Episode 418 | Class Act - New Rory & MAL

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume, No.

Speaker 2 (00:08):
Five, four, three two one? Who do we appreciate? Or No,
that's ten, that's one.

Speaker 1 (00:15):
Five.

Speaker 3 (00:16):
Yeah, niggas go to Atlanta boy, telling you, telling you
the education down there, just it kind of bleeds into you,
don't it that it just seeps into you, don't I
was really damn he was over there struggling.

Speaker 1 (00:32):
Number that rhyme with a yo damn yo? What's up? Baby?
D fresh off Atlanta? Like dot?

Speaker 4 (00:40):
Why are we coming on my ship?

Speaker 1 (00:41):
Are we not coming in on your ship? No?

Speaker 3 (00:43):
Because I'm just saying, like you just you just got
it in fresh at the airport, smelling like flights and hotels.

Speaker 1 (00:48):
I know that freak hotel. I ain't not no hotels.
Oh my bad, Yeah, my bad. I forgot. What's happening
to that? My bad? Baby G I forgot? Are you
feeling though, I'm feeling that I went out there to
go to one music fest?

Speaker 2 (01:02):
Yeah? Yeah, I want to Whose phone ringing your ya?
Who's gonna answer it? Answer the phone?

Speaker 1 (01:12):
Man? Answer who is that? Hello? Who is that? Who
is that? Yeah? I'll call you later. Move man, now,
I don't do that. Why are you hanging up? You guys? Crazy?
Because you was about to go like, yo, who phone ringing?

(01:32):
Your phone ringing? So now that you answered, let me
say hello fu you know ye nigga trying. You said
you were supposed to be you gotta chip, really gotta ship.
I wasn't. I was Atlanta. So one music.

Speaker 4 (01:45):
Festival was cool, but I overdid it.

Speaker 2 (01:48):
I overdid it, bro I I how you overdoing it?

Speaker 1 (01:51):
At an R and B festival.

Speaker 2 (01:54):
It was wrapped there too. What was it was just three?
I saw Warren G performed. I ain't seen Warren G. Yeah,
so the Future was the headliner like it was hip.

Speaker 1 (02:05):
Hop y oh okay? You was that he was outside
with the ship. Yeah. They had Dungeon family performing.

Speaker 2 (02:09):
I didn't make it to none of them though, because
after kay Lane, which was at.

Speaker 1 (02:13):
Seven o'clock, oh okay, I I was.

Speaker 4 (02:17):
So I went to the I was in the vi P.

Speaker 2 (02:18):
I went to the Hennessy Little activation that they had
the Hennessy activity.

Speaker 4 (02:24):
It was in vip okay okay.

Speaker 2 (02:27):
So I went into the Hennessy activation and they were
serving like Hennessy strawberry lemonades and Hennessy expressed on Martini's
and they were like in big like big ass cups
and I'm just like, oh, just sip and sip and sipping.
I had forgot I was off the cut Water earlier
was cut water. So cut water is like a cocktail
and a can okay, okay, yeah, so.

Speaker 1 (02:47):
It was like a limit.

Speaker 2 (02:48):
It's eleven percent of alcohol, so it's not just like
you know, the little yeah no. So that mixed with
the three Hennessy cocktails, I blacked out. I do not
remember how I got home. I don't remember getting in
the uber. I don't remember getting home, taking my clothes off,
getting a bed, nothing. I'll just remember kay Lannie and
then waking up in the bed at five o'clock in
the morning.

Speaker 1 (03:06):
Wow mm hmm. So you don't know how one music
festival went? No who?

Speaker 2 (03:11):
And I called myself vlogging like I have a little
clips where I called myself blogging like.

Speaker 1 (03:14):
I was like, well, can I see those?

Speaker 4 (03:16):
I was recording the sky I got.

Speaker 2 (03:19):
I was like, yeah, back bro. But it was a
it was a good time in The festival was in
pe Mont Park in Atlanta, which is huge. It was
a huge, huge venue and they had a lot of
a lot of people, apparently Ray J, Pleasure, P Bobby
Valentino and seem me have a group called R.

Speaker 3 (03:36):
S v P.

Speaker 1 (03:37):
Remember they did they when they was that? That wasn't
a verses? Did they do it? Versus? Together? Was on stage?
I remember? You don't remember that. You don't remember the
I think it was the.

Speaker 3 (03:49):
L A O.

Speaker 1 (03:49):
Okay, you don't remember when ray J was on? They
was all on stage. No, I don't remember.

Speaker 2 (03:53):
But when I knew that they were all performing together, but.

Speaker 3 (03:56):
R s v P sent me, Yeah, that's when they
That's when they said the name of the the group ORGVP.
Why did we spoke about that? I think we did
speak about that.

Speaker 2 (04:04):
When they were performing. I came to realize why R
and B niggas so short and stocky. They're all short,
like them niggas together all put together don't hit seven feet.
It's like, now I'm dead ass. They were all standing toge.
I'm like, all of you niggas are mad? Sure? I
mean they did a good job. No, ray J Mike
wasn't on, but I mean that's whatever right to be expected.

Speaker 1 (04:22):
He's like Ridge is a legend though he is. Yeah,
that might sounded just like the track. He did not.
I don't think he whispered a word before we go
any further.

Speaker 3 (04:32):
We all back and sponsored by Boost MOE Unlimited Talk
Text Data and Espressal Hennessy Espressal on TV for Baby D.
Rory is not here today, Baby D. Doesn't it feel
like we feel black? There's no oppression in the room,
no press, no oppressors. Rory is on the rock the
Bells cruise. He's listening to the locks as he crosses

(04:55):
the Mediterranean Sea right now. I mean I don't I
don't know where they are, but yes, hopefully he's having
a good time. Nothing but under armor, long sleep dry
fits in his suitcase. So he had to carry on.

Speaker 1 (05:05):
Bottles of wine. You know you can bring your own
wine on the cruise, can you? You could pay to
bring bring bottles of wine? Wait? What you can bring
alcohol on a cruise? You can bring bottles of wine?

Speaker 3 (05:16):
Yeah?

Speaker 1 (05:16):
Wait, why you keep saying it's just wine? Yeah? I
think so.

Speaker 2 (05:19):
I don't think you could bring liquor. I bring like
a bottle of wine, yeah.

Speaker 1 (05:22):
One, or you can bring multiple bottles of wine.

Speaker 2 (05:24):
I'm not sure it depends on a cruise line. Wow,
some people speak them on like sneak things.

Speaker 1 (05:30):
I never knew that.

Speaker 3 (05:31):
You can bring some alcohol on the cruise, But it
depends on the cruise line and the type of alcohol.
Most lines allowed you to bring one or two bottles
of wine or champagne per person in your carry on luggage. Okay,
so yeah, you're going with somebody on the cruise, you
bring a bottle.

Speaker 1 (05:46):
I bring a bottle. Were good? Okay? I didn't know that.
All right.

Speaker 3 (05:50):
So he's definitely having a good time. He's having a blast.
But today it's the niggas. While it's never been us,
the first time it's been just I mean, we did
half of a Patreon, we.

Speaker 2 (06:03):
Did a full Patreon together. We did at at our
very first studio.

Speaker 1 (06:07):
Baby, I don't remember that, you know.

Speaker 4 (06:09):
Yeah, that's what I told you I was gonna name
my son Na see a Carter.

Speaker 1 (06:15):
I remember. I will never forget what.

Speaker 2 (06:20):
I'm not gonna do it no more because y'all call
ghetto bitches.

Speaker 3 (06:23):
But all right, but how do you feel do you
still stand firm on that?

Speaker 2 (06:26):
I think that that's a nice name. I think I'm
setting him up for like to be you know, powerful.

Speaker 3 (06:32):
What else? Because if we're gonna talk about the name, like,
let's talk about it. Because my mom and pop set
me up I had to find a way. My name Muslim,
that's you podcast? Yeah, exactly, a crack rock which what
you want me to do?

Speaker 1 (06:48):
Podcasts? And crack rock? Exactly? Let's do podcast this weekend?
You worry about with me and Rory?

Speaker 3 (06:51):
What you did this weekend? My cousin had a baby shower.
It was the funniest thing. So I pulled up to
the uh to the venue so it was I used
to hang out there because it used to be like
a spot, like it was a strip club on that block.

Speaker 1 (07:04):
That we used to go to and shit. So I
get there. I'm like, I ain't been on this side
of town in a minute. So we get there. So
my boy is.

Speaker 3 (07:11):
Dropping me off and we drove past the spot and
this is a dude outside. He got a security shirt on.
He got a scully and a shasty on. So I'm like,
hold up. So I'm looking at the address. He's standing
right in front of the number.

Speaker 1 (07:27):
On the door.

Speaker 3 (07:27):
Whare I'm supposed to go? So I'm like, I'm like, yeh,
bro circle around one time. Because now now I'm texting like, yo,
what's the address again? Because I ain't never seen security
at a baby shop outside of a baby shop. Usually
your cousins did somebody got it on him just in case.
So we get back and I'm like, yo, this is
the spot. So I'm like god to my boys.

Speaker 1 (07:44):
So he laughing. So I walk in.

Speaker 3 (07:46):
I was expecting Homie to ask for ID because I
walked up. I'm like, yo, sup. He's like it was good,
but he acts like he wasn't opening the door. So
I'm like, he's all you're going in. I'm like, you
think walking up and say hello to you, like, yeah,
I'm going to the baby shout he let me in.

Speaker 1 (07:59):
Whatever.

Speaker 3 (07:59):
So when I get in, I hadn't met my cousin's
boyfriend yet.

Speaker 1 (08:04):
I never met him.

Speaker 3 (08:05):
So when I get in, I don't see nobody I recognize.
So now I'm really feeling like I'm in the wrong spot.

Speaker 1 (08:11):
Yeah.

Speaker 3 (08:12):
So then I look look, and then I saw my sister,
my pops, my sister, my mom's.

Speaker 1 (08:15):
They was like towards the back. So I'm like, okay, cool,
but it was cool. It was a cool.

Speaker 2 (08:19):
But why was security there? Because you still have dykes?
But think about it, though, shit goes down there, baby
shit yo. That being mister blackcatterday were talking the white
man here, we can get it. You don't see why
they would be a need for security at the baby shower.

Speaker 1 (08:33):
I mean, I get it. You move on. Yeah, homeie mad.

Speaker 3 (08:39):
Security my baby shower, they shouted out. He find out
today is your shower. He gonna know where it's at.
Everybody posting, you know how this this error is everybody
could find anybody.

Speaker 1 (08:49):
Yeah.

Speaker 3 (08:49):
So now the ex pull up and he decided that
he mad, and now he want to Yeah. Yeah, So
that's so the sightly outside explains everything. Now Now I
understand because I thought about when I got and I was.

Speaker 1 (09:00):
Like, I never saw security at a baby shower before.

Speaker 3 (09:04):
Makes one hundred percent sense now that when I said
that and thought about, I said, you know what, we
got enough social media to know these things happen at
baby shower.

Speaker 1 (09:11):
Somebody pull up. Ex girlfriend pull up, she got her
cousins with her. So your cousin pussy good is what
I'm hearing.

Speaker 4 (09:19):
That's what I heard.

Speaker 1 (09:19):
That's what I heard, baby. I have never heard. I
have never thought about that.

Speaker 2 (09:24):
If it was anybody else and you've seen security at
the baby shower, you'd be like, aha, that red snapper.

Speaker 3 (09:30):
Or I don't know, I don't know how her boyfriend
seems like a cool guy.

Speaker 1 (09:34):
He seems like a nice guy. Maybe in the streets.
I don't know. You know, niggas clean up at the
baby shower.

Speaker 3 (09:39):
Niggas put on their best shirt, their best pants, get
a nice cut.

Speaker 1 (09:43):
He might be in the streets.

Speaker 3 (09:44):
He might have been the ops might be ready to
run down on him in his baby shower.

Speaker 1 (09:48):
I don't know.

Speaker 3 (09:48):
I don't know if that means my cousin is what
you said I but yes, my cousin had a baby shower.

Speaker 1 (09:55):
Baby shower you like you get good gifts or money.

Speaker 3 (09:58):
But she had a registry, So I gotta go in
there and just see what nobody got, Like I'm pretty
sure like she got to. But I always do that,
like whatever, like the registry, I'm like, all right, whatever
anybody didn't get.

Speaker 1 (10:09):
When it comes close to the date, I'll just buy whatever.

Speaker 2 (10:12):
Tip is to bring what a Walmart or Target gift
card and be like here buy whatever people they get.

Speaker 3 (10:18):
Okay, that yeah, same thing, Like I usually i'll go
on the registere but I'm gonna, you know, whatever she needs,
she know she got it.

Speaker 2 (10:24):
Well, did you watch the cash money versus no limit
versus I did watch the Cash Money No Limit versus
shout out to cash Money and No Limit.

