Conversations On Why I'm Banned From Vlad TV

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
What's up?

Speaker 2 (00:02):
And welcome back to another episode of No Sealers Podcast
with your hosts now Funk that with your low glasses Malone.

Speaker 1 (00:15):
Where y'all can finish, y'all, Uh, y'all, y'all t a
conversation talk.

Speaker 3 (00:23):
Talk wow like that King, you don't like neggative stereotype.

Speaker 1 (00:29):
You don't think you a part.

Speaker 3 (00:30):
Here, connoisseurer.

Speaker 4 (00:34):
It's not stereotype, you know, connoisseur.

Speaker 1 (00:39):
Why y'all think? Why y'all think people can't admit when
they be addicted to wig?

Speaker 4 (00:42):
We ain't talking about something else?

Speaker 1 (00:47):
Now, that's you can't be addicted to weed?

Speaker 3 (00:49):
You know, No, King, people could be addicted to anything
if they want to.

Speaker 5 (00:58):
That's a cop all, but it's it's true.

Speaker 4 (01:00):
That is right.

Speaker 3 (01:01):
Yeah, I think I'm addicted to See. I don't think
I'm addicted to weed, but somebody else might say I
think you are because you smoke so much. Yeah, you
know what I'm saying. But I could probably walk away
and not smoke if I don't want.

Speaker 4 (01:14):
To, but I want to.

Speaker 5 (01:16):
Yeah, you start selling, gives my choice?

Speaker 2 (01:18):
You start at what point? You don't think people that
want to smoke crack me? Just like and not to
compare the too, because I obviously.

Speaker 3 (01:24):
Compared the two, because I'm just gonna go back to
the mental state of people. You know, addiction to me
goes back to the mental strength that people have.

Speaker 1 (01:34):
So what's the mental strength?

Speaker 3 (01:35):
I mean, if you weak and stuff, you'll be addicted
to stuff. If you're strong, then you could walk away
from something. It's just that simple.

Speaker 1 (01:42):
Yeah, But how would you know if you could walk
away from something if you never had to.

Speaker 3 (01:45):
Hey, if you try and don't walk away from it,
then you're weak and it's bad for you. You're weak.

Speaker 1 (01:51):
But how would you know if you never challenge yourself
to walk away from I smoke weed and I could
walk away or not.

Speaker 3 (01:57):
How do you know that leave an absence was your
leave absence? You know, there's a couple of times I
took a leave of when smoking weed. Well, a couple
of times, you know, for a few weeks while incarcerated.

Speaker 4 (02:10):
It's not.

Speaker 1 (02:13):
Cracking jail old.

Speaker 3 (02:14):
Oh, you can still trust me. I smoked weed in
jail prison. You can do all that.

Speaker 4 (02:20):
You know.

Speaker 3 (02:21):
There's times out here that I took a leave of
absent when I just didn't have the money to buy
some weed. You know. I mean, come on, I didn't
freak out and start robbing motherfuckers and ship for some weed.

Speaker 2 (02:31):
It was like, know that everybody don't do that. People
that be addicted the liquor don't be robbing people.

Speaker 3 (02:36):
I don't know, they'd be drinking rubbing alcohol and ship cheeseburgers.

Speaker 4 (02:41):
Man, yeah, you know everything.

Speaker 3 (02:43):
You ain't gonna turn a nice smoke into, you know,
dressing the scum of the world. You know, come on, man, stop, it.

Speaker 6 (02:51):
Did everything that you name. It comes within a physical
withdrawal though. You know what I'm saying, when the cracker,
the crack crack at, it stops, stops doing crack to
get a physical with draw dope thinking physical withdraw like that.
You know what I'm saying, I'm getting on physical withdrawal
from those stop smoking weed that don't happen to me.

Speaker 5 (03:10):
How long have you stopped, because it does happen.

Speaker 4 (03:12):
It happened. I stopped. I stopped for years, I stopped
long ago, absence, just a while ago, a while ago.

Speaker 5 (03:20):
But the stuff, it is real potent, man like. That's
another reason why, like it'd be too much.

Speaker 3 (03:25):
Man Like.

Speaker 5 (03:26):
I had to stop because it was it was taking
me out of commission. It wasn't like it when I
was eighteen, you know what I'm saying, garbage smoking that
it was good stop.

Speaker 3 (03:38):
We had, you know, get a bad name for because
of Bama, Bamer.

Speaker 4 (03:42):
We cush was from the backyard. Backyard.

Speaker 5 (03:50):
Uh, no ceilings but yeah that low I could.

Speaker 2 (03:56):
I couldn't do it, No ceilings, glasses log I got
my big brother King, I got my brother trapped, one
of my favorite, one of my favorite, and I got
one of my favorite streamers podcasters.

Speaker 1 (04:10):
Personalities on the internet right now, read my soul.

Speaker 5 (04:14):
Appreciate to read appreciated, appreciate.

Speaker 1 (04:18):
So now today Band from Blat TV has came out
right and it's available everywhere.

Speaker 2 (04:27):
So if you listen to this podcast you haven't heard it,
go to your favorite streaming app stream band.

Speaker 1 (04:34):
From blat TV.

Speaker 2 (04:36):
It's a weird idea kind of tells the story of
how me and DJ Vlad met, how we started to
come up together and where we had our problem.

Speaker 1 (04:46):
Man, while we don't communicate now, it's a.

Speaker 2 (04:50):
Very in depth story and uh it's really all the truth.
I ain't I didn't put nothing on it, like, I
didn't make it any worse or any better. Than it
had to be no different than making two Problemas die.
It's that kind of story. I call it novel rap
because it's so it's so nuanced, like it's it's it's
so detailed.

Speaker 4 (05:10):
I got in.

Speaker 1 (05:11):
You know, I didn't leave nothing to the imagination.

Speaker 2 (05:14):
You could, you can see the idea, but you don't
have to figure out nothing else, like it's all there.

Speaker 3 (05:20):
He said. Call it novelty rap. Trap might put your
in literature poetry category. Hey listen, man, you wanted to
be in the hip hop category.

Speaker 4 (05:28):
You call it. No, no, no, it's not.

Speaker 1 (05:31):
It's not true, but not novelty novel novel hip hop.

Speaker 4 (05:36):
Hip hop is.

Speaker 3 (05:38):
Category though not hip hop category.

Speaker 6 (05:41):
No, no, you can't, because hip hop comes from storytelling. Man,
you know what I'm saying. It's always been that though.

Speaker 5 (05:46):
That's one of my favorite songs, Like the first I
would say, the first rap that I really memorized the
whole thing was slick with children's story.

Speaker 6 (05:54):
That's my that's my too, that's mine too. That's the
first song I remember a word for word, and.

Speaker 5 (06:00):
I mean I think my mom the first time I
saw it was my mom and my aunt was doing it.
They did like a B E T. It was like
maybe two thousand and two, two thousand and maybe they
did a B thing and this was years after, but
it was like the first one that I remember, like
learning from front to back, like from that day, I
remember them. I remember my mom and my aunt was

(06:22):
ran upstairs to the top floor and they was looking
at each other. I was like, oh okay, I was test.
I was like okay, like yeah, so I love that whole,
Like I love that. Like I have a list of
like storyteller songs that I'm like, yeah, like what's the
best storyteller songs? And that nothing really beats that. I
mean it could really.

Speaker 1 (06:40):
One song that beats that.

Speaker 4 (06:41):
I know what you're gonna say, tell him what song
it is?

Speaker 3 (06:44):
Bro, Well, you know what sto it is?

Speaker 4 (06:45):
Tell him?

Speaker 6 (06:46):
I know what song you're gonna say, just the friend.
You're gonna say that beat in New York, right, what
you're gonna.

Speaker 1 (06:53):
Say, Oh that yo, Dad is a good your Probably.

Speaker 2 (07:00):
I think I think they're both as iconic, and I
think one is a more popular.

Speaker 5 (07:05):
Story that maybe the second one I learned back to back.

Speaker 4 (07:09):
That's the beat, that's the beat that gets that one.

Speaker 1 (07:12):
It's a story Trapped.

Speaker 4 (07:14):
It's the story, but it's the beat that captures you
to love with that when it comes to that.

Speaker 1 (07:18):
Th Regulator is a really popular story too.

Speaker 5 (07:24):
Regulators that beat. Now, I could give you that track
and everybody know what happened, what happened to and like, yeah,
they they don't.

Speaker 3 (07:39):
And that's that.

Speaker 4 (07:41):
That's another one on my t.

Speaker 2 (07:44):
Story Wrapped, Like I'm I'm pretty good at that. So
telling this story was different.

Speaker 4 (07:49):
It was it was.

Speaker 2 (07:51):
Like I didn't even know if I wanted to tell
the story. It's just the relationship got worse and worse,
you know what I'm saying, Like they got worse and
worse and worse, and nothing really bad happened. But I
could tell he was making a cognitive effort to avoid
things where he probably could have said glasses this or
you know how all right of a nigga, I am,
but I guess in his mind, I guess I'm not.

(08:12):
So it really just pressed me to just be like,
you know, the same thing I'm doing all these Digital
Maxi singles, I mean, these digit Maxi singles. So it
was like, Okay, this would be a good idea to
make people listen to multiple chapters of one song, I
mean of one idea.

Speaker 5 (08:29):
So that was that was like one of my first questions,
What made you do that?

Speaker 3 (08:32):
Now? That is it?

Speaker 4 (08:33):
Because I.

