, if that was anybody's first

(51:49):
time hearing Nick Grant, it would be hard for them
not to love you as an m C and this rapper,
because that's some of the best rapping and m seeing.
I think that, you know, especially in these times, it's
hard to really find that where it's like, this ain't
no machine, This ain't no you know, dress it up
and make it sound good so it goes everywhere. You know,
this is skill set, these are bars, these are flows,

(52:11):
these is like, this is real, a real hip hop
consumer's dream. It's like going to the record store and
going through the vinyls and finding something like, oh, yes,
this is what the type of ship I've been looking for. No,
for sure, now what I took it personally?

Speaker 2 (52:24):
That too?

Speaker 3 (52:25):
You again, you said earlier you experimented a little bit
different this one. You wanted to change the sounds a
little bit. Are you happy with where it landed as
a as a final product?

Speaker 1 (52:40):
Absolutely? Absolutely. I think it's a good continuation of Sunday Dinner.
But I didn't want to give the people such a
heavy album again. I wanted to give them something like, yeah,
let's dance a little bit this time, because man, I
know I done tell y'all mom on drugs. Yeah gave you, Yeah, baby,

(53:01):
mom kid, I gave you so much as I gave
you so much heavy ship.

Speaker 2 (53:05):
It's like, but it's real.

Speaker 1 (53:06):
It's definitely real ship, and it's it's some real ship
on here too, for sure. But it's like, let's dance
a little bit. We'll get back to this for sure,
But to continuously do that, at least for me, it'll
put you in a dark place. Yeah, And let me
just you know, as you know, I'm always happy. I'm like, hey,

(53:27):
you know one of them things like I don't like
being down. I don't like if you If you want
to be great at telling your story, you gotta be
you gotta be like in tune with it. You gotta
always be in tune with you gotta stay sharp, you
gotta have those conversations, you gotta talk to different people.
My family is older, so I go home and just

(53:49):
listen to a lot of those conversations. I just fly
home from LA. That's a long way just to hear conversations,
just to hear, just to hear certain people talk. For
that album, and it's like a right, this is why
people love it because it's like it's another level of
like being in tune. But it's like, man, this ship
is like there's some good moments too, Like my family's
like my mom is the second youngest of fifteen kids,

(54:10):
so and all of her siblings are still alive. My mom,
my mom, my mom, sixty five, so her oldest her
oldest sister is like ninety plus.

Speaker 2 (54:18):
You know what I'm saying. So record everything for sure.
I'm doing with my family.

Speaker 4 (54:23):
Sure all my audio record message on this ship is
I leave this ship with my family talking.

Speaker 5 (54:28):
Yeah, just just to keep all that.

Speaker 2 (54:30):
Yeah that's WHYEA like I got like footage and not
even like put out on an album. It's not for sure,
just to have it to pass down to your son
like this is. It's a great idea. Oh no, I
do that with everybody now, so that one's getting old.

Speaker 1 (54:43):
Yeah, I'm going down there. I'm just listening to conversations
and doing all that stuff. I'm like so when I
when I approach this album, I'm like, man, it's a
lot of fucking work.

Speaker 2 (54:51):
Bro, I don't know if I got that shit in me.
Right now, I got it in me. I can do it,
you know.

Speaker 1 (54:57):
I'm intensive and I'm listening and I know how to
like translate the ship into music. But I don't want
to do that ship again right now. I give you
like this surface level, you know, some good ship, and
it's still be a great album. I can still do
that too, and it's you know, great continuation of it
and I'll get back to the storytelling in depth. But
you gotta you gotta have that. You can't have that

(55:18):
ship got reset. Yeah, you got that ship in waves.
But you can't just do that every album.

Speaker 2 (55:23):
Yeah for sure. So we we know, we know the album.

Speaker 3 (55:26):
Uh, if you don't, if you didn't download it and
stream it yet, do yourself a favorite. I took it
personal available now. So we got the albums. We got
the great stories with nas and and and three thousand,
Jay Z two Nigga Ja juck with me. Yeah yeah, yeah,
absolutely absolutely always showed me. Look every time I seen

(55:46):
show show a nigga love, man.

Speaker 2 (55:48):
I mean it's the skills you gotta.

Speaker 3 (55:50):
Those guys Nas Jay three thousand, they recognize when they see,
you know, the skill set that they have.

Speaker 2 (55:57):
And you know they they know when they see it,
like j cool or Jay played me cool. He's like
you special. Yeah yeah, but that's that's Jake. Everybody like
he's just He's the coolest nigga at all times.

Speaker 4 (56:11):
The first five year anniversary print of Written Testimony vinyl,
the first the first press and he said, I've never
gotten a gift. I'm talking about never got it I've
never gotten I've never gotten a gift.

Speaker 2 (56:33):
Said, he ain't never brought you nothing. Cut this ship.

Speaker 4 (56:39):
I think he like I was bringing it for somebody
to sign or something, and I was like, no, it's
the first press of the five year, Like it's a
different color of the vinyl.

Speaker 2 (56:47):
And I was like, this is the first pressent. I
never got a gift.

Speaker 4 (56:49):
Yeah.

Speaker 5 (56:58):
Remember I remember being in the Atlanta we did like
four four four.

Speaker 1 (57:02):
Somehow I end up in like his skybox and it
was a lot of motherfuckers star studied like motherfucker.

Speaker 5 (57:11):
And everybody chilling eating their wings and ship.

Speaker 2 (57:13):
You know what.

Speaker 1 (57:14):
Yeah, motherfucking uh. Bodyguard comes through with the light. I'm like,
who the fuck about to come in here? Bro about
to go like Obama Mather about to come in here
beyond he walks through. When I tell you this motherfucker
and give a fuck. He was like everybody out, Yeah, yeah,
everybody out. I said, if you're kicking these niggas out,

(57:37):
I gotta go. I gotta go to the fact.

