Episode 432 | Underrated - New Rory & MAL

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume. Okay, Ror, you can start talking whenever you're ready,
just chewing as Mr.

Speaker 2 (00:17):
He can beat off to it later.

Speaker 1 (00:20):
That can just be our cold opening right right there.
Matter of fact, that's how we start the episode, right
right what Jamaras said, Yo, I don't like some of
our listeners comments. Man, somebody said, since I got new teeth,
it looked like y'all cloned me.

Speaker 3 (00:33):
They've been calling you Chip Skylark, and that ship has
been frying me.

Speaker 4 (00:37):
Who's Chip Skylark?

Speaker 2 (00:39):
Old ass?

Speaker 3 (00:40):
It's the guy from Fairly O Parents. I know it's yep, I.

Speaker 4 (00:46):
Know who that is.

Speaker 2 (00:48):
Fairly Our Parents is a good show. Fairly Appearents is
my favorite cartoon all.

Speaker 1 (00:50):
Time, really over like Rocco's Modern Life rug Rats.

Speaker 3 (00:55):
Yes, it's my favorite all time. Interesting, that's a weird pic. Really,
I don't think. I don't think you're a little you're
a little older than me. Just a buy it tad.
So that's why some of those things were relevance.

Speaker 2 (01:11):
You Now, out of.

Speaker 3 (01:12):
All the cartoons, I watched drug Rats the most, right,
I feel like every person born in ninety four did.
But favorite was Fairly Appearance. Was hysterical to me.

Speaker 1 (01:21):
Yeah, I wonder if Amar is gonna want to watch
like if I throw on the rug Rats, if feel
like that, or if her brain is already wired to
like what Pepper Pig looks like?

Speaker 3 (01:30):
Coco melon is crack for kids? So do you let
her watch that? She's watched it a few times? She
picks on her iPad. Now what she wants to watch?
She found some like German cartoon.

Speaker 1 (01:44):
Yeah, like of all the languages, small all come on, bro, can.

Speaker 2 (01:50):
We blur that right?

Speaker 1 (01:51):
Like?

Speaker 4 (01:52):
Just blur it all? Right?

Speaker 1 (01:53):
Thank you?

Speaker 2 (01:55):
Yeah?

Speaker 1 (01:55):
So, like of all the language she should probably learn Spanish.
They teach a Mandarin that she started the K. By
the way, guys, I didn't know what three K was.
I thought he was a rapper, but apparently three K
is a thing?

Speaker 2 (02:06):
Was that a thing? When to anyone else? We called
it head start back in the day.

Speaker 1 (02:10):
Okay, well, she's not three yet, but she's already with
she's with three year olds. Okay, yeah, she she switched
more from daycare to like a real school.

Speaker 2 (02:19):
Oh, which reminds me. I owe Game an apology.

Speaker 4 (02:22):
Mmm, he pressed you?

Speaker 1 (02:23):
Huh No, I have not seen or spoken to Game
in quite some time. And matter of fact, last night
we spoke on sexon it was great. I should not
diagnose people because someone tried to diagnose my daughter and
I was ready to storm at that woman. Oh yeah
you did say that. She they you told us that
she did? I say it on Mike Yeah, okay, yeah,

(02:44):
well yeah, we switched out of there and pre diagnosis.
She's already ahead, she's with three year olds and she's two.

Speaker 4 (02:51):
But what did she try to diagnose mar.

Speaker 1 (02:54):
Adhd which you can't even have at her age? And
you're not a doctor, like you're just at a daycare.
Oh that's crazy, and listen, childcare we've talked about. I
don't understand how y'all do that job. You guys are incredible,
but you're not a doctor.

Speaker 4 (03:08):
A white woman. Yeah, how does that happen? Like when
as a white parent, when you see other whites white
we all go to the same meetings. But when when
a white teacher tries to like diagnose your white daughter,
what is it?

Speaker 2 (03:21):
What does that have to do with race?

Speaker 4 (03:23):
Point? I'm just saying because like I don't I never
really think all doctor should be Asian is I know,
I've never seen I've never seen like white people try
to diagnose like white kids at a daycare, usually they
do that the black kids, okay, like they usually like
they usually just think like all white kids are brilliant,
brilliant that day.

Speaker 1 (03:40):
I don't think that's how it works, you know. And
I think people with ADHD are brilliant in their own right.

Speaker 4 (03:47):
But I just see, I have a theory that we
all have ADHD. And you said that though I think
everybody was playing.

Speaker 1 (03:54):
That's a theory, and I just feel like technology has
forced all our brains to have it.

Speaker 4 (03:59):
I was about to say I had one of these
we all have eighty A.

Speaker 3 (04:02):
Yeah, No, y'all can be easily distracted, it's not ADHD.
I just don't want your to downplay ADHD. ADHD, No,
I have, I have ADHD. I'm spoking.

Speaker 4 (04:11):
I'm speaking from like a survivor standpoint, like I'm surviving
through this this. I don't know, I want to call
it a disease, but like, yeah, with this illness, I'm
not not an illness.

Speaker 1 (04:20):
With this ability, you're not only a spokesperson, you're also
a client.

Speaker 4 (04:24):
Yeah, I think we all have it, I hear, because
I don't think anybody can focus, like put on a
movie and just watch people like your friends, just watch them.
Just put a movie on. You're gonna watch a movie
and see who could actually really watch the movie.

Speaker 1 (04:37):
But that's the majority of them have phone addiction and
short attention spans. That's different and ADHD. What's funny is
I do have in my brain which I did even
talk to Key about this. If we put something on,
is it something that I can be on my phone
and watch or something I have to watch? I hate
I feel like you because some no, because I'm not
the person that is on their phone while watching something.

(04:58):
But is it one of those shows that I'm just
gonna have to stop everything that I'm doing to make
sure I can like get every detail or is this
something that I can, like, all right, I can check
an email and still be caught up.

Speaker 4 (05:10):
That means the show is not good if you do that.

Speaker 1 (05:12):
Some shows are just meant to just turn your rain off.
That's what reality TV is for, Like it's to turn
your rain off for a second. Everything needs to like
move your mind.

Speaker 3 (05:21):
No.

Speaker 4 (05:21):
No, if I'm watching Baddies, I can be on my
phone and watch Baddies at the same time.

Speaker 1 (05:24):
That's one of those phones off.

Speaker 4 (05:28):
I don't got to be super locked in to know
what's going on with baddies. I know who about to fight.
I know what they're fighting about. Somebody ripped somebody's wig.

Speaker 2 (05:34):
Like I come out, babe, what I miss? They fighting again?

Speaker 4 (05:37):
They still fighting out. I gotta understand.

Speaker 1 (05:40):
Speaking of which, I want to thank both you guys
all her fault. I'm on episode five. I cannot wait
to leave here to finish the entire series.

Speaker 2 (05:49):
You still have an episode? No, I had to know
good with shows. Yeah, I'll binge.

Speaker 1 (05:57):
I'll binge two seasons in one day if I can, Like,
I'll move from the TV, put it on my phone
while I'm doing errands, like I'm one of those people.
But I will say, and we're going to talk about
this for the remainder of the week, so no spoiler
alerts yet. It's one of the best shows I've seen
in quite some time. Told you it's incredible.

Speaker 4 (06:13):
It belongs in that same COVID year with the Undoing
Yeah and the Night of and Yeah, it's in that
like it feels someone. When I started watching it, I
was like, this feels like it should have came out
during the pandemic when we had all of those great shows.

Speaker 1 (06:27):
I was telling Jamarson TEXTI yesterday, putting Shiv and Sugar
together may have been the greatest casting call I've seen
in quite some time.

Speaker 3 (06:35):
Shiv would be Chevron from Succession in Sugar from the Bear.

Speaker 2 (06:40):
I didn't recognize.

Speaker 3 (06:41):
I recognized Sugar, but I couldn't figure out where she
was from, which means you're doing a really good job
at acting if I'm like, I know your face, but
I can't pick out the character.

Speaker 2 (06:49):
And I was like, oh, I.

Speaker 4 (06:50):
Know, it's a good show, and it's like a you know,
a thriller and drama and all these things. But one
time she was walking around the house, she had them
pants on. She was she was holding back. She asked, no, no, no, no,
me tell you. Did you watch Succession? Yeah?

Speaker 2 (07:02):
Yeah, shit been holding since.

Speaker 3 (07:03):
Season I wrote it in the group chat, and I
felt creepy, So I unscent it.

Speaker 4 (07:07):
You saw it.

Speaker 2 (07:09):
I wonder what that on top.

Speaker 3 (07:11):
I was watching it because and I felt real creepy
because it.

Speaker 2 (07:13):
Was like eight thirty in the morning, nine o'clock in
the morning.

Speaker 4 (07:15):
I was like, I was looking at as.

Speaker 2 (07:16):
I was like, man, shiit ass fat as fuck. I
don't even know.

Speaker 1 (07:21):
What we used to joke, you know those like quick
cuts they used to do in succession, like how the
cinematography is we used to joke. I wonder how many
times the DP just did that to Shiv's thighs. Yeah,
like sh they styled her so well in that show
that like they always picked pants that that held it
up too.

Speaker 3 (07:38):
It's looked like she got thicker when I was watching
it in this I'm like, Shiv got thick, Like ship
look good. I'm sorry, Sarah Snooky, Thank.

Speaker 2 (07:46):
You Sarah Snook.

Speaker 1 (07:47):
But to your point of Sugar and Shiv, like both
those people you think would be type cast because they
both have iconic characters and other shows, they don't act
like those characters at all. Yeah, all her fault Like
even like I think is a great actor, but Lawrence,
But Lawrence acts the same way and insecure as he
did in Top Gun. Yeah, so.

Speaker 2 (08:10):
You know he's a good act Like he's great in
the show.

Speaker 4 (08:13):
But then I definitely like, yo, Lawrence gotta go get.

Speaker 1 (08:19):
Maybe Lawrence is just that iconic of a character. It's
like you know how Laura's leave La and his flying
jets right, j ellis to.

Speaker 3 (08:25):
Actually, but even when I was watching him and all
her fault. I was just waiting for him to say, fuck,
that's I was just waiting for him to say.

Speaker 4 (08:34):
Yeah, he's forever, He's forever, Like that's.

Speaker 1 (08:37):
Well. I mean, this is the only spoiler I will
give because it's not that big of a pivotal part
of all her fault when you find out that Lawrence
is fucking sugar. In my head, I was like, Manas
was right, he dol like white girls.

Speaker 2 (08:50):
Stop.

Speaker 4 (08:50):
You tried to call it all into a whole new.