Speaker 5 (08:35):
See the visuals right off rip like like you said,
it's all there. And I'm a very visual person when
I because I do video treatments. That was kind of
like my entry way into the industry. It's just doing
video treatments. I've been sent a bunch of early stuff.
It wasn't really sent to me, a sent to my homeboy,
but we was working together. And so every time I
hear a song, I like to automatically think about the

(08:56):
visuals of a song. And yeah, so with your first
that's how No. I was introduced to you way back
in the day. That's how it was reintroduced you with
the two Must Die and then you just did this
last one with the Jurassic Park five. So that video
very visual. Is you know you got the fake drinking
their you know, real dope. I'm wearing the shirt sketch

(09:19):
all his shirt right here now, So yeah, what like
why this one? Why?

Speaker 4 (09:24):
Now? So as.

Speaker 1 (09:29):
The whole thing with the Digi Maxi single is.

Speaker 2 (09:33):
Like, right, is I understand where they want to pay
the bit how they want to pay the business, how
they want to pay for records, Like I get where
they're at.

Speaker 4 (09:42):
And it's like.

Speaker 2 (09:44):
Historically the medium that songs were presented on determine the
type of songs you would make. This is like the
first time in human history to me where excuse me,
a recorded music history, rather that that's not being thought of,
Like I mean when you think about shr lack records
like old seventy eighths, the hard ones, like they would

(10:05):
make them based off how you would hear them, the
forty five, you know what I mean, Ray Charles, Like,
not only did it actually encourage the length of the record,
you know the length of the recording, but even how
you record it. Think about it, like when you listen
to Doctor Dre and Snoop, A lot of that stuff
was made for the car because of the compact disc.

(10:26):
Like music had went mobile by that point at a
different pace than it did, you know, coming when it
came from conss to here. It was like fully mobile,
like you could walk down the street with it, you
could put it in your car. So now that streaming
app is a real thing, right, you have this this
new way of digesting music. But we're all doing these

(10:48):
very old concepts or these old formats of how we
make records. So the idea for the Digy MAXI single
was like, Okay, I can't. We can't be in a
business at a fraction of a cent. If one person
plays a song, that's not a viable business. So it's like, okay,

(11:09):
how do I get more money out of this outlet?
How do I get more money? And it was like, okay, well,
I could fix the business if I'm able to take
an idea and stretch it across multiple titles.

Speaker 1 (11:21):
But then how do you make it interesting?

Speaker 4 (11:24):
Right?

Speaker 2 (11:24):
So you don't cheat the fans? Right cause I could
take I got a hundred songs that I never put out.
I can just take those songs and chop them up.
But it's like, nah, let me challenge the ideas, right,
let me not use the same hook. Let me not
make it repetitious. Let me make it like every like.
If you listen to that idea every last chapter, there's

(11:45):
new instruments in each you won't hear it instantly, but
the more you listen to it and layers, it builds
up into more and more and more and more.

Speaker 4 (11:55):
You know what I mean?

Speaker 1 (11:55):
And then the story.

Speaker 2 (11:56):
So in this particular song, right, like with Wanted, it
was each verse right like you if you want to
hear Charlie Toney, you listen all the way through to
because Charlie is like amazing, right, so you had to
go through it.

Speaker 1 (12:08):
Well, this one is the same thing. Like it's like, okay, you.

Speaker 2 (12:11):
Hear this, you hear this opening, right, and then you
hear this, you hear me set the stage for the conflict,
and then you hear the conflict and you know what
I mean. So now there's a reason to get through
all the titles. So now it's not like I'm just
I'm not trying to take no money. I'm allowing streaming
apps to push me creatively to make different records, like

(12:35):
new records, like you know, something that hasn't been made,
and there's not a lot of records like this.

Speaker 1 (12:40):
I think ice tea kind of six in the morning.
It's kind of like this, you know what I mean.

Speaker 2 (12:45):
But it's like you don't hear people take the time
to do a Martin scorseseast type of rap, whereas like,
not only do you set the stage for people to
understand and then you set the problem, but you also
wrap it up with an epilogue to bring it all.

Speaker 1 (13:01):
Home, you know what I mean.

Speaker 2 (13:02):
So, I'm allowing streaming apps to push me creatively, to
break away from, you know, the standard record that Ray
Charles created, the forty five inspired Ray Charles created a
pop record. I'm allowing streaming apps to kind of push
me into like a new wave of like how do
I make records that are entertaining but yet cater to

(13:24):
these mediums?

Speaker 1 (13:28):
Why Vlad?

Speaker 4 (13:29):
Now?

Speaker 3 (13:30):
Why you want to address this story? Have people ask
why you haven't been on.

Speaker 2 (13:33):
The show or Yeah, they asked me all the time,
and so this is how you want to address it
to people?

Speaker 1 (13:39):
Yeah, I hear that all the time.

Speaker 3 (13:41):
Really, really, why Vlad Now?

Speaker 2 (13:45):
There's not anybody specifically like I'll write a record about
me and trap walking through Harlem.

Speaker 1 (13:50):
I don't think there's no crime in it. Yeah, you know,
I get it.

Speaker 2 (13:53):
In this song people could kind of frown And I
don't know because in my mind I handle Vlad with
care in the song, like I didn't just shit on him.
I didn't just say a bunch of bullshit about him,
And it was like, here's our circumstances, here's how I
wanted to handle it.

Speaker 1 (14:07):
Here's what our relationship is now.

Speaker 3 (14:08):
To one day say it's time for me to try
to resolve this.

Speaker 2 (14:11):
No, it was just at that point now when I'm
I'm looking for ideas that can cover multiple titles on
the on the playlist, It's like, now I need something
that's that's interesting. How do I set the stage? How
do I how do I talk about somebody that you
would know? Like if I just make a story about
my homeboy fifty from my neighborhood, right, you don't know fifty,

(14:32):
So then I'm banking on you listening to me and
giving the chance. Versus if I tell you a story
about my relationship with somebody you knew, you know what
I mean, then you could really get a chance to
It's like trap, Like how we use samples, samples Like
we were just talking about it right now with today
was a good day, like hearing that's between the sheets?

Speaker 4 (14:52):
No, that's.

Speaker 3 (14:55):
Is that Curtis?

Speaker 4 (14:56):
Then that's Curtis curtisys.

Speaker 1 (15:03):
Today it was a good day.

Speaker 2 (15:05):
No, No, anyway, the sample itself, right, is like that
allows you to receive the story.

Speaker 5 (15:19):
That he's telling you. What steps who steps in the dark,
what steps in the dark that you go.

Speaker 2 (15:24):
So it's like that allows you, that simple break allows
you to now digest the story that cub was trying
to tell you. What it's like now is like, Okay,
if you know the two characters, if you know the
two principal the the two principles involved, now you could
focus on the story like damn, okay, this is with

(15:45):
glasses and this is with black. So it was a
combination of things. It was I needed to tell a
story that people were familiar with. The principles no different
than two part must die. Like that's a familiar principles.
And then here's a familiar culture cripping. And then here's
a familiar person, Tupac. This is how these two things collide. Well,

(16:06):
here's the same kind of thing. This is dj vladd.
You know, one of the biggest faces in media. Here
is glasses Malone. This this cultural you know, this cultural
genius to some degree, right, this cultural icon, you know,
I mean as far as in this culture.

Speaker 1 (16:21):
And here here's a conversation. Here's a relationship.

Speaker 2 (16:25):
Normally, like you may not tell a story because you're
worried about losing a relationship.

Speaker 1 (16:31):
And the truth is it is like you know, it's
already lost.

Speaker 5 (16:36):
I mean yeah, shit, I mean.

Speaker 1 (16:40):
Yeah, like you know what I'm saying. But I didn't
think it was. I didn't think it was nothing.

Speaker 2 (16:45):
Like like I could tell you some stories about people.
I can tell you stuff about rappers that got bullied
in front of me. I can tell you rappers that
they got punked in front of me. I can tell
you stories of all kind of crazy shit. So it's
not none of those stories.

Speaker 4 (16:59):
This story is.

Speaker 2 (17:00):
About somebody to me outside of the culture, right, but
it's very much adjacent to the arts, right, Okay, Like
he was a mixtape dj, he was adjacent to the arts,
so he was taking songs, putting them on his mixtape.
He was good at marketing, he was able to share
them and get him everywhere and then his glasses. Right,

(17:21):
this is this street urban culture like like like prodigy
to some degree, I mean, not not necessarily artistic like
a NAS, but like the culture itself, like a prodigy
in it, like I could, like, I get it, I
fuck with it.

Speaker 1 (17:36):
I'm heavy in it.

Speaker 2 (17:37):
Currently NODS is like a prodigy in the art itself,
you know what I mean. I'm like the culture itself,
like I live it, like we all.

Speaker 3 (17:44):
Heard it, right, we all heard the song.

Speaker 6 (17:46):
Yeah, yeah, yeah.

Speaker 3 (17:47):
My question is do you think he is go get offended?
You know, not by the first part, but by the
last part of re exposed maybe his most deepest pain
to the whole.

Speaker 4 (17:58):
World of what as far as what oh with the girl?

Speaker 3 (18:03):
You can tell you okay, of walking in and catching
this girl being pounded by somebody else, that that could
be there no ask a questions, getting sure sure feelings
and stuff about that.

Speaker 2 (18:17):
Maybe maybe you know what I mean, maybe maybe maybe
if it's if it's something he tried to hide, yeah
it could.

Speaker 1 (18:23):
It could definitely have him pretty mad at me.

Speaker 4 (18:26):
That's what see.

Speaker 3 (18:28):
I think I feel like as if you know what
I'm saying that I say no, but when you go
open up the door of his you know sure you're
still with her? Right?

Speaker 1 (18:37):
I'm not sure? But I mean yes that that that
might be the most raggedy part of it all.

Speaker 4 (18:47):
Like that.