Speaker 3 (10:31):
You know a lot of people online today a little
younger y'all don't really know because.

Speaker 1 (10:36):
You was us. You was young.

Speaker 2 (10:38):
Yeah, you was like five six maybe four only no
limit Like person I know is little Romeo.

Speaker 3 (10:43):
Yeah, see, you don't, y'all don't really know what this was.
But this was huge for uh, you know, just for
nostalgic purposes and just the legacy of tow of the
most iconic labels in hip hop being Cash Money and
No Limit. But the one problem we was talking about
it before we started, why was this in Las Vegas?

Speaker 1 (11:02):
Complex Con? Fuck that?

Speaker 3 (11:05):
And I know Complex shout out the Complex. We we
fuck with Complex, but we know Complex.

Speaker 1 (11:09):
Gave them a bag.

Speaker 3 (11:11):
Of course we know they you know, because it was
Complex Con and this was you know, the performance at
Complex Con.

Speaker 1 (11:16):
But this had to be in New Orleans.

Speaker 3 (11:20):
We were supposed to do this at the super Dome,
like this was not this is not Las Vegas. To
the crowd wasn't really no, because I mean it was
people out there for Complex Con. People traveled, you know
what I'm saying. So, but it's it wasn't. It wasn't
New Orleans. It wasn't. It wasn't that. I mean, people
obviously knew some of the songs. People, you know, happy

(11:41):
to see the gods performing them, but it wasn't. The
energy just wasn't what you hear when you when you
see Cash Money Versus No Limit. Yeah, that has to
be in New Orleans. Yeah, you understand what I'm saying, Like,
that's that's just too much history. It's too much, you know,
just ties to like the community for real, everybody that's
still in the city of New Orleans. I know, Hurricane

(12:02):
Katrina kind of separated people, but you know the essence
of what Cash Money and No Limit have done for
that city, you gotta have.

Speaker 1 (12:10):
Them on stage in New Orleans.

Speaker 3 (12:12):
So it was cool. It was cool seeing it. No
Little Wayne, No Turk.

Speaker 1 (12:16):
I don't know how I invested I am at that
point when you say, you know, Wayne is not gonna
be there, Turk is not gonna be there, and it's like, so,
well did they play Little Wayne records? Though?

Speaker 3 (12:26):
Uh, well, they played versus from from Wayne. You know,
obviously they had to play some of his verses and
things like that. But why wasn't Wayne there, Like, I
still don't understand where him and Burdman are, like, you know,
as far as personally, I don't know, you know, if
they even on speaking terms at this point, are really
not keep different?

Speaker 1 (12:44):
Yeah, I don't know. I don't know.

Speaker 3 (12:45):
I can't keep up with men that don't talk to
other men. That's just not my that's not my DNA.

Speaker 1 (12:50):
So who won?

Speaker 3 (12:51):
In my opinion looking at it, I mean it probably
was different inside the venue, but looking at it, I
felt like No Limit won.

Speaker 1 (13:00):
Yeah, I felt like No Limit one. I felt like
the records.

Speaker 3 (13:03):
Just just hit a little a little different. Now, don't
get a twisted cash one. Obviously, juveniles there, you know,
slow motion, I mean, that's that's a that's a hood.

Speaker 1 (13:13):
Okay, that's that's what you see. You see what it does?

Speaker 3 (13:16):
Soon what you get You ain't nobody playing nothing and
you just start slow wanting in your seat just when
you hear the song. So, yeah, you know it was
a couple. Don't get a twisted cash money. You know,
they put on a good show. But looking at it,
you know, from what I felt just looking at it,
I felt like No Limit Uh, they got the best,
the best of that night and now again that could

(13:37):
be because again you don't got you know, obviously the
jugging out in little Wayne not being there on stage
not it does you know, it takes away from me.

Speaker 2 (13:44):
A lot of people saw it being closer than it
was because they they assumed that with cash money came
young money, and I was like, a I don't think
that that's fair, and I'm happy that they did they
didn't do that, right, Yeah, I'm happy that they didn't
do that. I don't think that that's fair in a sense.

Speaker 1 (14:00):
I mean, yeah, I understand why you say that, but
I mean it.

Speaker 3 (14:04):
Is cash money, young money. Yeah, like you never heard
any of the young money artists saying young money.

Speaker 1 (14:08):
It didn't say cash money at the same time.

Speaker 3 (14:10):
So you know, it's it's obviously Tiz did and affiliations,
but this was just from that era of cash money
before Drake Nikki, you know Wayne obviously was was cash
money before young money.

Speaker 1 (14:22):
But Wayne not being there, I think was just the
you know, it's like all right, man, like this is
you know, we get it.

Speaker 3 (14:28):
It was still cool to see Juvie and you know,
BG and Baby Silk, camia X, you know, master P,
master P bro listen seeing master P per form those
records and then like really thinking about like the era
that master P had and dominated, we don't talk about

(14:49):
your master P played in the NBA.

Speaker 1 (14:53):
He was just doing shit.

Speaker 3 (14:55):
You don't listen, you can't. That is like, I don't
I really think we didn't stop. We didn't pause enough
to really like salute Masterp for that. Now, it wasn't
he didn't play eighty two games in the season, He
wasn't on the starting ross and all that opening day.
The fact that he was their preseason and just out
there he has a jersey, he was on the floor
with guys who played the full season.

Speaker 1 (15:17):
Bro.

Speaker 3 (15:18):
That is that's almost like this is like movie shit,
Like you know when the movies used to be, like yo,
he went on to play in the NBA, Like this
is what that is. This is like the dude from
the hood that was on the block, you know, getting
into some shit whatever whatever straighten out his life. They
was like, yo, you gotta take this serious. He took
it serious and really like did something that he didn't
you know, he didn't have a long career, but the

(15:40):
fact that he even got to that level, you know
how synonymous rap in basketball is.

Speaker 1 (15:46):
Yeah, it's the same. It's one and the same.

Speaker 3 (15:49):
The fact that master P did what he did in
music in the culture and actually played in a preseason
NBA game and.

Speaker 1 (15:57):
Went on to be one of the girl It was preseason, correct,
was a preseason, So tell.

Speaker 2 (16:01):
Tell me about that, because I know that we have
some somewhat of a younger audience, and by younger, even
the younger people we getting old now, so we might
not have been exactly around for that. Why did he
only play play preseason? Like was he what happened?

Speaker 3 (16:15):
Well, I mean, it's the NBA at the end of
the day, Like it's not you know, it's it's hard
for guys that are really good at basketball to make
the opening day roster and stay in the league Like
that's you know, that's just not something that any and
everybody could do.

Speaker 1 (16:29):
So he wasn't that good.

Speaker 3 (16:32):
He wasn't good enough to stay on an NBA roster,
but he was good.

Speaker 1 (16:35):
But he was good.

Speaker 3 (16:36):
He got to the you know, played in the preseason. Now,
some of it may have been just the lower of
it teams know what it did for marketing and things
like that, but still he got out there with it
looked good like he was. It wasn't like he was
out there and he looked crazy. He can play basketball.

Speaker 1 (16:50):
Was he better than Brownie? Nah, he wasn't better than Brownie. No,
we ain't doing that. I know how you felt about Brownie.
I was just.

Speaker 2 (17:04):
I mean this podcast has been critical of him when
he got drafted to the Lakers.

Speaker 1 (17:10):
So no, I mean I was I rooted for it.

Speaker 2 (17:13):
I like nepotism, but calling it nepotism exactly don't get it.

Speaker 1 (17:19):
But that's why.

Speaker 2 (17:19):
Was because because I mean master P didn't have nepotism.

Speaker 3 (17:22):
I was asking no, no, that's but yeah, but no,
Brownie is, Yes, Bronnie will Bronnie right now and master
P back then if they played each other, Bronnie would
destroy master Pire's No, it's even like we're not gonna
do that, like he absolutely would. But I mean, I
still support nepotism. I'm shout out to Brownie. You know,
I hope that he has a great career. But yeah,
we didn't. We didn't give. We didn't the coach didn't

(17:43):
stop long enough to really salute that moment for master P.
Like making a preseason NBA game like that is something
that we haven't seen. We probably will never see again.
J Cole plays ball. He never was on a preseason
roster he was did he?

Speaker 4 (18:00):
I feel like Africa or somewhere Cole was playing for.

Speaker 1 (18:03):
What have you seen? Have you seen them African teams?
Come on, We're not doing that. I'm just saying. I'm
just saying. It's it's just a difference. It's all I'm saying.
Shout out the Cole. You know he's trying to pursue
that too. But even J Cole knows how crazy it
is that master P played with the Raptors and the Hornets.

Speaker 3 (18:21):
Okay, oh he two teams. Like come on, man, this
is what I'm saying. Like, we didn't the coach, It
didn't stop. We didn't pause long enough to salute that.
So shout out the master P, Shout out the bird Man,
Shout out the cash money, no limit, the versus again.

Speaker 1 (18:35):
I would have liked I would have liked.

Speaker 3 (18:36):
To see it in New Orleans personally, because just the
energy would have been completely different. Would have loved to
see Turk there. Bird Man had some things to say
in regards to Turk not being there towards the end
of the set. But you know, we're not gonna hoiglight
the negative ship. But hopefully, man, they could do this
over and do it right, or just don't even make
it a versus. Just do a cash money, no limit
show at the Super Dume in New Orleans. It ain't

(18:56):
gotta be a versus. It can kind of be like
what JD was planning on doing with bad Boy versus
Social Deaf.

Speaker 1 (19:02):
I appreciate what they was gonna go in. You know,
do you think JD was scared? Hell?

Speaker 3 (19:06):
Nah, y'all don't know JD's That's what I'm saying. Y'all
don't know JD's history. First of all, No, you don't.

Speaker 2 (19:12):
I'm not I'm not asking because I believe that JD
is scared. What I'm saying is, do you know when I.

Speaker 1 (19:16):
Say yeah, I mean like not you y'all that people
that feel.

Speaker 2 (19:19):
Like that, Okay, no, because I just feel like I
don't know, like, because his history is so big and people,
I don't know if people would expect I don't know
if he would be considered the underdog in that situation, right,
if he, JD would be the underdog.

Speaker 3 (19:32):
Yes, he would definitely be, the only cause Puff is
a bigger figure. He's a more polarizing fit. But now
again that's what JD likes though he wants that because
JD don't care about that at the end of the
day when we start playing these records that I really produced.

Speaker 1 (19:49):
Because then it's that. Then it's that part. No, no, ain't shade,
it's facts.

Speaker 3 (19:53):
It's just facts. Because we're talking about producers. JD plays,
He writes, he also raps. Puff gives you know, he
gives you that. He gives you that, that that style
and that flair that aora. He not say it like
this like Puff do that. He got sawt that's what
he does. You gotta remember, Puff come from a party

(20:15):
promotion game. He know how to have a party and
how to you know, what's gonna make people move. So
he come from that. JD played drums, you get what
I'm saying. Like, so he comes from he danced. He
was break dance and he was so he comes from
that part of it. So it's just like, you know,
it would have been interesting. But yeah, that that that
I wanted to happen, only because I really feel like

(20:36):
people don't give Jamaine Duprie, you know, they they obviously
they say Mariah Carrey, they say Usher, but no, we
gotta go Brat, we gotta go Chriss Cross, we gotta
go bow Wow. He got real songs with Biggie, He
got real songs with Little Kim. So these are the
things that people forget. He got I think he got
songs of Mace. So these are the things that people forget,

(20:57):
Like when when when Puff and Theum was popping on,
bad Boy was putting them joints out. JD was producing
for a lot of those artis some bad Boy as well,
But people forget about that because I was early ninety midnight.

Speaker 4 (21:08):
They could they really connect.

Speaker 2 (21:09):
When you think JD, you think Usher, you think Me,
you think Usher, you think bow Wow, But you think Usher.
Mariah Carey like exactly how you said, you know, remember
the back of it.

Speaker 3 (21:17):
They don't remember the the you know, money ain't the
thing with jay Z. They don't remember those records. They
don't you know what I'm saying, Life of fourteen seventy two.
They don't remember that album. So it's like, you know,
I wanted to see that happen only because I think
it's what the verses does is.

Speaker 1 (21:31):
It reminds a newer generation.

Speaker 3 (21:35):
It also shines light on damn like that record is
still sound because even watching a No Limit Cash Money,
I'm hearing about it, about it and all that. I'm like,
I gotta put this on the gym playlist, Like I
forgot how it's still is if I know, I'm saying,
I man, I'm in the crib watching that shit.

Speaker 1 (21:48):
I'm doing this just about it bout it.

Speaker 3 (21:50):
I'm like, nah, this shit, I forgot how just that
energy of what it did when you first heard those
those songs. So I wish we obviously are not going
to get that versus with JD. But I think we
we we missed out on the moment you know where
they would have did that in atlant at the Mercedes
Benz Stadium. I mean, I think that at that point
it's just a party, you know what I'm saying. We

(22:11):
letting JD and and puff DJ and just have you know,
going down that lane of memory lane of hearing those records.
But yeah, I think people people need a lesson in
Jermaine Deprido because they don't give JD his his props
when it comes to hip hop rap as much as
they should.

