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July 10, 2025 • 46 mins

It's a Thursday Check-In, and today we got friend of the show and legendary Producer Jermaine Dupri on the pod. Jermaine tells us what to expect from the Magic City documentary and soundtrack, Rory pits Jermaine and Mal against each other in a game of "Vegan Dish, Song Title, or Both", and Rory and Mal make Jermaine choose between his hit records. #volume

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Episode Transcript

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Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
And we're back.

Speaker 3 (00:06):
Are back, Yeah, like we always are. Feel like we're
knock on wood. But yes, blessed to be back. Always midweek.
We never do like a midweek check in. I always
do like top of the week and then the end
of the week. That's true, yeah, because usually we're running
around at this point, you know, trying to figure out
what to say to athletes.

Speaker 2 (00:28):
Or what to say to each other. What am I
going to say to Rory today? I don't know. I
don't know how I'm feeling to day man, it is
what it is.

Speaker 3 (00:36):
I'm just thinking about waking up at six am to
driving Jersey traffic to drop tomorrow off at daycare.

Speaker 2 (00:40):
That's from my mind. Is that usually midweek?

Speaker 3 (00:42):
Yeah, but something a little different. I guess this week,
but it won't. I don't know how about that. I
feel like we need more transparency in podcasting.

Speaker 1 (00:51):
Don't know.

Speaker 3 (00:51):
Ball can be tough sometimes because athletes are mid season,
out of season, they have obligations. Zoom is cool, but
I don't know if it's the best we had to
do shit m hm. So if an athlete isn't free,
we'll find a friend, or we'll kick it. We'll find
someone random on the block that Maul grew up with.

Speaker 4 (01:07):
Yeah, let's use the middle of the week to just
like people. Yeah, see how people are doing. It's whoever
we want to talk to, whoever we think about.

Speaker 3 (01:15):
Sometimes it won't be anybody, but it'll be a midweek
check in and we will find random strangers. Like you know,
one day we're gonna interview Josh. You keep you keep
getting mad at me when I try to interview Josh.

Speaker 4 (01:24):
But because you want to interview Josh for like weird reasons,
that's why I want to get to know him.

Speaker 2 (01:29):
You think he's a CIA agent, Like that's why. Possibly.

Speaker 3 (01:32):
Yeah, because we had another amazing person from Volume come
in today and they just they hit it off.

Speaker 2 (01:39):
They they went to high school together. Yeah. I was like,
this seems like some CIA ship.

Speaker 4 (01:44):
Yeah, no, these are two agents.

Speaker 2 (01:48):
Yeah, they were absolutely definitely worked in the same zone. Yeah.

Speaker 3 (01:52):
And the spot they from isn't that big, Like you
don't run into a bunch of people.

Speaker 1 (01:55):
From that spot.

Speaker 2 (01:56):
Yeah.

Speaker 1 (01:56):
Yeah.

Speaker 3 (01:57):
And then my parents went to school there too, so
then my and tennants went up.

Speaker 2 (02:01):
Like.

Speaker 3 (02:02):
Remember that was the first thing I said to Josh.
I was like, hey, my parents went to school here.
My mom and my dad went to school there. So yeah,
then you know Volume sending another person.

Speaker 2 (02:10):
From over there. Agents.

Speaker 3 (02:13):
I see what's going on. So you know that's so
far my midweek checking.

Speaker 2 (02:17):
Yeah. I love the Volume, but you know they may
have some agents.

Speaker 4 (02:19):
Well, I mean this week, we do have some friends
in town. Well, one of our good friends is in
town and he said he's gonna drop by today.

Speaker 2 (02:27):
So yeah, we'll sit and kick it with him.

Speaker 3 (02:28):
Man, So tomorrow we are recording this on a Wednesday.
You're hearing this on Thursday. So today I suppose I
was invited to the clips listening party. I cannot go,
But now I'm scared they're gonna think that like I
didn't go because I was scared, Okay, So like to
help me deal with this conundrum, Mom in I can't

(02:49):
go because he has a going away party with one
her friends.

Speaker 2 (02:51):
And I already agreed weeks ago.

Speaker 3 (02:53):
Yeah, but then I got that that Apple invite and
I was like, man, Marca, watch yourself, she's too.

Speaker 4 (02:59):
He turned the feet. Leave some chicken nuggets out. She'll
be fine, I think. So just close everything offstairs and everything,
make sure everything's closed off, you know what I mean.

Speaker 2 (03:09):
She can't get it too much.

Speaker 3 (03:10):
Yeah, or what what'd that one guy do? He just
left his kids at uh the McDonald's playground.

Speaker 4 (03:15):
Yeah, well he went on the job interview. Yet Now,
you don't want to do that. Definitely don't want to
not a public.

Speaker 2 (03:19):
Place, so be there. But hope, no, no, no, no,
not not when it comes to the kids. But that's.

Speaker 4 (03:27):
That's not what they was talking about. Definitely don't leave
your kids in McDonald's. But no, just you know, just
hit pushing, like listen, bro, want to come, got the daughter?

Speaker 2 (03:35):
Like, no, no, I'm not. I'm They're busy with other ship.

Speaker 3 (03:37):
I wouldn't even do that and they probably wouldn't even
notice that I was there or not. But like my
own ego and Psyche was like, I hope they know.
Like I wanted to go, like I wasn't. I'm not
on the Oval team.

Speaker 2 (03:48):
Just give me the album, man, I just want to
hit the music man. So we had to go to listening.
It did leak the whole album yesterday. Yeah. I have
not seen like m P three files leak in quite
some time.

Speaker 3 (03:59):
Wow, I can you guys remember last time album leaks
like that. We've got like weird leaks like even CLB
at a bunch of random joints, but they weren't done
the final shit leaps wow Yeah, which I have not seen,
And I thought to myself, is that maybe a cool
rollout tactic?

Speaker 2 (04:17):
They don't think the clips are used.

Speaker 3 (04:19):
I feel like they've been doing a lot of old
school like marketing rollout tactics that we have not seen
in a while.

Speaker 2 (04:25):
And it was only up for a little bit like it.

Speaker 3 (04:27):
I tried to go find it and it was gone
by that time, but people had it. I thought that
was kind of like a cool two days out and
you're doing the blog era style rollout.

Speaker 4 (04:37):
Like, I don't think that the Clips is I don't
think they are into those games anymore.

Speaker 3 (04:41):
But I don't think they really care about Well, of
course they care about sales, it's their job, but like,
I don't think their end all be all is like
we need to sell this amount, you know, their independent
slash rock Nation, like it's gonna do what it's gonna do, right, Yeah,
leak it. And first of all, I don't think that'll
take away from any albums solves.