Speaker 2 (57:38):
Yeah.

Speaker 1 (57:39):
So he like, I'm about to walk out. He's like, nah,
you good, Yeah, just don't sit on the front row.
But I'm like, oh, that's flygas.

Speaker 2 (57:52):
You something like Martin at the sky Box. I was like, yo, you.

Speaker 1 (57:58):
Tell him, hey, Nigga, Yeah, Nigga get out. Yeah yeah,
I was on that but yeah, yeah, nah dope, dope moments.

Speaker 2 (58:03):
Man, But what is that?

Speaker 3 (58:05):
I mean again, you just you're a student of the
game of hip hop, so you know, to have that
type of access one, but then to have those moments
with the guys that you know, you looked up to
and you had posters on your wall of these guys
and then to be in the same room with them
and have those you know, those encounters like what is
that that has to let you know as a person like, Okay,

(58:27):
I'm doing something right, Like I'm in the room with
my heroes. They acknowledge me. They you know, they like
what I'm doing. They love what I'm doing. You have
to kind of walk with that, Like.

Speaker 1 (58:38):
And just got a brand new fan. Nigga was, Yeah,
I was jay Z Nigga. I was rapping to the
niggas on the wall. Nigga like you hear this ship?
Yeah you know what I'm saying, what's the what's the
sheet loops line? Where He's like, yeah, I wrapped to
Biggie and I swore you move like right.

Speaker 5 (58:53):
You know what I'm saying. I used to do ship
like that.

Speaker 1 (58:55):
I used to like write these niggas rhymes and put
my name in the in the in place of that
name in the verses.

Speaker 2 (59:01):
Yeah, you know what I'm saying.

Speaker 1 (59:02):
So I used to love these guys are like superhero Yeah,
so like just to see them like embrace me and
take me on tour or like Andre three thousand come
to a show that's like nigga. Yeah, yeah, I'll be
telling my brother every day, nigga can't fuck with me.

Speaker 2 (59:22):
Yeah, you can't fuck with me for real, nigga.

Speaker 1 (59:24):
But we be playing like that and ship, but yeah,
I be telling niggas man like I used to always
tell everybody like Yo, I'm gonna do this ship.

Speaker 2 (59:33):
I'm gonna be serious about this ship.

Speaker 3 (59:34):
So all right, So we got the kumbay y'all ship
out the way, got all the kumbay y'all ship clip.

Speaker 5 (59:42):
Yeah, all the kum bay y'all ship.

Speaker 2 (59:44):
I just let's let's get We got the kombay y'all.

Speaker 4 (59:48):
My lord, We're done saying, God, the three stacks, all
that high frequency.

Speaker 3 (59:55):
It's beautiful. We to cried about the kids love the kids. Yeah,
but let's let's see some blood. Yeah, let's get to
this ship. Yeah yeah, kids all right. So the kids
is good with their mama.

Speaker 2 (01:00:07):
They're good.

Speaker 3 (01:00:08):
So the other day on on Twitter, somebody said, uh,
it ain't a nigga on this earth that can rap
with j I D not one and Nick Grant Music.

Speaker 2 (01:00:19):
Nick Grant Music retweeted that we said his whole government music. Yeah.
He retweeted that with five baseball cats, I should have
put in. Yeah. So let's let's talk about it.

Speaker 3 (01:00:35):
So why did you Why did you respond with cat
because it was cap Is it because you don't feel
like j I d is?

Speaker 1 (01:00:43):
Uh?

Speaker 2 (01:00:43):
Well, first of all, is I feel.

Speaker 1 (01:00:45):
Like I think I think you don't? I think you though,
I think you know people that like him. I just
think I'm better.

Speaker 5 (01:00:51):
M hmm. I suppost feel that I think I'm better.

Speaker 2 (01:00:55):
Okay, hold on the match.

Speaker 5 (01:00:56):
Do you feel that way?

Speaker 2 (01:00:57):
Yeah? Okay, I love you as you my man?

Speaker 4 (01:01:01):
No, No, not because of that. No, Jed, I think
is is a high level lyricist. But yeah, I would
take I would take you versus JID and in a
battle for sure.

Speaker 2 (01:01:12):
Yeah.

Speaker 3 (01:01:12):
Not because Nick my man, but I fuck with Jid
fuck with you, I d but again, I mean, I mean,
I though I fuck what.

Speaker 2 (01:01:21):
I like him. I think he could rap. He definitely
definitely wanted the the fun, all the school by ship. No,
I'm on Jid side. What's up? Jed is smoking and
I'm gonna actually tell like actual facts.

Speaker 4 (01:01:35):
If you've looked at from the younger generation right now,
I'm not sure if there are people that can rap
with Jid the way Jed is showed up in the
last five to six years when it's come to making music,
when it's come to guests versus anytime Jid shows up,
everybody starts.

Speaker 5 (01:01:50):
What they're doing.

Speaker 2 (01:01:52):
Why do you think you could take jig? I'm just
better see you feel like we gotta go studio to night.

Speaker 5 (01:01:59):
I can show you.

Speaker 2 (01:02:00):
Yeah, all right, yeah I went. Don't this gent on
my behalf. I'm not part of no, I'm not part
of dreaming No no no.

Speaker 3 (01:02:07):
But this is like like we said earlier, I like
where we're at in rap where if yeah, it's just
competitive rapper feels like they're better than homie and then
you get in the booth and lay it down. I'm
with that, like we just saw with Joey versus everybody
in the West Coast. Everybody start putting out they records
the next day.

Speaker 2 (01:02:25):
I like that type of ship.

Speaker 3 (01:02:26):
Right now, we'll push your you know, just talking about
his discrepancies with with Travis. I'm just glad niggas ain't on.
I g live talking and all, like, I don't want
that you as a rapper, got a problem with another rapper,
or if you just feel like another rapper is not
as dope as you, prove it, get in the booth.
Let's hear some balls for it. I'm always for the rap.