Speaker 2 (18:47):
That's what makes this different than Tupacmuns dies, because two
park Muns die is there was nothing that could happen.
This is a person that passed away. Here's these people
that kind of dealt with it. The only personal lodge
steal made a situation where at least he thought he
couldn't deal with it. But obviously he's in a bunch
of sh it now. So that fucked it up now,
which I wouldn't have made the fun is sound. And

(19:07):
then frohow ended up back in the ship. But what
if they put what did they put your song in
the court case?

Speaker 1 (19:15):
That ain't gonna happen.

Speaker 4 (19:16):
You never thought about that though I thought about it.

Speaker 5 (19:19):
Yeah, little key, that crazy.

Speaker 3 (19:24):
That never.

Speaker 1 (19:24):
But the thing is, I always know that Keithy gave
me permission.

Speaker 6 (19:28):
Yeah, I'm saying he already told the story of before
that though, he told the story, And I did.

Speaker 2 (19:32):
Just make a story without talking to him and some
homies from over there, those that I know from over there,
you know, to.

Speaker 1 (19:38):
Make sure that sue glasses or something trapped, But how
could you sue me?

Speaker 5 (19:43):
Like what I'm saying, Like he already told the story.

Speaker 1 (19:46):
He told, told the story to the post, He talked
about Black.

Speaker 6 (19:55):
Keef, He told the story to the police, told the
story to Black, told the story for a book.

Speaker 1 (20:01):
I heard you that's in peace.

Speaker 3 (20:04):
Okay.

Speaker 2 (20:04):
So the dude that Dumac played in the car, it
was it was a solid older hummy, like he was
a little older than me, but he was a solid hummy.

Speaker 3 (20:10):
Let me ask you a question, are you afraid or
do you think lab because he's got a history of
using the courts to come back as somebody, you think
he'll do a drake?

Speaker 1 (20:19):
No, I mean it's not impossible.

Speaker 3 (20:23):
I just don't and all that stuff.

Speaker 1 (20:25):
But how would I be defaming him?

Speaker 3 (20:27):
You know, I'm just saying though he was the famed
and well, I.

Speaker 2 (20:32):
Mean he was accusing because he felt like he was called,
you know, a PDF on the song. You know he
sued the record label. But I don't know if I'm
not saying black, what would that make black?

Speaker 6 (20:45):
Like?

Speaker 4 (20:45):
What did I call it?

Speaker 1 (20:46):
Blad in the song?

Speaker 4 (20:48):
The thing about it is.

Speaker 1 (20:51):
Messing around? And if you joy, if you enjoyed, you
cut right back to her.

Speaker 3 (20:56):
What you thought that in the streets?

Speaker 4 (20:59):
Call it?

Speaker 1 (21:00):
And what you called that the streets trap?

Speaker 6 (21:03):
What if you if you if you enjoy watching your
watching your lady get get slapped by somebody, go.

Speaker 1 (21:09):
Right back to her and everything's okay?

Speaker 3 (21:11):
What you call that?

Speaker 4 (21:13):
Call that a sucker for love? Right there? You know
what I'm saying.

Speaker 1 (21:17):
No, I didn't call him that though, he didn't.

Speaker 4 (21:21):
He didn't. He did.

Speaker 6 (21:22):
I don't think of her friends. I don't think with
enough song at all. You you you try to like.
The thing about the song is the fact that it's
all true. You know what I'm saying. Nothing, there's nothing fabricated,
there's nothing made up. You know what I'm saying. It's
the truthful sirt. So when he hears the song, he
and he it's gonna bring him back to a moment

(21:42):
of time that he probably tried to forget about though,
you know what I'm saying. And that's within every action,
every chapter, within the song, though he tried to forget
about all that, you know what I'm saying. From the
I don't want to. I mean we could for the
song gonna be out by time to come out though.
So even when it comes down to the to the
the ship in Miami, whatever he was with the rhit though,
what I'm saying in Houston though, and I'm saying, it's

(22:04):
gonna just bring them back to probably moments of time
that you probably try to forget about it and stuff
like that. But nah, but I mean, listen, man, it's
the truth though.

Speaker 5 (22:12):
And see this is where this is the question the
main question I have, since we kind of already put
it out there. For one, I hear what you talk
about glasses with because you're talking about retention rate. You're
talking about how long you can keep people on the apps,
and so when you're doing this long story, it makes
people listen. And the longer you can keep people on
his apps, the better. So it's the two things that

(22:34):
I hear when I'm focused on my YouTube stuff. And
when I'm focused on my stuff, it's how long people
are watching. And you know what my click through rate is, right,
like how many people like what they see the thumbnail?
How many people clicking through. But the main thing is
retention is how long you're keeping people on these apps,
because that's how they're gonna pay. On YouTube, you you
cut mid roll by at eight minutes, right, so you

(22:54):
want your videos to be at least eight to ten minutes,
you know, I usually try to keep minds eight to fifteen.
So that that's one thing. So I hear you when
you're saying that, and I think that's hope, because you
made me listen to a five minute song within the
last what hour, two hours? Like four or five times,
just so I can hear everything. No, really that that's good. Yeah, yeah,
that's that's what you want because you want people to

(23:16):
be like, oh okay, word. So that's how you get
paid nowadays. How long you keep on people on That's
why everybody go podcast because I mean, if I can
keep you on a page for two hours, we're gonna
get all the money. So that's one thing I'm hearing.
But my thing to you, Glasses is because I don't
think anything is bad on Flat, And I think you
wrote that with kind of the intentions, because yeah, we

(23:37):
know Flat. Everybody knows Lad right like we know who
Lad is, right. I don't think anybody say anything new
about her. I don't think Abdy gonna be like, oh,
you know, he's the fame of Flat. Everybody in the
fame Flat and worst ways. Sure, But my thing is
what made you bring Vlad to the hood? Then this
is my main question.

Speaker 3 (23:57):
So we're a great question.

Speaker 5 (23:59):
So that's fine. What did you see in Blad to
put your arm around him and give him the past?
Because clearly what you're saying is that he you knew,
like and that's another question. You kind of knew. You
said Homie was going to start feeling himself and start
thinking he was the low right, So that's my thing.
What made you put your arm around Lad and bring

(24:20):
him to the hood and give him this pass? Because
that's really the man. So when i'm so, I'm I'm
with Black Wall Street at this time, Okay, gang Gang,
he shout out the face g RII everybody, all the homies.
But he's this mixtape DJ from the Bay Area, staying
in LA. His mixtapes are popping on the scene right

(24:42):
You're starting to hear about him, called itself Vlad the
butchert and it was like okay, And he took some
of my songs and put him on his mixtape. And
I noticed that people was hearing the song, so I
understand he understood marketing. So we met on Brazil and
he was telling me he was launching this Blad TV
thing and he's like, man, I want to get you

(25:04):
on Blad TV. And I'm like, okay, cool, Like you know,
we already starting exchange music. He giving me looks on
his tape.

Speaker 2 (25:10):
I'm giving him exclusive songs, Chuck giving him exclusive songs.
So it's like okay, So I bring him on the
seven and I have him, you know, my homies date
looking at Robbie, you know what I mean, Like, who
is this?

Speaker 4 (25:25):
Yeah?

Speaker 1 (25:26):
Yeah, that was one of the earth.

Speaker 2 (25:27):
If you look at the earliest Blad TVs you go
back to two thousand and five six, except on I'm
on him right because it's like I'm on them because
it's like, uh, like I was early on it, so
it really was. I didn't think of it as anything.
And at that time, Vlad was still acting street.

Speaker 1 (25:47):
Like Blad was.

Speaker 2 (25:48):
Remember this whole shit with Rose, like he was popping
it to Rose online. Like if y'all don't notice, like
when Blad talk now, he kind of talks tough, you
know what I mean, Like it's just how he talked,
you know what I'm saying, Like he he talked like
he on action. And it's like and I think maybe
at that time maybe he would have been down. I mean,

(26:08):
obviously with the Rick Ross shit, it proved otherwise. But
I'm saying I thought he understood those things. But a
pistol asking me to borrow a pistol is another level.
It ain't like bringing you to the neighborhood and making
sure homies don't take advantage of you because they deep
or one person or having your back loaning your pistol. Now,
I mean I'm I'm you playing with my freedom. That's

(26:31):
how I looked at it. Not only are you playing
with your freedom?

Speaker 1 (26:34):

Speaker 2 (26:35):
You playing with my freedom because if you these people
shake you up and ask you where you got this
gun from, and you then told him that you taught
me what you just finna do I get the same
time for some pussy ill never got, you know what
I'm saying.

Speaker 4 (26:47):
So it's like.

Speaker 1 (26:49):
That that it wasn't so much bringing him around the way.

Speaker 2 (26:52):
He was already coming the conference, So I was just
dragging him the watch to do certain things, and it
was dope. It was definitely a mutual benefit relationship, you
know what I'm saying. But you know, asking me for
a pistol to ball a gun is just different. I mean,
that's like serious, and that's where it was wrong. That's
where it went different. That right there on, that was it,
you know what I'm saying. It was like, it's funny

(27:13):
because my older homie plucked right. Like I remember the
first time I got to some ship and I asked
the ball gun that Nigga said you had to go
steal your own first gun, like I stole mom, give
me no fucking gun, nigga, you got some money too,
go by your own fucking gun. And I remember taking up.
I went and bought my own gun. So that became
my mentality. That lesson is a lesson that I took

(27:33):
with me, let alone for a blast somebody who you know,
not saying. I didn't look at him like a I
didn't look at him like a punk or nothing, but
like you not street, you know what I'm saying, Like,
and you're not street, Like you don't give me street.
I mean you you give me like you may not
be a buster or you may not you know, you
may not be like you know whatever, but popping somebody

(27:55):
is different.

