Episode 408 | Bodega Baddies - New Rory & MAL

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
No welcome back, top of the top in a great,
great mood. Were recording this on a Monday morning, September
twenty second. How's everyone doing great? How's everyone smiling faces?
Everyone looks radiant.

Speaker 3 (00:22):
Oh, thank you so much, thank you.

Speaker 2 (00:25):
Jamaras was doing TikTok dances over the weekend. I know
she was coming in here in a great, great move.

Speaker 4 (00:30):
Oh you're back on TikTok.

Speaker 2 (00:33):
I mean did she ever leave?

Speaker 4 (00:34):
No, she left. You can't can't tick without the talk.
I mean she makes a tick.

Speaker 5 (00:40):
She left for a while. She left for a couple
of months. She wasn't up there dancing to those songs.

Speaker 4 (00:44):
She was off the top. I'm not on TikTok like that.
She got on TikTok.

Speaker 5 (00:49):
She wasn't dance, are you she got off the TikTok?

Speaker 4 (00:56):
No, No, you can't. I'm just happy to see you,
that's all.

Speaker 3 (01:03):
I didn't think you would be happy to see me
this week.

Speaker 4 (01:05):
Why Why wouldn't I be happy to see you?

Speaker 3 (01:07):
I don't know.

Speaker 4 (01:08):
I'm always happy to see you.

Speaker 3 (01:09):
I like when I got make a nigga eat his words?

Speaker 4 (01:12):
What words would I be in? I'm not the edge
of my seat yeah, starving. I just get right to it.
What words do I got to eat? I got it?
What I need an app people.

Speaker 6 (01:19):
Something niggas was hating on the Bronx Baddy the bod
body got baddy.

Speaker 4 (01:23):
Niggas was hating me when I was hating last last week.

Speaker 5 (01:28):
I said I got a feeling the album it's gonna
be dope. Did I not say that?

Speaker 4 (01:32):
I don't.

Speaker 6 (01:32):
I don't remember them words, but I okay, maybe that's the.

Speaker 5 (01:35):
Problem on her, that's the problem. You never remember. You
never remember that part. But you remember when somebody talking ship.
Now remember me saying that, I say, y'all got a
feeling that college album is.

Speaker 4 (01:44):
Gonna be dope.

Speaker 2 (01:45):
Uh well, I will start by eating some of my words.
I was worried that the rollout felt a little rushed,
even by Carti's words. The artwork outside it was just like,
all right, this feels a little weird, but I do
want a flawless fucking rollout. That they did so the
rollout was incredible for the time that they had.

Speaker 4 (02:02):
Oh yeah, the rollout was they smoked it. I mean,
so I eat.

Speaker 2 (02:05):
My words and saying this feels rushed, I don't really know,
like is she on the same page as the label.
They smoked this entire rollout. So I will start by saying,
I eat my words. This was Atlantic CARDI. This was
an incredible rollout. You guys did it. Great, great job.

Speaker 4 (02:18):
Can I shot on what you're saying?

Speaker 1 (02:19):
Though?

Speaker 5 (02:19):
Absolutely, it's songs in it that don't up and why
don't need to be on this album. Let's just be real,
like the album is good, the album is dope without
those records.

Speaker 6 (02:28):
She's already she's already addressed that those are two of
her biggest songs and they need somewhere to live.

Speaker 5 (02:33):
And no, no, no, no, no, we know, Okay, we know
what that's about. I'm just saying and listening to the music,
I don't I don't care about numbers in the game.
I don't care about that part of it. Just listening
to the music. I feel like it was enough good
songs on this project to where those two didn't even
need to be there.

Speaker 2 (02:51):
Okay, I know you don't care about the numbers, but
it is a stat to go platinum within the first hour,
which I need to know.

Speaker 3 (02:59):
It's I don't don't do.

Speaker 5 (03:01):
That's like averaging the most triple doubles on Halloween. Who
cares about that? Who cares about the game on Halloween?
Nobody cares about Is the music good? Yes, this Cardi
album is good.

Speaker 3 (03:12):
Oh se you, no, thank you.

Speaker 6 (03:13):
I do want to address that, because at twelve oh five,
the group chat was going off and niggas is being
funny in the group chat.

Speaker 4 (03:20):
I just left.

Speaker 3 (03:21):
I hate my notification that I don't know.

Speaker 2 (03:23):
I don't like you doing that because people are actually
gonna believe you.

Speaker 4 (03:25):
Who was being funny?

Speaker 3 (03:27):
All right?

Speaker 4 (03:27):
I didn't say wording that.

Speaker 6 (03:28):
Cut cut it out, cut it out, No, don't.

Speaker 4 (03:31):
Get it twisted.

Speaker 5 (03:32):
I started listening at when it came out, and then
when she when I heard Cardi say a B C
D E f G, these bitches can't fucking me, I
turned it off. I didn't go back to the album
until Sunday after her ABCD e FG's bitch just can't
fucking me.

Speaker 4 (03:46):
I was like, it was old Twayne.

Speaker 5 (03:47):
I was like, I'm cool, I'm gonna go back to
jail elect for a second. Let me get, you know,
my my bars. Once I got my bars, I was
like Sunday cleaning. I was like, all right, let me
let me hear what Cardi did. She got some joys
in the joints on that gonna lie. Cardy got some
junction in it. We didn't have to wait seven years,
like cart didn't have to make me wait seven years
for this.

Speaker 4 (04:08):
But the music is, the music is dope. I can
hear Party's pen.

Speaker 6 (04:12):
Yo, he can't you gotta throw some he gotta sprinkle
some hate.

Speaker 4 (04:15):
Out of there, like people. It's not it's not hate.
I could party eight b up listen.

Speaker 6 (04:22):
I don't think that. I don't think Party wrote I
don't think Party wrote that. I don't think Party wrote that.
Wrote some songs, but I don't think Party wrote that.

Speaker 4 (04:33):
We not doing that. I guarantee you Party roll balls.
I can hear the flow.

Speaker 5 (04:37):
I can hear it like I can almost hear him
his sample track. I can almost hear him like laying
it down and in her going in.

Speaker 6 (04:44):
Party Carti Carti put out a video. She since deleted it,
but put out a video of her. I don't know
whether it was that.

Speaker 4 (04:50):
What is it pretty and petty? Be it even be
a just stay with you.

Speaker 3 (04:54):
At listen, yo.

Speaker 6 (04:55):
So I was in bed now mind you, I don't came
out at twelve. I went to see Genaro with Alex.
I was drunk, toe up, so I walk up around
like twelve thirty. I was like, oh shit, I'll mout,
put a headphone in, hungover in my bed, laying down,
and I'm just like bumping. I'm listening whatever I'm listening,
marking off with songs I like. And then I just
hear like, n ain't five be a songs? I said,
Oh shit, I like, set up in bed and was like,

(05:17):
not a hitting be a disc Like we ain't roll
that out. We didn't tell nobody that was coming. She
just started catching straight.

Speaker 5 (05:23):
Okay, Like I said, Party is credited for writing on
Pretty and Petty.

Speaker 4 (05:27):
I can hear it, and it's okay.

Speaker 5 (05:28):
I don't give up. I'm not even here for that.
The music is good, but Party got somebody. He got
to be a kind of crazy. He talking about being
kind of crazy.

Speaker 4 (05:36):
You can hear it.

Speaker 5 (05:37):
I can hear the flow to Cadence. I know Party's Cadence.
I can hear it, like I know that's not Cardi,
that's Party. I'm sure that Cardi not saying she didn't
write on it. I'm not saying she.

Speaker 3 (05:47):
Didn't write I'm like, let's clarify.

Speaker 5 (05:49):
I'm just saying certain bars. I can hear partisans flow
like I can. You can that shit is when you
know slitten to certain pins, you know what it is.

Speaker 6 (05:57):
I hear his flow on the on the chorus. That
chorus does give party or ement lie.

Speaker 2 (06:01):
I'm halfway through the album, just quickly. He's credited on
every single song, and I'm halfway.

Speaker 5 (06:06):
I could hear the pin and it's just it's fine.
I don want anyone to think the music is I
don't give a like. I don't care about the pin.
The delivery was dope. The music is good.

Speaker 4 (06:15):
It's a good album. That's it.

Speaker 5 (06:17):
It ain't nothing I think gotting him in the first
day week. I don't give a fuck about that. That's
industry shit. I don't care about that.

Speaker 4 (06:23):
Again.

Speaker 2 (06:24):
I think, yeah, Party would be good at structuring the song.
But we've discussed before, like when Carti said shit like
I like Balenciaga's the ones that look like socks. That's
definitely something Cardi said in the studio, and Party just
found a way to put it into a cadence. I'm
sure anything she said about Bea that was straight from
Cardi's brain and how she felt about Bea.

Speaker 6 (06:43):
First like all that shit had me crying, laughing, like
this is I love a disc that's like a roasting session,
Like and I don't have anything, it's bia, but I
love it.

Speaker 3 (06:51):
That's a roasting session.

Speaker 6 (06:52):
Like how you thirty two wire act me on your face,
you dirty ass bitch.

Speaker 3 (06:56):
Go and change your pillow case.

Speaker 6 (06:58):
That's part of the write that that's girl ship. Cardi
said that change a pillow case. When she said diarrhea
be a breath so sneak you could smell it for.

Speaker 3 (07:05):
Your see here, how was fun?

Speaker 4 (07:07):
That's so bad that it is funny. It is fair.

Speaker 5 (07:09):
That's party and that's why be a guy smooke. I
think that's card saying that in the studio. Carty said
her breath snak, Party said, Diary, that's partisan.

Speaker 4 (07:22):
It's okay. We're not tripping about none of that. You know,
we don't know that to be a fact, y'all. We
just don't. Man, you really don't really every song.

Speaker 2 (07:31):
So I'm not about to take anything away from party cool.
But I just think that's how it goes with Cardi.
Good album because she's hilarious. Not let's not act like
outside of loving hip hop. Her on whatever Instagram or
what vine, whatever the fun was going on at that time.

Speaker 4 (07:43):
It was her being hilarious. No, you don't think that
you gotta be a.

Speaker 2 (07:48):
You don't think Hardy can come up with diary of
bea because I definitely think she can. Matter of fact,
I can see Cardi doing that before Party doing that.

Speaker 6 (07:55):
She said, you you a big lap dog, be a
be a labordor ship was so fun, Bro, I was
in bed and tears like randomly, and then the smoke
for JT.

Speaker 3 (08:07):
The smoke for j T.

Speaker 6 (08:09):
She said, my nigga might cheat, but I don't fucking
in ask with dildos.

Speaker 3 (08:13):
I mean to know that, but at least I don't.

Speaker 5 (08:16):
That Cardi wrote that. Party didn't write that. I hope,
I hope that's not partisan.

Speaker 4 (08:19):
I hope he wouldn't have that information, Bro, Party wouldn't
have that information on his.

Speaker 3 (08:26):
Non fictional I was like, Yo, what the fuck?

Speaker 6 (08:29):
But long story short, that I really really enjoy this
album like I enjoy it.

Speaker 3 (08:35):
That Jennet Jackson Prousian principal sample.

Speaker 4 (08:38):
That should have been a single.

Speaker 5 (08:39):
I should not you could have kept that imaginary player
joint that the principle should have been.

Speaker 4 (08:44):
That's the single I'm sure that's going to need the
focus and those that.

Speaker 3 (08:47):
Ship was that's crazy song.

Speaker 4 (08:51):
We didn't need whole the whole sing. We didn't need that.

Speaker 2 (08:54):
I didn't need imagine this record.

Speaker 6 (08:57):
Need that I like and I didn't think I would.
I like the Imaginary Players. I like it way more
in the flow of the album and that really I
like it. I like it in the album.

Speaker 4 (09:05):
No, I still don't like it.

Speaker 6 (09:06):
That's fine, but but I do like the album principles.
I haven't turned that ship off. Like when I heard it,
what's the what's the album? What's the song?

Speaker 4 (09:14):
Was she?

Speaker 5 (09:15):
Uh, what's it? Write a whole album? But what's the song?
Was she getting that Man of your Word?

Speaker 3 (09:20):
Oh?

Speaker 4 (09:20):
She went Party killed?

Speaker 5 (09:21):
He killed Offset on that too, Like why CARDI tell
why CARDI tell Party?

Speaker 4 (09:27):
All that about all set stop?

Speaker 5 (09:28):
Like you know, they had like a sitting now they
probably have breakfast lunch together and was like, yo, so
what's going on?

Speaker 4 (09:33):
And Party?

Speaker 5 (09:34):
He just taking he just theenaga for he taking all
of that and then he going back to the lab
and he went and laid those some of those balls down.

Speaker 6 (09:42):
What I like about man of Man of Your Word
is that CARTI took accountability for the part that she
may have played. Yeah, I thought that was nice, the dissolution,
the dissolution of her marriage. Like, maybe I wasn't the
person you needed to be. Maybe I was too focused
on my music. I was too focused on this. I'm sorry.
I want the best for you. Like I I think
that that was very mature of her, Like you can

(10:04):
see her growth in the way that she thinks about things.

Speaker 2 (10:07):
I love that at twenty three, I would love my
work more than I did.

Speaker 4 (10:10):
She I get it.

Speaker 2 (10:10):
I like the accountability on it. Now, if you're offset,
are you mad at at party?

Speaker 4 (10:15):
Yeah? We got he gotta see me. Nah's at he's
at work. He gotta see me. That's not personal. That's
my he got to see.

Speaker 5 (10:20):
You do this.

Speaker 4 (10:21):
Don't write, don't write, don't see.

Speaker 5 (10:23):
That would have been the only cause if I'm If
I'm offset, I'm going to the to the to the
credits on that record, just to see if he's credited
for writing on it. He's credited for writing on that,
So now he gotta tell me which balls he wrote.

Speaker 4 (10:35):
Either way, I got an issue. If I'm offset, I
got to issue a party.

Speaker 5 (10:38):
That just that just that's how the game, go you
in the car when somebody shooting at me. When I
see you and talking going to get the ordering, you
think it's not lit.

Speaker 4 (10:46):
Yeah, but I was hired to be in that. No,
I don't give a fuck.

Speaker 5 (10:48):
If I catch you outside of that car that was
in when they shot at me, you gotta be expecting along.

Speaker 2 (10:55):
For the What if it's not a car, what if
you were the bus drop I'm not seeing. What if
you're just came on your car and you just drive.

Speaker 6 (11:01):
I'm not seeing him being credited on You don't know
his real name as well.

Speaker 3 (11:05):
I do know his real name. He's not credited on.

Speaker 4 (11:07):
Here on on on the Okay he's not.

Speaker 3 (11:12):
No, okay, I just want to Apple Music credits.

Speaker 4 (11:18):
Yeah yeah, ship card Yeah.

Speaker 2 (11:22):
So with that whole joint, I do think, as someone
that has obviously talked about her having ghostwriters, I do
think we're not ghostwriters, credited writers. I do credit writers,
not ghost writers. CARDI does.