Speaker 1 (22:27):
R and B.

Speaker 3 (22:28):
I think that's clear, but don't let's not forget about
what JD did and hip hop and rap as well.

Speaker 2 (22:34):
Yeah, And I think it's because he doesn't. He's not
a flashy he's humble. Yeah, he's a.

Speaker 1 (22:40):
That's another thing.

Speaker 3 (22:41):
Being humble sometimes leave you out of the conversation because
you ain't bragging doses, you don't talk your ship. It's
easy to forget about you when the loud niggas and
the boisterous niggas like yeah yeah, But then you're like, listen,
fuck all.

Speaker 1 (22:53):
Play them records though, and then I really produced that,
Like I really went in there and played that. That's
a different conversation.

Speaker 2 (23:01):
That's why I'll be trying to get you all to
talk y'all ship and I'll be like, na, we cool,
we humble, uh new balances and upside down hats like nah,
talk your ship.

Speaker 1 (23:11):
But I'm just that's just not me, baby D. I've
never been there.

Speaker 3 (23:14):
I mean I was, but now it would that would
be crazy for me to start trying to like we're
just doing a we just talking our ship, man. That's
all this is podcast, have fun. I ain't got no
ego when it comes to this ship.

Speaker 1 (23:24):
Man. I just like kicking and talking about shit. That's off.
Don't worry, I will pop it for y'all. Pop Baby
d Pop. Speaking of popp it, Mega Stallion's new video
love It Girl Baby, Right, I walked into these niggs.

Speaker 3 (23:38):
Because look, baby did look? Because I didn't see the video,
I saw clips of it. Obviously, Meg was teasing it
like for the last couple of weeks. Given I'm like, okay,
I like that sample. That's that total kissing. You know
what I'm saying. For those that don't know, so.

Speaker 1 (23:51):
I heard, I said, I was like, okay, damn.

Speaker 3 (23:53):
The video came out. I said, let me watch the video.
So now remember the conversation we have. And if you
stop right there, Josh, open the scene. Open the scene,
go back a little bit to the red and black
to the red and right there, now we had a
conversation right there. We had a conversation last week, right
and there was I don't know. I didn't say because

(24:15):
I think Meg is a pussy rap. No, obviously she
can rap. I think Meg can really rap, but she's
we call it pussy rap, right, we call it the
pussy rapper in the pussy rap.

Speaker 4 (24:23):
The Patreon conversation for people who yes.

Speaker 3 (24:25):
Patreon dot com force slash new Worriyan Mall five dollars
ad free. So we was talking about Meg being a
pussy rapper, and you know, I was like, Nah, she
ain't really push. She could really right, Yes, she could
really rap. I think like Meg, she could rap. She
told it, but it still falls on the pussy rap.
The opening shot in this video to me, maybe these
are one of those things where it's like, what do

(24:46):
you see when you look at this?

Speaker 1 (24:47):
I mean, maybe I need to sit down with a therapist.
Maybe it's a butterfly and you just you got bad.
Maybe that's a butterfly. Maybe I'll see a clip.

Speaker 4 (24:56):
I mean, one could take the clit.

Speaker 3 (24:59):
Is moving, Meg, is the clip? The clip is moving.
I'm just telling you what I see. Meg.

Speaker 1 (25:07):
I'm sorry if I'm not trying to listen. I'm not
trying to sexualize.

Speaker 3 (25:10):
I'm not trying to sexualize you, Meg, not more than
you already.

Speaker 1 (25:13):
Do you look great? Mag you look fucking amazing.

Speaker 3 (25:16):
What the opening seeing, baby d It's artistic. I think
it's beautiful. Put it in the lover, put it in
the fucking love. But we gotta call it what it is.

Speaker 4 (25:27):
Uh huh, Yeah, it's that's definitely.

Speaker 1 (25:31):
Alluding to va vaginal aesthetics, right, vaginal steps. I gotta
get in there right. So I was sold soon as
I saw it opening scene. I'm like, I'm in.

Speaker 3 (25:43):
I'm in, But then ain't kissing you as a double line?
Come on now, now you're talking my language. That's what
I do, right, Okay, cool Megan.

Speaker 1 (25:52):
Three thousand, I'm on board. I'm on board. I'm a
Meg fan. I love me. But she's a pussy rad
and she loves to pussy aesthetics. She is.

Speaker 2 (26:05):
And I had to bite my tongue when this song
came out, which I was so excited for. And I
do love this song, but I thought, you know, with
the with the Clay debut, I'm like, all right, Megan
is moving into her grown woman like I'm in love,
Like you know, we're gonna settle down, get married type. Nope,
it's still popped that pussy for your man. It's just
we still popping pussy, but just this time it's not

(26:27):
fuck man, It's I'm popping pussy for your man, man.

Speaker 3 (26:29):
For your Hey, she's showing growth, she's showing growth for
your man. Don't just be out here popping it for
your man.

Speaker 1 (26:39):
I approved this message. I do too. I endorse it.
It is the rally. I'll beat it. I'll be like
twenty one Savage at the what was it, the whole
SlutWalk adage.

Speaker 2 (26:50):
I'm sorry, but SlutWalk. I'll do that for me, I'll
be I'll be at the next what is it called SlutWalk?
I think they canceled them, but yeah, why did.

Speaker 1 (26:59):
They cancel that?

Speaker 3 (27:00):
You niggas having no king rallies? Mall you niggas is
having no king rallies. That alone says that there's no kings.
You can't have a no king rally to be a king.
You niggas to be hung by midnight, all you niggas.
So we need to bring the slut walk back, bring
something back that the culture didn't want to see. Go.

Speaker 1 (27:20):
I wasn't ready to see the slut walk go. Do
you know what the slut walk was about? Though?

Speaker 3 (27:24):
What it was for body positivity, body empowerment, women's, women's.

Speaker 2 (27:31):
Ability to exist in themselves without being without having to
be sexually assaulted.

Speaker 1 (27:37):
I support that. I support That's what I'm saying. I'll go,
I'll go that. I support. Let's support that. Let's rally
for that.

Speaker 3 (27:45):
Load up the buses, get us to DC wherever the
net slut walking maybe, how do we start to how
do we how do we bring back the SlutWalk? We
bring everything back? Your niggas bringing back all these old movies.
That's whacked now, nobody want to bringing back the ship
that matter?

Speaker 1 (28:02):
Sister Act on Netflix, that's so funny. Why did Josh?

Speaker 4 (28:05):
Can you look up while they got rid of the
slut walk?

Speaker 1 (28:07):
What happened to it?

Speaker 3 (28:08):
Yes, that's the These are the questions I'm here to
try to answer, Baby d bring back the SlutWalk.

Speaker 1 (28:13):
We need to slut walk back.

Speaker 3 (28:14):
But shout out to Meg videos amazing, she looks great,
they said. Meg and Klay Thompson remind him of Duncan,
Pender Hughes and Demeter from Class. You too young, You
never seen Class Act? The fuck you never seen class
I've never seen It'd you.

Speaker 1 (28:29):
Seen Class Act? Y'all never seen ome On? Y'all are
too young, y'all don't know the classics.

Speaker 2 (28:34):
No, I've heard of it, but I've never seen it.
Pull up a picture of Dunkin Pender Hughes.

Speaker 1 (28:41):
Oh, good luck with Josh and God Josh, God damn it,
Josh and killing me, Duncan pender Hughes, Jesus Christ just
put class act. Where's it? Where is it?

Speaker 3 (28:56):
They got to have a picture of Demeter, Well, that's
Dunkin Well kid from Kidding played played Dunkin Penny Hues.
But Demita, the girl in his school dad was like
the bombshell brown, bombshell beauty. They had a picture of
them two in class right there. They said that's Clay.
They said that's Clay and Meg. I was crying because
you gotta know this movie to really understand how funny

(29:19):
that is when they say, Yo, this is Clay and Meg.
But you got maybe they got to make a list
of all because you've never seen Boys in the Hood
first of all, putting that on me, craziest.

Speaker 1 (29:28):
What movie? What you didn't see? It was some movies
when we named it, they weren't black movies like there
weren't like it was some classic black movies you haven't seen.
We talked about it.

Speaker 2 (29:36):
I think the only classic black movie I haven't seen
is what's the one with the black and white like face?

Speaker 1 (29:43):
That President?

Speaker 2 (29:44):
The Presidents? I haven't seen that President Classic? Yeah, I
haven't seen it.

Speaker 1 (29:48):
No, it was some other movie don't do that. It
was some other movie.

Speaker 2 (29:50):
We would have to pull up the list of black movies.
There's a couple I haven't seen.

Speaker 1 (29:53):
But what are you looking for? Tissue? I'm sorry, can
we pause?

Speaker 5 (29:57):
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all new iPhone seventeen Pro, designed to be the best
and most.

Speaker 1 (30:06):
Powerful iPhone ever. Yeah, my thoughts again.

Speaker 5 (30:08):
Yeah, listen, man weeks you've been thinking about this whatever.
You're also thinking about the traffic on the way there.

Speaker 1 (30:13):
I think about that all the time.

Speaker 5 (30:15):
Ro Yes, you in traffic has always been a matter
of fact. That's one of your best lives.

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Absolutely well. Good news, mall.

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Terms apply.

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one eight hundred gambler Arizona, Colorado, Illinois, New Jersey, Ohio, Tennessee,
and Virginia. All right, So, baby d it was brought
to my attention. We were talking about hip hop being dead.
You know, we've they've been saying, ugh, he is is
hip hop dad? Is hip hop dad? So in September

(32:04):
four hip hop songs were on the global charts. In
September five years ago, there were fifty six on the
global charts. That's a big drop, it is. That's over
ninety gone right. We had a talk with berg Shot,
the hit maker. He came by to set last week

(32:27):
and he posed a question because we were saying, you know,
women are dominating rap right now as far as like
they're being more stars, newer stars and rap, most of
them are women. And he said, well, name you know
some stars, superstars under thirty five. On the men's side, like,
don't name the legacy acts, don't name the guys that

(32:49):
have been in it for years, And it stumped us.

Speaker 1 (32:51):
It was obviously the NBA young Boy.

Speaker 3 (32:52):
You know, we acknowledged that, not saying you know, but
it is interesting to see women dominating hip hop rap
now and then now in September, only four hip hop
songs on the global charts.

Speaker 1 (33:11):
I'm not saying this is women's fault, how you Okay, no, no,
just listen.

Speaker 3 (33:16):
But we have to because this is just data, this
is analytics, like right now, Yes, women are dominating.

Speaker 2 (33:22):
Okay, So that's why I want to stop you, because
women are not dominating rap how Because them four songs
that are on the global charts, I guarantee that they're
not women's songs unless it's from Cardi's album. What were
the four Josh? Can you look up the four hip
hop songs that were on the global charts. Women are
not dominating rap.

Speaker 1 (33:38):
Women.

Speaker 2 (33:38):
There are more, No, there are more women hip hop
stars than ever before.

Speaker 1 (33:43):
That's what I'm saying that.

Speaker 2 (33:44):
But that doesn't mean that they're dominating rap because there's
still way more men than them.

Speaker 3 (33:49):
The men.

Speaker 1 (33:50):
Yes, I'm just saying, yeah, the stars though, the stars are.

Speaker 2 (33:54):
The stars that people would consider stars would be NBA,
young Boy, Playboycarti, Travis, Scott, Cardi B. Those would be
who people would consider the big big stars and be
a young boy Travis Scott, Playboy CARDI.

Speaker 1 (34:10):
I don't look at play but the charts.

Speaker 4 (34:15):
Do they acknowledge it? They don't acknowledge it.

Speaker 1 (34:16):
Yeah, they categorize it. He's rap. So but I think
that's the issue.

Speaker 2 (34:22):
So you can continue what you were going to say
as far as like, do we connect it to more
women being there? But I'm going to disagree with you.
I don't think that that's it. I think it's that
we took the R and B out of hip hop.
We took the the soulfulness.

Speaker 1 (34:36):
Huh.

Speaker 2 (34:37):
We took the soulfulness out of hip hop, and that
is what made it more palatable to other genres.

Speaker 1 (34:45):
Does that make sense? Yeah, I guess. I guess it's
a lot of that baked into it too.

Speaker 3 (34:49):
I'm not saying that the fact that we have just
women dominating or more women dominating rap right now than
we've probably ever had, I'm not saying that's the soul
old reason for it.

Speaker 1 (35:00):
There's a lot of things that we can put into it.

Speaker 3 (35:04):
But to me, I think we start there because we've
never had this many women rap stars before at one time.
You know what I'm saying, it's like every day we
turn around, it's like, oh shit, like another female MC
has coming and she's got a dope reckon and it's like, okay, cool.