Speaker 5 (01:02:47):
Yeah, that's what That's what I'm you know. It's hard
for me to like do this because people feel.

Speaker 2 (01:02:51):
Like trying to be all right, the objective fan.

Speaker 5 (01:02:56):
But I'm just like, I'm it's spoiled nigga, Like any
nigga on the court, Like, hey, let's who.

Speaker 2 (01:03:03):
Better than me?

Speaker 5 (01:03:04):
Show me why this motherfucker's so dope?

Speaker 1 (01:03:06):
Hm, because I might not I might not see it,
or I might be like, oh, he cold, or you know,
they want to try my hand as you know, shooting
a couple of shots.

Speaker 4 (01:03:16):
Why I picked you over Jid is I've been a
Jid fan for a long time. But it's always been
off music. He raps really well and makes really good
songs and knows how to blend into a song while
rapping really well, which is probably the hardest thing to
do on fucking Earth.

Speaker 2 (01:03:31):
I've seen you do that.

Speaker 4 (01:03:32):
Plus I've been a fan of just your freestyle destroy
everything for a decade. Jid has done that before, but
probably not the same clip as you. But I've also
never seen either of you in a battle. So now
I'm sitting here like I don't even know who I
would pick because I've never seen either of y'all.

Speaker 2 (01:03:53):
Go put your money on.

Speaker 5 (01:03:57):
Your money.

Speaker 2 (01:03:59):
Who's your Because if you've never seen it publicly, you
know I have seen my get lost publicly.

Speaker 4 (01:04:06):
Yeah, I make a bet with with Eve or somebody
by somebody. I'll make a bet bury my guy that's
his manager. Very we can do a bet on on
On and Nick.

Speaker 2 (01:04:20):
Yeah.

Speaker 4 (01:04:21):
And by the way, I love the Jit and Offset
record that's out right now. I'm excited that is about
to do this.

Speaker 2 (01:04:25):
But listen, if if Jim want to get in the
ring the way, give me a line real quick. See,
I don't like that. I don't like that. I don't
like that, boy, give me a line from don't do
that to me. I don't like that. I'll be talking
with this nigga about some niggas. I'm like, yeah, he
give me.

Speaker 4 (01:04:42):
It was funny the strategy I use in arguments. I
hate when people do it to me because I say that,
of course, like no, no, don't see that's I'm fair.
Give me any line, he said.

Speaker 2 (01:04:52):
Records albums like.

Speaker 5 (01:04:53):
Give me, give me a line, give me like some
phenomenal line that that a nigga said.

Speaker 2 (01:04:59):
Do we have voicemails?

Speaker 1 (01:05:04):
This is tell me what I need to know. Give
me some crazy ship that I've said, you want your boyemail?

Speaker 2 (01:05:10):
See, let's keep it.

Speaker 3 (01:05:11):
I got a bunch of nick lines just on his
last album. I took it personal. I was listening to
earlier today. You said, uh, the the line with your
dad my dad felt sick at forty d twenty twenty something.

Speaker 2 (01:05:23):
It's something adding up.

Speaker 5 (01:05:24):
Niggas can't fuck with me.

Speaker 2 (01:05:26):
But that was hard. That was hard that. I'm not
like that was a hard bar. I appreciate. Not a
nigga dope man, he dope, I know.

Speaker 1 (01:05:35):
Not, but if you if you want to, I'm not
just talking ship because I'm I'm always prepared for whatever,
but now he dope.

Speaker 5 (01:05:40):
I'm not taking nothing away.

Speaker 2 (01:05:41):
From is it?

Speaker 3 (01:05:42):
Is there any what's what's does Nick Grant's list of
MC's that gut that that you want to see? Like,
I gotta, I gotta. I want to get on the
court with him. I got to see if he's really
as good as they say is yo?

Speaker 1 (01:05:52):
I'm a Kendrick fan, bro I like you know, when
he was talking to me like that, you know, I
have the utmost respect for him, But I also like, yo,
I want to I don't.

Speaker 5 (01:06:01):
I don't want to rap beef with the nigga. Just like,
let's go back and forth and forth on the verse.

Speaker 2 (01:06:05):
What do you think would be more valuable? Let's say, Jid,
for example, since we just you know, joking around with that, HM,
would y'all want to get on a record together? We
did that already, I know. But I'm saying with this
type of scenario, he never read it out. Did it
come out? No? See, I don't like that. It's not fair.

(01:06:26):
Why how to be objective? Yeah, Jid? Something I mean
with labels? What's going on with his rollout and ship?
Like I'm saying, it's Jim's fault.

Speaker 3 (01:06:35):
I'm just saying, if if if if two dope rappers,
two dope mcs have a record together and it don't
come out, I don't like that it didn't come out.

Speaker 2 (01:06:42):
I'm not saying a man I agree. I'm saying Jid
stopped it from coming out here, but you never know
how that should. That may not be like a thing
Jid did, is what I'm saying.

Speaker 3 (01:06:48):
I'm not saying he did. I'm saying I don't like
the fact that we haven't heard that. Okay, that's the
ship that have no I've heard it, That's what I'm saying.

Speaker 5 (01:06:55):
I don't like that I ain't heard it since we
did it.

Speaker 2 (01:06:58):
Oh, you didn't get a bounce the song.

Speaker 5 (01:07:02):
The song wasn't even finished.

Speaker 2 (01:07:04):
Yeah, I mean I get that, but I mean I
mean he said he was going to do finish it later, okay,
and we never got it. We never got it, Okay.

Speaker 3 (01:07:13):
Well I like that.

Speaker 4 (01:07:14):
See what Jid notoriously takes his time with everything. That's
like a very known thing cool scenes like Ji takes
his time.

Speaker 2 (01:07:25):
I respect that. So I'm say pop consumer and if
you say, yo, man, finish my quaes.