Speaker 1 (27:56):
Yeah. So yeah, asking me for a gun was just crazy.

Speaker 2 (28:00):
You know.

Speaker 1 (28:00):
It's like being mad that I didn't give you the
gun is even more crazy.

Speaker 4 (28:04):
Yeah, I think with the.

Speaker 6 (28:08):
With the what I caught from it though, was the
fact that you didn't want to You didn't want to
give him the gun to go get another black man though. Me.

Speaker 2 (28:18):
Yeah, that bothered me too that it sounded you got
to where we're from, like it is very few white
people and I mean very few, like to.

Speaker 1 (28:31):
Like that's Compton and wats that's both places.

Speaker 2 (28:34):
Like I got one homeboy named Snow from the seven like,
and then I got another white man that I know
of that that I don't even know, like you know
what I mean.

Speaker 1 (28:43):
That's how many white people.

Speaker 2 (28:48):
Like he like a like a legend in the name
of gang banging, but you don't really know him, you
know what I'm saying.

Speaker 1 (28:54):
Those the only two white people.

Speaker 2 (28:56):
I know, you know what I mean, like that that
be around us. So then like Laddie was like, you
know that shit just sounded crazy, Like what give you
a gunna do?

Speaker 4 (29:05):
What?

Speaker 3 (29:05):

Speaker 1 (29:06):
And I'm thinking, like, I got it.

Speaker 2 (29:09):
I can hear the emotions. Obviously he was crying. I
can hear the emotions, right, I get it. But it's like,
first off, I gotta protect you from yourself too. I'm
offering you to come. I mean, I'm offering you to come,
and uh like I'm I'm gonna make you get a
fair one with Homie.

Speaker 3 (29:25):
So you're offering to go with.

Speaker 2 (29:26):
Him, I'm like, technically, come over there and make sure
you can fight the dude head up, you know what
I mean, Like you trying to come get a burner,
like this is serious. I'm like, I'm not giving you
no fucking gun. That's just a lot, you know, I
mean the context of what happened, who was involved. And
remember remember like this is sister you know he dating.

(29:46):
Oh yeah, so it's like, oh, I guess an, I'm
feel to give you a gun to pop up.

Speaker 5 (29:54):
Brother.

Speaker 1 (29:55):
I just that's just not a confident watch thing to do.
I get it.

Speaker 2 (29:58):
I know read I nigga said tell me all the
time about gang banging and klu Klux Klan and all this.
Oh shit, it ain't that type of party, you know
what I mean, Like you could have a problem, but
I'm not helping.

Speaker 1 (30:10):
No, you know, no white man do something too. That's
just crazy under no.

Speaker 4 (30:15):
You know what I mean.

Speaker 3 (30:16):
No, like nothing like.

Speaker 2 (30:18):
Even when my homeboys Snow, Like when Snow we would
walk to the Pj's and Snow would get into it
with this nigga from PJ Crip and Snow had to
fight every We're not finna help you fight this black
man like you gotta fight him and fighting yourself, you know.

Speaker 3 (30:32):
What I mean.

Speaker 2 (30:32):
Like so I don't know, man, it's just they got
worse and worse and now to the point like if
somebody bring up my name feel me.

Speaker 4 (30:41):
It's like.

Speaker 5 (30:43):
Somebody bring up my name is like you know, I
can see that this thing like I can see it's
like you know what I mean?

Speaker 2 (30:49):
And so when we do tupac mus digter, ho'my recommend
like the homie that know what happened homi. He's from
Central California. He's from the coast of Central California, and
he knew what happened in real time. And he brought
up to me like, hey man, like, why why you
won't do blad for this two part?

Speaker 1 (31:08):
Months died?

Speaker 5 (31:09):
And I'm like, and I ain't even talked to Black
and wow.

Speaker 2 (31:11):
You I mean I didn't even think to do the show. Yeah,
and I never thought about it. I didn't think he
was mad or nothing. Still, I just hadn't talked to him.
I'm thinking we just hadn't talked. That's when I realized
back in twenty nineteen that he was still mad at me.

Speaker 1 (31:23):
This is why I haven't talked to him.

Speaker 3 (31:25):
Was a response to, how'd you know what happened?

Speaker 1 (31:27):
He said, He's still mad. You didn't give him that gun?

Speaker 4 (31:29):
Oh wow?

Speaker 1 (31:30):
Still like shit?

Speaker 3 (31:32):
Ok?

Speaker 4 (31:32):
He told he told me that ship.

Speaker 5 (31:34):
Yes, wow, cause it's me because I remember talk about this.
Was I just tripping no other.

Speaker 2 (31:43):
People about it on band from Blad, on me on
Black TV, but like Nick Cannon brought it up. Different
people brought it up, but he would never And then
I realized, like between different people trying to talk to him,
like oh, like this nigga really mad at me.

Speaker 5 (31:58):
And I'm like, Nigga, this is almost twenty years ago,
read like, why are.

Speaker 4 (32:02):
You still mad?

Speaker 2 (32:03):
Like Charlotta Mane was just on this platform the other
day and he was like, man, my boy glasses and
just to I was like.

Speaker 4 (32:10):
He went over that.

Speaker 6 (32:11):
You listen, he went over that shit. So Glad, hey, Glass,
I said, this is crazy. Timer right now, I said,
cause Charlamagne up on Blad right now, said I'm about
to watch it. So I watched him. It's like ten
minutes into the interview. Ten minutes into the interview, you
know what I'm saying, Glad ask him something about blacks.
Charlamagne s something about Drake and he mentioned he mentions
black my man glassing alone, this that and that like that.

Speaker 4 (32:30):
Yo. When I tell you, Glass flew over that shit
so fast.

Speaker 6 (32:33):
Ain't even like he flew over like if he ain't
even hear Glass's name mentioned bro word and he wanted
to get into that conversation too, And it's.

Speaker 1 (32:42):
Like so crazy to me, like damn, like nigga, like
we but shit, you know, and is what it is
at this point.

Speaker 2 (32:49):
So I just I just accepted it for what it was,
and then I knew it was like more serious than
I thought, like not serious, like it's a danger, but
like like damn, So I just always want was I wrong?
So like only me and you know this, yes, because
in my mind, I'm like, it's no chance I was wrong. Nigga,
I'm not giving you no gun.

Speaker 3 (33:10):
You didn't know you did a smart thing.

Speaker 1 (33:12):
So but I'm asking what is he mad at? Still
the wh what is he standing on to be upset?

Speaker 3 (33:18):
Because I think he might be upset because he just
opened hisself up to you and was crying and you said, oh,
that was king, But that's like he feel embarrassed and
you feel all that. You know how people get him.

Speaker 2 (33:33):
For fucking fifteen fucking years, there's eighteen nineteen years.

Speaker 3 (33:39):
You just let his secret out. Harry probably forgotten you
don't talk about it. People forget you know.

Speaker 1 (33:45):
And so nobody knew that that was only between me
and him back then.

Speaker 3 (33:48):
Everybody knows.

Speaker 1 (33:51):
Well now it's the reason for him to be mad.
But now it makes sense if he never talks to
me again.

Speaker 2 (33:58):
Like now it's like I'm okay with him, but you know,
maybe you know, you don't know, maybe he'd be like
man glasses. You know, he had caught me, like we
need to have this conversation because I need to vent
with you and tell you what I feel and what's wrong.

Speaker 3 (34:09):
Well, he had a couple of weeks to do it
because you've been talking about it coming up ban from BLAD,
so he had a chance. You know, I ain't been
talking about I didn't talk about it publicly, but you
said it was coming out.

Speaker 1 (34:20):
I didn't say that publicly.

Speaker 4 (34:21):
You did.

Speaker 1 (34:22):
They don't know?

Speaker 5 (34:23):
And was you playing off band from TV? Like we
band from TV?

Speaker 4 (34:27):
The song for sure?

Speaker 5 (34:28):
For sure ain't okay, I just know not.

Speaker 6 (34:30):
The song after song after song, the actual the actual
tapes used to come out and the song okay, all right, a.

Speaker 1 (34:38):
Couple of things until I do my time trap.

Speaker 5 (34:41):
I heard about him when I was younger, but I
got them crazy tapes. But I ain't I ain't never
seen them, but yeah, those two things. I was gonna
mention that as well.

Speaker 2 (34:52):
Really, he was already kind of coming around like not
like hanging out where we're from, but like, remember, everybody
at that time was going on Brazil.

Speaker 1 (35:00):
Everybody was coming to count for the Chuck Gang was
the hottest NIGG in the world. So the guy would.

Speaker 3 (35:05):
Come on Brazil, feel me to the tobacco.

Speaker 5 (35:07):
M hey, hold on time out that whole situation. Yeah,
he flipped a little bit, he said, he said, he said,
I'm signed to doctor Dre and not gu Nick. I
remember all of them joints, Like, I never forget when
we for like a week I was, I was rolling
a game.

Speaker 3 (35:27):
It was it was I can never.

Speaker 6 (35:29):
Forget that whole campaign he was doing at that time, though, Man,
he can't. He came out to Jamaica. He came out
to Jamaica Avenue b with a life size rant.

Speaker 4 (35:38):
It was. It was on Jamaica Avenue screaming gu and
not that ship was that was crazy man.

Speaker 2 (35:46):
Oh but yeah, it's like so everybody was already That's
how I missed schiming him. Everybody was coming to Brazil
and confor we hang I'm over there all the time,
so I'm meeting people and it's like.

Speaker 4 (35:58):
That's it.