Speaker 2 (08:52):
Same universe. That was Lawrence.

Speaker 1 (08:55):
He just moved on, and it's all her faults. East's fault.

Speaker 2 (08:58):
That's the only problem with that show though.

Speaker 1 (09:00):
And I mean, Lu's probably gonna call me gay, but
that's not There's no way.

Speaker 4 (09:05):
Laurence, like, look at Lawrence. He's not dating an older
white woman. He's a good he's.

Speaker 2 (09:12):
A very good looking guy.

Speaker 1 (09:12):
I'm not saying, first of all, ship she is beautiful,
but I'm just saying, like they're not even in the
same age bracket.

Speaker 3 (09:19):
Well, Abby, Abby isn't old. They're probably he's probably older
than her. White people aged. Worst myself is what thirty eight.

Speaker 4 (09:27):
NOA she doesn't look that, she doesn't even look at oh,
you're being me.

Speaker 2 (09:31):
She don't even look at.

Speaker 1 (09:32):
Oh, well, the roles that they put her in, like
right there, she doesn't it looks amazing. But when they
make her sugar and make her uh least leah, like
they're trying to make it look like a she's like
an old addict on that show.

Speaker 2 (09:44):
So they made her look like a younger sister.

Speaker 3 (09:46):
Yah, you're funny, is bro. I'm crying, but I don't know. Huh,
great show, great show.

Speaker 1 (09:51):
I'm so glad you guys haven't spoiled anything. I do
not know if we owe the husband in apology or
he's the biggest sol I want to talk.

Speaker 2 (09:58):
Because yeah, yeah, for you to get here.

Speaker 1 (10:00):
Yeah, anybody used to have a bunch of theories. Now
I'm kind of I have none. Everything they try to
make it seem like it's going to be something. I mean,
at the end of the day, I just think the
adopted mom did everything.

Speaker 4 (10:12):
See that I'm dooing. I ain't gonna like I was
on the side of the sun. Did it at once
and not undoing? I'm sure it was yea, yeah, I
think you yelled it out.

Speaker 1 (10:19):
I thought the person they passing the sidewalk did it?

Speaker 2 (10:21):
I thought Extra number three did it.

Speaker 4 (10:22):
I can't wait to finish this though, so we could
really talk about it.

Speaker 1 (10:25):
Is it just one season? Yeah, it's like a limited series, right,
or does it? And where it looks like it could
be a season two?

Speaker 2 (10:31):
No, it's a limited series.

Speaker 4 (10:33):
Okay, sure, I don't see them bring a season two
for this.

Speaker 2 (10:36):
That's what like.

Speaker 1 (10:38):
I like limited series because I go in with the
expectations that I know will get a conclusion. I can
move on with my life. I hate when you get
to like season three and season four isn't get picked up,
and it's just like, why did we do this?

Speaker 4 (10:50):
Now?

Speaker 1 (10:50):
Now my whole life is fucked up because I'm thinking
about what's going on.

Speaker 4 (10:52):
I'm still never letting go to Messiah. I'm sorry. I'm
gonna bring that up every time we talk about great
shows that never got a season two.

Speaker 1 (10:58):
I couldn't get the first EPISO, so was cool. I
was just waiting for it to pick up.

Speaker 4 (11:02):
On the Messiah. Yeah, you know, you only watch one episode.
Oh you can't this conversation, you gotta watch it. You
have to watch that season. That's one of the best
shows that they just canceled because people were offended that
they were trying to depict the Messiah and all, yeah,
like what's what the fuck are we talking? Wait, Jesus,
we don't know. We didn't get a season two. Oh

(11:23):
so oh we don't know. We do not know. This
is the problem here, This is why we need a
season too. We have questions.

Speaker 1 (11:31):
It's like when they opened the tomb and there was
nobody three days, like we were going to season two
is in the tomb?

Speaker 4 (11:38):
Yeah? Man, they would cancel season two because people are offended.

Speaker 3 (11:41):
That's how I feel about love Craft Country though, Like yeah,
that look that was heartbreaking, like bro Emmy nominations, Critical acclaim,
everything like cult fan favorite and y'all canceled it? God
was it was telling the truth about ship might back.
People will stepping into their power.

Speaker 4 (12:00):
Yo, what do y'all feel about the Diddy Dock being
number one in forty nine countries? That shit is like
robbling like Stranger Things numbers and this. We can say
what we want, but that shit is doing some incredible
shit on Netflix. That's all I'm saying. Shut out to
fifty and the team, like, listen to how you feel

(12:21):
about the dock is how you feel? And what a
on Tandra Stranger Things, Yo, listen that. Yeah, it was
real stranger things like that is like listen number one
in forty nine countries, bro, say what you want man,
That's that's some incredible shit they did.

Speaker 2 (12:36):
I just saw.

Speaker 1 (12:38):
Torre had brought up something interesting because you know that
clip that we've all seen for years of big saying
you know, I feel PARANOI, I feel like someone's gonna
kill me. Yeah, and then then in the dock they
cut right to March ninth, nineteen ninety seven to make
it look like so I was like, Yo, I did
that interview with him before the first album. He's talking
about the streets, he's not talking about puffies, about the industry.

(13:01):
He's scared, he's selling drugs and he's terrified someone's going
to kill him. So, yes, that doc has so much
factual shape. But how they manipulated a lot of that, yeah,
should be studied of how like that's what worries me
sometimes too, especially like we see it now with Twitter
and hip hop. Now, just like all these young kids
that know nothing have all these strong opinions.

Speaker 2 (13:23):
In forty nine countries, there's a lot of people.

Speaker 1 (13:24):
That are getting a lot of misinformation and this is
their first time being introduced to this story, like huff
didn't kill Tupac, and now that's a narrative.

Speaker 4 (13:33):
I remember, what's the guy's name from TMZ Dan No,
not Van, Harvey, Harvey.

Speaker 1 (13:40):
Oh you know it even Harvey Levin. No, no, Harvey Kaitel.

Speaker 4 (13:45):
That's acting. That's the actor, Harvey Levin, right, Harvey Levan.
He's a great he's a great. Shit up. He was talking.
I saw a clip of him talking about the fact that, uh,
you know, in the dock some of the footage of
did he talking to his lawyer? He was like, he
can't believe that that's in it, Like, why would did
he even record that? Yeah, I told you my theory

(14:07):
that he was like, it's like lawyer, it's like client lawyer,
I mean lawyer client, Like you know, privacy privilege.

Speaker 2 (14:15):
Even in jail, nobody can listen to your commisation.

Speaker 4 (14:18):
Like the fact that he was recording that and didn't
tell his his lawyer that he was recording those conversations.
Oh yeah, you know.

Speaker 1 (14:25):
That could have really be ensued by your own lawyers
would be funny.

Speaker 4 (14:30):
I just thought. But even even in watching the doc
I did like things like that. I was like, I
don't know if the camera should have been rolling right there. Yeah.

Speaker 1 (14:36):
And speaking of Harvey Levin back to our Kardashians versus
the Kennedy's conversation, TMZ is also tied to the Kardashians. Like,
the first case that Harvey Levin even really covered was
the O. J. Simpson trial to like get his name
out there. So the more I thought about it after
our episode, I yeah, it's rothschild Kardashian and then Kennedy.

Speaker 4 (15:00):
Well, what's the head of the DuPonts made somewhere in there?
What's the head of the Health Advisory? What's his name?

Speaker 1 (15:06):
Luigi?

Speaker 4 (15:07):
No, what's the Kennedy that's the head? Is a Robert
rfk R k Jr. What is his role again, I'm.

Speaker 1 (15:13):
Sorry, head of vaccines or something?

Speaker 4 (15:16):
Head of vaccine, head of vaccines. No, he's the Secretary
of Health and Human Services. Did y'all see the video
going around him doing twenty pull ups yesterday? No, it's
impressive a guy his age like being able to do
twenty pull ups.

Speaker 1 (15:34):
Listen, man, I just recently found out he's married to
Cheryl from Curby Your Enthusiasm, So.

Speaker 4 (15:39):
Really, yes? Oh, shit, I didn't know that simulation. In
a simulation, I swear, nothing makes sense. Man, while we're here,
congrats to our guy, my son Mondamie just appointed him
as the criminal Justice Advisor for New York City. And
I don't like them, man, I don't like how they
did my guy, my son and all, Like every single

(16:02):
headline is ex con rapper, Like, yes, my son go
to jail, but the amount of things my son has
done since he's gotten out of jail.

Speaker 1 (16:11):
Enough he should just be labeled as x con.

Speaker 4 (16:13):
You know, they got too, you know, they gotta do that.
They got to try to make the correlation. He's a
I mean I think that I think that that's a
stat though. Yeah, but yeah, put that on the paper,
put that on an x con, and now I am
the head of who would understand justice more than an
ex con? Yeah, Like, I think that's I saw people
that was kind of like, damn, they fucked up for that.
I'm on the opposite side of that, man, Like, look,

(16:36):
how look how much somebody can change? Look how far
somebody can come? Pause? Look how you know that was crazy? Like,
y'all gotta start respecting the pause, man, you gotta say
Pauls first. Yeah, but I'm just saying I didn't realize,
you know, in a minute. Yeah, anticipate you know what
I'm saying, how crazy that was gonna land. But anyway, yeah,

(16:56):
I think that was dope though, for them to put
that on the page, like, yeah, I am an ex con. Yeah,
and now look what I am. So shoutut to my song.
Another bronze leedgend worry. I'll know that of course. So yeah,
shout out the my song. Shout out to Mom Donnie
for just going in there and just doing shit different.

Speaker 1 (17:10):
Man. Fuck it, that's what I'm about. Fuck all this
shit up.

Speaker 4 (17:12):
Do everything higher, everybody, give Tasha Kate ahead of something.
Put all of them in there, ahead of the post here, yeah,
put all of them in there. Let's just see what
page six. Let's just see where ship lands. Man, that's
what I'm on. Let's just see what ship lands.

Speaker 1 (17:28):
I'll take this because I know my son does have
very good intentions. I'll take that over Eric Adams giving
his side check, corterating salary just to show up, sorry,
no show job. Yeah, just to list how much you
think they're paying my song. I'm sure we can. I
mean it's our tax dollars they have to tell us.

Speaker 2 (17:45):
But yet I don't know.

Speaker 1 (17:46):
What that that job usually offers you?

Speaker 4 (17:49):
Who and can we find out who held that position
in the last uh the last term?

Speaker 1 (17:55):
That's the chief of police probably. I just want to
see something, you know.