Speaker 4 (01:07:34):
What what Joey and they like praying all them you
would you rather do that or would you rather just
get on one record together.

Speaker 2 (01:07:42):
And see who could? I want to do that.

Speaker 5 (01:07:43):
I want to do what they were doing. Okay, I
want to do with him. I want to do what
they was doing.

Speaker 2 (01:07:47):
What do y'all think is more valuable at this point monetarily?

Speaker 1 (01:07:53):
I think I think what they was doing was what's
better monetarily, opportunity wise, like, and it's people that's never
heard of Rayvaughn facts.

Speaker 2 (01:08:03):
And I'm not saying he didn't get that r C
A deal because of that, but definitely, yeah, for sure.

Speaker 1 (01:08:09):
And he's super smart for like engaging in that. But yeah,
like I think I think that helped. I think that
created like, oh, this is a new phase, this is
a new even. I think it even helped Daylight.

Speaker 2 (01:08:21):
Mm hmm.

Speaker 5 (01:08:22):
You know what I'm saying.

Speaker 4 (01:08:23):
This is gonna hurt me to say because I'm here
to be objective. I think the only person that lost
some of lore on that entire thing was Daylight.

Speaker 5 (01:08:29):
No, he definitely lost. He lost, for sure, But as as.

Speaker 4 (01:08:33):
Like me had Daylight Alien you're up here. That was
the first time I felt like daylight was human.

Speaker 5 (01:08:40):
I think it translates different on beachs.

Speaker 2 (01:08:43):
But I've heard daylight rap.

Speaker 4 (01:08:45):
We said before the whole thing popped off, I always
felt surf in daylight with the two best battle rappers
on beats, like I've heard daylight smoke some ship mm
hm for sure that was I was shocked that it
went that way.

Speaker 2 (01:09:00):
I wasn't okay.

Speaker 1 (01:09:03):
I think it's just I think when you're battling, it's
just not cerebral. I just think it's like all style,
and you know, I think I think a nigga in
the corner cracking jokes has more experience in a battle
than somebody who's super cerebral.

Speaker 4 (01:09:19):
Why do you think it's different now with fifty doing
how to rob? And what was that ninety nine two
thousand to now, if you just wanted to actually tonight,
if you just win this studio and disjid with no
real issue at all, just for the sport of it,
you'd be looked at as a.

Speaker 2 (01:09:36):
Cloud chaser for sure.

Speaker 4 (01:09:38):
What happened in rap where that was the case, because
everyone you should just shoot each other with no reason
to shoot.

Speaker 1 (01:09:44):
Everybody want to participation in trophy. You know what I'm saying,
everybody just want to.

Speaker 2 (01:09:49):
You know, when did that stop?

Speaker 1 (01:09:51):
That's the only people why I've been holding back from
a lot of people because I'm like, I don't want
to be looked at as that guy. I still gotta like,
you know what I'm saying, and I'm not going to
let this person you know, highlight what I'm doing.

Speaker 5 (01:10:07):
You know what I'm saying. It just got to make sense.
That makes sense. That's not just him, that's anybody.

Speaker 2 (01:10:13):
I mean, even with everything now, we get so much information.

Speaker 5 (01:10:17):
Mm hmm.

Speaker 4 (01:10:18):
I don't think it'd be weird if two rappers agreed
because we know what the Joey thing was behind the scenes.
For the most part, everyone knew what type of time
it was. It's not gonna get violent, like we really
just doing this for sport. Why couldn't you and Jid again,
for example, tell the world like, yeah, now we cool.
We just decided today we just want to rap against
each other, Like why can't that happen? Why would the

(01:10:42):
public look at that weird? Like yo, y'all doing weird shit.

Speaker 2 (01:10:46):
No, we just both think we could rap, and we
decided today that we was gonna rap.

Speaker 3 (01:10:50):
Well, because now it's it's you know, the beef or
battle is looked at like a rollout or like a clout.

Speaker 2 (01:10:57):
Where have y'all been Listen? I told if we go
back to the first hip hop record, it might be
a disrecord. Did you guys just show up here the
first hip hop.

Speaker 3 (01:11:06):
Record, the MC might be thising somebody on that ship.
You might be thising another's that's the way. That's the
foundation of this thing.

Speaker 2 (01:11:14):
That's what it is.

Speaker 1 (01:11:16):
What's wrong with that? It's nothing wrong. It's this new
generation of insecurities. Insecurities, you know what I'm saying. Like
people like the ego is like it's different now, it's
before social media. It's not constantly in your face. If
a nigga win, you know what I'm saying, they posting
that for hours. You can't even do the thing that

(01:11:37):
you're addicted to. You can't even look at it, like
I'm caught up, Like this is how they viewing me.
You think, and you think it's the end of the world.
Just as a rapper, you think it's the end of
the world. When you lose, you know what I'm saying,
And then you got somebody telling you every second that
you lost.

Speaker 2 (01:11:51):
It's tough.

Speaker 4 (01:11:53):
I mean, but I've only seen that happen twice in
my entire life. M hmm, Traking, Kendrick, joh Ruling fifty cent.
And by the way, all four of those people are
doing completely fucking fine.

Speaker 2 (01:12:08):
Yeah, yes, what moment, it ain't cool. Yeah, I get it.
I'm just saying everybody's fine.

Speaker 5 (01:12:18):
Yeah, man, it depends on what you.

Speaker 1 (01:12:21):
I mean.

Speaker 4 (01:12:21):
The John fifty ship is. I'm just about the rap ship. Yeah,
getting with you, Joe is doing fine. If you knew
what John got for a fee to do a show. Yeah,
like when he got killed, he lost it. Yeah, absolutely,
his career was over.

Speaker 2 (01:12:36):
Yeah that's hilarious.

Speaker 4 (01:12:37):
Yeah, but nah, and you see, I mean ship. I
thought Ray lost that to Joey Badass again. I think
Ray put his his hours in the r C A
doal TD relationship. I don't think it's just the battle,
but look what came out of it.