Speaker 4 (11:36):
Like I've talked to people that worked with her, she
does write like, No, I'm I don't want to absolutely,
I don't want to do that.

Speaker 2 (11:42):
And this has nothing to do with the past of
this podcast in her or cleaning anything up, she writes,
So we need to give her that credit as well.

Speaker 4 (11:49):
In that regard, she could have wrote this entire thing
for the man of my worship.

Speaker 2 (11:53):
But you would think that because what Party did with
the Meg thee Stallion ship, that's his bag, like he
went fucking nuts on that that would be the person
I would call it to be, like, yo, you need
to help me write this disrecord to my significant other.

Speaker 5 (12:06):
Yeah, but I called Bryson won't be good too.

Speaker 6 (12:10):
I still called Brison, but yeah, long, long story short,
the album is good. The if I was too, y'all,
people say I'm biased, so I'll give a critique just
so that people know I am not biased. I genuinely
like the album. It could have been shorter for me,
and if it was going.

Speaker 5 (12:24):
To be, it's.

Speaker 6 (12:26):
Not even on the album for a reason.

Speaker 2 (12:31):
You didn't need Imaginary Player's album released live edition, not.

Speaker 6 (12:35):
Even like for example. So and I know that it's
not I know that it's a meat issue because the
songs that I don't like, I've seen online people ranting
and raving about them. I would have just rather had
it replaced with the two singles or the two little
teasers that she put out before the album came out,
like like the like what freestyle. But I know some
of those samples might not have been able to get cleared,

(12:56):
so that might not that might be why they're not
on there. But there's a couple that I just don't need.
But she has a wide array of fans that she
has to satisfy. I don't need the little record, I
don't need the what's Spanish Shorty Selina Gomez record? I
don't need those, But again, she has a fan base
that those records are for you.

Speaker 3 (13:14):
Any Bodega Baddy, I fucking love Bodega Batty.

Speaker 4 (13:17):
Bodega Batty, but not pick it up?

Speaker 6 (13:19):
I love Bodega Batty. You're bugging.

Speaker 4 (13:22):
I'm bugging. I'm just saying, how do you love Bodega
Batty but not pick it up?

Speaker 6 (13:27):
Oh my god, that shit gonna go crazy up time.
I'm an knock all the Hookah calls over with my ass,
I'm gonna go crazy.

Speaker 4 (13:33):
Yeah, I just didn't. I mean that might be one
of my that might be my favorite on that I
should favorite song on the whole album.

Speaker 2 (13:39):
I view this is what's going to make women have
fun at parties. That's how I view party that's gonna
go nuts. That's how I view this with that type
of ear. I also kind of want like Tyler's rap album.

Speaker 3 (13:54):
Yeah, Tyler's getting shut off.

Speaker 4 (13:55):
You get a little bars off on that ship.

Speaker 3 (13:57):
Tyler got her bars off.

Speaker 4 (13:58):
I was not expecting that. I was.

Speaker 2 (14:00):
I was hoping it wasn't going to be just the
typical afrobeats song.

Speaker 4 (14:04):
So you could live with this album, is what you're saying.
What do you mean live like? Like you're gonna continue
to play it and listen to it. I don't know.

Speaker 1 (14:12):
I don't know.

Speaker 3 (14:12):
It's okay to say no, you don't listen to female rap.
You don't. That's not what you listen to on.

Speaker 6 (14:15):
Your daddy like you know what I'm saying, Like it's
okay to say.

Speaker 5 (14:18):
No, I'm going he's so scared scared of it? Cardi,
Nigga bellklist, that's what you're scared of, nigga. You have
seen my conversations with no direct direct No, I'm not
scared at all. It's this nigga scared.

Speaker 3 (14:35):
And that's say I don't like you guys.

Speaker 2 (14:37):
Miss anything because now people are gonna think that and
if you go through every message I've ever had from
voice note to message.

Speaker 4 (14:43):
No, I've never known. You don't want to go I
don't want to go through that.

Speaker 2 (14:45):
Well you crack it up. I think he was there
for one of them.

Speaker 6 (14:48):
I think Rory does like the album, but he's not
going to live with it. It's not y'all don't listen
to female rap on a daily.

Speaker 4 (14:53):
Yeah, I like that.

Speaker 5 (14:53):
I'm not I'm not gonna live with it though, Like
I'm not gonna play, but I was. I had to
listen to it. And then she did a good job.
She definitely, like did a a job with the album.
I don't think we had to wait seven years for it.
But then a lot has happened, and she addressed at album.

Speaker 3 (15:04):
And say this is not the album that she made
seven years ago. There may be no definitely.

Speaker 4 (15:08):
Changed the field.

Speaker 5 (15:09):
She definitely changed a bunch of joints on it, for sure.
But again, you know, timing is is everything, and she
went through some things and she made it made for
you know, good content, It made for good good lyrics
and things like that. So she did what she had
to do. I'm not mad at it. Good projects she didn't.
She didn't disappoint me. I won't say I can't speak
for anybody else, but she didn't disappoint me with this.

Speaker 2 (15:30):
What do you mean by by live It doesn't necessarily
have to be a party thing. I'm just I'm just
curious what that What that means?

Speaker 5 (15:34):
You're not playing Bodega Batty in the crib in the
car myself? No, I'm not, not, no way. But like
I'm driving up.

Speaker 2 (15:41):
To a I'm going upstate to a wedding this weekend
with people. There's gonna be women in the like, I'll
definitely put this on. I'll put the whole album on.
If I'm in a car with women. Of course, i
would me just like chilling, like now you know, office
in the Holland Tunnel, and I'm.

Speaker 5 (15:57):
Not setting the vibes with the women. So I'm not
known for this. I'm known for ruining this.

Speaker 3 (16:02):
Yeah, literally literally I had to get for people because.

Speaker 5 (16:08):
We need that principle, Yo, we need that. We need
that video though, Yeah, like what's up?

Speaker 4 (16:12):
Like why do you give us Imaginating? That's the single?

Speaker 3 (16:15):
But but what they did?

Speaker 4 (16:18):
Why they why they gave us Imaginator? That's the single?

Speaker 6 (16:21):
Well set well, the single that led the album roll out.
Well let the album release was safe by Kaylani, which
I do think should have been a single, right, Yeah,
it's a great love. It's one of the standouts for
the album.

Speaker 2 (16:33):
The video.

Speaker 6 (16:33):
They were very cute in the video was on her
acting bag. She got shot and killed. Like it's a
very interesting and it's a good video. So I would
say that the standouts for the album for people who.

Speaker 4 (16:43):
Are not I think the video smell like though lavender.

Speaker 5 (16:47):
It's a lot of silk, right, silk, laven gotta be
lavender when you see silk, absolutely right.

Speaker 4 (16:53):
Yes, I know that set smoke great.

Speaker 2 (16:55):
But I could also see, you know, with the post
promotion being so important now that they may be trying
to book Janet for the video. I'm not saying that
could happen, but I could see like, all right, let's
go with the kilne.

Speaker 4 (17:06):
When we can shoot the video, it'll go out the
week of That.

Speaker 2 (17:08):
Buys us some time to try to lock down Janet
to make this the following single. Yeah, because either way,
that joint is going to be a focus track for
the next few weeks. That record is fire. If you
could get like even Janet as a cameo, yeah, that
says so.

Speaker 4 (17:23):
Now you need more than a cameo. That's gonna call
it all you could get in the came cause too
much to.

Speaker 5 (17:27):
Get Miss Jackson to move around for a cameo, I
might as well get a full You might as well
get want.

Speaker 4 (17:31):
To rehearse like that, that's a lot to get somebody.
Janet got a rehearse Miss Jackson, You got Miss Jackson twisted.
I think anybody would need to rehearse for a major
video this. I think this Janet Jackson for the I.

Speaker 2 (17:42):
Think that she just showed up to her video.

Speaker 4 (17:45):
Well, it's not her video cameo. She knows the song,
she's heard it before. Rehearse nothing.

Speaker 6 (17:54):
I think the standouts for the album for people who
are not Cardi fans and are not going to sit
through an entire Cardi album. If you want the essence
of the album, I would listen to safe Man of
Your Word Principal, the Janus sample, the other Janus sample
on My Back is good as fuck too.

Speaker 3 (18:09):
That's a slower song.

Speaker 5 (18:11):
The new Bronx anthem better than You featuring cash goa
Bronx Legends is everywhere.

Speaker 4 (18:14):
I'm just putting that out there for y'all.

Speaker 5 (18:15):
Yeah, I forget about better than Take the a train uptown.
Come see some of the legends.

Speaker 6 (18:19):
It's all good, pretty and petty, which is the BIA
disc and uh Time, ear Time should have come out
in the summer. I'm so sad that we missed that.
That was a summer record like that. That song goes
fucking crazy. But yeah, good job, Cardi. I'm so fucking
proud of you and so happy. Yeah you did a
great job. You did a great good project.

Speaker 5 (18:39):
Now Cardy, do me a favoring curse Rory out some
more in the dms, please, just because I love to
see him panicing when he come in here, when you
when you think the brims is coming together.

Speaker 2 (18:48):
I hate I'm fine for the podcast to give this
nar Yeah, that's that's what happened.

Speaker 4 (18:55):
This nigga skined about the least.

Speaker 2 (18:57):
I mean, there's there's there's those could be some famous
last words.

Speaker 4 (19:00):
That's all I'm saying. Why all right? Try me? What
am I trying? Okay? I don't got her? Reaches is far.

Speaker 5 (19:11):
Mine's just too we want to see. Look look when
I'm sitting there with my arms that see more reach.

Speaker 3 (19:17):
Yeah, you out of a bitch ass arms bin.

Speaker 4 (19:21):
Jesus Christ, what the fuck did I do today.

Speaker 2 (19:24):
It everybody shivery day?

Speaker 3 (19:33):
Then Mart lift his leg. Y'all are so.

Speaker 2 (19:34):
Annoying, CARDI would would like it better that way. What Yeah,
her album review would just be shipped on Roy Day. Yeah,
so you know I'm here for it. Well, yes, I
hope everyone lives with it. I hope Janet is in
the video.

Speaker 5 (19:48):
Yeah, I need that video. I like that record a lot.
I ain't gonna lie. That's probably my favorite record on album.

Speaker 3 (19:54):
It's definitely my favorite. Yeah. So ja Electronica drop two
music was dropping?

Speaker 4 (20:02):
Yo, listen, man, how many more? How many more is dropping?
Though I got out the shower, another one was out.
I was like, all right, man, four.

Speaker 3 (20:10):
Projects in three days? How many are coming?

Speaker 4 (20:11):
Okay?

Speaker 2 (20:12):
Well it was four and three days. The first one
was act To, which was out incredible ten years ago,
was never on DSP. So so for the quote unquote
roll out, we put out act To the day before.

Speaker 4 (20:23):
That makes sense.

Speaker 2 (20:24):
But we put out three projects in two days, and
I have not slept since Thursday.

Speaker 4 (20:31):
M hm.

Speaker 2 (20:33):
I mean it's not like I'm giving anything away because
he said it on the first project, Leaflets, he gave
hold nineteen albums. Yeah, it's gonna be a long month
for me.

Speaker 5 (20:41):
Yeah, I'm just happy I had text him. I just
said thank you, because I know how he works. I
know that you know, he's very meticulous, very maniacal, you
know when it comes to his art and his music
and a lot of things he doesn't put out. But
I was happy that he actually it happened. You said
it was gonna happen, but I was actually glad to

(21:03):
see it actually happen. And we get some new music
from Jay Electronica. Written Testimony Leaflet's incredible. The other what
is it written testimony to No? Act two is the
one that he put out first, right, Yes, Act two
was from you nobility to turn a written testimony power
at the rate of my dreams that came out.

Speaker 2 (21:25):
And then the last night written Testimony Mares the Inhabited Planet.

Speaker 4 (21:29):
I mean, a lot of this is gonna be his
story to tell. I do have.

Speaker 2 (21:33):
I have so much to say right now, but I'm
gonna chill, Like of all the war stories of the
last few days. Yeah, but a lot of the stuff
that we worked on the last few years actually hasn't
been put out yet. What I will say, the three
projects that came out outside of like one or two
records that we just needed to put on DSPs were
done in the last four days. Yeah, everything was done

(21:56):
in real time. With the rest of these projects. Yeah,
you'll get some stuff that we've been working on for
a couple of years, but all of this was done in.

Speaker 4 (22:05):
The last three days. Yeah, like literally all of it.
Now you can hear it.

Speaker 2 (22:09):
I was like, it's a hard drive dump and it's like, nah,
this ship is right now currently.

Speaker 5 (22:15):
But I like it though, Like some of the some
of the bars, some of the verses. I like the
fact that you know, he was in the kind of
mumbling to hisself and then he goes back into his bars,
like I don't know, like that's been in style for
a little while, but I like that type of same
constructing of bars and verses and things like that. Obviously,
anybody knows JT knows he does things on his own
accord and when he's ready to.

Speaker 4 (22:36):
I'm sure you know too about that ro just a
little bit.

Speaker 5 (22:39):
But I was happy to hear the music. It sounds great,
the message is powerful. Probably the first artist that actually
announced the call of action on the album, I thought
that was DJ elect That's.

Speaker 2 (22:53):
That's who he is, and again, why I'm saying these
things were done in real time. He's reading people's tweets
of the project that just came out, Yeah, on it
like while he's recording the next one. So it's it's
creating like a piece in time.

Speaker 5 (23:06):
It's a very Jay elect way of creating and recording
and releasing music. Only Jay elect Kid could record and
release the way he is. I'm just happy to see
that y'all find y'all actually got it out. Yeah, you
know that's a task in itself, but to actually get
it out and get the message out. If you haven't
listened to any of it, do yourself a favor, please
listen to all of the albums, all of the projects.

(23:29):
The message is powerful, the skill set is incredible. If
you know Jay elect you know that he's always going
to be one of the greatest mcs that you'll probably
listen to.

Speaker 4 (23:38):
But the music is actually really.

Speaker 2 (23:39):
Great, And I look forward to coming on this podcast
once we're done with everything and telling the insane stories
of putting this together. Yeah, just right now, while we're
in the.

Speaker 4 (23:48):
Middle of it, it's still happening. It's not the time,
and it's Jay's story to tell.

Speaker 2 (23:52):
But I sent a photo of that put in the
recording chat of me and Cruz on an ivy in
a motel room.

Speaker 4 (23:58):
No, okay, well that was from this weekend.

Speaker 2 (24:00):
Yeah, got to stay hydrated. No sleep, none, no sleep.
I felt like I was back on life. Matter of fact,
when I was allegedly pledging Kapa, which means I just
paid and took a test. I think I slept more
when I was pledging than I have in the last week.
But I'm just super happy that this stuff is coming out.