Speaker 2 (35:58):
Black was a cool dude. Don't like he was cool
like he a bit over the top down. Back then
he was a way cooler dude like he was he was,
he was carrying himself a little bit more street. But
now I think he knows it, even though sometimes he
very much talked like the Godfather now when he be
talking father and sh but like then, you know what

(36:24):
I mean, he was way more cooler. He just acted
a little bit more like thuggery.

Speaker 6 (36:31):
You think that he's he's been removed from from from
that type of you know what I'm saying, surroundings and
being around people like that that is you know what
I'm saying, or either it was never just really him
though you know what I'm saying.

Speaker 3 (36:45):
I don't tell you.

Speaker 1 (36:46):
I don't think.

Speaker 2 (36:46):
So this is the thing, like you people that grew
up in the Bay, the Bay is a little bit
more morti cultural when it comes to inner the inner
city than Compton and watch, like you'll meet Asian people,
white people. They grew up the same way that that
black folk grew up in the ghetto there. Gill me
some Asian folks, some white folks, from Indian folks, all

(37:09):
kinds of people who grew up with the brothers and
the ghettos of the Bay. It ain't like that in
wahing Counter. So I think at that time I knew
he was from the Bay. He had came through the base,
so I was like, okay, well that's kind of where
he got his little kind of how you carry yourself.
But I don't think I ever thought of two seconds that,
like he was a participant, like in all the silly shit.

Speaker 6 (37:32):
I want to ask you a question. This is this
is going to be asked because it's been a major
question upon them picking out people and everything like that.

Speaker 4 (37:40):
Is Glad hip hop?

Speaker 1 (37:43):
No, okay a journalists. No, Lad is an entertainer. Cloud
is like a rapper.

Speaker 3 (37:52):
He's entertainer.

Speaker 1 (37:53):
Yeah, Lad got a TV show.

Speaker 3 (37:56):
He's a rapper, but he's not hip hop.

Speaker 2 (37:59):
Yeah yeah, he's he he uses street urban culture to
entertain but he's not a hip hop artist like he.
I don't I don't think it's fair to say he
grew up culturally through street urban culture.

Speaker 1 (38:12):
I grew up.

Speaker 4 (38:15):
I think he.

Speaker 1 (38:16):
I think he's adjacent to the culture.

Speaker 2 (38:18):
I think he I think he saw up close and
personal for a while, but I don't think he was
raised in.

Speaker 1 (38:24):
It enough for it to adopt it and be his own.
Do he sound like it right now?

Speaker 3 (38:27):
When he talked, who's to me? It's like a racist
white boy than me.

Speaker 4 (38:32):
Oh, man, I'm not getting them. Come on, man, I'm
not doing that.

Speaker 1 (38:40):
It's crazy, that's what I see.

Speaker 4 (38:42):
I'm not putting that, man, I'm not.

Speaker 1 (38:49):
I see through all that bled cool man he looked out.

Speaker 6 (38:55):
I want to know why you're not a fan though,
or make you not be a fan of him his
interviewing skills, Like what don't you like.

Speaker 5 (39:02):
About I'm kind of closer to what what's what's what's
what's kind of yeah, King, I'm more closer to you
because you know, as I've grown up. Man, I'm really
like glasses with it. Like I'll stop watching him when
the whole Lord Jamar rra Khan thing blew up, because

(39:23):
I just think I started seeing a pattern in the
way he was using the culture. He's tried to position
himself like like last he said, he tried to position
himself like he's the boss, so like he's some godfather,
Like you know, I did that master.

Speaker 3 (39:37):
Called it slave master.

Speaker 1 (39:39):
Not not quite a slave master.

Speaker 5 (39:41):
Like that, but he makes it seem like he is
a really important figure more so than he sometimes over
talked at the interviewee like sometimes he overtalked them and
put his own thing on it. So when all the
dialogue start popping, I'm going with us, like that's just
how I Once I get a different and I hear
like him going through it with Joe Budden, him going

(40:02):
through it with this person, God Free, this person, that person,
and I really revealed these people in the culture. I'm like,
I gotta, I gotta stop. So I stopped watching the clips.
I got them blocked on YouTube, and I feel like
my generation gotta start making that distinction because there's other
we got out of Dotlogue. We got Glasses Channel, we

(40:23):
got multiple channels of us, and so I think we
gotta start supporting us. So this is when you did this,
I was like, oh, this is perfect because I really
don't like blad like and I don't care what relationships
I get or don't get because I think that trap
Lord Raw's blad Adam twenty two I do. I don't
watch that stuff because it's is it feel usury you

(40:45):
feel like they usually No.

Speaker 6 (40:47):
No, I'm kind of getting I'm kind of getting from
you that you don't like white journalists on hip hop though,
what it is, I'm just asking.

Speaker 4 (40:55):
I'm just asking a question because people you name, I don't.

Speaker 2 (40:59):
I don't know if those guys are journalists because I
don't I don't think they're journalists.

Speaker 5 (41:05):
Jeremy Heck, Rob Mark, Jeremy is a journalist is like
a journalist.

Speaker 1 (41:13):
Is a brother. Though.

Speaker 2 (41:16):
A journalist is somebody who kind of just documents what's happening.
Lad Adam and Trap, they're like they're like personalities.

Speaker 4 (41:27):
They're kind of journalist journalist but no, no, he leans.

Speaker 2 (41:35):
There, but no, he's still a personality too. So like
like once you start making conclusions, like you become a
part of the entertainment, like become up, like you become
like a journalist is somebody that just reports the story.
But then when you see people become a part of
the entertainment, they're entertainers. I was telling my homies that

(41:56):
I was telling my homies the whole fig munity world.
I'm like, y'all not journal this, y'all like rappers, I mean,
streamers are rappers. Like academics is not a journalist, he's
a rapper.

Speaker 5 (42:08):
I'm I'm a journalist. Keep my personal bias he is.
I keep is different.

Speaker 2 (42:14):
They like that makes sense though, Like a journalist is
somebody who just documents what's happening when you Once you
get from.

Speaker 6 (42:23):
Traplott Rosstuf, like I understand the point of entertainment within
within the accent and everything like that. Though, But he
he what he does to really deep dive into like
the whatever whatever he's talking about, he does a deep
dive into it, you know what I'm saying to to
really get the you know what I'm saying that the
research that he done, and he done picked up.

Speaker 3 (42:43):
All of them do that.

Speaker 1 (42:44):
I think all of them do that. Well that that's listen, okay.

Speaker 2 (42:49):
I see the movement amongst brothers where they like looking
at them like you know how they see them, like
how read is saying.

Speaker 1 (42:55):
I get it.

Speaker 2 (42:57):
The thing I respect and I understand that they see
is the value in street urban culture. Like that's the
thing that I can't get us to understand. People that
come from it. We do not see the value in
it because it's so second nature to us.

Speaker 1 (43:11):
It's nothing.

Speaker 2 (43:12):
It's like how Glenn Bell saw the value in tacos,
you know what I mean? And he was like, you
know what, Glenn Bell is the person who may Taco Bell?
Is that the person may Taco Bell. Wow, I never
you see your research, you'll be doing be crazy.

Speaker 4 (43:26):
I never knew that. I never knew that, Glenn Bell.

Speaker 1 (43:32):
Why is that body that I know that story for
time now that they can tell who owns it?

Speaker 2 (43:39):
Because I'm saying sharing them to Glenn Bell, right, somebody
that understands the value of culture even though they not
involved of it, and then they extort it with kind
of this digestible version of.

Speaker 5 (43:51):
It for the not the country. That's dope because just
what two or three podcasts ago y'all was talking about tacos.

Speaker 4 (43:57):
And that's a fact.

Speaker 1 (43:59):
It was no but it was no reason to pro
he had that in his back pocket. In his back pocket,
Glenn Study what back you?

Speaker 5 (44:05):
God?

Speaker 2 (44:06):
Okay, I figured out I figured out. No, I figured
out who going to mac And that's all at the
same time. Okay, if we're talking to Who'dy's dad started
at KFC, I didn't know. Yeah, Okay, Colonel Feels is.

Speaker 3 (44:25):
A real dude.

Speaker 1 (44:27):
Yes, he's not a real colonel. But he yes, I
know where his first shop was.

Speaker 3 (44:30):
It was in Utah. You know, the first CAFC was
in Utah, So I know history. I always knew who
he was, always knew who he was.

Speaker 2 (44:42):
Like I'm saying, in discomparison with those three dudes, they
see the value in something culturally that's the ship, and
they like, I'm finna build some off for that now.

Speaker 1 (44:55):
Is it vulturous? I don't know.

Speaker 5 (44:58):
It feels like it.

Speaker 1 (45:00):
I can respect that. I can respect that.

Speaker 5 (45:03):
I can't say yes or no. But as I'm growing
into my manhood, is when you start positioning yourself like
you bigger than the program you said it, he gonna
one day start positioning himself like he bigger than the program.
And that's I see with Bladd is that he positioned
himself like he's bigger than the culture itself. And he
started when he did the whole thing with Marlon Wayne's Yeah, yeah,

(45:28):
just certain things that I love Dwayne Brothers. I love
Marlon Is that dude, like he's he's been around for
so long six Man six, all these different movie I
had to remember, like hold On Walton been around for
many before, like he had many so when Blad tried
to do that, I was just like, see, this is

(45:49):
why I stopped watching him because and this was crazy.

Speaker 1 (45:52):
Was crazy to me. Okay, I get it.

Speaker 2 (45:55):
If and then seeing something i'll critigue, lad, I get
it if you know what. You was like, Man, that's
too much money. You don't say nothing, You're like, you
know what, I ain't gonna do this. It's nigga tripping.
But then like I watched him sit down and just
say the other day that uh Takashi asked for way
more money and he paid him. Yes, Now I get why.