Speaker 2 (01:12:49):
Rain fucking lose right now for sure? For sure?

Speaker 4 (01:12:54):
And even with Jid, Like again, we're just using this
as an example. He putting his single while with Offset.
Let's say he lost, JA wouldn't fucking lose.

Speaker 2 (01:13:04):
He's Jid. He makes great music. Hmm.

Speaker 4 (01:13:08):
I think that would just bring more hype around what
was going on. No one is doubting Jid's pen No,
Like I'm not talking.

Speaker 2 (01:13:15):
About Nick versus.

Speaker 3 (01:13:17):
I'm not gonna say rapper, but yeah, like that, you
know somebody that could rap. You're not gonna lose. Yeah,
I think it's it's a lot. It depends on how
you looking at it. You're gonna lose, but you're not
gonna lose like when I'm kicking ass. Yeah yeah shit,
you know like if he got me and he kicked
my ass, but you're and that hurts. That's a that's
a whole nother thing like as artists that people were,

(01:13:38):
at least me, like, yeah, I had a homeboy man
when I was growing up. This motherfucker used to kick
my ass. Yeah, like every day, come on, let's batle,
let's battlet's battle. I think the last time we battled,
like we will always go back and forth, but he
was like ready every day.

Speaker 1 (01:13:54):
I'm like, man, we got a battle. He checked me
on my ship. Yeah, last time we battle, I got him.
But he was the guy that made me like super sharp,
like young, and I just think, man, you know we
lost that man, Like that's what I be telling it's
just rap, bro.

Speaker 2 (01:14:12):
But that's that's actually the only good thing about this
Microwave era.

Speaker 4 (01:14:16):
Like shit, even when we have like bad pod episodes,
fans be like, Yo, this week sucked. We're coming back
three or four day week. There's so much redemption in
this Microwave era that I think people forget about, Like
this Joey Badass race that that was great.

Speaker 2 (01:14:34):
People are going to move on. They move on, right.

Speaker 4 (01:14:37):
We care about what your next ship is at this point.
So yeah, you could go out and battle anybody, and
if you lose, I promise you'll be fine.

Speaker 2 (01:14:46):
If you continue putting out dope shit. I want to
see it, Like I want to see you in the
jid tray. I want to see that. Yeah, I want
to see it. What not? I was speaking in general,
but yeah, no, I want to see it though. I
would love to see that. The hip hop head in me.

Speaker 1 (01:14:59):
You ever seen like when he had the ball and
he was doing this, See he had the ball like
he was keeping away from Lily.

Speaker 2 (01:15:12):
See.

Speaker 3 (01:15:13):
Now, that's why I want to see you see the
ship that Nick talking. I want to see that. As
a hip hop consumer, I need to see that.

Speaker 1 (01:15:21):
I say this everybody knows though. Everybody knows, they know,
everybody knows. You know what a beat though, cameras on, Yeah, yeah, yeah,
raise your mooys.

Speaker 2 (01:15:37):
I'll tell you what. Come on, let's do a record.
Send it to me. I got you, bro, yeah, fake
kicking it. Yeah yeah.

Speaker 5 (01:15:44):
I don't be like that ship like that because I'm yeah,
you know, because I'm a nigga.

Speaker 1 (01:15:48):
My word, if I say I got you, I got you,
it might not be in the time frame you want
me to do it, but I'm gonna do I'm gonna
get to it.

Speaker 2 (01:15:54):
I'm gonna get to it.

Speaker 4 (01:15:55):
But you know, I'm you gave me a twelve hour
turn around up to the studio, I was like, yeah,
I'm here.

Speaker 1 (01:16:04):
I just like to rap though. I just love rapping,
win and lose draw. I just want to rap. I
feel like that's that makes you know, That makes me better,
That makes the artists better, that makes hip hop better,
that makes the culture better, that makes you know, that
keeps everybody in tune, that keeps everybody happy.

Speaker 5 (01:16:19):
So yeah, that's just what I'm on.

Speaker 4 (01:16:27):
Well, can I can I see how deep the lyricism
rabbit hole goes down? I came up with a segment
while you were on your way.

Speaker 5 (01:16:35):
Man, it don't make me feel like I don't know ship.

Speaker 2 (01:16:39):
No, it's gonna be great.

Speaker 4 (01:16:41):
Me and P's were kicking it trying to trying to
think of a segment. I'm not gonna say that Chad
JBT helped us out, but maybe they did. So we
came up with this idea of bars versus Yelp.

Speaker 2 (01:16:54):
Yeah, bars versus yeo?

Speaker 4 (01:16:56):
Can you decide if this is a rap bar or
if this is a YELP review? Is how our segment
is gonna go here?

Speaker 3 (01:17:05):
Okay, I might get all of these wrong, because this
is gonna be funny though, because if I feel like
a bar is a Yelp review, that's fucking hilarious.

Speaker 4 (01:17:14):
So in our first segment of bars Versus Yelp featuring
Nick Grant, we're gonna start at number one. You guys
can look at the screen. I paid eighty dollars for
brunch and still left hungry.

Speaker 2 (01:17:28):
I hope a rap's yeo, I hope.

Speaker 4 (01:17:31):
So thank you guys, gonna get yourself in looks.

Speaker 2 (01:17:35):
That's what I said. I got to tell us, you
guys have to guess this is a rapper YEP review.

Speaker 5 (01:17:41):
Now I'm saying after if it's if we're wrong and
a rapper said it.

Speaker 4 (01:17:44):
Oh, I'm gonna tell you, guys, I'm gonna tell you
the city and star reviewer. No, we didn't make any
of this up. These are real Yelp reviews and real rapper.

Speaker 3 (01:17:55):
I'm gonna say, I'm gonna I'm gonna say, yop, I'm
gonna say, I paid eighty dollars for brunch, is still
left hungry.