Speaker 4 (04:57):
No, the Clips are already you know, they are who they
they are.

Speaker 2 (05:00):
They have their audience.

Speaker 4 (05:02):
You know, they're always looking for ways to kind of
tap in and you know, reach new people.

Speaker 2 (05:06):
But I don't think that's they're focused.

Speaker 4 (05:07):
I think there they know who they are, They know
the people that support them, know what to expect, what
people have heard, what I've heard so far, I like it.
So I mean, if a leak happened online, I mean
I'm glad I missed because I probably wouldn't clicked it anyway.
I'll just wait for when the album comes out. But
I don't think they are using that as a as
a rollout.

Speaker 3 (05:26):
Can we while we're here, can we pull up the
greatest moment in listening party history. You type in Kanye West,
push your t album listening. Remember when Kanye was off
the Goose and started freestyling Goose right now like he
started hosting. I was there. I saw that in person.

(05:49):
That looks like afghansaport. You turn that up, give us
some balls. I mean you see how he tied.

Speaker 2 (06:07):
The bar together. But yeah, Goose and Loose, that was
so tough.

Speaker 3 (06:10):
It's and then when they push the album dropped, I
tried to like go find that verse. I couldn't know
the genius put that one up.

Speaker 4 (06:17):
I hope not, but I mean, I mean, now they
have an album coming out and Kanye is nowhere near
this music. I think they'll be okay. Oh no, they'll
be fine. It's just you know, it's just funny to
see how things happen.

Speaker 2 (06:29):
Do you think push like in this very moment, was
like two more albums. I think I'm cool. Yeah, I
think this was it. Yeah, yeah, I'm cool more. Yeah.
If I find a loophole, yeah.

Speaker 4 (06:41):
We'll figure something out to get away from this ship
because it's just too much going on right now. But
I'm looking forward to the album, the Dlipse album. I'm
glad I didn't hear No No Leak music.

Speaker 2 (06:51):
I don't want to. I don't want to hear it
like that.

Speaker 3 (06:53):
Yeah, I want to hear it, like actually on Thursday
at midnight. But where's where's the first place you listened
to the Clips album?

Speaker 2 (06:59):
Now you gotta be the car. No, I'll be home now,
will you you could?

Speaker 3 (07:05):
I don't know, maybe order of uber, make sure it's
a woman driver, ask for the auxiliary cords.

Speaker 2 (07:10):
Just I'll be in the house and hit the West
Highway and the crib on the couch. Yeah, yeah, you
gotta like take some piratexes out of do something.

Speaker 4 (07:19):
Nah, because now I got an induction stoke. It don't
even hit the same. I can't even put the pirates.

Speaker 2 (07:25):
On the induction store. Oh yeah, it's this. It's weird now, man.
They're trying to get us away from that lifestyle.

Speaker 5 (07:29):
You know.

Speaker 3 (07:30):
Yeah. When I got my new spot how many years ago,
that was like a main thing that I was looking for.

Speaker 2 (07:35):
At each spot, I had the electric stove. I was like,
I need fire. Yeah, definitely, it hits different.

Speaker 3 (07:42):
But I mean, yeah, I gotta make some type of food.
You could whip up a vegan dish. You could at
least you could use the measuring cups.

Speaker 4 (07:49):
Well, I could use the measuring cups sugar. Yeah, just
get you back in that zone. I don't want to
be back in that I just want to hear it.
I don't I don't need to be there. I just
wanted to hear the music. I don't need to be
in that zone. Just let me hear some good music.

Speaker 2 (08:01):
That's it.

Speaker 3 (08:02):
Do you have a prediction we've gotten the Travis Scott
shots ran into the fucking ground.

Speaker 4 (08:08):
Do we think there's gonna be anymore? I'm hearing Travis.
I'm hearing rumors that he may put out a song
Thursday night as well and then kind of mess with
the sales.

Speaker 3 (08:18):
Well, the jack Boys just put out is that record
out with the video or is.

Speaker 2 (08:22):
That just one of those trailer videos? So I think
it's out.

Speaker 3 (08:24):
Okay, So he's gonna put out another record, all right,
I could see that.

Speaker 2 (08:28):
Then I don't know. Again, this is the clips. They
don't care about that type of They're not playing the
same game. A lot of these other artists are playing
like they don't really care about that.

Speaker 4 (08:36):
Do they want to, you know, the project do well
and be received, well, absolutely, but they're not playing these
these other games.

Speaker 3 (08:42):
And to your point from years ago of when people
are dropping on the same days, like let's say there's
The Iceman episode two on Friday, Yeah, I'm gonna watch
that and then I'm gonna I'm gonna listen to the clips.
I'm going to both will be consumed exactly, and I'll
probably click the Travis song.

Speaker 2 (08:59):
It won't be my first thing. But if I get
around to on Saturday, yeah, just what was going on? Like,
I'm still going to listen to you?

Speaker 4 (09:05):
Yeah, it doesn't that's why when people try to stay
away from and that's because they want that, you know,
they need that number one debut.

Speaker 2 (09:11):
They want that.

Speaker 4 (09:12):
But somebody like the Clips, I just don't think at
this point in their career, professionally or personally in their lives.
I don't think that they're chasing. They don't really care
about that. They just want the music to be received
amongst their fan base the same way all of their
music has been received.

Speaker 3 (09:28):
I do want you to listen on Thursday night, so
Monday morning you can come in with a full rendition
of the Birds Don't Sing John Legend hook, because that
leaked on like one of those Paris fashion shows like
two years ago. I play that on YouTube often. It
has like the high Q version, that's the intro. They
already I'm not spilling anything they said it in interviews. I
kind of need the mall version of the Birds Don't Sing.

Speaker 4 (09:51):
Hook, And I you know, I know people think I
don't like John. I like John Legend. I'm just I
just think that it's a time and place for John Legend.

Speaker 3 (10:00):
So I would, as someone that agreed with you on
that John Legend take, this is one of the better
John Legend hooks I've heard in quite some time.

Speaker 2 (10:06):
No, that's the one from the Yeah Show. You know
that was That song was incredible.

Speaker 3 (10:10):
If you want to give us a little teaser now
that the lyrics are the birds don't sing, they streaming pain.

Speaker 2 (10:13):
I'm cool. I'm cool. A couple of birds don't sing.
I'm cool. I'm cool. I'll let John. Let John have that. Yeah,
n give that one to him. Yeah, let him have that.
That's it. That's all you, John Well.