Speaker 1 (35:21):
But does that sustain? Obviously not.

Speaker 3 (35:24):
The music in general is not sustaining, like a lot
of music like we happy to get mob deep albums
and everything that you know, they're doing that mass appeal.
We happy to get all And these are all legacy artists.
These are all legacy acts dropping new music. But as
far as like the newer artists, hip hop is in
a scary place. I think hip hop is in a

(35:45):
very very scary place. I think that it's a conversation
that you know, we all need to start having and
really looking at, Like damn, Like what if this happened
in five years? If only four hip hop songs are
charting on today's global Spotify chart, Like, what does the
next five years look like?

Speaker 1 (36:04):
So the songs that are charting are you see You Again?

Speaker 2 (36:07):
I'm gonna assume that that's the with Khalifa See You Again,
all the Stars obviously by Sizza and Kendrick.

Speaker 4 (36:15):
Both which have R and B hooks.

Speaker 3 (36:18):
Yea and who is Timeless In the Weekend Weekend play
work CARDI Right, Okay, it's not rap, that's the weekend
that ain't rap.

Speaker 4 (36:26):
And then what's the other one? No pole, who is that?

Speaker 1 (36:30):
Oh?

Speaker 3 (36:30):
This is or they calling that that weekend record hip hop?
See what I'm saying, that's weird, get tricky.

Speaker 2 (36:35):
Yeah, but even still if you see those are all
they have R and B I of the hook. Yeah,
So it's like that's palatable to a wider audience. When
you're talking about global that's palatable to a wider audience.
The soul, the R and B, which is the reason
why all of our artists when they were doing soul

(36:55):
and R and B music back in the day was
so widespread.

Speaker 1 (36:58):
Like you see what I'm saying.

Speaker 2 (36:59):
So when you bring hip hop into it and you
got them banging versus and a good ass hook, like
people could listen to that straight rap going through or
these bullshit where they're like doing this drill rap and
then they're also singing the hooks and it don't sound
good because they can't fucking sing like it's just which
I'll blame Kanye and Drink for that.

Speaker 1 (37:18):
Ship.

Speaker 4 (37:18):
By the way, what rappers singing their own hooks?

Speaker 1 (37:23):
Rappers used to always sing their own hooks.

Speaker 3 (37:25):
You know, that was like a thing at one point,
like not all of them, No, most rappers used to
do their own hooks though. When I mean, you just
go back and listen to like a lot of the
Biggie shit, a lot of Tupac shit, a lot of
early jay Z shit, a lot of Nah shit, a
lot like they were.

Speaker 1 (37:39):
Doing their own Well.

Speaker 2 (37:40):
Yeah, but when I'm thinking, so, what year did they
say they were fifty six? They said it was how many?
Five years ago?

Speaker 1 (37:45):
Five years ago? This is Spotify top.

Speaker 3 (37:51):
That's what is Okay, Oh, this is just Spotify's top
two hundred most stream tracks.

Speaker 1 (37:56):
Yes, okay, okay, but still yeah, it should be more
than four.

Speaker 3 (38:03):
I just think that it's a conversation, man like, and
we talk about it a lot, Like you know, now
you listen to a song, it's almost like as good
as we all felt the Clips album was when it
came out, Right, I haven't played that album in weeks.
I'm talking about not a single song I played in weeks,
and I like it.

Speaker 1 (38:23):
I liked the album. I thought it was good.

Speaker 2 (38:24):
I played it back to back to back when it
first came out, and then I revisit it every once
in a while, but I don't play it as often
as I did when it first came out, But I
still do play it pretty often.

Speaker 1 (38:32):
People don't understand that it's this. It's that phone. Our
parents were right. Is this damn phone?

Speaker 3 (38:38):
This this the phone is killing music as much as
we don't want to admit it. The phone is is
how we listen to me. Like, if I'm playing an
album right now, I'm connected to the speakers in the
crib and I'm playing, I'm listening somebody called me, somebody
send me some video to look at.

Speaker 1 (38:57):
I look at it.

Speaker 3 (38:58):
I might not even go back to album tonight. Now
that fell into a conversation about whatever. Somebody texts me,
da da da, get on the phone, like it's not
this takes away from the music experience. As much as
I love it because it is very convenient. I can
pull up a song. I can hum a melody into
my phone and don't even remember the words, and it'll
pull up the song and I can play it. So

(39:20):
I love that part of it, but it definitely has
taken us away from experiencing music in the way that
we used to.

Speaker 1 (39:27):
Like before you get a CD or you get a vinyl.
You put it on.

Speaker 3 (39:32):
Niggas could be in the crib fight and guess what,
that music still playing. Somebody could call you on the phone.
I'm on the phone, music still playing, like I'm still
in I'm still here, I'm still listening in the moment,
I'm still consuming the music now playing it off my phone.
Something happens, you know whatever, whatever it's like, it pulled
me away from that I'm on the phone. I forgot.

(39:52):
But that's not just with music, with TV as well.
I could be watching the show, get a call something, watching.

Speaker 1 (40:01):
Something on my phone, never revisit it. I don't even
know what just happened the last two episodes.

Speaker 2 (40:05):
Shit just been running our attention, Our attention span is
so short. I will also say that me personally, I
don't know if anybody else feels this way. When I
tire of songs quicker now because of Instagram. So when
I'm doom scrolling, which I do, do I have a problem.

Speaker 1 (40:18):
I need to fix that.

Speaker 2 (40:19):
But when I'm doom scrolling on Instagram and I'm doom
scrolling on TikTok and people are creating content, and I've
heard that song a million times now, I'm.

Speaker 1 (40:28):
Now tired of it.

Speaker 4 (40:29):
I might have heard it three times on my phone,
but I've heard it one hundreds.

Speaker 2 (40:32):
There are songs that I know full the words too,
that I've never downloaded, never heard of my phone, but
I know the words simply because I've consumed so many,
so much content with that fucking song.

Speaker 3 (40:42):
Songs live longer on social media than they do in
your in your in your in your home for sure,
and in your car. Because somebody posts a video that
goes viral with Doja cat playing in the background. Everybody,
we all seen that shit. That shit keeps playing us
on the reil. You like it lives longer on social
then it does, like then you live with it in

(41:02):
your personal time. And I mean again, I'm not saying
it to Yeah, well, yes, I am saying I do
think it's a negative thing. Yeah I do, because it's
evident when you see charts like this, it's like, bro,
people are not I just feel like people are just.

Speaker 1 (41:16):
Not as attached to the music as we once.

Speaker 2 (41:19):
Were, Like in the quality of the music. Just let's
be honest, the quality of the music is just not good.
It's not as good.

Speaker 1 (41:25):
It's not there as good.

Speaker 3 (41:26):
News being there has killed me years ago when I
said that, I was saying it was easier to get
in the music business and get I remember, I remember
then it's ever nah, I know, it's not how I
can I can be a no name. This could be
my first album I ever recorded. And if Drake drops tonight,
guess who else can drop tonight?

Speaker 5 (41:45):
Me?

Speaker 3 (41:46):
Like I could put my album on the same DSP.
Nobody's ever heard of me. But I could put my
album on the same DSP as Drake or Beyonce or whoever.
And this is my first part nobody, I'm not even
I just made this in my basement and it takeoff.

Speaker 1 (42:02):
I can have a song that goes viral. Now I'm
getting booked over here.

Speaker 3 (42:05):
But though you know how hard it was to do that,
just not even let's say twenty five years ago, like
it was you had to really travel and go to
these cities and go hand in hand trying to get
people to hear your shit.

Speaker 1 (42:18):
Now I'll just upload the record tonight. I could be
a star next Sunday.

Speaker 2 (42:23):
And also, what the labels are looking for now from
what I see is no one's looking for the quality.
No one's sitting in these meetings and making these people
climb on the table like they did Bobby Schmurda and
perform as Wow.

Speaker 1 (42:34):
We needed to get away from that need to be
on nobody's table rapping like they is.

Speaker 2 (42:41):
No one is, there's no quality control. What they're looking
for is coaching and Q they down there doing coach k.
What they're looking for is who has the attention And
what people do to get attention nowadays is not be talented.
Like you can be talented and get attention, but that's
not what everybody's going for. Everybody wants to be some
type of like I don't even want to say content creator,

(43:03):
but there's so many smoking mirrors and like just fugazy
shit going on and shit that's making people a star.
That's how you get someone like some of our some
of our stars, I'm not going to say any names,
but it's like you're not good, but you've created this
persona that the young kids have fallen in love with
and now they're a rock star and they're demonic and
it's going viral and you're doing click baity shit and

(43:25):
now you have like this could base following about a
bunch of bullshit that's not good music. You see what
I'm saying, like, so, it's like their labels are just
looking for well, who's all right, you got a couple
of songs out, who's getting the most? Well, you got
a lot of social media following or people coming to
your shows, this, this, this, this and that. It's they're
not looking for good music. So bullshit slips through the cracks.

(43:47):
Bullshit is allowed to become the biggest, and then because
other shit doesn't look like bullshit, it makes it hard
for real shit. Now, when you make real shit, they're like, oh,
you're making old school hip hop, and it's like, no,
I'm not making old school hip hop.

Speaker 1 (43:58):
I'm just making him pop. I'm making actual rap.

Speaker 2 (44:02):
But no one's sitting down and listen in the actual
rap anymore unless you already have our hearts.

Speaker 4 (44:07):
Clips already has our hearts.

Speaker 2 (44:09):
If people would have just came out, if unknown people
would have came out with that CLIPS album, people wouldn't
have listened to it. It wouldn't have gotten as much
of you know, nowhere near as much of attention, no
matter how good it was. But they have our hearts already,
So we're gonna go listen and be like, ah, this
is good. We've missed this, but they're not gonna go
do all the silly bullshit that these other artists are

(44:29):
going to do to continue to go viral and have
viral sounds and all of that shit. So then you
come into impass because now the internet runs everything. So
if you can't pop on the internet, then you're not
gonna pop on the charts unless it's crazy, because it
was never it used.

Speaker 1 (44:44):
To be the reverse of that.

Speaker 3 (44:45):
Like so you know again, I'm old enough to remember
a group like Milli Vanilly, m h right, great record,
great record, but it was a thing where it was like, yeah,
but whoever made that record probably doesn't look like a star.

Speaker 1 (45:01):
Yeah, right now, you just gotta look like a star.
We could, we could tweak.

Speaker 3 (45:06):
We can we can turn the knobs on the in
the studio and we could get the sound to where
where it need to be. But before it used to
be as long as the music is good, that was
we lead first. It's the music good. He may not
be a star, she may not be a star. We
don't even got to put them in the video. We
can use somebody because this is things that really happened.

(45:27):
There was videos in the nineties where I come to
find out that ain't even the person who's on the record.
That's not even them, but they're in the video and
they're portraying it like they're performing the record, and that's
not even a real artist.

Speaker 1 (45:38):
So it went from that.

Speaker 3 (45:40):
It went from leading with the music being great to
now that's the second that's secondary. Now it's like, yo,
what's what's your personality? Like, you know what I mean,
what's your you know, it's do people love the personality?
Do they love the look, the aesthetic, you know, the vibe,
the energy? Okay, cool. Now we could put music, we
can put something together, we could cook something up, get

(46:00):
them in the studio with the right person.

Speaker 1 (46:02):
We see it all the time.

Speaker 3 (46:03):
But then now what happens is you get something like
this chart that we have to sit and look back
and be like, damn, only four.

Speaker 1 (46:14):
Social real conversation to have. Man, I just I just
feel like, you know, again.

Speaker 3 (46:17):
Being able to see the mini shifts and changes in
the landscape of music and things like that, and being
able to look back and things are looking a little
for the first time that I can remember.

Speaker 1 (46:29):
You know, people been saying hip hop is dead for years.

Speaker 3 (46:32):
That's you know, it's looking dead though. It's looking like
I ain't gonna lie. We might have to start going
to hospice and visiting this mother. Like yo, this nigga
might be on his way out of y'all.

Speaker 2 (46:42):
Gotta start making hip hop music that the old people
and that the white people can comfortably rap.

Speaker 1 (46:48):
That's it.

Speaker 2 (46:48):
That's the only way the white people and the old
people got a comfortably rap it.

Speaker 3 (46:52):
Yeah, but white people comfortably wrap some of our like
Petres just going crazy on a no limit shit. He
just told us a beautiful story about how back in
nineteen ninety seven him and his friends would gather around
a local Dell computer and look.

Speaker 1 (47:05):
At videos a local Della.

Speaker 3 (47:07):
You know, it wasn't there. It's like, you know, none
of us had a computer in our own for a while.
That was like a If a nigga had a computer,
you was rich. If your man had a computer, like
a nine to five, you go to your man house.