Speaker 2 (01:18:01):
I'm gonna say that's yo. That is a bar. Larry
June breakfast and Monica. Larry said that lifestyle trap.

Speaker 5 (01:18:10):
I get it, I get it, I get it.

Speaker 2 (01:18:12):
I fun with him, though I fuck with Larry with him.
The wings were mid, but the eye contact was rare.
Now that better not be yo. I'm gonna say that's
a bar. Hmmm. The wings were made, but the eye
contact was That might be a bar. That sounds it

(01:18:34):
sounds like a set up to something else. Yeah, you
are wrong.

Speaker 4 (01:18:38):
That is a real four star review to a dive
bar in Philadelphia, Pennsylvania. The only reason I'm not putting
the restaurants is because we did that last time. Yeah,
so I'm I'm I'm these are real.

Speaker 2 (01:18:51):
I promise. I'm just gonna put the case were mid,
but the eye contact was rare. Whoever say that nigga
need to be a rapper, But that's what I'm saying.
It got some ship to get off that. Yeah, I
fucked with that. The wings were made, but the eye
contact was red. All right.

Speaker 4 (01:19:07):
Number three, that's hard. The lobster was unseasoned, but the
breakup was well done.

Speaker 3 (01:19:14):
The Lobster was underseasoned, but the breakup was well sam.
If this is a Yelp review, it's some niggas out here.

Speaker 2 (01:19:22):
That's dope. The Lobster was underseasoned, breakup was well done. Hey,
that might be. That's I'm going, yo, I'm going bar niggas.

Speaker 4 (01:19:33):
In fact, correct, this is three star review on a
very famous seafood spot in Miami.

Speaker 2 (01:19:38):
You know how I got it though, because it sounded
like the last season.

Speaker 4 (01:19:44):
The Lobster was underseason but the breakup was well all right,
next one, the bill came, and so did the silence.

Speaker 2 (01:19:53):
The bill came, and so did the silence. That's a bar.
Oh yeah, that's a bar that the bill came. Silence,
that's a bar. That's our guy. I d K crying.

Speaker 1 (01:20:02):
Yeah, okay, okay, yeah, yeah, I heard a nigga say
something like that, like, yeah, getting the phone when the
beer was coming.

Speaker 2 (01:20:11):
That's that's the ball. That's a bar.

Speaker 4 (01:20:13):
Next one, the burger fell apart in my hands, just
like the last relationship.

Speaker 2 (01:20:20):
Yo, the same nigga. This was a two star review
in Portland, Oregon.

Speaker 3 (01:20:27):
The burger fell apart in my hands, just like that's Yo.
That's Yo, because be rapping by Yeah, yeah, no, that's Yo.

Speaker 2 (01:20:36):
That's definitely Yo. We're gonna stay on theme with this
next one. She talked over the waiter, then over my heart.
It's a bar. That's a bar. That's a bar that
don't even know who you see, we already saw the
Yelp reviews may be leaving like real this is because
this ain't even about the restaurant. Yeah, this is a
real relationship. Yeah, this is a bar. That's Mick Jenkins Martyrs. Absolutely,

(01:20:58):
that's a bar. The table next to us got their
food faster and their relationship seem healthier. That's oh, that's you.
That's yo. Oh. I thought that was a hard bar.
It could be a bar.

Speaker 5 (01:21:10):
That's that's yo.

Speaker 2 (01:21:13):
That's a brunch spot in the Lower East Side we
gotta go.

Speaker 4 (01:21:19):
We gotta go to these spots. This is crazy, you
gotta go to these spots, Josh. Next one, I got
a room at the top. The view was made, the
steak was cold, and the waiter had an attitude.

Speaker 2 (01:21:30):
That's yo.

Speaker 3 (01:21:31):
I got a room at the top, the view mid
the steak was cold, and the way that I'm gonna saying,
that's yop, yop.

Speaker 2 (01:21:38):
That's Freddy Gibbs. Real what. I've got a room at
the top the view.

Speaker 4 (01:21:46):
I had to like take out bars. So you guys
couldn't realize everything rhymed, so you can't see the scheme.
But yeah, no, that's that's what I'm like.

Speaker 2 (01:21:55):
Rhyme. No, it does rhyme when you all right, I
want to know what Freddy said right after that. We're
supposed the real lyrics. See, I wouldn't know what Freddie
said right after that, all right? Next one, too much
pepper on the shrimp, not enough sol on the gumbo. Oh,
that's yo.

Speaker 3 (01:22:13):
Too much pepper on shrimp, not enough soul in the gumbo. Damn,
I want to say that's a bar. Too much pepper
on the shrimp, not enough soul in the gumbo.

Speaker 2 (01:22:26):
That's Yo, I'm gonna say yo. If you thought it
was a bar, who would you think it would be?
Too much pepper on the shrimp, not enough gumbo. That
might be too change. That'd be a great guess. This is,
in fact, not a yelp review. This is a bar.
This is big crip my sub part too. Oh, that's
a big crip bar all day. Ship. See.

Speaker 3 (01:22:42):
I was thought that sounded like a two change bar.
Too much pepper on the shrimp, not enough soul in
the gumbo, and.

Speaker 2 (01:22:48):
The inflection too much. Yeah, he was on the shrimp,
shrimp not enough all right? Next one, the chicken pink.
But I ain't complain. She cooked it with love. I
took it with the pain. Oh that's a bar. Or
this is to throw y'all off.

Speaker 5 (01:23:09):
Nah, that's a bar, all right?

Speaker 2 (01:23:11):
See but Roy, that's now hold one. That's why this
is whack because you adding sauce to it and it's
a yell reviewer. You making it feel like a ball.
That's that's fucked up. We didn't set the rules for this.
This is our first time doing this segment. The chicken
pink is funny, though, the chicken pink, But you've been
there before. And I'm trying to hear it like in
a rapper's voice. The chicken pink. But I ain't complain, said,
ye love, I took it with pain.