Speaker 3 (10:24):
I think our guests may be here. I don't know
if there's anything more we should cover. If you guys
have any questions, I don't know. Spam Demarius mentions not
ours make it a her thing. But yes, we are.
We are aware that sometimes the Zoom ship doesn't really
work out with the athletes, even when we have a
great one like I love that Donovan McNabb conversation. I
thought it was incredible. I wish you would have been
If that would have been here, would have been even better. So,

(10:46):
you know, making adjustments and keeping the fans updated as
we go. So it it'll just be weekly checking on Wednesdays.
You'll get you'll get an episode.

Speaker 2 (10:54):
You'll never know who we're going to be sitting with,
but it may be with Mall's twins sister. You never
know who's gonna sit on this.

Speaker 4 (11:02):
We have no idea who will be here, but we
will be here to check in with some of our friends.
And today we have a definite this is family here today.
So let's get into it.

Speaker 1 (11:15):
All right.

Speaker 2 (11:15):
We are back today. We are joined by I think
we're like three for three.

Speaker 4 (11:19):
So far with our three or four people that said Yo,
we're gonna see you in New York when we was
in l A for t weekend. Today we are joined
by somebody that you know, this is this is family.
This is a family affair today one of my favorite people,
legend and every since of the word back once again,
j D.

Speaker 2 (11:34):
Jermaine. How you feeling, bro, I'm good.

Speaker 1 (11:36):
I'm always good to see.

Speaker 4 (11:38):
Yeah, we would give Jay some cla I think I
think pre deserves a roundable. You know, can't open your
phone without seeing JD working, cannot not see him in
the studio. But how's everything going with the album, Magic City,
the documentary, the album.

Speaker 1 (11:52):
I mean it's going.

Speaker 6 (11:53):
It's it's definitely a I'm having like a very big
creative explosion.

Speaker 2 (11:59):
No, you have fun man, I am.

Speaker 6 (12:01):
I'm like that it has actually turned into something that
I didn't see coming at first, Like this, I wasn't
like I was like, Okay, we're gonna do a soundtrack.
And at first I was gonna pick the records from
other people and just hit the records. Then I was
just like that ain't really nothing new, like you know
what I mean. So then I was like, let me
do all the records, and I was like, you know
how that's gonna be. And then that started turning into

(12:25):
me doing all the records and it just turned into
basically a new Jamaine the pre album inspired by the
Magic City documentary.

Speaker 4 (12:33):
JD for somebody like yourself. Obviously, you know it's a
personal relationship we have, but I just like, what, how
do you still find motivation because you've accomplished what most
people can only hope to accomplish, Like at this point
in your career and in your life, how do you
continue to find just inspiration to do something you haven't

(12:54):
done before?

Speaker 1 (12:56):
That's it, you gotta find what you have. I mean,
that's what I'm saying.

Speaker 6 (12:59):
It's crazy, Like you know, like when Christmas time coming around,
people like I don't know who to give a person
who got everything. I don't have everything, you know what
I mean, Like go to the store. That's just you know,
like if saying that there's a cop out, go take
your ass to the story and called me on FaceTime.

Speaker 1 (13:16):
I'll be like, Yo, I see this. You got this?

Speaker 6 (13:18):
No I don't get it. Yeah, I mean like that's
that's basically how life is. Like you sit back and
start thinking you did it everything, then that's how you
address it. I ain't did everything, and like just just
just soundtrack or this record the first record to turn
around record I never I don't even I don't even
have a record with T on my discography. I don't
have a record to change in my discography, and I

(13:40):
don't have a record with drow and my discography for
off Top, that's.

Speaker 2 (13:46):
Yeah, talking about that b T my mind.

Speaker 1 (13:48):
I know what I'm saying.

Speaker 6 (13:49):
So off Top it just that's automatically something that's never
happened before. So it's like, oh, if I start doing this,
you know what I mean. I signed rock O, you know,
to death Jam, but I never made records on rockers.
So now I got a record. I got a record
with rock on this record, So it's like a lot.
All the records that I'm making, I never had. I
never had a song with Travis Porter. Like I'm making

(14:11):
records with the artists that live in the city that
were cool and we great friends and all of this,
but I never had music with That's.

Speaker 4 (14:16):
Just basically because JD was basically too busy making Maria
everybody else, everybody for the city to get something.

Speaker 6 (14:26):
Everybody else was always busy doing what they were doing.
A lot of these artists, they don't need me. So
I'm saying, like, I think, you know, Atlanta's a strong city.
It's like you ain't got to go to JD to
get it hit. I mean, it's a bunch of other
people in the city making hits. That's basically what it was.
And it's just like they doing what they're doing.

Speaker 1 (14:41):
I'm doing.

Speaker 6 (14:41):
I'm doing trying to break the artists I got in
my in my in my in my little circle. So
but this is definitely like you know, I started it
with Tip and when people saying t I do that,
I think they everybody else say Okay, this is what
we're doing.

Speaker 4 (14:55):
What can we expect from the Magic City documentary? Like,
what can we expect?

Speaker 2 (14:58):
A lot of us.

Speaker 4 (14:59):
You know, I was still young, but I was able
to experience Magic City with you. The first time I
ever been to Magic City was with you, So I
was able to experience that for But for a lot
of people that never experienced Magic City, what can they
expect from this documentary?

Speaker 6 (15:16):
Probably a lot more information than they actually even want,
you know what I mean, not not not from listen,
not from a work from the dark side of it though,
I'm saying like information that you, as a customer, will
never know unless you watch this documentary, Like like yesterday

(15:37):
we did lift service and GG you know, GG is
very much you know, titties out in this documentary doing
interviews like we are titties out, like you know what
I mean, like and like and the stuff that she's
talking about.

Speaker 1 (15:51):
I was sitting there like.

Speaker 2 (15:53):
What, yeah, that shit be going on?

Speaker 6 (15:56):
Like what happens downstairs with these girls in the locker
room and how Magic picks the schedule and who goes
on the stage.

Speaker 1 (16:03):
You don't never even be thinking about this.

Speaker 6 (16:04):
We just see it's a whole right, it's a whole
operation to what's going on downstairs in the strip club.
And that's what I mean about information. You probably too
much more information. You actually, even though you want, you
probably don't. Yeah, you know, but when you go back
after you see this, you're gonna be like, you're gonna
be looking at this ship like, oh, this is real business, boy,

(16:25):
this you know what I'm saying. So even me, like
I said, being a part of it, this ship that
they talking about, I can't tell you about it because
I don't.

Speaker 1 (16:32):
I don't go. I do.

Speaker 6 (16:33):
I'm customer, you know what I mean. I drink, get dances.
What's happening under that floor? Yeah, it's a whole nothing world.