Speaker 1 (47:19):
They had computers in ninety five. Don't don't do that.
Don't don't play with me like that.

Speaker 3 (47:23):
I got my first computer at We're not talking about
when you got out at once computter. I'm talking about, Yes,
there were computers in ninety nine.

Speaker 1 (47:29):
What did they look like. It would look like it
was a big ass box, but it was that shit.
That shit worked, though, baby did. If your mom's picked
up to make a call, connection was all fucked up.

Speaker 2 (47:39):
Well, no, it was like that when I first got
a computer too, that aol. My mother be mad as fuck.
She gonna pick up her phone and hear that shit.

Speaker 3 (47:46):
Yeah, but white people have always comfortably wrapped to wrap
you what I'm saying, most ghettoist, most hood shit, they
they loved that.

Speaker 2 (47:54):
They relate to that shit. Yes, but we're you also
have to. We're in a little bit more of a
woke era too, so it's not they don't feel comfortable
rapping that as much as they used to. And when
I say white people, I think I mean like the
Martha Stewarts of the world. Steward she's a felon. Yeah,
but I mean old white women, old white women and

(48:15):
old black people period like to feel comfortable rappingness Like
now we're here, they're like, what is this book?

Speaker 4 (48:21):
What is this shit y'all are listening to?

Speaker 6 (48:23):
Like that?

Speaker 2 (48:23):
Like, you need music that makes them comfortable, And I
think that's the music, the rap music that goes far.

Speaker 1 (48:28):
I think that Drake has done a good job at that.

Speaker 2 (48:30):
I think Cardi B's album the reason why it was
that big is because she was able to do that too,
to make even if it is raunchy, you have singles
that sound good to old people like you need all
of us to make rap number one again. You can't
just cater to the little fucking kids that are on
their computers gaming and fucking saying I hate you mom, Like,
you can't just cater to them.

Speaker 1 (48:51):
Like you have to get everybody involved in order to
be that big.

Speaker 2 (48:56):
Well yeah, but also if you don't unless you were
really straining to hear Eminem or like really listening to Ship,
you didn't really realize just how horrible Eminem's lyrics were
and the shit that he was saying. Because when I
was younger and I was singing Eminem, I didn't know
what the fuck I was singing.

Speaker 1 (49:11):
You didn't know what you were singing when you was
singing a lot of this juvenile shit back that ass up.
No I knew what that meant.

Speaker 2 (49:17):
You working with some ash year you bad? Yeah, mak
a niggas fin his cash y is last year?

Speaker 1 (49:21):
You knew you know how old you was when that
song first game on How old was? What year to
back that ass up first come out? Ninety eight?

Speaker 6 (49:28):
Four?

Speaker 1 (49:29):
Maybe ninety seven, ninety nine, and that that era right
there in ninety eight. But see I old you four.
But see you knew what you were saying, you ain't.

Speaker 2 (49:44):
But to be fair, the first time I probably heard
that song or really heard, like really listened to it,
I probably wanted four that song still, you know what
I'm saying, That shit still plays and party.

Speaker 1 (49:54):
But that's another thing.

Speaker 2 (49:55):
When people say that female rapiers two are on these days,
I'm like I was. I grew up listening to Trina
and Little Kim. Y'all aren't about to tell me. And
wop is the worst song y'all ever heard, Like I can't.
I just can't get jiggy with that.

Speaker 1 (50:05):
Nah.

Speaker 3 (50:05):
Listen, man, When WAP first came out, they killed me
for saying it that like hear it, listen I heard.
I had the Little Kim hardcore poster in my room.
I had the poster like I knew how to That
Little Kim hardcore poster shook up. That shit shook up
the culture like crack rock. That shook that That Little
Kim hardcore poster that shook the black community like cracking

(50:27):
the eighties.

Speaker 1 (50:28):
No y'all think I'm joking, niggas, Oh you wasn't.

Speaker 3 (50:31):
Matter of fact, in high school, if you opened your
locker and you didn't have that Little Kim poster.

Speaker 1 (50:37):
In your locker, you was a lame. You was lame. Like, yo,
you don't got the hard core.

Speaker 3 (50:44):
And then like if they heard you had it open
your locker, had come to Princeville, open your locker hating
ripped my shit right out, going to get another one.
I don't care. Little Kim will be it that hard
coature so and even that. But then Josh pull up
the Little Kim hardcore picture. Watch this baby, let me
fuck your head all the way up with this one.

(51:05):
Look at this picture now with today's twenty twenty five eyes,
and tell me what was the problem with this poster.

Speaker 4 (51:13):
That thing was fatter than a swamp. Possibly, but what's
wrong with it?

Speaker 3 (51:18):
If you look at that, that's almost like that could
be in fucking that could be in ig right, all right,
g that could be outside on the bus like that.

Speaker 1 (51:26):
Yeah, this is a wreck. That's there is nothing hardcore
about this picture.

Speaker 3 (51:30):
In twenty twenty five. Now, in nineteen ninety five or
ninety six, whatever year came out. Oh you that shit
shook the streets up. But this is what I'm saying.
Now we get to the Meg video Lover Girl.

Speaker 1 (51:45):
Meg.

Speaker 3 (51:45):
If Meg would have shut up in that day, they're like,
come on, this is a gap commercial. And Meg and
man showed up dressed like little Kim on that hardcore post.

Speaker 1 (51:56):
Now they're like, come on this saint gap. Yeah, me
not doing the gap Mershall like this ain't. This ain't.
But you see what I'm saying that was considered so
now when you hear wh.

Speaker 3 (52:06):
But but see but see Okay, dangly thing in the
back of my throat is crazy stiff dicks.

Speaker 4 (52:11):
I feel sweet in this little petit.

Speaker 2 (52:13):
Young bitch from the streets, guaranteed to stay down, used
to bring work at the time the Grayhouse bill board bow.

Speaker 1 (52:18):
She's moving drugs. Stiff dicks, feel sweet in this little petit. Okay, sex.

Speaker 4 (52:25):
I know a dude named Jimmy used to run up
in me uh huh.

Speaker 2 (52:28):
Late night pissy drunk off of Henny, and Whenny he
didn't mind it. When he fucked me from behind, it
felt fine, especially when he used to grind it.

Speaker 1 (52:34):
He was a trick.

Speaker 4 (52:34):
When I sucked his dick, he passed me the.

Speaker 3 (52:37):
Come on now, huh, I'm here with you, baby, yo. Yeah,
het the dangly thing in the back of my throat.
Come on, bro, I'm just saying. And here's the other
part of what you just said. How many times did
you say pussy? Okay, so what I will say is
arrest my case. How many times did you say pussy?

(53:00):
All those little Kim bars? Little Kim has pussy bars.

Speaker 1 (53:03):
No, no, no, I'm not saying. I'm not saying she
don't we speaking on wop versus all that little kim
shit you just gave me. Cons I was there, I
was outside, baby.

Speaker 4 (53:17):
The motherfucker never ate my pussy as a little as
a little Kim bar.

Speaker 3 (53:20):
No little kim Listen, she definitely has raunchy, wild bars.
But you gotta go into the album cuts a little
more to kind of get to some of that. I'm saying,
those bars you just spit. That was like I could
the reason not no, baby, because we used to rap
little kim bars as a man, as a.

Speaker 4 (53:40):
Young nig in the streets. I used to how looks
does it take?

Speaker 1 (53:43):
Wasn't that wasn't for me.

Speaker 2 (53:45):
I couldn't. I couldn't wrap that. But dick and a
hurricane tongue was rapping.

Speaker 1 (53:49):
I didn't do that.

Speaker 3 (53:50):
I was at the bar when that came. I'm just saying,
like she got those in there. But it wasn't as it.

Speaker 1 (53:57):
Was as No, it wasn't. I was really there, baby,
she is.

Speaker 4 (54:00):
Treated sexy on no nail? Hold that fuck? Five six
best friends, five or six best friends is crazy.

Speaker 2 (54:05):
I don't know five niggas, that's best friends together, your niggas.

Speaker 1 (54:08):
I got five best friends first of all, that's like,
let's start there. Niggas don't got five, but like five
or six best friends?

Speaker 5 (54:15):
You know?

Speaker 1 (54:15):
Naw, you don't even know. But yeah, y'all don't know when?

Speaker 3 (54:19):
When When when Trina took the jacket off in that
video and we saw the sparkly bro, she fucked the hood?
The streets was fucked up after that? Who is this
light skinned girl? That's all we wanted to know. Niggas
ran home from school to watch BT to catch that video?

Speaker 1 (54:35):
Yo? Who is shorty with the sparkly like?

Speaker 4 (54:38):
Y'all can't make me feel bad about why?

Speaker 2 (54:40):
When there was credit cards getting slid in between people
ask Crack that was go.

Speaker 3 (54:44):
Go watch the Tip Dree video today and then gonna
put on Meg's new video. It's not as crazy as
you think baby back then, Yeah, because we talk about
the Throng song.

Speaker 1 (54:55):
Go look at that video.

Speaker 3 (54:56):
Them thuns is fat as video, just like Nigga Thiss
his band. Watch this ain't no fun like in comparison
to today. I'm saying, ask them thongs are self. Come on,
it just wasn't as like now.

Speaker 1 (55:12):
It's just like I was watching the video x P.
I said, was that a lip? I think they missed
the edit? They missed I'm like, yo, I think they
missed the edit. Don't piss me off.

Speaker 2 (55:26):
I'm just saying that the times have changed. There is
way too much. There is way too much just divert sexuality,
and I don't want to put it on the women
because it's not just the women. The men have done
it too. There's too much overt sexuality in songs though,
like I want to hear, like Victoria Money does a
good job at describing sex but making it like a metaphor.

(55:48):
Like she has a song called f U c K
Friend You Can Keep, which is about friends with bennef.

Speaker 3 (55:51):
Oh, I thank you for that face to face the
BT that was so beautiful, the way she did that.
You think I said, Yo, I couldn't figure out how
to say what you said for you. I was trying
to say, I don't want to say I just want
to fuck you. You don't want to tell a girl
I just want to say a fuck.

Speaker 1 (56:04):
Uh huh.

Speaker 3 (56:04):
But now if you say I'm just trying to be
a friend, you could keep. Mmm, she come in, she coming,
she comes over me going right.

Speaker 1 (56:12):
Yeah, But you were like, I'm trying to fuck nigga.
Beat it. I'm just trying to be a friend. You
could keep. Now it's nigga beat it. That's why you
my nigga. That's why you my nigga, because you understand
that's all I'm saying. You get it.

Speaker 3 (56:28):
That's just the way you say it. Yeah, Megan, they
can all get their shit off. It's just the wip.

Speaker 1 (56:32):
You could get it off. It's just the way you
say it. Yeah, you could tell a nigga you got
a wet ass pussy wop cool, I got it. I
got this wop that's fire.

Speaker 3 (56:40):
Hit the dangly thing in the back of whoa how
many other niggas have you told this to now?

Speaker 1 (56:46):
I got questions on the date. I don't want to spit.
I want to go. I'm like, gag, I want to choke.
I do too. I want that. Don't tell me it
like that, like just kind of make it a.

Speaker 2 (56:55):
Little when you go back and listen to the lyrics
that have like God, will me swallow me out?

Speaker 1 (57:00):
Aside of me? Quick jump out for you, let it
get inside of me jump out. Yeah, I felt the
funk out of that. I hear you, man, I've been
on the other side of that. I get it.

Speaker 3 (57:13):
Baby, I'm here to tell you I understand. I'm just
saying the way we.

Speaker 1 (57:17):
Doing it, we need more metaphor. We just need autistic
play too.

Speaker 3 (57:22):
We just need to kind of like dress it up
a little more as hip hop, as rap put a
little more skilled.

Speaker 2 (57:27):
I was thinking about that when we were talking about
how Suck It or Not is like a legendary song,
and I'm like, I was thinking in my head, like
why do I like sucking I liked Suck It or
Not so much because I mean, it was a good song,
but it was also very raunchy, and it's like I
like that it was rare for a song to be
that raaunchy.

Speaker 4 (57:42):
It's not rare anymore.

Speaker 1 (57:44):
It's not rare. Yeah, it's not.

Speaker 2 (57:46):
Really we've been and I don't want to sound I know,
we getting older. I don't want to sound like the
old prove people because we just as freaked out as
everybody else. Right, We've proven that through the years on
this podcast. But there's a there's a better way to
do it. There's a more creative way to do it,
and I just wish that people would explore it. But
at the same time, when we go into the air
of like we said, the Internet and clicks, these are
the songs that the labels are picking to go out

(58:08):
because that's what Garner's attention. And I've just I've complained
about that with Meg before, and people like Meg rap
about the same thing. I'm like, when Megan's not rapping
about pussy, y'all don't want to hear it. So it's like,
if I want a career any of these artists, if
I want a career, then I have to either be
beefing with somebody or rapping about sex or rapping about
intense violence. Like all of the negativity, the negative shit

(58:30):
about hip hop has just been amplified, and that's what
people seem to only support.