(24:22):
You know, some of the calls I got over the
weekend from people that have been with Jay for you know,
twenty years, and they were like, Yo, the fact that
you guys as a team were able to just put
something out says more than anything.

Speaker 4 (24:36):
Now you want to do nineteen.

Speaker 2 (24:37):
So I'm excited. I mean, I also understand too, I
did have much time to like look at reviews and
shit like that because everything was happening in the moment.
But I know it's an acquired taste. But again, the
message is important. I encourage people to listen to it
within open ear. If it's not your shit, I get it.
But I think a lot of people, which I've done too,
with like and Jay's not a lyrical miracle rapper any means.

(25:00):
But some people go into like that's not my type.

Speaker 4 (25:02):
Of shit for sure, but not as local murder for
as people think.

Speaker 2 (25:06):
Yeah, based off I guess the perception of what his
beliefs are.

Speaker 4 (25:12):
They think the whole album.

Speaker 2 (25:13):
Is just going to be just talk that they're not
going to understand it. It's not the case, Like, listen
to it with a open ear. I think you would
enjoy it. So, I mean, see you guys in a
couple hours.

Speaker 4 (25:22):
Yeah, another drop on the.

Speaker 3 (25:24):
Way criticism for sure? Did he on the intro?

Speaker 4 (25:31):
Okay, did he on the intro?

Speaker 2 (25:32):
Yes, he was on the intro the first record, Abracadabra
off Leaflets, which was the first official one outside of
Act two that we dropped. Yeah, did he starts starts
the Amazing Conductor produced record.

Speaker 4 (25:45):
I mean, it's not my project.

Speaker 2 (25:47):
Not your project. He's not your call, it's Jay's called.
At the end of the day, I can tell one story.
Jay is very aware of how I feel about Puff.
Puff is very aware about how I feel about Puff
via FaceTime. That's why I'm laughing. You said I'm scared
of Cardy.

Speaker 6 (26:02):
I was.

Speaker 2 (26:02):
I was definitely more scared when when I when I
had to get confronted on that, and this was before
even the tape had came out, the really unfortunate.

Speaker 4 (26:11):
Tape with with Cassie. You know, I felt like we
were the only podcast that was on her side.

Speaker 2 (26:16):
And I had a conversation on FaceTime. Huff knows how
I feel. J knows how I feel. It's Jay's project,
and that's is what it is. Like my stance was
made m It's never going to be my call on
that type of thing. It's him, So you know, I
can disagree.

Speaker 4 (26:30):
I hit you. We spoke about it.

Speaker 5 (26:31):
I expressed my my uh displeasure, my pov on starting
the album and and hearing that intro, like, you know,
but I understand his relationship with Jay, you know, and
if you know Jay, he's a very as hard as
big and you know, he just has different beliefs than

(26:52):
most people and has a different heart.

Speaker 4 (26:54):
So you know, I understand it and respect it. But
me and Rory spoke.

Speaker 5 (26:56):
I expressed my I won't do it here, but I
expressed my my POV on that whole thing. You know
what I'm saying, So yeah, and it doesn't Rory didn't.
He's not shying away from it. No, not though the
same type of sentiments when it comes to that.

Speaker 2 (27:08):
But no, but I said my piece on it straight
straight to the man on the intro.

Speaker 4 (27:13):
Yeah.

Speaker 6 (27:13):
But that's why I said, because I don't want anybody
to accuse you guys of avoiding.

Speaker 3 (27:19):
That topic.

Speaker 6 (27:21):
Because I know your point of view, but other people
might not. And that is why I wouldn't let y'all
skip over it.

Speaker 2 (27:28):
All right, here's my my final thing on it. J
knows my stance, Puff knows my stance. I have been
on record on this podcast of my stance that has
not changed whatsoever. You guys know my stance.

Speaker 4 (27:40):
After that, there's not much more I can control. Yeah,
that's at that point.

Speaker 2 (27:44):
It's like I told everybody that is important to me
and knows where I stand on this whole thing. It
also is not my This was my album and I
did that. Now you guys can look at me like
whatever I.

Speaker 4 (27:56):
Thought it'd be different. I thought you. I thought you
were different.

Speaker 2 (28:00):
Also, again, I'm not here to even knock Jay on it,
but he has a different perspective on that situation. That's
further's mind because he lived with them and it doesn't
excuse my thoughts on it.

Speaker 4 (28:13):
But he has a different perspective, which I respect.

Speaker 2 (28:16):
We have a men can have disagreements, friends can have disagreements. Absolutely,
I know his perspective. So that also doesn't make it
right because I have my stance on it. I have
a bit more understanding on the situation than maybe most Yeah,
when it comes to Jay and his relationship with Cassie
and with Puff, but I mean totally understand. I was

(28:38):
scared that that was going to overshadow like everything, And
of course, of course I saw a lot of the
headlines Puff addresses like this whole thing. But I don't
think it overshadowed all the music, thank god.

Speaker 4 (28:50):
No, no, no, the music is powerful.

Speaker 5 (28:52):
I just I wasn't expecting that when I first started
listening to the album.

Speaker 4 (28:58):
But I mean maybe sometimes that's that's all. Also the point,
no that, and and and then again the.

Speaker 5 (29:05):
Situation at hand, the artists that we're talking about, just
the situation. The dynamic is totally different, so I get
that part of it. But the music is incredible. The
message is powerful, you know. I love just an orthodox
way of dropping it, releasing it. I love everything about
this everything you know this is Jax's. It's against all rules,
it's against the norm. It's outside of you know, what

(29:28):
you probably are guessing or what you think. It's exciting, man,
it's exciting to see artists do things like this, to
go against the grain and just do things based on
how they feel and you know what they're what they're
going through and things like that. Like I like that
type of ship, Like that's what I think art is
supposed to do.

Speaker 2 (29:44):
Yeah, And I mean when when we got to the
DSP world's things got so structured, and I do like
what our whole team is doing here as far as
all right, that's done. The mix don't have to be
to what we think it should be DSP related. This
is back to blog errshit, I like this. It's going

(30:04):
out like let's just flood as much as we possibly can.
Because they took that opportunity away from us. Like how
we used to love mixtapes, how we used to just
love Lucy's. All of that is gone. And Jay I
think is in a unique position being the unicorn and
the mystique he has that's over here not a lot
of artists have. And he doesn't give a fuck about

(30:27):
anyone saying you can't go do this. So he's the
only one I think that can drop nineteen albums in
a month of just shit that I like this. Now,
this could go out, That could have happened in two
thousand and nine, but not now.

Speaker 4 (30:41):
That's against the grain on everything.

Speaker 2 (30:43):
So him bringing that back to me is from an
era that I love that that streaming took away. If
half the shit gets taken down, so be it. We'll
find another way to put it out. We'll put up
on SoundCloud. Then it gets taken down, Like we'll just
keep doing this shit over and over because this was
the era that all of us like really became adults

(31:03):
in and Jay became an artist then like that's what
he knows. He grew up on all the nineties guys
that were doing albums. But when it was time for
him to come out, it's like I'm figuring out the internet,
which was kind of a rebel thing at that time
of being on the blogs releasing stuff. It was against
the gring with the industry.

Speaker 4 (31:19):
So let's redo it.

Speaker 2 (31:20):
Let's do it again with streaming, same way we went
against iTunes, Let's go against streaming on streaming played by
the rules whatsoever. I was reminded how hard it is
to really listen to music and connect the music now
this week because I was trying to listen to all
of the Jay Drops and as well as you know,
the Cardio album.

Speaker 5 (31:38):
It's these phones. Man, it's so hard to consume music
through your phone. Yeah, like, because you do everything on
if somebody calls you, you know what I mean, it's like,
take this call. Even if you don't take the call,
it interrupted the listen. Somebody texts you. Now you're in
this conversation. It's like everything is like it's hard. It
was much easier to consume music when the music was

(32:00):
away from the phone. I saw it on whether it
was CD, whether it was vinyl or cassette. It was
just a different attachment, a different connection you had to
the music because it was just that. Now, when you
try to listen to music and albums from your phone,
you get distracted so easily and you forget you was
even listening to this album because now it's a phone
call I had to take. Yeah, I'm on the phone

(32:21):
for forty minutes. I forgot I was listening to the album,
And now I'm in a whole different I don't even
know if I'm going back to the album until later
on or tomorrow. Like it's just a it's very hard
to consume music through your phone.

Speaker 2 (32:32):
I've even found myself saying out loud to people like, hey,
let's just put something on Netflix that I will be
fine in the background, so I'm not gonna follow that's
simple in a doc like oh wait, what I miss?

Speaker 4 (32:44):
All right?

Speaker 2 (32:44):
Cool, And I'm just backed on my phone, which is
not a good way to consume anything. I'm like purposely
trying to find background noise for things while I'm on
my phone doing shit.

Speaker 5 (32:53):
I put YouTube on the TV and listen to albums
like yeah, just something that's going to separate it from
the phone, you know what I'm saying, Like I need
to have it, Like it's like, okay, nothing is going
to interrupt this, listen right here, Like it's not.

Speaker 4 (33:04):
The music is not going to stop. I'm listen to
it all the way through.

Speaker 5 (33:07):
Yeah, it's just a different connection you have with music
when I think it's for me personally, when it's not
on my phone.

Speaker 2 (33:14):
Tamara, So it's Jay elect to you like Cardi is
to us, where like, yeah, well listen to it, but
we're not.

Speaker 4 (33:21):
Was it made for us? Like we're not in the crib?

Speaker 5 (33:22):
Like the way you feel about Bodega Batties. That's how
I feel about Who Kill Michael Jackson?

Speaker 3 (33:26):
Yeah, that's the song on the album.

Speaker 5 (33:29):
Yeah, Like I turned up to that like I hear that.
I just thought, you know what I mean, like it's
lit Ah. You feel what I'm saying, like you shake,
you shake?

Speaker 4 (33:36):
I ain't see.

Speaker 5 (33:37):
I didn't say that, but how I feel I'm telling
you how. Yeah, But I didn't say how you move
is how I move. I didn't say that. You see,
our words are important. I never said I was shaking
as to Who Killed Michael Jackson? And I never said
that you could. Though it's a hard beat, you could
do a lot of things.

Speaker 4 (33:49):
I'm just saying, you're not.

Speaker 2 (33:50):
You know what I'm saying. A woman could shake ass
to that record? Oh yeah, I mean there for it
could do it. How did you feel about Jay putting
Quentin Miller on that record?

Speaker 4 (34:00):
I loved it. I did too. I loved it.

Speaker 5 (34:02):
It was it wasn't expected, but I love what Quentin
did well with his verse, and I was happy to
see somebody like Jay, you know, open up a verse
for Quinton because we know, obviously, we know how talented
Quinton is as a writer and as a rapper, as
an artist period songwriter.

Speaker 4 (34:19):
So to see him.

Speaker 5 (34:20):
Next to Jay leg and going to Jay's world and
you know, rap about what he was rapping about, it
was dope to see that like that was that wasn't
you know, a feature that I was expecting or even
thought about.

Speaker 4 (34:32):
But I was when I saw it. I was happy
that it happened, Yeah for sure.

Speaker 2 (34:36):
And even some of like the tweets that I did
see that that made me smile. Jay Electronica got me
research in the Battle of Los Angeles in nineteen forty two.
Dog tell me why that shit actually happened.

Speaker 5 (34:48):
That's the point of the album. That's the point of
the music. A lot of things people do conspiracy. Sometimes
you will look it up. It's like, oh wait, no, no,
this doesn't really happen.

Speaker 4 (34:55):
This is a fact.

Speaker 2 (34:57):
You're telling me police an army shop fourteenth thousand rounds
at something in the sky.

Speaker 5 (35:02):
Yeah, yeah, absolutely, And that's just never taught, never taught,
that's rabbit hole, That's just it just happened. That's why
an artist like Jay is important. You know what I mean,
it's it's gonna teach you something. But obviously the flow
and everything is still he's still gonna out wrap some
of your ship most of your favorite rappers. But at

(35:22):
the same time, he's he's dedicated to the message and
guess what's important about Jay and I appreciate that.

Speaker 2 (35:27):
Yeah, I mean, if for the people that are into
I'm not saying conspiracy stuff or just just easter eggs
and certain parts of records. Research every single title that
is on these projects. If you see, most of the
time the title has nothing to do with the record.
It's something that he is encouraging you to go research yourself,
and it's not a conspiracy.

Speaker 5 (35:47):
Candice Stones tell us more like I was like, okay,
like that's what he had with it, and I bet
Jay tell us more Candas, let's hear it.

Speaker 4 (35:56):
Yeah, I liked it.

Speaker 5 (35:57):
I got you know, once I saw the titles, I
was like, okay, yeah, I know what Jay doing.

Speaker 2 (36:01):
No, there was even stuff that I had to when
I was typing out, you know, the track list, when
he was coming up with the ideas for it. Some
of it because you know, him and I talk every day,
so I get a lot of this information for the
last four years. There was stuff I even had the
research and I was like, oh shit, I had no
idea about the uh the Japan Airline sixteen twenty eight
that just research is.

Speaker 4 (36:22):
One of my favorite songs too. Yeah, she was crazy.
That record is hard.

Speaker 2 (36:27):
If you look into what blood LaBelle is like, that
shit is crazy. That's probably one of my favorite verses
he's ever done. There's just a lot of shit on here,
and I'm exhausted, proud, happy, and cannot wait for more
of the music to come out because this is I
don't know, just a once in a lifetime type of
thing that we get to experience this for this month.

Speaker 5 (36:45):
We salute to y'all. Salute to the team. Saluted Jay. Yeah,
you go getting it done, getting it out.

Speaker 4 (36:49):
You gotta come to HQ, and you gotta know what
it smell like. Mentally, I got yeah.

Speaker 5 (36:54):
Mentally, I gotta, you know what say, I gotta I
gotta prepare for that, you know what I'm saying.

Speaker 2 (36:58):
Uhbviously won't say where we're at or what type of
place it is, but it's not a place you would
expect anyone to be at. And I'm walking out and
somebody was like, Rory, what the fuck are you doing here?

Speaker 4 (37:12):
And then I could see his mind start to take me.

Speaker 2 (37:14):
He said, wait, I thought I just saw Jay Electronica.

Speaker 4 (37:19):
What are you doing here? Hookers hookers, nothing but hookers,
hookers and music hookers.

Speaker 2 (37:28):
But yeah, other than that, that was really my weekend.

Speaker 4 (37:32):
It was intense.

Speaker 2 (37:34):
Shout out to Cruise, shout out, Shout out to Kia,
shout out to my mom.

Speaker 4 (37:38):
I've been an absent father for a week.

Speaker 2 (37:40):
Ye yeah, for sure. I was running home trying to like, hey, Amara,
and then she started getting used to which like made
me feel even worse.

Speaker 4 (37:49):
Like by daddy, like fuck.