Speaker 3 (16:42):
Without too many spoilers. What's one thing that you were like,
Holy shit, I had no.

Speaker 6 (16:46):
Idea that the girls pay attention to whoever the most
earner is. So if it's a girl in there is
earning a lot, because you evidently you start knowing who's
getting the money, they try to like attach themselves to

(17:08):
that girl. So she goes on stage and she usually
make ten thousand on the stage. They say, when she
put a name on the board, girls be waiting for
her to put her name on the board so they
can put their name of the board and try to
be under her. Like I didn't ever, I would have
never thought like that makes that's what's.

Speaker 2 (17:25):
Happening, like the internship program.

Speaker 1 (17:27):
Yeah, I guess. I mean it's like fish.

Speaker 6 (17:31):
I see it like like you're not a little fish
be following. It's like they following the big fish in
the club, the little fish looking for the big fish
when they you know what I mean.

Speaker 1 (17:40):
I would have never thought that it was that type
of party going on.

Speaker 2 (17:43):
But also the same shit though, the same shit.

Speaker 6 (17:46):
Nah, you don't know, I mean, but you don't actually
really see Yeah, I guess you don't see them till
they run up for.

Speaker 2 (17:52):
You with that thing.

Speaker 6 (17:54):
But I'm saying in this space, I think you know,
we don't act like these girls actually see the money
they actually know. Yo, yeah you got I've seen you
make you got five thousand dollars from homes right, I'm
trying to fuck with you.

Speaker 2 (18:09):
How did you do that?

Speaker 6 (18:11):
They come with you, you know what I'm saying. So
I think I mean that's I would have never I
never paid no attention to it.

Speaker 1 (18:17):
Matter of fact, I never even like.

Speaker 6 (18:20):
Bes seeing the girls going to stage, and I never
even question like how they get picked. But if you watch,
if you're in there, the djil say four different names
and then switch the girls out. Them four girls that
go up there, it's a whole conversation. I had them
four girls get on that stage. Yeah, that's you know,
so I mean, that's that's pretty much like that's what
it is. And by the way, in documentaries is the

(18:41):
only place that you're supposed to learn that, you know
what I'm saying.

Speaker 1 (18:44):
You ain't gonna learn that if you just go in
that club.

Speaker 6 (18:46):
So it's a lot of documentary things like that that's
in this documentary.

Speaker 2 (18:51):
And official release dates for album doc everything.

Speaker 6 (18:54):
I mean, I'm trying. I'm trying to meet it. But
the documentary drops August fifteen. I'm on my race to
get this done and you know, chasing artists and making
sure that I finished it. I just had a call
just now about that. So I'm just trying to you know.

Speaker 2 (19:08):
What i mean.

Speaker 1 (19:08):
But it's crazy.

Speaker 6 (19:09):
I got more artists than on this record than I
probably ever had on any project that I've done. And
you know, Clarences and all kinds who's.

Speaker 2 (19:18):
Been calling you trying to get on there, and you're
just like.

Speaker 6 (19:22):
Just the same, right, well, I mean, you know everybody
pretty much. But because I mean, I don't think people understand.
I'm actually it went from the soundtrack rules to a
Jermaine dupre album.

Speaker 1 (19:36):
So when you know, usually a soundtrack soundtrack rules.

Speaker 6 (19:39):
It's like if I walk down the street and I
bump into somebody was like, y'all heard you working on
that soundtracks. I got something for them, you know what
I mean? They might send it. That's an A and
R move, right. A Jamaine du Prix album is not
being an R. It's my what I hear in my head.

Speaker 2 (19:55):
Right.

Speaker 6 (19:55):
So I was talking to Jada about this yesterday because
when I did Hate Your Blood, I put Jada in
Freeway on the same song when they was beefing, but
I didn't hear Freeway rapping. I heard Freeway doing the hook,
and I heard Jada rapping, and I wasn't thinking about
they beef. And I only bring this up because I
want people to understand how I'm making the records, even
people whoever's listening and might feel like I haven't put

(20:17):
them on. I hear the voices when I make the
beats like I make it be I'm like, oh, if
I get this person, this would sound crazy, right. Even
the older artists like the next thingle with Sean Paul.
I heard Sean Paul when I went to sleep after
I was like, I got to put Sean Paul on
the song.

Speaker 1 (20:35):
And I sat there for a minute with myself.

Speaker 6 (20:37):
Saying, okay, he had a record out in a minute,
how people gonna go with this?

Speaker 1 (20:41):
You know what I mean? Trying to see if I
got to play that you hot game.

Speaker 6 (20:45):
I'm like, man, you know what I'm going I'm gonna
make this record based on my likes with my taste
is you know what I'm saying.

Speaker 1 (20:51):
Niggas might not drink pepsi no more, I want a pepsi.
You know what I'm saying. I can't say that I'm
from Atlanta. I want to coke, but you know what
I mean, Like, it's just just that's and I think
that's what people not. They're not understanding.

Speaker 6 (21:07):
Like it went from it being a soundtrack to me
just like what do I what's my actual taste?

Speaker 1 (21:14):
You know what I mean? What who? You know?

Speaker 3 (21:15):
Not?

Speaker 1 (21:16):
And I like everybody. I love all the artists in Atlanta.

Speaker 6 (21:18):
But it's just like, now that I'm making records, it's
really starting to be like Taylor made for what I'm.

Speaker 1 (21:24):
Hearing in my head.

Speaker 6 (21:25):
So a lot of artists. Everybody hit me because it's
a lot of artists that I didn't realize. If I
showed me working with them, that just opens the door
for everybody they supposed to kick somebody off, Like Luci
was one of the ones where niggas see me in
the studio. Lucci, you gotta get on Loci.

Speaker 1 (21:48):
And I know.

Speaker 3 (21:57):
Last time we was down at the compound, we tried
your vegan ice cream for the first time.

Speaker 2 (22:01):
Which which was delicious. J D's vegan when Walmart and
got some.

Speaker 3 (22:06):
Since you two are like the only two vegans, like
I really know, I put together a segment called vegan
dish song title or both, and I want to.

Speaker 2 (22:14):
See it Vegan song title or both. I'm going to
say you found something that may be a vegan dish
in the song title? Like together, Josh, can we get
a point system going?

Speaker 3 (22:27):
I think a point system even if you get the
both correct, if you name the song title, I think.

Speaker 2 (22:31):
You should get an extra point.

Speaker 3 (22:32):
Okay, all right, we'll start kind of easy, wavy gravy,
wavy gravy is.

Speaker 2 (22:39):
That a song title? Is that a vegan dish? Or
is that both? Wavy?