Speaker 4 (17:59):
Like, I've never even heard of this position in the
you know, in the city. So I'm just I just
want to know who was the last what is it,
head of criminal.

Speaker 2 (18:09):
Criminal justice advisor. I don't know if it was really
a role.

Speaker 4 (18:12):
Who was the criminal justice advisor underneath the Eric Adams administration.

Speaker 1 (18:18):
I mean, listen, it makes more sense than making Ben
Carson the head of urban development. He's a doctor of housing.
Whatever the fuck he did.

Speaker 2 (18:28):
I don't know.

Speaker 1 (18:28):
I love that our government could just make up fucking
titles and get people ship.

Speaker 4 (18:32):
What if we find out that Eric Adams girlfriend that
was her position last last term she was.

Speaker 1 (18:37):
That would make sense though she was the head of
it would make sense. It would make sense because the
crypt population is tripled.

Speaker 2 (18:42):
In the last three years.

Speaker 4 (18:45):
Everybody is completely different.

Speaker 2 (18:49):
The crip population.

Speaker 4 (18:50):
It was just bloods now, it's it's running rampant with
the ops. Yeah.

Speaker 1 (18:55):
Anyways, what what do we have on today Today's list
before my son cleans our city up.

Speaker 4 (19:04):
Maul.

Speaker 1 (19:04):
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That's it.

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Speaker 1 (21:04):
So, I don't know if y'all seen with that clip
where we were talking about all the underrated albums from
twenty eleven, like it being an underrated year of music
is going crazy? Like yeah, still no, it's like bled
over into my personal life where friends are just calling
me to debate years of hip hop because I think a.

Speaker 4 (21:20):
Lot of we must never know what conversations are going
to take, Like how was that that?

Speaker 2 (21:24):
Yeah, that's going crazy.

Speaker 3 (21:25):
Our most viral clip is if you're talking about pepsi,
you really never Yeah.

Speaker 1 (21:28):
But that's why, Like when people would ask me for
advice on podcasts, there's remarking this and that. I used
to give them answers. Now it's good, but I have
no idea. I have no idea what's gonna work. I
don't know them all. Hating pepsis is the reason why
people tune into our podcast apparently, and.

Speaker 4 (21:45):
The reason why we can't get a pepsi spot.

Speaker 1 (21:47):
I think I think I was even debating that's a
stupid clip. We shouldn't even put that out.

Speaker 2 (21:54):
It's going to even la like even want to listen
to that.

Speaker 1 (21:57):
Well, Yeah, No, I've been debating a lot of my
friends just on the phone about years, and I've noticed
a lot of my friends from Mall's generation have been
arguing ninety eight to me, which I makes total sense.

Speaker 2 (22:11):
I've alway understood nineteen ninety eight being there, But.

Speaker 1 (22:14):
I kind of feel like I can argue my era,
Like I think five is super underrated.

Speaker 4 (22:19):
Oh five might be the worst she in rap.

Speaker 1 (22:21):
It was definitely a very strange fucking time. Yes, snap
music was taking over. I think that was probably when
Nas decided that he wanted to titles album hip Hop
is Dead. It was a very very strange time. But
if you go to five, like, there still was great
albums at that time.

Speaker 4 (22:38):
Lady Registration and Documentary Okay, two for two, b Common.

Speaker 1 (22:42):
Okay, Incredible, gz TM one on One, Classic You Said Game, Documentary,
Massacre Carter two, Little Brother Minstrel Show was one of
my favorite albums ever.

Speaker 2 (22:52):
Like five, az A Wall was crazy.

Speaker 3 (22:55):
I'd like to shout out Certified by David Banner because
play is one of the greatest songs of all time.

Speaker 1 (23:00):
Yeah, I was. I was just texting with with Royce yesterday.
David Banner might be one of the most underrated producers
that we have if you go through his catalog. We
need to give David Banner way more flowers anytime he
gets brought up. We should continue to do that.

Speaker 2 (23:15):
But that's a side note.

Speaker 1 (23:16):
I don't I think five yes was hip hop and
probably one of the weirdest places ever. Did look like
it was going in a completely different direction, but you
still get Tony Ao thoughts of a predicant Fellain. That
is a straight album. Little Kim to the Naked Truth.

Speaker 2 (23:31):
What was the single on that was?

Speaker 1 (23:34):
It?

Speaker 2 (23:34):
Was it put your Lighters Up?

Speaker 3 (23:36):
Light?

Speaker 2 (23:36):
I was about to say, was it lighters up?

Speaker 4 (23:38):
Yo?

Speaker 1 (23:38):
Little Kim had some joints when I was in high school.
Like people give her her nineties run, but they failed
to mention the two thousands that she had. But yeah,
I have five as one of my favorite under rated
years of hip hop.

Speaker 4 (23:56):
Yeah, looking at this list, that was It's made me
six on there. That's worth going back to.

Speaker 1 (24:03):
Paul Wall Peoples Champions a great album. Bun be Trill,
great album.

Speaker 4 (24:07):
There's a lot of shit jeezy okay, one on one,
Oh Bean's dropped that year.

Speaker 2 (24:14):
Yeah, B by Common is a very important album too.

Speaker 1 (24:17):
By the way, that is a certified classic album without question.
I think despite the radio sounding fucking insane, this was
an incredible year.

Speaker 4 (24:27):
Very about it's some good. I mean this was the
documentary to become in Carter two. I mean it's that alone.
It's definitely some some some great albums right there.

Speaker 1 (24:40):
How like, I haven't really thought this through, and I'm
not even trying to do like.

Speaker 2 (24:43):
Shock value takes here.

Speaker 1 (24:45):
How upset would your generation be if I thought maybe
two thousand twenty ten could rival in nineteen ninety to
nineteen ninety.

Speaker 4 (24:53):
Nine the year two thousands, Well.

Speaker 1 (24:57):
I guess it would be two thousand and nine. Then
I can two thousand and two nineties versus two thousands.
I think, yes, the nineties probably get you there with
absolute classic albums, but I think it's closer than people
would would think.

Speaker 4 (25:13):
I don't think so.

Speaker 1 (25:14):
I think the nineties is the greatest ever in music
ever period or just hip hop, hip hop fair and
R and B.

Speaker 4 (25:25):
Definitely R and B.

Speaker 1 (25:26):
Definitely R and B Yeah, you're not wrong with R
and B, so now you're not so much so now
you're talk about hip hop in the nineties.

Speaker 3 (25:33):
As far as albums, Yeah, it depends on what kind
of hip hop you like, what your preference of hip
hop is, because if you want just straight hip hop.

Speaker 2 (25:41):
Yeah, Like there were a couple of fact that y'all.

Speaker 4 (25:43):
Got the snap era in from two thousand, two thousand
and ten. That's in there, y'all lose, but.

Speaker 2 (25:47):
The snap era didn't.

Speaker 1 (25:48):
Like that was singles like that that invented the ringtone,
that invented what became streaming of a single. Like, there
were still great that people were still making great albums
in the two thousands.

Speaker 3 (25:57):
We still had the rap with the singing hook, Like
that originated in the nineties, but it really jumped off
in the two thousands, and I feel like that's such
an important part of hip hop. I feel like it's
what hip hop is missing now, honestly. But the rap
with the singing hook, that's that's two thousand shit heavy.

Speaker 1 (26:17):
I would even know about that.

Speaker 3 (26:19):
Like I said, it started in the nineties, but that
was the thing in the two thousands.

Speaker 4 (26:23):
You definitely listen to more music from the nineties than
you do from the two early two thousand and rap
no period in your life.

Speaker 2 (26:29):
No, I don't, I don't.

Speaker 4 (26:30):
I can name two Janet albums that you bang from
the nineties top to bottom, Whitney Album top to bottom,
Mariah Carey top to bottom.

Speaker 3 (26:40):
Okay, right, we'll be doing okay. But I also listened
to a lot of two thousands R and B.

Speaker 4 (26:46):
You listen to singles, No, listen.

Speaker 2 (26:48):
I listened to albums I have, Destiny's Cat.

Speaker 3 (26:53):
I was gonna say my top three favorite albums are
from the two thousands, like R and B albums The
Emancipation of Me, Me, Channel, Orange, Offer You by Janna Jackson,
and Destiny Fulfilled by Destiny's Shout. Those would be in
my top five favorite albums all all of.

Speaker 1 (27:08):
Those are from the two thousands, Yo, Voodoo, Who Is
Jill Scott, Mama's Gun, Songs in a Minor, Lovers Rock
eighty seven oh one, maybe The Diary of Alicia Keys Uh,
the Aliyah album Get Lifted, John Legend.

Speaker 2 (27:24):
Don't see why.

Speaker 4 (27:27):
I don't like that. I don't like that.

Speaker 2 (27:28):
I don't like that.

Speaker 1 (27:29):
I don't like that Get Lifted as a classic album,
Dream Love, Hate, shit Neo's Hole catalog justin future sex
love sounds come on, Like what are we talking.

Speaker 3 (27:40):
Chris Brown's first album, which I still to this day
think is his best album, or at least one of
the top three, Like what we're doing.

Speaker 1 (27:47):
I also hate doing this though, because like as much
as yeah, I do like agree that ninety eight is
probably the best year of music. I was also eight,
like I do remember it, but like Maul can speak
more to that than I can, like to me, I
have two thousand and three above it just because I
was thirteen and like really actually remember it and went
and bought those CDs. I had to really go back

(28:09):
to appreciate ninety eight, like Volumec was one of the
first albums I bought, But like I don't know, I was.

Speaker 2 (28:18):
I was young. What do you I had no life
experience trying.

Speaker 1 (28:22):
To listen to Capital Punishment, I don't have like a
connection of like I was outside with that, but like
get Rich, I was outside.

Speaker 3 (28:30):
What do you remember about ninety eight in music? More
like what did it feel like outside?

Speaker 2 (28:34):
Was it hot?

Speaker 4 (28:35):
Was?

Speaker 1 (28:35):
Like?

Speaker 2 (28:36):
What it about like.

Speaker 4 (28:39):
Dark?

Speaker 3 (28:41):
No, because I remember twenty sixteen, I remember when the
air felt like when fucking the Life of Pablo dropped, Like,
what did it feel like in ninety eight? What albums
do you remember? Memories do you remember from that time.

Speaker 4 (28:52):
I mean, when Jay dropped Hard Knocked Life, I think
that was a obviously Jay was you know, he was
making noise and he was he was, he was hot
before you know, Hard Knocked Life. But when that Hard
Knock Light, when the songs dropped, not even an album,
when the song dropped.

Speaker 1 (29:09):
You were one of the kids in the chorus, right, no,
fuck you you could.