Speaker 1 (58:34):
That's what seems to go viral.

Speaker 3 (58:35):
Well, sex cells and it always will. It was probably
the first thing that was EPI sold with some pussy
I think it was gold and then pussy brick and mortar.

Speaker 1 (58:43):
Yeah exactly.

Speaker 3 (58:44):
But you know, I just again just being a consumer
consumer first of music and culture and hip hop. I
just would like to see a little more artistic cleverness,
still be sexy. I love women, that's you know. Never
I ain't wake up one day and never not love women.
I love women, love looking at women, love all of that.

(59:04):
But you know, when it comes to music and things
like that, I just wanted to just be a little
more clever, a little more artistic, little more skill set,
That's all I'm saying. Like STUPI sexy, get your shit off,
talk your shit. But I just want to just a
little more. Just give me this a little yeah, be
a little more clever with the pitt and that's all
I'm saying. But I love it through shout out to
Meg Great Video.

Speaker 5 (59:26):
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Speaker 1 (01:00:07):
Yeah. Absolutely.

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(01:00:30):
Kiky Palmer trailer for her her new TV show Southern
Fried Rice shout out to Kiki Palmer.

Speaker 1 (01:00:37):
We support Kiki over here. Think she's dope, She's a legend.

Speaker 3 (01:00:41):
Now watch the trailer with you, and you were telling
me that people online the trailer came out, people online
killing Kiki Palm about this trailer?

Speaker 1 (01:00:47):
Why are people killing Kiki Pama?

Speaker 2 (01:00:49):
So for the people who haven't seen Southern Fried, Rice
is a show about a Asian girl who was raised
in black culture.

Speaker 1 (01:00:56):
I think her family or adopted family is black or whatever.

Speaker 2 (01:00:59):
And she goes to a HBCU and it's about her
experience at an HBCU. Now, the backlash that Kiki was
receiving that I saw was out of all the perspectives
that you can write from. And you're black, and that
you have the opportunity to tell stories instead of telling
the story of a black woman or a black man
that isn't you know like we love when we get

(01:01:21):
opportunities to tell stories that aren't rooted in our trauma,
rooted in slavery, rooted in Tyler perry S storylines trauma. Yes,
you get this, this opportunity to tell a story, and
instead of telling a black person's story, you tell the
story of Asian American in a black person's space and
how it affects her and what trouble she could go

(01:01:41):
through in a black person's space. And they're saying that
it's tone death. What do you think about that?

Speaker 4 (01:01:46):
I can I don't exactly agree.

Speaker 2 (01:01:50):
I can understand where they're coming from, but I like
different stories, right, So this isn't a story that I've
heard before. I wouldn't mind hearing it. But I also
do understand the critique of Key He as a black woman,
you know, we don't get many opportunities in these spaces
to be an executive producer. Why wouldn't you executive produce
a project that told our stories? Why are you telling
it for other because other races are always the Asians

(01:02:12):
always going to hold the Asians down. The whites are
always going to hold the whites down. They're always going
to give them opportunities. When we get a black person
in a bigger space, it would be nice for one
of us to give opportunities to one of us to
tell our story.

Speaker 4 (01:02:24):
I kind of understand where people are coming from.

Speaker 1 (01:02:26):
I don't that because Key has done that.

Speaker 3 (01:02:28):
She just had a movie in theaters with Scissors that
I think she executive producer wrote something like that.

Speaker 1 (01:02:32):
I think she was on there for that. Well, Ray
did I think you might have just ask shout out
to Lisa Key, shout out the Kikey for you know,
a good performance, shout out the sisters for her performance
as well.

Speaker 3 (01:02:41):
But I think that look and y'all kill me for this,
and I don't know why. I just think that it's
just a lot of it. A lot of our disagreements,
I feel like, are just the age difference. But like
you said, Kicky Palmer has this role, now, why not
give us because we always claim we get this same
shit over and over, the same stories over and the Okay,

(01:03:02):
so here comes Kicky Palmer giving us something different.

Speaker 1 (01:03:05):
It's still HBCU. So we're still in there.

Speaker 3 (01:03:07):
Our culture is still the focus of the film, but
it's just from the lens of somebody that's not.

Speaker 1 (01:03:13):
That doesn't look like us.

Speaker 3 (01:03:15):
Now, if you're adopted, if you're an Asian and you're
adopted and a black family adopts you, yes, I'm Asian
like my birth mother and my father may have been Asian.
They couldn't take care of me for the reason they
gave me a for adoption. A black family adopts me
raises me. This is the culture that I know.

Speaker 2 (01:03:33):
Josh double checked that that's the storyline a by the way,
but keep talking about.

Speaker 1 (01:03:36):
This is the culture that I know.

Speaker 3 (01:03:37):
This is the culture that I was raised in as
a black man growing up in New York City. I
said all the time, I had so many different friends
from different cultures that lived. I'm talking about right in
my building.

Speaker 1 (01:03:49):
Whether it was Indian, whether it was Cambodian, whether it
was Albanian, whether it was Dominican, Puerto Rican, Italian, Irish.

Speaker 3 (01:03:57):
Like I grew up in a neighborhood that culture was,
you know, and we didn't even really look at it
like that until I go to your house for the
first time and I see the way you know, your
house is decorated, and like the type of food your
mom makes. Then it's like, oh shit, like I forgot

(01:04:17):
you was a whole different you know, like your house
is different from my house. But when we're outside in
the park doing dumb shit, or were playing sports together,
or you know, we're going to see some girls and
we're riding the train and go down to the mall, whatever,
the culture is not a conversation. This is my man
from my block. This isn't Oh this is my you know,

(01:04:39):
Cambodian homeboy, Like it wasn't that is that's John. You
know what I'm saying, Like I don't I don't care
about your culture. I respect you, but it wasn't a conversation.
So now you have this again. I don't know what
this Kiki pom with things, but you have an Asian
American going to an HBCU what people are said because
they feel like she's telling the story glory of an

(01:05:00):
Asian American. Finish, just telling a Black American story going
to h We've seen that story how many times?

Speaker 2 (01:05:06):
But okay, so so this is the thing. Yes, we've
seen some of that story. There's so I don't want
to say a lot of.

Speaker 3 (01:05:15):
Stumpt yard keep going. You want me to go uh
with with the Spike the School Days Classic one? How
many more can we go down? I mean, there's so
many stories of ship boys in the hood they went
to Spellman and more House. So you have these stories
of black kids from the hood going to the HP.

Speaker 1 (01:05:31):
We've seen that. But in all of those movies that
you named, what else is in there? Trauma?

Speaker 3 (01:05:37):
Yes's trauma. Every single one of those movies yeah, but
I mean, druma Line ain't no trauma. Well, he didn't
know his dad. He met his dad and he sold
them tokens and his dad didn't come to graduation in
the back. Guess that could be traumatic, right, My dad
didn't support me. So the story, the story of drum
Line isn't a traumatic story. It's a fun kid goes
to school. He hast he doesn't really know how to
play me. He lied to get in, but he's so
he you know, he plays off ears.

Speaker 2 (01:05:58):
It's a classic, But there are a lot of classic
stories about black people in school that doesn't have some
big trauma, which is one of the reasons why Forever
on Netflix. Did you ever watch Forever? I think we
told you about it. It was the two high school
kids that were falling in love and things like that.
That's why it blew up so big because it was
such a beautiful black story and there was no trauma.

Speaker 4 (01:06:17):
So I understand what you're saying. I'm not mad at
this storyline, right.

Speaker 2 (01:06:22):
I think the people that are complaining, I think it's
just like, who the fuck cares how an Asian American
feels in our spaces? But I can't understand why somebody
might want to tell that story. I don't think it's
worth killing Kiki over. She didn't write it, she's an
executive family.

Speaker 1 (01:06:36):
But it's so listen, baby, did you?

Speaker 3 (01:06:38):
And something that I learned there are people that's gonna
wake up and rush the internet, to hate on everything
and to be upset and bothered by everything. That's just like,
so when you tell me all they online killing Kiki
for this, and I look at the trailer and I'm like.

Speaker 4 (01:06:55):
I hate the title though I'm not gonna lie. Southern
fried Rice is so corny.

Speaker 3 (01:06:58):
That is wag all right, cool, we can see how
that's a little like, but now we gotta wait to
see the show to see if it's like Okay, we
get how we tied that in like, but we can't
go off a trailer and then go online and start
stomping Kiki out like.

Speaker 1 (01:07:12):
Yeah, it's just like you don't won't complain about it anything.
And the thing is I don't have again, I don't
have a victim mentality. I don't approach things with the
mentality of being upset or that hurt me, that bothered me.
I'm always willing to listen, look at it, learn like Okay,
see what you don't give me the whole thing. Let
me see what this is before I go on line

(01:07:33):
and like, yo, Kiki, you tripping?

Speaker 3 (01:07:35):
Why would you make this TV show about some Asian
American instead of telling one of our beautiful black sister story.

Speaker 1 (01:07:41):
Like, I'm just not doing that, man. Like, people just
gotta fucking relax. Like I get it.

Speaker 3 (01:07:47):
You know, we don't get noticed in a lot of spaces.
But at the same time, I can go on Netflix
and pull up a thousand movies and shows that highlight
black kids going to school?

Speaker 1 (01:07:59):
What's the other? Nick can in one? What's the other?

Speaker 2 (01:08:02):
Nick Cannon with Christina Beautiful Love don't cost a thing beautiful?

Speaker 3 (01:08:07):
Yeah, I feel like Lawrence Tate and Jada Beautiful so catching.

Speaker 2 (01:08:12):
She was catching a lot of I feel like now
I understand when people critique people like Kenya.

Speaker 1 (01:08:17):
Baris and Shonda Rhymes for their like for.

Speaker 4 (01:08:21):
Example, they catch a lot of slack.

Speaker 2 (01:08:23):
Kenya Barris is the producer of Blackish, the ISS show, Legend,
and and you know Shonda Rhymes, Great's Anatomy Scandal, things
like that, they're they and Mindy Colleen gets this too,
the interracial relationships they catch a lot of slack for
there's constant interracial relationships in their shows.

Speaker 1 (01:08:42):
Okay, now.

Speaker 4 (01:08:44):
Light biracial people.

Speaker 1 (01:08:45):
Okay.

Speaker 3 (01:08:46):
Now, if you're a producer that does that, and it's
like we can look at your thermography and point that out,
then it's like your fan, why you always got an interracial.

Speaker 1 (01:08:53):
Couple in you? Like? Why is people always like why
is that always the focus?

Speaker 3 (01:08:58):
But somebody like me had go online and say, yo,
why y'all got a gay cup on every show?

Speaker 5 (01:09:04):
Now?

Speaker 3 (01:09:05):
See you see the reaction. You see the reaction. That's
what I'm saying though, But so why so why can't
people say that? And then I say that as well?
I hear I am watching Against the Mo movie. They
going at it and then niggas start kissing? Where what
where's that? Why y'all throw that in there?

Speaker 4 (01:09:25):
Y'all said what show? He won't see himself.

Speaker 1 (01:09:27):
I'm just saying, why y'all throw that? Why do y'all?
Why do they throw that in there? Though?

Speaker 4 (01:09:32):
I feel like they've I feel like that's been happening.

Speaker 2 (01:09:35):
I was so when even like male frontal nudity, now,
well that's HBO Max everybody niggad.

Speaker 3 (01:09:41):
I'm like, yo, what I'm watching the movie do storyline like, Okay,
this is cool, homie turned around, peace out.

Speaker 1 (01:09:49):
We didn't need that to feel like the scene was real.

Speaker 2 (01:09:52):
But hold on, because you weren't. They've been doing that
the women for years and you never complain. People got tired.
I mean, yes, yes, that's point. Everybody's gonna have that
thing being the only one objectified in shows. Now we
objectify everybody. If it's gonna be if HBO, if it's
pussy on the screen.

Speaker 1 (01:10:08):
Is dick on it too?

Speaker 2 (01:10:10):
Yeah, I can't complain about that. Yeah, but it's just
be I don't know, man, I'm so tired of seeing
soft dick. Though, at least like stroke it before you
put it on camera.

Speaker 1 (01:10:18):
Just soft me.

Speaker 3 (01:10:19):
You're gonna be a different type of actor to show
soft meat and know what's going out to the theaters.
You know how crazy it is, y'all show my meat
soft and like Netflix November third, yo, hold on, holda,
it's wild niggas subscribing.

Speaker 1 (01:10:36):
Don't put me on that didn't make that wasn't supposed
to make it on the edit, that that wasn't told
to make it off the edit floor. Edit that out.

Speaker 3 (01:10:42):
My shit is mad, smurr me and y'all talking about
November seventeen, that's a week before Thanksgiving.