Speaker 4 (22:45):
I hope that's not a song title. So I'm gonna
I'm gonna go with vegan dish on that one.

Speaker 1 (22:49):
Wavy gravy mm hmm, it's going through the rollodex.

Speaker 2 (22:58):
I ain't I never heard way you know gravy though, true,
I'm gonna go.

Speaker 6 (23:04):
I'm gonna go both because I mean, I'm from Atlanta
and this is you know, they the swag gods in
Atlanta waving.

Speaker 1 (23:11):
This might be like you know, I'm gonna go both.

Speaker 2 (23:15):
So I initially thought it was both.

Speaker 3 (23:16):
It's just a vegan dish, a gravy brand from a
famous nineteen sixties activist. I didn't do that much research,
but yes, it is a real thing. This one will
be quick, super easy. Peaches, pizza, peaches, peaches.

Speaker 2 (23:30):
Yeah, well peaches is vegan. I'm gonna say both. Okay,
can you name the song? I can name the girl
She's in the Magic City.

Speaker 4 (23:41):
No, I can't name the song. Well, one twelve had
peaches and cream.

Speaker 2 (23:44):
That's not that's not pizzas. Cream isn't peachas.

Speaker 1 (23:48):
No, No, peaches is justin bieble right.

Speaker 2 (23:51):
That is two points for j D. One point.

Speaker 4 (23:54):
Oh ship, We'll keep speed around. Coconut leather coconut leather.
That is hilarious. Coconut it could be a yeah, coconut leather.

Speaker 1 (24:08):
That's gotta be a song.

Speaker 2 (24:10):
Coconut leather has to be a song.

Speaker 1 (24:12):
That's not that's not.

Speaker 3 (24:13):
That can't be a dish. You're both wrong. It's just
a vegan dish. Well, not so much just a dish.
It's a real vegan material and they put it in
vegan desert leather.

Speaker 6 (24:21):
Okay, well you said a dish that's a vegan. It's
a vegan it goes and dessert. Okay, listen, I went
to vegan dot e u T Cherry Bomb, Cherry Bomb.
I'm gonna say both.

Speaker 2 (24:41):
Okay, Jitty, so I know yo, I'm gonna go.

Speaker 1 (24:50):
I said both the last time. I'm gonna go with
just a vegan dish.

Speaker 2 (24:54):
You know, so, Cherry Bomb, No, I don't know the song.
All right, we get the point. It is both. But
Tyler creator okay, cherry yeah, poke theory, poke theory. Not
a dish per se, but maybe a restaurant. But is
it both.

Speaker 4 (25:10):
I'm gonna say it's a dish slash restaurant.

Speaker 2 (25:14):
I'm not gonna say it's a song.

Speaker 1 (25:16):
Okay, I'm gonna just go with dish.

Speaker 3 (25:17):
You guys are both correct. I thought it could be
like if q Tip like decided to go super vegan.
I can see a tribe song being poke theory.

Speaker 2 (25:23):
But yeah, I can see that. It's a restaurant in
Singapore orange.

Speaker 4 (25:26):
Moon, orange Moon. I'm gonna say both. That sounds like
a nice song title.

Speaker 3 (25:34):
So I could not find a vegan dish called that.
Maybe there's a smoothie out there, but I could only
find an Erica bad song named orange Moon. There was
no dish orange Moon. No, oh wow, okay, Tofu and Champagne.

Speaker 2 (25:45):
That to be a dish.

Speaker 3 (25:48):
There's no song called that's with progression. I think that
will be the name of a rapper.

Speaker 2 (25:57):
Oh for sure, that might be the name of a
rapper in a few years.

Speaker 3 (26:00):
It's an actual brunch pairing at Plant Food and Wine
in l A. Okay, like the way that's in London,
somewhere in l A, Los Angeles.

Speaker 2 (26:06):
Yeah, tote fold Champagne.

Speaker 3 (26:07):
Okay, all right, this one is kind of this is
a trick question. Raspberry Beret both, no one, it's a
it's a song. It's a frank song and a dish.
You guys are both correct, but Prince was really talking
about like a red ass beret like he wasn't talking.

Speaker 2 (26:25):
About a dish. No, Prince, definitely dish.

Speaker 3 (26:28):
Yeah, she guys both bright Strawberry Swing for our last
one Strawberry Swing.

Speaker 4 (26:34):
That's a that's a song for sure. Frank Ocean, right,
o'loni bro whatever he was going by back then, h.

Speaker 3 (26:41):
It is both yes, Frank Ocean and it was a
Coldplay cover. But yes, that is a Vegan dish.

Speaker 2 (26:46):
Are you guys doing all right? What was our final sound?
Real Vegan? He tried to get us jammed up, like
we don't really do this.

Speaker 3 (26:53):
Vegan ship, like seven all right, come on something I'm
going to say with Todd. The first answer with that said,
we had another segment that we're still flushing out.

Speaker 2 (27:04):
I guess it's a this or that you kind.

Speaker 3 (27:05):
Of have to pick an option between the two of
one existing and one not existing in your career.

Speaker 2 (27:10):
We'll start out very easy.

Speaker 3 (27:12):
This or that you either make confessions or you make
the amounsive patient of mee me.

Speaker 2 (27:19):
You have to pick one. One disappears forever. Yeah, one
disappears forever. Which one do you keep?

Speaker 1 (27:27):
Unfortunately? I got I won't say.

Speaker 6 (27:28):
Unfortunately, I'm gonna have to go with a man's face
to be me because in my entire career, I never.

Speaker 3 (27:35):
Had song of the Decade besides off that album. Okay, damn,
I think I would choose. I choose Confessions. I see
why you would go with that.

Speaker 1 (27:43):
I mean, Confessionals is big, but Confessions.

Speaker 6 (27:47):
Song of the decade songs, Yeah, that's a little. It's
hard to give up decade, to give up the song
of the decade.

Speaker 2 (27:54):
Bow Wow, let me hold you stays in History or
Jagged Edge. Let's get married?

Speaker 1 (28:00):
Mm hmm, Jack it is, let's get married. I think,
m hm. It's a longer age. You know, somebody gonna
get married. That's the official matterage on this get married
every week. It's something that will be around.

Speaker 3 (28:14):
Keep so So Deaf as the label, or keep JD
as a solo artist.

Speaker 1 (28:18):
So So theft the label. I figured, I'm tired.

Speaker 2 (28:22):
I get tired, and I ain't making no album be.

Speaker 3 (28:25):
Known as the mastermind behind We Belong Together or Money anything.

Speaker 4 (28:33):
J D low Key created, Bling Bling. He won't take
credit for what I'm gonna say. He said, Glean, we said, glean,
glean Blin you said blink, right, JD came up with
bling blink, we don't do and Wayne the coach don't
give JD.