(46:21):
Now whether I agree or not is unimportant because it's
also a different value in YouTube clicks views that's worth
a lot of money. But if it's just business, then
why even blow home Me out and try to you know?
And he apologize, So I don't want to make too
much of it. But why are you try to blow
home Me out if it's just business?

Speaker 3 (46:41):
I didn't know he was paying for interviews?

Speaker 4 (46:44):
Can I get a little recap on with him?

Speaker 3 (46:46):
Though?

Speaker 2 (46:48):
So he wanted Marlon to do Blad TV, and Marlon
told him he wanted so much money and a and
a percentage cut of the videos.

Speaker 5 (46:59):
It was like twenty thousand or like a ten percent,
fifteen percent because something like that. Don't know whatever it was.

Speaker 1 (47:03):
Yeah, I don't want to try to figureut the numbers,
but it was it wasn't something crazy.

Speaker 2 (47:08):
I mean, who am I to say? I don't know
I vlad bens on Nomber. I'm just saying it is
Marlon Wayans who makes means and means. It means, it means,
it means of dollars per film.

Speaker 4 (47:16):

Speaker 1 (47:16):
He been making means and means and it means of
dollars per film since the nineties.

Speaker 2 (47:20):
So if he come and ask you for you know,
ten thousand, twenty thirty, forty thousand dollars, now, I'm not
saying you should do it.

Speaker 1 (47:26):
I'm just saying he's not asking for something crazy like if.

Speaker 2 (47:30):
Marlon Wayans, if Denzel say, hey, glasses to get on
no ceilings, I want forty thousand dollars Like I wouldn't
consider that, and not to compare Moreland in jail. But
I'm just saying, this is how long this brother been
making money in his business. It's thirty plus years. So
it's like, okay, if you not gonna fuck with him, cool,
just let it go. But when you start to airing
him out, like he's not worth it, right, And then

(47:52):
so it's like, Okay, I get it, you compared this
YouTube number, but that still sound like a private conversation.
And that's where I was saying, like in in the
song and banfot Flat TV, I was like, I could
see that in two thousand and six. I can see
that attitude back then. I could see the the whole
energy back then. I can see the whole energy back

(48:13):
then where it was like, oh, this nigga gonna be crazy,
you know what I'm saying. Like even when him, you know,
even when him and Ross got into it, because he
kind of air Ross out on that whole shit, right,
Like he put that ship out there about homie, you know,
having that job.

Speaker 3 (48:28):
Oh, but to see yeah yeah yeah.

Speaker 2 (48:31):
So it's like so it's like and when they was
popping it, they was popping it online, he was popping
it back. I'm like, oh shit, they you know, I'm
thinking to myself like, damn, maybe I should have gave
you the girl like he on this type of time.
And when the fight happened, it was like, man, I
knew he was gonna lay eg he laid the egg.
He didn't even try it. So it's like, you know
what I'm saying, It was like damn, so like that's

(48:54):
my issue, is like and that's where he's at now,
like where he like he he And don't be wrong,
I'm glad it's working in celebrity, like the bad bunny
thing like you know, oh you know you don't speak
English like bro chill fool, Like why like you know
what I mean, Like you know a lot of people
in this he speak Spanish. It ain't like English is
the primary language.

Speaker 3 (49:15):
And I see why I feel the way I feel
the things he'd been doing and saying and acting man like.

Speaker 2 (49:20):
Yeh, it's not like you know what I mean? And
I noticed what he's doing and I see him working
in celebrity. But it's like, but I could see this
person a long time ago.

Speaker 5 (49:29):
And let me just say lessons. I don't want to
take anything away from his work ethic, because the man
did create a formula for YouTube. Everybody in the copy
the former, a lot of people that broke broke they
interview up into thirty thousand pieces like he do. So
I'm not taking away anything from his his work ethic
and what he does on the business sense, because it's immaculate.

(49:49):
You can't you can't touch that. But like you said,
with these personal little things that make me see his character.
You know, business is business. But when you when your
characters that way and I feel like you a guest
in the culture, it's like I don't I don't have to.
I don't have to click like me. I'm a super fan.

Speaker 4 (50:06):
You feel me.

Speaker 5 (50:07):
You everybody know that. That's one thing about my channel.
I talk about Ja Cole, but I can show you
I got all his vinyls. You know what I'm saying,
Like I put my money where my mouth is if
I want to support. But I'm also the same way
on the other if I feel as though I don't
like you or like you're you ain't righteous, and I
ain't gonna say it like righteous, like I'm some short.

(50:27):
But if I feel as though you have ill intentions,
I'm not gonna click because that's my power. You know
what I mean, My power ain't. I ain't gonna stop you,
ain't the monkey, don't stop the show. But I know
that you're not gonna get my advertisement dollars.

Speaker 1 (50:38):
You're not gonna get my view money.

Speaker 5 (50:40):
You ain't getting my views because why would you? You
know what I'm saying. Oh, that's kind of my thing
with it, and I'm glad I did this because I
think the people need to hear it.

Speaker 4 (50:50):
You know.

Speaker 3 (50:50):
No, So.

Speaker 2 (50:53):
Like I don't watch I watched lad interviews out comment
when he said something like he just said something back
to me.

Speaker 1 (50:58):
Yeah if I if I'm interested, and he said.

Speaker 4 (51:01):
Something back to you, sure.

Speaker 3 (51:04):
She'll talk to you online, but won't talk to you
in person.

Speaker 2 (51:08):
No, No, you ain't gonna talk to me because it's
different man, like characters the truth is, but it's not.
It's not okay, it's only character. You have expectations for somebody,
Like I kind of believe I know who Blad was.
And maybe this is wrong, but I kind of already
have an idea who people are. You know what I'm saying.

(51:28):
So it's like, am I surprised that that happened? No,
I'm not even tripping you feel me? Like my thing is,
I don't lose nothing by not going on lad TV.

Speaker 5 (51:36):
Don't get me wrong.

Speaker 2 (51:37):
That's not to shoot his platform down, like he has
an amazing situation going good stuff, great stuff. Come on, man, Like,
you know what I mean like I go on Fox News,
you know, breakfast club, I go go drink chaps like
it's brothers that guy.

Speaker 4 (51:52):

Speaker 2 (51:52):
It's enough stuff to where it's like I don't feel
like he's holding me back. Yeah, but I'll be honest, I.

Speaker 1 (52:00):
Did think we were friends. I did think we were friends.
That's true.

Speaker 2 (52:06):
And I learned real fast that you're not. Yeah, that
we ain't that type of friend or however he treated
his friends. Yeah, because I mean I had told some
of my friends, no, it ain't never was like cut
me off like or talk to you. You know what
I mean, Like when Pluck told me no, I ain't
gonna give you no pistol, I didn't be like I'm
not talking to you ever again.

Speaker 1 (52:24):
And it just you know what I mean, I got
the message. I respected it. So it's like you told
me no, I couldn't have no grapes trap. I never
told you. Yeah, I never told you know that I
should just quick talking to him the man.

Speaker 2 (52:39):
I never told you no, but yeah, so it's like
it's like, yeah, man, it was so you know, somebody
asked me, what was.

Speaker 1 (52:49):
What did I What did I expect?

Speaker 2 (52:51):
I said, the perfect world Lader called me, cussed me
out and say, you know, we'll figure it out and
come sit down on my shoulder.

Speaker 1 (52:58):
We just had a conversation and.

Speaker 3 (52:59):
Be friends again.

Speaker 1 (53:00):
I don't know if we're gonna be friends because I
don't think he'll ever Is.

Speaker 3 (53:02):
That what you want to be friends again?

Speaker 1 (53:04):
No, I don't want to be nobody's friend.

Speaker 2 (53:06):
Okay, just as I got you, I don't think I've
ever met a person I want to be their friend,
like either we have a synergy like read like, either
either I vibe with you or I don't. And it
ain't nothing personal like that. Don't mean I can't do
business with you, you know what I mean. But it's
like I feel like that would be a way to
deal with it as a man, like you know, you
sit down and I understood why he feels this way. Now,

(53:31):
a regular human being will call him or text him
and say, man, hey, I want to sit down and
talk with you because I feel this way about this situation.
But because Glasses Loca is an artist, you know what
I'm saying, I'm going to put it in my music,
and it just happens to be in front of everybody,
and it's a value to it. Don't get me wrong,
I'm not playing dumb like it's a value to people
learning about this story. But it's still just about how

(53:54):
great I am as a storyteller. Like that's my goal
to keep getting better, to keep pushing the boundaries of
making reardings for people and to entertain them, you know
what I mean? And you know whatever, the worst thing
comes out is black cussing me out, trying to blackball
me every week trying to assume the best thing in
the world is Blad calls me and cusses me out
and say, man, you know we have a conversation, said

(54:15):
man comes in on blat TV. Let me cuss you
out in front of everybody else, and then I could
make sense to you why I feel this way.

Speaker 3 (54:20):
Hey, trap, When that nigga told Glasses, I don't fuck
with you Gases, like what.

Speaker 2 (54:26):
It was surprising because I forgot about it. I was like,
the fuck I do the fla that nigga starts, you
forgot about it?

Speaker 1 (54:34):
Like shit?

Speaker 2 (54:36):
It was like, really, this motherfucking that made all these
mellis and dollars read.