Speaker 4 (29:14):
You could literally From that point on, you can see
how music business, like a lot of things changed because
that was the beginning of Jay's ascension into like becoming
a superstar and then becoming a mogul and things like that.
Based off of that one song like that, the Hard
Knock Life song changed Jay's entire trajectory. But then you

(29:35):
also had DMX dropping I think two albums that year.

Speaker 1 (29:39):
YEP number one it was.

Speaker 4 (29:42):
You know, we don't talk about him no more, he's
XI from the culture. But the R album R Kelly
with that did that year Juvenile and with you know,
cash Money started doing around that time. It was just
a it was just a Lauryn Hill The mistagic Cation
album came out ninety eight, that little mixtape, Yeah, just

(30:02):
a little little something shit put together just to feed
the streets. Like that was that was a year of
you know, these are legends that we're talking about that
all dropped and was in the ecosystem that year. Brandy
Never Say.

Speaker 2 (30:14):
Never, That's my favorite Brandy album.

Speaker 4 (30:16):
Yeah, Like it was just the music and then not
only the music, something else that we don't really pay
a lot of attention to videos the way videos started
looking around ninety eight ninety nine, that's when you started
to see, like, you know, our cultures was like these

(30:37):
are superstars. You started seeing them on the trls and
things like that, and different network seeing them. You know,
if it was like an MTV beach House thing. You
see a bunch of white kids on spring Break like
dancing to like Dmax and Jay and these guys, and
you're like, what the fuck, Like everybody fuck with these dudes.
So ninety eight was definitely a pivotal year in the

(30:59):
cultures music, but also I think business too, Like around
that time, you know, people started to really pay attention
to their brands and wanting to do things outside of music,
just like everything. Just the energy shifted in ninety.

Speaker 2 (31:12):
Eight, wasn't it Black Stars ninety eight two?

Speaker 1 (31:14):
Right?

Speaker 2 (31:15):
Mostefan quality probably.

Speaker 1 (31:16):
Just looking at that list though outcast equimin I Lauryn Hill,
Big Pun, jay Z, two DMX albums, Juvenile Brandy. Yeah,
that that's a wild three hundred and sixty five days. Yeah,
that's like you may go broke going to the fucking
CD store for that. But I mean, oh three again,
it is just probably more I mean demeriics. We're four

(31:37):
years apart, so oh three, that may be actually a
big gap for us because I was thirteen.

Speaker 2 (31:42):
I was in third grade.

Speaker 4 (31:43):
Yeah, the marriage, don't know what two thousand and three was.
You knew about all the new snacks, which she ain't
no nothing about no music though.

Speaker 3 (31:50):
Okay, so don't don't do that, don't so what I
what I remember about three?

Speaker 2 (31:56):
Right?

Speaker 3 (31:56):
My favorite jay Z album is the Black Album, Okay,
And I don't want to make this the whole cast,
but that introduce I would say that that I don't
want to say introduced me to hip hop, right, because
I grew up on hip hop. My dad was a DJ.
The way my dad played that album that introduced me
to a love of hip hop that the Black album

(32:16):
is probably the first hip hop album I can recite
from tops. I was able to recite from top to bottom.
Like you said, I have a very special connection to
the album because it never stopped playing. And then when
the fucking the DVD with maul in it that one,
Yeah we gave malt whatever that that that one is
he gave you to key City or whatever.

Speaker 2 (32:37):
Yeah, Rory always.

Speaker 3 (32:39):
Jokes around that like, yeah, I remember my dad saying
Joe j is retiring this Like I remember like.

Speaker 1 (32:48):
That, like yeah to me, to me like that was
to me, I'm sure I could be debated.

Speaker 2 (32:55):
It felt like first superstar.

Speaker 1 (32:57):
Rap album of all time, Like Jay became a superstar
at that time in my opinion, and I like, yeah,
I hadn't seen that, Like yeah, with the we went
to the theaters to watch Faded Black, Like it felt
like the first superstar thing hip hop had to me.

Speaker 2 (33:11):
I know people older than me.

Speaker 1 (33:13):
Maybe call me crazy, but to me, it was like, oh,
this is this isn't just something I like the whole world,
Like my mom knew what the Fade to Black movie was,
so yeah, oh three kind of felt like that Shift.
But just at thirteen, I got Get Rich ja Z
Black Album, TI Trap Music, Outcast, Speaker Box, Love Below,

(33:34):
Diplomatic Community, Diary, Releasa Keys, Dangerously in Love. I mean,
he's cancel from the culture. But Chocolate Factory might be
the best Arclly album, Like there was just a lot
that year. Ludicris, Chicken and Beer is a personal classic
to me, trying to think what else.

Speaker 4 (33:52):
According to hip hop, that's the hip hop oracle.

Speaker 2 (33:55):
I mean to me that he defines hop.

Speaker 4 (33:58):
Ninety eight to old three is JASP so that that
makes sense. Ninety eight We all knock Life. O three
was the concert fade, the black coming off the blueprint,
Like yeah, that for sure he's a piece of shit,
but that all Kelly J shook that part of the show.

Speaker 2 (34:15):
And wearing white and all that. Oh my god, I see.

Speaker 4 (34:19):
I was there.

Speaker 1 (34:19):
I was.

Speaker 4 (34:20):
It's a difference when you watching it and when you
was in the garden that night, Like that energy in theaters.

Speaker 1 (34:25):
I was like, holy shit, how do I get a
white jacket?

Speaker 4 (34:27):
That energy was like insane, like them just standing on
stage like not saying nothing, all white like that image
that moment was like, that's when to me one of
the moments in hip hop where it was like, damn,
you could really be from the hood and become a
star and this shit. Yeah.

Speaker 1 (34:48):
My favorite moment of that movie is when slick Rick
has the pillowcase and it's given all his jewelry to
ghost Face so he go perform Summertime with Beyonnest. Yeah,
that was like the coolest shit I've ever seen my life,
slick Rick just pulling up like yeah, yeah, I got
you and just giving him all the jewelry.

Speaker 4 (35:04):
Crazy great time and music.

Speaker 1 (35:06):
It's gonna sound crazy, but Bad Boys two soundtrack was
also three.

Speaker 4 (35:10):
One of my.

Speaker 1 (35:11):
Favorite Shakey Tail Feather with someone Else that was canceled,
someone else that was canceling shake your Tail for.

Speaker 2 (35:17):
Who's Murphy lean Nelli and Diddy?

Speaker 4 (35:20):
I think that reckons fire, Shakey Tail feathers.

Speaker 2 (35:25):
Amy Whinehouse, Frank we Got No. Three?

Speaker 1 (35:27):
Oh wow? Yeah, I was a year that oh shipping
Neptune's clones. I mean, I know Mall was definitely bumping
Genuine and the Senior. It's his favorite Genuine album, Bubba
Sparks Deliverance. I'm not making jokes. This is a really
good album, nahmate. Marcus Houston don't play. Oh yeah, fab
Street Dreams O three O Man three is up there?

Speaker 2 (35:52):
Did Cheetah Girls album came out.

Speaker 4 (35:53):
In A three? Yeah, we wasn't bumping that. See how
excited you got for that? Yeah, that's all she got.

Speaker 1 (36:00):
Accept Come on, now's going hater's going hate.

Speaker 4 (36:05):
I'm not. That just wasn't in our like you know,
we didn't just a hater. Now. We didn't play that.
We just didn't. We didn't get it. Ball balls playing
Destiny's Child though they were they were. They try to
make like the man that's Cheetah Girl esque.

Speaker 1 (36:20):
No, nigga, I'm sorry. We were bumping Cheetah girls. We
were bumping Cheetah girls like that was at thirteen. I
had ship at thirty five. I still crushes on all
three of them. But it was four of them for you.
You conveniently forgot the white one didn't drop brother. No,
she was in the movie, but she wasn't in the
group when they put music out.

Speaker 4 (36:38):
Yes she was.

Speaker 2 (36:39):
Oh, I don't know.

Speaker 1 (36:39):
I don't think when they were actually three l W
they that girl wasn't in. There was only three lgb's
not in three three Little Women. But neither is Raven
Raven's not in three W either way? Is it?

Speaker 2 (36:53):
One girl from Cheetahir two Girls and Cheat Girls?

Speaker 1 (36:55):
Yeah?

Speaker 4 (36:55):
Three W?

Speaker 2 (36:56):
Yeah, didn't Cameron right? Like the hit record three W
you fucking Lion?

Speaker 1 (37:02):
I swear to God, I think Cameron wrote Wait, Cameron
three l W.

Speaker 2 (37:08):
It's funny when you find out, like.

Speaker 1 (37:11):
Yeah, Cameron wrote no more for three wises that came computers.
If you really listen to that flow that's broken promises,
you think there's a reference track of Cam absolutely promises.

Speaker 2 (37:30):
In different numbers and numbers.

Speaker 1 (37:36):
You get Cam.

Speaker 4 (37:38):
Yo.

Speaker 3 (37:41):
Oh man, that's how Now I gotta look at what
else camun rolle?

Speaker 2 (37:45):
Like yeah again.

Speaker 1 (37:47):
It's just funny hearing those stories of like Nas writing
big Willie style fifty writing puffs verse on Let's get it,
like one of the most iconic Diddy verses, just a
young Curtis Jackson crazy my name is Diddy, I run
this city that he went.

Speaker 4 (38:04):
To now executive producing the records. It's just crazy is life?
Life is just it's awful circle it comes back, man, So.

Speaker 2 (38:12):
Maybe they should have Cameron on the view. Isn't she
on the View now?

Speaker 4 (38:15):
One of the girls from Yeah, Adrian Adrian Balon. Yeah,
she's tholen the View. I thought they switched that cast
so much. I don't know who's on the View no
more Cam was on. Cam wrote part of Crush on You.
I low Kim.

Speaker 3 (38:28):
He has writing credits Crush on You and Gone by
Kanye West. Well, I mean he's wraps on it.

Speaker 2 (38:36):
Vieta makes sense. Sorry my bad. I think I think
he's writing credits on Purple Hayes too.

Speaker 4 (38:43):
Camp. Maybe to have that come home with the album
depends all over that.

Speaker 1 (38:53):
So yeah, I think I think we made a good
case that twenty eleven can hang when it's not brought
up the way. Like I'm even looking at Complex, which again,
greatest publication of all time until they take us off
a list. I don't even think they put twenty eleven
on their top twenty, and I think that shit could
be in the top five. So we cracked the code

(39:14):
on that one.

Speaker 4 (39:15):
It's not enough in twenty eleven.