Speaker 2 (37:53):
But you know, I brought her by because we had
a couple of different spots outside of where we're recording,
and I brought her by for a second.

Speaker 4 (37:59):
Just so she could see the chaos. But it's not a.

Speaker 3 (38:02):
Place for Chandler, not a place for children, not a.

Speaker 4 (38:07):
Place for adults, not for any function.

Speaker 2 (38:13):
Guarantee you, out of the four spots that we have
in here, three out of four of the murder definitely happened,
like without question. If you started to like do the
black light shit, you're you're definitely finding DNA and blood,
like without a question.

Speaker 5 (38:27):
But yeah, sorry, though the message got the message has
to be released, that's all. It don't matter where it's from,
just get it out.

Speaker 4 (38:33):
Yeah.

Speaker 5 (38:33):
Shout out to Jay Electronica Maul.

Speaker 2 (38:39):
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In your pocket. You got a little cash on me,
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Speaker 4 (38:54):
I knew you was going to say that. I had
a feel. I don't think you thought that. I knew
you were going to see because you.

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Speaker 5 (40:34):
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New Jersey, Ohio, Tennessee, or Virginia to play. Terms and
conditions apply. Concerned about gambling and Florida called one eight
eight eight admit it.

Speaker 4 (40:48):
In Indiana.

Speaker 5 (40:48):
If you are someone you know has a gambling problem
and wants helped, call one eight hundred and nine with
it gambling problem called one eight hundred gambler, Arizona, Colorado, Illinois,
New Jersey, Ohio, Tennessee.

Speaker 4 (40:59):
And Virginia.

Speaker 2 (41:06):
Outside of abandoning Amara, I did actually find some time
to watch the bootleg version of the Kanye documentary somebody
put up on YouTube. They filmed it like in the
theater and the quality was good enough to watch.

Speaker 4 (41:18):
Wait, dis was released in theaters.

Speaker 3 (41:20):
Yeah, I didn't know that.

Speaker 2 (41:21):
That's the headline I saw and with the bootleg I saw, Yeah,
I can look it up. I don't think it's like
at the a MC in Times Square, but yeah, and
the version I saw was somebody in the theater filming
it like the old like the old Canal Street DVD
tape type of thing.

Speaker 4 (41:43):
I didn't know that. I was just in the.

Speaker 5 (41:46):
Actually, I might go see it now now that I
know it's in theaters, I might give me an excuse
to go to the movies.

Speaker 2 (41:53):
It's I mean, I guess it's what you think it is.
I don't think there was anything on there that gave
me a surprise to Kanye, because you know, we've seen
so many clips and different sides of his personality and
I don't really know if it gave too much context
to it. But it did show Kanye in his own

(42:14):
element more than we've ever seen.

Speaker 4 (42:17):
Even more than the Genius documentary.

Speaker 2 (42:20):
The Genius Documentary showed us Kanye West in the beginning
of his career, his own environment.

Speaker 4 (42:25):
This is this is post meltdown quote unquote.

Speaker 2 (42:30):
Yeah, this is Kardashian era type. This, this is calabasas
Ya into Wyoming Ya. Okay, in the same type of
context you're seeing him in his own environment in a very,
very genuine way, because sometimes you'd be like, oka, is
Kanye doing this for paparazzi? Like even I love when

(42:51):
Cameron was like, Kanye's not crazy, I just saw him.

Speaker 4 (42:53):
He's fun.

Speaker 2 (42:54):
I walked in there at the most saying human being,
like he's fucking with show. This showed it in a
different like. I'm not saying it gave context. I don't
even know if Kanye is fully behind this entire thing,
but I guess I will applaud him by saying he
didn't shy away or try to make himself look any
better or add context to things. But it's it's Kanye

(43:18):
West in a very Paul's raw form.

Speaker 4 (43:22):
I really enjoyed the doc.

Speaker 2 (43:24):
There's a difference between enjoying the dock and then enjoying
the person that's the lead of the dock, right, because
there's a lot of moments where you know he is
a very destructive not only to himself but to the
people around him. And I know we joke about what
I had said about game and this and that, but
Kanye has been diagnosed before. We don't know what's accurate

(43:46):
and what's not. You you see that side of him
for sure.

Speaker 4 (43:49):
So wait, he's not a part of this documentary at all?

Speaker 5 (43:52):
Should should we even be supporting this because I'm be
ready to go to the theater and watch it, like
but I mean, I was.

Speaker 2 (44:00):
Was I mean, was he fully behind that as well?
Because I remember, you know, Kanye would never go back
on his word. I remember him saying something.

Speaker 4 (44:08):
Like bad about Cooty and them about that.

Speaker 2 (44:11):
Even though he's in the dock saying, you know, I
got my man here. There's been with me for twenty
years and we want to sell this doc But I
remember Kanye being upset when that came out.

Speaker 4 (44:19):
So I don't know, okay, judging off.

Speaker 2 (44:22):
What happened with Genius, but I don't know if Kanye
pulled out, pause, pulled out of this entire thing. Because
the director, I think it was Yes Jules that was
saying that he has been around following Kanye forever. I
don't know if this was something he took upon himself
after he stopped working with Kanye, the same way you
know Creative Control did. But I don't know.

Speaker 4 (44:41):
It's a lot.

Speaker 2 (44:42):
Where the genius one has redemption and like a real
human aspect of it, This one has chaos. It makes
you uncomfortable, it's a little bit scary. It gives you
a lot of empathy for people that are around him,
and in some degrees empathy for him as well. I'm

(45:04):
not saying he's a terrible person, but he is very
much destructive on purpose.

Speaker 4 (45:10):
It feels like like he's.

Speaker 2 (45:11):
Very lucid in what he's doing. I don't think he's
having complete freakouts and meltdowns where he doesn't know what
he's doing. I think he organized very very lucid in
what he's doing. But yeah, it's a it's a lot.
But then again, I mean, yeah, Kanye screaming at Chris Jenner,
I don't like co sign how he did all that.
But if you have a real American family, if they

(45:36):
put a camera in your fucking house, would it be
much different.

Speaker 4 (45:41):
Yeah, I saw that clip of him as wrong.

Speaker 5 (45:43):
It's just a clip, so you kind of look at
it like right, Well I looked at it like I
need more context. What was this conversation? Why is Kanye
screaming at Chris Jenner like this? But yeah, that's the
end I saw obviously to Michael Jay clip at SNL
when Kanye Kanye had hosted an at that time.

Speaker 2 (46:00):
Right, Yeah, that was the time when he said they
bullied me for the red hat in that entire thing. Yeah,
but I mean I respected what Michael Ja was saying
at that time. Mm hmm, because there's only one black
comedian when you're going on your rant. He was like,
you wasn't talking about Leslie, like, like who he was
talking about me? Like, I think he had every right

(46:21):
to do what he did.

Speaker 5 (46:23):
No, absolutely, absolutely, And if you feel like somebody disrespected
you and obviously didn't have the opportunity to defend yourself
or something like that, then especially if you feel like
you had a like a relationship with the person, yeah,
you'd be like, yo, like, you know, I didn't see
anything wrong with Michael Jay. I'm not gonna say I
don't like the word press because pressman. Yeah, like, don't

(46:46):
don't have a conversation there was, Yeah, it's a conversation.
Michael Ja didn't press Kanye West. He had a conversation.
He approached him about something he said and that he
didn't like. It's not a we don't have to say press.

Speaker 2 (46:58):
You know.

Speaker 5 (46:58):
It's not like he threatened to put hands on Kanye
if he said it again like that suppressed, Like, YO,
say keep my name out your fucking my dad's suppressed.
But Michael Chay was just like, Yo, that's fucked up, man,
Like I love you, Like why would you, you know,
put me out there like that or say that about
you know me? And you know it's like I can't
even do nothing about it. I gotta kind of just
eat that, like that's fucked up. So I understand as

(47:20):
a man, that's just man shit. As a man, you know,
he's approachmy that he knows he has a relationship with
that he thought was cool with him, and you know,
just expressed that he didn't like something he said.

Speaker 4 (47:29):
But I didn't see anything wrong with that.

Speaker 2 (47:30):
This was the very frustrating well, actually not gonna say that,
because there's been a lot of frustrating Kanye West earth.
This one was especially frustrating because this was around the
time when he started with the MAGA stuff and he
was all about having dialogue, and then when someone like
Van Lathan would try to have dialogue with him, or
somebody like Michael cha would try to have dialogue with him,

(47:51):
everything he said before that, he would just go, but
I love you, no, no, no, I'm replying to everything you
just said in a very.

Speaker 4 (47:59):
Color I love you too.

Speaker 2 (48:00):
This doesn't take the level of yeah, but what you
just said was crazy, I'm replying to it.

Speaker 4 (48:04):
Yeah.

Speaker 2 (48:04):
You keep saying you want to have dialogue, that's our
fucking problem. And then anytime I retort any point, you
have to say, you like, but I love you, It's like,
all right, so you're just being a hypocrite on this
dialogue thing that you want to keep having. No, you
want to spew out insane headlines that you've read from
some of your Republican friends. And then when somebody is
just like, what would you mean by that? I don't
think it works that way, you go, wait, but I

(48:26):
love you. Yeah, yeah, fhair, what are we doing here?
Like you can't even have a conversation with somebody like that.

Speaker 6 (48:31):
And some people are also very bad at having conversation
that they deem confrontational, Like you ever had a conversation
with somebody who you could only have a deep conversation
with through text, because if you're talking to them, their
response time like in text, it's almost like they're either
nervous or they're not quick enough on your feet, Like
it gives you don't know how to defend your points

(48:51):
without time.

Speaker 5 (48:52):
I think people have people that have a hard time
having conversations that can be deemed confrontational. I think it's
most times because they know either they're wrong or they're lying.

Speaker 4 (49:06):
Yeah, I can see that.

Speaker 5 (49:06):
Like if you have a problem with having a conversation
about something that you know, may come across as kind
of like you're confronting an issue, because that's all it is.
When they say confrontational, it's just I'm just confronting the
issue at hand. People that have a hard time with
that is they're either lyon or you know, they they
know they were.

Speaker 4 (49:23):
Wrong and can't admit that they're wrong.

Speaker 5 (49:25):
Yeah, and I can see that being Kanye a lot, Like,
you know, he knows he was in the moment. He
probably doesn't mean any harm. But then it's Michael cha
is saying it. He's hearing it back like, yeah, that
might have been unnecessary, Like I didn't have to put
that out there like that, but I do love you,
And it's like I get that part, but you still
this was live television.

Speaker 2 (49:45):
Like I work here, Yeah, like you said some crazy
shit and it's just like, bro, now I got to
deal with that, you leave this studio and don't have
to ever come back.

Speaker 5 (49:53):
I have to be back here, like just in a
few days, like these people have to see me again.

Speaker 2 (49:58):
But that was the first Kanye era where I felt
like he jumped out the window without fully understanding or
believing what he said. Like if you go to any interviews,
whether he was zaying low and he's talking about polaroids
and cameras and Lady Gaga and his music and the industry,
Kanye will have crazy dialogue arguments with anyone. His Breakfast

(50:19):
Club interview. Everything he said at that point is really
what happened for the next ten years when they were
trying to debate.

Speaker 4 (50:25):
Him on it. When he knows what he's talking about,
Kanye is great.

Speaker 2 (50:28):
This was the first time when he linked up with
like Candace, and Nick point says, I'm not saying he
didn't believe what Candace was saying. He was just not
well researched on anything. So the only thing he had
was what Candace said as a talking head at one point,
So when he would get someone to say something back,
he wouldn't have a retort because he did he didn't
research it. That's why you get that TMZ shit. When

(50:52):
Van says that, and he's just like, yo, I love you, bro,
let me give you a hug. And Candace keeps stepping
in to answer the questions because Kanye was not well
read or verse on any of those points, right, they
were just controversial. So he said that that's, to me,
is where the Kanye really went left. And it wasn't
because it was a Republican thing. It was because he
didn't know what the fuck he was talking about. Every
time before that, whether you agreed with him or not,

(51:14):
he knew what he was talking about.

Speaker 4 (51:15):
He was passionate. He actually believed that shit.

Speaker 2 (51:17):
This time he's saying shit on SNL and has no
idea what he's talking about, and Michael Jay is like,
I'm trying to have a conversation. Kanye can't have a
conversation on that because he doesn't know what the fuck
he's talking about. Later on, he did start to research
that shit more like form a real opinion, But at
this time he was hoping Cannics would step in and
just yeah, what she said, Yeah, you just are doing
this because it's controversial.

Speaker 5 (51:39):
Well, I don't know how I feel about supporting this now,
going to the movies and paying to see it if
you don't.

Speaker 3 (51:44):
Know he's involved.

Speaker 6 (51:45):
I thought niggas weren't supporting Kanye Wes anymore. I thought
that that was like the thing like.

Speaker 5 (51:49):
Nah, you're bugging. I'm still waiting from my Hitler one. Dude,
I paid twenty five dollars from joints. Fall is his
first day of fall.

Speaker 4 (51:56):
What's up? I need my boots? What do you want
to go to the theaters in the boo ye? I want
to go to my thing to go to see the
doc with the Hitler ones on it. What's up with you?
Send me my shit? Yeah?

Speaker 5 (52:06):
But I'm not gonna say I don't support Kanye because
he's an artist and obviously he releases things. We're gonna
check it out. We're gonna see what he he has to,
you know, say, or what he's given us. So I
guess that's supporting them. I'm just saying, if this is
a doc that he didn't want to say, he didn't
want this to come out, he didn't, he doesn't. I
don't know how I feel about paying to go to
the theater to see it.

Speaker 6 (52:27):
See I feel like that would be in that that's
you like being supportive of Kanye, Like, if Kanye was
a good person, then I would maybe consider not spending
my money for someone else to you know, get money
off his back, like not.

Speaker 3 (52:43):
Not supporting that Kanye's a good person. But now.

Speaker 6 (52:47):
I don't know him personally, So let me say that
from what I've seen, what I've been presented, the information
that I have, no and I so I don't care
about somebody like exploiting him, and I'm if it's entertaining
to me, I'll go see it, like that's just me,
be honest, he doesn't. I've seen him hop on the
backs of other people's tragedy just because he knew that
people were going to disagree about certain things and try

(53:09):
to make money off it and be exploitive of it.

Speaker 3 (53:11):
So I don't care.

Speaker 4 (53:12):
Honestly, I respect that.

Speaker 2 (53:14):
Yeah, I mean, judging by what Wikipedia as as far
as producers, director, this is just starring Kanye West. Yeah,
directed by Nico, Produced by Nico, A bunch of other
names added by Nico.

Speaker 4 (53:30):
Yeah this.

Speaker 5 (53:32):
Yeah, Kanye's not happy with this. I want to see
those text messages he cursing somebody.

Speaker 2 (53:36):
But I mean that's see, that's where you get in
trouble when you're an artist that just has someone following
you around with a camera, because.