Speaker 5 (54:41):
I'm like, you should have thrown your life away. I
saved you, Like what I had a similar situation like that.
Right was I was moving out. I was moving back
to where i'd that now, and I had needed my
young boy to to help me move out. And I
was about to call him, but he called me, right
he called me. He you know, he didn't been to

(55:01):
They call it Alvin is Glenn. If you look up
Alvin is Glenn. That's like the Youth of Detention Center.
So he's one of those. He didn't been there, out
of there, and I'm trying to you know, I'm trying
to get up, get him right, you know, let him
cut my yard and stuff like that. And so he
called me. I literally about to call and call me,
yoh d I need to So I said, well, come
meet me here because I need you to help me move.
And so we talk about it and I'm like, yo,

(55:23):
this is legal. I can't just give you my legal firearm.
It's gonna come back to me. You know what I'm saying,
Like this is we can't do that. You know what
I'm saying, I get it. And I think they ran
in his brother house, jumped his brother. He young, he
want to go wild out with your registered phone. So
I'm like, you can't do that. So we move and
I'm talking them off because he just got a nice

(55:44):
little shorty. He just moved into our house. You know,
I've been trying to like get him to you know
what I'm saying. He was running in with houses still
in the high phone. Can I you know he's doing
those things all my my car broke down, Like can
I use your phone? He was running off, so he
you know, he got caught up whatever, and so I
was basically trying to tell him like, like this is dumb,
Like we could go over there. Similar like we could

(56:05):
go over there. I can let you get the fair
one if things go crazy. Hey, you know what I'm saying,
because the stany Iniear ground state we could do, you know.
So I kind of try to talk him off. But then,
you know, as the day went on, we moving, you know,
I ain't have much to move, and he like, man,
you know what, you're right. I'm like, man, you got
a beautiful girl. You're young. He was a little younger
than me. I'm like, bro, you smart, you just like

(56:28):
I was. You not a pump, but this ain't you.
You know what I'm saying, Like you not a pump,
but this ain't you. So just go to your girl
house and leave it alone. He's still with his girl
to this day. He doing well. I think he got
a CDL or something like that, you know what I mean,
Like basically changed his life. How we did that, we
could have changed both of our lives.

Speaker 2 (56:47):
And that's how I felt about flat. It was like fool,
Like I saved your life. You go over there and
even play with that. Somebody might make you use that
your life where and you for sure tell so now
I'm gonna throw my life away. Like so it's like
in my mind like that would be the conversation. But
this is also the same person, you know, and I'm

(57:09):
not talking shit. Took him years to apologize the fucking
fair con He was flat out wrong and just didn't
want to apologize. So cuz can't be stubborn, you know
what I'm saying. So he's been seventeen years stubborn with me, like,
and I just don't understand it, Like, nigga, what is
you that mad about?

Speaker 3 (57:24):
Like?

Speaker 5 (57:24):
Cool? What I gotta tell my homieyo, yo, I told
you I told the story on with glasses, you know
what I mean?

Speaker 2 (57:33):
And check like so then he goes on right and
he sues Rose and then he gets the money to
launch this MORETI, this eight figure platform nigga from suing
the nigga over kicking your ass woo, and you was
whooping back and forth to see I look at way,
you know what I'm saying.

Speaker 1 (57:52):
So it's like, so that's what I don't get.

Speaker 2 (57:54):
I just again, man, Sometimes it's like that, Like it's
a lot of people that I met in my life
that that's mad at me for some reason. And you know,
at the end of the day, like sometimes I feel like, damn,
you know, I still got my first friend. Read shout
out to Jaboy Washington that niggas my first friend. That's

(58:14):
like my first friend. I've been that nigga. We've been
friends for forty years. That's my first friend. Like that,
So I judge my character based off that. How old
are my oldest friends. I got friends that I met,
you know, twenty years ago, and I got friends I met,
you know, fourteen years ago. I got friends that I
met my first friend I got. My first few friends
were still friends now my homeboys we all homies, now

(58:37):
what I mean. So I try my best to protect
my people that I consider friends. If glad is somebody
I consider the friend. It's like homie, Like niggas, you're
about to.

Speaker 1 (58:46):
Have a mental breakdown over why you don't understand why
no no, no, no, no no no.

Speaker 2 (58:51):
I'm not going because I'm already honestly, I'm past it.
I'm past why.

Speaker 3 (58:59):
You're right, you don't understand. Like dude, I tried to
help you, like think back twenty years. I did get now,
like I did the right thing.

Speaker 2 (59:06):
Okay, I thought he should have thought that when with
the Walls once that with Ross and you was pointing
niggas out and you sued niggas. I thought you to
say to yourself like man Glass told me, I wasn't
built like this. But it was like now you mad
that you realize you're not like this and this fucked g.

Speaker 4 (59:24):
My thing is right.

Speaker 5 (59:25):
When I realized that you said this, you said, y'all
kind of popped at the same time, right, And I
feel like from what you're saying, from what I hear
from you, is that you you you hip hop saved
your life and you grew into maturity. But I feel
like with guys like Vlad, it's very similar to you know, Aubrey,
where the bigger, the bigger they get, they don't get
humble because they're not from this, They're not nowhere and

(59:46):
even close to it. They actually get a little bit
more egotistical. Do you do you think that's what happened
with Vlad? Because what I'm hearing is that Blad really
probably started being this person when he was around you.
You get what I'm saying. Like, and not to say
directly you, but this is my only intro into old Lad.
You know, as far as like he will, he rocked

(01:00:06):
with you enough to where he'll call you. You get
what I'm saying. Actually, So do you think that's what
happened to him? He just his head just got big.

Speaker 1 (01:00:14):
I think it is that, you know what I mean.

Speaker 2 (01:00:16):
I think it's a pursuit of cool, you know what
I'm saying, And you know, with with some people finding
the level. Look, I heard him called Godfrey a punk
the other day and I was like, you got a bodyguard,
you can't call somebody. He said he ran into Godfrey
and he said he wanted to talk to him, and
Godfrey He's like, all right, whatever, and just kept going.

(01:00:36):
And he said Godfrey had a pistol and it's like
he said, oh, he's just a punk. And I'm like, Nigga,
you got a bodyguard, like I know, you don't try
to squabble cause like like so, I think I think
the money makes him a little like money made people
a little delusional, like they start whining they own jazz,
you know what I'm saying.

Speaker 1 (01:00:55):
And that's what's happening with Drake.

Speaker 2 (01:00:56):
Whereas like you think, because you got some money now
you just everybody's just gone. Boy, some of us can
still see the punkin you like it, and it don't.
Everybody not scared. Everybody ain't scared of no money. Everybody
ain't scared of nothing. Like you could pay somebody over here,
you gonna get them hurt, you know what I'm saying.

Speaker 1 (01:01:12):
It's just it's different.

Speaker 2 (01:01:13):
So it's like I do think as they gain following,
they start to feel like, I don't know, he he
postures a weird way now, like I mean, but it's
always been flast I think the baby he came with
that mentality from up top. I think he came down
here with that. But obviously you you be in the
center comfort the watch. You can't act like that with
us because no, you'll be fooled.

Speaker 3 (01:01:36):
But I think they do think they're smarter than a
little bit.

Speaker 2 (01:01:41):
I mean, I don't know, but I'm just said I
think of his situation, I think so, I think get outside.
I think in his situation it was more or less
like yeah, I think the money kind of made him
feel a lot of other things that maybe he would.

Speaker 1 (01:01:55):
Have felt before.

Speaker 5 (01:01:57):
Because that's what I was getting. I'm like, man, last
seemed like he was in DC. It seemed like he
he kind of tried you, you know what I mean, like, oh,
you know what you said? Why would you? Why would
you insinuate that I'm.

Speaker 1 (01:02:09):
Listen he was talking. I'm telling you, I was listening
this nigga like, nigga, what and never tell I never snitched?

Speaker 2 (01:02:15):
And that's like, then you just gonna pay this snitch
more money than you paid anybody else to do an interview.

Speaker 1 (01:02:20):
That's the fact, like where we're from, and I get it.

Speaker 2 (01:02:22):
That's why you that's why you're doing so well with
business because your moral compass don't hold you back on
this type of I wouldn't talk to six six nine,
couldn't pay me a million dollars to talk to him
real now, let alone pay him to be on my
Channel six nine couldn't pay me a million dollars to
sit down and do an interview with him? Like what
the fuck would I talk to you about? There's only

(01:02:44):
one thing we need to talk about. How you gonna
kill yourself. That's the only thing I want to know.
How you're gonna kill yourself. You should be a shame
of yourself. Like how do you look at your face?
How you look at your parents in the face? How
do you you know that's all a masking? Like how
do you look at these people in the face? How
do you know you ruin these people? Like how do
you know that you couldn't be a man? Like when
you put like you know, like we wouldn't even have

(01:03:06):
a good conversation. We might as well just fight, you
know what I mean? Like what are we gonna talk about?

Speaker 4 (01:03:10):
So with it?

Speaker 6 (01:03:11):
I think when anybody sits down with him, though they
don't ask him the real questions though, anytime that happens
like that, you know what I'm saying, like like like
where's your mind at right now? What you did to
these people when took people away from their kids and
their family and anything like that? Though, you know what
I'm saying, Like how you feel about they don't asking
those quests. They ask him the questions that he that
he I think it comes with the questions for them
to ask them basically in times though when he doesn't interview.

(01:03:33):
So I just don't watch him though, So I don't know.

Speaker 1 (01:03:35):
I just think I just think part of it is
black just don't care.

Speaker 5 (01:03:39):
Yeah, black can't ask those questions, don't.

Speaker 2 (01:03:40):
Like what does Jagle look like asking another nigga about
telling because he mean so like and that's the thing,
Like he carried himself when I first met him, like
he wasn't no civilian, that was his whole thing. Like
he was on some timing and it was like ogous,
see right, Like I knew you wasn't on no timing.
I mean, but that's how you presenting yourself.

Speaker 5 (01:04:01):
My favorite line on song glasses, I was right as
black blood rags up was right as blood. This reference.