Speaker 1 (39:17):
To not make the top twenty.

Speaker 4 (39:20):
Let me see take Care Wash the Throne on section eighty,
Section eighty, Okay, what else we got up there? See
that it gets not.

Speaker 1 (39:33):
Still there because you get you have take Care Watched
the Throne. Sean finally Famous Loupe Lasers Beyonce four, Like
we went through the clip that one viral. Rihanna talked
that talk Weekend Cocaine eighties Frank Ocean, like it's it's there.

Speaker 3 (39:48):
I'm going to bring this way by Lady Gagai, which
is like, well revered.

Speaker 1 (39:53):
I'm not saying that it needs to be top three,
but the fact that Complex doesn't even have it on
its top twenty is like.

Speaker 4 (40:00):
Yeah, those with those albums you just named alone, that
could be.

Speaker 1 (40:02):
That's one that's in the same Yeah, But I mean,
I guess I don't know. Everyone just says ninety eight,
I'm going to three just because of my age. But
I was kind of mad my birth year wasn't on
this ship. Well, my year was trash and.

Speaker 2 (40:14):
Shit going on, including your birth Like was it like
what nobody was.

Speaker 4 (40:18):
Going on even when you was born to a lot
of women ship during child Wait, let's see who, Let's
see who has the best birth year out of all
three of us, because.

Speaker 2 (40:27):
I feel like, are you here comes the fucking my
birth year going to smoke you? Nigga?

Speaker 3 (40:32):
Hard?

Speaker 1 (40:33):
Was you born ninety four? Saturn rising at the time?
Just tell us why yours would be. Actually, ninety four
is number one in the complex. Yeah, yeah, all right,
so you're eighty one, right, yeah, all right, let's eighty
one nineteen ninety four Jamarus is without me looking.

Speaker 2 (40:48):
I feel like Damarrius is probably gonna clean us the
fuck up.

Speaker 4 (40:51):
Only seven albums came out of Age oh gosh, not
just hip hop.

Speaker 2 (40:56):
Yes, took a while to press those albums.

Speaker 4 (40:58):
But only seven albums came out of nineteen eighty one.

Speaker 2 (41:02):
Okay, so eighty one we want.

Speaker 4 (41:05):
All right, we got face value? Phil Collins, All right,
I'm in the game, got Phil?

Speaker 2 (41:10):
What's on that Phil album?

Speaker 4 (41:12):
Face Value? Yeah?

Speaker 2 (41:14):
Was that?

Speaker 1 (41:14):
Because was that one of those Phil albums?

Speaker 4 (41:17):
Like I feel like if one more Night is on there, okay,
then yeah, I guess. Oh god, in the Air of
the Night nineteen eighty one, one of the greatest songs ever,
one of the greatest songs ever came out the year
I was born.

Speaker 2 (41:31):
That might be the greatest song for one of.

Speaker 4 (41:33):
The greatest songs ever, in the Air of the Night.
See it was something in the.

Speaker 2 (41:36):
Air to night when I read some Street Songs by
Rick James.

Speaker 3 (41:38):
Was the album that came out and that was that
has freaking and give it to me, baby on it.

Speaker 1 (41:43):
So Luther Van Jos Never Too Much came out ninety
eighty one.

Speaker 2 (41:46):
Yeah, so yeah.

Speaker 4 (41:48):
I mean, I'm feeling like eighty one was the greatest
year in music. That's why, just how I'm feeling that.

Speaker 2 (41:51):
That's just how you feel.

Speaker 4 (41:52):
That's just how I feel right now.

Speaker 2 (41:54):
What's on the earth?

Speaker 1 (41:55):
Winding Fire raised out off hand, I don't know, and
Stevie Wonder hotter than July.

Speaker 4 (42:01):
Come on, man, one of the greatest artists ever. I'm
saying eighty one was a great year. It was a
great year as far as uncncerned. We got some important
albums from some important artists in nineteen eighty one.

Speaker 1 (42:12):
Oh wait, hold on, Gap Band three came out, then
too Yearning for Your Love came out in nineteen eighty one.

Speaker 4 (42:18):
All right, that's cool. Some great songs, some song great artists, all.

Speaker 1 (42:23):
Right, roy or what ninety one, ninety ninety Oh fuck,
go to yours?

Speaker 2 (42:27):
All right? Let's go? Uh lb Devaux Poison okay?

Speaker 4 (42:30):
Hell?

Speaker 1 (42:31):
Cool j Mama said, knock you out? Okay, Coolgie. Rap
Wanted Dead or Alive one of the most underrated rap.

Speaker 4 (42:35):
Albums, America's most wanted ice Cube.

Speaker 2 (42:38):
Damn Brand Nubian one for all.

Speaker 4 (42:41):
See, but that's not fair because by that time, hip
hop was a little older. So it's like, you know
what I mean, it's hip hop was still so young
when I was born. It was like, see what I'm saying.

Speaker 2 (42:53):
Mm hmm.

Speaker 1 (42:54):
Johnny Gill self titled album not even kind of weird,
but I'm all right, I'm all right here.

Speaker 4 (43:01):
Now you got some good albums though.

Speaker 1 (43:03):
Okay, now go to mind, please thank you, ninety four,
Ready to Die.

Speaker 2 (43:08):
Like what we like?

Speaker 4 (43:09):
What we doing like, Ready to Die.

Speaker 1 (43:12):
Outcast, Southern Playlistic, cadialag Warren g Regulate, Gangs are Hard
to Earn, Common Resurrection.

Speaker 3 (43:21):
Yeah, age ain't nothing but a number of crazy sexy cool,
Black Streak, Branchy, super Tight.

Speaker 2 (43:27):
Come on, I'll get up on it by Keith Sweat.
Mariah's Christmas album My Life Mary Jay came out.

Speaker 4 (43:32):
Oh yeah, no, it's not even close. That's that's Above
the Rim soundtrack, the Best of Saday. Yeah, that's one
of the best. Man, Crazy Sexy Cool came up. Yeah, yeah,
what were doing? Yeah, that's that's a lot of ship.
That's let me know what we're doing.

Speaker 1 (43:46):
Yeah, that's too many, that's too many records. You bragging
when Maul was the only one listening to those albums
in nineteen ninety four, You and I were, Yeah.

Speaker 4 (43:52):
That's what I'm saying. I could speak to it, like
those are some classic.

Speaker 2 (43:55):
Album Rhythm of Love, Anita Baker, the fact.

Speaker 4 (43:59):
That Madic, Ready to Die, Crazy, Sexy Cool, Like, those
are like three iconic albums.

Speaker 3 (44:10):
You Bye, Boys to Men came out, and that's like
huge Boys to Men.

Speaker 1 (44:14):
I mean to me, twenty sixteen would have to be
my version of ninety four of like actually remembering all
iconic albums being put out in one year. The last
iconic year six twenty sixteen is the last iconic year.

Speaker 4 (44:32):
Twenty twenty.

Speaker 2 (44:32):
You might have something to say.

Speaker 4 (44:34):
Twenty twenty is an underrated year. We're talking about that
because of the pandemic. Like, but when you go and
look at the music that we got in twenty twenty,
we got some great albums in twenty twenty. We got
great albums, We got great shows on television in twenty twenty,
Like it was a weird year, but artistically it was
it was a great year.

Speaker 1 (44:53):
I hear what you guys are saying, But even like
We're twenty sixteen kind of beats everyone. For some reason,
that year was the cycle that every A list artist
yet out, yeah, not only an album, one of their
best albums in their catalog, like Yeah, are you fucking with?
Drake Views Anderson Pac Malibu, Salange, Seat at the Table,
trapcal Quest, We got it from Here, No Worries, Yes,

(45:15):
Lord Free, Black Coloring Book, Blank Face, lp Lemonade UNTITLEDA
twenty sixteen salon No Names, Like this is Donald Glover,
Awaken My Love, Weekend Starboy, you got Life of Pablo,
then to Party next Door three like Bruno Mars twenty

(45:37):
four K Magic Shrimp Life two.

Speaker 4 (45:39):
Anti Yeah, Yeah, like I.

Speaker 1 (45:43):
Big Big Sean, Big Sean and uh Janey twenty eighty
eight Ja Cole for Your Eyes Only, which, by the way,
I revisited I may ocall a little bit of an
apology for how much I should have on that album.
Yeah you do, which it's definitely it's definitely still, in
my opinion, in the bottom of his catalog. But when
I say bottom was catalog, it's j Cole is a
legend in rap. That doesn't mean it's bad. It's just

(46:05):
at the bottom to me, as far as catalog go,
but I went back to it it I gave it
a lot of shit. I should have lived with it
some more. I think Neighbors might have been the biggest
record on there. I'm not gonna say it's his American
Gangster where it's like years later you realize maybe it's
one of his best, but it's it's better than the

(46:26):
shit I gave it.

Speaker 4 (46:28):
Okay, that's fair.

Speaker 1 (46:29):
Yeah, Like I mean, the outro I always loved, but
I mean that's some of his best rapping ever. But like,
imagine it if we got kod instead of that. Though
in twenty sixteen, I would say it would rival ninety four,
ninety eight and everything at that point.

Speaker 3 (46:43):
But I still think that twenty sixteen is probably the
best year in music in the twenty in the two thousands.

Speaker 2 (46:49):
Yeah, those albums are in. I'm with peaged. I think
I think it was the last iconic.

Speaker 3 (46:53):
Year of music, and they weren't just like it wasn't
just like all the greats dropped in album, because there's
some there's like one or two other years like I
think it was all the greats dropped.

Speaker 2 (47:01):
Their best album.

Speaker 3 (47:03):
It was like, or at least the fan favorite, Like,
my favorite Beyonce album it is probably Lemonade. My favorite
Rihanna album is Antime. You know what I'm saying, Like
my favorite Kanye and it goes on and on, so
it's yeah, you.

Speaker 4 (47:17):
Know, it's one thing I noticed, like as much as
I like, No, Beyonce is incredible. She's like an amazing artist.
I really don't listen to Beyonce and that's okay, you
know what I'm saying, Like it's crazy, Like when I
think about it, I'm like, she puts out incredible albums,
incredible songs, but I really can't tell you a time

(47:37):
where I actually went and like put on outside of
when the album first come out, just to hear what
she gave us what.

Speaker 2 (47:43):
She did, because it's not your vibe.

Speaker 3 (47:44):
But that's why when I when me and you get
into it all the time, when I'm like, just because
you listen.

Speaker 2 (47:49):
To it more doesn't make it the greatest.

Speaker 3 (47:52):
We said that. I'll tell you that all the time.
Something can be great and just not be what you
want to hear on it.