Speaker 1 (01:10:47):
Everybody on Netflix. Nah, don't put me on Netflix Thanksgiving
with soft meat. Don't do that. Don't do me like that. Listen.
You want to be an actor, you want to get
into it.

Speaker 3 (01:10:56):
Yeah, but they killing Kiki for the wrong things. Man
shout out to Kiki Palmer. Man, I'm gonna watch it
just because they killing her, and I can't wait to
support it. I'm gonna get anybody mad on the time.

Speaker 1 (01:11:04):
Fun. Yeah, that's you know, you can't wait.

Speaker 4 (01:11:06):
Has anybody ever told you your contrarian?

Speaker 1 (01:11:09):
Yeah?

Speaker 2 (01:11:09):
I think you go against the green anything. People like
you automatically anything because I like what a lot of
people like to.

Speaker 3 (01:11:15):
But I'm just but that's just always been met though,
baby d Like, I just I look at things differently,
like like people be upset about that, and I'm just like,
why are you all upset about this?

Speaker 2 (01:11:24):
But I feel like the more people push against you,
the harder you defend. I think something when i feel
like I'm right, not just to be different. If I
feel like I'm right, Oh yeah, you're not gonna move
me off my square. But I feel like I'm right.

Speaker 1 (01:11:34):
Oh, I know.

Speaker 4 (01:11:36):
My literal job description is to move you if swear
with you like you're right.

Speaker 3 (01:11:40):
I feel like you're a fire hydrant right when you
push me like I ain't moving. I ain't moving, baby,
d I ain't budget fuck that?

Speaker 1 (01:11:47):
Oh my god.

Speaker 2 (01:11:47):
Well, listen, NBA season has started, yes, sir, and you
know that we have a big sports audience and I
want to understand sports more.

Speaker 1 (01:11:55):
You know, I do. Is your boyfriend watch sports? He does?
What's his team? Hm? I actually can't. You don't know
nothing about this nigga's.

Speaker 2 (01:12:05):
I don't think he's in. I think his favorite team
is asked, so he kind of like gave up on them.
So I don't think he's ever been like proud enough to.

Speaker 1 (01:12:11):
Tell me, Oh, he's one of those like yeah, I
think silence.

Speaker 2 (01:12:15):
I think he's just why he likes sports, so he
watches all the teams. So I actually don't know who
his favorite team is. Okay, but I'm seeing on the
notes Josh has Wimby and I'm assuming he means win Banyanna.

Speaker 1 (01:12:25):
With Victor when Bama? When Banyama?

Speaker 2 (01:12:27):
Now?

Speaker 4 (01:12:28):
Is he from Africa?

Speaker 1 (01:12:29):
He's from Paris, He's from Paris.

Speaker 2 (01:12:31):
Okay, it says Wimby is an alien. Yes, and I
put on there, mall, please explain this to me like
I'm five.

Speaker 3 (01:12:36):
Okay, so you know the aliens exist, right, Okay, one
of them now playing San Antonio.

Speaker 1 (01:12:41):
Okay, cool, Yes, it is a fact. First, he's seven
foot six. He speaks French.

Speaker 3 (01:12:46):
Oh, this is a sick type of alien they got
running around the nigga can do everything. Baby, I've never
seen anybody again, y'all know how I feel.

Speaker 1 (01:12:54):
Michael Jordan is the greatest basketball player of him winby second.

Speaker 3 (01:13:00):
No, he's not second yet, but his skill set at
his size, you know, just in Layman's turns.

Speaker 1 (01:13:08):
Baby, we've never seen nothing like this.

Speaker 4 (01:13:10):
So like so he could he can play like five
and one.

Speaker 1 (01:13:13):
He can play every position on the floor. Okay, yes
he can. He can.

Speaker 3 (01:13:17):
Last night I saw him block three shots. Uh, get
the rebound, take one, dribble over half court and shoot
a three. I don't I've we're talking about seven foot six.
For somebody to be seven foot six moving the way
he's moving and doing the things, We've never seen this
type of athleticism, this type of skill. Now, there have

(01:13:39):
been big men that have skills, but whenby the one.
The one skill set I think a lot of people
don't talk about is his.

Speaker 1 (01:13:50):
His balance. He's not as you know a lot of
big men are usually like kind of like doofy.

Speaker 2 (01:13:56):
Yeah, like the New York skyscrapers. The taller they build him,
they sway yeah.

Speaker 1 (01:14:00):
Yeah. But his his balance, his feel for the game.

Speaker 3 (01:14:06):
He's just fun to watch because you know that we've
never seen nothing like this, so you have to appreciate it.
That one clip I saw of him blocking three shots
and then pushing the break and shooting the three, he
looked like Bill Russell on one end and Kevin Durant
on the other. I don't know if I've ever felt
like that looking at any player, like to me. You know,
Shaquille O'Neill when he came in seven feet whatever, you know,

(01:14:30):
he was very a lot of people don't remember how
athletic Shaq was in Orlando. Very athletic. The rebound, the ball,
push the break, go coast to coast. With the Lakers,
it became more of a post up just use your
power and kind of just bully people. But to be
seven foot six and doing what when Mayama is doing,
we've never seen nothing like this. So this is this

(01:14:51):
is a name that you're gonna hear, hopefully for years.
I tweeted, if his body holds up for ten ten years,
because with god seven sixth.

Speaker 1 (01:14:59):
They usually knee starting.

Speaker 3 (01:15:00):
A knee injury, a foot injury changes their whole trajectory.
So if his body, you know, hopefully his body holds
up ten ten years, I think that he's a top
five player all the time.

Speaker 1 (01:15:14):
Yeah, so this is this is the play.

Speaker 3 (01:15:15):
Look at him, one block, right, block again, right, then
he gets to his he get they get the rebound,
they give it right to him. Count the dribbles one two,
three jump shot. So three dribbles from one end, cross
half court to a three and you seven foot six
We've never I've never seen nothing like this. And again

(01:15:37):
we've seen big Kevin Durant is probably seven feet six eleven.
We've seen that skill set, you know, being told and
being able to shoot and rebound. We've never seen seven
six doing that.

Speaker 1 (01:15:47):
How old is he he looks young, twenty one? Oh
my god, Yeah, he's a baby. He's the future. He's
the future of the NBA.

Speaker 3 (01:15:54):
I think with him and Luca, the NBA is you know,
they're good, But then again, these are these are guys
that are not American players.

Speaker 1 (01:16:00):
So do you think he could take the Spurs all
the way? Oh?

Speaker 3 (01:16:03):
Absolutely, he's about they get another piece around him. They're gonna,
they're gonna they're gonna make some noise in the Western
Conference for sure. Well, just him this team right now,
if he stays healthy, it's gonna be hard to beat them.

Speaker 1 (01:16:17):
How have the Knicks been doing? Have they played yet?
The Knicks look good? The Knicks, I think they two
and oh two and one to who they lose to? Okay,
they lost to Miami. Who does Miami even have? Norm
They lost to Andrew Wiggins and bam Adebayo. Oh my god,

(01:16:39):
the Knicks.

Speaker 3 (01:16:39):
See that's that's what That's what pissed me off for
the Knicks. They lose the games they should win. But
the Knicks look good though. I think they you know,
they they're gonna have.

Speaker 1 (01:16:46):
Another good run. Again. All of this is if everybody
stays healthy. It's Caliburn's still out.

Speaker 2 (01:16:52):
Caliburn's out for the year. Yeah, I'm sorry. Prayers and
condolen says, I hope he heals.

Speaker 1 (01:16:58):
And condolence after the fifth pump. That's how that's supposed
to go. Baby, Yo.

Speaker 2 (01:17:01):
They they tore me up because remember when he was playing,
I was like wishing bad at him and then he
tore off.

Speaker 1 (01:17:07):
So now you your boyfriend up, show up with a victim.
But ya, I'm a jersey dress on now.

Speaker 2 (01:17:14):
I just got to get the oversized jersey like it
belonged to somebody else, to victor.

Speaker 3 (01:17:23):
Yo, you want to put on a victim women Yama
Sanato the spirst wedding dress.

Speaker 1 (01:17:28):
I should be long as a motherfucker on you, baby,
d put that shit on it.

Speaker 2 (01:17:31):
Just no, I told that.

Speaker 4 (01:17:33):
I will tell you the time.

Speaker 2 (01:17:34):
I told you my cousin was playing for the Giants
and I just practice jersey on and that ship.

Speaker 1 (01:17:38):
That's a fight.

Speaker 4 (01:17:39):
That ship was like to my ankles and niggas was
like yeah, my nigga at my pussy.

Speaker 1 (01:17:42):
Like yeah, like that's a fight. Like, I don't care
who your cousin. Take that off.

Speaker 3 (01:17:46):
I got a jersey, I played a MC go put
my go, put my ship off, Like take this nigga
jersey off.

Speaker 4 (01:17:53):
Okay, well I will stay updated. Maybe we can go
catch a game.

Speaker 2 (01:17:56):
Yeah, imagine we can do that for for our Patreon
vlog and so go to a game, well not an
actual game.

Speaker 1 (01:18:02):
We go to like a bar and watch a game.
You get wine. Watching basketball with wine is fire. You
don't know, no nigga like it. She's playing with me. Yes.

Speaker 2 (01:18:12):
Sometimes niggas be like, you ain't never met a nigga
like me, and I'm like, I thank God, like I
don't want to.

Speaker 1 (01:18:16):
I don't.

Speaker 3 (01:18:16):
That ain't the case with me. You know, you should
be honored to be like me and more went to
watch this. Nigga ordered a whole bottle cabinet. We was
chilling steak. I had a steak. Yeah, you know, red
wine of steak, goldingt. Niggas don't even got your palette together.
That's the problem now.

Speaker 2 (01:18:30):
First of all, I was drinking well red wine and steak, baby,
when I was twenty one.

Speaker 4 (01:18:36):
I don't even eat red meat like that.

Speaker 1 (01:18:37):
I'm that was an outback. Don't count out back like
I was at Peter Luga.

Speaker 3 (01:18:44):
Don't you got to get off. I want to get
your crazy to be baby. Silver Brown is a fraud.
Remember we talked about her last week. We laughed at up.
All the videos are coming out now. She said somebody
was dead. She said somebody's son was dead. Then the
mother ended up dying as or committing suicide something like that.
Come to find out the son wasn't dead.

Speaker 1 (01:19:06):
Sylvia Brown is who used to do What's Show. She
was a medium.

Speaker 3 (01:19:09):
She was she was on a bunch of talks to
us back the day Mantell Williams, and you know people
used to ask like, yo, my loved ones, we haven't
seen him.

Speaker 1 (01:19:17):
Like he's dead, he drowned.

Speaker 2 (01:19:19):
Yeah, we did talk about coming to find out fraud.
Come to find out, y, I didn't think that.

Speaker 1 (01:19:24):
I mean I knew.

Speaker 3 (01:19:24):
That's why I was laughing at those clips, because I'm like,
how somebody just stand up and tell you something like
that and you just get all heart broke.

Speaker 1 (01:19:29):
You don't know this lady.

Speaker 3 (01:19:31):
Yeah he's dead. Yes he's dead, Oh my god, thank you?
What no no evidence nothing, that my loved one is dead?
And you just say it and I just break down,
Like I could have said that to you in the
parking lot. Now I would have got arrested for that.
Here comes Sylvia Brown. She's a medium on the stage
and her word is gold. Come to find out Sylvia
Brown was a fraud. I just thought it was hilarious

(01:19:53):
that now these videos are going viral of her like
being wrong and people weren't dead that she.

Speaker 1 (01:19:57):
Said was dead. So that's is she still? Is she? No,
she passed away some years ago. Do we have voicemails?
You've got male?

Speaker 3 (01:20:08):
We do sponsored by Boostmoe Will unlimited talk text and
data for twenty five dollars a month.

Speaker 1 (01:20:17):
Was good, Rory was good?

Speaker 2 (01:20:18):
Mom?

Speaker 1 (01:20:19):
What's going on?

Speaker 5 (01:20:19):
Baby?

Speaker 1 (01:20:21):
I fucked with the pod? Thank you doing what y'all doing?
Quick question? This is for baby d Okay.

Speaker 6 (01:20:28):
I'm thirty four years old, single. I just moved out
here to Syracuse, maybe like five months ago, got a
job at the university, working in their athletic department, and
was just wondering, you know, as a single man, if
you knew any sponsor where I could go, where women
would be at, or where I can meet some beautiful women.

(01:20:49):
I joined us Syracuse Run Club out here Shout to Run,
and I met some great people. But I feel like
that's a weird place to kind of shoot my shot.
But yeah, just wonder see if you had any suggestions.

Speaker 1 (01:21:01):
I don't know how in tune you are.

Speaker 6 (01:21:03):
Still with Syracuse, but I thought I'll at least try next.

Speaker 2 (01:21:08):
All right, thanks, well, thank you for calling and shout
out to Syracuse. Well, first of all, DM me, because
I think I got a friend for you. How good
is the job?