Speaker 1 (01:04:17):
He not streaming at least and Broly check it.

Speaker 3 (01:04:20):
Now.

Speaker 2 (01:04:20):
People think you police well not me, niggas telling them theyselves,
But you got to understand these is feeling, These are
fellas chasing.

Speaker 1 (01:04:26):
Well, So please don't use this like a tool, you
know what I mean?

Speaker 4 (01:04:30):
Like and and.

Speaker 2 (01:04:32):
Like I put the burden of oners on us, But
I understand also when you're trying to become something. It's like,
I don't put the burden of new gang banging on
people that want to be gags. I understand why people
want to be from gangs. Who the fuck wouldn't want
to get an army on command, Who wouldn't want to

(01:04:54):
get a level of respect by just saying you're affiliated.
Who wouldn't want to get access to earning money in
the streets with a team of people, who wouldn't want
this type of social currency to be a part of
this group. I get why, even when you too stupid
to realize your life is that you know is in
jeopardy from doing it because it seems like such a
short sighted idea, you want that social currency. I put

(01:05:19):
the on this of responsibility on the game. Why do
you want this nigga? Why would you let this nigga
inherit the power of this army, the the power of
this army, the social currency for him?

Speaker 1 (01:05:32):
Nack like he one of us.

Speaker 2 (01:05:33):
So we go tell a bench and get some pussy
because she thinks he a truper. This nigga's a pump.

Speaker 1 (01:05:37):
The whole time.

Speaker 2 (01:05:38):
So I feel like that even with Vladd, it's like,
I mean, I could put the on this, I could
put responsibility on bla Blad, don't you. But it's like
he making money. I get why, but he not if
he's not paying all of them people, you know what
I mean? Like, now, if he's paying you, man, do
your thing. But if you just doing the interview with

(01:05:59):
Lad because of like you're trying to be popular, that's
a different conversation.

Speaker 6 (01:06:09):
I mean you're talking about somebody sitting down with Bladd
and telling their story the Blad. What's the what won't
be the reason if somebody want to do.

Speaker 3 (01:06:17):
That is what? No.

Speaker 2 (01:06:19):
I get why, I get why. I understand what it
could do for you, But why are you doing it
for free?

Speaker 4 (01:06:25):
Okay?

Speaker 2 (01:06:26):
Yeah, I mean like why for free? Like I say
all the time, I tell the homers all the time,
somebody want to be from the set that they have
to pay dues? Yeah, like you know what I mean, Like, well,
dang't got no job. They shouldn't be gang banging. They
need to go find a job. They got three priorities.

Speaker 3 (01:06:44):
Fucked up the hustling they should be doing.

Speaker 1 (01:06:47):
You ain't got nothing you can't afford thirty six dollars
a month or something. It's crazy.

Speaker 3 (01:06:51):
You're gonna get that. Charity can go door to door.

Speaker 5 (01:06:53):
Go get on the go, get on g R, go,
get on General Relief.

Speaker 1 (01:06:57):
Give us a fifth for the check.

Speaker 4 (01:06:59):
You know what I'm saying.

Speaker 2 (01:07:00):
You get to climb the fame of a of a game.
I've been telling a gang member this for a while.
We should be charging people to be down. If you
didn't grow up in the neighborhood, Like, if you didn't
grow up on this street in this neighborhood, you not
family members with people, You not born into this. Man,

(01:07:21):
it should be a you should have to pay money
and yo yo. Shit should only be if it's in
good standing.

Speaker 4 (01:07:29):
Don't pay.

Speaker 3 (01:07:29):
But you must have hands, I mean at least.

Speaker 2 (01:07:33):
But I get it if you put on somebody that
got hands, because now you got a squabbler, Yeah, you
got squabbling. I mean, but they be putting on straight
people that you gotta make tough. You ain't saw good. Yeah,
but that's like if you're a ride, if you're a
truth or I get why they put you on. You
you gain another infantry man. If you a baller, you
gained somebody that's making money. If you put on a squabbler,

(01:07:54):
you goat somebody got some mans. Why are you putting
on little Tim over there? Tim, here's a more work,
not like hey, but Tim is like a project. Why
are you taking on project? Why are gangs in twenty
twenty five taken on projects?

Speaker 4 (01:08:09):
It's number.

Speaker 3 (01:08:13):
Man?

Speaker 2 (01:08:14):
How are you taking on? You gotta turn You gotta
make him tough. Shout out to my homies that made
me tough. But at least they knew me since I
was a little kid, so they could push the right.

Speaker 1 (01:08:22):
Buddies.

Speaker 2 (01:08:23):
How do you push this man but you don't even
know him. Now you gotta make him tough. I guess
hard making people tough. It's hard making people stand up.
Shout out to pluck, Shout out to man, Shout out
to Boo, Shout out the moon, Shout out to all
my whole tone, all the people that made me who
I am when it comes to street life. They worked shady.

(01:08:43):
I was a project, but at least they knew me
since a little kid. Trapped man, you know what I mean.
So it was like a project. They saw growing up
and they knew how to motivate me. They knew how
far they can go because they know my parents. It
was a way they treated me. But if you don't know,
Look Tim, Tim, why why Tim should be just paying?
It should be a program, like you want people to

(01:09:06):
make you something, you should pay for a monthly.

Speaker 3 (01:09:08):
But Tim come from the suburban area too.

Speaker 1 (01:09:12):
He said, Tim should have to pay. Tim, go to
your mom, get a check.

Speaker 5 (01:09:15):
At least be moving something in the suburbs. At least
being something some pills of South just be you know, freak.
That's how I feel like.

Speaker 2 (01:09:24):
So when people sit down with Ladam, like y'all should
all be getting paid. Now if you're a new artist
and this part of your campaign, totally understand it. But
like it be street niggas. It'd be like look Jojo
from seventy seventy seven, seventy sixth Street, seventy eighth Street.
You know, look Jojo that got out and he did
thirteen bodies in it, and you sit up here on
this man show talk about you know, yeah I strangled

(01:09:47):
him because you know he did.

Speaker 5 (01:09:49):
Why are you this is they pay?

Speaker 2 (01:09:51):
These women are snapped for this. Go to snapped, you
know what I mean? Get some point like no, you're right,
but they want their story to be heard though. Man,
that's what we need to make a snap for game bankers.

Speaker 5 (01:10:05):
That's a fact.

Speaker 2 (01:10:07):
It's just the game baker. Yeah, this nigga told me
my little so I just grabbed a pistol. Once niggas
do their time, and then everybody just tell the story
how they got into it.

Speaker 1 (01:10:15):
It be snapped for crips.

Speaker 5 (01:10:17):
Snapped what you want to Lad might not mess with
you because of the song. It might because it isn't
read my Yeah, he's done.

Speaker 6 (01:10:32):
I have a vision that I think that I think
what comes out of this right now, you're gonna definitely
gonna sit down with But I told you.

Speaker 1 (01:10:41):
That I think he's gonna call me cuss me out.

Speaker 4 (01:10:45):
Because you're gonna have to tell this part of the story.

Speaker 1 (01:10:50):
No, no, I try the visuals. I ain't show read
the vision. That's what I'm saying.

Speaker 5 (01:10:57):
You're gonna be visuals.

Speaker 4 (01:10:59):
Yeah, yeah, different kinds of visions.

Speaker 1 (01:11:03):
Because you how.

Speaker 2 (01:11:05):
But what I'm saying is okay, me and Trap, this
is what we think is lappen. We go speaking the fruition,
then we out here. He gonna call me and cuts
me out. He gonna say that I should have called
him and I was out of line and why I
didn't call him if if if, if I knew he
was mad, and da da da, And i'mna be like, bro,
I talked to you multiple times, like we didn't text,

(01:11:25):
and I didn't even know you was mad. So like,
I'm you're not telling me you upset, like you told Stretch,
you told the hummy to me, you ain't talking to me.
And I think we're gonna talk and I think we
may resolve it for me and then we'll have a
conversation then show. Yeah, what's most likely gonna happen is
he finish cussed me out publicly, you know what I mean.
A couple brothers that probably shouldn't be trying to stand

(01:11:49):
up for him, might find himself doing stuff try to
disrespect me to stand that.

Speaker 1 (01:11:52):
For him, which is gonna be the worst feeling in
the world, you know what I'm saying.

Speaker 2 (01:11:56):
So I think that's kind of what I lean towards happening,
because I think it would take a different energy to
be like, let me have a conversation with somebody I
work with.

Speaker 5 (01:12:06):
Mm hmm.

Speaker 6 (01:12:07):
He's definitely going You're definitely gonna have a sit down
definitely gonna have a sit down. You're gonna tell his
side of the story. You're gonna tell you know what
I'm saying. You already told your side. No, it's nothing.
That's the truth. It's the truth.

Speaker 4 (01:12:19):
You know what I'm saying. It ain't no side. That's
the truth. And he's gonna say not to know.

Speaker 1 (01:12:23):
I just it's if nothing else I would like to know.
Am I wrong?

Speaker 4 (01:12:29):
You wrong?

Speaker 3 (01:12:29):
That's all you want to know.

Speaker 4 (01:12:31):
I told you, I told you that told you wasn't wrong.

Speaker 1 (01:12:34):
I understand why because he ain't wrong, you are wrong?

Speaker 6 (01:12:44):
Is right?

Speaker 4 (01:12:44):
It's a blood right, right, right, right, it's a blood right.
Let's go easy.

Speaker 2 (01:12:55):
They're looking out for tuning into the No Seller's Podcast.
Please do us a favorite, subscribe, rate, comment, and share.
This episode was recorded right here on the West Coast
of the USA and produced by the Black Effect Podcast
Network and not Heart Radio year

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