Speaker 4 (47:57):
Oh no, for sure, I'm not. I will never argue that.
But it's like it's almost like weird, how much I
don't listen to Beyonce and how much I recognize that
she's one of the greatest artists ever.

Speaker 1 (48:07):
For I think my personal take is she's one of
the few artists that the second half of her solo
catalog is better than the first, Like every Beyonce album
has gotten better something.

Speaker 4 (48:19):
Which because she's grown as a producer as like artists.

Speaker 1 (48:22):
Like four Isn't is an incredible, incredible pop up four
On and like Mother Mature, Beyonce is the greatest, like
I hear you like I don't go back to I
don't listen to like Sasha Fears album like that, I
don't listen to Dangerously in Love like that, But I
listened to Lemonade Beyonce Cowboy Carter like religiously throughout the week,

(48:43):
like I will throw Lemonade on in the car at
any time.

Speaker 3 (48:46):
The BDA people are gonna kick your ass about that,
because there's there's a b Day like stand.

Speaker 2 (48:50):
Oh, Beyonce doesn't have a bad album.

Speaker 3 (48:52):
No what I mean, I'm just talking about that, Like
there's a there is a part of the Internet that
will say b DA is Beyonce's best album, and they
will fight you on that.

Speaker 2 (48:59):
I think it was. I think it was four. It's
the most ron four is the most rn B, so
that I mean yes, But I mean I don't know.

Speaker 1 (49:06):
I think Beyonce and Lemonade can rivele it like her
her latter half of her career. To me, is has
so much replay value.

Speaker 2 (49:15):
What was going on in y'all love lives when Lemonade dropped?

Speaker 4 (49:18):
William was at twenty sixteen. I was in a relationship, man,
I was. I was just a fucking The spirit of
the Jezebel was all over me.

Speaker 2 (49:32):
Did you get an Elmonade song dedicated to you?

Speaker 3 (49:34):
I feel like every man at that time that was
a piece of shit had Eliminade.

Speaker 4 (49:38):
I can't even remember, but that the Jezebel spirit was
just all over me.

Speaker 2 (49:42):
I think Page correct me if I'm wrong.

Speaker 1 (49:44):
I think we did Palooza in Miami the day because
didn't Lemonade drop on like HBO with the videos or something.

Speaker 2 (49:51):
Wasn't there like a movie or something?

Speaker 1 (49:53):
Yes, And I remember coming back to our Airbnb after
Palooza and just like the timeline just hating men and
we're like, yo, what the fuck just happened? We couldn't
even get chicks back to the spot. It was just
man hatered.

Speaker 4 (50:06):
Because that was the album when her and Jay was
going through was going.

Speaker 3 (50:08):
Through the thing right well, I mean they had gotten
through it, but yeah, yeah, she put.

Speaker 4 (50:12):
It all on the album.

Speaker 1 (50:13):
She talked about it like, yeah, don't even give it, like,
don't let me nerd out about Lemonade is perfectly sequenced
for a breakup grieving process, like all the stages of
brief starts from track one all the way to the
end of forgiveness, Like that album is so deep if

(50:33):
you really get into it, even to the point with
the with the weekend record is placed right where like
you know what, fuck this, I'm gonna go through my
whole phase mm hm, like fucking you know, I'm gonna
go out and fuck people like and then it gets
back to.

Speaker 4 (50:44):
Like, man, fuck these streets, I miss them. I'm gonna
forgive them.

Speaker 1 (50:47):
Like it's it's legitimately a breakup in one cycle of
the sequence. It's such a brilliant album, Like it's incredible
how they even fit that into a pop and.

Speaker 2 (50:57):
R and B album with the writing.

Speaker 4 (50:59):
Is that might be her most important album.

Speaker 2 (51:02):
I definitely think it is, hands down.

Speaker 4 (51:03):
It might not be her best album. But it's her
most important.

Speaker 2 (51:06):
I think it's the best too.

Speaker 1 (51:07):
Even once you get into the whole phase, then you
got to get into your relationship with your pops and
why you even chose this guy that she on you.

Speaker 4 (51:13):
Like, like.

Speaker 2 (51:15):
It's a whole theory.

Speaker 1 (51:16):
I know it's cliche to say with albums like this
is a therapy session that ship is a legitimate breakup
therapy session in one album.

Speaker 3 (51:22):
Have to be in a good place to listen to Lemonade,
Like I can't listen to Lemonade and be in a
bad place.

Speaker 2 (51:29):
I can't pray you catch me as one of the
greatest intros.

Speaker 3 (51:31):
Ball it's probably and that's probably one of my favorite
Beyonce songs.

Speaker 2 (51:34):
I pray. Love Drought is one of my favorite Beyonce
songs of all time. Love draw is my favorite Beyonce
song of all time. And All Night aultro shit, Come on,
I never.

Speaker 1 (51:42):
Made it all night because I never forgave them.

Speaker 2 (51:47):
You never want to kiss up and kiss up and
rubber on them.

Speaker 1 (51:50):
Nah, now you're talking about saying castles they washed away.

Speaker 2 (51:54):
Fuck all that.

Speaker 3 (51:56):
I turn it off at at at the Daddy song Daddy.

Speaker 1 (51:59):
Lessons, and then and then after she forgives her king
and all men are are important again, we get it.
Just Blaze and Beyonce record Freedom is the craziest beat ever.
Like the fact that that's they had never worked together.
It's kind of nuts to me too. What was was
why did she put that on? What was that attached to?

(52:20):
I mean, there was some things going on in twenty sixteen.

Speaker 4 (52:22):
Yeah, yeah, but I can't like so much. It happened
in the last ten years.

Speaker 2 (52:25):
That was that was kind of like the start of
the Black Lives Yeah, Black Lives Matter of twenty fifteen.

Speaker 4 (52:33):
I knew it was something. I couldn't remember what it was.

Speaker 1 (52:35):
We're not talking about the LLCs, just talk about the
actual movement that had actual substance to not the people
that took money and what you're doing.

Speaker 2 (52:43):
Yeah, it was that's when that started to That was.

Speaker 3 (52:47):
That was a good time. But I don't know about
most important. I think most important might be the Beyonce album.
The Beyonce Album Changed Music.

Speaker 1 (52:54):
Yeah, it was, I mean GRAVI and it's the first
like actual surprise album, which.

Speaker 4 (52:59):
That song I can't believe.

Speaker 2 (53:06):
That would be myself and I first.

Speaker 4 (53:10):
That might be Beyonce's best.

Speaker 1 (53:12):
If you were to Family Feud. That was the last
that men's favorite Beyonce song.

Speaker 3 (53:16):
It would be meet that album, not Love on Top,
but also uh oh god, I'm gonna think of it
in a second.

Speaker 2 (53:24):
Hold I signed four but yeah, Love on Top video
new edition. That's our new edition.

Speaker 1 (53:31):
Conversation.

Speaker 4 (53:31):
I can't remember Love on Top.

Speaker 2 (53:33):
It's a very similar.

Speaker 1 (53:34):
It has a new edition. Vibe the treatment of them
in the like that rec center dancing and ship. Yeah, okay,
that's yeah.

Speaker 2 (53:42):
They definitely like that's what you know.

Speaker 4 (53:44):
The song is hard, like you gotta be in the
dance studio by yourself. Like if you wasn't in the
dance studio by yourself for herson and your video song
wasn't a hit, Like every great R and B song
had that one, Like that great artist had that one
video where it's just them and the dance studio mirrors
by themself, like you got it. That's like part of
like every artist want that video, Like I need that video.

Speaker 3 (54:06):
It was just me and a dance studio and we
just I just want to talk about who started it.

Speaker 2 (54:11):
Is the in the dance.

Speaker 4 (54:12):
I don't think Janel started that the pleasure She might
have na the audition was before that. I think, yeah,
an audition was does before that. I think it's just
if this Isn't Love, it might have been before that. Really, yeah,
it might be, Yeah, it might be if this Isn't
Love might be before. Pleasure Principal is the.

Speaker 1 (54:31):
Dance studio, the same as the laying down on your
album cover? Is that the equivalent?

Speaker 4 (54:35):
Okay, if This Isn't Love is eighty eight? Yeah, I
think Pusure Principal was right after that, right.

Speaker 2 (54:41):
Prince was eighty six? Baby respect.

Speaker 4 (54:44):
Okay, see, let's close. I was young. I was young
and I was only five, you know what I'm saying.
But I remember that I remember this around the same time.
But okay, Plasure looking route just biting. Yeah, I mean, listen,
that was Janet, Listen, it is what it is. That
was Miss Jackson.

Speaker 2 (54:58):
I was somebody before that.

Speaker 1 (55:00):
But oh yeah, yeah, I don't even put they made
it iconic though. I'll even put Cowboy Carter pretty high
on Beyonce's desography list. That has more replay value than
Ship to Me than b DA Sasha fears Dangerously.

Speaker 2 (55:13):
And love You're wrong, And that's okay.

Speaker 1 (55:16):
Replay value to me. You could, of course Dangerous Love.
I think all fucking sixteen records are hits, but yeah, Cowboy,
that might be my favorite yeah hip hop at the time,
though it was asked into and O three, I gave
a little what's the jay Z gift?

Speaker 2 (55:34):
When I was doing that a little bit, Okay, I
was trying to catch it.

Speaker 4 (55:39):
He was.

Speaker 2 (55:40):
You couldn't catch it either, damn yo.

Speaker 1 (55:48):
This episode is brought to you by Walden University. Maul,
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(56:10):
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Speaker 4 (56:19):
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to Operate by Chef. That's Beyonce's best album? Was that
sort of covered? That's her best album? Dangerously in Love?

Speaker 2 (56:38):
I guess I don't know.

Speaker 3 (56:41):
Yeah, when the last time y'all loved somebody like like
dangerously in love?

Speaker 4 (56:44):
Too?

Speaker 2 (56:45):
Like, when was the last time y'all loved somebody like that?

Speaker 1 (56:47):
Oh shit, I don't know what do you mean by
dangerously in love?

Speaker 3 (56:52):
That bitch said like, I'm dangerously in love with you,
Like it's like I'll never leave. I've been said every
time I say face, my heart smiles. Created in this
world of love, to hold, to breathe, to feel, to
live you.

Speaker 1 (57:07):
Yeah, that's probably crazier than cater to you. Hey man, look.

Speaker 4 (57:10):
Man, yeah, I ain't make I ain't make enough money
yet for them to love me like that. Yeah, that's
you gotta make it. You gotta be in a certain
bracket for them to love you like that.

Speaker 1 (57:19):
Yeah that's kind of crazy.