Speaker 1 (01:21:15):
Oh? You moved out for the job. It's a good job.

Speaker 2 (01:21:17):
I got a friend for you. Light skin, cute, big DA's.
She don't got fast, but she got big titt's in
a pretty ass face, long curly hair. Yeah, that averages
out early hair and school in school to be a nurse,
own her own house.

Speaker 4 (01:21:30):
So, DM me, because I got a friend for you.

Speaker 2 (01:21:32):
But if you are looking for other women, you would
have to go downtown Syracuse and scout around. Now, if
you want to know what the hood bitch is at again,
DM me, I'll direct you there. But if you just
want regular women, you're gonna have to you have to
go downtown and go to like brunches and follow somebody
named Anthony Dickens on Facebook because he throws an RB
night And that's also where you would go to.

Speaker 1 (01:21:51):
Find with onb knight is a good night to find
out she's singing too hard.

Speaker 4 (01:21:56):
She's singing a little too hard when.

Speaker 1 (01:21:57):
Mary come on, she overly going I could fix it life.
That Stephane told CARDI, let me fix you. Mm hmm,
let me heal you ain't got a baby. I got that, Stephone.
Hey man, oh my god, hey man, you got you know.

Speaker 2 (01:22:18):
As I get older and i'm talking, yeah, yeah, yeah,
go ahead, I talk to more men, and I see
the things that y'all see that we don't notice that
y'all are seeing. Like I remember my boyfriend. I was like,
what even made you that confident to like? Because he
just applied so much pressure. He said on our FaceTime call,
you was moving and you was packing up your house
by yourself and all your ig pictures. You had just
turned your hair red. I knew you was heartbroken. I

(01:22:39):
was just moving in like I knew. It was a
perfect had a small window.

Speaker 1 (01:22:42):
I knew you was fucked up. She was waiting for
any nigga that looked like he had his ship together.
All right, Okay, let's let's see he got his ship together.
He opened the car door for me, girl. It'd be
crazy to shit that, y'all like, don't do that.

Speaker 2 (01:22:55):
I just opened the doors. The expectation though, Yeah, but
that's but still like you now, you sent the driver.
He sent the driver and the driver opened the car
door and wait outside the restaurant in case I wanted
to leave the date that you do that and.

Speaker 1 (01:23:07):
You still still don't get no pussy. It's like, ain't
no niggas. It's worth the wait? Yeah, sometimes don't. Let's
just be real. You waited what I waited for. You've
waited for sex?

Speaker 2 (01:23:21):
Oh?

Speaker 1 (01:23:21):
Yes I have, and it was not. Was it worth
it all every time?

Speaker 3 (01:23:26):
No?

Speaker 1 (01:23:26):
Exactly. You know it's crazy.

Speaker 4 (01:23:28):
The first time it feel like it was worth the wait,
and in the second.

Speaker 1 (01:23:31):
Time that ship with me. Wait, explain it though, what
you mean the first.

Speaker 2 (01:23:34):
Time when you it's like when you're starving lion, you
know what I'm saying, and somebody give you a berry.

Speaker 4 (01:23:38):
It's like, damn, this berry tastes like gazette.

Speaker 1 (01:23:41):
But then when you go to eat the berry again,
it tastes like Gazelle. Is fucking hilarious. This berry tastes like.

Speaker 2 (01:23:50):
Like fucking gazelle when you starting even starving.

Speaker 1 (01:23:55):
Yeah, and then you go to eat that berry again,
like naw, this ship just buried.

Speaker 3 (01:23:58):
This should just buried, like this ship just kicks and berries.
Get out of here with this ship. I need Gazelle,
I thought, she was a stallion.

Speaker 1 (01:24:05):
You tricked.

Speaker 3 (01:24:05):
Mem Yeah, sometimes it don't be worth the weight though,
but you know, but you know, I'm glad you have
a girl from him though. Hopefully you can make the
connection now. But if you do, we gotta get you know,
we gotta get them on the zoom.

Speaker 2 (01:24:15):
If he gotta be fine though, because she she you
know me, first thing I look at is are you
a gentleman? And do you have money? And then I'll
look at your looks. She look it looks first while
she's single, she listens to this podcast. I'm no, I'm
not shitting what I'm saying. She just looking at looks.
I tried to trying to put her on with a

(01:24:37):
ballaller a trick, an easy trick. He was overly spending
and he was as ugly as fuck.

Speaker 1 (01:24:43):
But like she I respect her. That's gangster, she said.
She can't.

Speaker 4 (01:24:48):
She can't fake it.

Speaker 3 (01:24:49):
Gangster because if you got a nigga, that's tricking and
you still like man, watch out like that means she icy,
she cold, She like, nigga, you ugly. I don't care
how much.

Speaker 1 (01:24:58):
Money you spending. Nigga, you try.

Speaker 3 (01:25:01):
I like that man, because it used to be about
that I don't care much that nigga is ugly. Now
he shus to be running around with these dusties. I'm like, yo,
we will find this dust ball. Oh you got money, Okay,
I understand it, and I get it, but I like
the fact that.

Speaker 1 (01:25:14):
It's still with me.

Speaker 2 (01:25:15):
He's sweet too, though, Like, you're not gonna find a
perfect nigga. You know, I think my nigga is perfect,
but otherwise you're not gonna find a bon't.

Speaker 1 (01:25:23):
We're gonna time stamp this.

Speaker 3 (01:25:25):
I'm not wishing battle your really happy baby d but
I listen if I allow Wilson to have and shall
off if you if you not together, yeah, I'm running
this cliff.

Speaker 1 (01:25:38):
Because you gonna be here tearing that nigga up. But
now you know how I get that my bashed niggas
I come on my platform. I'm saying, so I'm happy
that you're happy. It looks good on you. But I'm
just saying next year November.

Speaker 2 (01:25:52):
When I say perfect, I don't mean literally perfect, But
what I mean is, Okay, you got money, you fine,
and you a gentleman.

Speaker 1 (01:25:58):
It's very hard to find That's That's like, that's like
the Holy Trinity, right, Holy trinity.

Speaker 2 (01:26:02):
You know what I'm saying, ain't perfect by no means
close enough. He's perfect so exactly. So that's why I
be telling her. I'm like, you're not gonna find everything
in one. That's very hard.

Speaker 1 (01:26:12):
It can happen. But the herd twenty nine, she she
got time. She right there.

Speaker 3 (01:26:17):
She she she should be turning that corner of settling down,
trying to like get serious with somebody. But twenty nine,
she can still play outside a little bit. She still
afford to do that.

Speaker 4 (01:26:27):
This nigga, But I don't know, I'm thirty one. I'm looking.

Speaker 2 (01:26:30):
I'm like, I can't settle for ugly though, because my
family don't have no ugly people in it.

Speaker 4 (01:26:36):
We go out of our way not to have ugly people.

Speaker 1 (01:26:39):
That's a sick go out of the way.

Speaker 2 (01:26:41):
Like we go out of our way out to have
ugly people. I can't be the first one to bring
a little grimlin into the family.

Speaker 1 (01:26:45):
I can't do that, Okay, you know what I'm saying.

Speaker 2 (01:26:47):
I don't want that as my as my part of
the family legacy. I'm already the one that didn't get
like the traditional job, Like I'm not a lawyer or
a nurse or a doctor or a professional fucking back
football player like the rest of them. Like I'm a podcaster,
so I already don't that much to the table. I
can't bring a little griplin to me. Just all I
got next to my the emoji's next to my name
is like the little scary mask and a mic.

Speaker 1 (01:27:08):
I can't. We can't do that. Yeah, yeah, because you've
got an ugly baby, you gotta kill it. Okay, all right.

Speaker 4 (01:27:17):
Well, thank you guys so.

Speaker 2 (01:27:19):
Much for Wait, that's the only voicemail we got. That's
the only voicemail we're doing. Really, I'm kind of scared.

Speaker 1 (01:27:28):
All right, Let's play. Come on, let's play.

Speaker 7 (01:27:32):
From Chicago, responding to the last message you guys sent
about me being in love with my best friend who
lives in Texas, to an account like what Demara said
and what Mam said, as well as like you know,
going after and going up to be with my wife,
and Demarus also saying to just you know, that was
just like a one time thing.

Speaker 1 (01:27:52):
I mean, I don't know.

Speaker 7 (01:27:53):
I'm planning to see her again in December, and essentially
I'm guessing that when I see her again, I'll get
like a full gauge of like how she.

Speaker 1 (01:27:58):
Really feels about me. I do feel like she really
does care about me.

Speaker 7 (01:28:03):
I don't think that she does care for me in
the same way that I care for her, because I
really do love her. And you know, she says she
loves me too, like I made her feel things like
she the way she describes how she feels about me,
it sounds like she's saying that she is in love
with me, but she's just not saying that I'm in
love with you specifically again because of circumstance and everything

(01:28:24):
that we're both encountering of just like you know, being
far away and like trying to figure out out lives
and stuff, you know, and it kind of makes me
back to question, like wonder, like you know, maybe she
doesn't feel the same way, but you know, we'll see,
like when I get down there, we'll like basically do
like a trial run of like a relationship or something
like I'll be down there for four days or something
for Christmas, and you know, we'll just see.

Speaker 1 (01:28:45):
How everything goes. Again.

Speaker 7 (01:28:48):
Not really sure how she feels yet, but I mean,
I guess I have doubts just because of where we're at,
but I don't know, I'm trying to keep hope alive
with everything.

Speaker 3 (01:28:58):
You more, Uh that Nigga said, I'm trying to keep
hope alive. He quoted Jesse Jackson.

Speaker 2 (01:29:03):
You going down four days before Christmas? Nigga, that gift
better gift? Nah gift Bett.

Speaker 1 (01:29:09):
Yeah, he don't even know if she liked him like that,
but she won't if he don't bring our gift.

Speaker 2 (01:29:15):
Nah.

Speaker 1 (01:29:15):
See that's see I don't like that.

Speaker 2 (01:29:17):
Well, first of all, it's her best friend. If I'm
spending four that, if I'm going to see my best
friend for day, he definitely got a gift he's giving me.

Speaker 3 (01:29:23):
But it's you saying that gift better gift? Is like
why she he don't even know if she's into him
like that? Listen, So why would you give somebody something
when it's like, you know how you feel about her,
but you don't know if she feels the way you
feel about her towards you. It's like you can't go
heavy gift. You're trying to give your way into a relationship.

Speaker 1 (01:29:44):
What would your gift suggested be? It's an offering? What
would your gift suggested be? Well, me like if it's
my if it's a woman that I you want and
y'all already best.

Speaker 3 (01:29:52):
Well, I would be paying attention to conversation and things
that she's saying. She's kind of been eye in looking
at seeing seeing she need, you know, shit like that.
I don't know if she needs rick Owen's boots. You
need a new fridge? This motherfucker every time I go
in there for motherfucking drake, Like no, the handle was
in my hand when I coched that, Like, fuck them,

(01:30:15):
rick Owens boots. I'm gonna listen answer the fucking the
man is coming with the fridge tomorrow.

Speaker 1 (01:30:21):
Yeah, shit like that, rick Owens boots casts a new fridge.
Fush out.

Speaker 3 (01:30:25):
Yeah, I'm gonna get you a fridge. Baby, I ain't
gonna get you No, rick Owens boots, get you a
new fridge. Let's start there. Like, but you pay attention to,
you know, a woman that you you're courting and that
you like, pay attention to conversation, things that she may
be talking about, looking at like that's how you get
the perfect git because that sentiment you pay, that's showing
how you pay attention.

Speaker 1 (01:30:45):
You remember like okay, cool, yeah, I'm gonna help you.
Like this is something that's gonna last. You know what
I'm saying, new Fridge, She's probably gonna outlive you. Okay, yeah,
so shit like that. That's what I would do.

Speaker 2 (01:30:56):
But like, well, we're wishing, we're wishing luck to this man.
Please keep us up there.

Speaker 1 (01:31:00):
He left two more voicemails, but we'll get into those.
May do that on Patreon or something. Yeah, we can
do that, because we because I but do we want
to say?

Speaker 3 (01:31:11):
Okay, so we'll zoom zoom room before he goes home
for the holiday, and the zoom Zoom Room after the holiday.

Speaker 1 (01:31:21):
To just check in on him and see how how
things played out. Bet that's cool.

Speaker 3 (01:31:25):
All right, baby Date, this has been real good talking
to you. We're doing this two more times this week.

Speaker 1 (01:31:32):
We are our Patreon. We're gonna go on a date.

Speaker 3 (01:31:35):
Finally, I'm taking you to the movies, baby, Finally, take
me to the fucking movies.

Speaker 1 (01:31:39):
All Right, we'll be back in a couple of days.
Be safe, be blessed. I'm that nigga. That's baby Date period.

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Episode 418 | Class Act

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 418 | Class Act