Speaker 5 (01:23:33):
Let me know what you say, bar, I don't say
a bar.

Speaker 2 (01:23:35):
I'm gonna say that's Conway the machine. Yeah that average, Yeah,
that's a bar. That's a bar. That's a bar, all right.
Next one, I asked for no onions and she gave
me a lecture on character. That might yeah, that might
be yell the fire part of the last bar, But no,

(01:23:56):
I was gonna seal that you might have knew him.
That's crazy.

Speaker 4 (01:24:01):
That's a real YELP review from an Oakland vegan soul
spot god.

Speaker 2 (01:24:08):
Action for no, she gave me a lecture on character.
That's hilarious. That's crazy.

Speaker 5 (01:24:12):
You found how you find you seem to be like.

Speaker 2 (01:24:14):
In a coffee book, like all right. Next one, I
got high and cried into a chicken sandwich. That gotta
be a bar. That's yep. Nobody saying that on yep.
I got that's a bar. Man, that gotta be a
who do you think it'd be from?

Speaker 3 (01:24:33):
I got high and crowd into a chicken sandwich. That
gotta be my man. That gotta be ah. Either that
would be either Action Bronsing or damn, what's my man?

Speaker 2 (01:24:50):
What's damn? What's I'm going? But what's my man? From
New Orleans Currency Currency.

Speaker 4 (01:24:55):
Currency has a lot of food. Yeah, all right, so
this is in fact a fire five star YELP review.
What I'm gonna say the restaurant because it's the chain.
This from Harold's Chicken in Chicago.

Speaker 2 (01:25:06):
Oh my god, I got high. Crowded to a chicken
sandwich is a real yelp.

Speaker 4 (01:25:11):
Me and PG have definitely gotten high and cried to
a sick chicken sandwich together in Chicago, that.

Speaker 2 (01:25:15):
Is, because why are you saying that in a rat?
That's crazy? All right?

Speaker 4 (01:25:20):
Next one, the rice ain't done, the bean still hard,
and the kool Aid tastes like cardboards.

Speaker 2 (01:25:25):
I hope that. If not, I need to hear it
the rest of that escape right.

Speaker 3 (01:25:31):
That's yeo man, all right, you guys would have guessed
this some spots that served kool aid, for sure.

Speaker 2 (01:25:38):
If you guys would have guessed what rapper would be?
Who you think?

Speaker 3 (01:25:40):
The rice ain't done, the bean still hard, and the
kool Aid tastes like cardboard. Uh, kool Aid, Rice and beans,
p D crack Ross. That's boosy, badass. Oh my god, mind,
this is a real book. Only this only be boozy

(01:26:03):
kool aid. Gotta be said, though it's so detailed.

Speaker 2 (01:26:08):
How do we not picked that?

Speaker 5 (01:26:09):
I should?

Speaker 2 (01:26:09):
I should know that, all right? Next with that, Nigga
said that ship that's boosy. That's crazy. She left her
feelings in the uber with my leftovers. She has feelings
in the uber with my leftovers. Damn. I hope that's
a bar. She left her feelings in the uber.

Speaker 4 (01:26:29):
Nick Nick kind of been bat in a thousand he
could tell. He can tell when she is outside of
the boy ship. He told everything correctly.

Speaker 2 (01:26:35):
That's a bar. Yeah, Brent Fires, you kind of see
how niggas is writing it. Yeah, she left her feelings
in the uber.

Speaker 4 (01:26:42):
I don't know if you're leaving out though some definitely. No, no, no,
I didn't edit anything. I just I took out like
the schemes on certain ship. But no, I mean that
I would write that in a heart beat. You never
felt that way, for sure. But at the same time
you were at the bar. People yelp, now are like
doing this type of ship. They're putting reviews like bar form.

Speaker 5 (01:27:05):
Yeah, that's crazy, all right.

Speaker 2 (01:27:08):
Next one, the room smelled like Broken dreams and Champagne.
Oh that's a that's a bar. The room smell like broke.
I have been to restaurants to smell.

Speaker 3 (01:27:17):
Let me take that because this could be a hotel review.
That could be a club review too. The room smelled
like No, it's the room.

Speaker 2 (01:27:24):
So that's like a hotel room, like Broken dream private
room or restaurant.

Speaker 3 (01:27:29):
Okay, the room smelled like Broken Dreams of Champagne. I'm
gonna say that's a bar.

Speaker 5 (01:27:33):
I'm gonna say that's a Yelp review.

Speaker 2 (01:27:35):
Most correct. That's Freddy gets Scotty Bean. There you go.
The room smell like Broken dreams of Champagne. All right.

Speaker 4 (01:27:41):
The next one is is a little easy, but it's
for fun. Ordered surf and turf with a tech in
my lap.

Speaker 2 (01:27:50):
Look, it might be turf for the tech in my lap.
That might be the hardest one.

Speaker 4 (01:27:55):
I don't know that that is in fact a Yelp
review left by Conway of the machine. No, it's Conway's first.
Next one, I ordered that Alfred Opasta.

Speaker 2 (01:28:12):
Then ate it in the kitchen. Oh that's a bar. Yeah,
that's a bar.

Speaker 5 (01:28:17):
Ain't let niggas in the kitchen.

Speaker 2 (01:28:19):
Yeah, that's a bar. Drake no telling, Yeah that's a bar.

Speaker 1 (01:28:22):
I gotta have some privilege to go back there. Yeah, yeah,
that's ye're just eating it.

Speaker 4 (01:28:27):
No, but it's funny the yelp reviews that I left off.
This is a lot of men bragging about what they
did for their bitches.

Speaker 2 (01:28:33):
In the restaurant. Yeah, that's crazy.

Speaker 5 (01:28:35):
Like all the ship.