Speaker 4 (53:47):
We saw it with would like choke, no joke.

Speaker 2 (53:51):
If you have someone, you need to hire them every
time they follow you once If you pay them, that's
your footage.

Speaker 4 (53:56):
Now I'm paying you to film me. I own that.
This is your fee too. If they're just walking around
with the camera, now they own that shit. You don't
think Kanye was saying them, Oh, I don't know, but.

Speaker 2 (54:05):
I if he had, if he could easily put this
out this way, I.

Speaker 4 (54:10):
Can't see there was a place that there was payment
or paperwork.

Speaker 5 (54:16):
Kanye had to be paying him three thousand hours of footage.
Kanye had to be for you to have three thousand
hours of footage or somebody I would guess that that artist.

Speaker 2 (54:27):
Then there needs to be a clear contract that I'm
paying you and that I own whatever you.

Speaker 6 (54:31):
Shoot, or just buy the camera, right, it's not even
about the camera. And you would buy the camera the
memory card with me though, Yeah.

Speaker 5 (54:38):
Yeah, But if I own the camera and all of
the shit with it, that's my shit. No true, yeah, true,
But a lot of times you can't just take that
footage from shit that I I got that's mine, Like
you know what I'm saying, You can't just take that
footage and because you recorded it. I owned the camera,
owned a hard driver, own all of that shit, Like,
you can't just take that.

Speaker 4 (54:56):
So I don't know. This is again.

Speaker 5 (54:58):
I'm pretty sure Kanye is on somebody's email or fucking
text message is going crazy.

Speaker 2 (55:04):
I mean we got we got Kanye doc and Jay
elect both on September nineteenth. I saw TikTok saying that
Tuesday the rapture was coming. I mean, get your get
your affairs in order, man, TikTok Kanye West is a
whole documentary out. Jay ag is dropping albums at the end.

Speaker 4 (55:18):
Is near well called JA. He would know true. You
know what, Tom? You know what Tom? The ships get
here man.

Speaker 2 (55:23):
Last time, last time he dropped the album, COVID happened.

Speaker 4 (55:25):
The next time.

Speaker 5 (55:25):
Yeah, exactly exactly. So it's right on par, It's right
on par. Let's see what fucking.

Speaker 4 (55:31):
World tragedy is coming Tuesday?

Speaker 2 (55:34):
Did you see that TikTok run the mayor specifically, because
you're on there a lot that the rapture is coming
ship as we know, as you're listening to as you're hearing.
As a matter of fact, you may not have listened
to this because you're in heaven.

Speaker 4 (55:45):
Unless they're playing us on the ship.

Speaker 6 (55:47):
I think I've heard something about Christian Christian talk was
saying that the rapture is coming on Tuesday, right.

Speaker 4 (55:52):
Yeah, creating talk. Yeah, Okay.

Speaker 2 (55:55):
There was there was Christians selling their cars, which I
didn't fully understand if the rap like you could just
hold your car for a debt, like do you have
plans that you sell it? And then for the next
three hours like I'm gonna I'm like, if the raptors go,
why do you even care? Why are you filling your
cupboards with food?

Speaker 6 (56:14):
Oh?

Speaker 4 (56:15):
My god? They had.

Speaker 2 (56:18):
Some I think were fake, but there were real ones
that weren't making fun of the rapture Tuesday, that were
giving instructions on what to do once once you were
gathered by the light. They were like, if you're scared
of heights, don't look down at any point. Do not
try to grab around you in the rapture because you
don't want to put your hand outside of like whatever
the beam of light that brings you up in. They

(56:38):
were like, don't try to do any flips. But to me,
if I if I start going up this way, which
I'm probably not, probably go down, I would try.

Speaker 4 (56:45):
To do like a few flips. That'd be kind of fun.

Speaker 5 (56:48):
If somebody told you that, Okay, is it insensitive? Let
me know, let me come on, baby, d chill, Why
are you I'm trying to have a real conversation with you.

Speaker 4 (56:58):
No, you not that I am listen. Is it insensitive?

Speaker 5 (57:03):
If somebody is telling you that they're they're contemplating suicide, right,
but they tell you like, yo, I gotta save up,
I gotta pay my rent, and I gotta buy the gun.
And I'm sitting there looking at them like.

Speaker 3 (57:15):
Now, that's probably why they want to kill themselfs Look
what they gotta do. That's hard work.

Speaker 4 (57:21):
First of all. I'm not trying to be the sens
of either.

Speaker 2 (57:24):
But well, I'm not paying my rent.

Speaker 4 (57:26):
If I'm killing myself, welcome to the party, baby, That's
all I'm trying to So somebody's telling you, looking at
them like what, like what are you even talking about?

Speaker 6 (57:35):
Like you got to pay you not saving up to
buy the gun? Like I'm going to the field a gun.

Speaker 2 (57:39):
That's what's funny to me, Like you got to kill yourself,
like putting your head down, buckling down, focusing, getting your
responsibility together yourself Like that's like you're not like I
really I want my kid to go to private school.
I just got focus lock in the next two years.
I'm just doing this, but like to do that to

(58:01):
get like they.

Speaker 6 (58:02):
Would have said, like, I'm paying my mortgage off so
my family got somewhere to live.

Speaker 3 (58:05):
That makes sense, but like paying right.

Speaker 2 (58:07):
Yo, if I'm so, it's not insensitive if I look
at them like yo.

Speaker 4 (58:11):
What yes? All right? If you want to kill yourself.

Speaker 2 (58:16):
Uh, if you feel like you're going to pass away soon,
go to a loan shark, get some money, buy what
you want?

Speaker 4 (58:22):
So many and then.

Speaker 3 (58:24):
Where was where does one find a loan shark?

Speaker 6 (58:26):
Asking form, but like hypothetically, like if you need a
loan shark, like, where would you go?

Speaker 3 (58:33):
Because I could never find him?

Speaker 6 (58:34):
Uh?

Speaker 4 (58:34):
Do you know where people gamble? Okay, that would be
a good start.

Speaker 2 (58:40):
If you know somebody that's heavily in the gambling, they
may be your six degrees of separation to get to
a possible They know a guy because they've needed him before.

Speaker 4 (58:50):
Yeah, they know a guy. They know a guy. They
know a guy. I know a guy.

Speaker 2 (58:53):
They know a god and oh a god and the
gods looking for them, but he's probably a terrible refer.

Speaker 4 (59:00):
Yeah, like if he co signs you, I know the
loan shark and be.

Speaker 5 (59:03):
Like yeah, yeah, like he might not give you nothing,
but yeah, all right, why you need a loan shark.

Speaker 4 (59:09):
I'll be a loan shock.

Speaker 3 (59:09):
So what makes them the shark?

Speaker 2 (59:11):
Like?

Speaker 3 (59:11):
What's the shark?

Speaker 4 (59:11):
You don't want to find out.

Speaker 6 (59:15):
Though?

Speaker 2 (59:15):
With loan sharking, Like, obviously loan sharking is not always
for gambling, but it is a major part of it.
Now that gambling is a legal insert ad because we
love hard rock. Now that gambling is legal and weed
is legal, wouldn't loan sharkings start to follow?

Speaker 4 (59:32):
Logically?

Speaker 2 (59:33):
Obviously it's what the banks do, so we would never
be legal. But how the fuck is gambling legal now
and loan.

Speaker 4 (59:41):
Sharking because they can't pay taxes on it.

Speaker 2 (59:46):
I can't do a loan and pay some taxes on it.
I'll cut in JP Morgan, you can get half my fig.

Speaker 4 (59:51):
I don't know.

Speaker 5 (59:52):
No, it's a loan shock if I'm lending you money
and you got to obviously got They just do that
with interest on it.

Speaker 2 (59:56):
They do it at a better rate than the banks,
and you don't need to get the whole background, of course.
But I know why it's illegal. But I'm saying I
understood why gambling was illegal.

Speaker 4 (01:00:06):
I understood, I text because a hard rock is.

Speaker 5 (01:00:10):
Amazing, exactly exactly, all right, well, shit, tax my big
But no, there's also.

Speaker 6 (01:00:18):
Stuff that comes with loan sharking, right that would not
be legal in any way, shape or form. Like that's
the part of the like I can run from Chase
Morgan like I can run for life, right, you can't.

Speaker 3 (01:00:28):
Yeah, I can't hide, but the loan show.

Speaker 4 (01:00:30):
You can run, but you can't hide.

Speaker 2 (01:00:33):
Nah if I owe, If I owe my mortgage to
a bank and they're doing a foreclosure, I'd rather take
an ass whooping and buy me another week.

Speaker 4 (01:00:43):
For sure, Absolutely I would too. Definitely.

Speaker 2 (01:00:47):
If that'll buy me another week, you send a message
break my legs, I will wheelchair my ass to go
get your money, like JV. Morgan will take my life away.
I'll never be able to get another loan. My credit
will be fucked. I can't even get a bank count.
Like you definitely want to bet that's killing.

Speaker 4 (01:01:02):
Somebody while they're alive. When the bank takes that's a
slow death, right, Yeah, just beat me up. I got you.
I just need two more weeks. Yeah you can every morning.
That's my payment. I'm gonna get you your money. Don't
ruin my life. Punch me in my face every more.

Speaker 2 (01:01:21):
Yeah, come on, come on, just get over. I gotta
catch the train. I'm on my way to work. This
eye is about to shut. Could you at least to
get your money? I need at least one eye open.
I can't get your money if I can't see, sir. Yeah,
leave me one eye. But nah, I mean, I hope
knock on what I never have to go to a
loan shark because that's you fucking yourself over.

Speaker 6 (01:01:43):
What's the form of torture you guys are most afraid of?
Like when you like are afraid of getting torture? Like,
what's the form of torture you're most afraid of? Like
I'm afraid of getting punched in my nose and of
happing my fingernails ripped out.

Speaker 4 (01:01:55):
Oh yeah, afraid again punching your nose.

Speaker 6 (01:01:58):
And my nose. I've been punched in my face. I've
been punched in my nose. That's why I know to
be afraid of it. Getting punched directly square dead in
your nose that ship is that?

Speaker 4 (01:02:06):
I mean, it hurts. I'm not afraid. I wouldn't say
I'm afraid of it.

Speaker 3 (01:02:09):
That's not that's one of my biggest fears.

Speaker 6 (01:02:12):
You ain't like you ain't really got punched in your
nose well enough for you to understand that.

Speaker 4 (01:02:16):
Pain when you get I thought my ship was broke.
I definitely got pointed that ship.

Speaker 3 (01:02:22):
Nah, I'm cool, I'm cool.

Speaker 4 (01:02:23):
It's that weird smell too, you know, I smell when
you get punched in the nose.

Speaker 3 (01:02:27):
It's like you could smell everything I want.

Speaker 4 (01:02:29):
You smell your baby shoo shoes. It's like a smell.

Speaker 2 (01:02:33):
I can't even explain. I've never smelled a smell similar
to that.

Speaker 5 (01:02:36):
You start smelling everything you ever smelled in your life,
and you think that's the last time you're gonna smell something.

Speaker 4 (01:02:41):
You should go numb right after that. Fingernails.

Speaker 2 (01:02:43):
I never thought about that, but that would make my
getting my fingernails. Getting your teeth pulled that, oh god,
that would I would give it up. What information you need?

Speaker 5 (01:02:55):
I don't know about your teeth pulled. It's crazy nails
pulled out. It's probably worse. Then they call it a h.

Speaker 3 (01:03:03):
They call it like a some type of manicare what
is it called.

Speaker 4 (01:03:06):
The Mexican manicure or Russian manic No, not a Russian.
It's like a uh. They probably don't do it Mexican
and Columbia, Columbia, anywhere anywhere with the cartel they call that.

Speaker 2 (01:03:17):
What's the movie with Jamie Fox where he's the prosecutor.

Speaker 4 (01:03:21):
It's a great, great movie. There's a guy that his family.

Speaker 2 (01:03:25):
Two guys rob his family and kill his daughter and wife,
and he like happens to be like law abiding citizens.

Speaker 4 (01:03:33):
Yo.

Speaker 2 (01:03:34):
He these two guys picked the wrong family to try
to rob. This guy like works for the CIA and
put together all these intricate ways to kill people and
the torture people. These two dumb asses picked that house,
killed his wife and daughter. He puts a plan together
for like ten years. Because Jamie Fox, as a prosecutor,
does a plea deal with one of the guys and

(01:03:54):
he gets out. Yeah, So he takes a puffer fish
and puts it on the inside of a gun with
a handle.

Speaker 4 (01:04:01):
So when he pulled the trigger, the puffer fish poison
comes out.

Speaker 2 (01:04:05):
So the guy that killed his wife and daughter pulls
the trigger and he gets into this numb whatever puffer
fish do, like it paralyzes you, but you can feel everything.
He then cuts the eyelids off of this guy, puts
him in one of those like surgical things with a
mirror on top, so he has to watch himself. He
goes from like limb to limb and just tears him

(01:04:27):
apart and then keeps giving him adrenaline and cocaine so
he stays up and can't pass out.

Speaker 4 (01:04:32):
So this guy watched himself just beat the tears.

Speaker 5 (01:04:35):
Well, that's a well thought out, like Christ, not a
crazy shit is when they video of them dumping the
dude in the water in the ocean that stole that
ran off with the the work from the cartel and
they caught him.

Speaker 4 (01:04:51):
That was crazy. I like them.

Speaker 5 (01:04:54):
Imagine like you getting there, they're preparing to dump you
into the ocean, and he just laying in handcuffed and
you know it, They're about to throw me over with
this big ass cement block attached to my feet, like
and I'm gonna just like drown. That's not like you
literally like he was way too calm for me, because
I would have been I'm taking a few of you

(01:05:14):
niggas with me.

Speaker 4 (01:05:16):
He's just laying there like, yo, I'm holding on you,
not like.

Speaker 5 (01:05:21):
I'm taking somebody's coming overboard with me, like y'all gonna
have to shoot me before I'm.

Speaker 4 (01:05:24):
Getting this death grip on somebody. And it's like, yo,
kill me. I'm not.

Speaker 5 (01:05:27):
You're not throwing me overboard while I'm alive, and I'm
just like just waiting to pass out and drown like
that was watching. That was crazy. That was one of
the craziest like torture things I think I've seen, well
I've heard obviously not from a real, real source.

Speaker 2 (01:05:40):
Drowning is the most peaceful way to die though, because eventually,
after the you know, the chaos of you trying to
find air, your your brain loses oxygen and you're not dead,
but you go into a zen state where where it
is a very common way to go out.

Speaker 4 (01:05:55):
But like all the struggle stops at one point.

Speaker 3 (01:05:57):
You're gonna have like a good like minute of hell, though,
like a good minute.

Speaker 2 (01:06:01):
Of hell, honestly, shit, even the weakest human body probably
more than a minute, to be quite honest, Your body
is gonna fight no matter who you are. And yeah,
that's probably what you We couldn't hold our breath for
a minute if we tried now, But if we had
no choice, our body could do it.