Speaker 3 (28:47):
I assumed he was just going off money anything when
I heard the first time Wayne said it.

Speaker 4 (28:50):
Like they give Wayne that credit. But JD definitely said
I don't like it if it don't bling blink. Yeah,
And that was before Wayne and cash money like that.
I'm old enough to remember that. I'm putting that out there.
We don't give j that credit.

Speaker 6 (29:02):
Yeah, I'm gonna go with money anything because I feel
like the far sight of me putting Jay on a
record before people around where I live at was even
paying attention to Jay makes me, I guess, looked like
I was smarter than what people think I am.

Speaker 4 (29:24):
Yeah, that'll definitely make it like y'all introduced the South
to jay Z.

Speaker 6 (29:27):
Yeah, I don't say that, but I'm just saying I
feel like I just I know, like, you know, Reasonable,
that was this record that was basically what I was.
You know, that was the motivation for money and anything.
Reasonable That wasn't a big album in Atlanta, you know
what I mean, you know, critically acclaimed rap album if.

Speaker 1 (29:44):
You was into rap.

Speaker 6 (29:46):
But I even up here City of Atlanta wasn't into
rap music like that, so for me to pick him
even here when I when I went to do that record,
and I went to Sony and I told him that's
the record I wanted to be the second basically the first.

Speaker 1 (30:00):
They didn't.

Speaker 6 (30:00):
They didn't even understand why I was going with Jay
because his momentum wasn't what they thought the momentum needed
to be for it to be my record single.

Speaker 3 (30:09):
So stay the executive producer of eighty seven oh one
or keep your entire remix catalog state the executive producer
eighty seven on one. That takes away a lot of remixes.

Speaker 2 (30:20):
We loved them, it.

Speaker 3 (30:21):
Does, but you know, getting rid of all of Jax
eighty seven to one is my favorite Usher album.

Speaker 2 (30:26):
But that's a lot of people. That's a lot of remixes.

Speaker 6 (30:29):
I got throw them remixes away and get more work
off eighty seven.

Speaker 2 (30:33):
That's a great way to look at it. Yeah, I'm
looking at the fan, but yeah, yeah, yeah, that makes sense.
JD the artist or JD's businessman.

Speaker 6 (30:43):
JD the businessman. I never even wanted to be an
artist like that. I mean what I did when I
was younger and then when I started writing for Bratt,
I just accidentally got on Functified just because I was
writing raps and it was like, listen, you should do
this and you should do that, and I'm gonna do
this part. And it was like a back and forth,
like I didn't know what was gonna happen with the song,

(31:03):
and then it just happened to be like the song
that took off for her and I'm on it. And
then people's like, well, Jay, you should make a record,
and I'm like, I don't want to make no record.
And then it just turned into me. People want me
to just keep telling me to make a record. So
then that's why I did it. So at that point
in time, I was still I was past me making music, which.

Speaker 3 (31:20):
Is a perfect segue. One can only exist Sweetheart with
Mariah or FUNCTI five with a.

Speaker 1 (31:24):
Brat funk with the Brat. Yeah.

Speaker 3 (31:29):
I think that there's a whole different part in your
career from there. I want to go through some of those.

Speaker 4 (31:39):
Be the reason a new traditional R and B artist
goes number one, or revived the R and B group
format with all new talent, be.

Speaker 1 (31:48):
The reason of new R and B artist was number one?

Speaker 2 (31:51):
Yeah, you think it's over for the group?

Speaker 1 (31:53):
No, not at all, but I mean not in K pop.
But no, no, no, I don't. I think I just
over there just think that groups.

Speaker 6 (32:01):
I mean, I just think it's hard to get people
to pay attention to music period.

Speaker 1 (32:06):
Not the listening.

Speaker 6 (32:07):
I'm talking about the artists, getting them to understand the
whole you know, mindset of music is still like it's
lost right now. So so a group definitely is like
they can't even pay attention to what needs to be
done for their records, to even be in a group
with somebody and trying to talk.

Speaker 1 (32:25):
But I mean, I feel like.

Speaker 6 (32:28):
A group can easily come back and pop fast, but
it's just finding them, you know what I mean, finding
and figuring it out.

Speaker 3 (32:36):
Welcome to Atlanta Remix or oh I think they like
me remix.

Speaker 1 (32:40):
Welcome to Atlanta Remix for sure.

Speaker 6 (32:43):
One because it was a time when you know, people
was pitting me and Puffed against each other as they've
always done, and I decided to put Puff on the
record so that, you know, so people could have their
little joy with that.

Speaker 1 (32:56):
You know, at that one particular point in time.

Speaker 3 (32:59):
You know, that one particular point you got it bad
or Nice and Slow Usher.

Speaker 6 (33:04):
Yeah, Nice and Slow really yeah, because Nice and Slow
was the is the creator.

Speaker 1 (33:12):
If You Got It Bad, I wouldn't have never made
You Got It Bad.

Speaker 6 (33:14):
If I wouldn't have made Nice Slow, because when I
try to do nice after Nice and Slow and the
success because Nice and Slow was us very first number
one top one hundred record. So with that being that
being that song not his first number one, top one
hundred and it being a ballot in that space, it

(33:35):
just was like I followed that try to make that
song three times basically, and I made You Got It Bad.
That was the second one in the success of that
one came and I was like, Brian, we gotta do
it one more time.

Speaker 1 (33:47):
We got to make the trilogy, which was burned. So
these three.

Speaker 6 (33:51):
Songs you playing back to back, they basically sound like
the same song. They could run into each other. So yeah,
I wouldn't have made them other two if I didn't
have Nice and Slow.

Speaker 2 (34:00):
Who wins who wins the verses between Usha and Chris.

Speaker 6 (34:04):
Brown, I'm saying based on music, Usher wins.

Speaker 4 (34:14):
But like how they do versus now, like they both
have to perform the record. So we're in the stadium
in the arena wherever Usher does record, Chris does a record.

Speaker 1 (34:24):
Yeah, that's what I'm saying. I don't.

Speaker 6 (34:26):
I think that's why I say based on music, Usher wins,
I don't know, you know, if we're watching performances, I don't.

Speaker 1 (34:31):
I mean, I can't really say because I don't know.

Speaker 6 (34:34):
You know, at the end of the day, I don't
really know what you know, people might and based on
like how versus is, if it's if it's crowd participation
in it, I think it'll be a fifty to fifty situation.
Chris Brown have the best fans in the world. Yeah,
they don't give a fuck about nothing. Yeah, but Chris Yeah, so.