Speaker 4 (57:21):
Yeah, dangerously in love?

Speaker 1 (57:22):
Yeah, nah ship even though Mama Blake and what's the
jay Z and Beyonce first record that they ever did,
that's on Dangerously Love, Bonnie and Claude, No crazy love,
even crazy and love is kind of sick if you
get into the lyrics.

Speaker 4 (57:38):
That's Jamionce's first one.

Speaker 2 (57:40):
I think I'm uh.

Speaker 1 (57:43):
Bonnie and Clyde was what they both came out the
same year, so okay, yeah, yeah, I thought Crazy and
Love was like you know their ig reveal likely he
no longer was the rolex and the forearm like they
outside with it. Yeah damn y'all. Yeah, look at what

(58:06):
you did to me? Yea. She went kind of nuts
on crazy.

Speaker 3 (58:10):
Said baby, I can't go anywhere without thinking that you are.
It seems like, yeah, everywhere is true that I be.
Oh that's day JAVL wrong song.

Speaker 4 (58:15):
Sorry, you just do all like look at you. You
get your life together, Get your fucking life together.

Speaker 2 (58:23):
Same girl didn't make it all night on Lemonade and
saying that you can't make it the all night.

Speaker 1 (58:29):
I wish some like more engineers did podcast interviews because
like I would love to know what it was like
the day, like she walks out the booth after cutting
Love on Top, Like what that feeling has to be
like of like there's only three people in the world
that know we have one of the most undeniable records
of all time, Like what does that feel like?

Speaker 4 (58:50):
And do you do you know, yeah, end Norman, do
you know like that's gonna I think it's hard to
like really know if like certain records I think are
like I'm guessing that when fucking Michael Jackson and them
did Thriller, everybody in the studio knew, like, all right,
this is is over see.

Speaker 3 (59:07):
You know what though, I think songs like that no,
because I think songs like that are a risk.

Speaker 2 (59:12):
That's not a proven formula.

Speaker 4 (59:14):
Thriller.

Speaker 2 (59:15):
I think it's a risk.

Speaker 3 (59:16):
I don't think anybody imagines that thriller becomes with Thriller.

Speaker 1 (59:19):
And Thriller was built, yeah, like because then they had
to go do the most iconic video ever, Like.

Speaker 3 (59:26):
It was built, video made the song. The song is
an amazing song. Can't you just drop Thriller on soundclouds
with no visual? I don't know if it has the
same trajectory.

Speaker 4 (59:36):
At that time? Crazy at hell out of't be like
what the fuck is this? What's the greatest song I
ever heard about life? Take away from the song, but
do you get the video? The video? The video. The
reason why they put the emphasis on the Thriller video
like that is because the record the song and then
at that time Michael was like, yo, he is the
biggest star in music right now.

Speaker 1 (59:56):
And that was more of the formula fact. I'm not
comparing it to like say, Childish getting Bino. This is
America that needed a visual like you like you weren't
like if you just dropped that record, like you're not like.

Speaker 2 (01:00:08):
Thriller thoh nah.

Speaker 4 (01:00:09):
Yeah, I'm not.

Speaker 1 (01:00:10):
Comparing it in that way where it's like this needs
a visual to land.

Speaker 2 (01:00:14):
But that did build, Like you equate it to the visual.

Speaker 1 (01:00:19):
What do you have to Yeah, so down to the choreography,
like even single Ladies undeniable. The choreography and it being
presented that way made this story even bigger.

Speaker 3 (01:00:29):
Which is crazy because the video dropped a year after
the album dropped.

Speaker 4 (01:00:33):
That's what I'm saying. It was the song thriller. Yeah,
it was the song they knew ever that song was.
That's one of those ones where any of the engineer,
the producer, like everything is just like they know, like no,
this is we've we've everything about this song is.

Speaker 2 (01:00:51):
Perfect as Quincy though he's still talking.

Speaker 4 (01:00:56):
Quincy has passed away and resting with the aig juice Man.

Speaker 1 (01:01:00):
Yes, I wish we would have gotten one more interview
from him so we could tell us created COVID Jones dementia.

Speaker 4 (01:01:09):
He died last year.

Speaker 2 (01:01:10):
A year last year. Oh, you're right, he did.

Speaker 1 (01:01:13):
We talked about it and we read his most iconic interview.

Speaker 4 (01:01:16):
Yeah.

Speaker 1 (01:01:19):
Once he told us that Marvin Game Richard Pride was sucking.
He said, he told us who killed JFK? And then
when yoh, so you like Brazilian.

Speaker 4 (01:01:26):
Food another day, don't we asked an interview.

Speaker 3 (01:01:32):
I feel so bad if I asked if he's still
talking and he's dead, that feels so bad.

Speaker 1 (01:01:36):
I don't know if we've asked you this before, but
what was there songs that you heard in the studio
and was like that we all know and love now
that you were like, oh yeah, that's they got one there.
Other side Jay's ps A, oh for sure. Yeah.

Speaker 4 (01:01:55):
When I heard that, I knew the city was going
to flip upside down when that shit trick.

Speaker 1 (01:01:59):
The story of that is crazy from what Just Blaze said.
He he was doing press at Baseline for the Black
album like already, and Just Blaze was making that in
the b room while Jay was going back and forth
to do press, and he heard it and would do
an interview run in and do two lines, do an interview,
run back through two more lines, like that's crazy.

Speaker 4 (01:02:21):
Yeah, when they played that, that was like that song
was played so much in baseline. Yeah, when I heard PSA,
I was I definitely and I was like, yeah, this
is this is definitely gonna go crazy. And sure enough,
I think Flex made a debut.

Speaker 1 (01:02:35):
That probably makes sense act, but I just like I'd
like to ask just Blaze what that car ride home
was he burns it onto a CD driving back to Jersey,
like just knowing you got this.

Speaker 4 (01:02:46):
Yeah, that was one that that was an undeniable Everybody
that heard that in the studio was like Jesus Christ.

Speaker 1 (01:02:52):
Did y'all feel that way about Lucifer because I heard Lucifer,
wouldn't I don't think Lucifer wasn't a single before the album?

Speaker 4 (01:03:00):
No? No, yeah, you know was the album could Yeah,
I didn't hear that. I didn't hear that one until
the album came out, and then obviously I couldn't really
listen to that.

Speaker 1 (01:03:08):
But yeah, I mean even in the Faded Black movie, Oh,
Kanye just playing that ship and like Jay's like, wait,
what the fuck is that?

Speaker 4 (01:03:13):
Yeah? Yeah, that was another one that those ones.

Speaker 1 (01:03:16):
Though I've asked Guru that question before of like what's
it like to just know you have that?

Speaker 2 (01:03:20):
He compared it.

Speaker 1 (01:03:22):
He said, when you guys interviewed push your Tea and
then you went home that night, you knew that you
had something that tomorrow was going to stop the worlds.
He's like, you remember that? Was like, yeah, I remember
hitting the group chat like yo, I have no idea,
what the fuck you about to drop tomorrow? So yeah,
I guess I understand that anticipation, but obviously not to
that degree. I could never imagine making the blueprint and

(01:03:43):
driving home like just having harder the city on a
burnt CD, like wait till the world hears this, Like
this is insane.

Speaker 3 (01:03:52):
So I know they be calling this is this this,
this is this is my thing, And they could lie
and say that they don't. I know, they'd be calling
they bitches, the ones they know they could trust and
be like you gotta hear this. You got a pillow
talk They hit records before they come out.

Speaker 2 (01:04:04):
Yeah, there's no way.

Speaker 1 (01:04:05):
Of course, we even I mean shout out to it
to our brother Quinton Miller when we interviewed him. I
mean a lot of the reasons why shit was leaky.
He was like, of course I was playing that for bitches.
You don't think my reference for Drake, I wasn't playing
for people.

Speaker 4 (01:04:19):
You have to almost like like, come on, you're working
with the biggest artists, Like what are we talking about.
I have to get that off, Like I gotta bring
my chicks that I like to the studio and just
play it and then they know that the biggest artist
is about to record on this, Like that's part of it.
You have to that's that's part of the whole moment
of the record.

Speaker 1 (01:04:39):
Yeah, because even like when which I'm snitching myself. We
talked about it with Gigs, like when Jay did the
The God Did Verse and I was there right after
he recorded it with Guru and he was probably like,
all right, Jay's rapper for like six minutes. Like I
ran right back. I was like, Kiah, I heard a
six minute jay z verse Like yeah, I started. I

(01:04:59):
started talking about it immediately. The Guru played that over
the phone for me. I feel like he did. I
called you, yeah, Gigs, like when when you have something
you call people like you you called me too, like
probably yeah, Like I remember I remember hearing partners. I
think you called me too. I was sitting there trying

(01:05:20):
to remember, Oh yeah, no, I was definitely trying to
memorize Jay's versus I've rapped because R Jungle Studios there
is and where I was staying was like walking distance,
and I was I was rapping.

Speaker 2 (01:05:29):
That ship to myself. I was like, what do you
say again?

Speaker 1 (01:05:31):
Yo?

Speaker 4 (01:05:32):
Yeah, Drakes Drake sent me a record that might change
my life, but I don't know if it's gonna make
that album.

Speaker 2 (01:05:39):
Change your Oh so you're mentioned in.

Speaker 4 (01:05:40):
It, Niggas said, Man, he didn't say, he said. Niggas said,
ma baby d No.

Speaker 1 (01:05:49):
Niggas said, it doesn't make that to the mall for
podcasts and equipment, she just wanted to he didn't say. Okay,
Drake Drake rapping mall fun, Drake wrapping the words podcast
equipment would be the funniest fun. But if it doesn't
make the album, don't worry. Because Stove God shout you
out on the verse on my album.

Speaker 4 (01:06:09):
He did.

Speaker 2 (01:06:11):
That is from the Bronx.

Speaker 4 (01:06:12):
I'm here. I was very pivotal in putting the world
on the Stove God.

Speaker 1 (01:06:18):
Okay, that is that is definitely true. They killed me
all out at the end of the verse. I moved
the shout out to the beginning of the verse in
between the verses. You know what, let me put them
all on this little this this dead air right here.

Speaker 3 (01:06:35):
They killed me for sake, like when I said on
the internet, because they were like Ory mad don't put
people on the no new artist, And I'm like, I was, like,
half of y'all wouldn't know who a lot of Griselda
is without Rory in ma back in those days. Obviously
now of course, but back when like y'all weren't listening to.

Speaker 4 (01:06:48):
Black and Daniel Caesar both have personally thanked me for
the first person in media to ever say their name. Yeah,
you can't pay that.