Speaker 4 (01:06:17):
You can't hold your breath for a minute. Maybe I could.
I haven't tried to do like.

Speaker 5 (01:06:21):
I got like twenty seconds in me. I'll smoke too,
my Hookah, twenty seconds. You can only hold your breath
for twenty seconds. Yeah, how y'all gotta work on y'all lungs.

Speaker 4 (01:06:30):
Man.

Speaker 5 (01:06:31):
Twenty seconds is crazy. That's not even a commercial. You
can't hold your breath more than twenty seconds.

Speaker 6 (01:06:36):
All right, We're gonna keep hot, and I'm gonna let
y'all talk, and I'm gonna try to hold my breath
and we're gonna see how long I ago.

Speaker 2 (01:06:41):
But p's just uh when we say go putting the
lower third a clock count.

Speaker 4 (01:06:48):
Nah, I would shut the marath for me. Over there,
sneak breathing. Peach has the headphones on.

Speaker 2 (01:06:52):
He can he can hear put pause, put up your mouth,
nostrils slaring up.

Speaker 3 (01:06:57):
Let me know when we're starting breath through?

Speaker 4 (01:06:59):
He is you're ready even.

Speaker 6 (01:07:02):
I'm gonna I'm gonna start at sixty six thirty, which
because we have that clock in front of it.

Speaker 4 (01:07:07):
I'm not believing with the virus, I'm really not gonna doing.
He'll be able to hear in the mic if she breathes.

Speaker 3 (01:07:11):
He oh yeah, peach, well yeah, peach everything.

Speaker 4 (01:07:14):
No, the marage got them a little.

Speaker 3 (01:07:15):
Note jock here, y'all gotta keep potting.

Speaker 2 (01:07:16):
So now we're definitely going to It's not gonna be
silent for the ten seconds.

Speaker 4 (01:07:19):
I'm gonna be looking at you, just talking yo. Just
she didn't even take a breath before she.

Speaker 5 (01:07:24):
Is that was that's gonna be suld have went yeah,
something that's less than twenty seconds.

Speaker 4 (01:07:29):
Yeah, I don't know.

Speaker 2 (01:07:30):
Where we're at either way. Anything that has to do
with fire I'm terrified of.

Speaker 4 (01:07:35):
Yeah, she queeth and breathing through up. You can't make
a laugh.

Speaker 2 (01:07:43):
She definitely Have you ever heard a girl uh with
free girls talk about the when they suck it date
they breathe through their ears.

Speaker 4 (01:07:50):
I love those types, he said. I love those They
tweeted it like that. I follow them.

Speaker 2 (01:07:58):
Look at this renegade. As soon as I see them.

Speaker 5 (01:08:02):
Tweet like shit like that, I'm like, let me follow
her because she's giving out some scriptures.

Speaker 2 (01:08:06):
Absolutely, I honestly feel like Damarus is definitely breathed.

Speaker 4 (01:08:09):
She breathed through her nose.

Speaker 2 (01:08:11):
You know. You know the kids when you do the
when you're in the pool when you were younger and
went underwater, and then one kid would like pop his
head up and wait to spree and then come back there.

Speaker 4 (01:08:17):
Yeah, that's what she's doing, right. Yeah, what was that?
Fifty four seconds? Oh yeah, see, oh that's not bad. Yeah,
fifty four seconds ain't bad. Baby. Did you get to
hang with a cartel?

Speaker 3 (01:08:26):
And I don't.

Speaker 6 (01:08:26):
I haven't even practiced for real. So and if more
wasn't making me laugh, I probably could have got another
thirty seconds then, but mal was really about to make
me laugh.

Speaker 5 (01:08:34):
I helped my breath so long one down was passed out.
You know, you could just start breathing nah like was
it was like it was like a bet. It was
like two hundred dollars. So I was like, all right,
I started getting lightheaded. I said, man, fuck that two
hundred ills. My home boy held his breath almost like
two minutes. Some crazy shit. I think that's crazy holding
your breath for two minutes.

Speaker 3 (01:08:54):
I could do it.

Speaker 4 (01:08:54):
I think I could do it though, two minutes no way.

Speaker 2 (01:08:57):
Also, just like blocking oxygen to your brain. I don't
know if that's like the strategy.

Speaker 5 (01:09:00):
Not too many ain't gonna do nothing to you. I
don't know, man, well you you kind of already.

Speaker 6 (01:09:09):
Could.

Speaker 2 (01:09:09):
Usually like that's how people end up as vegetables because
they blocked.

Speaker 4 (01:09:15):
Vegetable. No, of course not. But I'm just saying that's
a bad thing too.

Speaker 2 (01:09:19):
Yeah block oxeah. Who's the writer of Too Fast, Too Furious?
Because they have a sick mind. One of the scariest
tortures I've ever seen was when they lay that guy
down in the club and uh put a rat on
his stomach and then cover the rat and then start
putting a fire on whatever's covering it, because the theory
was that the rat can only.

Speaker 4 (01:09:38):
Go down his way through your stomach.

Speaker 2 (01:09:43):
Johnson, John Single, he was a director. Did you write
that John Singleton did Too Fast, Too Furious?

Speaker 4 (01:09:49):
That's crazy. I never knew that. Yeah. Yeah, y'all are sick.
I want to know the inspiration for that.

Speaker 5 (01:10:00):
There's another Fast and Furies coming out right?

Speaker 4 (01:10:03):
Yeah? Yeah, y'all y'all acting like this shit ain't gonna
keep going.

Speaker 6 (01:10:08):
No, I knew they had a they had a contract
for ten.

Speaker 3 (01:10:11):
Which one is coming out?

Speaker 4 (01:10:12):
Is it ten? Or is it na? We passed ten? Baby, Yeah,
we passed ten. I think this is past ten.

Speaker 6 (01:10:18):
It's like eleven, right because they said it, They said
a number eight niggas was going to space or something,
and I just I.

Speaker 4 (01:10:27):
Eleven. You didn't believe Ludacris could go to space. Eleven
is nuts?

Speaker 2 (01:10:36):
Damn joy rule, Yeah, damn job.

Speaker 6 (01:10:45):
That's how I feel when I was when I seeing
that Terrence Howard Fumble fucking being like Iron Man's best friend.

Speaker 3 (01:10:51):
Like it's like, god, damn y'all.

Speaker 4 (01:10:53):
Oh, I don't even know about that.

Speaker 6 (01:10:55):
He was in the first one, and then I guess
they weren't trying to pay him enough.

Speaker 4 (01:10:58):
So how was in the first one iron Man?

Speaker 3 (01:11:01):
He was roady?

Speaker 4 (01:11:03):
Damn Yeah. How long ago the first Iron Man come out?
I had no idea, like fucking twenty years ago? Yeah
that was long. That was a while ago.

Speaker 2 (01:11:11):
Yeah, So how are they going to do this without
Paul Walker?

Speaker 4 (01:11:16):
How many of they done without Paul? Like three without
Paul Walker?

Speaker 2 (01:11:20):
Like they like Jamar said, I clocked out a while ago.

Speaker 4 (01:11:24):
No, they had like three yeah, they probably got like
three without I.

Speaker 2 (01:11:27):
Watched the one that they had to finish it with.
His brother says, like a that was seven. So seven
was the last one I saw as whis Khalifa was
closing the movie out.

Speaker 4 (01:11:35):
Yeah, as I was crying during the credits. I was
twenty fifteen.

Speaker 3 (01:11:39):
Oh I booth fucking who Yeah, I was sixteen. Yeah,
the top of twenty sixteen had to be twenty fifteen. Yeah.

Speaker 5 (01:11:45):
Yeah, because I went to the theater and saw that.
I remember because it was a theater with the seats move,
and I said, never again.

Speaker 4 (01:11:53):
I didn't need all that. Watching the movie. It's fucking
nauseous and shit.

Speaker 3 (01:11:56):
I've never been to one of those.

Speaker 4 (01:11:58):
Don't ever go to none of those. Really, that ship
was terrible. Wait so you felt like you was in
the car.

Speaker 5 (01:12:02):
Yeah, it starts moving, it starts vibrating this ship. I'm
trying to eat my pop. I'm like, nah, this ship.
And then you're looking around in the other seats like
it ain't no regular seats to it, Like, I just
want to watch the movie.

Speaker 3 (01:12:14):
The mall tip around.

Speaker 5 (01:12:15):
I didn't know, but we didn't know, Like, you know,
they start saying in the I max three d all
this other ship. I'm like, man, what time the movie starts.
I'm old school nigga, y know what time of the
movie starts. I'm not looking at imax all this other ship. Well,
we sit down, but I'm just thinking it's the base
at first, because the chair is vibrating. So I'm like, damn,

(01:12:35):
like this sounds just some crazy yo. When this ship
started leaning the chair and I was like, oh no, no,
I'm not We're not doing it.

Speaker 3 (01:12:43):
I'm crying. I would have died to have been a fly.

Speaker 4 (01:12:46):
We can't. We can't do that with all rocking around like.

Speaker 2 (01:12:48):
He damaris, is it an if you're on a date?
To fast and furious? With the moving chairs and that
shit just joked him a little too much.

Speaker 4 (01:12:57):
Yeah, I'm like, I am you can't moving chair. I
didn't know. First of all, I didn't know this shit
was moving. How about that? Like I just thought the
recline was the Just give me a chair that reclines
in the theater. I'm cool with that.

Speaker 5 (01:13:08):
All this other shit they got going on this and
then they got one now that somebody was telling me
where this shit like spray's water or I was like, nada,
We're not doing all of that. You're not taking me.
This ain't fucking Disney World, bro. I'm in the middle Manhattan.
A movie did, bro, Like, don't spray me? Where's this
water coming from?

Speaker 4 (01:13:24):
First of all, let's start there. Where is this? Where's
this line of water coming from?

Speaker 1 (01:13:28):
Like?

Speaker 3 (01:13:29):
What is this?

Speaker 4 (01:13:30):
Don't spray me with no water? No movie did at all.
I told you.

Speaker 2 (01:13:32):
I took Almara to Lego Land and they had like
one portion of it, had like one of those quick
movie things and they did the water spray and you're
supposed to do to ten minutes.

Speaker 4 (01:13:41):
Then the next group goes.

Speaker 2 (01:13:42):
Amara was screaming when I was trying to take her
out because she just wanted to be under the water
miss thing for the next forty five minutes. I hate
everything that kids yes in the dungle land. How would
you not realize that kids like fucking missed.

Speaker 5 (01:13:55):
Yeah, kids love that shit anything with they where they
can just get filthy dirty that they're not.

Speaker 4 (01:14:00):
They're not going to leave the like I live by.

Speaker 5 (01:14:02):
I used to live by Lego Land, and I see
kids outside, I'm like I looked at parents like y'all
are in trouble because it's like great when they see it. Yeah,
you have to leave though at some point, like getting
the kid to walk out of there. All you hear
is screaming. I'm like, why would you even take a
kid to Lego Land? That's like torture for yourself.

Speaker 4 (01:14:19):
I saw can you pull up their kid to have fun? Instagram?

Speaker 2 (01:14:25):
I was looking at justice ig story and he went
to the Sphere to see Wizard of Oz.

Speaker 4 (01:14:29):
This looked like the greatest thing of all time to me.
The Sphere in Vegas. Yeah, I saw. I saw a
clip of this last week. Nah, this looks nuts. I
would definitely go just to see that. In the Oculus
Wizard of Oz, you could like get taken into the tornado.

Speaker 3 (01:14:44):
Yeah, nah, twister.

Speaker 5 (01:14:47):
And I think it's the same thing here that defects
inside the spist fog, fog wind, things like that.

Speaker 4 (01:14:53):
That's fire. Justine said they were throwing leaves at them,
leaves in there.

Speaker 1 (01:14:57):
Yeah, just.

Speaker 4 (01:15:02):
I like stuff. This looks incredible. I would love to
go to this.

Speaker 2 (01:15:05):
I mean, I definitely want to go to a concert
there with the Sphere, but watching a movie like this.

Speaker 4 (01:15:10):
That would be so cool.

Speaker 6 (01:15:12):
He probably paid two hundred dollars to watch a movie
he's seen five hundred times.

Speaker 2 (01:15:15):
Yeah, but not like this.

Speaker 4 (01:15:16):
You ain't see it like that, though, Yeah, you ain't.
You can smell Dorothy in there. You can smell it
when you open the door. You're actually in Kansas. You're
not in Vegas anymore. You leave. Imagine that, Imagine they
did something like that. You're going to when you walk out.

Speaker 2 (01:15:31):
Elana Bazels if someone's gonna figure that shit out.

Speaker 6 (01:15:34):
Yo, nah' seeing a Harry Potter movie and this would
be crazy.

Speaker 3 (01:15:38):
That's something I would pay the million dollars for.

Speaker 4 (01:15:41):
No, give me a.

Speaker 1 (01:15:43):
Uh.

Speaker 5 (01:15:43):
When we first saw Pinky Pinky, No, it ain't even
a horny thing. I would just in this fear, I
want to see Pinky in this sphere. We're like by
yourself with a bunch of people, by myself. Okay, I
was gonna say, like, like need a need with people
while watching that, Like just imagine that you're in a
room and just like, sack, See why get this sack?

Speaker 4 (01:16:06):
That's not even a thing. It's not even I'm sure
it's a thing. It ain't my thing, but I'm sure
somethings be out there. Sack the sack. I ain't doing
that lounging sacked to sack, Sack the sack.

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Speaker 4 (01:17:35):
All right, let's get into the voicemails you've got mail
These are sponsored by boost mobile dot com. What's up, y'all?
I got a question for the whole crew.

Speaker 1 (01:17:47):
How do y'all get over a breakup when it comes
especially like sooner than you anticipated and you don't understand
for real, like how you even got that?

Speaker 4 (01:18:00):
There? My girls has broke up with me. I'm going
through it. I've been going through it for a few weeks.
I can't lie.

Speaker 1 (01:18:09):
Uh.

Speaker 4 (01:18:10):
Yeah, she sent me a letter. Read it? Yeah, a letter?

Speaker 1 (01:18:15):
It is that from what she said, So yeah, curious
to hear y'all guys, thoughts like how y'all get over breakups?
How y'all deal with it? Do y'all like meet up
to talk again, like on that closure thing? Or nah,
just send a text like how do y'all proceed? But yeah,

(01:18:36):
appreciate y'all and yeah, looking to here from what y'all.

Speaker 3 (01:18:39):
Say, how are you trying to get over it?

Speaker 6 (01:18:40):
If you're talking about if we should meet up or
send a text, Nigga, you ain't trying to get over
You're trying to get your bitch back.

Speaker 2 (01:18:45):
She sent a letter, she thinks nail mail word like,
I'm not trying to link up with you. Like if
I write out a letter and mail it to you, yeah,
I had to block you everything.