Speaker 2 (34:55):
Nothing.

Speaker 1 (34:56):
You know what I mean, I don't. I don't.

Speaker 6 (34:58):
I think Chris Brown fans is they more loyal to
Chris Brown than to be how basically and to be hot.

Speaker 1 (35:05):
Mike get mad at me for saying this.

Speaker 6 (35:07):
I mean, I just feel like Chris Brown fans they
really really swarm and attack when it's got, when it's
time for Chris Brown to do.

Speaker 4 (35:14):
I only asked that because I went to Thanks to JD.
I went to the Usher show when he was saying
Brooklyn and seeing Usher perform I think that may have
been my second time ever seen Usher perform, but seeing
him perform and really looking at that show and listening
to those records and just paying attention to everything, and
I saw Chris perform once as well. I couldn't. I

(35:36):
couldn't make the like I didn't know who put on
the better show, honestly, And I mean I should be
in a forty something ye old man and still being
able to perform at that level versus Chris being in
his young thirties early thirties.

Speaker 3 (35:50):
Maybe So are you saying performance versus and that's it, like, because.

Speaker 4 (35:54):
I think I'm just saying if I went to a
Chris Brown show today and then went to an Usher
show tomorrow, I don't know who I would say, I feel.

Speaker 2 (36:02):
Like put on a better show.

Speaker 4 (36:04):
And this is honestly speaking, like what I saw us
you dude on that stage was absolutely incredible.

Speaker 6 (36:10):
I think the conversation for me, like saying it the
way you're saying, it's almost like saying Kanye and jay
having a concert, Like Kanye might outperform jay Z, but
jay Z has records that's gonna hit you in the
space that Kanye don't got. Yeah, right, so I think
that's the same thing. I think Usher got songs is

(36:31):
gonna make you be like, oh shit, I remember when
this song came out, and then Chris Brown might be
dancing harder until you be into the dancing.

Speaker 1 (36:40):
But that's what I'm saying. It'll go back and forth.

Speaker 6 (36:41):
I just I feel like it's a fifty fifty if
it's on in that space because like, even while, like
I said, I don't believe nobody could battle Kanye in
versus me personally, I all got records for everything. Yeah,
he got a record for everybody in every category, whichever
way you want to go. But I think he'll have
a hard time with jay Z, right, you know what

(37:03):
I mean. But you know what I mean, And that's
crazy I'm saying. I don't think nobody could beat him,
but I feel like he'll have a hard time with Hole.

Speaker 2 (37:10):
Yeah.

Speaker 3 (37:11):
And I feel like Usher would keep the same as
twenty verses, right, Yeah. Usher wouldn't need to alter his
twenty to win in the performance shit, like I don't
think Chris would have. I can transform it in his
twenty music wise, but performance wise, that's gonna be the crazy.
Chris is gonna do six backflips to that fucking record.
But Usher is gonna keep that same twenty and have
the same performance I.

Speaker 2 (37:30):
Think Chris would have.

Speaker 3 (37:31):
I feel like I have to cater to the performance
rather than lean on certain songs.

Speaker 6 (37:35):
The scary part about Usher that people, you know, and
they have this conversation like this last two Usher is doing,
He's doing and the cherry section and all that. These
records Daddy's Home and what's the thing of Superstar? Superstar

(37:59):
wasn't even a single? Yeah, you know what I mean,
Like these records are reacting like niggas number one records, right,
So it's like, that's that's dangerous because ultimately Usher could
play ten songs from Confessions and not even before he
gets into his own, you know, his whole catalog. He
gotta play damn near ten songs off he to. That's

(38:25):
what I'm saying. It's like, you know, that's a hard
battle because you other artists gotta do all of this,
and he could just sit there and somebody gonna say,
but you can't. You know, I know, five off Confessions
off top, this gotta be.

Speaker 2 (38:37):
Played, right, got your underselling?

Speaker 6 (38:40):
So and these the singles, these are five singles that
gott to be played. So then what you know, and
you let somebody else that's not really in the music
business pick those last five.

Speaker 1 (38:50):
They're gonna pick a whole superstar. Uh this, you know
what I mean? So you know it's a hard battle.
Have you worked with Christian The only thing I did.

Speaker 6 (39:00):
With Christmas was Shorty Shorty, Uh Shorty like mine with
him in Bow Wow Got You? And I did the
run It remix with on it when it first came out.
But yeah, that's the only record that actually worked with
him in the studio.

Speaker 3 (39:15):
Did the usher say if you got any public royalties?
When Trump used Daddy's Home when he was walking out
of Air Force one?

Speaker 1 (39:20):
Yeah?

Speaker 2 (39:21):
What users say about that?

Speaker 4 (39:22):
When when Trump used the Daddy's Home record for his
Instagram it was like four.

Speaker 5 (39:25):
Or five days ago, maybe that was that was like,
I know, I don't know how us felt, but that's
I don't know us as political views, but I'm sure
when he saw that, he was like.

Speaker 4 (39:36):
Yeah, I did pretty ayry for myself, like the President
used my song.

Speaker 3 (39:40):
And the post Trump was crazy. I want to talk
to the social media team before anything.

Speaker 6 (39:44):
Rapper, Yeah, I couldn't be New York's his mentality is
so Kanye, Eddie's some queens.

Speaker 1 (39:52):
So it's like, you know what I'm saying, No way possible. Man.

Speaker 3 (39:56):
Yeah, Daddy's home was crazy because you know, like Trump
has to approve most of his social media clips. You know,
he watched that ship in the office real quick in
between me, and it's like, perfect, that's my ship.

Speaker 6 (40:06):
That's my that nigga bombs up the country.

Speaker 2 (40:13):
He just came back from dropping.

Speaker 1 (40:14):
Yeah that's not yeah, that's wow.

Speaker 3 (40:17):
That was that was his Kendrick not like a super
Bowl woman.

Speaker 2 (40:21):
Wo.

Speaker 4 (40:23):
He understands it though, he gets it. He gets it.
He definitely understands this thing. Yeah.

Speaker 3 (40:29):
But anyways, once the Magic City album and doc is out,
I know, you're, you know, ten years ahead every single time.

Speaker 2 (40:37):
What's what's after that?

Speaker 4 (40:40):
He probably got a groupy putting together right now. He
don't want to say that I got it.

Speaker 6 (40:44):
I mean, I signed Division since we shout out to
the Division, you know, went through that space. So i'm i'm,
i'm I'm as soon as I get done with this,
I'm getting ready to try to make sure that Paul
got all the.

Speaker 1 (40:56):
Records lined up.