Speaker 4 (01:28:36):
I was like, it wouldn't even be fun because it
sounds like straight up bars. That ship sounded like hove
lines in some of these Yelp reviews.

Speaker 2 (01:28:43):
You know, I need these in a in a book though.
For the coffee table though, all right. Next one, Josh
ordered two plates more for the duck fat than the taste.
I ordered two plates just because it rhyme. Don't mean yeah, yeah,
just because you don't understand them, don't mean any nice

(01:29:03):
because he's wearing coofye, it don't mean right.

Speaker 3 (01:29:06):
I or the two plates more for the duck fat
than the taste. I'm gonna say that's a bar man.

Speaker 4 (01:29:12):
That's a Yelp review mass in fact correct, that's action
brought in brunch.

Speaker 2 (01:29:17):
Next one ordered the grouper. Tell the chef, I'm serious,
that's west Side. That does sound like it's not west Side,
but ordered the group of till the chef. I'm serious, serious,
that's Rick Ross triple platinum. Yeah, ordered the group of

(01:29:40):
Tell the chef, I'm serious.

Speaker 4 (01:29:41):
All right, we we get into to the last five.
Now I feel like we we should do head to
head pause. Okay, because you guys have Nick smoked you
in the first half, but you've definitely redeemed yourself.

Speaker 2 (01:29:52):
All right.

Speaker 4 (01:29:53):
Oh and it's easy for from all. Now I hate
some well done seried scallops that were to die for.
That's that's Drake, right, one hundred percent. Yeah, that was
the easiest one.

Speaker 3 (01:30:03):
That don't count scallops anytime. Scallops that where to die for.
Drake is only to rap about seared scallops another rap.

Speaker 2 (01:30:10):
Ain't get that off, all right?

Speaker 4 (01:30:12):
Next one, Josh, the chicken was dry, but not as
dry as her personality as Yo.

Speaker 2 (01:30:17):
That's definitely yo. Yeah, you couldn't put a bar together
that sound that good, but I could tell that that
was Yo. Though. Damn. I feel bad now. I thought
that would be one that would stump y'all.

Speaker 4 (01:30:26):
Nah, that is a real three star review from a
Harlem soul food restaurant that we both know.

Speaker 2 (01:30:31):
Amy rules gotta be no, not Melbour's Melbour's. No, you
guessed it correctly the first time. Oh okay, the vibe
was off, but the lighting was amazing. That's yo, that's yo.
That's Tyler the creator best interest.

Speaker 5 (01:30:49):
Oh shit, rap about the lighting.

Speaker 2 (01:30:53):
The lighting was amazing. Okay, flux lights. All all that
for salad in the solid ride home, All that for
salad and the ride home. By the way, I feel
like this would if Mare rap, this would be his bar.

Speaker 3 (01:31:12):
Yeah, for sure, all that for a salad bar in
the solent ride home. I'm gonna say this is yelp,
that's some life experience ship facts.

Speaker 2 (01:31:21):
This was in the car quiety pay for the meal?
Are you taking bar? That's a bar? Okay.

Speaker 4 (01:31:30):
This is from a West Hollywood spot that only sells lunch.
Why this review was so funny to me was he
spent a whole silent ride home with the sun out,
like I've had bad dinner dates where like sh it
ain't go well, Like like yo, I drop.

Speaker 2 (01:31:50):
You off in the uber two stops type thing. Yeah, no,
it's two pm where he was going from Earth Cafe
for Earth just it's like Earth Cafe. I'm just like yo.

Speaker 4 (01:32:02):
You left her review in the uber with a silent
chick when the sun was out. We get we get
into the bottom here. I don't even like oysters, but
she wanted the experience.

Speaker 2 (01:32:12):
That's a bar. That's a bar. That's a bar. That's
definitely bar. I following I don't even like oysters. Yeah,
that's a bar. That's a bar.

Speaker 4 (01:32:27):
This is a one star, oh my yell review. And
there was an explanation. He got dumped mid appetizer while
she was eating the oysters.

Speaker 2 (01:32:37):
Oh that's crazy. That damn wow, last one we could
close out.

Speaker 5 (01:32:41):
Should have got the lives the motherucker.

Speaker 2 (01:32:44):
The cook got my order wrong, but the blunt made bar.

Speaker 3 (01:32:49):
And you know who that's from. You already guessed it with, Yeah,
that's gone. Nah, that's not that's currency. That's oh ship.
The cook got my order wrong, but the blunt. Yeah,
but the blunt made it better. That's definitely curacy. Shout
to split it. Man, all right, that was cool, man.

Speaker 2 (01:33:02):
I like that.

Speaker 1 (01:33:02):
I like that.

Speaker 4 (01:33:03):
Yeah, we did a little too much, but you know,
I like it though. Yeah, I think it's a new Nick,
we can start to add.

Speaker 2 (01:33:10):
It's a lot of I lost the last one.

Speaker 5 (01:33:13):
Yeah, he fucked me up with that one.

Speaker 2 (01:33:14):
Yeah. The cookgum order on with the blunt made it better,
all right.

Speaker 4 (01:33:17):
You know I already started plotting with page of bars
or porn hub comments. Oh wow, that's gonna be the
next the next one we were on.

Speaker 2 (01:33:27):
That's a good one. That's all right, Nick, I took
it personal.

Speaker 3 (01:33:31):
Available now on DSP's congratulations on a phenomenal project. Stream
that download that follow Nick Nick Grant Music on Twitter.
And it's the same with I G Nick Grant eighty eight,
Nick Grant eighty eight on i G follow Real Rat,
Real Bars and j I D. Clock is no you man,
whatever you want to do, Nick said, he ready for it, man,

(01:33:52):
He ready for it.

Speaker 2 (01:33:53):
My guy. We'll talk to y'all soon.

Speaker 3 (01:33:55):
Be safe, be blessed im that nigga, he's just ginger,
peace boy and nod

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Nick Grant Wants All The Smoke

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