Speaker 5 (01:18:57):
Yeah, that's closure right there. She took that time to
write a letter. Yeah, that's that's closure. Family and what
you're meeting up about?

Speaker 4 (01:19:04):
Or does the letter give you hope? Like, damn, she
took all that time.

Speaker 5 (01:19:07):
She should do that now you gets it. That's a
sick type of dude right there? I think like that, Nah,
she still want me. She took time to write this letter,
like she ain't over it, Sam, She's done. That woman
is done. She don't even want to talk. She don't
want to text. She don't even want to give you
a chance to respond in real time. Like writing a
letter and then walking to the mailbox and sending it off.

(01:19:28):
Did she seal it with that's a different type of
like she spraying it.

Speaker 3 (01:19:34):
It smelled like her perfume, Like what like you know
what I'm saying. I'm trying to I'm trying to see
the vibe.

Speaker 2 (01:19:39):
And she went bought a stamp stamps not cheap, no
more either, that's the stamp.

Speaker 5 (01:19:44):
Of a relationship. Like, Yo, it is over as soon
as this shit gets to you if you reading this
is too late, this conversation, this, this is it. Like,
can y'all give the people broke up in the World
War two? People broke up after Vietnam. You're kidding me
a letter?

Speaker 2 (01:20:02):
Nah?

Speaker 4 (01:20:02):
Dog, it's over.

Speaker 2 (01:20:04):
No, But all right, you're saying he's sick if he
thinks maybe that brings hope. I think she's sick. If
you really over it, just block him and just move
the fuck on. The fact that you wrote a letter
to me makes her look.

Speaker 6 (01:20:14):
Like she's a little sick of No, she wants to
give him, like the reasons why a lot of people write.
I know when I used to write letters, it was
because I don't want to be interrupted.

Speaker 3 (01:20:22):
I don't want him.

Speaker 5 (01:20:24):
Yeah, I'm say she wanted to just get her ship off.
Read it, sit with it, look at it again, read
it again, like but just don't contact me, Like she's
shorty is done in my eyes, like, I don't know,
he might be that, he might be the guy. And
then he called us next month and be like, Yo,
she came back. You know that just means she just
wanted to go on vacation for a week with the

(01:20:44):
other nigga.

Speaker 4 (01:20:45):
That was it. What do you what do you do
with the letter?

Speaker 2 (01:20:48):
Ah?

Speaker 4 (01:20:49):
You do like Phil Jackson?

Speaker 5 (01:20:51):
No, like pat Riley made d wadem do you put
it in a barrel at the end of the season
and you burn it?

Speaker 2 (01:20:57):
Take it out one letter in a barrel by yourself.

Speaker 3 (01:21:03):
You gotta watch that ship burn.

Speaker 4 (01:21:06):
So one letter, like.

Speaker 2 (01:21:12):
Mail these days is just not really like a crazy
thing like that? Like what once you after you read
read it in your kitchen, What is your next move?

Speaker 4 (01:21:20):
I'm burn get that ship out there.

Speaker 2 (01:21:21):
I'm gonna take a magnet put on my fridge.

Speaker 4 (01:21:23):
You want to look at it every day? You want
to until she come back?

Speaker 3 (01:21:26):
That is critill she come back?

Speaker 4 (01:21:28):
Yeah, nah, it's over. Wait.

Speaker 2 (01:21:30):
But that puts you in a weird predicament because all right,
if a girl sends you the long breakup text message,
either way, if you're like, she's really over it, You're
still gonna have a response. I think any human being
would have a reply to.

Speaker 4 (01:21:42):
A text message, Yeah yeah, But to a letter with
another letter you call? Or nah? You bugging write another
letter back?

Speaker 5 (01:21:50):
Is crazy because that's almost like you can't, like, you
can't write another letter in a mail off of Centateau.

Speaker 2 (01:21:57):
And how you like are you during a breakup? You
can't write a letter, put it in the mailbox and
then think yourself and another thing. And not only that,
I gotta write a whole nother But if no letter
come back, would you send another little accent?

Speaker 4 (01:22:11):
If she got it?

Speaker 5 (01:22:11):
Like you look at the last letter. Now we're playing
a mail game. I gotta trust the mailman. Nah, dog nah,
it's over. A girl mail you a letter saying it
is over?

Speaker 4 (01:22:20):
It is over?

Speaker 3 (01:22:20):
Like don't you want you to fight for me back?

Speaker 4 (01:22:23):
Maybe that's what y'all do? Stop the crazy shit.

Speaker 5 (01:22:26):
You're gonna mail me a letter and then if I
don't mail you one back, you're gonna be mad because
I ain't fight for you.

Speaker 3 (01:22:33):
I'm not. I didn't. I didn't. You're right, you got it.

Speaker 4 (01:22:37):
That's not crazy? Like why why even play that game?
Like why not just call me and say what you're about?

Speaker 6 (01:22:43):
To mail me like no, because I don't want I
don't want you to like That's like I said, I
don't want you to interrupt me or try to gaslight
me and manipulate me.

Speaker 4 (01:22:50):
Nope.

Speaker 3 (01:22:50):
I took my time.

Speaker 6 (01:22:51):
I wrote all this shit out, I thought about it.
I'm sending it to you. I'm spraying it with this
ys L. Respond or don't respond or show up at
my house.

Speaker 4 (01:22:59):
You're gonna say your return addresses on there.

Speaker 2 (01:23:03):
I'm just gonna get in the car.

Speaker 4 (01:23:05):
Women, I think you would know where your girl lived.

Speaker 2 (01:23:10):
Women would be sick enough though, to send that letter,
like right before a three day weekend national.

Speaker 4 (01:23:14):
Holiday where all post offices are closed for like four days.

Speaker 5 (01:23:17):
I just told you they going. She going on vacation
with the other Guy's a holiday. She needs her time,
She don't want her phone ringing, She don't want to
be interrupted. But then when she come back and situation
physical out with the other dude. Here, she come with
another level.

Speaker 6 (01:23:30):
You don't start out if you want to go on
vacation with another nigga. We all well, people all know
what to do. You call, you start an argument about
some dumb shit. You an't doing enough for me I'm
tired of this. I feel neglected, this, this, this, this,
and that I'm not happy, like the fuck is going on?
Like I just need Then Nigga gets so mad he
says some shit that he can't take back. Boom, I
need some space from you, like I apparently you're not

(01:23:51):
in a good place, Like I can't have a discussion
with you. If this is where you're gonna be, You
hang up the phone, You go on vacation with other nigga.
Y'all took space. Then by the time it's time, like
he's ready for you to be over the argument, you
could come back, but you don't do a letter.

Speaker 3 (01:24:04):
A letter is too well thought out.

Speaker 5 (01:24:05):
Imagine imagine, imagine going through that with a girl. She's
going to a vacation another dude, and then her thinking
that she's going to come back from that vacation, and
then you still be there waiting.

Speaker 3 (01:24:16):
For you don't know I'm on vacation, she's you don't
know she's on vacation.

Speaker 4 (01:24:18):
What if she sent a postcard from the location, Well, that.

Speaker 6 (01:24:21):
Would be a dummy, and she just wanted to hurt you.
She didn't want to get over us.

Speaker 4 (01:24:25):
A letter would hurt me regard. You send me a letter.
I'm hurt. You already succeeded in sending a letter from
the vacation from the island is wild. Yo. I'm in
Turks and I'm just thinking about all the times I
was hurt.

Speaker 2 (01:24:42):
But not even with a message, like when Andy Dufrain
sent a postcard from where he was at the border.

Speaker 4 (01:24:48):
No message, like she just sent it. No, it's just
a postcard, she said it postcards from where she at.
That's wild. Oh, that's I don't know what's That's how
you end up on first forty eight. Don't do it.
Don't do it.

Speaker 2 (01:25:05):
If I was with a girl on vacation, she was
doing that ship, I was like, we could take separate flights.

Speaker 3 (01:25:08):
Can him get over her? Lock in? And first of all,
it's locking. Now it's the great locking bro.

Speaker 4 (01:25:18):
You can't laugh because that's what you tell people. Break
you got one day said you're locking.

Speaker 3 (01:25:26):
Lock in with what yo?

Speaker 6 (01:25:28):
Get out of your grind, getting the gym, start working,
start You know what I'm saying to a baddie, telling.

Speaker 4 (01:25:38):
The nigga the milk.

Speaker 2 (01:25:41):
I promise you the same chicken, rice and broccoli in
the same say no taste, but he can't smell. You're
not hungry, you don't want to eat. You telling this
nigga the milk, and Tom's act like maybe he does
have a job. Maybe you go up the gym.

Speaker 4 (01:25:56):
She's trying to make you trying.

Speaker 6 (01:25:57):
To get over No mill prep g always go harder,
bro like, lock in, there's something. I guarantee there's something
you have been neglecting, because there's something we're all neglecting
in life. And now that you have open energy mentally, emotionally, physically,
because she's not there anymore.

Speaker 4 (01:26:12):
She left.

Speaker 6 (01:26:12):
Y'all ass take that, all of that and put it
into something that you should have been doing anyway, Man.

Speaker 4 (01:26:17):
Go become a postman in her zip code.

Speaker 2 (01:26:20):
She she like, let it.

Speaker 4 (01:26:21):
That's what wored, That's what Ory would do.

Speaker 3 (01:26:22):
White ship.

Speaker 4 (01:26:23):
Yeah, that's become a postman in the zip code. What's
his name? I forgot his name, man, y'all lock in man.

Speaker 3 (01:26:37):
He from him.

Speaker 4 (01:26:38):
Oh we got to hear it. What's good, y'all, I'm
a postman now.

Speaker 1 (01:26:43):
Is a continuation a part two. I called last week
oh my girl broke up me and saying I.

Speaker 4 (01:26:49):
Was going through it. I'm still going through it. How
he said.

Speaker 2 (01:27:02):
All right, I was going through it.

Speaker 4 (01:27:05):
I'm still going through it with Homie. I respect that
that takes a different look. He's so vulnerable with niggas.
He don't know. He's like, Yo, I'm still going through it.
He need wait for the last week I was going
through you know what I'm saying, like, oh my bad job.

(01:27:31):
Start that from the team.

Speaker 1 (01:27:33):
Okay, y'all, I guess this is a continuation of part two.
I called last week, oh my girl broke up me
saying I was going through it. I'm still going through it,
but I guess. In addition, my question is, how would
y'all approach a quote unquote closure conversation? Because we're gonna

(01:27:54):
have one of those, But like she already made her
mind up, so like, I don't really no like out
of approach this, but I'm gonna be there, So I mean,
if y'all seen this before I got there, it'd be
great to hear what y'all think.

Speaker 4 (01:28:08):
But yeah, that's where I'm at. Wait, I feel really bad.

Speaker 5 (01:28:13):
Wait, because he said, how do you have a closure conversation?
Because I'm gonna be there?

Speaker 4 (01:28:20):
What does that mean?

Speaker 5 (01:28:20):
Like he going he's showing up regardless, like it sounds
like it's going either way.

Speaker 6 (01:28:24):
He wanted to go like, oh, he said that they're
gonna have one, but he said, it sounds like she
already made her mind up.

Speaker 4 (01:28:29):
Oh so she agreed to have I'm curious how that came.

Speaker 3 (01:28:33):
Like did he he asked for one?

Speaker 4 (01:28:34):
He definitely asked for it.

Speaker 2 (01:28:35):
Damn.

Speaker 4 (01:28:36):
So he so he already had that? Yeah, because this
was a couple of days ago.

Speaker 2 (01:28:39):
He left this right, that's enough time for another lesson today.

Speaker 4 (01:28:44):
Oh so he probably going right now? Yeah, as worth recording.

Speaker 7 (01:28:47):
Damn, you can't hit him right now and see if
he was right now, See if he could do face time, Email.

Speaker 5 (01:28:58):
Him right now, see if he can face time much
from the closure conversation, Yeah, I want to I want
I want to talk.

Speaker 4 (01:29:04):
I want to talk to him and see how he doing? Man,
Like how did they go in the meantime?

Speaker 2 (01:29:08):
Though?

Speaker 4 (01:29:08):
Like when have you ever seen a closure conversation?

Speaker 2 (01:29:12):
Like do good for anybody?

Speaker 5 (01:29:14):
And what he walked to the closure conversation? You know
that Nigga put on his he bought a whole new leg.
He bought a whole new fit.

Speaker 2 (01:29:21):
But then you look crazy if you don't look how
you always look. Now It's like what you don't.

Speaker 6 (01:29:25):
Even look how you always look. You gotta look down.
You gotta look bad like you gotta have ourself stained.

Speaker 4 (01:29:30):
Sweat to make your ego feel better. Is crazy. You
gotta look like you real.

Speaker 5 (01:29:36):
Go get a haircut, nigga puts some ship on the
you know, I mean, can don't let her see you
doing bad na.

Speaker 3 (01:29:41):
Get a haircut, for sure, get a haircut, haircut.

Speaker 4 (01:29:45):
It gotta be you just got it this morning.

Speaker 3 (01:29:48):
Y'all don't know manipulation.

Speaker 5 (01:29:50):
No, you don't know manipulation. He got to go in
there looking like it's business as usual, Like I'm all right,
I'm out, psychay, depending can we get.

Speaker 4 (01:29:58):
This conversation because I got the he didn't.

Speaker 6 (01:30:00):
Say why they broke up, because if they broke up,
because he'd be cheating. Don't coming no fresh here.

Speaker 4 (01:30:04):
Yeah, I'm going now.

Speaker 6 (01:30:05):
I'm just reminded of that every time you got that haircut,
you went and left the house.

Speaker 3 (01:30:08):
And fucked on me, So like, don't do that.

Speaker 5 (01:30:10):
So now what you think I'm about to do after
we finish this conversation, either you coming with me or
I'm going somewhere else so or that's life, or you
gotta be like coming with me, you coming home with me,
or we're gonna leave. Here is done and I'm going
about my business.

Speaker 3 (01:30:24):
That sounds like an ultimatum.

Speaker 5 (01:30:25):
It is an ultimatum. It's a closing conversation. We're closing them.

Speaker 6 (01:30:29):
This is it.

Speaker 4 (01:30:30):
This is the last.

Speaker 5 (01:30:31):
Conversation we're gonna have. What are we doing leaving with me?
Or am I going about my business?

Speaker 2 (01:30:38):
I left it here clearly he asked for it. But
I feel like you just gotta show up as your
best show up late. Text like Dan is completely.

Speaker 4 (01:30:46):
Slipped my mind.

Speaker 2 (01:30:47):
I got something that was going on, but I stop
buying real quick, like yo, all right, so this shit
is over right. I got her up because she's witing
in the car and then leave just for your own
Because what is a closer conversation that's ever worked?

Speaker 4 (01:31:00):
Yeah, you know.