Speaker 6 (40:57):
And you know what I mean that they do what
they gotta do and I got a couple of other
arts I'm signing, But I'm also trying to make sure that,
like I said, I'm trying to continue my life and
doing things that haven't been done. So if people fuck
with this album, this Magic City album, and they really
fuck with it, I'm gonna do it. Welcome to Atlanta
Tour where I'm gonna take the main five artists like myself, Quavo,

(41:24):
Two Chains, Ti Ludacris, we might be the main five,
and then everybody that come with us be on this
tour and we go do it. Welcome to Atlanta Tour,
and we go out here and do it. It's never
been done before. I talked, I talked about it, but
it'll be something that people never seen before, and people
might want to see it, you know.

Speaker 1 (41:44):
What I mean.

Speaker 2 (41:45):
Mercedes shit, I mean, that's what I'm saying.

Speaker 1 (41:48):
It's it's bigger. It's in my head, it's bigger than whatever.
You know, it's not that big.

Speaker 6 (41:53):
It's a stadium, but I feel like it's definitely something
that could go crazy. So I'm just trying to, you know,
really like get that to asas and get all of
the artists to understand it and see it and.

Speaker 1 (42:03):
Try to block the space out of time and then
like put an in motion.

Speaker 2 (42:06):
Shit, they could block it out. That's a festival. That's
not even.

Speaker 3 (42:10):
That would be in saying what did you think of
Drake's new single what did I missed?

Speaker 2 (42:14):
Came out of?

Speaker 6 (42:17):
I don't care about him talking about the beef no more.
I'm a real rapper, real hip hop guy. I feel
like it happened, it's over with.

Speaker 2 (42:26):
You just want to hear music.

Speaker 6 (42:28):
Like I me personally, if I was managing Drake, if
I had something to do with Drake, I would have
had him just put a verse on If somebody love me,
that's my.

Speaker 2 (42:36):
Jam, that's what ship. Yeah, I'm m in.

Speaker 1 (42:39):
Miami turned up to not you know what I'm saying.

Speaker 6 (42:41):
Put a verse on there, Like Drake putting a verse
on that song would have been so perfect to me
because he would have talked this ship. It would have
been like, oh, okay, this is you know. I'm sure
that he don't probably feel like that song is, but
it is.

Speaker 1 (42:55):
That song is the song, you know. So that's why
I just don't. I don't.

Speaker 6 (42:59):
I don't care to hear him talk about I don't
want to hear about that, like, so it's done, y'all,
didn't deal with y'all.

Speaker 4 (43:05):
How did you feel about the some sexy songs for
you the album with him and Party, Like I said, how.

Speaker 1 (43:10):
Fuck with it? I liked it? I don't. I don't.
I think Drake.

Speaker 6 (43:14):
Honestly, I think it's some of them Party songs Drake
should have been on that make it more like a
yeah you know what I mean, because it feels like
they just was like are Like I said, get on
the song and you get on the record, let Party
get on no Kid. I think the song would have
had a different like don't switch to beat. I like
the beat switch, but maybe let Party do it verse

(43:34):
on no Kid? And then it sounds like so de
based All Stars And you know what I'm saying, like this,
how I'm thinking, Yeah, yeah, yeah, they got so much,
you know, so many pieces and things they could do
ship with I would I would have just I would
have been going to work.

Speaker 4 (43:48):
Like I like that plug for Social Death based All Stars.
A lot of people don't talk about that project. That
was that was my ship. Yeah, that was my ship.

Speaker 3 (43:54):
So I mean, what direction you think you could take
it with the Iceman album in general, I mean sonically
or what I like.

Speaker 6 (44:00):
I said, I pray that he just get back to
making records and that that this is not you know,
this ain't this story.

Speaker 1 (44:08):
Of I don't want to hear that, you know what
I mean. I just feel like.

Speaker 6 (44:16):
I feel like we I mean, you know, I heard
a bunch of records last night in the club, a
bunch of Drake records that made me realize, like, just
do what you always did, like you, because I'm saying ultimately,
and you know, I know, may you feel a little
different about this, But Drake has to look at this
the same way Jay had to look at Ether. Some

(44:36):
people that feel one way about Ether, some people feel
the other way about super Ugly. But the world said
Ether right, the world said not like us, regardless what
anybody want to say. And then Drake made I mean,
and Jay came back with dirt off his shoulders, all
these other just this nigga went crazy and then May

(44:57):
wash the throw and then you know what I mean,
like it it's not it's not.

Speaker 1 (45:02):
It's not death Like.

Speaker 6 (45:03):
I don't know why niggas keep talking about you in
your deathband and know what, man, come on, man, let's
make it make music. I don't know, that's what you know.
Just me, I'm coming at your ass with a bunch
of records. You're gonna be like, man J tripping. I'm
gonna be all out the window and I'm not gonna
be talking about nothing that got nothing to do with

(45:24):
what you talking about. I'm just going straight at Okay,
you make more music. Let's see who make more music?

Speaker 2 (45:29):
Right, right?

Speaker 1 (45:30):
Because I used to.

Speaker 6 (45:31):
Think that that's what drake whole thing was, I make
more rap records than any of y'all.

Speaker 1 (45:35):
Niggs, Right, let's see that.

Speaker 2 (45:37):
Yeah, I feel.

Speaker 1 (45:38):
You know what I mean, That's what I was, That's
what I would be on.

Speaker 4 (45:41):
I could definitely feel that. I understand that, and I
think that's what it is with Iceman. I think that's
just the What did I missed was the sentiment kind
of like oh, okay, like I'm glad y'all showed yourselves.
I know who's who and what's what cool now I'm
onto this. So that's that's what I think personally. I
think that's the direction of it. It's like, okay, no problem,
let me show you who I am and what I do.

Speaker 2 (46:00):
Though, well, JD, thank you, and I know you got
to get out of here.

Speaker 3 (46:04):
August fifteenth, correct, August fifteenth is the doc on Stars.

Speaker 2 (46:08):
Yep, I'll be watching that.

Speaker 6 (46:09):
I'm trying to race and if I don't make that,
it's last. I just know it's a reason why I
didn't make that.

Speaker 2 (46:15):
It's little fun.

Speaker 6 (46:17):
I'm trying to get to it, but it's a couple
of artists. I still gotta chase and get down. I
can't put this record out without a couple of the morning.

Speaker 2 (46:24):
I'll definitely be tuning in. I need to know everything
about Magic City.

Speaker 3 (46:27):
Yeah. Either way, I can't wait to watch that now
in August. Man, I appreciate you all.

Speaker 2 (46:31):
Our god a legend, Jermaine Dupre, thank you, bro.

Speaker 1 (46:33):
Yeah.
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