Speaker 2 (01:06:56):
People forget that's that's hilarious.

Speaker 4 (01:06:57):
But people a lot of well, to be fair, a
lot of people were probably listening to us in twenty sixteen,
twenty seventeen when a lot of those guys we were playing,
so you know, they missed it.

Speaker 2 (01:07:09):
But I'd like seen the fly God artwork.

Speaker 1 (01:07:13):
But Maul was the first person for sure to like
force me to have to sit and be like, it's
not only Westcide Gun this Ky Conway and then like
one of their cousins or some shit is insane, like
happened to.

Speaker 4 (01:07:25):
Be Benny the Butcher. This was Benny Like. I was like,
y'all never heard of this too.

Speaker 1 (01:07:30):
Like, yeah, we get a NAS album this week, Yes,
DJ Premiere, We.

Speaker 4 (01:07:35):
Get a NAS album this week. We get a Conway
album the same day. So yeah, rap, it's a lot
of rap. This was a lot of good raps. I'm
excited to hear what mass Appel did with this NAS
DJ Premier album.

Speaker 1 (01:07:47):
We're saying casually, like this is not the way we
talked about twenty sixteen.

Speaker 2 (01:07:49):
We're getting a NAS in DJ.

Speaker 1 (01:07:51):
Premiere final week, finally happening. I saw a rumor and
it was Twitter, so it's true. Maybe it was just
because they took a photo, but there was some Rome
Streets NAS talk. What do you mean as far as
working together on this album?

Speaker 4 (01:08:08):
Yeah, but the track lisk, it's only one feature on
this album.

Speaker 1 (01:08:12):
I saw that with it just a yeah, but I
don't know. People were in the Rome Streets side of Twitter.
They were saying they're working and I don't know it's
because they got to creature together. Yeah, but there was
more evidence, you know, they breaked everything down on Twitter
and read it. Yeah, but I would love to see that.
I mean, that's just great Queen Shites. Great for Rome
deserves it. And I know, I know NAS this year

(01:08:33):
paid attention and listen everything.

Speaker 4 (01:08:35):
Nas listen to that. But guys like that, the rap
is the real MC's they pay attention to. Even if
they're not motivated or inspired by the current climate and rap,
they always still pay attention to what's going on. Who
are the new guys that are, you know, holding a
pin to a certain standard, like so Nas Jay and

(01:08:56):
you know, guys like that, they always in tune like
artists that are going to come up that don't think
that those guys know about them.

Speaker 1 (01:09:03):
If you're dope, they definitely know who you are.

Speaker 4 (01:09:05):
Yeah, yeah, I mean the studio session I've been in
with j Cole, all he does is sit on YouTube
and look like you see, he literally sees everything like
you have. When you're that at that level and you
pay attention to that, like you're that meticulous with the
with the craft, you definitely know about all of the
guys that are bubbling and that are making noise.

Speaker 1 (01:09:23):
That's even how I discovered that Donald Glover interviewed Chief
Keith mm hmm. Jay Cole stopped there on the studio
on stage, Donald Glover just interviewed. It's quite possibly the
funniest fucking interview I've ever seen my I just saw
a clip of h.

Speaker 4 (01:09:38):
I shout out of Vince Stables. I got a Vince Stables.
He did an interview with I forgot the young lady's name,
ze Way. Yes, now her show is alected. She's so funny.
I just love Vince Man. I just watch. It's like
the way he answers questions because Vince has this he
has this demeanor about him, like and I don't know
if with the relationship between Vince and z Way are

(01:09:59):
if they just met during this interview or not, But like,
as someone that's sitting across from Vince, if it's your
first time and you're asking questions, you really think he's
being an asshole, Like he has that thing about him
where you like he's being a dick. But this is
really who Vince really, I'm talking about camera's off. That's
exactly what Vince would have said for sure, all of
those questions.

Speaker 1 (01:10:20):
And maybe it's because I'm an asshole. I don't think
he comes across as an asshole at all. No, why
people would think.

Speaker 2 (01:10:24):
That, But he's king sarcasm and so is No, he don't.

Speaker 1 (01:10:29):
He's not being sarcastic about cameras cameras off.

Speaker 4 (01:10:34):
That would have been his answer. That would have been
his response to those questions like this is like him
just in the studio, kicking it like and just having
a conversation like this is exactly who Vince is. I
do have to watch this full energies. I only saw
some of the clips, but check out the z Way
interview with Vince Staples. From what I saw, it looks
like it's hilarious.

Speaker 1 (01:10:53):
Even like when he was talking to Speed, he was like,
you let people at your house?

Speaker 2 (01:10:56):
He wasn't being sarcastic.

Speaker 4 (01:10:57):
Yeah, he didn't understand that. He couldn't even understand how
the spials and like what do you mean like come
of my house? Like what do you mean?

Speaker 2 (01:11:03):
Are you cooked for your friends? The fuck is wrong
with you?

Speaker 4 (01:11:06):
Yeah, shut out the vins Man.

Speaker 2 (01:11:09):
Yeah.

Speaker 1 (01:11:11):
I hope uh season three gets picked up Olflex. I
mean especially everything Netflix is going, Yeah, I mean they
should have the capital.

Speaker 4 (01:11:18):
Yeah. Season two, the numbers that Netflix and Paramoun's throwing
around is fucking they just up there just playing all
kind of games with billions. I got eighty two billion
for you, Yeah, I got a hundred and eight for you.
So y'all niggas is just up here playing with two
hundred million dollars, Like y'all just up here. It's niggas homeless,
all kind of shit, and y'all just in this office,

(01:11:39):
like throwing around two hundred million dollars, Like.

Speaker 1 (01:11:42):
Can we google how much money is in the world?

Speaker 4 (01:11:44):
It's how much? How much money is? It doesn't make
any how much money is in that Warner Brothers parking
lot right now? Yeah, that's what we need to google.

Speaker 2 (01:11:51):
Well, what year is it?

Speaker 1 (01:11:52):
When when money actually technically didn't exist Because the rate
of money printed versus what the golds that it used
to be represent, so.

Speaker 4 (01:12:00):
Physical cash it's around nine to ten trillion dollars, while
the broader money supply is roughly ninety to one hundred
and twenty trillion. A total global wealth is much higher,
nearing four hundred and seventy trillion or more, showing most
value is in physical currency, but digital assets, so physical

(01:12:22):
commncy none to ten trillion.

Speaker 1 (01:12:24):
Even the rate of which we value money from certain
countries is compared to ours is made up. I'm not
one of those people that thinks everything Kanye West says
is profound. But when he did ask Joe Rogan, how
much do you think the world costs? Like that really
did actually fuck with my mind. I was like, no,
I'm not being one of those Kanye people, but he
has like that's a really interesting question.

Speaker 4 (01:12:45):
How much debt is the world? And it just came
out yesterday? Right?

Speaker 2 (01:12:48):
Who are we in debt to? You mean the US?

Speaker 4 (01:12:51):
You just go to Union Square told you they got
the debt clocker. No, No, that's not the world debt.

Speaker 2 (01:12:56):
That's I'm saying world debt because who is the world?

Speaker 1 (01:12:59):
Yet?

Speaker 2 (01:12:59):
Who are we in dea? You mean the no, the
whole kind?

Speaker 4 (01:13:02):
Look the US, The world debt is nearing three hundred
and forty six trillion by late twenty twenty five?

Speaker 1 (01:13:08):
Is that all the country's debt to each other?

Speaker 4 (01:13:10):
So China and Japan US? Uh? Yeah.

Speaker 1 (01:13:15):
The what I don't understand is why can't like the
country just file chapter level Like, I mean, I know
that gets you in a great depression, but like we
should just files.

Speaker 2 (01:13:24):
I don't.

Speaker 4 (01:13:24):
I don't want to, got it?

Speaker 2 (01:13:25):
I don't want Tom to have to pay this ship back,
Like can we file? Can we? Can we just start
at zero?

Speaker 4 (01:13:31):
Oh man, I mean I'm sure the USI bil its
credit back up.

Speaker 1 (01:13:35):
I mean Damarus is giving us the wrap it up
thing because you know she's part of the illuminati. Now
we're starting to ask the real questions and now she
wants us to get off the mic. Damn US debt
clock dot org. I'm I'm sure that I'm sure this
is really a dot gov if you get into the

(01:13:56):
dark web, that they own this website as well.

Speaker 2 (01:13:58):
But this was fun. I'm glad we actually got to
talk about music.

Speaker 4 (01:14:00):
I'm good I told my music with you. Sometimes when
you're not like, you know, deep into your barefoot bag
and when you come back to like queens a little
bit like you appreciate that we fu fun with Barefoot though, no,
me too. But you know sometimes Rory is like he
don't put socks on for a week, and it's just
like he don't want to talk about.

Speaker 3 (01:14:16):
I feel like snocks, no socks and new balanced feet
stink that whole.

Speaker 1 (01:14:21):
Once once mac Miller and Anderson Pack did like the
greatest version of Barefoot rap single with a what was off?
The divine feminine?

Speaker 4 (01:14:31):
That thing.

Speaker 2 (01:14:31):
I gotta see that.

Speaker 1 (01:14:33):
The Yeah, everyone tried to copy that after that, and
I started to fall out of love with with with
Barefoot music because everyone just tried they ran into the ground.
And not to say it's eat. Some of the beats
are easy to make, but the actual songs are tough,
and everyone just they took it and ran with it.
And that genre, man, they killed it. Yeah, It's like
I'm sure K pop has ran it in the ground too.

(01:14:56):
I'm kind of over the Barefoot ship.

Speaker 4 (01:14:57):
All right. But we got some Nas album this weekend.
DJ for me got Conway Can't Kill God with Bullets
this weekend as well. So listen, man, we got some
good music on the way.

Speaker 1 (01:15:06):
Are you gonna pass out toys and Baisley with me
and Nas? Listen, man, you're good. I'll show you around Queens.
It's cool, You'll be safe.

Speaker 4 (01:15:15):
I'm always good.

Speaker 2 (01:15:16):
I promise.

Speaker 4 (01:15:17):
They know me. They know me on Partiley, they know
me on Jamaica, Parsons Parsons, I'm sorry, Parts Parsons Boulevard.
They know me over there, man, I'm good.

Speaker 1 (01:15:29):
Over there, man, Because you're thinking Baisley, that's what it was.

Speaker 4 (01:15:35):
That's what it was. All right, well we'll talk to
You'll soon be safe, be blessed. I'm that nigga. He's
just ginger peace

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Episode 432 | Underrated

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 432 | Underrated