Speaker 2 (01:31:00):
Sometimes unless you're trying to fuck one more time and
be like it's done. Like we tried this, it didn't
work out. But if somebody was really hurt and was
like we're done, what is the point of a closure?
What are we closing?

Speaker 4 (01:31:10):
We don't words. We said that where you're gonna find closure.

Speaker 5 (01:31:12):
We don't know why they broke up or why they're
going through whatever they're going through, So we don't know
the context. Like the marriage said, if he cheated, then
I can understand why he wants a close the conversation.
He probably went that last opportunity to be like, yo,
I was fucked up, I was you know whatever.

Speaker 4 (01:31:24):
Whatever.

Speaker 6 (01:31:25):
Maybe he neglected her, there's something he did something because
he trying to get his bitch back.

Speaker 2 (01:31:30):
But I'm saying that the way he's saw he wants
he wants his girl back to some conversations.

Speaker 5 (01:31:35):
Yeah, but sometimes you know, gods, just not that he
did something, like you know, he not that he did
something wrong. Maybe he wasn't doing something and she's like,
you know, feeling like, oh, he's not really present in
our relationship. Yeah, maybe he's working too much. So not

(01:31:55):
that he did something wrong. It may be his fault
wider relationship kind of fake That's what I meant. Yes,
But if that's the case, then I can understand the
closure conversation because you want to express that like yo, listen,
like you know, it's just work and things like that,
but I want to make this work as well, so
you know, I can understand that. But if it's you
know she's just over it. Then sometimes you gotta just

(01:32:19):
just just bite that bullet.

Speaker 4 (01:32:20):
Man, she's just over it.

Speaker 6 (01:32:22):
Go okay, go into the closure conversation with this, Go
into the closer conversation thinking that it's already over. Fight
for your relationship, but prepare yourself mentally that it's already over,
and try to get first of all, get all of
your points that you want to make. Get them like
on a piece of paper, in your notes or something,
and go over them. Because when you're emotional and you're
in an emotionally charged that conversation.

Speaker 4 (01:32:42):
Station with your girl with notes is like and another thing.
Find we do pre.

Speaker 3 (01:32:51):
Production, Like we might not look at the but we
know what we want to talk about when.

Speaker 2 (01:32:57):
We're going into this bitch like an agenda from chat GiB.

Speaker 6 (01:33:01):
Yeah, because you get upset because when you're emotional and
you're an emotional state, when somebody's saying something to you, like,
you're not thinking straight, like so already. That's why I
practice my arguments in the shower, so I know I
already rehearsed.

Speaker 4 (01:33:15):
When you say, are beyond crazy, You're like on another level.

Speaker 6 (01:33:19):
No, But it's because I want to know what the
fuck I'm gonna say when you try you, I want
you to catch me off guard.

Speaker 5 (01:33:24):
All right, So when you having these conversations about how
do you think the conversation go out you in the shower?

Speaker 4 (01:33:31):
Do you respond to yourself?

Speaker 3 (01:33:32):
Yeah? But oh you're crazy, like you're really like whatever, Mom,
I don't think that's this.

Speaker 2 (01:33:38):
Is why you can't because I have one chat GBT
of how to get you your bitch back, and they said,
do you want me to help you draft an actual
message to her and balance apology, accountability and leaving the
door open. Some of us are getting messages from chat
GBT and not the people were talking to.

Speaker 4 (01:33:52):
That's that's sick. That's a fact I already know.

Speaker 2 (01:33:56):
But I mean, I feel like there is no point
closure to me? Is what that young lady did. She
sent a letter this field, that's closure. You going to
this is pointless closure for you would be sending a
letter back of all the ship you want to get
off your chest. Hey, I take cantabity here, wishes could
have worked better here, and sending a letter back. She
set the precedent. If she's over the shit, what is

(01:34:18):
a closure conversation gonna No?

Speaker 5 (01:34:20):
I think it's a too what the marriage said too though,
Like sometimes that's the closure and you know it is
what it is.

Speaker 4 (01:34:27):
Just leave it at that. Send that girl in block in.
Focus on yourself.

Speaker 2 (01:34:31):
Man, If you want to have closure, closure comes from within,
not from the other person.

Speaker 4 (01:34:36):
She already set set the tone. Here's a letter. Write
a letter back with all the shit that you want
to get off and move on. I wouldn't even do that.

Speaker 3 (01:34:45):
You don't want to move on.

Speaker 2 (01:34:46):
I'm saying you don't even He could just move the
fuck on, like he doesn't need to either. But I'm
saying that's the only No one's going to a closure
conversation to get closure. They're going to get their their
bitch back. So let's call it what it is. He's
not going to a closure conversation. She already had a
closure conversation. You need to word that shit correctly, sir,
if you listen, you're trying to get your back. If listen, sir,

(01:35:08):
which I get it.

Speaker 6 (01:35:08):
I respect if you if you like that in the bedroom,
use what you got to get what you want. Use
that to manipulate, That's all I'm saying.

Speaker 4 (01:35:15):
So he just pulls dick out when he walks.

Speaker 3 (01:35:16):
In right, I don't pull your dick out. You don't
pull it out, but you.

Speaker 4 (01:35:20):
Know like you gotta. You got to him a letter.

Speaker 6 (01:35:23):
That's fine. That means she care, she really loved him.
You don't send no letter to no nigga, you ain't
really love.

Speaker 2 (01:35:28):
So because she sends a letter made it very clear
that she is completely over it. He should try to
sleep with her, and that will no continue a healthy relationship.

Speaker 3 (01:35:36):
I don't. I don't think she's not completely over him.

Speaker 6 (01:35:39):
That like, between the letter and the and the allowing
for a closure conversation, she's not completely open over You.

Speaker 2 (01:35:45):
Can be she's a situation and still care for somebody
that takes time to get over somebody.

Speaker 3 (01:35:50):
That's fine, but you didn't.

Speaker 6 (01:35:51):
You're not sending no letter in a lot all on
top of the letter, having a closure conversation with someone
you're not open to still having some type of something
with that's not.

Speaker 4 (01:36:00):
I got so many questions for Homie, like, I got
so many things I want to know.

Speaker 3 (01:36:04):
I want to know why.

Speaker 2 (01:36:05):
I think her opening the door to meet and have
a closure conversation means there's some hope, But I don't
think he should hold on to that hope. Hope is dangerous,
all right, so it might be a kind person and
is like, all right, what do you need to say?
Because this is done, Hopefully you can leave me the
fuck alone.

Speaker 5 (01:36:19):
If he does respond, Can we want to take a
take a pot on why she she ended things? You
think it was helpful to his fault, Like you think
she just like completely old when she met somebody new
and that was it.

Speaker 2 (01:36:33):
I don't think that being a bad boy not everything
has to do with somebody meeting somebody new.

Speaker 4 (01:36:37):
I'm not saying.

Speaker 2 (01:36:37):
I'm just saying in this situation, I feel like he
wasn't very present in this relationship, and she stuck with
him for a while, like she she fought and he
continued with the same patterns and she finally just got
that up.

Speaker 4 (01:36:55):
I feel like.

Speaker 5 (01:36:58):
She was with somebody before him. He's the rebound, and
I feel like she wants it to work out with
the other guy because that's what she still really loves,
so that she just kind of called the quits.

Speaker 4 (01:37:10):
Does the rebound get a letter though, No, Yeah, the
rebound gets a letter.

Speaker 2 (01:37:14):
The letter.

Speaker 3 (01:37:15):
Yeah, the rebound does not getting a letter.

Speaker 2 (01:37:17):
I've been a rebound and I got the age I'm
trying to work out he got a letter?

Speaker 4 (01:37:23):
Yea, will y'all be getting letters? Oh no, I've never done.
Oh about high school? High school? Yeah, that's because letters
were the only thing available, Josh.

Speaker 3 (01:37:35):
I couldn't have no minutes left.

Speaker 4 (01:37:37):
He's about passing notes in class. Josh is fucking crazy.
He said in high school? What Yeah, okay, I've gotten
a note in high school. So that was the last
time I got a letter? Was high school? High school?
Oh my god?

Speaker 2 (01:37:52):
Yeah.

Speaker 4 (01:37:52):
But I'm thinking it was something like that.

Speaker 5 (01:37:54):
I think that she, you know, she had something before
she met him, and she kind of wants to, you know,
see if she could work that up. I think that's
what it is, because he sound like he's completely caught
off guard, heartbroken, Like he don't he seemed like things
were okay, and it just kind.

Speaker 4 (01:38:10):
Of just like he thought they were okay, but he
wasn't really present. He was in the same pattern.

Speaker 5 (01:38:14):
See, yoh, she was cool not he thought it was okay,
but she didn't want to tell him what it really
was because she was still had feelings for do before.
And then he kind of came back. He probably just
came home, did a little a little bit or something.
I'm just saying, we're throwing, we're just thinking anything at
this We don't know, so we I'm just thinking of
with anything.

Speaker 4 (01:38:32):
But from his tone, he don't sound like he did something.
He sounds like he's like like, yo, man, like I'm
still fucked up.

Speaker 5 (01:38:41):
Like he sounded like this shit like pulled the rug
from up on him, like he wasn't expecting it to
be over.

Speaker 4 (01:38:46):
So that's what I'm saying. It got to be something
on her end. O. Well, I.

Speaker 6 (01:38:52):
Sir, going into the closure conversation, locking, locking, know what
you want to know, what you want to say, shut up,
fuck know what you want to say, and let us
let us know how it goes.

Speaker 3 (01:39:03):
More than I'm laughing at you. I know what it's like.
I know what it's like sleeping with a broken heart. Yo,
I know, I know what that ship feels like.

Speaker 2 (01:39:08):
So I just feel like he's not prepared for baby
d I know what it's like sleeping with a broken heart.

Speaker 4 (01:39:14):
I love that song, finished that poem.

Speaker 5 (01:39:15):
Baby, I know what it's like sleeping with a broken heart.
I thought it was heartburn. I thought it was the foster.

Speaker 6 (01:39:24):
Ma.

Speaker 4 (01:39:24):
I I'm sorry man.

Speaker 5 (01:39:25):
Hopefully we speak to this dude, though, because I do
want to I do want to hear why they why
it ended, why they broke up.

Speaker 2 (01:39:30):
I'm not saying he owes us a lot of explanation,
but I don't think he's prepped because he didn't give
us much.

Speaker 4 (01:39:34):
All he said was no, I'm still I'm still fucking now.

Speaker 5 (01:39:37):
He can't even think I know that, he can't think.
He ain't washed his ass in there, sheet's thinking he
just fucked up.

Speaker 3 (01:39:45):
Tears and sweat, tears, sweat.

Speaker 4 (01:39:49):
He just fucked up. Yeah, on it, it's just ship everywhere.
He has to to the marriage's point.

Speaker 2 (01:39:56):
It has to come with an agenda, though, because if
you walk in just a fucking mope and like you
got nothing to say, just like what's the problem, She's
gonna look at you even worse, she's gonna look at
you like like an annoyance, Like all right, you want to.

Speaker 4 (01:40:06):
Close your conversation for what?

Speaker 2 (01:40:07):
What?

Speaker 3 (01:40:07):
Come on?

Speaker 4 (01:40:08):
Say something?

Speaker 5 (01:40:09):
Nah?

Speaker 4 (01:40:09):
That energy is crazy.

Speaker 5 (01:40:11):
No, that tell him you wanted to close your conversation
for what?

Speaker 4 (01:40:14):
Say something?

Speaker 2 (01:40:15):
You don't think people do closure conversation ship just to
be next to that person for a second.

Speaker 4 (01:40:19):
Yeah, for sure. But I'm saying for for him to
walk into the German like, Yo, so what you wanted
to talk about? Like, hurry up? If you come, I
get in my back.

Speaker 5 (01:40:27):
Yeah yeah, at that point it's like your whole up
hold you like, you ain't even that cute like you
get it to that at that point.

Speaker 4 (01:40:35):
Honestly, you ain't even that cute like. And first of all,
your hand running is trash. Yeah, you can't even have to.

Speaker 5 (01:40:40):
Let you gotta start breaking her down at the table,
like shoes is trash. I've been meaning to tell you
to throw those out.

Speaker 4 (01:40:48):
A liberty stamp. Really get out of here like that.

Speaker 6 (01:40:51):
You gotta all right, So if you want to take
moll advice walking in flies for fresh haircut, you gotta
walk in like I don't know what you want. But
we're not broken up, bro, We're not broken up. Whatever
we're going through, we work it out, but we're not
breaking up.

Speaker 4 (01:41:01):
And put on here everything that you said.

Speaker 6 (01:41:02):
And I'm sorry that I've neglected to address those issues
before to the point where it got this bad. But
we're not breaking up, bro, So you can hang that
shit up. So where do we move on from here?
That's what he should say. Yeah, Nah, then the cops
is coming.

Speaker 4 (01:41:12):
Now, but what if he walks in.

Speaker 2 (01:41:13):
He went to the post office first and got a
return to sender stamp on her letter.

Speaker 4 (01:41:17):
And showed up with it, but he didn't even read it. Yeah,
return the center. I would do that. I would.

Speaker 5 (01:41:24):
I didn't even read your listen, I don't know what.
I don't know what this was supposed to be. But
I didn't read that.

Speaker 2 (01:41:29):
Given homie at the post office five dollars, so you
could use the return to send a stamp.

Speaker 4 (01:41:33):
I didn't read that. But yeah, I do want to
talk to him, Josh, send him an email and hopefully
we could. He made closure conbo right now. Yeah he
might be. Yeah, he closed one day.

Speaker 2 (01:41:44):
It's kind of crazy though.

Speaker 4 (01:41:46):
Yeah, yeah he might be.

Speaker 5 (01:41:47):
And he might not even be the because she probably worked,
so it's gonna be an afterwork thing. They probably both
at work. Stomach bubbling.

Speaker 6 (01:41:54):
When you gotta have that type of conversation where you
get or if somebody text you we need to talk
and you at work.

Speaker 5 (01:42:00):
We're talking right now. Yeah, all this work, we're talking
right now. Matter of fact, I'm the off I'm done.

Speaker 3 (01:42:05):
I've definitely gotten know.

Speaker 6 (01:42:06):
We need to talk like text while we were recorded,
and my ass, my stomach was in my ass the
whole time.

Speaker 4 (01:42:10):
What you did, baby.

Speaker 3 (01:42:13):
Man? Wrap this sh up? What you did, it don't matter,
It don't matter, don't matter. Niggas ain't leave. It don't matter.

Speaker 4 (01:42:22):
Niggas ain't leave. Baby did right there. Memories don't live
like people, do you know. I just I just wanted
to read the marriage group chat one time. I'm probably
terrified one time about the party.

Speaker 3 (01:42:35):
Shout out the Cardi B shout out to jail Electronica.

Speaker 4 (01:42:37):
Like look big safe, be blessed. I'm that nigga. He's
just piece

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Episode 408 | Bodega Baddies

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 408 | Bodega Baddies